#I'm in fucking stitches
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number-1-kuaidul-fanboy · 2 years ago
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*AI PROCEEDS TO GO THERE DIRECTLY*
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nebulousfishgills · 7 months ago
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Listen, Otto realizing that he helped put a moron on the Iron Throne and then going through the five stages of grief before dipping is peak comedy, bro really fucked around and then found out.
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tsuki-in-faerun · 3 months ago
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can we talk about jammer consistently refusing opportunities that give him an advantage over other people in his community?
i keep getting stuck on the magical community kitchens that he wanted to create in the epilogue of the initial season. evan thinks about abolishing the wall between magic and mundane, k thinks how to facilitate access to information, sam thinks of leading with kindness and education. jammer thinks of the essentials of life. if we have a kitchen that can make anything without the burden of material resources, why would any being in the world go hungry?
jammer leaves school to preserve his sovereignty over his body and freedom of movement, but he also gives up something that would make him meaningfully more powerful than anybody in his day to day. with magic being wild and unpredictable, he can't funnel it into solving the most pressing problems affecting the people around him and therefore, there's not enough incentive for him to push past how freaky it might make him look to whip out a wand and do magic about it.
whitney doesn't have to be at LEEP as much as he is. he doesn't have to be getting 40-50 points a game. he tries to do a little magic because someone specifically asked about it but magic itself is not making enough of a fundamental impact on the way he can achieve his goals for him to use it. so he puts it away.
what i am getting out of jammer's arc so far is that the other members of the pilot program function to ask what magic can do. what is the nature of it in this form or that form? jammer is on this quest to ask "what is magic for? can we use it so that every body has everything they need to live a good life?"
love jammer.
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amphibianaday · 5 months ago
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day 1765
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ctwinsduo · 19 days ago
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woe cwilbur be upon ye. as promised here are my designs for every cwil era/stage/what have you + my reasons behind each design. design breakdown will be under the read more :>
as a disclaimer going forward: these designs are heavily informed by my own headcanons (namely the nature spirit headcanon, which i will only briefly explain here- if you want more of a background on that here's where I first shared the hc and explained it a bit) i'll be honest idk how much of these hcs/analysis abides by canon? so if you prefer to closely abide by canon this may not be for you. having said that, let's get into this. So one question that may initially come to mind when looking over this is "Why a nature spirit?" which is a reasonable question all things considered. I've already gone over the Watsonian explanation in the past, so instead I'll cover the Doylist take- which is more interesting as it pertains to these designs. Wilbur, as I see her, is a character that has many faces- she warps and changes to embody the view of herself she sees as necessary for the situation, whether that be the revolutionary or the villain. Simultaneously he has this core that's deeply eccentric and often difficult for the characters around him to grasp- this can come in the form of benign weirdness to the struggles with mental illness we see him go through throughout his various arcs. There's this push and pull between the person they want to portray and who they are fundamentally that's always at play.
Them being a nature spirit embodies this to an extreme. As a nature spirit their physical form is informed by their self perception (the one that's warped by the role they feel they need to take) and their own mental state, both aspects of the character that are foundational.
Another question that may arise upon reading all of this is "Why not just make him a shapeshifter?" which is also a valid question. Truthfully this one is rooted heavily in my own ideas of the character, so you'll have to take that with a grain of salt. I am, unfortunately, prone to making shit up /lh With that in mind however, the reason I choose nature spirit over shapeshifter is that, the way I interpret it, it's much more... animalistic? Let me explain: the way I tend to see shapeshifters portrayed is either a. having a base form that's relatively humanoid and then multiple other forms or b. having no base form but still presenting as generally humanoid. As a nature spirit Wilbur has a natural (ba-dum-tsss) tie to well... nature, and all that lives within it.
She's this manifestation of the wilderness whose form isn't even naturally human, yet she shapes herself into something presenting as such. As a nature spirit Wilbur occupies this weird nebulous space between human and beast, never fully embodying either. I find this incredibly interesting for a character that wants to feel and to be treated as human so badly, one that also clearly resents being seen as monstrous (despite leaning into that perception of themselves)
TLDR; Wilbur's 50 contradictions in a trenchcoat (literally) and being a nature spirit gives these contradictions/masks/ect. a physical manfiestation Now that we're 500+ words of analysis in, let me breakdown each individual stage :3 /lh
Pre-SMP + L'manburg
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The most "human" Wilbur ever gets here- technically these two are different designs/eras but they have similar design notes so I'm lumping them together here
During this stage of his life Wilbur has a fairly good handle on his shapeshifting and is consciously choosing to look more human
Small details like the fangs, pointed ears, claws, and pupils allude to an inhuman nature. I like to think there's something uncanny valley about them- they look human but the longer you look at them the more small discrepancies you notice
Both look relatively generic appearance wise, if you can't tell this was Wilbur's "I am a Normal Human Man era" but with slightly more gender /lh
Decided to stick Wilbur in a different outfit Pre-SMP than the actual skin most people reference, mostly because I thought it'd be fun. The trenchcoat follows her throughout her development
Lots of goofy ass patches and pins on the coat
I personally hc that Wilbur always has some sort of oversized clothes on because it's a bit like a security blanket for him, very grounding and all that- anyways that's what the trenchcoat is here
Limited notes on L'manburg era- main thing is the glasses; they got cracked in conflict and they just never bothered to fix em
Pogtopia
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As a result of stress (and personal perception) Wilbur lost control over his shifting entirely
Wilbur views their nature as inherently monstrous, thus when they think of themselves as monstrous or evil they lose most of their human appearance
Much taller in this form than usual, this reflects both how she feels she's perceived and how she perceives herself (monstrous, scary, inhuman, ect. ect.)
Their height also serves to emphasis the claustrophobic nature of the ravine and especially the button room
Eye color changes from brown to red, yet again another thing which reflects his self loathing
Coat is the same one worn pre-smp, just with some adjustments
Pins & patches removed from the jacket (my friend suggested it saying that he "ripped them out because they were too happy" and I find that mental image particularly silly so it stays)
Covered in stains, partially because the ravine is just. awful. and partially because this thing is not taking care of herself even a little bit
Lenses are even more cracked than they were during the revolution
Ghostbur
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This section has a lot less points then the others on account of Ghostbur being fairly self explanatory, but shhhhhh
Reverted to "base form" post death, form is extremely fluid as a ghost- she tends to shift depending on the topic of conversation or the person she's speaking with (Explain being: whenever she talks about "alivebur" she becomes more human)
Less of a note and more rambling: fox ghostbur is especially fun to me given the hatred Wilbur has for Ghostbur. Ghostbur physically reflecting the parts of Wilbur that they hate the most in themselves
For Wilbur their base form- just a normal widdle fox- represents vulnerability. It is quite literally a small, fuzzy animal with little means to defend itself and it is also the culmination of everything Wilbur is running from. Ghostbur embraces this form fully yet is seen as more palatable by the people around her than Wilbur ever was
Constantly leaking a jammy, blue substance from his eyes and the cut in his chest, yucky
Especially long sections of "fur" like their tail and the back of their neck are constantly "dripping" little wisps like rain
Post-Revival
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Post-revival his shifting is still fucked up (thank the mental illness for that) but he's got a slightly better handle on it, enough to look semi-human
Eyes have reverted back to brown but their lenses are tinted red anyways (often looks red)
The coat makes a comeback, edges are all fucked up from the explosion
That funky little overcoat/cloak/ect. got yoinked by Niki
Disheveled appearance meant to reflect her rancid ass mental state- namely the hair and the facial hair. Hair is grown out because she can't be bothered to cut it (you bet that shit is full of knots)
Nasty awful smeared eyeshadow as a treat <3 (I just think he deserves to be a little cunty yk?)
Got a little tired near the end here which is why the points got a bit sloppy, maybe I'll add more at a later date who knows. If you made it this far I hope you at least enjoyed reading all of this :>
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cometblaster2070 · 1 month ago
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so i'm going to go fucking insane because for a while this aspect of malenia's character design has been bothering me and making me think I'm seeing things and going fucking crazy.
the aspect in question is malenia's left arm:
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when i first saw malenia's arm my first thought was oh okay they're probably just bandages or some sort of wraps.
but then you look a bit closer and like
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idk about you (because i might be losing it) but it seems like the mesh of whatever the fuck that is very clearly melded with her skin in a way/it looks like it's going into and then emerging out of her skin (which is HORRIFYING to think of I won't lie).
and once again i thought i was going crazy and seeing things because surely these were just meant to be wraps or bandages like the ones we see in the scene of her fighting radahn right?
and then the thought of the needle came to my mind. along with something malenia says in her cutscene before we fight her.
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"my flesh was dull gold"
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huh. now isn't that interesting.
this would imply that in order to stall the rot from consuming his sister, miquella made a plan to sew unalloyed gold into malenia's skin using his needle in a last-ditch attempt to save her arm.
(granted it's funnier to imagine he just sticks it in her arm and goes okay great all done! and that's probably the canon way it went but)
the thought of the sheer pain malenia must've gone through during this process, to be honest, and the thought of the guilt miquella must've felt at having to force his sister to endure even more agony just to help her is just sad.
and all of it is done just in an attempt to salvage what they can of her and hope that more can't be taken.
edit: btw when looking at malenia pre-bloom and pre-losing her needle it looks like there's a proper layer/cover/whatever it is around her arm up till her knuckles making it seem like an actual covering or layer on top of her skin and what not, but when we fight her post-bloom and post-losing needle it appears like some of the layers have either flaked or fallen away and that reveals that it's actually meshed with/into her skin.
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fluentisonus · 2 months ago
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working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything
#like first you realize that You are making & doing things that you previously had thought - if you'd thought abt it at all - were automated#& you become incredibly aware of how all the materials you're working with came from somewhere - these plastic clips are from france; this#fabric is from india etc. and that there are people in factories there making those things and that they are also probably getting their#materials from somewhere#one of the little things that makes me think about this the most is we have these 50m rolls of cotton banding we see onto canvas & nets#and in theory it should be all one piece but sometimes it's actually two pieces which you discover when you get far enough in the roll and#find that there's a join where it's been stitched together by hand (!). which is a little annoying bc we can't use that bit so you have#to cut that but out & stitch it together again on the machine which interrupts what you were sewing before & slows you down But it's so#striking to me bc like it's really easy to look at this banding & it's so exactly the same & obviously machine made it's Really easy to#forget that there are people there running these machines. who notice there's a break & have to stop what they're doing & get a needle &#thread and stitch it together. by hand! like someone somewhere has handled exactly where I'm touching it & i don't even know where in the#world they are!#the other place this happens is often on the selvedge edge of the fabric there's writing in pencil i don't know ye meaning of but evidently#was important to the process somewhere & someone wrote that out#idk like it's really easy to watch those videos of really specific machines in factories & convince yourself that everything is automated#but the truth is the vast majority of stuff is not & is made by people doing that. & even when it is there are people running those machine#<- and i'm not saying this in a soppy way tbc. this whole system is a nightmare of exploitation & to some degree I'm just continually amaze#by how insane this whole process is & also how completely un-transparent it is unless you are made to think abt it#another thing is noticeable when you look at our orders that most of what we sell isn't to customers it's to shops who then sell to custome#which then makes you think like. those plastic clips from france are they actually made in france or are we just buying them from france?#are they actually made by underpaid people in a country the name of which is completely lost to the chain of production at this point#anyways none of this is new it's just when you are working in a factory using this stuff you start wondering like.#what's the factory like that the person who stitched this banding together like. what's their day like there#wish we could talk abt how fucked up this all is - for them especially probably - together#thoughts
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bagheerita · 5 months ago
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So I read A Stitch in Time and one result of that which I was certainly not expecting was that I feel so much sympathy for Enabran Tain. Garak's life is a tragedy, but Tain's is a fucking black comedy.
I mean, he's a terrible person and an absolute shitbag, but can you imagine? You have this kid. You go to all the trouble of arranging for him to be raised in a family situation where he won't be rejected from society for being your bastard. You get him into the nicest indoctrination school where he can hobnob with plenty of uppercrust kids. You get him a job in your Order and all the proper training. And he's actually, like, really good at it. But he has this fatal flaw of being completely incapable of not making stupid, short-sighted, emotional decisions.
A scene I imagine has to have happened just prior to Garak and Tain's confrontation at the end of part II:
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Like goddamn. When Tain asked "what's your plan for getting rid of her husband?" and Garak's just like "plan what plan." Dude. I'M disappointed, I can only imagine the guy who's job it is to know and plan for everything isn't at least as disappointed.
I know he didn't actually, but do you think there was ever a time when Tain wanted to be like, You know what. Just go back to Tolan and become a gardener. Join that illegal hippie cult. It's fine.
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darlingofdots · 3 months ago
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I've been dealing with Some Sort of Injury for over a year and am currently waiting to find out what the fuck is going on with my foot that's been hurting for two months, and I'm not going to lie! I am losing my mind a bit! I'm using crutches and basically only leaving the house to go teach my class two days a week, and needless to say I am Not Thriving. So naturally I have decided to pick up cross stitching.
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Look at this strawberry. I made that. That's something.
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probably-bad-idea · 11 months ago
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Ok so theory time
In the beginning of Frankenstein, Victor says he made the creatures limbs perfectly proportional and that he was perfect, the only thing that was "wrong" with him was his eyes
But now I'm at the end and Walton says that the creature is horribly disproportionate and that his hands resemble a mummy
Could that mean that while Victor did make life, the corpse parts are still decomposing so Adam has become more and more monstrous as the years have passed?
Like.... the creature decays unbelievably fast and Victor just gets worse in health making them weirdly mirror each other with how their mutual hatred is literally consuming them and ruining their respective lives
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the-sea-anemone · 1 year ago
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uncanny-tranny · 26 days ago
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Day ruined! A store is selling a crochet piece for $12USD
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unpretty · 9 days ago
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there's a dragon hoard ita bag.... how is my wallet supposed to thrive under these conditions
i'm telling myself that it's fine and i'll probably cancel some of them before the campaigns are over and therefore there's no harm in jumping in and getting the early bird specials. but also. i am not going to do that. and the charges that hit my account in a month will be truly terrifying.
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sergle · 1 year ago
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scar therapy you son of a bitch idiot! and with silicone tape no less. you wish! you fucking wish you were me!
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milolovesbmc · 5 months ago
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Gruesome Playground Injuries except House is Doug's doctor. That's it. That's the post
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moe-broey · 2 months ago
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My homunculus
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Hashtag my homunculus
#diy plush#i think i was overcomplicating the bodies. like. most basic plush body shape is fine. who gives a shit#also i am maybe regretting the felt for the head... you can see the wear on her already.#alfonse is holding up really well bc his felt was thicker. HUGE pain in the ass to work with#but it did end up making him super sturdy!#i have been thinking of going back and fixing sharena's head (you can see it's misshapen too)#but like. i actually have no idea where i'd start w that. aside from adjusting the shape beneath the head#but i have no idea how i'd fix the issue of her material without like. having to re-do her completely.#at their core these two really are fuck around and find out plushies. i'm learning the importance#of what material to pick and for what purpose.#unfortunately i am gonna do something different for alfonse's body too. the initial one i made#while super cute and i still love the back stitching. i need to readjust proportions#esp if i'm gonna be layering materials for clothes. ESP on this small of a scale.#i have a test run body on alfonse rn that i'm not entirely sold on either. proportions are right#but the craftsmenship is shoddy on it. so. split on even showing it.#also i did succumb to cheating w a sewing machine. which! i need more practice w anyway.#esp if i want to make bigger plushies in the future actually. so. at this point i was just avoiding it#also don't mind the stray pages there LMFAOO one is a comic i already posted and was reffing#for other comics i've been doing. really cool i have like. a backlog of stuff i can ref of my own work actually#i am soooooo obsessed w paneling and placement... nobody talks about paneling and placement......#sharena
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