#I'll admit i don't remember that much about this episode

[ad-astra-per-aspera-1389]

He probably wouldn't have died, but only bc rabies can take a few days for symptoms to show (aka, the point of no return) and as soon as he mentioned it Charlotte would look at him like he's insane for ignoring it and then she'd force him to get the vaccine

Henry: Yeah, a raccoon bit me, but I'll probably be fine.

Charlotte: ...Henry, raccoons carry rabies. We're going to the hospital. Right now, let's go.

What if the raccoon bit Henry and he got rabies and died? Then what?

[takaraphoenix]

I saw someone refer to Steter as a comedy relief duo earlier and it just completely sent me, because that's just... so far from what Steter is, in canon?

As I'm currently rewatching the show, it has shot up into being my favorite ship on the show because of the gravitas it has.

It's a ship that highlights Stiles' fearlessness in such intriguing ways, in canon. From the boy who yelled at a feral Alpha in the school, to their first face to face meeting at the school, when Peter recognizes him, knows him, acknowledges him ("You must be Stiles", as though Stiles' reputation as the one who figures things out proceeds him, as he is the first one to put together that Peter is the Alpha).

There's nothing comedic about the scene on the lacrosse field, when Stiles is kneelng beside Lydia's unconscious form and Peter... for reasons beyond comprehension... decides to curl his claws beneath Stiles' chin and guide him up. Not grab him by the arm and haul him up, not command him, not demand.

This is... sensual, filled with tension, and I don't even necessarily mean the sexual tension (even though the imagery of Stiles kneeling before Peter and Peter grasping his chin is something that I find hard to not see a sexual read on).

Peter kidnaps Stiles into the parking garage to force the boy to track down Derek and, sure, the "His username is Allison? His password is also Allison?" - "Still want him in your pack?" is absolutely iconic and is comedic... how do you boil that entire exchange down to "comedy relief"?

The way Peter offers Stiles the bite - Peter, who so far, only took whatever he wanted, never asked or offered - and doesn't force when Stiles says "No". Even the way Peter catches Stiles on the lie is a moment of tension and revelation on Stiles' part. The way Peter acknowledges Stiles as the clever one.

The season 1 finale? When Stiles sets the survivor of a horrific house fire on fire? Absolute riot, huh. It's vicious, it's cruel - it's everything.

And when Peter is resurrected? Sure, Stiles sarcastically asks if someone can kill him again and sure, Peter snarks about living in a cave system. But even in that episode, these brief comedic moments are absolutely overshadowed by the way Peter and Stiles work together, figure out what the vault is made of, then call Scott to warn him and Derek, by finishing each other's sentences. Two brilliant minds working together, on the same wavelength.

The next time they interact is when Peter tells Stiles about Paige, explains what the blue eyes mean. It's one of the more heavy and serious moments in the season, aside from all the death scenes. It's a big lore drop and character background on both Peter and Derek. And it's Stiles this information is shared with. It's a serious moment and even as Peter tells it all, Stiles doesn't trust, sees past the silver tongue and that too is part of the appeal.

When Peter and Stiles work together to save Cora's life in the hospital, while the Alpha Pack is hunting them down? Blind trust. Stiles asks Peter to help him and Peter doesn't even ask, much less quip, he just follows Stiles' lead and they work together.

Now, I'll admit, I haven't seen seasons 3B through 6 in six years and hey, maybe they'll be a real Abbott and Costello in season 4 and I'm just not remembering it, but damn it all to hell if the first half of the show doesn't present them as two clever minds challenging each other, with a growth from terror and pain to respect and teamwork.

I understand and respect not liking a ship, but I am genuinely baffled when people deliberately misinterpret a canon to suit their needs. Always makes me wonder what alternate reality's version of the show they were watching, surely not the same as me.

[mikeysagereblog]

⊗ superhero cartoons to watch when little!!! (or big, they're that good imo!!) ⊗

✧.* i've been wanting to make this list for a while now, mainly because i wanna talk about my fav cartoons/open up opportunities for other littles to find something awesome to watch!!! there's gonna be a lot of ranges in age ratings to add some variety for older/younger littles :)

✧.* also, i'd like to put a disclaimer here and say that a lot of these are on streaming services that i own, but other littles may not. i would also like to say that there are ways to get around a paywall if you can't afford certain streaming services!!! you can find full episodes on youtube/other sites for free!!! (just use an adblocker if you're on a site other than youtube if u can!!)

✧.* another disclaimer: any regressor of any age can watch any of these shows!! i just wanted to put the age ratings for those who want to stick to media that's more in their age range!! so, don't feel like you have to limit yourself from watching certain shows just because of how old you regress to!!

✧.* spectacular spider-man (2008-2009, 2 seasons): suitable for 7-8+, but i'd say it'd be okay for littles who regress younger to watch, too!! honestly, my all-time favorite spider-man cartoon!!! not only is it fun to watch while little, you can truly appreciate the show when you're big, too!!! josh keaton's voicework as spider-man is just- ahhhh it's so amazing imo!! the story is really good, the animation/style is just so iconic, and the colors are very easy on the eyes!!! (especially if you're sensitive to bright colors when little/in general) absolute banger of a theme song, too!!!

✧.* x-men: the animated series (1992-1997, 5 seasons): rated for around 7-8+, but i do admit that there can be some scary scenes for especially younger/more sensitive littles. honestly, this show is great!!! i loved all the different story arcs, how colorful the show is, the characters themselves- a lot of cool stuff about this show!!! be warned, there's a sudden drop in quality during season 5... i think they switched animation studios/va's or something because season 5 is NOT the best season of the show, i'll tell you that... 0_0

✧.* x-men '97 (2024-present, 1 season so far): rated for 14+, so this show is more suitable for teen regressors. it's a continuation of x-men:tas, and oh man... this is it. my favorite cartoon of all time!!! the animation is just oh so beautiful!!! the fight scenes are awesome!!! the soundtrack- oh golly the soundtrack!!! the remastered x-men:tas opening is just- wow!!! but, there's definitely reasons why it's rated 14+... not gonna spoil anything, but there's a lot of scenes in the show that can be upsetting for younger littles. trust me, watching some scenes when you're little is just- too much sometimes... (speaking from experience) it's an amazing show, but watch at ur own risk if you're a younger regressor!!!

✧.* batman: the animated series (1992-1995, 4 seasons): i'd say it's for around ages 9-10+, since it can be fairly dark at times. (same goes for a lot of batman related media!!) honestly, this show's pretty good!!! the style of the show is very dark visually, so it's easy on the eyes for those with bright color sensitivities!!! the artstyle itself is also very nice to look at!!! the voicework is amazing as well, especially kevin conroy's (rip) performance as batman himself!!! from what i can remember, the plotpoints were also pretty on-par!! i remember liking the show a lot when i was a kid!! :)

✧.* hulk vs. wolverine (not a show but an animated movie, 2009): this one's rated pg-13, since there's depictions of violence. but, i gotta say- this movie had me hyped up when i watched it as a kid!!! this was part of a straight to video two-movie collection, (the other being "hulk vs. thor") and i gotta say... this movie was awesome!!! the fight scenes were rad as heck, the animation was amazing, even deadpool was in the movie!!! (which, fun fact, was his first appearance in animation!!! other than the 2 second cameo in x-men:tas) very fun movie!!!

✧.* these are just some recommendations!!! i really liked these when i was a kid, and i hope you'll like them too, if you decide to watch them!!!

✧.* (also yay!! finally have a new banner!!! + i updated my blog's theme because nightcrawler is so awesome and he's literally my cg guys!!! he said it himself :3)

[equalseleventhirds]

"I don't understand how I'm losing," Reigen said, his hands flying over his keyboard. It was so late now—too late, maybe—if only he'd used the same technique as with the Player Killer from the beginning, he might have stood a chance, but he hadn't seriously thought he'd lose—

"Shishou," Mob said, "why is this so important? You already have second place from Twitter."

Reigen laughed, not at all nervously, and splayed a hand across his forehead. "You don't understand, Mob. The publicity from something like this, even a rematch, would do wonders for Spirits and Such. This is about business."

(He would never admit to his pride being on the line.)

"And anyway, who is this guy? A radio host? I've been on TV, you know."

Mob carefully did not bring up what had actually happened when Reigen made his television debut.

Ritsu had no such qualms. "When they exposed you as a fraud? That was publicity too, right?"

"Hey—!"

Serizawa leaned over Reigen's shoulder to see the computer screen, careful not to spill the tea he placed on the desk. "Oh, Cecil from Welcome to Night Vale? It's been a while since I listened to that, maybe I should catch up."

Reigen stared at him. "You? What? Serizawa?"

"Ah... yeah." He rubbed the back of his neck. "Back when I was... well, when I didn't leave my room much, the podcast was popular. I guess it gave a sense of... community? Feeling less alone, even when you are." He shrugged. "Plus, hearing another gay man in a show like that was comforting."

"He's gay? Canonically?" Why can't I be gay canonically?

"Sure, he got married in episode 100. It was very emotional."

"I nearly died in our chapter 100—"

-- -- -- -- --

Well, listeners, there's still a few hours left on the poll, but I'm now leading at 56%! I must say, I did not expect this, especially after Twitter users so clearly forgot—or perhaps never knew—about my Tumblr Sexyman Origins.

But, that's neither here nor there. I certainly am grateful, if a bit bemused, about all of this, but let us not forget that this is all a friendly competition. Unlike the annual War On Christmas—and let us all take a moment to remember our fallen allies against that terrible holiday foe—this is a battle of kindness. Love, even. The love we feel for Tumblr, for our favorite sexy men, for pressing a button on a meaningless internet poll. The love we feel, listeners, for each other.

And in the spirit of that love and friendliness, I figured I'd get to know my opponent a little better! A bit of googling, which of course you know means searching via every search engine but Google, what with the Town Council imposing the Google Search Tax and getting all Night Vale IP addresses shadowbanned, has led me to... oh my, listeners. I do not know who made this, but Reigen Arataka has the single most beautiful professional web page I have ever encountered. It's... words do not do it justice. I am tearing up. This... I could not make anything better myself.

A-hem. Listeners, now that I've wiped away the tears such beauty inspired in me, I can now see that Reigen's website advertises his business, one Spirits and Such Consulting. Well! We may be rivals in this moment, but I am overjoyed to learn that Reigen runs such an innovative and important business! I am nearly ashamed that, while my opponent works to make the world a better place, I, a mere community radio host, am winning the sexyman contest.

Nevertheless, we must respect the polls. Not respecting polls could get us in hot water with the Town Council, or with the demigods of numbers who lurk in the sharp edges of percentages. So since I can't hand my victory over to him, I think I'll do what I can as a community radio host, and promote Reigen Arataka's important business!

So if you're a spirit in need of counseling, a ghost in need of therapy, or an eldritch beast in need of a shoulder to cry on, head on over to Seasoning City and pay our good friend Reigen a visit! I'm sure he'll be pleased as anything to see you.

[xqueen-of-disasterx]

Playing Dangerously

Paring: fem!reader × Natasha x Bucky

Warnings: SMUT, threesome, Dom!Nat, SwitchBucky, sub!reader, mommy kink, daddy kink, dumbification, oral, teasing, slight alcohol consumption, fingering, pet names,

A/N: I’m not really a shipper of this but friends with benefits Winterwidow is so hot. @syndote this one is for you.

!Disclaimer English is not my first language so please excuse any grammar or spelling errors. This story is completely fictional!

Masterlist

Don't get me wrong being with THE black widow was something many could only ever dream about but I had to admit that sometimes I felt like I never really got the chance to try different things. From the Red Room to S.H.I.E.L.D and directly into the red heads arms left little to no space for explorations of my sexuality. Sex with Nat was great and always left me satisfied but I couldn't help to wonder about the forbidden fruit, but mentioning this to Nat could lead to a hefty argument which I didn't want to risk; after all she was all a girl like me could want right?

"Bucky will join us for the mission" I turned away from the laptop screen I was watching an episode of modern family on (after spending so much time in russia I was dying to know what the American dream was like), I hadn't heard Natasha approach, spy I had to remind myself. "I thought this was gonna be a me and you thing" She chuckled leaning over the chair, swiping my hair over my shoulder, and letting her precisely painted lips meet the soft skin of my neck. "You know I only ever have eyes for you my little bunny"

I hummed as her sweetened words hit my ears, and made tingles run down my spine "I know Tasha" I sighed standing up but making the fatal mistake of leaving my laptop open. "I'll just be on the toilet alright?" Natasha hummed deciding to press play again as suddenly there popped up a message from I was way. 

Katja: You should really try to communicate this with your girlfriend before this ruins your relationship. 

Natasha couldn't believe her eyes but curiosity got the better of her and she opens the message; I had told her all about how I waned  to experience sexual things with a man but how unwilling I was to cheat on her. She quickly closed the tab again pretending like she didn't have her master plan planned out already. 

The mission was easy inflate a party, steal some hard drive and go back to the hotel. Even though you were there with your girlfriend the thoughts of trying it out with a man couldn't leave your head. Not that I was interested in having an affair of leaving Nat you just wanted her to have this with you. And the fact that out of all people Bucky had been assigned to you two didn’t make it better. I had long expected the two to had have something going on in the past but never had the courage to ask either. The mission went by quick and you soon found yourself sitting at a hotel bar celebrating our success mission.

***

"I'll have a martin" "A beer for me" The bartender looked at me with expecting eyes "A beer for me too." Sitting between the two I almost felt sandwiched even though there was still space between our bodies. Natasha slipped quietly on her martin while my bottle was still untouched by me I couldn't tear my mind away from the two assassins next to me. "You're awfully quiet Y/N" I heard the deep voice of the Winter Soldier. I opened my mouth before closing it again there were so many words in my heart but so little on my tongue. “You’re normally so filled with life”

I felt Natasha's watchful eyes on my smaller form and suddenly I felt awfully naked in my cocktail dress. "James" her voice was sweet like honey. "Do you remember the last time we were sitting here?" I could practically hear the smirk in her voice "How could I forget that night" He took another slip of his beer bottle. "Are you down for a second time with our little guest" I couldn’t believe my ears was this a lucky guess or did Nat suddenly become a mind reader. I looked down peeling away at the label of the bottle as my cheeks continued to heat up. "I see" he took another close look at me, seizing me up. "I'm down if she is" There were a few seconds of silence with two awaiting eyes in my form; if I wanted to try this now would be the time "Of course" I stated in a quiet voice as I met his lust filled gaze, he only nodded before finishing his bottle. "I'll be in my room"

***

"Strip and lay on the bed" I could hear Natasha's cold words as she went to open to open the door letting Bucky, in his blazer and tie missing, the first few buttons of his white shirt unbuttoned revealing some of his chest hair. Just as he kicked the door closed behind him Nat had him already pressed against the wall as they violently made out with each other. Her hands twisted in his white button up shirt pulling herself impossibly closer to the man. The way Natasha was still containing control of the much stronger man was definitely a turn on. (Not that I had expected it any other way)

Even though she was busy with him from the corner of her eyes I could see she watched me on very move.   She turned away from him sitting down on the cushion of armchair. "James I want you to eat her out" she pulled out a small metal tin with cigarettes in it, lighting herself one "and don't let her cum" He only nodded having seemingly submitted to the redhead without a fight.

He climbed onto my much smaller frame, his eyes scanning my naked form. There was something about the both of them still fully clothed while I was undressed which made me even wetter. He leaned down to catch my lips and my hands went to his short black hair. His tongue fought it's way inside my mouth our tongues dancing a dangerous dance as one of his rough hands went to my breast. He kissed down my neck his beard stubbles irritating my soft skin. 

His chipped lips wrap around one of my nipples and the strong fingers twisted the other. He watched in an awe how my body squirmed under his touch. "Mommy please" I whined out buckling I hips against his hard prick "No sweetie this ain't gonna work" She chuckles blowing out some smoke from her lit cigarette. "Beg Daddy not me, I can't help you little girl" I chocked out another whine as I felt his teeth tugging at my nipple. 

The way his mouth wrapped around my tender flesh made want him even more. He liked over my nipple a few more times each time discovering a new sound escaping from my mouth. Eventually he got bold enough to bit down making me cry out in pure lust. “Daddy please” I didn’t know what I was begging for but the pure title made him moan. He switched sides giving my other nipple the same treatment as his fingers brush over the other one.

He kissed his way down your stomach stopping your hips from buckling as her presses his forearm down on your lower stomach. He kissed your public bone taking in the strong smell of my cunt as he groaned. He took his time kissing and nibbling on the soft skin of my hips. My hands go to his short black hair folding with his soft hair (which somehow was even softer than Nats)

After a while he was done with the teasing having had enough and he just wanted to finally get a taste of Nat’s little girl. He took a bold lick over my cunt moaning inside of my heat as I tried to buckle my hips again but you were stopped by his cold metal arm keeping your hips down.

"Daddy please" I whined, having so much control over a sexual partner did something to him. "No more teasing please" I begged. Natasha (who had been watching closely from the corner) made her way over the the bed puffing out a load of smoke "Be a good boy James" He was seemingly torn between the dominance of having me under him begging for his mercy out still being so obedient to the black widow. It was a match made in heaven or in hell so to say. 

He continued to eat me like the last supper his tongue pressing on the pulsing nub of nerves. Two of his thick fingers pushed passed my tight hole making my eyes roll into the back of my head in pure pleasure, he bit down on my clit sending shock waves through my body. His fingers twisted and turned to to press against my G- spot. I was so close to stumbling of the edge I got a taste of heaven. 

"James stop" I heard her cold voice as he immediately pulled way sitting on his knees and  my juices dripping from the concert of his mouth.  I whined and cried ash the lost of pleasure my tears smudging down my pink cheeks. "Good boy James" She leaned down to kiss him moaning as she tasted my juices on his lips. She pulled away from him whipping the corners of his mouth with her palm. "Would you look at that you made a mess Ana" She inspected your dripping cunt further running two finger through your cunt making you let out a pathetic whimper. She tasted me letting out an extensive moan "I'm almost jealous James got to taste you bunny" 

She whispered something in Bucky's ear and he quietly nods. "Get on all fours Y/N" he rasped in your ear. You placed yourself on all fours and he positioned himself behind you and you heard the sound of this clothes being torn off. "Are you ready" I nodded, my position was beyond embarrassing ass up in the air having gabbed a pillow to bite on.

He pulled down his shorts and let Natasha touch him how she pleased. Her smaller hands wrapped around his pulsing prick I heard him groan as her hands moved up and down his length. Her movements made him impossibly hard a few droplets of pre cum already leaking.

Bucky positioned himself behind me and he slowly pushed his length in making me scream out at the stretch. He let you adjust before moving at a decent pace I took a look behind me to see Nat guiding his hips only not giving him control of his own pleasure. I lead out a few mewls of pure pleasure. "mommy" my whimpered gripping onto the pillow for dear life "need you”

She let go of his hips leaning up to my ear "Do you need your clit played with" she rubbed circles on my back. Bucky's pace was great for his pleasure but I just needed more so I nodded as more tears made it's way down my cheeks "Can't even cum without mommy's help such a dumb little girl.”

Bucky quickend his pace and so did Nat and I was nearly seeing stars "Cum for me" she announced slapping Bucky's ass as if he was nothing more that a common whore "both". It didn't need more to make both of us cum with im pulling out to paint my back in his milk. 

I flipped to my back watching as Natasha and Bucky were caught up in a passionate kiss. His kisses trailed down her neck and chest at the same time pulling her red lace panties down her perfectly shaped legs. He nibbled on her skin paying extra attention to the small scar on her hip.

Natasha laid next to me on her back as I turned to my side stroking a few of her red hair, which were stuck to her sweaty forehead. “Kiss mommy bunny”

I kissed the desperate woman our tongue intertwined. She broke away letting out an almost pornographic moan as Bucky dove in to her wet center.

Our foreheads were seemingly stuck together as were lost in, probably the hottest, make out session I ever had. The air was humid filled with the sounds of Natasha’s wetness and the indecent sounds of our desperate sounds. “Fuck James” she groaned on my lips her hands twisted in my dark blonde locks. “Make Mommy cum” He kept his pace up flickering her clit with his tongue while penetrating her with two of his fingers. With a scream she came down from her high releasing over his chin and face.

***

"Thank you" You signed laying between the older Agents "But I think I'll stay with women for now" Natasha chuckled kissing your forehead "I wouldn't have given you free either way" she joked "And I wouldn't risk talking Nat's girl"

:)

Tags:

@terrormonster55 @marvelobsessed134 @crowswolffe

[callmebrycelee]

Advice from a Queer Almost-40 BuckTommy Shipper

Over the last several months, there's been a one-sided war brewing between Buddie shippers and BuckTommy shippers. As we get ready for Season 8, I want to give all of you fellow BuckTommy/Tevan/Kinley shippers some advice:

Do NOT let them ruin something truly groundbreaking and special.

I repeat:

Do NOT let them ruin something truly groundbreaking and special.

Let me take you way back to the early-2010s. Glee was quite popular in the cultural zeitgeist. The show spawned a plethora of ships including Finchel, Brittana, Samcedes, and Fabrey. However, there was one ship that reigned supreme on Beyoncé and Al Gore's internet. If you were on Tumblr during this time you definitely remember the chokehold Kurt Hummel and Blaine Anderson aka Klaine had on the Glee fandom.

Now I'll admit, at first, I was into the two glee club gays being together but then episode 2x06 aired. For those of you unfamiliar with the show, episode 2x06 titled "Never Been Kissed" is episode where closeted football jock Dave Karofsky cornered Kurt in the boys' lockerroom and kissed him. What followed was some of the best storytelling in the history of the show.

Over the next few seasons, we watched Dave Karofsky come to terms with his sexuality, apologize to Kurt for his relentless bullying, finally embrace his sexuality, get outed, and attempt to un-alive himself. Those of us who initially hated Dave and his initial treatment of Kurt became fans of him due to how realistic he was. If you went to high school in the early-2000s, chances are you either knew someone like Karofsky or you were him. That's why he resonated with so many of us in the queer community.

However, the showrunners weren't invested in Dave and Kurt becoming an item. You have to remember, this was the era of listening to the fandom and giving them exactly what they wanted. The fandom wanted Rachel and Finn to be together so that's what we got. The fandom wanted Brittany and Santana to be together so that's what we got. And what the fandom wanted was Kurt and Blaine.

Till this day, I still resent the fact that the showrunners and writers went the safe route when it came to couples on Glee. For the most part, all of their main pairings were expected and boring. Over a decade removed from the show, a lot of folks have come around to the idea that maybe Kurt and Blaine aren't the #couplegoals they initially thought. A lot of us will forever wonder just how different (and possibly better) the show would have been if they took a chance on Kurt and Dave.

Fast-forward to the year 2024. We have, on another Ryan Murphy show, Klaine and Kurtofsky 2.0. The moment Eddie came on the scene back in Season 2, folks on the internet started shipping him with Buck. Nevermind that these two were coded as platonic friends, here we had, once again, two good-looking guys played by two actors who have impeccable chemistry.

Much like Klaine, a lot of us see Buddie as boring. The ship smacks of cis straight women overlly fascinated by two good-looking, masculine guys. It reminds me of the overabundance of m/m romance written by straight women which have little interest in showcasing real queer male relationships and instead serve as fantasy fulfillment for straight women using two queer men as avatars to satisfy what they feel is lacking in their own heterosexual relationships. I don't necessary have a problem with those books existing but I do take issue with that kind of storytelling overshadowing queer male content written by queer male writers.

Whew! Now that I got that out of my system, let me tell you what I loved most about the latest season of 9-1-1. It seems the showrunners and writers of this show took note of what happened with Glee and they decided to go a different route. Instead of listening to the relentless noise on the internet, they have decided to not go the safe route.

Enter: Tommy Kinard.

The romance between Buck and Tommy is truly revolutionary. As someone who grew up consuming the queer media of the 90s and early-2000s, it is quite refreshing to have a couple like Evan Buckley and Tommy Kinard on primetime television. I love that many of the scenes between these two is just slice of life. Very similar to the scenes we get between Athena and Bobby and Chimney and Maddie. I've always said that true equality is when queer people can be just as mundane as straight people. Mission accomplished. Finally, we have two queer characters just existing and being happy. No AIDS. No gay-bashing. No Don't Ask Don't Tell. No epic coming out scene. Buck and Tommy are a shining example of what queer couples can and should look like in the 2020s.

So, back to my original point. When it comes to the great ship war, please do NOT let them ruin something so groundbreaking and special. If the showrunners wanted , they could have made Buck and Eddie a thing years ago. However, that's not the direction they wanted to venture. Thank you Tim Minear for not going the safe route. I look forward to all of the rich storytelling we will get in Season 8 and I have decided that whatever happens, I'm going to enjoy this era of 9-1-1. Oliver Stark and Lou Ferrigno Jr. are amazing actors but so are Angela Bassett and Peter Krause and Aisha Hinds and Kenneth Choi. All of the actors on this show, whether main or guest or supporting, are putting their whole self into crafting the characters we know and love. Regardless of what ship you champion, keep in mind that behind these beloved characters are real, human actors who do not deserve to be bullied and harrassed and threatened due to them simply doing their job. At the end of the day, everything we see on the screen is fiction.

Okay, this has gotten really long. Stepping off of my soapbox. Remember ladies and gentlemen, it's just a show. And although it makes us feel real emotions, 9-1-1 nor Glee is real life.

[loverofpiggies]

Oh, you watched Fiona and Cake, great!

I am curious, what were your thoughts about like Winter King or first opening? Or like about overall more mature stuff than in og adventure time

So now that I'm doing a huge rewatch of the OG Adventure Time, I will say I adore both in their own ways.

It was really cool seeing the more mature stuff in Fionna and Cake, sort of like the show 'grew up' with the audience, you know? And do NOT get me started on how much my heart was destroyed by Simons entire plight through.

See I never managed to finish the first show, mostly just got distracted, but on my rewatch I can tell I at least got through six seasons. I like how spaced out the original show is, and it makes the really sad shit with like the Ice King hit like a ton of bricks when it happens. It really feels like you're watching all these wacky people live their lives, and occasionally the horror of the Mushroom War reminds you of its effect, through Marceline, and the Ice King, and every character who was forced to live through it. I don't know, it's really nice!

Okay I'm gonna ramble so I'm putting a read more!

I was wondering if on a rewatch I'd get frustrated the way later seasons of Steven Universe made me get frustrated, but it never felt like that at all. It's just been... fun. It's just Finn and Jake on adventures, occasionally having to set down their fun and recognize the horror of things around them, and it's just. DAMN it's just done so well.

I just got to the episode where Finn meets Prismo and makes the wish, and accidentally ends up wielding the power of the crown, and all it did was break my heart. Like I was sitting there, and for a split second I was like 'wow that crown corrupted him really fast!' and then I remembered.... he was like 13 when he got the crown. He was still a child, and when Simon got the crown, he was what, in his 40s? He was just a kid, and couldn't possibly be able to handle or combat the crowns power. It just punched me in the gut.

So I very much enjoy how spaced out and silly the original Adventure Time is, because its such a unique world I love seeing more of it, and I feel like it makes the heavy scenes hit so much harder. With Fionna and Cake, I love how tight the story is and how structured things are. They're both SUCH good shows, with different ways of writing and different vibes and I adore them equally at this point.

ALSO THE WINTER KING, holy shit don't get me started, but I will rant about this mofo

(These are keychain designs but I decided to put them together on a little canvas)

Firstly, I fucking LOVE the Winter King, and I'm really sad we didn't get more of him. I do wonder if the fact that Fionna's universe wasn't 'canon' during all the universe hopping, that if somehow the multiverse will reverse some things and 'repair' the damage. I'm not even saying that because I want to see the Winter King again, it just absolutely sounds like something that could happen in Adventure Time. Hell, look how they made Fionna and Cake just-- real! Thanks Prismo you're a cool guy.

But in terms of the Winter King as a character, and in terms of his universe? I want SO much more detail. Where is Finn, where is Jake? Marceline either left the Winter King or got killed, so I'm curious there too. The juxtaposition of genuine confidence and whimsy, and the mans incapacity to feel remorse or even real deep sadness (him saying 'Oh! The dead one?' when Simon asked about Betty was... holy shit) he was just an EXTREMELY interesting character, and I so badly want to see more of him.

Also dude was just funny. The fact he straight up admitted he thought about kissing his alternative universe self was so fucking funny, and plays heavily into his narcissistic behavior and tendencies.

On TOP of that, the idea of how he ended up cursing Bubblegum specifically would be so interesting. I read online people assuming when the Ice King did his spell, it was more like "I want Princess Bubblegum to love me, so I'll do a spell so she can understand what I'm feeling and then she'll marry me!" but then the 'understand what I'm feeling' is actually just... "Hey, I feel absolute madness, here, take it off my hands!' and might have just been a huge accident. We certainly can't trust Winter King's words about it.

I don't know. He was so fascinating, and the way he put feelers out to see if Simon would feel the way he does (Specifically talking about making an Ice Betty, then realizing Simon was disturbed so he shrugged it off with a laugh, being like 'no thats immoral obviously haha') and the fact that he was so cautious and smart about avoiding telling Simon how he conquered the crown? Like he would be glad to help and teach Simon how to keep his sanity AND his power... but obviously would have never spoken his secret the more he realized Simon would morally object to it.

I dunno. This character was in the show for 20 minutes and he was so fucking interesting I almost feel robbed. I hope maybe we can get some Adventure Time comics about the guy at the VERY least!

[rootspiral]

Agatha All Along deep dive: episode 9 part 5

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4][5] ep6 [1][2][3] ep7 [1][2][3][4][5][6] ep8 [1][2][3][4][5][6][7][8][9] ep9 [1][2][3][4][5][6])

question for you: it that only a reflection from set lights, or did agatha have tears in her eyes?

because, well, this is agatha. she's putting on a show, so you know that she's not as confident as she wants to appear. I imagine that suddenly turning into a ghost is not an easy adjustment. super interesting from a nerdy scholary prospective, but psychologically?? idk

billy, as usual, has to beg her to PLEASE BE SERIOUS FR

I toOK A calCULateD RiSK

whatever you say you big loser

then she demonstrates being a ghost by trying to slap billy. it's scientific and not ridiculous at all

at long last, and very, very late in the game she explains the nature of the Road to billy - and notice how she's still not able to be completely honest, despite all the previous moments they shared. the song means the world to her, but she's not ready to admit that yet.

the Road was very very very much real, and all the deaths that happened do count

I'll die on the hill that billy is a good person at heart. the tower, the potential for tragedy and destruction, is just that, a potential that the people in his life - the kaplans, eddie, the coven and yes, even agatha - are helping keep unfulfilled.

agatha shakes her head, gently, carefully. and we can see there has been some growth here: the first time billy supposedly killed someone she went on a whole speech about how Killing Makes You a Survivor Actually, a speech that was more about her than him. she's at least considering his feelings now

and btw agatha's "death" not being final like the others' doesn't cheapen the message at all. these are shows about dealing with / accepting mortality, and that is a journey agatha has just started. she (somehow, crying and screaming and flying by the seat of her pants) cheated death and will get herself a new body, and that's just one step forward and two steps back on her way to learn to finally stop running.

remember when nicky was upset about killing witches and agatha avoided the subject by singing a song to him, because she didn't know how to relieve a child of the guilt that was hers and only hers? she is trying now. she sees how this is devastating billy and she (badly) tries to absolve him. she is the one who lured the coven into a trap, who didn't disclose the nature of the Road, who very much killed alice.

and mark my words: she knows who sharon is, she absolutely remembers her name. I think she feels the most guilty about killing sharon, because with alice it was kind of an accident, but she went out of her way to doom this poor little lady, and she's been distancing herself from her with callous jokes since the beginning.

look at her face. this is Empathy. I've talked a lot about how for agatha it's easier to feel empathy for people with similar stories and backgrounds to hers. she felt it for wanda and ran from it. billy has the added quality of being perfect son material (I'll get to that in a minute) and right now? she knows what he's going through. she was once a girl born with the power to kill people, a power she didn't know how to stop, and it ruined her life and doomed everyone who crossed her path.

and she's still trying to have her cake and eat it too! consoling billy while still keeping her "whatever I don't care anyway" fake vibes. I'd say that she's matured a little, sure! from toddler to at least first grader. she even dares to roll her eyes when mentioning jen, this actual piece of ghostly turd.

please please please let jen come back in a marvel property that doesn't suck / hopefully written by jac and her team. please please please let us see what she does next

"should I go check on how agatha and billy are doing? nope screw them bye bye losers omw to rebuild my empire!" *nyoooooom*

(I don't know what I'd like to see more, jen becoming a force for good right away or still on the road to recovery, clashing heads with agatha.)

agatha takes a deep breath (can ghosts actually breathe tho) and gives billy a speech reminiscent of what she told nicky all those years ago. if you want to survive, get used to this feeling. we are supposed to read this interaction with the added context of her relationship with her own son (hence the callback). so why does agatha gives billy the nicky treatment now?

I think billy is all that agatha hoped and wanted nicky to be - a partner in crime who can keep up with her intelligence and sense of humor, a powerful witch she can pass her knowledge to, and a son who will love her and stick by her side no matter what. billy is the whole package, from the very beginning she couldn't see him as just the carrier of the very power she needed to bring nicky back; another hunger took over, the hunger to claim him and raise him as her own.

which brings us to the crucial question: why does agatha want a son? why did she have nicky in the first place? the answer, in true agatha fashion, is selfish, flawed, tragic, human. she wanted to fix her own childhood. she wanted to raise a version of herself who had all the love and support of a mother. and so she made sure that nicky had what she never had, including books and lessons to learn magic from. she tried to make him immune to life's heartbreaks - get used to this feeling, like she never could (because she never managed to make her own heart impervious, she only hid it away and tried to ignore it.) she essentially imagined her child as a a mini-me who committed all the same atrocities with no guilt or remorse and the added bonus of a mother cheerleading them on. another cheat sheet, a way to fix herself without actually working on her issues.

except nicky wasn't exactly what she had expected. he didn't like killing witches. instead of a talent for magic, he showed a talent for music and, credit where credit's due, agatha encouraged and nurtured it. when nicky died, agatha was on her way to accept that he was his own wonferful person and that being a parent is an exercise in selflessness. despite all her mistakes, she did one fundamental thing right: she loved nicky so freaking much, and was genuinely loved in return. who knows what could have happened if they were allowed to continue on that path.

billy is also very much his own person (not to mention almost and adult) so he simply won't let agatha project her issues all over him. (agatha is like, "challenge accepted.")

her love for billy is not in question, but now she has to be selfless and admit he doesn't exactly need mentoring in serial killing. what did billy need from the Road after all? it wasn't power. it was a sense of identity, a community, help in finding himself and his brother. agatha knows this perfectly, she's just *gestures in her general direction* like that.

go to episode 9 part 6

[starry-bi-sky]

I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.

Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.

Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.

Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.

Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.

I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.

[Okay, hold onto your hats because this is long. Naturally lmao.]

Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.

But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.

I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.

Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.

But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.

Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.

Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.

.

Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.

However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.

So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)

If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.

(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)

Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.

.

Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.

(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)

So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.

But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.

Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.

He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.

Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.

Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."

He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.

He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.

Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.

Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.

"Have you been spying on me?"

Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"

His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."

A roundabout way of saying, "I was worried".

Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.

"Why would you do that!" She exclaims, "That's way out of line, Danny."

"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."

"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."

"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"

"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)

"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."

Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.

I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.

"I know you do not like me."

"You're right; I don't."

"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."

"...That's correct."

"Good! Because I am going to ask her out."

"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"

"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"

In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."

The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.

(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)

After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.

Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.

The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.

Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.

My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.

So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.

Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.

But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.

Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"

Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.

.

Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.

Hope you enjoyed! Thanks for the ask :]

[clemelntine]

They did it again

Fadel and Style had sex in an abandoned building in the woods and I have never been sane about anything in my life ever, so here are my thoughts and interpretations of that.

Thoughts on the storage room sex and fantasies we saw from FadelStyle in ep 2 and 3

Before we start, I know I'm a bit late. So if you've forgotten this episode, allow me to quickly promote @airenyah and the beautiful summary and analysis she made of Fadel Styles' little journey in episode 4.

Before their sex scene this episode we once again get two scenes that show what each of them wants (or that can at least tell us something about their desires and where they stand)

Style has a sex dream that is just a montage of shots from the storage room. I thought I might find something in the specific shots they used, but its pretty much just a summary of the entire scene (a compilation of highlights, I guess). This does tell us that he liked it. If they had just shown shots from a specific action, it could have indicated that only that was enjoyable to Style. But the entire sex scene being summarized shows that, if anything, all of it was good to Style. I already said in my previous post that Styles fantasy in the host club showed that Style wanted fadel to take control and act on his own desires. This dream only confirms that more.

The dream starts with Fadel saying, "If you want it, I'll give it to you." Which was what he said right before he kissed Style. It makes sense, since it started the sex, now it starts the memory of it. But they could have also started it with Style asking if Fadel doesn't like him a little bit, like the cut in the trailer, or have no words in it at all. Style specifically remembering these words and tying them to the sex in his memory/mind indicate that Style was aware that there weren't that many feelings involved. Fadels words made it sound like he is giving in for the sake of Style, not for anything he wants (maybe to put up a wall, plausible deny ability, or maybe cuz that was part of Fadels motivation). Style knows that and will spend the rest of the episode trying to change their relationship, to also be romantic. I also think (and have said in my previous post) that Style was kind of into the idea of Fadel doing it for him, but that's besides the point.

At first, he seems pretty content, it was a good dream, but after he's woken up and he looks down, there is a look of slight shock and surprise, and he curses. He clearly didn't expect he would be so attracted to Fadel. Didn't think it would affect him this much. I don't doubt that he is aware of his feelings and his attraction, but I think he at least thought he was in control of it. He knew he liked Fadel but didn't expect this to creep up to him like that to make him feel things when he wasn't conscious/aware.

Not technically a fantasy, but Fadel cutting Styles shirt in the kitchen does tell us some things.

In this scene, Fadel is reminded of the lack of control he has over his emotions (just like Style earlier in the morning). Style brings to his attention that Fadel missed Style. This is no new information to Fadel, but for it to be called out like that startles him, brings up his fight or flight a little as he bites back by saying Style is annoying. But Style doesn't back down. He claims that he knows Fadel likes it when Style messes with him. I do think this might have been slightly new information to Fadel. He might have been hiding behind his attraction to Styles body to stop himself from having to admit he likes his personality.

Because that is imidiatly where he takes it. He points the attention back to Styles body by laying him down on the table and cutting his shirt. This is also a sort of response to Style saying he needs to let go of the control. He can't do that yet, just like he can't admit to liking Style on a lever deeper than sex, or at least he won't allow himself. He goes to attack Style, to try and prove him wrong, but also indulge himself a bit. He finds Style hot, and I don't doubt he loved seeing Style laying on the counter like that. Eyes closed full trust in Fadel and very vulnerable. So he challenges that trust by laying scissors on his stomach, no reaction. Style wasn't bluffing when he said he wasn't scared of Fadel. So Fadel goes on, cuts, and then swiftly rips open Styles shirt, a counterattack to the way Style so quickly bared Fadels secrets (and heart, like ripping open his chest).

Style seems to be into it though, a big smile plastered across his face. This is the exact type of stuff we've seen he likes, Fadel acting on his own accord and responding to Style. Most of Styles teasing is to get a reaction out of Fadel, and this is one heck of a reaction. It might not have been Fadel letting go of control like he initially wanted, but it is progress, and Style doesn't mind it (we'll get to losing control later in the episode, of course). And once again, Style places his hands on Fadel in an encouraging way. Not exactly holding Fadel down, but signaling that he wants him close.

And that is what finally brings us to the woods. As soon as Fadel dragged Style away from the meeting, I wondered if they were really going to have sex again. Even considered Fadel might be into whatever that is. But then he decided to drive Style (who willingly got into the car, that man's trust surprises me every episode) to the middle of nowhere and just leave him. I don't think he had any ill intent. He probably just wanted to scare Style, but that clearly didn't work. Style even said: I know you're going to kill me, but I'm not scared. And I believe him. He continuously sees that Fadel is dangerous and capable of harm but continues to return every time.

Style initiates the kiss. He had previously let Fadel take control cause he wanted to do/see what Fadel wanted. Because although Style might have been very annoying and provocative, he does seem to know and understand the vulnerability that comes with sex. He even points out multiple times that he doesn't want a one night stand and isn't the type of person to just bang and bail. Style knows and feels the connection that sex creates and requires. So Style is scared of taking that too far with Fadel, and he had been letting Fadel do what he wanted. But in the woods, Style just got verbal confirmation that the thing Fadel wants is Style. It might not have been direct, but what Fadel said is as much of a confession as Style will need, and he finally takes the liberty to make the firsts move, to be active.

(Also I realize the kisses in the locker room were initiated by Style but because those weren't really with the intentions of going anywhere and were more to tease Fadel and test the waters, I didn't include them I this conversation. This was also before Style developed a genuine interest in Fadel)

This is also a big change for Fadel. So far, he had been the one to act during their intercourse. It was a way to take control of the situation (but also, as @nnnn99999 pointed out in this post, it gave space for him to slip up. He was able to do anything and let himself go, got too into it, still inevitably lost control). Framing the sex as being for Style might also have been a way for Fadel to distance himself from it slightly. View it as just an act, a service to be given out. It couldn't all have been for Style, though. There were too many kisses placed along his skin to convince me of that. Fadel likes Style, and he likes making him happy/satisfied.

But now it was Styles' turn, and we immediately see parallels as well as differences. @secriden already documented and showed these really well in this post (the side by side screenshots really help visualize it better).

The similarity in hand placement (both of them placing a hand on the others jaw/neck during the first kiss if the scenes) might be Style mirroring what Fadel did. A strategy often used to build connection. But I doubt Style knows of this or even thought if it during this time (although it might still have had the same effect on Fadel). I assume Style held Fadels face like that, two hands with one behind his neck, to keep him in place or position him better. Fadel having the same intentions when he did it as well (and maybe a slight choking kink, who knows).

Both of the scenes are bathed in blue lighting, which often signifies coldness. And although that makes sense for their first time in the storage room (them not really connecting emotionally), it doesn't fit the scene in the abandoned building very well. This cold can, however, also be a calm feeling. This could signify that in the abandoned building, they are at ease. After the high tension confession, Style settles the mood by telling Fadel that it is okay to love, and it makes them both feel more comfortable. After that, their blue lighting no longer shows their emotional distance but their content feelings. The singular light illuminating them from above also creates a feeling of intimacy.

After Fadel kisses him, instead of sitting back and letting him do what he wants, Style decides to take the upper hand and initiate once again. He first lifts Fadels shirt, swiftly caresses the skin under it, and them moves quickly down to his pants. Style puts his hand in Fadels pants and does so with a very watchful eye. He observes Fadel and tries to keep as much eye contact as he can, a direct contrast with Fadel in the first scene who focused all of his attention on burying his face in Styles skin. Both are actions of desire, both show a clear interest in pleasing the other while still taking in as much satisfaction from the action for themselves as well.

Whereas Fadel kissing every inch of Styles skin shows an active determination to make him feel good (and of course enjoy Styles skin). Style looking at Fadel for the reaction he gives (something he also does when teasing Fadel, once again he wants to see what Fadel thinks, wants him to respond and go along) shows that, he this time too wants Fadel to get pleasure out of it. Last time, he thought that could be achieved by letting him do his thing (letting him use Style as a way to get to his own climax). This time, he knows Fadel likes and wants him and decides to take action into his own hands: he will be the one to make Fadel happy. And as we see by the look on Styles face, he too gets off on Fadels pleasure.

Their eye contact also indicate they have a deeper connection now. The eyes are the gateway to the soul, and after Fadels confession, they are both ready to face that.

Fadel is shocked at first. This isn't something that he would assume Style would do and isn't something he had shown to like. But as soon as the surprise wears of he gets into it. And it is finally time for Fadel to let go of control. He already gave up a lot of his control when he confessed to liking Style because a lot of the reason why Fadel felt like he had the upper hand was because Style was pursuing and following him (their interactions depended on wether Fadel went allong or not, he was able to control that). Now that he admits he likes him back, they are on even playing ground and ready to pursue each other equally. And with Style jerking him off it seems like their relationship is finally building more trust as well as being more 50/50.

Another point I liked is the focus on Fadel laying his hand on Styles hip. This is a beautiful contrast with the way his hand hovered over Styles hip when he kissed him in the locker rooms. Back in the lockerrooms he didn't trust Style yet and wasn't interested in him (at least not emotionally/romantically)

And that's why this time, at the car, when Style asks if Fadel wants to date and gives his flirty little reason, Fadel agrees. Over the course of the episode, since his sexy dream, Styles has tried to build a stronger relationship with Fadel, and it had finally come to fruition. When he now teases Fadel, he goes along, and when he shows his emotions, Fadel responds. It's like his demeanor shifts, and he realizes that Style is actually serious about wanting to date him.

I also really like how Style says specifically, "What you said to me just now, I feel the same way, y'know? This isn't just Style telling Fadel that he likes him, Style is reminding Fadel of his own feelings, affirming them. He does this a lot. He did it in the kitchen when he repeated that Fadel misses him. He did it in the storage room when pointing out that fadel likes him a little. Style is pretty good at reading people, and repeating that back to them not only acknowledges those feelings but also shows that Style cares and is putting in effort. It's also fun to see him teasing Fadel with the fact that he is easy to read because fadel doesn't want to be

There is a lot to be said about the last quarter of the episode and how knowing the truth changes Styles behavior but for that you'll have to go somewhere else. @secredin made a really good post about it.

Forgive me if this is a lil shit and reads like ass. I'm just trying to get my thoughts down on paper so I can move on. Anyways I'm finally gonna go watch episode 5 now!!

[yayakoishii]

Picture This | Balam Shichirou x Reader

Fandom: Mairimashita Iruma-kun

Pairing: Balam Shichirou x GN! Reader

Word Count: 2.1k

Genre/Tags: Fluff

Summary: You find out about the kind and gentle Balam Shichirou and meet him with a proposition of your own.

A/n: I have known this demon for 3 episodes and I'm in LOVE;; so I basically got possessed by the sudden urge to write something for him. he's the kindest, the sweetest, the BEST TEACHER EVER 😭 I love teachers like him so much, this was very self-indulgent and kinda just me admiring him hehe... I hope you enjoy this short thing I wrote, even though there's a high chance that he might be slightly ooc since I haven't known him for longer than 3 episodes.

also available on ao3!

The chatter in the class was a low hum as everyone worked on their own worksheets that you had just printed out. The Apocalypse Test was close and as a new teacher at Babyls, you wanted your first results to reflect well. If the results were not good then that would mean you had to work harder as a teacher.

You were walking amongst the students, listening in on their discussions or aiding them in finding where the answer could be found in the textbook. It was an open book, open discussion worksheet solving session and you were pleased with how well the students seemed to be handling it without making too much noise. The abnormal class could be really serious about studying when they put their mind to it, huh?

The bobbing of a blue head caught your attention and you walked closer to Iruma's seat. As always, he was sitting between Alice and Clara but the three of them were referring to their own books. (Except for Clara; you were pretty sure the book in her hand had nothing to do with studying…) The book in Iruma's hand was one you had never seen before but it looked interesting.

"Iruma-kun?" You stopped in front of his desk and looked down at the book curiously. Said boy startled and looked up in panic until he realised it was just you. "Where did you get this book?"

"Oh!" He gave you a warm smile, the kind that always made you smile in return. "Balam-sensei gave it to me because I was… y'know… struggling to understand."

"Can I see it?" You asked, curiosity taking a hold of you. Iruma handed you the book and you leafed through it. Surprisingly, it was a picture book with really easy explanations. Whoever wrote it had your gratitude; these were the kind of books that made learning enjoyable and less daunting. You closed it and looked at the cover to check the author's name. "Huh? Balam Shichirou…? Balam-sensei wrote this book?"

"Yes!" Iruma beamed at you. "He made some of them especially for me."

"That's wonderful," you felt touched even though you had never met the man. When you had aspired to be a teacher, this was the kind of teacher you were aiming for. Somebody who helped even the students who were struggling to understand, from the basics so they could build a stronger structure of knowledge on it. "Is it easier for you to understand this way?"

"It is," Iruma admitted, shyly scratching the back of his neck. You smiled and lightly patted the top of his head, startling the boy a little.

"I'll keep that in mind for my next class," you said. "And while I'm grateful for Balam-sensei… Why didn't you tell me if you were struggling to understand my teaching, Iruma-kun? I would have adjusted for you."

You pouted at him so he knew you weren't seriously mad at him; just a little upset.

"No, no, no!" The boy panicked and shook his hands in a negating gesture. "That's not it, (y/n)-sensei!! I just didn't want to burden you because I was the only one struggling even with your easy explanations… I guess having it in written form like this just helps to remember what you've already taught."

"It's not a burden, Iruma-kun," you reminded him. "It's my job as a teacher to make sure you understand. If you don't understand something, that's my responsibility. If you're worried about being a bother to the rest of the class, you can always come to me after the classes are over to get a quick personalised lesson."

"Eh?" He looked surprised. "Wouldn't that take up your time, sensei?"

"If it helps my students then it's time well spent!"

•

After your classes for the day were done, you asked around the staffroom for where you could find Balam Shichirou. Kalego gave you the directions and you made your way to his office, curious about what kind of person he must be and how he would look. From whatever Iruma had told you, he already sounded like a kind person and a great teacher. You found the door and knocked on it before looking inside.

"Balam-sensei?" You asked. There was a demon with long white hair sitting on a table, writing something down, who startled at your voice. "Can I come in?"

"O- Oh, yes, please!" He seemed a little confused by your presence but you stepped in and closed the door behind yourself. There was an empty stool across the table so you sat down on it. "Um, (y/n)-sensei, would you like some Hell Grey Tea?"

"Oh!" You hadn't expected him to know your name. Suddenly, it felt embarrassing that you had never heard of him before this. "Yes, thank you for the offer, Balam-sensei."

He nodded and got up to make you some. He worked in silence so you took the time to look around his office. The shelves full of books were eye-catching and your hands were already itching to dig into them and read all the unfamiliar volumes. Your eyes drifted over to the book sitting in front of you that Balam was working on. Your eyes widened when you realised it was another picture book, this one on one of the battles that had occured some centuries ago. Your hands moved to check it before you could even think that it would be rude.

"Here you go– oh, you saw my book," Balam placed the tea just out of the way enough so that you wouldn't accidentally bump it. "Do you… like picture books, (y/n)-sensei?"

"Not particularly," you admitted as you skimmed through what was already drawn and written. "But I like to read so picture books are fun too! I suppose I never got much into them because my home was full of textual books and I liked those just fine so I never had any picture books as a kid. I may not know much about them, but this is really well-written, Balam-sensei! You draw so well too."

"Oh," the other demon pinked at your words as he took his seat. "Thank you. I'm glad you like it. I'm making this one for a student but you could borrow a different one if you're interested."

"Ah! That reminds me why I came here," you beamed at him, gently placing the book back where you had picked it up from. "I saw the picture book you gave Iruma-kun in my class today. Our subjects have a small section that overlaps so he was referring to the book you made for him and I couldn't help noticing it. It was truly so easy to understand and it gave me the idea that such a method would be helpful with other subjects too."

"Really?" He seemed surprised by your words but you could tell that he was also touched. "I would like to share them with all the students too, but for some reason, they keep running away when I try to show them my picture books."

"Ah," you leaned back when you realised that you had accidentally leaned over in your excitement. The other teachers in the staffroom had told you about Balam's reputation amongst the students. "I'm sure they would benefit from it. I could share your books with some of my students if that works for you, Balam-sensei. And, if you would be interested, I wanted to try making a picture book explaining my subject too. It's a huge task and I would compensate you accordingly for your time and efforts–"

"You…" If Balam had seemed shocked before, it was nothing compared to his face now. Although his mouth was covered by a metal mask, you could tell from how wide his eyes had gotten. "You want to… make a picture book… with me?"

"Only if you're interested!" You bit your bottom lip nervously. "I personally really liked your books and I thought it would be a great way to learn for the students who have a weaker or slower grasp of understanding. Since I'm not very familiar with the process, I thought it would be amazing if I could have the aid of your experience. I understand if it's a commitment that you don't have the time for, and there's no guarantee that it will work out but I would love to at least try it with you."

"I would love to," Balam uttered softly and even without seeing his mouth, you could tell that he was gently smiling at you with how his eyes curved just so. The sight made your heart unexpectedly quicken and you fidgeted in your seat, picking up the Hell Grey Tea you had forgotten about. "I didn't think any of the other teachers liked me much but I'm very happy that you thought of me when you wanted to try this out."

"I don't think they dislike you, Balam-sensei," you smiled from behind the cup of tea. "But I suppose people just get so caught up in appearances and assumptions. People who have much to hide seem dangerous at first glance and we don't take time to get to know them if we can help it. I admit I might have fallen prey to the same kind of thinking if I hadn't heard about you from Iruma-kun. I could tell you were a kind and wonderful teacher from the way he spoke about you."

Balam's eyes widened and for a second, you thought his eyes seemed glassy. You blinked and the light was gone but Balam's eyes were still the soft shape. Now that you took the time to study his face, you realised he was quite handsome. The thought made you accidentally slam your tea cup down on the table in panic and the ceramic broke, startling the both of you.

"Oh no, I'm so sorry!!" You were flustered but you hurriedly tried to collect the pieces together without hurting yourself. "I'm so clumsy…"

"It's okay," Balam reassured you, coming over to your side to help you pick up some of the pieces. "I'll take them to the trash. Are you hurt?"

"I don't– oh, just a little it seems," you had a very tiny cut from a sharper piece you had picked up. It didn't hurt. You waved it off as you carefully put the pieces you had collected in Balam's large gloved hands. "Nothing to worry about. It will be healed in a day or two. I really am sorry for troubling you, Balam-sensei!"

"I told you, it's fine."

He carefully threw away the trash then returned to you with an ointment from his desk drawer. You had stuck the finger into your mouth to suck at the blood and stop the flow but it felt embarrassing when you realised that Balam was watching you. You hurriedly removed the finger and tried to find a cloth to wipe it off but Balam crouched in front of you and asked for your hand silently. You ended up placing yours in his and watched him carefully pat it off before putting on the ointment.

"Thank you," you blushed fiercely when he was done and still hadn't let go of your hand. In fact, he was now standing up and holding both your arms in his own; the proximity was making your heart beat unnaturally fast. "Um, Balam-sensei..?"

"Yes?" He asked, blinking down at your comparatively smaller form in his arms.

"Y- You can let go of me now," you mumbled. Your words made him stutter and he let go in a panic.

"I- I'm so sorry, I just tend to do that without thinking!" He was blushing too, embarrassed. Balam didn't want to make you uncomfortable after you had been so nice to him. For once, he was actually getting along with someone new. For that matter, you were the one to approach him first! Not to mention, he had found you really beautiful when he had first seen you in the staffroom, laughing at Dali's joke. You hadn't seen him then, but that brief memory flashed in his mind when you softly giggled.

The sound of your laugh made his heart skip a beat. Balam stared at you as you flashed him a warm smile.

"If you wanted to hold me, you could have just asked, Balam-sensei!" You beamed and opened your arms for a hug. "I don't mind you touching me. I was just surprised."

Oh.

Balam's hands twitched for a second, the same nervousness he felt when Iruma tried to touch him popping up. But this time, it felt a bit different. The nervousness in his stomach felt like those fantastical creatures called butterflies that he had read about. His heart seemed to be thumping louder than usual too.

It was only when his larger frame swallowed yours into a gentle grip that he realised. He could feel the outline of your smile against his bicep.

Ah, this was what they called a crush, huh?

°•❀•°

All likes, comments and reblogs are appreciated! ♡

[bijoumikhawal]

"If Winn wasnt a blatant allegory for the causes and effects of evangelical power" okay I agree that's what the writers did with her, but my friend- does that make any g-ddamn sense? Any sense at all? Do leaders in the Christian American Evangelical community get put in prison for being Evangelical (because Kai Winn WAS)?

[nightprompts]

&. 𝐨𝐧𝐞 𝐩𝐢𝐞𝐜𝐞 (𝐥𝐢𝐯𝐞 𝐚𝐜𝐭𝐢𝐨𝐧) 𝐬𝐞𝐧𝐭𝐞𝐧𝐜𝐞 𝐬𝐭𝐚𝐫𝐭𝐞𝐫𝐬.

( dialogue prompts taken from episodes 1 & 2 ( "romance dawn" & "the man in the straw hat" ) of the netflix live action one piece series. feel free to edit and change as you seem fit. )

❛ do you have any last words? ❜

❛ the sea's been calling. well, not exactly calling, because i pretty much can't swim, but you get the idea. ❜

❛ so what do you say? are you with me? ❜

❛ liar! i know zoro must be after me. who else is worthy of his pursuit? ❜

❛ who's the most powerful pirate on the seas? ❜

❛ first things first. do you have any food here? ❜

❛ you don't look like a pirate. ❜

❛ i'm not afraid of getting hurt. and i'll prove it to you. ❜

❛ i don't get it. why would anyone want to be a pirate? ❜

❛ you have the wind on your back, the salty sea air, your loyal crew by your side. you never know what's on the horizon. it's all about being... free. ❜

❛ you should never let anyone tell you what you can't do. ❜

❛ well, remember the name, 'cause i'm gonna be king of the pirates. ❜

❛ people often visit shrines to light candles for those they've lost. who are yours for? ❜

❛ you've been following me for three days. what do you want? ❜

❛ look, i've been practicing what my face is gonna look like on my wanted poster.❜

❛ i've no doubt your mug will be on a wanted poster one day. ❜

❛ all he did was spill a drink on me. ❜

❛ you should've fought back! why didn't you kick his ass? ❜

❛ not everything can be solved with violence. a man needs to be strong, but he also needs to be good. ❜

❛ you're not a real man. you're nothing but a coward. ❜

❛ you ate a devil fruit? ❜

❛ ever since i was a kid, i wanted to protect people that can't protect themselves.❜

❛ if that's what you want, i think you should do it. i'll help you out. ❜

❛ my crew was attacked by pirates. i barely managed to make it out alive. ❜

❛ rice balls. for you. ❜

❛ you shouldn't draw your blade unless you're prepared to use it. ❜

❛ don't kill me, please. my father will give you anything you want. ❜

❛ i'd say you live up to your reputation. ❜

❛ what's up with the third sword? i mean, where does it even go? ❜

❛ what do you say, puppy? do you want to do a trick for me? sit up and beg. ❜

❛ i kill your kind for a living. ❜

❛ i mean it. i don't owe you anything. ❜

❛ you are going to get us both caught if you keep stomping around this place. ❜

❛ that was amazing. admit it. we do make a pretty good team. ❜

❛ so why did you decide to become a thief? ❜

❛ i needed to eat. you do what you have to, to survive. ❜

❛ you're right. nothing is more important than food. ❜

❛ all great fighters call out their finishing moves. ❜

❛ i don't work for you. ❜

❛ i'm sensing a little bit of tension amongst the crew. ❜

❛ before we met, every choice was made for me. but now i'm gonna do what i want to do. ❜

❛ next time we meet, we might be enemies. but for now... we're friends. ❜

❛ i'm feeling so... so piratey. ❜

❛ well, you're gonna end up feeling watery if i have to throw you overboard. i told you i need absolute silence. ❜

❛ don't mess with my hat. ❜

❛ oh, i'm sorry. were we interrupting your beauty sleep? ❜

❛ don't like what you see? look away. ❜

❛ you have a lot of names. i bet everyone in the east blue knows who you are. ❜

❛ are you making fun of my nose? ❜

❛ i know your type. if there's nothing to gain, you're out. ❜

❛ truthfully? i'm kind of hungry. ❜

❛ who are you trying to impress? a lost love? an absent parent? or was it someone that you worshipped? ❜

❛ i used to know a pirate that wore a hat just like this. ❜

❛ for a time, i even thought we were friends. until he betrayed me. just like all the others. ❜

❛ he wanted to keep me out of the spotlight! he wanted to keep my star from shining too brightly! ❜

❛ is that what he did to you? did he betray you, too? ❜

❛ you can slice me and you can dice me, but i'll always put myself back together again. ❜

❛ i've been thinking about you for years. ❜

❛ i know you're upset, but you should eat something. ❜

❛ you're never not hungry. what's going on? ❜

❛ you can spill a drink on me and i'll let it slide, but don't you ever threaten my friends. ❜

❛ you can't make people love you. just like you can't make them smile. ❜

❛ you really think anyone is coming for you? they don't care. and no one is gonna miss you when you're dead. ❜

❛ get lost. ❜

❛ i'm just glad that you're okay. ❜

❛ what was that? i couldn't hear you over all the drowning. ❜

❛ you really don't fear death, do you? ❜

❛ what's the plan? you do have a plan, right? that's your thing, plans. ❜

❛ you want out? you know the price you have to pay. ❜

❛ you want a piece of me? let's see what you got. ❜

❛ i think i'll miss you most of all. ❜

❛ we're gonna be the greatest pirates the world has ever seen. even greater than your crew. ❜

❛ this hat is the most precious thing i own. it means the world to me. and i want you to take it. ❜

❛ when we meet again, you can give it back to me. ❜

❛ is every day gonna be this crazy with you? ❜

❛ if the path to what you want seems too easy, then you're on the wrong path. ❜

[noneorother]

By far the dumbest movie reference no one caught in Good Omens is : The League of Gentlemen's Apocalypse

I'm working on a theory that requires many hours of movie watching, so here we are. Many people have already mentioned that the nazi zombies/Furfur is a The League of Gentlemen comedy troupe shoutout. But I'm taking it one step crazier. Remember the opening scene from the 1941 minisode of S2E4, the one with the london bombing and the Angel statue in the bottom right corner ?

Haha sorry my bad. That's the climax intro scene of the movie The League of Gentlemen's Apocalypse. Here's the opening scene of the 1941 minisode:

You can excuse the confusion after seeing both, with how they look pretty much identical (yes this is giving me The Tales of Hoffmann PTSD, thanks for asking) And it's not very coincidental when you know who helped write the minisode.

You know, just the fourth member of The League of Gentlemen and writer of the movie LG Apocalypse. So shall we tease out all the (I'm warning you) EXTREMELY dumb quotes and story beats this terrible movie has lent to the 1941 episode? There are quite a few. But there's also a potential story arc that isn't so dumb... (TW offensive comedy, including mild gore)

In order to understand this you probably have to know a bit of background on British show The League of Gentlemen. "[A] surreal British comedy horror sitcom... follows the lives of bizarre characters, most of whom are played by three of the show's four writers – Mark Gatiss, Steve Pemberton, and Reece Shearsmith – who, along with Jeremy Dyson, formed the League of Gentlemen comedy troupe in 1995." You don't need to know all of the characters or backstory of the show, just that it's a fictional town with many fictional characters played by the same three writers (and an invisible fourth).

(Also known as all these people right here) Want to know who they plays a stand-in for Jeremy Dyson in LG Apocalypse and gets murdered first with black marker on his face?

Say hello, baby Sheen!

So we've seen the bombing scene, what about the car driving through fire and Aziraphale's suggestive line at the beginning?

Yup.

Do the characters make a deal with a Reece Shearsmith character to enter the real world through a church?

HECK YEAH. Bonus points for the green background.

A gag about fake lips with Steve? Sure.

Steve Pemberton seen here as a nazi zombie, and also here playing "Herr Lipp" (also known in the actual script as "the worst pun in the world" in the movie. Groan). What about Mark Gatiss Stealing binoculars from Steve to spy on two important characters? But of course.

Surely not the arm falling off too?

Oh dang. It's a big plot point in LG Apocalypse you say? Then, in the climax, does someone in dark sunglasses who doesn't know how a rifle works fire it at a main character, and the other character who he misses says fuck? Now you're pulling off my arm..

Well I'll be damned. The only difference here being Steve's head exploding, naturally.

I'll admit, I have trouble seeing where a giant 3 headed chimera beast that destroys a bunch of characters fits in at the end of the 1941 miniode, but I don't think 1941 is meant to be a stand in for the whole movie, because at that point in the movie the role of the main characters shifts to become the real versions of Shearsmith and Gatiss, not the characters. But even though the end of the movie doesn't track with 1941, I think the moral at the end is interesting : "In the church, Lipp says he will kill Gatiss. The other characters try to dissuade him, saying that once all the writers are dead, Royston Vasey will cease to exist and they will die. Lipp claims that they will in fact be better off, because as long as they're controlled by someone else they have no free will and can never change for the better. Tipps tells Lipp that because he saved the day and can therefore change, Lipp need not kill Gatiss. He persuades Lipp to hand him the gun, only for Tipps to accidentally fire it and kill Gatiss.

With all the writers now apparently dead, the residents of Royston Vasey prepare for the worst. Instead, everything calms down and The Apocalypse is averted. The characters realise they now have free will. Herr Lipp adopts some orphaned children, the vet, Mr Chinnery, finds a rabbit and is able to take care of it without killing it, and Bernice and Pauline become romantically involved. Tipps leaves the church, waving goodbye to Edward, Tubbs and Papa Lazarou. It appears that Royston Vasey can continue to exist independently of its dead creators." This struggle for free will outside of the plan originally set out by their creators, especially in the context of said creators not really caring about them anymore, really starts sending red flags up for me. Crowley's existential crisis at the beginning of S2E1 seems to be mulling over similar themes. The lack of any God narrator as in season 1 might be a change in storytelling technique, but might also point the the creator being absent, or having moved on without really letting her original creation know it gets to exist on it's own now. Funnily enough, this is the second movie with shot for shot quotes throughout, that places a specific set of characters at the center of their own deeper plot that has a meta level to the storytelling. I'm starting to think there's a pattern here...

_______________________________________ Here's my series on the Tales of Hoffmann, another movie hidden within the series.

[jamiedc-they-them]

Good People Part III: As you would have them do unto you. (Platonic)

Note: A summary of episode 3-4-beginning of 5. CW/ Discussions of PTSD flashbacks, trauma - mild mention of what happened in Reader's past; needles

Summary: Capture, being used as bait, having internal spirals you can't control, losing a finger, and almost having your organs harvested; something about that really bonds two people together.

Part 1 Part 2

"It's smart," you say, carrying the head, "his idea. His head, and whatever the hell is inside it, for your dad. It's a fair trade."

"It's horrible," Lucy objects.

"Most things are here."

"I hate it."

"Yeah, me too," you admit.

"How have you survived all on your own up here? I mean, no weapons or anything," she then realises how that sounds, "sorry."

You wave it off, accidentally waving the head in her direction, "you're good. And, I used to. I wasn't alone. Had some people."

"What happened with them?"

"Most of them took our stash and ran."

"'Our'?" She catches onto.

You pause at a water filled place. No way you'll get through that without something eating you.

You clench your jaw, "yeah...I was the only one left after a few days."

"I'm -" she goes to reach out, then remembers how you reacted before. She doesn't touch you, but her hand hovers near your shoulder, and she instead finishes her sentence, "sorry. I'm sorry for, whatever happened."

You shrug, "yeah, well. Guy pissing on my wound ain't the worst thing in the world, I'll say that," you leave the conversation there.

As you try and find a way through, a gulper jumps out of the water. It grabs Lucy on the leg, and knocks you away.

"Y/N!" Lucy calls out, being dragged, "Y/N, my gun!"

You put a hand to your head, it ringing. You blink to focus your vision, finding Lucy's drug gun in front of you. You crawl to it, the world moving in slow motion almost.

"Here!" Lucy says, throwing you a shot. You open the gun, and slot it in place.

You aim it up, as Lucy tries to kick the thing to get it to let go of her leg.

You fire. It hits the target. It works for a moment. Lucy gets scratched, but she isn't worried about that right now.

"Y/N! The head!" she calls out to you. You're already watching the Gulper run away with it and go into the water. You are already up and running. Lucy isn't far behind you.

"Dang it!" she says, before looking at her Pipboy, looking at the tracker for it.

She takes off her bag.

"Whoa, whoa, whoa!" You say, putting an arm out to stop her, "I'll go. I can swim better."

"You can't be serious!"

"Like you ain't just gonna jump in there yourself!"

A whistle breaks up your argument. There he is, the Ghoul from before. Lucy is on the ground the next moment, and a pistol is in your face.

"Don't move now, sunshine," he says to you, before asking Lucy about the head.

She doesn't know, she lies. Even saying "I lost it" instead of we.

So, you're both then tied up, and dragged.

To you, it's too similar to...to before.

You go silent, almost numb.

Lucy is dunked in the water. She keeps begging with the Ghoul, that doesn't help with your memories...

"Be like your friend," the Ghoul says, "and be more quiet, huh?"

You don't talk, not for a long time in your journey. You're just stuck in your head.

She's tried to talk to you time and time again, each time getting more concerned - even airing it to the Ghoul - but nothing comes of it. There's only one instance, when he talks to his Ghoul friend, you come back, sensing the atmosphere. You turn to Lucy, and look away from the scene. Lucy looks to you. It's enough to not let her see the man get shot at least. Even if the blood hits you both.

She can see that you've gone back to how you were when you first met, a mess on the edge it seemed. Desperate, and dying.

Now, more than ever, she understands what that's like.

"Y/N...drink, please," she begs. And, for a moment, you come out of your internal hell.

Slowly you approach it. And then human instinct takes over. You drink, as much as you can fit in your mouth, greedily. It isn't like when she met you. Here, you're a survivor. Not a friend.

You couldn't be that survivor right now. So, she would be in your place. She promises to.

It's why she runs, to try and buy you some time to fight back.

She gets lassoed, but rips off a finger. She loses her own.

"Now, as much as I respect you for it," the Ghoul admits, "try that again, and it's your friend who's next. And I'll give them something to stew over, ok?"

She nods, but he see's the threat in her eyes as well. A fire that's there. He looks back to you. someone who is so lost.

It reminds him of himself in the first few years of his search. He doesn't ask you, though. He tells himself he doesn't care - and, part of that is true, you're just cargo to get more of his meds - but, it's mainly because he's scared of what you'll say. And if it'll drag him back there as well. Grief, loss, pain, a hell of a motivator, but something you could also drown in as well. He drowned for a bit, for god knows how long - it's how his legend grew. But, he pulled himself together. Once you're gone, you can pull yourself together or not - that's not up to him.

So, he leaves you alone. Continues with Lucy, shooting the Vault-tech sign and all. He hated putting his thumb up for that dumb advert.

Lucy looks back to you. That gunshot has made you jump, but now your eyes are darting around. You're trying to find exits. You're, somewhat, back in the present.

You look to her, genuinley fearful - but she's just glad you're back with her. That she's not alone anymore. Selfish, she knows, but she's glad. Gets her hopes up somewhat.

You arrive at your destination, a supermarket. There, the trade goes by.

"Nice to have you back with us, sunshine," The Ghoul says to you, "shame it happened too late," he quips before shoving you forward.

You and Lucy enter the market. A Mr Handy robot greets you both.

"You will both be swell in no time," the bot says to you. Another, identical bot, approaches you, "my colleague here will have you in tip-top shape in no time."

You look to Lucy, 'fight' you say to her. She nods; 'be safe' is what she says to you.

You both go to different rooms.

"Now, my friend," the Handy says to you, "how may I help you today?"

"Uh, couple of cuts," you say, "some infection of some kind from urine."

"Oh, I do say, old chap, that does not sound sanitary at all!" you shrug, "well, not to worry. I have just the thing for you here."

You see the robot go past different cabinets. It even spins around at some point - maybe it was the urine that threw it off - but finally it finds something for you. Rad-away, and some antibiotics.

"Get those down you and let the Rad-away do its thing, and you should be good as new in no time at all!"

You inject the radaway into you, and take the antibiotic. You don't know if it's just you making it up in your own mind - fooling yourself - but you do feel stronger.

"How do you feel, old chum?"

"Better," you say, "thank you."

"Absolutely no worry, at all, my friend. Now, just sit still for this next part."

You do so, but soon regret it; as you are forced down onto the chair.

"What the fuck --"

"Now, now, no need for language like that! All will be ok soon. Just a small prick for your organs and then you're free!"

Well, when you put it like that --

A saw starts up. You struggle in the straps. Restrained, and having no choice but to wait for death, you've been here before. It was what made you be alone.

You manage to, just, loosen one of your arms, and turn just enough to make the saw hit the straps. You grab a tray, swinging it into the robot. Using the brief time you have, you undo your other strap and shove the bed into it. Adrenaline at a high. You can fight this time. You can stop it this time.

You grab a scalpel, and jam it into one of the eyes. You do it to another after dodging a swing or two. It falls to the floor, and you begin stamping on it. It won't get up, but you also can't let it live. This isn't a man pissing on you; this was something - programmed by someone - to harvest your organs. This is a threat. A raider like threat.

Still, this Mr Handy isn't to blame. It's been programmed to kill you. That, and it did heal you.

So, you crouch down, putting a hand on its head, say 'I'm sorry' to it, before driving your blade into it one more time.

It doesn't speak after that.

Removing the scalpel, you collect yourself. You did it. You set it right. The ghosts in your head can leave you alone now.

You get up, finding what sharp objects you can, before you start to leave and --

"Oh! Oh, Y/N, thank god!" you run directly into Lucy.

You both give each other a once over, nodding when you don't find any wounds.

"You have colour to your cheeks!" Lucy celebrates, "did yours --?"

"Try and kill me? Yeah. Yours --" you pause, looking at Lucy's, "...didn't?"

She looks back at it, then to you, "Oh, no, it did. I just reprogrammed it."

You put out your bottom lip and nod, impressed, "atta girl."

Lucy chuckles, "alright, what do you say we bust this place?"

You nod, and smile a genuine one, "let's do it," you say.

So, together, you do. Making them release the Ghouls. The last one...however, isn't a good call.

"Move!" you say, dragging Lucy away right as she grabs a gun. It goes off, the Ghoul goes silent. It's just you both left.

Lucy looks at her hands.

You get up, and move in front of her, crouching down, "it - it's ok," you say, not used to being the comforting type after so long...the ghost in your head of your previous time being like this play on you. Lucy isn't like that, like them, she's alive. She's had your back. So far, anyway.

She looks to you again, eyes lost like your one's once were.

"Hey..." you say, putting your hand out, letting it hover near hers. She looks to it, to you.

"How -- I --"

"I know, I know," you say, "it's ok. You had to."

It takes a moment, before she gathers herself. Her eyes go a shade of colder, "the, uh, the man who took us?" she says, seemingly out of the blue, "he traded us for those," she nods her head to something to your side; looking, you see it's vials. Orange ones.

You look back to Lucy, "no one else?" you say, knowing her line of thinking.

She nods, "no one else. Not if we can avoid it."

So, you give the Ghoul some vials, and leave him be to whatever it is that's next for him. It's not up to you.

Now it's you both again, walking side by side with some weapons to your name.

"Can I ask you something personal?" Lucy asks. her voice isn't as chirpy or in awe of everything as before. It's rougher, more serious.

You nod.

"What were you thinking about as we were dragged along?"

"Some people I let down."

She nods, "your family."

"I thought they were."

She nods again, "I lost some of mine, too. I never really knew my mother. I lost some friends to Raiders."

You nod this time, "you know what they're like then."

"Ruthless."

"Brutal."

"Animals."

"Arseholes."

"Butchers."

"You know they made me watch?" Lucy stays silent, knowing that you need this, "they took all my stuff, killed all my friends who wouldn't join them? Left me for dead. A...reminder, or something."

"How long ago was that?"

"Lost my Pip," you say, "didn't really count the days. Just sort of wandered as best I could. Guess I hoped the circles or something would be best punishment."

"You don't deserve that."

"Yeah, well, you don't deserve to be hauled around like cargo," you say, coming to a stop, "you don't deserve to drink that piss water. Or get shot at, or anything. You deserve the vault, and family and not the fucked up place that is up here with fucked up people like me!"

You hate the tears building in your eyes. Lucy hates seeing them.

"I'm not a good person, Lucy. And, to be honest, I don't fully know why you came looking for me."

"Because you're my friend -"

"Am I?" you fire back with, "I mean, jesus, I got you to Filly, got shot, then came with you for my own survival. I didn't help with the Ghoul, or any of that."

"Am I angry at you?"

"I don't know why you aren't."

"Because, and it's why I came back for you; you're my friend, when things come down to it, I know you'll help me," that smile returns, one of a genuine belief in people and her mission. You shut your eyes, your mind and ghosts of past failures telling yourself you don't deserve that look - let alone being called a friend - but you open your eyes and look at them. Not hiding from them.

You hear something, a cry out, and both turn to an abandoned tunnel.

You both go forward. Roaches are climbing over a Brotherhood of Steel suit. You and Lucy shoot the roaches.

"Look, my friend and I here, everyone we've met so far - aside from each other - have tried to kill us," Lucy tells the man in the suit. He promises he won't.

Lucy goes to say more, but instead vomit comes out.

"I have rad-away!" the man says, "I can help. Please, just let me out!"

Lucy collapses. You don't even think, you catch her and lay her down. Trying to shake her back awake.

"She doesn't have long until she's unconscious," the suit says, "I have what she needs to -"

"I know what she needs! Come on Lucy, come on!" You say, shaking her again. More vomit leaves her. You put her on her side.

"Look, just let me out and I can help her! Please! Please!"

You don't have many options. Desperation is a hell of a motivator. You go to the suit, turning the wheel and letting the man out.

"Thank you. Thank you --" he says to you.

"Thank me by saving her," you say, pointing to Lucy.

He nods, grabbing the radaway like he said. You put Lucy's head in your lap.

"You're gonna be fine, ok. You're gonna be fine," you promise her. You move some hair from her face. She coughs.

The man looks to you, and you nod. He injects the needle into Lucy. You see the transfusion start.

It takes time, but slowly the colour starts to return to Lucy's skin.

"Can --" she whispers, quietly, "can I hold your hand?" she asks.

You put your hand in hers.

"I - I knew I was a good judge of character," she wheezes, eyes opening and blinking a few times as she recovers, "I knew you were a friend."

You chuckle, half between that and a sort of sob of joy, "yeah," you say, "yeah, guess you were right."

You look to the Knight you saved, and give a nod of gratitude. He nods back, and sits back onto his hands, trying to recover himself, He's covered in sweat, likely having been put in the suit for a while.

"Thank you," you say to him, gratitude pouring through and walls being fully down.

"Thank you," he parrots back.

You nod, looking back down at your friend. She looks at you, giving you a smile.

You smile back.

She's ok. You haven't failed this time.

You've saved a friend.

You've saved a friend.

Part 4

[canmom]

Ping-Pong The Animation: eps 1-3

So Masaaki Yuasa [AN12, AN28, AN150] can do no wrong, right? OK, well, I'll admit Ride Your Wave was kinda mid, and Devilman Crybaby goes hard as hell at the beginning and end but sorta treads water in the middle, but... generally speaking! No-one does it like Yuasa.

For reasons I don't really remember, I didn't get very far watching Ping-Pong The Animation some years ago. It should be entirely my shit: Yuasa pulling in a gang of wildly creative animators to put their unique spin on something. However, the first episode didn't entirely hook me, and I never got round to trying the second before something else punted 'watching Ping Pong' out of my brain. ADHD, y'know.

This is a shame because even the very next episode seriously goes, as does the one after that. But also this anime isn't entirely what I was expecting (crazy sakugafest full of Yuasa weirdness). Not to say it doesn't do a lot of really unique stuff with its cinematography and animation, but these first episodes at least are more about like... dissociation! ennui!

But more on that in a mo. First I wanna continue the thread of 'how do you animate sports'.

So, ping-pong, or table tennis. Not a sport I know much about, I'll be honest. (To be fair I don't know a lot about sports in general outside of some very specific niches. The sports I've pursued so far are rather eclectic: swimming, fencing, tai chi chuan, and roller derby; I never got particularly far in any and it's been years since I've done them.)

I'll inevitably be drawing a lot of comparisons to The First Slam Dunk, the other sports anime I've watched recently. I do think it's a productive comparison though! Both of them bring something of the visual language of manga into their presentation in unique ways. I have not yet read the Ping Pong manga, but it's by Taiyō Matsumoto, otherwise known for scifi manga like Tekkonkinkreet (god tier movie, still need to read the manga) and Number Five. So that's a pretty impressive track record!

If you go take a look at some scans of Ping Pong, what will immediately jump out is the shaky, rough line style and unusual camera angles and compositions.

The stylisation is also very different from a lot of manga. Noses are fully drawn, eyes are realistically small, and in contrast, lips and mouths tend to get the emphasis - as well as hands.

Knowing this makes a lot of the creative choices in the anime make sense! It also adopts a shaky lineart style, and makes use of heavy line weights and spotting blacks to add definition. It also has a lot of crazy closeups and layouts, and it loves a visual metaphor. But most of all, the most striking element of this anime is how often it loves to split the picture up into little panels...

...which [eli]'s subs do a really good job of typesetting, incidentally, moving the dialogue to fit naturally into the split composition. And while this shot with 7 smaller shots is perhaps on the extreme end, splits of three or more are pretty frequent. It's a really interesting way to evoke the effect of seeing a whole page of manga

So, as you proooobably know, ping-pong is a game of bouncing balls off a little table and directing them into places the opponent will find it hard to hit them back. From watching this anime I picked up that there are a number of styles of holding the racket (e.g. 'penhold grip' and 'shakehand') and approaches to hitting the ball (e.g. 'chopping'). A lot of this pretty much went over my head, but honestly it didn't matter, since the narrative significance was pretty much always evident.

Compared to basketball, though, ping-pong is a pretty tricky sport to make visually interesting! Sure, you have the players running to and fro, and that can lead to some interesting poses, but how do you get the drama and tension into this?

Ping-pong additionally is all 2D, it doesn't have the sort of resources that Toei could throw at making the best looking 3DCG basketball game ever. It is limited to a TV-feasible drawing count. So it has to make use of clever limited-animation tricks to get the most impact out of fewest drawings.

Let's take an example sequence from episode 3. A minor character is about to get his ass kicked by Tsukimoto. Tsukimoto is something of a pingpong prodigy, and yet he is very emotionally closed-off and even standoffish; he doesn't particularly seem to like the game very much, and doesn't particularly feel inclined to flex on other players and get into the status games. But other players, like Wenge, have heard about him and want to see what he's got.

First we have the setup. Other characters are observing and discussing the game. Since ping-pong tends to involve very rapid exchanges, it can follow the classic shōnen model where there's a lot of talking, flashy fight sequence, more talking...

The cut happens in two steps, maintaining the vertical dividing line. This approach to cutting is used a lot in Ping-Pong, and it's quite a creative way to keep visual interest when it's using a lot of largely static shots. The panel on the right is more animated than the panel on the left, a naturalistic depiction of bouncing the ball off the table.

Things start moving faster here. A rapid pan on the image on the left disguises the fact that this anticipation pose is actually not moving at all. This then goes into a rapid, explosive moment as this guy serves.

The final pose is held for a couple of seconds while the voiceover line discussing his intended move finishes. This sort of elasticity of time is a very Osamu Dezaki type of move - it's something that Hayao Miyazaki and Isao Takahata actually really disliked.

A sound effect hits as Tsukimoto appears on the right in silhouette, anticipating his reaction, and setting up the next shot which leaves the split picture and hides the background for just a moment, as if to put us in Tsukimoto's shoes: he only sees the ball.

Tsukimoto follows through and holds this pose - the ball is the only thing moving here. The ball moves mainly on 2s while Tsukimoto moves on 3s and 2s, and he and the ball move on alternating frames. He holds the pose as the ball zips off to the right (bouncing off the corner of the table), with a speed lines-like effect. At the end of the shot, the ball freezes in the air for the moment while the sound echoes.

The actual table-tennis round lasts just seconds, and the drawing count involved is pretty minimal, but it does a lot with those drawings.

We go back to voiceovers and reactions in the next few shots, returning to the split video as Tsukimoto's opponent thinks about how he'd really rather be at the beach...

Often, these comic-like compositions will change one panel at a time, and while one panel is animated another panel will be still, naturally moving your eyes across the screen. It is an approach similar to some experiments I've seen in 'animated comics' viewed in a web browser, where the panels do not appear all at once, but enter with some animation.

So this is the sort of animation technique that Ping Pong uses. It's effective! Elsewhere the cuts are used in a less direct, continuity-editing way and more in a juxtaposition/montage way. For example, Wenge's desire to return to China is symbolised by match cutting/fading to shots of an aeroplane.

And there is a recurring image, which I'm sure will be expanded on, of Tsukimoto hiding in a cupboard and wishing for a tokusatsu hero to come save him from his isolation. As Tsukimoto's feelings about himself change, the toku hero is replaced by a robot. At this points it starts to feel like an outright Ikuhara anime.

There is occasionally a little bit of CG, mainly when Tsukimoto uses a different type of racket surface, and the way the ball and racket make contact is the crucial thing that the shot is trying to convey...

It gets the job done, but I'm glad they stuck with 2D for most of it.

So I went in the first time expecting like, crazy elaborate sakuga - and to be fair, the OP, animated by none other than Shinya Ohira, delivers on that front - but if anything what I've seen so far in Ping-Pong is actually a triumph of storyboarding and limited animation techniques. I think back then I didn't have the eyes to appreciate it in the same way.

OK, that's the film nerd stuff, but what about the story? Ping Pong follows two school friends, Makoto Tsukimoto aka "Smile" (right), and Yutaka Hoshino aka "Peco" (left). Smile is defined by a flat affect and a standoffish persona. He's just going through the motions. He's very good at ping-pong, but to him it's just a way to pass time, and he's scornful about the idea of caring all that much about it. Much like Shinji with his casette player, Tsukimoto is pretty much always staring at a handheld games console rather than make eye contact with anyone.

Peco on the other hand is the more childish one - playful, kinda arrogant, very much an 'emotions on his sleeve' kinda guy. He sulks when he loses and gloats when he wins, and is constantly seen with bubblegum or other kinds of candy. He provides a lot of our commentary when he chats with the other players.

日本語上手 readers probably noticed the tsuki (moon) vs hoshi (star) symbolism thing they've got going on here!

High-school table tennis in this story seems to be a rather 'tough love' kinda world. Most of these players tend to look down on those who can't meet their level. Going easy on someone is seen as weakness, or cultivating bad habits, by almost everyone. Tsukimoto doesn't play at his full potential because he isn't as invested in winning as all these weirdos, but it seems that might be starting to change...

The coach is interesting. He's an old man and fairly disdainful of the club at large, and prone to speaking English randomly with a heavy accent. But he gets excited at the prospect of getting Tsukimoto to unleash his full potential, in terms that are repeatedly metaphorically compared to romance/marriage.

And when Tsukimoto gets sick of it, he challenges him to a game, with the stakes as...

Cue Makima/Beatrice images here I guess.

Tsukimoto de facto wins when the coach collapses, but this episode marks a change of heart. He starts to think of himself as a robot - the affect of a robot replacing the affect of the toku hero in his fantasy. And in this way he does what people seem to want and plays ping pong with mechanical precision, expressed once again in visual metaphor (shot here from a cool transformation sequence)...

What if I just dissociate harder? This is gonna end well.

So it really is one of those kind of like 'ennui of being a teenager' kind of stories - c.f. say FLCL. 'Boy with complicated emotional landscape' is Yuasa bread and butter, but the particular variant here seems a little unusual for him - they tend to be a little more earnest. I'm curious to see how Tsukimoto develops.

I am definitely enjoying the arrogant Chinese player Kong Wenge. Dude's got a lot of screen presence, and while I'm sure he'll get shown up sooner or later, he makes for a very fun antagonist of sorts.

In comparison to Slam Dunk... one thing that's significantly different about table tennis is that it's an individual rather than a team sport, which means it's harder to have an ensemble cast all contributing to the protagonists' eventual victory - instead it's about a lot of individual arcs interweaving with each other, individual duels. Besides that, it does seem like it will be following a similar arc of a character in an emotional hole (grief for Ryota, depression for Tsukimoto) finding new meaning and purpose through sports - though I can't be sure how things are gonna go for Tsukimoto here!

The tone however is quite different. Even when it's silly, I feel like Slam Dunk is a very sincere story. There's little detachment or irony, or false consciousness - with perhaps the major exception of Ryota's mother, who lets her own grief and trauma get in the way of understanding her son. But ultimately 'why would you care this much about basketball' is not a question that anyone would ask in Slam Dunk. Even the judo guy in the manga who's trying to recruit Sakuragi is just as hot-blooded about his own sport of choice.

There's a difference in like, general affect about the players as well, which has something to do with the sport itself. Yeah, Sakuragi's superpower is his 'genius' ability to predict rebounds, and there is plenty of strategising in Slam Dunk - but basketball is still a sport that very much emphasises physical power, and as much as Slam Dunk will work hard to sell you on a clever trick pass, the visuals are also emphasising the speed that players are dashing, the height they're jumping, their physique. Table tennis by contrast seems to be a sport that's more about prediction and mind games.

That said it is equally just like Matsumoto's style being different from Inoue's. Now I know it's by the guy who wrote Tekkonkinkreet, a lot about this series falls into place! There's a sense of tension here, of being fundamentally at odds with the world. The autismfeels. This is reflected also in the drawings - the characters don't entirely seem comfortable in their embodiment.

So if that's what I'm getting from just three eps, I'm very excited to see what the remaining 8 have to offer. This series is probably too long to cram into Animation Night format, but we'll see...