#I'm also super happy people are liking my analysis!

[pe0ple3ater]

Your cannibalism cellbit study makes me incredibly happy, and this isn’t even criticism (at least I hope it’s not) I just wanted to throw in my two cents. I think that the games left a very strong foundation for cellbit, especially in the realm of care and affection because of his mentor. While he was already eating people before he even met bad, bad definitely complicated his feelings towards the matter. Bad is basically the hungriest guy ever and eats everything he can, which is something he’s very candid about. It was canonized that during times of desperation bad would cut off pieces of himself to feed to cellbit, (seeing as, being a demon it would eventually regenerate). Also during a conversation with Bagi, mouse said that demon blood is pretty addictive (though it’s not clear if this is specifically to vampires or in general). 

So image you’re a teenager, you have no memory of a life before the area, and the only form of love and affection you know comes from a guy who quite literally cuts himselve apart for the sake of keeping you alive (by feeding you a potentially highly addictive substance). Your whole basis of love and sacrifice comes from the literal consumption of the other. that would mess anybody up, especially when considering the high contrast with feelings of instinctual, visceral disgust.

(I hope this made sense, it’s very late and I’m very tired but I was really excited/inspired by what you wrote)

YIPPE ANOTHER ONE!! LETS GO!!! You've actually given me a lot of infomation that I had no idea about, thank you so much!!

"While he was already eating people before he even met bad, bad definitely complicated his feelings towards the matter."

I didn't know he was eating people before, but I enjoy the knowledge very much because like you said, it gives us the chance to look at Cellbit's relationship with Bad and the way it formed his brain. Yes complicated feelings! I love! Because here he is, like 15, having done this act he's told is horrible and disgusting, and someone is telling him he did good, that they have a chance at winning now! What is Cellbit supposed to feel other than pride?

"It was canonized that during times of desperation bad would cut off pieces of himself to feed to cellbit.."

IM SORRY HE WHAT?? Okay so basically this just adds to my analysis that Cell ate Pac's leg out of love. Because Bad gave him parts of himself and Cell feels affection for him, and now Pac can give a part of himself because Cell feels affection for him. This is actually like, the biggest piece of infomation you could have given me because it just...solidifies my ideas. I love you, we could kiss.

"Your whole basis of love and sacrifice comes from the literal consumption of the other. that would mess anybody up, especially when considering the high contrast with feelings of instinctual, visceral disgust."

YES you understand me!! Human psychology is so..fucky! I really love this line, because humans are wired to, you know, not be cannibals. So you have the instinctual "oh god this is horrible and wrong" vs "this is what love and care is" RAGGGH this was so good holy shit.

THANK YOU SO MUCH. PLEASE COME IN MY INBOX AGAIN.

[heloflor]

Ok so for about a good two-three months now I had a post in my drafts about how I realized I ship Powser, and long story short I started comparing Bowser to what I think to be how most villains in media interact with their damsel in distress if they express “love” for them. Issue is, I don’t have nearly enough knowledge/examples on this topic to know how truthful this comparison is, but said comparison is also the main thing tying this post together. So when thinking of ways to remove this element while still having all the same info in this post, I kind of came up short. Plus, I like the way the post is structured as is.

In other words, here’s the post as I originally wrote it, but be aware that the comparison is probably very flawed. Maybe there’s some truth to it, probably not. In any case, just focus on the Powser side of it, the villain comparison is just there for the structure. Enjoy! (long post ahead, a bit over 3k words)

So I recently realized that I really like Powser which I did NOT expect given I’m usually much more of a “friends to lovers” type of person, and trying to understand why I like it led me to think about how villains tend to be presented in their relationship with the “damsel in distress”, and it’s actually very interesting when you compare it to Bowser.

TL;DR: Unlike most villains who showcase sexual attraction (I think?), Bowser is shown to be romantically attracted to Peach. And while his actions are still very much shitty and should be seen as such, man is he adorable sometimes ! Plus, the way his feelings are shown to be genuine makes him look better than most villains, whose “love” for their victim is portrayed as """creepy lust""" by their medias.

(Obviously there is absolutely nothing inherently wrong with sexual attraction. I’m talking in the context of medias that sometimes tend to vilify it, especially when it comes to the antagonists, hence the language used in this post.)

So the first thing that came in mind while thinking of other villains was Dis//ney’s Alad//din (the 90s/animated one) and how Jaf/ar treats Jasm/ine at the end of the movie, more specifically when he wishes for her to fall in love with him and she ends up pretending to be as a distraction.

Thing is, Jasm/ine doesn’t act like she’s in love with Jaf/ar, she acts like she’s thirsting for him, and the way Jaf/ar reacts shows that this is pretty much what he had in mind when saying he wants her to love him. This isn’t love, it’s lust.

Now, I can’t say I’m someone who watches a lot of movies, especially not live-actions ones, so take what I’m about to say with a huge grain of salt. Basically, I kinda feel like what we see in Alad/din is the norm when it comes to villain/victim relationships? Like you have those antagonists who want the damsel in distress to be horny for them, who don’t see those women as people and don’t give a shit about them, only keeping them to get what they want out of them and having no issue discarding them afterwards if they get bored with those poor girls.

Btw that’s not to say that every single villain who kidnaps someone wants to sleep with them. But when it comes to villains who claim to love their victim, there does seem to be at least some sexual tension here, or at least some uncomfortable touches.

And then there’s Bowser. To give a few examples of what he does:

- In that one 1986 anime movie thing, he gets very soft around Peach, gushing about how he’s in love with her and wants to marry her, trying to cheer her up when she’s sad, and let’s not forget that “it’s more of a bracelet, shows that my love is bigger” line with the ring.

- In the mainline “platformers” games, you have “Mario Sunshine” in which Bowser wants his son to have a mother, and “Mario Odyssey” in which he tries to marry Peach, going around the world gathering all the absolute best things for the wedding. There’s also the New Bros U intro with Bowser gently moving Peach’s chair, making sure she doesn’t get hurt by his attack, showing he doesn’t want to hurt her.

- Not sure exactly if this counts as this could be a form of objectification, but you know that cliché of villains getting that all-powerful thing they wanted and immediately betraying/discarding all the people they worked with and/or claimed to love? Well, in the Galaxy games, Bowser gets the power to create a whole new universe, and yet still takes the time to capture Peach, claiming in the first game that he wants her to rule along with him. Again, this could be a form of objectification, especially when looking at his dialogue in the intro of the second game, but it’s still interesting how Bowser doesn’t really fall on that trope, still having his army and Junior on top of Peach (btw the intro of Galaxy 2 is very funny on that front because Bowser literally has enormous powers and yet still makes a detour for Peach, thus causing Mario to be on his tail. Like, let her go dude, she’s not that into you. You got all the powers of the universe, who cares about that one specific woman when you could have literally anybody else?).

- In the first Paper Mario game, Bowser tells Peach that he would fulfill her wishes if she wants (as long as he likes them) and gushes in his diary about how he hopes Peach likes him. And in Thousand Years Doors, he keeps trying to look for her upon hearing she got kidnapped.

- In Super Paper Mario, he gets overjoyed about the wedding but still immediately shows worry for Peach when Nastasia uses her mind control on her, and in general Bowser spends the game clearly loving being able to call Peach his wife, and joins the team again in 7-2 out of concern for her safety. Same with 8-1 where for all he knows he’s about to die and yet his main concern is her safety, to the point where he's willing to ask Mario to protect her for him. His priority is not being with Peach, instead it's Peach being safe.

- In Color Splash, the first thing he does when first getting back to himself during the fight is ask if Mario brought Peach with him.

- In Origami King, he doesn’t want her to see him as a wet floor sign and later asks Olly if Peach is safe and comfortable, which as I’ve seen pointed out implies that him capturing Peach is mostly a forced vacation/sleepover until Mario arrives and she’s put on the spot for show.

(- In general Paper Bowser is a huge hopeless romantic, at least from what I’ve seen of him.)

- In Superstar Saga he helps Mario and Luigi reach the Bean Kingdom for Peach’s sake. Then in Bowser’s Inside Story his most beloved and protected memories are his memories of Peach + he makes saving her his priority towards the end. And in Dream Team, he hears a rumor that Peach might have gotten kidnaped and immediately flies all the way to Pi’illo Island to find her.

- You cannot convince me that his car in Mario 3D World wasn’t an attempt to impress Peach, given this is one of the only two games (three with Wonder) where you play as her and face against him. /hj

- In that one old comic people kept bringing up after the movie came out, Bowser spends a lot of time gushing about marrying Peach. Also despite Peach being very temperamental in this comic, I don’t think Bowser once tries to hurt her? Obviously you have the Magikoopa brainwashing her at the end which is fucked up but outside of that does Bowser ever get angry or menacing when it comes to her?

- In general, outside of the games where Peach is playable and the intro of Inside Story (which comes off as OOC for Bowser tbh, I get him being pissed off but him trying to burn Peach is just really off), do we ever get to see Bowser raise a hand on her and/or try to physically hurt her? Same for his anger, how often do we get to see him raise his voice on her? And no the sports and party games don’t count since everyone is doing the same thing to everyone else in those, and in the party games it'd be unfair if playing that one character led to Bowser going easy on the player.

Now I might be missing some more moments, especially since I’m far from the most knowledgeable on the sport/party games and some RPGs (slowly making my way through them), but there’s one thing that is very obvious: while most villains express sexual attraction for the damsel in distress, Bowser expresses romantic attraction.

Bowser genuinely cares for Peach. She’s one of his most precious memories. In Super Paper, he snaps out of the joy of getting married when Peach is getting brainwashed, showing how much he values her safety. He absolutely adores her and isn’t afraid to express it, especially Paper Bowser.

Those two instances (Inside story and Super Paper) especially really seem to lean into how much Bowser loves Peach. In Inside Story, the fact that she’s his most well-preserved memory shows just how much he values the little time he spends with her and how important she is to him, not as some pretty face but as a person he genuinely wants to create more memories with. And in Super Paper, Bleck is giving him the one thing he’s always wanted, and yet he still shows some reticence when Nastasia uses her mind control, making it look like Peach being safe and sound is more important to him than them being a couple. Idk, those two moments just really get to me when you think about it this way.

(Btw in Super Paper I adore that Peach hesitates to leave him in 8-1 because, while we know Peach is incredibly kind so of course she’d be worried for a teammate, for once it feels like Bowser actually earned it. He spends the whole game being caring towards Peach, and wouldn’t you know, being nice and respectful to someone actually makes them care for you! I swear the Powser potential from this game is unmatched!)

When most villains say “I want this woman to love me”, they usually mean “I want this woman to obey and submit to my every want”. When Bowser says “I want Peach to love me”, he means “I want to be able to wake up everyday by her side, make her smile and laugh and be happy, see her be a mother to my kid(s), learn more about her and spend as much time with her as I can”. Bowser isn’t trying to marry Peach because he wants to “own” her, he wants to marry her because he quite literally wants to spend the rest of his life by her side.

Now that’s not to say that Bowser doesn’t feel any form of sexual attraction. But since Mario is such a kids-friendly franchise, the focus is much more on his romantic feelings. Also, I'll admit, whether Bowser is in love with Peach or with the idea of Peach is up for debate.

I think that’s the main reason why so many people are quick to call Bowser sweet/adorable when seeing the way he talks about Peach. Because the thing is, Bowser is still being a complete asshole here. He’s constantly kidnapping her, putting her in a cage on several occasions, forced her to marry him like 6 different times, very often disregards her body autonomy by grabbing her (+ the kidnappings), terrorizes and sometimes even tortures/kills her people, and his phone pic in the parental controls video + the picture frames in Nintendo World make him look like a creep. Despite his feelings for her, there’s definitely a level of objectification here that should not be ignored.

Hell, I didn’t mention the 2023 movie on the list because I’d argue he was more obsessed rather than in love. Plus the scene where he proposes to her low-key feels like the very first time they meet, making his previous actions creepier (or at the very least they barely know each other, heck Peach didn’t even know Bowser likes her!). And he’s quick to use blackmail and violence against her, especially in the end. The wedding cake toppers also show he cares more about himself than Peach and sees her as an object rather than a person.

(I actually take back what I said in my movie reaction post about Bowser being like the one from Super Paper. He might be goofy when showing his softer side, which was what I was focused on when comparing the two, but he’s also clearly not as genuine and sweet as Paper Bowser. The way he mistreats his army and especially Kamek in the movie is also different from most games, most notably the RPGs since that’s when we see him interact with his people and he’s a relatively good king to them.)

Compare 2023 Movie Bowser to the 1986 movie in which he tries to get Peach involved in the wedding preparations, tries to cheer her up, never gets angry at her despite how much she’s resisting him and never once raises his hand on her. Even when she outsmarts him by making him shapeshift, he’s amused by her attempt. Literally the worse he does in this movie is grab her against her will on many occasions (and obviously the kidnaping and forced marriage, that goes without saying).

Going back on topic, despite Bowser being very much horrible in the way he approaches Peach, since every other villain out there is lusting after the woman they capture, making them appear creepy/predatory, Bowser comes off as an angel in comparison. He’s one of those rare cases of a villain who is truly sincere about his feelings for the woman he captures, and since we see other occasions of him being a sweetheart (with Junior) and a dumbass (the RPG series), he becomes an incredibly endearing character. So his feelings for Peach come off as adorable despite the bad elements because we’re aware he has a soft side so we know he’s truly sincere. Him being sometimes more of an antihero in the RPGs + his inclusion in sports games and the like probably also help seeing him in that good light.

(Also yes I’m very much aware that there’s a huge issue when it comes to how fandoms perceive female characters, and I will absolutely believe you if you tell me this is one of the reasons why you have people who talk shit about Peach so much all while defending Bowser’s actions, especially since his feelings for Peach are so rooted into his character. Oh and obviously you have the people horny for Bowser who love his softer/romantic side and value the moments where he displays this part of himself, that goes without saying.)

I’m especially surprised by the 1986 movie showing such a characterization of him, considering it came out 1-2 years after the very first Super Mario game (aka Bowser’s first appearance, at least I think?). Like imagine making a movie about those characters and going “hey you know the giant turtle monster we fight in this game? What if he was a huge lovable dork who just wanted some love in his life?”. Tbh I adore that choice.

Overall, it’s just interesting to see how Bowser differs from other villains on that front. It’s very interesting to see a villain who does pretty terrible things to a girl all the while being genuine in his feelings for her, idk it’s a very cool contrast. I also like how “true love” tends to be a motivation for the heroes, seen as something good, so it’s fun to see stories where villains have that very same motivation without it being “““twisted””” with lust. And yes I know that last point applies to many more antagonists than just Bowser, and not just for feelings like love.

And a bit off-topic but I also really like how you can easily explain Bowser’s behavior here (not justifying it tho!!!). In the Yoshi Island games, we see he was raised as a spoiled brat who was always given what he wanted, made worse by him being a monarch. We even still see some of that behavior in his adult self, for example when he gets angry and starts stomping his foot like a kid throwing a tantrum.

As a result of his upbringing, Bowser likely just doesn’t know how to take a no. He’s used to always get what he wants, and take it by force if necessary. So when Peach refuses him, he does just that, incapable of understanding why she doesn’t want him.

The 86 movie is actually an excellent example of this. In two scenes (the one with Peach outsmarting him and the ring dialogue) we see Bowser getting worked up when Peach is upset, showing he genuinely wants her to be happy. But at the same time he’s incapable of realizing that he’s the reason why she’s so upset and the one thing he should do is let her go. The ring scene especially shows it very well. When Peach throws the ring and starts crying because she doesn’t want to get married, Bowser thinks she’s upset due to the ring being too big and immediately tries to soothe her by promising to get a better ring. Again, it’s kinda crazy how this movie was made when Bowser only existed for a single year and yet they already made him genuinely in love with Peach.

I’d also add that Bowser seems to have a pretty high opinion of himself, thinking he’s awesome and shit (or maybe he’s overcompensating, that seems like a possibility). As a result, it’s possible that his mentality on the situation is “Well I’m in love with her so surely she must love me! How could she not?”, making it even harder for him to comprehend why she doesn’t love him.

Again, it doesn’t justify his actions in the slightest but it’s still interesting how you can somewhat understand why he’s like this.

And as to why I ship Powser, honestly I still have no idea ¯\_(ツ)_/¯ I think it has to do with the storytelling potential of a unrequited love/it’s complicated/they have history situation in regards to their roles as monarchs, especially in the case of Peach whose character is brimming with untapped potential. I actually like to describe their relationship as “I hate the effect you have on my life but I couldn’t imagine a life without you in it” or “Our kingdoms are enemies for a good reason but if anything happened to you I’d rush in to save you without hesitation”. It's just that idea of them being ex-lovers who had a bad falling out and how Peach still cares about him to an extent and how their lives constantly intertwine with villains trying to take over their kingdoms + Bowser's kidnappings.

And since we’re talking Powser and since wondering whether they know each other or not in the movie got me to question how we can tell they know each other in the games: the best way I could describe their relationship in the games is familiar/”comfortable”, like you have the way Peach tries to convince Bowser to join the group in Super Paper, the way she talks about him in general in the Mario and Luigi games, or stuff like most cutscenes in Odyssey where she never seems afraid of Bowser.

I’ve also seen that Switch Tennis game with the evil racket and how Peach is the one who tries to get through to Bowser when he steals it, straight up saying “listen to me” which makes it seem like she knows she’s the one person who could get him to stop, or you have the first Rabbids game where she comments on how “Junior is sometimes even worse than his father”, plus the way she looks like a mother about to reprimand her child in the cutscene where Jr learns Bowser is coming home (which I find hilarious; lady that’s not your kid, I thought we’d been through this already in Sunshine!). Oh and CAN WE TALK ABOUT THE WAY SHE’S LOOKING AT HIM IN (spoilers in link) THAT CUTSCENE FROM THE NEW RABBIDS 2 DLC!!!

I don’t know how to fully explain but, looking at these kinds of interactions, you can tell that the two of them know each other, and to an extent Peach knows that Bowser won’t hurt her, hence why she’s not afraid to oppose him. It’s pretty funny actually how in the games Peach tends to be exasperated by Bowser more than anything else. Like he’s not a menace, just a weekly annoyance. And again, when you compare it to the movie where there’s only hostility and awkwardness between them, you do get the impression that they’re two complete strangers meeting for the first time. The fact Movie Peach had no idea about his feelings for her doesn’t help either. Then again, about the hostility, Peach in the games is much sweeter so maybe she shows a nicer side to Bowser because that’s just who she is.

[fruitsofhell]

My other fun addition to the Hbomberguy video stuff is not just that you need to start checking everyone's sources just to make sure you aren't being duped, but to not use them as a stand in for media consumption/experiences either. Like I'm not gonna lecture you on reading sources cause I am the first one to not and that's my laziness, but like sometimes more important than checking the original analysis of something is just to... see tge thing being analyzed yourself. That's not even about misinformation or lying, sometimes people's opinions just SUCK ASS.

Like there are youtube video essayists I overall kinda respect but they have dogshit opinions on things. I used to love Jack Saint's bad faith overly critical analyses of throwaway kids films, until I realized he also saw films that in my opinion had a lot of merit, and it turned me off from him. Big Joel is cool as hell, but anytime he gives his opinion on animation save like a few points, I completely glaze over and find him annoying. The other day I watched a video essay about the "Magical Negro" trope, and the first movie sourced interested me, so I watched it and I hardly understand why they put that in, it framed the movie as something it wasn't.

Just in general, it's good practice to make sure your opinions on media are your own and experience it yourself. MY biggest takeaway from the Hbomn video wasn't to throw rocks at Somerton or start obsessively fact-checking every essayist I watch, but to make sure I have a baseline of what they talking about myself and not letting anyone throw around media examples without reckless abandon. The Celluloid Closet and Tinkerbelles and Evil Queens is on my watxh/read list now, but the first thing I did from the words he stole from Celluoid Closet was watch Rebels Without A Cause out of curiosity of this gay subtext in a 50s blockbuster. And it was a super interesting experience that has given me my own unrelated opinions. Not to discount whatever important queer reading and historical importance the film has, but I'm happy I also have more than just that cause I Watched It Myself, not someone's specific and unavoidably biased reading of it.

The video isn't about cultivating suspicion but cultivating appreciation for the skills of analytical/informative/opinion writing. So even when people aren't being lying grifters, it's just good to be your own critic and media analyst. Maybe you'll even contribute to that world yourself, or maybe you'll keep all your cool opinions in your heart and die, who cares. The point is that unlike some people, your opinions and words are your own. It's a beautiful thing to have your own creative voice.

[barblaz-arts]

Fellow Chaggie shipper, here and I wanted to ask you a question. Could you please do an analysis post on the Chaggie argument from Hello Rosie. I know this will sound weird but I can't get over the level of icy anger Charlie had towards Vaggie or how despite everything going on, Charlie is more hurt from Vaggie not being honest with her. Just angst all around.

Oh yeah sure I'd love to!

I'm not sure there's a lot I can say about that argument that isn't already super obvious, so I wanna talk about Charlie's anger because of something my brother said as we watched episode 7. He loved that episode apparently because "When they're separated, it's even more obvious that Charlie is the one who's more quick to lose her cool." Which, looking back, is actually true!(To an extent)

Vaggie and Charlie are both quite quick to anger. Charlie is just better at hiding it because she's a chronic people pleaser. Although Charlie wouldn't immediately show her anger at a person being a jerk to her specifically, she's immediately summoning fire and brimstone over anyone who hurts/insults her friends or the cause she's fighting for.

Love this lil bit in "You Didn't Know". How Vaggie is the one telling Charlie to calm down, as if she knows what's about to happen. She knows that if she doesn't at least try to reel in her girl Charlie would be spitting literal fire at a goddamn seraphim.

It would seem like such a surprising role reversal, but if you look at all the times Charlie would lose it whenever Vaggie's not there to tell her "babe, chill", then it makes sense.

But then when their fallout happens, Charlie's short temper is even more apparent. She calls Alastor an asshole to his face even though she considered choosing his support over her father's. She openly glares and rolls her eyes at Rosie when she jokes that her and Alastor look like an item even though she still kept things cordial with Valentino after he licked her arm. She flips the bird at some old lady even though she didn't take visible offense at all the demons that inserted their crude and rude selves in "Happy Day in Hell." While she was cold and subdued even when upset with Vaggie, she was explosive and in ur face when she was pissed at everyone else.

Vaggie reigned in both the girl in Charlie who dreams a little too big and the demon who's waiting to lash out in flames. It really makes me wonder if there's a difference in the kind of person Charlie used to be before Vaggie. Before she had friends to be angry on behalf of and a person to calm her down. And then, in the wake of their argument, Charlie is left with a lot of anger that is easy to ignite.

But I love love love that despite all that anger, Charlie can't bring herself to deny that she loves Vaggie with all of her hurt heart.

This little moment is one of my favorite parts in the series. My brother mentioned that this episode and episode three were his favorites because he liked the beats the dialogues followed. So he looked back--

(the man literally paused the episode to check the opening credits of ep 7 and 3. I was a little annoyed because I just wanted my Chaggie dammit! We'd make terrible youtube reactors with all the pausing and discussing mid-episode that we do...)

--and was satisfied to see that it was written by the same person, Ariel Ladensohn. Apparently she's in a sapphic relationship too and projected her own experiences whenever she wrote Vaggie and Charlie, and it must have paid off because the moments she wrote with them felt so real.

Charlie expressing her fear that even Vaggie's support and love could also be part of the lies she told was understandable considering the betrayal she felt. But immediately following that she goes "Oh that's a horrible to thing to think!" which I love even more. Even when she's understandably mad she thinks about how Vaggie would feel over Charlie thinking that of her. Because although Vaggie lied about who she is, Vaggie was always sincere about how she felt for Charlie. Vaggie's past may have been a lie, but the things she did for, to, and on behalf of Charlie were very real and held dear in Charlie's heart.

I dont have anything smart to say to conclude this. Sorry, I'm not even sure where I went here. Let's all just appreciate the smile Charlie has on her face when she thinks about Vaggie even when she's under a lot of stress I guess.

[befuddledcinnamonroll]

Top 10 Things I Love About the QL Tumblr Community 2023

I'm loving everyone's end of year lists, and decided to make up one of my own.

I haven't been on Tumblr for very long and was originally just lurking. 2023 marks the year where I finally started posting, after I read a take that made me feel compelled to come to a fictional character's defense. (Saengtai, my poor little blorbo).

So in commemoration of my first proper year of active tumblring, I present what I love about this community (in no particular order).

(Side note - Technically I know this is still primarily a BL community, but I like to say QL because I am trying to manifest more lesbians for us.)

1) The Gifmakers

Y'all are a good 70% of the reason I joined Tumblr in the first place. There are so many show moments that I want to relive, but without having to search through videos. Sometimes I want to appreciate the aesthetics. Sometimes I want to remember adorable or goofy moments. Sometimes I just want to see cute boys eating each other's faces. Our gifmakers give all of that to us, with the addition of so much creativity and style.

There's too many amazing ones to mention everyone, but I have to shout out @sparklyeyedhimbo, because the way your brain works makes me so happy.

2) The expertise

The other part of why I joined Tumblr was to learn more about what BLs were out there and what I might be missing. And holy hell. Y'all are putting in the work. Not only lists and resources for finding all kinds of QLs, like these fabulous monthly breakdowns by @gunsatthaphan, but also amazing posts that add additional context, like @absolutebl's incredibly helpful breakdown of Asian honorifics. There is so much research people do, for fun! And then they share it!

3) The meta analysis

I frickin love reading people's takes and analyses on series. I love learning, I love seeing perspectives from people with different cultural backgrounds to my own, it's all so fascinating! There's so much context we can miss due to our own privileges, or lack of knowing about various cultures, or due to whatever bubbles we've been living in. People here are just so smart, and nuanced, and willing to reflect and think about things, and also push back at each other, but generally with respect (except when you call out the dumb shit you see, usually on Twitter or TikTok, where people are being reductive and dumb about gender and sexuality).

And I've seen a few takes where people complain about analyses, and say that the director/production doesn't do everything deliberately, and we're all reading too much into it. To which I say, eh, lighten up. How people connect to and relate to media has relevance beyond what was intended. The point is we get to think and discuss and learn and grow. That doesn't happen if we don't analyze.

Special shout out here to @respectthepetty because colors mean things!

4) The wild theories

The other side of the analysis coin, the clown cars y'all drive around in with the wildest of theories. I have happily climbed into an occasional clown car, and usually I am utterly wrong (*cough* Saifah *cough*). But it's a super fun ride. I love seeing how people's brains work. I love it when y'all are wrong. I love it when y'all are right. It's beautiful.

5) Immediate acceptance

I am one of those people who knows that I have a lot of good qualities, and also, always kind of expect rejection. Blame the childhood bullies, I guess. Anyway, whenever I delve into a new space, I still feel like a total dork that no one will want to talk to. It's kind of a fraught way to move through the world, but I manage.

Anyway, I started posting my thoughts as they came up, and people are just totally cool with it. People even follow me sometimes. Even my silliest thoughts and dumbest jokes get at least a couple likes. It's so validating.

And my very silly joke about gay mafia in Kiseki has over 800 likes. I feel very seen.

6) Mutuals

I still kind of can't believe I have any. This ties in to the dork feeling above, but seriously - they are soooo cooooool. They're smart and awesome and funny, and they somehow find me worth following back, which is baffling yet wonderful. I want to squish their faces and give them many kisses (if they're into that kind of thing).

7) The self-exploration

I really appreciate how it's become more talked about how a lot of people are discovering queerness through BL, because that is so the case for me. I think it's both that I was in a bit of a hetero bubble before, and also that I'm evolving a bit as I age. I had figured out I was demi, and maybe a little bit gay, before getting in to BL, but being in this community, and seeing so many of you share so openly and freely, has made me realize it might be more than a little bit.

Either it was a new realization, or being around y'all has made me more gay. Win win, either way.

8) The weirdness

I'm weird. Y'all are weird. I love it.

9) The thirst

So many in this community are thirsty as fuck, and as someone who is in that same condition, I love that it's not just me. There are not many places where I can freely admit how horny I am as a part of my general existence.

Here? I could post about wanting to lick some random BL actor's face, and it would get a bunch of likes and some tags like #lickable, and it's just not remotely a big deal.

Also the gifmakers understand this, and give us beautiful cuts of our spicy scenes. They are genuinely too good for us.

10) The communal watching experience

There is absolutely nothing like watching along with people in the community. It is so worth the torture of having to wait week to week for new episodes. Seeing the show trend, watching the theories fly fast and furious, or the way everyone collectively loses their minds over particular moments. In a world that can feel very isolating, it's a very warm experience.

So there you go. Thank you all for being you. Here's to another year of QL shenanigans and losing our collective minds!

[raavenb2619]

Can you talk more about aromanticism in Do Androids Dream of Electric Sheep :o But yeah as someone who read the book before watching the movie, I thought it was weird they didn't include how animals were super important in the world as a sign of empathy and showing empathy was a status symbol.

Yes, I would love to talk more about this! I have a bunch of incomplete thoughts rattling around in my brain about Blade Runner and Do Androids Dream of Electric Sheep, including about the interesting parts of the book that were cut, like Mercerism, the importance of animals, the empathy boxes, the emotion dialing machines, the spider scene, the other police department, the use and non-use of the empathy test, the fact that multiple androids can share the same face, and the narrative/story treatment of Rachel. I'd like to organize and share my thoughts with other people, but first: I need to watch Blade Runner 2049 because I've heard it's got things for me to analyze, compare, and contrast with the original film and the novel; then I need to decide how many versions of the original film I need to watch and analyze (so far I've only seen The Final Cut, which seems to be the version most people like and recommend, but I think that having Deckard narrate sections could change the worldbuilding and potentially add roboticism that I felt was lacking in The Final Cut); then I probably need to spend some time piecing my ideas together into something coherent that other people can read and understand, but then I'd love to publish my thoughts (probably as an essay on Wordpress, though maybe something a bit more informal) and let people read it and have a conversation about it.

How long will that take? I don't really know. My Frozen essay took four months; DADoES + BR + BR 2049 might take longer because there's more material to analyze. But by asking for my thoughts, you've somehow given me the motivation and inspiration to actually write something about this. (So, thank you for that :).) I'd also like to try to share some of my progress, thoughts, realizations, and questions as they happen on Tumblr, because I'm interested in doing media analysis with other people (and because that might reduce the risk of me losing motivation while working on this), so I may end up rebranding my blog a bit at some point.

Here are some other media analysis/writing things that I'd like to do some day. It turns out that other people asking what my thoughts are on a thing is a really good motivator for me to write down what my thoughts are on a thing, so if anyone wants to encourage me to write an essay or blog post about any parts of any of the following topics, feel free to send me an ask:

Wicked (the musical). One angle I'd like to explore is looking at the musical through an aromantic lens, and reading Elphaba as alloaro/alloaro-aligned. I might broaden the scope to look at other Wizard-of-Oz media, and maybe also aro-aligned villains and aro-aligned anti-heros in media, but maybe that would be better served as a series of essays/blog posts and not an essay so long it should be a book. There's also so much musical/motivic analysis I need to do of Wicked, it has so much depth and I still find more things when I relisten to the music.

The portrayal of robots in fiction. One angle I'd like to explore is, "why are robots and aromanticism linked?" And I'm not happy with the shallow answer of "robots don't have emotions and people think aromantic means you don't have emotions"; I want to actually know "why are robots and aromanticism linked? How did the portrayal of robots evolve for there to be a link? Was that inevitable, or could robots have turned out differently so that they weren't liked to aromanticism? What does the linking of robots and aromanticism say about society and fictional depictions of humanity and lack thereof?" I also need to rewatch and actually finish Battlestar Galactica, though I think that might be more interesting through an ace lens than an aro lens.

Isaac Asimov's fiction and related works. I've been reading a lot of his fiction in publishing order in part because of my interest in the origin of robots and aromanticism, but there's definitely interesting things to be said about his novels and short stories, and also the Foundation TV series, such as how they treat love. (I also want an excuse to rewatch all the episodes just to answer nerdy music theory questions about Demerzel and does she have two musical motifs and why is one very legato and lilting and the other is staccato and halting and is that representing an inner struggle between her humanity and her roboticism?)

An analysis of @kernsing's aromantic sonnet #1 (this is still on my todo list, I got busy but didn't forget, but I have Things to say and I want to Find even More Things to say about this poem)

"Why Beauty and the Beast (1991) is fundamentally arophobic and can't be fixed." Okay, I haven't thought about this in a while so it's possible my perspective has changed and I'll find a way that the story could be changed to not be arophobic, but I know that the conclusion I came to a while ago was that the story structure itself was fundamentally problematic and that changing it enough to make it no longer be arophobic would require changing the story structure so much that it would be a fundamentally different story. This would not exactly be a fun essay to read or write, because I can't imagine many people enjoy someone digging into why a movie so many people love is arophobic to its core, but I'd still like to do it, some day.

Is "The Grinch Who Stole Christmas" a distant relative of "Beauty and the Beast"? (I mean the story structure, not genetics/family trees.)

An analysis of Walt Disney Animation Studios films over the years. After my Frozen essay I spent like a month watching almost every Walt Disney Animation Studios film and tracking how the films treated a bunch of different aspects (e.g. sex, romance, marriage, third wheel, kissing, jealousy, love, true love, meet-cutes, queerness, gender, sexism, transmisogyny, homophobia, multiple concrete aspects of amatonormativity, queercoding). But I never really tabulated or aggregated my notes.

The discarded best friend trope (this is an arophobic trope I noticed and came up with a name for), and some examples and subversions of it.

Why does High School Musical (and HSM 2 and HSM 3) lack romantic love songs despite being a loose retelling of Romeo and Juliet that allegedly preserves the central romance? What are the queer things that can be found in the movies? What would I do if I could remake it as a multi-season TV show that was overflowing with explicit queerness that touched on things that weren't shown in the movies? Can I be normal about Kelsi? (I absolutely can't)

Why does Heartstopper (the TV show) make me read Tao as aro all the time?

Fairy tales! What is a fairy tale? Fairy tales through an aro lens! Do fairy tales have a distinct musical sound/style/identity? Has the musical sound of fairy tales changed over time?

Why do stories typically have room for a heroic love interest, but not a villainous love interest? (I'm not happy with the shallow answer of "because of amatonormativity/arophobia". I want to know, why are stories like this? Does it have to do with the structure and pacing of stories? How do pure narrative reasons interact with societal forces and expectations?)

"Katniss Everdeen from The Hunger Games has always felt aspec to me, and here's why." The last time I read through the trilogy, I felt she came across as demi I think? It might be interesting to compare the books to the movies and look at what and how the adaptation changes, especially with regards to romance, relationships, and aspec coding.

Something about how you can have in depth discussions about aspec politics without using aspec terminology, and maybe using too much aspec terminology makes conversations in the aspec community less accessible to new aspecs as well as well-meaning and open-minded allos who would be better allies to us if they could more easily understand what we talk about. When it comes to things like amatonormativity and allonormativity and the societal norms and issues we face, the more people who understand us and agree with us, the easier it'll be to shift society to be better for aspecs. So, sometimes it makes sense to try to talk about complicated, in-depth aspec issues using as little specialized terminology as possible.

Something something aro Celeste. A while ago a friend joked that I should do an aro analysis of Celeste, and then I started actually thinking about it and saying words and they realized they'd made a mistake, but I never wrote down any of the thoughts I had. Just brainstorming here, but there's probably something I could say about Crystal Hearts as collectibles that gate access to more difficult content and have three different art styles depending on where they appear and how they push you away unless you dash into them and break them and how you can die after collecting a Crystal Heart, Madeline's ex, Madeline and Theo's friendship and Grannie and Theo's grandfather's friendship, Madeline and Badeline's story arc through a "Show Yourself"-like aro lens, and Theo's instagram photos of Madeline doing archery. (This essay would be more on the silly side of things, basically proving that given enough disparate pieces in media I can cobble them together with thumbtacks and red string to make shapes that don't exist. And yes, I came up with the brainstorming list in about 5 minutes off the cuff while writing this bullet point)

An aro reading of Homestuck. I would need to finish Homestuck first, and I'm going to start from the beginning at...some point. I remember really liking and getting excited by the "troll QPRs", and I'm probably going to get nerd-sniped by trying to build my own understanding of how leprechaun romance can make sense. (Yes, I know this might be another thumbtacks and red string essay. No spoilers please)

Something about Gravity Falls, The Owl House, She-Ra, Steven Universe, or other similar TV shows?

Tron and Tron: Legacy? Idk I rewatched them semi recently, and expected to dislike the sequel because I had been listening to the album totally wrong. But then I disliked the original and liked the sequel a lot. There's potentially a music theory lens here, but I'm not sure if there's a queer lens here. But that's okay, maybe someone will suggest one, or maybe I'll just write up my thoughts even though there isn't any queerness to speak of, because my media analysis doesn't always have to be through a queer lens.

Something else that I haven't listed here because I don't have an actual list of things anywhere and I've probably forgotten multiple things?

Something I haven't thought of? If you want to know my thoughts on something or want me to analyze something, feel free to send an ask or a reblog or something. No promises I'll answer in a timely fashion (or ever), but I might

[axenyan]

Hey!

I hope my ask won't come off as mean, I am coming here with genuine curiosity and love!!

I personally never saw the appeal in Ritsu and feel SUPER curious to see how other people (esp. ritsu enjoyers) see him! :0 What is it abt ritsu that makes him as appealing to you as he is! I have a hope that maybe reading someones enthusiasm and love for a character rambled on in text will help me find affection for the character too! :] (Happened with Leo.. tumblr made me a Leo enjoyer 😔)

- A huge kaito and zenji enjoyer

(Feel free to ignore this ask! I'm just curious <3 and again, sorry if this comes off as mean in any way ;;)

Hello!!

No no no, this didn't come off as mean! In fact, I'm super happy I received this ask🥺 I need more people to know how baby he is.

I'm not good at analysis, and English is not my first language, so this is just me rambling about why I love him. I also apologize for the grammatical mistakes I may have made >_< hopefully I can still get my points across!

Alright, let's go~!

I haven't posted the full pic of this art anywhere because it's an eternal WIP.

∘₊✧────────✧₊∘ How it all started ∘₊✧────────✧₊∘

A friend showed me Ritsu's introduction post because she thought Ritsu looked like the type I would fall for in terms of design, and she is absolutely right.

However, upon reading his quote, I was unsure if I would like his personality, so I took my friend's recommendation with a grain of salt.

∘₊✧──────────✧₊∘ Getting to know Ritsu ∘₊✧──────────✧₊∘

At the beginning of Sinostra chapter, I was still 50/50 about him because he is, ugh..... 😭 We never met him before, and yet he already had our info?! Not just ours, but everyone's?

Plus, bro keeps yapping and is also a bit forceful... That's annoying as heck. But then I remembered I have another favorite character with quite a similar personality: Sebek Zigvolt (Twisted Wonderland).

I tried to see if they had similar traits, and apparently, they did.

Apart from being in their first year of high school (baby!!!), they are resilient, pay careful attention to their appearance, talk a lot, and are keen on achieving their goals... but they're also a little obsessive about it, and the way they do their things could come off as annoying for other people.

And I was like... oh, hm. I'm starting to see a pattern here.

Then I continued reading the story and noticed several moments where Ritsu got flustered, for example, when Taiga called him out because of his handwriting.

It's one of the points where I realized he might be my next mistake... because I like characters who are difficult to handle and get flustered when being teased or when things don't go their way. 😭 Those characters make me say "I love you, you are so cute, but why are you like this??!" 😭 I feel like I can freely pinch their arm when they start being silly. 😭😭😭

After reading Sinostra chapter, I paid more attention to his campus dialogues and home lines. I had a discussion with my friend, and we concluded that he actually has good intentions, but the way he does his things is unusual. I think that's what makes him unique (albeit creepy at times 😭).

I'll take his affinity lv2 home line as an example:

“You’ve lost your notebook? Just a moment. …At 9:04 AM, it was inside the photocopier. Yes, I do have that information recorded.”

I mean, who the hell does that? I appreciate the help, but why does he know the location of our missing notebook just from his recording? Why?😭

∘₊✧──────────────────────────✧₊∘ Moments that make me go uefhuehgfu💞💞💞 ∘₊✧──────────────────────────✧₊∘

Being a little twerp aside, I like how he can be understanding(?) and open to new things.

He has a line like this. This is from the summer lines.

“You want to go and watch the fireworks? A rather childish request, but all right. So? Where would one go to view them?”

He thinks our request is childish but he agreed to go!!! Usually, a prideful character like him would just brush us off, but he didn't...

Another example is his ramen talk with Ren in episode 7. It seems he isn't used to eating food like instant ramen because he's been eating ramen at an actual ramen shop, but he is willing to try it. He even did his research before buying. 🥺

∘₊✧─────────────────✧₊∘ How I personally perceive him ∘₊✧─────────────────✧₊∘

Now that I've learned more about him, I think he is:

A good boy with a clear goal but a questionable way of executing his plan.

Adorable and round... I want to poke his cheeks.

Inspiring! I like how studious and organized he is. I even started writing more in my journal because of him.

Willing to try new things! I admire this about him!

Cute-- wait, I've mentioned that. Okay, he is silly. Please look at his action in episode 8 where he was mostly with Taiga. He did his best to keep a watch on his captain, literally doing everything he could, like using his stigma to be a doorstop 😭

In short, I find him endearing. I want to slap him at times but I still find him endearing. I don't know if it's a suitable word to describe it, but it's how I feel about him. `(*>﹏<*)′

Again, this is my very personal take on his character so I might be biased at some points, but I hope this could help you find a thing or two about Ritsu!

[extendedtimeline]

Batman: Bloodstorm & Queerness

READ: this has been posted on twitter aswell, so if you find that, it's me lol! This will be an even longer version of that, with more description as I don't have the pesky world limit here! I wanted to start this out by saying I may get some things wrong, and this was something I'd originally had posted on a Mastodon Server my friends are running so I wasn't checking it over very much, just wanted to get my thoughts out! There are probably a lot of different ways this comic can be read, but I'm particularly enamored by queer readings of comics so that's what I'll be focusing on today. This won't be exhaustive on the queer metaphors in this comic, and I'd be happy for people to add on to what I say! I'm not an expert on making analysis posts, so forgive me if anything is unclear or out of place. I'm also getting used to Tumblr formatting, but fans here tend to be more active so I really wanted to share here! With that, let's get into it

Brief Summary

Before getting into my reading, I thought it best to give a (semi-) brief Summary of the comic itself. There's also someone context from the previous comic (as this is part of a trilogy!) that I'll try to provide too, but a lot of the material I'll talk about isn't really dependent on the fact you have the experience of reading Red Rain.

In "Batman: Bloodstorm" Bruce has been turned into a vampire (the previous comic delves into how this happened, but just know he's sort of shed the identity of "Bruce Wayne" and has given in to being Batman more "full time"). Batman finds out there are vampires he has not "killed" yet (as he had killed a large sum of them in Red Rain)(Because Vampires are undead he does not consider it murder to take them out). While he hunts these vamps down he is heavily resisting the urge to suck blood, and because he has resisted it, he is getting progressively weaker, to the point it's hard to do much of anything. In the first comic, Tanya (a vampire woman he had become friends with) had synthesized this replacement for blood, that would keep her alive and well without the need to kill. Bruce tries to recreate this, but it's not enough for him and he continues to become weaker the most he resists sucking blood.

While this is happening Joker has started working with the vampires LOL he's just being Joker using his charm and stuff to get them to comply.

Cut to Selina who we see get attacked by a werewolf like creature, and she becomes a werecat from this attack (I'd like to note, the way this was framed it very much reads like sexual assault). She intends to get her male attacker back for what he did to her.

Selina attacks Batman believing him to be the man, but they clear it up fast that he is not. She wants to help him, but in Batman fashion he denies her help.

There's this woman who Batman has been going to, trying to gain information on these super natural occurrings. He asks her if it's possible for him to survive when he doesn't drink blood, and asks what an alternative may be. She basically says GET A BITCH! (he needs the loving touch of a woman or something)

When he runs away from the woman, Selina finds him and takes him to her apartment where they cuddle until morning, and he DOES feel better after this. Like a considerable amount. He feels like his weakness is going away. So he lets her in on his scheme to catch the Joker and the rest of the vamps. They go to find them and take them down.

During the scuffle Joker shoots Selina with an arrow and she's killed. Batman, filled with rage, finally gives in to his urge to suck blood, and he sucks the Jokers blood. Making sure to take the necessary precautions afterwards to ensure Joker doesn't come back to life as a vampire.

In this world, if you suck blood, you become impure, and start to have reactions to stereotypical vampire deterrents. Batman believes himself to be unsafe now that he's sucked blood, and tasks Gordan and Alfred with killing him.

How is this queer?

In this section we will operate under the assumption queerness and vampirism are inherently intertwined in this story. That is to say, vampirism is just a stand in for queerness or queer experiences. Vampires and vampire media has been queercoded and littered with queer subtext for DECADES. I recommend reading up on it, or if you're into Video Essays I really enjoyed this video about the bisexualness of Dracula, specifically!

In these next images Batman is talking to another vampire about his vampirism (or more like the Vampire is talking AT him and Batman tries to deny it).

Batman says that he does NOT drink blood, and the way the vampire responds seems almost erotic lol? He tells Batman that he knows he WANTS to drink blood, and that sooner or later he'll just have to give in to it. Again, batman denies, denies, denies, but it's because he knows it to be TRUE, the desire is only getting stronger.

The vampire calls him a "filthy blood junkie" (to me this seems akin to calling a queer person "faggot" perhaps). The way he says that the vampirism is just "tempting the natural predator in [him]." struck me as a way of saying "you've always been queer, but the urge (to do something about it) is undeniable now, so what are you going to do about it?" The vampire goes on to say he used to HATE the site of blood (perhaps that he used to hate his own queerness and hid from it) but now that he's a vampire he craves it. It gives him satisfaction, exactly what he needs, he can't get enough of it.

This whole interaction reads (to me) as this man describing his queer awakening to Batman, connecting his own experience to Batmans, recognizing the signs. But Batman doesn't believe this. He doesn't WANT to give in.

These next images I share focus on Batman denying himself blood.

He describes how he's become addicted to the idea of something he's never even had before. This resonated with me, when you're discovering your queerness it seems a lot bigger than it is (bc being queer would be something easy, if there weren't societal pressures), and craving to have this experience you've never gotten. He seems afraid of himself. He sees himself as a predator, as someone people should fear. He doesn't want to be "tempted" by Alfred. I dont think he'd ever do anything to Alfred here, in a queer reading, I'd say this is the result of being told by people that you are predatory for who you love, and it becoming so Ingrained in your sense of self you BELIEVE it.

Next, I want to touch on WHY Bruce is so comforted by Selina. Why she literally makes him stronger, I have two ways I think this could be taken in my reading.

After cuddling with Selina all night, Batman feels MUCH better. He is getting his strength back just from being near her.

1) This is an interpretation I think is sweet, above anything else, that I was thinking about while reading. Selina is a werecat, Batman is a vampire. They can relate to eachother. They're both queer. They're both feared for something they cannot control. The reason Batman finds comfort in Selina is because she is his community. Living in places where there aren't a lot of openly queer people, finding another queer person is a major comfort. You feel less alone. She is giving him something he's desperately needed, and that's the hope that his future isn't doomed because of who he loves.

2) The reason she comforts him is because she validated his heterosexuality. He is cuddling with her and doing things that are stereotypically romantic and that comforts him because it means he can still "mask" (for lack of a better way to put that) his queerness. When he is with her, he can pretend that he is not fighting this battle with himself. He can pretend he is what society deems "normal".

When Selina is killed, Batman refers to her as "[his] last hope."

I think my second reading makes sense in this context, she was literally his last hope at denying his queerness, but with her gone he no longer feels he can hold back what he's been dealing with.

Batman is shown resisting what would normally hurt a vampire because he is still "pure". He hasn't tasted blood (had a queer experience). he brings up Selina having selfless love for him, she made him stronger. (Side note: that's really fucking sweet and I love batman and Selina sm)

This next image made my jaw drop, because to me, if you replace the word "sane" with perhaps "heterosexual" or "straight" it would make A LOT of sense.

Batman has completely given up on hiding his queerness. There's no point in resisting it anymore (was there ever when he knew how this would end eventually?).

I'll leave a transcription of the cursive in the alt text for these next pages. I feel the experience is a lot better when you read them yourself.

So yeah, Batman describes (very erotically might I add!) sucking the Jokers blood. Literally saying the Joker has WON. And like, I feel like this is speaking for itself but I'll try to describe how I felt while reading.

Batman giving in to something he's always wanted, and immediately feeling Shame and guilt at what he's done. Much like how, when things stay in your mind, you can deny them, but when you act things out (like being queer with someone-) you can no longer deny what you desire. He becomes impure once he sucks Jokers blood, so he runs away from all that can hurt him, and asks Gordon and Alfred to end him. Because what is he supposed to do now? Live on knowing what he has done, what he will become if he keeps going? If it's just one person, he can destroy the evidence of it ever happening, continue to deny what he knows to be true, but if there were more? he simply wouldn't be able to stay in denial.

I think Joker being the character here too, adds so much for me personally (as someone who likes batjokes) because in the literal sense it is Batman giving in to his urge to kill Joker, but from a queer standpoint, it seems like something entirely different. He hates the Joker, but he cant help but give in to this hidden desire he has that has been taking over his mind. It makes so much sense it's the Joker, because he is his greatest temptation.

[queenofapeacefuldawn]

SPY × Family: Chapter 94 analysis unhinged thoughts

hello hello! i am back with my thoughts for the latest chapter! please note that there are spoilers ahead for chapter 94! (Long-ish post incoming?)

Okay, so I loved this chapter. I'm a person who loves locked room murder mystery type stories, so this definitely scratched that itch for me. Obviously, I'm biased.

Analysis (of sorts?):

Right off the bat I can say that this chapter isn't really oriented on emotions or certain character dynamics. It is pretty plot heavy (but. not to the main plot. this chapter in itself has a plot to its own, but I really really liked it).

So the chapter starts with Bondman facing off an enemy in a snowy mountain...

which, of course, inspires Anya to have an adventure of her own. She asks Loid to take her skiing, only to be flatly denied...

BUT! Agent Anya has tricks up her sleeve (threatening to cry), and that works on our dear, super-spy Agent Twilight (he's so weak and stupid y'all.)

side note:

he thinks he's soooo cool. he's not.

Anyway, we get Twilight trying to explain skiing to Yor, which... fails, kinda. we also get gymnastics from Yor, (SHE's the cool one), and a half-baked explanation from her about learning all that from a gymnastics teacher.

The Forgers are trapped in a snowy blizzard, which leads them to take refuge in a lodge. They meet a group of young college students, who regale them with a tale of a bloody snowman who kills people in the dark.

Might just be me, but this design reminds me of Type-F from the new Code White movie (note: this isn't exactly a spoiler, I haven't seen the movie, but this is what's on the wiki and in the trailers). The snowy backdrop + this Type-F-esque design might be a homage to the movie? Probably just me, though, haha.

Anyway, onto the main focus of the story (kidding, it's not):

WE COULD'VE HAD IT ALL..... YOR AND LOID SLEEPING ON THE SAME BED.... WHAT COULD HAVE BEEN....

(jk, it probably wouldn't have happened, but a girl can dream)

"Eh, why not?" Certainly, these words CANNOT exist in the vocabulary of THE Agent Twilight! Perhaps.... no, it can't be... he's finally RELAXED for once? Feeling secure enough to ASSESS THE LAYOUT FOR POSSIBLE ESCAPE ROUTES WITH HIS YOUNG DAUGHTER? No... it can't be possible....

(Sorry, I know I'm unfunny. I don't think that'll change)

But, genuinely, this just shows how at ease he is with his wife and daughter. He might not know it yet, but I know it (← somebody whose opinion isn't worth shit).

Finally, onto the main crisis of the story:

the would-be murderer.

There's something to be said about how he jumped into action to save the guy's life, (as one does), BUT. BUT

OHOHOHO. The minute Yor's in danger (see: the man reached out to grab her but Loid just grabbed his hand) he decides to find the killer to prove her innocence. (You know his adage? A spy should never draw attention to themselves.) The minute his WIFE was in danger he resolves to find the killer and prove Yor's innocence their guilt. HMMMMM. Agent Twilight, you ain't slick. I think you momentarily forgot about about your #1 lesson to never draw attention to yourself just to prove Yor's innocence. OHHHHHH. The fanfiction is fanfiction-ing

(I'M SORRY I'LL TRY TO BE FUNNY FROM NOW ON)

To summarize the rest of the chapter: Anya realises with her telepathy that the killer is the lodge owner, and meddles in the investigation to nudge Loid in the right direction, and the police arrive to the lodge to find the incident resolved. Everyone's happy, right?

Not... really.

Anya's excited because, "Wow, I solved a murder! So cool, best trip ever!"

But Yor and Loid aren't that happy. Loid is worried that this kind of meddling will get Anya in danger... and he's more worried that she isn't really grasping the gravity of the situation.

Which. She kind of isn't. A man was almost killed, but she's not showing any signs of shock? Remember, he was this worried even after the hospital visit where she makes a mess of that sand-model thingie, and after the bus hijacking arc, when she's hyped about the Stella, and he tells her that the Stella was "not for the reckless way you defied those hijackers."

Which.... is a lot of character development from the man who was A-OK with leaving her alone in the apartment, to now how he constantly worries about her wellbeing. Growth.

Also, another tidbit:

I feel like this chapter showcases another facet of his personality. Not Agent Twilight's, or Loid's, but [REDACTED]'s.

[REDACTED] always wanted to help. Even in the War Arc, when, in Luwen where he was staying at his great-uncle's house, we can see that he wants to catch fish for his and his family's dinner, while, in the backdrop, children are laughing and playing. It's always been in his character to help, and, hell, it's partly the reason he is who he is today. Agent Twilight wants to think that he left [REDACTED] behind after that fateful bombing in Luwen, but [REDACTED] is hanging around him like a ghost, and some of his character bleeds through the facade that is Agent Twilight, which is masked by the facade that is Loid Forger.

Final thoughts:

Loved the chapter. It's probably just me reading into it too much, but... that scene where he grabs the guy's hand who was trying to tie up Yor. Hm.

This entire chapter might have been a locked-room murder mystery type chapter, but I genuinely think that it showcases how much of an effect this family has had on Agent Twilight. What with taking Anya on a sweep of the premises to look for escape routes, to trying to prove Yor's innocence that definitely betrayed his number 1 rule as a spy... this man is truly so oblivious, I wanna cry.

(Also: did he not stop for a moment to think that him performing first-aid on the victim, or trying to build a radio from scratch OR playing detective to prove his wife's innocence IN FRONT OF A GROUP OF OSTANIAN PEOPLE would raise suspicions? Obviously, it was all overshadowed by the discovery of the would-be killer, but... at least one person had got to have been suspicious of Loid.)

(Also also: He's so weak. One look at her crying face and he's gone.)

This was just my thoughts from a preliminary read of the chap, so if I get more thoughts, I'll probably add onto it in a reblog or a new post. Tysm for reading! Hope you liked it, and have a great day/night! Remember to stay hydrated!

[mikuni14]

The On1y One is now on and unfortunately, lately (of course it's happening now of all times), I have a lot of work and I am very busy, and this series is simply made for deep analysis of each episode 😭 I feel how much I am losing because I miss many things, I don't analize and think about my own reflections that come to me while watching, and writing always organizes my thoughts. I also don't have time to read other people's reviews, which I always appreciate very much, because it allows me to see what I missed, to get to know new perspectives.. I see how much I am losing and it makes me sad 🥺

This series is actually perfect and because of this I feel growing anxiety whether the series will deliver, whether it will end with the same high quality as it started. There have already been a few series this year that I liked very much at the beginning, at the level of 9-10/10, and in the end I could barely look at them. The On1y One is now such a series for me, it's a 💯, and hence my concerns.

I like pretty much everything about it: the way it's filmed, the story, the many details, the way the school, family, neighborhood, group of friends are shown. It's a very youth-style series in the best sense of the word.

I like that both characters are equal, both are very charismatic, interesting, both are very intelligent (academically and in general) and are good students. Both have their own problems and their own demons. Their interactions are always interesting and sparkle with emotions, even when one of them is calm and quiet - but the actor plays in such a way that sparks really fly between them lol. I really like how Tian knows his feelings from the beginning and acts on them in an interesting way, and how Wang acts on his own, although I don't think he fully understands them (yet). I was worried of their fight and I'm super happy that they resolved it right away. And what's more, Tian addressed it and pointed out to Wang that he noticed that he kept him at a distance. It's absolutely insane how Wang stares at Sheng. All. The. Time. 💯💯💯 And how protective he is of him. I'm losing my mind.

Despite the slow burn and calm direction of this series, SO MUCH IS HAPPENING IN IT. I'm delighted. The only thing I lack is time to write paeans in its honor after each episode lol

Them.

[binniesbooks]

• STILL WITH YOU UNTIL THE NEXT TOMORROW

TXT 019 .F05 2024

wc 0.6k

pairings TXT x reader

warnings none, just a light-hearted analysis for the boys :))

faye's note I'm bored soooo let's just make some analysis about TXT! 😋 This is not proofread :)) Also, I've been trying to write fayebies, i swear ⊙⁠ω⁠⊙ but i just can't finish anything :(( especially I'm a little bit sick. I have a fever for like 4 days now. Please wait a little longer ㅠㅠ

Before anything, I would also love to hear your thoughts about this! ;)

Soobin - HE IS A HUSBAND MATERIAL. I'm not even joking! I'm taking my Soobrangdan heart aside (to not be super biased), and for me, he is really husband material. Especially with that shoot where he played with kids-- damn his smile when he's  playing with the little girl :( please wife this man up. He's so genuinely happy about it, we can't deny. I just know he would love to be a girl dad. No one can change my mind. And that photo of his nephew, oh my god, don't get me started. His pure heart wants to be an amazing dad, I'm sure. I just know he doesn't want to play when it comes to relationships. If he would have a girlfriend, pretty much his goal is to be married with that person and build a happy little family.

Yeonjun - I've said it before and I'll say it again, he's more of a boyfriend material. Why boyfriend material? Let's not lie and cover things up, he always gives the vibe of "I know what I feel but I don't know how to say it" or some sort. :( He's just a confused baby. Don't get me wrong, he is an amazing person but he's more of a boyfriend material because he just have the difficulty to navigate his feelings, if you get what I mean. People (including me,) would also say that he is the "collector" type because of his vibe-- no he isn't! He is just really confused about how to navigate his true feelings, which would often cause people to misjudge him. He's oblivious about people whom he doesn't love, romantically, of course, and their feelings and would only think he's just doing the bare minimum when, in fact, people have already fallen in love with him—the reason why he is always mistakenly thought of as a womanizer.

Beomgyu - This guy here is boyfriend material too! A silly boyfriend at that! Although he can be a little bit scary and serious at times, he's more on the funnier side. He has a goofy personality that everyone knows. And that makes him a fun and simple guy. Again, don't get me wrong. Because he is the type to be funny and all, yet he is the sweetest when it comes to relationships. Would give flowers on a daily basis. Would do something so cringe-worthy and cheesy just to see you smile. When I say he's the sweetest, I mean he is really the sweetest. But he tends to cry the most. Pure soul only wants true love and can't help but be a little jealous of people who are too clingy with you.

Taehyun - Another husband material. He is a smart husband. Responsible. Reliable. Disciplined. He knows how to stand alone. I mean like, he knows what he is doing most of the time. The most rational of them all. He knows the consequences and doesn't want to do anything risky. He always thinks ahead of time—always two steps ahead compared to others. And he is also firm on what he believes or whatever he says. He knows how to trust himself, and he knows how to be accountable about everything. He's the type that would hurt you with his words rather than fool you with lies. The type to defend you in public and correct you in private. A manly man indeed.

Kai - Of course, he is boyfriend material too. His shy persona tells me so. :) I know, I know, he is big and all. But his shy personality really shows his boyfriend side. The type to go with you every time you need someone. Your one call away partner. A comfortable person you could lean on anytime. He's such a soft guy, and he knows how to show a lot of effort—similar to Yeonjun when it comes to efforts. However, he doesn't really want to stand out—he doesn't want the spotlight for himself—and would rather be hidden away than being watched. This guy is so clingy. Yup. Loves to be around you all the time. He loves to have your hand in his. Shows his extroverted side when he's with you and his friends. 

@binniesbooks 2024

[astradyke]

help I am going to see the tour in less than a month and I don’t know enough lore. I’ve been watching as much as possible but who should I follow here any dnp blog recs?

HI ANON! sorry i am replying to you so late it's been a busy week ^_^

ugh i could gush about all my mutuals but i will TRY to keep this contained. also if i didnt mention you but you're awesome please like self promo off this post .

@thisdayindnphistory <- archive feature will be super helpful! Literally THE place to catch up on lore/important dates, even scrolling through can help you paint a better picture of certain years!! love this blog a lot it's a major help in web weaves :P

@purpurussy has successfully found like any post that i need whenever i need it b/c they're a miracle worker but also does like really great analysis posts & has awesome tags on things too

@phantasticphizza and @blossoms-phan CEO of cool mutuals who make me extremely happy when i see them on the dash and also I think both of them are awesome to follow in general so i'm just going to flail at you encouraging u to follow :3

@bitchslapblastoids ALWAYS allowed to cook in the kitchen and has a good handle on lore stuff too i feel like!!! Idk!! Follow!!!!!! My really cool mutual who has really good posts on stuff

@gamora-borealis awesome awesome awesome Follow this account smiles

@dnpbeats knows SO much about dan and phil lore and is like ... Like she has several claims to fame in her bio i feel like that's enough evidence this is THE blog to follow ever

@freckliedan knows SO much all the time makes awesome posts about many such things and just knows a lot!!! Lot of cool stuff on this blog has like helped me find info n stuff so many times. jam is lovely :]

Fuck I got so many more @deadandphilgames @phuckingphan @laprasboat @ingydar-phan @oldphanny @absolutefilthimsosorry @thighguys <- ALL OF THESE FOLKS ARE REALLY COOL AND MAKE REALLY AWESOME POSTS!!! I WOULD YAP ABOUT THEM SEPARATELY BUT THIS IS REALLY LONG im sorry ily!! Their cool posts speak for themselves though thumbs up

Also tentative because I'm bad at tracking mutual main blogs so if we are not properly mutuals i am SO SORRY and will be embarrassed forever but @yonpote @lizardsmp3 extremely EXTREMELY extremely cool blogs. Like very cool. the coolest. Please follow these two blogs i am really major fans<3 and i would argue these r required follows to maximize the phannie experience

I hope this is helpful anon!!!!!! If you ever feel like you need to catch up on a specific lore thing you can always fling that out into tags and people will graciously catch you with their massive knowledge (not me because i kind of don't know anything and rely upon aforementioned mutuals to nicely tell me information and i go okay <3 yay <3) but u are always welcome in the inbox!!!!!! <3

I HOPE U HAVE SO MUCH FUN AT TIT!!!!!!!!!

[darkbluekies]

After reading what you wrote about Edmunds music I need that for EVERYONE ELSE. I need an indepth analysis of their music choices🫴🙏

Haha okay bear(bare?) with me😅😅 they're not as tragic as Edmunds, but I hope they're fun to read anyways

What's being discussed

Silas:

I can't say why, but the band Måneskin just feels like Silas like no one else does

I wanna be your slave:

None can have missed how absolutely OBSESSED Silas is with darling. This song is what he wants to be for darling. He wants to be everything for them. If he can't be one thing, he'll be the other, as long as he gets to be darlings.

Feel:

Silas is sexual ... this song is about sex.

For your love:

If you let Silas babble without cutting him off, the lyrics are what he would say. Every. Single. Word.

Own my mind:

Who owns Silas mind? That's right. Darling!

Baby said:

"I was runnin' and runnin' and runnin' and runnin' and runnin' after you"???? Yes, that's Silas in a nutshell. The beginning of the song demands to know every detail about someone, just like Silas does.

Dr Kry:

Fly me to the moon:

He likes the vibes of old songs. Fly me to the moon give him just that, and along with lovely lyrics. This is what Dr Kry feels about his darling.

Håll om mig hårt (eng. Hold me tightly)

It's a happy, go lucky song that puts him in a good mood. The rap, the singing, everything about it is meant to make one be happy. A part of the lyrics is also fitting for him. I will translate it for you: I am your Superman, your own Spiderman. I am the light in the darkness which light you up, man. I put out your fires with my bare hands. Yes, I am everywhere, the man the gods sends. Dr Kry is always there, he does everything for darling. Whatever they need, he does that. The song reminds him of how important he is to them.

I am to please:

This old fashioned-style song gives him the same vibes as Fly me to the moon, It's a sexual song, but not vulgar. The lyrics also give off lovestruck feelings. Dr Kry would do anything for his darling.

Kung för en dag (eng. King for a day)

Just like Dr Kry, this song is so typically swedish that it's physically sickening me. And that's why he loves it. It's so extremely swedish. This song is a swedish classic.

Håll om mig (eng. Hold me)

Just like the prior song, this is a swedish cult classic lol. This song talks about being betwiched in love, which is what Kry is. About feeling helpless when meeting one's eyes, being lost and destroyed in love. It reminds him of how he feels when being with darling. He's never been this deep in love, he feels absolutely bewitched.

King Edmund (seperate post)

Jerry:

Igloo:

The song is hot, Jerry is hot<3

Oh my god:

What can I say? JERRY LIKES GIRLS

Super lady:

Gidle is known for being a very feministic group, saying what they want without caring what they think. Which is why Jerry likes them so much. This song is just that. Feministic, tough, empowering.

Hot to go:

Jerry loves to have fun and this song is as fun as you can probably come while still being in Jerry's humour style. This is the type of song she doesn't tell people she listens to, though, can't let people know that she listens to happy music.

Habibi (my love):

It does not matter how many people there are in the world, how many wants to sleep with Jerry: she has only eyes on one person. The lyrics and the somewhat "sad" melody is what she wants to say to darling, but can't becayse of her inability to talk about feelings. She just wishes that darling knows how much she really does love them, even if she has a hard time showing it.

Hedwig:

Lucky girl syndrome:

Hedwig is the walking image of "bubblegum kpop girl groups" and this song is her as a song. It's cute, happy, energetic. The lyrics about "I'm a lucky girl, YOU'RE a lucky girl" shows how much she loves herself and others, being nice to everyone.

Nemonemo:

There is no explanation beside that this is so extremely cute and quirky and just fits Hedwig so well style wise. She would dance her heart out to this kind of song.

Lover:

Taylor Swifts soft voice and songs focused around love fits Hedwig so well, because of how love focused she is. The lyrics in the chorus fits clingy girl Hedwig (It even says 'Darling'!)

Strawberry rush:

Once again, hedwig music. Hedwig doesn't like to listen to songs that give off sad vibes. She wants to be happy. This song gives her the seratonin she needs!

august:

... this is not a song she listens to often. Just when she needs to cry (maybe when she uses her innocent girl tears to manipulate people?). What can make her cry more than imagining darling being away from her?

I hope you liked reading the reasons why I chose the songs I did for the ocs! Now you probably understand why i said that it took such a long time chosing them haha

[datlokibumtho]

EDIT: I said I'd add more, and so I shall. I swear, the more I rewatch it, the more abserdity crosses my mind. I forgot some, so I'll add those when I remember them.

Rewatching the Mugen Train Arc, and there are a few things I noticed that I shall now share with you. I will add more as I think of them.

▪︎Rengoku's mom is hot

▪︎You will never be able to convince me we didn't see Akaza's O Face during that final attack.

▪︎Why didn't Akaza just drag Rengoku along with him to escape? All that oomf he has, and you're telling me one dude is too heavy? Nezuko can carry someone easily while in baby mode and was strong enough to curbstomp Daki, and you're telling me Akaza, Upper Three, the fourth most powerful demon in existence can't drag one guy along for the ride while bailing? I'm calling that shit hard.

▪︎Tanjirou's VA knocked this shit out of the park.

▪︎I call bullshit that Rengoku didn't activate his Demon Slayer Mark during all that.

¤ Edit: I now know why that didn't happen, so nevermind this one.

▪︎While we're on the topic of Rengoku, can I just briefly express my confusion as to his dream of choice when Enmu put him to sleep? Out of everything he could have dreamed, all the scenarios his mind could have conjured up, he chose "that one time I did something extraordinary and my dad didn't give a shit" followed by any given day of the week. Tanjirou got his family back, Zenitsu got to spend time with the girl he loved, Inosuke got to do whatever the fuck that was...and Rengoku's got an alcoholic father who doesn't give a hair on a witch's tit if his kids live or die, a mom that's still dead from illness, and last Tuesday, the Tuesday before that, and the Tuesday before that, also known as his everyday life. Why? He could have had a father that was a presentable human being again, a mother that wasn't dead or ill, a happy life...and he bypassed all of that. Just. Fucking. Why.

¤Edit: upon further thought and some amateur analysis of his psyche, the dream probably revolved more around time with his brother, or his boundless optimism making him think every day is a gift or worth celebrating or special somehow. Or maybe he just has a really bad imagination.

▪︎Rengoku just gave Enmu his first brush with heartburn.

▪︎Look up the lyrics to Homura by LiSA, and I believe you will join me in saying fuck whoever chose the music. Why they gotta do that? Why?

▪︎Get you a man that's an absolute goober, a total badass, a complete and utter derp, a major sweetheart, and a super serious hot mess all at once. Get you a Flame Hashira. Get you Rengoku Kyoujurou.

▪︎"I'm a box lunch vendor" wasn't suspicious until he said it wasn't suspicious. Then it became suspicious.

▪︎Rengoku moving his ass like "Total Consentrstion Fuck You I'm A Hashira" speed mode activated. "Ecceleration Mode", for anyone that's up on older anine.

▪︎Pigtails runnin' her way through Rengokus dream world like the edge isn't invisible and she was at zero risk of slamming face first into it.

▪︎God damn, Tanjirou, right between the man-titties. Rude as fuck.

▪︎Tanjirou: smells blood in a snow storm, Muzan in the middle of Tokyo, identifies people by their scents after only meeting them once, can smell character traits

Rengoku: two cars down from them, chowing away at bento, unnoticed

Zenitsu: hears thing down to a celluar level and can figure out what something's species and intent are based solely of of their sounds of existsnce

Rengoku: two cars down from them, practically yelling "tasty" repeatedly, unnoticed

Inosuke: has super insane instincts and the ability to lock onto things miles away

Renkgoku: STILL just two cars down from them, living his best life with a crapton of bento, unnoticed

Tanjirou/Zenitsu/Inosuke: "Wonder where the Flame Hashira is."

▪︎Slasher demon: "No one's faster than me!"

The Other Speedy Stripy Boi Of The Mugrn Train Arc: "Destructive Death: Kick-Your-Ass-Faster-Than-The-Speed-Of-Sound-You-Scrub Type."

▪︎Rengoku's Dream World: sunshine, daisies, and fatherly rejection

Rengoku's Subconscious: flaming hellscape

Enmu's Lackey: "What the flip flap fuck is going on with this man?"

▪︎Enmu: shocked Zenitsu did anything while under his spell

The rest of us: "Yeah, it was always gonna go that way, chief."

BONUS: ORIGINAL WATCHTHROUGH THOUGHTS

▪︎My thought process through my original watchthrough eons ago: "Rengoku is a silly mans. Rengoku is kinda cool. Rengoku is utterly endearing. Rengoku is awesome. Rengoku is one BAMF. RENGOKU IS DEAD."

▪︎My almost simultaneous thought process through my original watchthrough eons ago: "I can't believe he dies, he's so amazing and wonderful and i love him. Ok, he dies in this fight, and now that i know the man, i instantly hate whoever did it. Oh no, he's HOT! My emotions are very mixed right now. My emotions are completely decided in their stance, and I am getting teary-eyed over yet another ficticious character."

▪︎My afterthoughts of my original watchthrough eons ago: "Akaza is the absolute worst, that pretty face, hot body and smooth af voice cannot change that. Wow, Muzan was mean to him after he did his damndest. My opinion can not change now that I have seen Senjurou, he is a wonderful little cinnamonroll, and Akaza must remain the worst. He can be terrible and still look good. I mean, are he and his utterly whorish waist and very lovely, somewhat delicately featured face really to blame or is Muzan or psychosis of some kind? Wow, that's a nice hourglass physique and horribly tragic backstory."

▪︎End conclusion from my original watchthrough eons ago: "My opinion of Rengoku has done a 180. I would die for Senjurou. I will probably never truly like Rengoku Shinjurou despite understanding that grief and disillusionment do strange things to people. Akaza is too hot, broken, and in a weird way endearing and lovable to hate. I loves me a tragic backstory and damaged man. I DO NOT HAVE A NEW SHIP I DO NOT HAVE A NEW SHIP I DO NOT HAVE A NEW SHIP"

▪︎I had a new ship

[bisnes-socks]

i said i might do more in depth thoughts of stephanie and so i did.

the first post was a bit rushed but many of the points very much still stand, this post i guess is just trying to make the same points a bit better and deeper. so idk how much of a musical analysis this is, and how much i'm just trying to put vibes and feelings into words, but here goes.

i said in the first post how i like that the structure isn't the usual verse chorus verse chorus - well, actually it kind of is that, but the chorus doesn't feel like an obvious chorus, because they only play it twice and it's not the same those times. there is almost a pre-chorus like feeling to it, and then the song ends in what could have been a bridge, if the song was longer. this song to me feels like a part of something bigger, and that's why i'm super excited to hear in the context of the full album. with that being said, i still think it works super well on its own as well, i really love the vibes.

the early 2000's brit rock and indie rock influence, such as arctic monkeys or black kids, is still quite obvious to me, but so is the 80's influence as well, like orchestral manoeuvers in the dark was the first one that came to my mind. then again, the 80's influence on early 2000's brit rock and indie rock in general is also pretty obvious, so i think influences in music in general should always be seen as a spectrum, rather than fixed, separate points. everything is always influenced by things that came before it, and what we can name as an influence on something will always depend on where we've heard a specific style or flavour or spice in music first.

it's a different sound than what we've heard from them before. i don't know if this makes any sense to anyone other than myself, but to me, the sound on this song is the sound of a collective more than the sound of the band. what i mean by that is that there are so many elements in the song that are not straight forward band instruments, or instruments that are in their usual line up. this sound is produced by five professinal musicians working as a collective, rather than five band members playing their respective instruments simultaniously. does that make any sense? i don't know, but it's how i feel - like there could be more people on this song than there are. but i think the best songs always do sound like all of the people who made it, not just one or two.

like i said in my first post, the drums are super interesting in this one. the drum machineness of it all, the super 80's style drum fills, the percussive details of little pings and pangs that decorate the track, that's all something that hasn't been super typical in pop or rock music recently, and harkens back to the 70's, 80's and also the early 2000's indie scene. it's super interesting to listen to, and i can genuenly recommend taking the time to listen to the track a couple of times focusing on just the drums and percussion.

in fact, i'd recommend listening to the track (this track and honestly just songs in general) several times, always choosing a different instrument or element to focus on, because there is a lot of cool stuff going on in this song! vocals and lyrics often take the main focus, but i always find it worth it to carefully listen beyond the lyrics.

the drum parts are also just genuenly fun. the drums and the bass make it a very dancable song, which again, it's both very 80's and very early 2000's to make super bop-y, dancable songs with sad or dark lyrics. the contrast is quite yummy to me. it also brings a vibe to the song i really really love. it reminds me of a quote about movies, about how drama movies should always have a little bit of comedy in them, because that's how real life is. there is always always both light and dark, sadness and happiness present in everything. crying and laughing all at once. that's the vibe of the song to me, and it's brilliant.

the song has so many layers to it, it's honestly brilliantly mixed: there's something happening in almost every direction, every distance, so to speak. and so many different synth sounds! sharp strikes here, notes held there, runs here, backround walls there. take a moment to find them all, it's super rewarding and again, genuenly fun!

the vocal delivery is also a cool contrast with the musical aspects. the voice doesn't convey a lot of emotion, on purpose i think. he sounds a bit numb and detached, and the music being so whimsical with all of its details and decorations, it's just a really cool juxtaposition.

and at the end, repeating the lines about love and happiness not being built for people like me, with the guitar playing the same melody, when the vocal line and the guitar line go out of sync and he starts repeating the lines to a different rythm, i think it highlights the juxtaposition even more, it's like.. it's like he's not even listening to the whimsy of the music anymore, but getting carried away in his own head by the lines. and repeating them in an almost monotoe way.. i just think it's a brilliant way to deliver the emotion behind the lyric.

but the song ends in the major key whimsical runs on the keyboard with a very fun percussion rythm, and so i think ultimately the mood left behind by the song is quite positive. it's melancholic sure, a bit angsty yes, but at the same time it's not a depressing feeling. 

like i don't know how else to put it, but the whole song is like. everything is going to shit in your life, but you're on a walk and the leaves are super pretty colours and the weather is just perfect, and you breathe in fresh air and it's like. yeah everything is kinda fucked but right in this moment, right at this minute, it's all kind of.. okay. and for a split second you can imagine a future where things are less shit. where maybe happiness and love are built for people like you.

[queen0fm0nsterz]

I will ask for the second time, because I'm afraid Tumblr has eaten my ask. "^^

-

Do you think Mono would be able to make puns and jokes, as many of the fandom believes? Or do you believe he doesn't make any jokes?

I'd rather believe the second option. As much as we don't know his past, if he was born in that world, he would be surviving for most of his life (although, that makes me wonder about his origins.) Perhaps, he may not even get a joke at all or have a sense of humor, because he was simply deprived of it; as every kid in the Little Nightmares' world seems to be.

Just telling you this random thought I had before going to sleep because, I dunno, it just doesn't stick with me that he would be a punny kid in the context he's in (if it was another world, though, I would believe it.)

I believe Mono would the odd yet slightly talkative kid, while Six would be more playful (it's shown throughout the game that she is more childish in comparison to him -- even her shadow acts playfully!). She may be painfully quiet, though.

Anyways, just want to know your thoughts about: if Mono would have a sense of humor or not. Your thoughts and the way you analyze everything about Little Nightmares is just so good and on-point; the way you describe everything is practically magical, because it is just so good! Anyways, good night, hope you see it (again,) 'cause... of all things that could make me curious about this franchise, that's the thing that decided to make me intrigued.

AHHH THANK YOU SO MUCH! I'm always so happy when people tell me they like my interpretation of LN. It's a game very dear to my heart and I infinitely respect it as a piece of art. As such I want to be able to portray my thoughts on it with the attention and care it deserves; I put lots of effort into my analysis.

So: this verges more towards headcanon territory since they're (mostly) silent characters, but I do agree with you that Mono is definitely more talkative than Six. Hearing his voice lines, I have the impression that he's the kind of kid with a "loud voice" -- someone who might not necessarily be super talkative but has an inflection in their tone that makes their voice sound decisive. He's got conviction in his little voice that makes him sound like he's one of those kids who like to play and run around, whereas Six results more passive even though she's arguably more playful in the actual context of the game.

I think he could be funny, but I also think most of his funny moments come from him being a goofball rather than him actually being witty like I imagine Six to be. I do agree that he definitely comes across as an odd kid, but to me he's that kind of "benevolent" weird kid where people think he's a little strange but assume he means well... in another context, at least. We know the Nowhere doesn't take kindly to him. Six instead is a weird kid, and as such she can manage to live and even thrive as long as she's allowed her own little bubble.