#I'm still trapped in that first meeting scene

[whitedarkmoonflower]

My Lady Jane memes // Guildford Dudley & Jane Gray // Lust at first sight // S1E1

[aboutcustardcreams]

Wake up call

Agathario x reader

Another scene I'm deeply in love with is Agatha and Rio's fight happening in the first episode. So, here it is what would happen with r joining it.

Rio leaned closer to Agatha with a lopsided grin, “I’ve missed you,” she purred, tracing her former lover’s jawline with the curved blade in her hand. 

Agatha’s chest rose and fell, an expression of pure hatred flashed upon her blue eyes, mingled with a hint of something else, mabe fear. “I hate you.”

Rio lolled her head back and laughed bitterly, “course, you do.” 

The day you and Agatha vowed to never see her face anymore, her heart shattered until nothing was left of it. But she was Lady Death, meaning that no matter what you wanted, someday your paths would cross again and that’s what kept her going. 

You had just parked in the driveway, when an explosion coming from inside the house alerted you. On your way back from the grocery store, your memories came back one by one, and you almost hit a pedestrian or two at the realization that you and Agatha had been trapped under a spell for about three years. And now that you were ‘awake’, you were pretty sure she was too. You quickly got out of the car and stepped inside, silently praying that Agatha was okay. 

Last person you thought you’d see was Rio. 

“Drop the dagger now,” your voice came out sharp and dangerous. 

Both witches snapped their heads towards you. Your eyes locked with Agatha’s first. She breathed a sigh of relief at your sight, her blue orbs filled with all sorts of thoughts. 

“Hello, mi nena,” Rio quipped, tone softening at the sight of you. “Glad you’re awake too. Agatha and I were just.. catching up, right?”

You took a step closer, keeping your eyes on Rio. “I see– rude of you to start without me,” there was a hint of sarcasm in your voice, that both witches grasped. “Now, don’t make me repeat myself, you know I hate it.” 

“Uhm, I don’t know.” Instead of listening to you, Rio pushed the blade deeper against Agatha. The witch struggled to keep the blade at distance, trembling while doing so. 

Your hands turned into fists, a gust of wind rose up around you. Objects started levitating, the chandelier in the lounge room swayed and Agatha’s lips curled upwards, happy to realize your powers were still part of you. 

The vibrancy of your magic brought back all sorts of memories of the time you three spent together. “Looks like our sweet girl over there is in control of her powers. How does it feel, Agatha?” Rio asked in a mocking tone. “Don’t you resent her like you resent me?” 

The purple witch was quick to shake her head, scoffing to herself at the same time. 

“You have no idea what you’re talking about.” 

When she looked at you, she saw one of the most incredible witches she ever had the pleasure to meet.

“You’re nothing like her.”

Rio let out a whiny sound, “why does she get special treatment and I don’t, huh?”

In the meantime, your irises turned the same color of your magic, a bright hue of silver and enveloped your entire body as well. 

“She did everything she could, while you–” she winced when the tip of the dagger pressed further against her skin. “What, huh? What are you blaming me for? I’m the natural order of all the things baby, and you know it. You always knew it!” 

When she pushed the blade further closer to her skin,  Agatha’s grip on Rio’s wrists loosened and the dagger scraped her. While Rio grinned at the sight of Agatha’s blood flowing so deliciously from her collarbone to her chestline, you levitated from the floor and your palms opened wide, exploding with your magic. 

“You’re nothing!” 

Rio let out a strangled yelp, as her body was thrown on the other side of the corridor. Agatha let out a sigh of relief, mouthing a fragile thank you in your direction as you rushed towards her. You didn’t say anything at first and simply hugged her, your heart thumping in your chest at incredible speed. 

“Are you hurt?” 

She shook her head, but you knew better. While that small cut wasn’t anything serious, you knew the pain in her heart was greater. You pressed your lips together, giving her a skeptical look. With a flick of your finger, you healed the wound on her skin,  and for some reason, it made Agatha feel even worse, but she didn’t say anything to you. 

Rio pulled herself up, stretching both arms and legs, “Ahw, did she make it better?” 

Agatha growled, fingers wiggling as if she could actually summon magic. 

You immediately stood in front of her, “don’t come any closer,” you warned her. 

The Green Witch hummed and her brows knitted in a frown, “where did I see this scene before?”

You swallowed thickly at the painful memories she was able to bring back with such ease. You had so many questions going on inside your head, the most important would probably be, why? Why the betrayal, why the lies, why the pain? 

“Cut the crap, Rio,” Agatha snapped, worrying about your sudden discomfort, “what do you want?”

She fake pouted at her angry tone, “you used to be much nicer to me,” with the tip of the blade, she moved a strand of hair from her face. And when you scoffed, a dark shadow passed through her eyes, “I’m just missing the old days. I want you back– in a way or another, meaning that if I have to kill you both, I will,” she added the last part with a strange look in her eyes. Almost hysterical. You only had a couple of seconds to react. Rio’s dagger flew in your direction, missing you and Agatha by a nose, as you shoved her to the side, shielding her with your body. 

Agatha grunted at the sound of Rio’s giggles, “I’m gonna kill her.” 

You rolled your eyes in annoyance, “it’s not possible, unfortunately.” 

Propping yourself up, you helped Agatha do the same. 

While doing so, you spotted the dagger behind you. You pointed at it to Agatha with a nod of your head. She was closer to the weapon so she lunged forward to grab it. Rio ignored her and focused on you. She gave you little time to anticipate her move and with a yelp she sprung forward, fuelled by her magic. Before you knew it, her fingers tightened around your neck and squeezed. 

Her head lolled to the side, and watched you with a mixture of nostalgia and admiration, “naughty, naughty–”

“Let her go!” Before Agatha could even make an attempt to stab Lady Death on the shoulder, Rio sent her flying in the lounge room, her back hitting a cabinet that after the impact, crashed on top of her.  

Your eyes snapped open, as you squirmed but to no avail, “Agatha!” 

“Do you remember pain, my love?”

“I never stopped feeling it since the day you betrayed us.”

You still resented her for the things she did. And you probably would for the rest of your life. Her face dimmed and her lips pursed into a grimace; the grip around your neck loosened, but she didn’t let go. Was that disappointment settling in her chest? 

“You’re so clueless about the things I did for you.” 

Tears pricked at your eyes, but despite them a choked chuckle slipped from your lips. She did nothing for you, nor for Agatha and even less for Nicky. She only took, betrayed your trust and hurt you in the most inexplicable way. 

“All you did was make things worse.”

Rio snarled at your accusation,“you knew that messing with the Fates wasn’t without consequences!” 

Your answer came out in a faint, yet determined whisper, “you were the one to send the Furies my way.” 

In the meantime, Agatha straightened herself out, wincing at the pain in her arms, as shreds of glass cut through her skin. She scanned the surroundings  in search of something, anything that could be used against Rio. While her eyes landed on a wooden tray, Rio blasted you against the wall behind you with full demoniac force, her voice distorted as well, sounding deeper and animalistic, “I had no other choice!”

Agatha mentally screamed at the chunks of plaster coming down at you. 

You whimpered, feeling Rio’s body towering over yours, “sorry, did it tickle too much?” 

Despite the dizziness, you found the sassiness to roll your shoulders, “No.” With the corner of your eye, you spotted Agatha coming your way, holding something in her hands. Realizing what it was made you almost chuckle. “But I bet this will.” 

Before Rio could ask you what you meant, the purple witch hit the back of her head with an angry growl and a deadly stare in the eye.  

“Dark Mother, I’m so sick of her,” she muttered, glancing back at you. 

You chuckled briefly, before erupting into a fit of coughs. Your throat felt on fire because of Rio. You were pretty sure it was bruising already for how much she squeezed. Agatha kneeled in front of you, her fingers hovering over your neck, but barely touching it, for fear of causing you extra pain,  “I’m sorry about–” 

“Don’t. The ‘s’ word isn’t allowed,” you chided her softly. She nibbled the inside of her cheek, blinking back the tears from her eyes. She hated feeling powerless, even more now considering you could really use some of her purple as backup.

Noticing the veil of sadness in her eyes, you tried to cheer her up, giving her a playful nudge, “what you did was rather hot by the way.” 

She snorted out a laugh, “are you turned on, love?” 

A playful smirk tugged at your lips, “maybe.”

She pulled you closer, tugging at the fabric of your blouse. Her forehead adhered against yours and you closed your eyes for a moment, allowing yourself to inhale her sweet. Her hand ran from your collarbone up to your chin, her thumb gently grazed your bottom lip, pushing it down and making you smile. When you reopened your eyes, you took her hand in yours, and intertwined your fingers together in the attempt to brush aside all the worries you spotted in her eyes. 

Rio let out a frustrated growl, “Good job, Agatha. I’m impressed. A little higher and that would have really hurt.” 

On instinct, you tried to move Agatha behind you, but she resisted, making you frown. 

“Ugh!” Rio swept her tongue over her lips, “the way she would throw herself in Hell for you really warms my heart.” 

You said nothing because it was true. You would do the craziest things for her, just like you did for Nicky. 

Agatha smacked her lips, almost laughing in her face. “Please, you don’t have a heart.” 

Rio locked eyes with her, and for a moment you spotted a veil of hurt in her brown orbs. “Yes, I do,” she argued, before dropping her voice into a softer murmur, “it’s black and it beats for both of you.”

Agatha said nothing, while you couldn’t bring yourself to be quiet after that colossal lie, “you’re pathetic.”

Her gaze narrowed towards you; a flash of fury dimmed her features. “Madness turned you into a real brat. Perhaps you fancy another ride?” 

You swallowed thickly and turned stiff. Those words stung painfully, there was no point in hiding it. You hated how easily she could bring back the memories of your trauma, making you feel as if you were reviving it all over again. 

A single tear slipped from your eye, but you were quick to wipe it. Agatha’s hand found yours and squeezed; she felt your magic tickling her skin, it was mirroring your emotions and she knew it would burst soon. 

“You’re a monster,” Agatha’s voice came out in hiss. 

Then it happened. You let go of Agatha’s hand and tackled Rio on the floor. Her back hit the ground with force, and despite that, she laughed. You pinned her wrists above her head, digging your fingernails into her skin, wishing to hurt, to tear the skin apart, and make her feel even an ounce of the pain you endured because of her. 

Agatha’s eyes widened both in shock and surprise at your outburst. 

“My, my, aren’t you sexy when you’re mad?”

You smacked her across the face. Hard. 

“Woah, okay girl–”, she conceded, calling a truce, “tell me what you want.” 

“I want you to get the fuck out of my life.” 

Rio lifted her chin up, a dark chuckle escaped her lips, “All roads lead to me, mi nena. Whether you like it or not, you’ll die. Why can’t we speed up the process?” 

“You’re not allowed to kill us,” your voice dropped in an icy growl. 

“I second that,” Agatha quipped. 

Rio scoffed amusedly, “are you sure about that?” Before you could respond with another sassy remark, she headbutted you straight on the nose. You fell to the side, letting go of Rio’s wrists and allowing her to flee from your grasp. You groaned and cursed under your breath, when she kicked your side with the boot of her shoe. Agatha took you in her arms, as quickly as she could, then started crawling backwards with you firmly pressed against her chest, “you okay?” 

“Fine,” you croaked out, in annoyance. 

By the look on your bloody face, she realized you’d very well use a break. 

But Rio seemed to have other ideas, the knife was back in her hand as she approached you. 

“Wait, just wait a damn second–” Agatha held out a hand towards the Green Witch, while the other remained wrapped around your underarms. 

Rio hummed and traced the tip of the blade with her fingertips. 

“This isn’t what you want. Plus, I don’t have any powers so it’s not exactly a fair fight, is it?” She gave a nervous chuckle, hoping her words would buy you some time to recover. “Don’t you want us at our best?” 

Rio grinned, with a devilish light in her eyes, “Horizontal, in  a grave?”

“Not exactly,” she muttered, “I mean, in full control of our powers. Just let me get my purple back, let her recover and if you really want to– come back and find us.”

Your breath hitched, it was hard to breathe properly with the blood clogging your nostrils. You summoned your magic, and despite being a tad weaker, you knew it could heal you if given proper time. 

“Why don’t you take mine?” Rio’s suggestion made your stomach lurch. 

“That’s cute,” Agatha mused. “But you know that would kill me.”

“Then what about hers?” 

It didn’t seem like a terrible idea to you. But Agatha’s answer was categorical, “No.” 

You looked up at her, noticing the hesitation in her features. Maybe fear too. Truth was, she didn’t trust herself to do such a thing, not to you. You knew she found immense pleasure in sucking away powers from witches, she knew it was wrong, and for years the only reason why she did that was to keep Nicky alive. That’s the reason why you helped her do it. As a mother you could back up from your responsibilities and as a witch, you learned the hard way that in order to survive you had to do all sorts of things. 

There was something about your magic that scared Agatha. You were the only necromancer witch she ever crossed paths with, so she wasn’t sure she would be able to pull away from you, once she got a taste of your forbidden  magic.

Rio pursed her lips in a grimace, “you’re such a coward.”

“She isn’t,” you argued back. 

When Rio finally put the dagger down, both you and Agatha frowned in confusion. “Show me, then. Blast her. Help her restore her purple.” 

“We aren’t doing this, Rio,” Agatha insisted rather adamantly. 

“I’d think about it before making a decision, my love,” Rio leaned closer, her voice soft and eerily calm. “You see, I'm not the only one that wishes you dead. I’d expect guests at sundown.”

You frowned at her words, “who do you mean?”  

Rio’s eyes flashed with excitement. “The worst of them. The Salem Seven.” 

For a moment both you and Agatha fell quiet. You felt Agatha turn still behind you, and your heart ached for her. You turned to face her, as the grip around your middle loosened. 

“Hey, I’m here, Agatha,” your voice came out both firm and tender. “It’s going to be alright”

Rio laughed softly at that. She shoved your shoulder in a playful way, “I have a feeling we will meet again, very soon.”

She paused where once it stood the front door, “Hasta luego,” she waved her fingers before stepping out of the house. 

You considered Rio’s words, and as much as you wished to find another solution, there wasn’t really another way to restore Agatha’s powers, especially not in such a short time. 

“Maybe–”

“Don’t,” she cut you off, sharply. 

You raised your hands defensively, “Fine, sorry. But I think we should at least think about it.”

When she didn’t respond, you decided to give her a moment. Pushing yourself up, your eyes darted to the mess around you. There were pieces of furniture pretty much everywhere, shreds of glass, plates and cutlery and even sections of ripped wallpaper, along with chunks of plasters, “this is not how I imagined to spend this Friday…” you hoped your little joke would put a smile on Agatha’s face, but she remained motionless. 

Agatha started to regret having woken up from Wanda’s spell. Now not only was she awake, but she had no power, the Salem Seven and Rio wanted her dead, her house was falling to pieces, and on top of that, you were in potential danger because of her. The only reason why she survived the loss of Nicky was because of you. But if she lost you too…

She clenched her eyes and took a deep breath, refusing to dwell in such thoughts. 

“Uhm, Agatha?” You were wrong to think nothing else could surprise you that day. 

She made a hum sound, finally getting on her feet, face turned towards you. 

“Why is there a gagged boy in our wardrobe?”

[talekinesis]

I need Stan and Ford to see their mom again

Like let's say she's still alive and in her 80s, she's in a wheelchair (ambulatory, she has customized canes) she still lives in their old home because a part of her hoped Stanford would come back, and she didn't want to leave their home, so he'd know where to go back to.

She wanted to stay put in case Ford came back.

So imagine her shock when both her boys come back home to her

Obviously Stan immediately starts apologizing for faking his death, putting her through grief, her arranging and attending his funeral, but she stops him like "I'd much rather it be fake than real." That's her baby boy, back from the dead, something most people don't get, so to her it's a miracle.

Her Jersey accent is thick, and it actually brings out the twins' accents that had faded over time (Stan's sounds natural to him since he always retained it a little, but everyone finds it funny when Ford's accent comes back because he just doesn't seem like the type to speak like that)

THEY MOVE HER INTO THE SHACK

The boys wanna take care of their mama and keep her around since it's been so long, and Caryn is delighted to be moved out of a loud city with rough memories and into a quiet little town where the people are odd but nice. Ford and Stan both work together to make the Shack accessible for her. Ford actually sat in her wheelchair to test everything and make sure she could get around on her own.

They catch her up on everything, and at first they don't think she'll fully believe them but she's like "Stanford built an international portal and got lost for 30 years? Stanley took his place and turned his home into tourist trap? Yeah, that seems like something my boys would do."

When she learns Stan taught himself engineering to re-build the portal, she's obviously very proud of him. "You were never dumb, Stanley, ya just learned different. Honestly, I always thought ya had A-D-H-D but Pa never wanted ya tested. But look how smart and creative ya turned out, son! I think ya did good." And Stan is definitely not crying.

Personal headcanon: Caryn was also really smart and picked up on things quick. The boys had to have gotten it from somewhere, and it wasn't Filbrick. He just took the credit because 1) he was the worst, and 2) times were different back then and no one would have really taken her seriously. But she's the one who would fix things around the house since she taught herself how to keep the place together and running since Filbrick wouldn't pay anyone to come and repair anything.

Imagine little Stan standing behind her with a flashlight while she fixes the wiring in the wall because an outlet stopped working. Both of the boys helping her while she fixes the car for the third time that week because it keeps breaking down. Mama Pines taught herself how to keep things up and running because no one else would or could.

Caryn meets Mabel and Dipper when they come back in the summer, and Mabel is THRILLED

She's technically met them before but they were still newborns at the time so they don't remember her, and she hadn't gotten a chance to see who they'd become

Mabel makes her a sweater and she wears it with pride. And I really think it would go like that scene from Elemental

Caryn: You made this?

Mabel: Oh, yeah, it's nothing-

Caryn: Nothin? Babygirl, my designer dresses were made by 'nothin.' Oh sweetie, you have got to do somethin' with this skill. And to think, I have an original 'Mabel Pines.'

And don't think I'm leaving Dipper out of this, he gets his great-grandma's attention too. She loves talking to him and listening to him tell stories about the monsters they've encountered in the past. She sees a lot of Ford in him, but she also sees a lot of Stan in him in other ways.

I think Dipper's love for "girly" music is something Stan used to share before Filbrick "disciplined" him for it. Child Stan used to sit in the kitchen with his Ma and sing along to the radio, usually listening to whatever she had put on.

Now all three of them sit in the kitchen and listen to the radio while Stan cooks.

Ford feeling like a failure for putting everyone in danger, and Caryn just goes, "Come talk to your mama." And he does. He goes and talks to his mama, like he always has in the past. She's in her 80s and they're grown men in their late 50s, but she's still their mom, and you never really quit being a mom.

I might actually write a short fic about this, I love it so much.

[elllisaaa]

CONNECTED - BANGCHAN

KINKTOBER DAY 5 - BREEDING

SUMMARY : you've been nothing but a good girl to him lately, even watching over his niece when his sister visited him by surprise. and it awakened an urge in him. maybe your relationship is more than what chan pretends it is.

-> pairing : sugar daddy!chan x fem!reader

-> words count : 2k

-> genre : smut

-> warnings : dom!chan x sub!reader, breeding kink (obviously), creampie, unprotected sex, sprinkle of angst, dirty talk, spanking, pussy slapping, fingering, use of 'good girl', praising, begging, teasing, rough sex

+ the way i'm depicting chan does not represent him, it's only a work of fiction

-> 18+ content bellow, minors DNI

-> reblogs and feedbacks are appreciated ! sorry for any mistakes, english is not my first language.

-> masterlist | ateez masterlist | kinktober 2024

When Chan asked you to come spend the weekend at his place, he didn’t think he would find himself trapped with his sister and her two kids coming over. You were actually in the middle of a quite intense make out session, with you sitting on his lap on the couch, when someone rang the front door bell. And he had no choice but to open the door when he heard Hannah’s voice calling for him from the outside. Chan had apologized at least ten times to you already for the embarrassing situation he put you in - having to explain to his sister that you were just friends wasn’t the most agreeable moment of your life, especially since she must have guessed it wasn’t true. 

She asked for you to stay with them, and even though her intentions were probably good, it made it all very uncomfortable for you. Hannah must have thought that you were Chan’s girlfriend despite the age difference, but of course, she couldn’t guess that he was in fact your sugar daddy. It had started almost nine months ago, when you met Chan at the bar you were working at. That night, he came in alone and he looked sad, so since it was a quiet night, you took some time to talk with him. And when he left, he handed you a tip that could have covered your rent for three months at least, along with his number if you wanted to chat again. It was not long after that he proposed to give you money in exchange for the two of you meeting weekly to talk. 

And at the beginning, you must admit that you were purely interested in his money - it was only the cherry on top that Chan was crazy handsome and that your conversations were pretty interesting too. But as time went on, he became so much more than just a man paying you to discuss with him. He started to give you more and more gifts, and you started to feel way more for him than what your relationship wanted the two of you to be. It all changed when you went out to a bar together, and came back to his place completely wasted. That was the first time you ever fucked with him, and it hadn’t stopped until then. And honestly, you coulnd’t ask for more - you had an attractive, rich man, paying you for spending time with him and gifting you all sorts of things, and he was also fucking you like a queen, treating you like a queen. Well, there was actually something more that you wanted but you knew it was impossible, knew you couldn’t have it. 

“- Tom ! Layla ! We’re leaving, come here !”

Hannah’s two kids that you had been playing with for an hour clinged to you as they refused to go back to their mother, and if she watched the scene pretty amused, Chan had something else swirling in his eyes. Seeing you be so affectionate, be so natural at taking care of childrens had him thinking about things he shouldn’t, about making you his wife and the mother of his own kids when you weren’t even his girlfriend. And you were still so young, you still had so much to live before getting trapped in a relationship like this, before committing to life, especially to him. You couldn’t feel the same, but as you looked at him with a bright smile, his niece and nephew refusing to let you go, his heart beat faster when he dreamt about it being the sight he could wake up to every morning. 

“- What came over you Channie ?

- Nothing, I just need you. Right now.”

You didn’t protest much more, letting him pin you down to his mattress and explore your whole body with his hands. His lips were demanding and rough against yours, but you loved it when he was a little more harsh, when he stopped being so worried about hurting you. Though, you didn’t quite understand what snapped for him to drag you upstairs as soon as his sister left. Maybe it was only because he was frustrated of having been interrupted earlier, but it felt like it was something else, like there was something more. 

“- On your knees, head in the pillow. I wanna see your pretty ass when I fuck you.”

You didn’t say anything, once again, and simply obeyed and turned around to position yourself like he had asked you to. Chan’s hand immediately landed on your cheeks, forcing a pained moan out of you. He practically ripped your pants off of you, along with your underwear, and this time he slapped your pussy, your body lurching forward and if it wasn’t for the strong grip he had around your waist, you would’ve collapsed on the bed. 

“- Always so wet for me, fuck…”

His deep, raspy voice whispering dirty things behind you had you clenching around nothing, and Chan was quick to notice it as his eyes were still glued onto your pussy. You felt one of his fingers run from your sensitive clit and along your dripping slit, the tip teasing your entrance. You couldn’t help moving your hip against his fingers, trying to entice him into giving you more. 

“- You’re so greedy babygirl, you always want more from me, uh ?”

It made you moan, but it also made your heart clench, because he was too close to the truth. However, the feeling of two of his fingers slipping inside of your cunt made your train of thoughts stop there and it was for the best. You moaned louder this time, Chan thrusting his fingers into you at a rapid pace from the get-go. You both knew you didn’t need any preparation now, too used to his cock, but he loved to tease, loved to see how he could drive you insane with only two of his fingers. 

“- You were such a good girl today, I think you deserve a reward, don’t you ?”

You whined and nodded your head energetically as an answer, and you could easily imagine the cocky grin that must have spread on Chan’s face. You heard him unbuckle his belt and get rid of his pants and underwear behind you, his hands soon returning to their previous spot on your waist as his tip bumped against your clit. 

“- Channie… Please…

- Come on baby, we both know you can do better than that.

- Please, fuck me Channie, please, I want your cock so bad…

- There you go, good girl.”

He didn’t let you say anything more as he pushed half of his cock inside of you, letting you breathe and adjust to his size for a few seconds. But soon enough, he was filling you up to the brim, and you couldn’t keep your moans for yourself, and you couldn’t help the way you were clenching around him. 

“- Shit… I can never get enough of your pretty pussy.”

Your fists were gripping tightly onto the sheets to try and keep a bit of your sanity as Chan started to pull back, only to slam into your cunt full force, the back of his muscular thighs slapping against your ass and producing a lewd sound that mixed with the squelching of your impossibly soaked folds. A thin layer of sweat had started to form on your back as Chan restlessly pounded into you, his mind only clouded with thoughts of you full of his cum, so full you couldn’t escape from his hold ever again. His hands had an iron grip around your waist, pulling you back to him to hit deeper into you. You moaned louder with each one of his thrusts, slowly losing your mind to the sensation of his cock dragging against your velvety walls. 

“- C-Channie… 

- What is it babygirl ? Feeling close already ?”

You simply cried out his name again, the way he had leant into you to be able to talk directly into your ear made the angle of his hips change and hit your sweet spot even more perfectly - and you knew he did it on purpose, did it to make you go crazy. And it worked every time.

“- Mmh… You’re squeezing me so tight… There you go, cum around me angel.”

Every word that fell from his mouth brought you closer to the edge and you buried your face into his pillow to drown out your cries of pleasure as you came around him, his steady pace never flattering as he continued to fuck you through your orgasm. And even when you started to whine from overstimulation, Chan didn’t stop. 

“- I-It’s too much… 

- Just let me fill you up, yeah ? Gonna give you my cum, gonna fill you up to the brim…”

Chan didn’t care anymore about the way this may all sound to you, his mind was clouded with thoughts of you becoming his wife, of you carrying his child, of your pussy dripping from his cum, and all he wanted was to stuff you full of his load, full of him, to make you his forever. His thrusts became rougher, and he was starting to lose his rhythm, though that was enough to bring you to the brink of another orgasm as you turned your head to the side to look at him over your shoulder : he had thrown his head back, his dark strands of hair sticking to his forehead and his muscular chest covered in sweat. But the best part of it all was the way his face contorted in pleasure.

“- Please, Channie… Give it to me, I want it all…”

His eyes bore into yours with a rare intensity, with lust but also some kind of possessiveness that he had never shown towards you. It was like something shifted, something that was going to change your relationship forever. 

“- Yeah ? You want my cum angel ? You want my babies ?”

You didn’t even know that you wanted it, but the moment he said it, you let out a broken moan as you nodded as best as you could, trying to move your hips to match his deep and quick thrusts. You knew that you wanted to be his - to be truly his - but you weren’t even aware that it was to that extent. But the thought of actually being the mother of his children seemed appealing, and it made you cried out his name again.

“- Words babygirl.

- F-Fuck ! Yes, yes I want your cum, I want your babies Channie !

- Shit… I’m gonna make you pregnant, gonna make you fucking mine.”

Chan growled behind you as he buried himself to the hilt into your pussy one last time, thick ropes of cum painting your insides white as he moaned and groaned, the sensation crashing like a violent wave against him, but it was mostly the thought that he might actually get you pregnant that made him say your name the loudest. Your second orgasm was even more intense than the first one, his promise and the feeling of his cum filling you up in the best way possible making you shake and tremble in his hold. 

“- God, you’re gonna be the death of me one of these days.”

Chan murmured with a sly grin tugging at the corner of his lips as he watched the way some of his release dripped down your thighs despite him being still in you. The sight was mesmerizing, and he simply couldn’t look away, he simply couldn’t not get hard again. 

“- Seriously ?”

Your whines made him chuckle as he pulled out to help you lay down on your back. As soon as he was sure you were comfortable, Chan kissed you passionately, and there seemed to be something more behind the sensual glide of your tongues this time. 

“- Not my fault angel, you agreed to be mine, now you have to bear with that.”

His eyes were gleaming with so much adoration that you couldn’t pretend not feeling the same anymore and you bit down on your lips as you locked your gaze with his, your voice barely above a whisper as you talked. 

“- Yeah… I’m yours Chan.”

-> i don't allow any copies, reposts or translations of my work.

skz masterlist (fill in this to be added) :

@minnies-babie @binwons @yoongles2025 @thicccurls @caitlyn98s @sharonxdevi @skz1-4-3 @bbgnyx @hann1bee @lil-kpopstan @heevllog @puppy-minnie @binniesbabygirl @chrizzztopherbang @lichyuu @foxinnie8 @lala-----------lala

kinktober masterlist (comment or dm to be added) :

@d-dilemma @bath1lda @anxiousskylar

[bet-on-me-13]

Danny is The Doctor (Dr Who)

So! I've been on a Dr Who High for a little while now, and I thought this idea up.

Danny, as the apprentice to Clockwork, has the ability to traverse Time, and his can use his own Powers to traverse Space.

(He is not at the same level of Time Manipulation as Clockwork, but he is still very good at it. Less of a Time Master, and more of a Time Lord if you will)

So, after his family dies and he is left alone for his Immortal Life, he gets bored. Taking a Cue from Ellie and her whole Exploration Obsession, while also indulging in his own Space Obsession, Danny decides to explore Space and Time to his heart's content. (Maybe Ellie is his Companion?)

He travels the Universe, visiting different planets, witnessing historical events, and sometimes even Helping wherever he can. He is still a Protector Spirit after all.

He doesn't use his powers much these days, in fact he has mostly locked them away in favor of using his own custom built Inventions to get any task done. He is the son of Mad Scientists after all, and he likes to Own It.

Danny becomes known across the Universe in the same way that the Doctor is. To some he is a Savior, a Healer, a Wiseman. To others he is a Demon, a Trickster, a Warrior.

Danny becomes the Boogeyman of the Universe, so it's no surprise that one day someone tries to contain him, to keep him Locked Up so he can never interfere with the Universe again. To do so, they build a Device named, The Pandorica.

(Yup, I'm using that little thing in this)

Danny is trapped within the Pandorica, mulling over the Irony of being trapped by a Device named after one of his friends, for Eons. He is completely and utterly trapped.

Sealed Away, waiting for the day when someone will set him free.

...

Now imagine this.

The JLA has just confiscated an extremely Old and Extremely Magical Box from an Alien Cult, who were proclaiming that they would use the Pandorica Warrior to fell their greatest foe.

They call in Constantine to explain what it is, and just imagine the Doctors description of the Pandorica Scene coming him him.

"This is the Pandorica, an Ancient Magical Prison designed to hold the worst of all bad guys." Started Constantine.

"Why was it made?" Asked Superman.

"There was a Goblin, or a Trickster. Or a Warrior." Constantine explained as he paced a circle around the Box in front of them, "A nameless, terrible thing. Soaked in the blood of a Billion Galaxies. The most feared being in all the cosmos."

He took a closer look at the box and Continued. "And nothing could stop it, or hold it, or reason with it. One day it would just drop out of the sky and tear down your world."

He paused and took a deep breath, "Or at least that's how the Story goes, probably why those cultists wanted it so bad. The greatest Warrior in existence on their side? It would be an instant win button."

"Is it possible to open it?" Asked Batman.

"Easily, anybody can break into a Prison. I just want to know what we'll find first."

Zatanna interrupted, "Won't need to wait long, it's already opening. Layers and Layers of Magical Barriers are dispersing as we speak. That Cult knew what they were doing, it's going to open soon. Very soon."

The Box in front of them shuddered a little, and they tensed. They waited for a few moments to see if it would do anything, but eventually they realized it was probably just a side effect of the barriers falling.

"How soon can we expect it to open?" Asked Batman, still tense.

Constantine replied this time, "From what I can tell, maybe 2 hours at most. So you have that much time to prepare to meet the Universes most feared Individual."

...

Just thought of this while I was binging Dr Who videos on Tiktok and thought, "this would be cool as a dpxdc idea"

Here is the Video that inspired me, give it a watch

[transmascutena]

we watched the black rose musical last night and i'm still thinking about how much akio goes around just.. touching other characters, even in scenes he isn't actually really supposed to be part of. it's a really interesting directing choice. sometimes it's just a touch, like a hand on someone's arm or shoulder, but most of the time he's pushing people. very much like in the show, he is putting the actors (the characters) into the positions he needs them in. only here it's very literal. and instead of just telling them where to be, like a stage director might do, it's physical, hands-on, even kind of violent at times, yet still subtle enough that nobody notices. nobody ever reacts to it, they just move to where he needs them to be, stumbling into place and continuing to play their roles.

and i could talk about exactly who gets pushed when and to where (like how the first and last person he does it to is anthy-as-mamiya, how it's a light push, really just a touch to keep the momentum of what they're already doing going, as opposed to the way he kind of shoves other characters), but the thing that really stood out to me is that the only character he does touch but doesn't ever really push (aside from i think anthy, and i do have a lot of thoughts on the scene where they're dancing together that i may get into in another post) is utena. what he does instead instead is pull her.

in the opening number, there's a moment where it seems like utena is about to walk off-stage (like tokiko does in the scene, because their choreography is mirroring each other. very clever), but before she can, akio grabs her arm and turns her towards the center of the stage instead, where she lies down in her "coffin". the show proper starts, of course, with the once upon a time story of utena meeting the prince, and a recap of the first arc/musical. and of course akio is the one who puts her into position for it. she's still trapped in her coffin.

and, i don't know, there's just something especially unsettling to me about it compared to the pushing. maybe just that it's different from his interactions with every other character. or the contrast between the pushing being more direct and aggressive, compared to him subtly and gently guiding her around the stage, into the chair or closer to him. there's something horribly personal or intimate about it i guess, especially since he often takes her hand to do it.

[celaenaeiln]

Was Dick ever mean to Jason when they first met? Because I’ve seen a lot of fanon where it’s implied/shown that he was, but I haven’t seen anything to prove that it’s canon (and I’m happy you’re back even though you weren’t gone long I love your blog)

Aww thank you!!

Ugh I don't know where fanon keeps getting the idea but Dick was never mean to Jason as Robin.

Let's start with the erased version, otherwise known as pre-crisis.

Jason Todd was born to acrobatic parents and also performed in the circus. Here's the interesting bit: it wasn't Bruce who found out about them, it was Dick who was at the circus and cheered them.

Batman (1940) Issue #357

Where was Bruce? He was busy becoming squid food in Gotham.

Anyway Bruce escapes and meets up with Dick who is still Robin and helps him solve part of the crime. As he's discussing the case with Dick, Dick mentions that there may be a connection to Bruce's case and something Trina Todd said.

Yup! Dick becomes friends with Jason's mom <3

Batman (1940) Issue #358

Bruce doesn't trust her but Dick does and Bruce trusts Dick so he accepts.

So Dick goes to meet Trina and her husband but they've already left to sneak into the villain's lair and get caught by Killer Croc. So he chases after them. Barbara joins in as Batgirl but Batgirl and Robin are too late because Killer Croc has already fed Joe and Trina to crocodiles.

Batman's still fighting his own case while all this is happening.

Waldo the Clown takes Jason to the manor and while Jason's in the kitchen looking for food, he finds the door behind the grandfather clock open, goes inside, and finds the batcave.

He finds a trunk of Dick's old suits as Robin and that's where the iconic pre-crisis Jason Robin scene comes -

Detective Comics (1937) Issue #526

Which first of all Jason why are you wearing other people's clothes without their permission? But anyway Jason hears people coming and finds Batman's busy grabbing information with Selina and so he hides in the trunk of the Batmobile. Robin Dick and Batgirl solve the case on their end and find out there's a trap for Batman so they come in and save Batman and his allies. Jason sneaks out of the car and finds his parents are dead so he tries to kill Killer Croc but Dick and Barbara stop him.

Detective Comics (1937) Issue #526

Dick's just like "oh, you sweetheart."

Dick wants to adopt him but Bruce is like mine because they're both like "It's my fault his parents died, I should take responsibility."

Detective Comics (1937) Issue #526

Dick was really nice to Jason.

Batman (1940) Issue #529

Dick is Jason's idol. He and Dick have a great relationship, so much so that Dick actually passes on the Robin name and suit to Jason.

Batman (1940) Issue #529

I could make a meme out of the handshake scene with Bruce being one hand and Jason being the other and in the middle the hands meet is "idolizing Dick Grayson".

So Dick and Jason had a fantastic relationship.

And then some things happen where this Jason wasn't well-recieved by the audience because of the way writers handled the transition from Dick's robin to Jason's so DC realized that they need to make Jason into his own person with his own personality, looks, and story.

So they magic marker erased the previous timeline and now we have the actual Jason Todd that's actually relevant to every comic that comes after.

Yet in this current timeline too, Dick treated Jason sweetly.

Here Dick's first meeting with Jason, he actually saves Jason from the hands of drug dealers.

Batman (1940) Issue #416

He let go of his hiding spot to get the new Robin out of trouble.

Jason is not at all happy about this.

Batman (1940) Issue #416

And Dick's pissed off because he found out there's a new Robin through a newspaper and he just lost a drug deal he's been waiting on to bailout the new Robin.

So Dick storms off and Jason asks Bruce about Nightwing

Batman (1940) Issue #416

And I'm going to reiterate parts of this post for this part (people please please read this post because tumblr has an image limit and I've explained it in detail there but I can't here)

Dick had no idea Bruce passed on the Robin costume. He finds out through the newspaper because Bruce is pissed at Dick. Like he's so mad that when he told Dick to leave, Dick actually left.

You know how there's a saying about not being able to take back words of anger? Bruce is feeling that heavily. He already had suspicions that Dick wanted to leave but before Dick could tell him, he fired him so he wouldn't have to hear those words. But Bruce is super mad that Dick left anyway. So what does he do? He makes the first boy he sees Robin.

And Jason finds out Dick was Robin when he confronts Bruce why Nightwing knows Bruce's identity. And that gets Bruce more mad because he's now feeling guilty which is when Dick comes to confront Bruce.

After meeting Bruce, Dick talks about what he's been up to since he left and put Bruce in a good mood before he starts tearing into him.

Batman (1940) Issue #416

Bruce looks so wrecked. The guilt and sorrow is tantamount to his pain.

Then Dick asks Bruce why he choose someone new.

Batman (1940) Issue #416

So Bruce tells him. But Dick and Bruce's relationship go way deeper than just friends or family. They know each other. They revolve around each other so Dick calls him out, and out comes the truth

Batman (1940) Issue #416

But here's what it means in terms of Dick and Jason's relationship:

Instead of letting Jason become some sort of spite move, Dick becomes the bigger man and decides to turn Robin into a legacy.

Batman (1940) Issue #416

He passes it down like it was meant to be passed down. Because let's be honest here. The Robin name and costume is Dick's. If he wanted to, he could've taken it back, Bruce be damned. And that was one of Jason's fears.

It's Dick's approval of Jason and them catching the drug dealers together at the end that cements Jason as Robin. It's his acceptance and good will toward Jason that Bruce is grateful for.

Batman (1940) Issue #416

Dick also validates and praises Jason in the comics whenever they meet.

The New Teen Titans (1984) Issue #31

He's basically, "Don't worry about Bruce, if you get in trouble, I'll take care of it."

The only problem is they didn't meet a lot but when they did it was good times all around.

The third version of Dick and Jason's meeting.

In this version holy honking heck. First of all it's a flashback when Bruce fires Dick because he feels like he's too busy with other duties to be with Batman and then after a series of events in present time, it shows that Bruce literally kidnapped Jason and gagged and tied him to a chair. And Alfred's like WTH BRUCE?!

Even more things happen on both sides (curse you 30-image per post tumblr limit) and Bruce essentially makes Jason watch all the videos of Dick and sets Jason's gauntlet test to be a game of tag with Dick.

Dick is completely unaware of all this happening because he's just having fun busting up thugs and playing with Barbara, having no clue that Bruce and Jason are literally watching him livestream through his bike dash cam.

Nightwing (1996) Issue #105

Jason literally shows up while Dick's pondering on a rooftop and is like who're you? Oh wait you're him lol. Move over there's a new robin in town! And Dick's just like WHAT?! He such a little shit about it.

Dick's immediately like okay I'm upset at Bruce but I have to help this new kid out. There's no hesitation, no regret, no anger towards Jason at all. Just pure desire to see him succeed.

Not gonna lie, Jason's just awful towards Dick because he thinks that Dick is his test or something Dick's just like, "can you cool it for a sec?" They soon find out about a huge crime drug activity going on and Dick sorta mentors Jason through it while on the case. I'm not gonna include the panels but it's just Dick and Jason working together. It's fun to read and cute because Dick's protective of him and Jason's like a little bird following a bigger scarier one.

At the end the crime is solved, Jason and Alfred go home, and Dick calls Bruce to tell him this -

Nightwing (1996) Issue #106

Nightwing (1996) Issue #106

He was so, so nice to Jason. Actually it's impossible for anyone to treat Jason better than Dick treated him, not even Bruce was this nice to Jason.

In Nightwing (2016) Annual, there's another story of Dick and Jason's meeting. In this case Dick comes over after Alfred calls him and Jason's sulking in his room because Bruce grounded him. He pulls Jason away and they go on a Nightwing and Robin adventure where Dick talks to him, teaches him, and lifts his spirits.

Nightwing (2016) 2021 Annual

Dick being mean to Jason is pure fanon, it's so fanon that there isn't even a single comic panel that can be used in support of that horrible idea. He never ignored Jason. Dick makes it very, very clear that his problems are with Bruce won't interfere with his relationship with Jason. He treats Jason as an independent person with his own personality and genuinely looks after and cares for him in every retelling. The only thing is they didn't meet very often but when they did, Dick was such a good brother.

[ckret2]

✨⚠️ Wasting Away Again in the Goldilocks Zone ⚠️✨

If you're new here, this is one of those "human Bill in the Mystery Shack" redemption fics, you know the drill: Bill illegally escapes death via reincarnation; the Shack crew imprisons him til they can figure out how to kill him; but they won't, because Bill's gonna make friends with them and literally everybody else in town. Whether they like it or not.

Featuring!! The slowest redemption arc you've ever read; "human" Bill that doesn't decide being trapped in an alien body is fine; show-style episodic plot structure; individual plot arcs for characters you've never even cared about; so canon compatible we even include the dang coloring book; and so TBOB-compatible over a year before TBOB came out that I'm considering taking up a position as the Oracle of Delphi just so Apollo stops barraging me with dodgeballs.

New chapter every Friday, 5pm CST! Yes, that includes this Friday!

For art, doodles, upcoming scene excerpts, and posts about characterization & plot plans, see my #bill goldilocks cipher tag. For the fic itself, the first few chapters are on AO3, but tumblr's 60 chapters ahead:

⛓️ 1 Part 1. Bill returns, in a bedsheet toga.

⛓️ 1 Part 2. Bill tries to murder the Stans & Soos (with time travel).

⛓️ 2. Dipper and Mabel save the day (with time travel).

⛓️ 3. A tense evening as the Pines prepare to get rid of Bill.

⛓️ 4. Plot twist: the Pines physically can't get rid of Bill.

⛓️ 5. The gang goes to a diner at 3 a.m. for hostage negotiations.

⛓️ 6. Bill escapes from Theraprism. [NEW!!!]

⛓️ 7. "How'd Bill get here" flashback; plus, entering his new prison.

💇‍♀️ 8. Bill gives himself a haircut and depression.

💇‍♀️ 9. Bill & Ford grudgingly have a sincere conversation; regret it.

💇‍♀️ 10. The kids decide Bill won't ruin their summer. Also: Pacifica!

📓🔺📓 TBOB BOUNDARY: Everything above this line has been edited for 100% compatibility with The Book Of Bill and posted to AO3! Everything after this line has not been edited... so it's only 98% TBOB compatible. 📓🔺📓

🧚 11. Mabel gives Bill the most beautiful makeover ever. (It's not.)

🧚 12. Pacifica advertises Harry's Hairy Fairy Formula. Bill wants it.

🧚 13. Pacifica refuses to share; the twins discover its side effects.

🧚 14. Mabel wins Bill's eternal friendship with arts & crafts.

💭 15. Bill, Ford, and Dipper have nightmares that are Bill's fault.

💎 16. Ford has a fun day with Mabel but everything goes wrong.

💎 17. The day goes right again thanks to healthy communication.

🎥 18. Mabel's Guide To Local Animals, co-starring Bill Cipher.

🧊 19. Wendy snoops into the weird things happening in the shack.

🧊 20. Wendy meets the weird thing (it's Bill).

🎂 21. Stan & Ford's birthday party! Bill gives evil gifts.

💭 22. Bill "helps" Dipper's nightmares; no one knows his motive.

👁️ 23. Bill's ex is back in town and nobody's happy about it.

👁️ 24. Everyone's even less happy to learn Bill has a sex life.

🧿 25. Mabel and Bill make friendship bracelets! :)

🧿 26. The Pines take Bill to the mall. He wears terrible things.

🧿 27. Bill breaks Mabel's heart (and panics to fix it).

🏳️‍🌈 28. Bill talks his way into going with Wendy to Rainbow Club.

🎃 29. Bill contacts the Henchmaniacs on Summerween morning.

🎃 30. Costume making. Mabel pries into Bill's past, with crayons.

🎃 31. The Trickster's pals trick-or-treat; and Bill terrifies Dipper.

🪮 32. Dipper & Mabel make a poppet to control Bill.

🦷 33. Stan takes Bill to the dentist. In handcuffs.

🦷 34. Dentist & tooth fairy attack. Stan & Bill are still handcuffed.

🦷 35. Bill & Stan reach a painful understanding and stop the fairy.

🛁 36. Anime night; and Mabel makes Bill do community service.

🛁 37. Bill plots escape and runs into Wendy. Dipper panics.

🛁 38. Bill has the worst and stupidest day of his afterlife.

🌅 39. A cultist finds Bill; Bill tries to re-recruit Ford.

🚙 40. Gideon broadcasts car commercials; invokes Bill's wrath.

🚙 41. Bill apologizes for bullying Gideon. lol no he blackmails him.

🌕 42. Bill tells Dipper secrets of the universe; predicts an eclipse.

🌖 43. Gravity is disappearing; Ford and Fiddleford investigate.

🌗 44. Ford & Dipper drag Bill hiking; Bill faces his death.

🌘 45. Ford demands answers Bill can't give as totality looms.

🌑 46. Totality. Bill decides whether Ford lives or dies.

🌒 47. Bill feels rotten but finally explains the eclipse.

🌓 48. Bill has a complete mental breakdown.

🌔 49. The gang limps home. (Plus: a second dimensional eclipse.)

💿 50. Bill finally processes that mental breakdown.

💿 51. Dipper and Mabel try to remember the Axolotl's poem.

📖 52. The gang reads Flatworld. Bill isn't thrilled.

📖 53. Mabel tries to get Bill to talk about his home world.

⚛️ 54. Dipper, Ford, and Fiddleford do paradox physics.

📖 55. Mabel learns college-level geometry.

📖 56. Mabel & Bill have fun; Dipper & Ford prepare for murder.

💀 57. The execution of Bill Cipher.

💀 58. Everything you wondered about how Bill escaped.

💀 59. Everything you didn't wonder about how Bill escaped.

💀 60. Everything you never imagined about how Bill escaped.

✨✨ 🪐 61. The Axolotl finds the second dimension's corpse. ✨

📙 62. Soos vacuums the attic (wow exciting)

📙 63. Soos decides how he feels about Bill's treatment.

📙 64. Fixin it with Soos: home redecorating!

🎥 65. The gang makes plans for the night.

🎥 66. Dipper's Guide to the Fremont Nightwigglers

🎥 67. Mabel's Guide to Secret Sleepovers

🎥 68. The aftermath of everybody pulling all-nighters.

🏖️ 69. Beach episode! The Pines fish! Bill tans!

COMING SOON:

🏖️ 70. Bigfoot, Agent Powers, and the cool teen gang.

Hey!! Go read chapter 61 now! I posted it out of order so you probably haven't read it!!!

🪐 61-2: The 2D massacre is so much worse than the Ax thought.

🪐 61-3: A building inspection in the Nightmare Realm.

🪐 61-4: Even when Bill fixes things he breaks them.

🪐 61-5: A shape meets Bill as the world burns.

COMING SOON:

🪐61-6: The gods & Bill negotiate him leaving Dimension Zero.

EVENTUALLY WHEN WE GET BACK TO NORMAL NUMBERING THE NEXT CHAPTER WILL BE:

🕴️ 71? The government investigates the Mystery Shack... again.

I skipped chapter 61 because it was about the destruction of Bill's dimension and it was scheduled to post the week TBOB came out. By the time I finished rewriting it to be TBOB-compatible, it was like, 5 or 6 chapters. I'm gonna finish posting them first to see how many chapters they actually are and then I'll update the numbering of the subsequent chapters.

This post was last updated November 8, 2024! If you're seeing this post as a reblog and it's been a while since then, check back on the original post to see if more's been added!

[strixcattus]

I feel like if ISAT was a full RPG it would have a rotating protagonist.

Listen. Obviously Mirabelle's journey is going to focus on her for the majority. But when ISAT opens, Siffrin is the one going around to check in on all the party members before the final dungeon, and Mirabelle is sitting on a bench the whole time. She's not the current spotlight character.

And within the House, and it's implied that this has happened in previous dungeons, Siffrin is the one in the lead, which means he's the one that determines where to go and gets to interact with items. He's the executor of what the player wants to do, and even though the role might have been held by Mirabelle in the past, right now it's Siffrin time.

I can imagine there being a sort of rotating spotlight as the game goes on. There will always be scenes focusing on Mirabelle, as the original main protagonist, but I'm picturing a different character taking the lead role for each dungeon as they're picked up. I don't remember if it was ever specified whether Mirabelle already had any orbs before meeting Isabeau, but I can imagine this working either way. The first dungeon has Mirabelle leading Isabeau through it, the next has Isabeau leading Mirabelle. Maybe he's more familiar with the location or its specific defenses.

Then we drop in Odile, and she, wanting to keep the relative children out of harm, takes the lead in the next dungeon. Then Siffrin shows up, and now he's the lead character as the official trap-finder. (Bonnie appears before the last orb dungeon, but they don't do any leading.)

And I'm picturing each character having their own little scenes before and after their dungeon, where they take on the role Siffrin had in Act 1—going around town, interacting with people in their own way, checking in on the rest of the party, and eventually getting a little character development or something after the dungeon is over. Even Bonnie gets to do this around the fifth dungeon, though they're back at the end of the line inside. Or maybe they do get to lead, briefly.

And Mirabelle is always a focus, she's indicated as the main protagonist, and the character focus circles back to her during the final dungeon, the House, which we can see by her returning to her home and admitting the truth about her blessing (I can imagine the player having known this all along, and waiting for her to come clean), but there's still a bit of a shift midway through the game from Mirabelle being the one you control when no one else has the spotlight to Siffrin, suddenly, being the default lead character, and though Mirabelle never stops getting her character development moments and there's a clear return to her arc once you're at the House, you still get the feeling that there's something about Siffrin that makes them just as important. Maybe something in the backstory they never talk about even when they're carrying the POV. Maybe there's something that connects them to this quest just as much as Mirabelle.

And then one of two things happens. Either ISAT happens exactly as-is, since Siffrin was supposed to be the POV character leading into the final dungeon (and what's that about, the player thinks), or we're thrown directly into Act 5 with, say, Mirabelle holding the POV, and leading everyone through the House without Siffrin, and oh, so that's what their whole deal was.

[whovianbuffalo]

Dot and Bubble thoughts

This episode was first and foremost an allegory for racism and the entitlement of white elites, and this little touch of “charging rebranded as 'work'”(because it's 'tedious') is interesting here.

Lindy later says "my job's not easy, I get chapping" which shows she clearly hasn't worked out that "work" has become a meaningless phrase in their carefully-controlled society.

Before this, Ricky says people used to do 'manual labor, for money', but Lindy still self-identified as a wealthy person when Ruby asked, and said "Only people who can afford it" are sent to Finetime, yet

So... I can understand why some people feel that this episode is trying to take a shot at Gen-Z and no one else, but I will say it does seem to be a valid critique of performative activism.

Lindy mentions that she is using 'refurb' clothing and therefore isn't using up any of Finetime's resources, which is one of the only indications we are given that this 'utopia' is, of course, falling apart. The other indication comes in the opening of the episode when the newsreader informs them "Not going to lie, we are having trouble with the weather satellite".

A friend of Lindy's compliments her outfit- a woman who says "Kindness all the time" (an ultimately hollow phrase) is preferable in this society to The Doctor and Ruby, who are seen as impolite for daring to interrupt their bubbles, but, ultimately, The Doctor is shut out due to racism and colorism. Ruby is an outsider too, but because she is white and blonde and blue eyed they never question if she is a "contagion".

The Doctor was no 'ruder' than Ruby, but Lindy focuses on him anyway.

I appreciate that we see an early indication of Lindy's selfishness in her first meeting with Ricky here.

Interesting that instead of "heaven's sake" Gothic says "For land's sake". This makes sense for a culture so clearly obsessed with Manifest Destiny, and of course reaffirms their belief that Finetime is "heaven", of sorts.

It's clear that they still have some Religious/Phantasmagorical connection to a mythical heaven, as Lindy says "You mean she's in The Sky? Isn't she lucky!" rather than think about the realities of death or an afterlife. And just in case we were wondering if this culture was religious, they invoke the deity (and Manifest Destiny) directly:

The specific way in which Dot and Bubble forces the viewer to sit with Lindy throughout the episode- static scenes shot of her very boring life and her extremely vapid, empty social life (which I appreciate The Doctor calls out as being enough to drive the AI to homicide) makes us feel trapped and complicit in her behavior, and Ricky's, too.

We're watching the narrative unfold from within the bubble and the screen is literally obscured, peeling back the layers until we finally meet the doctor in person- but Lindy's reaction is off.

And then... We don't follow them. The camera shrinks back, and the impossibly wide world which they wanted to conquer shrinks back into a tiny dot as their boat fades out into the horizon. We're left with Ruby and The Doctor and a TARDIS which is bigger on the inside, but we don't see inside her.

Great work from the director of photography here and amazing work from the cast and crew all round to make a script which must have looked extreme repetitive on paper- the constant use of the word "Forwards. Forwards. Forwards" must have been a hard slog in the read-through— work so well onscreen. How prodigious that it would appear have been too expensive to film during the 11th doctor's era and was shelved for more than a decade until we could get Ncuti Gatwa to fully embody this experience.

This episode was an excellent satire (of multiple things!) and I'm not sure it would have landed the same way in a previous era... But it feels incredibly timely now if you are willing to listen to it.

[kneazle]

Clandestine meetings were something Tommy was very familiar with back when he was in the closet. He just never thought he would be having one again–though this time it had nothing to do with a relationship he was trying to hide or sex.

Tommy spotted the person he was meeting the second he walked into the diner, a place out of the way that was known to truckers traveling in and out of LA. He gave the older woman at the counter a brief smile as he walked to the back corner booth. He slid across from the other occupant who slid a cup of coffee across the table. No words were exchanged as he put his normal two creams two sugars in–her gaze on him the whole time.

"What changed your mind?" She asked, not beating around the bush and he was glad for it. This wasn't exactly how Tommy wanted to spend his day off, but it was needed.

"It's become worse," Tommy told her, the anger seeping into his tone.

"I'm curious," She took a drink from her own coffee, "Two weeks ago you called me asking for my help to get Gerrard out of the 118, changed your mind three days later because Buck begged you not to do anything, and now you changed your mind again?"

He shook his head, leaning forward making her eyes narrow in interest, "I dont just want him out of the 118 anymore– I want him fired."

"What happened?"

"Evan happened."

Taylor moved her coffee aside and leaned in herself, arms crossed on the table as worry crossed her face, "Tommy?"

"I knew it was a possibility that Gerrard would risk one of their lives at some point– he has a history of leaving people to die, I should know–" Tommy began, Taylor sucked in a breath at his words, "But a foolish part of me hoped he learned his lesson in that at least."

"But he didn't."

Tommy shook his head, "They had a call at an apartment fire, and Evan was trapped. Gerrard wanted to leave him saying they wouldn't be able to get to him, luckily he wasn't the one in charge of the scene or–" He stopped and pushed back the emotion trying to rise to the surface, or he'd be dead was left unsaid, "I can't sit back and do nothing, if Evan is upset when he finds out then so be it, it's worth it to keep him and everyone I care about at the 118 safe."

"It's going to take a lot more to get him fired then just getting him removed."

"I know, and I'm willing to do whatever it takes. I know you still care about him Taylor, are you in?"

"Yes," She answered, no hesitation, "And I already have an idea of where we can start–"

It took two months to gather everything they needed to get him removed, a lot of it involving both of their connections, and people Tommy helped save who he kept in contact with and were willing to be their eyes when it was safe to at calls the 118 went out on. Video evidence against Gerrard grew, but they had one more plan to go through as a backup in case the videos of his behavior weren't enough. It wasn't something he was looking forward to and it would be the part to upset Evan, but Gerrard was dangerous and Tommy would protect Evan and the 118 even if it resulted in their first fight.

All they had to do was wait for the right moment.

When that time came, Tommy who was on the same scene as the 118, discreetly sent a text to Taylor. No one noticed Taylor Kelly standing with the crowd of on-lookers disguised and hiding her hair in a hat. Tommy clocked her and made sure most of his back was to the video she was recording, that way no one could see or hear what he was saying except Gerrard who stopped in front of him with a sneer. Tommy fixed himself and his body to look as if he was afraid to anyone watching the video, and he began speaking the practiced words. Gerrard’s face changed from disgust to anger.

Gasps came from every direction as the older man's fist came in contact with Tommy's face. Right there for three stations to witness along with multiple civilians.

"Tommy!" He heard Evan shout as the 118 rushed over, Eddie psychically putting himself between Gerrard and Tommy as Evan grabbed for Tommy to gently turn his head checking his soon-to-be bruised face. He was surprised the old man had such a right hook still. Hen stepped in, her eyes worried but Tommy gave her and Evan both a reassuring smile despite the slight jolt at the action.

"That was uncalled for Gerrard!–" Tommy heard Chimney start in on him, but couldn't see him as Evan and Hen were in front of him, and Eddie stood in protective mode making sure he didn't come at Tommy again.

Tommy felt a swirling of love for all of them in his chest and knew this was the right choice even more.

"I'm alright I promise," Tommy told them, his hand squeezing Evan's before pulling away reminding himself that they were still at work–and made a deal when they first started dating to keep it professional.

Tommy's captain and the other stations captain had come over and pulled Gerrard away, their faces furious.

He accepted the ice pack Hen handed him, and moved over to where the crowd was gathered.

"Tommy what–" Evan followed after him confused, the sound of the others boots trailed after.

"You get all that?" Tommy asked Taylor when he was close enough.

"What the hell is going o–" Evan cut off with a noise of surprise, eyes wide as Taylor grinned and took off her hat and glasses.

"Got it all," She waved her phone in the air briefly before smiling at the others with a nod.

"Uh–" Hen gestured at the two with her hands, "What is going on here?"

Tommy sighed and motioned for them to move more to the side, "Taylor and I have been working to get Gerrard fired."

"You were...working with Buck's ex?" Chimney looked back and forth between the three of them.

Tommy shrugged, "I did what had to be done."

"I feel like my head is going to explode," Evan mumbled to himself, rubbing his eyes as if he was seeing things, "You weren't meeting up with co-workers..you were planning with Taylor?"

He nodded, now reaching for Evan's hand and giving it a squeeze.

"Hold on–" Eddie chimed in, "So that punch–"

"Was supposed to happen."

"You purposely got yourself punched?!– I mean I'm glad it looks as if the guy is done for but are you kidding me Tommy?"

All of them backed away at Evan's tone.

"Uh- I love you?"

"Thomas Kinard–"

"Uh oh he brought out the full name," Chimney mumbled as they all backed away more.

Except all Evan did was cup Tommy's good side and pull him in for a kiss.

[bloodynectarine]

Boiling point

After weeks of holding himself together and setting clear boundaries, only for them to be broken over and over again, MC snaps.

tags. male mc, post-lesson 16, belphie is his own trigger warning, angst, ptsd, mild violence, hurt and comfort.

notes. i don't want therapy, i want revenge. everyone got over belphie killing us way too quickly, and i find it frustrating. you know what would be really fun? to punch belphie. love him, but the amount of serotonin he would bring into my life if i could just… punch him once. a boy can dream.

Dying and somehow living to tell the tale was not exactly in your plans when you decided to help the demon stuck in the attic.

Sure, you knew it was dangerous and sure, you understood it was a gamble. But you never quite got that your life was at stake until you felt Belphegor's cold grip around your neck and your vision started to get fuzzy at the edges.

Oh, you thought, with startling clarity.

I'm going to die.

You may still be here, but no, you did not survive Belphegor's wrath and hurt. The sensation of phantom hands pressing down your throat never quite left you.

And Belphegor is nothing but a cruel reminder of the night you died.

First, comes the terror. Even with the pact to protect you, in the days following the event, you can't help but freeze every time Belphegor is in the same room.

As you get used to his presence around the House of Lamentation, as he insists in siting next to you during breakfast and in holding your arm on your way to class, the terror slowly subsides, opening way for a different, less familiar feeling.

Annoyance. Anger. Borderline rage.

Who does he think he is?

Who does he think we are? Best friends, family?

“Belphegor…”, you call for the demon that's already laying on top of your lap, with a tense smile hanging from your lips.

This week's movie night was held in your room. It was one of the rare occasions in which all the inhabitants of the House of Lamentation were present. Even Lucifer is here, looking comically out of place, regal and all seriousness, as if he were in the middle of a meeting and not watching a three-hour-long romance anime film.

Mammon got off from his “rightful place” (“DIBS”, the demon of greed shouted as soon as you sat down, throwing himself across your lap), to rip the remote control out of Levi's hands, who kept rewinding the same scene over and over again (“It's really important for the plot!!!”).

And in the middle of the squabble, Belphegor appeared out of nowhere to climb into your lap, and just. Cuddle.

At your call, he looks up and blinks lazily at you, with his big eyes and his messy bedhead. And the image should be endearing, really, but your chest feels cold, and you can feel your limbs locking in place. You feel trapped, uncomfortable. Ah, it's fear.

“I need. A bit of space. Could you sit somewhere else?”, you manage to let out, and your voice is the only sound in the room. Quarrel and movie long-forgotten, everyone is watching the two of you. Beel was the one who took over and put the film on pause.

Belphegor blinks the drowsiness out of his eyes. His brow furrows, just a little, and if anything, he looks put off by the question, a little lost.

“I don't want to sit anywhere else. I know Mammon was here just seconds ago, but I'm a better cuddle-partner than him anyway. You can ask anyone.”

And he doesn't move. He lays his head against your chest with a yawn.

“I don't…” want to be close to you. You stop yourself from uttering those words, mindful and considerate, truly doing your best. You don't want to lie either, so you decide to play around with the phrasing. “I'd rather you gave Mammon his place back. Or, you know what? I can change seats myself.”

Your tone is as lighthearted as you can manage, and you start to get up from the couch, with Asmo, who's sitting next to you, moving out of the way to give you the space that you need. The space you very specifically asked for.

But Belphegor's weight is heavy against you and traps you in place. Not only that, but his hand reaches for your arm and pulls, looking at you with the same bewildered expression as before, genuinely confused. When you fall against the couch, still under him, you're reminded of how strong he is. Of how weak you're in comparison.

“Oi, Belphie. No one is better at cuddles than me”, says Mammon after a too long pause. “And of course he wants to be with the great Mammon, everyone does. Now move, we still have, like, two hours left of the movie and if we don't finish it tonight, Levi is going to complain all week.”

Levi, who would normally jump into the conversation to defend himself, is barely visible, half hidden between Beel and Satan. His eyes dart between you and the hand that's holding your arm.

“Well, we are already so comfy, so I won't get up”, you wonder who “we” is. Belphegor talks lazily and moves the hand that isn't holding you in a dismissing manner, as if this was not more than a bothersome request, interrupting his nap for nothing.

Your teeth grind together, and there it is, once again. The ugly pressure that holds your gut in a tight grip, the heavy discomfort in your throat. Once foreign, but now you can tell it apart so easily. Anger.

“Belphegor. You heard him already.” This time, Lucifer is the one talking, and he sighs as he gets up, coming closer in an attempt to pry him away from you.

“Oh, please.” Belphegor rolls his eyes, clearly irked by Lucifer's intervention. “We are okay. Right?”, he looks back at you, and this time around his voice is filled with doubt, bordering hopeful, searching for something in your eyes.

“We aren't.” At last, you say it, flatly, and it comes out sharper than you intended, if the way Belphegor flinches and Asmo whimpers is any indication. You're tired, what little patience you have left is quickly running out thanks to the stubborn remarks and your words falling on deaf ears. “Let me move.”

The demon on your lap has the gall to look affronted, hurt. His bewildered expression does nothing more than increase the feeling already boiling deep within you. You can feel Satan's eyes boring in your cheek, but you refuse to look at him.

“Hey… Relax”, Belphegor mutters, now looking a little concerned too. For you. He's worried about you, and yet he still won't get up. “Are you okay? What's wrong?”

What's wrong.

What's wrong?

You're so taken aback by the question that by the time you react, his hand is already on its way to hold your cheek.

The most violent of flashbacks comes through you, a whiplash that hits you with the force of a truck. His handprints on your neck, trying to catch your breath, feeling cold all over, with the only warmth coming from your own blood ringing loudly in your ears, flowing right next to his voice, so full of hatred.

You can't freeze this time around, you need to move, you need to run, you need to do something, anythi--

“Belphie, I don't think you sh--” Satan tries to warn him, but it's too late.

By the time Belphegors fingertips touch your cheek (and this time they're warm, not dead-cold, you notice with surprise) your fist is already hitting against his nose, punching him right in the middle of his face, with a force you didn't even knew you had in you.

Not that you've ever done it before, but you can imagine this is what it feels like to hit a wall. Your hand hurts and goes numb.

The impact pushes Belphegor against the cushions, his hands flying to cover his nose. And any other day it would have been impossible, your punch would never land (he's that much faster, that much stronger), but right now he was so worried about you, so desperate to stick by you. His guard was as down as it will ever be.

His nose is bleeding, you notice, at the same time as Asmo gets up with a gasp. Levi shrieks in the background, and Mammon let's out this weird noise, a mix between one of his “Oi”, your name, and a scream.

Everything stands still, and, to your credit, you're just a shocked as everyone else.

With the punch, all anger has left your body, and now you're just a bunch of nerves, looking at Belphegor with big eyes. Belphegor looks back at you, so shocked, and you suddenly feel like crying. Oh, how much you hate being an angry-crier.

Satan is the one that breaks the silence, with a heavy sigh. “Told you so.”

Beel comes next, taking two steps in your direction but stopping when you raise your palm. You're trembling, but you come close to Belphegor all the same, refusing to back down.

“Asshole.” It's the first thing you say, and defying the impossible, Belphegor's eyes grow even wider as you tower over him, kneeling on the couch.

“Are you deaf? Wasn't I clear enough? Loud enough?”, and when you raise your fist in the air, Lucifer approaches, but all you do is gently punch Belphegor's chest. Again and again. “I told you to move. Several times. And still, you didn't. I was… I was dying of fear, and you weren't moving.”

“You, inconsiderate shit.” Punch. “You, deaf moron.” Punch.

“You… Stubborn cow.”

Belphegor has let the blood simply flow across his face, and now he's kneeling in front of you, holding his own hands, the same surprised look on his face.

And that's that.

You let your arms fall with a groan and simply sigh. For Diavolo, violence really isn't for you, you are so tired.

“S-Should we separate them?” Levi asks in a trembling voice, frantically waving his hands, unable to decide whether to approach or flee.

“No. He has more to say.” Satan gently holds Levi's wrists, and waits.

That's when you realize that yes, you got more to say. In fact, you've had something to say for way too long, and now you're dying to get it off your chest.

“I gave you my trust, and I knew I was being childish and reckless in doing so, but all I wanted was to help. I cried for you, I felt for you, and I did everything I could to be by your side even though all I had to offer was just. Just me. Mortal, human. And in response, you killed me.” Belphegor recoils at your words, but you go on.

“It hurt. It still hurts, even now. Sometimes I see you and all I can think about is your betrayal.”

Belphegor looks down, biting his lips, in silence. You can see his hands shaking, and you remember your talk under the stars, his eagerness when he offered you a pact. When he gave you the control you needed. His hands were shaking back then, too.

With a groan, you reach out to hold his chin, lifting his face. You take the long sleeve of your pajamas and begin to wipe the blood running down his chin, across his lips. Slowly, with care.

Your fingers run through his hair just to be able to look directly into his eyes. He looks anxious, fearful, and you know that your next words have the power to break or mend his heart.

So you decide to, once more, open yours and leave the rest in his hands.

“I don't hate you. And this isn't me cutting our ties. I understand your pain, I really do. Please, understand mine.”

Your thumb caresses over his forehead. Carefully, gently.

“I need time. I'll let you know when I'm ready.”

Belphegor inhales and exhales deeply, holding your gaze. Slowly, but surely, he takes your hand between his, from his forehead to his lips, leaving the lightest of kisses against your palm. You feel the pact mark that binds you together tremble and sing.

“I'm sorry. For the pain, for my insistence, I just… Wanted to be close. I need to be close. I'll wait for you.”

Straightforward as ever. But you are struck by the sincerity in his voice, in his eyes, and this time around it takes you no more than a second to nod.

“Right. Be good and wait for me.”

Unable to resist, you pat his head, just as you would to a small, rebellious child. He's the baby of the family, after all. He groans, and you laugh, feeling so much lighter. And unbelievably tired.

By the time you remember that you're not alone in the room and turn around to placate the others, you make eye contact with Satan.

He's looking prouder than ever, the little smile on his lips telling enough. “Go on”

The brothers needed no further prompting to launch themselves at the two of you, a jumble of limbs and shrill voices.

“MC, that was, as usual, reckless. From now on, fist fights are forbidden in and out of the house. Evade further conflicts.”

“B-But wasn't MC so cool?!?! Belphie is so much stronger, but he was down with one punch! W-way too op, MC!!”

“Oi! Human, how dumb can ya be?! Tell me before you go around punchin' demons, I can punch them for ya!”

“I knew you were good at controlling your anger, but I never imagined that much. You are full of surprises.”

“Belphie, gosh, your clinginess finally got you in trouble, mh? Your surprised face was so cute! Do you need concealer?”

“Belphie, does it hurt? Do you need ice? We have popsicles in the freezer… Wait, I ate them all yesterday, sorry Belphie… Do you want me to go and buy more? MC, which flavor would you like?”

“We are good, Beel.” Belphegor answers, still looking at you. “Right?”

You laugh at his not-so-subtle search for assurance, and your chest feels astonishingly full. “We will be, for sure.”

Movie night turns right into a sleepover after that, as every single one of the demon brothers refuses to leave your room. Lucifer might roll his eyes, but he still settles on your couch, right next to Satan.

And for the first time in weeks, you're able to close your eyes and rest, feeling safe and at home.

ao3 ― writing tag

[callsign-rogueone]

alone with you - l.m.

Liam Mairi x reader part two of Liam and Spark's story. words: 3.0k 🏷: Fourth Wing spoilers (spark knows things that Violet doesn't lmao), sparring and a tiny bit of blood, reader gets injured but not to worry, someone takes care of you. no pronouns used for reader but Liam does call you a girl. Tuile being a bitch (wbk) and perhaps some answers about what happened in spark's first year at basgiath... I'm still not good at writing fight scenes, sorry lol

Another year, another round of challenges. Another opportunity to show the entire quadrant that you’re not here to fuck around, nor to make friends.

You loosen your muscles as Emeterrio discusses the rules of engagement, cracking your neck and stretching out your arms, taking mental inventory of all the weapons on your body -- even though it’s frowned upon to use them in these fights, you keep the array of knives at the ready.

“I see the general’s girl has survived the week,” Tuile muses. “I’m almost impressed.”

You cast a glance across the room, seeing her standing next to the cadet who was in front of her in line for Parapet, the one she’d traded boots with.

“It’s only a matter of time,” you mutter back. 

Even though Xaden had convinced the two dozen of you to leave her alone, it’s likely that somebody else is going to see how fragile she is and walk right up and snap her in two, to thin the herd -- not that she has a real chance of making it to threshing anyway, not without some divine intervention.

But she’s a perfect little Navarrian citizen, so she must pray to their gods every night before bed. Maybe they’ll help her, because you sure as hell won’t; you have a reputation to maintain, and there’s no rational explanation you could give her for why you would want to help her at all, not without jeopardizing the entire revolution -- she might not take after her traitorous older brother, who as far as she and everyone else in this death trap of a college is aware, is dead.

She seems to notice you watching her, locking eyes with you for a split second and quickly averting her gaze. She’s afraid of you and all of your friends, unaware that your respect for Brennan is what’s keeping her alive right now.

Fear is a requirement for survival here. Maybe she’ll make it longer than you’d thought.

It’s not a surprise to you at all that your name is called first, nor that you’re matched with the largest cadet in the class. It became clear to you last year that the professors aren’t making these assignments randomly. It couldn’t be a coincidence that they keep pairing you with the best fighters -- but never with another marked one, even though you’re all at the top of the class.

No, they’re probably entertained by all of this, betting on you like racehorses or wild dogs, placing wagers on who would come out on top. If anyone’s putting money on you, you’ve made them a killing -- you’re undefeated. 

But that would require someone else to bet against you, and while you may not respect all of the professors and leadership, or any of them, really, you don’t think they’re dumb enough to throw their money away like that.

“We meet again,” he says with a sick grin that makes the scar below his eye stretch and contort.

You don’t respond, taking one last survey of the seven blades on your body, but you’re not dumb enough to touch them, lest he see where they are and try to take them himself, like he did earlier this year.

He’d wrapped his fingers around the wooden hilt of the blade that Liam had given you before you left for Basgiath, intent on putting it through your heart, and you’d seen red.

“You should have taken his eye out.”

“I gave him that scar as a warning,” you reply evenly. “It’s up to him if he’s going to heed it or not.”

You’re at it as soon as Emeterrio says go, taking turns lunging at each other and blocking attacks.

You’re evenly matched, despite the size he has on you. He may be stronger, more intimidating, but you’re faster, and you know what you’re doing. You know where to hit and when, your strikes much more precise than his.

Still, Liam’s heart races.

It was one thing watching you mess around with Bodhi in the courtyard, but it’s another thing entirely seeing you fight as if your life depends on it -- and it does. There’s a very real possibility that one of you is going to be spending the evening in the infirmary, or the morgue, after this ends. 

You fight like Xaden, like himself and Bodhi and Imogen and everyone else his brother had a hand in training, but with an edge he’s never seen from you before.

He hesitates to put a name to it, but there’s something in your eyes akin to a wild animal’s as the pair of you stalk circles around each other, planning your next attack.

“It’s not polite to play with your food,” Tuile chides.

Fine. You’ll finish this, if only so she’ll shut up and leave you alone.

The other cadet has the same idea. 

You charge at the same time as he hurls a dagger in your direction, and you hit the ground at the last second to avoid being skewered. You start to press up to your feet, but he stomps a boot into your back, pain ripping down your spine. You swallow a scream, digging your nails into the sticky foam beneath you.

The mental wall separating you from Tuile crumbles, that familiar white-hot anger flowing through you. “Do something.”

You unsheath a dagger, reaching up and swiping it across his calf, and he hisses in pain, releasing you and taking a stumbling step back.

It’s easy enough for you to knock him off balance, landing three consecutive blows to his ribs and a swift kick to his stomach that sends him to the floor.

You’re tired of this already. It’s lost its novelty, and you really need to sit down -- there’s black spots clouding your vision, and the pain in your back has gotten impossibly worse.

“Do I have to kill you in front of the kids, or do you yield?” 

“I yield,” he rasps, still clutching his leg.

You lean down, wiping each side of the blade on his shirt before you sheath it.

“Sloppy, but satisfactory,” Tuile comments — that’s high praise from her. Maybe she’ll give you the evening off from her snide remarks.

You slot yourself between Liam and Bodhi, leaning against the wall as casually as you can; every movement has pain spreading across your lower back and shooting down your spine. 

You try to focus on rebuilding the wall she’d knocked down, brick by brick, taking deep breaths and forcing the anger out of your body.

Liam reaches for you, looking worried.

You speak under your breath, not moving your lips. “Not here. Not in front of everyone.” 

He pulls back without protest, understanding why you don’t want him helping you where the rest of the quadrant can see you, don’t want them to see the look of concern on his face and his hand on your arm and identify him as your weakness.

You may very well be the most hated person in the quadrant, being marked, bonded to one of Navarre’s nastiest dragons, and unafraid to draw blood in challenges. There are several cadets in this room who wouldn’t hesitate to go after Liam if they thought it would hurt you -- and it would. 

You don’t care what they do to you, what pain they inflict or what scars they leave on your body, but if anyone so much as touches Liam, they’ll lose the use of their hands. 

You breathe through the pain and keep your eyes on the fights unfolding in front of you; making note of who favors what side of their body, who gets sloppy after more than a minute, who yields because they don’t have the stomach to take things further.

Most of the cadets think this is the one class you don’t have to study for, but they’d be wrong -- there’s a reason you always come out on top, and this is it.

The class ends without Liam’s name being called, which is a relief, even though you don’t doubt his skill on the mat — it’s off the mat that you’re worried about. 

Almost everyone heads straight to dinner, but Liam hangs back, getting your attention with a barely-there touch to your elbow. You look over at him, and he nods in the other direction, toward the dorms. 

Of course he’s going to insist on checking your injuries himself, as he always did in the years you trained with him and Xaden. He doesn’t seem to think anything has changed between you in the year you’ve been away.

Sooner or later, he’ll realize he’s wrong.

You wait for nearly everyone to be out of the gym before you leave, leading him up to the second floor in silence and unlocking your door with a wave of your hand, gesturing him inside -- thankfully there’s nobody in the hallway to see you.

You haven’t been alone with him in a full year. A year and two weeks, if you want to be precise. The day you’d said goodbye, and nothing else.

You busy yourself with digging through your desk drawer to find the nearly-empty tin of healing balm, handing it to him before you turn away, gritting your teeth as you pull the shirt up over your head. 

If you weren’t pouring every ounce of energy you have left into keeping yourself upright, you might have it in you to be embarrassed about the amount of skin you’re exposing to him, the history of your first year at Basgiath on full display. But it’s Liam. Liam isn’t going to judge you, isn’t going to pry; he’ll just keep giving you that soft, concerned look -- which is somehow almost worse.

There’s a moment of quiet as he takes it in; the dark blue, nearly-black silhouette of Tuile that spans your shoulder blades and continues down your back, disappearing into the layers of thick linen wrapped over your chest, the full extent of your rebellion relic, winding down your arm to your wrist… 

Then he sees it, the nasty bruise starting to form on your back, below the hem of your bindings. The other cadet had hit you square in the spine, a blow that could very well have been paralyzing had it been delivered at a slightly different angle with slightly more force. That’s probably what he’d intended.

Liam isn’t particularly religious -- none of you are, which was a major reason why your parents had wanted to secede from Navarre -- but he still sends up a silent thank you to the powers that be that you’re okay, standing in front of him mostly unharmed.

You grit your teeth, keeping your eyes shut and gripping the shirt tightly as Liam’s hand rubs over your back, working in the healing balm. 

There’s something about the feeling of his skin on yours that is more uncomfortable than the aching bruise or any of the other injuries you’d sustained in that fight. 

You can handle the brush of your hands, a touch through layers of clothing and armor, eye contact and whispered words and smiles — all things that are acceptable behavior between friends — but the tenderness of this whole thing is overwhelming; being alone with Liam in your room, his bookbag on the floor, standing behind you rubbing a hand over your back, the other on your waist to hold you steady because you’re fucking trembling.

Maybe you are a little embarrassed after all.

The skin feels warm and tingly, a sign that whatever healing herbs within the sticky paste are working, soothing the aching muscle. Your entire body feels warm. It’s unbearably hot in this room, but Liam doesn’t seem to mind, still dressed in his flight jacket and full uniform. 

He moves his attention from your back to your side, murmuring a soft apology when you startle at the feeling of his hand smoothing over your ribs.

You take a breath, letting him work more of the balm into the spot where the other cadet’s fist had landed.

He finally pulls back, letting his hand linger on your waist until he’s convinced you won’t fall over. “Anything else hurting?” he asks gently.

��My head,” you admit to the wall. “But that never goes away.”

You pull the shirt back on as quickly as you can, done feeling exposed, and fight to maintain an unaffected expression as you turn back to face him.

He looks at you for a few seconds before it dawns on him -- the persistent headache, the flatness of your skin and your constantly racing heart, the way you’re bracing yourself with a hand on the desk, how tired you look and feel… “Spark, when was the last time you had water? Or anything to drink at all?”

Liam has always been too observant for his own good. 

You take a moment to think about it, another definite indicator that something is wrong. “Yesterday,” you answer quietly. “At dinner.” 

His eyes widen almost imperceptibly. It’s been a full twenty-four hours -- you’re supposed to be at dinner right now. It’s a miracle that you hadn’t passed out on the mat this afternoon.

He doesn’t scold you, doesn’t tell you how bad that is; he just squeezes your hand gently, taking the water bottle out of his bag and uncapping it. He can see you hesitating, knows something is wrong --  it takes a lot to rattle you, but you’re looking at the thing like it’s going to bite you.

“Three sips?” he asks softly.

That seems doable.

You take the bottle from him, holding it for a moment, feeling the weight of the metal and the energy flowing through the water inside it. It’s clean, calm, not murky and angry like the river water that Carr had made you practice with last year, but that doesn’t matter; in your hands, it’s the most dangerous substance on the planet.

And as fate would have it, it’s necessary for your survival.

You’re just grateful Tuile is off doing gods-know-what and not making her usual smug commentary -- she’d left after you’d won that challenge match, but she’ll be back soon enough. 

You raise it to your lips and drink, wanting to get it over with. The water is cool and crisp, breathing life back into your mouth and soothing your throat as you swallow, your body singing in relief as you give it what it’s been deprived of for months now. 

You take a moment to breathe, comforted by the air that continues to flow into your lungs and back out. Liam is standing in front of you. You’re okay. Two more. You can do this.

You bring it back up for another sip. You hadn’t realized how much you needed this, how much better it would make you feel. You take the next one in quick succession — that’s three. You’re done. 

You hate to admit it, but you feel better already.

Liam is still watching you with that soft, worried expression, though it’s less severe now than it had been earlier. You can see the gears turning, knowing he’s wondering why this was such a big deal for you; but there’s no judgment there, just genuine concern for your well-being.

You decide to tell him the truth, or part of it.

“I almost drowned when I channeled for the first time,” you say quietly, gazing back down at the half-empty bottle. “It was fucking terrifying. I couldn’t shower alone for a week. I needed one of the girls to come into the bathroom with me and face the wall, just talking to me the whole time. Then we realized Bo can counter signets. He’s been helping me control it, but…”

So that’s what Xaden had meant when he said that Bodhi was helping you deal with things. He wonders if there’s anything else his brother hadn’t told him, anything you aren’t telling him, but he won’t demand an answer from you -- he knows how difficult it must have been for you to tell him what you did, and he won’t push you further.

He takes the bottle back and caps it, gathering you into his arms silently, the way he’d wanted to back in the gym. He’s careful not to put any pressure on the injury, keeping his hands well above the bruise -- one between your shoulder blades and one on your ribs, on the side that you hadn’t been hit.

You rest your head on his shoulder, speaking in a whisper. “Thank you, Li.”

His lips brush over your hairline, where the ache is the worst. “Of course, sweet girl.”

You don’t want to let go of him yet, but you’ve already been holding each other longer than is appropriate for friends -- and that’s all you are, for the time being. 

He finally pulls away, and you could nearly cry at the loss of contact. 

“I need a minute,” you manage. “You should head down.”

You’re reminded again of why you love him so much as he nods in understanding, shouldering his bag and giving you a soft smile before he heads out your door.

All good things must come to an end. 

“Sweet? He must not know you at all.” 

“He knows me better than you ever will,” you snap back. 

At least she waited for him to leave, for you to be done with the water, or you would have some serious explaining to do.

You build up the wall again before she replies, and though it isn’t strong enough to block her out completely, she doesn’t push against it or knock it down -- she must not feel like getting into a pissing match with you right now. 

Good. You don’t either.

You notice he left the bottle on your desk. You manage another three sips before you finally head down to dinner, where you slide into the open seat beside Liam, silently pushing the empty bottle toward him. 

“I’m proud of you,” he whispers, not wanting to draw any attention from the group around you, who are all immersed in hearty conversation.

You haven’t heard those words from anyone in a long time. They mean more to you than he could ever imagine.

[sinsmockingbird]

Hello hello I hope this ask reaches you well because I'm very not well thinking about rich alpha ptn women aka Eirene Chelsea and Cabernet share a lil omega together 🥵🥵

You're a freshly recruited omega who's responsible for working in the MBCC's cafeteria. The job is simple, you stay behind counters to serve the Sinners their meals and wait until they leave to clean the area. The bureau pays you well, enough to make ends meet every months but in your mind, you know you can achieve more than this.

In the first few weeks you do job perfectly, and even make friends with some Sinners. One of them is the famous Cabernet Franc, daughter of one of the riches families in Eastside. Cabernet clearly has an interest in you, her lust keeps growing stronger and stronger but before she can sweep you away, you magically disappear from your job in the cafeteria. When she discovers that you've resigned to work for the Quinn Industry, she knows she has to have a personal talk with the Eirene Quinn.

Chelsea thought she found you first, a naive, innocent and unmated omega who's working hard to earn money in the bureau. Immediately she takes you under her wings, telling you to be her mate and she will provide you an endless amount of money! When you reluctantly refuse, saying that you would rather be financially independent and that the Quinn CEO has already promised you a position in her company, Chelsea is absolutely furious. How dare the woman steal you from her?

On the other hand, Eirene is very pleased that she has the upper hand in keeping you to herself. You come to her cell all by your own, personally asking her about the vacant positions in her company without fears that she may tear your life into threads. Your determination and willingness to have a stable job in her company amused her, but it was your sweet odor of purity attracted her. It didn't take much effort to trick you into working as her "private secrectary", you were just so oblivious to the alpha's hungry stare. Eirene is the woman of conquer, so when she sees something she wants, she will get it. But why do you come into her office, according to her request to give you a brief explanation of work (a lie ofc), with two angry alphas follow quietly behind?

As a result, you are trapped in a same room with 3 intimidating alphas who're trying to kill each other to win over you. You're freaked out at the scene before you, wanting to run away and hide. But before you can take one step away from their gaze Chelsea makes an offer: "Why don't we share this little one?" The other two look at each other in silence, then nod their head in agreement.

The only one who seems to disagree is you, though. Being mated to not one, but three alphas at the same time, how can your body withstand the rough treatment? You try to run again, only to be caught in Cabernet's vines and being tied up in an embarrassing position: legs spread out on the head, hands on your head, immobile. Three pair of eyes stare at your clothed body making you instinctively squirm, their pheromones being spread you cause your heat to overcome your senses, then in a blink of an eye you are begging them to touch you desperately.

Half an hour later you have Chelsea behind your back, thrusting in and out of your ass and playing with your nipples, Eirene on her knees in front pushing her cock into your mouth, and Cabernet hungrily taking your pussy. Although the alphas still hate each other, they all decide that pleasing the omega together is their priority and tone down the hatred. Why would they fight when they have a needy girl to dote on like this? By the time each woman has their full, you've passed out from exhaustion and overstimulation, leaving to clean up the wet mess on the bed, full of their cum. Eirene plugs your pussy up, telling the other two that whoever your first child is can have you to themselves for an entire week.

They never back down from a challenge, so prepare yourself to be absolutely ravaged in the next months...

Oh god, this is so hot. Like I can completely see Cabernet getting pussy drunk off you. She's eating you out, her little Omega, like your a fucking feast, and you are! She would happily eat you out for hours, not caring if you've long passed out, she's just addicted to your taste, and you can't blame her! She'd be fucking/humping her cock into the bed, and she doesn't need any stimulation on her pretty cock, because tasting your cum is enough to get her off.

Chelsea is pathetic when it comes to you, her shared Omega. She can be possessive, wanting to mark you up with her teeth and nails, to try and show claim that your hers- even though she does share you with two other women. She's the one mainly fucking you with her cock, giving you endless creampies, because she doesn't ever want to pull out of your pretty pussy.

Eirene is probably the most dominant out of the three, and she's the one who sees you the most, considering you work with her. Being her private secretary means you're usually under her desk in her office, having her cock shoved down your through, making you suck her off and cockwarm her with your mouth. She also loves fucking you against the wall of windows in her office, making you stare at the bustling street below while she's fucking you rough and fast and staining your soaked pussy with her cum.

@sea-lanterns You'll love this because it has your wife, Cabernet.

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[byemambo]

4Minutes EP. 2 - My Takeaways

After losing my mind over This Love Doesn't Have Long Beans, I proceeded to lose my mind over 4 Minutes. My takeaways are definitely not as in depth as my previous post for episode 1, but more of overarching themes/thoughts.

Establishing Character Shots

Kudos for such amazing shots establishing the dynamic and characterization of each key player within the current story. From the lighting/gaffing, to the framing, even down to applying video effects such as double exposure to emphasize each character's significance. Tonkla and Fasai's compositions dominate over the person they're peering down upon, Tonkla peering down at his victim through violent means, whereas Fasai peers down at Korn and asserting her dominance over him in their dynamic. Win walking into the crime scene and immediately met with utmost respect is visually established by a lower camera tilt and composition from the clear sky. Dome viewing the situation from behind a barricade was interesting to me, highlighting that although he has moral high ground in comparison to Title, he is still trapped and unable to compete against his classmate knowing he will be met with retaliation and intimidation.

Great and Tyme First (Proper) Interaction

This scene is one of my favorites from this episode, which I felt that many of Great and Tyme's shared scenes had a very "quiet mouse" atmosphere to them. In their separate lives, both seem to navigate themselves absentmindedly. We see this when Great occupies the back of the classroom in his own bubble, daydreaming in the comfort of his own home trying to make sense of his visions, or even going with Title despite not being given what he should expect on this outing and becoming a bystander in the situation with Dome's abduction. Tyme seems to keep to himself as he works in the hospital, and keeps himself and his patients at an arm's length, refraining from building any bonds or attachments with others. Even when doctors like Den or the nurses display moments of silly and wholesome fun despite being in a stressful environment, Tyme usually doesn't plays along with their antics. However, once he acknowledged Great's presence, he quickly seizes the opportunity and shows us a less familiar side to him that we only got to really see when he was with his grandmother in episode 1. When he laid eyes on Great, it seemed as though time stopped on its own as if they were the only ones in existence in that moment.

Devices: What's the Content?

When we first meet Dome witnessing the argument between Title and View outside the dorms, we are shown his phone recording the entire altercation, which is apparent that this is not the first time he's possibly recorded Title's crimes. It's also mentioned by Title during their confrontation at the university that Dome's been "testing his patience for awhile now," which I want to believe that their current dynamic is rooted in complete disdain for each other. Towards the end of the episode when we're shown the silhouette of a figure (I think it looks like Tyme) being handed a flash drive, I'm also alert and claiming both of these devices as valuable items for the story, especially because both are likely filled with damning evidence to all the crimes being committed so far through Title's acts of confinement, abduction and intentional homicide and the family company organized crime through online gambling. I can only predict that there will be numerous attempts to seize either of these items to prevent exposure, especially if the brother that's deceased could possibly be Dome himself as Title is clearly alive and well.

Honorable Mentions: Comedic Relief

There were so many funny moments throughout this episode that genuinely made me laugh out loud: this one stealing the cake for me. Before episode 2, we had only seem a glimmer of Tyme's silly personality from his interactions with Den, fully getting a better idea of this lighthearted side from his moment with his grandmother. Since both of these individuals are significant to him, it's only natural for someone of his temperament to create walls between himself and others. However, once Great's presence grabs Tyme's attention and begins his pining towards him, we are slowly starting to see his innate silly and lighthearted personality expose itself outside of his safe people. I just love the way him and the nurse have a push and pull moment, she clearly found it entertaining to see the serious and detached surgeon be so pushy and demanding. I hope as the series goes on, we'll continue to have such moments because I enjoy how the director keeps such moments dependent on micro expressions and short exchange of words, accompanying these moments through appropriate comedic music.