#I'm keeping the original in my ask box because why not

[kaiserin-erzsebet]

So, here are my long thoughts on The Last Voyage of the Demeter because I'm jetlagged and trying to keep myself awake.

I'm going to organize it from my biggest issues to my smallest nitpicks. Because I am aware that some of the things that bother me are nitpicks. Also this movie is old enough that I don't think spoilers are out of line.

Anyway, here are my thoughts:

I don't think I can fairly judge the movie as an adaptation of Dracula. This would be a short review if that was my standard, because it is a bad adaptation. There's a laundry list of reasons why, and I'll get back to one of them because I think it is indicative of how this movie fumbled the story. It takes a very loose approach to the book, and that wouldn't be entirely fair to fixate on. But I will point out where I think the book executed a theme or tone element more effectively.

I fully went into the movie ready to judge it on its own merits as a self-contained horror story. That's why I was surprised that I disliked it so much, because it doesn't hold up as a piece of horror media. I think the core issue is that the screenplay fundamentally was thinking of itself as a movie about people fighting a monster.

In that respect, it does away with something that makes the Captain's log such an effective part of the original book: The mystery.

The original section is an exercise in dramatic irony. You, as the reader, have already seen the thing making the crew vanish, because you read Jonathan's diary and know what is in the boxes (even if you were reading it for the first time and didn't have the cultural osmosis of knowing who Dracula). You know why they are in danger. The captain doesn't. He spends most of the log trying to figure out what is going on and if it is misfortune or something really on board with them. He only sees Dracula at the very end of the log, when there is little he can do except tie himself to the wheel.

The book answers the question of "why don't they make port or throw the boxes overboard?" with saying that the captain doesn't know for sure if it is actually something malicious related to the cargo. The Romanian first mate has to slowly come to the realization that he does know, because he's resisting believing in superstition. Only when the knife passes through Dracula without harming him does he panic because it's undeniable that he's facing a folklore monster.

That build up is entirely absent from The Last Voyage of the Demeter. Anna just tells them within the first half hour of the movie (she's also a very inconsistent character, but I'll get back to that), and within days the crew has literally seen Dracula multiple times. People aren't mysteriously vanishing; they've been killed pretty clearly and there are survivors with bite marks. The deck is littered with body parts at points. It makes the voiceovers about "some doom" being on the ship seem comical, because the captain has seen with his own eyes what is going on.

The only reason given for why they can't make port to deal with the issue is that they're too far away, I guess? Which is also not the case for a ship sailing that route. This isn't an open sea voyage.

While the pacing of a movie and the pacing of a show are different, The Terror did this so much better. You don't get to see the Tuunbaq clearly until quite late in the series. People just vanish or get mauled by...something. That sense of mystery is just gone in The Last Voyage. And it is disappointing because that was a huge opportunity to nail the tone.

If I had to come up with the key elements of what the Demeter section is, it would be: A Horror Story about a ship with a tragic ending.

They didn't nail the horror, but what about the other two?

There's also a puzzling lack of understanding of the dynamics on a ship throughout the movie. One glaring example is that the First Mate and Clemens make the decision to sink the ship without even asking the captain first. I know this is the merchant navy and not the navy, but that is still a galling lack of discipline. The captain is in charge and his duty is to the whole ship and the crew.

The original captain's log makes use of this. Dracula more or less kills his way up the chain of command because he's a sadist. He's forcing the commanding officers to feel more desperation as they fail in their duty to protect their crew.

The Last Voyage makes the captain a very minor character, which at least to me reveals a misunderstanding of how hierarchy works in a ship. While I don't think including new characters is necessarily bad, Clemens and Anna make most of the important decisions, and neither of them particularly have standing with the crew. It undercuts the idea of responsibility and letting people come to harm under your care (which carries through later to Lucy and Mina).

I'll return to other ways the ship setting feels incorrect later, because those are closer to nitpicks.

So, third element: is it a tragedy? Does everyone on board die by the end?

The opening scene may make you think so. But no, actually they don't. Clemens escapes and ends the movie vowing to hunt down Dracula. For one, this is where it is a bad Dracula adaptation because that simply cannot happen and maintain the plot of Dracula. Unless he was rather dense when he read about the Bloofer Lady in the paper and decided that wasn't related. But additionally, the tone of the ending radically changes. It isn't a tragedy where the last act of a brave man is to stay at the wheel, because he isn't the lone survivor left to be battered to death by either the storm or Dracula anymore. In fact most of the crew is still there for the multiple people vs Dracula fight.

This is where the tone really failed for me: the story has a winner, a hero, someone who can make it out alive. And it's the new character. That just did not sit well with me when the original is such a poignant tragedy.

The First Mate, who is the character most primed to come to a realization, hardly has an arc in The Last Voyage.

The insistence that they can fight and maybe even win also makes both Clemens and Anna incredibly inconsistent characters. She especially suffers from this, because she should in theory have the knowledge of how to repel a vampire (the villagers certainly have some idea in the book), but then she says things like "do you think I have the faintest idea how to kill him?" and in the next breath is urging the crew to kill him before he reaches London. She also says Dracula is going to London because "there is no one left in my home country to feed on" but her backstory is that she's on the ship as a deal so Drac can have a snack. So, clearly, he can get people to feed on if he wants.

Clemens is the "too smart and rational" character. But he also never thinks maybe they should expose the boxes to sunlight even after seeing people combust in sunlight after turning. It's all terribly inconsistent.

The decision to not write the story as a tragedy ends up cascading, and that's the root of the issue. They can't win and kill the monster without completely changing the story of the novel, so they are only competent to a point. It makes it a worse horror movie, even disregarding it as an adaptation.

Now for the nitpicks, including quite a few about boats that probably only I noticed:

The aesthetics are all over the place in terms of period. Clemens spends a large part of the movie (which is set in the 1890s) running around in a lace up pirate shirt. No one on this ship owns a period appropriate boat cloak. None of their shirts have remotely the right collars, giving the sense that nautical fashion was sort of vaguely consulted over the long 18th to 19th century-ish.

Please look at this and tell me that it is even remotely late 19th century:

Here's Olek from 1899 for comparison (note the correct high collar and undershirt):

The dialogue suffers from this too. More than one person uses the word "heathen" which just feels wildly out of place in something that is supposed to have rationality and superstition as the key touchpoints (at least if it wants to be like Dracula). It sounds weird coming from a time period 20 years before World War 1. Sailors especially were more likely to be vaguely Christian but mostly superstitious, not zealots using terms like "heathen."

Additional aesthetic nitpick: The ship looks way too old for the period. That is an early to mid 19th century ship sailing in the 1890s without any retrofitting. There's a throwaway line about the captain not wanting a fancy new steamship, but that doesn't account for how antique the captain's quarters are or the lack of metal on the hull. Again, the nautical aesthetics are all skewing too early. If this ship was still a Russian ship like the original, an older sailing vessel might have said something about the lag in Russian shipbuilding, it works less with an English merchant ship.

There's some functional issues about understanding sailing: The ship is way too spacious inside. Really tall men are standing up straight and walking around the hold with no trouble. That may seem like a small point, but imagine what actually exploiting the claustrophobic feeling below decks could have done for the ambiance.

The ship is definitely undercrewed given the number of masts they are showing. That many men would really struggle to reef all of the sails in a timely manner (which would matter in a storm). The writers put a crew of a small fishing vessel on a ship that is much larger and requires more hands. And it is puzzling because more people would mean: more kills and disappearances as well as giving a progression of being unable to raise and lower the sails and also keep someone at the wheel. Which, I will note, the original log does.

My first red flag about this movie was having seemingly no Slavic characters on a ship that was Russian in the original. But now that I've seen it, I'm even more annoyed that the one Russian character exists to: call a woman a slur, call a black man a slur (a rather British one imo), and then immediately be murdered on screen. Can't have nuance in how we portray Slavic people in Western media, huh?

I also get the sense that the screenwriter didn't know the difference between Romanian and Romani, because the first mate is vaguely hinted to be Romani (the kid mentions "Wojchek taught me some words in Romani") and has a Western Slavic first name, not a Romanian one. When in the book he is explicitly Romanian.

Rapid fire ways the movie gets the book wrong on a nitpicky level: Dracula doesn't get more human looking as he nears London, a vampire who prides himself on being aristocratic isn't going to drink from pigs or rats, the vampires in the book can go in sunlight but are weaker, religious artifacts are way more powerful deterrents in the book, and Clemens is way too casual about transfusions. It makes Van Helsing doing it seem less like an act of desperation. Anna gets Mina's ability to sense Dracula without putting in the effort to reverse engineer the connection.

Someone please tell me that Nosferatu is better. This was honestly very frustrating.

[arttsuka]

A while back (a little more than a year ago) I got this ask. No idea why, who or what it's trying to say. I feel like it's satire but also maybe it isn't?

I am at loss for words.

[non-un-topo]

At the crossroads between wondering if it's worth it to basically completely rewrite all my WIPs or just take a break from writing for the rest of the summer

[silcoitus]

Hello! I think I'm doing this right but if not, I'm so sorry:

What do you think Silco would do if he found out, years later/during Act 2, that a fling he had when he was alot younger and dumber, resulted in him having a Son/Gender neutral child living in Piltover?

(how this is discovered can be completely up to you)

Would the angst of them being a Piltovian(?) citizen permanently leave their relationship undefined or would he push away his hatred of Piltover and try and meet them?

Better yet, how would Jinx react to this?

Just a bit of potential angst to spice things up I guess haha.

Thank you!

Thank you for this amazing prompt, anon! It's one of my favorite ones I've ever received! Why does writing angst soothe me? It doesn't make sense.

Summer's Ghost

Masterlist | AO3 link

Rating: Mature

Tags: Silco, original female character, original child character, angst, depression, reference to character death, character study

Word count: 2.7k

Beta reader: @juniper-sunny

Silco receives a curious letter from a Piltie boy claiming to be his son. Spurred by lingering bitterness and unresolved anger, Silco visits Topside for answers and to finally speak his mind to the woman who left him so many years ago.

Dear Mr. Silco,

I'm not exactly sure how even to begin this letter, so I’ll start with the part that is most relevant to you:

I am your son.

I know, I didn't believe it at first either. But if you keep reading, I can tell you how that happened.

My mother was a brilliant woman, born and raised here in Piltover. She was the top of her class and an artist. My grandparents tell me that, in her university days, she had a bit of a rebellious streak. She ran away from home to live in the Undercity. Over the course of a summer there, she met a man. And fell in love.

You probably know more about how the rest of this story goes than me.

After that summer, my mom had a change of heart. She returned home with a new bundle in tow: me. And while she never told me, I assume she left the Undercity in order to raise me here.

But you probably don’t care about all that. You just want to know why I’m writing to you. 

Well, first off: I'm not asking for money. My mom (and grandparents) provided for me and I have a comfortable life here in Piltover. 

I don't want anything from you. Not really. I wrote because… well… My mother died recently. It's actually how I found out about you. My birth was a closely guarded secret and it was only when I was cleaning her stuff out after her death that I learned. She had a box of things from her time with you: a diary, some photographs, a bracelet. I thought you might want them.

Read the rest on AO3

Taglist: @averagecrastinator @mazikomo @writingmysanity @insult-2-injury @ariaud @jennrosefx @ins0mniac-whack @steponmesilco  @sherwood-forests @leave-me-alone-silco @givemebeansnow @aeryntheofficial @dreamyonahill @lostbunn @whatisafandom @violet-19999 @juicboxd @sageandberries-png @sirenofzaun @blissfulip @mutedwordz @fly-like-egyptian-musk @jennithejester @mrsdelirium @witheringblooddemon

Join my taglist!

[violetasteracademic]

So, considering the fact that your theories and your thoughts always make me want to jump up and down like a kid,I wanted to know your thoughts on this. I don't know if you've seen that pic in sjm's Pinterest board of a woman with a rose tatto which I believe was saved as "Elain". And we know that both Feysand and Nessian had their own bargain which makes me believe elriel will have one too,most accurately a rose tatto on both of them. And I wanted to ask you what do you think Elain and Az's bargain will be about?

First and foremost, thank you for making me *blush*

And now, ooooOOOoooh the bargain! I have thoughts!! And they are whimsical and magical and very inspired by SJM's confirmed fairy-tale retellings.

If you are not caught up on my line of thinking and predictions for the next ACOTAR book, I *think* my most comprehensive post on that can be found here. I'm very lasered in on the possible alliance between Vallahan and the High Priestesses, the Snow Queen, and reverse sleeping beauty (or Glass Coffin, the original German fairy tale sleeping beauty is based off of which is what SJM has used in the books. More on that here.)

Now, while Elain and Azriel's bargain could literally be anything, I'm less focused on what specifically it is and more on what it will do for their story and plot.

Feysand has obviously had two major bargains, and they drove the plot forward in different ways. Bargain one: a commitment for Feyre and Rhys to spend time together. This obviously dramatically moved the plot forward in ACOMAF and magically connected Rhys and Feyre, thus giving them the opportunity to get to know each other and give Feyre time away from Tamlin and out of her situation.

Bargain two, to die together. This clearly creates a tremendous amount of plot, action, and conflict for ACOSF.

Nesta and Cassian's bargain is way more simple on the surface. Training in exchange for a favor. In this case, it isn't the bargain itself that drives the plot and creates conflict, but the favor. Cassian is put in a situation where he is bound by magic and forced away from Nesta, leaving her and her friends in a little cluster to be easily kidnapped for the Blood Rite. Whereas Feysand's bargain created danger due to their unwillingness to be apart after the pain of watching each other die, Nessian's bargain created danger by pressing a thumb on the deepest wound of Nesta's struggles with pushing Cassian away.

Whatever Elain and Azriel's bargain is, I sense it will thematically play on their experiences and relationship just as Nessian and Feysand's did, but it also needs to drive the plot forward.

Because I am a big believer in the reverse Sleeping Beauty/Glass Coffin wherein Azriel is the one kidnapped or put to sleep and Elain will be the one to save him, I would love to see their bargain allow them to supersede the magic that has been keeping them apart and be the thread that allows Elain to find Azriel no matter what.

My dear friend @elainemg97 is the one who opened my eyes to the Snow Queen fairytale (click the first theory link I shared here to see why that is relevant! It is a confirmed retelling SJM has been planning since signing on the spinoffs.) It's actually so wild how relevant this is to the possibility of a reverse Sleeping Beauty.

The Snow Queen by Hans Christian Anderson is a story about a boy and a girl named Kai and Gerda. They love each other deeply, are childhood best friends and grew up together playing in their families gardens and rose boxes. Then one day Kai is taken by the Snow Queen:

The Snow Queen, for whatever reason, luring Kai to her, beckoning him through snow frosted windows and snowflakes:

Kai becomes lost to splinters of a troll mirror, which turns him cruel and evil. His kind spirit is replaced someone hateful, and he hurts Gerda deeply by insulting her and treating her poorly. The Snow Queen succeeds in securing him, and the village presumes him dead. Gerda does not believe he is dead and in setting out to beg the river for him back, she becomes unmoored and drifts into unfamiliar waters and lands.

The Snow Queen kisses Kai, and Kai forgets bout Gerda.

The sorceress wipes Gerda's memory of Kai, and she causes the rose gardens to disappear, because the sorceress knows that if Gerda sees the roses, she will remember him.

Gerda remembers Kai regardless, despite the magic keeping them apart, and her tears cause the roses to bloom once again. Gerda knows that Kai is alive and she must find him.

The story of Gerda and Kai is one of hope, resilience, and roses. Gerda does not forget the boy she was spelled to forget, and she does not believe his cruelty was his true heart. The roses help her remember, they give her hope, and she sets off on a journey to save Kai from the Snow Queen. And then there is this:

Kai is saved by power of Gerda's love when she kisses him.

I feel like the imagery of roses and blades have been so pointedly woven through Azriel and Elain's story, as well as magic keeping them apart. This is major crack theory, but I think we might discover the Snow Queen in Vallahan is a bit of a Maeve like villain. Vallahan is described as ancient and being both on Prythian's side and against Prythian's side throughout history. This gives me the sense that Vallahan has one goal: to retain power. They ally themselves wherever that best suits them, and keep their motives shrouded in mystery.

I think ACOSF revealed that Koschei wants Azriel. Whether the Snow Queen of Vallahan is working with or against Koschei, she will want him too. Perhaps it is because of his blade. Perhaps his heritage. But it is most likely that Azriel will be captured. It's possible he will be presumed dead, or behave out of character.

Elain will believe in him. She will the remember the roses, his goodness, the time they spent together in the garden just as Kai and Gerda. And despite all the magical forces keeping them apart, trying to make them to forget each other, Elain will not forget him, and she will find and free him.

I think it would be really interesting and beautiful to see Elain and Azriel's bargain be something seemingly small and unimportant, like promising to think of each other when they see a garden or a rose. Or a bargain to find each other when they are lost, no matter what. I love the idea of their bargain being the thread that leads them to each other. That helps Elain find him, instead of being the thing that puts them in danger.

Thematically, magic and bonds have been the thing keeping Azriel and Elain apart in a way that wasn't true for Feysand and Nesssian. I would love to see their bargain, their choice, be the bond that leads them to each other even when all hope seems lost.

[jiniretsleftear]

Wait, what?

My first skz story :D

Bang Chan x fem!reader

Fluff

“Wait, what?”

—————————————

You’ve been feeling sick lately, vomiting and feeling nauseous. It could’ve easily been a cold or a fever, and that’s what you originally thought.

Until you were 6 days late on your period.

Channie knows you’ve been feeling sick, and he’s tried to comfort you as much as he could. But it’s hard when he’s an idol who is preparing for their next comeback. That’s obviously okay though, you can take care of yourself. Anyway, you went to the pharmacist and grabbed a box of two tests. When you got back home, you were shaking. You were scared.

What if I am pregnant?

What if he leaves me?

What if we can’t keep it because of his job?

Or, what if I need to stop overthinking and actually open the fucking box.

You finally opened the box and took one of the tests.

Wait.

Just wait.

How much longer?

Now?

How about now?

Maybe now?

Or now?

Please be now!

Your phone timer finally went off, the alarm startling you.

Positive.

The tears immediately fell, racing down your face like it was their life mission.

No. No no no no no. Please, please be false! Youre shaky hands scrabbled to grab the other one, chugging water until your stomach felt full. Finally, you took it.

Hurry up.

Please be false

Would he want a baby?

Or would he leave me?

Or would I be forced to get rid of it or leave him because of his public image?

Or-

The alarm went off again. You stopped walking back and forth and wiped a tear, looking at the test.

Still positive.

Fuck.

Your first instinct was to call your mom, but you didn’t want to freak her out. Mind the time difference, you didn’t want to wake her, or risk her not picking up. So you just walked over to your couch and hugged your knees, sobbing rapidly as your heart rate picked up. Soon, you were hyperventilating and your head was pounding.

This went on for 20 minutes until you finally snapped out of it, wiping your tears and snot on your sleeve. The sleeve of Channies hoodie. Your boyfriend. A famous idol.

And the father of your child.

You blinked for a moment and turned on your phone, spamming the password in and opening messages.

The big nosed bitch who stole my heart✨🌹🦘

Hey

Heyy what's up??

I know you're probably working at the studio still but please come to my apartment. I need you.

Is everything okay love???

I'm heading over now.

When Chan got to your place he immediately saw you spooning jello into your mouth as if it would run away. He nearly sprinted over to you and hugged you while on the couch. “Baby are you okay? What happened? Are you sick? Are you hurt? I left Changbin in charge of recording for now, you’re my top priority,” he rambled so quickly that it made your brain think he was mad at you. So you cried. “I’m- I’m sorry!” You sobbed, covering your face with your sleeves. Chan was confused, why are you apologizing? “Hey, my love, it’s okay, I didn’t mean to sound mad. Can you take a deep breath for me?” He rubbed your back as he calmed you down. He always had a way of calming you even in the worst situations.

“You wanna tell me what’s wrong now, yeah?” He asked gently. “I’m- I’m pregnant…” you nearly mumbled. Chan was shocked and he felt like time had stopped. “Wait- what?” He asked, his brain already knowing the answer but not really processing it. “I’m pregnant,” you said, a bit louder this time. “I…how far along?” He asked hesitantly. “I don’t know, I just found out….” You checked the time, “An hour ago.”

“Woah. Uhm, alright….fuck I don’t know what to say…do you want to keep it?” Chan asked, rubbing her thigh gently. “It’s our child. I mean, I could never just get rid of it and forget about it…” you responded shakily. “Yeah…?” He questioned before speaking, “I want to keep it. Keep him or her.”

“Really…?” You asked, wiping snot away from your puffy red face. “Really,” He confirmed, “I want to keep our baby. The life we made together.”

This only made you more emotional, tears making themselves known, appearing on your face like they had a plane to catch on your chin. “Hey, it’s okay, let it out…” her said softly. When you finally calmed down, he spoke again. “Do you want to tell the others now or later?” He asked. “Now…” you responded. “Okay…well, how about we go get some food for us, then go to the studio and tell the boys, hm?”

“Okay, but let me get dressed? I look like a wreck.”

“You look gorgeous.”

Part two?

——————————————————

[sunshine-zenith]

On my daily rewatch of anw I'm thinking about how people thought Hazel and Dev should've swapped fairies because of how unfair the godparent system was and how Dev needed more experienced godparents or how Peri should've been assigned an easy case and while that may be true, I'm just thinking how that swap would have suited the kids' needs.

With Dev, yes, he was a hard case and probably should've had godparent who had more experience with children like him, but he is a child who is lacking in the parental department and needed someone to fill that role.

Same is true for Hazel. She would have been more suited for a first-time godparent, but what she needed and missed the most was her brother and who do we know who has experience with being someone's godbrother? Peri.

I'm probably just rephrasing stuff here so this probably didn't need to be said. Everything more or less worked out for everyone and eventually for others (hopefully).

Anon I have been rotating this ask around in my head since it popped up into my ask box

Confession: I and many others have thought about the similarities between Peri and Hazel, and pointed out that Dev was not a case for a beginner, but I haven’t seriously considered a full out fairy swap until now because I’m actually very fond of the Hazel-Cosmo-Wanda dynamic and the Dev-Peri tragedy dynamic

Still… yeah, you’re kinda right. Dev genuinely would’ve been better suited for experienced godparents, and he might actually benefit from Cosmo and Wanda specifically because A) there’s two of them and B) they’re very parental with their godkids. And Hazel — having Hazel, the kid who misses her brother so much it tipped over the Needs A Fairy edge, be paired up with the godparent who lost his older brother is kinda brilliant

It kinda makes me wonder about how things would be different if we got Hazel-Peri and Dev-Cosmo-Wanda…

Heads up, this gets long

The first thing I wonder about isn’t so much the dynamics, but rather who would be the protagonist? I adore Hazel as a main character, but Cosmo and Wanda are the FOP difacto mascots. They’re the ones who get the cameos and appear in the reboots/sequels. They can exist independently from Timmy/Hazel/Chloe/Viv. If they’re Dev’s fairies, then Dev would be the main POV character. And like. I love Dev, I do, but he’s an asshole. I understand why and I’m down to justify anything he does, but he’s a dick. Plus, well, he’s also super sad. It’d be very hard to make him a fun POV character, especially pre/mid-character development, at least without switching the genre from Heart Felt Comedy Aimed At Children/All Ages to something much darker and more mature. He’s a great side character/deuteragonist, but it would be a Commitment if we followed him 95% of the time

(And before anyone comes at me about Timmy also being The Worst, a lot of that was flanderization. By the time he gets that that point, let’s be real a lot of people stopped watching, and even then he at least had half a dozen I Love Yous and sweet moments with Cosmo and Wanda to make the commitment worth it to the audience.)

Hazel and Peri

So if we keep Hazel as the lead and Peri as her fairy, how’d that work, writing wise? Do we keep his introduction the same and hope the audience is fine with a Sequel Babies Series. Or (and this is just me having fun), do we hypothetically cut out the part where he Introduces Himself With His Deadname For The Audience’s Sake and just hint at him as being Poof from the original series. Then, after Founder’s Day, we introduce Cosmo and Wanda as Dev’s fairies, and the Peri Is Grown Up Poof thing is treated as a Big Reveal, a la Author Of The Journals from Gravity Falls

Now that out of the way, how do I think these dynamics would work, and how would it affect Dev and Hazel’s relationship?

Like you said, Hazel and Peri connecting over missing brothers is a great starting point, and Peri getting to be the big brother for once would be so much fun to watch. Plus, and I’ve pointed this out before, they’re both rule followers (I can totally see a gag of them bonding over Hazel’s DMV love), though Hazel is willing to play things by ear, while Peri gets majorly stressed/anxious/high strung when rule breaking is in question — in fact, that could be a fun angle to some potential conflicts. Hazel makes a wish, but she doesn’t know how to find the words for what she wants, and since Peri is so new, he doesn’t have the experience to confidently guess. He hesitates, both of them get caught in a mini Anxiety Loop, and escalating event happening in the background force them into action, and through hijinx, they both receive character development

I can also see the Antony thing leading to conflict for them — Hazel’s brother is gone, but he comes back. He visits. They reconnect. Meanwhile, Timmy’s gone gone. His memory is wiped. I can see Peri occasionally accidentally fumbling Hazel’s missing Antony with his own likely grief over Timmy. Maybe after another missed flight or phone call, Peri tries to be “supportive” in the same way he tried to cheer Dev up at his birthday, and he accidentally says something that makes Hazel not only miss her old life, but thing she’ll never have any sort of relationship with Antony again.

Or maybe Peri does handle it well until Antony comes back. Then, alongside Hazel trying to recreate the past, Peri gets overwhelmed with jealousy, like he was when Irep tried taking his place with Dev but dialed up by 10. He worries he’ll lose his first godkid AND be fumbling with reawakened grief

(Plus hey, I can actually see this scenario as a good way to justify bringing Timmy back. Maybe Hazel could even include Timmy’s memories as part of her Rule Free Wish in the finally)

Basically Hazel and Peri have so much in common that if they were the main duo, those similarities could lead to so many bonding moments AND dramatic moments where through being mirrors for each other they accidentally hurt each other and help each other to grow as people

(It makes me wonder how Peri would hide himself in Hazel’s day to day life. Peri becomes inanimate objects for Dev, sure, but he doesn’t have a consistent object he hides as. Maybe Peri could have a human disguise, pretending to be a recent college grad who moves into Hazel’s building? Or maybe he could be a “new pet rock”?)

(Also I have a lot of thoughts on C&W being disguised as pets for Timmy and neighbors for Hazel, but that’s a ramble for another day.)

Dev, Cosmo, and Wanda

So the first question is how would Dev become Cosmo and Wanda’s godkid? They weren’t actually assigned to Hazel, they basically just adopted her. Maybe, Cosmo and Wanda could still be traveling and just end up in Dimmadelphia around Founder’s Day, and through their observations, they seen Dev is going through it and come out of retirement for him. This could also lead to a Cookie situation with Dev instead of Hazel (imagine Dev pretending to be a lawyer, there would 100% be a gag of him acting as every shady lawyer stereotype you know.)

I can see Dev still lashing out at them, probably still demanding perfection for hollow wishes since he can’t get what he really wants, BUT C&W would cause mischief as they misinterpret his wishes. I can also see him acting unimpressed/impatient when they take him on little side quests to meet with fairies that specialize in the things he wishes for. He’s have to defrost to them, and they (likely especially Cosmo) would push his buttons. Dev would also probably deny having fun during these adventures. I’m sure he’d eventually come to see them the same way he saw Irep)

A potential conflict could come from the fact that a lot of Dev’s wishes are by nature spiteful/fueled by pride. Again, major Dev apologist here, we’re talking about the kid who wished for a an evil ghost to come from the depths of hell after having a fairy for less than a week. C&W would still grant his wishes, but they wouldn’t approve of him being a bully, and would probably try really hard to get him to realize the error of his ways through these wishes

It’s likely that Dev wouldn’t even get involved with the anti-fairies here. If he did, I can only see this after Dev specifically makes a wish relating to his father loving him, which C&W can’t grant, or something similar — a breakdown after a big, direct moment instead of a breakdown after months of little, indirect moments

I can also see him both clinging to them as parental figures and resenting them as misplaced anger and sadness over his neglectful dad

I can also see him seeing Peri (and maybe even Timmy) as a threat here — Peri is their son, who they adore like Dev wishes Dale adored him. And since Peri isn’t Dev’s godparent here and therefore doesn’t feel the need to look out for/do right by him, Peri would like sass him harder or treat him as an annoyance, an extension of any tension that comes up when C&W their clingy thing. In a scenario where Dev still ended up under an anti-fairy’s influence, he might even wish Peri was Nothing, or still kidnap Peri here out of misplaced resentment

Dev and Hazel

I feel like swapping fairies would also affect their relationship. Part of their comes from Dev’s jealousy over Hazel’s relationship with C&W — she has two while he only has one, she has a positive relationship with her while his “can’t do anything right” (can’t cross the red tape of Da Rules, doesn’t have the experience/comfort level to go buckwild with wishes/has parents that love him/etc). Here, that wouldn’t be a problem— Hazel wouldn’t care that Dev has two fairies instead of one, and C&W would probably have an easier time getting through Dev’s defenses. It’s possible that a lot of their fights and negative interactions just wouldn’t happen here, and if they did, it would be related to Hazel wanting Dev to be nicer to C&W/Peri.

[sirfrogsworth]

Getting my photograpy studio going seems to keep hitting roadblocks.

I really don't have the energy to type this again for you all, so I'm going to copy and paste my email to Adorama customer service...

---------------------------

Hello. I ordered two large beauty dishes.

The white and silver 28" beauty dish from Glow.

This was one of the most poorly packaged items I have ever received. It had no packing materials. No bubble wrap. No peanuts. No styrofoam. They just put the dishes in a very poorly constructed box and shipped it to me.

During shipping, the box for the white beauty dish had one entire side of the box ripped off. It is a miracle the beauty dish did not fall out of the box.

Because of all of this, the beauty dish was warped, the paint was scuffed, and the diffusion sock must have fallen out at some point during shipping.

The silver beauty dish and that box faired a little better, only having one large puncture, but the reflector plate was still damaged.

Just the process of asking for a return was long and convoluted. I was on the phone for maybe an hour and the rep asked me for pictures of every bit of damage from every angle and pictures of the box. I don't understand why I couldn't just say, "This was damaged" and then get a return authorization. That photograph of the box should have been sufficient evidence.

After submitting way too many pictures and taking up a great deal of my time and energy, I was finally given labels and told to go to the UPS store to return the items.

I searched my house for a box big enough to replace the damaged box. But I had nothing that big. So I called back again. And after a very long wait on hold, I was told to take the beauty dish to the UPS store and they would box it up for me.

I am disabled. It is very difficult for me to drive places. And it takes a long time to find transportation. So after a week, I was finally able to take the items to the UPS store. I showed them the beauty dish and told them they were to box it up as per my instructions from Adorama customer service. The item was too large and they did not stock boxes that big, so they refused to take the item.

I went home and called Adorama customer service again. I explained the box was damaged and that UPS refused to take the item.

And I think due to a language barrier, the rep was not able to understand what I was trying to communicate. I tried to explain many times that the original box was damaged beyond repair.

She put me on hold for 5 minutes. Then she came back and asked if I could just "tape up the box."

Again, the box is not able to be repaired. An entire face is missing. I cannot manifest a new side of the box from nothing. The beauty dish would fall out during shipping. I doubt UPS would even accept a box with a gaping hole in it.

She put me on hold many more times and I spent over an hour on the phone explaining the same information in different ways hoping at some point she would understand. Over and over I explained the box was damaged, I had no other box, and UPS store had no box. I was probably on hold for longer than I actually spoke to anyone.

I finally asked for a supervisor, hoping they would be able to understand me better. She came back and had one more suggestion. She told me to buy a new box, keep the receipt, and then I would be reimbursed for the cost of the box.

This felt like a ridiculous suggestion to me.

I did not damage the box. I did not use poor shipping materials. I had already spent gas money and time going to the UPS store. Now I was being asked to do more labor and go to another store to buy a new box.

Again, I am disabled. The time and energy required to get a new box is not something I am willing or able to do.

Finally she told me it would be escalated to management and I might get a refund without having to return the item.

This is only an $80 product. I should not have to spend hours and hours trying to return this item and get a refund. A refund should have been the first suggestion once the box could not be replaced by the UPS store.

This is just a very inefficient process.

What I'd like to see is better packaging for these beauty dishes. How anyone gets these items without any damage is a miracle.

I think return and refund authorizations should be much quicker. One picture of the box damage should have been plenty of evidence.

And if there is a communication issue with the customer service rep, they should transfer the call to someone else instead of making the customer repeat the same information for over an hour. I do not wish for her to be punished or reprimanded. I just want these reps to be able to say, "This call is complicated, we are having trouble communicating, and I need someone with more experience speaking English to take over." But I'm guessing they all fear if they say that, they may lose their job. It should be made clear that for these rare, complicated issues, even very good speakers of English as a second language may find communication difficult. And that asking for help is encouraged in those situations.

I will say, I am not feeling well. I was having a very bad day. I nearly collapsed earlier at the UPS store after carrying 2 large items in from my car. I got frustrated on the call and raised my voice with my rep. And I feel bad about that. I wish I had a way to apologize. I know this issue was not her fault. But I was expecting to only be on the phone for a few minutes and after an hour of talking, I was very tired and frustrated. She was very polite and doing her best. This is just a weird situation.

So, that was my experience. I am hopeful my refund will be approved and that some of my suggestions will be passed along to the appropriate people.

Thanks, Benjamin Grelle

---------------------------

I always got upset at my dad when he yelled at people on the phone. And I didn't really yell. But I definitely raised my volume and had an angry tone. But when she told me to buy a whole new box, I just could not believe someone actually told her to suggest that. I was actually angry at whoever that was I guess, but she was the one on the phone.

I was worried that this is just another sign that I am struggling with anger and it is manifesting in other places. But I think I was just at my wit's end. I had a tough morning. I went to the doctor and had to park in the very back parking lot. And just that walk raised my heart rate to 120. And I'm worried my issue is not as fixed as I hoped. But then as I talked to the doctor, I realized I stopped taking my heart rate meds for the past few weeks. I was meant to stop my thyroid meds only. But after I got double vaccinated, I felt so bad that my brain just turned to mush. And I stopped taking both of them. I literally forgot the meds existed somehow.

And then he tells me he sent a script for a lower dose of my thyroid meds because now my TSH was way too high instead of way too low. I was taking too much, but I shouldn't have stopped completely. And I got those pills about 2 weeks ago. But no one ever told me they were a new dose and that I was supposed to start taking those instead.

So my body might be pretty confused right now.

The doctor had a nurse practitioner student. And we were talking about my trouble with exercise. And I was explaining that if I do any exercise, I get sick for days. Not only that, it's the only activity I can do—no photography, no writing, no socializing. I'd just be exercising and then going to sleep and that would be my life. I can't do it. I have been trying to figure out the exercise puzzle with my condition for 20 years.

And then she was like, "Just start with cleaning your dishes after dinner."

And I started crying because I really didn't want to explain the entirety of my medical issues or how cleaning dishes was not going to offer any substantive change to my health. I was so tired and frustrated. The doctor stepped in and changed the subject. But I was pretty frazzled.

I really hope this is just me being dumb and forgetting to take my medication. I really thought this problem was solved and I don't want to go back to the drawing board. The heart doctor already said as far as he is concerned, my heart is fine and it isn't his problem.

[buubonita]

budbonita. fellow horrortale connoisseur. opinions on the horrortale game that came out this jolly holly eve,,,,,,, me personally i am very calm and relaxed (eye twitch) 🙂

Hello, Tryglybud! Its good to see you again in my ask box :3c okay lets het to the point shall we?

THERE IS SPOILERS ON THIS, so have that on mind before READING!!!

WARNING FOR child death mention, decapitation mention.

That said (rubs my little fly hands)

If there's one thing I really liked about Horrortale is that SAS takes elements from the original game and re-routes them to fit the story. The charm of Horrortale is that it's precisely an alternate timeline that you can believe will happen without problems. A neutral route that turns into the living hell of monsters.

Anyway, now to point out the little things I liked.

The dark twist of Sans' Iceezs puzzle! In the original the joke is that you can't find any of the words that are written (the fucking puzzle is not doing the puzzle if you want to pass it. It's literally doing nothing lol) but here you literally HAVE to find the words to advance. I found it funny because if you've played UT your first instinctive action is to do nothing! It's like that Papyrus puzzle and the colored tiles that you don't expect to be relevant and then it turns out that it was! Just cute, thanks SAS.

The music! the overall atmosphere is super eerie and ominous, the opening song for waterfall is simple and sounds like still water. It gives you the feeling that you're in dead ground. Like the genocidal route in waterfall and its theme, but again, SAS USES the game's foundations and directs them into their own story YYYYYY OUAGHAHA I LOVE IT! Do you think Aliza inhales the dust in the air while walking?

Goner Kid!'s dialogue is literally a reversal of what one of Gaster's followers says about living in a world where everything is exactly the same but you don't exist in it. In this case, SAS AGAIN redirects and gives new meaning to phrases and details from the game for Horrortale.

The underground would probably have been saved if Sans didn't exist, that is, if Sans had decided to die for all of them! AAAAAAAAAAAAHHH I'M REALLY SMILING LIKE A LUNATIC. I love, LOVE the importance SAS gives to the source material considering Horrortale is a timeline and not an AU! It adds another layer of depth and reinforces the plot a lot; you who played the game and knew the story and grew fond of these characters are now witnessing the suffering that YOU as a player caused in one of your games!

Onion san submerged in that pit of black water was scary, I really expected him to come out of there to kill me when I first saw him (and I wanted that to happen, for him to jump out and kill us why not? >:3). His exchange with Aliza is sweet and adorable considering how scary he managed to look at the beginning haha. Horrortale is still a sad story even though it has scary elements.

The painting on the wall of waterfall reminded me of that thing Alphys created to rip out Horror's magic eye, although the description says it seems to be from a creature. It's probably ambiguous on purpose.

Aliza's deaths are brutal. I died with River Person for the first time and I felt bad for Aliza, poor thing was stripped down to the bone! A gruesome death. The rabid Temmies! I loved that they were included, their dialogue is simple but works well and feels in character. She was decapitated, MY POOR GIRL! Devored, impaled, drowned, this girl wont stop going through the most horrorific DEATHS!

And that's another thing with Horrortale, they all feel in character just like their original versions! Sans is still a joker, only his psychosis has made him more violent, more sadistic and prone to darker humor (I'd eat Horrortale's little black humor animated shorts with fries). He also keeps the tendency to beat up children, his character is consistent and that's why he's my favorite.

There's such a thick and obvious parallel with Aliza and Horror when he says "how much do you think your life is worth?" I mean, if he's on her case maybe it's because he wasn't in her shoes for long (although Aliza doesn't wear shoes!)

And I'm not saying Killer or Dust aren't, they're also wonderful in their own way but they're maybe very different approaches, but they work (and I love them too, believe me).

My only complaint with this little game is that it's very short once you figure out all the puzzles! But I can't complain when we get more of the comic in JANUARY (my birthday month!!). I look forward to more story and seeing more characters soon. This was a little treat i will treasure with all my heart.

[blackbird-brewster]

Meta: Jemily Queerbaiting

With the huge influx of posts saying 'Jemily is gonna be canon', I really appreciated seeing this post because OP was completely correct. I didn't want to write an entire dissertation as a reply, so I'm making my own post with my personal opinion on this. (All sources are noted in footnotes)

Before I began this rant, for anyone who thinks this is anti-Jemily. It is not. I have shipped Jemily for 18 friggin years and that's never going to change. This post is specifically my thoughts about queer baiting.

First off, I need to note that the showrunners (and the cast members who use social media) KNOW what a huge queer following this show has and that's why we got pansexual Tara Lewis in S16 [1]. Which, in itself, was SOOOOOOO important!!! Our first canonically queer main in SIXTEEN seasons was a middle-aged Black woman!!! That's phenomenal. (The fact it was horrible rep, because they instantly ruined her relationships once her queerness served it's plot point is a whole other post entirely)

In my opinion, the 'big Jemily moment' Paget posted about on Twitter [2] (and AJ hinted at during a recent IG live) is simply queerbaiting to get people to watch S17. I know a lot of you are newer to the fandom and I love your enthusiasm, I really do, ship and let ship, but listen, let's be real, Jemily is not going to be made canon. The showrunners aren't going to suddenly say (after 17 seasons) 'Surprise, Jemily is endgame'. This show has never cared about queer rep and now that CBS/Paramount have already ticked their queer rep box with Tara, they won't be in any rush to add any other characters to it.

Please buckle in, I've got a lot of thoughts on this matter --

What is Queerbaiting?

If you aren't aware of what queerbaiting is, here's a good definition:

Historically, queerbaiting has carried two meanings: the first is an act of aggressive heterosexuality to shut down queer subtext on screen while still teasing and catering to the queer audience in advertising, public relations, and fan engagement strategies; the second is an existing homoerotic tension between two characters played up on screen while met with derision by the professionals behind the scenes. [3]

The Medium article quoted here is from 2017, a time when parasocial relationships were really starting to take over social media. In 2024, actors are now only a mention or tag away online, they have direct conversations with fans, and this process has allowed for an even deeper form of queerbaiting.

Oftentimes online, actors are asked directly about certain ships and while some ignore these questions (usually to avoid breaking their contracts or other repercussions), others (looking at you, Paget) choose to instead tease fans about queer ships. She's done this for years upon years and if I've learned anything in the past twenty-years of existing in fandom spaces it's this -- don't hold your breath. In it's original meaning, for something to be deemed as queerbaiting there had to be malicious, or at least, purposeful intent to string queer fans along by teasing them with suggestive content about the ship in question, while knowing this ship will never come to fruition in canon.

The thing to remember is, Paget and AJ aren't the only ones who know about Jemily shippers -- the network and showrunners are well aware of this ship too. When networks/showrunners figure out they have a strong sapphic fanbase, they love to use that to their advantage to get more viewers and higher ratings. Queerbaiting is a goldmine to keep fans watching long running shows, look at Rizzoli and Isles, Supergirl, and OUAT for examples of this.

Jemily and Queerbaiting:

Ever since Emily joined the BAU in S2 (2006), there have always been fans who ship JJ/Emily (shoutout to the old LJ forums!). Way before celebs were just a tweet away from fans, back when all our fics began with disclaimers so we wouldn't get sued by networks, we went to great lengths to keep our fanworks far removed from actors/showrunners attention.

As far as Jemily goes, this reply from Paget in a 2009 interview with TVGuide.com [4] (which has now been deleted from their site unfortunately, but there are quotes on Tumblr still [4.a]) confirmed some fans' worst fear -- the actors had found our fanworks online.

TVGuide.com: Of course, a band of fans want her to hook up with Hotch.

Brewster: I know! I didn't realize that fans make these videos on YouTube? A.J. Cook sent me a hilarious one that made it look like Prentiss and J.J. were having a secret lesbian affair. You know, when Hotch was blown up in the SUV, we shot this scene where he's in the hospital and I'm standing next to him, looking at his bleeding ear. Our director came in and said, "Paget, you're looking at Hotch like you're in love with him. It looks really weird." So now, every day, Thomas [Gibson] and I flutter our eyelids at each other.

This was the first time I recall anyone acknowledging Jemily shippers publicly and at the time (Jan 2009), the show was still in Season Four (just before CBS fired both AJ and Paget [5]). Paget genuinely said it's 'hilarious' that fans shipped JJ/Emily. Even now, I'll see people say 'We know Paget and AJ have seen Jemily fanvids, so they obviously ship it too' -- but those same people rarely acknowledge the full context of the original answer. Paget not only thought JJ/Emily were 'hilarious', but then she doubled down and turned her reply back to how she and Thomas liked to play up the chemistry between Emily/Hotch.

While no one can say for sure which video it was that AJ sent Paget, just knowing they were watching JJ/Emily fanvids sent a bit of a shockwave through the femslash side of the fandom. To some it felt like an invasion of privacy, fanworks are by fans for fans -- knowing the cast were poking around in fandom spaces added an extra layer of worry around what we fans were posting online. Fifteen years ago, it used to be quite taboo for actors to outwardly discuss shipping or other fanon for whatever show they were in, and we fans were usually comfortably removed from the actors altogether.

Of course, now it's the norm for fans and actors/showrunners to co-exist online and interact with one another. This connection has opened new ways for shows to queerbait their fans. Pretty much every show has some form of social media account now and there is no doubt that the people running those accounts keep up with the most popular ships and hashtags. Not to mention that actors are constantly barraged with questions about whether they ship their character with x,y,z, or whether they think a ship should be made canon, etc. These interactions only serve to benefit the shows themselves, because whether the conversation is for or against a certain ship, it's all just free publicity (Why do you think CM now has a TikTok account?)

Every time AJ or Paget say anything about Jemily, the queer side of the fandom loses their minds. But this has been going on for YEARS now and every single time, it turns out to be nothing but social media hype and queerbaiting. Remember this AJ post? [6] Or what about the notorious reply by Paget to a fan, where she talks about how she and AJ held hands under the table 'for the shippers' [7] I've seen this cycle over and over again, so perhaps I am cynical, but I'm not getting my hopes up that Jemily will ever seriously be canon.

It's widely known now, after both Kirsten [8] and Paget [9] have talked about it, that there was an early idea where Prentiss was supposed to be queer, but that was ultimately scraped before it ever made it on screen. For context, please remember, this show has been airing for nearly twenty years. It began in 2005, during the highly conservative Bush administration. Queer people didn't have rights in the US, we couldn't get married, we were rarely protected under discrimination laws, and we could even be fired for simply being queer (in some states). Diverse queer representation on screen was extremely limited to things like 'The L Word' and 'Queer as Folk' (both aired on Showtime, so they were behind a paywall. And as far as tLw goes, that show was extremely male-gaze focused and is horrible in nearly all regards if you try to rewatch it now). As far as prime time shows went, queer rep was even more rare. Which is why Emily wasn't queer from the get-go.

Yes, things have changed since 2006 in terms of queer rep on TV. We have a myriad of queer identities represented in TV and film nowadays, which is why I think it's so easy for newer fans to say 'lf she was supposed to be gay anyway, they should just make Emily queer in canon!' I know this is what fuels most fans' demands for Emily being confirmed queer, and I get it, I DO. I would be all for it! However, I do not, in one hundred years, actually believe that is going to happen after they already canonically queer confirmed Tara in S16. The fact we even got ONE queer character is ground-breaking for this show.

It's also worth noting, that in the time between Paget's departure in 2012 and her return in 2016, she became very active on Twitter. This was when more and more fans began asking her about Jemily and after Kirsten's AfterEllen interview, fans also pushed for Paget to address the possibility of Emily being gay. 'Pushed' is actually an understatement for some of the outright harassment she would receive. (AJ received some of this harassment too, but less so because she doesn't use social media ass often) Back then, neither of them replied to these things directly. Yet, no matter what either woman posted, the replies were full of Jemily stans begging for her acknowledgement. (Did you know 'stan' is literally a term coined for stalker fans?) I remember one time AJ's friend was missing and she posted info on her IG about it, you know what the replies were? People asking her about Jemily. It was genuinely sickening.

Within this context, it was no surprise to fans when Emily came back in S12 , she and JJ's friendship was seemingly erased. The two women were rarely on screen together in the late seasons, plus the writers saw fit to even give Emily not only one (Mark in London, but two, on-screen boyfriends for the first time in the entire series. I personally do not think these changes to Emily's character were coincidence, I saw the hellscape of what people would say to AJ and Paget online and I fully believe that upon Paget's return to the show, the showrunners purposely tried to distance JJ and Emily to dissuade the more abusive side of the fanbase.

Can I prove that, no. But it is the only reason I can think of as to why Emily S12+ seemingly didn't care about JJ anymore, despite their deep and meaningful friendship. I mean, they both CROSSED THE WORLD to go rescue each other in prior canon -- but when Emily comes back, they acted like they barely knew each other. This was even more prevalent in S16, when JJ's main storylines all revolved around Will, and Emily barely looked at JJ in the entirety of ten episodes. (Remember how Prentiss didn't even hug JJ after bomb, but she did go hug Luke?)

So, do Paget and AJ earnestly ship Jemily, or are they continuing the long tradition of queerbaiting us? Who fucking knows, not me. But based on the history of this fandom, I think I can make a safe bet. (Interestingly, if you search all of Paget's twitter for the word 'Jemily' [10] she only has 3 direct tweets mentioning the ship. I don't think it's a coincidence that two are within the past few months since they started filming S17 (the other one was a RT of Kirsten (who tagged something Jemily)

This is all to say --

Just because Paget and AJ have publicly talked about Jemily,, this doesn't mean it's ever going to happen on screen. And you know what, THAT'S OKAY!! There has been this constant outcry (after Tara became queer confirmed) of 'Do Emily next' or 'Why wasn't it Emily with a girlfriend!?' and 'Jemily needs to be canon in S17!' -- as if people believe their ships aren't worth anything unless they are canon.

That couldn't be further from the truth! Fandom is built on headcanons and fan interpretations and rare pairs and all types of shippers. Your ship does NOT need to be canon for you to enjoy it. I will ship Jemily forever, no matter what. I don't think there will be some magical queer plot in S17, at best, we might actually get to see Emily/JJ on screen together again and after the train wreck that was S16 -- I'll take whatever I can get.

And hey -- if I am completely wrong, if Erica Messer pulls a Korrasami out of her hat, I will be ecstatic. I will be happy to be proved wrong, but at the same time, I'm not going to lose sleep over it and I'm DEFINITELY not going to go hound the actors about it on social media.

Sources:

[1] 2022 Digital Spy article about the importance of Tara's coming out

[2] 04/18/24 Paget Tweet

[3] 2017 Queerbaiting article from medium.com

[4] 2009 Broken TVGuide link

[4.a] Tumblr quote from the above TVGuide Interview

[5] 2010 Kirsten interview screenrant.com

[6] 2019 AJ Instagram Post

[7] 2020 Paget video on Twitter (via @karasluthqr)

[8] 2015 Kirsten interview AfterEllen.com

[9] 2016 Paget Interview CriminalMindsFans.com

[10] @PagetPaget search 'Jemily'

[kwamiwayzz]

Jeckole Yapping

Had to dig through my old posts to find the template, but I'm bored and doing this again but for Jecka and Nicole this time. Mostly headcanons and such below

__

• When or if I started shipping it:

I'm going to be honest, but I don't remember. I only got into Co09 a few months ago. All I know is that once I watched the out of context videos on Class of '09 and Re-Up, I wanted more content of them and came across a lot of really good fanart and fanfic.

I think there were a lot of boxes checked off when I slowly went down the rabbit hole lol. There's an emotionally constipated dark-girl paired with a preppy blonde girl who acts as the former's foil. I think what really drew me into them, fanart aside, were the foils and parallels between them. The codependency, expanded upon by Progman, was probably the final nail that dragged me down the brainrot.

• My thoughts:

I've known about them for awhile, and thought they were some random white girls in a cult classic VN that somehow regained a surge of popularity last year. I didn't know the VN was relatively new, and most of the time when I do ship Jeckole, it's without the creator in mind. They have a certain flavor to them that hits in a way where I can't stop brainrotting over them.

Someone mentioned this in a fic comment, but they see them as foils when it comes to dealing with people and the world around them--where Nicole acts as this snarling animal that will bite you if you get too close, while Jecka acts as this wall that doesn't allow things to get to her even if it does bother her. In a way, they envy each other for that, and after reading that fic it reinforced why their dynamic is one that I gravitate towards compared to the others. They have pieces of each other that they're missing and they can't live without the other (I love codependent Jeckole).

• What makes me sad about them:

In-game, they probably wouldn't last after high school when they go their separate ways. As much as Nicole sees Jecka as a slightly more "special" person to her than most people at the school, their friendship is more for convenience--with Nicole finding Jecka to be more tolerable and cool compared to everyone else (along with the added bonus of not being a loner), and Jecka finding Nicole more fun to hang around with than all her other school friends despite knowing how much Nicole is a fucked up mess and bad influence. In-game Nicole is also someone who would continue to keep everyone at an arm's length and also wouldn't fight too hard (outside of the Jecka and counselor smoking scene) to maintain any meaningful relationships once they're out of her reach.

But also, who cares what the creator thinks because fanart and fanfic exists lmaoooooo.

• What makes me happy about them:

There's a scene in Flip Side where Nicole calls Jecka first thing in the morning at 7am asking her where McDonald's keeps their frozen patties, only for Jecka to say they don't have them because McD serves breakfast during those hours. Then Jecka calls Nicole stupid, and I just found that scene funny in an oddly comforting way.

Nicole is comfortable enough to bug Jecka and wake her up so early in the morning for something so mundane, while Jecka just stays on the phone listening to whatever antics she's in instead of hanging up immediately and going back to bed. I also mentioned this in another post, but someone on Twitter said the thing they love most about Jeckole is how Nicole was willing to get to know Jecka even after saying she has no desire to make any connections at her new school. It can be interpreted as a convenience thing on Nicole's end, but every route in the original game has her willing to either ask for Jecka's name or share her name when they first meet.

To me, their back and forth dynamic keeps them balanced enough to stay fucked up with the potential of becoming well-adjusted in the future.

• Things done in art/fic that annoys me:

There's a number of interpretations when it comes to the Co09 characters, so I understand it can be hard to write them. But for me personally, I'm not a fan of when Nicole is depicted as either way too nice and uncharacteristically soft or way too mean and following the stereotypical SBN interpretation that "Nicole doesn't give a shit about anyone or anything".

• Things I look for in art/fic:

When they're codependent :) or when they're codependent with a slight chance of them getting healthier over time. Also, just them being stupid together.

I'm also one of the few people (I haven't come across too many others yet) that seek out future Jeckole stuff. Whenever I picture them as adults, it's always aurawra21's art in mind.

• Who I’d be comfortable them ending up with, if not each other: 

I'm a monoshipper when it comes to Class of '09, so probably no one. It adds to that codependent flavor :) but if you want a real answer...

For Nicole, probably Emily.

For Jecka, probably Emily also.

• My happily ever after for them:

Moving out of their town, healing from their trauma, and getting healthier over time. Maybe they won't be better people exactly, but they'd at least be less fucked up and a little happier (with Nicole finding some will to keep living past 30) after cutting off their toxic families.

• What is their favorite activity?: 

Nicole forcing Jecka to watch Mythbusters and How It's Made with her (in exchange for watching Smallville and Charmed with Jecka). Also, probably smoking together, assuming that Jecka hasn't quit her smoking habit ten years later.

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 2.3

Yoko, you're hilarious. Sirens going off in her brain. “Alert! They're into childhood bedroom crush confessions territory. Redirect! Redirect!”

But also I find them so ridiculous. All the men in this. Is it just a case of men always assuming women are talking more than they are? Because I am definitely not hearing Yoko talking for John here. Or is this a rare case?

Paul’s scouse getting progressively thicker as the argument intensifies. Trying to finish his point as John's interrupting him. “But. Bot! Boot!! I do think –”Ugh it's so sexy. Sorry, anyway. 

Paul's pep talk to John is super cute, but what does he mean, exactly? “we would actually all have dug to see you kick that telephone box in.”  What is this metaphor? What does he want John to break? Or does he just mean John should act out more?

Okay but in this interview, she's definitely doing 90% of the talking even when the interviewer specifically asks just John. So if that's how they are in meetings or whatever then okay I could see that being frustrating. 

Ow. Fuck. Hate that moment.

John: another Lennon/McCartney original entitled “All I Want is You”. Paul: Allan Wanna Too . . . Al Aronovitz. John: Al Aronovitz if you'll Aronovitz. We'll both Aronovitz together. Ugh sometimes you can just hear the voices in their heads being like “no don't tell him you like his song, that's pathetic! God, you're such a loser for even thinking it.” And sometimes . . . It's this. There's no in between. 

John knows if Paul's singing “Darling” he's talking to him. Look at his expression as he's watching Paul sing “stand by me Darling, Darling.”

“Dig it” is actually insane. Paul: if you want it, you can get it. You can get it if you can dig it up. John: I can hardly keep my hands still. John: if you want it all you gotta do is ask for it. Paul: (intermittent with John, starts a crescendo of “yeah. Yeah! Yeah! YEAH!” and “want it. Want it. Want it. Want it.”) John continues: Nicely. Say pretty please and you're gonna get it. You're gonna get it alright, you're gonna get it. This time you're gonna get it good!

The looks as they're making fun of something important to him. Poor George. 

See and here's the thing. If George knows basically what happened in India (which from this quote that's what I'm deducing) then Paul knows. You know?

Okay you know the “I love you, blue” moment from Get Back? I was feeling so devastated for John that there was no response to that and someone very smart pointed out in the tags that this moment could be interpreted as Paul's coded reply which I think is a lovely idea. And seems legit especially since John responds with song lyrics. 

Paul: no that's good, that one. John: okay, tick it. Paul: I Love that one. John: thank you. Paul: I really do. John: I enjoy it too sometimes. 

Peter Jackson why didn't you include these bits in your film? Huh? Huh? Was it because it was too homosexuality for you? 

John's voice singing “you can imitate anyone you know” over teeny clips of Paul doing about fifty different impressions. It's so phenomenal. 

John's “pleeeeeheeeease” actually makes me want to cry. He's begging with everything he's got. It's like he's a baby, really truly, and it physically hurts. If I was the one he was talking to in that song, I don't know if I could survive. 

But Paul is sure. They're stuck. He can't give John what he wants. 

Yoko tries to give John a kiss and he's so harsh. “Stop it!” If my boy ever talked to me like that . . . Let's just say I wouldn't be sitting with him at work anymore. 

And then he's laying with his head in her lap, laughing madly with Paul. See what I mean? If Paul would just let John lay in his lap, I guarantee Yoko would not be there.

A coded exchange PJ left out. You can tell when they start to talk in code just by their tone. Suddenly they're a bit more even-keeled, a bit slower, clearer in their speech. Paul: achieve something every day. It may in theory sound silly, but . . . John: in practice . . . Paul: it's even sillier. But in practice, it's all there is. John: this is where it's at. Paul: this is where it's at unless that is where it's at. John: this is where it's at now. Paul: teamwork. A good defense. John: you play ball with me and I'll play ball with you. Paul: could be learning something instead of this you know. 

There's a reason Let it Be is played at funerals, folks. 

Is it just me or has Paul literally never looked uglier? Linda's a babe, though. John and Yoko both look cool and hot ASF.

Again, the song choices. “Goodbye (Paul's Version. From the Vault.)” Played over the double wedding footage? Okay. Goodbye, my love. 

[stalkyarsen-ebook]

Okayyy the idea came into my mind

Yamaxuan but in your limian swap au

Tang xuan in sd

-still workaholic but less energetic

-have tired eyes(ofc eyebag too)

-living on coffee(need him to rest?cut out his coffee supplies--)

-still friends with li ling and lewis maybe not as close as canon

Yamato maybe wealthy business man(tycoon??(and maybe more leaning on union side))

-no kokuzan ofc

I'm squeezing my smol brain to think of something for yamato more than this i just have the idea and ran straight to you lol i wanna know what you thought about this too :>

First, Yamato and Yuuhime kept their original name : Shouta and Iori.

Somehow, he achieved killing Konkuzan very early on with his own hands. He and Iori are now on the run escaping from the Syndicate (the ex-Twilight Order). Basically, all of their life they have been running and changing cities. Why ? Because not only Shouta did kill Konkuzan but he also stole the music box for his sister. All of their life they keep on changing homes and Iori grows tired of it. She ends up running into the Union and asks her brother maybe they could find refuge in their quarters. He is sceptical. He grew not to trust anything nor anyone. But, he lets the benefit of the doubt, and sure it was pretty effective against the Syndicate. But he very soon realizes that he now has to fight against the Shadow Decree. He can't. He begs his sister to leave with him but she refuses. She wants to fight to defend her freedom.

From this forward, it can go either very good or very bad. Depends if Shouta decides to fight or run away. Do you want happy ending or bad ending for him ? XD

Then again, he didn't really earned his freedom unlike his sister. I think this is enough to be considered swap.

Tang Xuan... it's hard to say. I think the only reason he'd go for the Shadow Decree would be because Tang Yun is there. But Tang Yun is running from him so what, he'll quit the Shadow Decree and run away immediatly ? And anyway, Tang Xuan whole ideology is basically being a hero. He is just and won't go to the extremes. The Shadow Decree doesn't really fit him huh.

Maybe he's a vigilante who does justice on his own (like Unas or Fatimah). He fights against the Shadow Decree without being with the Union because they are too limiting. What is his reason for fighting ? Sure justice and helping people, but mostly because the Shadow Decree is corrupt and is corrupting people.

oh gosh- I have too many ideas coming out from this aaaaaaaaaaaa-

[darcytaylor]

It is tiring, is it not, trying to be a voice of reason in a fandom hell-bent on indulging in anything but? I admire your conviction and constancy, you're a stronger soldier than I.

Day after day I log in, finding very little in the fandom that interests me. I deleted my original blog because I was getting hate in my inbox on one hand and getting blocked by certain accounts then getting shit-talked by them on the other and people telling me about it. I don't need something like that in my life, especially not about something as inconsequential as a bloody TV show. Now I just mostly observe and occasionally slide into the ask box of people like you.

I think it's important to realize that at its core, this isn't about the show or Nic or Luke at all, it's about people meeting emotional needs by latching onto a piece of comfort media. A lot of the more extreme accounts in the fandom seem to be run by people with substantial trauma who are just trying to cope with the realities of life by rejecting them. It's unfortunate that they're taking it out on real people who just happen to be actors, but my hope is that the outlandishness of the claims makes it very easy for Nic and Luke to dismiss them outright and protect their peace.

I've been protecting my peace as well by not engaging. It just... It doesn't matter that much, none of this does. It's just entertainment. One day, people will delete their blogs, Tumblr will cease to exist, and so will the Universe, eventually. Not to get all existential on you lol, but everything that's ever been created and will ever be created will fade into irreversible nothingness. Do we really want to spend the limited time we have on Earth having bad experiences, especially unnecessary ones? The answer for me is no. But if other people are choosing this distress, it's not for me to tell them not to. It is their job to protect their own peace, if they so wish. And if they don't - well, it's their life to waste.

Appreciate you and hope we get more good career news from Nic and Luke soon! Have a good one.

Well, this is a thoughtful and introspective ask. Thank you for taking the time to share this, and for your kind words. It can definitely feel exhausting sometimes, trying to keep a level head in a space that can be so volatile and toxic. (I wouldn’t call myself the voice of reason - I’m just a human trying to be a positive presence online). But messages like yours remind me why I try - because there are people out there quietly observing, navigating the chaos in their own way, and some who may find some value in what I share.

I completely understand your decision to step back and protect your peace. That’s a smart move, and honestly, a much healthier one in a lot of ways. I’m sorry you had to deal with hate and gossip - it’s so disheartening how a space meant to bring joy can spiral into something so toxic. Like I’ve said before, if you don’t like a take you come across that isn't hurting anybody, there’s no need to respond in a hateful way (I do it all of the time!). People don’t need to belittle others for thinking differently. That doesn’t create an environment where everyone can actually enjoy themselves, learn, or connect. Instead, it just breeds hostility and defensiveness. And when people feel attacked, they’re less likely to engage in meaningful ways and more likely to retaliate. It’s just a vicious cycle of negativity, and no one wins in the end.

You bring up a good point about fandoms being a way for people to meet emotional needs (I mean I guess that's one of the reasons why I'm here). It’s such a bittersweet thing. On one hand, fandoms can be this amazing space for creativity and connection, but it can also turn into an unhealthy escape for some. Like you said, when this need for comfort becomes fixated on, it can lead to harmful projections - where the lines between fantasy and reality blur, and the people involved, like Nicola and Luke, are treated as though they’re part of that escape, instead of being real individuals.

I'm sure that Nicola and Luke are able to dismiss the more extreme stuff. I imagine that as public figures, they’ve probably had the opportunity to get some training or support to help them deal with everything that comes with fame - whether it’s media training, social media strategies, or just leaning on the people around them. They should hopefully have the tools they need to manage.

It’s a bit of a comfort to think that the more outlandish claims might be easier for them to brush off though, but it’s still a shame that they even have to deal with it in the first place. It’s a good reminder for all of us to try to approach spaces like this with more care and awareness.

Your existential perspective makes sense, none of this will matter in the grand scheme of things. What does matter is how we spend our time and the experiences we choose to let into our lives.

Thank you for your kind words and for this reminder about the bigger picture. Take care of yourself, and know that your choice to protect your peace is something to be admired.

Bring on more good news from Nicola, Luke and the rest of the Bridgerton cast! ❤️

[gin-juice-tonic]

can i ask how youre able to make so many comics or if you have any tips for aspiring internet funny comic makers? your gag comics are always so creative and funny and well-executed, and your longer form stuff is just a delight to read, i would love to know if u have any advice/insight into yr process

I'm not good at advice so you will have to bear with me here. Also I'm putting it under a readmore cause images make it into a long post. The like first 3/4th of this I talk about specific comics I did, but if you scroll to the end I tried to give some general advice.

My stuff is unfortunately very inspiration-based as opposed to planning-based. So my process might not be helpful if you're looking for something structured... The first thing I should say is I write down basically anything that pops into my head ever. I have a bunch of nonsensical tumblr drafts,

I have stuff in my phones notes app,

I have pages and pages of papers and post-it notes littering my apartment (if you want to know the extent, my sister asked me how I could live with my apartment being so "messy". The only messy thing in it is my papers scattered about). I find the paper stuff the best, because I can draw instead of just writing down concepts.

This is the page I did for the comic about Stan "comforting" Dipper over his unrequited crush on Wendy. (The tumblr version being here)

You will notice aside from the order on the page being strange and some scratched out dialogue, there's not really evidence of a 'plan' here. That's because I was just drawing this as I was thinking it. You will also notice there are two random unrelated Ford drawings in the middle of the page. That's because I was drawing ANYTHING that I was thinking of.

And when I say write down anything, I do mean it. Write down something you did that week, something you remember from when you were 8, something you said out loud and laughed at, things you thought about in the shower, a fact you learned, what your friend had for dinner. See if you can apply it to something. I've mentioned before that this comic only exists because I ran out of toilet paper and went to buy a large bulk pack of it...

When I already have a base idea and just want to expand on it, I usually draw first ask questions later, and things seem to just snowball into being a story. As an example, for the comic I did about Dipper's swimsuit, the base idea was just "Dipper and Stan both wear fully covering swimwear - because they're trans and its what they're comfortable with." But when I went to look up what Dipper wore to the pool, i noticed mabel had a Star one piece suit

Dipper has a star hat in the first episode that he loses, right? SO why don't we give him a matching star one piece that he abandons.

Of course then that single drawing CREATES the story, because we have to explain how he eventually ends up in what he's wearing in the episode. And then I just draw and draw and draw until either the comic ends or I can't continue for whatever reason. The outline for the full thing usually forms while I'm drawing. If I'm worried about forgetting, I'll write down what comes next.

Some of this stuff I didn't stick to, or greatly expanded upon. It's good to be flexible with what you're doing. If something you originally intended only to be a throwaway bit inspires you, roll with it and keep going. (If it ends up being nothing, you can always discard it or turn it into something else later anyway)

I did the swimsuit one basically fully on my computer, but if you want to see another paper based one, a lot of the comic with the kid stans and crampelter I'm doing currently is down on paper.

If you can make out my writing, you can see it says "Crampelter has found out about Stan and Ford's boxing identities" at the top there, which was the general main idea of this part of the comic. This one was a lot more planned than the dipper swimsuit one. There's multiple pages of this sort of stuff, and I knew the idea I wanted was "If Ford and Stan are trans, why would they still be called those names as kids?" (So I guess the takeaway from this one is if you're wanting a structured comic, write down the main idea on the top of a page and brainstorm dialogue and drawings on it?)

There's a lot of sort of floating heads with dialogue, all that matters is I get the emotions or general idea drawn. They're important for me to draw out because being able to "see" the scene (even if I'm seeing it heavily unfinished) is what usually inspires the next bit of the comic.

And I know I talked like a lot already but some general other advice:

Draw, ask questions about what you've drawn, draw more to answer the questions, see if those new drawings ask any new questions, continue this process till you come to a satisfying resolution.

It's fine to not draw something immediately after you've thought of it. I have a lot of things I've just squirreled away for later. And in the same vein its okay to drag something old up that you've never used and try to work with it.

I almost always put on music while I'm trying to think of things. Something I feel fits the mood of what I'm doing tonally. And then I usually just put the same song on repeat, though some people im sure would feel like that is psychological torture. But its helpful to me.

This might sound silly if you're someone who leaves the house a societally normal amount, but I try to go out into the world and do things so I get new ideas and experiences I can build on. Sometimes those things are literally just "go to the park", but sometimes it's venturing out somewhere several hours away or doing an activity i'd never care to do normally... I try to take note of anything that stood out to me and write down thoughts or feelings I had during.

When it comes to trying to be "funny", you should try to make yourself laugh first. Not only because you want your comics to bring yourself joy, but also because its just hard to make stuff you don't care about (And harder to be consistent about it). Though if you think of something and you don't really think its funny, you don't have to throw it away! You might be surprised what other people end up liking. So don't kill yourself to write jokes you yourself don't really get, but if your brain spits out something on its own you dont care much for, it still may be gold to someone else.

It's okay to make comics about simple and relatable things. People love relating. And depending on what you're writing about, that relatability may be really needed!

Everyone has something of value to say. Even if you yourself don't feel like the things you're saying matter, or that they're too silly or un-serious to matter. They matter.

[girls-are-weird]

YR fanfic pet peeves (and corrections): latin america edition

so. i was originally going to post this in january as a kind of "new year, new opportunity to learn about simon's hispanic heritage" kind of a thing, but life got busy, and then my computer died and i lost my original list, so i've had to reconstruct this from memory as best as i could. there may be some stuff missing, so perhaps i'll just keep adding to this post as missing/new points come to mind.

disclaimer 1: if you've included any of the points made here on any fanfic of yours, please don't take this as a call-out. this isn't intended to shame anyone, but rather as an educational opportunity. it's very rare that a latin american nationality that is not mexican or colombian or puerto rican is showcased in an international show, especially outside of the US, and it's given me such joy to have all of you lovely folks make the effort to be open to and research and understand the idiosyncrasies of simon's (and omar's) heritage because the rest of latin america tends to go overlooked in most other fandoms. so i don't intend to scold anyone with this. we can't all know everything about every other culture-- lord knows i don't know everything about sweden, but i want to be respectful to the country and its people and that is why i heavily research anything i don't know and ask people who do know when my research doesn't quite cover it and am open to corrections when even that falls short. i expect most of you come to write about simon's family background in good faith and also want to be respectful to his family's culture, and so i thought i might make things a bit easier for you all by putting the most common errors/misunderstandings i've seen in one handy post. but once again, it's not a call-out, i don't get offended by these things, and i'm in no way implying, if you've done any of these things in fic or in life, that you are a bad person. i understand people make mistakes when they don't know things.

disclaimer 2: i am not venezuelan myself. i was born and raised in the same general region of latin america, though, and i have venezuelan friends and have worked with venezuelan people and have visited venezuela. generally speaking, i feel their culture is very similar to mine (though our spanish is much closer to spanglish than theirs is, haha xD) and feel a deep kinship with them. but of course, i'm no native, and if you're venezuelan and catch anything here that you feel is incorrect, feel free to point it out and i'll add a correction in your name.

warning: this is very long. christ almighty. DX if you can't make it to the end, tl;dr-- feel free to ask if you have any questions or if anything isn't clear. my ask box/messages are always open.

1- "mijo." this is the only one that legit has caused me to click out of several fics/chapters, at least in the beginning, but i've learned to grin and bear it by now. it's not so much that it's wrong, per se, but rather it's more of a location issue. "mijo" is, to my ears, very much a mexican (or, if you stretch it, northern triangle) slang. it IS used sparingly in other countries, but rarely used unironically. instead, if you hear the term used in the caribbean region of latin america (which my country is part of, as is a large part of venezuela), it's almost always used… let's say sarcastically. for example, if your grown-ass adult friend is being a dumbass and doing something reckless, you might call out "oiga, mijo, se va a romper el cuello" ("hey, mijo, you're going to break your neck"). basically, it's a way of calling someone immature like a child. it doesn't have to be ENTIRELY unaffectionate (kinda like the way someone might call their significant other "idiot" or "dummy" but mean it endearingly. in fact, in colombia it's way more common for spouses to call each other "mijo/a" than it is for them to call their children that), but you can also use it with complete strangers-- like if someone cuts sharply into your lane while you're driving, you might yell at them "oiga, mijo, a donde le enseñaron a manejar, en un potrero?!" ("hey, mijo, where did you learn how to drive, in a horse paddock?!"). but even in these sarcastic/neggy cases, it's rare. and EVEN RARER to hear a mother call her children "mijo" or "mija" in this region. it's just not a thing. so when i read it in fanfic, it immediately takes me out of the story because it's so weird to me that linda would sound mexican-- it's a very distinctive accent, which carmen gloria 1000000% does not have. (plus, "mijo" in spanish is a type of birdseed. so it gave me a chuckle the first few times i read it in a fic because i always have that brief second of confusion where i go "why is linda calling simon birdseed?" before it clicks. xD i'm a dork.) it's much more likely that linda would just say "hijo" or "mi hijo," instead.

1b- the way you decide on whether to use "hijo" or "mi hijo" is important because "mi hijo" can sound overly formal in the modern context especially, much like it would in english. in fact, you can use the english version of it, "son" vs "my son" to guide you on which of the two to use. like for example, if linda were to say directly to simon "i love you, my son," she would sound oddly old-timey and anachronistic, so you would just use "son" ("hijo") in that case. whereas if she's talking about simon with someone else, for example saying "i told my son to be here on time," you'd be perfectly okay to use "mi hijo" in that sentence in spanish. it's very transferable in that case.

2- speaking of non-transferable, though, you can't use "cariño" in all instances you would use "sweetheart" or "sweetie." it really depends on the grammatical construction, and it can be tricky to get it right, but it depends on whether you're using it as a direct address or as an object. for example, if you're using it in place of someone's name-- say, a mother telling her child "te quiero, cariño" ("i love you, sweetheart/sweetie") is perfectly fine, because in that case, she could also say "te quiero, hijo" ("i love you, son") or "te quiero, simon" ("i love you, simon"). but if, say, simon says to wille "you're my sweetheart," you would not use "cariño" there; you'd go instead with some syrupy way to say "boyfriend," like "eres mi novio" or "eres mi enamorado" or even "eres mi amor," and if sara tells felice "you're a sweetheart," that would also not involve "cariño" at all. in addition, "cariño" is also very rarely used in plural; if linda is using a term of endearment for both her kids, or for a group of teens her kids' age, she would use a different term of endearment altogether: "hola, mis amores" ("hi, my loves"), "hola, bebés" ("hi, babies") or "hola, mis tesoros" ("hi, my treasures") among some examples. one exception is when you say "cariños míos" ("my sweethearts"), but very rarely the plural by itself. in fact, "cariño" is often slang for gift or present, especially in the diminutive-- for example, if you go to someone's celebratory party for some occassion (birthdays, graduations, baby showers, heck even christmas), you might hand them a small gift and go "te traje un cariñito" ("i brought you a small present"), and if it's more than one gift, or you're bringing gifts for several people, then you'd say "unos cariños" or "unos cariñitos" in the plural.

3- simon's skin is tan, not tanned. this… doesn't personally bug me as much because it's more of an english grammar issue, but i know people who might actually feel very offended if you get this one wrong with respect to them. "tan" is a color; a light shade of brown. "tanned" implies the original color of your skin has darkened with the sun. now, i'm sure simon can tan (lucky goat, says she whose skin burns even while indoors), but about 95% of the time "tanned" is used in YR fanfiction, it's used as a descriptor of the color of simon's skin as we see it on the show. that would imply his skin used to be lighter at some indeterminate before-time and has been darkened by the sun. this is incorrect; that is the natural color of simon's skin. so stick to "tan skin" instead (not tan PERSON, mind you. his SKIN is tan, he is not). and i would gently suggest that if you take away any single thing from this post, make it ESPECIALLY this point, as someone more sensitive than me might interpret this error as some kind of retroactive whitewashing. and i don't want anyone here to get in trouble for simply not knowing.

4- pabellón criollo is one dish, yes, but it's four different FOODS. it's not something a newbie would be able to make off of a recipe (i don't know how to make it and i've been eating it all my life), and it's not something that's likely to be taught in just one day. also, if you're bringing it to a dinner or a potluck, you're bringing four separate food containers, not just one.

4b- also, venezuelan food, for the most part, is not particularly spicy. you CAN make it spicy if you want, but traditionally, it is not. it's flavorful, maybe even saucy depending on the dish, but rarely spicy. i know the joke of white people being unable to handle spice is funny, but there's also plenty of us hispanic people who are equally terrible at it, because there's different levels of spice in the food from different regions of latin america. besides, as a friend of mine perfectly put: we are living in the 21st century now. if you can eat mild mexican food, you should be able to handle traditional venezuelan food just fine. and i'm pretty sure there's mexican food in sweden. plus, wille would probably be more used to international food-- not only does he have the means, but having traditional meals in foreign countries is kind of part of the job.

5- while i'm at it: simon is definitely half venezuelan. this is canon as of S2. there is no other place in the world where that dish is called pabellón. please keep that in mind when you're writing and researching.

5b- this, along with several of the points above, is important because it's a bit of diaspora trauma that whenever we venture outside of latin america and people learn we're latino, they immediately assume we're mexican, or that our culture and traditions are the same as those of mexican people. it happens often, and it's incredibly annoying. not that there's anything wrong with mexico or mexican people-- they're lovely, and their traditions and culture and food are fantastic-- but we are not them, and treating us like we are is reductive. the rest of latin america can be very different and incredibly diverse, and it can be dispiriting when people treat us like we're all the same. so that is why it is important when writing about simon, his family or his venezuelan roots, that you take care to actually research things as they are in venezuela, and not just pick the low-hanging fruit of latino facts you might've learned through pop cultural osmosis, which eight times out of ten will be mexican-only because most hispanic people in the US are mexican and the US exports its media all over the world. i've learned to just roll my eyes at it by now, but some people might actually feel offended or hurt, and i'm sure nobody here intends for that to happen.

6- although simon speaks spanish, neither he nor sara nor his mother nor any aspect of his mother's culture is spanish. "spanish" is what people from spain call themselves. people from spanish-speaking latin american countries are not spanish; we are hispanic, or latino/a/e. "latinx" is… let's call it controversial, at least outside of the US. most people born and raised in latin america don't like it; i personally don't get offended if people use it, but i don't use the term myself. also, you can say "latin food" or "latin music," but we usually don't refer to PEOPLE as latin, but rather latino/a/e. if in doubt, just use latin american or hispanic. they're also conveniently gender neutral.

EDIT: @andthatisnotfake also brought up a very important point: "if you spell it latinx, it makes it harder for screen readers to read (or so I've been told) and some people depend on those, so there's another reason to avoid it." (the unpronounceability of that term is at least part of the reason why hispanic people who live in latin america don't like it.)

6b- never use "the latino/a" on its own to refer to people. "latino/a/e" is an adjective, not a noun, so you would say "the latino boy" or "the latino man" but never just "the latino." kinda like it would be weird to point out the one japanese man in a room as "the japanese." there are some nationality/ethnic terms that just don't work as nouns in english.

7- spanish is not simon's one native language-- or at least not any more than swedish is. he grew up in a mixed-race household, speaking two different languages. it's pointless to call spanish his native language when comparing it to swedish. both are his native languages. also, while we're at this, wille is probably at least bilingual (i'm assuming he can speak at least english), although he only has one native language. it's hardly a competition between the two boys as to who's more of a polyglot.

7b- simon wouldn't take classes on the spanish language-- like to learn how to SPEAK the language-- since spanish is one of his native languages. he wouldn't take them at hillerska, nor in university, nor elsewhere. he wouldn't be allowed. you're literally not allowed to take classes on your native language, nor get credit for said classes. trust me, those would've been an easy extra 24 credits for me in college if that was a thing.

EDIT: have been made aware (thanks, @rightsogetthis and @plantbasedfish!) that at least in sweden and in finland one IS allowed to take classes of your non-swedish/finnish native language, in certain circumstances. i have to say, i'd be pissed if i were taking my french classes alongside a french native speaker, but hey, the system's the system, i guess. ;) so i've struck this one out.

8- dear god please don't use google translate for your spanish translations. listen, i'm not judging-- i do it with other languages, too, when i'm in a pinch. but google translate is literally The Worst (tm) so i always try to either check with someone, or stick to the stuff i already know is correct. seriously, you don't want to know the kinds of crazy stuff GT can spit out that people actually put out in the real world; some of them are quite hilarious. if you're unsure, my ask box/messages are always open and i looooove helping people with this kind of thing, hispanic language and cultural stuff. i know it seems like i'm hardly around, but i do check my messages. don't be shy, even if it's something really small.

PS: while i'm talking pet peeves, malin is wille's bodyguard, not his butler. she's nice enough to attend to him at hillerska because there's no other palace staff around and she's literally stationed outside his door, but she wouldn't do that in the actual palace. there's other staff for that. she wouldn't even guard him at the palace, i don't think, because the royal palaces in sweden are guarded by the royal guard, not SÄPO. if anything, malin might spend the time while wille is in the palace grounds at a gatehouse (like in YR 2x03 and onwards) or at some kind of security office in the palace, and then get called whenever wille needs to go anywhere. she wouldn't be giving wille messages from the queen or walking guests to wille's room or anything like that. that's not her job. (sorry, i had to get that off my chest, lol.)