#I've moved to inference

[hellgram]

i decided to choose peace while playing through the weird pointless crystal braves dead horse kicking so i'm having fun about the one (1) ilberd mention. when alianne was like yeah the only reason the braves functioned at all was because of ilberd. HUGE win for my rotten soldier

[sacredsorceress]

Scars / Logan Howlett

pairing: dofp!logan howlett x mutant!reader summary: every person has a soulmate. after settling in the future that he saved, logan starts to consider his next mission when a suspicious mark appears on him. word count: 3.2k a/n: good ol'fashioned soulmate AU. this is the first actual fic i've written in a long time so please have some grace. reblogs and replies are super appreciated! warnings: general mentions of logan's past, scars, self-doubt, alcoholism, reader smokes a cigar, mentions of razors, scars, wounds, two uses of y/n

logan masterlist | inbox | full masterlist

It had been a week since Logan woke up in his healed timeline.

For most people, the change would have been dramatic. But Logan was far unlike most people. The initial dreamlike state he was in when he first walked through the mansion- seeing the ghosts he had once known returned to the flesh, unscathed- quickly subsided. Logan had always been a man thrown onto a new path- how he lived life constantly changing to best fit his interests. Now, with his newfound peace he found the most complicated mission of all: what to do with the life he was now free to live?

Even before the sentinels, the battles, the wars- he had always been a man on the run. He was solo, strategic, concise. For a man who was gifted with infinite regeneration, he had solely concerned himself with staying alive. He ate for sustenance, sought shelter for safety, and nursed a bottle to find enough peace of mind to sleep at night.

The professor had once told him that for a person to reach self-actualization they first had to have all of their needs met. Logan had scoffed at the time, assuring the professor that he knew himself just fine. But now, with his problems so solved that they had ceased to ever exist, he wondered if maybe the professor was right.

Who was he? Where did he go from here?

The answer was found in the form of a scar on his hand.

"Well, everything seems to be just fine."

Logan scoffed at the blue man in front of him

"Well it's not." Logan said. "Check again."

Two days after he had come back, a large, circular scar had appeared on the palms of each of his hands. When they hadn't disappeared after two minutes, he rushed to the bathroom and nicked himself with his razor, watching as the wound healed with only blood dripping down his scruff as a remanent of it. Thirty minutes after that he found himself in the lab with Hank, Jean, and the Professor hypothesizing his miraculous marks.

"Logan, the tests came back clear." Jean assured him, leaning against the wall. "Maybe it's time to consider that it's something else."

Logan quirked his head towards her.

"I haven't had a scar in over two hundred years," he reminded her, his voice laced with irony. "I get not one, but two and you... what? Think it's a coincidence?"

Before Jean had a chance at rebuttal, the professor moved to face Logan.

"That's not what Jean's inferring, Logan." Charles reminded him. "We're simply asking that you consider other options. Less... dire options. It could, after all, be a good thing."

"Yeah?" Logan scoffed. "Like what?"

A silence hung in the air.

When Logan had first come to them with news of his scar, the thought had been on all three of their minds. Still, there were a plethora of things that could have caused that. Though, when the tests came back clear and his skin continued to heal from all sorts of abrasions, it felt as if there was only one answer for his seemingly magical scars.

However, none of them were keen on sharing this diagnosis with Logan. One wondered whether he'd handle the idea of his body failing him over fated love.

Hank was the first to speak up.

"Like a soulmate."

Oh that was rich, Logan thought.

Logan wasn't unfamiliar with the idea of soulmates.

Around the time that two fated lovers were destined to meet, there would be a sign for each of them. In some cases they were eyes changing colors, feeling the other's pain, finding their names everywhere they looked. In other cases they were new birthmarks, tattoos, scars.

In some way, the two were inextricably connected.

In his long life he had seen others experience it dozens if not hundreds of times. When the first thirty years of his life rolled around with no one, Logan accepted that he was one of the outliers. He considered it for the best and by now, with everything that he had gone through, the concept of soulmates almost seemed like an old wives' tale.

Logan glanced at their faces. When he realized they were serious, a deep laugh escaped from his gut. There was a lack of light in his eyes that admitted his insincerity.

"So I disappear for a few decades and you all start believing in fairytales?" Logan pulled the needles from his arm, the heart rate monitor going flat as he did. "What a bunch of bullshit."

Jean laid her hand against his chest, urging him back into the seat.

"Logan." She soothed him. "This is a good thing. Scott and I-"

Oh this was real rich.

"Scott and you are... what, huh?" Logan urged. "Soulmates?"

Logan scoffed, swiping Jean's hand from his chest.

"Bet you're so happy with your 'soulmate' and that's why you lead me on, huh? That it? You're happy?" He taunted, a dark laugh escaping him once more. "Spare me-"

"Logan, that's enough!"

The professor's voice echoed against the linoleum walls of the lab, reverberating off of the medical equipment throughout.

"If you want to wallow in your own self-deprivation, be my guest, but spare the rest of us your grief." Charles continued. "I think it would be best if you go back to your quarters and consider the future the universe has offered you."

The energy in the air was thick.

Jean and Hank avoided Logan’s eye contact while the professor’s nearly burned a whole through him.

Accepting defeat, Logan threw his hands up in the air and pushed himself out of his metal chair.

“Fine.”

Soulmates. Logan thought. Who would believe in a thing like that?

-

"It's a pleasure to see you again."

The atmosphere in the mansion was a stark contrast to the lab Charles had been in days before.

Now the school day had commenced: children skipping from class to class, students chatting with their friends in the hallway, teachers grabbing coffee between lessons. Amidst the organized chaos, Charles had arranged to meet you in the foyer: the replacement history teacher for Logan's class.

"You too, professor." You smiled, reaching out your hand. "I was so glad to hear from you."

Your hand hung in the air briefly, awaiting his return. Charles examined it for a moment- a twinkle in his eye- before taking it. His thumbs brushed against the newfound scars between your knuckles as he did.

"Correct me if I'm wrong, but you didn't always have these scars, did you, Y/n?" Charles asked.

You had not.

You had woken with them a few days before. Despite your powers rooted in chaos magic, it wasn't uncommon for blemishes or wounds to etch themselves into your skin. However, you often knew why. These marks, scars, were not faint, but instead quite profound. Three thick, healed over wounds patched together like a stitch on the back of each of your hands.

"No professor."

He closed his eyes, a soft smile gracing his lips. Though you knew he wished to ask more questions, the moment was broken by Logan.

"Ah, the man himself." Charles beamed. "Logan, I'd like you to meet Y/n. She'll be covering your class."

You had seen your fair share of news stories about the Wolverine. Who hadn't? Though the television had never prepared you for just how tall, or broad he was.

"It's nice to meet you, Logan."

"You too." He nodded, taking your hand.

His hand lingered in yours for a moment. Charles cleared his throat.

"We were just discussing the most peculiar scar on Y/n's hand." Charles said. "Appeared just a few days ago out of nowhere."

Charles nodded his head in the direction of your hand, leading Logan to squint. As if a light bulb had gone off over his head, Logan glanced between Charles and yourself and with your hand still in his, he turned it examine the back.

Three scars between your knuckles. Right where his own claws would be.

Though he liked to imagine himself as the patron of remaining suave, Logan's eyebrows shot up at the recognition. He traced his view from your hands, up your torso, to your face where you eyed him questioningly.

He thought back to the way that he woke up in the seventies, wrapped in the arms of another woman. If times had been different and Logan hadn't undergone all the so-called character development in the last forty years, he was sure that a face like yours would have gotten him in a lot of trouble. You were beautiful, and your demeanor highlighted your strength.

Your face radiated kindness, warmth and most of all, sincerity- a trait that was difficult to come by in a trade such as his.

But then Logan recalled that this wasn't the seventies and you weren't at some bar leading him on the entire night: your hand was in his and, according to everyone else, he was yours.

The idea almost couldn't register in Logan's brain.

"Interesting, isn't it, Logan?" Charles asked, breaking the silence. "Almost identical to where your claws are, hmm?"

Oh the professor thought he was quite funny.

Logan pulled his hand back from your grasp and shook his head.

"Not that easy, Charles." Logan commented before turning to you, a spiteful tone in his voice. "See you around, bub."

Before you had the chance to open your mouth, you watched as Logan stomped down the nearest hallway, his boots squeaking against the floorboards as he did. His fists clenched and released at his sides as he disappeared from view.

His reaction had come so far from left field that if it hadn't given you whiplash, it would have hurt your ego. Instead you turned back to the professor.

"Was it something I said?" You asked.

The professor shook his head, patting your hand gently.

"Logan's quite a complicated man." He assured you. "I'm sure you'll come to know that more than the rest of us. Now, to your classroom..."

Glancing over your shoulder to the void-like hallway that Logan went down, you considered the professor's words.

-

A storm had taken over the mansion by nightfall.

As you padded down the wood panelled hallways, the lightbulbs shook in their glass with each thunder clap- wind swatting at the window panes every few seconds. The pitter patter of the raindrops, although harsh, was comforting. It was almost as if the mansion had been engulfed by the storm, trapping everyone inside, while consequently making the outside world feel a thousand miles away.

When you found Logan's door, tucked in at the end of the hallway, you knocked.

"Yep."

The weight of the door fell against the palm of your hands as you pushed it open.

Logan's room was dark. The only light in the space had been from the embers of the cigar that hung in his mouth, cradled between his thumb and forefinger. Despite the darkness, you could make out his figure sitting at his desk chair by the window, feet kicked up on the sill.

Logan only gave you a quick glance over his shoulder before turning back to the view.

"What d'you want?"

His voice was thick and rough around the edges.

"I came for your textbooks." You replied, tiptoeing against his floorboards. "The professor said you'd have them."

The hand of his that held the cigar waved around. Minuscule ashes fell to the floor as your eyes remained trained on the light and the faint glow of the moon that illuminated the side of his face.

"Be my guest," he said. "Don’t have a clue where they are."

The professor had given you the lowdown when he saw your scars.

Charles told you that despite everything that you had learned- the history that you had known- the Wolverine you'd meet was not the same person. He was a man from a different time with far different, darker memories and enough baggage to weigh down dozens.

Amidst the silence, you cleared your throat.

"Must be hard to wake up in someone else's life."

By now you had reached his desk, your fingertips tracing the lines in the dark, lacquered wood.

You could smell him and the cigar from this distance- aftershave mixed with smoke.

"The professor tell you that?"

"Mhm."

The chair creaked as Logan flicked his hand towards the window, ushering you to come closer.

Watching your step in the dark, you maneuvered around the furniture and sat beside Logan on his desk- pushing loose papers to the side.

"He give you his whole spiel on soulmates too?" He asked, eyes trained on the rain outside.

Soulmates.

Now that was the last thing you expected to come from the Wolverine's mouth.

You'd heard of them more times than you could count. You once wondered whether every repetitive coincidence was a sign that your person was coming. But, when that never happened, you lost hope.

Who got to tell you who you belonged to anyway?

Leaning over, you gingerly took the cigar from his grasp and replaced it with your own fingers. Sitting back into the desk as lightening struck a tree in the distance, you took a puff.

"So that's what the scars on my hands were all about," You thought aloud.

The window fogged as you let the smoke leave from your mouth in a breathy sigh.

Logan tapped his fingers on his thighs, counting the seconds between a lightening strike and its consecutive rumble of thunder.

"Listen, I'm no prince charming if that's what you came here looking for."

Logan's chair creaked again as he leaned back in his seat. His arm draped against the desk as he met your gaze.

You chuckled and held out his cigar, offering it back to him.

"I came here looking for textbooks." You laughed. "You're the one who keeps talking about soulmates. I think you're more of a romantic than you let on.”

His fingers brushed against yours as he took the cigar back into his own hand. Another lightning strike met the ground in the distance, a clap of thunder following moments afterwards.

"You don't buy it?" Logan quirked his eyebrow. It was a teasing question, one he was curious to hear your answer to.

You shrugged.

"I don't think the universe gets to tell me who to love," you said. "If I fall in love with you it's because I love you, Logan. Not because some mark told me to. I just think of it as... a little shove in the right direction.”

The corner of his mouth quirked into a smile for the first time.

"A shove?"

"Like a... blind date." You finished. "Ever been on one of those?"

A congested laugh escaped him.

"Sweetheart, do I look like the type of guy to go on a blind date?"

You bit the inside of your cheek at the name.

Rolling your eyes, you swatted at his arm. You wouldn't admit how much it hurt your knuckles to do so. You'd have to make a mental note to remember his adamantium skeleton.

"Gosh, you're cocky!"

Logan shrugged, "You're the one who likes it apparently."

You felt yourself grow hot at his accusation.

Even though he had a mark signalling his future affection for you, you couldn't help but feel embarrassed by Logan's knowledge of yours. You felt like a child who's crush had just been exposed to the whole class. Was he noting ever glance that you gave him? The way you didn't move when his arm brushed against yours?

A brief pause hung in the air until another thunder clap reverberated against the walls.

"So what's your mark?" You asked.

Logan shoved the cigar into the corner of his mouth. The biting motion forced him to flex his jaw in a way that you would refuse to admit made you start to realize that maybe the universe was right.

And that maybe his cockiness was justified.

He laid out his hands for you. The room was still dark, making the ability to discern the details of his scar impossible. Taking Logan's hands in yours, you summoned your magic into your hands, watching as they glowed gold.

Logan had two large, circular scars imprinted into his palms. It was a clear indicator of your own magical power that surged from your hands.

It left a feeling you couldn't describe in your chest to know that someone else was marked for you. They were destined for you. To be with you. You had a future written together before the two of you had met. Even if he rejected you, there was a sign etched into his skin that bound the two of you together in some fateful way.

Gently, you traced your fingertips against the mark, feeling the warmth that radiated from his palms.

When your eyes flicked upwards, you noticed how close the two of you were now sitting. You could feel his warm breath against your lips as the lingering smell of the cigar drifted up your nose.

Although he wouldn’t admit it, Logan was enchanted by the energy radiating from you. Whether people hated or loved him, his ability got a lot of talk. In his mind though, he would never be a hero. He was just some guy who got lucky.

You, though? He didn’t need you to tell him that you were an Omega level mutant. Logan had heard about you from the professor: you could cast spells, read minds, reconfigure reality- to name a few. You didn't need a reason to fight for what's right, you just did. Again, and again, and again. Even here, now, you were picking up Logan's history class when he knew very well you could be on the other side of the world sipping pina coladas if you wanted.

What the hell was the universe thinking putting you with him?

Logan admired the reflection of the magic on your cheeks and the way your eyes stayed trained on his palms. Your touch was so gentle he could have sworn he was in a distant dream until your eyes met his.

The two of you stared at each other for a moment, gaze locked.

Then another clap of thunder shook the mansion.

You quickly leaned back, pulling your hands from Logan's touch.

"I should... I should go." You said, pushing yourself off of Logan's desk. "It's getting late and I have my first class in the morning."

Logan leaned back in his seat. He said nothing but eyes remained fixed on your form as you made your way towards the door.

Looking back at him with your hand on the knob you made a mental note to remember the image of him with his feet kicked back on the window as he smoked his cigar.

A soft smile remained.

"Good night, Logan."

When you didn't leave immediately, he nodded.

"Night, sweetheart."

Mustering up the courage to shoot him one last smile, you pulled open the door and stepped outside.

Now, Logan didn't know how much he believed in soulmates, but he could be inclined to consider that it was one good wingman.

Leaning back in his seat, Logan sighed and closed his eyes, letting himself drown out his worries with the sound of the rain.

a/n: my inbox is open for more requests! thank you for the request @welcometochilis585

[pepperyduck]

pins & needles

summary: how various jjk men react to ur new/unnoticed piercings! incl. nanami, gojo, geto, choso

warnings: veryyyyyyy suggestive (esp in nanami's), (new) piercings, geto's & nanami's is a new relationship type thing. excuse any typos pls😞. 18+ mdni!

a/n: i got like 3 new piercings over the weekend, this is just self indulgent and cute methinks. also tyyy for 700 :3, i'm trying so hard to get over the writer's block. love u all!

choso + smiley piercing!

"i've never been happier to see you," choso groans as soon as he enters your dorm, kicking off his shoes at the door. though his voice is monotone, you can infer he's tired, worn out from a day's work and fighting curses.

"rough day?" you scoot over in bed to allow room for your boyfriend, smoothing out the sheets and flipping your blanket up.

"very." the singular word is the only response choso gives before beginning to strip his uniform right in front of you. as you're watching intently, choso gets almost completely naked before grabbing some clothes he'd left over; a pair of baggy pants and an "i heart my girlfriend" shirt that you gifted him, and lazily putting them on.

"i did something today, cho," you inform him, and choso’s attention immediately snaps to you, eyes showing that he was obviously wondering.

"what’d you do?"

you give him a bright smile, all the teeth in your mouth shown to him, the shiny ring glistening atop your pretty gums. choso’s brows furrow together, his pupils coming to realize there was something new in your mouth, something different about your smile.

"what’s…that?" he asks, stepping closer and closer and eventually sitting on the bed with you. you giggle at his curious looking, his eyebrows still knitted together in an inquisitive way.

"a piercing, silly," you inform him, carefully flipping up your top lip to show where the jewelry went through the frenulum of your inner lip.

"does it hurt?" choso leans in even more, straightening his eyes with the freshly pierced hole in your mouth.

"not really, just a little bit," you tell him, letting go of your lip and pressing a quick peck to choso’s lips. it catches him off-guard, choso’s face lights up red because he thought he couldn’t kiss you. smiling triumphantly, you pull away from your boyfriend.

"it—um—it looks really pretty on you." choso compliments, "can i kiss you again? please?" and he’s so sincere and sweet, always asking permission for everything. so endearing, really, even with his deep, dark voice.

needless to say, when he kisses you again, choso is making sure to flick the jewelry all around with his tongue, faintly enough to not hurt the new wound. and it becomes a habit from thereon.

gojo + bellybutton piercing!

"i missed you so much, baby."

satoru is on top of you, arms caging you in while you lay underneath him, smiling and feebly grasping the biggest part of his bicep. it had been over a month since you'd seen your husband, he'd been away on a business trip for far too long.

"did you miss me?" his words are drawn out and dramatic, like always, like he was teasing you—but he was practically always teasing you.

"yes, satoru," you blankly reply, "i missed you."

just before you can roll your eyes, gojo's kissing you, a bit enthusiastically, but you quickly melt into his touch. as annoying as he could be, you loved him, you missed him. you had longed for him the moment he left—that was a fact you couldn’t deny.

as quickly as he meets your lips, satoru leaves, disconnecting himself to trail down your torso that was draped in a way-too-expensive t-shirt of his. but the one thing that doesn't leave you is his eyes, he keeps an intense stare on your face as he moves lower and lower towards your waistline. his fingertips dance along your sides before pinching the fabric of the bottom of the shirt and slowly lifting it up.

his eyes are no longer able to stay on yours when he catches a glimpse of the sparkly blue rhinestones on each ball of the jewelry stuck through your navel. of course, you chose the shade that best matched satoru's eye color.

"no way!" satoru exclaims, beaming with a new-found excitement for the little hole in your tummy, "you actually did it?"

"yes, satoru," you repeat, threading your fingers through the white tufts of your husband's hair.

gojo's nimble fingers come to play with the jewelry—the size comparison comedic from how large his hands are. he studies the now fully healed wound, moving the jewelry all around and practically forgetting the previous heated mood.

"do you like it?" you somewhat nervously ask, intimidated by the tedious investigation of your bellybutton.

"yes, duh," satoru dramatically quips, "you think i should get one next?"

nanami + nipple piercing!

kento had tried so hard to ignore it.

you didn't mean to distract him, really. it was a simple mishap at first, not wearing a bra when kento came over. but after the first time, he didn't seem to mind, he was gentlemanly enough. his eyes stayed averted—when you were looking at him, at least—so you took it as a green flag to remain braless when he was at your house without worry.

but nanami's only a man.

so here you are, after work, after your boyfriend had come over, ranting to him in your kitchen about your boss and whatever bullshit you had to put up with that day. but your words land upon deaf ears, noise drowned out by the sight of the little hearts poking out from the shirt you're wearing. he's sat at your dining table, legs lazily spread as he half-listens to you.

"—like, what?! what else am i supposed to do in that situation?"

for the first time in your venting session, you lock eyes with kento, noticing how they flash up quickly from...your chest.

"ken?"

"um—yes?" he chokes, a little too obviously for him to not be embarrassed over.

a smug smile rests over your face, nanami was caught red handed, ogling at your boobs and the cute heart-shaped jewelry that adorned them.

"what'cha staring at?" trailing closer to him with a teasing tone in your voice, you're killing him, embarrassing the poor man as the seconds roll on. kento doesn't reply either, only a raspy breath leaving his lungs as his response. his face heats up and his expression drops, shamelessly glancing down at your chest once more—one, two—counting the peaks of your nipples through the shirt.

"i'm sorry," he finally chokes out, unable to keep his eyes from flashing up and down, to your eyes then to your chest, again and again.

without any words, you slot yourself between nanami's legs, inching your chest closer to his face. it was so funny how easily his stoic persona disintegrated under your presence. he'd never been this close to your chest—to you. and it's intoxicating to him, he's ashamed how he loses himself by simply being eye level with your boobs.

but that guilt quickly washes away when you take his hand and place it perfectly to cup your tit—index finger and thumb resting right around the pretty jewelry under your shirt.

tdlr; that's the first night your boyfriend stays over at your place.

geto + clavicle piercing!

"you look lovely tonight."

smooth as ever, geto compliments you, his voice dripping with a sweet nectar. your insides warm up despite the harsh cold outside, the thick coat draped over your frame doing little to combat the weather.

"thank you," you whisper and smile at him, stepping into the door of the fancy restaurant suguru had chosen for your date. third date, to be exact.

once you're at your table, suguru helps you shimmy the bulky jacket off your shoulders, revealing the tasteful, deep-cut top you had chosen for your date—along with the two studs on each side of your collarbone that your clothing showed off rather perfectly.

it takes suguru a few moments to notice once he sits down. he tries to strike up conversation, relying on the simple questions and responses he can utter without getting too distracted. however, within a few minutes, geto is cracking, eyes every so often flickering down to the gems that aligned your clavicle so prettily. he can't help it, because with every slight movement you make, the jewelry sparkles in the dim light of the restaurant—it's hard to ignore.

"are you okay?" you interrupt your previous dialogue when you take note of geto's increasingly hazy replies, and how he seems a bit spaced out.

"yeah," suguru swallows deeply, "i really like your—um," his pointer finger vaguely motions to his own collarbone, and you have to look down at your chest before you realize what he’s talking about.

his mouth is dry. he’d already thought you were, like, the sexiest woman on earth, but this, oh this, was just too much. geto was unsure as to why he found the piercings so distracting, so hot, but nonetheless enjoyed the view he had.

"oh, thank you!" you giggle, smiling brightly and ghosting your fingers over the piercings—you’d honestly forgotten that this would be the first time he’s seen this much of your body, and the piercings ended up being the perfect touch to make suguru lose his mind.

and he can't wait until he's able to feel on 'em, too.

[moonstruckme]

Heyyy! So I'm obsessed with your writing! Your EMT series might be my favourite thing I've ever read.

I was wondering if I could request an EMT Marauders x reader story where she gets really sick but thinks it's nothing and downplays it to them, only for it to end up being Pneumonia or something. And maybe they feel guilty for not realising it sooner?

I know you've probably already written something similar to this so no worries if you don't feel like writing it but I'd love to see your take it if you decide. Hurt/comfort is my favourite trope in the world. I just can't get enough of it!

I hope you're doing well!

Thanks gorgeous, hope you're doing well too <3

cw: pneumonia

emt!marauders x fem!reader ♡ 1k words

You make sure there’s plenty of honey in your tea when the boys get home. 

“Hi,” you greet them, pleased when your voice comes out semi-normal. 

“Hey, gorgeous.” Sirius flops onto the sofa, nearly on top of your curled-up legs. “How was your day?” 

You try to keep your answer brief, your cough plied into submission with honey and warm tea but not for long. “Good. Got some things done.” 

You don’t mention that after every one of those things you’d had to have a thirty-minute lie down, or that many of them involved disinfecting surfaces you’d accidentally coughed near. 

“Being sick isn’t an opportunity to get things done.” Remus sinks into his chair, leveling you with a reprimanding look. “You’re supposed to be resting.” 

You shrug. “The only reason I haven’t been at work is because—” A couple of coughs fight their way out of you. James’ expression pinches as he sits on the arm of Remus’ chair, but thankfully the fit passes quickly. You take another sip of your tea. “Because I don’t want to pass it to anyone. I think I have to go back tomorrow, though.” 

Sirius makes a soft tsking sound. The boys are all still in uniform, his tattoos peeking out from the short sleeves as he traces looping circles on the side of your knee. “But you’re not better yet.” 

“Yeah, but I’m running out of sick days.” 

James frowns. “How long has it been?” 

You bring your tea to your lips, avoiding meeting anyone’s eyes. “I’ve been out for a week.” 

“But you were sick for a while before that,” he says. “What is that, ten days? Eleven?”

You shrug. 

Sirius is looking up at you with a puckered brow. “Do you feel like you’re getting better?” 

“I think so,” you say optimistically. It’s quickly undermined, however, when you’re caught up in another coughing fit. You have to set your tea down to keep from spilling it, holding a tissue over your mouth. 

James’ eyes widen, and Sirius sits up to rub your back. 

“That doesn’t sound very good,” James says. 

“No,” Sirius agrees. He reaches to feel your face, but you brush him away. 

“Don’t-—ack—don’t get too close. I don’t want to get you sick.” 

“I’m not gonna get sick, you baby.” He pushes past your hands. “Let me do my job.” 

“You just got off work.” 

“Yeah, well,” his voice softens, taking on a sympathetic hum as he lays his palm flat to your hairline, “maybe I maybe I was talking about my boyfriend job.” A pause. “I think your fever’s gotten worse, my love.” 

You whine. “Really?” 

“‘Fraid so. Have you noticed your symptoms getting worse at all?”

“I don’t” —you cough and reach for your tea again— “think so.” 

“Dove,” Remus says warningly. 

“It’s hard to tell,” you admit. “It’s moved around.” 

“Like where, honey?” James asks. 

“Like, in my…” You feel your throat contract, another fit brewing. You touch a hand to your sternum to avoid speaking. 

“In your chest?” Remus infers. 

You nod. 

He hums and moves to sit on the coffee table, his knees touching yours. You try to warn him away, but Remus shushes you gently. “Let me look at you.” 

He brings one hand to your face, feeling the way Sirius had, and touches the other to the pulse point on your neck. His touch is gentle and cool against your warm skin. You don’t know what exactly he’s looking for, but you find yourself fighting the urge to fall asleep in the basin of his palm when it slips down to hold your cheek. 

“You don’t need to talk,” says James, “but just nod yes or no, okay? Have you noticed yourself feeling more tired lately?” 

You nod tentatively. 

“Yeah? Less appetite?” 

You frown. “I don’t think—” You’re cut off by your own hacking. 

“One week off work, and she completely forgets how to follow instructions,” Sirius teases, rubbing your leg. 

“Terrible patient,” James agrees. 

“Alright,” Remus says once your fit ebbs. “I don’t have a stethoscope, but can you turn sideways for me?” 

You do, confused. Remus puts his ear to your back. You must make an odd face, because Sirius grins at you, reaching over to pinch your chin affectionately. 

“Take a deep breath,” Remus instructs. 

You try, but it doesn’t get far. Your lungs expand maybe halfway before you’re coughing again, horrible, wracking coughs punctuated by stabbing pains in your chest. Remus sits up after a few moments, rubbing your back. 

“Sorry,” you manage. 

“Why are you sorry?” Sirius pulls you into him, cradling your head to his chest. “That sounded like it hurt, huh?” 

“Yeah,” Remus answers for you, brows bent with sympathy. “I’m sorry, sweetheart. At least now we can get you some medicine, though.” 

You cough weakly. “You can?” 

“Sounds like pneumonia?” James asks Remus. Your boyfriend nods. 

Sirius coos, petting your head. “I’m sorry, baby. I was thinking it was just a cold.” 

“It’s not your fault,” you croak. “I was, too.” 

“Feels like we ought to have known the difference, though,” James admits. When Sirius gets up, he’s quick to take his spot, tucking you underneath an arm. 

“Where are you going?” you ask Sirius. 

He’s putting his shoes back on. “To get someone to write you a prescription. The sooner we get you on antibiotics, the better. It’ll give you something to show your boss, too.” 

“I don’t need to come with you?” you ask hopefully. 

He winks, grabbing his keys. “Perks of knowing people at the hospital.” 

“Perks of flirting with the doctors, he means,” Remus mutters after he’s gone. 

“Hey,” James laughs, giving his boyfriend’s knee a playful squeeze, “it works out for us, doesn’t it?” 

“Sometimes,” Remus allows. He fixes his gaze on you. “Anything we can do to help you feel better, sweetheart? Do you want to try a hot bath? Steam would be good for you.” 

You look down into your now cool mug. “Could I have some more tea?” 

He takes it from you with a kiss to your head. “What a silly question.”

[ssahotchnerr]

Could you write something where someone compliments Hotch for "babysitting" and "helping out" when hes out with his kids and he gets all 😑😑 do you mean parenting my children?

standard parenting

omg LOL cw; dad!aaron, reader is referred to as mom, a ton of domestic fluff, very light suggestiveness (hehe reader and aaron are soo in love <3) wc; 1.2k

"Jack." Aaron moved forward, spotting his son as he climbed up a curved ladder, at the ready if he were to suddenly slip. "Careful."

"I am." He took the last, big step, his hands gripping the supporting bars and landing on the platform safely. "I've done this two times already Dad."

"Help your sister down the slide, okay? I'll meet the two of you at the bottom."

"Okay." He confirmed, beelining down a rattly bridge in the direction of Ellie.

It was approximately 3 pm on a Tuesday, the park filled with the afternoon rush of children freshly out of school. A doctor's appointment had brought Aaron out of the BAU early, and after picking up Jack from school, Ellie from preschool, he figured there was no better way to burn off energy than the playground.

Hopefully it allowed for a quiet, relaxing night at home, with both kids in bed at a decent time.

Aaron stood at the bottom of the slide, peering upwards and squinting - he had regretfully left his sunglasses in the car. Ellie stood at the top, looking a bit lost once her turn was next, the slide intimidatingly large for a newly four-year-old.

"Jack's coming, honey."

It took some convincing; Aaron reassuring her he was right there, there to catch her if she overshot into the mulch. Jack would be right behind her. Further hesitation on her end: Do you want Jack to go first? No. Are you sure you want to go down? Yes.

Finally down came Ellie, giggling profusely and not paying a mind to the static the slide caused (Aaron mentally winced at the sound). Jack followed soon after.

"See, there you go." Aaron praised, hands moving to his hips.

"Again, please please please." Ellie whined gently, looking up at Aaron with her identically adjacent brown eyes. It was something she was beginning to master, the puppy dog look that could cause him to cave within seconds.

He was in for it.

"Sure pumpkin." Aaron grinned down at his little piggy-tail headed daughter. "Just a few more times though, Mom's waiting at home."

"C'mon Ellie. I'll race you." Jack suggested, kicking up dirt as he bolted off without waiting for a distinct answer. She ran after him, as fast as her small legs could carry her.

Aaron called out after him, "The stairs, Jack."

"I know!"

"Cute kids."

A mother - Aaron inferred - commented, falling alongside him. Aaron's eyes continued to track the two of them, ensuring they remained together and stayed far away from any arched ladders. They dashed up the stairs, into the depths of the play structure.

Aaron offered her a friendly smile in return, "Thank you."

"It's nice to see someone so attentive for a change." She huffed, notably an impressed breath. "Most babysitters just sit on the bench on their cell phone."

Aaron's expression dropped; a mix of confusion and dumbfound, his smile gradually fading. The only thing going through his mind: I'm sorry, what?

"Well, I'm not like most babysitters." He frowned, pressing his lips together and eyebrows drawing into a line.

"Good for you." She commended, not taking the hint. A child called out to her, causing her to move forward. "See ya."

She left, but scowl on his face stayed.

It hadn't put him in a bad mood, but rather, a dulled mood. The inference could've been an honest mistake, it most likely was, but it settled funny within him.

Only at Ellie's, 'Daddy look!' did his face brighten up. For them.

-

"Hi Momma!" Ellie bounded into the kitchen, nearly crashing into you and smiling from ear to ear. "We're home!"

Jack added to her status report, voices intertwining. "Dad took us to the park!"

"It looks like you two had fun." You grinned, using the pad of your thumb to swipe away an unblended bout of sunscreen on the side of Jack's nose. You also took note of his grass stained sweats, and the dirt scuff on Ellie's knees.

"We did! Jackers helped me down the slide and Daddy pushed me on the swings-"

"No one pushed me on the swings." Aaron commented, his hand finding the small of your back momentarily as he brushed past.

"That's 'cause you're big." Ellie made a face at her father.

"Can we go again on Saturday?" Jack asked, "I wanna bring my soccer ball."

"We'll have to see what we're up to, bud," Aaron answered, also fetching him a cup of cold water. The car ride consisted of Jack stating how thirsty he was, and how he refused to drink the lukewarm water his bottle held. "But I don't see why not."

Meanwhile, Ellie plopped herself onto the floor, pulling off her shoes and dumping the remnants of lingering mulch onto the floor.

"Hey hey hey let's not do that." You said, your nose scrunching lightly too; the normal kid-stink that followed after an afternoon spent in the sun. "And baths, both of you. Go on, I'll be there in a second."

Ellie's voice carried as she ventured up, something along the lines of bringing her mermaid Barbie in the tub with her. You ruffled Jack's hair gently as he passed, pressing a kiss to his sweaty head.

"You know what someone said to me today?" Aaron asked, turning towards the sink to wash his hands.

"Aren't you forgetting something first?"

He stopped, a knowing smile forming on his face. "How dare I."

Aaron moved forward, hands finding your waist to pull you near, placing his lips onto yours for a few seconds. Albeit how short it was, you savored it; coming home after a long, long day.

Satisfied, "Enlighten me."

He paused to actually wash his hands, flicking the water droplets off once he finished. You tossed him the hand towel that happened to be nearby.

"Someone mistook me for a babysitter."

"What?" You snorted out a laugh.

"Left me speechless." He exasperatedly rolled his eyes, wiping his hands and throwing the towel back onto the counter. "Can you believe that?"

"Well, you know how some people can be." You shrugged. Your statement wasn't much help, but what could you do.

"Oblivious?"

"What prompted it?"

"Standard parenting. I was simply keeping a close eye. The slide made Ellie nervous, Jack was being a bit adventurous today, and the playground itself was a nightmare. Everyone had the same idea I did, it was packed."

You hummed in response, dumping the neglected water from Jack and Ellie's water bottles out. Aaron continued to ramble on.

"And she saw the two of them. Jack - he resembles Haley a bit more, sure. But Ellie?"

"Your twin."

"Exactly." Aaron scoffed, crossing his arms over his chest. "Babysitter. How in the world does that title come to mind before Dad?"

He shook his head as his eyes found the ceiling; utter disbelief.

"You know," you raised an eyebrow, regaining his focus, "you're hot when you're fired up."

"Am I?" Aaron smirked, pulling you in again just as he did before, arm winding behind your back.

"Mom!"

A whine drifted from upstairs, Aaron pulled away from your lips with a comically heavy, defeated sigh.

You shoved him at the chest playfully, grabbing a laugh from him, heading upstairs.

"She, huh." You teased, "Are you sure it wasn't some strategically formed ploy in hopes you were unmarried? Wouldn't be the first time."

He trudged up the stairs behind you, a chuckle shaking through his chest. "I doubt it. She seemed genuine."

"And you would know." You quipped, ends of your mouth turned upwards.

"With my profiling expertise?" He bantered back, playfully patting your behind as you reached the second level. "I'd hope so."

[wolfiesmoon]

A rare ingredient

Inumaki x gn!reader

sometimes only being able to say onigiri ingredients gets a little tough on our boy :(

@kairiscorner just tagging you since you wanted to read this!!

The upside of having a crush is, well... everything good that comes along with having a crush. Your smile is the most beautiful thing ever to him. He feels oddly happy most of the time and especially happy when you're by his side. He wants to share everything with you, every minute detail of his life.

The issue is, however, that you've only transferred to Jujutsu High recently and can't understand anything he says. Unlike his other classmates who reply with "thanks" and a grateful smile to "spicy cod roe" as is intended, you simply give him a confused smile every time.

And that doesn't even cover the fact that he doesn't have any words to describe his love for you. He wouldn't have them even if he were able to talk normally like everyone else.

"Kelp." he greeted you, waving.

"Ah, hello!" you inferred that he was greeting you, waving back to him. He swears you look better every day and help but gaze upon your amazing face.

He is eternally grateful for the uniform that covers the lower part of his face, because he doesn't think he would have gotten away with blushing so much around you otherwise.

Normally he would surprise you by sneaking up on you from behind but after you told him that freaks you out he stopped. You're the one person he's willing to make that exception for. Maki isn't as lucky, unfortunately.

"...Tuna mayo." he never knows what to tell you, and considering his limited vocabulary, that would be kind of hard to do anyways. It's fair to say that you do most of the talking when alone with him.

"Uhhh, I met up with my non-sorcerer friends today." you always assume the role of storyteller with Toge. He's a good listener. Though you don't know why he always insists on staying by your side.

"I didn't tell them what I've been up to, of course. They wouldn't believe it anyways. But aside from that, we went to our favourite café that we frequented all the time in middle school." you smiled fondly at the memories that flooded your mind at that moment.

"Salmon." he wants to be invited to that café, too. Prefferably just the two of you. On a date.

You smiled awkwardly at him, nodding. You never know what in the world he's trying to tell you so you just "smile and wave" most of the time.

He furrowed his brows slightly, then looked off, seemingly thinking really hard about something. You raised an eyebrow in question.

"...Prawns." ("...I love you.")

His eyes met yours, and your eyes slightly widened. Did it finally get through to you?! Did you somehow understand his little confession?!

"You've never used that one before..." your expression returned to normal, still smiling at him, atlhough a bit intrigued by the rare ingredient now.

"By the way, are you alright? You're making a weird face." you moved closer to him, inspecting the upper half of his face.

"Caviar." he covered his face with his hands.

You're going to be the death of him.

[the-algebra-thing]

so again, I'm rereading howl's moving castle LMFAO and truly diana wynne jones' disdain for in depth sensory description is sooo cool. I think I've arrived at one of the most basic things that fascinates me about this book and that drew me in and it's something about how descriptive language and tone intersect. there's a lot of two-step visual description, but very little of the specific descriptive language I'm accustomed to. I can know that something looks lightweight because of the way that michael is carrying it, or that the slime is green and has a weird reaction when you dump ash on it, or that michael obviously wished he had not spoken, or that from the way howls feet are braced it's clear he is exerting great force, but it's almost rare that there's a plain description of what's going on. even if there is a proper one, there's always an opinion or extrapolation at the end of it: the wind tore at sophie's face so savagely that she thought she'd end up with half her face behind each ear. generally what I find is that instead of inferring how a character must feel based on how they are acting, you get to make up the specifics about a character's actions or experience based on how the narrator tells you they feel about it. the writing isn't broken down into small pieces for you to put together; it's made of big ones. a single description hits about three different ideas, and there's another similar one in the next paragraph, and you have to keep up. it drives the story along at a committed pace as well as makes the magic system feel very unique, and then that uniquely maintained system becomes scaffolding for the story's themes to grow off of

[artbyblastweave]

So, Wildbow pretty famously retconned Browbeat to death because he got sick of fan jokes about every new character secretly being Browbeat under a new identity. I've got mixed thoughts on that.

Unfortunately for all, my de facto reaction to that kind of meta-level contrarian stunt is "Power Move TBH," even if it was broadly comorbid with a proximity to the fandom that kind of blew out Ward's kneecaps with a .50 cal. Overlooking the fact that I think it was really sincerely funny, there's an argument to be made that it trims the fat; adding an additional heroic casualty for a grand total of seven out of twenty two named heroes operating in Brockton Bay at the time of arc 8. Browbeat is also specifically an independent hero who was headhunted for the Wards relatively soon after his debut- a distinct dynamic from the other wards who get pulverized, from the superheroic family business of New Wave, or the adult professional superheroes who bite it. This is a very Taylor shaped guy, the same kind of just-starting-out teenaged cape with an uncertain future. Him getting unceremoniously pulverized for the bad luck of having a front-line power therefore presents a bit of a "there but for the grace of god" moment for Skitter, if you choose to look at it like that. This is the kind of thing an editor would probably make him do anyway, if he wasn't cut entirely. But the thing is that I am kind of attached to the original outcome for Browbeat, which is that he dips. I think it actually adds some subtle verisimilitude to the story. The number of heroes we actually see is significantly lower than the alluded-to headcount in the early arcs; more indie heroes are alluded to then ever actually appear, and a combination of Leviathan casualties and departure during the ensuing civilian exodus is usually how I've seen that discrepancy squared. But it hits better if a named character cuts and runs. In the story as currently written, every hero who lives, remains in Brockton Bay to try and hold the line. I kind of liked the version of the story where that wasn't the case, where you can infer that at least one of these teenagers went, you know what, I'm not so completely committed to heroic altruism at the age of 16 that I'm gonna hang around to do it in a town without running water, I'm going to pursue a less horrible gig elsewhere. That's not really a thing that happens too often in Big-two comics, and if it were to happen it would likely be painted as a notable departure from expectations. But one of Worm's major themes is that unlike in the comics, there's a gigantic spread of motivations and personality types amongst the officially designated heroes, and it's a nice reminder that all those different personality types are going to have different thresholds for throwing in the towel and moving on to greener pastures. Or it was, until he just died instead

[illdowhatiwantthanks]

Hello, talented human!!! I’m craving something angsty that makes my heart hurt with Emily and girlfriend reader <3

Hey, friend! I've been thinking about writing this for a while, and your request was the perfect excuse. Very angsty, much sadness. Not resolved per se, but if you know the basic timeline/plot line of Season 6, you should be able to infer a somewhat happy ending 😉 Hope you enjoy! 💖 –illdowhatiwantthanks

White Fang

Emily Prentiss x fem!reader Warnings: established relationship, angst, general threats of Criminal Minds-style violence, explicit language (let me know if I've missed anything!) Word count: 2.1k

Summary: Something's going on with Emily, but her trying to break up with you is the last thing you expected. Takes place during the events before/surrounding 06.18.

“I think we should break up.”

Emily might as well have punched you in the stomach. You felt blood rushing in your ears, felt the love and trust you’d built with her over the last few years churn and unsettle themselves inside of you. Her words had taken you completely off guard. All you’d asked is why she seemed so on edge these days, if there was something you could do to help her.

“Emily…” you said, your voice floundering as you tried not to cry. You had arguments. You had points to make, but you couldn’t seem to get them out.

Emily folded her hands as she sat across from you at the kitchen table, both of your breakfasts sitting untouched in front of you. She shrugged.

“I just… I think our relationship has run its course.”

“Emily Elizabeth Prentiss,” you spat, your face growing redder by the second. “We live together. I’m in your will. We’ve been together for four years. Four years! We have a cat together!” you yelled, gesturing wildly toward Sergio, who perched in the bay window.

She was silent, picking at the ends of her fingernails, glancing at you every few seconds. She was lying. She had to be lying. You were no profiler, but you knew Emily. You knew all her tells. You knew when she was stressed, when she was lying, when she was trying to do something brave and sacrificial to protect you.

“I want your stuff out by the end of the week,” she said quietly.

You felt like you’d been slapped in the face. In your head, you knew that there was something under the surface. Something had Emily so scared that she was trying to… And then a lightbulb went on in your head.

You sat back in your seat and smirked. “No.”

Emily raised her eyebrows, frustrated. “No?”

You crossed your arms over your chest. “No. I think you’re bluffing.”

“I’m not.”

“I think you are. I think you’re trying to White Fang me.”

Now she just looked confused. “I’m trying to what?”

“White Fang me,” you repeated. “You know, like in the book, where he lets the wolf go because it’s better for him in the wild. You’re trying to get rid of me because you think I’ll be better off without you.”

“I’m trying to get rid of you because I don’t feel that way about you anymore,” Emily said, but her voice cracked a bit, and you knew then that you were right.

“No, you’re not!” you exclaimed, sighing in frustration. You moved to the chair closest to her and took her hands in yours, even as she tried to avoid your eyes.

“Will you tell me what’s going on?” you asked quietly. “I promise I can handle it. I love you, okay? I’m not going anywhere. Your White Fang plan won’t work on me, so you might as well tell me about whatever it is that’s got you so scared.”

Emily’s jaw clenched, and you could see tears forming in her eyes.

You brushed a strand of hair behind her ear and cupped her face in your hands. “Please tell me, Em.”

She finally met your eyes, and the unadulterated fear written all over Emily’s face was the first part of this conversation that had truly scared you.

She sighed deeply and shook her head, her demeanor going cold as she watched you. “If I tell you what’s going on, you have to do exactly what I tell you to. Understood?”

You nodded apprehensively.

“I mean it,” she said, eyes drilling into you, voice harsher than usual. “This is not a game. The more information you have, the more danger you're in. This is life and death. I am sorry you’re a part of it…” Emily bit her lip and looked away. “I need to know that you'll follow my instructions exactly.”

“Okay,” you agreed, quiet, more scared now than you’d been when she’d tried to break up with you.

“You remember I told you that, before I joined the FBI, I worked at the CIA and at Interpol?”

You nodded. Emily tugged on the strands of hair closest to her ear–an anxious habit–and you took her hand in yours, running your thumb along the back of it.

“When I worked at Interpol,” she continued, “I was undercover as an arms dealer for almost three years. Our team was investigating a former IRA captain, Ian Doyle. I infiltrated his operation by… by pretending to be in a relationship with him. Doyle had a son and, after we finished the op, I faked the son’s death so he’d be safe if Doyle ever got out of prison.”

This was so much information, information that, frankly, you couldn’t believe you didn’t already have about Emily. You thought you’d known everything, everything about her. Apparently not. You latched to the only piece of information that felt even mildly normal.

“IRA like the bank accounts?”

Emily sighed again, somewhere between amusement and deep, deep sadness. “No, baby. The Irish Republican Army. The terrorist organization.”

“Okay,” you nodded, your voice shaky.

Emily took another deep breath. “Last month, Doyle escaped from prison in North Korea. As far as my contacts and I can tell, he’s in DC. He’s tracking down the members of my team and killing them, likely for information about his son.”

Emily watched the wheels turning in your head as you realized what she was saying, watched you grow more and more scared. And she hated herself then. She hated herself for not having the fortitude to follow through on breaking up with you. It would be so much safer for you, so much easier, if you didn’t know, if she could just let you go. But she couldn’t. Not when you were holding on so tightly.

“But…” You tried to reason yourself out of the terror that had taken over your body. “But you were undercover, right? He doesn’t even know who you really are. He wouldn’t even know… that you’re here. Right?”

When she didn’t answer, you prompted her again, your voice high and desperate. “Right, Em?”

“I’m pretty sure he knows who I am,” she whispered, holding tight to your shaking hands. “I think he knows who I am, where I am… I think he knows… who I care about.”

You sucked in a shaky breath, panic shooting icy-hot through your body. Emily smiled wryly at you when you finally met her eyes.

“Do you wish you’d just left?” she asked.

“N-no,” you replied, a tear streaking down your cheek. “I’m just–I’m scared, that’s all. But I’m still… I’m still not going anywhere.”

Emily grasped your head and pulled you toward her, wrapping her arms around you and holding you close as you hyperventilated. She was overwhelmed by you–your love, your loyalty, your bravery in the face of what most people would run from. She hated to drag you into this, hated to be the reason you were in danger, the reason you were scared. But she was also so selfishly glad to have you with her.

“Are you okay?” she asked softly as your breathing slowed.

You nodded, pulling back to wipe your face and look her in the eyes.

“What are we gonna do, Em?”

Emily steeled herself for this part of the conversation. “This is the part where you listen, and you do what I say. Okay?”

“Okay.”

“You’re gonna go to my grandfather’s cabin in the Alps.”

“To France?!” you blurted, alarmed. Emily squeezed your hand.

“You’re gonna go to the cabin and stay there until I come for you. It's far enough off the map that you should be safe there. You’ll travel under an alias. I have bank accounts and a passport set up for you under a new name. You'll use a new phone. You cannot under any circumstances log into any of your social media accounts on it. You cannot tell your family where you are. You can’t tell anyone where you are. There’s a stash of burner phones at the cabin, which you can use to call your family once a week to tell them you’re safe.”

“But…” you protested lightly, scared out of your mind at this point. “What’ll I tell them?”

“I don’t care. Lie. But do not tell anyone where you are. If you don’t hear from me in six months–”

“Six months!?” you exclaimed.

“Listen to me, baby, this is important,” Emily said forcefully, grabbing the sides of your face, then softening her touch. She took a shaky breath and looked at you for a long time, as if she were trying to memorize every line, every contour, every bit of your face. “If you don’t hear from me in six months, I am probably dead.”

“Em!” you squeaked out, somewhere between a terrified yelp and a sob.

“After the six months is up, you can go back to the States, but you should continue to use your other identity for at least a year.”

“What about you?” you asked, rocking a little, trying to calm yourself down.

“I’m gonna try to shake Doyle.”

You closed your eyes, your body’s tremors seemingly out of your control for now. You didn’t even know where to start. The fact that Emily was some sort of undercover spy? That she’d been in a fake relationship with a terrorist? Faked the death of his kid? That you were fleeing the country and, even worse, fleeing without Emily? Somehow the worst part was that you hadn’t known any of this. You felt like, somehow, you knew both more about her than anyone and nothing about her at all.

“Are you alright?” Emily asked gently, her eyes full of apology.

You started to shake your head, then nodded instead. Emily had enough on her plate. Your sanity didn’t need to be one more thing to worry her.

“When do I have to leave?”

“I can get you a ticket for tomorrow.”

You blinked, trying not to cry. Of the two of you, Emily had definitely gotten the shorter end of this stick. But, god, you were so scared you felt sick to your stomach. But you wouldn't fall apart in front of Emily. You wanted her to know that you were strong and capable, that you could do what she’d told you to, that you’d be waiting there safe and sound when she came to get you. When she came to get you, you told yourself. Not if.

“I’d better pack,” you muttered, wiping your nose as you stood abruptly and made your way to the bedroom.

Emily wanted to follow you. She wanted to hold you and never let you go. But she thought you might need some time alone to process. If you had come back into the kitchen, you would have seen her bent over the kitchen table, her head in her hands, crying quietly.

Neither of you could sleep that night, watching the minutes creep by, feeling your time together dwindling down. After a while, you gave up on sleeping and just held each other, quiet and close in the dark.

“I’m sorry,” Emily sobbed out in the early hours of the morning.

“Shh, it’s okay,” you told her, wrapping your body impossibly closer around hers.

“I’m so sorry.”

“It’s okay, Em,” you whispered, kissing away the tears from under her eyes. “I love you.”

But this only seemed to make her cry more.

“I love you,” you said again, holding her so close you could feel her tears against your chest. “I love you, I love you, I love you.”

Your goodbye was short, chaste, both of you trying very hard not to make the other cry. Emily on her way to work, you taking an Uber to the airport.

“I’ll see you soon,” you said, kissing her one last time before you left. When you pulled away, her eyes looked sad, distant, full of doubt. You squeezed her hand. “I will see you soon.”

But you couldn’t shake the feeling, as you drove off, that it might be the last time you ever saw her, the last time you ever held her or kissed her or laughed with her. You shook your head, brushing away tears. There’d be plenty of time to cry in France. For now, it was time to become someone else.

[queers-gambit]

If Speaking is Silver, Then Listening is Gold

a Turkish proverb

prompt: ( requested ) you require a bit of reprieve after the week you had, and Tommy's a gentleman.

pairing: Tommy Shelby x hard of hearing female!reader

fandom masterlist: Peaky Blinders

word count: 4.4k+

note: you hit me in the chest with this request. as someone who is hard of hearing (HoH) and progressively losing what they have left, this got personal.

warnings: author projects, mild angst, hurt and comfort, specified frustration, working with customers SUCK, mild violence, Tommy's a little OC 'cause he doesn't know what to do with emotion!

"Excuse me! God, the service here is terrible! Aren't you listening to me, barmaid!?" The woman with polished finger nails slammed her manicured hand to the bartop aggressively, glaring at you as if you had backhanded her mother.

The sudden slap made you jump slightly, turning your head to acknowledge her before deflecting, "In a moment, ma'am, I'm trying to listen to this man's order."

"I've been trying to get your attention for 10 minutes now!" She argued, the noise of the bar dialed up as the night droned on and the patrons drank more.

"And I'm busy assisting other customers, I'll get to you when it's your turn," you reminded her, blinking at the man in front of you. "I'm so sorry, sir, I, uh, what were you saying?"

He sighed, "You don't remember? Or didn't hear me?"

"I couldn't hear you over the woman yelling at me," you snipped, perking your brows. "Would you like to order or should I move onto another customer?"

He scoffed, "Just get me a fucking bourbon."

"One fucking bourbon comin' at'cha," you rolled your eyes as you turned from the people to grab the bottles of liquor lined up behind you. You poured the man his drink, set it in front of him, and pocketed the bill he slapped in front of you - not offering change as you instantly looked to another customer. He grumbled with displeasure, but you were asking the next person, "What can I get you?"

"Uh, no, I'm next, I've been waiting long enough," the woman with polished fingernails insisted, literally pushing the customer out of her way.

You sighed, "Know what? All right, fine, what can I get you, ma'am?"

At that moment, the doors swung open and a new wave of drunkards stumbled in; the bar roaring to greet the newcomers as the woman ordered her posh drink that had no business being ordered in The Garrison.

"I'm sorry, what was that?" You asked, staring at her mouth in the hopes of reading her lips. She repeated her order, but her tacky lipstick made her lips stick - making it hard to read. "What? I'm sorry, ma'am, it's loud, you're gonna have to speak up."

"Are you fucking with me right now!?" She screeched, making your eyes widen. "You're the fucking deaf - you can't hear a simple order!?"

"I only asked you to repeat yourself," You defended.

"You asked me three times!" She raged.

"So tell me a fourth and shut the fuck up!"

"Hey, hey, hey," Harry stepped in, hand to your shoulder when the woman looked ready to launch over the bar, "I got this. I'll man the bar, you go on - there's some tables that need bussing."

You sighed and stepped back, nodding, "Sure, Harry."

You hated when he did this. Instead of defending you and your inability to hear - something you have no control over - he would always just push you aside and send you to do other chores. It wouldn't cost anything to tell the customers to calm down, it was loud in the pub and you had a hard time hearing as is - but nope! The customer was always right, or whatever bullshit he would remind you.

You were constantly accosted at work for your difficulty hearing clearly. It wasn't that you couldn't hear at all, it was just difficult! Sometimes, you could hear bits of their sentence and just inference whatever words you missed, but that wasn't an exact science. You mostly depended on reading people's lips, always hating asking anyone to repeat themselves; but at work, it wasn't always possible. The people you interacted with seemingly took personal offense that you had a hard time hearing, and each of them made their displeasure known. Again, a great time for Harry to defend you, but the older man didn't like rocking the boat.

You didn't necessarily blame him, knowing the Peaky Blinders kept a close eye on the pub and would probably reprimand (cut) Harry for discipling customers instead of firing you. So, you kept quiet about your displeasure over your treatment because you needed this job - you never wanted to give reason or thought that you were difficult. Maybe that was why Harry would send you off to do other chores, he didn't want you to lose your cool and this job. Though, some of these people deserved a good tongue lashing.

Picking up a spare pail, you went around to a few tables and cleared them of empty glasses before using a rag from your bucket to wipe them down for the next set of people.

Apparently, in that moment, someone decided to move past you, and to their credit, they did say, "Excuse me, luv, behind yah," but you didn't hear him. So, when you straightened up from cleaning the table, you took a natural step back and bumped into a body; gasping when something wet splashed over your neck, shoulders, and down your back and chest. "Oh, fuckin' hell, lass! Watch where yer fuckin' goin'!" The man raged, his empty glass shattered on the floor.

You blinked in shock.

"What? Didn't fuckin' hear me when I told yah I was there!?" The man continued to reprimand you. "Gotta fuckin' listen in a pub like this, lass, you'll cause worse fuckin' accidents!"

"I'm so sorry," you offered meekly, shaking the ale off your arms and glancing at your front to see it trickled in alcohol. You needed to take a deep, long breath before turning to head for the bar.

"What happened?" Harry asked when you arrived, looking mild concerned.

"Another spill," you spoke through a clenched jaw.

"Oi!" The man who dropped his drink all over you approached the bar, barking at Harry. "It's not our fault you hired some deaf bitch! That can't fuckin' hear 'round her! She didn't move from my way, I lost me pint 'cause of her stupidity!"

Stupid...? Did this drunk asshole just call you stupid because HE bumped into YOU and spilled HIS OWN drink? Maybe the money you made at the bar wasn't worth this...

Harry had no issue giving the drunkard another pint of ale as you tried in vain to dry off, but your dress, hair, and skin was completely plastered in sticky alcohol. You felt your eyes burn with stress, wanting to burst into tears and sob your frustrations out, but you didn't have the strength to break down right now. That's how tired and upset you were - you didn't even have the energy to cry.

You went about your evening, bussing tables and avoiding whatever customers you could; keeping your head on a swivel to avoid any other accidents. You felt a little better, but the stress still lingered around the bar; feeling as if the customers were glaring at you no matter what you did. When a natural lull came, Harry let you back behind the bar with the promise of staying near in case you needed him, but you were ready to drop.

Your final straw was about an hour after the usual Peaky Blinders and Shelby brothers had come in for the nightly round(s) of whiskey. You smiled at Arthur when he approached the bar, all too happy to greet you loudly - the lad never having an issue with speaking up when you couldn't hear. Arthur was always happy to accommodate you, having a soft spot for you since his brother, Tommy, had made his interest in you known that past year.

Speaking of, Tommy Shelby, notorious gangster of Small Heath and the head huncho of the Peaky Blinders, entered after his brothers and made an instant approach. "Harry," he greeted when he stepped around the bar.

"Mr. Shelby," Harry nodded.

"Love," he acknowledged you, pecking your cheek sweetly. "All right?"

"Hmm?"

"Doin' all right?" He asked clearly, being similar to his brother and not minding speaking louder, slower, clearer, whatever you needed to hear him better. In fact, Tommy wasn't know for being patient, but with you, he'd repeat himself as many times as it took - but only for you.

"Oh, yeah," you sniffled, trying to hide your frustrations.

"Why's your dress wet?" He worried, petting a sticky lock of your hair back, his concern mounting.

You shrugged, "Bit of an accident, 's not a big deal."

"Someone run into you, again?"

You nodded, "It's fine, though. He got a new pint and calmed down."

Tommy shook his head, gritting, "Who?"

"Tommy."

"Tell me who, love."

"No, Tommy, it's fine," you insisted, petting your hand down his chest in a show of affection; seeing another customer approach the bar. "I'm sorry, I'm working, love, can we talk later?"

He nodded, pecked your temple, grabbed a bottle of Irish whiskey and moved for the snug - where his brothers and Aunt Polly waited for him. You got back to work, and barely noticed the time ticking by... Until a new customer approached you with a sneer already marring his face.

"What can I get for you, sir?" You asked kindly, needing to raise your voice over the usual drunken yelling. So, you preemptively warned him, "Sorry, 's bit noisy tonight, you'll have to speak up."

The man ordered his drink clearly, but another few men in loosened slacks and disheveled button-ups stalked up to the bar; crowding around the other two men who stumbled over in obnoxious laughter. You felt your panic spike, already overwhelmed by them all trying to talk over one another.

You were bombarded with drink orders from them all, eyes flickering between them because you didn't know who to listen to first. You tried to get the drinks together at the same time, but in truth, it was overwhelming because the men changed their orders, but got mad at YOU when you didn't quite hear them clearly.

Their drunken words added to the bar's noise level sprinkled with you being hard-of-hearing just resulted in a cluster fuck. "This isn't what I fucking ordered!" The original man complained, glaring at you with distain. "It's really not that hard, girl, my God. If you can't get our drinks right, how you gonna make any man a decent wife? Gonna fuck up his dinners, too?"

"Jesus - I'm sorry, there's just a lot going on. Why don't you remind me your drink and I'll get it now," you offered as kindly as you could.

"I doubt you'll be able to get it right," he sneered, but you missed half his sentence.

"I'm sorry, what was that?"

"Are you fuckin' kiddin' me!? Just fuckin' listen - it's not hard!" He snarled, literally chucking his glass just past your ear so it shattered into the liquor bottles behind you. "You can't even get a fucking drink right! Fuck you doin' workin' here, then!?"

This caused a huge commotion, obviously.

The Shelby's don't play games, you see, and the moment the glass shattered, they were moving out of the snug to investigate. When they realized someone had offered you disrespect, it was a shit show as the drunkards clashed with the men with razors stitched in their caps. Still in shock from the show of violence, you felt something in your heart snap you into motion.

So, you silently untied your apron, grabbed your coat and home keys, then literally walked out the backdoor - while the men all scuffled. The moment you stepped outside, you let your emotional dam give out - sobbing into the stinging cold air as you moved up the street.

You weren't sure what emotion you felt - be it anger, disappointment, shame, fear... Crippling insecurity. Once at the Irish pub, The Black Lion, you settled at the nearly empty bar and ordered your own drink, something you rarely did anymore. Something about working with alcohol all day made you less inclined to drink, but tonight was different than previous nights.

"All right, lass?" The bartender asked, pouring the whiskey in front of you. "Look a bit put out, huh?"

"Just a long week," you answered. He hummed, nodding and asking something. You felt tears in your eyes when you asked, "C-Could you repeat that?"

Louder, he repeated, "Anything you wanna talk about?"

"Oh, no, thank you," you waved off. "Just... Customers being unruly."

He laughed, "Oh, don't I know it. What happened?"

You shrugged, "Nothing important."

"C'mon, lass, if it's made you come inta a place like this, searching for a drink, it's probably important enough."

You sighed, "Honestly, I think I appreciate the silence."

He smirked, "I can respect that. Here," he poured you a new glass, "this one's on the house. I deal with unruly customers, too, so, I know you'll need this second one."

You chuckled and grinned broadly when he went to walk away, did a double take, then left the whiskey bottle to your side with a smirk. He moved off to sit at a different table with some other older men, leaving you alone for the first time in what felt like a long time. It felt ironic for a moment that you sought solitude and silence, but you just wanted time to digest all that happened tonight and move on.

Why couldn't people understand that despite you being a public servant, you were still a human being? A human with human emotions, human disability, who makes human mistakes. Yet according to those entitled pricks that think YOU work for THEM, you were a second class citizen who was underserving of empathy. How dare you ask them to repeat themselves! How dare you misunderstand their order - and quickly replace it! How dare you have a disability past your control that affects your day-to-day life!

There was a heavy, looming feeling of being inadequate.

Being alive was hard enough as it is, more so when a bodily function most others take for granted malfunctioned within you. It made life harder; you had to work harder than everyone else just to operate on their same level. However, if you dare show exhaustion, frustration, any degree of weakness, you were quick to be labeled as "lazy" or "entitled" or your favorite, "dramatic!"

Those people can hear pins drop, they couldn't ever fathom what this felt like. It wasn't that you couldn't hear, you could. It just wasn't on the level other's could heard at, and for whatever reason, it seemed to frustrate everyone else more than you. You were the one dealing with the predicament, and yet, everyone else was seemingly the most inconvenienced! They thought it mortally offensive to be served by someone "like you", thinking your disability was unacceptable in their proximity.

Fucking assholes.

If only they knew the way your stomach knotted itself every time you asked someone to repeat what they said. Every time you said, "Huh?" or "What was that? What did you say?"

You were embarrassed because it made you feel as if you couldn't even be a human "correctly", and it's not like you chose for this to happen! It's not like anyone chooses to make the obligation called life ten times harder by putting you at a functional disadvantage. You felt like "damaged goods" because you felt constantly out of the loop; missing a lot of what's said if you're not paying explicit attention.

However, years ago, you had perfected the ability to read lips. Yet this was difficult when most people you couldn't hear were your customers, majority of who are slurring their words. You worked in The Garrison, meaning that on any given night, there was loud discussions that added to your frustration - but the tips were too good to quit. So you endured. You felt pathetic and borderline like a failure if you quit any job; feeling as if your disability had won by emotionally crippling you. So, while it didn't make a lot of sense to work in a noisy place when you're already hard-of-hearing, you remained at your place of employment simply out of spite.

It was difficult reminding yourself it wasn't your fault, that you were still doing a great job - no matter how many customers catch attitudes, get snippy, or throw full-on adult tantrums. You despised needing to be the "bigger person", but figured nobody else would be willing to accommodate you, so, if you wanted a semblance of peace, you had to be the one to create it.

You reached for the bottle of whiskey after downing your second glass. With a harsh sniffle, you glanced around the pub and realized how many people had arrived to fill in the place. You felt the hair on the back of your neck stand on end, acutely aware that you were so deep in your emotional tarpit that you missed the noise rising.

So much for a quiet night.

You poured a new glass, praying to whatever God would listen that you're granted deliverance from this empty, helpless feeling that was pitting your stomach and chest.

After hearing the glass shatter, Tommy and his brothers were rocketing to their feet to investigate. They saw a man, red in the face, yelling hatefully at you behind the bar - liquor dripping off the shattered shelves from the man's bout of violence. There was no thinking for any of them. Tommy recognized you were in a predicament; striding forward first, and the chaos began.

It'd been a good bit since the lads had a good fist fight. No razors, no guns, no advantages - just bare fists and bar furniture.

It cleared the place out, and when the drunkard was hauled off by his companions, Tommy was wiping the blood from his knuckles. Harry frowned at the sight of blood splattered on the floor, shaking his head before calling your name - knowing you had some secret to getting blood out before it stained. However, there was no response. The Shelby boys all looked around expectantly, waiting for you to reappear, but it was evident by the way Harry searched for you that you weren't in the building.

Tommy placed a cigarette to his lips, just lighting it when Harry returned from the back room, informing, "Her belongin's are gone, she must've left early."

This made Tommy whip around sharply to use his own eyes and scan the room. "Nobody saw where she went? How was nobody watchin' her!?" Tommy asked demanded. There were several shakes of different heads, Tommy's anxiety flaring in his chest. He quickly rushed to grab his coat and flat cap, tugging them on in haste, hearing Arthur question where he was going. "Gotta find her," he explained through his panting-panic. "City's dangerous enough for people that can hear properly. God knows what can happen when she's alone at this time of night."

"We'll help," John offered, nudging Arthur, Finn, and their cousin, Michael Gray.

"I'll find her faster," Tommy answered, already out the door.

Michael shared a look around the room, wondering, "He acts like this all the time or just with that one pretty barmaid?"

Arthur smirked broadly, "That one pretty barmaid is Tommy's girl. Don't get caught lookin'."

"He's like this with just her," John chuckled, "always has been, always taking care of her the way she cares for him."

"What did Tommy mean? She can't hear?" Michael questioned innocently.

"Nah, girl's got some hearin', just not a whole lotta it," John explained as if common knowledge. "Never thought I'd see Tommy so patient, so fuckin' doting. He doesn't mind repeating himself if she asks, in fact, he does what he can to talk to her how she needs."

"What's that mean?"

"Like," John paused, sighing through his nose, "he'll face her directly, speak slower to let her read his lips. He speaks up, he's clearer, he wants her to feel like she's not a burden if she can't hear like us can so he does it all organically."

Michael smiled softly, vaguely impressed by Tommy's show of humanity. Speaking of, everyone's favorite gangster was prowling through Small Heath; stopping in each and every open business, searching for the familiar sight of you, and moving on when he was unsuccessful. You weren't at the Shelby home, nor your apartment, church, or anywhere along the Canal - places you frequent when overwhelmed.

Tommy was beginning to get cold, but he wouldn't say that. His determination would keep him warm, and even as the snow began to fall once more, Tommy hiked through the wind. Luck seemed to be on his side because when he entered the third pub, one he doesn't usually step foot in outside of evident emergencies, there you were; sat at the bar looking miserable.

"Thank God," Tommy breathed in relief, straightening his jacket and swiping his cap from his head. He approached your side and reached a hand out to the bartop in front of you, minimally startling you by announcing his presence without words. "Hey, love," he greeted you.

"What're you doing, Tommy? Blinders don't come 'round in here."

"We do when one of our own goes missing."

Your eyes rolled, "I'm not missing, I just needed a break."

"I know," he nodded, "but I'm here to make sure you get home safe."

"I don't need an escort."

"I don't think you do, but it's dangerous at night. You know I care about you and that includes your well-being."

"Oh, don't tell me, you're trying to play the gentleman card?" You scoffed, taking another swallow from your glass. "C'mon, sit down, I don't like drinking alone," you commented, "makes me sad, leaves me alone with my thoughts."

"We can drink at home, love."

"I don't want to go home yet."

"Why?"

"'Cause I'll have to explain why I got fired."

"You didn't."

"Huh!?" You yelped.

"You didn't lose your job," he assured softly.

"No?"

"No, not fired."

"Oh," you mulled over your thoughts, "that's good, then."

Tommy sighed and pulled his coat off to take the empty barstool beside you. "All right," he decided, going through the motions to stick a cigarette between his lips and light it. Smoke wafted from his mouth as he asked, "What happened tonight?"

"You already know, I'm sure."

"I want your truth."

"Doesn't matter," you refused, downing the last of the whiskey in your glass. You went to leave a few bills for your tab, but Tommy stopped you and covered it himself. Your eyes rolled and hand snatched the nearly-empty bottle of whiskey before heading for the exit.

Tommy followed not far behind.

"Love, c'mon, wait up," he grit, catching up to you and tossing his coat over your form, "you're gonna catch ill."

"I'm fine," your eyes rolled. Truthfully, the consumed whiskey in your system acted as an internal heating mechanism; warming your blood, wrapping you in a fuzzy grip.

"Talk to me," he pleaded.

"I just - I'm frustrated, okay?"

"Sure, all right," he agreed, "but why?"

"You don't get it, Tommy," you felt emotional, rounding on him with tears in your eyes. "You don't know what it's like, you can hear just fine, you can still see, you don't know what it's like to progressively lose one of your senses! The way people get angry for something I cannot dictate - it's like they're the one being vastly inconvenienced!"

Tommy nodded, just listening.

"And they crucify me for it!" You sniffled, feeling defeated. "Like I'm some pariah that will infect them with my loss of hearing. They treat me as if - as if I've asked for this, as if I'm doing it on purpose!"

"What would help?"

"Honestly? I don't know anymore, Tommy, but this town is seriously lacking in their ability to empathize. I don't know what I'm supposed to say or do - I get so angry now. It happens more and more, people getting angry or frustrated at me 'cause I need them to repeat themselves. What am I supposed to do, huh?"

He smirked slightly, but the sight angered you.

"Oh, fuck off, Tommy!" You turned from him, moving back up the street. "I don't need to laugh at me like the rest of them - "

"I'm not!" Tommy insisted, reaching for your wrist to halt you, whip you around, face him again. Both his hands extended to hold the area above your elbow, speaking clearly, "Listen to me. I was going t'wait, but I think now's a good time."

"Good time for what, Tommy?" You growled, now just wanting to go to bed and hide from your emotions; hide from people; hide from reality.

"I have a new job for you, in the company," he smirked. "We're still getting things structured, but why don't you step away from the bar and come work for me now? Help us build what's left, and then transition into your company job?"

You paused, just staring at him in mild shock.

"You're kidding me, right?"

"Why would I joke?"

"You're... Offering me, what? Some job as your receptionist?"

"No, I was thinkin' something a little more paramount."

"Like what?"

"Like Chief of Operations?"

"COO?" You laughed, "For what company, Tommy?"

"Come home with me, we'll talk all about it," he bargained, "but if you accept, you've gotta quit The Garrison, love. We'll need your head in the game, no other distractions."

You felt something in your heart crack, asking, "What if you lot can't stand working with me, too?"

"Because of your hearing?"

"Or, you know, lack there of."

"Love," he smirked, "there's nothing you can do - intentionally or unintentionally - that would make any of us distance ourselves. If we get frustrated, it's not because you can't hear - it's never your disability, love."

"So, if you get frustrated, it's just, what? My personality?"

"More than likely," He grinned, arm snug around your waist again to walk down the snowy lane together. He laughed when your hand rose to pinch his side; squeezing his rib tightly, causing him to flinch and grunt lightly. "Hey, hey, easy with that," he chuckled, seeing your happy smile. "You all right, love? I know tonight was a lot, but... You feelin' any better?"

"I think so," you sighed. "The whiskey helps," you joked, raising the bottle to your lips.

"Mhm," he mused, taking the bottle after you.

"But present company helps more," you complimented softly. "You know, I'm sorry for today..."

"You're sorry that you couldn't hear a bunch of drunks in a packed-out pub?"

"Maybe?"

Tommy smirked, "Don't apologize, sweetheart. It's not your fault; like you say, it's not something you can control. I'm the one who's sorry you had to endure all of that... The lads got that guy pretty good."

"Good."

"And now you've a new job, yes?"

"After I hear about it," your eyes rolled in humor, taking the bottle back. "What's this big idea for a company anyway? What's it even called?"

"The Shelby Company Limited, and we're gonna change the whole of England, love."

requesting rules and masterlist

Peaky Blinders masterlist

[eirianerisdar]

I've just been digging around motorsports dot com's take on Carlos and Charles "disagreeing" on whether they've cleared up the Sprint incident or not, and I might be dipping my toes into speculation here but I think this is a rare case where it showcases the differences in how Carlos and Charles approach conflict resolution and define "talking about it."

From what Nicholas Todt said (lol) we can infer they probably did talk after Sprint, but it probably wasn't more than a few words, given the short time between Sprint and Qualifying.

This is where the difference in interpretation comes in:

Charles knows Carlos has apologised and they have no problems, and he's always been level-headed post race, so he says "Yes, it is all done and all good, no problems." In short, we both are okay about it, so I don't see any problems.

Now, it's not as if Carlos is saying they didn't have a short conversation when he says "The reality is we didn't manage to talk". But they didn't have time after the sprint to have a full debrief and go into the damage he took from Fernando before the incident and the subsequent lack of grip he had from there on after. He did apologise for his part in the move in the corner, but they hadn't had time to fully analyse it. So, we are both okay about it, but we haven't talked about it.

So it's not like they're beefing. It's just that to Charles, "We have talked about it" = "We both feel good about it now", while to Carlos, "We have talked about it" = "We have discussed what happened and all its factors at length."

They're both good about it. It's just that Carlos has always been one to like to explain and discuss things in-depth, and Charles has always been the easygoing friend and teammate that is happy as long as both sides agree they have no problem with each other.

[son-of-crows-and-rats]

I've rambled about this game before in tags and while I have a lot of complex thoughts on Curly as a character and what he should have done and how fandom responses and discussions have had good and bad takes (and it's all complicated and has layers which is a core point of the game!) one take I've never seen explicitly said for "Curly should have xyz" which I'm surprised to not see is "Curly should have asked Anya what she wanted". We don't know how much he would have listened or if her plan would make sense, but I think it says a lot about how the game's POVs (and some of the fandom) show Anya with little agency and someone who things happen to not someone who does things, and the men on board as the ones who make decisions and decide the course of the narrative for better or worse. I've seen people saying Anya should have been able to get angry and kill Jimmy, and people saying not all victims want violence and it's okay if she just wants to escape and move on. There's also arguments saying Curly should have reported Jimmy, shot him, put him in cryostasis, etc. and arguments saying Curly wasn't being malicious and that he was worried about things like their pay being docked, being locked with that conflict for months, not understanding the situation, etc. And it is complicated! But part of that male-centric view the game critiques (and fandom is against but accidentally perpetuates at times) is saying that it should have been Curly's choice at all. We don't know if Anya would have wanted to have shift scheduling and where she stayed and who spoke to Jimmy changed so he's kept away from her and to leave it at that. We don't know if she would have wanted to report him directly to the company's HR. We only see her when she's at her breaking point and even then her goal is to defend herself and prevent Jimmy from harming anyone. Anything past that is speculation. Obviously certain plans like a murder suicide or something like that would make sense for Curly to be against, but he never bothered to check. He said he would do anything, but didn't ask what that "anything" should be. Not all victims are the same, and not everybody has the same priorities. Part of getting rid of that male-centric toxic rape culture is letting women and victims have their own voices and decide their own paths, and framing the ideal situation as "the man in charge should have decided to protect the woman in xyz way because that's what she needed" instead of "the man in charge should have asked the woman what she needed and protected her that way" is still ultimately one man having control of everything. And we know from the game that doesn't work, even if he's a "good man that means well" and thinks he's inferring what's best. The only way to make sure victims get the support they need is to ask

[911bts]

Okay these are maybe abstract questions so no worries if you dont know, but 1. Ive seen a lot of people on twt say we have “no bts” for anything after 803. But, didnt we get quite a bit of bts for 804 (or at least around when they were filming that ep?) and just what we thought was 803 bts is now 804 bts, and some of the 802 bts becomes 803 bts since they added an episode? And 2. Because the production code shifted for the early episodes when they made 802 two episodes, does that change the production codes for the rest of the season (i.e. would the episode with 804 production code actually be 8x05)? Or do they adjust for that after the fact

Okay, this is gonna get confusing. Let me try to explain this.

When they filmed at Fox, when things got flipped around or filmed out of order, the production number reflected the order filmed rather than the order aired.

Example: they filmed Defend In Place and Past is Prologue in opposite order. So Defend in Place aired as 5x08 and was labeled for filming as 509. Past is Prologue aired as 5x09 and was labeled in production as 508.

That didn't happen this season. They filmed what is now 8x04 as 803 because they intended to air it was 8x03. When they added an episode and moved it to be 8x04, they also changed the production number to 804.

So, there were most likely two different episodes filmed (and labeled originally) as 803

I don't think we've seen any true 803 bts that were labeled as such (because we just didn't see a label at all for any of the plane filming, iirc). There's a bunch that we've seen that we're aware of that are 803, though (because they were filmed at the airport).

So, all the stuff that we have seen labeled as 803 is most likely for 804 now.

(This is all information I've gathered from bts & the loglines/listings so some inferences are being made here of course)

[byemambo]

4Minutes EP. 4 - My Takeaways

For the sake of organization: my future takeaways will be under #mambo.4minyap (get it? hehehehehe) cause it seems to be hitting the radar for lots of folks. It's also an interesting series, and I like talking and taking the scenic route while doing so!

Compositional Framing: The Relationship of Oppression

We got the most information about Korn's character and status within the story from this episode thus far: but the visual devices popped out the most for me (I am an artist after all LOL). I mentioned camera angles, specifically bird's eye view in my episode 1 takeaways, but we're met with a different element: shot sizes! I'm not a filmmaker so please go easy on me (my credentials include my storyboarding and animated illustration classes so my knowledge is limited), but what remains consistent throughout this episode is Korn's relationship with authority and power through the usage of establishing shot size, which lots of his scenes with various characters have varying heights.

Tonkla (Authoritarian) vs. Great (Equals)

The way Korn approaches these two characters have their obvious differences in relation to himself, but the common thread is that these two characters are individuals Korn should love. It's expected to love your family unconditionally, and arguably, love your partner even more than that. But as we've seen the story play out, starting from Korn and Great's family dynamics (which I've also covered in episode 1!): love has always been conditional.

Their relationship is revealed from a flashback that Korn and Tonkla are established boyfriends since their university days, however, dating in secrecy. This further contributes to Tonkla's stress and anxiety within the relationship, slowly escalating once he realizes the mistreatment he's tolerating. I found the symbolism between the pet cat's collar and Korn's "senior chief" sash interesting: there is ownership involved, which is mistaken for partnership.

From the jump, Korn doesn't view Tonkla as an equal partner to him, but someone who he can assert dominance over (which is primarily physical but also emotional). By displaying acts of love such as helping Tonkla through his first time and being present during Tonkla's loss with his deceased pet cat, what seems innocent and kindhearted on the surface actually has more context (which due to the 30 image limit, y'all are going to have to watch the episode for yourself and take my word for it LOL).

In the university flashback, Korn mentions keeping the cat's collar as a memento, but he's not the one reaching in and taking the collar off the cat: Tonkla is. Tonkla also isn't the one who puts on the "senior chief" sash himself: Korn is. In both scenarios, Korn is the one making decisions for Tonkla during his moments of vulnerability (both in a state of grief and during a sexual act). I checked out this article to make sure my facts are straight (got too many fun facts up my sleeve), but this approach is how cults target and recruit their victims:

Possible situational vulnerabilities include illness, the death of a loved one, breakup of an important relationship, loss of a job, or moving to another city, state or country.

Is this deliberate, or is it Korn's act of kindness? We can only infer at this moment where Korn falls on the value spectrum, but he's definitely a morally gray character (you can argue with your mom idc). During the after care scene, Tonkla mentions his father (which is alive during this flashback, but not presently living during the funeral ceremony) and moving to a new place with his younger brother due to his father's alcoholism (and possible physical abuse but this is only an assumption). Korn handles this interaction by providing financial stability (cough cough financial abuse) for Tonkla in the meantime, establishing a relationship rooted in give-and-take, debt and IOUs, under the guise of a caring romantic relationship. Given that Tonkla and his brother have suffered from trauma relating to family dynamics and enduring dysfunction into adulthood, I can see why Tonkla had become completely blindsided to this level of power imbalance that is simply all too familiar.

Once Tonkla realizes that Korn is only present in his life for his own self-interest, and access, he stands up against his oppressor, recognizing that there is another individual that is displaying signs of love and care (which isn't 100% healthy, but it's progress nonetheless) that Korn has bread crumbed him for all these years.

This confrontational scene is highly intense and emotional, which is reinforced by Korn's physical stature towering over Tonkla in most of the scenes we've seen thus far in each episode and usually ending with Korn continuing to be enabled. These scenes are usually shot at angles such as panning from above to reveal Korn's power over Tonkla, who's usually shot from over-the-shoulder and panned down. However, once Tonkla finally takes his stand against him, the camera follows him and frames the shot as a close up, tightening the gap between Korn as the oppressor and Tonkla as the oppressed.

Once Korn leaves and returns to question Nan about the leaked information: we're shown a similar staging of Korn physically towering over his victim, but from a cowboy shot slightly panned upward. However, the framing suggests from size relationship alone: Korn is nothing more but a victim himself playing the role of the villain. He is in the same predicament as his own victims, but living in a state of falsehood and denial as he has been trained to believe it is his birth right to take over his father's business (not even taking the time to question the morality behind such a business). What remains behind choosing moral righteousness over injustice: the disappointment of living as a failure and abandonment of his family system, the only consistently good thing in his life that is his younger brother Great. It's heartbreaking because we can see somewhat of goodness from his beaconing of retrieving information without the reliance of violent methods (which is unsuccessful and out of context, rather pitiful?), and I really do hope that he will be able to redeem himself (but I wouldn't completely write off the series if he does not deserve redemption).

However, the greatest loss is Tonkla's revelation of his own entrapment: reminiscing the memories held by the collar but in an entirely new perspective. The composition of him looking at himself in the mirror is hauntingly beautiful but full of melancholy: the mirror serves as a moment of literal self reflection, the collar reminding him of living as a possession rather than a person, the frame of the mirror serves as a metaphorical cage. Now it's a matter of whether or not Tonkla will reclaim his power again and recognize that he's simply a bird confined in his cage, but the door is now wide open. Will he realize soon that he has his own wings to fly?

Moral Value: A Hidden Responsibility

We've seen in this episode Great having a better understanding of his gift, establishing his moral compass and duty to act with integrity and with a strong sense of justice. Seeing such strong character development within these past few episodes is breathtaking (especially if you've been a long time supporter of Bible and just his journey as an actor). We have a good sense of Great recognizing his autonomy and relationship with free will, contrasted to how passive and reluctant he was in doing the "right" thing and being given a second chance to make a different decision.

Tyme's motive reveal (I love being right hehe) after being confronted by Great's demand for why he attacked his brother became a turning point for Great to finally tap in and establish his innate desire for moral justice, especially after being told about Nan's captivity and being foreshown her demise once he found her location. What I found most interesting during the initial rescue of Nan from Samarn was just how "normal" his conduct was when addressing Great as the son of his upper head. How polite his language was while holding a gun and standing next to a pool of his victim's blood, to just before Tyme's appearance where Great becomes the voice of reason amongst the chaos.

"Why can't I?"

It's such a simple response, but it's so loaded with depth and hidden meaning: it makes you sit back and also wonder...why can't I?

Great becomes an individual questioning the circumstances surrounding him, enabling himself to experience change. When his "friend" attempted murder and brought him along for the ride, when he experienced his first few heart attacks and hitting the woman seeking unalivement, when he is confronted by his brother's attacker and doesn't blindly dedicate his loyalty to his brother for the mere fact that he's family, when he sees Nan's predestined death in the hands of the enemy (which you can say that it really be your own people).

What makes Great such a fascinating character to me is just how dynamic and determined he's become after being gifted with foreseeing the future. Having such excitement in his awareness to his free will makes me enjoy him more as a character, that our lives are not predetermined to live and die for, that we have morals and values that must be considered and analyzed for its legitimacy, that we have integrity to do what's right without entitlement to self-interest, that we have the shared responsibility to criticize the world in which was built for us, but our jobs to upkeep and maintain. I'm excited to see what's in store for Great moving forward, and I'm so happy for Bible and Jes to play such characters.

Even though the lighting is similar to how Korn and Tonkla's flashback was, the visible warmth is even more obvious with how these two established their relationship. That in contrast to KornTonkla's ownership, TymeGreat is partnership (we haven't reached boyfriend status yet but it's coming!) How Tyme is willing to accept and make room for Great's excitement and passion, to hold it gently, to cherish it as a fleeting moment. Their NC scene in comparison to KornTonkla and WinTonkla is simply ethereal: the level of shared vulnerability and intimacy warmed my heart. From the lighting to the shots and down to the chosen score, the director does a fantastic job of creating such dissonance between all the pairs (which lots of people like to write off NC scenes as unnecessary and vulgar but it's just blatant purity cultural standards imposing on all of us and I need to dedicate another time to talk about it). The visual storytelling thus far has me anticipating more from the story as the details continue to establish the worlds revealed to us.

Tonkla's Brother: The Arrival of Home

I'm sure we all saw this coming but the reveal is heartwrenching. To see such a sweet face and scene filled with hope and longing with its immediate contrast to harsh reality, my heart goes out to Tonkla. Some may infer that there's a separate timeline that exists alongside reality, but I think it's possibly a hyperrealistic hallucination or dream by Tonkla (since the last scene we see of him was just before heading to bed for the night but also his intense codependency on drugs). Of course on the surface, people can infer that this is simply Dome returning home from recovering from his injuries: however, I interpreted it philosophically. Dome arrived home for his soul to rest.

We're shown in the first half of the episode of Tonkla mourning after Dome's body is cremated (I'm also Buddhist but I'm nationally American and ethnically Vietnamese so my interpretation of the religion will have its differences), which now establishes Dome's physical remains returning to the earth which his soul can no longer return to. I imagined Dome's soul has reincarnated and given access to the Western Pureland (since Tonkla was physically outside in the warm sunlight versus his more cool toned coloring within his scenes), only hoping that he actually experienced resting on his deathbed ready to enter the afterlife with a smile. Now we know that Tonkla's fingerprints were already in the investigation database: we need to know why and what crimes he had already committed before the murder shown as the opening in episode 2. This is definitely going to affect Win's current dynamic with Tonkla, given that they're now living together and he has access to Tonkla's home and possessions. Maybe we'll experience another shift in character development like how Great was, but possibly targeting Korn if the company is involved in Dome's case somehow.

Honorable Mentions: Heart Attack Transition

This scene was literally so fucking cool. The match cuts and in and outs of the inversion (def going to have trigger warnings for future GIF sets) were literally out of this world, especially when I find out it's from the freaking painting within the hospital hallway that is just a prop on the surface. I wonder who suggested such a transition and I wonder how they'll depict Great's future heart attacks and visions. The VFX team is working overtime and I'm so impressed so please give them their flowers!

[twig-tea]

Love in the Big City Timeline in the Series

Here are the facts I've put together about the timeline in the series (which feels, unlike the book, a little more linear and so actually possible to do this with):

[indeterminate, elementary school, est. early 2000s] Yeong's mom finds out about Yeong's father's second family and divorces him

[indeterminate, high school, est. late 2000s] Yeong is caught kissing another boy on the playground and institutionalized by his mother

2012: The year that T-ara's song Sexy Love comes out (at this point I've just kept this on here for reference)

2014: As per his own narration in ep5, this is the year Yeong contracts HIV (in Feb) and is diagnosed by the military (and he only spends 1 month in the military before getting a medical discharge). He meets with the T-aras a few months later and says they're next for the military (shoutout to @impala124); he meets Nam Gyu and Mi Ae in late 2014, and Mi Ae tries to bum a cigarette from him in Dec 2014 (shout-out to @my-rose-tinted-glasses); Yeong moves in with Mi Ae in either late 2014 or early 2015, and soon after that is the T-ara karaoke sendoff after which he breaks up with Nam Gyu.

2015: Mi Ae's application to her job had 2015 on it; Mi Ae goes to the job retreat for a month, meets Jun Ho, and then several months after that, Yeong stops talking to Mi Ae for 10 months after she outs him. Some time in late 2015/early 2016, Yeong breaks things off with Nam Gyu again.

2016: We know Yeong won the contest in 2016 as per the book we see on Yeong Su's nightstand, and since Yeong called Mi Ae after that, we know they reconciled in 2016. Also, as per the last text message from him, Nam Gyu dies in 2016. After his funeral, Yeong takes over Mi Ae's apartment and Mi Ae gets married. Also, Yeong's mother gets diagnosed with cancer 3 years before she dies, which would be 3 years before Yeong tells Gyu Ho about Kylie, so that means her cancer diagnosis was also in 2016.

2017: Yeong Su tells Yeong he's moving to America [guessing based on how much time seemed to pass in their relationship]; Yeong attempts suicide

2018: Yeong Su sends Yeong the manuscript (which he throws out) [we know this was a year after Yeong Su leaves, but before Yeong's mother dies]

2019: Yeong's mother dies [I'm inferring because we know Yeong tells Gyu-Ho about Kylie in Jan 2020 after his mother's death and after they'd been seeing each other for a little while, so that puts Yeong's mother's death in 2019]

2020: We see Yeong's phone date the day he tells Gyu-Ho about Kylie as Saturday, Jan 25, which was a date in 2020 (but not 2019) [shoutout to @my-rose-tinted-glasses for pointing this out]; Yeong also has an article in his office with 2020 on it, so he was definitely dating Gyu-Ho and had moved from his job at the musical theatre to the company by 2020.

2021: [This is a guess, but we know Yeong's been together with Gyu-Ho for a year when he complains to the T-aras about their relationship and they suggest a trip, so I'm guessing the trip to Bangkok took place in Feb 2021 (around Chinese new year)--my best attempt to date this was the reference to the construction of the Pearl Building in Bangkok but that was constructed 2015-2017]

2022: Shoutout to @my-rose-tinted-glasses for catching the label on the package of his suitcase that Gyu-Ho buys for Shanghai, which says Jan 2022. We know Gyu-Ho leaves for Shanghai soon after that because in Feb 2023 the T-aras check in with Yeong saying it's 'that time of year'.

2023: In Feb 2023 we see Yeong quits his company to be a full-time writer; he writes the date on the book he signs for his former colleague and on his phone screen we can see Feb 2023 as well. We also got some confirmations of the timeline above, since he says in his voiceovers in eps 7&8 that it's been a year since Gyu-Ho left and he's been living with Kylie 9 years. [Note: there were subs in ep7 that said 2022, but they don't align with what's actually on screen]. In March, Yeong goes to Bangkok with Q/Habibi (Habibi's phone screen says it's March 8 when Yeong looks at it in the shower).

Feel free to correct me or add any concrete dates that I missed! I've now updated this with details from the last 2 episodes on Nov 12.

[blazinghotfoggynights]

Buddie? BT? Doesn't matter.

Maybe this isn't how the writers wanted or expected their work to be interpreted, but people pull from RL situations and experience to infer and understand.

As a rational woman of more than 20 years of life on this planet, I've seen and experienced a lot. (Some of that experience is being dated by someone without having a clue they were dating me. Eddie Diaz is not alone. Sadly.) So, here is my interpretation.

1- Tommy was trying to date Eddie. Tommy is not bi, confused, closeted, or shy. He is an out gay man who immediately began monopolizing Eddie's attention and time. Your middle class new friend of a week or two is not flying you to Vegas unless he is trying to get into your pants within the next two weeks. Tommy was trying to impress Eddie and show off. That is not platonic. Tommy wanted Eddie in the naked and moaning type way. You can see his attraction in the way he follows Eddie with his eyes while cheesing when they land after rescuing the cruise ship. Tommy never once looks at Buck until Buck grabs him. Which leads to...

2- Buck was trying to do two things, subconsciously, at once, but for different reasons. Buck was trying to get Tommy's attention off Eddie and get Eddie's attention back onto himself. Eddie had no clue because he didn't even see Tommy was courting him. (I read an A/B/O fic and that word has stuck. Sue me.) Buck couldn't see he was jealous of Tommy and angry at Eddie because he felt he was being tossed aside. Don't forget, this is a Buck who was fresh out of a relationship and watching Eddie get serious with Marisol. In Buck's mind, Eddie was already being taken by Marisol and now Tommy was poaching him, too.

3- Tommy was not into Buck. He took a convenient option that presented itself. That is why that kiss is so sudden, impulsive, and UNSURE. Tommy knew Eddie was a lost cause. But then Buck is begging for attention and right there. So, Tommy made a decision to test the waters and see what happened.

4- Tommy also figured out that he could lead Buck around easily. Remember how their first date was set up? Remember Tommy kicking Buck to the curb literally, but coming back quickly when Buck called begging for a second chance? To young people and people who have never been in relationships, those are classic emotionally manipulative power moves. You can say what you want, but Tommy has figured Buck out and knows how to control the narrative.

If the writers went with sexual identity crisis Eddie, oblivious Buck, and opportunistic and manipulative Tommy, they could easily support all three with canon. Not fanon. CANON.

Bonus: Eddie is shocked Tommy is gay but isn't phased by Buck liking a man. Sure, it throws him a bit when Buck confesses he was on a date with Tommy, but Eddie is completely flabbergasted by Tommy being gay. That explains why he didn't realize Tommy was trying to get at that glorious behind. (For the rest, go back and watch the confession scene. Look for the micro-expressions. Share what you pick up.)

NOTE: I chose not to tag anything in the BuckTommy fandom. Please do not add tags or reblog to that fandom.