#I've been looking over a lot of the ships in my own work

[tackytigerfic]

Writer interview game

Thank you to my pals @arminaa8, @citrusses, @garagepaperback, @houndsinhades, @sorrybutblog, @sweet-s0rr0w, @wholahoop for tagging me - as always i'm deeply late to the party, due to an anxious few weeks/horridly busy work month! so love being tagged in these things though, i appreciate you all and loved reading yours.

how many works do you have on ao3? 69 😏 under tacky and 2 under BrassTacks (the account I set up when I was going to migrate all my fics over to a new name for some reason)

what's your total ao3 word count? 679,422 (nervous laughter) (also this is just the tacky account)

your top 5 stories by kudos? (a clear indication that kudos count means fuck all imo, three of the five of these are very much not my best imo - but which three?!)

If It Takes All Night (E, 11k)

A Lick and a Promise (E, 55k)

Modern Love (E, 62k)

And One To Play (E, 22k)

Through the Window, Clear Skies (M, 1.4k)

do you respond to comments? I used to reply to all, then i fell hugely behind with Modern Love, and then life got exceptionally busy and for ages it was either reply to comments or write new fics. i am currently working my way through comments on my new long fic though - really trying to catch up, albeit slowly.

what's the fic you've written with the angstiest ending? People might say my MCD fic Last Offices. I would say The Quiver of a Heartstring.

what's the fic you've written with the happiest ending? First Watch, imo - i think they really had to work for their happy ending, and also it's a double Drarry happy ending

do you write crossovers? I have a rough idea for an F1 crossover based on the Grosjean fiery crash/coming back wrong trope

have you ever received hate on a fic? a few times, that stuff doesn't really bother me though. personal unpleasantnesses are much harder to deal with but luckily don't happen often.

do you write smut? yes i do! it's something i've been actively working on improving, in fact. my most recent fic Standing in the Way is probably my best (though the sex scene at the end of First Watch was the one I found most satisfying in terms of the resolution of the fic)

have you ever had a fic stolen? yes, had a few put on that AI voice-recorded site recently.

have you ever had a fic translated? yes, a few - always a great honour as i see translation as an art in itself

have you ever co-written a fic before? yes! and it was very fun. Body Electric with @shealwaysreads and the Dreaming Skies Dronarry fics with @sweet-s0rr0w

what's your all-time favorite ship? look i've been reading drarry since around 2002 so...

what's a wip that you want to finish but don't think you ever will? Dudley with a magical baby/forced marriage/drarry on the run after Muggles find out about magic. MoD Harry who keeps dying but not for good having to go retrieve Draco from death. Draco going through the Veil to get Sirius back. Vicar Harry that I started years ago and would probably need a full rewrite. Caravan park worker Draco in a holiday camp in France. Seer Ron. I have lots. Though I do hope to finish them at some point!

what are your writing strengths? probably immediacy of emotions/ a strong visual style?

what are your writing weaknesses? sloppiness, sameiness, trying to be concise but just making it dull. getting discouraged at never being as good as the writers i really admire.

what are your thoughts on writing dialogue in other languages in a fic? i... don't really have many? if someone in the story speaks a foreign language and doesn't speak english then I'd find a native speaker to help me translate their dialogue. I would never write an accent/dialect phonetically a la JKR though (RIP Fleur and Hagrid, you deserved better)

what's a fandom/ship you haven't written for yet but want to? F1!! I have two WIPs, a Maxiel non-racing AU where Daniel owns an organic farm shop and Max is a finance bro who makes friends with him and joins his 11-a-side amateur footie team and they hook up on a stag do while dressed as mariokart characters, and a Galex fic with Vicar!George.

what's your favorite fic you've ever written? First Watch! I think it's a really good fic (relative to my writing i mean), it does exactly what i hoped it would, and the people who like it seem to really genuinely love it, which is the best feeling. Also I do love the Voldemort-Wins trope and we don't have a huge amount in Drarry so I'm happy I wrote one.

Since I'm so late I'm not sure who's done this already (will try a few F1 pals too in case this hasn't reached you yet) @beloved-child-of-the-house @boxboxlewis @disarmd @elskanellis @epitomereally @faiell @kendra-vendetta @maesterchill @magicalrocketships @powerful-owl @saxamophone @skeptiquewrites

[rickie-the-storyteller]

Has anyone noticed that in most stories (whether on TV, movies, book series, etc), the most popular/iconic ships are usually the most toxic?

Either that, or they start out healthy and cute and then become toxic as time goes on lol.

Idk, it's just something I've seen a lot. I'm sure there are a couple of exceptions tho.

[quixoticprince]

Yayyy!! Yippee!! I finally get to make one of these!! Art without the text under the cut and some long-winded elaborations:

How long I've been playing: well, it hasn't been a straight 11 years, rather off and on - but I have drawings of these guys dating back to when I was 14, so I'll give it to me. And man I had no business reading the fanfics I was reading back then It's also crazy how this was a super influential media for me in so many ways. It's the reason I ever made a tumblr, it changed the direction of my drawings for a long while, my broken sense of humor (gmod animation memes and yt poops were the brainrot back then), tf2 Sniper changed my god damned gender (rather, it was the inspiration for me to start socially transitioning at 15). This is part of my personal lore that I tend to not admit to 😓

Your main: I've always been completely ass at the game, and I can play flexibly, but I enjoy playing Sniper, and more recently as Heavy. Whenever I'm sitting around somewhere, occasionally throwing sandwiches and attracting Medics, I feel like this:

Favorite character: When I was younger it was definitely Medic, and I think you can tell that he's still up there based on how much I've drawn him! However, since getting back into it, I've felt quite a shift in focus towards Heavy, very strongly. It's unfortunate that he's side-lined in a lot of fanwork, and I think I'm also complicit in this so far - but for me it's cuz, how tf2 works is that it's going to prioritize humor over character and consistency haha, and Medic is just so loud and insane that he's really easy to make fun stuff with. Heavy is a more serious and grounded character, not to say that he's not funny or that he doesn't have his own cartoon slapstick moments! But that aspect of him is what is really really intriguing to me. I love his quiet, stoic, and intimidating character, I like how loud and boisterous he is when filled with bloodlust in contrast! I love his bird story and him getting into wrestling as a child from Poker Night. I love his back story setting, there's so much to extrapolate from a young boy in Russia growing up during WWII, what his parents must have been through before that from the aftermaths of the revolution, all the way to his fathers execution and his imprisonment. I love his strong relationship with his family, his role as an older brother, as a protector, as a man - the way that he performs these roles - and because I personally see him as bisexual - how his orientation intersects with all that! He is incredibly fascinating to me and I wish that he was played around with more to see a lot more corners and angles of these things that I listed! There's way more that I want to say here too but this is getting very long 😅

Character I relate to: It's so interesting that a lot of the characters have very strong, tho maybe dysfunctional, families. Heavy, Demo, and Sniper in particular really speak to me in that relation. From Heavy being an eldest brother (I am also an eldest sibling) the parentification that comes with that, especially with him probably being like 10 years older than his sisters from the looks of it. Demo and Sniper both struggle living up to their parents expectations (although there's a lot of love there from everyone), being disappointments in one way or another (not gonna deep dive into that lol), and the general alienation both of them feel. From Sniper not knowing why he's not like other Australians to Demo being "a black Scottish cyclops." And well, I'm Filipino, I'm queer, and mentally ill so - there's a lot to project there!

Class you want to play as: I find Medic incredibly stressful to play as but I find the idea of battle medics incredibly funny. However I usually find myself rushing around madly trying to cater to everyone, and I'd like to just not give a shit and just start stabbing people with a saw lol

Favorite ship: "I just like the dynamic" - The dynamic:

No but fr, they're really compelling to me, I'd probably need a longer more thought out post as to what I like about them and I was already going crazy up there ^ Overall tho I like that they're practically built for each other in terms of mechanics, really plays into my desire to spiral into intense codependency haha. I also think that Medic's drive to cheat death and hide behind meat shields plays really well into Heavy's desire to be a meat shield and a protector, and how nice it is in turn, that Medic can grant this man who's been around death, starvation, and war invulnerability. (He outsmart boolet, yknow?) They're also depicted together a lot and I like how much they enjoy each others company, and bring a lot of joy to each other. It's beautiful to me :'^)

Character you like to draw: What can I say! Medic is handsome! He is very fun to draw and easy to make memes and shit posts out of!

[ambrosiagourmet]

Hey, Kabru and Mithrun spend some interesting time together, don't they?

With Mithrun having just officially premiered in the anime, and a lot of discussions swirling around about him, I've been thinking a lot about that section of the story quite a bit. These chapters - Roasted Walking Mushroom and 6 Days - are some of my favorites. For a lot of reasons, really. Not only are they are a huge turning point for the story as a whole, but they have some excellent character work, and represent an important shift in Kabru and Mithrun's individual arcs and relationship to each other.

The chapters are also kind of a fully contained story arc just on their own, which is an impressive bit of writing, and makes them super fun to analyze. So that's exactly what I'm going to do!

This will be structured as a close reading of chapters 61 & 62, with some asides for additional important context. I'm going to talk a little bit about a reading that I disagree with, but for the most part I just want to focus on how Kabru and Mithrun's relationship progresses during these two chapters. In particular, the ways they both grow from the time they spend together.

Also I just want to quickly note that this isn't written as Ship Content. It's meant to be an analysis of their relationship as presented in the text - layer whatever additional meanings and filters on top of that as you'd like, but please respect that my intent is not to talk about or champion a ship, or frame any of this content as romantic.

So, with that all being said:

How do Kabru and Mithrun help each other?

First of all, I think there are two important pieces of context that inform the Kabru & Mithrun Dungeon Adventure chapters. Both are related to Kabru's state of mind, and both are set up before or during the chapters in question.

The first is the context of what happened just before Kabru and Mithrun fell into the dungeon. Specifically, the events that led Kabru to make them fall.

Kabru, essentially, gives up his life at the end of chapter 55. When he stops Mithrun, and when they both plummet with the collapse of the first floor, he is okay with dying. Mithrun warns him that they will both die if Kabru doesn't let him go, and Kabru accepts this as a worthwhile exchange.

Why?

Well, because he doesn't want the elves to take over the dungeon. Throughout the last 3 chapters, the Canaries have been effective, but they have also been cruel in their efficiency, and they have made it clear that they don't care about collateral damage. They lured people into the dungeon specifically to provoke a violent reaction from it, without regard for who might get hurt by the violence.

What's more, they are keeping important information from Kabru, and he knows it.

He's not just looking for a solution, he's looking for the truth - a truth that he believes that he will only find through conquering the dungeon. With good reason, to be fair! The elves make it very clear that they aren't there to treat the other races on the Island as equals.

So Kabru uses the only tool he has available to him - his own life. It won't get him the truth, but it at least gives a chance for another person from a short-life species (namely, Laios) to earn it in his place.

This dovetails nicely with the more thematic context that's introduced in at the start of chapter 61: the room where he could eat all the cake he wanted.

This place, a place that Kabru never wants to go back to, is a place where he is safe, and a place where he is ignorant. A place where he is sheltered from danger, but also from the truth. The same place the Island would become, if the Canaries had their way. He doesn't just want to be safe, and he doesn't even just want the world to be safe, though he does want to be able to protect people from what happened in Utaya.

But he doesn't just want to entrust that safety to the paternalism of the elves (especially since he is all too aware of the ways they can fail, or the people they are willing to sacrifice in the name of that "safety"). He wants to be given the agency to seek safety and peace for himself.

He wants to understand. And he wants the chance to act.

This is the context we have, going into the arc of 61 & 62. But before I talk about how the chapters build on this context, I want to take a step back and look at what else the chapters establish early on, before delving into their exploration of Kabru's agency.

First of all, I kind of want to challenge the framing of Kabru and Mithrun's relationship as solely that of a caretaker and his charge.

Obviously, Kabru is forced into a caretaker position - at the threat of his friend's safety, no less. (Okay, it's actually Toshiro and Namari that are being held, but still. There are hostages involved in this) But I do think it's important that Mithrun isn't the one who puts Kabru in this position - Cithis is.

Before this conversation, Kabru and Mithrun are already exploring the dungeon together. Mithrun doesn't threaten Kabru, or force his hand. He kind of just assumes that Kabru will join him. It's rude, and not particularly respectful, but given the dangers of navigating a dungeon alone, I don't think that's really an unreasonable assumption. And it certainly isn't the same as Cithis' approach.

If they were left alone with no intervention, they probably would have ended up in a similar position to the one that Cithis leveraged them into. Kabru is smart, and he could have figured out the things that Mithrun needed help with. And, to be clear, those are things that Mithrun needs help with not because he is selfish or thinks they are owed to him, but because he is disabled. It's not unreasonable for him to need that help, and it's not unreasonable for Kabru to provide it, under the circumstances.

Besides, they both need each other down there. Kabru wouldn't have survived without Mithrun - he doesn't know enough about monsters, and isn't familiar with the deeper dungeon's layout. And Mithrun wouldn't survive without Kabru - he isn't able to notice his basic needs and would burn himself out without food or rest, making him an easy target for the monsters he could otherwise take care of on his own.

Aside from both needing each other, another interesting layer to their relationship, which is established right away, is that Kabru doesn't have to - and literally cannot - put on a mask of social niceties around Mithrun. He can't suck up. It doesn't work.

So Kabru, who spends so much of his time concerned with how others perceive him, and who compromises his own comfort in order to become the most appealing version of himself at any given time, has that tool taken away. He has to help Mithrun, but notably, he can only help Mithrun to a certain point. He cannot compromise his open and honest feelings to help maintain someone else's view of the world - or at very least, it doesn't benefit him at all to do so.

Instead, they sit together, in the same position, share the same shitty mushroom dinner, because they both have to:

And that's notable, too. They both have to. Cithis' demand is most specific about the need to eat. Three meals a day! But this is something they both need, not just Mithrun.

Still, their relationship at this point still isn't exactly supportive, or even respectful. Kabru may have realized that he didn't need to keep up an act around Mithrun, but ya know, he still turns around an immediately try to, with that shitty mushroom dinner.

(The 'badly drawn shapeshift Kabru' gag here isn't just funny, imo, it's also a reminder of the thing he JUST LEARNED. Mithrun is immune to the Kabru smile anime sparkles filter.)

Mithrun also doesn't tell Kabru any helpful information at this point, and doesn't really put much effort into helping him at all. He slaps him awake out of a Nightmare, and treats him with the same disregard he did at the start of the chapter, focused entirely on moving ahead.

But then Mithrun collapses, and the current structure of their relationship collapses with him.

I think it's interesting here that the shift in their dynamic also includes Mithrun explicitly noticing Kabru's desires. Obviously it's not actually like some kind of I truly see you and recognize your humanity moment shared between them, but I do still like the way that it pulls Kabru's internal wants to the surface. Kabru not voicing his desires doesn't mean they don't exist, and Mithrun recognizes that the same way the dungeon does.

And then Mithrun does, in fact, grant one of Kabru's deepest desires. He tells Kabru the truth.

Just like how they are working together in the first place, this truth is as much a necessary concession to survival as anything. But that doesn't mean it's not impactful for Kabru. This is the thing that every other elf in his life has kept from him. A secret foundational to his core belief that long-life and short-life species can never come to mutual understanding.

And Mithrun isn't just giving him the bare minimum information here. What he shares isn't just a truth, it's his truth. It's a level of complete and total vulnerability that few people share with each other. And again - some of this may just be coincidence and necessity. I imagine Mithrun is so open, at least in part, because he doesn't have the same barriers that other people do when it comes to sharing these things.

But, then again... we see Mithrun at his most vulnerable and empathetic when he is talking to dungeon lords & potential dungeon lords, and trying to convey to them the truth of the trap they are walking into.

This face:

Is very similar to this face:

These are some of the few instances that we see Mithrun emote in this way, and his story does come just after he notices the dungeon responding to Kabru's desires.

But, no matter if Mithrun's openness is in response to Kabru being tangled in the dungeon's hunger, or just part of his nature (or, maybe, a little of both), his story changes things for Kabru. It gives him the chance to make actual choices, now that he understands the truth. It gives him a chance at agency in the story.

And he immediately turns around and uses some of that agency in an interesting way:

When asked about why he can't sleep, Mithrun says he needs to be magically compelled. Being magicked to sleep is simple, and it is efficient, but he doesn't even just say it's the best option. He seems to believe it is the only option.

So much in Mithrun's recovery has been framed through how it will let him fight the demon. Recover so that you can return to the dungeon. Sleep so that you can return to the dungeon. Eat so that you can return to the dungeon.

But rest, much like eating, isn't just about achieving the bare minimum required for efficiency. And as Senshi would probably say, the easiest path isn't always the best.

I don't think that the Canaries are intentionally running Mithrun ragged or anything, but as I mentioned earlier, they are very focused on efficiency, with little thought spared to what is lost or hurt in the process.

And there is something different about Mithrun's time with Kabru in the dungeon. Lycion even notes it, when they finally connect back up.

I don't think it's a huge leap to say that how Mithrun falls asleep here is emblematic of that difference. When Kabru helps Mithrun to sleep by massaging his feet, rather then using magic, he is explicitly taking a step beyond the minimum. He is providing comfort to a body that has been given only necessities for a long, long time.

These two events - Mithrun sharing the truth of the dungeon with Kabru, and Kabru choosing to help Mithrun to sleep through a foot massage - shift their relationship. There's a clear difference in how we see them treat each other, and especially in how Mithrun treats Kabru.

Before, Kabru provides food that he has gathered himself (okay, it was a mushroom he put his foot through on floor one, but the point still stands that Mithrun offered no help at all with getting food).

Afterwards, they gather food together.

Before, Mithrun teleports Kabru towards a monster, using him as a weapon when he can't find anything else.

Afterwards, he helps Kabru escape monsters, and fights them directly.

Before, he slaps Kabru awake after 5 hours of uncomfortable, Nightmare-filled sleep. A rest which, notably, Kabru didn't even intend to take for himself.

Afterwards, we see Mithrun keeping watch while Kabru sleeps in a bedroll.

I don't necessarily think that all of these things are choices that Mithrun consciously makes. Like, after 6 days, Kabru would have to get some actual sleep eventually, and Mithrun would pretty obviously have to keep watching during that time.

Nonetheless, there's still a difference in how these scenes are framed, and the fact that it is these things that are used to portray their journey together. Kabru is not the sole person providing food and sleep and safety - they provide these things for each other. Kabru eats alongside Mithrun, hunts alongside Mithrun, and he sleeps in the same way we see Mithrun sleep, laying down and resting deeply enough to be groggy when woken up.

What's more, during their time together, there are even a couple of instances of Kabru being more willing to care for himself and accept care. The sleeping is one example - note how he is surprised at having slept "that long" when told he was asleep for less than even the minimum recommended amount of nightly sleep - but I think the pattern of his eating is even clearer. In making sure that Mithrun eats regularly, he is forced to eat regularly too.

And I especially like the progression with the Barometz meal. After Mithrun has fallen asleep, Kabru thinks about wanting to "give [Mithrun] something nice to eat," but also notes that Mithrun's lack of desire "means there isn't even anything he wants to eat." So what does Kabru do?

He makes Mithrun something that he wants to eat.

I've already talked a bit about the ways that Dungeon Meshi depicts people finding support through "borrowing" the desires of the people who care for them, and I think this scene is a great example of that idea. Especially in the way that it pulls an expression of desire from Kabru, who is so prone to ignore his own hunger and needs. The meal may not end up anywhere close to the flavor intended, but it's still a far cry from the roasted walking mushroom.

All of these pieces come together at the end of chapter 62, resulting in a pivotal choice that could only happen because of the ways Kabru and Mithrun have, at least a little bit, grown closer to each other.

As they are preparing to leave, Kabru hears a bell ringing in the dungeon, just as he hears Toshiro's matching bell on the other side of the portal. Realizing Laios is nearby, Kabru hesitates. He knows the truth about the demon, and how he has a chance to act on it.

Cithis, the person who extorted Kabru into taking care of Mithrun in the first place, pushes for Mithrun to follow along with the plan.

(okay a quick aside here I just want to say I do love Cithis and I'm not trying to bash on her here. I just think it's interesting that she is the one to establish the terms of Mithrun & Kabru's cooperation, as well as the one who tells Mithrun to leave the dungeon at the end of the chapter)

But Mithrun doesn't go along with her command. Instead, he does something unexpected:

He asks what Kabru wants to do.

In contrast to Milsiril's smothering comfort,

and in contrast to his Mithrun's own assumption that Kabru will follow him, when they first wake up in the dungeon,

Mithrun follows Kabru's lead.

This, right here, is the change between them. Not only that, but it's a shift in the entire balance of agency in the dungeon. For what might be the first time in a very long time, Kabru - a tall-man - knows the truth, and is acting on it. He makes a huge decision purely on his own judgement. He is not trying to appease or coerce anyone, and he doesn't win Mithrun over by hiding his true intentions.

Rather, it's the honesty between them that builds to this moment. Mithrun's honesty earns Kabru's trust, and Kabru's honesty earns Mithrun's respect. They bond not because they are forced to spend time together, but because they choose to spend that time giving each other more than the bare minimum - even when they are both people used to accepting the bare minimum.

It echoes Laios' argument with Toshiro, in a way. They eat three square meals a day (Cithis mandated admittedly), they get plenty of sleep, and in doing these things, they take each other seriously. They treat each other as more than just a means to an end.

I don't necessarily think it's a flawless, unbreakable bond that's built during this time - hell, they both kind of revert back to their old behavior, once reunited with the rest of the Canaries. People don't completely change their habits overnight, after all.

But it is a shift. It's a shift that gives Kabru the chance to steer the story towards the ending he has fought for all his life, and it's a shift that helps Mithrun find a way to move forward after he loses his own reason for living. They reach their goals, and then they step past them - facing life beyond the moments they thought defined their reasons for living. Facing life beyond the bare minimum.

And that is how they help each other.

[lychgate]

i haven't posted a really poorly drawn thought piece adventure in years so here's a brief update!

hope i hit the read more thing right oh well anyway:

"Spent a lot of time applying for a home loan. I had to pay -fucked up- to have a convincing income for a decent loan. It was very confusing but cody helped me a lot."

"Cody proposed to me It felt wonderful that someone wanted to share their time and love with me. Cody proposed Anthrohio weekend, it's the con we really met at."

"We saw the listing that sunday morning before we had to go to our table to vend."

"It was a perfect house. We were the first people to view it and we immediately put in a bid. And we got the house. Many papers to sign."

"Moving was not easy. It took 2 whole months. Cody was out of town helping their grandma recover from a big surgery and we had to sell their old house/move that as well as move from my apartment. ALSO THE PETS: My cat dick wolf + Cody's 3 birds. Until we could get some doors installed and separate the house, I had to live between two places every day to feed and care for them."

"Still, life was good. I bought my first house! It has a swing in the backyard. I've never had my own backyard. I've never even lived somewhere that had trees (in said yard) It felt nice. Living together with the love of my life and 4 pets."

"Through all this i never closed my shop. How could I? It was my income, and I just bought a house. It needed to stay open. Moving that much inventory, setting up a new office, the house is a nice size but it's not huge, so, very careful organizing had to be executed if I wanted my apparel laid out right. (Which I totally managed to do)"

"but i Did get really good at baking pies. the two are connected."

"sacred_crow on instagram!"

"there's like 25 of u bastards i would absolutely die for, and about 75 more that i would go nearly dead over."

"We have an extra bedroom so I got to turn it into a toy room. There's games, crafts, stuffed animals, movies, a sick loft I painted the shit out of. It rules. It brings me a lot of Joy."

"Under the loft we have a dug out where we can watch VHS tapes. I love to sit with Cody and watch movies and play Donkey Kong."

"I am not good at Banjo Kazooie, but Cody is. Cody is so talented. I love watching them play games. (Depicted is not banjo kazooie but donkey kong country 2 as we are currently playing that. I'm good at DKC but I will still swear and make sounds like im about to throw up)"

"Half the basement is finished, so we turned it into a dual office space. It rules. Cody has a whole side for fursuit crafting, and my side is mostly my gigantic gamer computer area/shipping area. I took a whole wall to put all my non apparel merch like pins charms and notebooks also. for hte love of god someone buy the notebooks they take up more space then i wanted"

"I love to look over from my computer and see cody working. They always look so focused, yet peaceful."

"It's winter but it rains. I miss the snow. I lived by the lakes growing up. I miss piles of snow. It's just wet and cold here. Yes i'm quite aware of global warming"

"I got kicked off both my health and car insurance. I fixed the car one but health insurance still no. All my meds have gone away. The past few months have been hard. I think way too much lately. I can't get myself to do anything. -this is a whole page of downer bullshit and i cropped it!-"

"We had a leaky ceiling that took a month to fix. Cody did all the work because they are smart and kind."

"Oh yeah I had my uterus removed earlier this year. They let me keep it. It's in a jar in my living room."

"We threw a very nice halloween party. I was the green m&m. Cody was the monarch."

"We adopted 8 beautiful kiwis from a crane machine at the mall. we spent over 100 monies to get them but it was worth it."

"

It was a rough year. My health is in decline. Our country may try to end my life for being trans soon (lol?) I am in hte middle of a colossal mental breakdown of my core fundamental behavior (depression advanced) BUT ALSO: I am engaged to my favorite person. We bought a house together. I'm beginning a new chapter of my life. I have a swing in my backyard. The negatives suck but there are also many positives. The cycle of emotions is immense, but there is beauty in it. There is beauty in life, and isn't that wonderful?"

[technoarcanist]

WAR NEVER CHANGES. BUT,

WARFARE NEVER STOPS CHANGING

"I've seen countless reasons why most mech pilots don't make the cut, but one of the largest hurdles are the physical alterations. The implants and modifications done to the fleshware is so extreme that it's enough to push most would-be pilots away from day 1.

Back in the day, when mech tech was still in its wild west years, when the technology was still in its infancy, things were different. Levers, joysticks, switches, a chair, most of the first models were something between the cockpit of a construction vehicle and a fighter ship.

Pilots in those days still consisted largely of the usual suspects. Test pilots, army jocks, space force veterans looking for something new, the occasional crazy who lucked their way up the ranks. All you needed back then was to be fit enough to work complex machinery. 'Handler's wouldn't be a coined phrase for nearly a decade. I still remember being a kid and seeing repurposed older models in the mech fighting streams.

Everything changed with the Bidirectional Cerebellum Computer Interface. To say nothing of how it changed civilian life, it was a military marvel. The BiCCI saw the creation of Mechs as we understand them today. The first generation were just retrofits, older models with a pilot's chair, and even manual controls to use in an emergency, but even then we knew that was only temporary. Before long, sleek frames of sharp angles, railguns and plasma cannons were rolling off the factory floor.

Like many things, it began small, optimising first for cockpit space by removing the manual controls. Before long, my then-supervisors thought, "Why have this glass? Why not hook the pilot's eyesight right into the advanced multi-spectral camera system? Before long, cockpits were but soft harnesses made to house a living body, their very soul wired into the machinery. Obviously, for security reasons, I cannot tell you everything about how our latest cockpits work, but suffice to say we've been further blurring the line between pilot and frame ever since.

This drew a very different crowd. Out were the army jocks and powerlifters. The only ones who even dared to have the interface hardware installed into their brainstem and spinal cord were the dispossessed, the misanthropes, those who sought not to control their new body, but to be controlled by it. No AI can work a mech properly on its own, but our pilots are never really in full control either anymore. Those who do try to go against the symbiosis get a nosebleed at best, and vegetative seizures at worst.

And that was that. The only people left who pilots these things are those who had already been broken, those who sougt a permenant reprive from being anything resembling human. A lot of my department quit around this time. I've lost a few friends over it, I'm not shy to say. Did we knew we'd be bringing in the more vulnerable people? Of course we did. But, the wheels of progress must turn, as they say, and it wasn't like we were shy of volunteers.

In our latest models, we have refined an even more advanced frame. Again, security detail prevents me from divulging too much, but one breakthrough we've made is decreasing action latency by approximately 0.02s by amputating the limbs from our pilots and replacing them with neural interface pads.

Using the pads where the limbs once were, pilots are screwed directly into the cockpit, which itself can now be 30% smaller thanks to the saved space. And, of course, we provide basic humanoid cybernetics as part of their employment contract while they are with us. Not that most of them are ever voluntarily out of their cockpits long enough to make use of them. Even removing the tubes from their orifices for routine cleaning incurs a large level of resistence.

And, yes, some of them scream, some of them break, some become so catatonic that they might as well be a peripheral processor for their mech's AI. But not a single one, not even one pilot, in all the dolls i've ever trained, have ever accepted the holidays we offer, the retirement packages, the stipends.

As you say, there are those who like to call me a monster for my work. I can see why. After all, they don't see the way my pilots' crotches dribble when I tell them I'll be cutting away their limbs, or the little moans they try to hide when we first meet and I explain that they'd forever be on the same resource level as a machine hereafter.

Those who call me a monster don't realise that, even after going public with how we operate our pilots, even after ramping up mech frame production, we still have more than twice as many volunteers as frames.

Those who call me a monster cannot accept that my pilots are far happier as a piece of meat in a machine of death than as the shell of a human they once were.

Those who call me a monster never consider the world my pilots grew up in to make them suitable candidates in the first place."

-Dr Francine Heathwich EngD

Dept. Cybernetic Technologies @ Dynaframe Industries

[In response to human rights violations accusations levied by the Pilot Rehabilitation Foundation]

[shelleysmary]

lots of fans have made valid points and written well-thought-out posts about the trop ai drama, so i'm not gonna rehash them, but i do want to bring up something that no one seems to be talking about and it's the impulse that leads people to plug these things into ai generators in the first place.

fandom over the last year especially has become increasingly toxic to the point that actual billion-dollar corporations are afraid it. the result is subpar, pandering films, books, and television shows that break no new ground, recycle old tropes, and sacrifice story integrity to avoid catching heat from the loudest, most entitled people in the room. i'm calling this an issue of entitlement first and foremost because the idea that the audience should have any say over a non-crowd-created media project is preposterous. deciding that the cons outweigh the pros of watching something and choosing to walk away without making a fuss is a lost discipline now because everyone with an internet connection and a social media account believes that their vision reigns supreme. "how dare this show downplay my favorite ship! they were supposed to kiss! that was the whole point! the absence of this one thing i had on my wishlist is a crime against me personally!" so they turn to ai and click some buttons and now these gifs exist and are being circulated with an air of "i've righted a wrong." worse, the use of ai in this way is being conflated with the creation of fanworks???

there are reasons why i don't believe the ai saurondiel kiss is on the same raft as, say, making them kiss in a drawing or a published fanfic, but my main concern is with the spirit behind each. fanworks are made in homage to the source material, even the fix-it fics. there is an acknowledgment, a separation even, between the television show and the fanwork. this separation is necessary and i would say even integral to the nature of fan creation, while ai closes that gap until it no longer exists. the elimination of space between creator and audience also happens on social media, when disgruntled fans who have taken umbrage with a fictional character or creative decision directly harass the writers or the actors involved. more and more, fans are demanding to be in the rooms, in the minds, and to exert control over the people who tell their stories, and it has only ever worked to our collective detriment. now i'm not saying that if you liked and shared the saurondiel ai kiss that you're the same as the internet trolls who harass (mostly) women and people of color online. but i'm begging you to do some self-reflection and ask yourself why you feel entitled to seeing what you want on your screen.

what has changed in the last few years that would make you dissatisfied with, say, reading someone's fic or making your own drawing? is it a matter of "the tool is there, so why not use it?" is it "i believe it should have happened and it didn't and i feel cheated?" or maybe there's been a pattern you've noticed in your recent media "consumption" (god, i hate that word) where, unless a show or television series goes the exact way you want it to, it feels like you've been defrauded somehow? i'm not being facetious. i'm inviting you to notice that what you're feeling is probably discomfort, disappointment, maybe even cognitive dissonance because you imagined it going one way, and now you're at a loss because it didn't. you built it up in your head, you had something to look forward to, you were convinced that it would happen, it was exciting and you were so eager to get to that point, and then.... and then...

we've all been there. and it sucks. but i also want to remind you of how important it is to preserve the separation. this space is ours. the writer's room, the filming set, the editing room, those spaces are theirs. the actors' likenesses are theirs. thinking beyond trop, the separation is how we get creative works that challenge us politically, emotionally, that make us uncomfortable and tell us important truths. writers shouldn't have to - and shouldn't FULL STOP - do what we want them to do. sometimes that means knowing when to walk away, when to say "i no longer enjoy this show, i will no longer support it" or "i will continue to watch but pretend things went differently," the latter of which has been the spark that has moved so many online fans to draw, paint, write, or sew. it's a type of creation that allows "canon" and "fanon" to exist parallel to one another. moreover, the effort it takes to make anything with your own two hands, with your own time, and with your own energy increases your appreciation for the creative impulse. films and books and television stop being "products" for your "consumption" because you're aware of what goes into them, and it becomes easier to look at things you don't like or disagree with and say, "you know what, i'm gonna pass," or "not in my headcanon."

oh, and by the way plugging things into an ai generator? is theft. the same way that it's generally frowned upon for people to use ai to, say, write the rest of an unfinished fic without the express permission of the fanwork creator, using the actors' likenesses to make them kiss goes against everything the actors' union fought for last year. i'll also add that it's incredibly creepy. almost all of us are in agreement that intimacy coordinators are a good thing because they act - again! - as a separation between what's "real" and what isn't, the same way going on ao3 and reading a fic that very clearly says on the tin that it's a fanfic, unaffiliated with the official ip, is a separation. it's another beast entirely to normalize fan-use of ai, to say you support creatives, support actors, support unions, and then do this in your personal life. i repeat the question: what impulse leads anyone to believe that this is okay other than a feeling of misplaced ownership?

tl;dr: ai nonsense does not belong in fandom spaces. (in my home state of california, it is illegal to use digital replicas of an actor's voice or likeness in place of their actual services without their informed consent [which, in spirit, is what you're doing by using ai to make your gifs]). we all just need to mind our own business and go back to writing our fix-it fics and complaining to our friends in relative peace. if you're finding it impossible to do so, ask yourself why. remember that fanart is our longstanding tradition. stop outsourcing it to an unregulated technology just because your two faves didn't kiss.

[thefanficmonster]

The Tortured Journalists Department

Declan O'Hara x Reader (Female) [Rivals TV]

Warnings: Age Gap (Reader is 21), Swearing, Emotional Infidelity, SPOILERS for Rivals S1

Genre: Romance, Fluff

Summary: The characteristically prominent electricity that pits journalists against one another also has a magnetic sort of pull that brings them closer. As Declan and Y/N find out the hard way

"Alright, listen to me." Y/N had rushed into the O'Hara residence like spring wind, bringing warmth to a house Declan has felt cold in ever since the departure of his wife.

She headed straight into the kitchen where she dropped several files and folders, splaying them out on the table. It was evident from her pace alone that she'd come with an agenda but that didn't bother Declan. If there was one thing that could stray his thoughts from Maud it was work. And Venturer still required a lot of it.

"It'd be quite impossible to not listen to you, my dear. Especially with such an impressionable entrance." Declan chuckles, taking a drag of his cigarettes as he comes to stand across the table from the girl.

"Good, because I didn't spend an entire sleepless night drafting all this for you to not pay me any mind." She grumbles as she flicks open the folders, flipping past the formality pages to the main course of the idea she's about to pitch.

Y/N is one of the Corinium refugees that jumped ship the second Declan resigned. She was a paid intern and the face of Corinium's 'After Dark' segment focusing on rather scandalous topics and entertainment targeting the young adult demographic. However, with the continuous undermining she felt from practically everyone, she had long been planning to break the chain binding her to the company. The only thing - or rather, person - that kept changing her mind was...well, I think it's pretty darn obvious when you take note of when she finally decided to go through with the decision and leave.

Declan pulls out a chair and takes a seat, leaning forward with his elbows on the table to skim all the files she's laid out for him "I'm all ears, darling."

"You better be." Y/N says with a clap of her hands as she takes a deep breath, "So, I've been thinking, we should set Venturer free from the shadows of Corinium. Because, right now, especially with you as the face of the company, we seem like a bitter revenge attempt. Just an endeavor to bite back at a company that wronged you. Of course, that is not my personal opinion, but-"

"I think it is."

"Hush!" She scolds him as he interrupts her, "I'm far from done."

Declan laughs, smoke curling around him as he lifts his hands up in surrender, motioning for her to continue.

"Thank you." She narrows her eyes, "So, I'll cut to the chase, seeing as how your attention span is one of a fish. My idea is to make Venturer unique in more ways than one. Truly make it our own. And....take down two birds with one stone." She says with a knowing look.

Declan quirks an eyebrow at her, tilting his head to the side, "And what's this second bird you speak of."

Y/N points a manicured nail down to an underlined name he recognizes, "The Scorpion, of course. They have a massive monopoly over London's printed journalism and they don't even know how to use it properly. They have a wide reach and use it to spread gossip and rumors. I can count on all ten fingers the amount of nude pictures I've seen in a supposedly serious paper just this past year. It is abhorrent. That being said, what do you say?"

Declan places a hand on his chin, giving the documents she's put so much thought in a more thorough look. The idea had never even crossed his mind - the Venturer merging two separate branches of journalism, setting in motion a domination attempt of the entire field.

The more he ponders it, the better it sounds, but it doesn't exactly show on his face which makes Y/N feel nervous for the very first time since she started working on the pitch. She hadn't for a second doubted that it would be a good idea but right now she feels rather unsure as she takes in Declan's thoughtful furrowed brow.

"You don't have to give me an answer right away. I know it's a hefty endeavor and you have to consult with Rupert and Freddie and Cameron. I probably should've gathered all of you to properly pitch the idea but I wanted you to be the first to hear it in case it was an utter embarrassment. Again, think it over, and get back to it whenever you-"

"It's genius."

Her rambling comes to an abrupt halt, leaving her slack-jawed and wide-eyed. For a moment, she refuses to allow herself the joy of success, opting to make sure she hadn't misheard him first. "Come again?"

"It's genius." He doubles down on his original statement, "You're a genius, love. Which is why you'll be the leading force behind Venturer Daily." He smirks when he sees her eyes grow impossibly wider, "Like the name?"

The airy laugh that leaves her parted lips carries all the disbelief, worry and uncertainty from her body, giving way to relief childlike excitement that displays itself with a wide grin, "Venturer Daily.....yes, y-yeah, it has a nice ring to it." Her mind is already a whirlwind of potential topics and stories she could report on. How she'd have complete control of all that'd get printed and released into the world for all of London society to read. And beyond - nation wide even.

But then logic and rational thinking kicks in, curbing her thrill, "Wait, don't we have to consult everyone else before making such decisions?"

Declan shakes his head, "With a passionate pitch like yours they'll immediately climb onboard even if they are initially against it. Which I honestly doubt, there are very few downsides for them to pick at."

"Alright, fair. What about my writing? What if I don't have what it takes to transfer the charm I have in front of the camera to a printed page?" She asks, more so wondering aloud rather than actually directing the question to Declan.

Still, he points a scolding finger at her, "Never let me hear you doubt yourself like that again."

The sternness in his voice causes something to stir inside her, like ripples in a still lake that progressively become waves when she sees the intensity in his eyes. Because of course that's how her body reacts to strict praise and attention from a man twice her age that also happens to be her boss.

Her next worry is voiced a little quietly, almost sheepishly, "I don't even have a typewriter of my own."

He doesn't give an instant reply to her raised concern. Instead, he motions for her to wait a moment before leaving the kitchen, heading up the stairs in the foyer.

Y/N is left standing alone in the kitchen with a flushed face and a speeding heart as she chews on her bottom lip in anticipation. Her fingers drum nervously on the edge of the table as she takes a deep breath, willing her heart to slow down and take it easy. All in the hopes of not being let down in the end.

Let down she most certainly isn't when Declan comes back down the stairs, typewriter in hand, and places it on the table in front of her.

"Problem solved. Anything else bothering ya? If there is something, let me know so I can take care of it for ya, alright? You just focus on getting me a newspaper draft within the next two weeks. Sounds good?" He asks, as he stands beside her, hands on hips, spine straight and a satisfied lopsided smirk on his face.

The earlier mentioned waves turn into a full on tsunami.

Y/N runs a gentle hand over the polished black typewriter, her fingers lingering on the golden accents adorning it. "You would give this to me? Are you sure?" She asks, mouth agape in disbelief as he nods "T-thank you....I promise to take good care of it. I'll have it returned in pristine condition as soon as I purchase my own."

Declan immediately shakes his head, clicking his tongue, "Oh no, no, no, darling. It's yours. Yours to keep, that is."

Y/N's disbelief is palpable as she quirks an eyebrow at him, "How could you ever bring yourself to part with something so beautiful." She gathers some of the dust layer that coats the keys, "And something you've had for a long while, no less."

Declan doesn't show it, but his heart clenches as he sees how gentle and almost loving Y/N is to this object that he too feels such a connection to. He'd originally bought it for Maud's birthday a few years back only to earn himself a displeased reaction from his wife who demanded something - in her words - actually valuable as a birthday gift. Seeing someone be as appreciative and admiring of this typewriter as he'd been the moment he saw it returns that same excitement he'd felt when he was preparing to gift it to Maud. This time however, the excitement isn't deflated by disappointment. If anything, it's amplified by seeing it be mirrored in Y/N's eyes.

Eyes that hold such adoration.

Adoration he witnesses morph into something else when her eyes meet his for a split second before she throws her arms around his neck, embracing him tightly. The action stuns him, mostly because it's coming from someone who's not typically openly affectionate but he welcomes it none the less, returning the gesture with a flutter in his heartbeat.

He's unsure of how to describe what he's feeling but a small voice in his brain is condemning him for it. For how good it feels to have someone's arms wrapped around him with undivided affection he hasn't been treated to by his own wife in years.

Speaking of his wife, he catches glimpse of her smiling face framed on the coffee table in the living room. He should feel guilt but he doesn't. Especially not when he remembers that he hasn't been on the receiving end of that smile in a long, long while. The notion causes his arms to tighten around Y/N, his face nestled into the crook of her neck, each inhale filling his nose with the sweet scent of her perfume lingering on her skin and in her hair.

"Thank you..." She whispers as her arms slowly loosen around him. He doesn't even have time to feel disappointed to no longer feel her warmth around him when her lips press against his cheek, sending sparks of electricity throughout his entire body, setting every nerve ending aflame.

Before he's even had the chance to gather his bearings, Y/N has already collected the files and folders she'd brought, leaving them in a neat pile on the table. She picks up the typewriter in her arms, the weight of it evident in the way she's carrying it like an infant - or rather that is a display of the care she feels for the gift.

It's obvious the kiss was an improvised action on her part. There's a solid chance she herself was surprised by it considering how flustered she is now as she's doing everything in her power to leave the O'Hara residence.

"I'll have a draft delivered to you in a couple days." She says hastily, one foot practically already out the door, "I promise I won't let you down."

Declan's arm seems to have a mind of its own as it shoots out and gently grabs hers, stopping her in her frazzled haste to run away. His thumb swipes over the soft cotton of her sweater, allowing her to feel the warmth of his touch on her skin through the fabric. His eyes are warm and inviting, exuding comfort and reassurance she's never been offered by anyone before.

"You could never let me down, darling."

His words might as well have been a physical force the way they knock the breath clear from her lungs.

In another universe, she might be a better woman. The kind that wouldn't kiss her still-technically-married, twice her age boss. But in this universe she has no such restraint.

And clearly neither does he, seeing as how he meets her halfway, their bodies symbolically separated by the typewriter she's cradling - a disappointing gift to one, but a beautiful memento to another.

* * * * *

A couple days later, Declan finds a draft of a newspaper wedged into the side of his front door, waiting for him, a bow neatly tied around it. He reads through it while sipping on his morning coffee, smirking at the bold title - Daily Venturer, a slight variation of the name they had agreed upon.

Y/N's passion is warming the pages in his hand, eliciting genuine emotion and reaction with each paragraph she has written, the word alive on the crisp paper.

He's about to close it when the farewell block of text at the bottom of the last page catches his attention. It's not printed, instead handwritten in beautiful cursive

⋰ May you find my writing even half as beautiful as your own soul, dear reader

May you have enlighten yourself with my words the way you've enlighten my life with your presence

May your heart be warm as the coffee I'm sure you're drinking as you're reading

May all be well always ⋱

Yours only,

~Y/N

[randomshyperson]

Lacy - Werewolf!Reader x Wanda Maximoff - Kinktober #07

Summary: This Halloween, Wanda receives a surprise visit from her favorite werewolf. The problem is that it's very difficult to keep a crush hidden during mating season.

Warnings: (+18), mutual pining, semi-public, very vague allusions to omega verse, beefy!reader, power!bottom wanda, a bit rough but they are actually sweet to each other, some praising and dirty talk. | Words: 3.144k

A/N-> First, I know nothing about werewolves. It was never my thing growing up (I’m a witch type of person I suppose) but I know about omegaverse stuff and since it’s wolf-based I tried some references from that lore. Also, I was totally thinking about Wednesday's show (and Wenclair ship tbh) when writing the school but you all be free to image whatever you wish. Also, the name is from Olivia Rodrigo’s song, ‘cause it’s such a friends-to-lovers/mutual pining coded lyrics. Good reading folks! 

General Masterlist | Kinktober Collection | AO3 | Wattpad

-&-

The mating season was always the most tiring part of the year.

Even as a child, her days were marked by hard work and running errands - her mother was always very busy with orders, and somehow, the twins were obliged to finish the tasks in record time, so as not to delay the calendars and keep Natalya busy when her customers needed her.

As the largest and most respected apothecary in the country, Natalya Maximoff was also one of the biggest dealers in magical items - and this also included natural suppressants. Her customers wrote to her from all over the world, many famous packs like the Romanoffs or the Howletts only bought her products, and the witch was always very busy at this time of year.

So when their mother told them that she would leave the Maximoff Magical Articles Boutique in their care for two whole days, while she delivered packages around the world, none of them were surprised, as this had been done dozens of times before.

Wanda's indignation stemmed from the fact that her twin brother, as soon as there were no more magical remnants of the portal his mother had conjured to travel through, put on a jacket and told her he was leaving.

"But you can't leave me alone!" Wanda hurried away from the counter. Pietro chuckled, adjusting his hat on his silver hair. Since he had turned 18 last month, he had grown a good few centimeters, and even with her best serious expression, Wanda, who hadn't grown much since she was 15, no longer succeeded in frightening him. That, and well, like his father, Pietro had a bastard heritage of lycanthropy, and with his new skills, he had also gained extreme confidence.

"What, you gonna tell me you're scared of some little wolves?" He sneered, his fangs protruding from his smile. Wanda huffed angrily, her cheeks slightly red. "Don't be silly, Wanda. You're a witch. Nobody's is crazy enough to mess with you."

He tries to pat her on the shoulder, but Wanda pushes a finger against his chest. "I'm not afraid of any wolves, you selfish idiot! Mom says the store is our responsibility. And you're sneaking off to do who knows what! I don't want to spend all night looking after this place on my own. Apart from the season, it's Halloween, and kids go apeshit and-"

"Jesus, Wanda, I'll make it up to you!" He cuts in, already pulling away and ignoring the other girl's protests. "I've got to go, I'm taking Crystal to the movies, then we'll settle up!

"Pietro!" But the call was ignored and the store door was slammed in her face.

Wanda huffed to herself. She could survive a Halloween night, but her brother would owe her a lot if he didn't want to be snitched on. She returned to the counter, texting him another dozen curses before texting to her mother that everything was under control.

And lucky for her, that's how the evening actually went. 

Most of the few customers who showed up were locals, a few sorcerers in need of ingredients, and even a traveling vampire who needed to replenish some reserves for a long trip. Some children also asked for candy, and tired of getting up so often, Wanda decided to leave the jars outside.

It was almost at the end of her shift, when she was ready to close the shop, that a delicious smell wafted into the room. Wanda, who was distracted by the holiday lessons that the institute where she studied always offered when there were short vacations or not, was snapped out of her concentration by the fascinating smell. She looked up just as a figure stumbled into the store, covered by a school uniform hood.

She didn't need you to remove the cap to recognize you, and yet, when your face became visible, Wanda felt her heart unlearn how to beat properly. 

"Good evening?" You looked between the shelves, approaching the cashier, only to hesitate as soon as you saw Wanda. "Oh, h-hi. Uh, is Madame Maximoff around?"

You looked uneasy, adjusting your hair and fiddling with your fingers. Your flushed face must have been due to the walk from the Institute to the store. 

Wanda shook her head as she replied: "She had some orders to place. How can I help you?"

The color of your face deepened, and you couldn't look her in the eye for more than two seconds. "Hmm, I kind of need... suppressants." And it was the turn of Wanda's face to heat up. You continued talking anxiously. "I thought I still had some, but my reservation ran out, and since I'm in the dorm, I wouldn't want to... well, would you have any left? I know it's very short notice but I really need it."

Wanda nodded quickly, equally at a loss for words. You see, if you were any other of her werewolf colleagues, the situation might even be comical. She wasn't like Pietro and didn't make friends very easily, but she shared the same taunting nature. One horny wolf in the store and Wanda would have jokes for the rest of the year. But it was you, her longtime secret crush, emanating a very pleasant scent and in need of something so intimate that Wanda could barely control her own thoughts about what other ways she could help you if there were no other suppressors in the store.

"My mom usually sells everything before the season starts, but I can look in the warehouse to see if we have any leftovers. I'll be right back." She says, smiling softly at your anxious figure.

Wanda has never seen you in heat before; the mating seasons for new wolves begin at the end of puberty, between the ages of sixteen and eighteen, and the vast majority of her werewolf classmates at the Institute return to their packs at this time of year, already matched with their partners in the traditions of the lycanthrope. Wanda only knows about the rituals from her father's family, because each clan, from the Vampires to the witches, is very private about it all. Witches like her mother, who specialize in all kinds of products, are the exceptions.

Wanda tries the storeroom next to the counter, but after a few boxes, she snorts in frustration. Her mother really did sell everything, and she almost reprimanded you for not planning properly. For older, mismatched wolves, being without suppressors could be really dangerous. For you, a new werewolf, it would only be quite painful. It was easier for her to feel sorry. 

And while she tried the last few shelves at the back of the storeroom, you grew even more restless outside. Wanda had no idea how intoxicating the essence of a witch, especially a witch one cared about, was. If you hadn't been so desperate, you would have given up going into the store as soon as you could smell her from around the corner, but then again, your brain wasn't working very rationally right now.

And there was also a scarf on the counter, Wanda's most characteristic item since she had received it as a gift so many years ago. Many of the times you've noticed her, she's worn the item around her neck and it made sense that her scent was so strong in the room, even though she was upstairs.

Your limbs moved by instinct, you didn't have to think much, just let yourself be guided by the urge to exhale that distinctive smell more deeply. 

Your face was pressed against the scarf when Wanda reappeared, and her confused giggle made you jump away mortified.

"Are you all right there?" She ventured, receiving a very quick and embarrassed nod. Wanda chuckled again in amazement, and without caring much about your current condition, she approached. "I looked upstairs, but my mother sold everything, sorry. There's something else you might like to try, maybe a calming potion so you can sleep while... well, this happens to you."

You quickly agree, still embarrassed at being caught. Wanda doesn't mind, if anything, she always found it very entertaining how different you were from the other werewolves she knew; loud and confident to the point of being idiotic. Pietro was a prime example. And if it wasn't for your distinctive stature, she could easily have assumed from your shy and careful personality that you were just an ordinary human, perhaps a mermaid from the way you seemed to bewitch Wanda's attention all to yourself.

"I'm sorry." You mutter suddenly, while she is searching for a sleeping potion on the shelf under the counter. Wanda turns her face up in confusion, but you're looking away. "From the scarf, I know it's... weird. But my body seems to be acting on its own. Just forget about it when we get back to school, okay? I'll be normal when it's over."

"Don't worry, I don't mind." She assured meekly, before finally finding some bottles that could help you and taking them back to the counter. She bit her lip at the way you were panting, and the way your trembling fingers pulled some notes and coins out of your pocket. "You can take these two vials today, and this one in the morning if you're still..."

"Horny'?" You joke, and take Wanda by surprise, but she manages to return the short laugh. Your hands push out the money and she turns away to pack the vials into a small bag. "So, one now and two tomorrow."

Wanda quickly denies it. "No, darling, two now and one tomorrow. Are you... are you sure you're all right? You're sweating-"

"Just give me a minute." You interrupt her with a gasp, the sudden wave of heat catching you completely off guard. The room starts to spin, and for a whole moment, all you can feel is your own arousal and the way you want to touch the witch in front of you. Your body gives way, and your hands force down on the counter, disastrously strong enough for the wood to crack. Wanda jumps in fright, worried, but you grunt quietly. "Shit, I'm really sorry-"

She hurries around the counter, and her soft hands make you jump away. "Hey, it's okay, I just want to help you stand up."

But you gasp in despair, wrenching your body away from her. "Don't touch me, Wanda, for God's sake." You grunt, and if you hadn't sounded so affected, Wanda would have taken offense. Instead, she stands ready to catch you if you lose your balance again, and that's exactly what happens. This time, your weight falls forward, and Wanda's body serves as a barrage. 

Your wolfish weight is almost too much for her, and it doesn't help that your face is buried against her collarbone, and your arms embrace her clumsily. "Hm, so soft." She hears you sigh, as she struggles to drag you over to the reading area of the store's bookshelves, where there's a sofa to put you on. When you fall into the cushions, you look up with dreamy eyes and an easy smile playing on your lips. Wanda gasps softly from exhaustion. 

"Wait here a moment, okay? You feel like you're burning up with a fever. I'll get you some water." She explains, but it doesn't seem like you're listening very much, disconcerting her with the way you're looking at you so discourteously, your pupils dilating. Wanda adjusts a strand of hair, self-conscious under your gaze. "I'll be right back."

She practically runs out of there, and alone, realizing her own hands are trembling as she remembers the sensation of having your body against hers. She shakes her head to push the thought away, you were clearly in a vulnerable moment right now, and Wanda doesn't think she'll survive the shame of being rejected once the heat wears off.

When Wanda returns with the water, she almost drops the glass on the floor. You haven't moved, but you've changed position, limp against the sofa, evidently rubbing yourself down the item as you whimper. 

"Oh, detka, let me help you." Wanda abandons the glass on a shelf, and rushes to your side, kneeling beside the sofa. You gasp in embarrassment, trying to escape her gaze, but Wanda's hands grab your warm face. "Let's go upstairs. I'll make it better." She whispers the invitation, but the thought alone is enough for you to grunt in affection and pull her face towards you. 

It's a hungry kiss, and the position doesn't help. Wanda has to grab your shoulders to keep from falling to the floor and ends up breaking into a giggle when a moment later it's you who's throwing yourself at her, desperately kissing her as if she's going to disappear. 

The lightness disappears quickly. She feels very hot and bothered, especially when your tongue slips into hers as if you already knew exactly how to kiss her, and your hands touch her entire body with determination. Her plea for you to slow down turns into a moan when your knee pushes between her legs.

It's almost primitive the way you seem willing to have her right there on the floor, angrily trying to pull her clothes off while your moans mingle. Wanda's face burns and she struggles to match the kiss, losing that battle all too easily when your palms begin to stimulate her nipples. 

She can feel the wetness begin to bother her through the fabric of her panties, and perhaps, you can smell it too, because you grow more impatient, and begin to murmur disconnected compliments into her skin, your hands reaching down to unzip her pants. Wanda chokes between moans, practically whimpering when your fingers find her so ready. 

You enter her, all at once, without a second thought. You suck on her tongue as she squeezes your fingerprints and soaks your hand. It's dirty and rough, and Wanda couldn't hold back even if she tried. Yet the store door opens, and she has to bite down hard on your shoulder to muffle her own noises.

Whoever the customer is, asking if there's anyone there or if the store is open, Wanda makes sure they don't see her. Her eyes are scarlet, and it's never been harder to do a concealment spell than it is now, with your fingers thrusting inside her as if the world around you hardly mattered. Finally, the customer leaves and her magic plays its part in locking the door before Wanda digs her nails into your back and comes against your fingers.

It's not enough - Nothing seems to be. You continue your movements inside her until Wanda is spasming again, begging for a pause. Your hungry mouth finds its way into her most intimate place then, just to tear more pleasure out of her. She loses count of how many times she comes, on your fingers and tongue, until the whole store smells of sex.

Fuck, she has to move you before Pietro comes back.

It's only when you let her breathe, retreating like a wounded wolf, that Wanda notices the puddle of moisture on your pants. You came at the mere act of watching and touching her. 

"Hey, are you okay, sweetheart?" She coos gently, propping herself up on one elbow now that you're lying on your back, one arm over your face. Your clothes are as torn as theirs, but there are many more marks on her body than on yours. 

You sniffle quietly, and Wanda looks at you with concern. "Why didn't you stop me?" you ask upset, and Wanda stares in shock for a moment. Then, swallowing dryly, she works up the courage:

"You didn't want this?"

But your reaction is to laugh incredulously. "Of course, I wanted it, Wanda! But I'm talking about you. Why didn't you stop me? You're a witch, you could have knocked me down, look at you! You're all purple, and I... God, I can't believe I... hurt you." 

She climbs into your lap before you can despair, ignoring your soft protest and grabbing your crying face. "I haven't stopped you because I've wanted you to since we met." She assures you determinedly, caressing your cheeks. "I'm in love with you, you idiot."

Sniffling softly, you raise hopeful eyes. "Really?"

Wanda smiles, her weight against your chest. "Really." She assures you. "And don't worry about the marks, I... like it rough."

You groan in embarrassment, looking away and amusing her. There's a moment's pause, and then finally: "I like you too."

Wanda bites back a smile. "I got that impression, you know? When you were all whiny on me." 

Your laugh is sincere and shy, and Wanda kisses you as your hands grip her thighs. But before she can deepen it the way she'd like, you break again.

"Thanks for helping with the heat... but I'll take you on a date after this. I promise."

She pulls on your bottom lip with a provocative bite. "I'll charge." She assures you in a naughty whisper, and you sigh contentedly as she presses your hips together. Smooth movements, and you're already seeing stars again. 

Your breathing becomes shorter, and Wanda traces her fingers along your jaw, while her other hand moves down. "I bet you're all warm and tight."

You sigh, closing your eyes and nodding in agreement. Wanda kisses you leisurely, also taking time to slide her fingers into your pants and assess the effects of everything so far. She's not surprised by the immense wetness, but the sensation of sinking into you is overwhelming. She can feel ready for another when she starts to stimulate you and watches you squirm beneath her.

"So good... don't stop..." You moan helplessly, and the grip on her thighs is almost strong enough to hurt. Wanda makes a mental note of how to make you lose control of your strength, before curling her fingers inside you and being rewarded with the sweetest sounds in the world. "W-Wanda!"

She decides she likes it very, very much when you whimper her name like that. She continues her motions a few more times until you come hard on her fingers. Wanda thrusts a few times, before removing them and bringing them to her mouth, sucking them clean while you try to catch a breath. 

Your murmurs are labored, and Wanda kisses your cheek a few times. "Come on upstairs, sweet baby, I'll take care of you." She tries to get up, but your hands steady her on your lap.

It's almost ridiculous how easily you lift the two of you, and Wanda has to hold onto your shoulders, chuckling softly at your uncertain stumbles on the way upstairs. 

She'll have time to look after the store when you fall asleep. Right now, she's more focused on kissing you again.

[yamujiburo]

Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

[luimagines]

Since requests are open... may we perhaps have the Chain with an SO who's really into astronomy and space? Just the biggest star and planet nerd to ever walk Hyrule.

(Totally not inspired by my own geeking out over how gorgeous the night sky is in TOTK, nope, not at all).

I'm going to have to do some research for this one. ^.^* But I'll do it for you, Nordic!!

Masterlist

Content under the cut!

The ship rocked softly back and forth on the seas, cradling the sleeping heroes as the moon gently draped the bedazzled sky with it's softer toned light.

Wind was still awake, as were you. Both of you were trying to keep the course of the ship on the right track.

Your lantern light was the closest thing you had for a light source to look at your maps and charts. You consider yourself lucky to have this on hand. Only Wind seemed as well versed in the stars as you were, hence the agreed upon decision to leave you both to your devices while everyone else went to sleep in the hammocks the small ship provided.

Wind was silent as he stood by the wheel.

You mapped out the course for the next island you were to make land, following your previous notes and comparing them to a map you had purchased before you had set sail.

A short sigh escaped your lips as you started to pack up. You couldn't keep doing this. Your eyes were strained and the moon made it difficult to see the needed stars for you figure out if you were going the right direction. You'll give it an hour or two- let the moon move further across the night sky and then start recharting what you needed.

"Going to bed?" Wind asked quietly.

You shook your head. "I'm tired, but I'm not going to leave you alone just yet."

An bitter chuckle tumbled from your lips as you stretched. Your spine and ribs popped and cracked from the needed release of strain. You saw Wind flinch but ignored it.

"If only it wasn't the full moon tonight. It would make this a lot easier."

"I can't even see the Farore Constellation." Wind sighed in despondent agreement. "I know these stars... but we're technically sailing over an island right now, so I doubt I'd actually be of much use as a navigator."

You snort. "That's why I'm up with you and not sleeping in the hull of the ship with the other guys."

There's no other sounds afterwards. There's a moment of stillness, save for the callings of the wind and the waves in their frequent call and response symphony.

"I've actually never been on a ship before." You admit, breaking the moment.

Wind jolts, almost as if he was startled awake. He tilts his head with a cheeky smile growing on his face. "Really? You're a natural at navigating. I never would have guessed."

That sets your frustrations at ease for a bit. You sit down against the railing, turning your body to talk to more experience sailor. "I just like looking at the stars for fun."

"Fun?" Wind gets a credulous look as he giggles. "I just knew the stories I was told as a kid. But I wouldn't say that comparing them to maps was fun."

"I know the stories too, sir and it's fun for me." You rolls your eyes playfully. "It just means we make a good team. I wouldn't be able to steer the ship for the life of me."

"You literally just turn the wheel left or right."

"I'd steer us right into a cliff face."

Wind giggles again.

"You actually know what you're doing but I actually know where we're going." You grin. "It works out."

"I guess so." Wind shrugs. "Better us than any of the others guys."

"They'd capsize the ship."

"Don't joke like that. Bad luck."

You smile. You don't necessarily believe in luck, but you've heard sailors to be the suspicious sort. You'll let him have this. "I retract my statement then. How far along are we following The Star of Demise?"

"About 15 knots, why?"

"Change coarse to sail towards Nayru's Trident." You grin. "We'll hit land fall by morning."

"Perfect."

[thecoolerliauditore]

Hi. I'll bite. What's the Jimmy ecosystem?

(completely genuine, feel free to direct me to an older post if there is one, i just didn't find it)

oh my goodness, an excuse to explain one of my strange pidgin language-esque terms of convenience that I'm not quite sure anyone understands outside of one or two people. that tubbytarchia guy put it into words pretty well if you're looking for the short version.

long version below:

"jimmy ecosystem" is more or less a shorthand I started saying to refer to the social system that keeps jimmy in his role of being "the worst one" (the butt of the joke, the one who goes out first, the obstacle to be surmounted, so on and so forth).

on the CC side of things, I think the imp and skizz podcast episode with joel put it best on how this came to be: jimmy is good at the youtube thing, and happy to be mocked or humiliated for the sake of making content. He's your guy for any gag, there's no wonder why he plays the goofy antagonist for so many of the POVs in esmp2.

but this creates a. very strange and sad effect when you look in from the perspective of character interpretation. esmp2 jimmy, for example, by being the bad guy in so many people's stories (especially when he really hasn't done much at all to earn the mockery he gets) feels more upsetting when you're watching his POV and it seems like no matter where he goes he gets mocked and bullied.

it carries over to almost every series: life series jimmy specifically gets this very clearly shown through his knack for being out first.

in a way I almost see the ecosystem and its effect on Jimmy (and Jimmy's performance) as an alternative school of thought to the canary curse. Both are concepts that explore Jimmy's "badness" being something forced upon him rather than something innate or entirely his failings as a player/person. Except while the canary curse ascribes the blame to nebulous concepts like The Watchers, the ecosystem puts the blame squarely on the people surrounding Jimmy who work at keeping him down. (<-- not that people can't like both ofc)

I used the term "ecosystem" because 1. it sounded funny and 2. it was what I felt like was the most fitting term, since the ecosystem especially when applied to the life series isn't so much people poking jimmy for fun but rather that and using it directly to their advantage to life themselves up. If Jimmy isn't out first, someone else will be, it might even be you, and you wouldn't want that so it is genuinely incentivized for you to keep Jimmy down as much as possible. This part has always been a bit heavy on the headcanon territory since historically the worse performing players are the ones much kinder to Jimmy, but it's definitely something to look at case-by-case.

Outside of literally his performance in the life series, I and others have also used The Ecosystem quite a lot to refer to Jimmy's relationships, mostly those with other men. Since Jimmy loves to do flirty bits, it spawns a lot of romantic plotlines, and when conjoined with the aforementioned inescapable bullying bit it gets... Weird, when you write about the characters.

With the exception of Tango, all of Jimmy's popular ship partners frequently hit, berate, mock and humiliate him, but all in their own special and unique ways. But one thing that tends to stay the same is that their relationships are nearly always more built on what the partner desires to get out of Jimmy.

I could go on but essentially: the ecosystem acts to me as an exploration of the intersection of skill at the game and worth as a person, as well as the themes of masculinity and gayness that I've found tend to pop up again and again in Jimmy's story. If you choose to read it as a story, of course.

Those initiated into the Ecosystem (Joel, Scott, Martyn, Grian, Fwhip, Sausage) have an understanding that Jimmy plays a certain lowest rung role in their social order and work to maintain that order for their own benefit (NUANCE button may be pressed here especially re: those first three). Those outside of the Ecosystem view it as a natural order they shouldn't disturb, sometimes even catching onto certain beliefs, e.g. "Jimmy is worse than everyone else" and internalizing them (Etho is a good example with how he was more or less Jimmy-neutral at the start of the life series and by the time SL/WL was happening he very casually says stuff like "oh, it's just Jimmy,"), few are completely oblivious to it and the fact that bullying Jimmy is what they Should Do socially but still will join in when prompted (Tango and Scar are very good examples).

If you've noticed that I've only listed male players, that is very much on purpose since even though there are women very much aware and participating in the ecosystem -- lizzie being the biggest example -- their involvement is, at least to me, noticeably a different flavour compared to the guys. Which I suppose makes enough sense with how much of it feels like a pseudoscientific wolf pack macho dynamic (and it probably doesn't help that they are entirely immune to the gay bits). Women in the Jimmy ecosystem is probably an entire post on its own, Lizzie alone could probably get quite a few paragraphs out of me.

anyway. very funny also to me to imagine jimmy as some sort of amoeba.

[a-dauntless-daffodil]

Charlie: "Vaggie?"

Vaggie: "Yeah, Charlie?"

Charlie: "Holding hands like this is really really nice, as usual, especially after a desperate fight for our lives, so this isn't a complaint or anything-"

Charie: "-but I think your hand... is leaking??"

Vaggie: "That's blood, sweetie."

Niffty: "I like blood!"

Charlie: "That's a LOT of blood?"

Vaggie: "Yeah. It happens when someone impales your hand to the floor with your own spear, and you want the spear back."

Angel Dust: "Only you, Vaggironi."

Charlie: "YOU'RE HOLDING MY HAND WITH THE HAND THAT GOT IMPALED!?"

Vaggie: "It still works. See?"

Charlie: "GaH- don't SQUEEZE IT!!!"

Niffty: (gigling) "Eww~"

Cherri Bomb: "Wow, someone put this girl in a slasher film."

Husk: "Fuck! It fucking squirted all over my fur!"

Angel Dust: "Ooh-"

Husk: "Not one. Shitty. Word."

Charlie: "SHIT!"

Husk: "That one doesn't count."

Charlie: "Fuck, shit- why is it still bleeding? The battle was hours ago! Shouldn't it be closed up by now!?"

Vaggie: "It might not ever, really. Heavenly steel and whatever."

Niffty: (peering through hole in vaggie's hand) "Oooooh~"

Charlie: "But it has to heal! It's- Niffty stop that- it's your HAND!"

Vaggie: "It's still attached so no big deal."

Charlie: "No big- Vaggie, there's a HOLE in you that I could stick my FINGER in!"

Angel Dust: "Just one? Wow, tight fit."

Vaggie: "Could've been worse."

Charlie: "WORSE-!?"

Cherri Bomb: "Angie, if they hear you and you get yourself killed on top of Pentious today, I'm gonna ugly cry and smear my running makeup and snot all over your stupid corpse."

Charlie: "- and you didn't even TELL ME I was putting a death grip on an open wound!"

Angel Dust: "That's so rude."

Vaggie: "The pressure was helping slow the bleeding anyway."

Husk: "Fucks of a feather fuck up together."

Charlie: "BUT IT ALSO HURTS DOSN'T IT?!??"

Angel Dust: "Aww Husky, would ya cry over me too-?"

Vaggie: "It's fine."

Husk: "Fuck you."

Charlie: "This is NOT fine!!"

Vaggie: (smiling at gf) "It doesn't hurt that much, babe, but I can wrap it up if you want."

Charlie: "No, I'll do it."

Charlie: (sighs)

Charlie: "...not like it's the first time I've gotten here too late, and only been able to bandage you up AFTER she's already hurt you..."

Vaggie: "Charlie..."

Charlie: "Nope! No angst right now- bandaging! I'll be gentle, okay?"

Angel Dust: "That's what she s-"

Angel Dust: "-OW CHERRI watch it with the elbows will ya!? That rib's BROKEN!"

Husk: "So's your fucking brain, dumbass."

Cherri Bomb: "He doesn't have one."

Charlie: "Well does anyone have a NON-BLOODSTAINED bit of cloth I can use for-?"

Niffty: (soaked in blood) "No~"

Charlie: "-AGUH NIFFTY! Stop looking through her hole like that!"

Angel Dust: "...."

Cherri Dust: "For the love of yourself, don't."

Angel Dust: "......I've got nothin'."

Husk: "Thank FUCK."

Vaggie: "Hey look, when I flex my hand the stab wound blinks."

Angel Dust: "Wait actually I'm gonna throw up."

Cherri Bomb: "An open bodily hole you DON'T like? Today really is just full of miracles..."

Vaggie: "I can make it talk." (holds up hand to gf) "Hi sweetie."

Charlie: "...."

Vaggie: ".... Sorry. I think I've lost a lot of blood."

Charlie: "Then let me blindfold and or gag your stab wound, before someone faints-"

Angel Dust: (THUD)

Charlie: "-just like that, great."

Cherri Bomb: "HA, oh that's priceless! Another fallen angel!"

Husk: "Why didn't you fucking catch him."

Cherri Bomb: "What am I, his boyfriend? You catch him!"

Husk: "I'm not that loser's boyfriend!"

Charlie: "Yet."

Husk: "THE FUCK YOU SAY??"

Vaggie: "Wait guys, pause the ship war-"

Husk: "FUCK YOU AND YOUR GIRLFRIEND'S SHITTY SHIPPING!"

Vaggie: "GUYS."

Vaggie: "Where's Niffty?"

Everyone: "........."

Everyone: (looks down at angel dust's unconscious body)

Niffty: (Squished) (one arm sticking out) (thumbs up)

[alexandraisyes]

500 FOLLOWERS

Wow. 500 of you. That number feels surreal, especially after everything these past few months. (Don't scroll away there's a surprise at the bottom of the post.)

In July, I faced harassment over a rumor about being hired as a TSAMS writer. In August and September, it escalated—stalking, harassment, and widespread slander over SolarNexus, a ship I don’t even ship. October brought betrayal as someone I trusted turned out to be a predator, slandering our friend group, faking their death, and running away upon confrontation. Last month, I had to take a stand against someone sharing NSFW with minors, leading to more slander and harassment.

Now it’s December, and honestly, fandom discourse feels inevitable. But you know what? I don’t care.

This community has been so supportive to me throughout this. I have grown close with friends, made new ones, and gained so many supporters and I don't know how to say thank you enough. I've reached so many of my goals for this year, and there's always going to be more work to do.

I'm starting a new fic. I'm updating my old ones. I'm making art for a voice actor. I'm a mod in the community server. And I'm finally working on a project again that I started in August.

I’ve been really hesitant to show this project off on main, beyond reblogging things here and there. I won’t reveal which character I specifically play—though it probably wouldn’t be hard to guess.

This project started as a way to support the mod who plays Lunar, who was receiving harassment simply for enforcing their boundaries. Yes, you read that right—they were harassed because they didn’t want to post negative confessions. When we saw that happening, my friends and I got together, and I said, “Haha, wouldn’t it be so cool if we just made a bunch of confession blogs to dunk on the haters and roleplay and shit?”

Within 24 hours, two new blogs popped up. One hasn’t done anything to hurt me, so I won’t name them, but we all know who they are. The second? Biased-tsams-confessions—a blog that was one of the leading forces behind the harassment I faced in August. They would flip their lid if they knew I was the leading force behind TSBS CVAU and remain its head administrator and manager. Honestly? That makes me even prouder of this project.

Of course, I couldn’t do this alone. A huge thank you to my partner in crime, @lyrical-hue, who has been my rock throughout this journey. They’ve helped smooth out the bumps along the way, making sure I don’t handle everything solo.

I’m so excited to finally share this project with my fanbase publicly. We’re expanding our world and currently looking for new members to join the group! If you’re interested, you can apply here:

Okay so now the real question. How am I celebrating this milestone? The past two times I made a post like this I did a raffle (one of which I'm still finishing the artwork for). This time I'd like to do something different.

I want to make some free emotes for the community. My community. To give back some of the support I've been given.

To be applicable for this, reblog this post with references of your character designs, AU designs, OCs, or sonas. As many as you want. They can be your own characters, or personal designs for preexisting characters. Or even just. Characters. I will literally just take canon designs of characters too. I'll even take requests for my own designs. As you can see there are a LOT of emotes there, so I need a LOT of characters from the community.

RULES:

Characters must be submitted through REBLOGS

You do not get to choose which emote is made, I do, I'm doing this for free after all

You HAVE to be following me, this is an event to celebrate my followers after all.

And uh, yeah that's kinda it. If you want to join the discord you can join here:

[thevenerated]

Cantata

Synopsis: Under the artificial light of the lounge's extended screens, you and Jimmy talk about everything and nothing. (TW: mentions of war and not super descriptive retellings of what that entails. Idk. Minor friendly once more. Unedited.)

Word count: 0.6k

Notes: I feel meh about this. Jus a lil idea I've been toying with and wanted to idle away at while I work on a devious, gut wrenching curly fic 🤭

“Thank you for your service.” Extended to you was a cigarette. A safety hazard on the Tulpar.

You accepted it, waiting as the cigarette was soon lit. “Daisuke promised to keep his mouth shut.”

Jimmy sat beside you on the couch. The others were sleeping, though considering he was here, it was likely Curly’s turn for the night to man the ship. He snorted, his voice maintaining that lazy timbre. “I overheard him telling Swansea. Though, I can't help but wonder why a hotshot like you is working the Express. Can't imagine working security pays any more than the rest of us.”

“It really doesn't.” Taking a puff, your back melts into the couch. You'd been on your feet for every system hour. The pocket of space the Tulpar was currently navigating in was often fettered with intergalactic pirates, or life forms with dubious intent. That meant you couldn't afford much sleep, if at all. Shitty in-ship coffee, slower blinks, and the occasional restroom break was the most you can afford to take.

The exhaustion made your head feel strange.

“Can I ask about your service, or are you gonna have some sorta PTSD episode?”

“I don't really care.”

Jimmy smirks, taking his time to light his own cigarette. "Well, I’m curious. What’s it like being the face of humanity's most violent year? Bet that was a real ego boost."

You exhaled a plume of smoke, the burn in your lungs grounding you in a way nothing else did these days. "I wasn’t the face of anything. Just someone who happened to live long enough to see how far it got."

"Modest." He scoffed, but there was a flicker of something else in his expression. A faint, fleeting recognition. Maybe respect. Maybe something darker. "But you didn’t answer the question."

“I didn’t feel much. Back then." You paused, staring at the faint glow of your cigarette’s ember. It felt precious. One of the few things that wasn't code, pixels, or a mechanism in the ship. "So I guess I looked for reasons to feel something. Spark something inside me.” You smile wryly. Several memories flutter in your mind's eye, all of them hot to the touch. “A lot of people died because of that. But it got the job done. Who cares, when names become data to tally into a chart.”

“Damn.” Jimmy tilted his head, exhaling smoke through his nose. "So you weren’t the hero they made you out to be."

"No. I wasn’t." Your voice was steady, detached. Exhaustion had eroded any shame you might have felt. Or maybe that shame had died, alongside many other muted concepts that hung to your lungs. "What about you? You're not exactly bright and peachy. Your eyes are cold, you know.”

Jimmy gave a dry laugh, leaning back and draping an arm over the couch. "That's a romantic way to put it. But my shit is boring. Standard spiral. Got into stuff I shouldn’t have. Burned a lot of bridges. Stared at the ceiling a lot."

There was a long pause as he took a drag, the soft hiss of the ship’s ventilation system the only sound. "Then I ended up here. I want to make it worthwhile. It's routine, you know? And no one is here to stare."

"Yeah," you murmured, staring into the dim glow of the ship's console across the room. "No one’s looking out here."

The shared silence wasn’t exactly comforting, but it wasn’t uncomfortable, either. Two people sitting in the wreckage of their lives, neither offering to clean it up. Maybe that was why it felt easy to be honest. Neither of you expected anything from the other.

Jimmy broke the quiet first, tapping ash onto the floor. "So, you ever feel anything now? Or was the slaughter pointless?”

You glanced at him, your expression unreadable. "Depends. You?"

He shrugged, the lazy smirk returning to his lips. "I feel hungover most days. That count?"

"Not really." You flicked the cigarette, watching the ash crumble into oblivion. "But it’s a start."

[ghost-in-the-hall]

Fall For Me (Poly! Sleep Token x Fem! Reader) - Part IV

Happy Halloween everyone!! I'm so happy I get to share this all with you today, I was really hoping to get out an update for Halloween 😂😂 I hope you all enjoy, I love reading everyone's comments, thank you so much!! If you would like to be added to the tag list please let me know!!

WARNINGS: None, a fluffy evening with III

Thank you as always to @spookyghostjelly for beta reading, you're amazing and I love you so much ❤️❤️❤️

Part III - Part V

My Masterlist! ~ AO3 Link!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

You stuck close to II's side as you made your way up to the front of the store. Who you assumed was IV peeked out behind III's shoulder, the taller man ushering him to the front. "He's very excited to meet you, he's just a bit nervous." II chuckles. "He has a tendency to get a bit worked up but I promise he's very nice." You step closer to him, a shy smile on your face. He bends down slightly, bringing his face a lot closer to yours as you lock eyes. His gaze was a lot softer than the others but still gave you that same warm feeling in your chest as he studied you.

"It's nice to finally meet you." He smiles, a cheerful tone in his voice. "You guys were right, she is really pretty." What followed IV's statement was a mix of throats being cleared, eyes being averted, and Vessel quickly trying to change the subject.

"I see the two of you got a lot done already, what else do you need help with?" You giggle at their flustered states.

"It's nice to meet you too, IV. Everything just needs to be put away, III's been a very big help." He straightens up proudly at your compliment. You sat on the counter, the four of them rotating to keep you company while the others worked.

"I told you, you just take it easy tonight. We'll handle it." Vessel chuckles as you complain for what must have been the millionth time about how you should be helping.

"Well if you all insist on doing this at least let me cook you dinner." You counter.

"Maybe I'll take you up on that." He smirks slightly before going to help the others. Noticing you were alone prompted IV to jog over.

"Do you mind if I sit with you?" He asks sweetly. You move over, patting the spot next to you. He hops up with ease, even sitting down he still towered over you. "Your store's very organized." He comments, looking out to the other three as they worked, his heels bumping off the counter as he swung his feet slightly.

"Thank you, I try to run a neat ship." You giggle.

"I'm sorry if calling you pretty earlier made you uncomfortable." He shoots you an apologetic and almost bashful expression.

"It's okay." You smile, nudging his shoulder slightly. "I'm happy you finally came by, now I've officially met the whole crew." You joke causing IV to laugh. The four of them finished up quickly, before you knew it you found yourself smiling at the whirlwind of energy that filled your apartment.

"You need any help?" III asks as he leans against the counter.

"You've done more than enough, just relax." The two of you exchange a soft smile. "Also, thank you for fixing me up earlier." You return your focus to what you were cooking, hoping III wouldn't notice your slightly flustered appearance.

"No problem. How's the hand?" He asks as he holds out his own, wanting to examine it himself.

"Barely even feel it." Your breath freezes in your lungs as his fingers ghost over your skin. You glance up at him through your lashes. His blue eyes focused intently on the bandage he was readjusting. His gaze slowly trails up your arm to your face, your heart beginning to hammer in your chest.

"You have something just," he points to the spot on his own face. You attempt to wipe it away a couple times before he chuckles. "Would it be alright if I got it?" You nod. III's warm hand cupped your cheek, his thumb slowly dragged across your skin. "There… beautiful." You couldn't help but blush, your expression causing III to breathe out a laugh as his eyes crinkle in a smile. You jumped slightly as the timer on the stove went off. III reluctantly pulled his hand away, you trailed after his touch, already missing the warmth he provided. "I'll let them know the food's done." He says before disappearing into the other room. It was nice having company for once. Instead of you having dinner alone, your dining room was filled with excited conversations and loud laughter. As you cleaned up that night you almost didn't want them to leave.

"Thank you for having all of us for dinner, that was very sweet of you." Vessel says kindly.

"It's the least I could do after all the work you guys did today." You smile.

"We're happy to help. You've been nothing but kind since I met you. If there's anyone we'd want to help, it would be you." 

"This apartment hasn't been this lively in a long time," you muse with a hum. "It was a really nice change." 

"Well… I have a feeling that this," he vaguely motions to your apartment. "Is going to be happening a lot more often." He laughs as he starts to head out of the kitchen. 

"Vessel?" He pauses. "Did you ever figure out why you think we were fated to meet each other?"

He shakes his head with a small smirk, "no, but I'm starting to get a pretty good idea." You trailed behind him as he re-enters your living room, the hushed whispers of the other three coming to a halt immediately. Vessel eyes them all with a knowing expression. "Alright, we should probably get out of your way. (Y/N), I will see you tomorrow." He bows his head slightly as he heads for the door. II and IV both say their goodbyes and follow him outside, leaving you alone with III.

"I'll be right down." He calls after them. III towered over you in the doorway, looking down at you with intoxicatingly beautiful blue eyes. He leans down to bring him almost face level with you, his forearm resting against the wall as he leaned in close. "Can I take you somewhere tomorrow night? Just you and me?" Despite how confident he was coming off you could hear the slight nervous tremor in his voice.

"What did you have in mind?" Excitement radiates off of him at your response.

"There's a drive-in I saw the other night, it looks like they have some sort of monster movie marathon tomorrow night… I think we'd have fun." You hear II call for him from outside.

“I’d love to go.” His hand slips into yours, tugging you the slightest bit closer. His thumb ran over your knuckles as his gaze trapped you in place.

“Goodnight, doll.” He smiles before suddenly pulling away. “Quit your yelling, I’m coming!” He calls down the stairs to an annoyed II. You couldn’t wipe the stupid smile off your face as you watched them drive away. You grew nervous as the end of your shift ticked closer. Vessel and III slipped into the store right before closing as usual, III giving you a casual wink but not saying a single word. As they both stood at the counter his eyes kept meeting yours, a flustered smile finding its way to your face. The bell rings as Vessel exits the store, III quickly leaning in to whisper something to you. “I’ll be back in about an hour.” He says with a smile before hurrying out after Vessel. You wrapped your jacket tightly around you as you stood outside in the brisk night air. His truck rumbled up in front of you, he immediately jumped out to greet you.

“Hey III.” He sweeps you into a tight hug.

“You ready?” He asks excitedly. You nod in response, he takes your hand as he opens the passenger door of the truck for you, helping you inside. The worn leather seat shook in time with the truck's engine, the cab lit up in a soft yellow glow from the radio. III slid into the driver's seat, his eyes flashing to you as a soft smile lit up his features. He noticed you rubbing your arms, still looking perfectly content despite the weather.

“I brought a blanket in case you get cold, the heat in the truck doesn’t work that well, but I promise I’ll keep you warm.” He chuckles, your cheeks immediately growing warm at the statement. He fiddled with the temperature in the truck for a moment, nothing really changing before he gave up. He groans in annoyance, pausing to think of a solution. He looks over at you, eyes trailing over your much smaller form. He holds one side of his jacket open, beckoning you closer with his free hand. You slid closer to him, his arm wrapping around your shoulders as he pulled you into his warmth. "There, how's that?"

"This is fine." You stutter out, trying your best to hide your flustered state. You found yourself relaxing into him, his thumb rubbing your shoulder languidly, both of your eyes trained on the road ahead of you as you wound through the collage of vibrantly colored leaves. "Thank you for asking me to come with you." You suddenly pipe up. 

"Thank you for coming with me." He responds softly. "I was honestly a bit worried to ask you."

"What? Why?" You ask in a tone of disbelief, a small laugh lacing its way into your words as you slowly start to relax.

"Some random man in a mask comes up and asks you to spend time alone with him-"

"Well you're not some random man in a mask, III." You cut him off, both of you sharing a laugh. You lean your head on his shoulder, "besides, I enjoy your company… it's just nice to have someone that I want to spend time with, I guess." You glance up at him with a coy smile.

"Well if it's any consolation, I think you're pretty great and I want to spend time with you too." You giggle as you feel him nudge your side. You pulled into the drive-in, the teenager in charge of admission was too interested in their cellphone to pay much mind to the man in the mask before them.

"You're all set, man." They wave the two of you through as they take the cash, not bothering to look up from the screen. You pulled in to find the lot nearly empty, a few cars sporadically parked as far away from each other as possible.

"Lucky us, we get a private showing." You say in a giddy tone.

"I'm sorry I can't go get you popcorn, Vessel already didn't want me coming to somewhere so public as it is." You were about to assure him that it was fine, if anything you could always run over to the concession stand to get the snacks, but III never gave you the chance. "Excuse me, doll." He leans over your lap to retrieve something from the floor, his face hovering centimeters from yours, you pressed yourself back into the seat. You weren't uncomfortable being this close to him, but the warmth from his body, the smell of his cologne, you were having trouble thinking. He grabs a backpack from the floor of the truck, setting it in his lap before pulling out various snacks you had witnessed him purchase earlier in the day from your store. You can't help but smile as he lines up each kind on the dashboard. "I wasn't sure what kind of candy you liked so I grabbed a few different ones."

"You're so sweet, thank you." Your eyes meet his, making you feel like all the air has been sucked from your lungs.

"I just wanted to make sure you had a good time." He explains softly. He reaches out, carefully taking your hand in his. 

"How could I not? I'm here with you." The night was perfectly still around you. The faint crackling of the truck's old radio and the slight chill from its sputtering heater were lost to you at the moment. The only thing that mattered in your mind was III; how warm his hand felt wrapped around yours, how your heart fluttered in your chest as his attention dropped to your lips. His head dipped slightly, his warm breath pushing through the mask to fan over your skin, his fingers nervously fidgeting with the edge of the black fabric. You squeezed his hand, letting him know that, whatever was about to happen here, you welcomed it. He hooked a finger into his mask, beginning to pull it away from his face when the speakers suddenly blared to life, startling you apart. Your hand pulled away from his, folding then neatly in your lap as both of you stared straight ahead at the screen. "I'm sorry-"

"No, I'm sorry. I didn't mean to make things weird-"

"You didn't." Both of you fell silent at your reassurance.

"Can I still hold you? It's nice having you close." He admits bashfully. You nod, leaning into his side. He rests his cheek on the top of your head, his arm sliding back around your shoulders. The two of you sat completely engrossed through every movie; holding his hand in yours as the intense music swelled, giggling at the cheesy yet adorable special effects of 1930's cinema, the evening culminating with you struggling to stay awake as you cuddled into III's chest on the ride home. You sat up and stretched with a groan as you pulled around the back of the store. III's gaze darted anywhere besides you as he fidgeted with his seatbelt. "I had a really nice night with you." He smiles.

"I did too." Your hand slips into his, giving it a gentle squeeze. "Maybe, next time, I can plan something." His eyes finally meet yours.

"Next time?" You could hear the excitement laced in his tone. "Yeah, that sounds great." The two of you sat there for a little while longer, neither of you knowing what to say, his thumb rubbing gently over your knuckles.

"I should probably head in." You say reluctantly. "Goodnight, III."

"Goodnight, (Y/N)." He responds. As you go to get out he gives your hand one final squeeze, bringing your attention back to him. "Wait, can you… this is going to sound really strange, but can you close your eyes?" You nod, keeping your hand in his as you allow your eyes to slide shut. You heard the soft shuffling of fabric before a warm pair of lips pressed themselves to your cheek. The kiss was very brief, you barely had time to process what had happened before it was over. But, it still managed to leave you feeling so warm. A flustered giggle fell from your lips as you finally registered the kiss, squeezing III's hand. "You can open them." You turn to find him smiling under his mask, memorizing the adorable expression on your face. "Goodnight."

"Goodnight." You let your eyes wander over his face one last time before getting out of the truck. You jogged up the stairs, fighting with your keys for a moment before managing to unlock the door. You wave down to him as he pulls away. You lean against the door with a sigh as it shuts behind you, absolutely giddy over the fact you could still feel III's lips lingering in your skin. Thinking of the night with him your mind wandered back to the time you had spent with II, the soft glances and hushed conversations that caused your heart to thrum with anticipation. How you currently found a spark between you and both of these men. Groaning, you card your hands through your hair as you shuffle deeper into your apartment. There was nothing you could do but wait to see what tomorrow would bring.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Tag List: @spookyghostjelly @herripinkle @thepoisonedchalice @saturnhas82moons @wingsofeternitysstuff @creamwhxre @itsyagirl-snowflake @themultiverseofmars @bookishpenguino @m0cha-bunny @coreofpleasure @madsthenightowl @dangerkitten1705 @rainy-darling @shad0wcast @amara-among-the-stars @venuswinnyix @dontpercieve-me-pls @mustluvecho @the-hole-in-terzos-shoe @jumpcauseimfroggy (I think that's everyone, if I missed you, you'd like to be added, or you're one of the few who's @'s didn't work {I can't figure out why that happened} please let me know!)