#I'd always wondered about this

[biblically-accurate-dca]

painting test with a limited color palette

here's the moon equivalent!

[cosmicdreamgrl]

maknae line x bst performances pt.1 for @jkvjimin

[cairavende]

Worm Arc 24 thoughts:

. . . fucking . . . fuck. Just . . . fuck. Fucking fucky fucking FUCK, THAT WAS SO BADASS!!!!!

ALL OF IT HOLY SHIT I DON'T CARE, JUST PICK ANY MOMENT!! EVERYTHING EVERYONE DID WAS BADASS!

LIKE. FUCK. COLIN GOT TO LOOK BADASS.

He even got "yelling in caps" badass. Just for the one scene when he picked up Chevy. He did one fucking thing right, which was help someone up and then let THEM be cool.

And speaking of . . . HOLY FUCKING SHIT CHEVY! YOU DIDN'T GET KILLED BY TIME TRAVEL CHAD!

WHICH MEANS I DON'T HATE YOU ANYMORE!

WHICH MEANS I CAN SHOUT ABOUT HOW BADASS THAT WAS!!!

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Fuck waiting for my interlude section to talk about this. That final scene with Behemoth was one of the most visually badass things I have ever read in my life! Fuck. I get fucking chills just thinking about it.

I can see that entire last fight in my head very clearly, almost like remembering an anime scene. Perfectly written.

And Regent! Look at you go, that's character growth!

I mean sure, you died. But growth!

Besides, you dying legit made Imp cooler. She was already great but "I'm going to fucking kill his dad for him" is even better! And Wanton's apparently got jokes so we still have a funny guy.

Basically if someone had to die I'm happy it was you. Sorry not sorry.

ALSO FOIL WHAT THE FUCK YOUR POWER COULD ALWAYS DO THAT AND YOU'VE JUST BEEN SITTING THERE SHOOTING THINGS?

I . . . I just . . . girl! How?? You could literally have turned a piece of rebar into a sword that Alexandria could have cut Leviathan in half with! And that's just what I thought of in the first few seconds after seeing this! Spend some time actually thinking about what you can do lady!

But luckily my daughter is here to do the thinking, and be FUCKING AMAZING AT IT!!!

LIKE HOLY SHIT TAYLOR, YOU CUT OFF BEHEMOTH'S LEG!

AND THAT PLAN HOLY SHIT! YOU MADE A PLAN THAT SET RACHEL UP TO BE THE BADASS HERO WHO CUTS OFF BEHEMOTH'S LEG, AND SETUP REALLY POWERFUL HEROES AS HER SUPPORT!

Fuck half of Eidolon's fucking job was "Catch my girlfriend and fly her back to me."

GGGGGGGGGGGGGGGGGGGGGGGGAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYYY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

WOLFSPIDER WOLFSPIDER WOLFSPIDER!!!!!!

And the snuggling at the end, as they were leaving!! EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Oh my god and the lightning rod! That was insane!

Golem just has really cool powers. Glad Theo is doing ok.

And Alexandria's power preserves the body so Pretender can just puppet her. That's wild. Kinda annoying, my daughter just killed her!

And and and Taylor talked with Contessa!

AND CONTESSA SHARED HER POWER!!!

I was pretty close, didn't have it that specific, but basically was expecting something similar. Fuuuuck it's so cool!

Also the underground cities and the secret capes were wild. Kinda unfortunate that you guys set things up for Behemoth to be able to collapse the entire city, gave him lots of existing tunnels and such to work with.

My daughter could have done a little less bonding with Phir Sē. Ideally. Would have made me feel a little better.

But holy shit a time portal bomb made of looped light?? GOD DAMN. That sure hit like a truck. Just not a big enough truck.

Also Grace and Cuff are dating. I don't make the rules I just enforce them.

And the rules are "make it gay"

God and the whole "thinkers stuck on a roof" bit. Christ that was planned badly. They almost died because nobody had some rope. Embarrassing.

I'm glad Tattletale is doing ok. She got her girlfriend to steal a dudes phone for her, which was pretty funny. And I loved how she still got to do her big reveal to Chevy, she needs that.

HOLY SHIT AND TAYLOR TELLING RACHEL HOW TO TAKE CARE OF IMP?? SHE UNDERSTANDS HER GIRLFRIEND. GAY GAY GAY GAY GAY GAAAAAAYYY!

And fuckin Tecton just trying so hard to do the same thing with Rachel first and just failing so completely. And then trying again. And again. Bless his big himbo heart he's trying.

Fuck there's so much, I'm sure I'm missing a dozen other things. Every chapter had 20 moments I could mention.

Seriously though, sucks for New Delhi. "There’s nothing left to protect here" is a heck of a line and it is not what anyone wants to hear.

Chevy interlude (the rest of it) thoughts:

Holy shit Chevy's shadows! I wish he had described more of them, I wanted to know everyone's image! Just so much data there.

Fun to see the early Wards. Fun to see that Colin was always like that.

Hero's death was absolutely a targeted hit, he started asking too many questions, pushing back on things.

Chevy's whole power is just really fascinating. Really interesting to think about.

RIP Mouse Protector

Also the fact that her shadow was her laughing makes me think she might have lost the ability to be sad when she triggered, which is unfortunate if true. I mean Bonesaw got you either way so I guess it doesn't matter now.

Loved getting a wonderful list of Endbringer attacks. Sure it still wasn't all of them, but up through Simmy showing up is still pretty great.

Extremely curious about Mr. Keene, keeping an eye out for more info on him.

Tattletale just needed this poor man to read her texts and let her do her fucking THING! It's all she wants.

Anyway ya turns out powers (except Scion of course) can't touch the actual core of the Endbringers and I'm like 95% sure I have a good idea as to why it works like that, but still got a little bit of that uncertainty.

Endbringers are directly related to Eidolon in some way, I am pretty sure of that. Created by him. Previous bodies. Sentient poop for all I know! They're connected though.

HOLY SHIT WHEN HE SEES TAYLOR'S SHADOW DURING THE FINAL FIGHT!!!!! AAAAAAAAAHHHHH!!!! SHE LOOKED SO BADASS!!!!

Aftermath interlude thoughts:

Pretender and Satyr are so gay. That one's easy I don't even gotta try.

Everyone just starting to freak out about how things are gonna escalate instead of just celebrating the win is really unfortunate.

I mean, they aren't wrong. Another Endbringer is gonna come. But it would be nice if they could live in happy ignorance for a few days.

I'm guessing it'll either be two Endbringers that always attack at the same time or one Endbringer that uses teleportation to swap to a different city after a certain period of time. In either case basically fucking up the organized response ability.

Already mentioned this, but Rachel and Taylor fell asleep on each other!!!! GGGGAAAAAAAYYYYYYY!!!

If Dragon comes back wrong I'm putting all of the blame on Colin.

Fucking Danny just fucked that phone call up so bad. This man can not get it fucking right. FUCK.

GLENN YOU FUCKING FUCK I DON'T CARE WHAT YOUR REASONS ARE YOU DON'T PUT SOMEONES PRIVATE VIDEO THEY TOOK FOR THERAPY ON THE INTERNET!!

AND YOU NEVER EVEN FUCKING SAID "SORRY"!!!!! YOU EXPLAINED YOUR ACTIONS AND WHY YOU HAD TO DO IT EVEN THOUGH IT WOULD HURT HER AND YOU COULDN'T ASK HER CAUSE SHE WOULD HAVE SAID NO BUT YOU NEVER EVEN SAID SORRY!!!

Like for real. Taylor says "You could have asked" and you respond with "You would have said no." Fuck at least just say sorry!

[sketchingdemonss]

i pull the crops from my mind fields and all i harvested were these vintages what the hell

[pix-writes]

Uhhhh Stan adopting a teenage runaway who came from an abusive home. (He sees a lot of his past self when he was homeless in them and vows to save them from the life he had)

This is kind of adjacent to an idea for a fic I've already had! But I couldn't resist doing a little bit about this scenario! <3

Stan has already basically adopted Wendy and Soos already, even without fully meaning to with Soos he sees that he needs a father figure in his life and sort-of does the best he can to be that. With Wendy, its different too because it's basically canon that he just lets her get away with stuff because he knows she needs somewhere away from home to relax (even tho he could definitely get another employee who doesn't bunk off so much). Will he admit that's what he's doing though? Of course not!

Despite his exterior/persona, though, Stanley Pines is a kind man who wants to help people who most need it - like you say, he's been in that position enough times himself. I'm sure there's been the occaisonal person who's helped him out in the past, even if they never stuck around. Well, now he's Mr Mystery, he can sort-of be that person for others, not just because he's more stable, but also because he desperatly wants connection, especially after losing his brother in the portal (though that's also a reason to keep everyone at arms length to an extent, so they can never find out about his double life).

Runaway teen & Stan pines (under cut):

I can imagine you ran away from home and come across Gravity Falls, perhaps you had even seen the ads for tourist stops in this area, or maybe you just found the most random small town on your travels and decided to stop there - your travels are erratic so that no one can follow you or suspect you of being a runaway. Not that you really expect your parents to be concerned, at least not for long. That's why you had to get away and stay gone, you had reached your breaking point for what you could handle.

It starts to rain, you go to the local diner but your travel money is fast becoming less and less... you only order coffee, nursing it there for as long as possible, but when business starts to pick up you realise just how small of a town it is, everyone seems to know nearly everybody around here! You've already gotten a few curious glances or greetings put your way and you decide to leave.

Wandering around, you end up on the outskirts of town, there's a fair few campsites around, now lying half empty since its off-season right now, maybe you coud stay on the edge of the forest somewhere? Pinch some tent equipment from somewhere or from someone who doesn't need it? You already had a sleeping bag, water bottle, a torch. You just needed something to keep more of the rain off of you!

That's when you wander into an opening within the forest, notice the wooden signs nailed to the trees. You see a small group of tourists being spoken to by some guy, his voice carrying across the place, gravelly and jovial, and in your surprise you just stare dumbfounded - this place isn't closed? The group is moving and you take in your surroundings and you're so cold and wet and hungry, you're not really thinking ahead when go in, pulling your hoodie down over your face and sneaking in beind the throng of people, unnoticed.

But it turns out that you had been noticed, after the bizarre tour of this overpriced tourist trap, you lurk behind, the rain hasn't let up outside and you're wondering when the place might close, now that the tourists had filtered out the place was pretty dead, which is when a large hand lands on your shoulder making you jump out of your skin and your eyes land on the proprietor.

"Hey! You gonna at least buy anything, kid?"

You apologise and stutter, feeling like you want to bolt but totally caught at the same time. Stan immediately picks up on the fact that you're so twitchy, even for a teen. He eases up on you, switching to a friendlier tone. Wendy asks you where you're staying, curiosity getting the better of her usually nonchalant demeanour. You tell them you just got lost from the campsite and Stan isn't buying it one bit but Wendy has given you the directions and you're out of the door. The interaction doesn't sit right with him. He knows exactly where you're hiding out by the time you've stayed there overnight. Having discovered the pop up tent you 'found' set up in the woods not far away.

He decides to keep an eye on you, he's worried being direct will make startle you, like a deer in headlights, at the diner he doesn't acknowledge you at first just pushes a plate of food subtly towards you, for you to swipe. After that he manages to make small talk, hes still wondering how he can help you, what excuse he can make so it seems like he's offering you something and it be believable instead of suspicious.

Maybe he complains there's no one around to do the stock take now that summer is well and truly over, you perk up, saying you'd like some extra pocket money. You come right on time and the owner of the Mystery Shack introduces himself properly, shows you what you need to do. You take your time, living rough has made you exhausted mentally/physically, and because... you've begun to like the place as kooky as it is. And wouldn't you know it, Mr Pines has made more food than he expected and wouldn't you like some? You come back the next day and its pretty much the same, though you are starting to pick up on where Stan is subtly gaining information on you. He both curses and admires how whip-smart you are, reminds him of himself a lot further into being homeless than you are (reminds him of someone else too...), he worries that night of whether you'll have run off, if you'd get into trouble somewhere else, but you return the following afternoon. This time, Stan levels with you -

"Look kid, I don't know what's going on at home and trust me when I say I get it - but whatever's going on, it's probably not worth staying out in the woods, epseically 'round here, it's dangerous!" He reassures you he's not going to call anyone, though, just asks you to reconsider, think about how much trouble you might get into, if you don't turn up to school how you're going to explain yourself, how are you going to get a job? You swipe frustrated tears from your eyes and thank him for being concerned, though its hollow. How can you return home now? All you're going to get is more abuse, you can only think of how angry they'll all be if you did!

You end up wandering to some other town, using the money Stan gave you to get a bus and find a place to stay, having seen a load of jobs you could apply for. Turns out though, that some of your family had been looking for you and tracked your phone, you end up in a fight with them, receiving a hard slap to the face before running away once more! You pack up your things and head straight to the first place you think of.

Once you get there, its dark, you hesitate before knocking but you've came all this way. When Stan opens the door all of the shock and adrenaline has seemed to have worn off and you see the mix of sadness, surprise and anger on his face at the clear mark on your face from the fight.

"I'm sorry, I didn't know where else to go." Is all you can get out before bursting into tears. He let's you stay, you've been out in the cold and so stressed over this time that when you come in you're shivering, you end up running a nasty fever. You're so exhausted there's nothing left but to accept your fate and Stan feels he must help you. He piles on the blankets and gives you hot drinks and plain food till the fever runs its course.

He still has a bit of trouble with authorities/some family members looking for you in the area, you traded your old phone in for another and Stan was eventually able to brush them off your trail. He couldn't help it, he liked the kid in the small amount of time he knew them and it was clear that you had danger waiting for you at home. You had told him a little after the first night you had stayed at the shack, words tumbling out of your mouth about your trauma, how you couldn't stand your family. His heart sank as he remembered his own life as a young man, a kid technically, homeless and making ends meet and was determined you wouldn't have the same fate. Yet he had to know you were sure.

"You really want to stay here - in this boring ol' town? At the shack?" You were determined you would, as long as he was okay with that, you vowed to work hard, sweep the floors, keep an eye on the gift shop when Wendy couldn't, anything to be useful. But, you didn't want him to get into trouble. Too little too late for that, he thought to himself.

"But, really do ya want to see this ugly mug every day?" He said gesturing to his face. That brought a slight smile to your face, in fact you ended up giggling and he knew he wouldn't be able to get rid of you now (like he ever would've entertained it).

He sighed. "So, do you trust me? Cause I need some kind of story if ya gonna stay here, kiddo."

He needed a lot more than that of course, he ended up getting you a fake ID and if anyone asked, you were family, here to stay for a while. When people asked anything more than that he got cagey, but he liked thinking of you being a Pines, another part of the family. Part of him felt guilty for doing it too, faking that you had the same last name, he still thought you might not want to stick around, you weren't blood family to him, you had no ties to him, but he wanted family so badly, was it so bad to pretend that you were?

He made sure you got to school, he even started to pack you lunches every day, he wasn't so bothered about homework, saying he didn't think much of school when he went anyway, you both had something more important than that (street smarts!), but when you were struggling with your math homework you were surprised that he semmed to know an awful lot, but then again you probably shouldn't be surprised, he did own a business after all. Whilst there wasn't a lot to do around the Mystery Shack all year round, you still found yourself picking up around the house part of the Shack, doing the laundry, washing the dishes, normal chore stuff - isn't that what teens were supposed to do? Stan was surprised to see a teen do chores unprompted and you were nervous that you'd done something wrong, because why else would he be questioning you? He recovered quickly though and just grumbled out something about 'finally, someone who knows how to pick up after themselves/work' but from the expression on his face, you are relieved to know that he is joking with you and he isn't mad. You're picking up on his quirks.

The months roll by and you started to feel safer, the shack became more familiar, you were less frightened and jumpy, people in town were more friendly, familiar faces and if people knew that you weren't actually related, that you were a runaway, they didn't say anything at all. You were starting to be referred to as 'Stan's kid'. No one had said so in front of Stan so far as you knew, it made you feel some residual guilt, even after all that you're family had done, were you really not a burden to Stan? Was it wrong to see him like a parent? What would you do if he no longer wanted you around? But as much as you were scared of being rejected, a situation came up at the Shack at the beginning of your first summer in the falls. A gathering was forming for a tour and some tourist had asked something or assumed he was your parent, something like that. Unbeknownst to you Stan had heard and he freezed, unconsciously waiting on your response.

"Oh, you'll wanna ask my dad, he's the one over there in the fez?" It just slipped out, you should've said Mr Mystery at work, but you couldn't help the feeling in your chest that it was right. Ever since then you had been tentatively saying it (you eventually start to notice how when you knew Stan had heard it he seemed a little emotional) and Stan now proudly referred to you as 'his kid'. You may or may not call him 'dad' to his face, maybe you'll still just call him 'Stan' but it seems like now you officially have a family!

[uncanny-tranny]

I think people are too normal about just how much goes into making things.

I've gone through nearly sixty-six yards of yarn on my project so far. If I stacked myself up, it would take thirty-five mes just to equal that. And that's only after ribbing and two and a half rows of normal single crochet on a project that will be done in five pieces.

There is so much that goes into art. There are so many hours, material, blood, sweat, and tears that go into even the most simple of projects. Once you start realizing this, you start to truly appreciate everything about art.

[randomnameless]

Why do the FEH devs insist on ignoring Nabatean lore so much?

I recently had a surprisingly cordial discussion on redshit with someone about the "nabateans = colonisers" take, and one of the main points raised was that the game was purposedly foggy around Nabateans/Sothis/their story because it would obviously favor a certain narrative (and thus make another narrative look, uh, not that marketable anymore).

To be honest, we still ended up with a product that had a lead go "this race and its blood* is the reason why the world sucks" and yet that lead is still marketable enough to have raunchy cipher cards and 5 FEH alts, so I actually wonder if, while pissing on that lore had that purpose, it was ultimately pointless since Supreme Leader can still sell goodies despite her incarnation in FE16.

And not only Supreme Leader - but the entirety of WC where we basically have 70% of the cast crying/complaining about their "mixed blood" or lack of and basically adding their 10 cents to the "this race and its blood is the reason why the world sucks".

I mean, can you imagine Sylvain selling any goodies and alts if Flayn replied to his "wah wah people only are kind to me and want to fuck me because I have Nabatean blood :(" by some uncharacteristic "good for you, I have to hide my ears, had to dye my hair, have to lie about my family because if the truth is found out about my identity, I will be hunted and vivisected like an animal and harvested for parts by people who call my kin abominations - just like what happens in the game where the same people who call my kin "abominations" ally with a classmate who calls me a creature and pretends I am incapable of human feelings based on my race".

FE Fodlan's main selling point is its cast of students, for various reasons, but even if I tried to kid myself, Nopes and FEH made it clears : students are the main selling point.

If you spare more time and attention to the Nabatean plot/lore, the students either grow from "likeable" to "despicable" or worse, you won't gaf about them because yeah sure, Hilda might be upset because people expect things from her due to her crust, but it would feel like a "peanut" compared to Seteth's irrational (granted, it's not so irrational since GW exists) fear that Flayn's newest friends would dissect her if they learnt she was a Nabatean, and being conflicted by finally letting her have human friends and form bonds she crave, or protect her due to the trauma from the genocide of their species.

Don't get me wrong, I love peanuts, I mean, not everyone can have a tragik of loaded backstory!

And yet, given how this verse's DNA is "can you fight against the red emperor who uwus about you", they had to add copious amounts of Earl Grey to their games so there's no clear-cut factions :

The "Your alien blood and its influence on the world corrupted it, so I want to reform it under my command" vs "I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

is turned to :

"Your alien blood Crests and its your church's influence on the world corrupted it, so I want to reform it under my command"

"I don't want to die and you oppose me due to my race and side with the people who genocided my kin"

Sprinkle with the cast's hammering here and there that the "reforms" might be needed - but never develop on what they are - and add a few baseless and groundless takes as a toping (basically everything Claude says about tolerance and the general "isolationism/foreign policy" stuff) and you get FE Fodlan where the Red Emperor's war isn't seen as the catastrophe it is in the other entries from the series!

Now, for FEH...

FWIW, the F!F!Billy's trailer had them try to explain that Sothis was a bit pissed about her slaughtered/massacred children when Nopes never gave any reason about why she was pissed - maybe on Billy's behalf bcs Jerry's dead, but come on, she would indeed deserve the medal of the worst parent in the franchise if that was the case, since Billy can murder her daughter without Sothis taking over ! - but given that they cannot write/go against the source game those characters are from.

They tried a bit, with B!Supreme Leader and Hegemongard's FB, but then it stopped (because she had no "new unit" released since then lol) and I can understand why : Hegemongard came out before the Supreme Emblem, and Hegemongard hates dragons who are seen/perceived as gods by some of their human followers. Come FE17, and now Supreme Emblem accepts Alear because they are "one of the good ones". We can come up with HCs and details and talk about what are emblems or if Hegemongard's views were only hers at the end of AM all day long... But imo, Doylist wise, it still feels it's a retcon because the devs from the main games tried to scrap and remove the most "controversial" traits she had.

For the other characters... Well, you see what Marianne is in FEH (but even in her base games), she's one of the few characters who reacts - in a way - to the partial history about relics and demonic beasts and all... only to give sad uwus to Maurice.

FE16 (and Nopes) refused to have any "student" character react to the Nabatean lore/reveal, about what are relics and all. There are no lines, Claude shared some knowledge in the explore section of VW's last chapter, but we don't have anyone muse or think or even talk about what are relics, what are crests, and what kind of fuckery their ancestors or the ancient humans of Fodlan did.

With that in mind, FEH can't do much : either they write Marianne in a retcon-y way like what happened for Hegemongard (and they're not afraid to piss on characterisation, look at Lyon!), or they flanderise her "character" and develop her around 3 lines she had in the game in her paralogue, and continue to give sad uwus about Momo when he was at best a guy who slaughtered and murdered so much that he abused the Nabatean turned into a relic to the point where he turned in a demonic beast even if he had a matching crest, or at worst, had been part of Nemesis's piñata party in Zanado and was something of a genocider.

Tldr :

Why FE Fodlan never gaf about Nabateans : earl grey + the marketable cast has to stay marketable and you can't sell peanuts at the same price you'd sell swordfish

Why FEH dgaf about Nabatean lore : they can't afford to retcon characters + they have to sell peanut alts with the same seasoning they had in their base game.

For what it's worth though, I think FEH is more daring than the base game(s) given how they gave more lines and screentime to Rhea - through her different alts - than GW. And they even designed her Halloween!alt's lines to piss on some of Claude's assertions, while the various FB involving members of the church also - indirectly - reply to some accusations thrown their way in FE16 when, FE16, never gave them an opportunity or lines to explain that those takes were full of dung.

*"but random, maybe she doesn't know that the crests she often decries is "dragon blood"!"

It's highly debatable, especially given what she and Hubert throw to Billy in CF - but even if she doesn't, Doylist wise we still have a character who, knowingly or not, says "this race and its blood* is the reason why the world sucks" and who is never called out on her prejudice. That's more of an issue regarding the general writing though, she has to be a red emperor and took pages from Ashnard's book, and yet, the player must still feel bad and want to romance her, so her mindest/goal cannot be looked at too closely, because, I guess, even the devs thought it would be difficult to romance her (thus sell goodies!) if more light was shed on the "blood from this race corrupts our people" schtick -> which in turn would also make characters whose backstory and gimmick rely on "crying about crests" be way less likeable, thus marketable and able to sell goodies.

[vimbry-moved]

can you hear me, John?

JL: [beat] I can! [hosts whispering "yes!"] hear you just fine.

hellooo! / it worked again! / oh, that--

JL: it still works! [hosts laughing]

that is my Most nervous moments, because a-as you- I don't know if you remember, but, I have not been able to make the- this work on a couple of occasions with you guys, and I always feel horrible - had to ask you to call back, and then ask my station manager, "what am I doing wrong?" (laughs) [JL laughing] so! I always feel accomplished--

JL: y'know--

--once, uh, this part is over with. so, thank you! for- so much--

JL: --well, it is a - don't forget, it's a miracle. telephony is a Miracle. [hosts laughing]

[puhpandas]

hi mutuals im just curious.

[silusvesuius]

this tree from my new drawing looking goated afffffff 👑👑

[torchickentacos]

Genuinely so happy to see that Totodile made it into ZA! I haven't really consolidated my thoughts on the trailer yet (I feel like I still have more questions than answers about what the plot itself even is beyond 'make the city better' tbh?), but Totodile is there and Absol is there and that is genuinely enough to keep me excited

[radarsteddybear]

I recently dug up a comment sheet written about me from my first grade teacher, and one of the things she noted was that my handwriting was terrible and that I seemed to really struggle with letter formation and also putting the letters on the lines properly (which are both still things I'm not particularly good at). And I can't help but wonder if I'd have benefited from OT.

[somedaytakethetime]

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A post shared by Kasper Schmeichel (@kasperschmeichel)

😔😔😔😔... my heart feels as heavy as Kasper's co[gunshot]

[rivalsforlife]

every time I've thought to myself "maybe there will be a new ace attorney game announcement soon" and said it out loud somewhere it doesn't happen. I may be the sole thing protecting the world from aa7 and therefore I will continue making my stupid predictions. grace rivalsforlife's dance of deduction but no one is there to correct me so I am always wrong

[iniziare]

My apologies for some radio silence following my last post (bless all of you for requesting things, to reblogging the post, it all helped me so much), but I've been hiding away in Photoshop working on the commissions that have come in. And while I've been happily working on them, it has left my brain in a bit of a state where socializing or keeping up with things has been a little slower. My weekend has been work, plus commissions, and then a little bit of gaming in between to 'recuperate' or, 're-stimulate' my brain, if you will, before resuming productivity again. But I will hop back into DMs in just a moment, no frets!

I do have to say on a bit of an unrelated note, since the hype has died down a bit now overall — and I too am familiar with spite (it's a little gremlin sitting on my shoulder) — I have finally given Wuthering Waves a try. And the insanely active, and challenging combat has been thoroughly enjoyable, it makes me think of the old eastern MMOROGs I used to play. And I may be in trouble, for Changli (in specific), and Yinlin (ah, you touch my heart like Yelan, but without the tragedy for now) speak to me.

[bigcats-birds-and-books]

Books of 2024: August Wrap-Up.

Hey, would you look at that, it's suddenly September! Rude and uncalled for. This month, I did a lot of knitting (two sets of gloves and two hats! gearing up for holiday season), and a LOT of writing (finished the first 16k draft of a scene, who???), and read uh. Some. I didn't finish a ton of books, but I did make it through what felt like a ton of pages.

Two-thirds of this month's reading were post-apocalyptic-community-oriented, on purpose, to feed into my current writing project, and that worked really well--either I'm very good at choosing books that match the vibe I need, or my ADHD brain is good at making connections, OR a little bit of column A, a little bit of column B. Photos and/or reviews linked below:

GHOST STATION (pages-out stand-in book pictured above, because I checked it out from the library after canceling my paperback pre-order, which was a good call) - ★★ This was very bad. Bad science, stupid incompetent characters, JUST enough neat worldbuilding to make it FRUSTRATING that this missed so hard. I'm bummed because I wanted to read DEAD SILENCE by this author, too, but I don't trust her now :(

ALWAYS COMING HOME - ★★★★½ Loved this!! Dense and chewy, and it required a lot of patience, but it was very rewarding and I'm really glad I read it. My absolute favorite passage was about scrub oaks, but I posted a few other highlights and tagged them as "le guin posting," if you're interested! If you like Le Guin and/or utopias and better futures and/or huge books that push what it means to Be A Novel, check this out for sure.

ARCHANGELS OF FUNK - ★★★½ So. I didn't realize that this was attached to a few other novels she's already written. And I read it cold (oops). Goodreads informed me that it was Book #2 of Cinnamon Jones, and review-diving indicated that REDWOOD AND WILDFIRE is also implicated in its worldbuilding, but that didn't stop me because I can't read. I would like to revisit this one after I've read those other two, I think, but!: The community and vibes and Making Art At The End Of The World were all immaculate, and the character names made me feel vindicated in some of my own naming conventions (seriously: there's an Indigo in this, and a Game-Boy, and Hawk, I can't make this shit up).

Under the Cut: A Note About ~*★Stars★*~

Historically, I have been Very Bad™ about assigning things Star Ratings, because it's so Vibes Heavy for me and therefore Contingent Upon my Whims. I am refining this as I figure out my wrap up posts (epiphany of this month: I don't like that stars are Odd, because that makes three the midpoint and things are rarely so truly mid for me)(I have hacked my way around this with a ½). Here is, generally, how I conceptualize stars:

★ - This was Bad. I would actively recommend that you do NOT read this one, no redeeming qualities whatsoever, not worth the slog. Save Yourself, It's Too Late For Me. Book goes in the garbage (donate bin).

★★ - This was Not Good. I would not recommend it, but it wasn't a total waste or wash--something in here held my interest/kept my attention/sparked some joy. I will not be rereading this ever. Save Yourself (Or Join Me In Suffering, That Seems Like A Cool Bonding Activity).

★★★ - This was Good/Fine/Okay/Meh. I don't care about this enough to recommend it one way or another. Perfectly serviceable book, held my interest, I probably enjoyed myself (or at least didn't actively loathe the reading). I don't have especially strong feelings. You probably don't need to save yourself from this one--if it sounds like your jam, give it a shot! Just didn't resonate with me particularly powerfully. I probably won't reread this unless I'm after something in particular.

★★★½ - I liked this! I'll probably recommend it if I know it matches someone's vibes or specific requests, but I didn't commit to a star rating on Goodreads. More likely to reread, but not guaranteed.

★★★★ - I really enjoyed this!! I would recommend it (sometimes with caveats about content warnings or such--I tend to like weird fucked up funny shit, and I don't have many hard readerly NO's). Not a perfect book for me by any means, but Very Good. This is something I would reread! Join me!!

★★★★★ - I LOVED THE SHIT OUT OF THIS, IT REWIRED MY BRAIN, WILL RECOMMEND TO ANYONE AND EVERYONE AT THE SLIGHTEST PROVOCATION (content warning caveats still apply--see 4-star disclaimer). Excellent book, I'll reread it regularly, I'll buy copies for all my friends, I'll try to convince all of Booklr to read it, PLEASE join me!!