#I've liked some of the new characters they've introduced

[oifaaa]

Have you read DC lazarus planet revenge of the gods? They have a black Apollo!

I've not read it yet but I took a quick peak over my lunch break today gotta say absolutely love their apollo design tho just who ever the artist is is just amazing their art looks so pretty

[catsvrsdogscatswin]

I've had this thought swirling in the back of my head for a while, but it's finally congealed enough that I think I can make a coherent pitch, which is: I think RWBY's problems with the more vitriolic part of its fanbase partially stems from the fact that RWBY is a deconstruction that doesn't advertise it's a deconstruction.

RWBY's status as a deconstruction is pretty textbook. It takes apart standard fantasy, shounen, and anime tropes in order to analyze them and their deeper meaning and then reassembles them in new and interesting ways for the plot/characters/series. Thing is, it never says that outright in promotional material, which can lead to later outrage in fans.

See, unless their way of discovering new shows is to close their eyes and stab their finger at random, most people tend to choose series to watch/read based on expectations. Maybe a friend said they'll like it because it has [insert thing], maybe they read the summary and were intrigued, maybe they thought the poster/cover art was cool, whatever. These small pieces of information are generally enough for people to make a snap-judgment of the style and genre of the series, which they can then gauge against their personal tastes and decide whether or not they want to try.

Most of the time, this works just fine. Well-written deconstructions also generally give the viewers some warning/buildup before they take a hard swerve. See Madoka Magica: the magical girl paradigm is shaded by the possibility of death as soon as we're introduced to it, then there's an onscreen death with blood, and then a few episodes later we eventually realize the Faustian bargain of it all. Even innocent viewers who stumbled into watching it, unaware of the show's reputation, would go "Oh, wait, this is not going in the direction magical girl shows usually go" by a third of the way through.

The thing is, with RWBY, this does not happen unless you're paying a lot of attention and/or looking for it. And neither the cover art nor the summary nor, I believe, the fanbase gives a lot of warning about the swerves ahead.

In fact, RWBY initially bills itself as a pretty standard shounen anime. The main protagonist is hinted to have Special Powers and gets into the Magic Monster-Hunting School in the first episode, and the first two-and-a-half seasons are taken up by her and her friends' superhero-esque slice-of-life shenanigans as they thwart robberies and terrorist attacks and gear up for a tournament arc against the looming background of a larger conspiracy.

Then in the last half of the third season the villains' entire Rube Goldberg machine of a scheme snaps into completion and the plot twists so hard the entire genre takes a hard right. If you're used to character analysis and common anime tropes, this is not completely a surprise -up until this point, RWBY's character arcs and plot have been subtly traveling in non-traditional directions that hint of greater flexibility in genre treatment ahead- but if you're not... well.

Thing is, people watching RWBY up until this point have signed up for pretty standard shounen and they've been getting it, but the third season's ending smashes that all to bits. From then on out in RWBY, it's like they ordered fries and suddenly got a hamburger. It might be delicious; but it's not what they asked for, what they wanted, or what they paid for, and they are, justifiably, displeased.

So when the reasonable people either adjusted their expectations or sighed, shook their heads, and clicked back out (perhaps with a grumble and a scowl), the unreasonable people dug their heels in and began insisting that everybody was Getting The Show/Character Wrong and that CRWBY is ruining it, because the fact that RWBY's method of deconstruction is to put standard tropes in a blender and then arrange what's left in deceptive patterns means that said unreasonable viewers can scan the bare surface and argue that all the stereotypical stuff is clearly still under there, somewhere.

So they're continually trying to drag RWBY back to the tracks of a typical shounen anime series (it's closest relative), which creates a dissonance between the show they're watching and the show they think they're watching. They're trying to turn the hamburger back into fries, basically, except that doesn't work and just frustrates everyone involved, because you're trying to make RWBY into something that it's not. Hence, this attitude probably starting/fueling some of the more contentious statements in the fandom, i.e.:

"Ironwood was right the whole time" (in most action movies and shounen anime, allied military leaders are trustworthy beyond reproach)

"Adam's character was wasted" (we all know how much shounen loves their powerful warrior antiheroes)

"Ruby and the others are in the wrong about [insert thing]/or for doing [insert thing], and this is bad writing!" (shounen protagonists don't usually make more than One Very Big Mistake over the course of their entire careers, which is usually fixed/overcome/redeemed via an appropriately rigorous training arc)

And to be clear, there's nothing wrong with shounen tropes or shounen anime. They're wonderful storytelling devices in their own way and their own time: but if you want standard by-the-book shounen without any new and interesting concoctions, then RWBY is definitely not the show for you. And most people don't find that out until it's too late.

[bengiyo]

Your Sky: It Seems I Wanted a 2gether Retread

I watched this on a whim yesterday evening and enjoyed it immensely. Not to be the Boss Baby tweet, but I enjoyed how this show set up some of the same parameters as 2gether without making key characters unlikable, or relying on mean humor.

Right off the bat they calibrated the Teerak character well. He's essentially an adorable younger brother all the time. He's clearly coddled, and requires a lot of supervision. However, they made sure to confirm that he's actually an extremely kind character, and that most of his adventures result from him maybe going too far to complete an act of kindness. This character has real potential to be annoying, and they're doing a great job with the line.

Additionally, they've given Teerak a great supporting cast around him. I liked the teamwork dynamics between Lee, Joy, and Type. I liked seeing them fulfill different roles in the group, and I'm excited to get to know them more. Teerak's relationship with Babe is also compelling; I'm excited to see what we get from a caring big sister. I especially loved their meeting the laundromat owner. I hope we see more of her, and that they continue the trend of introducing every new character with a beauty zoom.

Thomas Teetut is also doing a great job with Muenfah. He's playing this character so differently from Gun in The Middleman's Love that I didn't even recognize him right away.

Unlike with Sarawat (2gether), they didn't withhold this character's affection for Teerak for multiple episodes. Like Sarawat, they've gone for cool, aloof, and disinterested in women. I'm curious to learn how long he's had this crush, why he hasn't said anything about it, and why his brother (Lee) is keeping the confidence about it.

I also want to know whose ass he kicked years ago that created this reputation about him being leader of a gang. It's intriguing because we watched multiple people running interference on Oh's pursuit of Teerak. I was wondering at first if Teerak needed to properly reject this man, but based on Oh stealing the outdoor reservation at this restaurant, drugging Teerak's friends, and trying to fight Muenfah, I really don't like this man. They did a great job building to the reveal that Oh ain't shit. They made me feel bad for a Mike character at first, and then validated why I instinctively do not like that man's characters.

I really like the impetus for the fake dating in this one. I like that Muenfah pulled Teerak out of a dangerous situation, and also that a drunk Teerak created a major misunderstanding online from people stalking (please stop filming people in public). It's so much better than we know Muenfah has feelings for Teerak already, and has been protective of him. I'm excited to see how Teerak grows into a shared affection, and how the veneer of fake dating complicates the development of their feelings.

Also, this show is beautiful. Sarawut Chuparkpanich shows always look great. However, every single person linked on the crew has been part of projects that I think showed real potential before flopping badly before even the midpoint. I don't want to get my hopes up too much because of the track record, but damn did I really like this first episode. This is the most engaged with initial characterization I've been with a Thai BL in months, so I hope this one works out. I am still fond of 2gether, despite the missteps of that show, so I'd like to have a better version of it.

I'll pick this up as a regular watch and check in after a few weeks to let you know how I'm feeling about it. Thank you to the gifmakers!

[howtofightwrite]

Now you got me thinking...I've been thinking about writing a fic where the (in-universe) desensitization of violence for the main characters is a running theme. My main issue, however, is managing the violence within said narrative because, as you've said before, violence has diminishing returns. While I don't want it to be a gorefest from start to finish, I do want part of the horror to be having to engage in it, no matter what steps are taken to avoid it. If I'm not careful, I could end up with a weaker story for all the violence in it. What could I do to maintain this theme without it losing its impact due to these diminishing returns?

So, there's two different things going on here, and ironically, it's the same term, and mostly the same process.

When I'm talking about your audience becoming desensitized to violence, it's more that they become acclimated to the degree of violence you're comfortable with exposing them to. Again, “diminishing returns,” because as you expose them to more violence, they become more acclimated to that violence, and the shock value will subside. Similarly, the ability to build tension on the threat of violence occurring falls off when you're willing to engage in violence, but that doesn't mean you can't build tension, just that you need to be a little more careful about establishing those stakes.

Also, when most people write violence, they tend to establish implicit boundaries. It may be that only certain characters engage in violence. It may that certain areas are exempted from violence. At very mechanical abstraction, with some writers, you can tell when they've introduced a location that is exempt from violence. Even if you're getting into diminishing returns, violating these kinds of boundaries can keep the violence fresher than you'd expect. The formula of slasher films put a lot of effort into maintaining shock value by creating misleading boundaries that you'll pick up on and then violating them in new and novel ways.

Outside of some genuinely stomach churning violence, you're not likely to permanently move the needle for your readers. You're not actually desensitizing them to violence; just your willingness to depict violence.

I feel like I need to make a clarification: Too much violence doesn't mean the story will be bad. Normally, I offer advice with the assumption that you'll want to manage and maintain as much shock value as you can from your violence. However, that's not the only valid approach. That said, too much violence can cause your readers to disconnect from the work, so that is a legitimate consideration. Also, this doesn't mean the story loses impact. Unless the violence is the story, which is a somewhat weird edge case, violence won't necessarily reduce the impact of the story as a whole.

The example of slasher films, earlier, really does illustrate what I mean when I'm saying that lots of violence (even gratuitous violence) isn't going to necessarily mean that a story will be bad. (Though, this could spiral into a much deeper argument about the artistic merits of that genre.) To some extent, your choice of genre already starts to prepare the audience for a more violent experience. You're preemptively trading shock value for a higher baseline.

The second thing is your character being desensitized to violence. While there is something to be said for getting your audience into your character's head space to the point that they accept it as their own, doing that with desensitization to violence is extraordinarily difficult. (And, really, it's a tricky route to go in general. In most cases, the audience will simply assign whatever dissatisfaction they have onto you or the work, rather than realizing you were being clever.)

So, how do you show someone is desensitized to violence, without trying to simultaneously traumatize your audience? You show the consequences of that desensitization. This can show up in a character's sense of humor, their overall outlook. They may be more clinical about violence, more casual about its consequences (at least, superficially.) They might have an incredibly dark sense of humor, which might not come up most of the time.

In a larger context, a character who has been desensitized to violence may come across as basically normal, outside of a narrow band where certain concepts don't bother them. This is especially true with a specific brand of military humor, where violence has been rendered mundane for the individual, and the people they interact with on a regular basis.

Now, audience desensitization to violence can create a very weird situation. Where an absence of violence is more unsettling. Not because they're worried about what could happen, but because they're waiting for it all hell to break loose. It's one thing to simply call it, “tension,” but it is a very distinct kind of anxiety you can invoke, if you're careful. In the opening of a story, when the genre is clearly established, I've seen this compared to the ratchets on a roller coaster's first ascent. Everyone knows what they're here for, everyone's here for the ride, click, click... and then the lights go out, and the screaming starts.

I'm trying to make it sound easy, but violence is one of the more challenging things to write. That doesn't mean it's impossible, and you don't need to sit down and carefully sketch out every detail before you get going. The biggest thing to be careful of are that you don't want to overuse it, but you have a lot of flexibility to tell the story you want with the amount of violence you need to communicate that story.

Though, it might take a few tries until you get a tone you're happy with.

-Starke

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[gartenofbanny]

I am working on my review for episode 2, which will likely be uploaded later on today, but I want to talk about something that I've heard from people. So apparently, Husk was an Overlord before gambling all his power away and selling his soul to Alastor.

Him being an Overlord was just not hinted at, at all in the pilot (since the pilot is canon) because literally nobody was surprised when Alastor brought Husk into the hotel. He had to introduce Husk to the residents so that they could know who he is.

If Husk was an Overlord, how come they don't already know him? I suspected Angel wouldn't already know since he didn't know who Alastor was, but Charlie and Vaggie? Bare minimum Charlie should know because she's the Princess of Hell. Why wouldn't she know about the Overlord who lost his power?

And wouldn't an Overlord losing their power in the first place be huge news across the Pride Ring? We don't know the exact timeline when Husk did lose his powers, but regardless at least some major characters would've heard about it.

And I honestly question what kind of "soul contract" Husk is even in with Alastor when Alastor had to bribe Husk with booze to work for the hotel, I thought contracts meant "You do this or I'll hurt you". It's what they've shown with Valentino and Angel Dust, but Husk doesn't even get hurt or at least threatened by Alastor.

It honestly makes "Loser Baby" work less as a song because if you actually think about it, Husk isn't even suffering. Yeah, he lost his status as an Overlord, but literally nobody cared afterward. And yeah, he's in a Soul Binding Contract, but Alastor is willing to negotiate with him.

It's like the writers come up with these ideas that seem cool in concept, but also contradict what they did in the past.

[randomameteur]

Y'know, for all the fandom tomfoolery around sans's heehoo glowey eyeball, I don't think I've heard anyone bring up anything truly plot-relevant or thematic about it, so here are my observations:

In UNDERTALE, virtually all battle sprites (save for the healthbar and battle options) are black and white:

This applies consistently with virtually every monster battle sprite as well.

When a monster's fight features some kind of color, it's usually a really big deal: When you first see the color blue in battle, it signifies the beginning of the blue attack and blue SOUL mechanics, when you see green, you get the green SOUL mechanic, when you see purple, you get muffet's signature purple SOUL mechanic, Yellow is also a SOUL mechanic etc, etc. Characters that introduce new SOUL mechanics are usually the more important ones: Papyrus, Undyne, Mettaton/Alphys, and Muffet.

Additionally, colors have thematic implications, and this is the part that actually starts connecting to sans' sprite.

As far as memory carries me, the first time you'll ever see a consistantly colorful element of a battle sprite is against Asgore.

Asgore sports a trident worthy of a fight against the devil himself, and it's the same ruby-red we come to associate with the player, Frisk's SOUL, and by extension DETERMINATION. In a way, this fits. Asgore has been the most (naturally) determined being in the underground for as long as until Frisk arrives. His drive to free his people, though not fully put into action due to his guilt and ineptitude to handle responsibilities on his own, is IMMENSE, and only someone essentially made of determination can overpower that.

However, the red player soul is not the only one to bear any kind of meaning. Thanks to "ball game" in snowdin, we know the virtues the other SOULs embody as well:

Red signifies DETERMINATION

Orange signifies BRAVERY

Yellow signifies JUSTICE

Green signifies KINDNESS

Cyan signifies PATIENCE

Blue signifies INTEGRITY

And Purple signifies PERSERVERANCE.

Green shows up all the time in healing projectiles, no questions there as to why, but ONLY ONE CHARACTER has not one, but TWO of these colors present in their battle sprite: Cyan and Yellow.

Now tell me, who in UNDERTALE's main cast is A: Willing to wait all fucking day for something to happen and B: Willing AND capable of actively judging you the ENTIRE time?

Sans the motherfucking skeleton.

(Best gif i could find, my phone really doesn't like the gif selector!)

Sans's left eye.... eye socket? His eye thingy rapidly flashes Cyan and Yellow whenever he uses his strongest attacks. If we're to assume a SOUL color appears where its corresponding attribute is at its limit or highest prominance, then this makes a lot of sense.

Sans is the living definition of letting things be, he'll wait as long as humanly possible to so much as pick up a sock.... and then wait some more. His patience is perhaps TOO great, and largely manifests in a sort of apathetic complacency so thick that he won't even fight you until there's literally no other option left. When sans DOES fight you, he's not even remotely determined or anything, rather he knows that his only shot--monsterkind's only shot-- at survival is not merely killing you, but in making sure the experience sucks so much for so long that you decide to stay dead and quit the game. Sans is not determined, he is desperate, and he'll have the patience to wait forever if it means stopping you.

Sans is also very observant, like.... SCARY observant, he does NOT remember you're genocides, but he certainly can extrapolate that they've happened after a good long look at your expression every time you're forced to reload your save. This observance plays into his incredibly strong sense of justice, which is likely why he's the royal judge. Sans' way of things is very "what goes around, will eventually come around", and this even manifests in his battle mechanic literally being called Karmatic Retribution, or KR.

Sans knows better than anyone (other than flowey) that he cannot possibly send you to the hell he knows you deserve, but he can absolutely build one of his own for you, and if he had the energy to do so he'd keep you there forever until you, the player, make the one good remaining decision to quit the game.

TLDR: Sans's glowing eye is not only intimidating and fancy, but also a direct reprisentation of his core virtues at their absolute strongest.

[phantomarine]

Hey what were you trying to say in your “it gets good at page 1001” post

Was it more of a comment directed at yourself ( self degradation), is it satire about perfectionism,

Is it supposed to be inspirational for Beginners webcomic creators, or we’re you just in a bad mood?

More of a warning against self-sabotage, because I see it so much. Sometimes it's tied to perfectionism, sometimes it's the opposite - people surrendering to imperfection when they don't really have to.

Creator chat incoming. I'll put it under the deelybob for anyone who wants to read it 👇

I've been in the webcomic sphere for several years now and I've seen so many people introduce their comic with 'I know it's very long and not easy to read, and I won't be going back and changing anything about what I've already made - but please critique it so I can make the rest of the pages better and attract a bigger audience from now on.'

And that's a hard thing to respond to. If a reader can't get through all those existing pages without being confused or bored, then how can they get to the good stuff that lies past them?

So much of gaining an audience is about actively making it easy to 'fall into' a work. Without that easy entry point, it's always going to be an uphill battle to build an audience, no matter how good the later chapters get. There are outliers, but most webcomics won't be those outliers, especially with thousands of them available nowadays. Some people love the grind, but most people will jump to a new tab and try to find something less frustrating.

And webcomic creation is particularly cursed by its very nature. Creators are hesitant to go back and edit pages, even once they've figured out more details about their craft or story structure. It's mostly because of the seeming permanence of it all - the art takes ages and the words feel unchangeable if even one other person has read them. To go back and edit is to publicly admit your failings, right? That's how it feels. What do you MEAN you didn't get it right the first time? You were supposed to do it live, and do it PERFECTLY!

But ideally it shouldn't be any different than prose writing, which is ALL ABOUT finding the story in those edits. And because your story is digital, you can go back and change things whenever you feel like it. A webcomic is fluid.

And if you're thinking 'I should just redraw my whole first chapter' - NO! Hell no, old art can be a part of the appeal! It's far more about finding little tricks to convey your story/characters more clearly. I have read some first chapters with janky art that made me fall completely in love with the story and cast. It's not about the art - as with all things comic-related, it's about conveyance.

Examples I've seen and some I've used myself: A single extra page with a meaningful interaction can solidify the theme of a character's arc. One additional 5-to-10-page scene can help add visual context for an offscreen event where there was none before. Adding a map can tell people where the characters currently are. Changing a character design can help if they get often confused with another character. Redoing your lettering to make it more legible is a huge one too.

In the end, I just don't want people to be afraid of small edits. When I got feedback about the bad clarity of my own work, I knew it would take some time to fix those problems. It wasn't fun to think about or to do, but I'm glad I did it in the end - because it would have limited my audience tremendously. With just a bit of extra effort, I opened a door that wasn't there before, and it now leads more people even more easily to 'the good stuff.'

tl;dr You started your webcomic for a reason, and you're learning more things about its characters, story, and craft every day. Don't be afraid to go back to old pages and inject some of that wisdom through editing. Even a little can go a long way.

***Caveat: If your goal is to just create chaotically, with no goal of gaining an audience, you are a wild and free little thing, and I am in awe of you. This whole rant doesn't apply to you, and you are stronger than me.

[hopeymchope]

The Weird Story of Mahjong Ronpa

NOTE: I already announced that the Riichi City "Majong Ronpa" crossover with Danganronpa went live this past Monday, so here's that original post. Importantly, it also contains some of the story setup information!

I don't know what I expected when I learned that the latest Danganronpa collaboration contains a storyline, but it definitely WASN'T what we got.

Pretty early on, Kyoko manages to suss out that they've actually traveled to another goddamn world. Which Naegi accepts pretty readily! And I can't fault her logic, of course, but this still seems like a pretty huge leap for a crossover between two games that DON'T contain any such far-out fantasy/sci-fi elements. (I acknowledge that DR's later installments would introduce entire virtual worlds and robots... but still?)

If anyone playing Riichi City wasn't already familiar with the first Danganronpa game? This little in-game story sure doesn't shy away from spoiling who the mastermind is. But okay; I guess she's something of an icon by now, particularly among fans of Japanese media (i.e. weebs), so that's probably not THAT big a deal. Still surprising to me, though!

I mentioned this in that aforementioned earlier post, but it's pretty wild that (A) Naegi and Kirigiri clearly have already experienced the events of DR1 — they eventually even recall the mastermind reveal at the end. Yet somehow (B) Junko and Celestia are here, alive. I guess you could argue that maybe they were pulled from the other reality BEFORE Junko died, but... Celes?

Earlier this year, I played Blue Archive for a short while JUST to experience the "A Certain Scientific Railgun" crossover event. (And if you're wondering... why yes, I did only learn how to play Mahjong in order to experience Mahjong Ronpa. :P) I've been through some crossover event stories in Magia Record, too. All those crossovers left me with certain expectations as to how these things go: The visiting characters inevitably have to return to their own time/place/reality at the end, often having their memories of the crossover wiped in the process. NOT SO FOR MAHJONG RONPA!

Check it:

The story/locked-room event ends with Junko fucking ninja-vanishing into a puff of smoke, which sure seems to bode VERY poorly for this world's future.

Celestia apparently goes off to become a powerful new player in the mahjong-obsessed reality of Riichi City.

Ultimately, Naegi is triumphant in the locked-room Mahjong challenge/mystery. He and Kirigri walk down Riichi Street together as he prepares to take his victory prize in the mahjong tournament — a unique "Mahjong Codex" guide/manual that contains special advice/techniques regarding the game — and expose its contents to everyone in this new world.

So they just... live here now???

Hey, at least it's a semi-happy result for this weird incarnation of Naegi, Kirgiri, and Ludenberg/Yasuhiro. Consider it an "alternate ending" for the characters, if you like.

[maleyanderecafe]

Apple for a Teacher: A Yandere Love Story (Visual Novel)

Created by: ataraxic

Genre: Horror/Romance

The screenshots on this one are a bit different because I played this game on my mac instead of my pc, so it looks a little weird on the preview. I played a previous game by this creator called Yandere Love: Chains of Fate, which features another character. This one features another character in this world, Ciel. If you've read my previous review on this series, you'll know my overall feelings about this game as well, because despite the couple of years that I haven't thought about this game, I still have the same opinions on it.

The story starts with the MC going to university. They're happy that they're finally free from their professor Ciel as they've finally passed their class. We learn that the MC really hates Ciel as he's very blunt and seems to have a vendetta against the MC. The MC was failing Ciel's class, so Ciel helped to tutor them, as the MC doesn't really know anyone else on campus. They're very happy when they find out that they're able to pass the class and don't have to deal with Ciel anymore and even more excited that they got into an elusive internship on campus. Ciel ends up asking the MC to a fancy dinner at an Italian place as a celebration of them passing their classes. The MC accepts as they want to eat at a fancy place and gets (begrudgingly) driven back to her place by his chauffeur. Ciel waits for the MC to change into more proper clothing as well as criticizes a lot of their outfits in the meantime. At some point, Ciel ends up seducing (?) the MC unintentionally and they can either go further or try to deny it.

If the MC goes further, Ciel and them will end up having sex, with Ciel even confessing that he's always loved the MC. Afterwards, however, the MC seems to be in shock about what they've done and attempts to push Ciel away.

If the MC decides to deny it and push Ciel down, Ciel will get angry and end up raping the MC, traumatizing them. The MC tries to get Ciel to leave afterwards.

Ciel, however, isn't having that as he's been looking for a partner to have children and live together with. He ends up forcing the MC to pack up and essentially kidnaps them. As the MC is forced into the car, they think about how no one will know that they're gone, as they have no family nor friends, with the only people who really would notice would be the fact that their internship might be looking for them. They end up falling asleep in the car before waking up chained to the bed. Ciel waits for them to wake up, introducing them to their new life together.

If you've read my previous review on Yandere Love: Chains of Fate, you'll probably know a lot about my criticisms with this game. The artwork and design of everything looks wonderful as always. The backgrounds, sprites and UI are all really professionally made and the music itself is pretty nice too. Unfortunately, I just don't really like the style of how this person writes too much because the relationship between the MC and the ML is usually just not fun to read (for me).

The MC of this game is different than the one in Dameon's game but instead of being pretty frankly stupid and making dumb decisions, they instead are very cynical and bitter of their position. It makes sense to a specific extent considering that Ciel loves to berate them but it does encapsulate a lot of the things I don't like about MCs in a lot of the more recent yandere vns I've played. A lot of yandere MCs tend to have this kind of cynical attitude- they dislike the job or position they're in, tend to be very grumbly about everything and don't really have any friends, and if they do have family they tend to not be on good terms with them. That in itself isn't necessarily always bad, however, it does get tiring to read. As my friend Cherry says, it's hard to really root for these types of MCs if we the audience can't even see why the yandere might be into them. I usually don't really mention this in my recommendations because the MC isn't really the main appeal of the game (and most people end up self inserting regardless), but it does get annoying when I have to go through the same type of personality over and over again. In some cases, it makes more sense as there is a bit of backstory into why this MC might act like this which is more understandable. This MC falls into a lot of the tropes of the recent MCs including the part where they find the yandere hot and bang him despite only really knowing him for a bit (and in this case also hating him, which is a whole other thing). I know there is such thing as hatesex, however, there wasn't really any indication of the MC finding Ciel attractive until right before the two of them have sex. It's also strange to me that they don't even try to fight (?) Ciel at all when he gets them to pack up their things and get in the car. It makes more sense in the route where Ciel rapes the MC, but otherwise it still feels sudden like it came out of nowhere. I would have thought there would have been at least some resistance or a proper threat that Ciel would have made. To be honest, I think this is likely also a problem with the pacing of certain choices as the MC's actions make a lot more sense if Ciel does end up raping them instead of simply just having sex with him.

Ciel is... mean, to say the least. In Dameon's case while he was usually just mean if the player chose decisions that he didn't like, Ciel is just straight up cruel. Not only does he outright insult the MC for not being able to pass his class and berates them while tutoring the MC, he also criticizes the MC's wardrobe choice when they're trying to find the right outfit for the dinner, even calling the MC a whore at one point, which I feel is super uncalled for (although kind of funny out of context), which the MC simply just... brushes off. There isn't really any indication that Ciel even likes the MC, which you could say is part of his more tsundere (well, I'd assume it would be tsundere, though we don't really see the deredere part) attitude, which makes the sudden kidnapping pretty jarring. It's hard to say why Ciel might even like the MC other than they're attractive and possibly easy to control, but the demo doesn't go far enough to tell what is going on. We do know that Ciel has a more traditional view of life, wanting to (essentially) have a "wife" and children, living together- similar to Vincent in Dead Wishes though we have yet to see the full progression of it. This type of yandere is pretty interesting as I don't really see it that often nowadays (and it is pretty cool seeing what they do to try to maintain that ideal) so hopefully in future iterations, this is shown more for the story. Still though, Ciel is very unlikable, even in terms of characters you hate to love kind of way, at least in my opinion. Besides that, he is rich and kidnaps the MC in a fairly nice place all things considered, though he's just as rude to them when they wake up. I can see people liking Ciel in a horror type of way because the game itself does do pretty well in setting up a more horror like story of being kidnapped, raped and forced to marry, but I would not at all call this a romantic type game even in the slightest even though the relationship seems to be more of a love hate one. Perhaps it might change in the future, but as of current, I'm not really buying that Ciel is in love with the MC.

So as I said, this game is not for me, however, if you did like the previous Yandere Love: Chains of Fate, then you will probably like this one as well. If any of this did interest you, then please give it a try.

[junos-office-drama]

Love that fic, but having trouble expressing that love in a comment? Worried that you're leaving the same comments over and over?

Here are 40 comment ideas!

Keyboard Smash. Bonus points for a mix of uppercase and lowercase. End with a brief compliment: "Love it!" "So good!" "Amazing!" "This is my everything!"

Emoji string. Go as long as you feel appropriate. Throw in some 🔥 for good measure.

Quote a phrase, sentence, or passage that resonated with you, and explain why. "I love this description." "This is such beautiful language." "This metaphor is so brilliant." "This is the perfect way to describe [character/thing]."

Ask the author what inspired them to write such an incredible story. (Most authors dream of these types of comments.)

Share how the fic made you feel as you read it. Were you scared for a character? Were you cheering on your favorite? Did that smut make you all hot and bothered?

Thank the author. Bonus if you can thank them for something specific: Sharing this amazing work, introducing this awesome character, creating this cool AU, etc.

Identify your favorite character in the fic, and explain why they're your favorite.

Any indication that you're so in love with a work you literally want to eat it. My personal favorite that I've received is "I want to shove this in my mouth like an entire oreo," but "I want to print this out and stuff it in my face" and "This fic is like an amazing five-course meal, every bite is delicious!" are also winners.

For a multi-chapter fic, any version of "Wow, this keeps getting better and better!" This can really help keep an author motivated, especially if they've been focused on one longfic for a while. Longfics tend to have diminishing engagement over time, so commenting on later chapters is especially meaningful.

Tell the author that something in their fic is your "emotional support [thing]." Bob is my emotional support character, this is my emotional support fic, etc.

Tag it as if it were a social post, with all the hashtags it makes you think of. #myfavoritefic #incrediblewriting #truelove

Did you do something maybe a little dumb while reading the fic? Stay up all night reading? Nearly walk into a wall because you were reading while walking? Show up late to class because you couldn't put it down? Share your dumb thing!

Make predictions on what you think will happen next, and explain why. End your comment with something along the lines of "I can't wait to find out if I'm right or wrong!" Note: Be sure to phrase your comment as to what you predict will happen, not what you think SHOULD happen.

Did the fic make you discover a new side or facet to a character? Talk about that. "I never noticed how [trait] [character] is until I read your work!" Example: "I never noticed how creative Eric was until you brought it out in this fic, but it's absolutely true!"

Have you re-read a work (especially multiple times)? "I'm re-reading this for the third time because I love it so much."

"This is my second kudos!" Repeat as many times as you want. Third, fourth, fortieth, it's all good.

Are you a new subscriber? "Loved this so much that I subscribed!"

Are you an existing subscriber? "Every time I see an update in my inbox, I get so excited and rush to read it!"

Is there an Original Character (OC) in the fic? Ask about the OC! Ask what inspired the author to create the OC. Ask for more information about the OC's background. Ask if the OC is based on any particular character or idea. Ask how they came up with the name, and if it has any special meaning. Seriously, just ask the author about their original creation.

Tell the author how attached you're growing to their story or their characters.

"It was so [emotion] when [character] did [thing]." For example, "It was so scary when Eddie charged off on his own, I was so worried for his safety!"

Having a tough time in the real world? Let the author know if their fic or characters are a much-needed bright spot in your day.

Is the fic something you normally don't read? "Normally I'm not into [thing], but this fic is so good it's changed my mind!"

Did the author portray a complex topic well, with understanding and nuance? For example: surviving domestic abuse, coming out in a non-supportive environment, dealing with trauma, etc. Tell the author! "I can really tell you did your research. You handled [topic] so well!"

Can you personally relate to a scenario or a character in the fic? Did it touch you on a personal level? Say so!

Is it an older story? COMMENT ON THE OLDER STORY! Tell the author that it still has meaning and relevance, and that readers are still enjoying it today.

Does the fic present a pairing (or relationship) you never considered or never liked before, but now you adore? "This fic has made [pairing] my new favorite ship!" or "I was never really into [relationship] before, but this fic is so well done, I've fallen in love with them!"

A string of heart emojis (or the simple <3 ). As many as you feel appropriate. (One is appropriate. So is one hundred. You decide!) Make a rainbow if you want! ❤️🧡💛💚💙💜

Did the fic make you look at the source material in a new way? Share. "I never noticed [thing] about [source material], but your writing really brought it out!"

Screaming about the pain and agony you're in, especially on whump, hurt/comfort, hurt/no comfort, and similar fics. Some authors are sadists. Let them know you're suffering (in that "oh hell it's so good it hurts" kind of way).

For chapters that end on a cliffhanger: Any screaming about how much the suspense is killing you and you can't wait for the next chapter. (Just remember not to demand the next chapter. "I'm so excited for the next chapter" = good / "You have to update right now or else" = bad.)

Is the fic now part of your official headcanon, right along with the source material? "From now own, this is as official canon to me as the original [book/show/movie]!"

Is the fic's title obvious, or is it a little mysterious? Ask if there's a secret meaning behind the title, or how the author decided on the title.

Ask the author if they have a favorite character, scene, chapter, etc. Depending on the fandom, this can be very specific (favorite weapon, attack, transformation, vehicle, horse, monster, etc.).

Is it smut? Did it make you hot? Trust me, smut authors want to know.

"This [chapter/fic] was so good, I feel like I need a smoke after it."

Is there a mystery that's absolutely boggling your brain? Share your theories! (YES: "Oh, what if Prince Smidgeon is actually killer?"). Just remember to never cross the line into telling the author what to do (NO: "You should make it so Prince Smidgeon is the killer.")

"I wish I could give you a kudos for each word in this [fic/chapter], it's just that good!"

Do you like making art? Ask the author if you can make fanart of their fic!

IF, and ONLY IF, the author has very clearly requested concrit (constructive criticism), then role up your sleeves and get to work putting together truly helpful, supportive criticism. Get started with this guide here.

Do you have other suggestions for this list?

Reblog with your favorite comments to give or receive!

(Tumblr insists on re-starting the list at 1 after the cut and I have no idea how to fix it??? It really is 40, I promise.)

[thenightfolknetwork]

As a person of evident good judgement, I'm sure you're familiar with the works of the late, great Sir Terry Pratchett. He has the rare skill of mixing philosophy and politics into his comedy, it's quite delightful.

One such example is in his novel 'Going Postal'. He introduces the idea that, “A man’s not dead while his name is still spoken.” It's a beautiful sentiment. But I must confess, some of the shine has worn off it for me in recent years.

I'll cut to the chase: I died of typhoid fever in 49CE. And I mean died. I was done and gone and passed, leaving no more ripples on the surface of the world than any other Joe Nobody. My name had been long forgotten, the stone marking my grave long since worn away.

And then, to my surprise, I returned.

It started slowly, a gradual stirring of awareness. Then, in a great crashing wave, I arrived – full and real and vibrant, as alive as I had been before my sickness.

I've since learnt that there was an archaeological dig near my old home a few years ago. They discovered the stone, deciphered it despite the wear. My name returned to the world - and I returned with it.

At first I was just being mentioned in academic circles, cited here and there. Nothing dramatic.

But then hen, a writer named a character after me in a miniseries about Roman Britain. My name was on millions of lips - apparently I'm something of a fan favourite.

But I've seen the programme and it's all wrong! The character is nothing like me, for starters. And the life they've painted… Well, it is a good effort, I suppose. But it is not my life.

This is to say nothing of the fan interpretation. They barely seem to care about the text of the show at all! They extrapolate wildly, especially about my relationship with a certain centurion. The two of us share barely more than a minute or two of screen time!

I don't mind being back, per se. I enjoyed being alive, and I'm enjoying being back - especially the chance to catch up on my reading.

How can I correct the people's misinterpretations of me and my life? Or should I just let it go and enjoy my resurgence - however long it might last?

First of all, reader, congratulations on returning to this plane of existence. Unexpected as this return might be, I'm glad you're still finding ways to enjoy this new lease on… not life, exactly, but something rather like it.

I can well imagine how frustrating it might be to see people attaching your name and identity to an otherwise fictional character. But I think emphasising that difference is the first step in coming to terms with the situation.

This writer has shown a remarkable commitment to authenticity by choosing the name of a real Roman Briton to use in their screenplay. But seeking to create authentic fiction is a very different ambition than seeking to create a fully accurate representation of past events and the people who lived them.

I wish I could tell you that the viewers of this programme will understand this difference. Many will, but it is an unfortunate truth that people often take historical dramas at face value and may not fully appreciate just how much of what they see has been at most tenuously inspired by historical research, and more likely invented whole cloth by the writers themselves.

But this is a misinterpretation of a television programme, not of you. These viewers are engaging with a piece of fiction, not with you as a real, historical person. This is especially true of those viewers who “extrapolate wildly” about the relationships between fictional character. They aren't misinterpreting you – they're creating their own fictions, inspired by the fiction they've consumed.

With that said, many fans of historical fiction are also interested in actual historical research. If you really want to educate people about life in Roman Britain, the fans of this programme might be a particularly receptive audience. You could try posting on social media about your experiences, using the events in the programme as a jumping off point for your discussion of real history.

Do tread carefully, though. You need to keep a clear distinction between yourself as a real, historical figure and the character who bears your name. You aren't trying to “correct” the television programme or criticise its portrayal, but rather offering your reflections as additional insights for anyone who might be interested.

Please remember though, you are under no obligation to engage with this fan community at all. I see no reason at all why you can't simply leave them to their extrapolations, and concentrate on enjoying yourself for as long as you're with us.

[For more creaturely advice, check out Monstrous Agonies on your podcast platform of choice, or visit monstrousproductions.org for more info]

[aamy2100982]

VENOM WAR #5 Just some of my thoughts, big Spoiler Alert for those who haven't read it yet

I actually read it yesterday the 27th, but decided to post today because I needed to think a bit. Not my favorite Venom comic by far.

☆ So finally we have desidated piss-colored Venom, wohooo *low tone

I still think the design is mediocre. But at least I have a better answer as to why it's yellow. Also, I'm glad the first host to try it was Dylan. I was afraid they introduced the new host too quickly, because I've already felt like these last few comics are jumping from point to point like a machine gun.

☆ This whole panel is so sad

Dylan not wanting to hurt his father and Symby not wanting to hurt their lover.

It hurts my heart Symby admitting that they loves Eddie in all his forms even in Meridius one.

Even worse Meridius mocking xd

☆

Just say you hate yourself, dude. it's easier

☆ Can my man take a break? For ONCE?

He got shot, his son stab him, and now he stab himself. Who's left to stab Eddie? Flash? Sleeper? Toxin? Holy crap...

Not even Maridius saved! Anyway he's dead now, I was expecting something more dramatic, but whatever, man, okay I guess.

At least the panel looks cool. Dylan always taking his enemies by surprise, never turn your back on him.

☆ And Lee is there

I have to look up again what his deal was in all this, because I don't remember if he's alive or dead.

Now that the symbiotes are dying is he going to die too? Or is he finally going to do something interesting after all this time?

I've always felt that they wasted Lee's potential and could do something interesting with him. So I hope he doesn't just die... again...

☆ At least Flash is okay now. At this point I'm wondering if Anti Venom has a conscience or is just a permanent part of Flash. Also technically part of Eddie... gay.

I hate how cute Sleeper looks, it's not like you just witnessed the death of two gods, nah. Now you can go back to loaf like a lazy cat.

I find Toxin's face funny :|

☆ Goodbye old Dylan :(

you did well, i'm going to miss you

I don't think many people really liked him that much, and he was actually a bit of a confusing character at times, but I loved his design.

A little in disbelief that this is the end for him. I'd like to assume there's a little more.

☆ But good things don't last. I guess the symbiote is toxic for Dylan now? Is the symbiote toxic to all the other symbiotes now? If anything, the symbiote thinks it's going to die now and that's why it decided to leave?

I'm just going to put the biggest and louder

SIGH

I can... I knew they weren't going to stay together because Symby is getting a new host now, but damn. Does anyone else feel like the unions feel anti-climactic in this comic? I guess they were just in a bit of a rush to wrap things up.

Which is... understandable. They've been doing this crap for like 3 years now, it was time to let it die. But it makes me so sad that Dylan is alone again

The only good thing I can take away from it is that at least the comics are more self-aware that Symby is Dylan's father.

Which means Dylan is going to try to commit patricide again.

Understandable. My poor baby is 14 years old and has no one to turn to.

His brother I guess (Sleeper), I don't know if Flash could take him under his care, anyway Dylan is almost as stubborn as his father to simply get a tutor and go back to his normal life. Probably and technically, we know that now he is going to dedicate himself to hunting the All New Venom

☆ The fact that the symbiote is now toxic to other symbiotes is just an excuse for it to not rejoin Dylan? Because that sounds like bullshit.

And yes, I GET THE POINT. If Dylan joins the symbiote it creates this apocalyptic future that Old!Dylan is trying to prevent... I know, but it still seems unfair to me.

☆ Funny how all this was happening next to a church. Let's not lose good customs

I wasn't understanding what Carnage meant by "Partner".

I think is referring to Meridius or Cletus. So now they're both single, lonely, and hurt.

(My bad! He doesn't say partner, he says parent! Silly me, sorry xd)

Does this mean Eddie thinks the symbiote is dead?

Nice Father-Son reunion, I'm honestly excited to see what nonsense they're going to do!!

[larkingame]

so, i don't usually crosspost these posts, but this week's update on patreon is available to everyone and I know I have a bit of a larger following on tumblr, and I'd really like everyone on the same page so I'm dropping all I have to say here too.

good evening friends!! i hope you're all doing well! welcome to the first update of 2024. momentous for me personally, because this is the year we finish larkin. i am making this post available to all patrons, (paid or not) because I'd really like to start 2024 on the right foot with everyone aware of the road ahead. i am so determined to get it done you have no idea. this is my year. 2024, i christen thee: the year of the vampire cowboy.

okay, so big things ahead, lets talk about the update, explore some of the features we have in the game, plans for this weekends release, the schedule and a couple other things.

so, if you've played at all with the new version of the game, you'll take notice that it's a little bit different than my first image of the game. at first larkin was just a straight interactive fiction following the likes of cog like games, with choices and avenues and split stats and the like. but now, as of 2024 (crazy) we're seeing a game that is more reminiscent of a ttrpg, like dnd or cyberpunk, with stats, classes and dice rolls. admittedly, the very first encounter of the game is well (it's a little rigged) the game, of course, could not really get started if the preacher gets cooked before they've even made it to nevada, so, the odds are a little bit stacked in the players favor this round, but at least, it gives you a little bit of a taste of whats to come. to dive into the specifics of what's important with this first encounter (or just, how to avoid getting your ass really kicked) these first few rolls give bonuses to players with high dexterity and athleticism—-but that's not to say you need to make your character beefed up in these departments. each stat will get their time to shine later down the line.

but let's talk about what i'm really excited to discuss: classes. so with the new version of larkin, i've introduced a system of classes that operate somewhat like your standard dungeons and dragons class, but with a little bit more of that classic background from the original ttrpg mixed in—coloring the way your character sees the world of the game, sort of how a race might effect a dnd character--(a dwarf player is going to have a much different worldview than say, an elf.) for this i was heavily inspired by games like dragon age origins and baldur's gate, and while I do have those original background ready to be dropped a little bit later on the game in relation to your character's perspectives on the abrams family, I really like how these have come to form.

in total there are seven new classes: con-man, outlaw, healer, thief, gambler, showman and slayer. each of these classes warps the perspective of the player character, giving them new motivations, dialogue options, and affects their relationships with the other characters in the game and the world around them. to illustrate this, I'm thinking of making a little bit more of an in depth explanation screen to be added to saturday's update to really get that point across, but I'm still toying with how I want to phrase the specifics of it. what i might do is something similar to baldur's gate with little pop-up tutorials that can be turned off/on depending on how you'd like to play.

to give an example of some of the more in depth motivations/choices each class offers lets talk about the thief and the outlaw classes. the thief class i am especially excited for, because like the con-man class and similar to a few others, it really allows your character to be very money/materialistically motivated. it opens up routes later in the game, like romancing one of the sokolovs—with motivations reminiscent of gold-digging (hehehe very excited for that—i think it will be very fun to write—because you have this idea of a cold hearted player who is entering into a relationship with them strictly for business, versus a cold hearted player who is in it for the cash but also. might be falling in love with one of the sokolovs? ((a lot of fun dynamics afoot here.)) the outlaw class is also one i'm excited to work with because it really puts something of a strain on the preacher and wyatt's relationship—-mostly because you see a strong division in terms of their ethics—the preacher in that case is very 'do what you gotta do to survive,' whereas wyatt believes (key word—believes) he's living by some sort of moral code—that he's failed to instill in the person he views as his child. so like there are layers here boys. layers of resentment, failure—to connect, to teach, to bond. a final tidbit about the slayer class before I move on: if you would really like to play into the enemies to lovers trope with one of the vampires, I would highly recommend giving your player this class ((that's all I'll say))

so: saturday, that takes us to the bar, where each class will get a unique scene, similar to how the scheming tactic section worked in the original game. we're gonna finish up the encounter with the first vampires, meet our guild pursuers and move to the bar. I'm planning also to implement the character customization here—(sort of a way to prep before the player heads out to the bar.) most likely won't get to all classes by saturday's code, but after that, I'm planning to release again on next wednesday, so we're keeping on track. I'd really like to give a full picture of customization for the player character, with all the original options for physical appearance (i might keep clothes vague for now though and let you dress your character later on, until you get a taste of the inventory/bartering system-—you have to deal with MY poor fashion choices for a little bit.) but that being said, about character customization, if there's something that's lacking here and you'd like to suggest an addition I'd be all ears. This is what I'm planning to implement so far:

skin tone

body type*

hair color

hair texture

hair length

hair style**

height

skin details (acne, scars, vitiligo, rosacea)

facial hair

make-up

piercings

eyewear (glasses, no glasses, eyepatch, prosthetic eye)

gender-affirming customization (for ex. use of binding)

* a note on the body type section, I kind of had this idea of digitally drawing some silhouettes of different heights, shapes and sizes, and allowing the player to click through arrows to select a rough estimation of what their body-type might look like. I'm going to do an art dump later this month, and I have a few sketches of what I'd kinda like to do with that, but I'm still toying with it, because even that could be a little limiting in terms of options. if any of you had thoughts on that, I'd love to hear them.

**I think it might also be cool to kind of have drawings of different hairstyles available to the characters, arranged in the card formats like the previous gender options in that same red colored sketch format.

speaking of art though--and this is purely tangential so I apologize, I'm sure you've taken notice of some of the art being repetitive--for the moment that's purposeful. I'm planning to commission some work for the cards to be implemented in a later update--so what you're seeing are just placeholders for now.

okay! with saturday's notes out of the way, plans for the rest of the week. I need to finish the timeline and then I need to make it readable to people other than myself. it is currently incomprehensible and of the few people that have gotten their eyes on it only one (1) could make sense of my mad ramblings. (shout out to friend of the game bianca from exiled from court if any of you are familiar with her or her stuff, we are  big bianca fans here.) After that I need to do some edits with the new update and such, and poke at the code.

Tonight after I post this, I'm specifically working on sending a few more emails to betas (know that sending emails is. my personal hell because of intense social anxiety. BUT we must persevere. emails will be sent tonight.) after that, I have to work on the phillip/kc/sam schedule + calendar for this month, just to keep the three of us on the same page. I'm in the process of looking at some stamps.com printers for sending out packages with this next round of physical rewards and ordering the merch (hehehe)

okay. super long update for our first one of the year, but I am so excited to get to keep working with you guys :) i'd like to thank you all for your continued support and I can't wait to show you more of the little universe i've crafted :)

until friday! i'm gonna be posting some cyrus asks/scenarios for you all to enjoy, so look forward to that! <3

[eli-elien]

Been workshopping her but I love em (any/all pronouns btw)

Introducing!! Angela Sal Wake (Saw)

what if the stans had a best friend? Sure she's a "girl" but also a clever one who's mother's neuroscientist at the time and father is (unfortunately) a cop interested in psychology and medicine (criminal justice) she's a nerdy yet loud kid with...

multiple rows of sharp razor teeth they never grew out of (think of sharks and their teeth), glowing eyes, pale skin and an allergy to silver. Overall a decent kid with good grades but poor social etiquette that got her many wagging fingers their way.

The twins meet them when they happen upon the boys getting bullied, takes the rock that landed by their feet (via stanley) and gives a good ol bruise on one of the bullies' heads. They invite her to play tag, she's never had friends before so this was a new start at a new school!

Now as they grow up, both twins grow fond of them although both think there's something more to it than just medical allergies and dental anomalies (mostly Ford, Stan sometimes forgets and is faced with a scary looking stare that no girl he knows would be capable of but its all forgotten once they hang out at the arcade and watch cartoons)

TLTR: Divergent AU where the Stan twins grew up with a bff, who happens to be a monster that isn't what they seem. They're actually really sweet.

Below is more so more Lore (tm) and general info on what they are and some doodles I've drawn of them

Maybe wondering: Who are they really?

Good question! It's actually "What?"

A walker, biologically they have similar processes to a human, and in some of the rare documents on them seemingly are a long line of cursed humans, often getting confused for werewolves or vampires and its somewhat understandably.

Like both, they can transform, the only way however is to eat their disguise, and take on their form. "Replace" them. And it's thought that its more so filling from the soul rather than getting nutrients from the victim's body.

Recent times however, with modernization giving humans ample fire and silver they've become smarter-and some families of them growing moral backbones! Like Ann's Mother and her side of the family seeing humans as friends!! They hunt for more magical and conscious creatures of Gravity Falls (Hint Hint that's where Ann was born and the Wakes reside) then the other side of the coin are the ideologically different kind of walkers: Only seeing humans and other creatures as less than, prey, just something squish for the hell of it or for food without a second thought like a cat playing with a mouse (her father's side that doesn't disclose their diet)

Half the time you won't know until it's too late: either they go for a hug or a kill.

Side note:

Inspiration:

You know the concept of "The Stranger" from the magnus archives? Or even stupidly: Among us? What about the Thing? Or perhaps the entities from the mandala catalogue? All of these are once people that we knew but something has changed.

They are not who they are, They've been replaced!

And ironically a character who's best friends, and grows along side a character who's got trust issues galore and paranoia beyond measure loves and trusts a character that is a walker: the essence of not being able to trust people, even those you've known for so long

And being actually genuine and sweet!

also similar to Mabel, Stan is quite perceptive of other's emotions: including crushes-or seemingly crushes. Listen I've been through it too, yknow the ol' "Augh I'm in love you because you're first person who Gets Me/Are Just As Strange As Me/The Only Person Outside Of Family To Be My Friend" and it's the 80s so Ace wasn't quite a thing back then also pls do read it as two genderqueer people having perhaps a lavender marriage when they're both older lol

[recurring-polynya]

Hi! I want to start off with saying I love your blog and it was this blog that introduced me to a new side of the Bleach fandom, so I owe you a huge thanks for that. My question pretains to when you mentioned that you read a lot of fics where Byakuya was there when his father died in the lines of duty, and I was wondering if you could recommend those fics and any other byakuya centric ones.

You're very welcome! I am always excited see new people in the fandom, especially here on Tumblr.

I want to preface this with saying that I have kind of a complicated relationship with Byakuya. He is an interesting, complex character and I like to read fanfic about him, but I hesitate to call myself a fan. I'm mostly interested in his character as it stands in relation to Rukia and Renji. I like stories where he is shitty and causes problems. I like reading about the long, horrible history of the Kuchiki clan, and how much it screws a person up to be raised in that mess. I also just like stories that make fun of him a bit. He's a deeply strange person, and I love his weird, dry sense of humor. Byakuya-shipping usually falls flat for me: I think he's mostly ace, except for the time he fell in love with his wife, and even then, I only really like Byahisa stories where the author has done something creative with who she is and I also need her to drag his ass a little. I would swipe left on him. So, anyway, take these recommendations (and the absence of ones I have missed) with that grain of salt.

The fanfic I was specifically referring to regarding Soujun dying after a mission he and Byakuya were on together was the Rise & Ruin series by @afinepiece, specifically part 2, An Education. It's a...little-bit-AUish precanon fic where Hisana is a thief who ends up getting tangled up in the Kuchiki family after she attempts to steal a painting from them. If you're looking for Byakuya fanfic, AFP is always going to be my first recommendation, especially her Thin Red Line series. Her works are always sprawling and genre-defying, but beautifully crafted. They've got noble/family drama, intricate world-building detail, and great character writing. The Kuchiki family deserves epics, and that is what AFP is out here doing.

Funnily enough, my other favorite ByaHisa writer is all the way at the other end of the writing spectrum. @thegreenfaery. She works in the AU space, and if you enjoy Byakuya Going Thru It but also being in love with his beautiful wife. I'm biased, because she wrote it for me, but The Wedding Party is my fave of her works (80's/everyone's human AU where Hisana has to rent out part of Byakuya's house for her little sister's dirtbag wedding).

If you like Byakuya in his gothic horror era, please read dogviolet by @renjirukia. It's a closer examination of some canon between-scenes during Byakuya and Rukia's Bad Times period.

I think @lucymonster is one of the best Byakuya character writers out there, and Metaesthesia is one of the best fanfics I've ever read. It's a Byakuya - Renji bodyswap, but not in a fun way. You should really only read it if you're in the mood to have your heart kicked down the stairs. I also really like Sticks and Stones and Building Bridges. Note: Most of her works are ByaRen (these are not, at least not explicitly). That's not a ship I am normally fond of, but I get, like 3 weird days a year where I can read it.

Speaking of ByaRen, if you are into it, the other ByaRen writer I like a lot is @grizmelder, who is also a very nice person. I particularly enjoyed Heart Tangled, which is a historical AU set at the end of the samurai era, where Renji is Byakuya's bodyguard.

I was just talking about Lull the other day, but it's a lovely little fanfic by Branch about the relationship between Byakuya and Rukia and sometimes Renji. It's an older fanfic and breaks off from canon after the Soul Society arc, so you can think of it as sort of an alternate idea for how Soul Society rebuilds after Aizen's betrayal.

The Journal of Kuchiki Byakuya by @saranel is a great little fic in the form of young Byakuya writing diary entries about his life, in particular, his dealings with Yoruichi and Urahara. It's really cute in general, but in particular, I love the way it portrays Byakuya's interest in photography.

I also have a soft spot for Breaking to Bridle by Vivienne Grainger, which is about how Byakuya sees Renji, both as lieutenant and eventually as suitor for his sister.

I guess I would be remiss if I didn't mention my favorite crack Byakuya fic, which is Become a Ghost by @hardlyfatal. Orihime dies and goes to Soul Society and becomes a therapist and falls in love with Byakuya. It's pretty silly but also a lot of fun, and it's chock full of Byakuya being Byakuya.

I hope you find something you like in there! Like I said, I am not the world's best Byakuya fan (probably in the top ten worst Byakuya fans tbh) but these are some that I have enjoyed and have stuck with me!

[journals-of-the-guardian-project]

LORE POST #1

Redesign of my Chat Noir redesign to go together with my rewrite which I will talk a lot about under the cut. I'm pretty set on this design too and will link it at the beginning of the fic when I get ten chapters completed and ready to post :3

What is different from canon, why I am changing some things, etc. Feel free to just read my thoughts around the design if you want to read my fic without any guidelines of what I'm planning so far for him

BUT I won't spoil anything major dw

The design:

I've changed chat noir's design so it would blend in more at night. The preferred the sleek black tones over the glow in the dark green I gave him before. I take a whole lot of inspiration from the PV of miraculous ladybug in these designs so of course his hair is still floofy.

When initially designing Chat noir, the tips of his hair are darker since I really liked that trait some other redesigns gave him so I included it without making his whole head of hair black.

I got the idea to base his design off of rust and RAN with it! He still has some greens in his design but they've shifted closer to yellow green and gold for the color scheme!

I've liked the idea about the clothes in the hero designs looking more cloth like too so I've incorporated that into the design with pockets and a zipper cause I can. Since Adrien has been thinking about being a superhero for a while, his design is more thought out were it could be.

EDIT: Forgot to mention!! Ladybelle has a lil more black in her design and now chat has a little more red! :3 matching

I saw some concept art of Chat Noir with a hat at one point and I loved it so much I wanted to keep it in to a certain extent, SO Marichat moment all the way. I decided to add the bells back into his design (I missed them) and took inspiration from @/callimara's Chat Noir design.

Chat noir will still be very cat like in this and I thought it'd be funky if his feat were like a cat's

Overall it isn't much of a design change for some aspects but I really like how it turned out!

K story stuff now:

I want to get ten chapters done before I post chapters again on the first fic since I don't think I did the best job introducing what I've changed. This isn't talking about adrien agreste's life this is more his role as Chat Noir. I'll get to adrien when I get his redesign sheet finished

(any part of this section might be edited in the future but this is basically part of my ideas)

Honestly a whole lot of the fic(s) is(are)

Fault of canon? -> Solution

I've been developing for two years now and I just gotta write it out... Entirely hinging on my execution sigh

Chat noir's powers are now on a more equal footing with Ladybug's (Ladybelle now) and I'll get more indepth when I post Ladybug's redesign and stuff but basically

The miracle box is a mix mash of several miraculous's from other boxes due to an event Guardian Marianne caused. Supposedly, she unleashed the Rabbit kwami of time on the guardians in an act of defiance. Resulting in rips in time eating away the members present for such an event, burning to death in fire. Marianne managed to run away with the miraculous's she could obtain and do her best to live her life knowing what she's done.

The Ladybug and Cat miraculous are a duo pair. Strongest when used in a partnership. Many are tempted to use both at the same time for what the powers merge to become but this isn't the strongest path.

Tikki and Plagg are soulmates you could say. They aren't really romantic but they are bonded for life. Never one without the other.

They are the only miraculous pairing in the new mixmash of the guardian box. Eventually Marianne gives the responsibility to Master Fu, her lover, before the rabbit comes after her as well.

I'll talk more about the changes I've made to Tikki's character in Ladybelle's post but as a part of the Miraculous cure, something all pairing miraculous's have to purify evils and darkness, it requires both parties to be present. Usually some form of touch or communication initiates the Miraculous cure

"Pound it!"

Chat noir can use his power alone to defeat evils but it's like cauterizing a wound. He doesn't figure this out for a bit.

I'll talk more about the miraculous cure in Ladybelle's post

This is still a part of the story I'm working on but:

the miraculous of destruction gets more powerful the longer the user wields it. With techniques and familiarity, Chat noir will be able to make black pockets of nothing just from a touch. Yes I'm including this from the concept art. Though he'll only get this later down the road

Chat noir is still a form of escapism to Adrien and part of his character arc is realizing he can't rely on it like that. A large part of adrien's character I'll talk about in adrien's post ties into Chat Noir too

I'm still figuring out some plot points for him so this is where I'll end this off. But I will say I'm planning on Chat Noir getting more time with the kwamis and more of a role in the Guardian arc and guardian stuff in general