#I'm talking; of course; about the player character

[ashtonisvibing]

who would've thought, while watching mark's final video of slay the princess, that the phrase "shifting mound mark" would have invoked such a deep autistic reaction in me

and anyways if you give me some time and a white board i could connect each of mark's characters with a princess

[blujayonthewing]

life hack: make 'gets frequently misunderstood' a part of your OC's core concept on purpose so that when your fellow players immediately misunderstand him you can go 'ahaha yes, just according to keikaku' instead of feeling physically ill with stress and dismay

[pomefioredove]

only one bed room

summary: it's the sdc and everyone's staying over at ramshackle but, oh no! you're one room and one bed short. being the generous (or gullible) soul that you are, you agree to share characters: all sdc competitors, separate additional info: fair warning I have no replayed book 5 in a while, reader is yuu, reader is gender neutral, rook is rook, most scenarios end in cuddles. can be interpreted as romantic or platonic (nix vil and rook's part)

Deuce Spade

"I don't mind sleeping on the floor!"

it's a big fat no from Vil. waking up sore and tired is unacceptable, and will affect his performance during practice. he will use the bed, end of story.

you offer to take the floor or one of the many stiff and uncomfortable couches in Ramshackle, but he refuses

what kind of aspiring honor student would he be if he kicked you out of your own room?

so, yes, you end up sharing the bed

he's a perfect gentleman about it

he insists on sleeping on the complete opposite end of the bed

to give you your space, of course

not because he's nervous

obviously it doesn't pan out- he's kind of a messy sleeper, and on the first night you wake up with him sprawled on top of you

you decide not to wake him up

you'd been thinking about saving for a weighted blanket, anyway

Ace Trappola

"you better not hog the blankets,"

takes it like a champ, though he might be screaming internally

he already sleeps in a dorm with three other guys- this can't be any different, right?

it totally is

sharing a bed with someone? someone he likes, who he isn't just forced to live with for convenience?

he's not sure how to tease you about this one without coming off as nervous himself

so he just shuts his trap about it (for once) and accepts his fate

in the end, it's no big deal for a player like him

he ends up hogging the blankets, though. hypocrite.

Kalim al-Asim

"YAYYY SLEEPOVER!"

he means exactly what he says

not a care in the world

all he's thinking about is how fun this is going to be! just him and his favorite Ramshackle prefect (Grim heard the news and will be staying in deuce's room to avoid any cracker mishaps)

Kalim, admittedly, is not a creature of great thought. he tends to be dictated by his feelings, and he can be a little selfish sometimes

so when Jamil pulled him aside and asked him to just buy another bed for ramshackle, he ignored him entirely

why would he do that? the situation is resolved, and everyone's happy!

well... not everyone, but Kalim's happy!

he stocks up on Vil-approved snacks, insists you two braid each other's hair and stay up late into the night talking with no one to remind you to go to sleep

(he tried to invite Jamil and got the door slammed in his face)

this arrangement lasts approximately one night

when Vil sees the dark circles under your eyes, it's over

you are confined to the couch, and Kalim is forced to sleep alone

Jamil Viper

"okay,"

really. he's totally fine with it.

besides the fact that he doesn't want to cause any more trouble, he's shared beds with his siblings before. no big deal

he just wasn't expecting to wake up with you snuggled against him

but this is fine

totally fine

he's barely conscious and it's early morning, still dark, the time he's used to getting up at

Vil has things covered, right? he can stay here for a little while longer. it would be awkward trying to get up without waking you

it feels nice having something all to himself for once

he smirks, imagining how jealous everyone else would be:

the beautiful, kind, intelligent ramshackle prefect in his arms? oh, the looks on their faces would almost make this whole thing worth it!

but in the end, he decides to say nothing

he wants to keep you all to himself, after all

for just a little while longer

Epel Felmier

"ain't no way I'm sharing!"

that's what he says in his head, anyway. but it's late and he's worn out from practice (and being shouted at) so he just sighs and accepts his fate

of course Vil would make him do it. it's probably because he's the smallest, isn't it?

you can tell he's unhappy with the arrangement (not that he's making much of a secret of it- he's grumbling under his breath all evening)

he starts coming around to the idea when he wakes up holding something warm

his heart jumpstarts and he nearly panics before remembering where he is

and then he realizes the thing he's holding is... you. somehow the two of you had ended up spooning during the night

but, more importantly... he's the big spoon!

he's almost tempted to wake you to announce that he, in all his manly glory, had naturally assumed the most masculine cuddling position!

(yes he sounds ridiculous. just let him have this one)

he lets you sleep, though. just a little more won't hurt anyone, right?

he's okay with the arrangement after that

Rook Hunt

"I will do it!"

Vil isn't even able to finish his sentence before the vice housewarden is practically jumping up and down

pretty much everyone breathes a collective sigh of relief; a volunteer! thank the sevens. otherwise, this could get awkward...

of course, he quite intentionally ends up with you in his arms

but not for any nefarious purpose, he insists!

he's a light sleeper, and can be stirred by any sudden noise or movement

you appeared to be having some kind of nightmare

it reminds him of a small animal caught in a trap, struggling for its life. he can't bear to see it- it's cruel to let a poor creature go on suffering before you can make the kill

of course, instead of killing you (thank the sevens), he decides to comfort you

he presses your head against his chest so you can hear his heartbeat, and he runs his fingers through your hair until you calm down.

then he keeps you there, just to be sure you don't have another bad dream

if you gave him permission, he would gladly be all over you in seconds. kissing up and down your shoulders, caressing every perfect inch of your body, whispering words of admiration

but he's perfectly content just cradling you for now

hopefully, you will continue to have these nightmares and give him excuses to do this again

Vil Schoenheit

"don't argue with me,"

initially, you just gave him the bed

maybe you were afraid of him; maybe you like him; maybe you just wanted to avoid a conflict altogether

either way, you spent the first night on the terribly uncomfortable floor, and trudged through Ramshackle like a zombie the next morning

Vil was feeling guilty watching you

what? he's not a monster

and he's a leader, which means he has a responsibility. and you had so graciously invited them all into your home...

fine! he'll share. he insists, even

when you try to argue, he shuts you down, repeating all that stuff about responsibility and hospitality, blah blah

and he doesn't want the team manager dead on their feet

arguing with him is pointless, so you just agree

he wakes up with you against him, sleeping peacefully

now, if it were you clinging to him- he might have had a good chuckle. can't keep your hands to yourself, prefect? I'm just that irresistible?

but the way he's holding you, the way his arms are so tightly wrapped around your waist, the way he's so clearly pressing you against him...

he hates to admit it, but you're an elegant sleeper. it's almost cute

the tension is relieved from your face, your breathing graceful and steady, and your perfect lips open just a sliver...

he is a perfect gentleman, and would never dream of doing anything without your explicit permission, but for one shameful second he thinks about how easy it would be to kiss you

... and then he quickly puts those thoughts aside and tries to get back to sleep

he doesn't want any dark circles, after all

[suplicyy]

You bringing him a bento for the first time!

Haikyuu boys x Gn!Reader

— Summary: How would he react to receiving a bento at school that you made especially for him.

— Characters: Yamaguchi, Kenma, Akaashi, Oikawa, Tendou.

— Tags/Genre: Gn!Reader | Fluff

— Idea by: @sarasversionworld

Yamaguchi Tadashi

He never thought he would receive something like this until he met you.

You always treat him with so much love and affection, that he even thought about the possibility of this happening one day, but he always thought he was dreaming too much.

But when you appeared at his desk holding a small box wrapped in a flowery cloth, he felt like he might pass out right there.

Yamaguchi is someone who is very insecure about himself, as he has not received attention from any person in a romantic way, so receiving something simple but as comforting as a homemade lunch means a lot to him.

"Huh!? This is for me...? T-Thank you very much!!"

You can be sure he was all flushed when he took the bento from your hands.

And if you have any doubts that he didn't like it, put it out of your mind immediately! Tsukishima will definitely complain to you the next day saying that Yamaguchi talked about your bento all day.

Kenma Kozume

We all know that Kenma is someone who eats very little, and it's no wonder he has the smallest appetite in the series.

You worry a lot about his diet and how it affects his well-being, and as he is a volleyball player, he needs to eat well to be in good shape for every game!

And to help him, you thought about making a complete bento for him at least once a week.

So when you walked towards him with a bento box in your hands, he didn't think it was for him and that it was your own bento, but those thoughts soon dissipated when you shyly handed him the box perfectly wrapped in a polka dot cloth.

Obsessed with technology, Kenma always has his cell phone or console in his hand while eating a meal.

Then It was an unexpected surprise to see him putting away his video game to eat the bento you made for him.

And if you give him a delicious slice of apple pie, he will definitely try to eat better to get the dessert.

Akaashi Keiji

As someone who has the habit of taking care of others around him, he was probably the one who gave you a bento earlier, so as a thank you, you decided to make one for him too.

Even if he never said it to you, it's quite noticeable how much he likes onigiris, seeing as he brought one to school almost every week.

And that was why the bento you prepared was full of onigiri of different flavors, as you weren't really sure which flavor was his favorite.

Akaashi would certainly be very grateful for the surprise, and he may be a little shy about the gift and sometimes doesn't show his emotions as much, but you've known him long enough to know that he loved the bento you prepared for him.

"Oh, that's for me?" He takes the bento from your hands, and when he opens it, he finds onigiris that you made yourself.

"Thank you, my love." He gives you a small smile, and when no one is looking, he plants a kiss on your cheek.

Also, don't be surprised if Bokuto appears out of nowhere and eats some of the onigiris you made for Akaashi, he usually eats his friends' snacks (and doesn't share when someone wants to eat his snack💀).

Oikawa Tooru

He has certainly received several bentos or snacks from his fans, and no matter how willingly he accepts each gift, he has never been so interested in it.

But his opinion is totally different when it comes to you, he appreciates every thing you do for him.

We all know he can be a little cheeky sometimes, so expect to get a comment from him bragging about himself.

"But of course you wouldn't resist the thought of spoiling me, I'm irresistible after all." says Tooru giving you a wink.

Just give him a serious look and he stops talking in the same second...😭

Oikawa will beg you to feed him, blatantly lying that his hand is hurting at that moment.

He'll be bragging to his third-year friends about how he has such an amazing partner and they don't, but not until Iwazumi threatens to throw him off a cliff.

Tendou Satori

Just like Yamaguchi, Tendou is someone who has never caught anyone's attention romantically, and is even excluded because of his different appearance than other people.

So when he receives a bento from someone he loves so much, he will definitely remember it forever.

Trust me, he'll have a passionate smile written on his face and with the brightest eyes while listening to you talk about how you prepared his favorite food.

He would probably first make some joke about the situation, to try to ease his own shyness, but later he will genuinely show his gratitude in every possible way.

Tendou loves being around you, so expect lots of hugs and little kisses during lunch, in addition to his lots of compliments for the bento you made.

The next day, he probably would surprise you with a dessert he made especially for you, like truffles, cookies or even cupcakes!

And please give him lots of compliments too!! This way, he will prepare something every week for you.🌷

— A/N: They had already sent me this idea a long time ago, and only now have I managed to have the creativity to write something about it.😭 Anyway, thank you very much for your help!! And I will certainly do that other idea of yours that you sent me!

[vixensdungeon]

Alright, time to talk about one of the hot button issues in D&D today: skills, and how they've evolved over the 50-year lifespan of the game. We'll start, of course, from the beginning.

Dungeons & Dragons (1974)

So there actually isn't a skill system here. But the primordial origins are there, in the various neat little procedures of adventuring. Firstly there are languages. Humans know the "common tongue," which at this point isn't a single language, it just refers to the local Lingua Franca. I think all non-human player characters are assumed to be in 20% of other creatures who speak the language along with their own one. You also know an alignment language (Lawful, Chaotic, or Neutral), and one additional creature language for every point of Intelligence above 10.

NPC reactions. This is rolled on a simple 2d6 table for recruiting hirelings. Another 2d6 table is for monster reactions.

Surprise rolls. There are no stealth or perception skills, and adventurers are simply assumed to be sneaking around while in dungeons, with surprise rolled when monsters are encountered.

Doors can be listened at and secret doors found, with simple d6 rolls.

There's also a chance of getting lost in the wilderness, which sort of implies a general ability to not do so in most situations.

And that's basically it! You can already see several different skills we know today forming in the primordial soup.

But you feel like something is missing, right? Ah, of course! We must take a little detour to

Greyhawk (1975)

Did you know that in the original game, the only classes were fighting man, magic-user, and cleric? That's right, the now classic thief would not be introduced until the first supplement! And with them came for the first time actual named skills.

Thieves could open locks, remove traps, listen for noise, move silently, pick pockets, and hide in shadows. Additionally they could read languages, treasure maps, and even magical scrolls at higher levels.

Now, these skills are only for thieves, so what are other characters to do? Well for most of them, nothing. It simply is not a fighter's job to pick pockets, or a cleric's job to open a lock. Certainly an item can be forcefully taken from an NPC, and a door bashed open, so they are not completely helpless in these tasks. But the thief simply excels at doing such things with superior ability and grace. And of course any character can hear noises behind doors, thieves are simply better at it. Moving silently and hiding are two slightly odd skills, as they overlap with surprise rolls but don't interact with them. It can be assumed that a thief moving silently can scout ahead and report back without actually encountering the monsters they find, and a hiding thief can let wandering monsters pass by even when there isn't sufficient cover (as only shadows are needed, other characters can obviously still hide behind cover if they are aware of the need to do so). Other characters can also climb using ropes and other tools, but won't be able to climb sheer surfaces unaided like thieves can, so again the thief can simply do something general in a superior manner.

There are many classes with their own skills to be found in various magazines, but I'm not going to dig through them. So let the totality of original D&D skills be the above.

Next time: we get Advanced

[mythalism]

i realized the other day after posting about this fan theory that, at this point, it is basically talked about in fandom as if its canon, and newer fans might not understand why. my goal today was to explain the theory and all of the evidence we have for it in inquisition to give people a better understanding of why this has become so ubiquitous, and to hopefully have something to look back on in two months with that "apollo gift of prophecy" dodgeball meme when veilguard proves us right.

very important before i get started: this is not my theory. i didn't make it up. unfortunately, i also don't know exactly who did and if it could even be traced at this point. this is something that many people have believed for a long time, and i'm not the first to write about it. there are a lot of great posts and essays that speculate on this theory, and what it could mean for solas's character going forward.

PLEASE feel free to contribute thoughts, or link to posts you have made yourself or seen before in the replies/reblogs!!! much of my own experience with this comes from long before this account existed, so i dont have exact sources but rather random, amorphous fandom knowledge of this theory and what major arguments have circulated in the past 10 years. this post by @sammakesart and this post by @mrs-gauche went around recently and both touch on this theory and i highly recommend them both! i know @corseque has also written about this theory multiple times over the years.

i was first introduced to this on tumblr when it started gaining ground in the fandom after the release of trespasser in 2015, predominantly due to a couple of lines of cole dialogue from trespasser, so that is where we will begin.

shoutout to @daitranscripts and the dragon age wiki for the dialogue

this line of cole's is basically the foundation of this theory, and what is cited most often. i'm not entirely sure if the theory existed before trespasser, but if it did, i dont remember it being well-known or widely accepted like it is now.

this line is usually interpreted to suggest that solas, who would have been a spirit of wisdom/pride at the time, took a body and came into being as an elf at mythal's behest. this is also the line that suggests solas himself once wore vallaslin, and that he removed it himself using the same spell he uses on a romanced lavellan thousands of years later, but did so clumsily the first time and left the scar we can see on his eyebrow.

first i want to acknowledge what are pretty much the most damning indications of this theory

solas means "pride; to stand tall" in elvhen, according to world of thedas vol. 1

the dread wolf form we see in murals, written descriptions, and of course, in real life in the veilguard trailer, bears a pretty clear resemblance to pride demons:

most notably, in the face and eyes. yeah i dont really have anything else to say about those lmao it's pretty blatant

overall, inquisition tells us a great deal about spirits, and gives the player an alternate worldview through which to understand them, distinct from the chantry/circle narrative presented previously.

solas himself, along with cole, has a lot to say about the nature of spirits throughout his dialogue and banter with several characters. one sentiment that he espouses repeatedly is that spirits and demons are the same thing, but demons are a spirit corrupted and perverted away from its purpose.

Solas: They rarely seek this world. When they do, their natures do not often survive exposure to the people they encounter. Wisdom and purpose are too easily twisted to pride and desire

During All New, Faded for Her:

PC: Solas, you said your friend was a wisdom spirit. Solas: That is not its natural form. It has been corrupted. PC: Corrupted? Solas: Forced to act against its original purpose. What did they do, what did they do, what did they do?

second, that spirits and the fade are a mirror, and reflect the waking world. specifically, that spirits reflect the perception and expectation of a mortal, and adapts accordingly. belief makes reality.

On Ostagar:

PC: I've heard the stories. It would be interesting to hear what it was really like. Solas: That's just it. In the Fade, I see reflections created by spirits who react to the emotions of the warriors. One moment, I see heroic Wardens lighting the fire and a power mad villain sneering as he lets King Cailan fall. The next, I see an army overwhelmed and a veteran commander refusing to let more soldiers die in a lost cause. PC: And you can't tell which is real? Solas: It is the fade. They are all real.

and third, that spirits are people.

solas expresses concerns over what the breach does to spirits at multiple points, including here with cassandra.

he also regularly argues in favor of spirits personhood, and passionately pushes back against characters who argue the opposite, such as dorian:

as well as the inquisitor themselves, should they choose certain dialogue options:

PC: You trust these spirits not to possess you the first time you accidentally make a wish? Solas: Do you trust your friends not to turn on you? (authors note: LMFAOOOOOOO) PC: Well, yes, but they're people. Solas: Ah, of course. PC: You know what I mean. Solas: Are people only people because they are flesh and blood? Solas: Is Cassandra defined by her cheekbones and not her faith? Varric by his chest hair not his wit? PC: They're not defined by their bodies, but they do have bodies. You need one to be a person. Solas: A demon possessing a corpse has a body. PC: A living body. Solas: A demon possesses a living mage to become an abomination. PC: They didn't make that body. They just took it over. Solas: Technically your mother created your body, with some help from your father, one assumes. PC: You've thought about this. Solas: On occasion, yes. OR:

PC: Spirits are bound by their nature. You said it yourself. They're shaped by contact with real people. Solas: Just as Leliana was shaped by contact with Divine Justinia, as those who serve the inquisition are shaped by you. If I change your mind in this conversation, does that mean you're no more real than a spirit? OR: PC: Im certain you have some rhetorical trick ready to counter anything I say. Solas: It's likely. I've had a lot of time to discuss the question with people. Or "spirits", if you prefer.

aside from this entire conversation being hilarious and very fen'harel coded, i think its notable that his enthusiasm and snark here is distinct from the way he engages in other debates, where he is often clinical and detached. on the subject of spirits, however, we get a lot more emotional investment from him - it feels personal. as he says, he's thought about it. on occasion.

solas having originally been a spirit adds helpful context for his insistence on spirit's personhood despite modern thedas's completely contradictory beliefs, and also helps inform his worldview more generally, especially in regards to elves.

one of solas's most heavily criticized aspects is his disdain for modern elves and the dalish. and i agree, it's fucked up and he is an absolute ass about it at nearly every opportunity. however, his feelings regarding the elves sometimes seem... strange, even in the context of him being an ancient elf.

keeping in mind cole's line from trespasser, that he "did not want a body", as well as another cole line from trespasser:

most people infer that there is some sort of resentment on solas's end for him having to become human at mythal's request. it seems as if he was turned away from his purpose. wisdom forced to be pride.

cole's personal quest, which shows solas passionately arguing to keep cole a spirit, supports this. it is almost as if he is trying to prevent cole from the same fate that was forced upon him.

throughout the quest he says things such as: "This is not some fanciful story, child of the stone. We cannot change our nature by wishing." "A spirit does not work through emotions. It embodies them." "You would alter the essence of what he is." "It is good that he is not entirely changed, however human he becomes."

most telling of all, i think is this line at the end of the quest if you elect to keep cole as a spirit.

Varric: "He could have been a person." Solas: Possibly. Would that have made him happier?

OUGGHGH.

clearly, for solas, the answer was no. being a person has not made him happier.

regardless, solas still values spirits as fundamentally equal to people despite their differences and worthy of the same freedoms, self-determination and respect.

this kinship with spirits, however, might help explain his disdain for elves, in a way i find to be more satisfying than "all ancient elves are assholes" and more in-line with his character overall.

it seems as if solas doesnt see himself as separate from modern elves because he doesnt see himself as a modern elf, but that he doesnt not see himself as an elf at all, but rather as a spirit.

solas infamously says, following halamshiral if you bring up briala:

"I'm sorry, I was confused. I do not consider myself to have much in common with the elves."

the inquisitor has the option for several responses, and although most of us probably pick the one that tells him to fuck off, the others are more telling:

PC: Nor should you. You're not defined by the shape of your ears. They're not your people. Solas: No, they are not. OR PC: Who do you have much in common with. Who are your people? Solas: A good question. Solas: I joined the inquisition to save the world. Regardless of who "my people" are, this was the best way to help him.

"not being defined by the shape of your ears" and solas's immediate identification with the statement and approval of it sticks out to me. it seems like he's just being racist, and he very well might be, but in the context of this theory, it can also be interpreted as him disliking being "defined" by having a body at all, or any physical characteristics, consistent with how he resists the idea that varric and cassandra are defined by their own physical characteristics.

if the player insists they want to help the orlesian elves even if he doesnt, he still has something interesting to say:

Solas: Stop Corypheus. That will do for a start. It speaks well of you to feel for the oppressed. Help them for that. Know them for what they are.

this is not the only time he equates all oppressed groups of thedas to one another, defined by their shared subjugation rather than the real, in-world divisions such as race and religion. it's also interesting to consider the relationship between oppression, as a situation that evokes certain emotions in those who experience it, such as pride. as solas says of ostagar, spirits there were drawn to the emotions of the soldiers there. are spirits of pride drawn to situations of oppression, where pride is needed for liberation?

solas's failure (or refusal) to recognize the reality of how oppression functions in modern thedas along lines of race and ethnicity specifically is one of his biggest flaws, but it continues to fit with this theory, as it is consistent with that same sort of single-minded, spirit tunnel-vision that we see from spirits and demons. i would also assume that he considers spirits to be part of this monolithic group of "the oppressed", considering the spirit slavery/bondage practices in tevinter and nevarra, both of which he criticizes.

i do believe, however, that to equate all of solas's unfair derision of the dalish to him identifying with spirits over people, rather than ancient elves over modern elves, would be too generous and an oversimplification. its also clear how much of his anger towards the dalish comes from... wait for it.... his wounded pride.

solas is prideful. when he is faced with pride in others, he becomes defensive, even nasty. when his pride is challenged, often by others pride, he becomes almost unrecognizable. the dalish specifically rub up against his pride, in the most specific of ways that grate at his most cherished qualities and that disregard his own perception of himself. the thing he is most proud of, leading a slave rebellion against corrupt tyrants, erased from history entirely. branded a traitor instead, while those he fought against are worshiped as saviors for millennia.

Solas: I have joined my fair share of causes. But when I offered lessons learned in the Fade, I was derided by my enemies... and sometimes by my allies. Liar. Fool. Madman. There are endless ways to say something isn't worth listening to. Over time, it grinds away at you.

its also possible, considering what we know of the nature of expectation creating reality for spirits, that the dalish framing of the dread wolf actually does indeed make him worse - more arrogant, less compassionate, more ruthless, more cunning, more of a liar. a spirit being perverted into a demon based on the dominant perception of it.

perhaps the most interesting tidbit about solas of all which supports this theory, is that this phenomenon of expectation shaping his nature, making him more prideful or more humble, is not exclusive to the world of thedas, but also occurs on a meta-level with the player by proxy of the inquisitor.

a 2020 interview of trick weekes, solas's writer, says this pretty much verbatim.

"Solas mirrors. If you approach Solas from a place of humility and say, "I want to learn from you," Solas will bend over backwards to tell you how flawed he is and how he's just coming at this from his own limited understanding. If you come in with ego, Solas is genetically incapable of not bristling when he sees your ego... because he can't not do that."

this is fascinating for like 7 million reasons, but most notably for the language trick uses that i believe to be incredibly revealing. first, solas himself talks about how spirits "mirror" the real world multiple times. second is the way in which they speak about solas's mirroring as innate, uncontrollable, and involuntary. he is genetically incapable of not mirroring. genetically incapable of not bristling at someone else's pride. this being a genetic incapability implies, pretty unambigously, that he is a spirit. we dont know of any people in thedas who have pride in their DNA. except. you know. pride demons.

pride is his purpose. he cannot turn away from it or betray that purpose to pursue something else. he cannot change his nature simply by wishing. if he were to attempt it, he would be corrupted.

trick offers this information as an explanation for player's extremely varied perception of solas when playing the game, and it perfectly mimics the way solas himself talks about spirits as being created by a dreamer's expectation of them.

when asked about his friendships with spirits, he says:.

PC: You're saying that you became friends with pride and desire demons? Solas: They were not demons for me. PC: Meaning? Solas: The Fade reflects the minds of the living. If you expect a spirit of wisdom to be a pride demon, it will adapt/ And if your mind is free of corrupting influences? If you understand the nature of the spirit? They can be fast friends.

i just love how perfectly this reflects every fandom argument that's been had on twitter about solas for the past 10 years. like seriously.

random twitter user: you like that guy!? but hes a [demon]!! solas stans: he wasn't a demon for me

and it is true; people who are pretty deep into the games often know what solas is like to a low-approval inquisitor, but it can be shocking for new players to see what he is like at the other end of the approval spectrum, whether that is someone who hated him seeing the tenderness with which he kisses a romanced lavellan goodbye to remove her anchor in trespasser, or someone who romanced him witnessing the cruelty and detachment which with he grabs a low-approval inquisitor to yank off their anchor. he becomes almost an entirely different person based on how the player treats him.

for all that solas, in true spirit form, reflects the perceptions of the players, he has plenty of pure pride-demon vibes on his own, independent of player expectation. he is not just proud, or made proud as a mirror for player/character pride, but he often even goes as far as to act in ways that mimic how we have seen from spirits more generally, as well as pride demons specifically.

the wiki states:

"Spirits are not complex in the sense that they seize upon a single facet of human experience, and this one idea becomes their identity.[3] They are formed as a reflection of the real world and its passions.[10] A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose. For instance, a hunger demon will attempt to feed on anything it crosses,[4] and a spirit of justice will stop at nothing to uphold its name”

along with further reinforcing solas's tunnel vission as characteristic of spirits, he does indeed intentionally attempt to stoke arrogance in others, as well as test characters to see if they are vulnerable to arrogance and power-hungriness. this is probably best exemplified by his banter with vivienne, versus his banter with cassandra.

i mean this one is self explanatory. cmon.

but it becomes especially interesting when compared to his interactions with cassandra, of whom he starts out very distrustful of. however, through their banter, he immediately begins to test her for indications of her inclination towards arrogance and desire for power:

cassandra passes solas's tests and earns his approval through her humility, curiosity, and willingness to give up power for the greater good. as a result, solas softens considerably towards her, and becomes more evocative of wisdom than pride, offering her advice when she asks, though very humbly:

"i would hardly presume" is actually hilarious considering how he does presume. ALL THE TIME. but it shows the extent of this "mirroring" that trick mentions, when compared to how he speaks with vivienne, who does not pass his tests of pride: notice how his jabs at her specifically target her pride, the things she is proud of about herself, and tear them down:

he tells her that her position in the orlesian court is unearned, that the freedom she is so proud of winning for herself will come to an inevitable end, and that her resistance to demons does not make her special. its absolutely BRUTAL.

its especially important to note how little bearing vivienne and cassandra's backgrounds have on solas's perception of them. vivienne is a circle mage, a group of people who solas deeply sympathizes with, and believes should be freed. meanwhile cassandra is effectively templar, a group whom solas despises and finds unjust, and has been complacent in the oppression of mages that solas is so vehemently against.

and yet? it does not matter. he measures their worth based entirely on their propensity for pride.

it’s worth noting too, keeping in mind Solas’s almost uncharacteristic reverence for cassandra’s faith in the maker and (take this with a grain of salt because it was david gaider and he said via forum post….) that there are actually two types of spirits that become pride. wisdom, and faith.

"A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose."

what we DONT know: pretty much everything else about this. what was the process like? at what point in history did he take the body? how was that body made? was it stolen? did he start as wisdom and turn into pride later? did he always oscillate between both? was he corrupted by what was asked of him, to fight, as his friend was in his personal quest?

i could continue talking about this forever, probably, especially with how it manifests in the solavellan relationship and what it suggests for solas's story in veilguard, but ill cut it here for both my own sanity and yours. but first, a few fun dialogue bits that strike me as very pride-demon coded but didn't fit anywhere else in this analysis.

in conclusion:

[natalyarose]

𝒥𝓊𝓅𝒾𝓉𝑒𝓇 𝒩𝒶𝓀𝓈𝒽𝒶𝓉𝓇𝒶𝓈 & 𝒢𝑒𝓃𝒾𝑒𝓈 🧞✨💐✩

I've always thought Jupiter ruled Nakshatras (Punarvasu, Vishakha, & Purvabhadprada) to be veryy magical with their themes of limitlessness, expansion, sheer spiritual abundance & power. I'm not sure if it has been talked about before, but something that always comes to mind when I envision Jupiterian Nakshatras or meet heavily Jupiter influenced people, is the concept of genies.

Jupiter's abundance and endlessly giving nature is known to be a blessing and a curse. A Jupiterian can be the sweet, generous, selfless friend who is there when you need them; providing you endless support, refuge & material generosity.

The dark side of this inherently generous 'wish-fulfilling' nature of Jupiter Nakshatras, is the possibility that they enable dark behaviours in others & themselves. Always saying yes, always being available and endlessly giving to the wrong type of cause or person, can make you complicit in the crime so to speak, even if the intention is simply to give, or give chances (Punarvasu's themes of second chances, 'return to the light'). Jupiter Nakshatras entail hugeee lessons regarding purpose (Vishakha, 'the Star of Purpose') & being intentional and wise as to how you use your power and influence (the infamous test of character in Purvabhadrapada 'the man with two faces').

These Jupiterian themes have always made me think of genies- wish fulfilling creatures who are inherently unable to say no to the wishes uttered to them. Having to just sit and watch people wish for dreadful things and just go... 'as you wish'. Obviously in real life, there really is a choice not to feed into others' and ones own toxic patterns but with Jupiterians, the urge to give, to be constantly available to others, can almost feel like it's not a choice. It's energetically intertwined in their make-up.

I would love to gather more examples, but it's 3am here and this was a bit of a spur of the moment thing I had to get out haha- I looked into a few of the most prominent 'genie' roles in movies and as I suspected, every single one features an actor/actress with strong Jupiter influence.

Jeannie from 60s sitcom 'I dream of Jeannie' - actress, Barbara Eden has Punarvasu Ascendant

Kazaam from 90s comedic film 'Kazaam' - actor/basketball player Shaquille O'Neal has Purvabhadrapada Sun

Genie from Disney's Aladdin - played in the live action movie by Will Smith, Vishakha Moon.

This genie theme really makes me think of all of the Jupiterian Nakshatras, but Vishakha especially. A friend of mine who is a Vishakha stellium always tells me about how it is said that Vishakha has the ability to generate 'instant karma'. So Vishakha natives to an extent greater than other Nakshatras will receive the raw manifested result of their thoughts/actions veryy quickly. Much like a genie granting instant wishes.

I was going to mention also that the whole genie archetype also reminds me of Rohini a bit- the wish-fulfilling aspect, the element of fulfilling desires without shame/inhibition. It's a little different in nature, but Rohini Nakshatra's got a similar theme where the native is incredibly nurturing of who or what sets their heart on fire, sometimes to a fault. Rohini is capable of immense growth but can forgo morality/practicality for the sake of immersion in the process of creation & sparking joy. Rohini's philosophy is something along the lines of 'let go of judgement because judgement inhibits creation and disrupts purity'. This is very true, but of course as humans on the divided and dense Earthly plane, we know that having a sense of judgement & boundaries is also important.

That was very wordy, but hopefully y'all see what I'm getting at lol. Although I'm more inclined to associate Rohini with wise old wizard dudes with cool beards & mad but genius scientists lol.

Back to Jupiterians-

I believe that Jupiter Nakshatra's 'remedy' is to eventually realise that they are not a slave to their giving nature, and the power lies in them to decide, & give only to a person, dream, goal or cause that truly is aligned with their own soul's path. Break free from the shackles lol- with wisdom hopefully. Without that element of wisdom, Jupiter can run wild with that discovered power.

Jupiterians struggling with discernment is why Jupiter Nakshatras oppose Venusian Nakshatras (Bharani opposes Vishakha; Purvaphalguni opposes Purvabhadrapada; Purvashadha opposes Punarvasu). Venus masters the fine art of 'necessary cruelty' sometimes ya gotta rip out the weeds, warn off the pigeons and trim the rose bush to make your garden a beautiful, pleasant, luxurious place. Jupiter can struggle with this, instinctively wanting to be a safe space for everyone and everything.

Jupiter ruled Nakshatras also partially oppose Solar Nakshatras (Krittika, Uttaraphalguni & Uttarashadha) illustrating the Jupiterian struggle with putting oneself first. Solar Nakshatras keep their energy strong and vibrantly resounding at their core; wheras Jupiter Nakshatras are kinda messy with their energy (lol, not necessarily in a bad way)- they disperse their energy everywhere, giving & giving. Both Solar & Jupiter Nakshatras deal with themes of limitless reserves energy, but in opposite, contrasting ways.

There's so much I could write about Jupiterians, I love Jupiter energy very much. I really love all of the Nakshatras lol, I mean how could you not? Every Nakshatra holds teachings that are integral to making the world a better place 💕🪷

Thankyou for reading!

[comicaurora]

I heard you talking on a recent OSPod about Hades, and as someone who very much can get ADHD-yoinked into games, it got me curious, but I'm...not great at video games and have found Dark Souls-y games where you try over and over and keep failing at the same task kind of frustrating. How's your Hades experience been in those regards? (although I'm not sure your general game skill)

Hades feels like it's really carefully designed to circumvent those frustrations.

I also hate the feeling of lost progress, which had me wary about playing a roguelite defined by constantly trying and mostly failing, but by far the most helpful part of the game design is that Zagreus also hates it, so it feels like the game and I are on the same page about it.

It also helps that most of the actual, tangible progress in the game is bound up in advancing the character arcs, which isn't a totally skill-free experience since it involves finding a couple characters out in the underworld, but a lot of it can be done back in the House of Hades, so every time you lose and die you can run around having conversations with everyone, almost all of which will be new and unique and advance your arc with them. If a character doesn't have a new interaction for you, you usually just can't find them on the floor, so there's very little time-wasting.

Speaking of, there's a lot of advancement that can only be done in the House of Hades, and a lot of it involves resources you can actively choose to seek out on runs. I did a couple runs today where my only goal was getting the last of a specific olympian's Boons so I could fill out their Minor Prophecy achievement and reap the rewards, and everything after that was just a bonus. This means the game is passively encouraging the player to develop secondary objectives beyond just making it to the end of the game again. It also helps that making it to the end of the game basically just gives you a weapon-unlocking resource and another small slice of conversation with [EXTREMELY OLD SPOILERS] so while it feels important, and is necessary for advancing towards the true ending of the game, it's not so overwhelmingly rewarding that you feel absolutely crushed when the final boss takes you out halfway through his second healthbar again.

You also benefit very greatly from not playing the game the same way twice - using new weapons or adding new challenge modes is the only way to re-acquire the unique boss rewards for the three main regions of the underworld, instead of the more generic resources that replace the unique ones after you win them for the first time, which means instead of feeling like you need to optimize a winning build and then use it every time, you're encouraged to play with the other weapons that you might find unwieldy or annoying, and if you manage to beat even the first boss with them, you'll be disproportionately rewarded. Also, on every run a random weapon will be empowered to give you bonus resources if you choose to use it, so even if you're a strictly melee-only main you might find yourself willing to figure out how to use the bow in exchange for the extra gems. The Boons you get also dramatically change the strategy you're likely to naturally fall into over the course of fighting your way out - some builds are extremely melee-based, others just boost your ranged abilities to the point that you can mostly just dash around the battlefield while your Casts chew through everyone's healthbar at top speed. So when you reach the final boss, you're not going to be using the same strategies, and even if you lose, it feels less like you had a skill issue and more like you've learned something to look out for or try out next time around. The final boss's strategies and moves don't change either, so you'll know what to expect every time even as your own moveset might be completely different from run to run.

In my personal experience, I have a pretty good feel for when a game is disappointed in my performance. Nothing says "the designers didn't expect you to get stuck here" like endlessly looping dialogue or not-so-subtle hints that you can knock down the difficulty if you need to. Hades has thus far done this to me very little, and only in specific areas - even if I'm no longer getting unique banter with Theseus every time I kick his ass, I'm still having unique conversations with Asterius in the same region and it doesn't feel like I'm anywhere near done with the dialogue back in the House. Zagreus's dialogue when he enters the same three boss arenas will also randomly go from seemingly-interchangeable lines of "yep it's this boss again" to much more unique angles that legitimately change the game from then on. Yesterday, after killing the bone hydra something like a dozen times, he randomly decided to nickname it Lernie, and now he consistently calls it Lernie and every time I kill it the victory banner says "LERNIE VANQUISHED". Today he got Tisiphone to say his name instead of just "murderer" all the time. The game knows you're going to be fighting these guys a lot, and this tells me I haven't outstayed my welcome in the anticipated main timeline of gameplay.

If I have a frustration, it's that I'm not always sure that what I'm doing is advancing the character plotlines, and you can only talk to a character once on any given visit to the House. The game kind of helps you out here, your little information codex will tell you stuff like "Learn more by having X more conversations with this character" or "learn more by deepening your relationship with this character" but it can still be pretty vague and opaque. There's no dialogue trees, Zagreus basically just says what he wants, so when, for instance, Achilles indicates that I should talk to Nyx about maybe getting Orpheus's deal with Hades undone, it's a little frustrating that I can't then go over to Nyx and ask her about that. Or, in fact, ask her about it at all in any of the dozen runs I've done since that nugget got dropped. It's not a game-breaker, but it is a little frustrating. On the other hand, this is clearly intentional, because this means you're tempted to get back into a run as quickly as possible, because then when you die more conversations will have unlocked back at the house - but also, to deincentivize just running out and dying on purpose to get those dialogues going, there are some characters who will only appear in the House if you get far enough into the run to deal with them, and certain characters whose arcs and dialogue only advance if you find and talk to their missing loved ones out on the run. So you'll always have something new back at the House, but you're strongly encouraged to get as far as you can before you die, because the farther you get, the more you'll have to do when you get back.

The game is basically designed to never, ever make you want to sit still. You can quickly exhaust everything there is to do in the house, and that makes you want to go out on a run and see what new things will happen. Then while you're on the run you have the benefit of randomization keeping things interesting and making you make plans for the next time you encounter a given character. It's got a good rhythm to it!

[psychotrenny]

I don't think "Fascist" is a very useful or accurate thing to call Caesar and his Legion (from Fallout: New Vegas) in the context of the game world itself. Like there are a lot of aesthetic similarities and basically all of their unironic real world fans are some sort of Nazi Nerd, but when talking about their place within the context of fictional post-nuclear Nevada it just doesn't work. Like Caesar's whole deal is that he's a Social Scientist who, living in a world that's been "blasted back to the Stone Age", figures that society must evolve through the same stages if it wants to properly return to modernity. The Legion is basically comprised of "Primitive Communists"* who've been forced into a Slave Society. His criticisms of the NCR boil down to them being a moribund remnant of/reversion to Old World Capitalism rather than something organically adapted to the post-Nuclear world. He repeatedly talks about how the Legion isn't meant to represent an ideal society but simply a stepping stone onto something better (the thesis that will clash with it's antithesis and evolve into a superior synthesis). His interactions with the Courier heavily imply that the Legion's Misogyny, Homophobia, Tech aversion etc. are much more tools of social organisation and control than values that Caesar personally holds. The Legion isn't just some band of mindlessly violent reactionaries but the product of very deliberate Social Engineering; a peculiarly post-nuclear sort of scientifically planned society

Now I'm not defending the Legion as a "good" choice or anything; Caesar's plan has a lot of problems, it's not hard to poke holes into and in terms of unadulterated cruelty The Legion is easily the most morally repugnant of the main factions. But the thing I really love about The Legion is how, within the specific context of Fallout's setting, it makes sense. Like once you really think about it you can understand why someone in Edward Sallow's position would arrive at these conclusions, and there are good reasons why (if you take your roleplaying seriously and don't treat the Player Character as an extension of yourself) someone living in this world might chose to side with him. The Legion may be terrible but it's not evil for the sake of evil; there's genuinely a compelling ideology behind it.

It's why I get sad when I see so many people dismiss them as the "dum dum fascist slavers" because there's so much more to them than that. Like I think the best part about The Legion is how ridiculous they first appear ("These raiders dress like Ben-Hur extras?????) but once you find out more about them then it all starts to click ("Oh I see their leader is trying to assimilate them into a distinct and alien culture in order to maintain their loyalty; severing their previous connections and giving them a whole new identity"). So it sucks to see so many people get caught up in the first part and never make enough connections to reach the second. Like in general, Fallout: New Vegas is very messy and flawed and yet it's full of all these interesting little nuances and I think that's worth appreciating it. It's why, time and time again, I keep walking down that dusty road

*in the very broad sense that Fallouts "Tribals" are meant to represent people who have reverted back to some sort of pre-state society; of course there are countless problems with how Fallout treats this matter (including but not limited to incredible amounts of racism) but in order to understand Caesar we're forced to meet the game on it's terms

[shutupineedtothink]

Trial order and why Lilia, not Agatha, is last (not counting Rio)

Kay, so I got another off-the-wall theory for you, this time around the order of the trials and why Lilia, not Agatha, is actually going to be last (if we don't count Rio). It goes back to maiden mother crone and some of the trauma/generational trauma stuff I already talked about in a previous post. As with The Road, continue at your own peril.

Right so I couldn't get this idea of maiden mother crone, intergenerational trauma, dealing with the long history of violence toward witches thing out of my head that the show is doing. And I think we've all been assuming that Lilia's trial will be next, saving Agatha and probably Rio for last, because those are standard main character of a TV show rules.

But the more I think about it, the more weight I feel like Lilia's journey carries for this overall theme of trauma toward witches and the history of witches, etc. She seems to have the most intense connection to the pain of witches past, like old-world witch stuff, and she's the one who's brought up multiple times that witches aren't really as they've been portrayed, there's all these negative stereotypes, etc etc. And she's sick of it. She's lived through it for the longest of all of them (again, leaving whatever Rio is out of it).

Idk, something that big, addressing the long history of violence toward witches and witch stereotypes, that feels like you have to deal with it last. That's a culmination of all the witch references, pop culture and otherwise, the show has been making, of which there are MANY.

So I thought ok, for funzies, let's assume Lilia's last, which puts our trial order as follows: Jen -> Alice -> Agatha -> Lilia (and I guess true last would be Rio but I'll get there in a second).

Assuming that order, something else pinged for me: maiden mother crone. Another massive theme in the show, portraying these generations of witches and women in general, and again, for reasons I can't explain, it really feels like it has weight to me. Like they're doing something with it.

So leaving Jen aside for a second, don't worry I'll come back to her, that makes Alice our maiden. Her role, particularly in the context of her trial, is the role of daughter. She's also the youngest of the witches, as far as I can tell. She's even coded as kind of the rebellious one, the young angry one who still hasn't quite accepted her heritage, until after her trial, she does.

Agatha is the mother. We are really going for the mother/child relationship with her and Teen, and of course dealing with her son's death and whatever part she played in it. I would assume her trial will be about that, but we could also be saving that for the end. The mother is also the connector generation between maiden and crone, so maybe there's something there about Agatha fully stepping into the leader role of the coven, and accepting these women around her, idk.

Lilia, the eldest, is our crone. She carries the true history and memory of generations of witches with her, she has lived the longest through the most trials. She is the most experienced in the craft and takes it the most seriously. The journey is hers to end.

Except -- we have two other players left. Jen, who kicks off the trials, and Rio, who I'm assuming doesn't really have a trial but will be there at the end... because, you know. 💀

So why would Jen be first? What comes before the maiden?

And then she said it herself.

"I never fully identified as a witch. I am an 11th-generation root worker and midwife."

This one line almost puts her in a similar category to Rio, at least thematically. She's a witch but also more, neither and both. And she's a midwife, someone who helps facilitate birth. Someone who, at her best, supports and sustains life. Someone who allows the first phase of life, the maiden, to come into being.

And guess who that leaves us with at the end, the opposite bookend to Jen's life-giving power -- the mistress of death herself, Rio. The one to which all life must eventually return.

The trials aren't just about elements, or moon phases, or even different witch specialties, they're taking us through the stages of a witch herself. The stages of ALL women really (whether you are an actual mother with children or not, the mother phase is mid-life). Linking us all together, generation after generation.

So in this theory, the trials go like this:

Jen -> Alice -> Agatha -> Lilia -> Rio

Birth -> Maiden -> Mother -> Crone -> Death

Even the moon phases line up. Full moon is birth, a full-term pregnancy and then birth. Waxing moon, growth, renewal, hope, promise -- the maiden. Half moon, mid-life, no longer maiden, not yet crone, the in-between -- the mother. Waning moon, the last quarter of life -- crone. New moon, darkness, returning to the void -- death. They're playing fast and loose with the moon phase order, so I am too.

I can probably fudge the elements here too, but it's a little harder mostly because I don't know what Agatha's element is. I heard someone say spirit, but idk.

Anyway, what do you think? Am I on to something here? Batshit crazy? Would love to hear your thoughts in comments. :)

[kirain]

I don't get people who say Gale just whines about Mystra all the time. Like do they not realize WHY? Do they not realize there's a perfectly understandable reason for it!?!

Yeah, I don't get it either. Every character "whines" about someone. Astarion whines about Cazador, especially during the second and third act. Lae'zel whines about pleasing Vlaakith, especially during the Crèche mission. Hell, she'll even betray you if you fail her persuasion checks. Shadowheart whines about Shar and snaps at you if you criticize her goddesses of darkness. Then, if you prove she's being used, she falls into a deep depression and still whines about Shar. Wyll whines about Mizora and she's a constant presence in his life, to the point that she'll park her abusive ass directly in your camp just to torment him. If you romance him, she sees everything. She watches you 👀. He has no privacy. I think Karlach might be the only companion who doesn't constantly whine about someone, but she does complain about her engine a lot.

But these aren't criticisms. They're absolutely, 100% justified. Astarion has every right to whine. Lae'zel has every right to whine. They all have every right to whine. I just want to emphasise the hypocrisy when it comes to how players judge Gale. Every character has a dark past looming over them, our chatty wizard included. If you get mad at him, it's only fair to keep the same energy for all the other companions, because they're in the exact same situation. They're trapped. They're victims. They're suffering. Of course it's going to be a major talking point, especially when there's a person/goddesses/devil responsible for that pain.

Honestly, I think the only people who get annoyed when Gale talks about Mystra are would-be romancers who get turned off when he doesn't immediately throw himself at their Tav's feet. Have you seen the somewhat viral video where a streamer drools over him, but goes full jealous mode when she sees him conjuring the image of Mystra in his palm? It's funny, but she acted like they were already a couple ... but at that point in the game Gale didn't even know she was interested! I'm certainly no expert, but isn't that how relationships work? It's pretty hard to find someone who doesn't have an ex, and he only talks about Mystra in a positive light before you express interest. He's insecure and he feels lost without her, but if you romance him it makes him realise how messed up their "relationship" was in the first place. It's a healing process, not a competition. He never compares you to Mystra in any way other than to say that you're better, and that's only if you ask.

Gale is also arguably the most romantic character out of the bunch, so I don't know why people get so upset. Mystra, much like Shar, Cazador, Mizora, etc., is a constant negative in Gale's life and the reason he's dying. She could remove the orb with ease but she won't, so of course he's going to "whine" about her. He feels guilty at first, then he feels used and angry, and by the end you can either convince him to become her Chosen again (which is entirely on you, though you remain his priority) or you can convince him to reject Mystra and leave the crown in the sea. The orb remains lodged in his chest, because Mystra's too petty to remove it, but it becomes completely inert. Either way, he's happy and he devotes himself entirely to you, not Mystra.

[baldursgate3tempobsessed]

Your stories have definitely scratched that Astarion itch that I've had since I started the game!

One thing that's diffently not sat right with me at the end of the game, is how tav and the gang don't run after astarion after he loses his immunity to the sun. I would imagine that if the player character was romantically involved with the guy they would atleast try to shield or comfort the poor guy. A short drabble on that would be awesome!

That's so sad, I heard that's what happens 😭😭 I'm in act 3 and haven't had to see it for myself yet so yes, let's do some preemptive therapy there! And just warning since I haven't beaten the game yet I'm sure this will be inaccurate as fuck, but also with spoilers somehow ~

~

It was an exhilarating feeling, to win against all odds. One that Astarion had never been confident he would experience. It felt good, final. The official beginning of his new free life, even if it was bittersweet.

This was the bitter part, the end of his illithid protection. The sun was barely peeking over the horizon, and the burn was already starting. He was being an idiot, standing there with the rest of you like he belonged, waiting for the last possible second before he had to scuttle down in the darkness. But he wanted to see this out. Hadn't he earned that right?

According to the laws of reality, no. No he hadn't, because you had barely opened your mouth before the pain started to overwhelm him. The others would be able to hear it, the sickening sound of his skin crackling.

He was out of time. But before he could make a break for it, you happened. Astarion had been a little preoccupied with his impending doom to pay close attention to what you had been mumbling. But then sudden blackness was blanketing above your heads, opaque enough to make it as dark as night.

Astarion's eyes widened as the pain subsided, surprised beyond belief.

You were looking at him with concern in your eyes, gesturing to the think cloud of darkness above your head, "Will this be dark enough? Can it still get through?"

Astarion stared at you, momentarily confused on why you would do something like that. Before he remembered, oh. Yes. The extended care for his well-being was probably included in the whole love thing. Of course. Obviously.

That was definitely going to take some getting used to.

But the reasoning didn't stop an idiotic smile from blooming on his face.

You grinned back at him, somehow still managing to read his mind even without the tadpoles, "Did you really think I would forget about you?"

He had, but through no fault of your own. One of these days he was going to actually remember that he was worth the effort to keep alive.

"Thank you darling," Astarion said, ignoring the quested as he waltzed up to you. He grabbed your hand in his, bringing it up to his lips to kiss, "Just what would I do without you?"

"Speaking of," You turned to the Emperor, a question in your eyes as you vaguely waved upward, "Is there anything we can do about this particular problem?"

"The astral tadpole is still-"

"I'll pass on that, thank you very much," Astarion interrupted, cringing at the very thought of willingly letting another worm into his brain, "But I appreciate the thought."

There were worse things than living his life in darkness. And Astarion was counting becoming a mind flayer in the top three.

He watched, participated even in everyone's final goodbyes, always eyeing you at of the corner of his eye. It's not that he thought you would leave after you both declared your eternal love for each other, but... the two of you hadn't exactly talked about the specifics of the future either.

But that didn't stop you from leaving together. Astarion hadn't expected you to keep the dark cloud above his head as you walked the streets, startling nearly every passerby. But hells, the heroes of Baldur's gate had earned the right to a little strangeness.

You both had decided on going to the nearest, most windowless inn that you could find. Astarion wanted nothing more than to scrub the brain viscera from his skin and sleep for three days. Preferably with you in his arms.

But before all that... he had to know something.

The question was out of him as soon as you both were behind closed doors, "So what happens next to the great hero of Baldur's Gate? I'm sure you have something in mind."

He was just praying those future plans still involved him.

You blinked at him, head cocked like he was asking a silly question, "We go and find you a cure so you can walk in the sun again of course. What else would we do?"

That took Astarion aback, "I-Do you think that's really possible?"

"Well," You started, counting off on your fingers, "We know that illithid powers can do it. As well as devil contacts and ritualistic demon sacrifices. If that's all possible then that means there has to be something else on the other end of the spectrum, right?"

Astarion didn't exactly share your blind confidence. But you did have a point. The two of you had managed so many impossible feats in such a short amount of time. What was one more?

"I suppose there's a chance," Astarion said, hope fluttering in his chest with every word, "And if there is a chance no matter how small, I'm going to take it. But..."

He didn't want to ask, but he needed to know, "Are you sure this is what you want? I would... understand if you wanted to go your own way."

In all honesty, Astarion would not understand. He'd be absolutely furious. Especially after everything you'd been through. This was more of a confirmation for his waning self-confidence than anything else, versus a sincere to desire to let you go your own way. He had no intention of letting you go, not if he could help it.

But his near certainty in your feelings was the only thing that gave him the confidence to ask the question in the first place. And you did not disappoint.

"No, this is what I want," You insisted, reaching out to take his hand in yours, "You're what I want."

That was exactly what Astarion needed to hear. He used your joined hands to tug you closer, face to face.

"Good, because as selfless as I am, I really did not want to let you go," Astarion smiled, leaning in to lightly press a kiss to your lips, "I hope you realize that my love has made me a tad bit obsessed with you my dear."

"I'm sure it's no worse than me," You sighed, resting your forehead against his own, "You've really ruined me for anyone else haven't you?"

Astarion grinned, leaning in for another kiss. He had every intention of making it stay that way, for as long as you would have him.

[blackmosscupcakes]

One of the aspects of the fallout from this last episode I'm most interested in seeing is Imogen's reaction, and that's for a very out of character reason.

One of Laura's self-admitted player quirks is avoidance of inter-party conflict. She's good at smoothing things over and tends to play characters on a spectrum from forgiving to avoidant. You can see this going back to campaign one, most notably after Scanlan returned and, while most characters were furious and slow to forgive him, Vex was instantly on his side, delighted to see him, and ready to forget everything. Jester, of course, was very committed to the power of friendship in general. Imogen tends more towards burying or distracting from feelings and events that might lead to conflict.

In 4 Sided Dive episode 20, they have the following conversation from about 1 hour 3 minutes in:

Marisha: Of course diving into the relationship is always fun, but then relationship tension is also fun.

Laura: Yeah I feel like you guys really like relationship conflict too like you guys talk about that a lot. I'm terrified of conflict--that translates to the game as well. I don't like conflict.

Sam: You don't like conflict? Even in the game?

Laura: No! I don't like fighting. Like if we're having a fight I will be like "it's okay FCG, I'm not mad at you." If you do something wrong I'll be like "that's okay."

However, her character is now in a relationship with Marisha's character, and as seen in the quote above, Marisha LOVES conflict. She eats it up! From Keyleth and Percy in C1 to Beau and Caleb in C2, she's been great at diving into tensions that further character development and make for great storytelling.

So we've reached a point now where Marisha keeps making choices with Laudna that are basically dropping an invitation to a WHOLE bunch of tension and conflict on Laura's doorstep, and up until this point, aside from a little dust up over the gnarlrock incident (a big one for Laura, but small compared to, say, Beau and Caleb's arguments!), Laura as Imogen has been broadly side-stepping these in order to do exactly what she said in the 4sd quote--tell Laudna that it's all okay.

But we've reached a point now where that's not going to cut it in avoiding tension any more! If Laudna continues down this path, lines are going to be drawn within the party, and Imogen is likely to have to pick between conflict with Laudna OR conflict with other members of the party. It's very likely there will come a point where anger and arguments can't be entirely avoided for Imogen no matter what choice she makes. And that's going to be REALLY fascinating to watch.

Sometimes these players nudge one another out of their comfort zones. Laura did it to Travis with romance. Several of them did it to Ashley with the titan shard. I think we can trust them not to push their friends to a point where they REALLY don't want to go (and I'm sure that sort of thing is negotiated between them off camera), so bearing that in mind a little tiptoe out of the comfort zone can be really interesting--for example, Travis did really well with romance in the end. It might well be a bit uncomfortable for Laura at first! But as long as she's okay trying it, I think it could lead to REALLY excellent storytelling and fantastic performance. I'm excited to see where it goes .

[femd-archive]

hiiii!! omg i love ur work sm it just scratches an itch i’ve had forever, i’ve always loved the dom reader + sub male character relationship and ur work is perfect! if it’s okay could i be 🌺 anon if you use the emoji system for that?

i have a request if ur taking them atm, i saw ur sub kenji oneshots and i was wondering if you’d be interested in writing a subby kenji x reader w a lot of miscommunication or general angst bc that’s my absolute fave!! w all the smut you want ofc!

and if you don’t want to take the request that’s totally cool! i really just wanted to tell you ur writing is amazing and ily!

— 🌺

hello! thanks for ur request :] and of course u can be 🌺 anon! i also love angst, more so the hurt/comfort trope, but i'm really bad at writting it (╥‸╥) so this was my attempt to write a hurt/comfort fic for the first time. hope u like it! i'll practice to make it better next time (ᵕ—ᴗ—)

p.s.: i didn't add much smut, mostly because my brain is fried :p

NOT ALONE

pairing: ultraman: rising — ken sato x fem!reader

word counting: 2.7k

content warning: arguing | kenji is so stressed :( | riding | unprotected sex | masturbation (female)

side note: english is not my first lenguage, so i apologize in advance for any grammar mistakes

You notice, of course you notice.

You love and care for Kenji too much to not notice the dark circles under his eyes because of the lack of sleep; the way he's been more sensitive, even over the most little things; how he overworks himself in his baseball practices and won't stop unless Mina turns the stadium hologram off.

You knew how his relationship with his father was, but you have seen the way he declines his calls without a second thought now, knowing the guilt trip he had to overcome before he even hit the decline button on his watch before.

You notice, and of course you're worried about it. You didn't have to be his girlfriend to be worried. Hell, you would even be worried by just seeing him walk like a zombie in the streets as a stranger! And all that worry is what brings you in front of his mansion door at midnight.

He hasn't been answering your messages nor calls. You get it, he's a busy baseball player, but he always made at least a few minutes to reply to your messages, mostly saying sorry for not picking up your calls and that he'll call you back after he's done with an interview, telling you that he loves you.

After ringing his doorbell, you only had to wait for a few minutes before you could hear the hurried footsteps coming to the door. Opening it, there he was. With his adorable bed head, he looked up at you, tired eyes wide with surprise.

"Baby" his voice cracked, making him clear his throat before he talks again. "Hey baby, uhm...I didn't know that you were coming!" he laughs nervously.

"Well...I did text you" you shake your phone, and Kenji gulps.

"I..." he sighs, "I'm sorry baby. I just been...so busy later" he groans, rubbing a hand over his face with fatigue.

"I understand, Kenji. May I come in? I just wanna talk with you. It's been a while"

Kenji looks at you through his sleepy eyes, and even in that state, you were able to see the way his eyes softened at the sight of you. It really has been a while. He reaches a hand to your face, caressing your cheek with his thumb.

"Of course" he mumbles, low but loud enough for you to hear him. He moves his hand from your face to your hand, taking it and pulling you softly inside, closing the door behind him.

You guys walk over the kitchen. Kenji lets go of your hand to walk over the fridge. "Do you want anything?" he asks, referring to the fridge's content.

[Name] sucks in a breath, gathering courage to speak. "Yeah, I'd like for us to talk" she finally said, noticing how Kenji's shoulder tense as he close the door's fridge, staying there with a can of soda in his head, not facing her. "For you to talk to me, Kenji. I believe you when you say you're busy with baseball, I really do! But I thrust my gut to know that there's something else going on"

She walks closer to him, staring at his broad back. How she wishes she could just hug him from behind and erase all his problems. But the world is more complicated than that, and she knows it.

"You can't always rely on your gut to make conclusions" opening the can soda, Kenji spit those words with a gruff tone, making [Name] surprised over his mood change.

Of course she wasn't off limits of seeing him mad only because she was his girlfriend, but she didn't expect for him to talk to her like that over a simple request.

"Then talk to me, Kenji. I don't wanna be like this either" she starts talking, following Kenji as he walks away while drinking from the can. "You don't have to tell me everything, but at least admit that you're having a hard time so I can at least hold you"

Kenji lets out a chuckle, incredulous. "Hard time? Baby, I'm Ken Sato! I don't have hard times, I only have good times" he spread his arms beside him, trying to appear as flawless as ever, obtaining a deadpan face from you.

"Kenji, you look like shit" you simply say. "You can barely walk with your eyes open. I don't know about anyone else, but I can see the lack of sleep in your eyes, I can see how your shoulder has been bothering you more each day that passes. I know that you always work hard to be on a good shape for the games, but you go to an extent that is not healthy"

"What? Did you became a physician now?" he asks after finishing rubbing his eyes, a mocking tone on his words.

"What? No" you needed to take a breath to not break. "I'm just concerned about your well being"

"I am okay" he affirms, eyebrows furrowed. "You're the that's being like 'Ohh Kenji ~ you're so tired. You should rest up'" with a high pitched tone, he mimicks you in a mocking way while pouting exaggeratedly.

You feel your heart beating fast on your chest, your cheeks hot with embarrassement. Why was he behaving like that? You just want to help. Were you being too overboard? You give him his space, you have gave it to him for weeks. And that you finally thought it was a good time to adress his lack of selfcare and how sad he looks, he talks to you like this...

"I know that you're having a hard time, Kenji. Everyone that cares about you can notice that. I just...I just want to help in what I can" you say with a weak tone now. You had shrunk in your spot, suddenly feeling sorry for even going to his house in the first place.

"Well guess what? You can't help me"

In a desperate attempt to push you away —because if you kept looking at him with those pretty eyes, he'll spill everything— he's mean to you. Not the smartest choice to treat your lover, but that's the only response that he could muster at the moment.

He was flustered at the confrontation. Of course you will notice about his poor state. You love him and care too much for him to not notice that he's going insane little by little, but he doesn't want to share that burden with you. In his mind, he just can't.

You look up at him, big sad eyes that just make him want to hug you until you both forget this stupid moment.

Holding back your tears, the only thing you could do was sigh. Your heart feels heavy on your chest, wunded by his words and harsh tone. You're not the savior of the word, you're not Ultraman either, you just wanted to help your boyfriend...

"Yeah, I already knew that" you mumble. Taking a deep breath, you look up at him with a weak smile. "Alright, you might not want to talk right now, but if you need anything...I'm always gonna be there" you remind him, giving him one last look before starting to walk off to the front door.

Kenji looks at you go. You seemed little with the way your shoulders shrunk and you walked slowly, like an injured animal. His heart also feels heavy on his chest, a pang of guilt striking over all his body as his eyes are already watering with tears.

He hated that his stupid pride wouldn't let him as for help, for it to hurt you when the only thing you wanted to do was help him in whatever way you could.

He knew you weren't weak, he knew that you could be able to handle all the secrets that he's harboring on his chest, but he doesn't want to share the burden, he doesn't want anything bad to happen to you only because you know he's Ultraman.

What would he do if he lost you? He's sure that he was gonna lose his mind. Just the same way he'll lose his mind if he let you walk away through that door.

"Mina, lock the door" he commanded, and in a split of a second, the computer did so.

You didn't even try to open it after you've heard his command. Confused, you look back at Kenji, who's already walking towards you like a kicked puppy.

"Forgot to say something?" you ask, bitterness on your tone that made Kenji cringe.

He sighs, a guilty expression on his face. "Yes...I'm sorry baby" he begins. "I...I promise that I want to tell you, I want to tell you everything! But— it's...it's too dangerous"

And finally, after months of bottling all this emotions, Kenji finally breaks into loud sobs, fat tears running down his cheeks. Startled, [Name] didn't have any other reflections than hug him, even though she was still mad at his earlier attitude.

"Hey, hey" she whispered, running a hand up and down his back. "It's okay, it's okay"

Kenji wraps his arms around her shoulders, hiding his face on her neck. "I don't—" he chokes, "I don't want anything to happen to you" he cries, almost incomprehensible.

"Nothing is gonna happen to me, baby" she reassures, feeling his tears run down her neck and wetting her shirt, but she doesn't care about it. Kenji finally is being open with her, and that's all that matter.

Kenji sniffs a few times before talking with a weak voice. "Promise?" he asks.

She squeezes him a little bit more in her arms. "I promise"

Still sniffing, Kenji slowly pulls away from the hug, looking at his girlfriend with his big eyes full of tears, a cute pout in his lips. [Name] reaches her hands to run her thumbs under his eyes, drying his tears away. He nuzzles into her, a shaky breath exhaling out of him as he calms down.

"There you go" she whispers softly, caressing his cheeks with her thumbs now. "Come on, let's sit on the couch. I'll get you some water"

After a lot of reassurance that nothing was gonna happen and lots of cuddles, Kenji had finally told her everything. That his dad was Ultraman; that he took his legacy and he now serves as the new Ultraman to the city of Tokyo, and how he knows he's not doing a good job; that he has a 6 feet tall baby Kaiju that think he's her mother trapped in a container, and he clearly don't know how to take care of her; how much he misses his mother everyday...

[Name] listened to him attentively, her heart swelling at how much pain Kenji had to endure on his own and feeling guilty about not noticing sooner. Why she couldn't have been there for him? Right now, everything seemed so obvious, all of it happen in front of her, and she couldn't do nothing.

Her caresses on the back of his hand never stopped for even one second, even caressing his back when he needed to make a pause to cry.

Now they were cuddled up in the couch under a blanket. After spilling everthing out, Kenji just let himself fall into her arms and bask into her warmth.

"Thank you for telling me, Kenji. I really didn't wanna pressure you into talking, but you looked so sick...I was just so worried" she blinked back the tears, she needed to be strong for him now. "And yeah, it's a lot to take in. Like damn...I'm dating Ultraman" her comment makes Kenji giggle, his body trembling with laughter in her arms, "but it's nothing that we can't overcome, together" she remarks the last word. "And it's not something that it's gonna make me love you any less"

Kenji pulls away from her arms to make eye contact, his puffy eyes still able to show how soft they become when he looks at her. "I'm sorry I didn't reach out for you to talk. I just— I don't know how to ask for help" he admits, feeling a weight that he didn't know he had on his chest being gone.

"Well, admiting that is a big first step, so I'm really proud of you for that" she kisses his forehead, making him smile. "And we can work on that. We can search for professional service, that wpuld help out a lot. And, I'm always gonna be there for you" she reminds him, running her fingers through his hair.

She cups his cheeks, making him look at her in the eyes. "You're not a burden, Kenji. Your problems are valid and I'm always gonna be up to hearing them and help you in what I can and I can't do. We're in this together, alright? You're not alone anymore"

[Name] saw the way that Kenji's eyes swell with this again, a small pout on his lips as he gulps softly. He nods, slowly, letting her words sink in. He was not alone...he had her. It was not something that it would easily stick in his mind, but he'll try to remind himelf everyday. He was not alone anymore.

She leaned in, going for a kiss, and Kanji meet her midway, kissing her with yearn after all those weeks that they couldn't be together, that they couldn't touch each other. He could've barely see her with his busy schedule, and that also added to all his stress, all this mess. All he needed was to be in her arms.

Kenji takes one of [Name]'s hands that cupped his cheek and slide it down his shirt at the same time he traced her bottom lip with his tongue.

[Name] pulls away from the kiss, almost smiling when she hears Kenji whine and chase after her lips, desperate. "Hey, you really wanna do this? You're still tired, Kenji" she reproached.

"Please baby" he whines, looking at her eyes and then her lips, intensely. "I need you"

Kenji straddles his girlfriend's lap completely, letting her feel his hard cock against her stomach. [Name] gasps softly, looking up at Kenji's cute needy face as he starts rocking his hips softly.

She bits down her bottom lip before pulling him into another kiss where he moans.

They didn't even realize when did Mina lowered the lights. How could they? When they were so engrossed in each other's touch. The room was filled with the couple's moans and their skin hitting against each other.

Kenji was laying down on the couch, [Name] on top of him, as they hugged each other thightly while she moved her hips up and down, Kenji's dick hitting the right spot with every thrust.

Kenji's grip on [Name]'s waist just get tighter as he hide his moans in her neck. "Baby...baby" he calls for her, feeling his orgasm coming.

"I know baby, I know" she kisses his shoulder. "Go ahead, you can cum" she reassures, speeding the pace of her thrusts.

Kenji meets his girlfriend's hips midway, bucking his own as he hits the last thrusts before sliding out of her, ropes of cum shooting out of his tip, dirtying [Name]'s back, his thighs and the expensive couch under them. But who cared? He could buy another one.

[Name] brings her hand to her clit, making circle motions on it with her fingers as she grins on Kenji's abs. He manages to look up at her with cloudy eyes, brain still fuzzy with the euphoria of his recent climax. Still, his hands come up to caress her thighs, encouraging her to keep using him to get off.

"S' pretty" he slurs, running his thumbs on her skin.

"Fuck...Kenji" with his name on her lips, she ends up cumming with a few more motions of her fingers before collapsing on top of her boyfriend's chest.

They stayed there, in each other's embrace as they calmed down. Kenji's finger run softly down [Name]'s arm, his free arm wrapped around her waist.

"I'm sorry I didn't help you get off" he whispers suddenly, making [Name] chuckle.

"It's okay. To be fair, you're about to pass out now" she props her chin on his chest, looking at him with dreamy eyes. Kenji chuckles as well, not denying it. "Come on, let's take a bath and then you can finally have some good night sleep" patting his chest softly, she starts getting up and helps him as well.

"Are you gonna introduce me to the baby Kaiju tomorrow?" she asks as they walk together to the bathroom.

"Oh yeah, and she's gonna love ~ you. Just like I do ~" he litters her cheek with kisses, making her giggle.

"Come on, Romeo. Let's take a bath"

[taglist] @vinegarjello

[hiitsm]

Transient Connection: A Meeting of Worlds

You meet a beautiful woman at your workplace, who isn't a professional actress like you.

Fluff

Note: I'm not very well-versed in the acting world, so it's not described in great detail.

Request here

-

You just stepped out of the small makeup trailer, ready to shoot a brief scene. However, you didn't know who you would be acting with. You were aware that a character would be making a cameo, but no one had informed you which character or which actor or actress would be playing the role. This lack of information left you feeling annoyed, as you needed to know for your preparations.

You practically sprint to your manager’s trailer and burst inside. "Valentina, I love you, but please tell me how I’m supposed to prepare without knowing some important key information," you say, your voice a bit raised, though unintentionally.

You’re just a little nervous. This is your first big movie, your first major role, and hopefully, your first big breakthrough. While you’re not entirely unknown as an actress, having played roles in small series, you've never been the lead. This is different, and you want everything to be perfect.

"It wasn’t finalized until just a little while ago. She almost got cold feet and didn’t want to do it anymore," your manager Valentina says, her attention focused on her managerial tasks. Valentina is more like a best friend to you, and her multitasking nature is something you've grown accustomed to.

"That's just great," you say, rolling your eyes sarcastically. The last thing you want is to play this role with an unprofessional actress who would rather not be there. You believe that someone who is fully committed deserves the role. But maybe that's just your selfishness talking.

"I think she’s a professional football player. Everyone on this set loves her, really," Valentina says, wiggling her eyebrows at you.

You walk over and playfully smack her arm. "Why would they hire a professional football player? Doesn’t she just want to play football?" you sigh heavily, worried. The last thing you want is for this to go badly because they chose a football player instead of an actual actress.

"Just have some faith in the writers and everyone else who thought this was a good idea. And be nice and kind, just like your mother taught you," Valentina says, pointing at you accusingly.

"I’m always nice and kind. And since when do you talk about my mother? You don’t like her," you retort, taking a bite of your banana to fill your stomach before heading on set for a few hours.

"We both don’t like your mother," Valentina adds, raising her eyebrows. "But she did teach you manners, so use them." With that, Valentina hops out of the van, and you follow right behind her.

"We will first have a reading with her and her manager, getting to meet them now," Valentina tells you, almost running, which is unusual for her. You think maybe the two of you will be late, because Valentina never runs.

"I did hear that she’s very pretty," Valentina turns her head towards you, waggling her eyebrows even more.

"Of course she is, Val. She's a professional football player," you reply, shrugging your shoulders a little. "Maybe she has a nice manager," you tease, and before you can add anything else, Valentina shoves you while you're running, almost causing you to trip.

"Ah, there are the two of you. We were already wondering where you were," you hear a man's voice say.

You find yourself staring into a pair of beautifully greenish eyes.

That's not a man, you think.

Momentarily lost in their captivating gaze.

Where did the man's voice go?

Her eyes are stunning, and you can't seem to look away. Lost in your thoughts and dreams, you only snap back to reality when the man's voice returns.

"Hello, my name is Joseph, and this is Alexia," he says, indicating the woman with the enchanting eyes.

Ah, there's the man. Her manager.

Valentine nudges you slightly, bringing you out of your trance. You extend your hand for Alexia to shake, then Joseph's. "Hi, my name is y/n," you say a little sheepishly, feeling completely out of character. But as soon as you notice, you push the feeling aside, eager to make a good impression.

Valentine talks all three of your heads off, explaining a little bit to each of you as you walk to get the reading done. Alexia is walking beside you, and when you glance down at her hands, you notice they shake a little. You assume it's from nerves, and an urge to help her feel more at ease washes over you.

"Have you ever done something like this before?" you ask her softly. She blushes a little, quickly becoming shy. "No, this is all new for me," she says, with a hint of irritation.

You realize she probably doesn't want to be here, she just wants to play football. "You want to be back on the football field again soon?" you inquire quietly, careful not to overstep.

"Si, but we're in America right now, and my favorite football field is in Barcelona," she replies, her confidence growing at the mention of Barcelona.

"I love Barcelona. When I'm off, I love to go there," you share with a smile, watching as her eyes light up. You decide quickly that you want to see her eyes like that more often.

"Barcelona is great. I'm glad you like it already," she responds, wearing a huge smile, visibly more at ease.

"We both flew in only a few hours ago, so we are both a little bit jet-lagged. We have a strict schedule, in four hours, we need to get on the plane again because she has an important match in two days," Joseph tells Valentine.

You almost feel sad hearing this. You only have a few hours with her. But you can't dwell on it, right? You're a professional actress playing a scene with a professional football player who is now dabbling in acting. It's only professional to play the scene and part ways again after.

"The two of you can prepare for you seen there" Valentine's points to the secluded beach. It was be a beach scene anyway. Just a small talk scene. But you still notice that Alexia is appearing very anxious so you will still try and do you best to ease her nerves.

"The two of you can prepare for your scene over there," Valentine says, pointing to the secluded beach. It was going to be a beach scene anyway, just a small talk scene. However, you still notice that Alexia appears very anxious, so you resolve to do your best to ease her nerves.

The two of you walk over to the beach and start a small conversation. "So, if you're a professional footballer, what brings you to acting today?" you ask, hoping your tone sounds as kind as you intend.

"Just for the brand," she replies curtly, but you sense there's more she wants to say, though the words don't come out.

"That's nice," you respond, unsure of what else to add.

"I just want to play football, but this is part of it too," she says, her gaze shifting to the waves crashing onto the shore.

"I understand that a little bit. I love to act, but I don't love the interviews and all the promotion stuff that comes with it," you admit a bit shyly. This woman makes you feel shy, which is unusual for you.

"Yeah, I feel the same," she says, finally meeting your eyes again and giving you a big smile.

As you arrive at the beach, you initially wanted to offer her some acting tips, but you realize she's doing really well. The only issue is that she's a bit shy and awkward. However, with the preparation time you have, you know it's going to be okay.

The two of you were feeling at ease in each other's company, chatting about everything and nothing, and laughing a lot. She made you feel special, a different kind of special. After a while, Alexia received a phone call. You could only see a lion emoji as the caller ID, no name.

"Lo siento, that's my best friend," she said as she picked up the FaceTime call.

"Hola Ale, have you made a move on her yet?" you heard through the phone, and Alexia's cheeks turned bright red. "I mean, you love that show and you always tell me how good she looks," her best friend added, unaware that you were sitting right beside her.

"No, sí, no, ella está sentada a mi lado, idiota," she responded, switching to Spanish in her embarrassment.

"Well, just to let you know, she just picked up all her stuff from your apartment. I just wanted to tell you. Have fun!" And with that, the phone call ended abruptly.

There was a moment of silence between you two—comfortable for you, but maybe not for Alexia. You tried to break the silence without crossing any boundaries. "So, who picked up stuff from your apartment?" you asked quietly, hoping not to be too direct.

"My ex-girlfriend," she replied softly, and you noticed she wasn't ready to discuss it further. The silence settled in again. After a little while, you saw a tear streaming down the right side of her face. "Is this okay?" you asked, moving your finger toward her cheek to wipe it away.

"Sí," she said, looking out toward the shore. "Lo siento, she just hurt me a lot," she whispered, barely audible.

"It's okay to let yourself feel your feelings," you said gently.

"But I don't want to feel so sad anymore," she whispered again.

"You know what usually helps me feel a bit better?" you asked, and she shook her head softly. "Dancing on the beach. Come on."

You put a random song on your phone and started to dance. Alexia looked up at you with wide eyes, then a bright smile spread across her face as she watched you dancing so silly, so freely, so uncaring of what anyone might think.

"Come on," you encouraged, holding out your hand for her to grab. She finally took it, and both of you ignored the tingling sensation that passed between you. But you both felt it.

You didn't let go of her hand, and the two of you danced freely to the music. You were laughing and smiling, feeling an unburdened joy. It was wonderful to see her eyes light up and her smile brighten the world around you. Hearing her laugh was like music itself, a melody of pure happiness. Watching her, so beautiful and full of life, you felt an incredible connection growing between you.

"Are you guys done?" you hear behind you. It's Valentina, and you give her an annoyed look. She smirks at you, clearly aware that you've caught feelings for the blonde professional footballer rather quickly.

"Just a second, we'll be right there," you say, gently pushing her away from the beach.

"Hurry up!" she playfully screams back at you. You roll your eyes, but when you turn around again, you're greeted by a breathtaking sunset you hadn't noticed before due to your dancing.

Alexia stands there, bathed in the warm glow, looking stunning. You wish you could do something, wish you had the courage to ask her to spend more time together. But you also know she's heartbroken, so you decide to give her the space she probably needs.

"The sunset looks beautiful," she tells you.

"Yes, it does. Do you want a picture?" you ask, and she nods excitedly.

It's a beautiful moment, and you secretly hope she'll share it on social media so you can see it again, maybe a thousand times more.

"Gracias," she says, grateful for the offer.

"Now, we should go shoot our scene." She grabs your arm and pulls you with her, and you follow, feeling a mix of excitement and nervousness.

-

Maybe a part 2 in the works if y'all want to?

[dorabellingham]

Are you my daddy?

warning: none

characters: jude x famous mom!reader

summary: when you're doing a show and you bring your baby, but he seems more interested in finding a father than enjoying the performance

request: yes

may contain spelling and translation errors!

It was a magical night in Madrid. The Santiago Bernabéu stadium was packed, but not for a football match. That night, the energy didn’t come from the crowd, but from the passionate fans who were anxiously awaiting Y/n Styles, the world star who would perform yet another one of her grand shows.

You were at the height of your career as a singer. You were known for your powerful voice and deeply personal lyrics that touched the hearts of millions. But what the audience saw on stage was only part of the story. Out of the spotlight, you were a single mother, raising little Oliver, four years old, with all the love in the world.

That night, the show in Spain had a special flavor for you. It was the first time Oli would see his mother perform live. He was excited, his little eyes shining darkly, jumping up and down in his seat in the box, while you prepared to go on stage. And in a box next door, Jude Bellingham, one of Real Madrid's stars, had been invited by friends to the show. He wasn't exactly a huge fan of pop music, but he agreed to go to relax a bit after an intense season.

The show started with an explosion of lights and sounds, and you entered the stage with all the energy that characterized you. The audience went wild. You sang with passion, as if each word was a piece of your soul. As you sang, your eyes shone, and you felt the weight of everything you had achieved, but also what you had left behind.

Oliver, in the box, was delighted. He kept pointing at his mother and, in his innocence, he couldn't hide his joy.

—Look, daddy! Mommy's singing!

Jude, who was in the box next door, turned his face towards the little boy when he heard the word "daddy". He frowned in confusion, but soon smiled when he saw the little boy pointing to the stage with such enthusiasm. Oliver had apparently mistaken Jude for his father.

The player looked around to see if the little boy's "father" was there, but he didn't see anyone who seemed to be with him. Intrigued and a little amused, he approached, and the boy smiled even more.

—You're daddy, right?

Oliver asked with the simplicity and sweetness typical of a child.

Jude laughed, not knowing exactly what to answer.

—I... I don't know if I'm your daddy, but it seems like you really like your mommy, huh?

He nodded, his bright eyes fixed on the stage where you shone like a star.

—Mommy is the best singer in the world! She always sings me a song before I go to sleep.

Bellingham looked at the stage again. He knew who you were, of course. Who didn't know Y/n Styles? The singer who dominated the music charts, but the fact that she had a son - and, apparently, was a single mother - was news to him. And now, here he was, being called “daddy” by an adorable little boy who clearly didn’t understand the complexity of the situation. He crouched down to Oliver’s level and smiled.

—You know, your mommy really is amazing. You must be so proud of her.

Oliver nodded enthusiastically.

—Yes! I’m Mommy’s pride and joy too! She always says that.

Jude felt his heart ache at that. There was something about the simplicity and purity of the child that touched him. He looked back at the stage, watching you sing a slow, emotional song, and suddenly felt an unexpected connection with the woman who stood in front of thousands of fans. When the show finally ended, you, sweaty and exhausted, made a point of running to the box where your baby was. You missed your son, even after only a few hours away from him.

When you arrived, what you saw took you by surprise. Jude Bellingham, the player who was one of the biggest stars of the biggest team in the world, was talking to your son, and the two seemed to be getting along very well.

—Oliver, honey!

You called, still trying to understand what was happening.

The little boy ran to you, hugging you tightly.

—Mommy, you were amazing!

You smiled, crouching down to his height and covering his face with kisses. When you finally looked up, you saw that Jude was watching you, an expression of curiosity and something else in his eyes.

—Sorry... —You began, a little awkwardly. —It seems my son made a new friend.

Jude smiled, shaking his head.

—No problem. He... kind of mistook me for someone else.

You frowned, picking the boy up.

—Mistook?

—Yes. —Jude laughed. —He kept calling me daddy during the show.

You blushed immediately, hugging Oli close to you as you shot an embarrassed look at the man in front of you.

—Oh my God, I’m so sorry. He… he doesn’t really know…

Jude held up his hand, interrupting you.

—Okay, really. It was kind of... funny. And he's a lovely boy.

You sighed in relief.

—He's... the most important thing in my life. —You smiled, looking at your son who was now nestled in your arms, exhausted after the excitement of the show. —Sometimes he has this habit of calling people 'daddy'. He... never met his father, so I guess he just creates these ideas in his head.

When your eyes met Jude's, you felt an electric shock. It was as if time had stopped. The packed stadium disappeared, and only him was left, with his captivating smile. Jude, too, felt the connection. His heart raced, and he couldn't look away. Oli, sensing the tension, pointed at Jude, shouting,

—Mommy! Daddy's here!

The crowd around you laughed, but you and Jude just looked at each other, surprised. You nervously approached him.

—Sorry about that…..?

He smiled, extending his hand.

—Jude. Nice to meet you.

When you touched his hand, you felt goosebumps.

As you watched, your heart melted. Jude was kind, charismatic and… endearing.

After the show, the three of you walked down the aisle. Oli, on Jude’s lap, sang something that sounded like “daddy, dad!”

You couldn’t stop smiling. It was as if life was conspiring to bring you together.

In a moment of daring, your hands brushed in the air, and a tension ran through you.

—Can I take you to dinner? I want to know more about you.

Your heart raced.

—Yes, Jude... I would love to.