#I'm accepting my own idea as canon

[ochibrochi]

spontaneous magic manifestation was NOT mentioned in the parenting handbook 😬

I know this isn’t how magic in dc works, but the fact that Damian’s ancestry includes some pretty powerful magic users is… INTERESTING 🤔? Drabble under the cut!

I wanna preface that I'M NOT SAYIN' that Damian should/does have magic powers, but there’s still so much unexplored potential with Damian's character, and the thought that he has a dormant adeptness in magic is somewhat compelling to me. Most importantly it would FREAK! BRUCE! OUT!!!!! What is this, magic puberty 😭??

By DC laws, anyone has the ability to learn magic, but it is also possible to be an innate ability. The Al Ghuls are no strangers to the occult-- Ra's has had increasingly been portrayed as a magic user, and the recent establishment of his mother being a sorceress/witch?? Even Talia dabbled in a bit of magic, I think. There is a catch that their power is suggested to be due to Lazarus exposure, but for arguments sake let's say the Al Ghul lineage is inherently proficient in magic (and Lazarus exposure simply enhances it).

I can't recall "magic" being a part of Damian's training/upbringing (I'm still slowly catching-up on Damian comics so apologies if I miss any canon examples of magic use). Not sure why Talia wouldn't want her little "heir to an ancient assassin empire baby" to learn magic, but it would at least give reason to Damian not knowing about his magic potential, or lack of interest in it.

Through the power of pseudo storytelling, what if Damian's encounter with Mother Soul could have triggered a manifestation of magic that was once dormant; like a pressure cooker waiting to explode with energy when it hasn't been given a safe outlet.

I've yet to read a satisfying arc where Damian truly gets to contemplate his Al Ghul roots outside of "dad is good guy, mum is bad guy". Damian's initial character growth stems from him running away from, and renouncing his association with the League (i.e. "I'm nothing like you, mother and grandfather!").

The most recent thing I've read was Robin (2021), and whilst Damian is much more cordial with his mother, there's still an emotional distance and sense of distrust/resentment (for good reason, even if the context was some cartoonishly evil writing). But there is a silver-lining that they still appear to be fond of each other, in a melancholy kind of way.

Realizing he's "genetically" primed for magic would be especially confronting to Damian. There's no denying his Al Ghul blood, forcing him to confront a facet of himself he can no longer ignore or reject. A family that he likely has to approach for help/guidance.

Damian is put in a position of acknowledging this power could be used for good, to be stronger, to fight crime, balancing it with the implication that what he possesses could be rooted in dark magic (Lazarus enchantment).

If he decides to embrace it, would that be too much of an endorsement of the Al Ghul's dark occultism? Can he separate the two ideas? What if he can't control it? What if he accidentally hurts someone? What if has the ability to save someone where his other skills fall short?

Ideally, I'd love for this hypothetical story to lead into Damian exploring his Al Ghul heritage more intimately, historically, and spiritually (à la RSoB: Year of Redemption adventures). Another little coming-of-age self discovery journey.

I have my own little personal thoughts on what Damian decides to do with his magic powers, but I'd like to leave that open to interpretation... By the end of it I hope that he will at least find some forgiveness over resentment, and a balance between accepting that side of his family a little easier. It is finally a sense of inner peace :)

Any thoughts? Did I get any characterisation wrong? Let's talk over on my DC blog @arkhamochi! I'm currently trying to read all Damian-centric comics until I catch up with the current run. I'm hungry for discussion and analysis!!!!!!

[forsworned]

part one

cw: onlyfans!simon, canon universe, cybersex, solo sex/masturbation, being simon's good girl while he has some downtime, parasocial relationship???

author's note: and let me say this once to be clear, if you don't know how to ask for a part two properly without giving some sort of positive feedback and instead demand it from me you will get a verbal spanking from me and i will embarrass you, i do not care

Your breath catches as you gawk at your phone, rereading the message. The sensation of anxiety pricks at you causing you to perspire under your pits and the temple of your forehead.

The thought of him—TacticalHeat—or Ghost or whatever the hell his name is waiting on the other side, possibly stroking himself at the notion of you joining him on a private call sends a rush of arousal up your spine.

Ping!

TacticalHeat: You still there, lovie?

Oh, fuck. You card your fingers through your hair and let out a heavy exhale. It's awful timing really. Like getting caught with your pants down...literally.

Fingers sticky with lube and your own arousal, you stretch your limbs to open the drawer of your nightstand and pull out a wet wipe to clean off your hands and get a gander at the state of your appearance. It's slightly disheveled, but honestly? In a super sexy bedhead kind of way.

You wipe the corners of your eyes to remove the accumulated smudged mascara from your gruesome work day and let a sharp expire through your nose. Well, if you were going to do this, you'd at least look hot doing it.

You: Yeah, I'm here.

TacticalHeat: So what do you think, lovie...you up for it?

"Fuck!" You exclaim to yourself, not realizing that your dumbass forgot to reply to his original message. Your thumbs hover over the keyboard for a moment, tracing circles in the air as you try to unscramble your mind.

You: Now works...what do you have in mind?

The three dots appear almost instantly like he's waiting for your response with the same fiery intensity that has you gripping at your phone.

TacticalHeat: I'll send you a link. I wanna see you, too.

Ghost has invited you to a Zoom meeting.

Your heart pounds rapidly against your ribcage, and you feel the heat sidling to your cheeks. You hadn't expected this to escalate so quickly, to be pushed into the spotlight. And yet, the idea of him watching you is thrilling.

With trembling fingers, you adjust the lighting in your room and the camera on your phone to ensure you're getting the best quality. One last look in the mirror to smooth out your hair, and make sure your top reveals a little cleavage before you tap on the link, muddying your phone screen with oils on your finger.

Twiddling with the tripod that sits by the edge of your bed as the link loads, you clip on your phone and sit back while you wait to get accepted. He wastes no time getting you out of the waiting room and you watch as the screen shifts, and suddenly, there he is. Simon's half-lidded gaze fixates on you, his familiar skull-mask in place, but this time it's different. He's relaxed, clad in a black loose-fitted henley that outlines his taut physique, and he's manspreading in light-wash denim jeans, hands exposed and you're already aching at the sight. It's an intimate setting and the atmosphere shifts when he gets a real gander at you. His gravelly voice sends a frisson up your spine:

"There's my good girl," he purrs, and just like that you're hooked.

There's a moment where your heart drops to your ass, and you let out a little shaky breath before giving him a shy smile. His gaze doesn't waver. It's intense and focused as he drinks in every detail of your appearance. You're half wondering what he thinks of you and half focused on the hoarseness in his voice when he calls you 'good girl'. How the blood rushes to your face and your trepidation tingles on your skin.

"Hi," You finally muster up and you swear his dark eyes light up, or maybe it's the delusion that spikes into your prefrontal cortex. "I'm a bit, um, surprised that you wanted to chat like this."

His mask warps in the corner of where you assume his lips are indicating a smirk. "I like a bit of spontaneity," he says, leaning closer to the camera. "Besides I wanted to see how you would handle this."

You avert your gaze for a moment, feeling hot all over again. He notes how you suck in your bottom and how your dilated eyes flicker all over the screen, a subtle sign that your adrenaline is pumping. He wishes he could hear your heart beating through the screen.

Your fingers delicately trace over your collarbone, "what do you wanna see?" your voice drops to a sultry whisper.

His eyes darken and he takes a slow breath as fixates on you, taking in all your subtle gestures and the silkiness in your dulcet tone.

"Show me how you've missed me," he rasps. "show me what you've been doing while you've waited for me."

Christ, you want to melt into your mattress. You knew it was a playful gesture to create a more intimate atmosphere between you two, even if it wasn't true.

The challenge in his tone exhilarates you with a hint of collywobbles that infest your tummy. With a quick glance at your full-size mirror mounted on your closet door, you begin to tug at the strap of your skimpy top, teasingly revealing enough of your skin to keep him riveted.

And it works.

As you continue, you can hear the jingling of his belt being unbuckled and the sound of his zipper going down.

Your blown eyes are entranced by how he frees himself from the waistband of his briefs and you’re driveling over how the muscles under the porcelain skin of his cock twitches. He tilts his head back, transfixed on how you’re exposing your pebbled bud to him.

“Bloody hell,” he murmurs, swallowing thickly as you squeeze your breasts between your fingers. “Every inch of you looks perfect, lovie.”

You practically fawn over his compliments. He’s praising you, watching you, getting off to you. And that feeling is like nothing you’ve ever experienced. You feel liberated and exposed, knowing that he’s eagerly watching you as the lines blur. This feeling consumes you, consumes him, and soon you’re stripping off your panties and he doesn’t even bother to hide the groan that escapes his lips. 

“Look at you, absolutely stunning. Every bit of you…” His tone changes when you part your silken, glistening folds. “Touch yourself for me, lovie.”

It’s a demanding tone. One that sends a frisson up your spinal column and you feel the need to please, but there’s another side of you that awakens. The kind that crawls out when you’re being railroaded by a domineering man. 

“Say please,” You wave your wand around. 

He softly snorts at your attempt at trying to tame him, but he humors you, “Please, lovie. I crave ya.”

And that’s enough to inflate your ego. Your fingers switch on the vibrator and you tease it over your clit, bucking your hips at your sensitive clit. 

There’s a twitch in his eyes when they widen. Like the light in his head switched on. “So you’ve been playing with yourself, have you, pretty girl?” he coos, sitting up a bit more. Oh, you’ve really got his attention now. 

Your heart flutters at the same rate that your pussy does when you realize he takes note of your current over aroused state. “Maybe,” you give him a coquettish grin. 

As you take the initiative and push the boundaries with him, a rumbling growl emits from him. His gaze intensifies as they lock on yours with a mixture of surprise and approval. He loves a good brat.

“Is that so?” he susurrates, his tone oozes with amusement. He likes the way your pretty face glimmers with the excitement to satisfy him. “You wanna take control now, do you?”

He shifts in his seat. “Go on then, lovie.” he gestures to you, and oh how his dick creams at the sight of you shaking your legs on for, gasping at the vibrating sensation of your toy caressing your cunt. You’re really such a site for sore eyes.

“Such a pretty pussy,”he praises with a husky voice that makes your heart race. The saccharine moans that leave your lips as you spasms against the silicone while you instruct him to tug at himself. 

He obliges because how can he not when you’re looking so fucking luscious on the other side of the camera as you winsomely order him to smear the opulent precum that oozes from his angry, swollen tip. A little sob leaves your lips when you see how compliant he is, and how his chest shudders at your words and creamy cries of delight. 

“Just like that,” he encourages, pumping at himself and in an instant the tables turn, and you’re more than willing to let him take control. He pants at the sight of your parted, saliva-lacquered lips and lolled back eyes. “No one else gets to see you like this. Only me.”

And that sentence alone leaves you breathless. “Oh, you like that?” He chuckles, through his own labored breaths. The raw emotions in his voice makes it clear how much he’s affected by you, “God, you’re everything I want and more.”

And that does it for you because your orgasm rips through you like a hurricane and you feel your spine involuntarily arch in pleasure, peaked breasts splayed out as your pussy rapidly pulsates on full display for him. They bounce at your ragged breaths and throes of passion and he’s quick to follow, elongating the pleasure of your peak. His velvety, opulent cum spurts out in plentiful, white cords as he bucks his hips and throws his head back. His guttural moans are like music to your ears and you’re quaking at the pure rapture. 

There’s a long moment of silence as you both come down from your highs. A laugh leaves your lips, and a wry grin twitches at his features under his balaclava. You’re no longer dripping nerves. Your smile lights up the room, and his heart swells at the sight of your afterglow. Your confidence shines through and he’s still hard. Not a very common occurrence in the world of Ghost.

Your eyes flicker to his girthy cock and your grin spreads. His eyes follow yours and he chuckles and gently pumps himself, “not every day that happens.”

You cock a brow. “What the inviting me for a cybersex sesh, or the staying hard after cumming part?”

He barks out a hearty laugh, “Both I s’ppose.” he softly plashes. “Really got me goin’ there, lovie.”

And the nickname brings you back to life. Maybe you really were delirious because you can sense that his eyes display a different range of lingering emotions--persisting lust and a genuine admiration. You can’t help but to feel a little victorious as you watch him continue to stroke himself, even after the both of you reached your peak.

“Not everyday I meet someone who can keep up with me,” he rasps. He lets out a breath of satisfaction.

You tilt your head, a coy smile etches into your lips. “Guess I’m just full of surprises,” you reply softly. There’s that sensual confidence seeping into your tone and it shows on your body.

He chuckles. It’s low and alluring and it causes gooseberries to trail up your skin. “That you are, lovie,” he counters, fiddling with the hem of his shirt. His voice makes you feel warm and gooey. “Could get used to this…to you.”

The implication hangs heavy in the air making his interest in you clear and undeniable. Your heart skips a beat as the heat between you simmers again. It’s no longer the deviancy alone that tips him off, it’s the fact that he’s brought out a different side of you.  

“Maybe next time,” your voice is low and tempting as your eyes motion to his still-engorged length. “you’ll let me show you how much more I can handle.”

His smirk widens under his mask, and his hunger for you multiplies. “Count on it.” he replies with the promise of fulfilling that request.

You both share a yearning moment. The spark between you is electrifying and certainly obvious. You decide to make the first move as you sit up to hover your sticky thumb over the end call button, “Good night, Ghost.”

He chews at the end of his cheek and his eyes crinkle signaling that he was smiling wide. “Good night, lovie.”

There’s no doubt in your mind that this won’t be the last time you’ll see each other like this.

taglist: @fallen-angelslove @cinnabeanz @pricesugarwife @daikongirlie @firesgod @marierg

@multifand0midi07 @surenotsorry @forgottensomewhere @teenagellamaangel @nijiru @deliverancesix

@milk-man3000 @russellsimp @madzzz0797 @kittykatgorl @nerd-without-a-cause @mikasakuchiki @haleyaaah

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@ki-ssshot @essentialbeats-blog @dmitriene

[ms-dead-inside]

Okay, but hear me out:

Murder baby Damian, but for whatever reason, his first attempt at Tim's life is put on pause, so they never have that interaction. Instead, before Damian can come up with a new plan, Tim (who's kinda excited he now isn't the baby of the family) offers to train him in detective work for when Damian finally gets the mantle of 'Robin' as a way to bond with him.

"Why train your enemy, Drake?"

"We're brothers, not enemies. Besides, Robin has always been a mantle to pass down. I'm certainly not going to keep it in my twenties or thirties. And other than Bruce, I'm the best detective in the family."

"Very well, Drake, I shall accept your tutelage for the time being."

Damian accepts, of course. Not only can he study Drake for his weaknesses, he will also improve his own skill set. It's worth the wait for Robin. By the time Damian's done, there will be no doubt that he is the superior bat.

Unfortunately, he actually grows fond of Timothy. While he will inevitably get close with Richard, just like in canon, Timothy is a breath of fresh air for when Richard is being too overbearing, especially when it comes to things like 'socializing,' and 'making friends.'

When his father dies, and Timothy declared him actually lost to time, Richard doesn't believe him, can't believe him, because the hope is too painful. Timothy still gives Damian Robin, because, "I'm barely holding on as Batman as it is. I can't handle Robin being gone for potentially months at a time, halfway around the world."

During his partnership with Richard, truly becoming his brother-son, Richard introduces the ideas of pets to him. Damian loves animals, and having and taking care of a creature that could potentially survive on its own, but will have a much better quality of life under his care, speaks to him. He has Alfred and Titus and about half a dozen other stray animals that usually stay for about a week while he nurses them to health at any given moment, but he feels like he should officially have another pet.

Que the whole thing with his grandfather, and Timothy getting kicked out of the top of a skyscraper. He comes home with proof, and the Justice League brings his father home. And as Dick basically refuses to let anyone leave the mansion for the foreseeable future, Damian realizes several facts:

1.) Timothy is a human, and humans are animals.

2.) While Timothy has somehow survived until now, he wouldn't recognize self-care if it slapped him in the face.

3.) Timothy's quality of life will improve if someone is taking care of him because he cannot be trusted to do it for himself. (Is it a coincidence that he loses organs when he is away from the family? Damian thinks not.)

4.) Damian has gotten good at taking care of animals.

Ergo, Timothy is now Damian's pet. Tim doesn't know what to do and simply humors him. Besides, it's nice when someone actually bothers to give him a plate of foods that he likes when he gets hyper focused on work and forgets to eat. That, and while he is exasperated every time Damian tranqs him, those are still the best sleeps of his life.

Jason finds it hilarious. Damian doesn't understand Richard or his father's reactions.

"Damian, Tim can take care of himself."

"Barely. Father, now that I am in charge of his sleep schedule, there aren't as many dark circles under his eyes. Even Alfred has commented that Timothy consumes less caffeine."

"Damian, he can't be your pet."

"Why not?"

"Tim's your brother; he's family."

"So are you saying that Alfred and Titus aren't family?"

[frownyalfred]

Why is it so hard to find ppl that actually understand bruce? I am tired of either finding ppl that see him as an abuser or others that only love wfa version of him I am really tired of this like really I can't even join a Fandom without getting my favorite character not getting mischaracterized left and right 😔

I'm going to rant a little bit here, and I apologize in advance. This isn't really directed at you. But I'm kind of tired of this flavor of ask. I get it a lot -- half of these asks are praising me for having a "good" interpretation of canon, and the other half are blasting me for being too "fanon" and bending too much to fandom tropes in my posts and writing. And of course the nonstop WFA hatred in my inbox is tiring.

Be the change you want to see in the world. If you don't like what the fandom is doing to your blorbo, write him your way. But sitting at the edge of the playpen complaining about how someone else is playing with their toys isn't useful. And it's really getting annoying to me, as a content creator.

I'm also tired of the superiority some canon-adherents have over those who write/draw more fanon tropes. So many of you are SO bitter over the idea that fandom is "ruining" Bruce or your other Batfamily blorbo because how DARE they write your blorbo in that way that is so OOC. How DARE they! And yet, you sit on the sidelines and create bitchy tumblr posts about how those fandom participants are stupid, or ill-informed, or simply don't have the higher thinking ability to understand your blorbo like you do.

And yet. You don't write Bruce the way you "enjoy." You don't create content or share posts or promote those canon characteristics you so highly value. Instead, you write posts complaining about the others in this fandom and deride them for being stupid like adhering to canon strictly somehow makes you better than anyone else. You mock their acceptance of fanon tropes as canon as if there is required reading in this fandom, entirely dismissing the idea that the line between DC fanon/canon is confusing as hell on a good day, and ignoring that the natural progression of engaging in fandom is finding out -- sometimes on your own timeline -- what actually happened in canon. Especially when canon is so vast.

And guess what? At the end of the day, we are all on the fandom website(s). You're still reading fanfiction at the end of the day. Canon or fanon or some blend of the in-between, you are still a fan participating in fandom content in some way or another. And we are all equal in that respect.

We are all here to enjoy these characters. Fanfiction is a medium that allows us to further explore canon, yes, But it is also a way to explore the OOC, the what-if's, the out of character but fandom-fave ideas and tropes people want. The fact that OTHER people enjoy those things should never impact your enjoyment of fandom.

If you cannot handle someone else playing with the same toys as you, but playing with them in a way you don't like, you need to go back to preschool. And if someone won't give you your toy back, find another one. Write the story. Create the post. Build your own engagement from the ground up, finding likeminded people if you can. They are definitely on here.

But I get the impression that when people complain about fanon "ruining" fandom, what they're actually saying is "I'm upset that canon content isn't as popular as fanon content." And that, I can't help you with. We can't always change what other people love or want to engage with.

I'm sorry that this rant is blunt, but it's been simmering inside me for a while. I'm really tired of getting and deleting this ask 15 times a day. You will not find much sympathy on this blog for canon purism and the derision of fanon/fandom, and for that I apologize. But it's the truth.

I enjoy consuming content about both "fanon" and canon Bruce. I like the contrast and complexities. But I have seriously had to stop following a ton of blogs in the last year who don't create "canon" content anymore and instead spend their time complaining about other people in the fandom who are just enjoying themselves and creating their own content. It's incredibly disheartening and frustrating.

[2-eeillustration]

Doodling out some concept art for AU idea of Hazard turning into an omnic and now i'm just accepting this as my own canon lmao (esp after reading the comic and the sheer gender euphoria Hazard had for his augments there's no way he isn't trans ngl)

[sophiria]

Dulcis Amor

dad!Gojo Satoru x mom!Reader cw: 18+ themes, jjk manga spoilers, post-canon fix-it, references to babytrapping and mentions of birth control, a little bit of manipulation and deception, unmarried couple, twisted and fluffy feelings, vague mention of the reader's hair, implied that you're a little obsessed with each other words: around 900

Satoru was lounging on the Engawa, keeping a watchful gaze on your form inside the bedroom. As you slept peacefully under the blankets, your son fussed in his arms, and the hint of a smile appeared on his lips.

"Oh?" Satoru breathed out, shifting his child so he could rest better on his chest. "Is the little Gojo missing his mom?"

Your son wriggled slightly before going back to sleep. "Back to using me as a pillow, hm?" Satoru mused. "I guess your dad is okay too."

He had never thought a romantic partner was in his cards, let alone having a child. And yet…

He briefly closed his eyes, breathing in deeply. He had died. Murdered by Sukuna. And you made a Binding Vow to bring him back to life.

(Satoru had been furious with you—he had already accepted his death, and you had sacrificed something precious for him.

The Strongest had never known someone who cared for him as much as you did.)

His son stirred on his chest. Satoru looked down at your child. Fatherhood...who would have thought?

It only took one time, one burst of passion (and love, something Satoru could only acknowledge in his mind), and you were pregnant with his child, his heir.

As Satoru was lost in thought, you quietly joined him on the Engawa. Your expression softened as you gazed at your son sleeping soundly on his father's chest.

Satoru peered at you through his pitch-black glasses and motioned for you to join them. You did so and stopped beside the recliner where your lover and child rested.

You caressed your son's head before running your fingers through Satoru's hair, and he smirked softly. "You're such an affectionate mama," he teased, his voice low and hushed. "You're always spoiling us both."

You huffed before smiling, then gently picked up your son, who gripped onto your clothes with his tiny hands. He cooed, and you tickled his nose, making him laugh. Satoru's heart fluttered at the heartwarming sight, and he swallowed hard. He had to look away for a moment, taking a deep breath.

(That's his family. His beautiful little family. Something he never thought he'd have, something he never thought he'd wanted.)

You brought your little one inside, and he yawned as you placed him gently into the crib. 

Satoru followed you and wrapped his arms around your torso from behind. He nuzzled your neck, and his loose snow-white hair brushed against your skin. 

One of your hands found the nape of his neck and stroked it. He purred at your touch, relishing it. "I don't think I'm ever going to let you out of the Gojo estate."

You brushed your nose against his hair. "You won't, hm?"

Satoru lifted his head from the crook of your neck, and his sky-blue eyes found yours. "You're you and the mother of my child. Do you think I would allow any harm to come your way, especially now that you can no longer use Cursed Energy?"

You eyed him with a mixture of curiosity and apprehensiveness. "Since when are you this overprotective?"

He briefly narrowed his eyes. "Since you decided it was a good idea to sacrifice your cursed energy to bring me back."

You heaved a sigh. "Here we go again," you mumbled. "Satoru, I did it for you, I—"

"I know," he cut you off in a deep voice, raising to his full height before cupping one of your cheeks and angling your face towards his. "I know. But you shouldn't have sacrificed your cursed energy."

Your lips parted as you gazed into his eyes, though before you could reply, Satoru leaned forward and took your lips in an open-mouthed kiss. Your noses brushed against one another, and you closed your eyes. He opened his own, looking down at you through his lashes while slightly tightening his hold on your cheek and waist.

Satoru wondered if you were ever going to figure out that him getting you pregnant wasn't a mistake—that he chose to deactivate his Infinity while the two of you had sex.

(He had to do it. You sacrificed your nature as a sorcerer to bring his soul back to life, and he wanted to keep you safe and bound to him.)

You leaned back to breathe in some air and looked at him through half-lidded eyes. "I need to tell you something," you said, bringing your hand to his face to cup his cheek. "About the pregnancy."

Satoru's posture stiffened, although he managed to keep his expression nonchalant. "What about it?"

You began stroking his jawline. "Me getting pregnant...it wasn't a mistake, nor a malfunction of your cursed technique."

He desperately tried to keep a straight face. "Oh really? So you're telling me it wasn't my Infinity acting up?"

You hesitated, and your hand left his face. You then wrapped your arms around his upper body, snuggling up to him. The tension began to leave his body, and he held you to himself. "I was never on birth control," you admitted, voice muffled by his chest. His eyes widened at your words—wait, what? Did you— "I'm sorry I lied about it, Satoru."

You sniffled and held onto him in what seemed to be a silent way to beg for forgiveness. His eyes twinkled, and Gojo felt something akin to butterflies in his stomach. "Shhh, it's okay," he murmured, caressing your back in a comforting manner. "It's okay. I'm not angry." He buried his face into your hair, inhaling your scent. "I could never be angry at how much you've always wanted me."

[vintagecandy]

Now for the 1920s reimagining of Jonathan Crane ! sorry this explanation is even longer lmao

As everyone's been saying, I should do the rest of the Dork Squad to match 1920s Jervis, and so here is my Jonathan! Easily the hardest to draw out of the three-- but I must say! Despite being outside my expertise, I'm a little surprised how much it looks exactly like I was imagining! Even if it took me ages but that's just procrastination lmao.

Anyways! What is his deal? Well, for one, design wise I did go a more drastically different direction from his usual look by doing a literal scareCROW. He's much more bird like, with a plague doctor mask being common imagery in steampunk, but he's still very southern themed with his messy broken overall strap and patchwork coat. Even his wings are rustic. ( he can't fly just glide btw lol ) Also! I leaned hard into the color orange instead of his usual green gas because it..... bugs me that both Crane and Nygma have a bright green in their color palette. I just want them to have distinct colors if they're going to be a trio. And look how vintage halloweeny he looks !!

So why is he so well dressed out of costume? Well! This Jonathan Crane is not a psychologist at all, here he is the very successful grandfather of horror movies in the silent film era. ( An illustrious origin, i hope canon Crane would be proud lmao ). This is referenced in how his face looks, he's wearing white powder and black makeup that's usually meant to emphasize key features on blurry film like his upper lip and around his eyes. And yes, he just keeps his makeup on during most events, and people just accept he's a little on the... eccentric side.

To me, the archetype of the mad artist fits Jonathan's vibe perfectly. When it comes to striking fear, he's a perfectionist, a trait that drove him to learn every single skill necessary himself, from costume design to props to making his own cameras to mechanical engineering, to.... a "fear gas" that was supposed to gently encourage immersion in the audience but ended up becoming a dangerous chemical weapon.

For his origin crime I am thinking !! Full blown Scooby Doo style monster mystery!! With some nuance! Crane, as a first impression, gives off an immediate air of pompous, aggressively impatient, pretentious director type. His presence is big and dramatic, but its distinctly not southern-- in fact, he seems to play up something between a hollywood accent and a thespian one. But this is all to cover for his farm hick background that he was once very ashamed of.

As a child of a failing farmhand during an infamously dry and dusty era, Jonathan developed an extreme resentment for his country existence from both the bullying of other children for all his strange quirks and the severe verbal and physical abuse of his father, driven to alcoholism by the stress of poverty and the loss of his wife. Originally offering his artistic ideas as a means to help them, he grows sick of their closed mindedness and berating and runs away to learn about the emerging potential of film in Gotham City.

Its been many years, Jonathan now in his early 30s, he finds himself surrounded by the shallow, champagne aristocrats that reflect his childhood bullies. Feeling wrong in his own skin, he develops a sightly unhealthy obsession with the escapism he finds in performing as the monsters in his movies.

But upon discovering that the corrupt rich of Gotham plan to push legislation that would negatively effect farmers like his own history, and that they expected him to be amongst those who support it, his irritation with the shallowness of society reaches its limits. In day, he would feign support for their behavior to cover his tracks, but at night he would don the mask of the Scarecrow, rumored to be the vengeful spirit of a farmer who was hanged, and who he believes to be a more freeing expression of himself than his true face, targeting not just the rich but striking fear in their laborers to scare them off land. And it works. So, he tries bending the will of society more.

Is he doing this out of any moral conviction or just spite and a love for the role? It's... hard to say.

As the Scarecrow, his methods are so effective he's near uncatchable, even by Batman. Its only by solving the mystery of who is under the mask are they able to catch him. They surprise him during one of his screenings, jump him in the dark, and prove his subtle use of fear gas in the theater to the police once he's cornered. Instead of being angry, he goes to the mad house applauding Batman's performance.

What an interesting character they play. He's very inspired.

[joejhang]

fanon neil vs canon neil

god i am so FUCKING done with the aftg fandom mischaracterising neil i'm literally writing fucking ESSAYS about it and pacing circles muttering about it under my breath it's driving me up the goddamn wall so i am going to word vomit brain dump yap about all of it in an incoherent tumblr text post. spoilers ahead continue at ur own risk

i've said it before and i'll say it again I HATE FANON NEIL. istg this fandom LOVES to mischaracterise neil and ykw i think i know why. they take the smallest most unnoticeable parts of his personality and then exaggerate them to disproportionate and unrealistic levels in order for him to fit their idea of a conventional, stereotypical and desirable main character. they smooth out his jagged edges and prick at his "insecurities" to make him more likeable, more acceptable and more conventional of a narrator/main character and in doing so erase so fucking much of his personality and draw as a character that he loses just about all of the flavour that made me love him in canon. and also especially within the andreil dynamic this fucking fandom just loves to tweak neil's character until he's basically unrecognisable just so they can cram andreil into some preconceived socially acceptable clichéd ship dynamic. because andrew is perceived as the typical mysterious, moody and grumpy love interest therefore neil just has to be the sunshiney smiley blushing cute softboy in exchange. yeah because all gay ships have to be grumpy-sunshine and black cat-golden retriever dynamic. i raise you: andreil's dynamic doesn't work because of their differences it works because of their similarities. if u think about it andrew and neil are honestly very similar people in the way they think and process emotions and events and that's what allows them to connect and understand each other. andreil would not work if neil was super sunshiney and a blushy soft mess and andrew was the stoic, never smiling, unemotional stone of a guy the fandom loves to make them. just accept they do not fit into the conventional boxes laid out by booktok for what gay ships look like. i fucking digress.

neil is also just insanely mischaracterised on his own. people love making him very jittery and insanely oblivious and easily flustered with a generous serving of self-esteem issues. i hate to break it to you guys: neil josten is not insecure. i don't think there's a single instant in the series where neil is actually insecure about anything. as a narrator, person and character, neil is very realistic, pragmatic and logical. ruthlessly so. i'd say on this, neil is even more cerebral and unemotional than andrew is. neil is very straightforward and realistic abt himself in his narration and i'd honestly say his opinion and views about himself are one of the only things in the story that isn't affected by his narrator bias. if neil is anything, it's self-aware. i'm now going to present all my fucking evidence.

neil doesn't have a sexuality crisis. literally in the entire series never once does he even question his fucking sexuality. it's implied he's already figured out he's aspec/demisexual from the moment nicky questions him about his sexuality. neil says "i don't swing" and follows up in his narration: it wasn't quite the truth, but it was close enough. and later when he starts his relationship with andrew he doesn't ever question the nature of his feelings towards andrew or even anyone else and is pretty clear about it when andrew breaches the topic: "kissing you doesn't make me look at them any differently" so yeah neil is pretty certain and aware of his sexuality.

neil isn't insecure about his appearance. i feel like this is gonna require a bit of work to explain but hear me out. it is mentioned several times that neil has a complicated relationship with his appearance because he looks so much like his father/abuser. this is obviously understandable; you wouldn't want to look into the mirror and see the man who gave u all ur scars. that being said, neil doesn't have a lot of strong emotions regarding his appearance. most of his feelings of panic tied to when r*ko dyed back his hair is because of how it would be a lot easier for his father to discover him now that he has his original colouring back. i'm also pretty sure neil knows that he's cute. like it's never explicitly stated but i've reread aftg maybe fifty times and trust me i can read between the lines. neil explicitly says that he has a "love-hate relationship with his reflection out of necessity" and while the "hate" part of that statement is obvious: he doesn't like that he resembles his father, i've sort of just accepted that the "love" part of it is that he knows he's kinda fine. it's not brought up by him at all bc neil as a person is not one to linger on people's appearances almost at all. i think the only people to get a decent amount of lines dedicated to their appearance in the narration are allison and andrew. but yeah i genuinely don't think neil thinks he's ugly or unattractive and he's probably definitely been told how cute he is by others enough that he doesn't harbour any delusions about how he looks. regarding his scars, he never expresses any insecurity towards them and how they look, he just doesn't like them on display understandably bc of how acutely they point to his past and childhood that he's trying to hide.

neil is actually very very confident in his own and other people's abilties. this is esp regarding exy. he knows he's good at the game. like he knows. the most distinct example i can think of for this point is when kevin tells neil that he was at castle evermore to try out for the perfect court when they were younger. neil doesn't even doubt for a fucking second that he would've made it onto the perfect court. never does. he skips over the second-guessing and doubt part and just straight up starts daydreaming about the future he could've had playing with kevin and r*ko. like that really got me bc it's easy to assume neil would be super unassuming and have low self-esteem but no like neil doesn't doubt for a fucking second that he deserves to be perfect court. it's just that he doesn't believe in r*ko's delusions enough to play along with it by the time he gets the tattoo. he's also insanely confident about the foxes and their abilities and also kevin by the end of the series. at the beginning he takes a pretty realistic vantage point and says that with the way things are, the foxes will never beat the ravens. but even with that pov he still has the gall to challenge r*ko on LIVE TV and i doubt he's lying when he declares so boldly to everyone that if the foxes were united they'd be an unstoppable force (and guess what he was fucking RIGHT). and by the end, when the foxes are united, he has no more room left for doubt at all. some guy tells neil to kick the ravens' asses and neil just replies with zero hesitation "that's the plan". like he's so fucking on board with it. and he never once doubts that kevin is the best striker in the game. like literally never. at first he considers r*ko and kevin on par with each other (possibly, it's never stated outright) but by the end he literally has no doubts when he says "kevin is the best striker" like goddamn the amount of confidence neil has is so underrated.

neil is a very unemotional narrator. it actually gets me all the time how logical and ruthlessly pragmatic neil's narration and inner monologue is. some of the only strong emotions portrayed in neil's narration are anger, irritation and occasionally grief, which is only ever triggered by major trauma-inducing events (e.g. dr*ke). almost all of his inner monologue is analytical and observing others and dissecting either other people or the situation he's in. and almost all of his decisions and actions are made based on impulse and instinct. neil is a very instinctive person. this is outright stated in the way he plays exy; in theory, he can't give u a lot, but in the heat of the moment he's at his best. this applies to practically all facets of neil's life. he never plans his moves or what he's gonna say (except like that one time when he planned out what half-truth he was gonna tell andrew post-columbia). he's super quick and on the ball and literally does whatever the fuck he wants at any given moment. he's also insanely good at compartmentalising. like it's difficult to explain but while his priorities are obv hilariously skewed, they're also very clear in his mind. things he considers unimportant he simply just doesn't think about. what others look like and what they think of him don't factor into his internal monologue or his thoughts at all he literally just files them away in the back of his mind until they do end up becoming useful or important to him. he barely comments on andrew's appearance at all until andrew becomes someone worth staring at and admiring for him. the only reason he describes allison and renee in the detail that he does is because it's important in understanding how and why he reacts to them the way he does. this man was literally about to lose his goddamn mind at the fall banquet but he specifically reserved his mental breakdown for after the banquet so he could spend his time roasting the fuck out of r*ko. bro fully locked in and was like "clock riko now break down later" and i respect it.

neil doesn't actually have a martyr complex. it's funny because almost all of aftg is him being the absolute fucking opposite of a martyr. he wilfully sticks around the foxes knowing he's putting himself and them in danger. he doesn't "sacrifice" himself until he's absolutely forced to by his father's people. by then, he's already told himself he can't and won't run and he's smart enough to know he'll never get away anyway. and going to evermore wasn't about self-sacrifice or martyrdom it was about protecting andrew and those two are pretty fucking different. he knew he was coming back from evermore and he knew that he wouldn't die there, despite all the shit he went through, so i don't think that can be counted as "self-sacrifice". he was doing what he had to do to protect andrew, the same as andrew would've done for neil or aaron or kevin or anyone else he'd sworn to protect. the kidnapping in baltimore was the culmination of neil's character arc, which isn't really about learning to be selfless and self-sacrificing, it's about learning to stand his ground and stop running. those things r crucially different: neil not running in baltimore wasn't about selflessness, it was about courage. yes, part of it was obviously inspired by the foxes and motivated by not wanting them to be hurt but i truly believe it ultimately was about neil learning to stand his own ground and make his own home and have it be something he's willing to die for. call it whatever u want honestly i just don't think neil is as much of a martyr/sacrificial lamb as the fandom makes him out to be.

[rallamajoop]

So why are there so many gay vampires?

From the time of Carmilla all the way up to the works of Anne Rice (a universe that seems to get only less subtle as the years go on), gay vampires have been a thing basically as long as anyone was writing about vampires. Lesbian vampires have been a genre all their own for decades. Bram Stoker, author of the most famous vampire novel ever written, was gay himself. So why vampires specifically?

I’ve seen people attempt to answer this one before, and there are all sorts of contributing factors I could point to here, from the genres’ beginnings with Lord Byron (infamous bisexual disaster fuckboy), to modern discourse about why queer folks so often find themselves identifying with the monsters and outcasts of fiction. Few other monsters besides vampires can so easily pass for ‘normal’, or are nearly so well known for their snappy dress sense and ‘unnatural cravings’ for human flesh. And that��s without even getting into all those skeezy outdated stereotypes casting queer people as predators, or the idea that even one ‘gay experience’ could somehow ‘convert’ you into being one yourself.

But to my mind, there’s just one really important thing that makes vampires so gay, and it’s the same thing that makes them sexy in the first place: plausible deniability.

You see, a vampire’s bite is simultaneously a) ridiculously sexual, and b) not even a little bit sexual at all.

You don’t have to look far for vampire canons where there’s nothing sexy about being bitten by a vampire. Bloody, violent, painful, sure ‒or just clinically miserable, human bodies torn open or hung up to drain like a human blood bag. What’s sexy about getting bitten by a mosquito, or a fecking leech? The diet of the actual vampire bat requires it to process so much water that it apparently spends mealtimes busily pissing out the difference, and the anti-coagulants in its saliva leave the wound bleeding messily long after it’s gone. The basic act of feeding is no more inherently sexual for a vampire than it is for a zombie.

Vampires are even a surprisingly acceptable monster to market to children. There’s a vampire muppet, a cartoon about a vampire duck, and a whole series of books about a vampire rabbit. You can put a vampire on the side of a cereal box without undue outrage. Vampires do not have to be R-rated for sex or violence.

So of course vampires will go after victims of the same sex. Do you stop to inquire whether the cow you’re eating was male or female? It’s all just predator and prey!

Until it’s everything but.

Do not let the ‘vampires aren’t supposed to be sexy!’-purists fool you. The tradition of sexy vampires goes all the way back to the oldest folklore, where the first victim of a newly-risen vampire was often their still-living spouse. Vampires were even occasionally known to get women pregnant (a convenient excuse for any widow who might turn up pregnant slightly too many months after their husband's death). The ‘original’ Nosferatu sounds more like an incubus than the naked mole-rat creature they made that movie about. The demon lover aspect of the vampire has been there all along.

And it’s not hard to imagine why. If someone is biting and sucking on your neck, then either they’re a vampire, or they’re well on the way to second base (other folklore has its vampires feed directly from their victim’s heart, which is scarcely less suggestive). The implications of an exchange of bodily fluids were never subtle, even in Stoker’s day (I'm looking at you, Lucy-with-the-three-husbands), and the vampire as a sexual predator was a popular literary device well before Stoker's time. Beautiful vampire women would seduce men to their demise, and the males of the species might visit the bedroom of some innocent maiden time and again. The Victorian obsession with mesmerism, meanwhile, provided the perfect explanation for how victims might be hypnotised into eager compliance, and perhaps not even remember being fed upon at all. Vampires have been the ultimate guilt-free sexual fantasy since way back in the day, compatible with all your awkward Victorian mores! (Not quite ready to admit they're sexual fantasies? No problem: he's just here to, y'know, suck on your neck a bit. No subtext here!)

The whole act of biting is so suggestive that in the early years of vampire cinema, it wasn’t shown at all, not even between opposite-sex participants. The camera of 1922’s Nosferatu maintains a demure distance during the climactic scene where the heroine is finally bitten and slowly drained of blood, and Universal’s Dracula conveniently fades to black or cuts away whenever it’s about to take place. But even if the biting has to take place off screen, who’s to say a vampire isn’t going to pick victims of both sexes?

The stately tradition of the lesbian vampire has cinematic examples going all the way back to 1936, with Universal’s Dracula’s Daughter. Though the titular vampire has a nominal male love interest – a psychologist who naively advises her to confront her temptations without fear – the result of his advice is a famous sequence where she picks up a young woman under the premise of wanting an artist's model, and convinces her to remove her top. No actual biting or nudity is shown (it was only 1936), but her fate is left in little doubt.

By the era of 70’s sexploitation, all such subtlety had been abandoned. If we’re all good with naked boobs, who’s going to be offended by a little biting?

In fact, when it comes to men rather than women, a vampire bite was, for many years, far too sexy to be shown, or even alluded to. Nosferatu clearly feeds on that film’s Jonathan-expy, but our only evidence is the bitemarks on his neck in the morning, and the final sacrifice to defeat the evil monster must naturally be female. Universal’s Dracula had to ignore explicit studio mandate that only the brides should be allowed to feed on their own Jonathan-equivalent, as to even imply that Dracula himself had fed upon a man was obviously far too homoerotic to contemplate (never mind that it’s Dracula who must be established as the threat in this opening sequence, or that it’s Dracula his victim will spend the rest of the film obsessed with).

But in that unspeakable land of male-on-male homoeroticism, you might be surprised how much homo we can squeeze in even without resorting to fangs-in-necks. The Lost Boys is surely one of the most homoerotic vampire films ever made, but there, the one big blood-drinking scene is rendered in a bloody massacre of slasher-movie violence. And though Anne Rice certainly describes the scene where Lestat drains Louis of blood in lurid detail (and even has them spend their first sunrise together sharing a coffin), Louis is already thoroughly seduced before he ever reaches this point.

You see, the lore of the pop-cultural vampire conveniently comes with a second and equally-compelling target for plausible deniability: the act of making a new vampire.

Obviously, to work, this has to be deliberate. A world where anyone bitten by a vampire becomes one hasn’t much to offer us, and the relationship between maker and fledgling can just as easily be framed as parental, as recruitment into a cult, or purely transactional. But whichever way you twist it, the implications of choosing another to share in your own eternal youth and immortality… like, I don’t have to spell this one out for you, do I? Did I mention how that thing where a vampire’s traditional first victim tended to be their own mortal widow goes all the way back?

But if we’re not ready to be completely obvious with our mainstream audience, some alternative explanation can always be provided for cover. Lestat doesn’t really want Louis, he just wants Louis’ money! (He also really wants Louis.) The Lost Boys just want Michael to join their gang! (Their very, very pretty gang, who swan around in mesh shirts, tank tops and assless chaps.)

The two sides of the vampire-deniability coin aren’t mutually exclusive, either. Carmilla drinks her new paramour’s blood, but also gazes into her eyes while promising her you will be mine. Drinking blood is a key part of making a new vampire in so many vampire stories, after all.

Carmilla isn’t even the only gay vampire story of the Victorian era. I recently posted about two other fascinating examples, both featuring male/male pairings: one being pretty much just a gender-flipped version of Carmilla, and the other a tragic love story filled with significant "vampire = gay lover" metaphors (why oh why must the townsfolk keep us apart, when we’ll only ever be happy once we’re united once more?) This stuff goes surprisingly far back.

In fact, you can find queer subtext in vampire fiction that predates even Byron and Polidori. 1819's The Vampyre was the first published vampire story, yes, but the first known work of vampire-fiction in the English language is a poem published by John Stagg in 1810, also called The Vampyre (look, the genre didn’t exist yet, you didn’t have to be creative with your titles).

In brief, Stagg’s poem recounts a conversation between a wife (Gertrude) and her dying husband (Herman), whose dear friend Sigismund, lately deceased and deeply mourned, has returned as a vampire. Night after night, he crawls into Herman’s room to drain his blood. Herman’s fate is already sealed, but unless Gertrude takes action, it will surely be she that Herman will take as his own first victim when he rises from the grave.

There may be nothing intentional about the queer subtext of this tale. A vampire’s victims often include friends he knew in life, as Stagg himself cites in his introduction. But if Herman’s first victim will be his wife, what are we to read about the fact Sigismund’s first victim is Herman? Especially given how long he’s kept secret from poor Gertrude that his dear ‘friend’ has been climbing into his bedroom each night, lying beside him in bed and sucking and draining "the fountain of my heart!" while Herman moans and tosses (in pain, obviously!), always leaving him "exhausted, spent." Ultimately, Gertrude is saved only when both Herman and Sigismund are staked through the heart, and we close on the image of them slumbering together in the tomb.

It is, however you turn it, pretty gay.

I reiterate: this is the very first known work of vampire fiction written in the English language. The second was the one that was kind-of-written-by, kind-of-stolen-from, and unambiguously based on bisexual-disaster-fuckboy Lord Byron. And the two most influential works of vampire fiction of the next hundred years would be Carmilla, the very lesbian vampire story written by a… presumably straight man? And Dracula, the not-completely-convincingly-hetero story written by #1 Walt Whitman fanboy Bram Stoker. Vampires have always been very equal-opportunity kind of monsters.

There are, of course, plenty of influential heterosexual vampire tales to fill out the roster too. Varney the Vampire, a penny dreadful from the 1840s, was so successful it ran for over 200 chapters. The 1960s had their own wildly successful Varney-equivalent in the soap opera Dark Shadows. Love it or hate it, we really can't ignore Twilight either. My own introduction to the genre was Christopher Pike’s The Last Vampire series, which came out alongside the original Vampire Diaries novels. So there's plenty of material around to keep the straights entertained – and honestly, that’s only as it should be, because the very thing that makes vampires so queer-friendly is that the sex of their victims doesn’t matter. And it’s so easy to make vampires sexy (let alone a full vampire-proposal!) that even the Victorians could do it.

Now, if your reaction to all this theorising is to tell me "but the LGBTQ’s shouldn’t have to hide behind plausible deniability!" I can only counter, "well sure, but why should the straights have all the fun?" Because playing with all the ambiguity of "is this monster really just after my blood or is this going somewhere?" can be all sorts of fun, regardless of the genders involved. And as long as they’re up for exchanging bodily fluids with persons-and-or-victims of either gender equally, why not have some fun with it?

So, okay, maybe the real title of this post should have been "why are there so many pansexual vampires?" But the answer doesn’t change. Vampires have been the bisexual disaster fuckmonsters for as long as anyone’s been writing about vampires, and have been a metaphor allowing people publish barely-coded gay attraction since 1872. And much like the queer community, they’ve only become more complex, more sympathetic, and all the more popular as romantic paramours as the years have gone by.

[applepieshy]

I had an idea to redesign vox because I didn't love that a character obsessed with modernization would wear a top hat and bowtie. then after a brief stint into madness where I read my partner's historic costuming textbook I drew.... all this.

(side note: the idea of vox being a trans man who transitioned AFTER death was super compelling and absolutely inspired by @prince-liest so while this is not direct fanart of their series I wanted to give a shoutout anyway!!!)

okay some TRULY unhinged rambling about historic costume below the cut YOU HAVE BEEN WARNED!

1950s: for this design I very much did not want to go to the typical a-line housewife look, because I feel that is unfitting for vox's character. instead I went for a more business look, but there is still a level of femininity that he would have been expected to perform. i wanted to express his discomfort with that through the pose and expression, though at the time he wouldn't necessarily have a framework for why he hated it

1960s: this one was very fun. i loved the idea of vox beginning to eschew some of the expected feminine presentation, and he no longer wears makeup, jewelry, or hose (though its hard to tell in black & white); however, he's kind of at war with himself in this time period. he's obsessed with seeming perfect and having a respectable image, so he would not go in for the counter-culture movements that were so big in the 60s. he's still kind of riding those coattails though, pushing those boundaries while still not acknowledging his queerness.

1970s: to me, it was very important that the gender hit as he entered the world in color. in my mind the gender euphoria is physically manifested in a wizard of oz situation - he can become who he always has been. anyway, gender aside, I think it was very important to me personally that he wore an ascot. it was for my mental health.

1980s: I wanted the 1980s to be the period where he began to gain some power and notoriety because of the de-regulation of television during this period to allow more ads, mirroring real-world history. I think if the 70s were when vox gained some real confidence, the 80s are when he got an Ego (tm). "business casual" also began to become more acceptable in this time period, and the t-shirt/suit jacket combo was very important for me to include, as to me it epitomizes the commercialism and machismo of the 80s.

1990s: this was actually the decade I was the most nervous to design, and yet I think it turned out the best? the 90s are known for grunge, which I think is NOT vox's style at all. I decided instead to lean hard into the yuppie look, which I know is more associated with the 80s but was definitely still a thing in the 90s. I also allowed a little hip-hop influence in the form of a gold chain from val, which is not something I think vox would ever pick on his own.

2000s: if the 90s were the decade I was worried about and turned out great, the 2000s are the decade I thought I had down SO GOOD and then totally floundered in execution. I still love the bubble-mac inspired head, and I tried to make his clothes as "round" as possible. I also like that this is the time where his saturation got cranked. however, I don't know if I'm in love with the vest and super bright sneakers, because again, looking back on it, he kind of looks like he works at a movie theater or best buy or some shit lol,,,

2010s: I think it's telling that this is by far the closest to his canon design (2014 tumblr lookin ass). I really wanted to pull from that hipster tech bro era, but unfortunately that aesthetic has a veneration for "retro" which again, is not fitting for vox. I still think he would wear the bowtie during this time because, well... he sure does in the show!

2020s: this was fun because I had an excuse to pull from haute couture design rather than street fashion because of the introduction of velvette into his life. I truly do not think velvette would let vox and val walk around in the outfits that they do because it would be an actual embarrassment LMAO. for this, I wanted his decorative "robes" to be evocative of the time he depicted himself as a priest AND of a cape/robe of an emperor. he does think of himself as that bitch, after all.

[infamous-if]

Happy 1 year anniversary to this blog!

It was yesterday...though I do find it fitting that I've been focused on writing so much that I forgot lmao

When I first had the idea for Infamous, I didn't work on it right away. The concept was cool, yeah, but was it enough for interactive fiction? A medium I never even tried before?

I let it marinate in my head for a while wondering if it would be a good story or not. I listened to a lot of music, made a lot of idea boards and outlined routes but told myself I wasn't actually writing it. Just playing in a new literary sandbox with no strings! I was very close to not publishing my idea because it felt like it wasn't a story that I could handle. And it was daunting. I've published stories before, but they were completed novels that I could just forget about it and move on from once I was done. This was a commitment! I kept asking myself if I was even a good enough writer for the plans I had haha

But it didn't stop bothering me and I was getting irritable over my own brain creating this whole world without my permission. So I posted the intro post on a whim just to see what would happen! Turns out, I'm really happy I did!

One year later and there's been a whole community of people who have enriched the story and elevated it to a place that I wouldn't have been able to do it on my own. The amazing fanfics, the head canons, fan art and the suggestions, it's been really nice to work on this with the support and encouragement I've gotten. I think the best parts of the story so far have come from the collective, not me, and knowing that there are people who watched me serve my ideas on a platter like "here. take it pls." and accepted it is really nice. I'm grateful :)

thank you guys for reading the story and being kind to me and my ideas and having so many discussions over these characters that were once just in my mind, alone with me to tend to them. and to the if authors who have been here much longer, thank you for welcoming me with open arms. thank you to the group of if authors in particular who took me under their wing and gave me advice on how to handle things and how to move forward. you didn't have to come into my dm's and give me guidance or help me, but you did anyway and im eternally grateful!

I'm excited for 2024 to be the year that we really dive into the story. I still can't believe we're only 2 chapters in. it feels much longer, doesn't it? lololol

thanks!! <3

[kiyo-cant-write]

ciel & sebastian w/ servant!reader around ciel's age ✧･ﾟ

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Hello! My writing blog was always meant to be multifandom, but recently I have had many twst requests. To keep up with my personal interests, here is a Kuroshitsuji/Black Butler post about my childhood bias/crush (when I was 11-12): Ciel Phantomhive.

While this post is tagged Sebastian x Reader, their relationship is platonic in this particular work because of the reader's design.

Please note that while requests are open, they will not be posted until after the 27th of December or more accurately into the new year (January 2025). Feel free to request anything within the parameters of my rules, but keep this scheduling fact in mind! Thank you!

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Summary: [Name] is a recent addition to the Phantomhive Staff, gathered by Sebastian and Ciel. They are around Ciel's age and this leads to some... shenanigans.

TW/CW: canon-typical darkness, manga compliant

Notes: pre-relationship (Ciel), explicitly platonic (Sebastian), the reader is human, the reader is 12-13 years old, they/them pronouns for the reader, take place explicitly pre-Campania

Guest Stars: Phantomhive Staff, Elizabeth Midford (mentioned)

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✧･ﾟ: ✧･ﾟ: ✧･ﾟ: ✧･ﾟ: ✧･ﾟ: ✧･ﾟ: ✧･ﾟ: ✧･ﾟ:

Ciel Phantomhive

Ciel is initially indifferent to [Name] similar to his feelings toward his other servants about half of the time (even Sebastian).

He doesn't see himself as a child so does it matter?

He honestly tries to avoid [Name] at first because he wants to be seen as an equal to the adults. Baldo commenting to "play" with his "friend" really doesn't help the early stages of the relationship.

Being persistent but not forceful will work well.

[Name] needs to prove their worth and use in the household.

[Name] will quickly prove themselves with "clean-up."

They will kill in the name of Earl Phantomhive.

Ciel notices their willingness to serve.

He admires their dedication to protecting him/the estate.

He is impressed if they do not hesitate to strike.

The more he realizes their use and loyalty, the more likely he is to speak to them or even allow [Name] to speak freely with him.

He doesn't like when Sebastian teases him for it, though.

Sebastian might be the biggest obstacle.

If Ciel feels that [Name] is being overbearing, they get sent to spend time with Finny (16) who is also relatively close in age to them. Though Finny is similar to a child brother at times.

Once they are closer, Ciel may become a bit irritable if [Name] gives Finny too much attention or coddling.

"He needs to act his own age."

Ciel cannot do anything about any possible feelings.

[Name] hesitates to do anything either.

They both understand the betrothal between Elizabeth and Ciel.

Finny had given them a suggestion that they weren't sure what to do with. Was it a good idea? No. Was it a curious one? Yes, indeed. They wanted to know what the master's response would be, but they feared it would only be anger for their disrespect. Still... tempting.

[Name] considered their options as they helped Finny in the garden.

"Do you really think that would be a good idea?" they asked him.

Finny nodded as he attempted to gently weed the garden. The last time Finny did this he ripped out some important plants and Sebastian had been ready to skin him. Since that happened, and after the events of last night's clean-up, maintenance was needed and Sebastian chose [Name] as "Finny Watch."

[Name] accepted it as it was.

"I think it would do the young master some good to have a friend his age who calls him by name! He doesn't have any friends..."

Finny seemed sad about it. [Name] wondered why Finny did not try to be a "friend" to their master, but Finny seemed to sense their curiosity. He shook his head.

"It can't be me, I'm older than the young master for one," he explained, "And the young master doesn't think of me like that."

"And he thinks of me as a friend?" [Name] chose to ask.

Finny nodded.

"I can tell he thinks differently of you!"

The gardener beamed at them and they didn't want to crush whatever whimsy and joy this was giving him. They sighed and gave in, knowing they wouldn't hear the end of it otherwise, especially after Finny told Baldo and Mey-Rin about it.

"I'll try and see," they agreed.

[SEVERAL HOURS LATER]

At the end of the day, Sebastian asked [Name] to report to the young master directly about their supervision of Finny and the state of the estate's gardens. [Name] walked into the room and bowed to their lord, nodding to Sebastian a moment after.

"Good evening," they spoke, not making eye contact with either.

"Good evening, [Name]," Ciel greeted, taking a sip of his tea as he watched them, "I trust you kept Finny under control?"

[Name] nodded.

"Yes, he took care of replanting and weeding. There were no, ah, plant deaths," they explained in as succinct a way as they could, "We talked as we worked and completed everything Sebastian told us to."

They had to ignore the soft stifled laugh that came from Sebastian when they fumbled for a phrase and chose "plant deaths."

"I see, very good then."

He seemed pleased. The master was in a good mood? Hm. This might be their chance so they took it without hesitation.

"Master, if I may speak freely for a moment?" they asked him

Ciel raised an eyebrow but he nodded slowly after a moment of contemplation.

"You may but whatever about?"

[Name] felt bad for confusing him but it was somewhat refreshing to hear the master speak without that underlying darkness in his tone.

"Finny suggested something to me. I would like to try something," [Name] explained, hoping this wouldn't ruin whatever relationship they did have with the master.

"Something. Very specific," was Ciel's comment, "Go ahead."

Ciel seemed certain [Name] wouldn't hurt him and even if they tried, Sebastian would handle them swiftly like he always did.

"Ah, thank you for your permission... Ciel."

There was a silence that fell over the room as neither child spoke. Ciel was frozen in place, Sebastian seemed to be holding back another laugh, and [Name] was unsure if Finny's theory was true.

A faint hue of pink dusted Ciel's cheeks as he averted his gaze.

"Was," he began, "Was that all you wanted?"

"Yes," [Name] admitted, "I'm sorry, sir."

Ciel was silent once again and [Name] worried they really had crossed a line, but then he spoke again, softer this time.

"It isn't as though I care what you call me when there aren't guests around," he said, waving the hand that wore his family's crest, "Do as you like with the estate's image in mind... I suppose."

[Name] couldn't disguise the smile that took over their features.

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Sebastian Michaelis

To be quite frank, Sebastian thinks children are brats.

He didn't want another child around but it cannot be helped because [Name] is useful for the estate's security.

Despite not liking them at first, Sebastian is always "nice."

He is never without a polite smile, it's a bit unnerving.

As [Name]'s work proves proficient, he eases up.

They make fewer mistakes than the others.

Because of this, they are not so annoying to him.

"Child, you would do best not to hinder my work. But if you would like to lend me your help, you may."

He refers to [Name] more often as "child" or "littlest one."

He means they are the youngest of the servants.

He often lets [Name] off easy with punishment, similar to how he never scolds Tanaka the way he does with Baldo, Mey-Rin, Snake, and Finny.

Sebastian likes to make fun of [Name] and Ciel's similar ages.

He allows [Name] to sit in for Ciel's lessons at times.

In the end, Sebastian might be fond of the human.

Still, he won't say that kind of thing. What use would kind words be from someone like him? He doesn't much care for anyone.

He is bound to his master until the end of their contract.

That is all. Right?

"What in the world are you doing?" Sebastian asked as he came up to them, essentially appearing from thin air.

The young servant jumped at the sudden voice in the silence of the cellar and whipped around to face him, dropping their cleaning rag on the floor in the motion. Noting it was Sebastian, they let out a relieved sigh and bent down to pick up the rag.

"Sebastian! You startled me!" they told him, brows furrowed, "Why do you like to sneak up on me like that?"

Sebastian chuckled softly, a slight smile playing on his lips.

"I don't mean to. Perhaps you are just easily scared, child?"

"I don't think so," they said softly before they moved to continue their task, "And, I'm not done with this task yet. Did you have something else for me to do?"

They couldn't believe they had more work to do now. That was always why Sebastian came to see them, to give them a task someone else had botched or enlist their help with something else entirely.

"I did," the butler told them, "I seem to require your help with a lesson for the young master."

[Name] paused.

"A lesson?" they asked him, giving a skeptical look though they tried their best to mask it, "Would I be expected to come with you now?"

They were unsure if he was telling the truth. Sebastian enjoyed messing with them, just a little. But it was enough to make [Name] wonder every time the butler told them much of anything. They wanted to go to the lesson, though. Learning was... fun.

Sebastian noticed the look, being a demon and all, but said nothing about it. Instead, he simply nodded and smiled at them as he always did to the guests the manor received.

"Indeed. I would need you to accompany me to the study."

They weighed their options. Sebastian was probably not lying.

"Alright," they agreed a moment later, "Do I need to finish this task first? You did give me a list of things to make certain of here."

Sebastian shook his head.

"No, that won't be necessary. I will take care of it."

They almost bowed to him but caught themself. It was hard to treat Sebastian as a butler when he held himself with as much pride as any man would. Still, the one time they had spoken too highly of him, the young master had gotten upset with them (and Sebastian too).

It had been an... ordeal.

"I see. Thank you, then," they told him curtly though they couldn't help but smile.

A lesson! How fun! They wanted to cheer but didn't.

Even if they were only cleaning the room to spectate, it was a chance to learn things. They would learn something and earl was learning! It seemed like a fairly good deal in [Name]'s opinion.

Too focused on rushing to put away their supplies and head toward Ciel's study, they did not see a softer expression adorn the butler's face as he watched them move past him.

Perhaps they would never know his true affection for his littlest one.

.

.

Imagine the rest yourself~

.

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Thank you for reading! Likes and reblogs are appreciated! Do NOT repost my writing/headcanons as your own >:c Check the top of my blog for the inbox status and read the rules before requesting. This is not a kuro-only blog! ^^

[fuxuannie]

ᡣ𐭩 •｡ꪆৎ  𝐞𝐯𝐞𝐫𝐲 𝐭𝐢𝐦𝐞 𝐢 𝐬𝐞𝐞 𝐲𝐨𝐮 𝐢 𝐝𝐢𝐞 𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐦𝐨𝐫𝐞 | kenji sato x gender neutral reader

love mail     —      ヽ(o´3`o)ﾉ full & utter credit to @coralwitchsheep in support of their preview of a kenji x reader series they're starting! (i'd suggest reading theirs first before reading this for context) i'm inlove w the idea and can't wait to read the next parts o(T□T)o ♡♡ this is my own spin on it, so to cut it short — likely not canon events! i js wanted to make a oneshot w relatively same concept,, if this does okay maybe part two. maybe ! (this is kinda long 🙁)

︰꒱꒱ "THAT WENT WELL." you grumbled, entering your home with a frustrated sigh. what kind of guy runs away from an interview? all you asked was what could've possibly made him want to start from the beginning by coming back to japan. sure, maybe you startled him with your presence after 20 years, but come on. can't he be a little more professional? and maybe a little more welcoming to his best friend once upon a time?

as you snuggled into the comfort of your couch, you wanted to binge watch a few movies that you've been putting off.. but work called. you had to check your email incase any of your private interview bookings were accepted, or if the head journalist had yet another task for you. and if so, then to your dismay you'd have to figure out bookings and schedule.. and you should've been overjoyed to not receive any new ones, but there was one unopened email. curiously, you click on it — and you pause. kenji sato, as in — the one that just ran off after a single question, kenji sato? how did he find your email.. something you'll have to figure out later, but continuing to scan the contents, it seems like he wanted to have a one on one interview, and everything had been planned in advanced. it's in a restaurant not far from your home, in fact.. it was your favorite one from when you were a kid. reading the restaurant name makes you smile a little, fond memories of kenji's family and yours going there together, but you quickly shake your head to focus, this was basically work — after all.

it was a dinner, he wanted to apologize for his dismissive attitude to you earlier that day and give you a private interview. the entire email honestly felt computer generated, if mina wrote it you wouldn't be surprised until you got to the end;

"please, (name), let's catch up. professional setting or not, that's up to you. i just need to see you."

now you had to admit, that felt...— you weren't sure what it felt like, but you felt something while reading that. your fingers swiftly type back a response, accepting the invitation, with no bad blood between them for the prior interaction. as you click send, your mind began to wander off to possible situations. after all, twenty years.. it's a significant amount of time, and people can change — you just hoped it wouldn't be the worst reunion in the world.

the following day passed like spring breeze, next thing you knew you were dressing up for the arranged meeting with kenji. unsure whether to be casual or business, you weren't even set onto whether you wanted to catch up, or catch a story. job or feelings? now that's a hard decision. in the end, you went for a mix of both, a casual business attire.

you wondered if it was intentional for kenji to pick a place so close to home, literally and figuratively; it was a 5 minute walk and it.. honestly means a lot to you. your family still visits there often, and there's not one day that they don't discuss how much more joyful things would be with the sato's to share a meal with you. you couldn't help but silently agree, even if you wanted to act like you hated kenji for leaving.

you thought it would be smart to be there 10 minutes earlier, but kenji seems to have beaten you. he hasn't noticed you coming in yet, however he seems nervous. he's talking with the elderly head chef, who could easily recognize professor sato's only son boy — catching up after all those years. his head moves to the door by coincidence, catching your gaze. you wave hello and he smiles, waving back.

"holy shit." kenji feels like the air from his lungs is stolen right out of him. you've grown so much, well — yes, of course, it has been years, but god he didn't think you'd still have that affect on him. even as kids, as teenagers, and now as an adult — he couldn't help but feel breathless at the sight of you.

"hi mr. sato." you'll start, sitting next to him and giving a friendly smile. he laughed, taking his shades off his face and resting them down onto the table. "you know you don't have to do that with me, use my name. it's not like we're strangers." you didn't expect that, and kenji could see that in your eyes — he almost regrets saying it the way he did, but your expression melts into a much more casual one. "alright, kenji."

his attitude felt different, honestly. the things you've read about him from articles, he's an egoist — completely full of himself, he just can't stop talking about his own achievements. so to sit right next to him, and to feel like you're a little kid again, just eating wirh your best friend.. it's weird.

the silence is suffocating, food sizzling on pans and fire burning were the only things being 'exchanged' between the two of you.

deciding to break the silence, you cleared your throat. "so.. how has life been in america?" you immediately regret it. now you'll have to listen to him boast about his wins, how happy he's been — how you haven't even crossed his mi— "lonely."

your racing thoughts came to a pause at the sound of his voice, weirdly vulnerable, — you unknowingly made it so easy for him. "it was lonely. sure, but i won't lie—" kenji chuckled, although it lacked the joyful emotion tied to such form of laughter, and instead — sorrow. "the spotlights great. winning awards and trophies, it's what i've wanted to do for years. but.."

his hand moves over to his face, and suddenly it's harder to keep eye contact with you. he leans back into his chair and scoffs, looking away. "i missed japan. i missed my family.. i — i missed you."

your mouth goes slightly agape in an 'o' shape. you suddenly fumble on any words you can think of, even in your own mind, you begin to stutter. "i'm—" you'll try to speak but it's like you have no mouth, nothing can describe how you feel at the moment, it's such a basic and simple arrangement of words, an 'i miss you', and yet — why do you feel like this? you resented him for not calling, you envied how happy he was through a tv screen, and you wished that he'd just.. come back. and he did. he was doing exactly what you had hoped for in the past 20 years but — "i.. i've watched your life through a screen. every game, every loss, anything that involved you. and for those years, it felt impossible to tell *anyone* we were best friends. once." the *once* hit kenji harder than you thought. "but i wished, like some child spotting a shooting star — that you'd call. and not those half assed ones, where it was really just our parents talking and they call us over to say hi to each other. i mean, like we used to."

"what do you mean?" "you know what i mean."

your mind feels nostalgic as you reminicse; "2AM, you'll be talking about some punk from school who gave you trouble. and how i'd promise i'll beat them up once mom and dad had enough money to visit." a pitiful sigh escaped your lips. "they never did."

"i just.. i never wanted to move on, kenji. i never wanted to stop waiting. but.. i didn't want to keep feeling like a dog at your door for you."

as clichè as it is to hug someone during a dramatic monologue, kenji felt like there was nothing else he could do. words were practically silence when actions could do much more for him. his arms wrapped around you tightly, and his face was buried into your shoulder. he wanted to explain, but there was so much to cover in so little time — and he honestly just wanted you to feel better at the moment. "i wish i had known this is how you felt all those years apart. and i wish that i could've done more, but shit happens and i—"

and it's even more clichè to return that hug, with just as much feeling. "i know. and let's just.. talk things out, yeah? i've got a free day tomorrow so.. i don't think i'll mind spending the night with you."

"reword please, you'd love to spend the night with me."

"don't flatter yourself too much before i change my mind."

"alright alright, let's just eat already."

[for-those-who-wait]

Hey I think I asked you about your Detroit become human au before a bit ago but I love the idea so much! I know you’re super busy but if you can I would love to see more about it!

Sorry for asking about it again I’m just really interested in it. 😭🙏

No please don't be sorry I love to talk about it whenever I'm not creatively bankrupt!! I'm just sorry it took so long for me to actually think of new stuff to add

I had some of these doodles already prepared but never really finished them up until I came up with a cute little idea

I didn't think of where to put in Flapjack until I remembered that android animals existed, and then I had a brain blast moment where I realized that Hunter can still talk to Flapjack! They are little android buddies, they can interface and talk and be friends!! I think it would also help to make him feel a bit more comfortable with his identity as an android to be able to have his little buddy to have fun private conversations with. Camila introduces them (maybe he had gotten hurt by a previous owner and she found him and let Gus fix him up) and Hunter is a bit tentative about it at first, but Flapjack is adorable and sweet and quickly wins him over

I just now had the idea that Gus, since he's super into android stuff, would probably be a big resource for software and hardware difficulties. Oh, you fell and your arm is working kinda wonky? Call up Gus, he'll crack you open and take a look. The dude doesn't mind in the least, he freaking LOVES going down mechanical and coding rabbit holes to better understand how androids work. I like to think that if Hunter ever got hurt and chose not to accept help because of body/species dysphoria, Gus would be a really good resource for him to try and feel as normal as possible while he's getting fixed. Gus is his brother and he loves him and they're just good to each other okay? Gus would probably crack some jokes or something to get Hunter's mind off it, or infodump about android organs or something (and Hunter would be begrudgingly interested because they are nerds, and Hunter is interested in androids too underneath all the problems he has with deviancy. Like dude they're robots, what's not to love?)

Also some Gus being so over Hunter's "androids can't feel love" phase featuring Vee and Masha being very adorable and very obviously in love :) Hunter is a very silly stupid man. He will find any way to make literally everyone exempt from the terrible rules Philip fed him, except for himself

I'm trying to think of a potential situation that would parallel Hunter's possession, and I think it would probably be basically the same thing that happens in Connor's deviant path (when he deviates and joins the revolution as an ally) where Amanda (a separate AI in his programming that's basically how CyberLife keeps him in check) takes over Connor's programming last minute to try and put a stop to the revolution.

So my current thought is that Philip is basically using Hunter as a trojan horse. His main programming is to act and believe like he's a normal human but similar to Connor, he's basically a sleeper agent without knowing. I imagine that once Hunter gains access to his software (thanks to Vee and Gus), he starts finding programs and files that are labeled as pretty scary things. He shouldn't have to know the most efficient way to shut an android down or incapacitate a human.

If and when Philip finally goes looking for Hunter and sees the first android he's seen in Gravesfield besides Hunter (aka Vee), he's not going to take that well.

I haven't drawn anything for it but so far I'm thinking that he takes control of Hunter's programming, maybe through some taking advantage of his interfacing system, and locks him in his own head a la Connor and Amanda to sic him after Vee and Flapjack (assuming that Philip's main goal, similar to both canons, is to eradicate deviants). It's likely that his friends will try to apprehend him, Vee or Gus will try (and maybe fail a couple times) to delete the programming while Camila deals with Philip. The guy is old and decrepit and Camila would absolutely whoop his ass with the ease of swatting a fly.

Things will be fine; Vee is all good and they manage to delete whatever programming screwed with Hunter's control, but that kid is going to be HELLA anxious about interfacing again from then on since he's afraid of 1) losing his own control and 2) potentially passing the virus onto someone else. It could go two ways at that point: Hunter could either kill Flapjack since Flapjack is technically a deviant android and therefore a target, or we can be nice and let Flapjack live to help him heal from this brand-new trauma.

So yeah hopefully that sates some curiosity! I'm glad you're interested in it because I honestly really love to think of new stuff whenever my brain decides to work hahaha

[celaenaeiln]

Was Dick ever mean to Jason when they first met? Because I’ve seen a lot of fanon where it’s implied/shown that he was, but I haven’t seen anything to prove that it’s canon (and I’m happy you’re back even though you weren’t gone long I love your blog)

Aww thank you!!

Ugh I don't know where fanon keeps getting the idea but Dick was never mean to Jason as Robin.

Let's start with the erased version, otherwise known as pre-crisis.

Jason Todd was born to acrobatic parents and also performed in the circus. Here's the interesting bit: it wasn't Bruce who found out about them, it was Dick who was at the circus and cheered them.

Batman (1940) Issue #357

Where was Bruce? He was busy becoming squid food in Gotham.

Anyway Bruce escapes and meets up with Dick who is still Robin and helps him solve part of the crime. As he's discussing the case with Dick, Dick mentions that there may be a connection to Bruce's case and something Trina Todd said.

Yup! Dick becomes friends with Jason's mom <3

Batman (1940) Issue #358

Bruce doesn't trust her but Dick does and Bruce trusts Dick so he accepts.

So Dick goes to meet Trina and her husband but they've already left to sneak into the villain's lair and get caught by Killer Croc. So he chases after them. Barbara joins in as Batgirl but Batgirl and Robin are too late because Killer Croc has already fed Joe and Trina to crocodiles.

Batman's still fighting his own case while all this is happening.

Waldo the Clown takes Jason to the manor and while Jason's in the kitchen looking for food, he finds the door behind the grandfather clock open, goes inside, and finds the batcave.

He finds a trunk of Dick's old suits as Robin and that's where the iconic pre-crisis Jason Robin scene comes -

Detective Comics (1937) Issue #526

Which first of all Jason why are you wearing other people's clothes without their permission? But anyway Jason hears people coming and finds Batman's busy grabbing information with Selina and so he hides in the trunk of the Batmobile. Robin Dick and Batgirl solve the case on their end and find out there's a trap for Batman so they come in and save Batman and his allies. Jason sneaks out of the car and finds his parents are dead so he tries to kill Killer Croc but Dick and Barbara stop him.

Detective Comics (1937) Issue #526

Dick's just like "oh, you sweetheart."

Dick wants to adopt him but Bruce is like mine because they're both like "It's my fault his parents died, I should take responsibility."

Detective Comics (1937) Issue #526

Dick was really nice to Jason.

Batman (1940) Issue #529

Dick is Jason's idol. He and Dick have a great relationship, so much so that Dick actually passes on the Robin name and suit to Jason.

Batman (1940) Issue #529

I could make a meme out of the handshake scene with Bruce being one hand and Jason being the other and in the middle the hands meet is "idolizing Dick Grayson".

So Dick and Jason had a fantastic relationship.

And then some things happen where this Jason wasn't well-recieved by the audience because of the way writers handled the transition from Dick's robin to Jason's so DC realized that they need to make Jason into his own person with his own personality, looks, and story.

So they magic marker erased the previous timeline and now we have the actual Jason Todd that's actually relevant to every comic that comes after.

Yet in this current timeline too, Dick treated Jason sweetly.

Here Dick's first meeting with Jason, he actually saves Jason from the hands of drug dealers.

Batman (1940) Issue #416

He let go of his hiding spot to get the new Robin out of trouble.

Jason is not at all happy about this.

Batman (1940) Issue #416

And Dick's pissed off because he found out there's a new Robin through a newspaper and he just lost a drug deal he's been waiting on to bailout the new Robin.

So Dick storms off and Jason asks Bruce about Nightwing

Batman (1940) Issue #416

And I'm going to reiterate parts of this post for this part (people please please read this post because tumblr has an image limit and I've explained it in detail there but I can't here)

Dick had no idea Bruce passed on the Robin costume. He finds out through the newspaper because Bruce is pissed at Dick. Like he's so mad that when he told Dick to leave, Dick actually left.

You know how there's a saying about not being able to take back words of anger? Bruce is feeling that heavily. He already had suspicions that Dick wanted to leave but before Dick could tell him, he fired him so he wouldn't have to hear those words. But Bruce is super mad that Dick left anyway. So what does he do? He makes the first boy he sees Robin.

And Jason finds out Dick was Robin when he confronts Bruce why Nightwing knows Bruce's identity. And that gets Bruce more mad because he's now feeling guilty which is when Dick comes to confront Bruce.

After meeting Bruce, Dick talks about what he's been up to since he left and put Bruce in a good mood before he starts tearing into him.

Batman (1940) Issue #416

Bruce looks so wrecked. The guilt and sorrow is tantamount to his pain.

Then Dick asks Bruce why he choose someone new.

Batman (1940) Issue #416

So Bruce tells him. But Dick and Bruce's relationship go way deeper than just friends or family. They know each other. They revolve around each other so Dick calls him out, and out comes the truth

Batman (1940) Issue #416

But here's what it means in terms of Dick and Jason's relationship:

Instead of letting Jason become some sort of spite move, Dick becomes the bigger man and decides to turn Robin into a legacy.

Batman (1940) Issue #416

He passes it down like it was meant to be passed down. Because let's be honest here. The Robin name and costume is Dick's. If he wanted to, he could've taken it back, Bruce be damned. And that was one of Jason's fears.

It's Dick's approval of Jason and them catching the drug dealers together at the end that cements Jason as Robin. It's his acceptance and good will toward Jason that Bruce is grateful for.

Batman (1940) Issue #416

Dick also validates and praises Jason in the comics whenever they meet.

The New Teen Titans (1984) Issue #31

He's basically, "Don't worry about Bruce, if you get in trouble, I'll take care of it."

The only problem is they didn't meet a lot but when they did it was good times all around.

The third version of Dick and Jason's meeting.

In this version holy honking heck. First of all it's a flashback when Bruce fires Dick because he feels like he's too busy with other duties to be with Batman and then after a series of events in present time, it shows that Bruce literally kidnapped Jason and gagged and tied him to a chair. And Alfred's like WTH BRUCE?!

Even more things happen on both sides (curse you 30-image per post tumblr limit) and Bruce essentially makes Jason watch all the videos of Dick and sets Jason's gauntlet test to be a game of tag with Dick.

Dick is completely unaware of all this happening because he's just having fun busting up thugs and playing with Barbara, having no clue that Bruce and Jason are literally watching him livestream through his bike dash cam.

Nightwing (1996) Issue #105

Jason literally shows up while Dick's pondering on a rooftop and is like who're you? Oh wait you're him lol. Move over there's a new robin in town! And Dick's just like WHAT?! He such a little shit about it.

Dick's immediately like okay I'm upset at Bruce but I have to help this new kid out. There's no hesitation, no regret, no anger towards Jason at all. Just pure desire to see him succeed.

Not gonna lie, Jason's just awful towards Dick because he thinks that Dick is his test or something Dick's just like, "can you cool it for a sec?" They soon find out about a huge crime drug activity going on and Dick sorta mentors Jason through it while on the case. I'm not gonna include the panels but it's just Dick and Jason working together. It's fun to read and cute because Dick's protective of him and Jason's like a little bird following a bigger scarier one.

At the end the crime is solved, Jason and Alfred go home, and Dick calls Bruce to tell him this -

Nightwing (1996) Issue #106

Nightwing (1996) Issue #106

He was so, so nice to Jason. Actually it's impossible for anyone to treat Jason better than Dick treated him, not even Bruce was this nice to Jason.

In Nightwing (2016) Annual, there's another story of Dick and Jason's meeting. In this case Dick comes over after Alfred calls him and Jason's sulking in his room because Bruce grounded him. He pulls Jason away and they go on a Nightwing and Robin adventure where Dick talks to him, teaches him, and lifts his spirits.

Nightwing (2016) 2021 Annual

Dick being mean to Jason is pure fanon, it's so fanon that there isn't even a single comic panel that can be used in support of that horrible idea. He never ignored Jason. Dick makes it very, very clear that his problems are with Bruce won't interfere with his relationship with Jason. He treats Jason as an independent person with his own personality and genuinely looks after and cares for him in every retelling. The only thing is they didn't meet very often but when they did, Dick was such a good brother.

[mint-fixates]

Going more in depth with my many, very long thoughts on the AU concept I discussed in a previous post, which I'm calling "Domesticated Bill AU" based on a suggestion from the replies (TL;DR it's just a "What if Bill wasn't evil" AU)

First major difference: No Euclydian massacre. Bill doesn't destroy his home dimension, he just gets sick of them trying to suppress his gift and leaves. Something something he still ends up getting trapped in the Nightmare Realm while looking for a more exciting and accepting world

He spends a lot of time partying and getting up to mischief while hanging out with the Henchmaniacs (who still look up to him as a leader, but have more of an equals/genuine friends relationship with him rather than a boss/minion relationship), but after a billion years or so that starts to get boring. When they realize the Nightmare Dimension is unraveling, Bill has the idea to get someone to make a portal for him, like in canon, BUT Weirdmageddon is never part of the plan. He just needs a way to safely get himself and his friends out of the Nightmare Realm before it unravels, no apocalypse required

Bill still has a series of failed partnerships because no one has the technology to build the portal or because they can't match his freak and get fed up with him and call the deal off. But there's no evil retribution on anyone who fails to make it. He's chaotic neutral at worst, so most of his impact on history is similar to canon!Bill helping the Salem witches free themselves- but because of Earth's societal standards and expectations, he still gets painted as evil for these sorts of acts.

Bill meets Stanford under the same circumstances- Ford finds out about him and summons him to help when he hits a roadblock in his research (though he finds him through different means since there's no shaman warning/prophecy). The only initial difference is that Bill is fully honest about the intention of the portal, because he has nothing to hide.

Bill is still a bit emotionally immature and jealous of Fiddleford but generally their relationship is much healthier. Ford still worships and puts Bill on a pedestal at first, but as they get closer over time he realizes that they're equals, kindred spirits. Bill delights in having someone and who finds his weirdness intriguing and endearing rather than being put off by it. They both love having someone they can relate to, someone on a similar level of intelligence, someone they never have to filter themselves around, and with all that in mind it's really inevitable that they fall for each other.

The portal is a success, and Ford makes a ton of money and earns his place in scientific history for his brilliant discovery, but credits Bill with half the workload since he can now prove Bill is, y'know, real and not a hallucination. People are still a bit weirded out by Bill and prefer the idea of a human success story, so as far as the press is concerned, it was 99% Stanford. Fiddleford is not credited at his own request, preferring to live a quiet life while knowing he helped make the world a bit better.

Fiddleford is still crushing hard on an oblivious Ford throughout the portal-building process like canon implies, but once the portal finished and Ford can introduce him to/explain his relationship with Bill, Fidds gracefully bows out and goes back to working on making personal computers and on focusing on his family. He and Ford are still good friends and regularly email and call each other which Bill hates but begrudgingly tolerates

Bill and his friends take a tour of the multiverse to decide where they want to settle, but Bill's thoughts keep drifting back to Stanford. Ford is also touring the multiverse for research purposes, which has disrupted their ability to communicate mentally, and Bill realizes how much he misses him. They both eventually go back to Dimension 46'\ and get married. Bill finds Earth a bit boring sometimes and occasionally goes on vacations to other dimensions with Ford and/or the Henchmaniacs, but "home" for him and Ford is always Gravity Falls.

Stanley calls Ford to congratulate him on his success and they reconnect, both apologizing for their fight. Ford finds out that Stanley is homeless and immediately hires him as his publicist since he's constantly being bombarded with interview requests and the like. Stanley ends up getting his own place in Gravity Falls to be closer to work and his brother.

Dipper and Mabel's parents are going through some Things™ and decide to send the twins off to live it up with their rich, successful Grunkle Ford for the summer. Gravity Falls is still weird but the twins now have a great uncle who actively encourages and assists them on all their weird supernatural and conspiratorial adventures. And, of course, their weird extradimensional triangle great-uncle-in-law is more than happy to help them cause some trouble and solve some mysteries too (Bill 10000% helped Mabel kidnap Sev'ral Timez and hide them from Ford, suggested using the Lilliputtians to cheat in her mini-golf game against Pacifica, etc.)

Stanley and his personal assistant Soos still make frequent appearances at Ford's house, and Wendy is also there (haven't quite figured out how she fits into this yet), so Dipper and Mabel are still close with all of them like in canon

Mabel still meets and becomes besties with Candy and Grenda, just under different circumstances.

Pacifica's parents initially contact Stanford to hire him to dispose of their ghost problem, but he passes it off to Dipper because he and Bill are going to visit Bill's parents in Euclydia. So NWMM/Pacifica's character development plays out mostly the same way as canon

Gideon still meets and becomes obsessed with Mabel, but without the journals as a source of power and motivation, he has no ambition to steal the Shack or means to almost kill Dipper. He's still kind of a stalker towards Mabel but a mostly harmless one- especially after Ford, Bill, and Stanley find out he's been bothering her and have a Friendly Chat with him.

The journals still exist, but they're not hidden, they're just chilling on Ford's bookshelf. He originally intended to publish them but forgot about it with all the hype around the portal. Ford gives them to Dipper to help out with the twins' adventures for when he's busy and can't go help them personally.