#I'm setting them on fire
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madevampselle · 5 months ago
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Darling, stop trolling.
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erinwantstowrite · 2 months ago
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i never posted these Ben AU drawings here and i've seen a few asks wondering about it so... here's a little synopsis i wrote for myself as a potential description later when I post it (because i don't wanna spoil it):
"There's a new boy in Damian's class. He's charming, if it bit awkward. He's just as clever as he is smart mouthed, and he's popular with their classmates. What's worse is that Benjamin Fitzpatrick lives next door in the old Drake Manor and Damian's family are convinced that Ben could be a good friend of his one day. Like that would ever happen.
Luckily for Damian, they're all more focused on the fact that there are two new vigilantes in Gotham acting like they own the place.
Unluckily, everything goes to shit when Ben starts acting strange and sickly, Spider-Man disappears just when they were getting close to him, and Damian learns that Ben's real name might not actually be Ben. Did he mention that Ben might be his older brother's clone?"
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7greentears · 2 years ago
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They weren't lying. That Pyro can trans your gender.
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bonefall · 2 months ago
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Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?
A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.
Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.
So, why?
Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.
He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.
Bumble, on the other hand...
Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.
But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.
It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.
More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.
Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.
It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.
All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.
I can't say for certain what that will look like for your story, but here's some things I keep in mind;
When you make characters who exist to die, make sure they're people before you axe them.
Ask yourself; what about them does the cast miss?
If they just miss them because they were (pre-existing relationship), go back to the drawing board.
Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.
Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.
If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?
Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.
And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.
If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.
"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.
"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?
When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.
#Bones gives advice#These questions can be hard for me to advise on because making characters is one of the easy parts for me.#It's more the “working them into a story without overwhelming it” part#But making characters that are fun and interesting has always come naturally to me as a writer.#I just work out some fun dialogue and fill in what their wants and desires would be based on backstory#And the rest kinda fills itself out as the message and themes of my narrative forms.#In fact the thing that makes BB so easy for me to work on is having an existing “story template” in mind#I don't have to chart out the long term events in advance because I do have a full picture of what leads where#And what I want to say with each rework.#I've always been told I'm really good at killing off characters though#Especially in my RP days. I remember I singlehandedly turned a pretty standard 'escape from evil lab' plot into--#--a painful story about loyalty and suffering. I was the main villain and the escapees knew he would never give up.#Because he loved their master and believed fully in the idea of 'sacrifice for the greater good.'#Always friendly. Passionate. Would have been a dedicated leader in a slightly different setting.#They knew he would never want to actually hurt them so they had to trick him into trying to “coral” them with his fire powers on ice#He didn't know it was ice and melted through#I guess the thing I do is just... make them cool lmao. It's hard to give advice on this#''Draw the rest of the owl 4head''
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fictionadventurer · 8 months ago
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Maybe the problem with Christian fiction is that it's non-denominational. People are just "Christian", with no effort put into showing what practicing that religion looks like for them specifically. No indication that there are other Christians who could have different beliefs. No wrestling with differing ideas and the struggle of how one should live out their Christian faith. And that makes it unrealistic and unrelatable.
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itsajollyjester · 11 months ago
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The amount of comfort Finnick and Annie must have had to bring each other over the years makes me weepy
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alexwilltellyouthings · 3 months ago
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I made a whole ass post talking about how the show is great for making romantic payneland seem both very possible and not certain
But what I meant to say is AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA IF IT DOESN'T HAPPEN I'LL AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
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supjello · 2 years ago
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thinkin' about caspar...
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starfish-comics · 7 months ago
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Boy did this one go downhill fast...
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valhallavalgrace · 3 months ago
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How are you adjusting to the whole Norse mythology situation?
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LEO: I’ve mostly been bugging some of the older einherjar, and Hunding, a little bit, to figure this place out. Do you know how cool it is that some people have been here since the industrial revolution?? There's no way that I'm the first of my dad's kids to make it here. I just don't know who to talk to about it.
((Leo's coping mechanism re: Norse mythology is just hating himself more bc of course he doesn't belong in his own afterlife. but he won't admit that to anyone bc he doesn't know who can be vulnerable with.))
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#uy samirah appearance! I just finished her and magnus' designs and I'm so excited abt including them!#this post and the following uhh 2+? are setting us up to talk to Magnus; figure out wtf is going on with floor 19; and get answers for Leo#which is so exciting for me bc 1 I love my magnus base sm and 2 I LOVED GINNYLUNA'S HC THAT LEO HAS ELF BLOOD IN HIM??#thats SO COOL and I'm sat for Leo to find out that he does have a place here. that he does belong and that he's not a curse and he is#not a mistake either. but for now we will have him litrly scurrying away from anyone his age and drowning in imposter syndrome bc I said so#I pointyfied his ears a little extra just for that :>#leo valdez#magnus chase#mcga#valgrace#valhalla!valgrace#blood of olympus#hotel valhalla#post-blood of olympus#einherjar!leo valdez#heroes of olympus#samirah al abbas#art#v²au#leo valdez responds#answered asks#guys he's not even using his fire powers rn because 1. he's scared of himself and 2. he doesn't know if he can. T-T#bro is engaging in hand to hand combat and also only talks to einherjar from the 20th century#that said I'm pretty sure he's just scared bc he doesn't know what's going on btw. and I think the annabeth reveal will be fun#he's not about to get kicked out of the afterlife goodplace style#sidenote bc I'm actually so excited for tmw's post#finally being able to draw these characters the way I want to (and getting really any positive response about it) has been so special to me#like .. I haven't read these books in maybe 6 years and I haven't attempted fanart since way before I started arch school and got to#actually develop any tech/digital art program literacy via practice. I'm having sm fun srry for all the rambles on this post LMAO
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bluehairperson · 1 year ago
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Lady von Zarovich and her cringe fail boy toy dilf.
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danwhobrowses · 2 months ago
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And so, I have done a thing!
Well, things, lots of things, it's not the best thing you'll ever see but...let's just say an attempt was made XD
This sequence latched onto my brain and refused to let go a few months ago - around after Downfall Part 2, which meant a lot happened to since then; falling cities, PVP, soul anchor surgery, Vassalheim speeches, 3 communes with Gods, 1 dead and loomed deadbeat dad, a flashmob-esque theatre deception, dragon bonding, a Nana Mori romance triangle, Grogery Strongjaw, a night at Musée de C-Popper, spin the bottle, a smooth post-spin the bottle makeout that left me walking on air for a week and a cute snuggle in the curl of a dragon - and from sketches on post-it notes all the way to now it has released unto the wild!
Also because Callowmoore has my heart and soul and it deserves more fanart, so despite my better judgement of my artistic skills this is a contribution
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nedlittle · 3 months ago
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need the historical romance girlies to go back to their roots and read forever amber (1944)
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Something I've been thinking a lot about lately is how everyone thought Egon had gone insane. What Happened that made them think that. They've fought a gigantic Stay Puft Marshmellow Man TWICE (counting the 2009 video game because iirc it's canon? Correct me if I'm wrong), fought an interdimensional god, fought a blood thirsty ruler that killed thousands and was hated by all that was trapped in a painting (and managed to get in to beat him by making THE STATUE OF LIBERTY start walking down the street with slime that reacted purely based on vibes), found an underground abandoned transit system full of the moodslime, had a bathtub try to eat Dana and her baby, fought a giant murderous black widow lady, fought the fisherman ghost who turned an entire hotel floor into the bottom of a ocean, and that's not even mentioning them getting trapped on an island that randomly raised up from underwater that had been abandoned for decades created by Ivor Shandor who worshipped Gozer. So what did he do or say that made everyone else think he'd gone insane?? All I can think is maybe he was acting strange / eratic before, but he's always been like that to some degree.
I don't know. It's something that I've been thinking about. The correct answer is 'it's not that deep and they needed a reason that the others weren't together anymore and weren't aware of Egons death or know what was going on,' but also. What Was He Saying that prompted everyone, including Ray, to think he lost his mind when he'd been right almost every time before that.
I'm genuinely so curious as to what he was up to before this. What was he doing. What insane idea was working on prior to this or was he even working on anything at all??
Also want to clarify this post isn't negative 😭 I really love the newer movies and their lore / the newer storyline / characters, I just like thinking about small stupid things like this. Gives me something to think about / speculate about / figure out an answer to.
#ghostbusters#egon spengler#nikolas posts#I have so many thoughts on it because I've just been rewatching the two movies on loop for the past few days.#All we got was Ray saying that he'd started talking about the end of the world (IIRC) and that he went insane and took everything#when he eventually left to deal with it on his own#which for the record it's extremely impressive that he would've stopped Gozer from returning BY HIMSELF. The only reason it hadn't worked#was because of the electricity issue#Hiding all the traps and setting up the proton packs to fire at the hell pit?? Insanity. He's just on a complete different level of existin#Like they were aware of Ivor Shandor and his plans long before??? They found his ISLAND DEDICATED TO GOZER who had full intention of#BRINGING THEM BACK#it's really Really REALLY not this deep but I have thoughts and I wanted to share them. Maybe someone else might have an idea I#couldn't think of or might have something to add.#I guess it could be a 'they beat Gozer once and assumed they were gone' but that wasn't the first time Gozer 'died' so??#if I missed something Please tell me. I haven't watched the newer movies as much as the older ones (I grew up watching them / playing#the game so I'm more familiar with the older lore and haven't had the chance to rewatch the newer ones 1000 times over unfortunately)#so it's entirely possible I missed something#I'd think maybe it was just because they were older but I really don't think thats the case. I have reasoning for it but I need to do#the math to make sure I'm getting the ages right by the time AfterLife happens.#really need to make a chart / timeline of all the events that happened and what year / month / day they happened. That's a project#for tomorrow perhaps.#anyways if anyones reading this sorry for the insane rambling and congrats for making it to the end#also this post isn't negative I adore the newer movies so much. I love them a lot and I genuinely don't really care about this at all#just a thing to think / ponder / speculate about if that makes sense#I enjoy thinking about stupid irrelevant stuff like this#so so so many thoughts
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kacievvbbbb · 3 months ago
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You know what honestly I don't think we talk enough about Yuuji and Nobara's relationship, just how much they meant to each other
Nobara means so much to him, just seeing her resonance enough to give him strength. the parallel of yuuji in this fight for his life with Sukuna and Mahito and being so weighed down by everything that he has lost and everything he is still trying to save and then Kugasaki hits that resonance and Yuuji sees that he’s not alone and god something about it always being Nobara and her insanity breaking him from that sorrow and giving him that last push to fight like he's not alone. It's why it's her death that really unravels him that really makes him feel like he can't go on. It's only when Arata tells him that she's not dead yet that there's a minuscule chance she just might make it through (and a truly hype speech from the one and only Aoi Todo) that he's able to get up again and give it all he's got.
He loves her so much that even the thought that Angel might fill the space she left in their trio that she might somehow replace her is enough to deeply unsettle him and make him keep his distance. and god what.
And Nobara loves him right back, maybe it took a little longer but she got there. Nobara whose whole philosophy is keeping the best getting rid of the rest who looks at love like it's a scarce resource actually shed tears a boy that by her own admission she'd only known for 2 weeks. just god. It's yuuji she tells about her chair system, it's him (and the rest of those boys) that she let pull up his own chair in her heart by her own analogy she literally made extra space for him in what she viewed as a limited seating. God doesn't that just drive you insane?
He means so much to her that she entrusts her last words to him. She wants him to carry those words on to the people she loves. That she can look at him and smile and tell him to spread the word "it wasn't so bad" Life wasn't so bad and that he was a small part of that is just so ughhhhh.
God how do I go on
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thedreadvampy · 3 months ago
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my friend invited me to go with them to a show tonight
and the thing is it was not good. it was a cabaret with some amazing circus acts but each of them got like. 5-10 minute slots. and were interspersed with 20+ minutes EVERY TIME of some of the most tedious standup work I have ever seen from the MC and the same 5 physical comedy bits repeated ad nauseum. this guy literally did a Borat bit. in the year of our lord 2024. he sang 2 entire rounds of the Family Guy theme.
and it just KEPT GOING. it was meant to be a 90 minute show, which imo is already a slog for a show starting at 11:30PM but within the bounds of reasonable. it finished. at fucking 1:50 AM. ALMOST TWO AND A HALF HOURS OF THIS SHIT. and it did not help that the 5 bits were all of the 'OH NO SOMETHING HAS DISRUPTED THE SHOW' variety which is funny for a bit, less funny when you're literally 45 minutes past the end of your scheduled finish and still fucking going.
HOWEVER. what I did not realise was that this was in fact. my friend's favourite comedian. and if I had known this I might not have gathered up my stuff and walked out during the curtain call and probably would not have announced on the way out, 'that was the most tedious fucking thing I have ever endured.' and I almost certainly, when someone overheard me complaining about the length and tedium and said 'yeah it ran a bit long huh,' have replied, at the actual near-shouting top of my voice, "I AM GOING TO KILL MYSELF."
I feel. bad for spoiling the show for them.
in my defence I have been very tired this week, I got home at 2:30 AM, and raked seating really hurts my hips so I was in agony by the end of the first hour. but mostly I'm just a bitch who loves to hate tbh.
#red said#it was so fucking MINDNUMBING though.#he kept doing the ohhh noooo I'm bombing kind of bit. which is tedious at the best of times but when you're playing to a sold out audience#of like. 750 people. who are inexplicably loudly delighted by every attempt at a joke. it moves past cringe and into wank#like fuck offfffff#he also kept drawing attention to people leaving and it's like first off if you don't want people to leave tell better jokes but also#MATE. if you were scheduled to finish at 1 and by 1:30 you're only 2/3 of the way through your setlist#you have WAIVED THE RIGHT TO EXPECT PEOPLE TO STAY#we agreed to stay for 90 minutes. not 2 hours.#what sucks is that the acts were REALLY good. mostly.#but even there they kind of fucked up bc their FIRST act whipped a rose out of Neil Patrick Harris' mouth with a bullwhip#ate fire. stripped fully naked. then set his erect cock on fire.#and it was fantastic but even aside from them then stopping the show DEAD for 30 more minutes of crap standup#how the FUCK is that the opening act? because the ONLY reason you should open with that is to set a tone of 'this will be wild'#but although the other acts were GOOD they were all. fully clothed trapeze and burlesque?#don't get me wrong. extremely high quality work. but if your opening act is a naked man setting his cock on fire and jacking off#your closing acts CANNOT be 'a man in a suit being very good at diabolo' and 'someone who has played the trumpet throughout the show#plays a trumpet solo'#like what is the ARC where is the MOMENTUM how is this fair on the other performers?#oh well she's done an amazing arial contortion routine but she DIDN'T. strip fully naked and set her genitals on fire.#PACING#GOD
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