#I'm into this fandom real bad

[abbeyofcyn]

Regardless of how much attention they got, what are three things you've written or drawn that you're most proud of?

I thought about this one for a looooong time...

Because it's difficult to answer. I can be proud of art, but that feeling can leave quickly too. Or sometimes I look at my very old art and think 'woa not bad, past me'

I'll keep it at my turtle art because otherwise I will have to really search through my archives lol, and it's mostly more darker art and my ocs.

I'm pretty proud of my animations. They're not anything great yet, but every new one I make is a step towards getting better. I just have to learn to be more daring and patient.

I haven't posted this one I believe, but these were (I believe) the first turtle drawings I made. (Of course angsty stuff lol) I'm proud in the sense that I decided to take that step and draw fanart which I've avoided for sooooo long. It never brought me joy, but rottmnt? It's almost more fun than I've ever had drawing my ocs

And lastly I'm proud of this drawing. My first post on tumblr. I could've never foreseen that it would get more than a handfull of notes so I kinda panicked when it got way more attention than any drawing ever in my life haha

The start of it all and I'm thankful everyday for what it has brought me. I've met great people and super sweet mysterious anons.

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[poorly-drawn-mdzs]

Happy Valentine's Day! (and this blog's first post anniversary!)

[what-am-i-doing-in-this-fandom]

STOP I'm thinking about the part in Gravity Falls where Stan shows up with freshly bought (stolen) light bulbs only to see Ford screwing a new one in surrounded by family.

And OH my GOD. AGH.

Stan gets a little (ir)rationally upset about this because... It's.. Guys,,,

Stan perceives it as Ford once again easily receiving the praise and love of their family when he had to fight tooth and nail to receive even half of it.... I'm not well ✋😔

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[genericdragon]

Noah fence but if you can't handle thinking about the actual story of Mouthwashing and you just want to imagine silly found family scenarios with the crew on the Tulpar then maybe you shouldn't be engaging with HORROR media...... just a thought.

[randomnameless]

Why do we still have in 2024 stupid takes like Rhea created and enforces the crest system?

Bcs Rhea BaD anon.

More seriously,

FE Fodlan is one of one of the most divorced FE verses from its fantasy elements (see : Nabateans being as important as Ignatz's leather shoes) : Tellius has the Laguz existing, Archanea/Ylisse has manaketes hanging around and being a core point in FE Archanea, Elibe has its entire history involving dragons and the best ending finally be about acceptance between the two races, Magvel has zombies, Valentia has terrors and in SoV we have dragons and magic dragon blood, Fates has dragons (and laguz-like!) and even Jugdral have people with magic dragon blood.

(i ranted and ranted and ranted under the cut, so it's a bit long)

Unlike Fodlan, Jugdral's "people with magic dragon blood" are a key element to the story told at large, and it bleeds through the mechanics used to tell that story. FE4 wise, toddler!Seliph has a S rank in swords when Beowulf, even if he trains his entire life, will never achieve A rank in swords. Base!Julia with her holy weapon can smack Loptyr, when max!invested (at least lore wise) Forseti!Ced will never be able to kill him.

It's unfair for Beo and Ced, but that is how the verse works because, in that verse, some people are mc guffins or "the only ones" who are able to do something, or even, straight out, stronger/have more talent than others.

In traditional fantasy settings we have the "same" sort of rules, you have elves who do X and Y, humans won't can't, dwarves who can't either but they can do W, orc who can do J, etc etc.

Even for all of the "deconstruction of the genre!" gimmick ASOIAF has, according to some people, Dany is fire-proof and Jon most likely survives after being assassinated because he is a Stark and can use his doggo as a back up save, both things Edmure Tully will never be able to achieve.

Tolkien has Numenoreans being straight up blessed by the Valar/stronger/longer lived/etc etc than middle-earth humans, on top of also having elves, dwarves and ents.

Ergo : power inbalance is baked in the fantasy genre.

And yet, the writers often manage to tell some version of "the ones who have less power are no less important", like with Tolkien, it's a bunch of hobbits who manage to take down the greatest "evil" of their era, or some message like "having more power/being more important means you are bound to help the ones who have none" thingie.

In Fodlan, the "beings who have more power" than humans are the Nabateans (+ Sothis herself!). Sothis can create life, her daughter - through unknown means - can create artifical beings, one her children can control weather (the one who was turned in a milkshake for Charon!), one of them has monstruous strength (the one turned in a milkshake for Blaiddyd), one of them could communicate with animals (Timotheos iirc - if we assume he was a Nabatean or got his powers from his crest), her granddaughter can set up an AOE to heal what would otherwise be fatal wounds (it's heavily implied this is what Flayn did when she overused her power and went comatose) etc etc.

This is the original power inbalance in Fodlan.

Then some humans "stole" this power from Nabateans, and got a share of it themselves, which is what is later called "crest" : aka, some humans got a part of the super/magic powers that Nabateans originally had and thus, because, for all intents and purposes, "super-humans".

Now, Fodlan discourse started with FE16 being released in 2019, not that long after GoT's ending - which was trash - and in an era where fandom turned from "harmless fun" to "something that looks like activism and earns you point if you manage to use it to express your real life opinions".

In 2019, after Dumb and Dumber tanked GoT and removed most of ASOIAF fantasy parts to deliver "sex that sells" with a moldy plot, some part of the fandom started to conflate and harass people over what they like, and how it, apparently, reflected on their real life opinions ("if you hate this female character it means you hate women!"/"if you think X becoming king is a good ending, you don't value democracy!").

So, we have this fantasy setting with its inherent power inbalance... that quickly became something that is/was unacceptable, because IRL, power inbalance is based on bullshit and something everyone decries - so if your beloved media reflects on what you like IRL, you can't like a setting with an objective power inbalance, even if is justified by magic which doesn't exist irl like shooting eyebeams or some people being more "special than others" who can live up to 1500 years old.

Fodlan's power inbalance, for some parts of the fandom 2019, cannot be justified by traditional fantasy settings so, those settings/fantasy elements are straight out ignored.

Thus the "crests"' magic effects/powers are ignored, and dumbed down to, roughly, what a middle school student would think "nobility" is/was in the Middle Ages/Renaissance.

Jean-François Marie Pierre de Bourbon isn't inherently better at smashing things with a sword than Bob, or at healing than Roger, any "advantage" Jean-François Marie Pierre de Bourbon has over them is, maybe, that he started training earlier.

In Fodlan?

If Jean-François Marie Pierre de Charon has a major Charon crest, he can dance and clap in his hands to summon rain. Bob and Roger, no matter how hard they train, will never be able to do that. Jean-François Marie Pierre de Charon will thus be seen as having higher "value" or being straight up "better" than Bob or Roger, because as long as he is here, your crops will never suffer from drought.

But... we can't have that, because if you confuse fandom and real life opinions and aspirations, you cannot admit that some people in Fodlan are inherently "better" at something, only because of their blood, otherwise, what would it translate to IRL?

This is why, imo, part of the fandom (and the game sure doesn't help! Fodlan is no Jugdral and its gameplay lacks coherence regarding the in-game lore! Remember how Raphael can use a relic and only loses 10HP, when Miklan, plot wise, was turned in a demonic beast?) that loves this take, arguably, reduces crests to a title and family name.

Why should the Bourbon family rule over us, when they're no better than Roger or Bob? Isn't it unfair the Bourbons are still valued nowadays when the only thing to their fame is their name, and not what they are actually doing?

The game plays coy about crests - we know each of them has a specific power - but it never reveals what are those powers (lore wise!) save for 2 of them. So are crests superpowers, or just a family name with a particle, or both? Is the "system" (a friend made a post debunking any idea of "systemic" application of this notion in the three countries) based on bullshit, or on, objective superpowers?

Dimitri tries to tackle the issue, but only around relic usage : the Gautiers are valued if they have a crest because they can use their superweapon to protect the border. But what about valuing House Charon's ability to bring rain and guarantee good harvests? What is the other superpower tied to the crest of Gautier that isn't "use a femur and wreck havoc with it"?

If Marianne's ability to talk to animals is tied to her crest, why isn't it more developed? Instead of having useless shit like talking and befriending horses like a Disney princess, we could have Maurice-blooded people be masters of counter-intelligence, imagine if they can talk to birds/rodents and ask them to scout various areas or spy/ask them what they saw ! Hell, we could have had a situation where in a fog of war map, where Marianne, if, idk, through Billy fed enough animals in the monastery, would have a better field of vision than anyone else, with some blurb/one-line about her relying on the animals around to know and see what is going on! Alas, it wasn't meant to be.

FE16 eludes the question, because the character who "questions" a world centered around "crests" is the marketable asset of the game, and cannot be challenged in any meaningful capacity v- she feels it's unfair that her crest seemingly dictate her life, and only in the gacha game with ery serious writing like the Heavy Plate Corps or Sniddies, does she get a modicum of self-reflection - or at least someone challenging her - where she is told that she could use the superpowers she has to help people instead of blaming the world for getting one.

In a traditional FE setting, where some Lords question why they were born with power/or are in powerful positions, the answer is always that no matter what they were born with (or without in Leif's case!) what is more important is what they decide to do with that power. Elincia never wanted to become Queen? She will still fight and protect Crimea and its people. Marth is the last hope of Altea, even if it means leaving Elice behind. Seliph doesn't want to fight in Thracia anymore or feels like he's a fraud? He can turn tail and return home, while the world around him falls apart. Leif also feels like a fraud because he doesn't have superpowers like his cousin? Does that mean he should turn his thumbs and watch as his people are being caught/enslaved/sacrificed?

In Fodlan you have no reflection like this : Linhardt is, imo, the best example.

Dude hates blood and has a crest (aka magic powers) geared towards healing, you could make a case that for someone who has hematophobia, being a healer is difficult and this would be the reason why he refuses to heal/use his powers to help people around him... but no. Lin's laziness is played for laughs, and his refusal to do anything not related to his topic of interest is never questioned/analysed under the angle of, say, a head nurse who has no crest and laments that she couldn't save everyone who was hurt during an assault, who snaps at him for having the "gift" he has and not using it for the sake of people around him.

"What Lin decides to do with his power?" : Well, nothing.

Instead we have a reflection on his bright mind going to waste if he lazes all day long, culminating in his Supreme support where an Imperial facility is created specifically to cater to his tastes, that will enable him to research crests as much as he wants...

But still, nothing about his innate "healing" power!

In the end, it's no surprise that part of the fandom latched on that "crest = nobility title" because the Fodlan verse refuses to develop anything about its fantasy elements (hell, iirc Nopes swaps "crests" for "blood" and "titles" in its Supreme route ?).

"Sure, but where does Rhea fit in this nonsense?"

Rhea is, in this vision, the ultimate target !

For all of the "I ignore fantasy elements", Rhea is always (in FE16 at least!) turning into a dragon : no matter how hard you want to ignore fantasy, she's here to remind you tht, in this verse, dragons exist.

But most importantly, as Fodlan must be analysed through an IRL lens otherwise modern fandom cannot engage with it, Rhea, by virtue of being the lady in charge of a religious organisation called "Church", is also seen through a lens : Rhea BaD bcs Religion BaD and Catholic Church BaD.

FWIW, thanks to the five years of discourse we had, I learnt more about cultural values and differences existings between, here and the rest of the world - especially a place that is overepresented on fandom spaces - on organised religions especially the catholic church. Of course this bled on fandom takes and analysis, which projected some users' irl bias against the Catholic Church on the fandom organisation and entity that is the Church of Seiros. Combine this with secularism being now weaponised and used to ridicule people in spaces like r/atheism and you have a perfect recipe for "Religion BaD = Catholic Church BaD = fictional organised religion with a catholic flair BaD".

Granted, given how a certain loLcalisation team also originates from this place, it's no surprise that some "creative liberties" they took tried to hammer even more, let it be in the script or the fucking "what is this game about?" page on their website, how this fictional organisation is basically a squenix trope of "evil cult manipulating everything in the shadows and sekritly controlling the world".

Besides, the main heroine of the game (even if that comes with a twist!) opposes this faction (CoS and especially its leader!) and, by the way those games are built, as seen earlier, they cannot disavow her too much, else the entire gut-punch the devs were gunning for (you are betrayed by your beloved character! But unlike what happens in Baten Kaitos, you only are attached to her because she is your avatar's simp) will fall apart. So she must be, somehow, right and not motivated by more personal and heinous reasons, like not accepting "non-humans" to have powers over humans, or thinking the world is not a place for them (this was carefully scrubbed out in Nopes, btw!).

If Supreme Leader, who we are supposed to root for and whom the game ultimately rewards because "reforms" happen in the endings, says that the CoS is the reason why humans value superpowers, she must be right, or at least, not completely wrong???

Which raises the final point on this topic : FE16 came in 2019, which was election year in the US, and we all know that election time in the US means the rest of the world is also affected, even if the rest of the world, well, isn't the US. As I mentionned, the US is over-represented in fandom spaces, and fandom is far from being a safehaven from all the mayhem and passion that always boil during election time and its immediate following.

Coupled with the "my fandom faves define my real life opinions" thingie I already wrote about, and we had an explosive cocktail for bad takes, needless aggressivity, ridiculing people with dissident opinions because they are seen as "wrong", etc etc. And let it be something trendy or not, especially when (young?) people are arguing about "politics" in online spaces, but it always boils down to gross simplification of various complex issues and/or using catchphrases or "shock-value" words to win over whoever is reading/listening.

(et je ne dis pas ça parce que certains de nos politiques font des "immigrés clandestins ou pas" la source de tous les maux, ou le fait que nos députés font la même chose en ce moment, Jonluk et Marine main dans la main, pour paralyser l'Etat afin de pousser Manu à la démission et éviter la case prison pour Marine)

I always thought the "CEO of racism" was a meme, but through Fodlan discourse, I started to wonder if it was something started seriously by someone who really thought that "racism" is caused by one person.

And we finally get to the point : somehow, somewhat, Rhea is supposed to be responsible for people/humans valuing superpowers.

Forget that the same "quest to obtain those superpowers" led to the extermination of her kin, or how the devs themselves explained that people - at least in their setting - always want more power :

As a result, what would happen to humans who gained power... they would want even more power, and find a dragon much stronger to beat in order to collect materials forcefully, in order to make even more powerful weapons... and so that was the cycle that was born. And that was the birth of Fodlan's Ten Elites

Wait, kill that, those superpowers don't exist since the game and the characters (bar Catherine, but I agree with @9thwither here, Cat is one of the most overlooked characters in this fandom!) never talk about them, so they don't exist...

Rhea is thus the reason why people value bloodlines - especially since those bloodlines don't come out with superpowers.

It sounds better and closer to what you could "hear" irl, from someone who's discoursing on the internet to explain "why" some people are more valued than other, it's because of religion and the Pope! It cannot be because of, well, human greed or just the need to have more power (for good or wrong reasons), no.

"But random, the Church most likely promotes a "divine right to rule" doctrine and let the 10 Elites' families rule over their clans in Faerghus thus gain nobility!"

Sure, but everything is moot if you consider this : to make this take viable, we ignore the game and consider that crests are just bloodlines, and not, objective sources of superpowers.

So why are we, discussing about this hypothesis/theory, even arguing about what the game says and/or does?

Bob Blaiddyd can kill a giant lion/wolf with his fists at base level, is it because of a supposed doctrine that people rally and want to be in Bob's graces, or because Bob has the power to protect them all? Karen Charon can summon rain, are people siding with her because Rhea told them to, or because Karen can make crops grow?

In conclusion : why people are still, in 2024, sprouting those takes?

1- Because they refuse to engage with the game and realise that it is a fantasy game belonging to a very specific genre

2- Because fandom opinions reflect on your real life opinions and likes : so they must find a reason to oppose what their perceive as an unacceptable power inbalance otherwise it means that they support the various inequalities that exist IRL

3- Because Religion BaD and bar the "projected takes from transposing feelings about an IRL church on a fantasy one" more and more people tend to prefer an "easy to proceed" solution than think about multi-causal issues and find solutions that might not.

Of course, I can already guess that some people might argue that they don't "refuse to engage with the game" since this take is more a less a condensed version of the Supreme spiel, and as developed above, the game does - willingly - a shit job at demonstrating that her spiel is nonsense (they had to add the "greed" part in an interview released after the game and its only and final DLC!), just like her sockpuppet who supposedly learns how misguided he was in certain routes... only to end with the same ice cream, albeit with a different topping.

However, Dimitri and Sylvain mention how crestless children are disowned in Faerghus... when Dimitri's own uncle is ruling over a domain himself, Ingrid's brothers exist in the background and Gustave is still Baron Dominic's brother, on top of having been the royal master at arms for at least, depending on the route, 3 generations of Faerghan kings.

In a game where Dorothea can blame the Goddess for fighting in a war her bestie started - without anyone pointing this out - it's obvious this verse has unreliable narrators, but after 5 years and having played all routes in both games + a DLC + a dev interview explaining how and why some humans acquired crests...

Tl;Dr :

Reason 1- is most likely the most prevalent why this take exists anon, "because some people refuse to engage with the game" with the added topping of "save for what Supreme Leader and her sockpuppet say that I can use to demonise the characters I don't like".

[lovealwayssay]

I told myself I would never ship real people again after the guilt I felt about shipping Dan and Phil back in 2014 and how damaging that was for them, but the most recent Jensen-Misha panel, the looks, the compliments, Jensen trying to get closer and closer to Misha, Jensen basically saying Destiel happened because he and Misha cared about each other, it got me.

[somewhereincairparavel]

im so emotionally attached to jason grace it's not even funny atp. i literally think about him all day, I'm not exaggerating pls someone tell me they feel this way too 😮‍💨

[xxri]

maría for the ad astra zine! lc u will be missed T_T

[andiv3r]

I think my first signal that I'm not gonna like someone is when they try to make other people turn fandom into activism.

[merlyybird]

i don't think fandom deserved mouthwashing. i don't think mouthwashing deserved what fandom is doing to it.

[beanghostprincess]

I mean… wlw content get overshadowed by mlm ships everyday so it is insensitive a little

Not to sound too mean but what do you expect me to do? I get that sapphic ships get overshadowed and underrated all the time in comparison to achillean ones. Believe me. I am a lesbian who is constantly pushing their sapphic ships everywhere.

But you can't expect people to suddenly stop posting about the achillean ships they enjoy just because they're more popular than YOUR favorite ships. Is it bothersome that achillean ships get more attention for the sole reason of being a male pairing while sapphic ships get ignored or not even suggested? Yeah!!!! It's frustrating.

But if you want some change in the amount of content you see then it's YOUR fight only and others should be allowed to post whatever they like. If you want to post only sapphic ships or you're bothered by them being talked in the same light as achillean ones, then it's YOUR choice to make.

Fandom is NOT activism!!! Fandom is meant to be enjoyed in whatever way you want. Fandom is to interpret media in your own way. So, honestly, if I want to make a simple post comparing two ships I like, why should I be trying to defend myself here for that? If people don't like it, then they can just block me, scroll, move on, etc.

To think a post about comparing fictional ships is insensitive is insane to me, tbh.

[kacievvbbbb]

You know all these closes ups on those fucking blue eyes just tell me that this dude right here is a fucking maniac

every third shot he's in theres a close up on his eyes. He is the blue eyed monster, sharks swim in those waters just below the surface.

[purgatorygrl]

God I was watching this part of the story and my heart broke when I saw how incredibly sad Arthur looked. I mean, it's totally logical. The bank robbery had gone horribly wrong, his greatest father figure had died, Lenny who was probably like a brother to him and he loved had also died, John who was a brother to him was captured along with Charles and Abigail whom he also loved, plus the rest of the band that he didn't know what had happened to them either.

He was on a boat in the middle of nowhere and he didn't know if he was going to get out of there alive and if he would be able to see any of them again.

[lucienarcheron]

Seeing some of those comments on the fairyloot edition of tog gives me the ick so bad. this fandom can be so disgusting sometimes.