#I'm a rambling madman and this is PROOF
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Note: Barn Anon. decided to play around with this idea while zoning out through work.
He hoists his backpack higher as he trudges through the thick undergrowth. The mocking words of his fellow researchers echo in his mind and he grits his teeth. Soon, soon he will prove them wrong. His backpack suddenly gets pulls off him and he turns to see none other than his own Ultramarine staring back at him. No words are spoken but he can feel the disapproval and wariness in his gaze.
"Look, all I need is proof okay? Just something, anything! I know I'm right about this... You believe me don't you?" He looks up at his Ultramarine who has been his loyal pet friend for the past few years.
A deep sigh comes from the blue behemoth but his friend doesn't leave. Good enough for him he figures. Slipping a hang into his pocket he pulls out a map that's decorated with the ramblings of a madman and old drops of blood. But if he is right then the former owner of this map isn't mad, the former owner didn't die chasing fantasies. Crude sketches of landmarks and arrows with half sensible annotations give him the directions he seeks. A few more days of trekking through this unforgiving forest, just a few more days.
--
The sun was just starting to set behind the mountains when he spots it, rushing forward and ignoring the alarmed shouts from his Ultramarine. His eyes are set on the massive and slightly eerie run down structure in front of him. it looks like part of a fortress's outer walls. It's design reminds him of what that massive pack of Imperial Fists had built in the park near his home. Yet it has it's own distinct characteristics that differ from the typical fortresses built.
His Ultramarine is at his side and trying to pull him away from the structure but he pulls away from his pet friend. Instead he takes his camera out and starts snapping pictures. His eyes are drawn to an worn out symbol and he rushes to clear the leaves and vines off it. Could it be? The symbol of one of the Lost Legions? A frustrated grumble leaves his lips when he realizes it's getting quite dark. When he turns to get his backpack from his Ultramarine, he's annoyed when his Ultramarine refuses to do so and starts pulling at his arm.
Why? He knows how much this discovery means to him! With this he can prove to his fellow researchers that he was right! The Lost Legions? They still exist, far from the touches of human civilization. There's more breeds of space marines out there than they thought and he will be right!
Then his Ultramarine seems to have heard something. He lets out a startled shout when he's picked up and held over his Ultramarine's arm. His Ultramarine now at full sprint away with him from the structure. Anger and annoyance flares and burns only to sputter out when in the growing darkness, he spots shadows moving without a sound. Each one the size of a Space Marine yet with they have their own distinct style that mark them different from the Loyalists and Chaos that are already so well known.
Then a shot rings out. His Ultramarine falls and he hits the ground hard, half crushed under his Ultramarine. The last thing he sees are more silhouettes of the Lost Legion marines closing in as his Ultramarine tries fruitlessly to fight them off. He closes his eyes one last time.
He was right about the Lost Legions.
Barn Anon gonna be honest I feel like a publisher for your works because how do I add onto this? I spent the past 5 minutes trying to figure out how to add onto this.
I tried my best
Feel free to ignore my addition I decided to try something a little bit more horror? A little bit more dread? A little bit more
But like I said feel free to ignore this
He opens his eyes feeling sore... sore? He makes the mistake of looking down and swallowing a scream. There must be a tech-marine around or a techpriest as the leg that was crushed under his Ultramarine companion was fully replaced by mechanics that few people seem to understand how it works.
No one wants to look deeper into the sudden appearance of these demi-god like beings... no one wants to question their behaviors... no one wants to look beyond the surface that there are suddenly demigods who decided to spend time with certain humans. Everyone likes to joke how they adopted their marine when in the painful itching cancerous thought in the back of your mind tells you the truth... they chose you for some reason. To accept the love and affection that people give to them just like his Ultramarine.
They speak in that language that no one can really follow as soon the helmeted heads all turn to his groggy face. He is painfully aware of how thirsty he is and how weak he is. He's painfully aware of his own mortality is this how some owners feel right before they get mauled.
He sees his Ultramarine rush into the room and carefully pick him up.
"I was right." He says deliriously with a pale smile, "They do exist."
A childing sigh and some words he doesn't understand are the reply as an unarmored hand just pets his hand. In this situation he feels like the silly little pet that got hurt and just woke up... tail wagging and happy to see its owner.
"Rest." A raspy voice scrapes out from a hooded figure as he looks away from the uncomfortable face... with tubes and wirings pushing and plugged into human flesh. He never did like admech... far too horrifying. But he somehow heeded it leaving his Ultramarine to deal with the consequences of this expidition.
What was going to happen to them?
#space marine husbandry#Barn Anon#kit answers#answer#answered#reply#kit replies#tales from the barn#space marine husbandry sentience
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I'm cooking r1999 OC stuff so i need to ramble about it hehehoho rubs my evil hands together
i had to rewrite this because i lost it but i also sound like a madman so i dont expect absolutely anyone to understand my train of thought <3
I OC-fied Tartaglia a few days ago but I just got around to thinking about his whole character and lore, and it hit me that I can just put his ass in Apeiron <3 I'd like to have an OC in each faction but we'll see how much my attention span lasts
BUT! THIS MF.
I want him to be from Apeiron specifically because the idea of an integer or equally valid number within the island acting like the most fucking feral irrational number is so funny to me. a complete betrayal of the scriptures but that somehow ends up making sense, so you cannot be mad because He Still Operates Within What Was Expected. a guy whose entire existence is just ANNOYING AND IRRITATING AND INSUFFERABLE. perhaps he's a fraction, I'm not sure yet. I'm not looking forward to researching numbers to find one that suits him thematically and shit
most likely considered a genius in an unconventional way, not similar at all to 37. more like still following the theme of opposing/overstepping while working within the guidelines. so maybe something to contrast her
37's talent for numbers is explained as an innate ability to see the numbers in everyone and see their true essence, which causes her to be isolated from the physical world and the people of her own community because she does not experience nor care about reality the same way others do. its impossible to try and understand her, because her insight is so vastly unique, but she can still provide solid proof to support her discoveries with no problem at all, as seen when she confirmed Vertin's number is 0. she cares about the scriptures and numbers, and yet she likes taking the chance to discover one's number away from others just because she can be the first one to do it
so im thinking. Aianteia could be the opposite. he cannot see the numbers in people like her, but their true Forms. the perfect geometrical shapes that can only exist in the abstract world of Forms, impossible to achieve beyond a close approximation. and because he essentially sees the "beauty" in people, he cares for the community, he is friendly and often befriends others rather easily. but he can't fucking explain why he sees the world Like That. nor provide any proof as to why someone is This Form or That Form. which renders him totally useless within Apeiron, because of the importance of proof. he cares about people figuring out their number, to discover themselves and whatnot--he cares so much that he will gladly show you which Form you're meant to be, the way the universe intended it
and THIS is when the themes of battle and war and carnage come into play. when it comes to irrational numbers or the impure, Aianteia connects their "floating points" and knows exactly what to do to purify them. to make their bodies as pure as their Forms. im saying that he basically sees fancy ass geometrical shapes and lines that let him know where to start cutting and slashing and killing. this is something he does out of genuine love and care, so that those who cant even DREAM of studying the scripture can get a fair chance at discovering their number, as irrational as it may be. all they have to do is survive
im thinking. that his scars are self-inflicted because he attempted to do the exact same thing to himself. and he survived. and he figured out his number this way. he cannot explain why or how or give proof as to why he knows THIS is his number (in a way, similar to how 37 knew from birth that THIS was her number) but i like to think that 77 took a good look at him and went "hes right." and everyone had to just. accept that this guy, most likely a very young teenager, found out his number THROUGH THE "WRONG" WAY
WHICH. IN TURN. FALLS WITHIN WHAT 37 INSISTS DURING CHAPTER 05--numbers are the eternal truth because no matter when or where or how you prove something, you and the person at the other side of the planet will come up with the same result. Aianteia has an entirely different approach that led to the same conclusion as 77's mother. once again, the issue is that this is something that cannot be corrected nor given proof. relating to the gnosis of an arcanist, and how arcanum is not a viable method of study because it cannot be verified by a third party. my brain is making connections at the speed of SOUND. anyway. the issue is that he's RIGHT. which would make him a fraction, potentially, since 37 describes them like this
Integers are the living examples of virtues. Fractions can be understood through specific means. Irrational numbers are the free spirits, while imaginary numbers are the existence which doesn’t belong to this dimension of the number axis
so he can be understood through specific means, but no one can figure out WHICH means exactly
I do think that he starts out genuinely wanting to help people achieve their purest self, and somewhere down in the middle of the road he started to have a little too much fun with the idea of being the hand that brings Forms to the world of Matters. and then as he spends more and more time outside of Apeiron, it becomes a dog eat dog mentality, whoever survives gets to be their truest, purest Form -> the strongest get to impose their ideals onto the rest. Aianteia SAYS that he's doing this to uphold the scriptures and defend them in the outside world, and this is partially true as a childish leftover desire from his initial journey. but really, its all about getting the shit beaten out of him and beating the shit out of others now to see who earns the right to live
if the Storm has been going on for 7 years, it started when he was 19, so im thinking he was around 14-15 when he left Apeiron during one of those expeditions. and they let him go specifically because pretty much everyone wanted him gone
from what I remember, both Manus and the Foundation existed BEFORE the Storm? so im willing to say that Aianteia joined Manus before the first Storm ever. but i also dont want to think too hard on time logistics because we dont have the full timeline of the game yet
#purinsu art#reverse 1999#reverse 1999 oc#spina venatores#<- tentative tag because im not sure if im sending his ass there yet#just in case
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im so sorry for your family being shitty :((( some of your favourite christmas movies maybe ? fave books ? OH also you've probably gotten asked this before but how did you learn to make gifs ??
Yeah... I should really learn to expect less from them yet I’m somehow still disappointed. May the food of the gods (stuffing) restore my faith in humanity somewhere.
Alright...
Favorite Christmas Movies:
Now I’ll be honest, my favorite is the original animated Grinch. Like I love that special so much. I haven’t watched it this year but I feel like that’s because this year part of my brain has decided to be the Grinch itself so whoops. Not like the mean ruin Christmas parts but like the “Christmas kinda stinks” parts.
Let’s Peanuts. I have a Charlie Brown tree, have for the past... idk 5 years now? Usually it sits in my room but I didn’t put it in here this year, nor did I uhhh assemble it. Tells you how ready for the holidays I have been.
Does any one remember the Good Luck Charlie Christmas movie because I really like that one too. Actually have a bit of a fond memory of my mother and I watching it just the two of us, laughing our asses off, having a good time.
Fave Books:
Well I’m not really much of a reader anymore. I say anymore because in like 4th grade I was holding that 12th grade level reading shit and it made me really hate reading for the most part because we could only pick from like certain grade levels and I found the majority of books to be boring as shit. One trip to detention also may have helped me despise reading a bit more. So honestly i read like a lot more comic books than I do books. And the only real book I’ve picked up in the past who knows how many years I’ve talked about a lot so today I’m gonna talk about my favorite comic books.
I’m gonna start on Shade, The Changing Girl/Woman. So Shade was one of the first ones I really picked up. I mostly got it because it was under the DC’s Young Animal imprint and my mind said “Hey if Gerard Way (since he was leader of the uhhh imprint, I guess that’s how to phrase it) thinks this is fucking amazing maybe I will too.” And honestly it was one hell of a trip where I loved every minute of it . There’s a lot of themes of being lost and trying to figure yourself out (I mean that’s my takeaway from it at least) and I connected with that. Also I found it to be really artsy there’s these insane panels that are just gorgeous and take up like 2 whole pages and tell a story alone with everything. And the colors! They’re super vivid and I just got lost in this wondrous world of the series itself.
Speaking of Gerard & the Young Animal imprint... Doom Patrol. What a beautiful series in both comic and TV show form. Many dynamic characters and a sense of comfort. I remember this one interview, they’re asking Gerard about comics, specifically Doom Patrol, and they ask him about what really brought him to it and I could be remembering this wrong but he said something along the lines of “It was the first comic book I knew of that showed a therapy session, it showed that it was okay to not be okay”. It’s been a while since I’ve either read or heard that interview but like... That kinda stuck with me. And I feel like that can still apply to the comic today. Like it’s a very well driven comic and it does have those moments where it’s like “Hey, we all have problems and that’s okay.” It’s almost reassuring to me. Because you can watch these characters be in their own little problems and they try to work through them the best they can. And that’s important to me. That’s how I feel also currently. I have my own problems, trying to work through them. I think the only complaint I’d ever give you about Doom Patrol would be focused in on issue 8 because fucking cat sex. But like... it’s a weird comic I’m gonna allow it to do that.
How I learned to make GIFs:
Long story short. I used to use like EZGIF to make GIFs on my own and.. they fucking sucked. So I downloaded Photoshop and was like “Fuck it I’ll learn to make a GIF on my own.” So I started playing around with things and at one point in time I look up a tutorial from a big name GIFmaker on the site and I try following it. And I was like “Well this doesn’t seem to bad” (Also didn’t help that there’s an action line that does the majority of my work for me. I just have to select frames, crop/resize, and maybe fuck around with colors if I want to lol) And then I was like “Hey what if I posted these to tumblr.” Enter my uhhh Ways To Fake It GIFset. That was the first one I did. I cherrypicked some scenes and was like “I think these will look good” Played around with colors a lil (I really don’t do that much anymore I think the last set I played around with colors on was Falling) and I was like “Okay these look great”. Of course I also had to make sure they fit that 3mb limit. (I know it’s like 5 now but I prefer keeping it to 3mb to keep it as uncompressed as possible... with lossy already usually lol, so it’s a lil compressed but not like YouTube video compression fucking you over compression. If that even somehow makes sense.) And yeah then I just kinda started playing around with some more videos and stuff. Like I have some old GIF tests hanging around including some text tests. And then I just started making some ones at random. Like I have a shitton from like random Strokes videos & so. And then I just kinda fell into making sets I was like “fuck it these videos/artists are cool they get sets because it’s my blog and I say so” (Also how I ended up with that whole Saturday series as I call it.) Another thing too was I was discovering these videos and stuff that I didn’t know existed and I was like “Hmm yeah I’ve never seen GIFs of this in my life let me fix it.” (This is how I accidentally because #1 CRX/Nick V. content provider, because turns out there’s a lot of stuff out there) so yeah. That’s that I guess. That really did not answer that question much but longer story way shorter: a tutorial and photoshop experimentation.
#I'm a rambling madman and this is PROOF#Long Post#You know I have to tag it like that because this is gonna be a BITCH on mobile#Thanks for these Nina#Mail Time#ninasinthebedroom
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I fucking hate the fact that my family believes in all kinds of whacky conspiracy theories like its gospel. And then my mum has the guts to tell me: you're a journalist, you're supposed to be open to everything.
Uh, no, sorry it doesn't work that way. I'm sceptical about everything, if there's enough proof and not just some madman rambling about how we're all controlled by satellites, maybe I’d start being open to it.
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DW s12e10: It's Quite Unfortunate That This Child Keeps On Regenerating
It's only fitting that the first post on a blog called "SciFinal" should be about a season finale.
Not that fitting is the fact that in said post I'm going to begin where it all started for me.
Part One: How I Even Got into This Mess of a Show in the First Place
While I call myself a huge Doctor Who fan, even a – *gasp* – Whovian, I must admit I am not as familiar with the franchise as I would like to be; I've seen the new show, I've seen Torchwood (though, admittedly, I had to force myself to finish the fourth season – but that's a story for another day), I've listened to a handful of audio dramas (including Kaldor City, which I consider to be canon for both DW and Blake's 7) – mostly Torchwood audio dramas, but who cares, – I've read a couple of comics, I've got a novel or two somewhere on my bookshelf, I've seen the first couple of seasons of the classic show, but that's about it. I can't say I grew up with it – it wasn't on TV when I was a kid, there isn't an official Ukrainian dub, et cetera, et cetera. I first heard about it when I was about thirteen, when my classmate did a project about something they liked – and was pretty dismissive of my peers' hobbies at the time, believing myself to be somewhat above them, so I didn't pay much attention.
Then somebody finally pressured me into watching it (I believe I was fifteen or something back then) and I loved it. The first two episodes of the first season, I mean. I watched those, texted my friend something like "consider me a Whovian now!" and abandoned the show completely only to return to it maybe several years later.
I loved it. This time, for real.
Doctor Who has been with me ever since that time, it has a big soft spot reserved for each and every Doctor ever in my heart, and for each and every companion. I know full well it's cheesy, and it's stupid, and it's technobabble-y, and it's glorious in all of its cheesy technobabble-y stupidity.
And I hate this finale.
Part Two: Doctor, Why
I hate this finale – because I hate Chris Chibnall. Mind you, not the gentleman himself (I don't even know what he looks like, and I can't be bothered to Google), I hate what he did to Doctor Who.
Now, when it was revealed that the would replace Steven Moffat I felt... nothing. What did you expect? I had no idea who the man was. I know now he's made Broadchurch, and I know he wrote a bunch of stuff for Torchwood back in the day, including Cyberwoman. I had to drop Broadchurch because of how well-handled the depressing atmosphere was, and I love the flawed, dumb, sexy-cyber-bikinied, almost-fifteen-minutes-of-Ianto's-whining-including (I know because some time ago I literally cut almost every single moment of Gareth David-Lloyd whimpering, moaning, groaning, screaming, and mugging at the camera out of the episode and made those bits and pieces into a beautiful clip show called "I HATE THIS" to explain exactly why his face was and still is so punchable) mindless fun that is Cyberwoman (this is also one of the two episodes in which they actually do something fun with the pterodactyl living inside Torchwood's underground base). The latter also led to the creation of one amazing in how it develops Ianto's character audio drama entitled "Broken". I love Broken. I am now forcing you to look at its cover because of how much I love it.
Here we go. Now, back to the point of me rambling pointlessly
In his video "Sherlock Is Garbage, and Here's Why", a well-known YouTuber hbomberguy pointed out how Steven Moffat's problem is that he is more than capable of writing a good one-off episodes, but ultimately fails at managing multiple complex, overarching stories, as visible when you look at the difference between Moffat's individual episodes and his run on the show.
Now, I believe that Chris Chibnall suffers from the same affliction: he's a good screenwriter but a terrible, terrible showrunner. Sure, he's made Broadchurch, but Broadchurch, in its essence, was a complete singular story with a beginning, a middle, and an end. There were no bigger, incomplete arcs expanding at the expense of other episodes, and the show did exactly what it was originally designed to do: it told an uninterrupted story.
Here comes Chris Chibnall's run on Doctor Who.
Now, while Steven Moffat was ultimately not very good at managing overarching stories, he tried to do so nonetheless, and the fans seemed to like his attempts. And while I can't be sure as to whether it was Chris' original vision for the show or he and his co-writers were merely trying to emulate Moffat, he attempted the same. A friend of mine has even pointed out how, to her, it was painfully obvious how the writers of the finale were desperately trying to copy Moffat's style (to give you some context, she grasped it from a 30-second clip of the CyberMasters' reveal, and that clip basically consisted of me filming my laptop's screen and laughing at their design, making the video wobbly and the audio distorted). At the time of writing this post this friend hasn't seen a single episode of Chibnall's era and, as far as I know, has no wish to do so – mainly because of two reasons that both have something to do with the finale:
Somebody's already spoiled it for her, so who cares;
I ranted to her about how shit this finale is and now she hates everything about Chibnall era.
I am very sorry for the latter, since I genuinely believe there are some nice episodes in these seasons, and I especially like the "historical" ones, they really are quite a lot of fun, I like Nikola Tesla and Thomas Edison fighting badly CG-ed alien scorpions, I love Lord Byron and Mary Shelley running around a haunted house trying to escape from a Cyberman (even though it's all too similar to the Agatha Christie episode from Russel T Davies' run), I adore that episode about Rosa P–– oh, wait, no, that one was crap and ripped off Blake's 7... Anyway, I love Jodie Whittaker's Doctor, I am a big fan of Graham, I like Ryan just fine, and I can put up with Yaz, even though it's been two seasons and I've still got no idea what's her personality supposed to be, and I absolutely love the new Master (he reminds me of a cute little pug with a big Tommy gun). There is plenty of good stuff in these two seasons, they are lots of fun to watch, but this finale... Oh god, this finale.
Part Three: We Had All of Time and Space at Our Fingertips and We Ended Up with This
We are getting to the point of this whole thing. I would love to begin with the obvious, the twist, but there's so much wrong with this who-cares-how-many-parter than this one big thing.
It is inept. It is impotent. It is incompetent. It is bad at almost everything except its okay camera work, somewhat good (for a British TV show, I mean) effects, and its really solid performances.
Its editing is tone-deaf to the extreme. There is a moment in the final episode where Ko Sharmas asks who will be the first to cross the Boundary and step into the unknown, and immediately it cuts to Yaz walking towards it, all fast and silent. I would love to show you a clip of it, but I don't have one and I can't force myself to download the episode and sit through this shitshow again just to present you with a ten-second clip. Nonetheless, that part is not edited like a dramatic moment. You edit comedies this way. Bad comedies. Bad editors edit bad comedies this way.
Its plot is incoherent. There are several plot threads in this finale, and they're managed in a way that doesn't make the viewer care about all of them at the same time, rather the viewer goes "oh, I've completely forgotten this was happening" and then, before they can even begin to care, the show cuts to something else. It's all over the place and oh so annoying.
The plot armour is painfully obvious despite every attempt to disguise it. There wasn't a single, solitary second when I believed the Doctor was really going to sacrifice herself and, lo and behold, here comes the old guy ex machina to do it for her. The only questions I was asking at that moment were "How are the writers going to prevent the Doctor's death now that they've seemingly created themselves a way to go on forever?" and "How can Whittaker care so much about her performance in this scene she's literally almost crying?". I wholeheartedly related to the Master asking "So why are we still here?" and shout–– hiss–– mumbl–– whatever-ing "Come on, come on, come on!" – at that point I've suffered through at least forty-five minutes of utter nonsense, people going preachy, religious Cybermen with Dalek motivations, that absolutely ludicrous scene in the previous episode when the show was trying its worst to make me perceive autonomous flying Cyber-heads with laser eyes as a serious threat, a shit twist and... Oh.
I've got to finally touch on the shit twist, haven't I?
It doesn't make sense. No, I mean it. I guess it makes sense from the show's writers' standpoint to retcon everything in a way that would allow them to go on forever without having to come up with a way to circumvent limited regenerations, yes. And I won't be touching upon all the lore people say this twist has ruined. No. It doesn't make sense as it is.
The twist is revealed to us by a madman that claims to have hacked into a database, claims to possess control over the Doctor's mind, and gives the Doctor and the audience no actual solid proof that the Timeless Child is, indeed, the Doctor. We have Ruth, sure, and she's nice enough (damn, I want that vest), and she's a Timelord that happens to own a TARDIS that looks like a blue police telephone box, and she calls herself the Doctor. Here's Ruth:
I really like Ruth. She also makes no sense from the show's timeline standpoint, since the Doctor's Type 40 TARDIS only got stuck looking like a police box in 1963, so there's no reason for the Doctor to not remember being her.
We also know that the Judoon have identified Ruth as "the Fugitive"... except in one of their previous appearances in the show they weren't able to identify their targets exactly and thus were seeking out non-humans. There is a possibility that they were only looking for a Time Lord on Earth.
You know what? It's possible that Ruth is actually the Master messing with the Doctor. I have just as much proof of this as I have of the fact that the Doctor is some kind of an endlessly regenerating superbeing.
But this is not the most maddening thing here. I loathe it, but I don't loathe the twist itself: I loathe its lifelessness, I loathe how empty, how unemotional, almost robotic it feels. When somebody'd spoiled the finale for me, I got angry, and I started asking questions, and when later I saw the actual thing...
This gif. I can't even explain how accurate it is. I stood there, in the middle of my kitchen, episode paused, holding a cup of cold tea and desperately looking around as if in my surroundings I could somehow find that emotional reaction that this show failed to evoke. I was ready to burst into tears of how empty it felt, and how empty I felt, and how the same show that has Christopher Eccleston go from literally foaming at the mouth with pure hatred to shocked silence in a matter of second because of one sentence that you, a viewer, can't help but be astonished by failed to make me feel the tiniest speck of literally any emotion. And slowly, I felt that vast void in my chest fill with sheer, pure, flaming hatred for the person who made me feel nothing, for the story that left me not bored – but empty.
And the next moment, in its own unique way of being absolutely tone-deaf, the show introduces the CyberMasters, looking ridiculous, being asinine in concept, making me burst into laughter with their dumb design. Wow.
So.
Chris Chibnall's Doctor Who is no longer a show. Chris Chibnall's Doctor Who isn't even, as somebody on Stardust said, a fan fiction. It's a rollercoaster. A lackluster rollercoaster that lifts you from the vast caverns of frozen hell, devoid of any life whatsoever, soulless and abandoned, to the heavenly torture of being so bad, so utterly awful and ridiculous, that you can't help but laugh as you watch something you used to love be distorted and deformed to the point where you can't recognise it anymore nor really care. This is what Chris Chibnall's Doctor Who has become. And I'm going to continue my ride on that grotesque rollercoaster. I'm going to pirate that ride and get on it again. Because I'm a masochist. Because I want to feel something, even if it's hatred towards those that make me feel nothing.
Because some time ago my fifteen-year-old self watched the first season and learned a lesson that I hold dear after all these years – that I can't abandon hope, and that someday, somehow, things are going to get better. That the future is being written right now. That the future can change.
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Monoma loving hours and I'm actually very tired by now
*I know many of you have already discussed similar things so I decided to add my own opinion as well. Hope you enjoy!*
Still announcing my general disappointed with ch215. Whatever, I'm glad to know Monoma's Quirk better and that the clocks he's working with are more than just some accessories on his belt.
I think they're really cool and help him overcome his small disadvantages a whole lots *well, not in the circumstances he was currently in but I'd like to see him more in action and actually using them*.
So basically he snaches them from his belt. Destroys them and-
Voilà, the Quirk is out.🎊
5min limit doesn't mean anything to him if he can use 4 different Quirks in 20min. However, he needs to use them very wisely because every Quirk doesn't work the same way and they also have to be suitable for the problem he's facing at that moment. That's where his ability to adapt and manage new situations comes in.
I don't want to exaggerate or anything but I think in terms of intelligence, he comes right after Yaoyoroz because damn, you need to have a top-notch brain for such tricky things.
Too sad that strength plays the leading role in their hero world. If you have power, it doesn't matter how or why you're doing the things you do. As long as you can destroy everything that comes in your way, there's nothing that can stop you from getting what you want which sounds... kinda villainous in a way, don't you think?
Shigaraki is right. The main difference between a hero and a villain is that heroes are fighting for the good and villains for the evil. But the main question remains- are the heroes really good and are the villains really evil? First of all, heroes and villains both came from the same type of society- people, normal civilians.
Becoming a hero or a villain is a choice, not a lifestyle. Heroes are there to protect people and villains are there to harm them. Why? Heroes want to make them feel happy and safe while villains want the opposite. What's the matter with the villains? This-
People are constantly judging and not thinking about the consequences they're causing to others. They always ended up comparing themselves to those who are much more superior and successful, making them building a sense of insecurity and fear.
They were forced to push themselves beyond their limits in order to prove themselves and show how far they can possibly go. They had to let them know that their criticism didn't reach them as they were facing their challenges with anticipation.
They could easily turn villainous but no, they choose to protect those same judging idiots who repeatedly let them down/hurt them/accused them/ignored their efforts, all for the sake of becoming their better selves. By choosing the right path, they already confirmed how strong and capable they are and they'll make exceptional heroes one day. In conclusion, there is no way Monoma will become a villain because he already reached this far and gained other's trust. He made friends who are looking after him. He's already a part of something big which he can't abandon this easily.
BTW
This is the ultimate proof that Monoma isn't entirely obsessed with class a as many think he is. He's simply mad at anyone who's trying to show off class b by stealing their spotlight. His class is the best, try to prove him wrong and he won't give you any piece of mind.
He's so dedicated to his rambling that he doesn't mind Kirishima's friendly exchange with Tetsutetsu in the background. It's clear that the hatred he feels is directed towards Bakugou for obvious reasons. While Monoma is the group's person, Bakugou does everything on his own and hates when someone interfers with his business to the point where he becomes arrogant and rude. I can't recall Monoma being any of it because he only uses people's failures as an example to make them feel bad about themselves and we all know that the truth hurts the most.
I'm not defending him or anything, what he does is certainly not nice, but I want to say that his way of expressing bitterness is much more effective than Bakugou's because he makes sense at some point. Bakugou just acts like a thug.
And while he certainly does behave like an absolute madman, I'll still love Bakugou and Monoma equally because there's that one thing Monoma doesn't really understand about Bakugou's personality and that's his undying wish of becoming no.1 world's greatest hero. It's his ambition from an young age which pushed him further into accomplishing his goals. Yes it sounds selfish and yes it seems like he doesn't give a damn about others, but that's his lifelong dream which he can't give up to a friend just for the sake of being nice to each other.
From the flashbacks of the kindergarten we could see how many expectations and how much pressure people were putting on him because of his talent. His mom accused him of being weak and causing trouble for the entire U. A. when in fact, the school was guilty of his kidnapping and took responsibility for it's mistakes. He was raised to solve his problems through violence, he doesn't know for any other way. So it's not arrogance, he's just ambitious but shows it in a rearher inappropriate manner.
Monoma doesn't like that and I can understand why. Unlike Bakugou, Monoma is an underdog. No one ever cheered for him or supported his goals. When he saw Bakugou and his indifference or rather ignorance towards his audience, he thought he was acting ungrateful and that pissed him off. Especially because Monoma is the most grateful out of all the characters.
He wants to be recognized among the crowd and accepted by his peers by means of finding a place where he truly belongs, something he couldn't achieve when he was little. Bakugou doesn't yearn for fame or money. He wants to prove himself and push his limits because winning is what heroes do. Their life goals are different but their ways of dealing with things are surprisingly similar. They're throwing shade wherever they go and they're incredibly noisy, with Bakugou spreading insults and Monoma mocking every living soul but that's the way they are and people grew accustomed to it.
I mean look at this-
Similarities:
blond
smart
rude
sad
sarcastic
uncomfortable
embarrassed
In conclusion:
They share the same level of bitterness + their friends(Tetsu and Kiri) are also very good friends which indicates their similar tastes in people they appreciate.
Also something from Noragami:
"YOU HATE THOSE THE MOST LIKE YOURSELF"
Tbh if bnha was all about class 1b, Monoma would be, in fact, favorable because everyone would have a bad impression of class 1a for being rude and arrogant thanks to Bakugo since we'd only see 1b's side of the story. And although everyone made friends with each other and now are staying on good terms, they're still having this sort of rivalry between them which is completely normal considering the fact that 1a still precedes in particular aspects.
Despite this friendship, Monoma does not believe them in a slightest. He looks at their relationship in a way that class 1a uses their friendship to distract them from trying to be better than them. If you are in good relations with someone, it is natural that you will go easy on them because of the empathy we feel towards others. He thinks they're playing them in order to get what they want. It affects their reputation as a hero and class 1a represents their concurrency so it isn't all about some friendship between kids, it's their future and their careers that get affected as well.
But then again, Monoma isn't fighting for his own selfish purposes, he's doing it for his class. He loves his class from the bottom of his heart and he wants them to succeed, that's why he's so annoying. Class 1a represents their concurrency, they're taking away their spotlight. They're limiting their chances of becoming pro heroes while class 1b is so much better than them and that's what actually bugs Monoma.
They’ve worked just as hard as class 1a, they’ve overcome all the same scholastic obstacles and yet it’s always 1a on the news, 1a in the papers, 1a surviving yet another dramatic and utterly glamorous supervillain encounter. See, 1a gets all the luck.
If he was selfish, narcissistic and egoistic, he'd constantly complain about deserving his place among the best in class 1a but no, he's proud to be with his friends because b class is all about solidarity and teamwork. His class loves him and he's getting along with everyone just fine. His cooperation stats are 4/5, he's a very friendly person.
His intelligence and tactics stats are 5/5, he's a smart person and he obviously doesn't do shit without a reason. His power and speed stats are 1/5, he's weak and very insecure in himself. Naturally he would develop a inferiority complex to protect himself but at the same time trash talks himself to talk up his class which I find very funny and kinda sympathetic in a way.
I bet everyone's just seeing this annoying side of him but there's so much more to his character and Kendou understands that all too well. That's why they're never arguing or fighting for their own beliefs because she knows how much he's hurting. And it's not just him, most of his classmates are also having a sort of rivalry with class 1a but they're being less obvious about it.
Seing this side of him made me start to really like him. He's a sad character with a great desire to belong somewhere and that's probably the reason why I can't possibly hate him. That's just my opinion but I hope others can relate as well. ❤️❤️❤️
#boku no hero academia#my hero academia#bnha#mha#i made a master post#i'm tired#monoma neito#monoma#class 1b#1b#bnha edit
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i was tagged by @hoeelliott :)
b - bijou (queen)
r - ramble on (led zeppelin)
i - implicit demand for proof (tøp)
a - armageddon it (def leppard)
n - now i'm here (queen)
m - madman across the water (elton)
a - amoreena (elton)
y - you take my breath away (queen)
s - switch 625 (def leppard)
c - cool cat (queen)
l - lady strange (def leppard)
o - one year of love (queen)
g - get down, make love (queen)
i tag::
anyone who wants to do it:)
(sorry i do not know a lot of people on here or interact regularly enough to tag them)
i was tagged by @somebodytoloveee a while ago. thanks ♡
rules: spell out your url using song titles and tag as many people as letters in your url
h - have you ever needed someone so bad (def leppard)
o - one more reason (l.a. guns)
e - excitable (def leppard)
e - electric gypsy (l.a. guns)
l - love (def leppard)
l - lay it down (ratt)
i - i wanna be your man (l.a. guns)
o - out ta get me (gnr)
t - trouble is your middle name (whitesnake)
t - two steps behind (def leppard)
i tag(i didn't check if some of you had done this already, so if you have, ignore me):
@ssexysav @fricksavage @vivianismyleppard @brianmaysclog @rocknroll0321 @nikkisixx146
#queen#def leppard#elton john#twenty one pilots#tyler joseph#josh dun#roger taylor#brian may#john deacon#freddie mercury#joe elliott#steve clark#rick allen#rick savage#phil collen#bernie taupin#led zeppelin#jimmy page#robert plant
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