#I've read and written plenty

[infiniteseriesofhalfways]

I just realized I haven't read a single romance novel this year that didn't have a third act breakup

I am begging for different stakes please

[greenerteacups]

thoughts on Ginny and Harry as a couple?

There are a lot of people who find their romance in HBP forced. I don't think it's forced so much as underwritten, and the books don't get the chemistry quite right (though the movies certainly don't, either). There's potential, but they just don't get enough actual scenes of substance (besides Harry thinking she's pretty or feeling jealous of Dean) for a lot of readers to buy that they're not only in love, but deeply enough in love to break up, get back together, and wind up married.

That's not to say I don't see the appeal. There's a very cool scene in Book 5 where Harry's doing a woe-is-me-Chosen-One act, and Ginny effortlessly puts him in his place about it by reminding him that she was possessed by Voldemort at eleven, which is a rare glimpse into her character and also a great synecdoche for their relationship — Ginny is a grounding presence who, like Ron and Hermione, isn't going to be awed by his past adventures because she knew him before they happened. In that respect, Ginny's probably one of the few women Harry could feasibly wind up with, because he only ever seems comfortable around people (let alone girls) who can see past the Chosen-One schtick and treat him like a normo (see: Ron, Hermione, the Weasleys, Luna, Hagrid). True to type, he doesn't get interested in Ginny at all until she's ditched her celebrity crush and ceased to view him as an idol, because in his heart of hearts, Harry wants to be a normal boy, and it's stressed over and over that part of what he likes about his relationship with Ginny is how normal it feels. He kind of has a horribly supercharged version the celebrity dating problem: after the Battle of Hogwarts, anyone he meets is going to know him first as Harry Potter, Chosen One, Boy Who Lived, and Actually Fucking Resurrected Messiah of the Wizarding World, which is... I mean, it's possible that there are witches out there who could get over that, but Harry's not an extroverted guy, and I'm not sure how he'd go about finding them. Ginny's the one who's been there since the beginning, doesn't need anything about him or his past explained to her, and actually likes him for who he is.

When you look at it that way, it's not surprising he married his high school girlfriend. She's one of the few people still alive who doesn't see him as a demigod.

[tacomedli]

Tainted Hero - Chapter 1

Sooooo I'm gonna try to start writing this story again, it was started in 2021, posted to ao3 in 2023, aaaaannnnd I never got past the first chapter. But here's to hoping! Anyway this chapter is already on ao3 obviously but I figured I might as well post it here too as something to get me started again.

Sneak peek:

Warriors barely glanced at them as this was happening, but in the split second that he was distracted he heard another cry--this time coming from none other than Legend. The captain watched in horror as vines of a black something crawled up the vet’s body, coming from--coming from his shadow.

“LEDGE!” Wars ran forward, not really having a plan but knowing he had to reach their veteran. The other heroes were shouting behind him, and he heard the thud of boots running in his direction, but he ignored it.

“I’m fine,” Legend bit out, then grabbed one of his legs and yanked. “I just can’t move.”

Warriors wrapped his arms around Legend’s torso and pulled. No luck.

The black grew steadily, now climbing up his waist. This was not good. 

Full chapter under the cut!

The monsters were infected, of course. It had been a while since Warriors had seen any that hadn’t been. In fact, the last time had probably been back before he’d met the other Link’s. What had caused all this strengthening black blood, anyways? Probably Dark Link, as he’d appeared in battle a few times to watch them from afar.

The heroes had grouped off into pairs, watching each other’s backs, with Wolfie helping out where he could. Twilight was nowhere to be seen, as he’d been off fetching more firewood when the ambush had happened. Hopefully he hadn’t been caught by monsters himself.

Warrior’s train of thought was interrupted by a particularly heavy slash from the lizalfos he was currently fighting against, and he almost staggered under the weight.

Keeping his balance was difficult on the uneven terrain, reminding him that they still had no idea whose time they were in--if anyone’s at all. Wars gave one final stab through the flesh of the lizalfos, piercing it through the heart. With an agonized squeal and a puff of purple smoke, the enemy was gone forever. The hero took a deep breath and turned around, looking for anyone who needed help.

His eyes widened when he saw the Shadow himself, the despicable Dark Link, sitting lazily in the branches of a nearby tree, his expression somewhere between amused and bored. 

“Time!” Warriors shouted, throwing a look over his shoulder at their unofficial leader. “The Shadow is here!”

Eight pairs of ears (though one covered in fur) perked up at that. If only these monsters would give them a break so they could face the real threat!

Time grunted in response, unable to move away from the two stalfos that were currently circling him. Wolfie bounded up to him, snarling and making to bite the ankles of one of them. Time spared the wolf a glance, his grip on the Biggoron Sword tightening. “Wolfie, I got this! Go help Warriors!”

Wolfie gave a sharp bark in return, then turned around to scan the battlefield for royal blue and midnight black. 

It wasn’t hard to spot. War’s blade flashed silver in the sunlight; scarf billowing out behind him. Dark Link’s grin was eerily wide as he slipped down from the tree limb, not bothering to equip any sort of weapon.

Wolfie’s eyes narrowed as he sped toward them. If the Shadow was unconcerned with the danger surrounding him, then he must have something up his sleeve yet. Wolfie wished briefly that he was human right now, so he could shout some sort of warning to be cautious in Warriors’ direction. 

At that moment, Warriors risked a look behind his shoulder. He’d heard Time’s yell, so it didn’t surprise him when he saw Wolfie coming closer. What did surprise him was the blur of red and green that matched an arrow’s speed, and the fierce battle cry as the Tempered Sword was raised high.

Legend.

Dark Link didn’t move until the last possible second, whipping out a blade that was black as coal to counter golden orange as Legend slammed into him. Warriors didn’t even know where the black sword had come from--but knowing Dark Link, it was probably summoned by dark magic or some other evil spell thingie.

Said Dark Link was unharmed from the attack, but even so, the force with which Legend hit the Shadow’s blade sent them both skidding forward a few feet--or backwards, in the Shadow’s case.

The latter still grinned as he pushed against the interlocking blades with a shove, forcing Legend to jump back. By this time Warriors had reclaimed his wits, and after taking a deep breath, charged the Shadow head on.

Dark Link was light on his feet, however, if the next minute proved anything. He barely even used any sort of magic as he alternated between defense and attack with his opponents, Wolfie included.

Neither side was gaining, though the heroes seemed to be the only ones growing tired. They’d been battling a camp of monsters up until now, after all, while Dark Link had only laughed to himself as he watched from the safety of an oak.

Upward swing, jump back. Spin attack, shield. Dodge, jump back. Swing again--

Warriors could feel the beads of sweat rolling down his temple, and was all too aware of a surprisingly painful pebble in the bottom of his right boot. How much longer was it going to take before someone else came to help? He’d like to think the three of them could take the Shadow on themselves, but he’d learned long ago that underestimating the enemy was no small mistake.

Wolfie jumped to bite Dark Link’s arm, but as he’d done countless times before, the Dark side-stepped him while simultaneously clashing swords with Warriors. That eerie grin was finally gone, but there was a glint in his eyes that Wars didn’t like one bit.

Legend threw himself forward yet again, hoping to get in an attack while the Dark was occupied. However, Dark Link vanished into thin air just before Legend could reach him, causing Wars to stumble from the sudden lack of pressure.

“Argh!” Legend whirled around. “Where are you, you--”

Warrior’s eyes widened. “Leg, look out!” he yelled as the Shadow reformed behind the veteran. 

Legend knew exactly what Warriors’ warning meant, and that if Dark Link was truly behind him, there wouldn’t be any time to turn around before he was quite literally stabbed in the back. So instead, he opted for a spin attack.

Which probably would’ve worked--if Dark Link wasn’t insistent on showing off his teleportation magic. Or in this case, his ability to merge with the hero’s shadow. Legend stepped back quickly as soon as he realized what had happened, but of course, his shadow followed.

Wolfie snarled, but heard an indignant yelp as Wind was disarmed by a stalfos a few feet away from them. He sprinted to the boy’s rescue, clamping his teeth down hard on the culprit’s neck as Wind hurried to retrieve his blade.

Warriors barely glanced at them as this was happening, but in the split second that he was distracted he heard another cry--this time coming from none other than Legend. The captain watched in horror as vines of a black something crawled up the vet’s body, coming from-- coming from his shadow.

“LEDGE!” Wars ran forward, not really having a plan but knowing he had to reach their veteran. The other heroes were shouting behind him, and he heard the thud of boots running in his direction, but he ignored it.

“I’m fine,” Legend bit out, then grabbed one of his legs and yanked. “I just can’t move.”

Warriors wrapped his arms around Legend’s torso and pulled. No luck.

The black grew steadily, now climbing up his waist. This was not good. 

Suddenly, Sky was there. “I have an idea,” he said, looking to Wars.

“Well, let’s hear it,” the captain replied, voice clipped. “Doesn’t look like we have much time here.”

Sky nodded, then held up the Master Sword. Sacred light climbed the blade, preparing it for a Skyward Strike.

“Oh, none of that, please,” came the disembodied voice of Dark Link. “If you’re going to be so rude, I think I’d best take my leave.”

Legend inhaled sharply as the black vines grew higher with increased speed, beginning to cover him—

“NO!” Without a second thought, Warriors lunged to grab ahold of his friend, unsure of what this strange magic would do and not really wanting to find out.

His fingers barely grazed Legend’s shoulder when there was a sudden flash of light, and he was no longer in the middle of a battlefield. His stomach grew nauseous and he was light-headed, and before he knew it he was keeling over and everything hurt and something felt wrong and—

Warriors’ eyes peeled open, and he blinked a few times. He immediately noticed two things: one, they were in a very dark and ominous prison cell, and two, Legend, who was slumped on the ground next to him, wasn’t moving.

Great. Just great. This was wonderful.

[seventh-district]

again and again i find myself lamenting that audio roleplay isn't taken more seriously by some people. like yeah, they often have a romantic element, and by nature they usually directly involve/address the listener- and i totally get that those things aren't to everyone's taste. no art or entertainment is universally appealing, and that's okay! but.. it still makes me a lil sad that the "cringe" reputation of asmr/audio rp precedes it. there's a whole lot of talent and creativity being poured into these audios by so many people that i feel goes unrecognized and/or disrespected simply due to the medium that the stories are being told through.

[bookwyrminspiration]

this love will end today <- ao3 link

hi!! this is a ruedacted midas au I wrote for @thatrandomlemononyourcounter1 for the @kotlcfairytale exchange! i hope you enjoy <3

summary:

Prince Brant's kingdom is crumbling from the inside out, coffers running dry, but he learns wishes may be more than stories. When he runs into Jolie Ruewen, a bold avian expert, he's enchanted on the spot, and asks her to come back--she doesn't mind, as the palace has something she wants, and she needs time to find it. From different worlds, they find themselves drawn to each other and pushing the lines of decorum, but can it last?

warnings: major character death, implied animal sacrifice, (briefly) implied drinking/drunkenness

word count: 21.2k

[filmnoirsbian]

I had to make that post unrebloggable bc no group of people has more of a victim complex than people who love fanfiction

[ljf613]

1, 9, and 10 for Encanto :)

1. the character everyone gets wrong Not a specific character, per se, but I think people tend to misunderstand what's really happening in "We Don't Talk About Bruno"-- and, by extension, how the Madrigals (and the rest of the Encanto) actually feel about Bruno. At face value, the song claims that nobody talks about Bruno because he's creepy and weird and bad luck they all kind of hate him. Which may make a little bit of sense if all we were shown was that one song... but when you actually look at the whole movie, it doesn't add up. If we'd rather pretend Bruno doesn't exist, why is he being painted into brand-new murals featuring a nephew he's never met? Why are we even going into a whole long rant about how much we don't like him instead of hushing it all up? Why would he be the one consulted when Mirabel didn't get a gift? Why does Julieta tell Mirabel that Bruno "lost his way in this family"? Why does Abuela argue that "Bruno didn't care about this family"? And why is everyone so quick to welcome him back at the end-- not to mention absolutely ecstatic about his return? Because the real reason they're all so upset is not because of Bruno's gift-- it's because he left. They're angry and hurt that he would pick up and disappear without a word of explanation. They feel betrayed. And they also feel guilty, because deep down they think that their displeasement with his prophecies might have driven him away. And those aren't pleasant feelings. They're painful and messy and extremely uncomfortable. It's just so much easier for everyone to tell themselves that they're better off without him. To think about all the reasons they shouldn't want him around. To say that they don't need to blame themselves because Bruno was the one who was always in the wrong. To focus on all the little wounds and resentments of the past rather than on the gaping hole that's been left in their lives. Because the truth is that they all love Bruno just as much as he loves them. (I also think a lot of people fundamentally misunderstand Mirabel's motivations and character arc, but that's a rant for another time.)

9. worst part of canon I don't like the way that, right in the middle of the story, Dolores is suddenly treated like a blabbermouth who doesn't know how to keep her mouth shut. This makes no sense. We know that Dolores can keep a secret-- not only did she manage to hide her crush from everyone, she also knew exactly where Bruno was for ten years without ever telling anyone. Not to mention that she can literally hear everything going on in the entire town, which means she probably knows lots of secrets that she's kept to herself.

10. worst part of fanon People who include DNIs in their fanfics. (Especially when they do it in the tags. Those are supposed to be used to explain what the actual story is about! They're there to help the readers!) Imagine trying to police who can and can't read your publicly posted stories because you don't agree with what ships they like.

Send me an ask that may incite violence.

[leonstamatis]

also, belatedly joining the trend started by hen wtc and followed by others by creating an ao3 collection of some of the blaseball fics i'm proudest of. it's by no means comprehensive, but these are i think the major ones i'd like to point people to if they're looking for things to read.

[direwombat]

too scared to say it on my main and i feel like y'all here might understand but like...the way booktube talks about romantasy and dark romance as genres really doesn't jive with me :/

[found--family]

😪

[fazcinatingblog]

I tried to search the Italian comedy show on the official MICF website and there's nothing about it wtf it's all in my head. Someone planted a fake show in the comedy festival magazine that I just happen to pick up and they're trying to lure me out to Thornbury with cryptic clues and

[autolenaphilia]

It's funny how clearly uninformed a lot of criticism of Mozilla and its browser Firefox is. Like people say "it's just another corporation, out to make profit, just like Google." And that ordinary users promoting Firefox are just giving them free advertising.

It's in basically any post criticizing Mozilla, including on this site. Like using tumblr search I quickly found a post that was largely positive, but argued that Mozilla operates "under capitalist incentives" And outside tumblr I found a blog post out on the interwebs that criticized Mozilla and outright wondered "I don't know if Mozilla's business model ever made sense, it makes a lot more sense if it's something closer to a nonprofit rather than a commercial entity."

Well, let's research the Mozilla Corporation, see what that business model actually is. Let's begin that research by going to the wikipedia article, and read the two introductory paragraphs. And it turns out that it's "a wholly owned subsidiary of the Mozilla Foundation", which is a non-profit.

"The Mozilla Foundation will ultimately control the activities of the Mozilla Corporation and will retain its 100 percent ownership of the new subsidiary. Any profits made by the Mozilla Corporation will be invested back into the Mozilla project. There will be no shareholders, no stock options will be issued and no dividends will be paid. The Mozilla Corporation will not be floating on the stock market and it will be impossible for any company to take over or buy a stake in the subsidiary."

Turns out that it is not just "closer to a non-profit", it is literally a non-profit. Turns out you only needed two paragraphs on wikipedia to learn that, the most basic online research possible, which basically every post I found criticizing Mozilla failed to do.

This is entirely different from any other entity calling itself corporation, which is all about creating profit or money for its shareholders, the "capitalist incentives" spoken about earlier.

If you read further into that article, you will learn that the Mozilla corporation literally only exists separate from the foundation for tax and legal purposes, but it's still a non-profit operation.

This makes it reasonably immune from the enshittification process I've written about before. there is no incentive to fuck over the experience for end users for the sake of shareholder profits, like what tumblr is doing right now.

It means that Firefox is an exemption to the rule that "if something is free, you are the product", because there is no product to produce profits for shareholders, it's a charitable endeavour for a free and open internet, as laid out in the Mozilla manifesto.

This doesn't mean non-profits make corruption impossible, there is plenty of corruption in non-profit foundations. But unlike actual capitalist corporations, it doesn't have the greed and corruption built in. And if you are going to criticize Mozilla and Firefox, which it does sometimes deserve, you should have your basic facts straight before doing so, if you expect me to take you seriously.

[moonstruckme]

Heyyy! So I'm obsessed with your writing! Your EMT series might be my favourite thing I've ever read.

I was wondering if I could request an EMT Marauders x reader story where she gets really sick but thinks it's nothing and downplays it to them, only for it to end up being Pneumonia or something. And maybe they feel guilty for not realising it sooner?

I know you've probably already written something similar to this so no worries if you don't feel like writing it but I'd love to see your take it if you decide. Hurt/comfort is my favourite trope in the world. I just can't get enough of it!

I hope you're doing well!

Thanks gorgeous, hope you're doing well too <3

cw: pneumonia

emt!marauders x fem!reader ♡ 1k words

You make sure there’s plenty of honey in your tea when the boys get home. 

“Hi,” you greet them, pleased when your voice comes out semi-normal. 

“Hey, gorgeous.” Sirius flops onto the sofa, nearly on top of your curled-up legs. “How was your day?” 

You try to keep your answer brief, your cough plied into submission with honey and warm tea but not for long. “Good. Got some things done.” 

You don’t mention that after every one of those things you’d had to have a thirty-minute lie down, or that many of them involved disinfecting surfaces you’d accidentally coughed near. 

“Being sick isn’t an opportunity to get things done.” Remus sinks into his chair, leveling you with a reprimanding look. “You’re supposed to be resting.” 

You shrug. “The only reason I haven’t been at work is because—” A couple of coughs fight their way out of you. James’ expression pinches as he sits on the arm of Remus’ chair, but thankfully the fit passes quickly. You take another sip of your tea. “Because I don’t want to pass it to anyone. I think I have to go back tomorrow, though.” 

Sirius makes a soft tsking sound. The boys are all still in uniform, his tattoos peeking out from the short sleeves as he traces looping circles on the side of your knee. “But you’re not better yet.” 

“Yeah, but I’m running out of sick days.” 

James frowns. “How long has it been?” 

You bring your tea to your lips, avoiding meeting anyone’s eyes. “I’ve been out for a week.” 

“But you were sick for a while before that,” he says. “What is that, ten days? Eleven?”

You shrug. 

Sirius is looking up at you with a puckered brow. “Do you feel like you’re getting better?” 

“I think so,” you say optimistically. It’s quickly undermined, however, when you’re caught up in another coughing fit. You have to set your tea down to keep from spilling it, holding a tissue over your mouth. 

James’ eyes widen, and Sirius sits up to rub your back. 

“That doesn’t sound very good,” James says. 

“No,” Sirius agrees. He reaches to feel your face, but you brush him away. 

“Don’t-—ack—don’t get too close. I don’t want to get you sick.” 

“I’m not gonna get sick, you baby.” He pushes past your hands. “Let me do my job.” 

“You just got off work.” 

“Yeah, well,” his voice softens, taking on a sympathetic hum as he lays his palm flat to your hairline, “maybe I maybe I was talking about my boyfriend job.” A pause. “I think your fever’s gotten worse, my love.” 

You whine. “Really?” 

“‘Fraid so. Have you noticed your symptoms getting worse at all?”

“I don’t” —you cough and reach for your tea again— “think so.” 

“Dove,” Remus says warningly. 

“It’s hard to tell,” you admit. “It’s moved around.” 

“Like where, honey?” James asks. 

“Like, in my…” You feel your throat contract, another fit brewing. You touch a hand to your sternum to avoid speaking. 

“In your chest?” Remus infers. 

You nod. 

He hums and moves to sit on the coffee table, his knees touching yours. You try to warn him away, but Remus shushes you gently. “Let me look at you.” 

He brings one hand to your face, feeling the way Sirius had, and touches the other to the pulse point on your neck. His touch is gentle and cool against your warm skin. You don’t know what exactly he’s looking for, but you find yourself fighting the urge to fall asleep in the basin of his palm when it slips down to hold your cheek. 

“You don’t need to talk,” says James, “but just nod yes or no, okay? Have you noticed yourself feeling more tired lately?” 

You nod tentatively. 

“Yeah? Less appetite?” 

You frown. “I don’t think—” You’re cut off by your own hacking. 

“One week off work, and she completely forgets how to follow instructions,” Sirius teases, rubbing your leg. 

“Terrible patient,” James agrees. 

“Alright,�� Remus says once your fit ebbs. “I don’t have a stethoscope, but can you turn sideways for me?” 

You do, confused. Remus puts his ear to your back. You must make an odd face, because Sirius grins at you, reaching over to pinch your chin affectionately. 

“Take a deep breath,” Remus instructs. 

You try, but it doesn’t get far. Your lungs expand maybe halfway before you’re coughing again, horrible, wracking coughs punctuated by stabbing pains in your chest. Remus sits up after a few moments, rubbing your back. 

“Sorry,” you manage. 

“Why are you sorry?” Sirius pulls you into him, cradling your head to his chest. “That sounded like it hurt, huh?” 

“Yeah,” Remus answers for you, brows bent with sympathy. “I’m sorry, sweetheart. At least now we can get you some medicine, though.” 

You cough weakly. “You can?” 

“Sounds like pneumonia?” James asks Remus. Your boyfriend nods. 

Sirius coos, petting your head. “I’m sorry, baby. I was thinking it was just a cold.” 

“It’s not your fault,” you croak. “I was, too.” 

“Feels like we ought to have known the difference, though,” James admits. When Sirius gets up, he’s quick to take his spot, tucking you underneath an arm. 

“Where are you going?” you ask Sirius. 

He’s putting his shoes back on. “To get someone to write you a prescription. The sooner we get you on antibiotics, the better. It’ll give you something to show your boss, too.” 

“I don’t need to come with you?” you ask hopefully. 

He winks, grabbing his keys. “Perks of knowing people at the hospital.” 

“Perks of flirting with the doctors, he means,” Remus mutters after he’s gone. 

“Hey,” James laughs, giving his boyfriend’s knee a playful squeeze, “it works out for us, doesn’t it?” 

“Sometimes,” Remus allows. He fixes his gaze on you. “Anything we can do to help you feel better, sweetheart? Do you want to try a hot bath? Steam would be good for you.” 

You look down into your now cool mug. “Could I have some more tea?” 

He takes it from you with a kiss to your head. “What a silly question.”

[docholligay]

Do you think authors sometimes don't realize how their, uh, interests creep into their writing? I'm talking about stuff like Robert Jordan's obvious femdom kink, or Anne Rice's preoccupation with inc*st and p*dophilia. Did their editors ever gently ask them if they've ever actually read what they've written?

Firstly, a reminder: This is not tiktok and we just say the words incest and pedophilia here.

Secondly, I don't know if I would call them 'interests' so much as fixations or even concerns. There are monstrous things that people think about, and I think writing is a place to engage with those monstrous things. It doesn't bother me that people engage with those things. I exist somewhere within the whump scale, and I would hope no one would think less of me just because sooner or later I like to rough a good character up a bit, you know? It's fun to torture characters, as a treat!

But, anyway, assuming this question isn't, "Do writers know they're gross when I think they are gross" which I'm going to take the kind road and assume it isn't, but is instead, "Do you think authors are aware of the things they constantly come back to?"

Sometimes. It can be jarring to read your own writing and realize that there are things you CLEARLY are preoccupied with. (mm, I like that word more than concerns). There are things you think about over and over, your run your mind over them and they keep working their way back in. I think this is true of most authors, when you read enough of them. Where you almost want to ask, "So...what's up with that?" or sometimes I read enough of someone's work that I have a PRETTY good idea what's up with that.

I've never read Robert Jordan and I don't intend to start (I think it would bore me this is not a moral stance) and I've really never read Rice's erotica. In erotica especially I think you have all the right in the world to get fucking weird about it! But so, when I was young I read the whole Vampire Chronicles series. I don't remember it perfectly, but there's plenty in it to reveal VERY plainly that Anne Rice has issues with God but deeply believes in God, and Anne Rice has a preoccupation with the idea of what should stay dead, and what it means to become. So, when i found out her daughter died at the age of six, before Rice wrote all of this, and she grew up very very Catholic' I said, 'yeah, that fucking checks out'.

Was Rice herself aware of how those things formed her writing? I think at a certain point probably yes. The character of Claudia is in every way too on the nose for her not to have SOME idea unless she was REAL REAL dense about her own inner workings. But, sometimes I know where something I write about comes from, that doesn't mean I'm interested in sharing it with the class. I would never ever fucking say, 'The reasons I seem to write so much of x as y is that z happened to me years ago' ahaha FUCK THAT NOISE. NYET. RIDE ON, COWBOY.

But I've known some people in fandom works who clearly have something going on and don't seem to realize it. Or they're very good at hiding it. Based on the people I'm talking about I would say it's more a lack of self-knowledge, and I don't even mean that unkindly. I have, in many ways, taken myself down to the studs and rebuilt it all, so I unfortunately am very aware of why I do and write the things I do most of the time. It's extremely annoying not to be able to blame something. I imagine it must be very freeing. But it ain't me, babe.

Anyway, a lot of words to say: Maybe! But that might not stop them from writing it, it might be a useful thing for them to engage with, and you can always just not read it.

Also, we don't censor words here.

[mothandpidgeon]

Unrequited (bfd! pre-outbreak!/Jackson!Joel Miller x f!reader)

Moth's Masterlist // follow @mothandpidgeon-updates and turn on notifications to stay updated with my fics!

pairing: bfd! pre-outbreak!/Jackson!Joel Miller x f!reader

rating: E 18+MDNI

summary: You arrive in Jackson 22 years after the outbreak only to be reunited with your best friend’s dad, the man that stole your heart and broke it when you were fourteen– Joel Miller.

contents: best friend's dad, age gap, outbreak night (nothing that isnt in ep 1), big angst, abandonment issues, brief suicidal ideation, daddy issues, grief, Joel guilt, unprotected p in v sex, reader doesn't know where Jakarta is, reader is not described physically but Joel picks (adult) reader up, moth never uses y/n.

wc: 9k

a/n: This has been a bitch to finish but I'm quite proud of where it ended up. It's the longest os I've written which makes me nervous nobody will want to read it but I hope you do.

Thank you a million times to @ezrasbirdie for making me finish this and betaing. Also thank you @lowlights for listening to me ramble on this! Dividers by @saradika-graphics

Old man, take a look at your life. I’m a lot like you. Neil Young

You’re waiting for Sarah on the front steps when she gets home. School ended nearly two hours ago and you’ve been sitting here a ball of nerves. The whole world seems to be uneasy this afternoon. You notice sirens, a team of fighter jets scrambling above. It's like your anxiety has spilled out of your chest and it’s taken life all around you. 

You finger the corner of your notebook. On the inside are doodles— hearts and bubble letters. Juvenile daydreams put to paper. Your first name and after it his last, testing out the sound of who you would be if only you’d been born in a different decade. Mrs. Miller. 

Sarah doesn’t look very happy to see you. It’s been two weeks since you’ve talked to her and you’ve never felt more lonely. 

Her words still ring in your ears. 

“It’s like you’re in love with my dad.”

“No I'm not!” you said, your whole body tingling with the heat of embarrassment. You’d never felt so exposed in your life. 

“Sometimes I think that’s the only reason you’re even friends with me,” she said. 

You've been ruminating on that accusation ever since. You pine for Mr. Miller the way only a fourteen year old can. It’s the kind of infatuation that makes you understand how Romeo and Juliet ended in tragedy. All-consuming, unrequited, so in love it hurts.

So maybe Sarah’s right. Your heart flutters every time Mr Miller appears in the kitchen, wearing a dark t-shirt that hugs his biceps. You try not to stare at his aquiline nose when he drives you home from Sarah’s soccer games. Sleep overs at the Miller’s house mean more opportunities to be around him, learn the little details that make him him. And there were plenty of sleep overs because your parents are always so busy fighting, they never bother to keep track of you. 

But you’ve been in agony without your friend. It’s a pain sharper and more present than the yearning you’ve felt for Mr. Miller. You’ve talked to her every day since you moved to Austin in fourth grade and since this fight, there’s been an empty space in your heart. 

“Hi.” You stand up, hoisting your backpack awkwardly over your shoulder. 

“I’m supposed to go next door,” Sarah says. 

“Can I just talk to you for a minute?” you ask. 

She sighs but opens the front door with her key and lets you follow her into the living room. 

“I’m sorry,” you say before you lose your nerve. “You’re right. I like your dad.”

It’s probably the most embarrassing thing you’ve ever owned up to. You wish you could explain to her that you know how silly it is to be in love with a full grown man, your best friend’s dad. It’s not like he’ll ever see you as anything other than a kid. 

You can’t put into words how he makes you feel. It’s not just his broad shoulders or chocolate eyes, though it’s undeniable that he’s gorgeous. He asks about school and comes to see you in the musical. Joel is an adult that actually gives a crap about you. 

You want to tell Sarah that one of the reasons you love her father so much is because of her. Because he’s such a good dad, because he raised such a cool, funny, smart daughter. That Sarah makes him better. 

It’ll take years for you to find words for all of that. So you just do your best right now. 

“I can’t help it. I wish I could,” you say. 

That’s true. And not just because your crush has made you lose your only friend. It’s exhausting to feel such a powerful longing, to want something you know you’ll never have. It’s torture. 

“But you’re my best friend. And that’s not why. I promise,” you say. 

Sarah sighs heavily, her pretty hazel eyes full of remorse. 

“I’m sorry,” she says. “I shouldn’t have said that. I just get jealous sometimes.”

“I promise I won’t make you feel that way ever again. I could never like him more than you,” you tell her, sitting beside her on the couch and looking her in the eye so she knows you mean it. “He’s…old.”

You both laugh. 

“He’s so lame. This morning he said that Jakarta is in the Middle East,” she giggles. 

You don’t know where the hell Jakarta is but of course Sarah does. You throw your arms around her. You’ve missed her so damn much. The past two weeks have felt like two decades. 

“I’m sorry,” you tell her. 

“Me too.” She returns your embrace. “Do you have to go home? You can sleep over if you want. It’s my dad’s birthday but I don’t think he’s going to be home until late.”

Your heart twinges at the offer and not because it means you might see Mr. Miller at breakfast. You won’t even look at him again. Tonight is about your friend.

You end up watching some corny action movies and gorging yourselves on microwave popcorn. Everything feels right again. You don’t think about Mr. Miller. In fact, you’re grateful that his double has gone over into a late night so you don’t have to be in the same room. You’ve sworn to yourself that you’ll act normal around him but you’re not sure that sheer willpower can stop you from getting butterflies when he’s right there. 

At some point, you pass out in front of the tv, happier than you’ve been in a long time. 

Sarah nudges you awake sometime after midnight, concern all over her face. 

“Was I snoring?” you ask, groggy. 

She’s looking out the window. Helicopters fly so low overhead, the whole house rattles. It’s a wonder you slept through all of this noise— the choppers are joined by the wail of a car alarm, pops like fireworks. The TV is playing a high-pitched tone and when you peer at it, you see a test pattern on the screen. 

Dread settles in the pit of your stomach. 

“Something’s going on,” Sarah says almost to herself. 

A sudden thud against the back door makes you both jump. You swear, shaken out of your sleepy haze. 

“Mercy?” Sarah asks. 

You’ve spent enough time with Sarah to become acquainted with their neighbors The Adlers and their border collie Mercy. Mr Adler used to pay you each a dollar to walk him. Mercy’s frantically pawing at the glass. 

Sarah goes to the door and steps into the yard. You follow, unsure you want to leave the familiar safety of the house but unwilling to be alone with such an eerie feeling in the air. 

“What’re you doing out here, boy?” Sarah says, crouching down to pet the whimpering animal.  

“Where’s your dad?” you ask her. 

You hope the question doesn’t make Sarah think you’ve already forgotten your promise. Everything’s just so wrong. You’d feel a lot better with an adult around. 

“Don’t think he came home yet,” she says. You can hear the concern in her voice. “Let’s take Mercy back. The Alder’s will be home.” 

Mercy puts up a fight as Sarah pulls him across the lawn. It’s late and dark save the street lamp and a few porch lights that have been left on. You shiver despite the fact that it’s a warm southern night. 

The front door to the Adler’s house stands open and inside is black. No. Bad. You want to run back to the Miller’s house and lock the door behind you but the promise of Mr. And Mrs. Adler inside keeps you moving towards the darkened entrance. Maybe Mrs. Adler will give you some cookies while you wait for Mr. Miller. 

Sarah steps in first. The dog bucks and strains against her grip on his collar. Sarah fights to keep hold of him but Mercy’s thrashing makes him hard to pin down. He pulls free from Sarah’s grasp and darts away. 

You have half a mind to do the same but Sarah keeps going forward. She’s scared, too, her breaths shallow as she tip toes down the hall.  

“Mrs. Adler?” Sarah asks, her voice barely above a whisper. 

You reach for each other without even realizing it and you enter the kitchen holding hands. 

What you see there is beyond your wildest imaginings. There’s blood, a lot of it. Sarah’s shoe slides in the stuff and you grab her before she loses her balance. The room is cast in shadows but a street light streams through the window in the side door. Its beam falls over the form of Mr. Adler, limp on the floor. His back is against the door and a gush of dark blood sparkles in the sodium vapor. 

You’ve never seen so much blood, never seen anyone injured so brutally. It looks like he’s been attacked by some wild animal. Mercy was acting strange but the dog couldn’t do that.

“Help me,” he rasps. 

He’s speaking to you. You’re actually here. This is happening and you need to do something. 

But before you can form a coherent thought, your eyes travel deeper into the kitchen. Beside the island is more blood…and more bodies. 

As if seeing Sarah’s neighbor with his neck ripped open wasn���t enough of a horror, you’re now watching Nana hunched over Mrs. Adler’s corpse, her face buried in the younger woman’s neck. The scene before you makes no sense. Most of the time the old woman is barely conscious, hasn’t left her wheelchair in years and yet she’s on all fours before you looking feral. 

Sarah squeezes your hand so tight you’re afraid your knuckles will break. 

Nana slowly raises her face to you. Her eyes are pitch black and her mouth teems with twitching tendrils. You are staring at a living, breathing monster. 

When she leaps at you, you and Sarah bolt for the door. Your heart hammers against your ribs. Sarah makes it out first and races towards the sidewalk. 

Once you’ve gotten onto the front step, you slam the storm door shut behind you to trap whatever that thing is inside. SLAM. Nana collides with the door and it rattles violently. You hold it closed with every ounce of strength in you, listening to the creature behind it scratch and wail and willing yourself not to look through the glass to see its horrible face. Terror holds your muscles taught. You’re not sure how long you can stay like this, your sneakers skidding across the ground. 

With a roar, Uncle Tommy’s truck pulls up at that very moment and Mr. Miller hops out of the passenger seat before its even come to a full stop. He’s a fearsome sight, broad and rippling with untamed energy, his muscular arms outlined by the headlights of the car. You’ve never been more grateful for his presence. 

This nightmare is almost over. Joel’s come to save you. 

“Girls get in the car!” he bellows. His voice is raw and ragged. 

Just as you’re ready to make a run for it, The door flings out towards you, and you’re thrown aside as if you weigh nothing. You hit the driveway hard, your head connecting with concrete. 

For a moment, you can’t hear anything but the gush of blood pumping in your ears. You’re dizzy. Suffocating. There’s a warm trickle at your temple. Sarah calls your name. Your vision is blurred but you can make out the ghoulish form of the creature barreling towards her. 

“What’re we doing, Joel?” you hear Tommy ask.

There’s a thud and then quiet. 

You gasp again and again but your lungs won’t fill. 

Are you dying? Help. You need help. The monster lays lifeless at Joel’s feet and you pray that he’ll scoop you up and take you away from this. Your eyes finally come into focus to see Mr. Miller comforting Sarah, holding her face in his big palms, so fixated on her that he doesn’t notice that Mr. Adler has appeared in the doorway. 

Mr. Adler is still covered in so much blood and his gait has become twitchy as if his legs are on backwards. He moves towards them and you want to call out a warning but you’re still choking for air. Luckily he hasn’t noticed you but he soon stands between you and the Millers. 

“We’ve got to move,” Tommy says. 

“Get in the car,” Mr. Miller says to Sarah, throwing a protective arm in front of her. 

“But she’s hurt!”

She steps towards you. You’d cry her name but you’ve still got the wind knocked out of you and you’re too terrified to make a noise. Mr. Adler makes an inhuman sound as he advances, a croaking, growling gurgle. 

Mr. Miller pushes Sarah towards the truck. 

“Leave her!” he barks. “Get in the car!”

You sputter and choke as you watch Sarah, Joel, and Tommy drive away. 

You wait for a long time. 

As the truck pulls off of the curb, Mr. Adler is joined by his wife in the street, making chase. You’re finally able to draw breath and rouse your body off of the ground. You scramble back across the lawn to the Miller’s house and lock yourself inside. There’s enough adrenaline coursing through you that you’re able to push the sofa to barricade the front door. You draw all of the curtains and grab the biggest knife you can find in the kitchen. It’s ridiculous, something you’ve seen in scary movies, but you’re living in one right now. 

You hide yourself away. Sarah’s bedroom seems like the obvious place to do it. Familiar and safe. You curl yourself into a ball in the corner, clutching your knife and staring at the closed door with wild eyes. 

Sirens go through the night. Gunshots. At one point even the roar of a jet engine. 

For hours your body quivers as you try to make sense of what you’ve just witnessed. Flesh-eating mutants. Gore. Death. You keep waiting to wake up from a bad dream but you don’t. They left you. They abandoned you in a nightmare. 

No. That’s impossible. You can accept that a comatose elderly woman made supper out of her son in law but you refuse to believe that Joel would desert you. 

He’ll come back for you. Sarah will convince him. There’s always been room for you in their family. 

But as the sun begins to peek through the blinds and the noises outside fade away, you begin to lose hope. 

The muscles in your body go slack, exhausted from hours of uncontrollable shaking. Your instinct for survival and your need for sleep war with each other. Exhaustion is winning. 

You cautiously open the door to Sarah’s room. The house is still, more quiet than you’ve ever experienced. You creep into the room at the end of the hall. The olive green sheets on Joel’s bed are still messy from when he woke up here the day before. A normal morning. His birthday. 

You rest the knife on the night stand amongst the things he emptied from his pockets— coins, receipts, a stray nail. You slip into the bed and wrap yourself up. It smells like him— spicy deodorant and sweat, fresh cut lumber like the hardware store. The scent reminds you of all those times he was close, when your heart leapt. 

They’ll come back. Mr. Miller wouldn’t leave you. 

He left you to die but you just go on living.  

It takes some time before you’re brave enough to leave the Miller’s house and see what’s left of the world. Your parents are nowhere to be found. It’s safe to assume they were infected that first night. 

You’re on your own. 

A QZ is set up outside of San Antonio. They assign you to housing for separated minors. An orphanage. You never make friends, not really. Trust is too fickle.

At night you lay in your bunk and wonder what life would be like if anybody gave a shit about you. Maybe you would have been with your parents when it all went down. You’d be a snarling monster but at least you wouldn’t be alone. 

On the worst nights, when you like yourself the least, Mr. Miller’s words echo around your skull. “Leave her.” She's not worth it. Forget her. 

You don’t imagine yourself in his arms anymore. Instead you picture him and Sarah and Uncle Tommy, all happy and safe hiding out somewhere idyllic. A sweet little cabin with a stream nearby, surrounded by peaceful woods. You’ve heard some people live like that.

Some days you wish you were with them. Others you wish they were all dead. 

When you turn 18, you age out of your living situation. It couldn’t come soon enough. Things are changing and it seems like all the kids that stay in FEDRA school are being groomed to go straight into uniform. You dodged that bullet but life’s not easy. Now you’re well and truly alone, scraping by to keep food in your mouth and a roof over your head. 

It only lasts a few years, though. By the time you’re 21, there’s an emergency evacuation. Outbreaks are happening within the walls and with so many people living on top of each other, it’s only a matter of time before shit hits the fan. They send swaths of people to Dallas but word is, there’s no room for such numbers and they consider everyone from San Antonio an infection risk. 

You’ve heard enough stories to know what that means. There won’t be a warm welcome when you reach the next QZ. So you ditch the convoy and head north. 

You bounce around for years, sometimes with others, a lot of time solo. Doing what you have to. It’s not a life, just survival. 

By the time you reach the wilds of Wyoming, you’ve had enough. You break off from the group you’re traveling with. You leave them this time, just decide to walk into the forest and let the earth swallow you up. You’re exhausted, sick of hanging on by a thread. Too much of a coward to kill yourself, you wander around waiting for the cold or your hunger or a bear to do it for you. 

They find you. Some scouts that look mean and tough take pity on you and offer you a place with them in a commune where things are half normal. 

It’s the first time being alone has worked to your advantage.  

Jackson is a strange place. It has walls like the QZ but it’s quaint. There’s laughter and evergreen wreaths, happy children that build snowmen in the center of town. Some of these kids have no idea how fucked up the world has become. All they know is this charming little haven. 

You spend the first few days in the infirmary, getting patched up, regaining your strength. You feel like an animal compared to the people in your new community. It’s hard to accept that they’re willing to help you, no strings attached. 

Eventually you’re well enough to have your own place. They set you up with a little apartment over one of the stores in town. You’re invited to take your meals in the dining hall. 

It takes you back to those first days at your new middle school after you came to Austin. Unfortunately, this time Sarah’s not there to offer you a seat at her lunch table. 

You keep to yourself, overwhelmed by all of the strange new faces. Head down, you eat your breakfast. It’s the best food you’ve had in years. As your belly fills, you start to relax and try to get used to the idea of this being home. 

Then you hear a familiar voice say your name. You wonder if you’re hallucinating when you see him standing in front of you. 

He’s gained a few decades but he looks good. His hair is nearly shoulder length and there’s a mustache on his upper lip but that’s him alright. 

“Uncle Tommy?” you manage. 

“That really you?” he asks. 

Tommy puts a gentle hand on your shoulder. His smile wrinkles the corners of his eyes. You nod and you’re smiling too.  

You expect to be upset. Tommy was there when you were abandoned after all. But you’re flooded with relief and a small flame of hope. 

“Shit. What’re the chances?” he asks, studying your face. “C’mere.”

He pulls you through the lines of tables. Your head spins with questions. How did he end up in Wyoming of all places? How long has he been here? Did you actually die out there only to be sent to this strange afterlife? 

“You remember this old son of a bitch?” Tommy asks with a chuckle when he stops at the table in a far corner. 

And suddenly you’re face to face with Mr. Miller. 

He’s old. Grey hairs run through his stubble and curl from his temple. There are deep lines in his face. He’s still good looking despite how weathered his features have become, still broad, still with that wonderful silhouette.

It’s funny. In your mind’s eye, you’ve never imagined Joel aging. He stayed the same while you grew up. 

He looks at you for a long moment and then his thick bottom lip falls agape. His eyes glitter and his dimple appears as he recognizes the woman that you’ve become. 

“Kiddo,” he whispers as he stands up. 

He pulls you into a hug and his wide palm smooths down your back. He still smells just how you remember and without warning you’re sobbing into the front of his flannel. 

You spent hours upon hours imagining what you might say if you ever saw him again. Sometimes it was a speech biting with venom, others a confession, a question. Now, though, your mind is blank, overwhelmed that fate has brought you back together. A testament to your survival. 

“It’s alright, babygirl. You’re okay,” he says into your hair. Words you needed to hear all those years ago. 

You stay like this for a long time, surrounded by him. He holds you the way you wished he had as you cried into his pillow in that empty house. Eventually you pull yourself together with a shaking breath. 

“Where’s Sarah?” you ask, casting your eyes around the crowd in the mess hall. 

There’s a girl sitting beside Joel, her curly hair pulled back into a ponytail, watching this scene unfold. Everyone else is polite enough to pretend you’re not bawling in the middle of lunch. Can’t be the first time it’s happened. 

At your question, Tommy goes stone faced. The muscle in Joel’s jaw ticks. 

You shake your head in disbelief. “Infected?” you squeak out. 

“It wasn’t like that,” Joel chokes. 

“She didn’t make it through that first night,” Tommy says. 

It’s a punch in the gut, the air’s knocked out of your chest all over again. While it had crushed you to be abandoned, part of you understood. Joel had to choose and he picked his daughter. Even if he’d been in love with you the way you used to dream about, he always would have chosen Sarah. You couldn’t hold that against him, no matter how much it hurt. There just wasn’t anyone in the world that would have saved you. 

But knowing that he failed her, that he failed you both, makes you sick. All those years of bitterness come flooding back to you and your tears turn hot and furious. 

“You let her die?” you demand. “You told her to leave me behind and you didn’t even save her?” You push Joel, your hands against the wet spots you left on his shirt. It’s ineffectual. He barely moves against your pathetic shove but his face crumples. You know he hates himself as much as you do in that moment but that’s not enough. You hit him as hard as you can and he does nothing to defend himself. 

“Hey, hey,” Tommy says, trying a hand on your shoulder. 

“You should’ve saved her,” you bark. 

Heads have turned now as Tommy holds you back. 

“I hoped you were dead every day since you left me,” you say. 

You can see on his face that Joel’s definitely wished the same thing. 

You go on berating him, your tears mixing with spit as you snarl and shout, until Tommy’s able to wrestle you out of the dining hall. 

The summer comes. After a long, cold winter, everyone in Jackson welcomes the change of seasons with open arms. Everyone but Joel. 

Ellie was a salve for the deep wounds on his heart. They’ll never fully heal but at least they stopped overwhelming him for some time. Since your dramatic reunion, though, those scars have been torn open once more. Especially today. 

It’s warm and there’s barely a cloud in the sky. The July weather is mild compared to summers in Texas. Fresh air blows in through the open windows of the house, beckoning Joel outside but he has no desire to be in the sunshine. 

“You okay?” Ellie asks. 

She’s just come down the stairs. It’s early and Joel’s already at the kitchen table. Didn’t sleep much. 

He and Ellie have been together long enough that she understands the wordless shifts in his moods. They’ve gotten worse since you arrived in Jackson. He does his work and patrols, sometimes he nurses a whiskey alone at the bar. The rest of the time he keeps to himself. He’s sliding back towards the man she met back in Boston. Joel’s rebuilt the walls that surrounded him, brick by brick since that afternoon in the dining hall. 

“I was going to meet Dina at the mess. Want to come? Or I could stick around?” she offers. 

It’s going to be one of those dark days, the kind that makes him question why he’s been hanging on for so long, and Ellie knows it. She’s giving him a lifeline, offering to be with him so he doesn’t have to ask. He should accept it, but he doesn’t want to waste his energy putting on a brave face for her when he feels so broken. 

“That’s alright, Ellie. Go on,” he says. 

She doesn’t push him. She never does. She just gives a sympathetic smile before she slips out. 

Once seems gone, his heart begins to ache. 

Sometime later, there’s a knock at the door. The last person he expects to see on the porch is you. You look a little nervous, like if he’d taken longer to come to the door you might’ve bolted. 

He hasn’t spoken to you since that day that you came back into his life but the words you said play relentlessly on loop in his mind. He should have made amends by now. You were his daughter’s best friend and of all the places at the end of the world, you’ve ended up in the same town. He passes by the old pharmacy you live above just about every day, thinks about seeing if you’re in so you can have a conversation. He even knows what he’d say, but he can’t work up the courage. There aren’t any words that can make right what he did to you. 

The guilt metastasized deep in his gut. His failure compounded. 

So he doesn’t blame you for keeping your distance, avoiding him when your paths cross. He lets you be angry with him, as he deserves. 

“Want some company?” you ask. 

He recognizes the look on your face and it dawns on him that he might not be the only person struggling today. He steps aside to let you in. 

Joel sets a cup of tea down in front of you. It’s not the real thing. Dried herbs from the garden Maria keeps. You’ve taken a seat across from him at the table, glancing around the kitchen so you don’t have to look at him. 

“Surprised you remember,” he says. 

“My best friend’s birthday?”

He shrugs as he pulls up a chair across from you. “Was a long time ago.”

“I think you underestimate the power of female friendships.” 

You wear a soft smile that makes Joel’s heart ache a little harder. He takes a good look at you, seeing you up close for the first time. There are hints of the girl he knew back in Austin but she’s buried under years of hard living. 

You’re the same age Sarah would have been today. The same age he was when he lost everything. 

You sigh and scratch awkwardly at your neck. 

“Listen, I’m sorry about…all that shit I said. It’s…” you trail off and he’s sure you’re still mad at him, deep down. 

“I reckon I’m the one that owes an apology. I shouldn’t’ve left you back there. Sarah begged me not to,” he admits. “I was trying to keep her safe. But I fucked that up, too.” 

“That’s not true. I was just angry,” you tell him. 

“I was always so pissed at your parents for not caring enough about you. Turns out I was just as bad,” he says. 

He hadn’t given any thought to the choice he made all those years ago. His priority was his family and he had no room for the rest of humanity. Joel didn’t realize until he saw your face again just how selfish that had made him. The past months he’s been haunted by the thought of it, a young thing all alone in the chaos. If Sarah’s watching over him, which sometimes he hopes she is, she’d be ashamed. 

“I’ve had a lot of time to think since I got here and…I don’t blame you. I’m not your kid. It just—“ You laugh without humor. “God, it’s so stupid but I had a huge crush on you.”

Joel’s eyebrows shoot up. You fiddle with the chipped handle on your mug.

“I know. I was just a kid but I was head over heels for you,” you say.

Joel can feel himself blushing. It’s a sweet thought. He’s honored in a strange way. He remembers the gravity of Sarah’s crushes– Leonardo DiCaprio, Usher, some guy with a lip ring from one of those punk bands she listened to.

“So when you left me…I was a little heart broken.”

“Shit,” Joel says. 

“I didn’t say that to make you feel bad. I just wanted you to know why I was so hurt,” you tell him, leaning forward in your seat. “You didn’t know any of that. And it’s not fair to hang that over your head. It wasn’t your job to rescue me.”

“Course it was,” Joel responds. “You were just a kid. I let you down.”

You look at him gratefully and a tear slips down your cheek. It takes a minute for you to fully take that in and it seems like something you’ve needed to hear. 

“Joel. I forgive you,” you tell him. 

A thick knot forms in his throat. 

There’s a litany of names in his mind, so many people he’s failed. Henry and Sam. Tess. Sarah. He’s never expected to be absolved of any of his sins, he doesn't deserve to be forgiven. But those three words make him feel lighter, like he can stop beating himself up. At least for a moment. 

He tucks his chin into his chest trying to keep his own tears from spilling over. Your hand slips over his, a gentle, reassuring touch. 

The two of you stay like that for a little while, crying together, then becoming reacquainted. You talk for a long time. There’s a lot of catching up to do but the conversation keeps coming back to Sarah. It’s a gift to share memories of her, to hear stories that he’s never heard. You knew Sarah better than anyone in the world— her favorite store in the mall, what she wanted for her birthday. Her hopes, her dreams, her fears. No fourteen year old goes to her daddy with her problems. You were there for her, though. Right up until the end. 

“I, um, you should have this,” you say. “Well, it’s yours.”

You and Joel have migrated to the couch in the living room as the afternoon has crept on. You reach into your back pocket, a little reluctant, and pull something out. 

It’s a photograph, dog eared and creased from years of being carried with you. Joel recognizes the picture— you and him and Sarah, all three of you donning life jackets, smiling as you float on a calm river. He and Tommy took Sarah kayaking and she asked if you could tag along. It was a wonderful day. Blue, cloudless sky. 

The last time he saw the photo it was hanging under a magnet on the refrigerator in the kitchen. 

“How’d…”

“I stayed in your house for a while. After. Just kind of hoping you might come back. I took that when I left. And I ate all your food,” you say with a little chuckle. You wipe some snot from your nose. “I guess…well, you probably don’t have a lot of pictures of her.”

You’re right. There was an outdated school photograph in his wallet when they left that night and it had been too painful to look at for years. It still stings a little but it feels easier to share with someone, someone that knew her so well. 

“You sure?” he asks. 

You nod. “I know where to find it.”

He props the picture up on the coffee table so you can both look at it and meditate on that day when everything felt so perfect. 

“Remember we made you play “Crazy in Love” on on repeat the whole way there?” you ask. 

“I still get that goddamn song stuck in my head,” he complains. 

You laugh and rest your head on his shoulder. The familiar gesture cracks something open inside of him. He’s taken back to his favorite nights when he’d watch a movie with Sarah and she’d cuddle against him. Somehow the memory doesn’t hurt as much as he anticipates. 

You sit like that, looking at the picture, both quiet, your smiles fading as you remember what’s happened since. 

“Sometimes I think I see her,” he chokes. 

He’s never told anyone that. But it seems like you might understand, He trusts you won’t meet his admission with a pitying smile. 

“How’s she look?” you ask. 

He can’t help but chuckle. He nods. 

You don’t say anything, you just burrow your head a little deeper into him. Joel puts a gentle kiss in your hair. 

You’re a fixture in the Miller house once again, part of the family. You babysit for Maria and tell her embarrassing stories about Tommy. You and Ellie tease Joel relentlessly. You sit with him in the evenings, sometimes singing along when he pulls out his guitar, other nights neither of you speak at all.

Slowly, you find yourself falling in love with him all over again. It’s not the same infatuation you harbored when you were young. You’re both different people. And you hardly knew him back then. Not really. What did a fourteen year old know about grown men?

The two of you fall into an easy rhythm. After being alone for such a long time, it’s magical to have a companion. Joel seems grateful for the company, too. He’s there whenever you turn around, like a promise. He’s not leaving you behind even if you’re just going from the stables to the library. 

Neither of you acknowledge it, this easy rapport. A light squeeze on your shoulder, holding your hand when you get misty eyed. He probably doesn’t mean anything by it but you’re pretty sure you can’t live without it. You bask in the sweetness of these exchanges, trying not to think too hard about the fact that you used to spend Saturday nights giggling on his daughter’s bedroom floor. 

He’s still Mr. Miller, after all. 

Autumn comes and you’re inseparable. You realize just how much when you convince him to attend the children’s choir performance in town. You expect him to demure. Watching kids being kids must be painful. But he’s by your side in the dining hall as the little ones sing “Clementine” and “Oh Susanna”. 

He puts his arm around your shoulder so you can lean into him. It might just be a paternal gesture, maybe you’re still a little girl in his eyes. That’s ok with you if he keeps absentmindedly massaging your upper arm. You can’t remember the last time you felt so safe, so loved. 

Afterwards, he walks you home and you’re in such a good mood, you start singing to yourself.

“Johnny Cash,” he says approvingly. 

You laugh to yourself. “You know, I started listening to him ‘cause of you. You had his CD in your truck,” you admit.  

You wanted to like all of the things Joel liked. He would think you were so interesting and grown up because you knew all the words to “Riders in the Sky.”

“Least I was a good influence,” Joel says, shaking his head, his cheeks turning pink. 

He’s so handsome when he blushes, you feel a little giddy when you come to stop in front of the old pharmacy. 

“G’night, darlin’,” he says, giving your hand one last squeeze. 

He waits. He’ll stand here and watch you get inside like he always does. He doesn’t need to— it’s not like people even lock their doors in Jackson— but he’s insisted on it so fervently that you stopped arguing. 

You shouldn’t do it. It’s so silly. But there’s a softness in his eyes and his gentle touch still tingles on your arm. His salt and pepper hair is caught in the string lights that line the empty street. You can’t help yourself.  

You kiss him, smoothing your palms up the front of his flannel until you sink your fingers into the curls at the base of his neck. The tip of his nose is cold from the chill in the evening air but his lips are warm and sweet. 

You haven’t had a whole lot of experience kissing. You’d just started doing it when the outbreak happened and things haven’t been very romantic since. This is one of the better ones. Relatively chaste but unbearably tender. Certainly better than you could have imagined all those years ago. 

It lasts longer than you expect. Joel kisses you back. He rests his hand on your waist and the way it covers so much of your back makes you swoon. Soon, though, he’s pulling away, cradling your cheek. 

“We shouldn’t do that,” he says.

“I know,” you sigh. You’re reluctant to break away, savoring the brush of his nose against yours. 

It’s all wrong but you’re not ashamed for trying it. 

“Just once. I’ve always wanted to,” you say. 

He presses his lips into your forehead. It feels bittersweet. A kiss you longed for for twenty years came and went. 

You wave to him from the door before you go in for the night. 

That kiss confirms Joel’s fears.

He’s spent months convincing himself that this is completely platonic. He would never have feelings for his daughter’s best friend. Even if he always wants to be around you.   

He’s looking after you, comforting you, protecting you. He’s making up for those years that he made you suffer through. You forgave him but he’ll never stop atoning. 

And then you kissed him. 

Suddenly, he’s buried in an avalanche of thoughts he’s been disavowing. 

You’re pretty and soft. You're strong and you ease the pain of his memories. You make him feel a little less alone. 

The warmth of your lips, your body pressed to his. He was ready to lose himself in you. 

That’s when he heard it. 

It was Sarah’s voice chiding him with all the reasons why this is wrong. 

She’s been in his head, his inner critic since the day she died, pointing out every failure and weakness in him. He could picture her looking down on him with disgust. She’s the same age as your daughter. She was just a kid when you met her. She deserves better than you. 

He’s making the same mistake as before, letting his instinct get the better of him. The responsible part of him takes control. He can’t give you any more reasons to try and kiss him again. 

If Joel is good at one thing it’s denying himself. 

He backs off and you can sense it, he knows you do. Sometimes he catches you looking at him and there’s a longing in your eye. It fucking kills him but it’s just another reason why he’s no good for you. 

Despite whatever it does to you, you haven’t got anybody else in Jackson so you stick around. He can only imagine how much it hurts you. 

“Why did I go north?” you complain when Joel opens the front door. You’re holding a scarf tight around your neck, shivering against the cold. The sky is a dismal shade of gray, snowfall on the horizon. 

Joel gets you in the house with a chuckle. He starts a fire, a luxury you little apartment doesn’t afford. You shiver in front of the hearth. 

“Traded for this,” you say, pulling a thick book out of your coat and tossing it onto the coffee table. 

“Oh good. I was looking for some light reading material,” Ellie quips from her spot on the couch.  

“It’s a dictionary,” you explain, “so you’ll quit cheating at Boggle.”

“You're in trouble now,” Joel laughs. 

“I don’t cheat. I just know more words than you guys,” she says. 

“Dentment is not a word,” you reply. 

“Neither is thoard,” Joel says. 

“Sure it is. I’m about to thoard the two of you in this game,” she says.

This should be enough. A winter day by the fire. The simple joy of a board game. Laughter. This is practically a normal life. 

But each time Joel’s eyes fall on you, there’s a pang in his chest. You’re just close enough that he could reach out and touch you but he won’t. He can’t.  

When the sun sets, Ellie retreats to her room. Eventually, you fall asleep on the couch, wrapped up in a quilt as the fire dies down. You look even younger, curled up serenely. There’s no worry on your brow. Usually your face is in a perpetual frown even when you’re not in a mood.   

The snow is already knee deep with no signs of slowing. There’s no sense in sending you back out there. 

Joel scoops you up as gently as he can. He feels his age, back straining, but he doesn’t mind. He enjoys how you nestle your face into his chest as he mounts the stairs, warm and snug in his arms. A smile pulls at his lips. 

He sets you down carefully on his bed and you whimper groggily at the loss of his touch. Your eyes crack open. 

“Snowing pretty bad. Sleep here. I’ll be on the couch,” he whispers. 

“Stay,” you murmur. 

He hesitates. Carrying you to bed was already crossing a line. He’s not worried about keeping his hands to himself. He’s been able to control himself for this long. If he lays down next to you, feeling you warming his sheets, smelling the peppermint soap on your skin, he’ll be so far gone for you, there’ll be no coming back. 

But denying you this simple request feels cruel. He imagines you waking up here all alone. You’re half asleep but what if you remember asking him to remain only to be abandoned again?  

He gets into bed, still fully clothed and careful to stay on his side. His jaw is clenched so tightly his teeth hurt. You give a satisfied hum and sink back into sleep, your body melting into the mattress. 

Joel watches you for a moment, fights the urge to put a kiss on your forehead. He crosses his arms and stares at the ceiling, beginning to tangle with the web of emotions that accompany you. Once it gets too confusing, he drifts off as well. 

When you reach out for him in your sleep, he can’t deny you. Joel tries his hardest to pretend it doesn’t feel good, that this isn’t something he’s wanted to do. So he imagines the nightmares that come to you. Reminds himself that you wouldn’t have seen any of that shit if he hadn’t left you for dead. Now that you're in his arms, he’ll make sure nothing touches you ever again. The least he can do is hold you and make sure it goes no further. 

You both find reasons that you should stay the night. Neither of you acknowledge it. Joel just hands you one of his t-shirts and busies himself as you slip out of your clothes and get under the covers. It’s all rather innocent, Joel does more than rub your back even though you sometimes feel his morning wood through his sweatpants. If he wants you, he doesn’t let himself have you. And he could. 

It’s fine with you if cuddling is all this is. You don’t try to do anything more than that, unwilling to upset the unspoken agreement between you. You can be satisfied with a broad, firm chest to rest your back against. Sleep is better beside him, his heart beats guiding your own. The weight of his arm draped across you makes your body feel deliciously heavy.  

After a while, though, it happens. 

Joel’s having a nightmare. His murmurs and restless movements wake you. His mouth twitches and his brow is creased. You smooth circles into his shoulder until his eyes open. Even in the darkness you can see the despair in them. 

He blinks, coming back to reality, remembering he’s not wherever his dreams took him. You brush your fingers through his hair, gazing at one another as his breaths even out. Normally, his age is obvious– the lines in his forehead, the sun spots on his cheek– yet right now he looks young. Like a boy that needs to sleep with a night light. 

You’re not sure who initiates but you find each other in the dark. At first he’s not kissing you at all, his lips are just brushing your cheek or your nose. It’s sweet and gentle. You try to hold in a moan, worried that any noise might shatter this moment. 

The kisses are timid as if you’re both waiting for someone to stop this. Joel lets out a shuddering breath against you. This is a bad idea, you’re both thinking it. After you kissed him the last time, he held you at arms length. When this blows up, you’ll lose him entirely. But you need to be closer to him. 

You open your mouth to him, tangle your legs between his. His hand slides under your shirt, roaming your bare skin. You thought that snuggling under the blanket was enough but now you realize just how hungry you’ve been to be touched. Really touched. He needs it too. Joel leans into your hand on his jaw with a whimper. 

You don’t open your eyes. You might be the one dreaming and you don’t want to wake up. 

It’s quiet, just the sound of hot breaths and desperate kisses, the swish of the sheets as you shift your hips to meet his. You keep yourself from rocking against him, try to enjoy the feeling of him without crossing yet another line, but you’re aching. His shirt has ridden up so you feel the softness of his middle, the light hairs on his chest. Your fingers intertwine with his as his mouth trails down the column of your neck and. Joel buries his face there. 

“I’m sorry,” he breathes. 

You’re not sure what he’s apologizing for. This? Then? The years in between? None of it matters because you want to live in this moment forever. 

You shush him, pull him back to your mouth. You’re ready to lose yourself, to forget, to ignore the storm of thoughts constantly plaguing your mind. This is all you want. 

You peel off your clothing, helping him slide out of his sweatpants until there’s nothing between you. Joel’s skin is warm and soft against you and you realize you’ve never been this close to another soul. 

When Joel settles over you and you feel him throbbing between his legs, you shiver with nervous anticipation. You expect him to say something, to warn you that this is a bad idea, to promise this won’t change anything. But his brown eyes look as confused with need as you feel. There’s no room for thinking or it will crush this fragile moment like glass. 

You tilt your hips to allow him in, already slick from being so close to him. 

Slowly, he enters you, kissing you all the while. He makes a choked sound, wincing as his body stills. The noise makes you clench around him. 

Together you take a moment to get your bearings and you adjust to the fullness of him. Joel’s eyes are pressed shut, his teeth digging into his bottom lip. 

Before he begins to move, his thumb finds your clit, grazing it lightly. After years of solitude and now months being just out of reach of him, the sensation makes you gasp sharply. 

You’ve had sex a handful of times. They had been more about fulfilling a self destructive urge than a desire for pleasure. It’s never been like this. 

You start to lose sense of everything but the feelings of your body. Your core tenses and your breaths go short and you start to forget that it’s Joel whose hips are stuttering into you. It’s as if this euphoria can erase some of those awful memories. 

Soon you’re shattering beneath him, a crescendo that has you tugging on his hair and gasping for air. Joel grunts into your ear. He follows after you, hissing as he pulls out of you. He pulses into his hand, his release dripping from his fist onto your sweat damp skin. Then he collapses onto you. You run your fingers through his long curls and he kisses your forehead. There might be tears in your eyes– maybe his too. It’s too dark to be sure– but when his breath evens out, it still sounds ragged against you.

Eventually he gets out of bed and leaves the room and, in that moment, you can feel everything hanging over your head again– what you’ve just done, the horrors of the world. Perhaps even more intense than before. 

But Joel returns quickly. He flicks on the light on his bed side table and cleans you with a damp rag. His touch is gentle, reverent, and his dark eyes travel over your naked skin to yours. There’s a question in them, guilt, but you have no regrets. You smooth your hand out on the sheets beside you and he lays back on his pillow. He surrounds you with his massive arms and you fall asleep grateful that you don’t feel abandoned anymore.

You worry that it was just a one time thing, try to accept that it might never happen again. But the next time you share Joel’s bed, he’s pulling you into him, pressing kisses into your shoulder, nuzzling at the spot behind your ear. His hard length prods at the small of your back. 

It starts like that every time. Intimate, sensual, quiet. It’s never tearing his clothes off or pushing you up against a wall. You just stay close, breath each other in, trail fingertips across skin. Neither of you ever speak above a whisper.  

Joel barely talks at all except to ask, “That too much?” and “Feel good?” 

You live for the moments when his hand skates over your hip, his dark eyes soft. 

“Pretty,” he says almost to himself. 

He’s such a beautiful man. Your fingers trace the smooth plane of his chest, dusted lightly with hair and a few stray freckles. Age has only improved him. The greys in his stubble catch the glow from the lamp on the nightstand. You study him with the same attention to detail you used in your youth. The cleft in his bottom lip, the dimples on his lower back, the scar on his temple. You’ve memorized it all. 

Joel breaks open for you. He lets you see him vulnerable. He’ll fuck you with thrusts that shake loose deep emotions. Just as quickly, he’ll hold you together when it feels like you’re falling apart. 

You lay with him after, sticky with the shared heat of your bodies but reluctant to roll away and break the connection. 

Whatever this is, you don’t speak its name. There are too many questions and conflicts that it might not withstand. It exists only for you and him. A safe haven in the chaos, a bit of respite at the end of long years. 

In his arms, you’re not his dead daughter’s best friend. He’s not the man that left you when you needed him most. You’re just two people that need to not be alone. Each time, it’s the same. The overwhelming bliss of Joel making love to you is second only to the understanding that he’s finally come back for you. 

Thanks for reading! I'd love to hear from you. Comments and reblogs always appreciated.

[nyxire]

finished a book 😊