May I ask about your Jason Todd idea? <3
Hm, okay so. How to lay this out sensitively since I know it might be a tad controversial...
Prefacing by saying I'm not an expert on the minutias of Jason characterization. I like him when he appears, I think the battle for the cowl/Morrison era and some parts of modern era for him are Weird and Bad, but I'm not Jason scholar (for that I'd say maybe check out @/tumblingxelian and their great video essays), I'm just trying to think of what might be an interesting step forward for him.
First, the canon facts
Jason got lobotomized and has panic disorder on steroids. By the end of Gotham War (specifically when Jason was. Flying the batplane into the asteroid. God I can't believe that's the plot) he was finding it in himself to power through said panics
In Joker: The Man Who Stopped Laughing #12, the joker gives Jason a "low dose" of joker venom, which has an ambiguous effect on Jason, allowing him to power through the fear (which joker explicitly states is still very much present, just not physically debilitating, like when Jason couldn't run over in either Catwoman #57 or #58, the one with the kid in the building) even though he'd been able to do that sans venom over in Gotham War, like I previously stated.
The effect of said joker venom seems to be lingering for now, minus the creepy grin side effect it gave Jason over in that man who stopped laughing issue, as seen in the latest batman issue (number is escaping me rn, #147??). He still has the stutter which is a shorthand for fear, he's drawn with fearful expressions by Jorge Jimenez, but he says that he's "working through it" thanks to the chemicals
This is both super interesting and kind of maddening as it doesn't completely remove the consequences of what happened in Gotham War, but is trying to sweep them under the rug and get back to business as usual. I, however, propose making said consequences front and center like a fashionable urn on a mantle piece:
Since it's never stated how exactly the joker venom works, and I think the current answer is "it works how the story needs it to" I've decided that because it's a low dose, it eventually wears off. And when it wears off, Jason's back to square one in terms of mental state. Ergo, if Jason doesn't want to live the rest of his life as quaking shivering husk of his former self...he's going to need more.
(read more for the meat of things)
So, Jason self medicates for a condition given to him by the father he has endlessly complicated feelings towards with a cure invented by a man who represents everything he hates in the world who once tried to take everything from him.
Which, insert poetic cinema gif here, I'm quite proud of myself for that one.
Anyway, there's a lot of directions you could take this. Personally I think it'd be interesting to explore Jason trying to get back into the drug trade like he did in UTRH (FULL TRANSPARENCY I HAVEN'T READ THE FULL COMIC, I KNOW BROADSTROKES BUT IM NOT GONNA TRY AND MAKE PARALLELS) as he tries to use the resources (production plants and other drug runners who can hook him up with samples of joker toxin/similar stuff you can probably find around Gotham) to manufacture his own cure that means never having to go back to the joker again. Maybe he ambushes a joker toxin chemical production plant to get his own supply, and then Jason uses this as his foothold back into that world.
This isn't necessarily me saying we should regress Jason alll the way back to UTRH, that was before his anti-hero era and I'm not willing to fully shoot him back into the past. I just think that's not how you tell good stories in a medium like comics. But it'd inherently be a little different just bc he's doing it for different, slightly more self motivated (depending on your take on villain Jason) reasons and the people around him would have a different reaction to it.
Anyway, all sorts of problems can arise! Depending on how you wanna characterize Jason (wayward son who longs to be back in the fold or black sheep who doesn't play by daddy's rules, etc) he can either a) try and hide this criminal enterprise from his giant family full of nosy detectives (good idea there jay) OR do it out in the open, trying to justify himself but still putting himself on the opposite side of the family again (not the law bc that boy hasn't been on the 'right' side of it since he died)
There's also the fact that Jason now needs to take something 24/7 in order to live his life. He essentially can't be without it, he's dependent on it, in fact he'd get sick without it despite any adverse effects it may have on him (which are guaranteed, I mean. No clinical trials)
I imagine it'd be easy to become addicted to it in some way.
And uh. This is the part where it works slightly better as a fanfic pitch than an actual comic pitch. Because as much as I think it'd be such an interesting beat for Jason's character considering his fraught history with addiction and drugs (looks away from that one urban legends story where he suggests terrorising addicts to get to the suppliers and bruce lectures him. The easiest way to make Mr "we don't sell drugs to children" sympathetic and you beefed it)
I also fully recognise that this is a sensitive topic that DC doesn't have the best track record with (although addicts aren't a monolith and feel a number of ways about addictions portrayals in comics) and that there's probably some pitfalls inherent in the premise, namely bc of Jason's background as an impoverished kid and his grey morality, and how those play into stereotypes of addicts. Addiction is already such a misunderstood and stigmatized condition that I imagine playing with it with an antihero might be enough to turn some people off. Addiction is not a moral failing and I'd hate to write it as a moral failing of Jason akin to his willingness to kill, etc.
But with all that said, I think that stereotypes are primarily harmful because of their shallowness. They inhibit understanding of groups labeled "other" by presenting them in simplistic ways that don't portray richness or complexity. And I think a truly good red hood comic could give both sympathy and complexity to Jason, even as an addict. If anything, Jason is a popular character (mostly) and there could be something nice about seeing a main character go through what you're going through, gritty details and all. YMMV (can we bring that back btw?) and it depends on execution. There's a lot of ways it could go wrong, but seeing as it just lives as a hypothetical rn, I think there's also a lot of ways it could go. I mean, not right, it's a downer story beat for Jason but it's mostly meant to be interesting and a vehicle for more stories as Jason navigates it, ya know?
Anyway, I have a lot of spiels littered in my notes app and discord DMs that elaborate on all this (how this could work as act 1 in a broader Jason story where his little operation goes to shit and he has to hit the road (jack) and maybe do some character development for better or worse. I'm a sucker and wanna say better- not squeaky clean better but. Yknow, finding himself to an extent. I recognise I'm a sap and a fool tho. Or how a new outlaws team could factor into either of those eras (since I do like Jason with an outlaws team. It gives him an excuse to exercise his compelling relationships and dynamics with other characters without having to constantly tip-toe around the elephant in the room whenever he's with the batfamily all the time. He just needs a good lineup) but that's all for another time
... though without elaborating on the vision in my head it kind of just sounds like my pitch is "Jason gets addicted to his hyper-anxiety medication" BUT I SWEAR ITS MORE THAN THAT.
It's like. If Jason has struggled as a character (and this is very subjective on my part so feel free to disagree) because he has compelling relationships with all of the batfamily, but also has compelling grey morality that makes it hard to capitalize on those relationships, without the conflict always coming to "Jason stop killing!" "Nuh uh!" OR just being ignored, and the main way writers have addressed this is via reboots instead of arcs...
Then giving Jason and the bats:
real, legitimate and fresh reason for jay to be mad at Bruce (taking their relationship of love with very little understanding to it's most dramatic conclusion)
give the family a real reason to want to bring him back into the fold (feel bad about the lobotomy and it would be pretty immoral to let Jason waste away slowly and painfully because of something Bruce did)
capitalize on all the ways Jason is sympathetic (bc the addiction is a natural lead into his backstory, which is one of his most sympathetic elements)
And the ways in which he's very out of step with the bats post-resurrection (I'd be mad asf too if i came back to life just for my dad to a) not avenge me and b) LOBOTOMIZE ME meanwhile the cunt ass clown giving me my meds is just lurking out there).
Idk it's not a sophisticated pitch as of this moment but I think a real chef (writer) could cook something w/ this
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Share any Julie and Frank ideas you have :)
I’d like to hear them :D
sobbs ok I can't be coherent but I'll try
they cuddle so dang much,,,, like Eddie has to wait his turn
just finished a game? cuddles n tea
had lunch together? cuddle time bby
Frank's just tired and overwhelmed? feel better cuddles!
Julie's having a not great day? super cuddles.
these two can Not be in the same room without being either next to each other or on top on each other. Julie is only the Only people who can surprise hug Frank and they won't get upset. (Eddie can too, after they get together hehe)
they're both just so physically affectionate with each other. hugs, cuddles, hand holding. that cheek kiss thing french people do on tv.
Frank's calls Julie their Jewel. In my head at least. it's perfect, bc she is. Eddie is their Dear, Julie is their Jewel.
Julie is the only one to get away with calling them Frankie so often. Frank will occasionally tolerate it from others, but Julie is only one who Really gets away with it imo
They just love each other so much,,, Julie thinks Frank is funny,, I keep thinking of Two (2) things.
Barnaby's line: "A sense of humor only Frank could love"
I think Clown said that Frank and Julie would both write "Frank" on the funniest neighbor question from the worksheet.
These tidbits make me Weak. Maybe no one understands Frank and Julie's humor, or it's just terrible, but they think the other is funny. That means so much to me,,, sobs
They are so incredibly close that they Get each others humor even if makes No sense. I want a friend like that sniff
I think they can just look at each other and know how the other is feeling. Frank is so calm around Julie's wild antics that the other la probably think he doesn't even notice it. They do, they're just letting Julie have fun.
Also Frank has a somewhat wild side too and I love the idea of Julie bringing it out. They go bug hunting and Frank ends up 20ft off the ground in a tree having the time of their life. They get back and the two of them are covered in dirt, sticks, leaves, etc and they're holding hands and laughing and smiling and- Im just,,, sobbsss sobbing on the floor
wait I mentioned Eddie earlier hold on ok.
Eddie loves Frank and Julie's friendship. He's so happy to see them being happy together and having such a great time. I feel like Frank may have been worried about Eddie getting,, "jealous" ? over their friendship with Julie. But he isn't and he makes that very clear.
Eddie would end up getting closer to Julie and they become really good friends, I'm sure they've had their own cuddles at some point lol. Julie has that effect on people.
so now it's just,, all three of them in a cuddle pile in Frank's living room. Frank in the middle surrounded by his best friend and partner. sigh what a dream
cough this is getting long I think,,, and was complete nonsense. but just,,, Them! Frank and Julie. Julie and Frank. Inseparable besties. The champions of platonic cuddles and physical affection.
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sending this in an ask bc it's longer and also ive been meaning to vaguely infodump abt these two things so here we go
honestly theyre both best to go into without knowing anything. HOWEVER problemista is a special kind of stressful in that tilda swinton's character (which HELLO???) is like an art world karen nothing-you-do-is-good-enough kind of person which. is A Lot (more than a lot tbh). but the VISUALS and just. everything. julio torres is so smart and no one's doing it like him. i hesitate to say the new wes anderson bc it's not really about the angles or shots or whatever but its got the same kinda odd, offputting in a sweet way vibe and also theres a Lot of cast repetition (i like to play where's waldo w them but backwards lol)
fantasmas is sorrrt of similar except more comedy than drama and a lot more absurdist. something that i LOVE about it is that all the sets are very bare (mm maybe wrong word but you'll see in a sec)? and sometimes they'll do a wide shot and you can tell *its a set* like it ends and you can see scaffolding and idk its just so neat. and like super queer made by gay ppl for gay ppl sorta thing some of the jokes are personal attacks lmao. and maddie from euphoria makes an appearance? and paul dano (who ive seen is a big deal and was maybe in the robert pattinson batman?)? and natasha lyonne which was an INCREDIBLE surpise for me. oh and umm. kim petras randomly
OOOOGH INCREDIBLY INTERESTING!!! dude i definitely am not going to sleep but i still am like. moving only a bit every fifteen minutes or so i have been open on the trailer pages for both for like the longest time. but i will Get There they both sound So oguggjjgh
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What are the Fleetway freedom fighters reaction to super Scourge
Okay okay okay so. So. So. I have thoughts on Super Scourge and the circumstances required for him to go super. Like, he's never gone super with the chaos emeralds before, and even if he wanted to Sonic wouldn't let him bc the chaos emeralds in his dimension are kinda fucked and they don't need anyone else developing a destructive super form. So in order to go super Scourge would need to go back to Moebius to get some anarchy beryl, and he'd need quite the motivation to do that bc although he's used to hopping dimensions, he's not keen to go back to Moebius once he's settled in Sonic's dimension. Higher chance of getting caught by the cops or the suppression squad or Rosie, after all, so he doesn't deem it worth the trek, especially since he isn't sold on the idea of going super anymore now he knows it burns him out when he powers down. Sooooooo perhaps one of the only reasons he would retrieve anarchy beryl to go super was in a dire circumstance, likely the middle of a fight, when important things need to get done, so the freedom fighters are a lil busy dealing with whatever threat has popped up to have too much of an initial reaction. Maybe be a bit wary, but once they see Scourge is focused on what they need him to do they're like "okay well we don't need to worry about him just yet"
What comes to my mind is that the only super form they've ever experienced is Sonic's super form, which they don't know is not standard across the multiverse. So once the crisis they're dealing with winds down, I imagine they're tense and ready for a fight, because they just don't know any better. It may take them some convincing to realise Scourge is still himself and that his super form is nothing like Sonic's. Once they've accepted that, they'd bully the fuck out of him for the fact his fur turns purple, and then help him get back home to rest once he powers down and is exhausted. Sonic especially bullies him extra hard because he doesn't want Scourge to realise just how much he liked seeing him all powerful and badass
(Sonic is, perhaps, a little jealous. He knows how powerful super forms are, and he can't help but think of all the things he could do if he was able to be in control in his own super form like Scourge is. He tries not to linger on the what-ifs, but he can't help being a little bitter about it. Still, he turns down Scourge's offer to try anarchy beryl, because he doesn't know if he'll have the same reaction to anarchy energy as he does chaos energy, and it just isn't worth the risk. He already has to deal with Super, he doesn't want to risk creating another out of control super form)
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how goes ADWD?
bad aldsjflkdsj
idk if i'm like, burned out on asoiaf (i can't be, i talk about it all the fucking time i still get excited lol) or if it's like "oh god i'm so close to the ending and then that's it and we're never getting twow" or if i really am anxious about some of the later plot points - because like, i wasn't as nervous to read theon's chapters where he lets his men rape the women on the shoreline, or rapes kya, and i think part of that is it's a lot more vague? because theon is trying really hard to not think about what it is he's doing. whereas that block i had with the red wedding, and now i think with the tyrion chapter where he rapes the sunset girl, tyrion is Very Aware of what's happening because he's purposefully and actively taking steps Down The Wrong Path because he's testing himself, trying to see if he has the stomach to be a villain, to really accept that he is ~the monster they think he is~ so he's very aware that what he is doing is rape, and it's right there in your face. but i'm unsure if this is the block, it just seems like the most likely culprit? - but anyways i've been reading stuff just not a dance with dragons.
i did read a few jon snow chapters so i'm moving along a little bit? but i devoured this non fiction book called "no beast so fierce" which was about man eating tigers, i've been getting pretty consistently through "iron, fire and blood" as well as "madhouse at the end of the earth" which is another non fiction book (about a journey through the northern passage that went bad, as most did, and as someone with a phobia of dying at sea/drowning, i have an equal fascination with stories about people dying at sea because idk i'm a masochist and i've read/watched a lot about sea voyages gone terribly wrong, but i hadn't read about this one! i'm excited!) (i'm not being overdramatic about the phobia either, i had a panic attack while watching life of pi and the terror but good god was it so worth it!! humans vs extreme elements stories are fascinating to me as someone who would die instantly because of my disabilities!!!) and i speed-reread the queen of the damned and the vampire armand and the daniel molloy bits of...i think it was prince lestat, is the one where he's still with marius and trying to get marius to let him go out and flirt with armand lol, so i am reading a bit more (not as much as before) I'm just not reading adwd!
sucks because everytime i pick it up, i'm having a great time!! i love jon's story at the wall as lord commander, i love the horror fantasy of bran's chapters, i fucking love the meereenese knot, and i'm excited to get to all the aegon vi stuff to more solidly solidify my opinion there on whether he's a blackfyre or not and how that theory would even work (because every time someone is like "well they got sold into slavery" i'm like please be serious alsdjf), and i know basically everyone i follow/am moots with hate barristan but i love that useless old man so much!!!! but everytime i try to read my brain goes bzzzzzzzzzzzzzzzZZZZZzzzzzz like a bug getting zapped by a light.
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