#I'm making sense right???

[nonndrawz]

GUYS!!! THE CYCLOPS IN THE GOW: RAGNARÖK VALHALLA DLC TRAILER LOOKS VERY SIMILAR TO THE CYCLOPS FROM GOW 3!!! LOOK AT THEIR MODELS!!! THEY BOTH USE A TREE STUMP AS A WEAPON!!! THEY BOTH HAVE A METAL BRACELET ON THEIR LEFT ARM!!! THEY BOTH WEAR SANDALS!!! THE ONLY DIFFERENCE IS THE COLOR OF THEIR LOINCLOTH!!! PLUS IT MAKES SENSE THAT THIS CYCLOPS WOULD LOOK LIKE ONE KRATOS HAS KILLED, SINCE WE ARE FACING HIS PAST!!! LET ME COOOKKK!!!

[cedriiii]

that one dynamic meme

[egophiliac]

still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)

anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)

[gordonfreemanspussy]

happy october :]

@scienceteamtober day 1: before the game

with lovely beautiful awesome forever character art by @winkreallyisntable goes CRAZY!!! full art below the cut.

[ffcrazy15]

There's this way of doing female-ness in Christianity that I call "pastel flower journal Christianity." I've got nothing against pastel flower journals per se, but for some reason people believe it's the end all and be all of female spirituality, and I think it's a real disservice towards young Christian women.

One of these days I'd like to start a prayer-and-reading group or something for young women, but there would be no floral themes or over-focus on how "God thinks you're beautiful even if the world doesn't" (a true statement, but it's wayyyyy too often the focus in women's spiritual reading). Instead we would be reading:

Seneca's Letters from a Stoic

Frankl's Man's Search for Meaning

Sheed's A Map of Life

Portions of Pieper's book on leisure

Kreeft's Three Philosophies of Life

Guardini's The Lord (or something similar)

Therese's Story of a Soul

and some select portions of the Nicomachean Ethics.

(Also they're all getting the porn talk. I don't know why we give the porn talk to young men but not young women. There's this idea that women don't use porn and they only need the talk about "guarding their heart." Bullshit. There's porn on the YA shelves of Barnes and Nobles and before that there were bodice rippers. Young women need the porn talk too.)

Every young woman needs to be getting a basic grounding in virtue ethics, logic, natural law, scholastic philosophy and Biblical hermeneutics if they're going to get by in today's spiritual landscape. Enough faffery and emotionalism in young women's spiritual education! Give them real food to chew on, not pasty sentimentalism!

[buttercupshands]

I started drawing this next day after I finished Act 6

13 or so days and it's finished!

Main things are traditional and Loop's body was edited digitally after

Unedited it looks like this

I've been torn on how to do Loop's body for the entirety of lining, also

A bit sad the main lines are visible only as a wip, most of this thing is literally just a ton of sharp lines

I think it's also my first day of drawing, Loop is just a sketch here (feat. my leg)

I even finished the beans before it so they were a moral support, because if you let me things like this take a year

[uncanny-tranny]

One of my biggest pieces of advice for those taking injectable hormones is to make sure you're injecting at the right angle

For intramuscular (IM), you inject at a 90° angle.

For subcutaneous (SQ), you inject at a 45° angle.

Here is a graphic depicting what the angle of your injection should look like:

An image description is provided in the ALT text.

[moon-light-bow]

I don't know how to explain it, but I think it's SO interesting that Fiddleford keeps the photo of Emma-May and Tate visible on top of his desk to "keep him grounded" (whatever THAT means...), while he kept the photo of him and Ford at BMU hidden in his desk (which he brought with him to Gravity Falls for ABSOLUTELY NO REASON).

I mean, the text doesn't outright say that it was hidden, but considering that Ford had to RANSACK Fiddleford's notes to even find it after living with him for MONTHS....

[gros-chat-fait]

Just six normal teens hanging out in the woods. --

100th post and final drawing of the year. Happy holidays and new year, everyone <3!

[teddybeartoji]

it's not often you get to see a sleepy suguru.

it's not like he's not tired – he's fucking exhausted; the dreams just don't seem to like him all that much. but he's usually toughing it out, trying to seem as composed and put-together as possible. the dark skin underneath his eyes betray him, though.

so you don't really know why today is different. is he just more tired? have all of the sleepless hours caught up with him? or is it just you; could it be that your body is the most comfortable place to rest his heavy head? or is it your perfume that's soothing him to sleep?

or is it the fingers in his hair?

he doesn't really let others play with his hair too ofter either. satoru and shoko had been the only exceptions but that was before you came along. satoru uses his hair as a stim, something to play with when he's bored. suguru has taught him manners though – a few slaps against satoru's fingers and chest to remind him to be more careful. and shoko is just more likely to brush a strand from his eyes or help him tie them up in a half-assed bun whenever his own hands are full with whatever.

you like playing with hair, always have and always will. it's relaxing and it's fun and it's calming and you love it. when you first met suguru, his hair was the second thing you noticed about him (his keen purple eyes being the first). an irresistible itch burned in your fingertips everytime you saw him, everytime he wore his hair down. it just looked so pretty and soft.

he takes very good care of his hair, you know that much. specific shampoos and conditioners, masks and all – he's all in. and nobody bats an eye. not that they should but satoru definitely gets made fun of because of his stupidly expensive collection of figurines and shoko gets teased for her silly mug shelf – and yet, neither of them ever comment on the bottles and tubs of fancy products that lay on his bathroom counter.

his hair also smells good. the compliment always hangs on the tip of your tongue but stays hidden in fear of coming off too weird. too creepy. but he doesn smell good. even with closed eyes and ears and you'd find him in a crowd. you wonder whether he knows that.

as you grew closer and closer, the now scorching itch only doubled in need. you never did gather the strenght to outwardly ask him – if you could play with his hair? if you could caress it? comb through it? it was an accident.

a simple gloomy friday afternoon: you're both lazing on your couch, staring at the screen. it's funny – you find yourself muffling your already quiet bursts of laughter, suguru alongside you. he's sitting close by, closer than usual. you don't ask him about it.

he asked to come over; something-something about being sick of his own apartment. you understand that, so you tell him that your home is his home (you'd tell him that even if you didn't understand). you hear the faint smile when he thanks you over the phone.

even when he looks like he hasn't slept in months – he looks good. you can tell he's overexaggerating his smile a bit but don't say anything about it, rewarding him with a grin of your own. his eyes flick to your lips and how they curve and he thinks about how warm it feels to look at you. maybe he's not exaggerating anymore.

your arms open wide, inviting him into you and he obliges, as always. he smells good. as always.

his hands lock behind your back and your behind his neck. your hearts meet and they greet each other with a fastened beat, eager to be in sync – to feel each other again.

he pulls back and the corners of his eyes crinkle when he smiles. he's not doing it anymore and you're happy to relieve him even if it's for mere moments.

he's wearing a sweather and his hair is down. he has lip gloss on; you try to think whether he's more of a mint guy or more of a shea guy. it remains a mystery.

and now you're on the couch with two cups of warm tea waiting for you on the small table. he smells good. he's so close. he snickers at the screen and you can't take your eyes off of him. it's the same small crinkle of the eyes and the faintest pink tint on his cheeks.

you know he knows that you're looking at him. you've been told to have a staring problem and he's just an observant guy. it's a terrible match. or a perfect one.

he doesn't say anything though; instead he leans his head back and little to the side against the headrest (he's even closer now) and you find yourself shifting an inch aswell. perhaps magnets are involved? the iron in your blood pulling you together?

no, that can't be. you'd have to be polar opposites for that to work. warm-blooded and cold-blooded? would that work? you're getting too poetic and he's looking at you now.

it's an accident. it slips out on its own. you smell good. caught off guard by your own comment, you're about to apologize when a hand on your thigh almost makes you suffocate on the words stuck in your throat.

he laughs and it feels so good. he thanks you. he means it, you see it in his tired eyes. he likes the way you blush.

turning his focus back to the tv, you try to collect yourself. a deep breath in and a deep one out and a deep one in and a de—

a weight on your shoulder. he smells so good. he's so close. you peek down, curious as to whether this is a dream or not. but suguru's head is in fact laid on your body, sinking a bit more into you by the second. a deep breath in and a deep one out.

seeking for a more comfortable position, you snuggle closer to him. it's hard to focus but you're making it your sole mission to make him feel safe. your arm curls around his body, his shoulder, and rests right by a flock of his hair.

his cheek is now smushed against the top of your chest and the weight of love doesn't seem as bad as everyone keeps telling you. his hand finds a place around your waist; loosely – as if he's the one who's afraid to scare you off. silly.

his breath against you feels right and the butterflies in your stomach refuse to calm down. so you do what you always do when you get nervous – completely on their own, your fingers caress his hair. just smoothing over it at first but before you know it, they're combing through a strand and twirling the ends between themselves.

you wanna apologize, again, but the soft little grunt that emits from the man keeps you from doing so.

don't stop.

+ this is for @twentyfivemiceinatrenchcoat just bc it feels right

[amburuthings]

– Vir shiral malasa, bellanaris.

[vaguely-concerned]

having seen at least the rough outlines of all the romances now I have to say that I think emmrich's is probably objectively the best in terms of coherence and completeness of story arc (with the understanding that ultimately the 'best' romance is whichever one makes YOUR heart sing anyway so objectivity is a silly thing to claim that way, it just felt like it's the arc with the most well-paced focused content and the least dangling threads)... but lucanis' is my favourite haha. just. the whole kneeling before your beloved full of reverence but without any of the distance that usually implies??? his complete undramatic certainty and calm in every scene with rook after this, having spent the whole game caught between fear and longing???? mr. lives in a pantry but it says nothing about my psyche don't worry about it it's purely for tactical reasons that I keep myself contained in a small dark room not entirely unlike a cell, love among the parsnips -- finally coming to rook in their room and it's so comfortable and comforting???? after all the times rook supports and comforts him through the game he's finally able to return the same to them when they need it while being so calm and steady and it's so fucking sweet and feels so effortless and with no price attached?????? he basically assigns himself the role of your bodyguard and he WILL stab a god over it??????????????? the turn to protector (which was in his heart all along longing to get out and find a place) of it all????? he sounds like he's found himself unexpectedly stumbling into such a soul-lightening state of revelatory existential relief, full on 'you only have to let the soft animal of your body love what it loves' mary oliver style, and he goes and he shares that with rook and protectively envelops them in it when they're hurting??????????????????????????? hello for the maker's sake hello can anyone hear me?????

[inkskinned]

one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.

in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.

disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.

desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.

in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?

we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.

except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?

and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.

to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."

this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.

in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.

the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.

and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.

some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.

the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.

we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?

"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.

there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.

[egophiliac]

buckle up lads we're going BACK INTO THE BOOK

[coffeebanana]

having thoughts about the marinette and nathalie hug because like.

my god.

marinette's just had her world turned inside out

she's just a kid and how's she supposed to carry all this alone and what is she supposed to do and what does she tell adrien?

and then, suddenly, there's someone there to share the burden. an adult. someone who has a reputation for getting things done

so maybe, just this once, everything doesn't have to balance on marinette's shoulders alone

but it's nathalie--who, sure, adrien obviously cares about. but not someone marinette's at all close to. certainly not someone she probably thinks of as warm or parental or even very trustworthy. maybe marinette's even started to put the pieces together--if gabriel was monarch, then mayura must have been...??

those doubts seem insignificant when she actually sees nathalie

the last time marinette saw her, she was dying. and now marinette knows what gabriel wished for--at least some of it. she knows he did one good thing in the end. that he finally, to some degree, put adrien first

then another horrible truth dawns on marinette: nathalie doesn't know--of course she was aware gabriel was dying, but she still doesn't know he's dead

marinette's probably already thought up a hundred different ways she might break the news to adrien--even if she discarded them all just as quickly. she hasn't thought at all about breaking the news to nathalie

what's she supposed to say? however complicated things were in the end, gabriel was obviously someone nathalie cared about

marinette struggles to find the words, but nathalie just knows. she already suspected, because how would she be here if gabriel was as well? and now the truth's written all over marinette's face

it's not just marinette who needs that hug--though nathalie would probably never admit it, which is why it's marinette who's running to her

how many weeks has adrien been gushing to nathalie about marinette? about how she's so creative and strong and compassionate and full of love

and in that moment, nathalie understands

[onesidedradiostatic]

was gonna make a joke about this and have this be a shitpost instead but honestly may pass out soon so I'll type this seriously cause I have no energy to come up with a clever joke

it's interesting how vox's insults in stayed gone are literally just different ways of saying "you're old and outdated you're old and outdated you're old and outdated you're old and outda" tackled with a bit of "you're a coward" in there, whereas alastor's insults are not jabs at vox being new or modern tech, but rather his practices, "clout-chasing mediocre video podcast" he's saying he's a pandering, attention-seeking sellout, and he targets at vox's insecurities, questions his power, then makes fun of him for still being salty about his rejection.

I feel like it's pretty telling how vox's insults are just SO shallow, while alastor's cut deeper and more personally. while you could say, alastor may be just better at roasting than vox, I feel like it could also tell you something about alastor's hatred of vox being based on actual reason, which makes sense, he is the one who rejected the idea of being on a team with vox, the one who decided to make the decision to step away from their friendship. there were likely legitimate things about vox that alastor started to notice he didn't like.

whereas vox's hatred is extremely petty, he's still pissy over that rejection, he has no reasonable reason to hate on alastor's practices or medium. literally ALL he has is constantly repeating how tv is better and newer and how radio is worse and older, that he literally uses that SAME snap back even after alastor has his part "what a dated voice!" "you're looking at the future! he's the shit that comes before that!". he has NOTHING on alastor. if you asked him to make a list about what he hated about alastor he would probably just give you 10000 synonyms of "he's old and outdated" and be unable to come up with anything non-superficial. because the falling out on his part, from his perspective, was being rejected. and after that, BLIND RAGE. he hates alastor. he does. but he can't reasonably tell you why.