#I'm just gonna throw in any

[benevolenterrancy]

Mobei-Jun getting abandoned in the human realm by his favourite uncle and being left alone and terrified?? baby???? gonna lie awake thinking about him and Shang Qinghua meeting as children

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[fiery-emblems]

"I wonder if Ike would like this snack?"

[sugarcoateddepression]

back from dead but apparently dying again

me trying to figure out a... thing

[ravensofcedar]

They're, uh, cuddling... Let's see if I can get away with that.

This could probably use some more work, but I'm so tired of looking at it ;^; I've been working on it for way too long, so here ya go!

Have some König, Ghost and Soap enjoying some alone time together!

Open it in another tab to really see all the details!

[bluebobatea]

if sasuke was the main character then he probably would've been a LOT more sympathised with than he is now (which is to say rarely). like the narrative wouldn't even need to change to show his pains or 'his side of the story', bc it does that plenty. it's just that he is not the main character. and idk what it is about our human minds but we tend to sympathise with main characters automatically (unless ofc you go off the rockers insane and do something like obliterate almost everyone from the planet *cough* eren yeager *cough*)

an instance that comes to my mind where this does happen is with lelouch from code geass. while i don't agree with his character motivations, people generally do sympathise with him as he is the mc and as viewers we know he isn't inherently evil. sasuke's goal towards the end is slightly similar but ofc people love to hate him so they don't even try to understand where he is coming from.

my point is, most people while engaging with the naruto story don't read between the lines and so don't see how traumatised and in pain sasuke is and hence don't understand his character motivations. heck, they don't understand a single bit about him and so they automatically hate him, as he is supposedly going against the main character's goals.

which is really sad given all that he has been through.

[the-way-astray]

i think my problem with the point five books thing is not the books themselves, so much as it is the marketing and way they're presented.

for those that aren't aware: point five books have a generally understood meaning/connotation that authors and fans both sort of know. it's basically code for "book that is not mandatory to understand the story, but it's there for fans that want extra content". usually this comes in the form of short story collections or whatever else the author may want to do. sometimes it's just a single short story. for example, a proper way for kotlc to utilize point five books would be to for instance, make a book 7.5, which has keefe and fitz's flashback short stories in it. extra bonus content from flashback (book seven), but you don't have to read it to understand the main story itself. you'll be okay without it. that is what a point five book actually means, as far as the wider literary world is concerned.

but books 8.5 and 9.5 in this series are not extra bonus content. you very much do have to read them to understand the main story. if you read it book eight, then nine, then ten, you will be lost or miss important stuff that's crucial to understanding the story.

just call it book nine. just call it book eleven. all this will do is label the books properly and not confuse people. and people will be confused. we aren't seeing the effects yet, because books are still coming out and everyone in the fandom keeps up with shannon's updates, so we all know what's up. but trust me, in a few years, after the series is over and new people get into it, they will be confused. they will skip straight over book 8.5 or 9.5 unknowingly, and it won't be good.

my theory is that someone on shannon's team wants to make this series seem shorter than it really is. because that is the only logical explanation here. you could describe this series as having "nine and a half books" now, instead of ten, and by the way the series is officially marked, that's not incorrect. but it is. this series has ten books. because there are ten mandatory books that you have to read that are out right now. stop calling books that aren't supposed to be called point five books as point five books!!!! this isn't quirky, it's just going to throw people off.

this is super, super confusing for people that aren't "in the know" with this series, so to speak, and there will be people that read this series incorrectly because of this. i have been a casual fantasy series reader for pretty much my entire existence on this planet, and let me just tell you, this is not how this works. at all. if i didn't know books 8.5 and 9.5 were mandatory, i would skip over them completely, going on my understood knowledge of how these epic fantasies are generally structured.

just market them correctly. praying to the heavens for shannon's team to stop. this is actively hurting your readers!!!!

*i assume it isn't shannon herself who is coming up with this strategy

[fisheito]

here's your accursed tier ranking

17

sex yakumos that i had to meticulously screenshot and edit into slottable little squares

4

times i redid this list (over the course of several days)

The tiers (in words):

😔👌: Unfortunately, I Am Into That Shit (☆•̀‿•́): i quite enjoy these 🤔( ͡ಠ_ಠ)🔎: some parts i like, some parts i don't ¯\_(ツ)_/¯: ehh i'd rather watch something else

i COULD rearrange these rooms over and over and over (especially the middle tiers)

but we are nOt GOing to because if i spend ANY MORE TIME sliding yaku's horny squares around i'm goign to fmkkin lose it (it being my peanuts) I could end up rambling about specific rooms at a later date..... but not today. Today we will Restrain Ourselves.

So for now, here's 1 thing about each room that i like (same order as above)!!

Crimson Phantom R5: i can be uyuor devil

Dark Nova R2: THE FOFKIN COLLAR

Ocean Breeze R2: the way he tries to keep his voice down thru his pathetic little whimpers

Fateful Aegis R2: ENSLUTTIFICATION BEGINS **NOW**

Story H scene: ok.,, but he actually stopped. when eiden said slow down. tha't's unheard of in typical yaois

Cocoa Liqueuer R5: eiden purposely chooses the wrong dialogue option at every prompt and i'm laughing so sahgrd

Cocoa Liqueuer R2: yaku's stupid blissed out face *grips my glass so hard it shatters*

Shadow Lineage R5: *adds Snake Bondage [Quantity: 999] to cart*

Incognito Cafe R5: HOLY SHIT HE OBTAINED DICK RESTRAINT

Dark Nova R5: SNAKE TRAITS SNAKE TRAITS MONSTER TRAITS LET'S GOOOOOOOOOOOOOOOOOOOOOOOOOOO

SR R5: something about those big doe eyes staring up at eiden while pounding into him

Shadow Lineage R2: yeah sure crush me against a wall

Ocean Breeze R5: the ECHO 🤣

Fateful Aegis R5: eiden predicting yaku's AssPoundXXXL initiation sequence with the foreboding "i'm sorry"

OG SSR R2:

Crimson Phantom R2: b. bite.

OG SSR R5: eiden worrying about getting yaku's ceremonial robes dirty and yaku's response is an instant I Don't Care 😳 (tbhypothetical if i were wearing an intricate cosplay that i spent foREVER on, all handstitched and made of expensive silks and crafted by my own labour,, and i was about to fuck someone against a wall? I am DEFINITELY taking that thing off. NO ONE is getting cum on that. you will sit there in horny silence while i safely store this garment out of range of the Splash Zone. so for yakumo to have no regard for his FANCY CEREMONIAL OUTFIT? to IMMEDIATELY focus on sloppy makeouts with eiden? that either speaks to his textiles skill or all-consuming horny.)

~~~ and if, for some reason, u want to know why the lowest 3 are , well, the lowest 3:

OG SSR R2: the room itself is aight, but it is unfortunately a near copy of the story H scene. Ahhh, death by comparison. This one gets shrugged to the side simply because i like more things about its twin.

Crimson Phantom R2: yaku is not having a good time, y'all. he is not in the right headspace and his evident suffering is a boner killer. if i were ranking based on character development and lore, this one would rank higher (thank you, surprise tragic stories about yakumo's childhood), but. he's kinda fighting a losing battle against his self-hatred so can eiden give him that hug pls

OH!! and no lie-- his voice unsettled me here. i know he's playing big into the roleplay thing but that Uncharacteristic Vocal Behaviour mixed with Big Sad spiralling is uhhhhhhh . so where's that Eiden hug??????

OG SSR R5: i unlocked this waaay late so it had to (unfairly) compete against newer rooms that I unlocked before it.

it's similar to when I played FF/X-2 before trying FF/VII (original PS version)?! i wish i had played the older one when it first released. that way, i would have appreciated it properly? BUT!! because i played out of order, i was spoilt with modern graphics and improvements that made the old game impossible to finish. I was too warped by then...

and that's what happened with this room. although i liked the concept + their dialogue, the art was too off-model for me to fully engage. i kept fixating on the anatomy or eiden's face. sigh... it was one of the earliest rooms so of course the art's improved since then!! but i was unlucky and watched it too late :( i could not enjoy its full splendour :(

[rayday-mayday]

I just found out that I ( most likely ) have an allergy for grapes, which I think is gonna be really kinda funny if an anti tells me they wish I'll be "graped."

[valenfield-inspo]

🥺

😭

Was going through re5 and just look at this man! His eyes at first seeing Jill unmasked! I mean I know I have reblogged posts of Chris being glassy eyed in this game before but ugh it never gets old!

[cowardlycowboys]

someone who is definitely done crying over possibly losing their 5 year old best friend

[dayabot]

character/ship playlists are truly a lost art it's very tragic

[hooked-on-elvis]

"That's All Right" 70th anniversary limited-edition collector's vinyl single (2024)

Elvis' legendary recording session on July 5, 1954, at Sun Studio. Only 1954 copies of this Graceland exclusive collectible 10" vinyl single were to be released, but... its already SOLD OUT. 😭

[yoonmiina]

♡ 𝐖𝐇𝐀𝐓'𝐒 𝐈𝐍 𝐇𝐄𝐑 𝐁𝐀𝐆 𝐏𝐈𝐂𝐍𝐈𝐂 𝐁𝐀𝐒𝐊𝐄𝐓 ⸻ amrak grocery store edition.

it wouldn't be typical to find her having a picnic. she doesn't like bugs and the sensory feeling of grass isn't one of her favorite ( though you could argue she definitely needs to touch some ) but if you do manage to convince her to get out of her comfort zone consider yourself lucky! she won't do that for anyone that she doesn't consider special... her choices are quite unimpressive but she considers them essential:

some sort of sandwich situation, doesn't need to be fancy. make it ham, cheese, lettuce, tomato, cucumber and some tasty little spread. could even be a packaged pre - made as long as it's good.

any fruity / citrus drink, plenty cold. bonus points if it's boozy because honestly who cares about daytime drinking?

fruit? surprising, i know... but might as well just try and do something healthy at least. watermelon is her favorite but she could also do with some strawberries, even pineapple.

[blue-jacket-blues]

Event Horizon is a very good movie but that is not the point of this post right now. Extremely long post about speculative clone biology and what might have happened to Gabriel had Hux and the Entity not intervened under the cut

Over its many years of operation, Huxlee Industries has refined its narrative-building techniques to create increasingly detailed and intricate false memories for its cloned subjects. Where appropriate, the lab technicians responsible for programming the clones' narrative memories will manufacture fictional romantic relationships as well as familial ones. The decision to add prior romantic partners to a clone's falsified memories must be handled carefully - Huxlee's narrative builders have to program their clone subjects with enough memories to create the illusion of a full life lived, but this narrative cannot be TOO detailed, or the clone may experience psychological instability from a perceived loss of connection to their fictional loved ones. Romantic entanglements are typically only programmed in when it is deemed necessary to offset a potential personality flaw in the subject. A clone manufactured to express bold, adventurous behavior is an asset to any colonization mission, but these traits could just as easily spell disaster if that clone decides to go rogue and flee into the alien wilds. Programming their memories to include a girlfriend waiting up for them back home on Earth, however, encourages them to stick with the mission. They have someone to get home to, after all. Or at least they think that they do.

All non-settler-population clone lineage formulas are manufactured to produce sterile clones, since any unplanned clone pregnancies would result in lower mission productivity and potential profit loss. Clones with uteri and ovaries still undergo a menstrual cycle every month to maintain the subject's internal narrative and psychological stability. Clones with testes produce nonviable sperm. [Data gathered by top Huxlee Industries scientists indicates that the average volume of clone ejaculate is slightly higher than those of non-clones (5-7mL for clones compared to 1.5-5mL for non-clones). It is unclear why this is but they have their top scientists working on unraveling this crucial mystery.] This, however, doesn't mean that clone pregnancies are impossible. Life finds a way. More specifically, Huxlee can't completely prevent random mutations from happening that reverse or weaken the sterilization process, although this phenomenon is extremely rare. It is highly unlikely that any fetus conceived by clone parents would survive to full term, and even less likely that this hypothetical child would survive for more than a few days to a month after birth. Huxlee's clone gene pool is very carefully monitored and "pruned" when it is deemed necessary to maintain "batch" purity, and clone pregnancies carry an extremely high risk of fatal birth defects. To try and further mitigate the risk of clone/clone sexual activity and potential pregnancies, Huxlee will often incorporate libido-lowering pharmaceuticals into the clones' nutrient paste.

Clones are, by default, programmed to be heterosexual and cisgender. This, thankfully, is an easier condition to reverse than the laboratory-mandated sterilization process. Same-sex clone relationships are not necessarily discouraged, as there is no associated pregnancy risk with such a coupling (which is Huxlee's primary concern when it comes to clone team interaction), though clone romantic entanglements of any kind are generally discouraged and are minimized wherever possible.

Gabriel was not the first clone to experience doubts about his identity, but he is the first clone to actually discover the truth and live to tell the tale. Dmitri was the only person aboard the Caracas III with knowledge of the cloning program and was fully aware that Gabriel (and the remaining eight crewmen) were clones. However, Huxlee constructed Dmitri's personal narrative in such a way that he firmly believed he was the only non-clone aboard the ship and had been sent on the mission to monitor the clone labor force. His orders were to maintain the subjects' personal narratives at all costs. Firstly by verbal deception, using the mandatory psychological evaluation periods to assess each crew member for signs of "narrative instability". Internally, this was referred to as "Stage I Redirection". If the crew member still displayed signs of instability after repeated verbal redirection, Dmitri was authorized to administer hypospray as necessary ("Stage II Redirection"). Had Hux not massacred the crew when he did, Gabriel would have been subjected to Stage III Redirection - termination. Stage III was a true last resort, but was deemed necessary to prevent the subject's instability from impacting the other crew members or adversely affecting the mission. After obtaining Stage III authorization from the Huxlee project manager responsible for reviewing the Dvarka mission's progress, Dmitri would have been given access to the manufacturing formula for a last-resort secret pharmaceutical - a single dose of Aldicide, a colorless, odorless, tasteless, and virtually untraceable method of euthanasia. Dmitri's orders were to mix the Aldicide into Gabriel's evening nutrient paste ration and quietly monitor the events to come. Death by Aldicide is peaceful, for the most part. Aldicide poisoning begins with a sudden wave of fatigue, which would have been easily explained away as general end-of-day tiredness, and a creeping sensation of coldness in the fingers and toes as blood circulation begins to slow. The victim typically falls asleep about 30 - 45 minutes after ingestion. Death follows sleep as the body slowly slips into a state of paralysis. Function is first lost in the limbs, graduating to major organ failure as the Aldicide takes hold. Death by cardiac arrest occurs approximately 1.5 - 2 hours after ingestion. This may seem like a prolonged and cruel method of euthanasia, but Huxlee designed Aldicide poisoning to take place across this timeframe on purpose. The intention was to deliver as painless of a death as possible, both to ensure that the victim did not panic and harm other crewmen or company property on their way out and to reduce crew suspicion. A sudden death raises questions; dying in your sleep under some sort of freak accidental circumstances is far less suspicious. Had Dmitri received authorization for Stage III Redirection, Gabe would have had time to say his good-nights to the rest of the crew before turning in early and, from everyone else's perspective, would have died peacefully in his sleep. Ironically, Hux saved Gabe's life by going on his little rampage. Dmitri had been communicating with Huxlee in secret throughout the final few weeks of the Dvarka mission, trying to find a solution to Gabriel's instability that didn't involve drugging him into oblivion with hypospray or dosing him with Aldicide. Shortly before Hux cut the power to the Caracas III's life support systems, Dmitri received Stage III Redirection authorization from Huxlee's project management board. Gabriel would have been killed the following night. Following all company procedures related to the handling of human remains, his body would have been incinerated aboard the Caracas III.

[sudokuplayer]

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