#I'm on episode three and I have thought this at least three different times

[youcancallmeathief]

Okay, my Taylor Kitsch bias aside, has anyone else watched American Primeval and thought that the score is very Friday Night Lights-esque or is it just me?

[three--rings]

One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.

[celtrist]

This was a planned thing I had around the time I had this little rant (appreciate everyone who's bothered reading that thank you!)

Seeing as we have three canonically Asexual characters, I thought each of them having a different romantic orientation (and varying asexuality on the scale) would be fun and neat to show the variations to the orientations! But I was really stumped on Mammon since I was pretty set on Alastor and Octavia, but Mammon not being any form of aromantic didn't feel right, not terribly ooc, just definitely felt a bit more like "he's the leftovers" sort of thing when divvying up the romantic orientations. But lo and behold, the new episode of Helluva came out and helped solved that little quandrie. So here are my thoughts below on each!

Alastor (Loveless Aromantic) If you've seen my rant, you probably have a good idea why I labeled him as a "loveless aromantic" (meaning in this sense I'm talking about, he just wouldn't have any form of romantic affections or go into something like a QPR or the like). And I do genuinely think he would be! But I know there's A LOT of bias for Alastor NOT being aromantic (or at least open to some sort of relationship), and I will admit I might've been a bit biased here too! I've just seen a lot of love for only specific parts of the aro spectrum that "allows" Alastor to get with someone, and I wanted to give some love to the aro spectrum that gets little to no appreciation (plus I do just genuinely think he'd be this). If you don't agree, all is fair ദ്ദി（• ˕ •マ.ᐟ The point is, I realize I'm probably in the minority here. Plus, it's all a guessing game more or less until something is officially stated, which probably will never happen for any of these three.

Anyway, like I said, I just don't see Alastor really getting as close to anyone even as a QPR. At the VERY LEAST, not in a QPR that has a lot of romantic parts to it (kissing on the lips, cuddling, etc.). My man wouldn't have any interest in marriage or anything romantic, he's very happy on his own and probably gossips about OTHER people's love lives. Then again, he seemed pretty close to cracking when he heard Charlie ranting about her own love life... With that said, I do think he DOES like the company of others, he's VERY social after all. But actually, getting intimate with someone? Mmm, that doesn't feel right for him to me. A kiss on the cheek or PERHAPS a cuddle here and there at most, but nothing like bathing with someone or kissing with tongue. He's also a man of the roaring twenties, so you KNOW how he thinks about intimacies that might have no romantic/sexual connotations by themselves (like bathing with someone) are romantic on their own just because being that close to someone was seen that way in his time. Plus again, I just don't think he'd be interested in that stuff as is (potentially he could be both touch-starved and touch-aversed. And oh boy, wouldn't that be a conundrum!) On one hand, I like and can see Alastor being sex-repulsed, on the other I can also see him just feeling nothing towards it. Considering Angel's "advances" in both the first episode and the pilot, he does have a bit of a strong reaction towards sex, but nothing crazy either. I can see him being lukewarm to the subject (so he could read a book or read a script out loud with sex in it), but he could be repulsed when it actually INVOLVES HIM. I can definitely see him somewhat annoyed with the subject for how everywhere it is though.

Octavia (QPR Aromantic) It's a little hard to pinpoint, but I can personally see Octavia getting into a close QPR sooner than Alastor, but maaayybe only be a hair. Octavia could possibly get into a platonic relationship with someone that would have remnants of seeming romantic. I do think she's probably the most sex-repulsed of the three, if in part because of her father's inclinations that he doesn't seem to hide even when she's around. Honestly, I feel like we still haven't seen enough of her to get a good grasp on this aspect of her character in if she would be interested in getting as close as to a QPR with someone. But I'd certainly like to think so, because damn does our girl need it. Her falling into some sort of relationship would probably be hard seeing as how her parents' relationship was so awful. So she could be hesitant about doing something like that.

Mammon He was the big toughy! And while his advances on Leviathan might have been meant in a more platonic way or just for show to go against Ozzy's and Bee's romantic relations, I'm going with what's there! So Mammon seems like he could be straight or bi/pan. But I don't have a hard grasp on which so I'm tossing that in the air. I don't think he'd be sex-repulsed just because of how "sex makes money". Like, there's no question that sex appeal is a big part of business even if something isn't even that sexual. So while I think he's not largely interested in doing anything sexual, I can see him being okay or even lukewarm to the subject, maybe just not getting the appeal entirely. Maaaayybe he's sex-favorable? Of the three I would imagine he would be the most likely to be sex-favorable, but I dunno.

I like the idea of Octavia being the only one aware as to what her orientations are. Alastor is... well he's Alastor, and Mammon doesn't seem like he'd be too interested in the details of things. Just that "there's straight, gay, and the between area".

[hmmm-shesucks]

Once the foxes become more comfortable with each other, they begin to nag. Mostly little things, usually humorous things. They nag on Nicky for being too forward sometimes. They nag on Neil for his horrible life habits. They nag on Dan for her mother henning. They nag on Kevin for everything. It's fun, it's what families do. They all just pick on each other for fun.

It takes a little longer for them to feel comfortable nagging Andrew though, which, is understandable, but one of the first things they start picking on him for is his lack of communication in general. He NEVER talks. They just want him to participate sometimes.

Renee and Neil find this funny because Andrew talks A LOT just not around the foxes. He's not comfortable.

See, Andrew is fucking weird. Everyone knows this, but the foxes think he's weird in a “mysterious, murder you in your sleep, was totally the kid everyone thought was going to shoot up the school” kind of weird.

Andrew is not that kind of weird. He's a different breed entirely. He plans out how he'd survive the apocalypse, any of them. He is constantly fighting back the most wild intrusive thoughts. He is 24/7 existential crisis. His head is a wild fucking place.

But he is trying. Making progress. Trying to be more open and approachable, as Bee says. So he talks. Out Loud.

And the foxes hate him.

In the most monotonous voice ever

“Do you ever feel like your bones are dirty? Like, I could totally strip my meat suit and just give my ribs a good bleaching.”

“If that light fell out of the ceiling it would kill at least three of you and seriously injure the rest of us.”

“Nothing is stopping me from buying five ice cream flavors at once, but I'm learning self-control and Bee would be disappointed.”

“Currently having a manic episode. Should I A.) call Bee, tell her I'm not doing too great, and talk about my symptoms and how to best cope? B.) find the nearest mall and spend every dime I have in less than thirty minutes. Or C.) go apeshit and try to fight anyone and everyone who looks at me in a less-than-kind way. Children included.

*stage whisper* there's a secret fourth option but I'm saving it for later ;) (pronounced Semicolon left facing open parentheses. Yes he says this out loud)”

disappears for less than five minutes and comes back with three furrbies and a corndog, one that is obviously not from the mall's food court.

He's so fucking weird. Like, weirder than Neil, and it's awful (so good dude, the foxes eat it up)

And it's not the manic Andrew on meds. It's just Andrew. He's still Andrew. He's still quiet most of the time and he is still grumpy and apathetic, but he's also comfortable enoughto just blurt random shit out and have fun watching everyone figure out how to respond. He's found safety in his new family and he can openly be who he is without fear of judgment or rejection. He's happy in a way he's never felt nor ever thought he'd get to experience. He's just Andrew.

[jirsungs]

ep 13: my wonderwall, at least i hope so

word count: 1.5k words

It's already been two months and three weeks since you and Jisung started hanging out. That's also how long the overthinking thoughts of whether you really want to pursue this relationship or not have been torturing you as they're kept in a locked folder in the back of your mind. 

You knew you and Jisung had to have the talk at some point, but every time you tried, the timing was always a bit… off.

The first time you tried was two weeks ago, at another Rockway gig. It was getting on your nerves that a bunch of screaming girls came to that particular performance of theirs, especially when some of them were eyeing Jisung and losing their minds every time he looked over in their direction to play his typical drummer role of pleasing the audience correctly. Even though he caught their attention the whole night, you caught his, which is how you succeeded in pulling him aside after Rockway finished their performance.

“Jisung, can I talk to you for a moment?”

It wasn't the right time or place, sure, but you had to get this off your chest because your heart felt like it was on a ticking time bomb.

Jisung joins you in the corner after he frees himself away from the girls around him once Chenle gets his signal that he’s desperate for a way out. “What’s up? Are you feeling okay?”

“Yeah, I'm fine. I just need to talk to you. I know this isn't a good time right now but I seriously need to say this.”

He only raises his brow, “Okay.” He's anxious, but he doesn't have time to dwell on how he's feeling when he's worried about you. The way you’re visibly stressing out has him putting the pieces together on why you called him over, but as Chenle and Jeno said, he was going to wait for your lead.

“I like—” 

You. I like you. That's what you were supposed to say, and so much more. Until some dumb overly excited girls came over and interrupted your private conversation. 

The squeals of “Jisung, you did soooo well tonight!”, “You were so hot up there!” and “Can I get your number?” sounded blurry in your head with how irritated you were getting.

Yeah… You ended up leaving Jisung and the party in general despite the sad protests from your friends on how “you needed to cheer yourself up.” But, you brushed them off by telling them that it was impossible to do that right now. 

So, you ended your night in your apartment alone with the accompaniment of a big bucket of cookie dough ice cream, multiple episodes of How I Met Your Mother, and no friends or Jisung by your side. 

You tried again the week after, but just like last time, it did not turn out so well.

You should've known that it wouldn't work because it was during a hangout with both of your friend groups, specifically hosted at Jisung and Jeno's apartment.

Jaemin, Haechan, Chenle, and Yeonjun were busy being loud as they screamed over one another during a game of Mario Kart 8 in the living room while Jeno helped Ning finish a two-thousand-piece puzzle downstairs. And, Mark and Renjun were nowhere to be found due to them both having different plans set for that day.

Which left you and Jisung in his room. Alone. He originally brought you up here to show off his new collectibles, so you weren't sure how you ended up watching a movie with him on his bed.

It seemed like the perfect time to tell him, it really did. But just as you were about to open your mouth, your phone rang, leaving you on the phone with Renjun for three whole hours while he ranted about someone who pissed him off at his group study session. And by the time your conversation with Renjun ended and you hung up, Jisung was already occupied by a game of Super Smash Bros with your friends in the living room. 

You're still mad at Renjun for ruining the moment.

And now, you're here, a few days after, in Jeno and Jisung’s apartment once again, but this time, sitting on their living room couch with him right next to you. 

Neither of you spoke during the movie you were currently watching, probably because you both wanted to ignore the awkward tension that's been spiraling around the two of you for the past few weeks. But to you, now seemed like the perfect time to break that. It was dark out and you were both left alone as Jeno had to leave to run errands. 

“Ji, can you pause the movie?”

Without asking, Jisung mutters “Sure.” before grabbing the remote control and pausing the movie.

With his attention on you, you sit up and fix your posture on the couch, which he mirrors. You thought fixing your appearance would help balance yourself from the overcoming emotions you knew you were going to have at this very moment. 

“Okay, well—”

But then, you get interrupted again. Not by Jeno walking in, or a random phone call from one of your friends, but by him.

“Wait! Before you tell me your thing, there’s something I’ve been wanting to tell you.”

Despite the small annoyance that was creeping on you, you dismissed it and instead, anticipated what he was going to say. Most times, you didn’t mind how oblivious Jisung was, but right now, you really wish he could read the room and let you say what’s on your mind. You hope he’s going to say the same thing you were going to say, but he didn’t need to interrupt you for it…

Your silence cues him to continue, “You remember Oasis? You know, the band I told you about?” You nod. “Okay, um, there’s this one song by them, it’s actually one of my favorites. It’s called Wonderwall, it’s kinda like a love song but uh—I’m not saying we’re in love ‘cause obviously we’re not—”

“We’re not?”

Shit. That’s not what Jisung meant.

He panics, “No! I mean–yes? Fuck, I dunno, Y/N.” 

“Oh. Okay.”

The thing is, you know that he didn’t mean anything bad out of it, then how come you felt your heart break into two hearing how unsure he felt about you? Should you even confess right now? No, this doesn’t feel right.

The room is full of complete and uncomfortable silence with no other words said, and it annoys the hell out of you. You can tell it bothers Jisung just as much because you watch him mentally stress out in front of you, his face in his hands as he lets out an exasperated sigh. Both of your minds were pushing you to fix the problem, but you can’t. You don’t know how to. This is new for you both, and that’s the problem. 

Just as Jisung grasps a new idea in his head, he sees you physically pull farther away from him before you grab your bag from the side and stand up from your place on the couch. 

You swallow the lump in your throat, your voice coming out quavered, “I–um, I gotta go.”

Scared to see his reaction or hear his voice, you thought what was best. You escape. You rush out of his apartment, giving him no time to react at all. The last sounds Jisung heard were the slam of the door and the words Chase after her, don’t her go from the little voice in his head.

Jisung knew you were hiding yourself away from him again. He noticed it the first night you hung out and some moments after that, but he felt that it was insensitive to bring it up out of nowhere. Right now was one of those moments. 

When you’re outside of the apartment, you’re met with Jeno who’s looking at you, puzzled and worried. Even though it felt like your world was crashing down on you, the way he almost resembled a Samoyed dog and how you could imagine the cogs in his brain turning lightened your mood a little bit. But just like Jisung, you gave him no time to say anything. 

“Y/N!” You hear Jeno call after you after you quickly walk away. 

Just like he expected you to, you ignore him and he watches you rush down the stairs. Many scenarios were circling in his head right now, but he didn’t want to assume the worst before he asked Jisung himself.

Jeno inserts his assigned key into the key slot before turning it, the door unlocking right after. He walks in and sees no Jisung in the living room or kitchen. 

There’s no way that kid escaped. He thinks.

He’s about to let it pass him by until he notices Jisung’s door slightly cracked open. He walks over and gently pushes it to reveal the younger one sprawled on his bed. Though he knows it’s not the best moment, he snickers at the sight. Oh, Jisung's in love. 

Then, he hears a pouty “You know, I can hear you, Jeno.” come from Jisung before he watches him switch positions on his bed. His disheveled hair and the I fucked up expression he’s wearing tell Jeno all he needs to know. 

Already knowing he’s going to be here for a while, the said man opens the door more to give himself space to get comfortable. He rests his body against the doorframe, folds his arms then sighs, “Alright, what’d you do, kid?”

“I messed up.”

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note: i had my considered "sad songs" on repeat the whole time i was writing this and i think i memorized every single song by the time i was done with it ☠️ also, new twt pfps 😱 (they made me feel better) but i am wishing our dms couple all the happiness in the world ☹️

🎫: @idkwhatursayinh @sunghoonsgfreal @multifandomania @nanaxwi @odxrilove @sourrpatched @hancafe @chaellaa @dojaejunging @jising-jisang-jisung @heheheeral @haechansbbg @renjunsversion @seunghancore @woshixinqgiu @jiiieun @pinknjm @mrshwang-park @neozon3nha @joyzluvr @aerivrs @nosungluv @haechology

[branwinged]

what's your take on rhaegar?

take as in, my opinion of his moral character? we don't have all the details for that, filling in the blanks involves a great deal of speculation. my read of him is based on what purpose he serves within the story.

i don't think much of him outside of what he means for dany. it's the way robb is not a character in his own right to me and exists only to serve catelyn and bran's arcs. which is why my opinion of rhaegar is mainly informed by that scene in agot, where dany dreams of him in his armour and lifts the visor to find that "the face within was her own", dany is clearly inheriting his narrative role (jon too in some capacity, but i'm not thinking of jon in relation to the targaryens before the reveal happens), it's for purely this reason i've never seen him as someone with no redeeming qualities. the memory of rhaegar shadows and informs everything she does (it is time to cross the trident) grrm writes her with shades of all her targaryen ancestors, because she's the last of them and embodies three hundred years of her house's glorious and terrible history. but rhaegar's particular echo is the strongest because that's the brother she would've married under slightly different circumstances, she imagines rhaegar as the ideal vision of the king in her mind whom she must emulate, he died and made her the prince that was promised. her entire character is constructed around him. he's not simply a strong influence in her life, she is him. they call her aegon the conquerer come again but she's been having visions of battling the others at the trident since agot, she's also rhaegar come again. she'll do everything he couldn't. it's just a bit inconceivable for a character like that to be revealed as a cold, unfeeling schemer. like, where's the heart in that? if everything rhaegar resembled was antithetical to dany's own beliefs and motives? aerys is already there to serve that exact role.

but what we learn about him from a number of contradictory sources is interesting. melancholy bard prince, born in grief, sang songs of doom and loss among the ruins of summerhall, presumably plagued by prophetic dragon dreams. he's framed as a character out of some song. all rebellion characters have that quality to them, there's a girl who dies trapped in a tower, another throws herself off a tower, the tourney at harrenhal episode is told to bran (and in turn, the readers) in the form of a song. they don't feel very real, or at least, they'll never get to be real the way our present day characters feel real because they're dead and their stories have been distorted and repurposed. robert's version is that of a king valiantly fighting for his abducted lady love, the version told to dany is that of tragic star crossed lovers torn apart by the realm. they're songs, and cannot be the whole truth. it's in the name. it was the year of the false spring and they all thought they were changing the world. rhaegar was going to call a great council and depose aerys, robert and ned where overthrowing a mad king to put an end to his atrocities. except rhaegar died having achieved nothing, robert ascended his throne on the corpses of children, then in fifteen years' time recreated the conditions for the start of another war. and lyanna simply traded one kind of gendered sentence for another. i'm not drawing a 1:1 equivalence between rhaegar and robert (and i do think it will be written as a romance with the truth somewhere between robert and dany's versions), but that she died either way is a pretty significant detail. she died in more ways than one! when they talk about her they recall a helpless maiden dead in some tower, not a girl capable of besting renowned knights.

like, it's very clear to me that the rebellion and its immediate consequences are meant to be read as a tragedy, caused not by the actions of a character(s) but as a result of the systemic failings of their world (which is why it's once again leading up to the burning of king's landing, where it all began, the city is symbolic of the very worst of westerosi feudalism). lyanna's death is less about robert and rhaegar and more about the way there was no escape possible for a girl like her—a theme that's carried over in sansa and arya's stories, except this time it will end with them getting to live the life lyanna wasn't allowed to, because this time they will change the world. dany's earnest dream of "to plant trees and watch them grow" is just that. it's the dream of spring.

[aangussca]

Monkey Wrench Episode 4 Fanart: Caught in Their Game (December 2024)

I absolutely LOVED the new Monkey Wrench episode! :D

HOLY COW, @zeurelart, @neatotito and the rest of the @monkey-wrench-series team did a phenomenal job this time around (please give them some love bc they absolutely deserve it)!

So it only made sense for me to finish this drawing (the idea for which had been mulling in my mind through the months MW episode 4 was being teased), which I enjoyed creating.

(Yes, I was partially inspired by Neoni's song 'Jump Rope' bc both share the theme of games (literally and symbolically). If you have already watched MW Episode 4, feel free to give it a listen - I'm curious to hear your thoughts: https://www.youtube.com/watch?v=NhDON376rd4)

Below are the close-ups, as well as me rambling about the reasoning behind the symbolism here:

(SPOILER WARNING FOR MW EPISODE 4 FROM THIS POINT ON!)

Since I realised MW Episode 4 centred around the theme of games (literal and metaphorical), I couldn't not include references to games to associate with the following characters.

Shrike, Beebs, Agent K, and Kara = Arcade games

Campion Ajax = Chess

Tyneen = Video/computer games

Jawbone = Darts

Disco Head = Casino card games

Disco Head is the most self-explanatory (because ✨casino✨ - those cards were SO fun to render btw):

Episode 4 confirms that DH took over the Thicc Chicc Casino after Kara assassinated the previous owner, Chester McNevins, in Episode 1. It also implies DH worked with Agent K and Kara to take over the casino by "taking care" of Chester (that's just my theory ofc).

In Episode 4, Shrike is tempted by the pixel DH gave him. In a moment of cockiness, Shrike believes that he can succeed in his gambling spree from luck alone (DH even said "Today's your lucky day!" after giving him that pixel) - to which he was completely unsuccessful.

While not explicitly referenced in this drawing, a popular casino card game is Blackjack. A common misconception regarding Blackjack is that winning the game is purely determined by the luck of the players (i.e. Shrike being overconfident about his luck). In truth, there is a lot of skill and strategy required in order to be successful at the game (i.e. DH's charming persona and ability to play into Shrike's weaknesses to make him gamble all of his and Beeb's money).

Additionally, Blackjack is a game where players compete against the dealer, not each other. In my opinion, this idea makes sense (in a roundabout way, at least) for DH, given his dealings with three of the five antagonists in this episode: Agent K, Kara and Jawbone. All three have different motives to DH's, yet they work together and are connected through him.

2. Speaking of Jawbone, I wanted to reference two kinds of darts:

The game darts (which he plays in the scene at the bar)

Poison darts (which in my mind made sense given his hatred of Shrike, as seen in the green "cataclysm-poisoned saliva" and the sticker on the dart)

3. Initially, I wanted to reference a joke about "gamer rage" with Tyneen and her competitiveness.

But when watching the episode, I did not expect video games to actually be mentioned in relation to her (with Jawbone owing her a copy of the video game 'Marrow Inheritance').

4. Ah, yes: Campion Ajax (I always disliked him from the moment he was teased and, by the end of this episode, I wanted to replace all his steaks with rocks and send him on a one-way trip to the Marina Trench for trying to hurt Beebs >:[ ).

The reason why I gave Ajax a blue chess pawn was because that's how I felt he saw Beebs:

A feeble, inferior* pawn to potentially use to fulfil his selfish goals.

(*Ajax even called Beebs "inferior" when talking about his prosthetics, which... I felt so bad for poor Beebs having to endure the torment of this guy, and I'm SO glad he stood his ground and saw through his manipulation.)

5. For some reason, the idea of an arcade game fascinated me (our protagonists feeling trapped in both their insecurities and in a much bigger game, perhaps?), especially as a way to connect the antagonists to our protagonists' stories through colours (in the cabinet designs and the arcade buttons):

Yellow = Disco Head

Green = Jawbone

Red = Tyneen

Purple = Ajax

Dark blue = Kara

Black and white = Agent K

Another colour motif I included, which you can also see in the lighting and the background, is the pairing of turquoise blue (cyan) and magenta pink - which you can see in the lighting of the final battle scene.

Yes, I did intend to give Shrike and Beebs backgrounds that are different to their usual colour motifs.

Shrike (usually associated with red) = turquoise/blue

Beebs (usually associated with blue) = magenta/purple

(I'm sure you can guess why I also drew the glass screen cracked between Shrike and Beebs... given the ending.)

On top of that, you could argue that the antagonists in Episode 4 would be great as "arcade/video game bosses" who can have their own "boss fights" or merge into one big "final boss fight" (with different stages).

Also I think Agent K is cool (and would definitely make an awesome "final boss" alongside Kara) with his design and his vibes, enough said. :]

Bonus Agent K appreciation in the form of screencaps bc I can:

[eriexplosion]

Yesterday everyone was posting their feelings on TBB. I'm glad I waited, because there's a lot swirling around. Cut for negativity again.

I was introduced to The Bad Batch in August 2022 and fell instantly in love. The characters, the story, the complex family dynamics, they all spoke to me. I wasn't even a Star Wars fan but I went through and devoured The Clone Wars, Rebels, The Mandalorian, all of it. I threw myself into this world and adored every second of it. I must have rewatched season one over five times before season two even came out.

When season two premiered I loved it. Every Tuesday night I stayed up until the episode drop and devoured it immediately. I looked ahead at the schedule and took days off work for the double episodes, for the big Crosshair episodes - he was my favorite early on and season two only made that grow. But season two also really brought Tech into my radar even more. I had always liked him, but here he was shining. The Crossing really solidified it, as an autistic person. I'd never heard someone describe the difference in processing so succinctly before, so clearly, and it spoke to me like very little had. Here was a character that was like me. Here was a character that I needed when I was an undiagnosed child, someone that would have made me feel like I had at least some way of describing my differences.

Then, well. He died. It was an affecting scene, but it felt out of nowhere, it felt unfinished. Tech didn't even get the climax of the episode. He just fell into the clouds, the Batch grieved for a few minutes, and then the plot steamrolled right along.

I didn't believe it, not after the mad scientist presented his goggles and claimed not to salvage anything else. It seemed like such an obvious fake out. The longer I sat with it the less satisfying it felt. It felt so brushed over, so pointless, all for a mission that they accomplished nothing on. Then came the social media circus. Again and again his fall was shoved in our faces on Twitter, demanding we stream it. TikToks were made that were so out of touch they felt like parodies, the wound ripped open again and again, and I thought surely there had to be a purpose to it.

So I waited for season 3 as interviews were done that seemed to almost intentionally avoid calling him dead. As tweets were made promising we'd be so fulfilled if we could only see who was onscreen in the mid-season! (A tweet that immediately garnered dozens of people hoping it referred to Tech, all without a single comment to try and quell the speculation.) It felt already like we were being toyed with, but I thought it had to be for a reason or a purpose. More weirdly vague discussions went up about his Sacrifice, his Fall, his Anything But Death, even as everyone insists that it was so meaningful, the way he died on a mission that accomplished nothing. Jokes were made around Valentines Day.

He Fell For You, get it?

The first official use of killed went up on the databank right after the trailer, on Hunter's page of all places. The first time the interviews used dead was the Friday before the premier. It all felt too late, theories had already grown for months by that point.

Season 3 finally came and I waited up for every episode drop just like I did for season 2, hoping for him to come back or at least for him to be properly grieved, since we had barely a couple of minutes in Plan 99 before it was swept away for the next plot point. Surely Tech's impact deserved an episode of focus, if he were really gone.

The previously on plays his last words twice. But then we skip months into the future. We don't see Crosshair find out the news - even though Tech died on a mission to retrieve him. We don't watch Omega grieve. She barely seems to notice she's missing a brother. We got a brief allusion in episode two. It took three episodes to even mention his name in passing. Five episodes in everyone got their chance to look sad about him, but only for a few seconds and only when his skills were relevant. Compared to the gorgeous callback to Mayday in the same episode, it felt shallow. He had to have been more important than this didn't he?

Episodes 6 & 7 felt like maybe there was a reason. We see a new masked assassin that gets extra focus, who got put through a series of Tech-adjacent situations, whose beef with Crosshair was just a little too personal, who survived longer than all the rest but stayed masked. Rex talks about losing brothers, but Hunter says nothing about the brother they lost. I hoped it all meant something, that this was the reason that he felt so much like he was thrown away, so that he could come back in.

More one off mentions that only really come up when it's about how useful Tech would have been. More poking at the wound that still felt open and raw because we'd never gotten any closure. The closest we get is a single scene in episode eleven, so late in the season and so brief that I thought that couldn't possibly be it.

CX-2 comes back, and he talks like Tech. He's still not unmasked. I really need him to be something because otherwise what was it all for?

The most emotion comes in Juggernaut, from Phee. Its a highlight because it actually feels like it was about him, like he mattered as a person. It's episode twelve and we finally talk about him like a person. We never saw her get the news either.

Episodes thirteen and fourteen pass without any mentions at all. We're running out of time. Episode 15 hits and we get one raw one from Crosshair that Clone Force 99 died with Tech. It's the first time they directly say he's dead in so many words. It's the season finale. CX-2 is a nobody it turns out, and he dies faceless. Everyone gets a happy ending and after over a year of wondering if we'd ever get closure, it turns out Tech's just dead. But look how happy everyone else is!

Everyone gets to grow old. Except the autistic one of course. He's just dead and it hardly feels like it mattered at all. Did you know Wrecker and Hunter don't use his name once in season three? Omega and Echo mention him once each. Crosshair twice, only once with any emotion behind it. Phee tops the charts at three mentions, two by name and one by nickname. We see his goggles four times. I kept count.

There was never a bigger plan, this was just all he was worth. We spent two seasons on Crosshair's absence. We spent a whole episode dealing with it when Echo decided to go with Rex. Tech dies though and all his life amounted to was a handful of mentions when his skills would have been useful, some shots of his broken goggles, and endless cooing out of the text over how meaningful his sacrifice was. Too meaningful to take back, of course, even as Ventress is brought back from her own sacrifice.

I had really, really thought that this time autistic life would be worth more than autistic death. That a character that felt so carefully handled couldn't have just been thrown away for shock value, barely to even be mentioned again, his memory used to string us along to keep us watching. If you added up every mention and shot through season 3 it might actually clock in at less time than was spent on Mayday's send off.

I'm an adult. I'll survive, though the sting of seeing yet another character like me used as a stepping stone for everyone else's happy ending will take a while to fade. But I think about the child I used to be who needed a character like Tech. And I think about how it would have felt to actually get that only to watch him die a handful of episodes later as a side note to his family's story, barely even mentioned again. How badly it would have hurt, how deep it would have scarred.

I'm not that child anymore. But there are a lot of autistic kids out there that are the same as I used to be, and they're learning for the first time that people like us don't get happy endings. Instead they die so that everyone around them can rise up, and they might even get mentioned a few times. But don't worry. Everyone will tell you how meaningful and special it is and how delusional you were to ever hope for anything else.

The Bad Batch still means a lot to me. I think it always will. I love the characters. I love the family, and all the potential they had. But the sting of not belonging in this happy ending is there, and it's deep. It's been a long time since I trusted a show. It'll be a long time before I risk trusting another. And I hope that the autistic kids trying to learn how to close their hearts off behind new walls are doing okay.

[midwesternvibes]

Alright people, it's time for more Villain Leo lore!!!

Today we are diving into Leo and Splinter's relationship!!!

Read under the cut because this got so LONG, these two have so many issues and there was so much to work with.

Alright, so it's no secret that Leo and Splinter have a....less than ideal relationship. You can see throughout all of TMNT history that Leo looks up to Splinter an insane amount, and Rise Leo is no different.

This boy looked up to Lou Jitsu his whole life, and we can often see him doing the same movements and catchphrases that Lou did. Granted, all the boys do, but Leo seems particularly attached to Lou

And we've all seen the smile comparisons, it's insane how similar his grandiose smile is to Lou Jistu's.

The point is, Leo really looks up to his dad, and we can see this in his actions and attitudes towards not only Lou Jitsu, but also Splinter in canon.

"Trust me pops!"

I mean, just look at how happy he is to be there with his dad, in his element. This episode is Leo at his peak, outsmarting everyone and predicting his family's moments to the letter.

Also, idk about you, but that smile seems incredibly genuine. That's not even a Lou Jitsu smile, that's a 100% Hamato Leonardo smile at his dad whom he looks up to so much.

And what does Splinter say to his son's ask for trust?

"I knew I should have brought Purple!"

....what.

That is his SON. His 14, maybe 15 year old son, who is asking for his father to trust him.

....and he responds by saying that he wishes he had brought his more intelligent twin brother instead, who he has already shown an implied favoritism towards in the past

"And I thought Purple was the funny one!"

"Told you guys I was the funniest."

This is a pretty harmless comment tbh, but Leo takes so much pride in his quips, one-liners and puns that this had to sting a little bit.

There's such a huge amount of content to sift through when it comes to these two, and that fact actually saddens me because I had SO MUCH to pick from when making this post, but here's some highlights.

One thing that I noticed while watching a Splinter and Leo compilation is that during the memory episode, Leo is the only one Splinter directly hits

NONE of the other three were directly hit like this is any point in the episode and yeah, this could totally be played off as a bit or just a case of wrong place, wrong time, but we'll get to my theory later, right now I'm just laying out the facts.

An important detail I'd like to point out here too is Leo's face after the first hit.

Guys, he looks HURT. Donnie and Raph are looking at him, checking that he's okay, but he is looking right past them at the shadow Splinter, who is dressed and looks just like his childhood idol, who just hit him specifically right in the face.

Not only his idol even. No, the most pure and unfiltered representation of his father, the man who's raised him his whole life.

And he just got hit in the face.

Ouch. For a kid as emotive as Leo (who I honestly think feels his emotions even more intensely than Mikey when he lets them out), this is a devastating blow. Literally.

Then, let's talk about this scene, you all knew it was coming.

"Can someone tell my son I am NOT TALKING TO HIM!!"

"You got this pops! I love you!"

Guys this scene hurts my heart. Like, once again, he can't be older than 15 at this point. Yeah he's being a badass stratigiser this whole episode, but you cannot convince me that he wasn't at least a little excited to see his dad, his HERO in action, and wearing a matching outfit as well, and show his dad, his idol and hero, exactly what he's capable of. Leo absolutely worships the ground Splinter walks on and what does his father have to say to his son"s encouragement??

"NO!"

GAHHHH like yes, Leo was kinda being a little shit this whole episode and could have clued his dad in on the plan a little bit, but honestly that could have ruined everything if Splinter had any holdbacks.

Not to mention, this is the only Leo and Splinter episode we get. Donnie gets the derby, Mikey gets the Hidden City bonding, even Raph gets the ending of the memory episode, and in each, they have a genuine moment of bonding with Splinter.

Splinter never ONCE apologized for his actions in this episode. Not once. RAPH is the one who tells Leo in this episode later on that he trusts Leo, something he's been begging Splinter for the entire time.

All of a sudden, this moment doesn't seem so out of place.....

"I love you soooo much!" "No, no you don't, I'm your least favorite!!"

This line could totally just be a throwaway line, but as it was pointed out to me by the wonderful @nardos-primetime, the alarms that the boys did for Google home have a REALLY upsetting one for Leo

Go to about 1:57 and listen to that one and just......cry.

NOW that line in "Rat Flu" makes a LOT more sense. Splinter LAUGHED at Leo when he asked if he was his favorite. LAUGHED at him.

But wait, you may ask. What about the ending? Splinter made Leo the leader, obviously he trusts him!

....yeah, just take a look at their faces here.

Donnie and Mikey are basically horrified beyond belief and in complete shock

Raph is.....blue screening, honestly

And Leo looks completely taken aback and shocked and scared and honestly, I don't blame him. There is absolutely NO precedence for Splinter to do this. He has proved time and time again that he does NOT trust Leo, he never ONCE tells Leo that he trusts him even though he asks for that trust during the entirety of "Unhappy Returns". NONE of them look happy about this new change.

You could see this as Splinter finally giving Leo a chance, but I see this a lot more as one of the more popular Fandom interpretations of Splinter wanting to give Raph a break. Raph had a huge breakdown during the finale and I don't think it's unreasonable for Splinter to have heard of that and decide that his beloved eldest needed a chance to recover.

Who better to pass this burden on to than his least favorite son!

We also see in the movie that this shift in power dynamics really doesn't do much other than create a lot of interpersonal conflict between Leo and Raph, something Splinter does absolutely nothing to help out with, other than telling them to quiet down.

Now that we have all of our evidence (and I put more work into getting evidence for this than for the English project I'm supposed to be doing right now can I just cite this as a source for me being capable of gathering evidence???) we can actually get into the analysis of how this all would affect him.

First of all, I mentioned that I would discuss the repercussions of the memory episode. This analysis is more for Splinter, but I feel like it's still important. We've seen time and time again that Leo is very similar to how Splinter was as a young teen in both looks and attitude. If Splinter truly resents his younger self and how he acted, it would make a lot of sense for him to also subconsciously resent his son who acts a lot like himself at that age. This would cause him to lash out at Leo in his subconscious, the one place where his true thoughts and feelings are on full display.

I just wanna point out his face again here, Leo looks so hurt. He definitely already knows that he's not anywhere near Splinter's favorites at this point, but it still hurts him to see that get confirmed.

This brings me to my next point of Leo's psyche. He is a very confident, witty, smart teenager, but he's still just that. A teenager. He's anxious, insecure, and very self-reliant. He looks to others for praise often and rarely receives it, usually having to hype himself up. His relationship with Splinter only emphasizes these qualities about him and makes Leo look so much worse in Splinter's eyes because his son is just a modern-day representation of his past self.

Now let's put this into perspective of Leo's decent into villainy.

If Leo is hurting and under the impression that his brothers are maybe starting to dislike him, even hate him, adding Splinter on to this can only make it worse.

Maybe he goes to his dad for tips on how to lead when he feels like he can't talk to Raph anymore and needs his father's advice.

Maybe he sets up a dinner for him and Splinter to just chat and bond instead of sitting at the dinner table with another one of Mikey's meals that he feels too sick with anxiety from his little brother's disappointed looks to eat.

Maybe he goes to his father crying from another nightmare after not feeling welcomed in Donnie's lab anymore after they fought for an hour the day before.

And maybe, just maybe, Splinter waves him off every time.

Forgets.

Laughs at him.

I mean, this is a kid who relys on others to build him up, to praise him and love him because after all....

Who is he without his family?

Maybe it's time to find out.

First // Previous // Next

Link to an AMAZING ficlet by the FANTASTIC @beetleviolet

[hell-is-not-an-excuse]

Helluva Boss versus Achillean Relationships || Chaxxie [1/3]

Let me preface this by saying that I know I'm not the first person to point this out, and I certainly won't be the last. However, it's something that's been tugging at me for a while now. That "something" of course, being the portrayal of MLM/achillean relationships within the Hellaverse, and how they're favoured over everything while bordering into the fetishistic.

I'm going to be the first to admit I have not watched the entirety of Hazbin Hotel. Hell, I made it to the first five or so minutes of the first episode before unceremoniously quitting around the "this body was made to be exploited" line. I'll have a separate post on that later, since my thoughts on that (and Angel Dust as a character, by extension) are long winded and not the focus of this particular post.

So, for today, I will be focusing on one of the three canon MLM ships within Helluva Boss specifically. For the purpose of this post series, I will only be including the ships that have two characters that are named within the series. This narrows us down to Chaxxie, Fizzozzie and Stolitz (which is not technically canon but is clearly endgame, unless the writers are waiting with bated breath to pull the rug out from underneath the audience).

This time I will be talking about Chaxxie, as it's the least touched-upon relationship in the show itself; not only because it's the only past relationship on this list, but it's also the only relationship that contains a one-off character. And yet, I found the lack of chemistry so offensively boring that I felt the need to make a whole post just about them.

So, Chaxxie. There's not a whole lot to talk about with their relationship, as all we get is just over a minute of backstory and a song that screams "unable to take no for an answer". I suppose I could also include their sham almost-wedding, but that comes off less as a shipping moment and more a plot beat, and thus will be disregarded. Even so, I apparently had way more to say about them and the implications of their relationship than I thought, so this post will be long.

Before that however, there's the obvious elephant in the room - Chaz and Millie. Despite being the ex of both Millie and Moxxie, we as the audience never get a perspective of what the relationship between Millie and Chaz even looked like. Not even a throwaway line from Millie herself. Given that Helluva Boss has suffered from a lack of precise characterising of its women up until this point, this is another glaring example to add to the long-suffering pattern.

But what about Moxxie? What do we get as the audience?

In the first of two flashback scenes, we're informed that Chaz and Moxxie meet during Moxxie's induction into the Knolastname crime family. They meet eyes, and Moxxie is charmed right off the bat.

This springboards us into four different instances of the supposed chemistry that these two share with one another, the first being a gunfight in which Moxxie and Chaz reach for the same grenade, with all the flirtation and blushing that could be fit into the few seconds allotted for this sequence.

From there, the sexual intensity ramps up in the next two shots before settling back down into a nude portrait scene reminiscent of Titanic.

In terms of learning about their relationship, we as the audience don't glean much from these scenes, other than the fact that they have an incredibly sexual dynamic. One could also infer that their relationship started as a secret given the request to not tell Crimson that Chaz was at the door in the signage scene, though this is never properly expanded on.

Now, before we venture into the second half of my Chaxxie critique, I want to make two things clear; there is nothing wrong with a couple having an incredibly active sex life. This is true for any pairing with consenting adults, be it Achillean, Sapphic or Hetero. This is something I will expand on momentarily. Second is that despite my griping of the overtly sexual nature of their relationship, I don't find these examples to be "too sexual". By all means, this is quite tame imagery, at least to me. I bring these examples up primarily to highlight that Chaxxie as a ship suffers from sacrificing chemistry for sexuality (whether that be in a manner meant to be comedic, or genuinely sexy).

Back to our flashbacks. In our second and final flashback scene, we are given the unceremonious ending to their relationship. In the midst of a heist, Moxxie is pinned and unable to escape the scene of the crime, as police sirens wail in the distance. Chaz, in a selfish move, makes a grab for the money and leaves Moxxie to the authorities, effectively ending their relationship. This is presented as a great heartbreak for Moxxie, but due to the issues highlighted above, this reveal falls flat.

Moxxie doesn't appear to struggle with feelings of self-worth in the romantic department; this is evident in the way he interacts with Millie, self-assured in his love for her and her love for him. One would think that if this relationship with Chaz was so important to him, that there would be some sort of foreshadowing or hints regarding the feelings or issues that would have been bound to have sprung up as a result of Chaz and his abandonment.

I will concede here, Moxxie not wanting to talk about his past is a fine enough example of why Chaz wouldn't come up in conversation prior to this episode. However, if we as the audience are meant to believe that this relationship was that important to him, it would have been nice to add a hint of abandonment issues to Moxxie as a character.

This could also have had a possible added effect of explaining why Moxxie isn't so quick to leave Blitzø or I.M.P despite his treatment - Blitzø and Loona may be awful to Moxxie, but at least they don't abandon him. At least Blitzø throws crumbs of praise his way. At least Loona comes along with Millie to rescue him and Blitzø from the D.H.O.R.K.S.

Unfortunately, we're still not done here with the Chaxxie scenes, as the biggest and most glaring issue with this ship as a whole comes in at around the fifteen minute mark.

I'll start with the least consequential of my critiques - This scene is just not funny. The punchlines essentially amount to sex, big dick, and the mounting discomfort that Moxxie feels while he repeatedly insists that Chaz leave him alone. There are ways to comedically write a character being uncomfortable with sex or sexual implications/situations. Blatant harassment is not one of them.

Speaking of blatant harassment, this is the moment that any semblance of this ship being worth my time fell apart. The writing is done using Chaxxie as a ham-fisted attempt at giving Moxxie further backstory (at the cost of Millie once again) and is now beginning to decline into the outright uncomfortable.

Even before he begins his song, Moxxie outright tells Chaz to leave. Of course, Chaz completely disregards his demands to be left alone, insisting that he knows exactly what Moxxie wants. This is a common line used by real life sexual abusers against their victims - and yes, though Chaz never actually forces himself onto Moxxie in an explicit manner, his following song is filled with unwanted touch and crude, overtly sexual language.

Look me in the eyes and tell me that Moxxie is enjoying this experience even remotely. He looks put off, alarmed, uncomfortable. And yet this scene is played for comedy, for some reason. This is not the first instance of Moxxie being sexually abused or harassed for comedy either. Even back in Season One, this poor guy was being used for the sort of joke that should have died out years ago.

Overall thoughts on Chaxxie and their contribution to MLM representation.

Do I think Chaz and Moxxie are good queer representation? The easy, fast answer is a resounding "No". Their relationship lacks any sort of depth in canon and looks to be just another vehicle for gay sex jokes, partnered with yet another excuse to harass Moxxie for laughs.

On a slightly longer note, I find them not only to be lackluster representation, but yet another instance in the growing pattern of Vivziepop's achillean ships being either based on sex, or having a heavy emphasis on sex that isn't afforded to her sapphic or hetero pairings. This isn't to say that the other achillean ships don't have moments that are fluffier or not purely focused on sex (after all, Chaxxie is the worst offender of being a pairing based on nothing but sex from a writing standpoint), but the discrepancy between the amount of sex talk from Chaggie and Millie/Moxxie as compared to Fizzozzie, Stolitz and Chaxxie is stark.

It's hard to say exactly what goes on in the heads of the writers, and I am not here to speculate on what they may be thinking at all times. However, the writing behind Chaxxie as a pairing specifically (in the past or not) leaves a bitter taste in my mouth. The inclusion of Chaz does nothing to further Moxxie's character and seems more like a segue into making his bisexuality explicit, rather than taking the time to explore his attraction to men and past relationships meaningfully. Their past relationship is shallow at best, giving me no real reason to care about its end, and does a disservice to the already limited representation in Helluva Boss by painting yet another portrait of a lustful, but ultimately loveless feeling relationship.

[valhalla-calls]

Relativity Falls headcanons- My Version Pt.3

Making a part three because apparently, I wasn't done.

My Au isn't exactly one for one in terms who replaces who and what events happen. However, there are close to it.

Kind of off track, but Canon! Stan would cry if he saw any Relativity Falls AUs. The thought that any of the Pine twins going through at least half of what he did while he was homeless would destroy him. Doesn't matter if it's Dipper or Mabel, it would destroy him.

Back on track, I can see Mabel's scams sometimes consisted of match making and fake love potions. She got a lot of angry customers when the match wasn't good or the love potion surprisingly didn't work. It caused a few injuries along the way. A few times, she was stabbed and didn't have money to go to the doctor to get it stitched up. Good thing she knows how to sew thanks to her making sweaters.

After a particularly bad run in with some people she owed money to, Mabel had to rewrite a letter to Dipper, because blood smudges kept appearing on the letter. Eventually, after the hundredth time, she just covered those spots with glue and glitter. No, Dipper doesn't know that bit until probably much later.

Mabel does have the scar on the back of her shoulder like Stan did! How it happened was a little different, she had a stab wound she stitched up on her upper arm when Dipper sent a post card for her to come. In the middle of their "Concerned for each other" scuffle, he grabbed it by accident, Dipper let go when she screamed, which caused her to fall onto sigil.

Dipper's had his fair share of hurt here too. He had the whole bleeding eye issue that Ford did in canon. I imagine if he was possessed by the Axolotl, it would take a toll on his body too. A big entity like that, I don't think a human body could handle well. Then, there's the whole doing things to Dipper while being possessed thing. He has a few scars from those moments too.

Speaking of Axolotl, I feel like it would take Dipper a while to warm up to being friendly. Not that he wouldn't be fascinated and tricked at all. Because, we saw what happened with Bill doing the Sock Opera episode, he would. However, I think at first, he'd proceed with caution. He was only started to be mystified by the Axolotl when the Axolotl began to feed into his loneliness.

I'm cool with either Candy or Pacifica taking Fiddleford's place. It makes sense for either. If it's Pacifica, she could fund it and if's Candy, she could build it.

Mabel kept making the fake love potions to sell in the Mystery Shack. One of them fell on Stanley and it caused him to have a misunderstood panic attack when he saw Fiddleford and nothing happened. Not because he was worried he didn't like Fiddleford. No. He was told at one point, probably by his mom, that if a love potion didn't have any effect after seeing another person, it meant he was already in love with the person. After, what Stan thought were failed attempts to woo Fiddleford (Because, you know, he honestly believed the potion worked so, got commit to the bit.), Mabel cleared up the misunderstanding. Which she found hilarious.

Since Bill is in Pacifica's place, Stan, not only has a rivalry with Gideon, but he has a rivalry with Bill.

I can see Dipper and Mabel picking on the fact that Stanley is being abused by Filbrick at home. There are many routes like when it comes to this AU that people take with that issue. My favorites though are where they find out and don't let the boys go home at all and teach Stanley that Filbrick doesn't love him. Also, Ford finally understanding some things and is completely on board. They would not care who Filbrick is to them. They would risk it.

[llamaisllama777]

THE DAILY*/WEEKLY* LAES, TSAMS, EAPS Review!!!

Been a bit since I last did this so let's get a move on.

👏 So,... Sun's broken... again. It's probably worse this time around. He just had to kill his own brother. To make it even worse, he had to kill the brother who actually showed he cared for him... that's... that's not something you walk away from without a few scars.

Plus to make it worse they got lost in Dark Sun's castle and had to walk past Nexus' melted remains....

5 TIMES!!!!

5 times! You can not tell Dark Sun didn't at least realize that would happen. I'm not saying he built the castle that way, so it would happen, BUT.... this is Dark Sun, we're talking about.

[Edit: They might not have actually walked past his body five times. I may have misinterpreted something Moon said, but they still might have, so I'm imagine that cause it's funny and traumatizing]

When they get back home, Sun immediately goes upstairs to process everything, and from how he sounded, he's definitely 6 the verge of tears, if not a full-blown mental breakdown.... and Moon just dips. Sort of. He goes to his lab to track down Dark Sun and Ruin. Moon, your brother just had to kill his other brother. I know, and I am proud of you for admitting you aren't the best with emotions, and you wish you could help Sun emotionally but can't, and that's fine... BUT you can't just walk away when your brother desperately needs you right now. You didn't even need to say anything. Just go up there and sit next to him. Be the shoulder he can cry on. Worry about Ruin and Dark Sun later. Solar was the real mvp of this episode. He was the first to call out Moon on his rather apathetic actions. He was the first to comfort Sun, and come to think of it, he might be the ONLY person to comfort Sun in this episode. So, good on you, Solar. M.V.P!

The thumbnail really captures how differently the three are taking Nexus' death.

Sun is shattered.

Solar is trying to comfort him.

And Moon is moving on to the next threat.

Just... PERFECT! 👌

Okay.... Sun is still broken. Like, he's really REALLY messed up. So, Sun asks Earth and Lunar to take care of Dazzle while he tries to recover mentally. Lunar and Earth are really owning the uncle and auntie status. You both are just a wonderful tag team when it comes to taking care of kids.

Lunar called her Doedrop. Awwww! 😊🥺😭 That's so stinkin' cute!

Doedrop!

OH, YOU SON OF A...!

Ruin, look, mate, I'm glad you survived and that Nexus didn't rip your head off...

YOU GOT A LOT OF NERVE COMING HERE!

Eclipse and Puppet handled this situation a lot better than I thought they would have. Huh. Character growth.

Also, Ruin, I really don't believe you're the only reason why Nexus didn't come after F.C. I just don't think Nexus thought of that. Also...

It was you! You killed Nexus!

Okay, so, remember this episode...

Ruin asked Solar if he could borrow a very small propane tank...

Remember that? Guess what he did with that propane tank?

He put it in Nexus! He made a makeshift bomb that was supposed to go off once it was hit by a blast of positive star power, but Sun's magic triggered it instead. So, does that mean Sun killed Nexus, or Ruin killed Nexus or both of them? Like, who's more at fault here?

Point is Ruin, Thank you for killing Nexus, but you also traumatized Sun, so.... ya.

Oh, also, the astrals MIGHT be coming here soon, or this place has their own astrals, which is still bad.

Oh, also, they found the other Foxy, and he's still in the Pizza-plex Eclipse chased him, but he got away... so, Puppet, F.C., Foxy.. watch out.

Amazing and traumatizing episodes

10/10!

[monstermoviedean]

let's talk about the bridge.

[spnwiki links known filming locations when available. in all three episodes, this is listed as the spur 4 bridge, lower seymour conservation reserve. it may appear in more episodes, but i'm not sure.]

the bridge appears in 05x02 (good god, y'all!), 13x18 (bring 'em back alive), and 15x20 (carry on). now. do i think this specific bridge was specially chosen each time to communicate a certain message? with respect to the crew, nah, probably not. do i think you can read a pattern here? ooh, yes. tl;dr: you cannot cross the bridge. merely standing on it means the rules have just changed in a reality-bending, fucked-up-beyond-all-repair sort of way. attempting to complete the crossing is an acceptance of the new rules.

in 05x02, the bridge appears as dean and sam are driving into river pass, colorado, the town controlled by war. the bridge is broken. they drive halfway across the bridge and stop. this is the first sign to sam and dean that something is seriously wrong here. this is no normal demon hunt. this is a problem on a scale larger than they can grasp. there's a literal gap between them and the town! they have to leave the car (/home) parked on the bridge and hike in. they are entering uncharted territory.

when they do, they find people killing each other and seeing demons where there are none. war is altering reality and playing people off each other. jo attacks ellen! rufus attacks sam! the townspeople turn on ellen and dean! you can't trust anyone! but actually...you can. none of them are demons. the danger is real, but it's not what it appears. and no one has ever come across anything like this before.

so what do sam and dean learn? the apocalypse is here. there's no going back. the rules have changed. the tactics they've always used don't work, because they are in a new reality now. and they accept that. while they can't physically walk/drive across the bridge, they do complete the crossing of their own volition. they accept that their world is different now and they will adapt to it.

in 13x18, dean and ketch are in apocalypse world walking near the bridge. they see a group of angels leading a group of shackled, hooded prisoners across the bridge.

two of the prisoners are executed by the angels right there. they do not cross the bridge. they die playing by the same rules they always have. it's the apocalypse, and they'll fight, but the angels are the angels and it's tough to win as a human. when i started writing this post i thought charlie had crossed the bridge, symbolizing her entrance into a new reality. but she doesn't! the angels fly away with her, without any of them ever crossing the bridge (below are back-to-back screencaps. sorry for the lack of visual but trust me on this)

charlie doesn't fully cross the bridge. she gets halfway across and then the angels fly her somewhere else. dean is hoping she finishes crossing. if she does, it's like she's crossing into his world. maybe this charlie will be just like the charlie he knew and lost. maybe he can save her. maybe he can undo it. but she doesn't cross and he so he can't get to her!

when he and ketch eventually catch up with her at the silo and escape, charlie hears about dean's universe and chooses to stay in hers. because it's hers. charlie's reality has been fucked with, certainly, but she chooses to accept the reality she knows and stay in it (for now at least). she's not outright rejecting the new reality of parallel universes, but she's also not letting the new reality dictate her actions. it's her home, it's her fight, and she's staying. she doesn't complete the crossing.

so that brings us to. deep sigh. 15x20. dean drives onto the bridge, ostensibly in heaven. he drives about halfway across. and stops. he does not cross the bridge. he gets out of the car and hesitantly walks around the front of it. i won't show you all the screencaps but he touches the car and stays pretty close to it as he walks.

the last one is about the furthest point he walks across the bridge, give or take. he doesn't go far from the car (which is a good strong symbol of dean's reality and home). you can see there's two vertical posts in the space between him and the car. when the final shot zooms out from him and sam, they are magically further across the bridge, about halfway across, about five vertical posts away.

dean standing on the bridge means the rules have changed. his world is different now. he cannot go back. this especially works with the next scene, which is the one of the cast and crew in our world saying goodbye. now, can you say that dean dying and going to heaven is the change? sure. but he doesn't cross the bridge. he doesn't accept it. could you say that simply means he's in denial about his death and apparent ascension? i guess. "but what about sam?!" shhhh, not right now.

i think it works much better as dean recognizing there is a new and unknown reality on the other side of that bridge, and instinctively knowing that there is something wrong. that he doesn't want to accept that reality. that if he finishes the crossing, he will be accepting it and will be unable to go back. and sam just appearing out of nowhere, seemingly materializing onto the middle of the bridge without actually taking steps to cross it? somehow moving dean with him so they're both further across the bridge? well maybe that's not real. maybe that's a trick to try to get dean to cross. maybe his acceptance of the new reality will sever his connection to his actual reality - war destroying the bridge in 05x02 certainly did that for the townspeople.

i know others have talked about dean crossing the bridge as an acceptance or an ascension, i'm nowhere near the first person to come up with that. but i do want to call attention to the previous iterations of the bridge. a broken bridge sam and dean cross, only to find war beyond it, an enemy the likes of which they have never seen. a bridge charlie is nearly forced to cross, but which she's taken away from before she can complete it (which would be more likely to lead her to jump realities). and a bridge dean starts to cross, but doesn't. a bridge that appears first in dean's reality, then in apocalypse world, then in dean's heaven, and then in our world, with jensen dressed as dean saying goodbye. and nobody ever crosses that bridge. it's a false promise. you can't do it. all you can do is stand on it and hope you'll be okay, even though you can't go back.

[echo-lover]

I wanted to share my thoughts about the first three episodes of Bad Batch season 3 immediately after watching them, but I was too emotional about everything I saw that I needed some time to calm down a bit.

It's beyond my expectations, just perfect! From the plot, to the characters, through the beautiful graphics and wonderful music, everything was epic. This season will definitely be much more mature and dark than the others. I love Bad Batch with all my heart and words cannot describe how important these characters are to me. I don't think I will focus on each episode separately, but I will show my general feelings and thoughts.

Something that touched my heart deeply was how Omega becomes so much like Hunter. Her facial expressions, her eyes, tactical skills and that characteristic whistle! I immediately thought of Hunter. She became so mature, strong, decisive and calm in stressful situations. It's clear that she's no longer the same little child we met on Kamino in the first season. She has changed so much... Even Crosshair seems to see this, as he let her lead during his escape from Mount Tantiss. He was her support, did not question her ideas and did not hesitate to follow orders. I love watching their bond become stronger. Every day Omega came to his cell, talked about her day... and he listened... he had no choice because he couldn't just go, but I think they both needed each other's presence. They knew they were not alone and encouraged each other, in some way.

It is clear that Omega still misses the rest of her brothers and strongly believes that she will be able to return to them again, together with Crosshair. She can't imagine leaving him, it's out of the question. No matter how hard Crosshair tries to make her believe that he is not worth saving, she will still be on his side. I think Crosshair realized through her that his brothers never really wanted to leave him and were willing to take him back at any time if he just wanted...

Even though Omega has become more mature, she is still a child. Being locked in a cell, the routine and monotony of life must be very exhausting for her, because she is by nature a lively, active and curious sweet girl. She spent most of her life locked up and the only good memories she had were of freedom and her brothers, even though it wasn't for a long time. She even made herself a doll like Lula, who stayed on the Marauder with Hunter and Wrecker. This parallel symbolizes their connection, despite the enormous distance that separated them. And Batcher... Omega doesn't want to forget, she wants to remember her brothers, the love she had for them and received from them, all those good memories together... Ouch...

Somewhere in another part of the Galaxy, two brothers are desperately looking for their little sister. Their worn armor shows that they have fought hard during this time. Hunter also has different bandana... I've seen a theory that it's similar to the band Omega wore on his wrist in season two. This way, maybe Hunter wanted to always have her close to him, at least a part of her, I wonder if he can smell her scent... Oh Force, I'm gonna cry...

The sight of Hunter having difficulty working with Tech's Datapad, how desperate he is to do everything he can to find Omega, how exhausted he seems... Maybe it's just me, but he looks thinner and has paler skin than before. This breaks my heart. I'm sure he was thinking about Tech who could do the job in a second. The sight of his goggles resting alone, the empty space he once occupied... Marauder never looked so lonely... Let me tell you, I shed a tear.

I really liked how Wrecker was the voice of reason in his conversation with Hunter. It's beautiful how one look, a nod of the head, or a hand on the shoulder can bring Hunter down. They support each other and it is clear that after everything they have lost, they have become even closer. They need each other to keep from going crazy.

Even though they are the only two left, Wrecker still considers Hunter to be the leader and waits for his orders even though he knows he doesn't have to. He remains loyal. When he was talking to the little cadets on the Marauder, I was so happy when I heard his laughter. Honest, loud and heartwarming. I think he's needed this for a long time. He definitely misses the company of a child on board, he loves children so much...

I also love that little scene where Hunter is working and looks at Lula out of the corner of his eye, thinking about Omega. He can't live without her... I feel like if they were separated again, he wouldn't be able todeal with it and would just explode, showing all the anger and despair he was holding, possibly doing something stupid in the process... He loves his little Omega too much that he can't imagine life without her. He is ready to drop everything just to be able to hold her close to him, to keep her safe. I'm so scared for him.

On the one hand, I was surprised that Echo didn't stay with the boys to look for Omega, but I expected him to join Rex. They may also be searching, but I think their main goal is to free prisoners and gather as many allies as possible to create the Clone Rebellion.

I could talk for hours and still not express all my thoughts and emotions that these episodes made me feel. I can't wait for next Wednesday.

[butterflydm]

wot spec based on the picture drop!

I'm so excited! As we ramp up to s3, we're gonna be getting more and more too. Yay!

Okay, @markantonys noticed that the pictures were named with the episodes they probably belong to, so I will fold that into my thoughts (her post with the pictures is here).

For the first episode, I'm going to guess that Siuan using the OP comes earliest in the episode, during the "shredding" that will come along with Liandrin being accused of being Black Ajah and then escaping from the White Tower with her comrades (and Alanna will catch up with her outside the Tower and we get that fight from the teaser trailer). Someone is standing next to her who isn't channeling. Another Aes Sedai? Siuan definitely looks like she's in her fancy Amyrlin gear.

Moiraine gets her exile revoked and warns the Aes Sedai about the Seanchan. Egwene has her Accepted test (the horses picture). Elayne's Accepted test might happen off-screen like in the books. The gold that Egwene is wearing here is making me wonder if this is the one where she's an Amyrlin (are they hunting down Rand?). Especially with Elayne and Nynaeve in their own future respective Ajah colors of green and yellow.

Then I think the other three ep1 pictures might happen relatively close to each other - Elayne and Aviendha having drinks, the ta'veren boys hanging out, and Lanfear creeping on Rand.

I am so excited about getting a scene between Elayne and Aviendha. <3 At least one and maybe more.

Rand and Mat beaming at each other while Perrin looks more serious. What a picture. Hmm, Is Mat wearing the same shirt that we saw him wearing during the neck injury picture? Because if it is, then that happens in ep1, and maybe it's the playing cards from his own bubble of evil moment? I went back and rewatched the teaser trailer and it looks like a different shirt, with more of a lower "Tanchico" kinda neckline but idk for sure. Hmm. I do appreciate the radiant smile that Rand sends in Mat's direction.

I think the end of this episode might have the bubble of evil moment that we caught a glimpse of in the teaser, with Rand destroying his mirror images, and maybe Lanfear taking the place of Berelain in being The Lady In His Room. I do think that Lanfear is creeping probably on him, though it looks like she's in daylight and not nighttime (or it could be TAR)

For the second episode, we're going to get Queen Morgase and Elaida making a pretty official and formal-looking visit to the White Tower; and we're going to get Rand and Lan training. I'm hoping that we aren't getting a split this early on and that we're going to get more time with our kiddos all together. With the Caemlyn Crew in Tar Valon, there are a lot of moments from the books that they could adapt into having happen here, like Elaida catching a glimpse of Rand and having a Foretelling, Mat's face-off with the two Princes, and maybe we could even get our Elayne & Rand feather moment if Egwene and Rand have officially ended things in ep1 and Egwene is meeting Gawyn here in ep2.

It does look like the crown that Elayne puts on in the teaser trailer is the same as the one that Morgase is wearing, so that might be an indicator that the moment in the teaser is part of Elayne's Accepted test?

Morgase will likely be going home at the end of the episode, while Elaida (and the two princes?) stay in the White Tower.

No hints of anything for ep3, but I think the notion of this being Perrin & co's return to the Two Rivers via the Ways would make a lot of sense. We could see Alanna's grief; meet Faile; have Verin. Loial will be in Perrin's plotline again, like he was in s2, so those two really have their own friendship thing going on at this point. Reintroduce the Tuatha'an so that there's more of an impact in ep4 when we find out that they're a split-off from the Aiel.

Ep4 - this is going to be Rhuidean and the glass columns. Very excited! We get the front-facing shot of the wide shot that we got in the trailer -- this is everyone staring at Rhuidean. Moiraine's hat is very cute.

No hints of anything for ep5! A Mystery! Might be more Two Rivers focused again?

Ep6, we get our definitive confirmation that Mat and Min are definitely in Nynaeve & Elayne's Tanchico plotline. @markantonys noted this when the pictures first dropped, but we don't see any sign of Mat's neck injuries in this picture or the one from ep1 and we're getting a nice view of his neck both times (no one else is showing off their neck like Mat is!). So that potentially means that the neck injury happens later than this point, which means the "Mat is yeeted through a Redstone Doorway to the Waste" theory has not yet been disproved by anything. New Theory: the Pattern is very annoyed at Mat staying behind at the Waygate in s1 and is taking no chances and is yeeting Mat at Rand whenever it gets the chance.

Min is wearing the same outfit as she was in the teaser, again confirming that was from Tanchico. Is the man in the hat Juilin Sander? I feel like a flat-brim hat was part of his character description in the books.

I love that we see Mat and Nynaeve holding onto each other. Friendship! They love each other, your honor!

Once again, nothing for ep 7. We know, due to the title, that we're going to have more of a Two Rivers focus here.

Ep8 -- Moiraine is gonna dress up all fancy and Use An Orb. Did she bring her fancy clothes along with her (I mean, I would believe it) or did she get them from somewhere? The chest piece is very intricate and intriguing. It does not look like she's wearing it when she first picks up the Orb in the teaser trailer, so she might acquire it in ep4 and then use it in e8?

[utilitycaster]

I read your posts regarding c3 and what could be done differently, and I’ve always thought the way they handled Bertrand Bell was weird. He’s only in three episodes, then dies — c3 was my first campaign, and I had no idea who he was before, nor sure why I should care . Emotionally he didn’t leave an impact on the other characters (although I love Fearne’s jazz monologue) or the audience who has seen him one time before. They use his name for their party name but then don’t bother to see his grave, or remember him at all.

His death also means that we are tied to the moon plot very early on with an emotional weight so it feels like the group have to follow that story thread early on, setting up the mystery too early which then becomes exhausting to the audience. I wonder if c3 would have been better off if they didn’t bother with him, or if Matt and Travis agreed to really wait a while before killing Bertrand off, when they actually want to escalate the plot (would have had accusations of ‘scripting’ but who cares if it’s better narratively.) I think if he died around when Molly died then it would have been stronger (maybe too close a copy of c2, but at least that worked?)

I think a planned player character death can still be shocking and dramatic to the other players who weren’t expecting it, but how c3 executed it feels like a nothing burger and a waste of time. I don’t really know what would have changed if we just had Chetney at the start.

I'm going to be totally honest: I disagree strongly and I think you are assigning blame to a completely wrong place. That doesn't mean that you can't feel this moment failed to land (though I think that too is a criticism more of the overall campaign) but the concept of having a character show up, be quickly killed, and be replaced by the actual character isn't a particularly new one, doesn't require you to have a pre-existing attachment to the initial character for it to be a fun concept. It also, in my opinion, did serve a good purpose and frankly Bertrand had, in his three episodes, a stronger and clearer arc than several party members who have had over a hundred episodes.

I may put this specific piece in a separate post because I believe it's a requirement for understanding the failings of Campaign 3 but: A lot of discussion positions Campaign 3 as the story of Bells Hells, who were ill served by the Moon Plot. This is, in my opinion, incorrect. Campaign 3 is the Moon Plot Campaign, in which Bells Hells are ill-suited characters pushed through said plot because they happened to be played by the cast members. And to that end, I think that actually, introducing the moon plot immediately was a good idea. The problem was that the execution of that mystery was very poorly done. Bertrand led the party to Eshteross, and was then not long thereafter killed by a group of people working to destabilize the Chandei Quorum on behalf of Armand Treshi, so that he could bring in the Paragon's Call as a means of reinstating order in Jrusar. This presumably would also help them because then they wouldn't have to use Jiana as a middlewoman for the shipments they were receiving via her in Jrusar, and would generally increase their power. Bells Hells found out this was happening and thwarted it, but Treshi escaped.

This is when the plot began to become a mess, and while there were plenty of further opportunities to right it, I think basing the entirety of the early campaign in Jrusar and Bassuras, and severely paring down what was done in Bassuras [probably a whole other post but I'd have had Treshi remain captured in Jrusar but give up the information, making Bassuras entirely a data gathering mission, thus freeing up a lot of time in Bassuras for personal errands and bonding time] would have fixed a lot of the issues.

Again, that doesn't mean the concept worked for you, but this isn't even rearranging the deck chairs on the Titanic - it's complaining about the meal that was served on the titanic 4 days prior to them hitting the iceberg.