#I'm learning so much!

[robindaydream]

He's catching me up on the characters and story arcs

artfight attack of Ugly Finder (featuring Daydream) for @bananasmores

[egophiliac]

don't think I'm not still obsessing over 7-12

[somewhereincairparavel]

"jason is a knockoff watered down percy" NO hear me out, jason actually parallels annabeth immensely, sharing SO many similarities with her personality, not percy, in this essay I will-

edit: my full analysis is out now! here

[timelessbian]

actually that ao3 post about calculating kudos-to-hits ratios to decide if a fic is worth reading has me so pissed off. someone put real time and energy into something they are SHARING WITH YOU FOR FREE on a site where you can quite literally filter and search by anything you want and you're STILL trying to find a foolproof method to find stuff that's "good enough to read"???

YOU ARE NOT THE TARGET AUDIENCE FOR EVERYTHING

you don't have to like or read everything in a given fandom or tag, but you also don't have to be a cunt about it and imply that it's not worth reading. this is the kind of shit that moves people to stop creating altogether, and to see people agreeing in the tags is so disheartening. absolutely unserious behavior.

[teaboot]

Sometimes at work it's not my place to tell people the things I want to say, and I find I often go home at the end of the rougher days to stand blankly in my shower and tell myself over and over what I wish I could pass on.

This accomplishes very little, and mostly just gives me a tension headache, but through it all I think I've narrowed myself down to a few solid things I'd like to tell people the most.

You can't change people. Not permanently, not for anythig. You can support them, encourage them, love them, give them tools and opportunities and resources, but you can't make them change. They can change themselves if they want to, but they have to want to, and they have to want it for themselves, because they're the only one that's certain to be with them forever.

For better or worse, you make your own choices, and blaming bad choices on others doesn't only work to absolve you of responsibility- it also robs you of control. Because if you say you only did something because I did something, then you arent only shifting blame- you're admitting that you cannot control yourself, that you cannot truly make choices for yourself, that other people can control you- and as long as you truly beleive that, you'll keep facing the same problems over and over. You'll keep letting others dictate your choices, because you'll beleive that they can, and you'll never be free.

White knights on horseback are from fairytales. Nobody can help you if ou're not willing to help yourself. To try, to put the dirty work in, to belive you're worth that effort- Act as though nobody is coming to save you. From a struggle, from pain, from bad relationships, from yourself. And when you do save yourself, because you will, because failure here isn't an option if you want to survive, you'll never find another dragon that can keep you prisoner.

Don't say anything to anyone that you wouldn't want them remembering forever.

Doing the right thing in bad circumstances is hard. It's the hardest thing. But if you make the choice to do that hard thing anyways, despite your fear, you'll go on the rest of your like knowing that you're the sort of person who did something.

The present only seems the hardest because the past I over and the future hasn't happened.

There's so much joy ahead of you, the kind you can't possibly understand until you see it yourself.

The responsibility of consequences is often disguised as the power of permission. "I won't do this if you help me", "I'll work on my anger if you do this for me", "I promised you I'd quit, but can I have just one?". The unspoken question is, "Can it be your fault if this goes badly?"

You cant make someone love you the way you need to be loved. Someone can love you very much and still be bad for you, even if you love them very much in return. Two people can love each other very, very much, and try their very best, and still be wrong for each other.

Sometimes being near to someone changes you, even in good ways, and the people you become don't fit together as well as the people you were.

Caring takes work. Even if it's real. Especially if it's real. And the most important gestures aren't the grand, poetic, songs-and-flowers-and-tears moments; they're getting out of bed even though you don't want to. Paying attention to things you don't enjoy. Scrubbing pans, or opening a window, saying "thank-you", or helping carry groceries into the house. The small things fill the big things- without the small, boring, mediocre things, big things feel hollow.

Thrre is honour and dignity in humble work.

If you are a cruel and spiteful person, then you will find every place you visit to be full of the same cruel, spiteful people. This is not because the world is as cruel as you, but because everywhere you are, you will be disliked. This is the curse that comes with being persistently cruel and spiteful.

If you are a kind and ppsitive person, you will repeatedly encounter kind and positive people, because as they grow familiar with you, they will be happier to have you near. This is the reward of being a kind and positive person.

When splitting paths with loved ones, briefly or forever, aim for your last words to always be "I love you".

[keferon]

Two Peas in a Pod: part 7/?

I'm so sorry for the delay. I struggled...

_________________________________________

"Jazz?" Blaster calls just loud enough for his mer to hear him. Now that the initial meeting was over, he wanted to take advantage of the break. 

While understanding that the human was calling him over, Jazz was a bit hesitant that moving might start up the whole confrontation again. He glanced over to the other orca still floating a little ways away, •၊||၊၊၊ had his eyes closed and it looked like he was focused on dealing with the repercussions of his actions. His expression was twisted lightly in a restrained grimace with his right arm holding his side.  

Slowly Jazz pushed himself further away, before turning over and swimming to the pier.  

"Are you okay?" Blaster asked as he knelt at the edge. 

With an uneasy look, he shamefully admitted, "it could have gone better…" 

The chief vet speaks up before Blaster can, but not to Jazz, but into the radio. "Has anyone seen signs of reopening or blood?" 

The Vet Chief wanted to fully isolate them from you, to keep them in a transfer-crate, at least until the injuries had a low risk of reopening. 

Blaster shoots them an offended side-eye, as Jazz is literally right here. However, he pushed it aside, half listening to the radio chatter – all good from the sounds of it – and turned to what was more important. "Did he hurt ya?" 

They'll take him away. 

"I'm fine," he whispered, looking down as he placed a hand on his chest. It still stung, as the first hit was made with intent – he had gotten mad when it happened, did it show on my face, did they see it – and the rest, warning shots. "Just a bruise… it was more dizzying trying to keep away from him than anything."  

–if the team reports you showing signs of aggression, they'll… remove him. 

He hums in thought, eyes drifting momentarily as •၊||၊၊၊ disappeared from the surface. Blaster was a little nervous about that as he looked back at Jazz. "Do you think that you'll be okay, the two of you, I mean. Do you need us to separate–" 

They'll take him away. 

"No." Jazz insisted quickly, fighting to keep his voice low – behave – and shaking his head. "We should be fine now." 

Blaster knew there was more going on, seeing as Jazz was soft spoken and avoiding eye contact; an old habit of hiding himself when speaking to staff, but it would have to be a talk for later. When Jazz felt safe enough to open up. So instead, Blaster smiled and said, "Alright. But me and a few others will be keeping an eye on you both throughout the day. Just to make sure you're both comfortable as you can be. It might be a bit rocky for the first few days, but that's okay, we were expecting that." 

Jazz didn't respond, his attention had been captured by the other mer at the bottom of the pool, beneath him. He had been somewhat keeping an eye on him with his sonar, watching •၊||၊၊၊ slowly explore the tank.  

Though, Blaster was just barely able to spot the other orca from the surface, and honestly wouldn't have noticed if not for Jazz. Pressing the call button on his radio, Blaster looked to the staff, "we've passed the first hurdle, everyone. We'll move onto doing rotation monitoring. Fred and Josh, you'll remain for the first shift. Everyone else, business as usual till I get a schedule in order." 

"I've adjusted the medications and sedatives." The chief vet told Blaster, though didn't even look at him, as they were currently preoccupied sending messages on their phone. Not even a second later, Blaster's own was going off in his pocket.  

"I'll look over your recommendations after." He sneered at them, though the vet had already turned to leave.  

Then while folks celebrated the success and steadily wondered off to their main duties, Blaster's second brought up the mers breakfast from the kitchen. They set Jazz's down next to him, but held on to the other while they eyed the water with extreme caution.  

"Ah, ya, no." Blaster spoke up before they even began to wind up, holding his hands out for the food. "Give it here, we are not chucking anything at him."  

They snapped to him with wide, frightened eyes. Like Blaster hadn't been here to see the speeds that the wild mer had gone after Jazz. "You cannot be serious– you're going to attempt to pole feed him? Now–here? When they have the space to jump!?" 

"No." He said with rising irritation towards their attitude and their poor handling of the situation. "I'm going to treat him the same as Jazz."  

His second now looked flabbergasted, glancing between Jazz, him, out over the pool, and then back at him. "But–!" 

Blaster pointed at both Jazz and up at the pair watching on the viewing deck. He wasn't stupid, he wasn't being reckless, he had been taking everything into account. And honestly, if he wasn't so mad about how the wild mer had been treated – and was just about to be treated – during meals, he'd probably be shaking in anxiety right about now. With a heavy sigh, he then carefully pulled the bucket from their hands to set it with the other, "look… I'm not trying to force you to do something you don't feel comfortable with. You're welcome to leave, I'll handle the meals and hopefully by the week's end, everyone will be feeling comfortable when it's time for food." 

They took one last nervous glance at Jazz, before whispering – pointless, he could hear it clearly – "I don't think you can – or should rely on him to protect you… especially with how–"  

"You're right," Blaster said deliberately louder than a normal speaking volume, "I am responsible for my own choices and actions. Thank you, for your concern. We'll talk in more detail later." 

Thankfully taking the hint, they left.  

Then the area was silent for a moment, save for the sounds of dawn songbirds being overruled by the sound of the scavenging birds of the morning. Starting to beg or fight for bits of food across the aquarium yard. 

"They're right, you know." Jazz said weakly, still not looking at Blaster.  

There might be other staff up on the deck that oversaw his pool, but one of the perks to being outside was that voices didn't carry as far unless one was intentionally loud. So they might as well have been the only two here.  

It was just enough for words to come tumbling out, like he could talk freely once more. "I messed up, it wasn't his fault, he wants to be peaceful – I'm pretty sure, and I just… I think I ended up challenging him?" 

"Jazz, listen, they misunderstood." He leaned over and placed a hand on his shoulder. "I'm not expecting you to come to my rescue, or put yourself between me and him, or anything like that. I know very well that I may be putting myself in a potentially dangerous situation, and I'm ready to face whatever the outcome might be. But what I meant was, that with you here – just like this, with us together. You are showing him with your actions that you don’t see me as a threat. That by willing to be around me and allowing me to touch you, you’re showing trust. Jazz, buddy, you’re a far greater help than those goons posing up there." The last bit was meant to cause him to laugh, or at least smirk. 

But when Jazz still seemed like he didn't believe him, Blaster made a small gesture for Jazz to look. In turning his head to see •၊||၊၊၊, the mer was at the far end with only his head above the water and had a serious gaze fixed on Jazz.  

"It might not seem like it, even with what had just happened, but he's relying on you." He waved at the wild mer and smiled, before reaching for a bucket and held it up in offering. But •၊||၊၊၊ simply scowled further. 

"I don't think Mr. prowl-around-you-like-you're-breakfast relies on anyone." Jazz grumbles in dismay.  

Blaster chuckled and set the bucket back down, "well maybe Prowl, is waiting for you to invite him over for breakfast. He seems to hold some expectations of you." 

"Ya, he sure– wait, Prowl?" Jazz whipped his head back towards Blaster, finally looking at him again. 

"If it fits, it fits." He shrugged with an amused smile, "though, out of anyone here, it should be you that chooses a nickname for him for us to use. I don't want to keep addressing him namelessly or calling him 'the wild' one, and I don't want folks to think that us calling him 'buddy' is his name." Then he laughed as he glanced back out to the sour mer still watching them closely, "I mean, come on, does he look like a Buddy?" 

Jazz tried to stifle his laughter, "n-no." 

Good, good, Blaster was relieved to hear it. Jazz was starting to relax back into his usual self. Coming back up from the depths to the surface to breathe. "So, what will it be?" 

Jazz's smile had slowly begun to return and so did his hopeful enthusiasm, "I think Prowl is good." 

"I'll send out a notice to everyone." And be sure to tear down all those horrible sticky-note suggestions. "But I am going to still try and learn to say his name properly," Blaster then clapped the orca's shoulder before stretching, "so I hope you're ready to have the worst student ever." 

"You're going to learn Mer," Jazz asked in surprise. 

"Heh, I'm shit at learning languages, but I'd be happy if you want to share more of your world with me." He then brought them back to the next part of their day. "But first, breakfast. Want to ask Prowl to join us?" 

"I'll try." He said, before turning around. Though gave a slight pause and adjusted his stance so his side was facing Prowl. When he saw a slight shift in his expression, one that eased some tension in his brow, Jazz gave himself a mental pat on the back. Already a marked improvement.  

{You hungry, Prowler?} Jazz asked. It was sort of funny having a word he understood that could connect to the mer's name. He wasn't sure of the meaning of •၊||၊၊၊ yet, or if it had one. But prowling was something he did, so it still felt like Jazz had gained another tiny piece of who they were.  

{Yes.} He answered, rising enough that his shoulders could be clearly seen, side facing Jazz for a beat, before he slowly began to swim over. Caution or taking it easy due to discomfort, his moments caused only the smallest and softest of ripples. Like a silent hunter.  

Yet, it made Jazz’s smile shift a bit higher. Prowl is prowling.  

But for Blaster, his instincts were starting to claw up his spine, alerting him of a predator. He was forcing himself to relax and keep up his friendly smile by the time Prowl came within five feet of the pier.  

Prowl eyed him up and down as he came to a stop, then gently turned after a moment.  

"Oh, right!" Jazz abruptly speaking up in slight alarm cause Blaster to flinch – which in turn caused a moment of internal panic, because sudden movements are always a bad idea – but Jazz quickly reached up over the pier and grabbed the human by the legs – which caused Prowl to flinch, and oh-boy, was Blaster having flashbacks of close calls – twisting him so he sat with his shoulder turned towards Prowl. "Pretty sure that facing toward him is like telling him you want to challenge them."  

"R-really," Blaster asked, both trying to distract from his thundering heart and focus on the new information. 

"I think so? He kept telling me to stop doing it, before I realized what he was talking about, so it has to be some sort of an aggressive sign." They both looked back to Prowl, who seemed a little tense, but otherwise calm. {You okay, Prowler?} 

{Yes.} His voice firm and serious, but did not look at Jazz when he answered. 

"… Guess we're ready." We’re good, but he must still be uncomfortable with what happened. 

Blaster handed Jazz his bucket first, hoping it would make the next easier. But then Blaster paused, seeing a distant look in his mer's eyes. "Hey, what's wrong?" 

"Nothing." Jazz fiddled with the bucket in his hands, but Blaster was still holding onto the handle. Not that taking it would be difficult, but it didn't feel like it was worth the effort.  

"Jazz…" he pressed softly. 

And Jazz retreated, "I… I don't feel hungry." 

At least he was being honest about it.  

Blaster had hoped that taking some time to talk would have helped to improve Jazz's current mental state. And it had a little. But his guilt over the misunderstanding with Prowl and the bad history with the chief vet were likely weighing too heavily on him. And as much as Blaster wanted to take the time and work through everything with Jazz, he couldn't right now, or rather Jazz would be unwilling.  

Because Prowl was present. Even with a language barrier, Blaster didn't expect Jazz to feel comfortable having a personal conversation with him so close. But if Jazz didn't eat, then it was likely that Prowl wouldn't either. The trust was thin as it was, and hesitating too long – and not being able to explain why – would only make rebuilding trust harder. So, offering to use the holding pool and close the gate wasn't something they could do at the moment. And he hated it.  

Blaster had to do something now to help restore Jazz's confidence and stop the spiralling of whatever thoughts were holding him back.  

Good thing he was prepared for Jazz possibly becoming stressed.  

"Hang on." Blaster said, his smile impish as he pulled the bucket back to set on the pier. Though, not wanting to risk Prowl backing off from him standing, he flopped back reaching for his bag strap, barely snagging it with the tips of his fingers. But he managed and pulled himself back up with it settling in his lap. "I've brought a little somethin." 

Jazz didn't seem interested but waited none the less. Watching as Blaster pull out a huge plastic food-container – ... okay, he was slightly curious now and a little annoyed, because if he was going to tease him–  

But then Blaster shook it with the biggest grin, and as the contents clunked around softly, Jazz's whole face lit up. Because what Blaster had just offered was the equivalent of a chocolate bar. There weren't many things that Blaster brought for him in a container, but there was only one that made that sound. "Moose jerky!?" 

"Shh! Not so loud." He glanced up at the other staff, like he was doing something that would get him in trouble. But it wasn't a secret that Blaster made these treats for Jazz. And while it still pissed off the chief vet, there was nothing they could do about it.  

It had caused a site wide outrage the first time he had done it. But orcas ate moose – the orca mers more so than the animals – even if it was mostly if there just happened to be one in front of them rather than an active hunting choice. But there was enough history, and with Blaster's dietary knowledge, he had won that battle.  

He just chose to mix it up a little, rather than bring in raw meat. Not so different than some sun-dried fish really. And Blaster personally prepared it to make sure it was safe. Seasoning was just sea salt, simple, but tasty.  

Jazz was now buzzing with eager energy. "Can I share with Prowl?" 

"You’d better," Blaster laughed as he opened it and handed Jazz two strips that were almost the size of dinner plates. He could have tried to use it to mend the trust between him and the wild mer. But Blaster knew it would help Jazz foster his relationship with Prowl and that was far more important. 

The whole time Prowl had been watching them and their exchange with intense focus, trying to figure out what was going on. So, when Jazz turned to him with a huge smile and held out what looked to be a piece of thin wood, he was wary.  

{It's good!} Jazz wanted to say it was amazing, but unfortunately 'good', 'okay', 'safe' was all he currently had to work with.  

After Prowl finally gave in and moved in close enough to take the offering, Jazz laid out on the surface. Careful not to get his food wet as he happily began to bite and tear small strips off. Taking delight in the satisfying sensation of the treat ripping and savouring the flavour as he chewed the tough meat.  

Seeing how much Jazz was enjoying himself, Prowl took a tentative bite and immediately understood why. The look of surprise on his face had the other two laughing.  

{Good, yes?}  

{Yes.} Prowl then followed Jazz's lead and relaxed on the surface, enjoying the first piece of decent food since he arrived. 

Blaster chuckled at the sight of the two of them and set aside the container to dig out his own personal stash to nibble on. "I've got more for you two sea otters, but only after you finish your breakfast."  

Smoothing things over by sharing snacks always opened opportunities for bonding. Good ol' comfort food saving the day. 

_________________________________________

Idk, this one felt very clunky to me, but I must move on -lays on the floor in defeat-

I'm now trying to put together a timeline of the all interactions that you share or like on your blog. Like a countdown clock to the flood/jailbreak, hitting all the angsty and fluffy notes, I want to make sure I can include everything. Q~Q

You and so many others have been showering me in praise and encouragement I want to live up to it. ♡(╥︣﹏᷅╥᷅)♡ I love you all, thank you so much!!

Going forward there is going to more Jazz and Prowl, without Blaster, I promise. Please forgive me and my long setups, my brain struggles with keeping things short, everything I write is a 200K+ slow burn. -cries-

-GLC

Previous

OH HELL YEAH GIVE THOSE GUYS A MOOSE THEY DESERVE IT KDDKSHFV

Blaster over there is having battles on all fronts possible alsjfnfjnf

Also I'm happy they can have proper food at least sometimes~ Although I can't help but think that like. Jazz is happy because this poor moose is kind of a rare treat. Nice occasion gift you know. And then Prowl also loves the moose but in more "I was eating nothing but raw potatoes for a while and now there's a properly seasoned and cooked meal again" way. You know. Cause mers have all kinds of different foods in their cities and stuff~ While humans just go "here's your fish".

Anyway haha. The scene is so cute I love itt~

[poorly-drawn-mdzs]

MDZS Severance AU: Get me out of here.

[andsewingishalfthebattle]

Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.

Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU

[comfied-chriterature]

IT IS SO IMPORTANT TO ME THAT HYUNA, who was presumably forced to be an Idol for the alien stage and definitely suffered in her past for it, stills wants to sing for other humans even after escaping. She wants to spread music purely for music's sake, to get people hyped up and cheerful, because she loves singing and wants her audience to love singing and see it as smth fun and not just a talent the aliens abuse for sadistic entertainment. She's redefining singing despite how it's treated her and it's kinda beautiful and wholesome.

[lotus-pear]

god i love skk sm i wish gay ppl were real :(

[slfcare]

the thing is; this world needs you exactly as you are.

[yamisnuffles]

It's Crowley asking for holy water as protection and Aziraphale hearing suicide pill. It's Crowley wanting a way to fight for what they have, even if it means destroying everything around them, while Aziraphale fears Crowley will destroy himself for it. It's them both loving each other so much but being pushed apart by it all the same.

[sunnymainecoonx]

I know damn well I misunderstood the assignment but we roll, I'll understand it some day

It's killer and dust btw. If you couldn't tell. Which you probably couldn't.. forgor to say but shhh 🤫 Killers having a convo with himself..

..I kinda wanna change my url but idk to what

[tcustodisart]

Whenever I drew Connie with a single dandelion behind his ear this scene was playing in my head like wii channel music.

[poorly-drawn-mdzs]

Wrapping up the season with a redraw (Jan 2024)!

Thank you all for these last 6 months, I have loved making so many people laugh from my silly comics B*)

[bakuhatsufallinlove]

here’s the OTHER leaker translation I would explode out of existence

listen.

I know, okay?

I know everyone loves this. I know everyone lost their shit for it. But I hate it.

I will admit honestly that it is 70% abject fury over the misuse of one word. Another 20% is frustration over how the fandom reacted to the official translation with such vitriol and how the leaker fueled it with their smug comments. That final 10% amounts to what some might consider pedantic or nitpicky. But I don't care.

This translation sucks. It doesn't sound cool, it doesn't sound threatening, and the leaker's rookie mistakes ruin what makes this moment great for me.

Allow me to elaborate.

The emphasis is on the wrong part

I’ve talked about some of the pronoun differences in this line before, but did you know Katsuki also changes the particles every time?

‘Cause I sure don’t think the leaker noticed. Grammar particles are what determine the relationship between words in a sentence. They pack a lot of punch, denoting subject, object, indirect object, purpose, location, time, origin point, direction of movement, means or method—and a bunch more shit that can be hard to describe.

Word order and particles work together to direct our attention to specific parts of a sentence, emphasizing the importance of what is being said. They are some of the most difficult parts of Japanese for learners to grasp and use with the same ease that native speakers do. I’m acutely aware of this weakness, so I often pay particular attention to them. Let’s break down how each iteration shifts the meaning and emphasis of the base sentence.

First time

Chapter 322 おまえが拭えねぇもんは俺たちが拭う omae ga nuguenee mon wa oretachi ga nuguu

Katsuki uses ga with both the second person pronoun for Izuku and the first person plural pronoun for himself and Class 1-A. Ga emphasizes the word that comes directly before it, so this focuses not on the verb itself, but the persons doing the verb. Katsuki's first person plural pronoun oretachi of course means "we," but if you wanted to highlight his literal meaning, he's saying: "the things you cannot handle, me and the people with me will handle."

Second time

Chapter 323 てめーが拭えねーもんはこっちで拭う temee ga nuguenee mon wa kocchi de nuguu

Here, Katsuki retains ga for Izuku’s second person pronoun, but changes both his first person pronoun and its particle, giving us kocchi de. This shifts the implication of who is doing the act—the first time, Katsuki's "we" pronoun highlighted the classmates who accompanied him and acted with him to help save Izuku. But by the time he says this line again, a number of people outside their class have stepped forward to defend Izuku’s return to UA.

Unlike distinctly singular pronouns like ore, kocchi both refers to oneself and something greater than oneself. By switching to this, Katsuki expands that narrow “me and the people with me” into “our side,” presenting the people who support Izuku as a unified force.

You see, kocchi de subtly shifts the verb to being executed by subject(s) defined by a specific characteristic or condition.

Explanations of particle de from Mainichi Nonbiri. The heading and explanation read, "Subject: 'De' is used to denote the subject who deals with or engages in the action expressed by the predicate."

The first example uses jibun de (by oneself) to describe the conditions under which the listener is asked to execute the verb. The third uses gikai de (in the parliament or by the parliament, as a governing body representing many people) to explain the plurality and nature of the subject executing the verb.

The second example uses socchi de, which is the second person "you" version of kocchi, meaning your side. With this, you can see the purpose is to highlight division: "you did that over there on your side of things without any input from me."

Kocchi de as Katsuki uses it likewise creates "sides" by highlighting connection.

These details emphasize Izuku as the person who cannot handle these things and the relationship he has with the people supporting him, a collective Katsuki aligns himself with.

If we maintain this emphasis and the conditions in a literal way, we have: "The things you cannot handle, our side will handle for you."

Third time

Chapter 405 OFA(あいつ)に拭えねーもんはこっちで拭うってなあぁああ！！！ OFA (aitsu) ni nuguenee mon wa kocchi de nuguutte naaaa!!!

I want you to look really close at the particle ni.

Then look at the way the first word balloon ends with the particle wa.

And hear me when I say that this does not emphasize Izuku.

Ni is not a particle for emphasis. If Izuku's personal inability to handle AFO were being highlighted, Katsuki could have used には, which I talk about briefly in this post:

The combination of the two particles ni and wa are used to emphasize, compare, and contrast. This is extremely telling just on its own. Izuku is emphasizing the fact that, compared to everyone he could possibly tell, he cannot tell Katsuki this. He might be able to tell other people, but when it comes to Katsuki, he cannot. Ienai does not specify where the limitation stems from, but ni wa sure implies it.

If Katsuki wanted to disparage Izuku in comparison to himself, like "that guy obviously can't handle you, so I'll do it," he would have said something like this. He even could have slapped his own singular pronoun and ga in there (俺が拭う) to emphasize himself as an individual actor. But that's not what he did.

The particle wa tells us what the topic is. Neither Katsuki nor Izuku are the topic in any iteration of this line; they are subjects engaging with the verbs. The topic is "the things OFA (that guy) can't handle."

Now, because every other time Katsuki said this line had ga in it too, wa wasn't quite as strong as it is this third time. If ga emphasizes what comes before it, then wa emphasizes what comes after. It tells us, "this is the topic, now hold onto your seats."

Katsuki is emphasizing the predicate and the verb. What's gonna happen and how it's gonna happen.

He's saying, "our side is gonna fucking crush you."

The wa particle and the separate balloons build tension, suspense, and excitement—which the leaker instantly deflates. By front-loading Katsuki as both topic and subject ("I'm the guy"), the emphasis is no longer on the promise of destruction he will deliver on.

The emphasis is indisputably on the part after the balloon break, so the mention of Izuku ("when that nerd can't handle it all on his own") reads weirdly like an insult. Hell, most of the words the leaker uses are about Izuku's inability to handle the situation, which bloat the second half of the line and effectively kill the momentum.

Fumbling the flow of a line is a common mistake for amateur translators. Sometimes, it's hard to avoid because Japanese grammar is often the inverse of English grammar; maintaining the original order may render it awkward or even unintelligible.

But that is not the case here.

pikahlua's literal translation

There's no reason to reorder the clauses. You can spruce up the wording, but the lines are perfectly understandable and effective in this order even at their most literal.

The leaker chose to reorder the lines this way, and their translation is worse for it.

Viz Comparison

Official translation by Viz

After what I've said about particles, pacing, and emphasis, I think you can plainly see that the official translator understood these details and made his own choices to highlight them.

Any time you get text with furigana (explained here), you have to decide how to incorporate those dual pieces of information into the text. He could have translated this as "that guy couldn't keep you in the ground," but instead he prioritized the reference to OFA.

By doing this, Viz's translation avoids the implication of insult towards Izuku that the leaker falls prey to.

He also made the choice to translate kocchi as "we."

First, I’m bringing this post back around to remind people that kocchi is a pronoun of ambiguous plurality. This means that an interpretation of “we” is just as correct as an interpretation of “I.” Readers may interpret it differently, but on simply linguistic grounds, they are of equal validity. You will often see this kind of ambiguous language used in Japanese, even with characters that are forthright. The reason is one part cultural expectation that the listener will read between the lines, and one part a willingness to accept two things as simultaneously true. This exists and is frequently found in English as well, there just isn’t a direct parallel for kocchi itself.

A number of people were infuriated by this, because they felt some sort of bkdk moment was erased by Katsuki saying "we" rather than "I."

Yet it seemed like these same people were also mad one week prior when the leaker and the official translator worded Katsuki's rallying cry slightly differently.

Chapter 404. Leaker, left. Official, right.

The claim there was apparently that the official translator was ignoring Katsuki's character development.

And like, which is it, guys? Do you want him centering the collective or himself?

The fact is that the official translation's characterization of Katsuki in the final battle is internally consistent with itself, while the leaker's is all over the goddamn place. Let us never forget that the leaker was just straight up WRONG here while the official got it exactly right.

Chapter 408. Leaker, left. Official, right.

People were losing their shit that Viz made Katsuki "insult himself" and "expect failure" as though he's never used temee to refer to himself self-deprecatingly before.

And then the leaker just had to pretend that didn't happen in the next fucking chapter, while the official got to correctly reiterate their interpretation like they were taking a victory lap.

Chapter 409. Leaker, left. Official, right.

All of this makes it unbelievably rich for the leaker to go and say shit like this:

The leaker is an amateur translator. They spent ages stealing an artist's work and releasing it illegally for a profit with shoddy translations and misleading, even outright false "summaries."

Based on the nature of their translation mistakes, it is obvious to me that they are not fluent in Japanese, yet here they are bragging about their inability to understand how kocchi could mean "we."

Right before the line in question, Katsuki emphasizes himself as an individual in declaring himself to be the final boss.

Chapter 405 俺がラスボスだ AFO!! ore ga rasu bosu da AFO!!

And then, by using ってな, Katsuki is basically quoting himself.

"I said we were gonna handle what that guy couldn't, didn't I!?"

This suggests he is repeating the established meaning for emphasis, not changing it. If kocchi was plural when he said it in chapter 323, it's reasonable for it to still be plural here. Katsuki is not ignoring himself as an individual by doing this; he is rubbing it in AFO's face that neither he nor Izuku are solitary actors fighting this battle alone, they both belong to something greater than themselves.

I'm gonna step up on a soapbox for a bit.

I am kinda tired of people calling Japanese vague. I often see it used to imply Japanese is inherently hard to understand or that it doesn't have the capacity for specificity. Like any language, Japanese can be used to express specific, clear, and direct information. While it is true Japanese culture values indirectness as a way to maintain harmony, I would like to challenge the ethnocentricism I feel sometimes goes unaddressed in this topic.

Japanese is less tolerant of repetition and verbal excess than English is; information that has been established should only be repeated for a purpose. Japanese speakers expect their conversation partners to maintain awareness of context, social expectations, and specific interpersonal information to grasp the intended meaning of their words. Specificity is doled out when it is warranted or desired.

Specificity divides one thing from another, drawing lines in the sand and saying "this is this, and that is that." English often requires repetitive specificity to even be grammatically comprehensible. And while this might not be directly related, many English-speaking countries tend to have a more individualistic outlook on society than collectivist countries like Japan.

To me, "vague" often smacks of a value judgment: "there should be division here, and there isn't."

I said earlier that kocchi creates division by highlighting sides, us vs. them, but when people press on and ask, "but did he say we or I? which did he REALLY mean?" I just want to say that really? truly? he meant both. all of the above.

I think it is unproductive to think of Japanese as vague just because it doesn't exclude possibilities as often or as strongly as English does. I think it is a lot more useful and interesting to think of Japanese as expansive.

Why should there be division between Katsuki and the people fighting by his side? Why should he separate himself from the people who saved his life and risked their own in relentless pursuit of their common, heroic goal?

Why is it unacceptable to imagine an "I" belonging so sincerely and wholly to a "we" that their voices are one?

Katsuki's words reflect the fact that this fight being fought by a collective, a team.

In this context, OFA is a weapon in their arsenal, just as Katsuki himself is.

He is a force of nature, an agent of their willpower.

Chapter 404

He rode upon the winds of their prayers, ushered on by Izuku's hopes

and his own regrets,

to change the course of fate itself.

For much of the series, Katsuki is our beacon of individualism, of defiant refusal to bend to the will and expectations of others.

But Katsuki is also our image of victory. He shows us how to face our failures and change our hearts. He is our proof that rejecting others only hurts us in the end—his love for Izuku and Izuku's love for him is the story's greatest proof that as human beings, we are not better alone, we are better with each other. Other people change us, inspire us, and we do the same for them.

We need each other. We belong to each other.

It is in this final battle where Katsuki becomes his truest self, overcoming every obstacle in his path, making up for every painful regret in his heart, and utilizing every single thing in his grasp to save and win.

If Katsuki ever truly belonged to something bigger than himself, it is in this moment right here.

English divides the one from the many, and while that has its benefits, I think there is real, honest beauty to be found in a word that smooths those lines in the sand until there is no distinction at all.

That's who the fucking "we" is, rukasu.

Now onto my next gripe.

Katsuki is supposed to sound badass here

Frankly, the fan fury surrounding Viz's use of "we" completely overshadowed the fact that the phrase "One For All couldn't keep you in the ground" is fucking metal.

It rules. I'm fucking jealous I didn't write those words. It is such a good translation and it packs so much punch and I wouldn't have thought of it in a thousand years.

The official translator focuses his efforts on genre-specific tone translation, and sometimes he really nails it. I will freely admit that I find his style grating or overwrought at times, and indeed, one of his key weaknesses is that the flavor of comic-book dialogue he pulls from can sound one generation too old to be cool.

One of the most damning examples of this is him having Katsuki utter the word "bub"—

Chapter 406

—which I think no English-speaker under the age of 30 had actually heard before Deadpool & Wolverine came out.

Honestly, if you just read Wolverine comics from the 80s, 90s, and early 2000s, you can see the character archetype he leans into for Katsuki's dialogue. 405's tagged-on "—and then some!!" is straight out of American action movies.

But the main point here is that Katsuki is taunting AFO and threatening him. He blows up AFO's face, announces himself as the final boss, then vows to kick his ass to death on behalf of everyone. It's amazing.

The line sounds cool as fuck in Japanese. The "naaaa" flourish at the end is nearly untranslatable in any direct way that still captures the appeal and impact of it.

I tend to think of sentence enders like this as flavor text or tone tags. To properly convey them in English, you may have to add a bunch of words, and you have to choose them carefully.

All of this is to say, the official translation tries pretty hard to make Katsuki sound cool. Do they succeed? I think to an extent, they do.

I actually think it's possible the translator did recognize the callback, but wasn't satisfied with the effect of repeating it. You can see that "finish the job" is supposed to link Izuku's actions to theirs, while also sounding grandiose and final.

The Viz translator might've simply prioritized showcasing the cool-guy threat while maintaining the collectivist angle, rather than matching the callback word for word. I don't really think that's the best choice, but I can see why it might be made.

The leaker's translation doesn't make any real effort to up the ante. Maybe this line is cool to somebody, but it ain't me.

In fact, are we ever gonna acknowledge that the leaker's translation just scoops up most of its wording from the official release of chapters 322 and 323?

"I'm the guy who steps in when that nerd can't handle it all on his own!!"

The leaker was not responsible for these translations, but just look at how other people tried to grapple with Katsuki's metaphor.

In fact, the only person whose choice of words prophetically matched Viz was pikahlua, four days before the official release:

And even then, you can see that "step in when" is unique to Viz.

I'm not saying that similarities in translation are unacceptable or that directly referencing the official release is bad, but I do find it truly incredible they had the gall to shit-talk the official translator after cheating off his damn homework.

The leaker basically contributed six words: "I'm the guy who" and "that nerd." I personally disagree with "the guy who" as a translation addition, just because I think it too strongly isolates him in a way that using "I" and "I'm" by themselves do not, but it wouldn't have been terrible if they had also maintained the original clause order: "One For All couldn't handle you... but I'm the guy who—", something like that.

This brings us to my final gripe.

Katsuki did not say “that nerd.”

The leaker made that shit up, they inserted it for no reason and ignored the two pronouns the original text actually provides, OFA and aitsu (that guy).

In the manga, Katsuki has never called Izuku a nerd to villains, not once. It is rare for him to use it while speaking to someone other than Izuku, period. It’s an insulting pet name he uses towards Izuku or while muttering angrily to himself about Izuku.

To be clear, the narrator who uses "shitty nerd" is not Katsuki, they merely validate the accuracy of his nickname for Izuku. Yes, I just linked to my tag for the whole damn 348 chapter, because I've argued against this theory a lot, just read 'em all, it's a good time.

By my count, he only uses it once while talking to Todoroki in chapter 42 and once to Ochako in a 5-page bonus chapter for the first character guide, set shortly after chapter 65. Both take place very early in the series and both are examples of his intense grudge against Izuku.

Did you know that the last time Katsuki uses "nerd" towards Izuku directly is in chapter 320?

Who's ignoring Katsuki's character development again?

The fact is the word doesn't exist in 405's text, and there just isn't precedent for him to say it to All For One.

Trash-talk doesn’t work if your opponent has no clue what the hell you’re talking about. AFO would have no idea who “that nerd” is even supposed to be, because they were not already discussing Izuku, unlike both canon instances of Katsuki using it in conversation with others. The audibly-pronounced aitsu just means "that guy over there (physically near neither you nor me)" and you could argue that is unclear, too, but it's relatively neutral and context clues everyone in to the fact that he means Izuku, with whom he just did an explosive, flying duo move.

I think some bkdk fans were keen to see him use the tsundere insult we all love so much, but it just doesn't read right to me. Writing an insult towards Izuku into this kind of line, even an affectionate one, misdirects the aggression and fails to highlight how Katsuki makes a mockery of AFO during their fight.

I really do think it undercuts how, in his big moment of taunting the greatest villain in history, Katsuki brings up making good on a vow he made to Izuku.

And let's not forget that there is a definitive moment where Katsuki references his relationship with Izuku while taunting AFO:

Chapter 406

To roast the villain for his stupidity in misidentifying him, Katsuki loudly announces himself to be Bakugou no Kacchan.

Katsuki proudly identifies himself with the cutesy nickname his childhood friend has used for him their whole damn lives. That's a far cry from somebody who'd insult Izuku just to hype himself up.

So, no, I don't accept "that nerd." I think the leaker just added it to make their translation sound cooler, but they did so at the expense of Katsuki's character. It's tacky, cheap, and not based in any honest reading of the text.

Put the nickname in your fanworks however brings you joy. Really, go for it, I know I sure do!

But let's not pretend Katsuki said it here.

In conclusion

Katsuki's dialogue offers a unique array of challenges to translators. I would never argue that he is easy to translate, and so much of his characterization is expressed in the minutiae of what he says. Much of his dialogue contains layers of meaning, and any translator is going to have to make a call about how to interpret those layers and what to highlight.

I made this post to say my piece about a translation tons of English-speaking fans love. In the process of dissecting what frustrated me about it, I researched and studied and learned so much.

And to be honest with you, I don't know that I have a solution for this line. I thought of a ton of options:

One For All couldn't keep you in the ground... but we're here to step in and finish the job once and for all!!

I promised we'd step in when that guy couldn't handle it on his own... and I fucking meant it!!

After all, what One For All can't handle... he's got us here to handle for him!!

One For All couldn't stop you… so it's a good thing that guy's got us here to step in and finish the job!!

If the guy with One For All can't get it done alone... then we're here to take you down for him!!

Maybe One For All couldn't handle the job alone... but our side is still gonna kick your ass!!

Some of them are very fun, and each highlights a different set of priorities: collectivism, connection, coolness, intimidation, and so on.

But you could pick apart my words the same way I picked apart the leaker's and Viz's.

There will never be a one true translation. There can't be. For as many readers as there are, there are just as many interpretations to what Katsuki's words mean and what is important about them.

In every translation, you face loss—loss of information, loss of specificity, loss of ambiguity, loss of emotionality, loss of cultural meaning. Your job as a translator is to lose as little as possible, and to make sure you can stomach the things you do lose.

You also gain things in translation. New meanings, new layers, new cultural implications. By showing the audience what you see and choosing how you say it to them, you add something of yourself to the work. You can't not.

As a translator, I want to keep learning and trying and going beyond. I want to do right by the things I translate. I want to share the things I love with other people and figure out, as best I can, how to make them see what is beautiful about it.

Unlike Bakugou Katsuki, we translators can never achieve a perfect victory.

But it's always worth trying.