#I'M JUST SAYING. IS ANYONE HEARING ME

[thekittyokat]

all i'm saying is that if the tables were turned and jill DID get to kill hoffman we'd be on some serious yellowfang and brokentail shit

[doberbutts]

Surgeon: have you changed your legal gender marker yet?

Me: no, I'm afraid to do so before I get a hysterectomy in this political climate, since people like me get correctively raped on a frequent basis I need to be able to access care that insurance would not grant if I have an M marker

Surgeon: ugh, yeah, I don't blame you, I completely understand

[royalarchivist]

Pac: Oh– [Stammers] Why– I have an Ender Flu? I'm shaking! Oh my god.

Tubbo: No, Pac! You've been impregnated! 😫

Pac: IMPREGNATED?!?! Wait, what? 😨

Fit: Oh god. [Laughs] That's a new one.

Tubbo: You're pregnant!

Pac: How?!

Tubbo: I can't believe preggers Pac is on the QSMP!

Pac: Oh my god, I'm so happy! [Laughs]

[ Full Transcript ↓ ]

—

Tubbo: This is not what I want! I don't want this!!!

Fit: [Chuckles]

Pac: Oh– [Stammers] Why– I have an Ender Flu? I'm shaking! Oh my god.

Tubbo: No, Pac! You've been impregnated!

Pac: IMPREGNATED?!?! Wait, what?

Fit: Oh god. [Laughs]

Tubbo: You're pregnant!

Pac: How?!

Fit: That's a new one.

Tubbo: Uh oh, I'm about to– I'm about to not be alive much longer.

Pac: How– ahhh!!!! Wait, this is good? [Tubbo gets killed by a mob] Oh my god, Tubbo!

Tubbo: Guys? Preggers Pac, and Fit, help!

Pac: [Reading chat] "Congratulations"? Thanks guys, I didn't know, man! As always.

Fit: [Revives Tubbo] Alright, run! Ok, you're good.

Tubbo: We got his ass!

Pac: Wait, wait– What does it mean like, I'm pregnant? I'm gonna have babies?

Tubbo: It means you're gonna give birth to a beautiful– a beautiful plethora of children!

Pac: Oh my god, not– [unintelligible]

Tubbo: [Still ranting] Merciful, wonderful babies! Babies! Innocent babies will-

Fit: [Laughs] Yeah, what he said.

Tubbo: –will splurt out of you!

Pac: Oh my god. I think I saw like, Foolish having birth the other day, so I–

Fit: [Fighting a mob] Not this thing again!

Pac: Oh my god.

Tubbo: I can't believe preggers Pac is on the QSMP!

Pac: Oh my god, I'm so happy! [Laughs]

Fit: [Laughs]

Tubbo: It's gonna be such a magical time for you!

Pac: Yeah, oh my god, I have been like, dreaming for–

Tubbo: Oh my gosh, oh my gosh. What do you– have you got any names? What are you gonna name it?

Pac: I'm probably gonna name it "Elton" and "John" if I have like, two.

Tubbo: Ohhh! What a beautiful name!

[localguy2]

I hate that this is genuinely something I'm writing rn, but nothing has more RATTLED my faith in the writing team's ability to write a Zane story then him calliNG ARIN CRINGE-

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[thephooka]

I've been dreaming of making a webcomic for nearly half of my life, and I've just started actually working on that, but... do you think it's worth it for me to start even with the decline of the scene? White noise is quite possibly my favorite piece of media, period, and it's in a format I love, so I figure you're a good person to ask the thoughts of.

(In reference to this post, I am guessing.)

ABSOLUTELY! 100%! MAKE YOUR WEBCOMIC!! Please don't let the whinging of us old heads deter you from making a project that you're passionate about.

I think it's important to ask yourself what would make it 'worth it' in your mind. What do you want out of making a webcomic? Is it that you want to experience the act of creation? Do you have a story you need to get out? Is your goal to get a book printed? To have a large audience? To improve your artistic and storytelling skills? To make a living on your artwork? To make merch? Some of these are way harder to do today, but some of these are goals that you will reach simply by making your webcomic.

If it helps at all, I had to do a lot of this kind of talk to myself when I was starting in 2011 (less because of the scene and more because I was low in self-confidence.) The only way I could get myself to start posting WN on Smackjeeves was to remind myself that I was doing this for myself only, and maybe no one would read it, and that would be ok, because if nothing else I would be making something I love and I would learn a lot doing it. 13 years later and I'd consider my goals met, even if I stopped WN before I'm truly done with it.

(Which speaking of, I feel very strongly that unfinished or abandoned webcomics are not a waste of time for either the reader OR the creator. Just because a story doesn't get an ending--or gets an ending you don't like--doesn't mean it's without worth!!)

The webcomic scene is not going to fully disappear anytime soon--it's just suffering the same corporatization that has gripped almost every art scene at some point in some way, and I think that problem has been compounded by the consolidation of the internet into a few social media platforms. But those platforms will crumble, and the corporations will bail once they can't squeeze any more money out of webcomics. The scene won't ever been the same as it was in the 2010s, but that's how time works, and that doesn't mean it won't ever get better than it is or that there's not gems to be found now. The only way it gets better is if more people make and read webcomics!

[r0semultiverse]

Hey, Jake & Jack fans, is this anything?

Both men imprisoned (literal & metaphorical).

Both offered an out from their current predicament by an outside force (arguably in the case of Brain Ghost Dirk).

Both have loose ties to Lord English visually.

Yellow initial glow & Gamzee involvement too.

Sometimes a guy just needs to explode (same pose too).

Both dual wielding weapons.

That same said weapon type (for Jack Noir) having killed Jane Crocker.

It's really looking like Jake is going to do her in.

I would also like to point out that we've had interactions involving these three (Jane, Jake, and Brain Ghost Dirk) before that consisted of similar topics & themes.

Brain Ghost Dirk implying that he's just there as moral support, a manifestation of Jake's powers, and as a coping mechanism. Jane also talking about ruling an empire with him while talking down to him, similar to how she saw and/or still sees him in Beyond Canon's Candy timeline. Jake also being uncertain about doing anything to harm her despite all the bad things she's doing.

Brain Ghost Dirk going away tells us that Jake's more hopeful than he's ever been. This is the moment where he is the most sure of his decisions than he's ever been in his life, whatever those decisions may be in regards to Jane and how to handle this situation.

He is probably going to shoot Jane down, quite literally. I would also argue that after all this time, the lad isn't beating the Lord English allegations. We might as well have a parallel of him killing Jane much like how Jack Noir killed her right before he got possessed by Lil Cal & given some of Lord English's immense power.

Alternatively maybe we'll get to see what the power of hope or hope bullets can do to someone whose done so much wrong & come so far off the deep end in terms of moral wrongdoings. Maybe with every shot that hits her, she'll begin to be swayed to the side of good & start to self-reflect.

I'm still not fully convinced that Gamzee actually cured Tavros' peanut allergy, I mean just look at the panel.

This could absolutely be interpreted as Jake injecting his hope power into the epipen and by proxy injecting both his power & the epipen into his son! If younger Jake is strong enough to defeat Grimbark Jade, then adult Jake might just be strong enough to defeat a peanut allergy is all I'm saying! In fact, now that I'm rambling about it, this seems like the more likely outcome is Jake's hope power swaying or (in the very least) confusing Jane mid-fight. Hope bullets, they would look cool & would be pretty strong!

The power of believing in others & wanting things to change can be a strong tool indeed, Mister English.

If there's one person who still believes in changing Jane's mind (or bringing her back to proper canonicity depending on how you interpret the recent lore), it would be Jake English, the believer.

Okay, maybe this is something! Tally ho!

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[agalychnisspranneusroseus]

Got any trans HCs for the amphibia trio? I love the many different interpretations I've seen from this fandom

I don't know about specific headcanons, I know I'm considering making Anne trans in RiAAU but I haven't decided yet.

In one hand: it would be interesting to think how she deals with her first periods because, well, amphibians don't have those, and Hop Pop assumes she's dying (she doesn't tell anyone else because she's so embarrassed). Not that he tells her that, but it really freaks him out. He thinks she has some sort of internal damage, and it's only after months of research that he finds out about some rare mammalian species, such as a few monkeys and rodents, that experience the same cycle Anne goes through. The whole point of this is that it makes Anne feel even more out-of-place. She doesn't remember her world or her parents, only that she came from "somewhere" (possibly another continent) full of people of her species, and she wonders if things would have been easier if she grew up with her biological family. I mean, surely this would be easier. It just serves as a reminder that she knows nothing about her species, not even its name, and she has no idea of how her biology works or what is good and bad for her or how long she'll live or what changes she'll go through.

.

BUT, on the other hand: Trans Anne. Let's start with the obvious: amphibians don't have penises or vaginas and they reproduce externally, meaning they like... release eggs and sperm in the water and they mix without the involvement of either parent, meaning no one knows what the cultural significance of a "penis" or a "vagina" tends to be in most human cultures. As a literaly 3yo, Anne probably didn't have an extensive understanding of s.ex and gender, and it wasn't like the clothes she showed up with told Hop Pop much. She just knew that, as time went on, she found herself relating more and more to the female frogs of Wartwood, and she almost subconsciously began to refer to herself as a girl. There wasn't any big coming out moment, more like a point in which, after months of ambiguity (this kid kept using different pronouns for herself) she just settled on some good ol' she/her and began picking somewhat girly clothes when Hop Pop took her to the market.

It's not like the concept of trans people doesn't exist in Amphibia, it's just that Anne didn't realize that was her situation until, at least, meeting Marcy, and noticing the differences between them. It's not like either of them had ever seen another human from up close, so they didn't know what to expect anyway. Anne's only encounters with Sasha beforehand had consisted on magical girl swordfighting in the sky and whatnot. Certainly not enough to discuss their unique biology, which is something Marcy is very excited to discuss, since she's never met anyone with her same "condition" before, and she wants to know everything, so she uses her as her little rat lab whenever she has the chance. Even then, since she also lacks all knowledge of human s.exual dimorphism and its cultural implications, she doesn't associate anything about either of their bodies to any specific gender that could possibly be asigned to anyone based on biological feautures. Since Sasha remembers the most from Earth, she's probably the only one who could maybe possibly remeber her mom or the kindergarden teacher saying something about "the difference between boys and girls", but by the point she's in speaking terms with Anne, and by the time she realizes their bodies are different, she doesn't really care.

That's not to say Anne doesn't experience dysphoria or that she never undergoes any kind of physical transition. It was probably around the time her voice started to change during puberty that she realized her case may be kinda unique: neither Marcy nor Sasha's voices have changed that much, she can tell even though she only sees Marcy in person like once every 3 years and all the words she exchanges with Sasha consist of death threats and insults. Plus, there's a clear difference between """male""" and """female""" voiced in frogs too. She doesn't want to sound like a man! She doesn't want to be anything like a man! Men are gross! Sorry Sprig, Hop Pop, but it's true. Men are icky icky yuck yuck and Anne is a girly girl. She doesn't want to turn into Stumpy! Or Buff Loggle! Oh, no, is that her future? She commits the triple mistake of 1) sending a letter to Marcy that same day, 2) knocking on Maddies' door promising her firstborn if she can save her from turning into Stumpy, and 3) she becomes obsessed researching mammalian biology in the archives. Bad decision. Bad bad. She's discovering things to feel dysphoric about she never even knew existed! Did you know mammalian mothers feed their offsprings with "milk" that comes from their "mammary glands"? Did Sasha and Marcy have those? She hates herself a little for checking out Marcy next time she sees her and she realizes that, indeed, in the past years she's grown a pair of those that Anne does NOT have. She notes that both she and Sasha are pretty much hairless. She used to think hair was a normal mammalian trait! That weasel that tries to eat the frogs every winter sure is covered in it!

Maddie shows up to her door with a bunch of new spells to try out, happy to have a willing subject. Most embarrassingly, Marcy starts doing her own research as soon as she gets Anne's letter and sends her all her discoveries, and now Anne feels mortified because Marcy knows about all the bad bad very bad changes she's going through (Marcy, for her part, is just fascinated by the nature of their "condition").

It takes a bit, but after a few very frenzied weeks, Anne comes to understad what's going on: her species had certain level of sexual dimorphism and she just happened to have been born with the supposed "sex" usually associated with "men" as a social category. When Hop Pop finds out, he burst into laughter. Oh, it was THAT all along! Anne made it sound so complicated, but it was just the same things he went through when he was younger, just the other way around ("Say what now Hop Pop?")! A few curses here and there and she won't have to worry about these so called "mammary glands" and "hair" anymore, though in the meantime, as Maddie perfects a human-friendly curse, she gets turned into all sort of different creatures. By the time it's done, she just wants to feel like... herself.

It's true that there are some things about her body that make her feel weird, like they don't quite fit in, but there are others she only worries about because she compared herself to Sasha and Marcy, which wasn't fair to anyone involved. Did she really want to fundamentally change parts of her body because of insecurities she developed last week over a book about lemurs? Then, a second set of fears come in: what will happen when she goes back to her place of origin? Because she does want to find her birth family. Will they recognize her, if they're looking for a boy? Will they think she's lying if she claims to be their daughter? If she changes only a few things but doesn't "go all the way", will people there think she's a freak? Will she ever be able to fit in with those of her species?

Does she really care so much about what other people think? She just wants to be herself. Some of the changes she's been going through are making her feel less like herself and more like she's being turned into a tax collector from Toad Tower. Those things have to go - her voice, for example. And she wants a more femenine silhouette (she may or may not show Maddie photos of young Mrs. Croaker as a reference). She wants a softer face. She's seeing her face changing in the mirror and she doesn't like it. She wants it to stay round and soft, not to grow hard and sharp or big and rough. She's not so sure she wants those "mammary glands". It's not like she ever thought about having kids, and the whole "breastfeeding" thing just seems gross, but after her research, and finding out she could have kids with, I don't know, maybe Marcy one day (a thought that makes her blush), she thinks it may be a good idea. She'll consider it. Maybe later. Her genitalia... well, she's used to what she has now. It already took her like 10 years to fully figure out what it was and how it worked and starting over with a whole new set just feels like too much work (also, the babies, the potential babies with Marcy). Frogs and toads have neither "penises" or "vaginas" so there's not a lot of information, and based on books about lemurs and her own empirical experience, comparing herself to other mammalian species isn't too useful. She'll leave it the way it is. She'll see if there's anything else she wants to change later, or if she wants to go back on something.

Marcy is surprised next time Anne visits Newtopia. In her letters, she described this strange transformation in excruciating detail, but seeing her in person now, holding her face in her hands, all she sees is the same Anne she's always loved.

A few more ideas:

HEADCANON: in Amphibia, two people of the same "s.ex" can reproduce through magic, which means there has to be a concious effort and intent. The external fertilization process there's no such thing as a pregnancy, and there's no such thing as s.ex. All reproduction is intentional, which means there's no need for abortion either. There are processes to destroy fertilized eggs and embryos, but they look completely different from human abortions.

Amphibians may perform acts resembling s.ex for pleasure or fun but they look different from human s.ex and have no relation to reproduction.

Andrias is the only person in Amphibia who knows enough about humans to know how they reproduce (a process he finds repulsive). He never tells Marcy, of course, though once she becomes queen, she finds his secret library and his hidden tomes on "alien biology", some of which talk about humans. He's also the only one who knows humans can have children on accident, and that Anne is the only human in Amphibia who could cause something like that to happen (he reads all of Marcy's correspondence). He knows his daughter is very close to this weird farm girl penpal of hers, and even though she's still a child, he worries for her future and the future of the crown. This new discovery could land the crown in the hands of a dynasty of aliens if he's not careful. Is it weird that he spends so much time worrying about his 12yo daughter getting pregnant from another 12yo? Yes, yes it is, but he already controls every aspect of her life, it's not like he's going to stop at her sexuality, future, real, or imaginary.

Man now that I wrote it all down, I think this option is more compelling than the first. Maybe I WILL go with this one.

[black-and-yellow]

Last Window if it was awesome

[momentomori24]

I saw a "Yttd hot takes" post yesterday and it actually tickles my brain a bit how the majority of responses are not hot takes at all and mostly boil down to not caring for/hating Midori and saying that he's not deep or interesting at all and very surface level, thinking soushin is "proship" and if you like it you're probably an abuser irl or that you're ""romanticising"" abuse (that word needs to be put on the highest possible shelf btw) if you interpret it as romantic and that the greenblings reveal sucks because somehow it means that Sou and Kanna aren't found family anymore. There's having hot takes and then there's misunderstanding characters/dynamics and spouting the same dangerous bs all fandoms do, and 95% of the responses leaned heavily towards the latter options.

I have opinions on that greenblings take, but those soushin and Midori takes are something else and by that I mean not at all. Like, I'm sorry, but if your "hot take" doesn't oppose the general consensus of the fandom you're in, it's not a hot take. You're serving me white rice with unseasoned chicken and bland curry and I call that false advertising.

[lylahammar]

why the fuck is it so socially acceptable to say hateful stuff about people with red hair

[cautiously0ptimistic]

when we met, I could see dark signs— alarm bells in your eyes.

[skrunksthatwunk]

idk if i've discussed it before (i have certainly THOUGHT about it) but someone on my kuwa suffering ep 89 comp mentioned it and i just had to go off about it like. ok. sensui tells yusuke something along the lines of "you heard itsuki" when itsuki's inside the uraotoko, implying that not only can sensui hear those inside the uraotoko, but that he expects yusuke to be able to as well. which means that yusuke Almost Certainly Heard And Kind Of Ignored kuwabara's prolonged mental breakdown and wailing about how much he needs yusuke to live etc. which. guHHH i hate him yusuke you ass but also listen.

the only acknowledgement yusuke gives to this (if any) is when he says something like "sensui you're sooo fucking cooked this plan's going perfectly (my friends are going to get strong and kill you when i die)." he's trash talking to sensui, ignoring the others because, i think, he doesn't want to acknowledge what he's doing to them.

yusuke is explicitly recreating the experience he had with kuwabara's "death" at the hands of toguro, complete with the announcement of intent (and power) to kill, the inability to impede the threat in any way (barring a power-breakthrough), and the target in some way racing towards/volunteering for their death. yusuke learns through doing, and through tough love-style approaches. it's only effective if it hurts. watching kuwabara die like that was devastating to yusuke, but it sure as hell fucking worked. he beat toguro because of that maneuver. so even if he has to (re-)traumatize his friends in the process, this method will make his friends stronger, and he feels confident in that. but he never had to live with the consequences of kuwabara's death, not really. that's something hiei makes clear before they enter the cave as well, that there are no fake-outs ready to make him or anyone else stronger. the only deaths here will be real. the only power gained will come at a high, permanent cost. hiei's warning is an attempt to keep everyone alive, to keep yusuke from being stupid. and then yusuke decides to take that fatality into his own hands, but it's kind of his friends who would pay the price. he's going to make them live through the days, months, years without him, the actual permanency of loss (assuming they survive for that long), something he never experienced with kuwabara (a new facet of that traumatic scenario), AND he's escaping the emotional fallout of this choice through death. he doesn't have to see them mourn, won't get yelled at, won't watch them fail to move on. he's tapping out and choosing to believe they'll be fine.

but i think he feels guilty. just a little. i mean, yusuke couldn't even believe that people cared about him enough to want him alive in episode one. he's staked everything on his friends, which means he still kind of... doesn't value his own life, at least not compared to theirs. but he believes his friends love him and want him around, and we know that because he has to, or else he wouldn't make a plan that depends entirely on that love. he is actively leveraging the care he doesn't think he deserves, trying to hurt them in a way he is intimately familiar with (only worse), for.... what, exactly?

this is kind of my sticking point tbh. i don't think the answer is... super clear, but let's start with what it's not.

yusuke is not doing this because it is the most practical way to save all of humanity; that would be the mafukan, which he stopped. it could be a gamble to save all of his friends? the mafukan strategy would guarantee koenma's death/eternal imprisonment, whereas this strategy gambles all of humanity on the chance that his friends come out of the Easy Break Oven strong enough to avert the end of the world. if the sacrifice of even one friend is completely intolerable, perhaps he'd accept those slim odds and their steep consequences. yusuke tends to take risks like that, especially when he's got fight-induced tunnel vision. he doesn't think things through too much; his schemes are usually dependent on surprising his enemy enough to oneshot them. truthfully, i think this is the closest we'll get to an answer, and it's a more conventional one for this kind of story. but there is another layer i haven't been able to get from my mind.

i think yusuke is gifting each of his friends an honorable warrior's death.

so, in case it needs saying, yusuke, kuwabara, kurama, and hiei all (at least once, if not several times) exhibit a desire to die in combat in a way they deem noble to give their lives purpose (usually by self-sacrifice, but sometimes by another metric of honor, like hiei's duel with shigure and his desire to die in mutual defeat against an evenly matched opponent; or even kurama's decision to fight shigure in his human form, displaying a sort of passive suicidality via placing being true to himself in this (somewhat symbolic/inconsequential) way over survival). they need to make their lives count for something, because they feel guilty for being alive (kurama and hiei feel guilty for their past actions (hiei's is most evident in his distance from yukina, though that's not its primary reason), hiei, kuwabara, and yusuke have all been ostracized and made to feel like burdens on/unwanted by their caregivers and general society; all four of them have felt profound isolation even from their loved ones (yusuke and hiei are rather obvious; kurama can never tell his mother about the majority of his life nor what she truly means to him in the context of it; and kuwabara is separated from his peers for his spiritual awareness and his "stupidity" (plus his parents aren't around? and he is Desperate to define manhood/manliness through a broader pop cultural one which includes the warrior sacrifice thing bc he has no male role models BUT that's for another post) (i will admit kuwa's the most tenuous one here irt isolation)). they want to die for a cause so badly it's actually physically painful to me. it is passive suicidality, and they define their lives and identities by their relation to, engagement with, and skill at doing violence, etc. they live to die by the sword. anyway. nobody talks about it but i think it's very important to understanding what yusuke's doing here.

because i think he knows that about himself and his friends. they're kindred spirits. at the very least he knows this about kuwabara, who literally made a speech about this before diving into toguro's fingers In The Event That He Is Recreating Explicitly. he is dying nobly like they all want to on the chance that they'll get to break out and fight sensui rather than dying without even getting to take a swing. it's about his pride and theirs. but i don't think yusuke necessarily believes they'll win. he knows better than anyone how strong sensui is, and how wide the gap is between sensui and team urameshi. his stated position that humanity is doomed and that he doesn't care about its fate is, i think, not completely genuine, but if we take it at face value, he's not killing himself so that his friends can survive the end of the world. something's going to come around and kill them eventually. he's doing it so they can survive long enough to fight sensui. he needs them (specifically kuwabara) to be strong enough to free themselves to begin round two. but he's given up on their side winning, on humanity surviving, on his own victory---why should he think his friends are capable of winning? this could be another case of yusuke's fight-blinders. it could be another gamble, more blind faith put in his friends. but honestly it reads more to me that yusuke's giving them a chance to die together on the battlefield. them winning would be great, but it's not his goal. it's a pipe dream.

he knows he's going to be killed. they're probably going to be killed, too. but to make it so they last a little longer against sensui, to make the odds a little more even, so they are killed not like livestock, but like worthy fighters, he'd die a little faster. it's the best kind of death someone like them can have; and he'll deprive himself of it just to make their ends a little sweeter. even if the road to that is far more bitter.

but it's not like yusuke's friends know what he's thinking or agree to it, and he can't exactly make his case for it in the moment. he's making that choice for them. whatever his intentions, whatever odds he thinks they have of beating sensui, he's kind of sealing all of their fates. so how the hell is he supposed to acknowledge kuwabara screaming at him not to die, trying desperately to express what yusuke means to him in what could be their final moments together? this plan is going to hurt his friends terribly. it is already doing so, and he can hear it. his choices to stop koenma from using the mafukan and to die for his friends' strength are both selfish in some way, no matter how you read the scene. if yusuke comforts kuwabara, he might not get strong enough. if he twists the knife, well... how could he forgive himself? and either way by responding he would have to face them all and say yes, i'm doing this regardless of your feelings (with the intention of hurting you). so i think he does what he often does. he avoids it. he lets that emotion glance off him and his bravado and his one-liners so he doesn't have to deal with the fact that he's hurting people, that he's scared and guilty and unsure of himself. that he's about to die again, about to put kuwabara through the grief he saw at his wake again, only worse; about to put his quieter friends through something similar.

yusuke is confronted with the responsibility one has to the people who care for them, and he runs from it in an attempt to give them some small peace. just like when he died before and thought hey, at least my mom and keiko won't be burdened by me anymore. because the only thing he can really do for them is die.

[allastoredeer]

I just read your entire Just Kiss Already series up to the latest one with the huge fight between the two and ARGH you write them both so well!! Especially Lucifer, his anxiety and stumbling-through-his-words dialogue that makes him oh so relatable to me are perfect. And as an English Language and Literature graduate who's not a native English speaker, your writing has some GREAT vocabulary and phrases I absolutely love.

As someone aroaceage myself (on all 3 spectrums not 100% completely aromantic, asexual, or agender, just FYI since people forget it's a spectrum and then attack me way too often and now I'm wary) it's so refreshing to see another aroace person writing Alastor with his "I hate personal space invasion" attitude that I share. I strictly hate giving up my privacy and your explanation for how Al feels makes so much sense (and also makes me feel like I won't be friendless my whole life, so thanks :') if Alastor can end up with someone despite hating intimacy and if Lucifer can despite being awkward and desperate then damn. Maybe so can I). Oh, and Vox being the pathetic desperate wet tissue he is is soo entertaining. I don't babygirl-ise characters often but he's just so. Fun to watch embarass himself. I can't help it.

I came to your blog just to say this but got a lot of RadioApple discourse that I'm honestly a bit intimidated by since I wasn't aware of all this happening at all, I just follow a very select few creators and now I don't know whether I'm doing something wrong. Personally I don't care much about top/bottom dynamics (except in certain situations) so I'm just confused and worried lol. And what's with the outfits and likes??? I'm out of the entire loop. But I'm glad conversations are happening when they should!

Anyway, I canNOT wait for more from your series, wherever it goes. I'd draw fanart or write fics in your AU with your permission but I'm currently having every creative block known to humanity for several years. Somehow.

I usually comment on AO3 itself but you connected your Tumblr after every chapter so it felt right to come here, even tho I'm not too active on social media sites. I hope you don't mind my mostly-unrelated rambles. All the kudos to your fics!

First and foremost: You aren't doing anything wrong.

It's fine if you're out of the loop. There's really no loop to begin with. It's just some fandom tropes and characterizations a handful of us don't enjoy seeing and we're ranting about it LOL If you like any of those tropes or characterizations, or follow people who make art/fics with them, there's nothing wrong with that either. There's no need to be worried, you're doing just fine 😊

Secondly, THANK YOU!!!

I don't think anyone is 100% ace, aro, or agender, it's a spectrum, afterall. There's no meter you have to reach to be considered 100% a sexuality, you just are :) If you say you're ace, aro, or agender, that's what you are, and anyone who wants to argue about it can go kick rocks.

I base a lot of how I write Alastor's aceness on myself, so hearing people say they feel the same is just (;´༎ຶД༎ຶ`) It's so amazing to hear. I'm a very private person and I like my personal space; I'm not a very physically touchy person, and thankfully, I have an amazing friend (who's love language is physical touch and affection) who knows and understands this and doesn't touch or hug me without permission - I love her so much T.T

Vox is such a pathetic wet tissue and that's what I love about him

(づ￣ ³￣)づ I wanna give him a little kiss on his big, flat forehead.

I'm so happy you're enjoying my fics and relating to them so much. I don't think there's a higher compliment an author can get than their readers saying that they saw themselves in the story and characters. It's such an amazing feeling, it makes me all warm and tingly inside.

Once your creative block lets up - whenever that may be - you have my full permission to draw and write as much as you want in my AU.

Thanks for visiting my tumblr!! Sorry you felt intimidated by the discourse, that's not fun. Just know that you're not doing anything wrong, and whatever fandom content you engage with is perfectly fine and you shouldn't feel bad about enjoying it ^.^ Fandom is escapism and we're all here to have a good time.

Thank you for your rambles!! I enjoyed reading them!!

[pollen]

i got so wrapped up in keeping to myself that i can barely think of anything to say anymore