#I'll keep adding the parts to this post

[hella1975]

a post about fic updates! so the fics im currently juggling are dog teeth, tams, and of course, taob. my original plan was to start posting the second installment of the dog teeth series by sometime in april, bc it's the fic im most into atm and i already have the first chapter done, i just want to bank another one or two because once i start posting it i want to KEEP posting it with regular updates, hopefully every 2 weeks like with kaiein. HOWEVER this will put my atla fics on a back burner. april is a good writing time for me (PLEASE PLEASE PLEASE PLEASE) bc i have the entire month off from uni to prep for may exam season, and i always want to write when im procrastinating my degree. which is. it's own thing im sure i'll graduate it's fine i'm fine. so if i focus on dog teeth, neither tams nor taob will get focus until like. june. which is par for the course with taob but im NOT happy about doing with tams.

SO my thought process was i can either be normal about this and just accept it's literally my final year at uni and im trying to graduate and it doesn't matter if updates are slow on ANY fics, or i can do my usual and implement an insane deadline that i somehow always make by the skin of my teeth. can you guess what i went with?

and thus i present unto the crowd my tentative plan: have the next taob chapter done by middle of april (im aware this is quite hand-wavey but it gives me a month to work with, so in my head this means anything between april 10th-20th), have the next tams chapter done by the end of april, and dog teeth can follow.

[vastiitas]

quick rundown for that modern cowpuncher verse (v;lil slice of heaven saddled on a cowpuncher's dream):

kid that came from dust scraps that took to the pbr as soon as he could (min age is 18 for entry, I'm sure); he quickly takes the stage by storm as the kid who came from nowhere.

in elaboration to his youth: it's not so different from how it is in all his other verses. a dispossesed, orphan traveller who works his ocassional odd jobs, but for the most part he DOES stick to being a cowhand; bothering the local vaqueros and rancheros about rodeo competitions. he does a lot of trial and error learning on his own, uses a lot of secondhand and borrowed equipment while building his own set for his first entry. before the loss of his parents, he'd started with mutton busting as per most kids.

cole's other point of interest in the competitions is steer wrestling, which he will perform for on the occassion, but not as frequently for a bull ride; he's also a mean ass roper - but he keeps this skillset to the job despite folk asking him to partner up for team-roping or just enter as a roper.

cole takes a lot of his winning funds to settle out and work his own property in his downtime. it's a modest size compared to an average ranch (he keeps about ~25 head or less), and he keeps it this way to be manageable when he's travelling between competitions. good neighbors will ranch-sit for him while he's away.

he's well-known and well-regarded in the town he settles down in; knows most people's names. im just going to put some of his other modern-verse npc's residing in this town which include Ernesto, who taught him to maintain and build a motorbike, and Ol' Kooky Sal who threw him around on a crop duster plane.

Maria remains his ranching horse, though she's getting up there in age. He still steals her from Drug Mules and it plays, in part, as to why she mostly remains a stay-at-home horse. He shows in public with another horse I'll work out more in depth later.

He still loses his arm, at some point.

[transvampireboyfriend]

✨writing✨

[notthestarwar]

Have another snippet of my writing that I like. This one prob requires a bit of set up so,

This is a modern au. Jaster raises 10 of Jango's kids in his absence, before Cody runs away at 16. Years later, Jango is murdered and it turns out that he's been living in the same city as Cody all along, and so have Wolffe and Fox, each living completely different lives.

Excerpt from: the Last Days of Jango Fett

Cody’s gaze sweeps over the exterior of the gym and he wonders if he's making a mistake. He spent a lot of his time, growing up, in gyms like this. The faded lettering of the sign declares the gym’s official name to be ‘Koon’s training gym’ but scrawled over that, in grey lettering, is its true name ‘Plo’s bro’s’ he bites his cheek, wondering at the identity of Plo. If he’ll find him inside, or if the sign serves as only a fond memorial. He crosses the threshold and he may as well have stepped back in time.

He can hear a familiar voice, barking orders, corrections. But his gaze skips straight over the set of strong shoulders, the back of a head so much like his own, and instead he only has eyes for the ring, because inside, there is a boy who for all appearances could be Cody’s own; who could even be Cody himself, had you a loose grip on temporal structure.

Boba is good, better than a boy of his age should be, clearly Jango’s been training him. He still wouldn’t have stood a minute in the ring with Cody at the same age, not that that’s any fair comparison; Cody could have beaten them all. They said he was born with a golden ticket in his mouth. A right hook to end all right hooks and with it, a way out. For them all.

Cody had spent all his teen years training in a gym like this, just down the road from Jaster’s, born ability or not, he wasn’t given an easy ride. Jaster’s old buddies rallied together for one last go and they gave it their all. Within the walls of that gym, they lived again, they gave it all they had to train Cody like it were 30 years previous and they still had a chance in hell of winning. For a moment, it seemed like they would.

Cody in the ring had been a sight to behold. He and he only, could retrieve their last chance, lost to anyone else because no-one knew where it fell. But Cody and Cody only, he would rise to the top and he would reach and he would hold it in his hands. Glory. Lost and abandoned, left to gather dust from the day it had fallen from Jango’s hands. Theirs, once again. Cody could have saved them all.

But. Cody couldn’t be that for them. He had the talent, sure. He had the drive to make it to the top, for certain. More than all of that, he had that magic, that thing you can’t quite put a word to, that made him a sight to behold in the ring. Like pure gold. But there was one thing Cody didn’t have, the wherewithal to be his Fathers keeper. Cody did not have it in him, to live his life for a man that did not want him. Glory in the ring; that was Jango’s dream, not his.

Born on a cool November, against the odds, Cody entered the world a healthy 9'5 with a healthy set of lungs to match. Jango did not know of this, Jango was not there.

Cody, healthy and round, had been placed in to the arms of a woman who had looked down upon her son and immediately known that she could never, quite, be what he needed and so she hadn’t tried to be.

Once when he was young, Cody had overheard Jaster speak of her. Only the once and not of the woman herself but of her, as Jaster put it, ‘sentimental bullshit’. Jaster was a strong believer in facing up to your problems and the woman who had given birth to Cody, did quite the opposite.

That woman had looked in to her babies eyes, and had delivered that baby, quite promptly, to Jaster’s doorstep. An undetermined amount of time later, Jaster had answered the door to find two bottles of milk and Cody, laying on the doormat.

Cody had been left quite alone, with nothing but a blanket, and a note; explaining that his mother, having looked in to her son’s eyes’, had immediately known that she could never contain quite the amount of love that her son would need and was therefore, leaving him to his Father, a man she was sure was more than capable. Jaster, who at this point was already responsible for two of Jango’s progeny, suspected otherwise; as he had told the milkman that day after he had kindly knocked and asked if Jaster was quite aware there was a baby sleeping on his doorstep.

That day, standing there speaking to Jaster as a baby laid between them, the milkman, in a moment of startling honesty, had looked down to the babe and told Jaster that upon the birth of his first son, he had worried that he wouldn’t be suited to fatherhood, but had since realised that all the little ones really needed; was loving. Jaster, not having slept through the night in about 2 years by that point, had bluntly retorted that love would not feed yet another mouth and so, he would be needing another bottle of milk, before sweeping down to gather the child to his chest, the note laying unneeded on the doorstep.

Cody had heard Jaster reason, through that crack in the kitchen door, that the last thing any child needed was a bit of paper telling them their parent didn’t have it in them to love them enough. Jaster had known, from that first glance at Cody, as all parents do, that upon finding that Cody needed more love, he might only ever meet such a thing with carving out just a bit more space in his heart or wherever else love is kept, to hold it.

To Jaster, parenthood was not about biology, it was simply about being needed and being the kind of person, that would change themselves however necessary, to meet that need.

That day in the kitchen, Jaster’s friend had shortly weighed him up to be a ‘soft fool’ who ‘only had it coming’ ‘what with all these doorstep babies’, but Jaster hadn’t seemed to mind. In the following years, Cody had rarely heard him talk like that again, but the sentiment lived on with him all the same, carried with him until he was old enough to understand what such a thing really meant.

Not that Jango ever stopped by to see it for himself, but everyone who met Cody declared him to be the spit of him. Cody was Jango’s second coming for sure, it didn’t matter that Jango was still walking the earth. Everyone who saw Cody in the ring was sure that he’d been delivered upon them to finish what Jango could not.

Cody often worried, that he wouldn’t quite weigh up in the eyes of Jaster, who had afterall, known Jango the best. Cody rather worried, that he instead, might take after his maternal side. The type to run from problems rather than face them. Because of this fear, Cody spent his whole life rising to each and every problem until one day, he did quite the opposite.

In the early hours of the day Cody’s big match was to be held; the one that was sure to shoot him right to the top, so high that his eyebrows would brush the stars and the rest of them, they’d all be able to fall on clouds; the big match that wasn’t just Cody’s ticket to a kinder life but everyone’s, his showstopper, Cody had found himself with a bag over his shoulder walking the track out of town.

When he reached the end of that track, where the old road met the big one, he’d found Jaster sat waiting for him.

Jaster had offered Cody a small smile and, told him he was beginning to worry that he wouldn’t come. Then, he had met his eyes and wished him luck. Jaster had said that he was proud of Cody, for having reached the same conclusion that Jaster himself had; Jaster knew that Cody was not put on this earth to right Jango’s wrongs, Cody was here, only to be Cody , and besides, he never had to worry about turning out to be the kind of person that Jaster might not like, because the thing about raising someone, is you keep loving them no matter who they might turn out to be.

Later that day, as one by one the fields passed him by, Cody had looked out the window of the coach and known with a surety that sometimes, the only way you can face your problems, is by leaving.

That day, Cody left the memory of Jango Fett behind, in search of a life where there was a bit of room to be Cody Mereel, and he had never once looked back.

Cody had left the memory of Jango behind, in the pursuit of himself, but now, here was Boba.

Boba had not left Jango behind as he hadn’t been given time to, Jango was only a ghost in Cody’s childhood but he was something more real to Boba. That is at least, until one day, when he was just gone.

For the first time, Cody looks behind himself and there, following, as he always has been, is the boy he left behind. Cody had to leave that boy in order to become the man he is today. he doesn’t regret it, he likes who he is, who he allowed himself to become, by leaving. But now he can see that in order to help Boba, he needs to be both the man who’s risen above the ghost of his father and also, the boy who could never quite live up to the memories his father left behind.

For the first time in his adult life, Cody remembers what it was to be the son of Jango Fett and then, against better reason, he holds on tight to that memory. When he looks back over his shoulder once again, there isn’t anyone there. That boy is looking forward as Cody looks forward and when he takes his next step, they take it as one. Cody is whole and he is his self, he is as he always has been, wholly and completely.

In the gym that is in every way, both the same and nothing like those of his childhood, Cody takes another step and then another, until his toes are almost touching the side of the ring.

Boba sees him first, just a glance and then, Cody sees the moment that his face registers. Boba just stops in space, he blinks wide eyes at the sight of him before tilting his head, letting those same eyes trace over Cody.

Now that he’s seen Jango Fett, Cody knows precisely why he might garner such a reaction, Cody didn’t have a dad so he has no idea what it is like to lose one. He can’t quite imagine what this must be like for Boba, it’s just you and your dad and then, he is murdered. Your dad dies and you are 10, and then, almost identical men start spilling out of the cracks of the city.

Boba has been distracted for long enough now that Wolffe has given up on trying to call his attention back, he turns to see what has the boy’s attention caught and soon comes up short himself.

Cody looks up at his big brother for the first time in 20 years and swallows.

“Hi Wolffe.” He says quietly.

Wolffe is frozen, even more so than Boba, not even his eyes move and now Cody looks at him, he isn’t sure if they can. One side of his brothers face is heavily scarred, like something long ago scraped across the surface, even from here Cody can see that the eye on that side is clouded.

His brother takes in a loud breath, “Cody?”

And then before Cody can even think to answer, Wolffe is moving, rolling out of the ring until he can engulf Cody in his arms.

Cody is the same size as Wolffe now but somehow it doesn’t feel like it, he feels dwarfed, finally back in his brothers arms and why did Cody ever think he could live without this? Wolffe’s arm is cradling his head and the other is bracing Cody’s back and he can feel his head tucked against Cody’s own and Cody has been alone for 20 years and he didn’t have to be, he knows this now, as well as he knows anything.

Cody doesn’t know what he expected. He doesn’t know what he expected from any of this. The past week has been a storm. An uncontrollable thing that you can only watch happen.

Had he thought maybe that upon seeing him, Wolffe might hit him?

Maybe that he would berate him for leaving?

Cody didn’t know who the adult his brother had grown in to really was. Maybe he had expected him to be cold, distant in the face of the brother that left them all? Cody had showed them all that it was possible to leave, that such a thing wasn’t only the purview of Jango and from what Rex had said that had left their family fractured. It had never been the same again after Cody left and showed everyone that they could leave. One by one, they had each followed him in to the unknown, lost to each other thanks to him.

Had he thought any of that, he would have been wrong. The man holding him isn’t any of that, he is just Wolffe, he is just Cody’s brother.

They are together, once again.

[alittlebitgoofy]

update i interconnected a fuck ton of ships i like and now i wanna write an overlapping au all set in the same time scale where they're all just living life and it's just silly little drabbles of life however mundane or angsty or fluffy i feel like and <3 < 3, 3,

[taruruchi]

OHHH... I *DO* HAVE THAT TWST INTRO THING... RIGHT......

[oliapfel]

Culinary school is to a real service line the same way College prep in High School is to College

Gives you a false impression on how the "real world" works. The moment you step foot on the line the whole "you have to do everything alone" mindset becomes more a hindrance than culinary school leads you to believe.

Don't get me wrong, I get the need to learn all the individual skills yourself to be more prepared, but they pretend like you have to do a whole menu of varying items completely alone when that's just not the case. You are a team that works together and if one falls behind, the rest are there to help pick up the slack. If the person in charge of omelets is overwhelmed, you take some tasks off their hands.

[vaguenotions]

Oh, yes, I just love your unannounced sleepover where you both come back from the bar after carefully avoiding telling me that's where you were going, and also neglecting to tell me when you'd be home! I definitely do not want to knock you on your ass and take a bat to your dome! That would be rude and unnecessary :)

Oh yes, please do start talking about shit amongst yourselves and make me feel isolated and othered in ny own room! These moments are what I live for, of course. Naturally. Who would ever have any issues with this arrangement at all?

[jadevine]

Preindustrial travel, and long explanations on why different distances are like that

Update March 1, 2024: Hey there folks, here's yet another update! I reposted Part 2a (the "medieval warhorses" tangent) to my writing blog, and I went down MORE of the horse-knowledge rabbit hole! https://www.tumblr.com/jadevine/741423906984951808/my-post-got-cut-off-so-i-added-the-rest-of-it Update Jan 30, 2024: Hey folks, I've posted the updated version of this post on my blog, so I don't have to keep frantically telling everyone "hey, that's the old version of this post!" https://thebalangay.wordpress.com/2024/01/29/preindustrial-travel-times-part-1/

I should get the posts about army travel times and camp followers reformatted and posted to my blog around the end of the week, so I'll filter through my extremely tangled thread for them.

Part 2 - Preindustrial ARMY travel times: https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask

Part 2a - How realistic warhorses look and act, because the myth of "all knights were mounted on huge clunky draft horses" just refuses to die: https://www.tumblr.com/jadevine/732043691180605440/helpful-things-for-action-writers-to-remember

Part 3 - Additional note about camp followers being regular workers AND sex-workers: https://www.tumblr.com/jadevine/740604203134828544/reblogging-the-time-looped-version-of-my

--

I saw a post on my main blog about how hiking groups need to keep pace with their slowest member, but many hikers mistakenly think that the point of hiking is "get from Point A to Point B as fast as possible" instead of "spending time outdoors in nature with friends," and then they complain that a new/less-experienced/sick/disabled hiker is spoiling their time-frame by constantly needing breaks, or huffing and puffing to catch up.

I run into a related question of "how long does it take to travel from Point A to Point B on horseback?" a lot, as a fantasy writer who wants to be SEMI-realistic; in the Western world at least, our post-industrial minds have largely forgotten what it's like to travel, both on our own feet and in groups.

People ask the new writer, "well, who in your cast is traveling? Is getting to Point B an emergency or not? What time of year is it?", and the newbies often get confused as to why they need so much information for "travel times." Maybe new writers see lists of "preindustrial travel times" like a primitive version of Google Maps, where all you need to do is plug in Point A and Point B.

But see, Google Maps DOES account for traveling delays, like different routes, constructions, accidents, and weather; you as the person will also need to figure in whether you're driving a car versus taking a bus/train, and so you'll need to figure out parking time or waiting time for the bus/train to actually GET THERE.

The difference between us and preindustrial travelers is that 1) we can outsource the calculations now, 2) we often travel for FUN instead of necessity.

The general rule of thumb for preindustrial times is that a healthy and prime-aged adult on foot, or a rider/horse pair of fit and prime-aged adults, can usually make 20-30 miles per day, in fair weather and on good terrain.

Why is this so specific? Because not everyone in preindustrial times was fit, not everyone was healthy, not everyone was between the ages of 20-35ish, and not everyone had nice clear skies and good terrain to travel on.

If you are too far below 18 years old or too far past 40, at best you will need either a slower pace or more frequent breaks to cover the same distance, and at worst you'll cut the travel distance in half to 10 or so miles. Too much walking is VERY BAD on too-young/old knees, and teenagers or very short adults may just have short legs even if they're fine with 8-10 hours of actual walking. Young children may get sick of walking and pitch a fit because THEY'RE TIREDDDDDDDDDD, and then you might need to stay put while they cry it out, or an adult may sigh and haul them over their shoulder (and therefore be weighed down by about 50lbs of Angry Child).

Heavy forests, wetlands and rocky hills/mountains are also going to be a much shorter "distance" per day. For forests or wetlands, you have to account for a lot of villagers going "who's gonna cut down acres of trees for one road? NOT ME," or "who's gonna drain acres of swamp for one road? NOT ME." Mountainous regions have their traveling time eaten by going UP, or finding a safer path that goes AROUND, so by the time you're done slogging through drier patches of wetlands or squeezing through trees, a deceptively short 10-15 miles in rough terrain might take you a whole day to walk instead of the usual half-day.

If you are traveling in freezing winters or during a rainstorm (and this inherently means you HAVE NO CHOICE, because nobody in preindustrial times would travel in bad weather if they could help it), you run the high risk of losing your way and then dying of exposure or slipping and breaking your neck, just a few miles out of the town/village.

Traveling in TOO-HOT weather is just as bad, because pushing yourself too hard and getting dehydrated at noon in the tropics will literally kill you. It's called heat-STROKE, not "heat-PARTY."

And now for the upper range of "traveling on horseback!"

Fully mounted groups can usually make 30-40 miles per day between Point A and Point B, but I find there are two unspoken requirements: "Point B must have enough food for all those people and horses," and "the mounted party DOESN'T need to keep pace with foot soldiers, camp followers, or supply wagons."

This means your mounted party would be traveling to 1) a rendezvous point like an ally's camp or a noble's castle, or 2) a town/city with plenty of inns. Maybe they're not literally going 30-40 miles in one trip, but they're scouting the area for 15-20 miles and then returning to their main group. Perhaps they'd be going to an allied village, but even a relatively small group of 10-20 warhorses will need 10-20 pounds of grain EACH and 20-30 pounds of hay EACH. 100-400 pounds of grain and 200-600 pounds of hay for the horses alone means that you need to stash supplies at the village beforehand, or the village needs to be a very large/prosperous one to have a guaranteed large surplus of food.

A dead sprint of 50-60 miles per day is possible for a preindustrial mounted pair, IF YOU REALLY, REALLY HAVE TO. Moreover, that is for ONE day. Many articles agree that 40 miles per day is already a hard ride, so 50-60 miles is REALLY pushing the envelope on horse and rider limits.

NOTE: While modern-day endurance rides routinely go for 50-100 miles in one day, remember that a preindustrial rider will not have the medical/logistical support that a modern endurance rider and their horse does.

If you say "they went fifty miles in a day" in most preindustrial times, the horse and rider's bodies will get wrecked. Either the person, their horse, or both, risk dying of exhaustion or getting disabled from the strain.

Whether you and your horse are fit enough to handle it and "only" have several days of defenselessness from severe pain/fatigue (and thus rely on family/friends to help you out), or you die as a heroic sacrifice, or you aren't QUITE fit enough and become disabled, or you get flat-out saved by magic or another rider who volunteers to go the other half, going past 40 miles in a day is a "Gondor Calls For Aid" level of emergency.

As a writer, I feel this kind of feat should be placed VERY carefully in a story: Either at the beginning to kick the plot off, at the climax to turn the tide, or at the end.

Preindustrial people were people--some treated their horses as tools/vehicles, and didn't care if they were killed or disabled by pushing them to their limits, but others very much cared for their horses. They needed to keep them in working condition for about 15-20 years, and they would not dream of doing this without a VERY good reason.

—

UPDATE January 13: Several people have gotten curious and looked at maps, to find out how a lot of cities are indeed spread out at a nice distance of 20-30 miles apart! I love getting people interested in my hyperfixations, lol.

But remember that this is the space between CITIES AND TOWNS. There should never be a 20-mile stretch of empty wilderness between City A and Town B, unless your world explains why folks are able to build a city in the middle of nowhere, or if something has specifically gone wrong to wipe out its supporting villages!

Period pieces often portray a shining city rising from a sea of picturesque empty land, without a single grain field or cow pasture in sight, but that city would starve to death very quickly in preindustrial times.

Why? Because as Bret Devereaux mentions in his “Lonely Cities” article (https://acoup.blog/2019/07/12/collections-the-lonely-city-part-i-the-ideal-city/), preindustrial cities and towns must have nearby villages (and even smaller towns, if large and prosperous enough!) to grow their food for them.

The settlements around a city will usually be scattered a few miles apart from each other, usually clustered along the roads to the city gates. Those villages and towns at the halfway point between cities (say 10-15 miles) are going to be essential stops for older/sick folks, merchants with cargo, and large groups like noble’s retinues and army forces.

Preindustrial armies and large noble retinues usually can’t make it far past 10-12 miles per day, as denoted in my addition to this post. (https://www.tumblr.com/jadevine/739342239113871360/now-for-a-key-aspect-that-many-people-often-ask )

[rubys-domain]

damn, i still got a healthy amount of posts in the queue. i went a little ham in my last queuing spree huh

[rin-may-1103]

The Master Post.

someone asked for a master post so here we are.

Tag List? yes, there is a tag list. If you'd like to be Added, please leave a comment on the Stories Linked Post. If the tags aren't working for some reason, then you can either Follow this post by clicking the bell (or the three dots) or follow the Story's Post the same way. I'll update both Relevant Posts when there is a New Part.

Unfortunately, I can't keep up with all the people asking to be added to the tag list in all the different posts, so to make it easier, please follow the instructions above. if you don't I'll most likely miss your comment and therefore not add you to the tag list. (if you're not sure if you're tagged or not, you can check out the Tag List Here, please follow the instructions in the comments)

Thank you for your understanding and cooperation.

I hope y'all keep enjoying the stories as much as I enjoy writing them.

Stories and Summaries:

The Wrong Robin Au (DP x DC):

Tim Drake saw Danny do a quadruple somersault, which resulted in him believing Danny was the first Robin for years. He still figured out Bruce but thinks Dick is in the dark. Now with the second Robin dead, and Batman quickly reaching the end of his sanity, Tim takes it upon himself to get Robin to come back. Danny is very confused when this random kid tries to blackmail him into becoming Robin.

Badger Day Au (DP x DC):

Danny is stuck in a Groundhog Day kinda situation and he would like to be let out now, please. The league is very worried.

Delilah's language (DP x DC):

Bruce Wayne approaches the Fentons because Damian is a big fan of Danny for his work in the conservation of the purpleback gorilla. So now Danny is going to the birthday of this random kid so he can teach him gorilla sign language so he can talk to the purple-back gorilla as well.

Just a Bite (DP x DC):

Danny's homeless on the streets of Gotham, when he gets a terrible idea from some passerby. Three weeks after living with the Waynes, they still haven't noticed he's not supposed to be there.

72 hours (DP x DC):

During a battle with the rest of the league, John Constantine is accidentally sent into the palace of Pariah Dark, Tyrant of the Dead, and Bane of the Living. Danny just wanted to have a simple spa day.

Biggest Regret (DP x DC):

Danny Had been optimistic when he created The Email. Three days, that's what he gave himself. Three days to fix or get out of whatever problem he was dealing with and open his laptop to restart the timer. Three days. Past him had thought that If he ever got caught they'd just kill him; it's what they said they would do this whole time, so why wouldn't he think otherwise? It's been more than three days, and at this point, he's just glad someone could fulfill his last wish.

The Disappointment (DP x DC):

Ra's has stated his disapproval of one of the twins, now Talia is rushing to get them out of there and to Bruce to be safe. Danny has other ideas.

Black Retrievers and Golden Cats (DP x DC):

He remembered how it took two hours for his mind to catch up to what he had done, two hours for him to realize he had just killed his brother. It took another two days to realize his brother was never coming back, that the pits had not worked. Damian stared at the camera footage infront of him, his family's voices buzzing with theories and analyzing everything they could. He remembered his brother's bright carefree smile just minutes before Damian had killed him. So, why? Why was he seeing it again?

College Rivalry with the Genius Toddler in the First Row. (DP X DC):

Tim doesn't understand how he's losing at university to a toddler. Danny's not having a great time, but it's fine because now he can terrorize Red Robin.

The Willpower of Space (DP X DC):

A faulty green lantern ring wakes from it's accidental eon long sleep due to how powerful Danny's willpower is. It decides that Danny is a worthy wielder and grants Danny the ability to use it. There's just one problem; Danny keeps dying. and the ring doesn't understand what's going on. Oa is very concerned.

The Weeping Boy Au (DP X DC):

I'll think of a summary later, for now, it's an expansion of this post.

The Eyes of Death Au (DP X DC):

In an attempt to prevent a cult from causing problems, Danny accidentally convinces the Justice League and Co. that he's possessing himself. Damian is not happy that his boyfriend is apparently the new June Moone.

[isekyaaa]

You sometimes mention writing fics, do you have an ao3? I cant find it linked anywhere...

No, I only post on tumblr. I've been meaning to move some of my stuff onto Ao3, but the one time I did it I ended up completely deleting the whole fic on accident after spending so long trying to figure out how to format, tags etc. I then decided to engage in the classic gamer move of rage quitting HAHA

My writing blog is @paimonial-rage if you are in the mood to check it out though! I just updated my masterlist!

[nereidprinc3ss]

do you believe me now? | 5

in which spencer reid and fem!reader are reunited, but the worst kind of sparks are flying. you meet a man named randall. derek morgan buys you a drink (sort of). it seems that some things can't be unsaid.

series masterlist

this series is 18+ warnings/tags: r goes to a bar but doesn't drink alcohol, gets hit on by weird men, dramatic, angst, sorry in advance a/n: surprise! i'll see myself out. love you! lmk your thoughts on this bad boy! i KNOW you'll have some! i'm locking all my doors and the cops are on speed dial after posting this. stay tuned for part six tho

You don’t call Spencer for four days. 

Spencer doesn’t call you for four days. 

It’s scary. 

There’s some texting—mostly him giving you updates on how things are going and when he expects to be back. Mostly you giving the messages a thumbs up and saying nothing else. 

Finally, on Thursday afternoon, his ringtone (the Bill Nye theme) makes you jump as you’re sitting on your bed staring into space. 

His caller ID photo—which is simply his passport photo, because you’d thought it was adorable—stares at you. You stare back. Contemplate not picking up. 

But you’re not quite there yet. 

And you cannot keep listening to Bill Nye the Science Guy. 

The answer button is cold under your thumb, but not as cold as your greeting. 

“Hi.”

You barely recognize your own voice. 

It seems to send Spencer for a loop as well, because his reply is halting. 

“Hey! Hi, um—how are you? I feel like we’ve barely talked this week.”

That would be because you told me my feelings for you are stronger than your feelings for me and I don’t know how to stop making every single word I say secretly mean I love you. We can’t have a conversation without me loving you. It will always be in the room or on the phone with us. To ignore the presence of it is impossible, and I don’t know if I can ignore the absence of yours, either. 

“Uh… yeah. I’m fine. What’s up?”

There’s a pause. 

“We wrapped up this morning. We’re getting on the jet here in a few minutes, and, um—I know it’s not ideal, but we missed Derek’s birthday and Penelope is insisting we all go to his favorite bar tonight. And he told me that for his birthday he wants to meet you. So… would you be up for that?”

“You want… to take me to a bar?”

“No. I mean—I know it’s not really your thing, but we missed Derek’s birthday three years in a row, and—and I understand if you don’t want to meet him tonight, but we wouldn’t have to stay very long and I really, really shouldn’t skip it. Derek has saved my life on more than one occasion.”

“You could go without me.”

More silence. Every second hurts, but you don’t understand why he wants you to come meet his best friend if he thinks the two of you are in different places emotionally. 

But maybe he’s not going to break up with you just yet. Maybe he’s going to keep inviting you to bars and foreign film festivals and bookshops. Maybe he’s going to treat you exactly the same as he always has but with this new added layer of knowledge that the way he treats you isn’t actually love, and it never was, and you’re not sure if it has the potential to ever become love. Because if it did—wouldn’t it have already? What more do you have to offer than what you’ve already given him?

Breakup or no breakup, you feel sick. 

When he speaks his tone is similarly chilly. It’s welcome. You want him mad. If he can’t reciprocate your adoration, then the very least he can do is have the decency to reciprocate your reproach. 

“I could. Is that what you want?”

No. I don’t want any of this. I need you to know me well enough to know that. And if you can’t love me then at least get angry. At least show me you feel something other than passive contentment. 

“Yeah. Sure. I don’t know.”

A pause stretches so long your heart pounds. You watch the elapsed time of the call tick by, second by second, and you wait for the anticipation to crack under the weight of silence, to give way to some terrible jump scare or to give way at all. 

But the words that end the conversation (if you can even call it that) aren’t any great relief. They’re just sad, and chalk full of defeat. 

“Alright. I’ll… I’ll call you later.”

You feel like you’ve swallowed an ice cube. All the words you’d like to say are frozen in your stinging throat. 

“Okay. Um… I’ll let you board now.”

“The jet’s not…” but he trails off. When he speaks again he sounds just as hurt as you’d wanted—and it doesn’t make you feel better at all. “Okay. Bye.”

“Bye.”

The line goes dead, and your face is burning as tears fill your eyes for the hundredth time this week. That call was terrible and poisonous and you don’t feel like yourself. 

Things have gone so wrong so quickly, and all you know how to do is ice him out so he can’t do it to you first. But it’s not going to make this better. No matter how mean you are to him, at the root of it all you feel unloved and scared and alone and Spencer knows things about love and relationships that you don’t. He’s confusing you with all this talk of feeling differently about each other and I’ll be home tomorrow I miss you and things get complicated when one person likes the other more and let’s talk in person and will you come meet my best friend tonight. All of it leaves you motion sick and ugly crying in the fetal position. 

All you have to get through this is who you’ve always been, a little of the person you’ve become, and the love you harbor for Spencer which rattles around in your chest like a nail in an empty toolbox. At the moment it hardly seems helpful. It mocks you, pointing out the pathetic hilarity of your paradox. The only person who can comfort you, the person you want more than anything, is the reason you’re so upset in the first place. But you can’t help being drawn to him. 

Maybe the love you have for Spencer is more like a magnet in a compass. 

Even if he doesn’t feel it for you, you do love Spencer. And that goes beyond just loving the parts of him that like you. To hide from that love would be a gross disservice to yourself and all the work you’ve done to get here. It’s not as if you suddenly know exactly what the answer is—but you’re sure that hiding is the most childish, cowardly thing you could do and the furthest you could get from a resolution. Even if you can’t make him love you back, you refuse to allow yourself to fizzle quietly out of his life. This relationship deserves something more than that. 

So maybe you don’t have a plan when you wipe your eyes and pick up your phone. Maybe there’s no strategy behind your actions as you text Garcia for the bar location. But if you keep running from everything you’ll never get anywhere. All you can do is show up. It seems like the next best step. 

------

The pub isn’t too crowded—but for a Thursday night, you suppose it’s a bit busy. 

Boot heels hooked onto the metal foot-beam of the stool you’re sitting on, elbows resting on the polished mahogany surface of the bar, you’re staring into an untouched mixed drink. Then you glance down the bar to your right, at the man who’d bought it for you. 

Maybe your ensemble gave him the wrong idea. 

Coming to this gathering had required bravery, and you came armored. Your ensemble projects significantly more confidence than you’re currently feeling. It was intentional, a form of self-protection—but now you’re wondering if it’s projecting a little too much confidence. 

All done up, clearly still a little rough around the edges, and sitting alone at a bar was bound to draw the wrong pairs of eyes. 

“Hey, darlin’,” the gruff man says, approaching when you inadvertently catch his gaze. “Are you gonna drink that, or should I? Otherwise I’m lookin’ at eleven dollars right down the drain.”

You avert your eyes, scanning the groups dotted here and there. 

“I’m waiting for friends.”

“Does that make a free drink less appealing?”

He takes the stool next to you, off-gassing the scent of cigarettes and leather. 

“I’m not drinking.”

“Really? I’ve never seen a girl who looks as sad as you do come sit at the bar to stay sober.”

You frown, looking back up at the man next to you. He seems like the Hell’s Angels type—tattooed knuckles, leather jacket, grey beard, and a weathered face that’s clearly spent decades with the sun. Fifties, maybe younger and just looks more rugged. What does it say about how I look tonight that this is the kind of man I’m attracting, you wonder. Maybe you look desperate and just as lonely as you feel. As he claims you do. 

“I’m not sad.”

“Alright. I’ll take your word for it. But a happier girl wouldn’t be all alone.”

“I’m waiting for friends,” you repeat, letting the words drip like venom from your tongue. 

“I’m Randall. See? Now we're friends.”

“I don’t need more friends. I like the ones I have.”

Something catches Randall’s attention long enough to catch yours. He raises his bottle vaguely, gesturing beyond your shoulder. 

“Are those angry lookin’ guys in the suits marching right over here the friends you’re talking about?”

You turn your head, brows furrowed, and immediately see the gentlemen to whom your new pal is pointing out. 

Spencer is storming across the bar looking close to furious (which for him, means an expression so placid it gives you chills) followed by Derek Morgan—a man who you’ve only seen pictures of and is even more impressive in person. 

You hate how your breath catches, how your heart is already beating a little faster than usual at the sight of him even though you’re not exactly pleased with each other right now. 

Suddenly the bubbles in your cocktail are once again fascinating.

“Those are the ones.”

“And why are they dressed for church?”

Church?

“They’re FBI.”

“Ah. My lucky fuckin’ day.”

You almost snort. 

“Hey,” Spencer says sternly, hand settling on your back as he partially fills the small space between you and the strange man. “Who’s this?”

You shrug, sit up a little straighter, and take a shallow breath—not because you’re scared of this man but because Spencer is suddenly so close to you and you can feel his warmth and the air bending around him and the scent of him is genuinely dizzying to you. 

“Randall,” you exhale unenthusiastically. But the odd thing is that you’re rather grateful for Randall’s presence. Because now Spencer is here and you have no idea what you’re going to say to him. 

“Oh,” Randall says, sipping his beer unhurriedly before using it to gesture to Spencer. “You’re the boyfriend. You know, that’s funny, because she didn’t mention a boyfriend.”

“I didn’t mention anything. We weren’t having a real conversation.”

Randy holds his hands up defensively, fingers still wrapped around the neck of a sweating bottle. 

“I’m just saying it’s in-ter-esting. Not trying to start anything.” He stands, pauses for another sip—Spencer obviously isn’t sure what to make of this man because he says nothing. “But listen, man to man—you better buy her some flowers or a real pretty fuckin’ necklace or somethin’ because a happy girl in a happy relationship does not come pout at the bar all by herself.”

“Get out of here, man,” Derek finally speaks up. 

“Yeah, yeah.” He sets his empty bottle down and fishes in his pocket for a cigarette, sticking it between his lips. “But—just for the record—I have a wife. I wasn’t gonna do anything weird. Sometimes when you’re my age you just gotta live a little. Buy a pretty girl a drink. Piss off some Mormons, or whatever the fuck you are.”

This guy sounds like a bad Bruce Springsteen song. But part of you would almost rather hang out with Randall than be forced into a conversation you’re not prepared for with Spencer. 

And whose fault is that, you remind yourself. You decided to come be mature. Suck it up. 

“Goodnight,” Derek emphasizes. 

Spencer doesn’t say a word. You can feel his eyes boring smoking holes into the side of your face, and you look anywhere else.  

“I’ll be here next week after physical therapy like clockwork,” the stranger waves as he ambles away—but not before pointing at you. “You enjoy that drink, friend. And don’t say I didn’t warn you.”

What a weird man. 

There’s silence for a moment—in which Spencer refuses to stop watching you and you refuse to acknowledge that. 

“And here I was thinking Spencer made you up.” Derek has a beautiful smile and a warm, charming cadence as he holds out his hand for you to shake. “I’m Derek.”

You take the proffered hand and shake, offering him a shy smile and introducing yourself in kind. 

“Happy birthday, by the way. Sorry for crashing your party.”

Really, he’s stunning. 

“Thank you, sweetheart. And you’re not crashing anything. I told pretty boy here I wanted to meet you the second he started talking about a friend. But nah, he just wanted to talk and talk and talk about you—” 

“Alright,” Spencer mumbles, blushing, eyes finally torn from your profile. You smile slightly, brows knitting as Derek magically melts some of the terrible tension.

“Pretty boy?”

Before either of them can explain, someone shrieks in your general direction. You startle backward in your seat, and Spencer steps closer, hand sliding up your back as Penelope, JJ, and Emily join your little huddle. For only a second you allow yourself to shrink into him—before you’re straightening your posture like your spine is a metal rod and his touch burns. It’s a knee-jerk defensive reaction for which you have no explanation. You can’t see him, but you don’t feel his hand on you again. 

“Oh my god! Look at this beautiful person who I love!” Penelope exclaims, pushing past Derek to grab your face and kiss both of your cheeks. “Oh my god,” she says again, wiping sticky lipgloss away with her thumbs, “I totally meant to ask before I did that. But your face is just so kissable. I’m so glad you decided to come!”

“Hi, Penelope,” you smile half-heartedly, incapable of reciprocating her cheery mood. Fortunately, she’s cheery enough for a standard commercial flight’s worth of people, and probably thinks of Derek’s birthday as a national holiday—so she doesn’t pick up on this. 

Emily and JJ offer you tamer although perfectly kind greetings. 

“Ooh, what are you drinking?” Emily asks, leaning closer to examine the forgotten beverage in front of you. 

“Not that,” Spencer mutters, grabbing the glass and sliding it away from you. You give him an affronted look—and immediately wish you hadn’t, since you’re meeting his eyes for the first time since he left. His words stall for just a moment as his eyes dart between yours before he’s saying, “you shouldn’t accept a drink if you didn’t watch someone make it.”

The audacity of him to be acting protective makes you scoff. 

“That guy didn’t spike my drink. He was harmless.”

“People thought Ted Bundy was harmless, too.”

It’s such a ridiculous thing to say that you don’t even have a response—your eyes simply narrow and you shake your head. A claustrophobic silence falls over the small group. 

“Okay…” JJ murmurs. “Um, do you guys want to go check out the jukebox with me? We have to play all of the birthday boy’s favorites.”

Several enthusiastic yeses go around, but you’re too busy having a stand off with your boyfriend to take much notice. 

Soon, it’s just the two of you. 

“Controlling isn’t a good look for you,” you finally say, spinning to rest your elbows on the bar once more and studying the bottles of liquor on the shelves beyond. 

“Evasive and avoidant isn’t particularly flattering, either. I was under the impression that you had no intention of coming after that phone call earlier.” 

You scoff again as your blood heats. Already the conversation is going worse than you’d expected—and your expectations were not high. 

“Do you think the cab driver was a serial killer, too? Or maybe the bartender?”

He’s still behind you and slightly to the side—but he leans down, resting his own fists on the bar right next to you and speaking lowly, directly over your shoulder. 

“Why don’t you try speaking to me like we’re adults instead of starting meaningless arguments in order to get under my skin?”

From him, that hurts. 

It’s a branch on the tree of your greatest insecurity—the fear that you’re too inexperienced with relationships and that makes you too immature and he’s been lying every time he says it’s not an issue. Because of course it’s an issue. It’s why you fell in love with him, it’s why you don’t know how to fix it, and it’s why you’re incapable of actually expressing any of your feelings to him.

“Why do you think I’m here right now?” you whisper—as sharp and stinging as a poison dart. “I’m trying to be a fucking adult. I don’t want to be here.”

Silence. 

“Then why did you come?”

His voice is so calm it burns like dry ice. 

“Because! Because you asked me to, because—”

You can’t bring yourself to say it aloud. 

Because I’m obviously still in love with you and I can’t just turn that off. I tried to do the right thing. 

Instead you bury your face in your hands and let it hang in the air, unspoken. You know he knows. You just don’t know why he’s acting like you’re so unreasonable for being upset. 

“Let me make this very clear to you,” Spencer murmurs, brushing your hair away from your ear so tenderly, speaking so softly you could convince yourself that he’ll say something kind. It’s the closest he’s been in days and now that he’s here you feel how much you missed him in your bones. And even though you sense a trap, you can’t help but sit up straighter. You’ll be complicit in your own undoing if it means you can have him close. His breath shakes slightly as he inhales and you brace as best you can. “Nobody is forcing you to be here. You told me you weren’t coming and then you decided to show up. I was ready to give you the space that you were too scared to ask me for. But I can only take responsibility for so much of what is ultimately your bad behavior and your adolescent volatility. You can only blame so much of your bad behavior on inexperience before I run out of patience because I don’t find thoughtlessness and emotional immaturity compelling. I told you that if there is a disparity in the way we feel for each other, that was fine, and I meant it. But if you can’t cope with how I feel about you then don’t let me hold you back. I am not holding you hostage. You can leave whenever you want. So don’t waste your time punishing me because you don’t want to be here. And if you do want to be here, good. I want that too. But act like an adult and make a decision. My leniency has limits, even for you. I am asking that you do not push it any further than you already have.”

You don’t know how long it’s been since your last breath by the time he finishes his address.

Long enough that you’re dizzy when you push away from the bar and shoulder through the throng of patrons as quickly as you reasonably can without outright running. 

Long enough that when you burst out the door into the biting-cold night air, and finally take a deep, gasping breath, it burns and stings and aches and so does your head and your eyes as they well with hot, furious, heartbroken tears. 

You speed-walk to the end of the block, hand clamped over your mouth to muffle your cries and all the curse words you’d love to scream. 

Part of you knows you walked away from the bar in case he decided to try and follow you—but when you look over your shoulder the sidewalk is empty. You should’ve known better than to think he’d follow you after that. But at least it means you can have your breakdown by the relative safety of the bar, leaning your back against the dirty brick facade next to the entrance alcove and sliding down until your butt hits the cold concrete and you don’t even care. 

Who the fuck was that man in the bar who looked like Spencer and sounded like Spencer but spoke to you like this is all your fault, like it’s your fault you love him and he doesn’t love you back, like it’s ridiculous that you’d be upset, like you’re cruel and petty for having feelings about it, about him—for having any fucking feelings at all? And to think that was the man who you let know you more intimately than anyone ever has. Every insecurity you’d ever admitted to him was hurled back in your face like it was nothing. Hell—he even handed you the ones you’d never mentioned. He proved every terrible thought you’ve been having about yourself right. 

How could he be so unabashedly mean to you?

Spencer doesn’t have to love you. It seems clearer now than ever that he doesn’t. But part of you wonders if he suffered some sort of traumatic brain injury because that’s the only explanation for why he could go from treating you how he did before to treating you like he doesn’t even like you. 

You feel like you might throw up. 

“Called it,” a rasping, grumbling voice says from a few feet away. 

You look up, and spot fucking Randall standing under a street light ten feet away, still smoking. 

You go back to studying the tar spots on the sidewalk through bleary eyes. Pebbles sting as they press into your palms. Another one of the universe’s terrible jokes, you suppose. Just earlier you’d thought that you’d rather talk to Randall than Spencer and now here you are and here he is. 

“That kid as much of a dipshit punk as I thought he was?”

Hearing Spencer described as a kid and a dipshit punk is so jarring you almost stop crying. 

“He’s not a dipshit,” you sniff, voice thick with tears as you find yourself explaining Spencer Reid to this stranger for no reason at all. “He has an IQ of 187. He’s a genius.”

“Ah,” he scoffs dismissively, flicking ash from his cigarette. “Dipshit-ism don’t discriminate. Anyone can be one. Even your genius punk boyfriend. As a recovering dipshit myself I know what the work of a fellow dipshit looks like. And this has dipshit written all over it.”

You sob harder. 

Randall speaks calmly around his cigarette. 

“You know, I’m sorry for whatever you got goin’ on. But I’ve never not been the asshole when I got a hysterical woman in front of me. It’s nice that I can confidently say this time it is not my fault.”

The bar door opens, letting a warm burst of jovial music and chatter into the otherwise still night. Steps that are too heavy to be Spencer’s hit the concrete next to you—you look to your left and see Derek Morgan before he looks down and sees you. 

“Hey—you okay out here?”

“Why don’t you go ask your Jehovah’s Witness buddy? He did this.”

Derek makes a face, locating the source of this interjection. 

“Sir, I asked you to leave her alone once and I don’t appreciate being made to repeat myself. Are we clear?”

“Yeah, whatever. Fuck me for making friendly conversation, I guess. Gonna have to call my wife and tell her to pick me up down the street. I don’t want her on the damn phone while she’s driving.”

Randall wanders away again, still muttering to himself and smoking. Derek watches him go, staring daggers into his back until he turns his gaze to you. 

Goodbye, Randall, you think. Great. Now I have neither of them. 

“Hey,” he softens, crouching down to your level. “You okay?”

You sniff, wiping your cheeks and attempting not to smudge your makeup. It’s impossible not to feel awkward—you just met this guy and now he’s here trying to do emotional labor for you on his birthday. 

“Yeah, I’m fine. This is embarrassing.”

“You don’t look fine. Can I do anything for you? Do you want some food? A drink?”

“You really don’t have to—”

“I know, I know. But look—Reid is always talking about you. You’re important to him, and he’s important to me. I’ve never seen him this happy and I’ve known that kid a long time. It is in my best interest that someone maintain you, and if it’s not him, it’ll be me. Call it a favor to him, if that makes you feel better.” Derek is sporting a slightly more modest Cheshire grin again by the end of his sentence. Listening to him speak that way about Spencer speaking about you, it’s impossible not to feel a teeny bit lighter. Even if you’re not entirely sure where you stand on all things Spencer related at the moment. “So I’ll ask you again. Is there anything I can do for you?”

You sniff again. 

“Sure. A ginger ale or something might be good.”

“Got it. I’ll be back. And come inside if Randall tries to run up on you again, okay?”

Despite yourself you manage a laugh at the way he says the name. His warm smile flickers warmer at this.  

“Will do.”

When Derek returns a few minutes later, the plastic cup he’s holding looks decidedly not like ginger ale. 

“Penelope insisted that this is what you would want. I don’t even know.”

You smile slightly as you take the cup, full to the brim with bubbles and thick red syrup. A cherry bobs underneath the layer of cubed ice. 

“Shirley temple,” you chuckle. “I’ll take it. Thank you.”

“You’re very welcome,” he says, flashing that brilliant smile again, and you look into your cup as you drink. Maybe your face warms just a bit. You’re still shy around men, you realize. Especially attractive ones. And Derek Morgan definitely qualifies as attractive. 

“So,” he begins, and to your surprise, crouches down in front of you. “I have to be honest—I came out here in the first place because Reid sent me to check on you. But now I’m wondering what the hell he did.”

Spencer sent him. A considerate action that would theoretically signal his care for your feelings. You take another sip, staring into space and trying to digest this information, but it only jumbles with the rest to confuse you more. 

Of course, you don’t know how to convey this to Derek in a way that’s not overly-familiar for just having met the man, so you go with an old standby. 

“I’m probably just overreacting.”

“Uh-huh. I have sisters. I know what an overreaction looks like and if you were overreacting you wouldn’t be out here hiding. What’d he do?”

You can only keep up the facade of emotional stability for so long. Your chin wobbles in a horribly embarrassing way and you look down again. 

“I’m not sure—I’m not sure if he really did anything or if I’m just being dramatic and I don’t want to make him seem—”

“Why don’t you stop defending him and just tell me what he did?” Derek urges. “Trust me—I love that kid to death. But I also know he can be a dick sometimes. You don’t need to worry about making him look bad in front of me.”

Part of you is glad Spencer has such a good friend on his side. And Derek is right—Spencer is an adult. You don’t need to worry about besmirching his reputation. So you take a shuddering sigh, staring into the red of your drink. 

“He just doesn’t like me as much as I like him. Which isn’t his fault, like I said, but—he’s being such an asshole about it.”

Derek pulls a face, strong eyebrows making an impression as they knit.  

“Did he tell you that?”

“Over the phone,” you nod emphatically. “And just now he gave me this whole fucking speech about how immature and horrible I am for not being 100% happy about it. And maybe he’s partially right, I mean—I know people feel things differently and maybe he just was asking for more time. I worry I fucked it up so bad because I couldn’t handle that—but at the same time he didn’t say he wanted more time. He was really fucking unclear and vague about what he wanted, and he asked me to come to this bar like it was nothing when I’ve been worried he was going to break up with me all week. So yeah, I guess he’s right and I have been a bitch about it because I was upset that he didn’t… like me as much. And I wanted him to feel bad because I was so embarrassed, and I also didn’t want to act like everything was normal if he was just going to dump me, I…” you realize you’ve been hardcore rambling and your face heats. “I don’t know.”

There’s a pause, and you worry you’ve done exactly the thing you didn’t want to, which was overshare to this man who seems like he’s significantly more normal and well-adjusted than you. You drink deeply, swallowing sugar and the rest of your words. 

“That’s… bizarre. I don’t mean to invalidate your feelings, but… that just doesn’t make any sense.”

“Yeah,” you scoff, projecting annoyance so you won’t start crying again. “I was confused too. I thought he really liked me.”

“No, sweetheart, I’m saying—that doesn’t make sense because he does really like you. Really, really likes you, more than I’ve ever seen him like someone before. I mean, last week I finally finished that Tesla biography he’s been on my ass about for months and when I told him, all he wanted to do was talk about your thoughts on it. And then it wasn’t even about the book anymore. I have never, ever seen Reid pass up an opportunity to talk about Nikola Tesla. I’m talking never in my life. He finds a way to make every conversation about you. I can’t even follow the connections sometimes but he always finds a way.”

Your nose wrinkles. 

“Sorry you’ve had to hear so much about me,” you mumble. Though you’re not really sorry. It feels good. A twinge of joy in all the murk. 

“I’m not. Like I said, I’ve known Spencer for a long time and I’ve never seen him this happy. I’m not about to let him fuck it up.”

“If I make him so happy then why did he tell me we don’t feel the same?” you whisper, reaching into the puddle of syrup and ice at the bottom of your now empty cup. 

“Is that exactly what he said?” Derek asks, after a long pause. You bite the maraschino cherry off the stem and nod morosely, grinding a long-gone stranger’s cigarette butt with your boot just to crush something. There’s another beat of silence. “Alright. You know what I think?”

You raise your head to meet his gaze, your own wide-eyed and expectant. 

“I think you two need to have an honest conversation. You’re both confused and hurting—I promise Spencer is feeling it too. If you talk to him he won’t be unkind to you.”

“He already was,” you admit. 

“I apologize if I’m out of line here, but you just told me you’ve been icing him out all week because you want him to feel bad. I’m willing to bet you don’t realize how sharp these claws are.” Derek grabs your hand as he says it and you marvel at how much he is the opposite of you. Everything he does and says seems so natural and reasonable and charming even if it would piss you off from anyone else—and you just met the guy. You can see why Spencer and Penelope speak so highly of him. “I think you’ve probably both had your moments these past few days. But that doesn’t mean neither of you deserve any more chances.”

He puts your hand back on your knee and pats it. 

“Besides, Spencer‘s not good at mean. I bet he’s inside worrying himself sick over whatever dumb shit he said to you. He’s probably hyperventilating as we speak.”

“It was really out of character for him,” you concede. 

“Yeah. He’ll be apologizing for a long while. It will get annoying. But he sure as hell won’t be doing it again, I can tell you that much. If he does, let me know. Emily and I will whoop his ass and call it a fitness evaluation.”

“I think that’ll be unnecessary,” you laugh thickly, pulling your sleeve over your hand and wiping away the few tears that haven’t quite dried. “But thank you.”

“Anytime. Now, it’s my birthday, and as a grown man I should not be getting involved in someone else’s relationship drama. I was supposed to be on the dance floor a while ago.” His tone is so warm and sugary by the time he finishes it could rot his perfect grin. It’s futile to hide the way your mouth twists into a reluctant smile as you look down and fix your hair—praying he can’t tell how fazed you are by his kindness. “You’re going to talk to him, right?”

“I’ll—yeah. Right,” you say quietly. But the sinking feeling in your stomach knows it’s a thing easier said than done. 

“Good,” Derek grunts, taking your empty cup before pushing himself back up to his feet and offering you a hand. “Do you want me to send him out here or do you want to come find him inside?”

You balk.

“Like—right now? I have to talk to him now?”

Before he can give you an answer you think you’d rather not have, the bar door is opening. From your spot you can’t see who it is right away, but Derek turns over his shoulder and does a double take before looking back at you. 

Spencer steps out onto the sidewalk, eyes scanning for until he realizes you’re a few feet shorter than usual. Sitting on a filthy public walkway is probably his worst nightmare, you realize, as you scramble to your feet and dust the crumbs of concrete from your palms against the back of your cold jeans. He begins to say your name, and it sounds like relief and regret, but you stop him. 

“I have to go wash my hands.”

It’s monotonous and mumbled and comes out too quickly but you don’t have time to worry about that as you brush past both of the men on your way back into the bar, making an immediate beeline for the bathroom. 

Your face burns with anxiety as you shut the door behind you, immediately drowning in the yellowish lighting which is so harsh but seems to illuminate almost nothing. Who paints a bathroom red? It’s suffocating. You feel like you’re inside an aorta. 

Water runs cool over your hands as you sniffle, rinsing the bits of dirt from red indents made by pebbles and things, and the soap is too floral and powdery but you wash twice anyway. Maybe you’ll just stay in here and wash your hands forever. 

There’s a light knock on the shiny wooden door and it makes you jump. Your name is muffled from the other side. 

“You in there?” 

Quickly you wipe under your reddened eyes in the mirror, trying to fix the slightly smudged makeup. 

The door opens when you don’t respond, and there’s Spencer, looking weary and tense all at once. Is that your fault?

“Hey,” you sniff, trying to effect casualness, but it comes out too quickly and your posture is too stiff. Under his all-seeing gaze you cross and uncross your arms, look at him and look away. Your hands end up in your pockets. He’d say crossed arms are a sign of self-soothing. 

“Hey.” His is more measured, and of course makes you feel embarrassed in comparison. The door swings shut behind him as he enters the small room and makes it feel that much smaller. “Are you… hiding from me in here?”

Yes. 

The graffitied toilet stalls to your left suddenly look fascinating. 

“Nope. Just washing my hands.”

This is not what Derek told you to do, you scold yourself internally. Stop being so scared. Be honest with him. 

Silence rings. All the brutally honest things you’d like to say choke you until your throat hurts and your eyes get hot. Yet again you feel like a stupid little girl who’s too emotional to communicate. 

You cross your arms. It’s an indulgence you feel you’re owed. 

Spencer says your name again and it’s too much. He never says it this often. When he does it feels good but now it’s too formal, makes you too aware of your own inadequacy, and how he must be seeing you—a wraith of a girl in a dingy bar bathroom with clammy hands and smudged eyeliner, practically shaking with fear under an unforgiving light. Someone who is too scared and much too sensitive. 

Spencer attempts to speak again. 

“What I said before, it was—”

“Can you just take me home?” 

It comes out on one exhalation and seems to stall him with all the effectiveness of a slap to the face. 

You don’t know where it comes from, either. 

Easier said than done, you’d thought a few moments ago. All the bravery Derek had tried to instill in you is gone, swallowed down the drain like soap scum. And now you’re choosing to let your fear win—because at least that’s a known quantity. The fear will never reject you. It will always be waiting with open arms. 

Too scared. 

The end feels imminent. You try to press yourself back together, fingernails biting into palms, trying to make something feel more tangible than the terrible knowingness that you’re careening toward an end which was supposed to be a beginning. It’s stifling and you wonder if Spencer is breathing it too. 

You can’t look at his face, but you watch him pocket his hands in his pants and there is so much impossible space between you in such a tiny room. 

“Yeah. I can.”

Something breaks. It’s small, and without fanfare. But it feels final. 

It’s just a ride home. Just a ride home. 

That’s all you have left, and you don’t know how you know it but you do. 

Something so important is being left in this stupid, dingy bathroom. Something that was at one point beautiful and shiny and so arrogant in its newness that it seemed it would never become ugly. And now you’re abandoning it without dignity on the chipped tile floor and in the cobwebs on the walls. It was bigger than you, it was you—and now it’s going to be nothing. 

A vehicle honks on the street. A boisterous group laugh explodes somewhere beyond the door. Water drips from a faucet. 

“I’ll… I’ll bring my car around.”

“Okay.”

But he just stands there for another moment. Like he can’t get himself to move. 

If only time would freeze before he could walk away. 

But it doesn’t. 

He sucks in a decisive breath. 

“Okay,” he murmurs. 

It’s that fucking phone call all over again. 

Then he spins on his heels and leaves you there.

Your time is up. 

-

part 5.5

[dwaekkicidal]

What is stray kids favorite position to have sex? What do you think? This been on my mind for while

the way I was actually thinking about this a few days ago LOL hope you enjoy <3

OT8's Favorite Positions (Rough+Soft Ver)

˚ʚ♡ɞ˚ warnings: gender neutral, not pure smut but mentions of specific situations, Seungmin and Jeongin are mean in their 'rough' parts, switch mentions in Felix's part

˚ʚ♡ɞ˚ notes: these were SUPPOSED be short but i got a little carried away.. lol. also very poorly proofread cause I'm having sleep issues atm, once I sleep at least a few hours I'll come back to proof read (and probably tweak some things)

DO NOT republish or translate+post my work!

𝙱𝚊𝚗𝚐 𝙲𝚑𝚊𝚗

Rough

If he's fucking you during his Daddy/dom moments, a nice downward dog (flat doggy basically). As long as he can tower over you and fuck you until you remember your place, he's happy! Specifically downward dog because he can use those muscles he's been working so hard on to hold you down against the bed and be rough with his thrusts, all while not adding any extra strain to either of you. Runs his hands roughly up and down your back, leaving smacks to your ass before squeezing it right after. If he's in a particularly rough mood, will grab a handful of your hair to pull at and guide you.

Soft

I think he would be a big missionary person when he's making love to you. Likes to be able to see your face and leave kisses all over your frontside while he fucks you. Even more so if he's extra moody/sappy, so he can sloooowly fuck into you and keep his thick lips locked with yours, hands caressing up and down your body as he whispers all sorts of sugar coated praises to you. "You're doing so well for me." "God, I love you so much. You're fucking perfect."

𝙻𝚎𝚎 𝙺𝚗𝚘𝚠

Rough

Good ol' doggy style for because he loooves the control it gives him over you >.< Has a hand between your shoulder blades (or on your lower back) to hold you down, all while his other hand holds your hip to pull you against him (or to land slaps to your ass cheeks). Even better for days he wants to be mean or is just lazy; instead of doing the work he can just make you fuck yourself against him while he degrades you and lands smacks to your ass. Calls you a greedy slut for needing him in your hole so bad and smirks when you clench harder and moan into the sheets

Soft

Also doggy because he can lean over you, controlling the pace to be slower or softer while his chest is pressed to your back. Will slide one of his hands against your stomach in order to hold you against him so he can leave kisses to your cheeks, behind your ear, and against your neck.

𝙲𝚑𝚊𝚗𝚐𝚋𝚒𝚗

Rough

I think he'd love carrying you while fucking up into you. I discovered the name for the one I had in mind being: 'Aquaman's Delight' or 'H2Ohh Yeah' I absolutely hate the names but it's when you're facing him and he's holding you up, your legs off the floor and resting against his inner elbow. Loves it because he gets to show off how strong his is to you while simultaneously being able to bury deep when he lifts you, then drops you onto his dick. This position also allows you both to be intimate when necessary, loving gazes and messy kisses being exchanged as he fucks you against him like his own personal fleshlight

Soft

Big fan of face off (face to face & upright riding) for when he wants to be extra intimate. Will take advantage of the closeness this position allows. Holds you tightly against him as he fucks up into you, and will keep your lips locked against his as much as you allow him to. When you aren't kissing, his face is shoved into your neck as he moans against the skin there, placing kisses when he's not busy being distracted with how well you take him (mr. can't do 2 things at once)

𝙷��𝚞𝚗𝚓𝚒𝚗

Rough

Likes taking you from the back; likes to bend you over every surface he can think of so he can watch your ass jiggle from his hips slamming against it. Likes it also because he can trap your hands against the flat of your back with one of his big hands OR can pull your hands back towards him and use it as leverage to fuck into you even harder than he was before. Def grabs handfuls of your ass any chance he gets. I could see him preferring to finish on your ass so he can watch his dick paint your ass cheeks like he does with his canvases. Some dirty talk here and there like "Yeah? 'M in your guts? But baby.... that's just. how. you. like. it." and thrusts between the last syllables

Soft

Any position he can be embrace you with, but specifically can see him being an (open legged) spoon lover. Something about holding you as close to him as physically possible while still being able to rut/grind his hips against yours nicely. Bonus points for open legged because it gives him easier access to play between your legs. The intimacy goes CRAAZY, his hands holding you in place while he fucks into you nice and slow. Def leaves wet kisses and hickies all over your neck. Only downside is when he strains his (and your) neck when he wants your lips on his. But when his hands are all over you like this, how can you say no to those pillowy lips? >.<

𝙷𝚊𝚗

Rough

A "Pretzel Dip" enjoyer. This is when you're laid on your back and he's straddling one of your legs as he holds the other up to his chest. Goes nice and deep like this, and can fuck into you roughly while still getting to see your face scrunch up. Uses it to his advantage if you try to hide your face from him or try to muffle your moans, will grab your wrists and use his grip on them to pull you into him as he thrusts forward roughly. It completely stops you from hiding from him and gives him the chance to see your mouth part and spill the prettiest whines at how deep he hits.

Soft

I had to google the name for this lol Likes rocking horse: kind of hard to explain but it's when he's sat with spread legs and you sit facing him, your legs spread and slotted on each side of him. Likes it because it lets you both stare into each other and grind your hips against each other at whatever pace feels good at the time. Some days it can be just messy, desperate grinding while others can be slow hip thrusts from both of you. This position also allows him to embrace when he wants you close. Will make out with you any chance he gets when he's not moaning and groaning.

𝙵𝚎𝚕𝚒𝚡

Rough

Basic bitch 69 enjoyer. Allows both sides to push for/give up control before any penetration takes place. If you like the back and forth, he'll be on the bottom and roughly rut his hips into your mouth while you grind down into him. Or if you want to avoid the fight, he'll immediately concede and let you ride his face until you're satisfied OR he'll take control and grab a handful of your hair, using it as leverage to control your head movements. Will land a playful slap or two to your ass, but loves squeezing/massaging the flesh there more than anything.

Soft

Another name I had to google lol Perch/Seated rear entry Specifically for moments when he's gaming. If he knows he won't be finished soon and you're too needy, he'll shove his shorts and underwear down and make you sit on his dick facing forward so you can keep yourself entertained. Mainly uses it for cock warming, but won't complain if you grind yourself down onto him or start riding him.

𝚂𝚎𝚞𝚗𝚐𝚖𝚒𝚗

Rough

Another doggy lover, BUT I'm gonna say cowgirl not only for the sake of not repeating so much, but also because he likes be a little mean with it. It lets him boss you around when you've given him full control (and lets him smack you around when you aren't going fast enough for his liking). He can lay back and smile at you all cockily while you ride his dick desperately, and depending on what your limits are he'll spew mean comments here and there. He's a little shit™ so I can see him smacking your ass to watch your hips slow and stutter, then have the audacity to go, "What are you slowing down for? I never said we were done."

Soft

When his in softer moods, another face off enjoyer: it allows him to hold you close and thrust himself up into you whenever you start getting tired. If his lips aren't against yours, then your foreheads are resting against each other so he can watch you melt into a puddle for him up close. His hands roam all over your thighs before going up to your hips then finally resting on your waist as he hugs you there and pulls you closer

𝙸.𝙽

Rough

Seashell!!! This is the name for when he has you folded, back against the bed and ankles by his head while he leans onto you, albeit this position does eventually hurt depending on your flexibility. (this is also the position used in the teasing fic I wrote for him) Sorry not sorry but still on my big dick!Jeongin agenda. This position lets him go deeeep.. so he always takes advantage of it to bully into you as much as possible. Makes him feel all dominant when you can't form sentences properly and basically drool while looking up at him so helplessly. Little shit™ #2 and will laugh in your face when you start crying from how deep he is. If it's within your limits, and will definitely mock you and tease about, "I thought you said you can take it? Why are you suddenly babbling like you have no brain?" and "Are you that cock dumb already? We just started haha." Straight up laughs at you & doesn't shut up

Soft

When he wants to be softer, missionary (aka still seashell but without the muscle strain). It allows him to be close to you, placing soft kisses all over your face while he fucks into you. Also does not shut up here, and will whisper chants of "Jagiya" against your neck as he sucks hickies there. If/When he praises you, I think he'd still be a little mean about it; "Fuck, Jagiya... Finally taking me without crying about it" teasingly and chuckles. Also a "You're doing so well for me. Keep squeezing me, Jagi. Yeahhh... just like that.."

Taglist:

@jiminssluttyminx

[chevroletdean]

nsft alphabet [dean winchester] ── ✮⋆˙

genre: smut, explicit ─ minors dni! a/n: writing headcanons was easier than a kinktober one shot, oops. enjoy, i'll try to follow up with a sam version soon. and possibly other characters? (i'm feeling like writing one for alec mcdowell tbh) feel free to request any in my inbox! credit & links: alphabet ──〃★ dividers ──〃★ request here taglist: comment a green heart 💚 to be added to the dean x reader taglist (please note: ageless blogs will only be tagged in fluff and angst posts) @winchester-whiskey @whormotional @spacecowgirl126

A = Aftercare (What they’re like after sex)

It honestly depends on where you guys are, but generally speaking, he always makes sure you’re okay. If there’s anything you need, he’ll tend to it – which can range from a clean towel to a gentle forehead kiss. Even if you’re technically on the run or have somewhere urgent to be, he at least makes sure you’re both good to go.

Preferably he likes to take his time with you though. The aftermath of sex is one of the rarer opportunities for Dean to be openly sappy and vulnerable. Even with hookups, to some degree at least, the warmth of a lover’s arms is one of the places he can fully relax and he wants them to feel just as comfortable.

That said, he can be a little lazy. He makes sure the necessities of aftercare are fulfilled, always, but don’t always expect a luxurious bubble bath and immediately changing the sheets. Oftentimes he just wants to collapse onto bed with you and catch his breath.

He’s 50% giddy and proud smile – all cocky grins and smug bragging – and 50% sleepy. Your embrace is the closest he can get to experiencing heaven, he’s sure and getting to rest his head against your chest is the best feeling on earth. The sound of your steady heartbeat will definitely lull him to sleep and he’s insistent on cuddling the whole night through.

B = Body part (Their favourite body part of theirs and also their partner’s)

He has a love-hate relationship with his face. People keep telling him he’s handsome and even call him a pretty boy and sometimes he can’t see what they see. Most of the times his face card is a useful tool when it comes to investigation and working his charms. Other times he can’t stand looking at his own reflection. But when you compliment him on his freckled nose, his green eyes and long lashes, he definitely takes pride in it.

This particularly applies to his lips. He knows you love how pink and plump they are. And how pretty you think that smile of his is. It gets him anywhere he wants. Plus, the things he can do to you with that mouth, speaking sweet nothings, kissing you all over… what’s not to take pride in?

As for you, he’s a simple man, sometimes bordering on caveman – he’s obsessed with your butt and not shy to let you know. Whenever he gets the chance, his hand is somewhere on or close to your ass.

Your hands too though, not a chance he passes up on to hold it, and he’ll be damned if he doesn’t think about your hands on him 24/7. If you wear any rings or nail polish, he always notices.

C = Cum (Anything to do with cum basically… I’m a disgusting person)

Loves to ask “Where do you want it, baby?” but his personal favorite is definitely in your mouth. Not even down your throat, he loves seeing you stick your tongue out for him, all coated in his cum, before you swallow.

He’s tried tasting his own cum before out of curiosity and had conflicted feelings about it. He’s even considered changing his diet afterwards, but (unsurprisingly) he got tired of eating so much fruit pretty quickly.

D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)

Not really a secret, since it’s literally canon and we all know he loves wearing lacy panties, but yeah. He definitely stole a pair of your underwear before and he’ll deny having seen it anywhere if you’d ask.

Since he loves sexting, he definitely has a nude or two of you and after annoying Sam enough to show him how the stupid printer worked, he now keeps his favorite lewd picture of you in his wallet, because why not? It’s especially useful when you two have to be separated because you’re working on different cases or something of the sort.

E = Experience (How experienced are they? Do they know what they’re doing?)

Dean has obviously fucked around a lot (literally), countless of hookups under his belt. He definitely knows what he’s doing and he can be very annoying about it when he boasts.

F = Favourite Position (This goes without saying. Will probably include a visual)

You on top of him is his favorite sight. His hands get to grab everywhere and he loves that he can focus on watching his cock slide in and out of you as you ride him.

G = Goofy (Are they more serious in the moment, or are they humorous, etc)

Sex, for Dean, is fun. It’s a good time, where you get to enjoy each other and make each other feel amazing. If he can’t get a giggle or a smile out of you, he thinks he’s not doing his job right.

However, there are definitely occasions that call for a more serious mood. Such as intimate moments after a rough day, where he and you just want to unwind and feel each other.

H = Hair (How well groomed are they, does the carpet match the drapes, etc.)

Short answer: He keeps his pubic hair trimmed, but not completely shaved.

Long answer: There’s other body hair he treats differently. Over the years he’s developed light chest hair, which he sometimes bothers to shave. He keeps his happy trail, as he’s never thought about it. His thighs are somewhat hairy. His body hair sometimes has a little hint of red color mixed into it.

I = Intimacy (How are they during the moment, romantic aspect…) 

Unfortunately there’s little room for the real big romantic settings, such as rose petals and lit candles around the bedroom. With life on the road for the most part, you have to make do with what you have. He tries to make each time as special as possible though, it’s always passionate.

Dean’s a big softie once he lets his guard down, which you manage with ease. Very verbal, huge on saying sweet nothings. Lots of kisses. Definitely likes holding or touching you throughout it all. If possible, not a sheet of paper will fit between you two.

Eye contact is his strong suit. Doesn’t matter what position you’re in or what you’re doing, he loves getting lost in your eyes. If you ever avert your gaze or close your eyes, he reminds you to keep them on him.

J = Jack Off (Masturbation headcanon)

Dean, as a certified porn addict, beats his meat a lot. His libido is high and he can’t always come crawling to you, so he relies on trusty lube and his hand more often than he likes to admit.

Definitely has a fantasy of you walking in on him and lending him a helping hand.

K = Kink (One or more of their kinks)

Roleplay! Just the thought of you in a sexy costume gets him hard. You’d make him the happiest man alive if you greeted him in a nurse costume. He’d also be into a police officer costume, handcuffs included. It’s fun and it allows you two to play pretend for a bit.

Praise, both ways. He’s always gushing about how good you are, how amazing you feel, how pretty you look while you’re fucking. In return, he loves getting praised by you. Nothing fuels him more than pleasing you and he’s so eager for those compliments.

Food play, to some degree. He loves seeing your pretty mouth stuffed, lips wrapped around a sweet treat in seductive fashion. Or when he gets to lick whipped cream from your skin? Again, playful and fun.

L = Location (Favourite places to do the do)

His favorite location for sex remains a bed (bedroom, motel, he’s not too picky in that regard), because there he can take his time with you.

Of course making sweet love to you in the backseat of his car is always an option, too. The way the Impala's windows fog up is addictive for him.

That said, he won’t say no to other options. Not an inch of the bunker has not been defiled by the two of you. Shower, kitchen, the table in the main hall, the library, even Sam’s room while he was out. You name it, he’s fucked you there at least once.

M = Motivation (What turns them on, gets them going)

Dean Winchester’s mind runs dirty at the smallest things. It doesn’t take much to pop the idea into his head that he wants to bend you over the nearest furniture or pin you against the nearest wall to have his way with you.

When you’re in a grumpier mood – that might sound shitty, but hear me out: He loves your gruffier, feisty side, because it makes him wish he could make that tension in your shoulders melt under his touch. He wants to kiss that scowl away and make you see stars until you forget about why you were even mad in the first place. You are hot. You being angry is even hotter, and it’s like a challenge for him to do something about it. Plus, you could always take it out on him, dominate the shit out of him until you’re no longer pent up and frustrated.

What never fails to drive him absolutely crazy is you wearing his clothes. You in his shirt or jacket makes his heartbeat skyrocket and his dick rock hard. It awakens something primal and possessive within him.

N = NO (Something they wouldn’t do, turn offs)

A hard no for him would be anything involving causing you (intense) pain. I’d go as far and say he’d not even be into spanking, unless it’s like a playful slap on your ass. He’s not even a fan of choking or biting you. He hates seeing you hurt and if things get too intense, it’ll only trigger memories of him being forced to torture others in hell. There's already enough blood and guilt on his hands.

O = Oral (Preference in giving or receiving, skill, etc)

Hear me out when I say earlier seasons Dean goes weak in the knees when you suck him off. Nothing more of an ego boost than you drooling over his cock.

Later seasons Dean though? He likes to give head like a starved man. Getting you off is a huge turn on for him and admittedly, you riding his face is a high that he can’t compare to anything else. He’ll use every part of his mouth, lips, tongue, teeth until your legs give out and he has to hold you against him.

P = Pace (Are they fast and rough? Slow and sensual? etc.)

It depends on the mood. He can do both, but he prefers slow and sensual. Dean loves taking his sweet time with you, worshiping every inch of your body. He wants to cherish the moment and really commit every detail to memory.

Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)

Again, proper and passionate sex is his preferred way to go. But even then he has a high sex drive and more often than not, you don’t have much time for anything but a quickie. Most of the time, actual proper sex is a luxury, so you make do with what you can.

If you two have to rush it, you might as well have fun with it: It’s turned into a challenge of how quickly he can make you come undone on his cock versus how long it’ll take for you to make him orgasm.

R = Risk (Are they game to experiment, do they take risks, etc.)

Leaning towards no. Referring back to the fact that he doesn’t like hurting you, he also doesn’t like putting you into danger. Safety comes first, otherwise it’s not enjoyable for him.

On the flipside, he’s experimental when it comes to new things. You wanna try out a new kink? Sure! He won’t say no to spicing up your sex life. Just nothing involving potential damage.

He definitely is risky when it comes to public spaces. Likes to steal touches, sometimes subtle, sometimes not so much. The thrill of potentially getting caught red handed with his fingers between your legs under the table? Fuck, yes.

S = Stamina (How many rounds can they go for, how long do they last…)

He’s not done until you are.

Lasts an average time, but that doesn’t mean he can’t go for a round two. Or three. Or more, you get the idea. Unless the situation calls for anything out of the order, he makes sure to be gentleman enough to make you cum first. 

T = Toy (Do they own toys? Do they use them? On a partner or themselves?)

Handcuffs for him, or anything to tie him up with, you can get creative, so long as you tease him until he’s a whimpering mess unable to touch you.

Once you pulled out a butt plug and initially he thought it was for you, but, oh, was he wrong. Since then it has turned into a regular part of your bedtime activities.

He’s not one to get jealous of a toy, so if you want to use anything to rile yourself up further, he sees it as an aid more than a competition. Plus, there’s something insanely arousing about seeing you play with yourself, whether it is with the help of a toy or not.

U = Unfair (how much they like to tease)

More than anything he enjoys being on the receiving end of teasing. You can make him beg so prettily.

However, that’s during the sex itself. When it comes to working you up beforehand, he’s a master. Teasing touches, sultry words, dangerous spark in his eyes and a cheeky grin? He’s bold and he’s not afraid to bite off more than he can chew.

V = Volume (How loud they are, what sounds they make)

If you want him to be, he can be so damn vocal. Big on the whimpering department if you dominate him. And, again, just as enthusiastic regarding sweet praise and dirty talk.

Other than that, he’s usually all heavy panting and grunting. Not so much moaning and screaming, that’s what he tries to make you do.

W = Wild Card (Get a random headcanon for the character of your choice)

He knows it’s cliché, but he likes to turn on the record player when he has sex. Playing some music during the hanky panky makes the whole experience even better. His playlist, of course, consists mostly of classic rock, but he’s genuinely picked the more romantic songs. Nothing Else Matters by Metallica, Fool in the Rain by Led Zeppelin, Love in an Elevator by Aerosmith… you get the idea. After an especially passionate night to a whole LP of Led Zeppelin, he couldn’t help but flinch and turn bright red when the same songs started playing in his car the next day. Dean also made a mixtape just for the occasion as a gift for you.

X = X-Ray (Let’s see what’s going on in those pants, picture or words)

A good six and a half inches, about seven when he’s hard, in size and definitely on the thicker side in girth.

It’s smooth minus that one prominent vein on the underside.

Pink tip that turns even brighter when he’s aroused.

Y = Yearning (How high is their sex drive?)

He broke the scale, Dean is one horny bastard.

He’s either going to town on you, much to the dismay of anyone else in the bunker, or he’s pent up most of the time.

Z = ZZZ (… how quickly they fall asleep afterwards)

After making sure you’re okay and putting in some effort to clean up (at least a little), he’s out like a light. Dean is a light sleeper, but the blissfully exhausted state he finds himself in after exerting himself makes him clock out. It takes everything from him to not just collapse on top of you and say hello to dreamland sometimes.

[copperbadge]

Among kids of my generation and class I think it was fairly common for our parents to have a self-store unit for at least a portion of our childhood, and I think also probably it was pretty common for us to witness them being kind of ashamed of it. The feeling that my parents had, and I to some degree internalized, was that if you needed to store stuff outside of your home, well, you had too much stuff. I've heard other people my age express the same sentiment.

To an extent I can understand the feeling, but it's something I and my peers are having to unlearn. Because finally I came to the conclusion that the idea of offsite storage hits differently when you live in a city apartment, when you don't have a garage or a garden shed or a basement. You live amongst everything you own. My friends agree -- you might not want to get rid of your Christmas decorations or your LARP costumes and props or your camping gear, because you do use those things, but you also don't need to keep them in the home. And if I were offered an extra walk-in closet in my condo for $30 a month added onto my mortgage, I'd take it in a heartbeat. The fact that it happens to be about a mile away instead of inside my bedroom is almost immaterial at that point.

There's no real goal in making this post other than to talk about it, because I think it's something a lot of us unconsciously hold onto. And I know that also a lot of people hold shame about having a "cluttered" home, or being unable to part with things you don't really need anymore, so you know.

I've carefully packed up my Halloween decorations in a watertight bin and soon I'll stash them away until next year, when I'll be able to just go over to storage and haul out my winter clothes and my Halloween stuff and enjoy it, instead of watching it attract dust in the closet.