#I’m so very sorry about this long post

[invece-sto-sdraiato]

Rant about everybody’s waiting (and some general fandom stuff) cause I finally found words to my feelings:

tw// mental health struggles, anxiety (can you notice that I’ve never done this before 🥲)

Yes, okay at first I was skeptical about the song. Reasons? I’m not entirely sure (yet) but once I heard the whole thing, I was like, “ok, not as bad as I thought, kinda my taste but will take time to grow on me…” by now I can definitely say that it’s super experimental and brave of them to do something like this, so props to that! I think the second half of the song is what really convinced me.

Lyrics-wise? As much as I understood the meaning, the importance they held for bojan, I didn’t see myself actually “getting” them, if you get what I mean. I didn’t understand what they even meant, at first. (well, I couldn’t hear some words in the song properly)

But now these-

What a wonderful life, panicking

A perfect time to get lost in deep, unoriginal line

There’s nothing left, just flight or die

Lonesome and run down

Can’t tell the sky from the ground

Turning around

Okay now… this hit me straight in the gut. (not sure if these are accurate, feel free to correct me) This… doesn’t exactly explain my feelings, but they sure do come pretty close. This made me realise certain things about my personality which I never thought about before. I was never the “take it easy” type and these words…somehow remind me to slow down sometimes… (I’m just rambling here atp)

I’ve always, ALWAYS been a nervous wreck, since maybe I was ten? And I’ve always gotten anxious about so many things (whether they’re in my control or not) for so long, that I just thought it was human nature to feel so much, and I thought everyone else was just better at handling it than me. I’ve never thought to label it or even address it, cause it was so ingrained in my unconscious, to know that it isn’t normal.

So, seeing how important it is that bojan is addressing this issue is not only a big deal for Slovenia, it is for me too. Joining this fandom, I see so many of you being so open, so vocal about things I generally would’ve never dreamed of admitting (it also does NOT help, the fact that I’m from an extremely conservative country 🥲)

The first time I ever felt accepted, or seen was here. People in my life till this point, have shared similar opinions with me, but no one actually got to know me, the real me because there was always that disconnect that somehow made me distance myself from them. Obviously this is all online and I don’t know any of you personally, but y’alls sheer honesty just makes me go waaaahhh (the only word I can think of rn)

And I think, the real therapy for me was talking to @da-proti-toku-grem and @paperphilia thank you so much for your kindness and acceptance. It means the world to me 🥹

(especially the fact that @paperphilia you asked me “are you ok?” after seeing my rant about the jance photo shoot. That is something I will not forget for a long long time.

And maca, obviously our long conversations will always have a special place in my heart (love you!)

Huh, okay this is getting too long. Anyways whomever of the baby boos reads this, just thank you so much for being there, a part of the reason why I’m happier now. This song ended up being therapeutic for me, who would’ve foreseen that lol.

[hotdogmchiggin]

Company Mandated Fancy Fits on the Tulpar 😏

Also had to include the REAL star of the show (and a bonus)

Based off of this and this. Thank you very much joetastic for being inspirational 👍

The REAL reason this is late

[nightcatssketchbook]

I was hitting some art block so I felt like drawing some fanart of @abd-illustrates’ Heartless characters!

I realized I never actually watched the final installment of the Concept Corner series, so that’s what I had playing when sketching these. It’s just so fun listening to the brainstorming and cool character connections

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[marybatson]

the only reason I hc billy as an emancipated minor is literally just so that mary can still live with the bromfields and freddy can be fostered by the vasquez family. so rosa and nora have no actual relation to each other or have the rights to tell billy what to do but theyll pick him up for school and have extra bedding and a toothbrush saved for sleepovers and knuckle down his head (rosa) and fix his collar (nora) and. will pick up a household object and swing harder than any mlb player could trying to protect him faster than he can blink

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[legendoftherisingtide]

[intro]

Bakugou is a prideful, arrogant person. He holds himself to the highest standard; he is the best and everyone else is simply below him. Everything he has ever done was in pursuit of being number one, shining above the rest. He has to have a perfect victory, he has to be a perfect student, he has to win to save.

He pushes and pushes and won’t let anyone see his weaknesses or his insecurities. He can never lose, he can never fail, he can never show that he regrets or hesitates or that he hasn’t thought everything through. He must never be vulnerable in every sense of the word.

Then why is he standing in the rain.

To apologize shouldn’t be a sacrifice, but it is for Bakugou. To pour his feelings, to admit his wrong, to let down all of the walls he has built and be vulnerable. And in front of his whole class.

He is willing to sacrifice his pride, to fully sacrifice any superiority he could have, to bare his soul and even risk rejection. Because he knows Midoriya is more important. Because he wants him to come home, he wants him to know his true feelings, because he wants things to change. 

Because Midoriya has changed him. Midoriya has opened his eyes; by showing him he’s allowed to be open, that his feelings should be expressed, that he has so much to learn, and so much of that was learned through Midoriya just existing.

He isn’t sacrificing his safety frivolously because he’s expected to as a hero; he is doing it because he has grown. He is doing it because he has finally admitted to himself that he wants Midoriya to be with him and safe.

So I will sacrifice this for you. Not because it will change anything, as much as I want that I know that I can’t just fix all the wrong with just this. And I am willing to do as much as it takes to earn your forgiveness. But I don’t need that from you, not now and not ever if you don’t want that, I just need you to rest. I did so much wrong. And I am sorry for everything. You don’t have to do this alone. Lean on us. You are so strong and being supported doesn’t discount that. You’ve taught me that. 

I hate the rain. But I will brave it for you. 

He would do everything in his power, admit so many things, just to get Midoriya to take care of himself. We see him being the most vulnerable he has ever been in front of people that aren’t Midoriya. He does so much completely out of character, all in pursuit of being there for Midoriya. 

For Izuku.

He finally gets over himself and finally tells Midoriya the feelings he has felt for so long.

He lets go of this idea he is inherently better and finally acknowledges that his hatred for Midoriya has always been about his own shortcomings and insecurities. But he still wants to be better, they are still rivals. He isn’t going to sacrifice that part of him because that is just who he is; he is still going to push to number one.

But now it’s different.

There is verbal and vocal acceptance and respect. Before it was unspoken; their relationship had changed ever since Ground Beta. They were proper rivals, with mutual respect and care, they were actively making each other better.

But Bakugo finally verbalizes it and tells Midoriya, not only is he sorry, but he wants to actually have a proper friendship; he wants to continue to become better and earn his forgiveness. He wants them to push each other to be better, he wants to continue to fight for the top spot, he still wants to be the best.

But when did it become something else? 

When was the turning point when it started to shift from wanting to surpass Midoriya and be the best, to wanting to keep up with Midoriya and stay by his side?

Bakugou has already sacrificed himself for Midoriya before. His body moved on its own; with no hesitation, he would save Midoriya. He has already risked his life for him. But there is a layer to it that I don’t think people talk about. 

He tells Midoriya he shouldn’t try to win this on his own. 

He disguises his concern with an insistence that he’s in it to fight for himself when he initially joins the battle. But it is to fight by Midoriya’s side and support him.

But taking the hit for Midoriya, jumping in the way isn’t just support. This is sacrifice. This is giving yourself to ensure the safety of someone. And it was second nature. 

There are two reasons and both are a sacrifice of something in the moment.

It is knowing someone is so valuable, so great, in all senses of the word, that they must be protected. Bakugou is sacrificing his body and admitting that Midoriya needs to stay alive, for personal reasons and/or for the world. He needs Midoriya to be okay, Midoriya can’t fight alone and Bakugou will do anything to make sure he will be okay. 

But the sacrifice of ideology. 

With every development, he has relinquished parts of himself. When he sacrifices himself he is not only sacrificing his body but is admitting that he can’t do this on his own; he needs Midoriya too. This isn’t him wanting to be better than Midoriya, it’s him wanting to do it together.

Midoriya changed him.

He doesn’t die for Midoriya. He wakes up and just as his last thought was Midoriya, so was his first as he woke up. He runs to his side. People are dragging him back, trying to have him rest, knowing before he even said anything that he would lose his mind over Midoriya’s situation. 

Everyone sees how Bakugou feels about Midoriya.

He sacrifices himself because Midoriya can not die on him. Midoriya has to stay alive. Midoriya has to keep fighting. 

There can not be a world that doesn’t have him in it.

This is the culmination of what has been developing ever since the final exam where Bakugou finally works with Midoriya; the day that win to save, save to win was noticed. Then furthered after Ground Beta where they finally talked to each other and something changed within them both.

But the final sacrifice is the culmination of Bakugou’s character.

He knows what this decision will mean. Everyone screams for him not to. He knows that he is going to die. He knows he will not win this fight.

This isn’t dying for the cause. This isn’t just a hero complex. This is because he can help Midoriya and he will. This is for Izuku.

I will sacrifice myself for you. To give you more time, to give you even the slightest chance of winning. I will sacrifice myself for you because you are who can win. I am going to die. I am going to die and in my final thoughts, I will ask if I will still be able to be by your side.

It is no longer can I beat you. It is no longer can I surpass you. It is can I still catch up to you. It is can I still even be equal to you. He has already sacrificed the idea that he could beat Midoriya, that isn’t what he wants anymore. What he wants is to stay here with him.

I will sacrifice everything I am. I have wanted to be the best. All my life I have wanted to surpass you and everyone around me. But you. I will let that go for you. I let it go in my mind for so long now and I have never wanted to admit it. Is it even possible? Is it even possible for me to catch up to you? Is it even possible for me to stay by your side. I can’t be that anymore. I am sacrificing even that now. I will never be number one now. I will never become the person I always dreamed to be. I will never surpass you. I am forever sacrificing that now. I will die here.  

But can I still be with you?

The sacrifice of his life is him fully relinquishing everything he is, admitting that he can’t keep up, losing all of the progress he has made, letting go of everything that made up his character.

And the last thing on his mind is if he can still be able to be by Midoriya’s side.

He won’t let him go again. 

[messiahzzz]

while it’s perfectly fine to have your own headcanons that are non-canon compliant — by all means, go wild. recognizing pieces of yourselves in fictional characters can be a very healing and validating experience. this is nonetheless a casual, well-intentioned reminder that gale, in fact, does not have bpd.

bpd is a pervasive pattern of instability affecting interpersonal relationships, self-image, and mood. the disorder is marked by impulsivity beginning in early adulthood and is present in a variety of contexts. a diagnosis requires at least 5 of the following 9 criteria to be met:

Fear of abandonment

Unstable or changing relationships

Unstable self-image; struggles with identity or sense of self

Impulsive or self-damaging behaviors (e.g., excessive spending, unsafe sex, substance abuse, reckless driving, binge eating).

Suicidal behavior or self-injury

Varied or random mood swings

Constant feelings of worthlessness or sadness

Problems with anger, including frequent loss of temper or physical fights

Stress-related paranoia or loss of contact with reality

source: [x]

i highlighted the criteria that do apply to gale in one way or another in a pretty purple.

i personally believe that it’s rather harmful to equate his relationship with mystra with her being “his fp”. she is a deity, his goddess, and the source of his powers, who is in in full control of the magic he wields.

gale: mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold.

gale has been effectively groomed and conditioned to serve and revere her at every turn since early childhood. imo this comparison really undermines a lot of crucial points in gale’s story that deal with his overall trauma and abuse. after all, you wouldn’t call shar sh*dowhe*rt’s fp either.

gale doesn’t revile mystra, nor does he commit benevolent deeds solely motivated by the secret hope that she will somehow notice and take him back. when you meet gale in the game he has already fully come to terms with the fact that he has been abandoned by mystra with no hope of reconciliation whatsoever. he also had some very fitting lines in ea regarding this topic that i'm sad haven't been repurposed in the full release in some way.

gale: [the tadpoles] don't know that some things are impossible. they don't know that... they don't know. player: what is impossible about what you're being shown? gale: forgiveness. gale: it is mystra i see. and yet it cannot be her. there was a time when i would have believed - but no longer. gale: suffice it to say she would not bestow upon me the favors promised in these dreams. that is how i know they are delusions.

he has already reached the stage of acceptance. moreover, gale only starts to realize that mystra might have been in the wrong for requesting his death once the tadpole squad & tav speak some sense into him. and even then he doesn’t ever show that his emotions regarding mystra are anywhere along those lines. he is instead rightfully angered that she only saw value in his death, after he had been worshipping her loyally for years.

gale: i worshipped mystra loyally for years, and in that time she granted me the barest sliver of the power i was ready to wield. gale: even with the fate of the world at stake, she had little more to offer me than the means of blowing myself up at a more convenient time. she's done nothing to help us.

gale: you abandoned me in my hour of greatest need. i had no obligation to help you in yours. gale: because you had no right to ask that of me. you cast me out, remember?

gale doesn’t display rapid changes in mood either. he is a character who is generally very composed and has been known to remain nonchalant even in the face of utter horror. tim downie himself even commented on this once. source: [x]

the only instance i can think of is his sudden switch from resigned-to-death to utter-eye-sparkling-enthusiasm once he spots the crown of karsus. apart from crucial story reasons that i won’t touch upon in this post, i’d also like to add that it’s a rather common phenomenon for people who have just barely survived a suicide attempt to suddenly be filled with zeal and unbridled energy. he doesn't display impulsivity without thorough consideration when it comes to its acquisition either. he considers this a golden opportunity and is positively enthusiastic and elated that this might prove an alternative to him ending up in a cloud of netherese smoke. nonetheless, he knows what he is doing. evident in him actually succeeding in ascending in one of his endings.

gale: this is no passing whim, trust me. if i can obtain that crown, it will affect us all. it is not a decision i'll take lightly. gale: it's our future that i'm thinking of - we can't rely on anyone else to do it for us. gale: for now - we've learned all we can.

neither are his relationships that we do know of (namely elminster, tara, and morena) frequently changing. they are marked by years of mutual respect, care, and consistency. there is nothing unstable about them. while it's important to note that his relationship with tav is still in its honeymoon stages during the main game, there is no inclination of any push-and-pull dynamic between them whatsoever.

gale isn’t preoccupied with keeping up some sort of benevolent act in order to win (back) affection — he genuinely IS a good person and he proves this at every turn. moreover, to have a tressym become your familiar you must be of Good alignment.

(taken from tumblr user galedekarios's post.)

there is never a moment where his ideals or alignment suddenly change. in fact, i’d argue that he and wyll are most consistent in this regard when compared to the rest of the companions. gale makes his moral standpoint very clear from the beginning on and also explicitly states that he believes that in order to survive this entire ordeal it would be selfish of him if he wouldn’t be willing to compromise on his morals. this isn’t a sudden bout of ✨muahahaha wizard hubris✨ that he barely contained to hold in before, this is yet another act of selflessness — it is what he’s willing to do for the group and subsequently, the welfare of faerun.

player: i love unsavoury things. don't feel guilty on my account. gale: that's good to know. although i should say i do what i do out of a sense of utility and pragmatism, not a love of the unsavoury. gale: we're up against the greatest threat faerun has ever faced. i don't mind getting my hands dirty if it gives us a better chance of surviving. gale: whatever advantage i can gain for us. i will. and i refuse to feel guilty for it, no matter how much mystra's chidings might echo in my skull.

this is him, once again trying to be useful in whatever way he can. to give them an advantage, a slither of hope against seemingly impossible odds, so they might make it out of this in one piece. gale wouldn’t approve of those actions under normal circumstances, but their predicament is as far from any definition of “normal” as it can get.

gale is no fool, he realizes this is essentially about survival. he knows that he has no option left other than to tolerate, which is why he can be convinced to not immediately depart tav’s company even if they choose to commit atrocities. this is no character flaw of his or him displaying a previously dormant openness for cruelty, this is about recognizing the necessity.

player: you don't stand a chance alone. you're free to go. i dare you. gale: gods damn you - you're right. few things are more powerful than the will to live.

gale: i thought the orb to be the greatest of my sins, but i see now that there are darker depths to which i might yet sink. you may be content to sink into that abyss, but i assure you - i am not.

gale doesn’t lead a split existence. he has a very strong sense of identity. he knows what he wants, what he doesn’t want and he isn’t shy in expressing his boundaries either. which he has especially shown when it comes to his relationship with tav. i originally had intended to touch upon this in another post entirely but: i firmly believe his entire Gale of Waterdeep™ persona is more of a performance than him struggling to find a sense of identity and trying them on for size. it is an intentional decision to separate gale dekarios from the great wizard of waterdeep, to create distance and make sure his family name remains untarnished in case things should ever go sideways.

gale: i agree. and on the plus side, if i get myself into any truly cataclysmic straits during the remainder of our journey, my family name will go untarnished.

there is also a deep-rooted feeling of unworthiness and his firm belief that love and praise are conditional resources that he will only be granted through his talents alone, naturally. presenting himself as gale dekarios, the man, would mean highlighting his shortcomings and very human flaws, while distracting from the aspects of himself that are deemed praiseworthy, the ones that actually matter: his magical prowess.

i personally believe that part of the beauty of gale’s story is him realizing just how “little” it takes for him to be truly content. he gets his happy ending, with someone at his side who truly sees him, understands him and unabashedly commits to him. they worship and adore him in return — and it is well deserved. he isn’t reduced to be constantly and restlessly searching for some unattainable ideal to fill the gaping void within himself. he doesn’t secretly thirst for more power still or believes that in being with tav he is settling for something. instead, he is finally happy to just be. be and be accepted. teaching a class of unruly wizards and coming home to his spouse each day already fulfills him.

gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.

even if he doesn’t pursue a romance with tav, he reaches a realization of “oh, it appears i am not irredeemably flawed and only able to reach true redemption through my own death. what i needed was actually with me all along.” throughout their journey and through his friend's support. i think that’s a very powerful and comforting message. he is very well capable of finding peace within himself.

devnotes: his default state is that he returned to waterdeep and became a professor of illusory magic at his former school, blackstaff academy. general vibe here is that this is a gale who's found peace with himself - he's a great teacher, one his students are mostly in awe of.

to repeat myself: sharing your headcanons is all in good fun, nor should you ever be discouraged from doing so. this is your personal tumblr experience, after all. but i personally think we should be mindful of unintentionally perpetuating negative stereotypes, such as narcissism being a general indicator or being deemed a classic depiction of bpd. i think we can all agree that the continuous longing for acceptance, connection, praise, and approval is something we all have in common deep down, regardless of whatever disorder we may have. [insert victoria justice meme here]

gale may be many things to many people, but he is no entitled narcissist.

[luna-the-cretar]

Can I just take a moment to praise OUAW (and the LOA cast as a whole), and their subtle yet VERY effective method of storytelling?

(Spoilers for OUAW below the cut)

For starters; the mix of comedy and gut-punch, and how they usually lure the audience into a false sense of security using humor, before hitting them with a really dark and angsty moment/episode, and then jumping right back into comedy to cut the tension.

Don’t believe me? Fuck, listen to episode fucking ONE, which inadvertently introduces this whole method that the continue to do for the rest of the campaign (and maybe others, im not entirely sure, but I’ve noticed this same method for Icebound, but almost in the reverse). The whole episode is full of jokes and antics, before hitting us with the (really depressing) death of a fairy at the end of the episode, immediately turning the mood around. And then the following 15 EPISODES were just a whole lot of fun and chaos.

Jokes and antics > depressing moment > more jokes and antics

Or how about episodes 41 and 42? They were joking around and doing their usual antics, before tensions rose with the death of Twig and everything afterwards, and then in episode 43 they spent the first hour as dancing singing mushrooms

Humor > angst > humor

Or episode 46? The first two thirds of the episode, the party were turned into toys and it was just…absolute chaos. Before they all got killed by the Jabberwock

However, I also noticed that episode 47 onward, this changed. Dont get me wrong, they still joke around and do their usual antics, but it seemed like it stopped being as a way to try and shrug off what just happened. Though, I guess this could partially be because of the circumstances, all things considered. Though I’m interested to see where season 2 takes us with this.

Also; character arcs. Or perhaps the lack thereof? I’m honestly not sure, to be honest.

There has been a change in these characters throughout the campaign thus far, don’t get me wrong. But these changes have been so incredibly subtle that you won’t even notice that they are going through a character arc unless you’re specifically looking for it.

Like how Torbek has been growing more confident—both in general and in his abilities; or how Gricko has been slowly shedding his “comic relief” exterior to show just WHY he’s a valued member of the party (other than his ability to heal); and fuck, I’ve even noticed a bit of a change in Kremy and Gideon (tho I can’t quite place what that character arc is, or when it started, but there IS a character arc happening here)

And like, I’m generally pretty good at picking up subtleties like this from media (in fact, most of my fics and character studies/analysis require this), but somehow OUAW managed to make their character arcs so subtle that I completely missed that there even WAS a character arc even happening until it suddenly reared its head (again, like with Torbek and Gricko)

It’s so subtle yet so effective and I just…agh! I can’t wholly verbally express how much I love the storytelling and character development in OUAW, it’s so good

[waining-crescent-moon]

i was going to do this in a reblog but it felt a bit too long for that so i’m just going to make my own post and link the post i got this idea thing from here by the blog @telugu-girl-13

major unraveled spoilers!!!

I’ve decided to mostly go through this in sections so I will put a picture of what I’m talking about in each section.

I’ve had the Eleanor is alive theory since I found out she was ‘dead’ in legacy so I’m either being delusional or it was planned and just wasn’t obvious. I don’t have much evidence because a good amount of that theory was just knowing how Shannon tends to write. For example, she has faked or rewritten character deaths before. Helpfully, Keefe gave us the examples when he met Eleanor “‘Cause the only other explanation I can think of is that this is another secret-twin thing, and I’ve already lived through that twist—though I guess I also did the not-dead twist when I ran into Alvar. And when Fintan showed up again.” (Unraveled, 348). Clearly, Shannon is aware of how often she does this twist. Leading up to Unraveled she also said that she made the book because there were secrets that only made sense coming from Keefe’s perspective. That is not real proof, I’m aware, but it does mean that she has some plans for everything that happened in Unraveled, likely meaning there is more to find out about Eleanor’s situation. The main proof I have from the story is that Eleanor is the same age as the main cast which is also more of evidence based of off how Shannon writes. I do think that the twist was planned, Shannon just didn’t build up to it well enough.

My assumption for the Gisela bit is that it’s going to be revealed that she actually knew eleanor was alive and just needed her or something. Especially with how Eleanor mentions “Three days later a stranger showed up at our door and told me my dad was dead and I had to leave because I needed people to think I was dead too.” (Unraveled, 356). So, someone else knows about her being alive, possibly a neverseen member or someone connected to Gisela.

Eleanor also says “But…he’d made all these arrangements. Obituaries. Graves. A new name. New guardian. A bank account.” (Unraveled, 356). We know from this that she has a new ID and most interesting, to me at least, a new guardian. Having all this stuff means that it’s more her dad’s fault she’s still in London. With what we are given about her character in her scene it seems like it’s very important to her that she follows her dad’s instructions, even if it’s not the safest option. Keefe also describes her “bright red hair” a lot when he saw her. My theory for this is that it may be dyed, but that’s not confirmed, just what I got from the line. Also, the only thing people have to identify her is a grainy, black and white photo in a newspaper from like five years ago. I’m sure it would have been difficult right after he died when she looked the same but as we saw her dad got her a guardian before he died meaning there was probably a lot less suspicion on her.

[damagedghoulette]

No I’m not okay about Hayden uploading a pic of him and his puppy on his insta

We have been treated but..

My god I want more treats

[presidentbungus]

in a similar vein to my last post i very much think demo’d be so good with kids. i don’t know if he’d be a good dad necessarily with all that emotional baggage and undoubtedly enough generational trauma to permanently ruin a toddler within seconds but he’d be a great uncle, godfather, weird neighbor, etc.

consider with me here. uncle tavish with the eyepatch and the peg-leg. he looks scary but he tells great stories about wizards and wars and explosions and he leaves in all the gory bits. he’ll show you how to make a pretty good firework out of the cleaning stuff your mum’s got lying around the house as long as you won’t tell on him. he’ll help you pull pranks on your adult relatives and he’ll take the blame for them. he’ll let you sip on his beer and scrumpy if you swear up and down you’re grown-up enough and when you hiss and stick your tongue out at the alcohol he’ll tell you that means you’re probably more mature than him. he doesn’t seem that rich but he’ll buy you a dirtbike or a pony or a whole set of expensive action figures for your birthday and he won’t even act like it’s a big deal. there’s something so simply enjoyable to him about kids (kids that aren’t his), so kicking with wonder and fierce excitement about the world, and he does whatever he can to give them what he never got—the push to run around and discover and do what they want, and to spit and curse and play-swordfight in the backyard and everything else all the adults in his life never really let him do. really, under it all, at the end of the day he’s got the big dumb heart of an absolute bloody sap and he knows it, and it’s almost relieving to know he’s still got it after all these years. you know? it works out

[jounosparticles]

you’re telling me tetchou is the only person that sees that jouno is one who protects the weak? you’re telling me tetchou was willing to put saving the world from the vampire pandemic aside in order to protect jouno because he knows jouno is good and wants him to be safe before anything? you’re telling me tetchou sees through the cold exterior jouno puts up and will defend him against anyone? you’re telling me that tetchou put his extremely strong sense of justice, which is one of the core parts of his personality, aside to save jouno?

tetchou is the only person that looks past everything and sees a good person in jouno. he is willing to look past everything for him. i genuinely believe they’re soulmates that were destined to meet; tetchou can be the one to assure jouno that he’s a good person despite the fact he was only made a hunting dog to be fukuchi’s pawn.

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D

[tedzyrotten]

it is so intensely interesting to me to watch people’s reactions to sleep token because i feel as though the journey differs based on what you listened to first

[kinnbig]

oh my god, tell us more (about the arm tankhun fake dating fic in your head), please! :D

OKAY so the concept is. about 6 months post-canon, the main and minor families are invited to the destination wedding of one of their allies from a hugely powerful mafia family - it's a few nights staying on a private tropical island, and as a respect/trust/hospitality thing, it would be considered really inappropriate for guests to bring more than one or two bodyguards per group.

so Tankhun is like “well then obviously I can’t go?” because while he is now much better at leaving the house, he’s not quite ‘get on a plane and fly to a random island for several days of intense socialisation with incredibly dangerous near-strangers without a single Trusted Bodyguard’ levels of better.

he’s talking to Chay about it and Chay's like “yeah, it's kind of fucked up that everyone gets a +1 but not a bodyguard. how would anyone even know if your +1 was your bodyguard?!” and Tankhun's like “.....Chay you're a genius. Arm, I need you to be my wedding date.”

commence the fake dating shenanigans! they ‘reveal’ their secret, long-term relationship to the entire family, and then they’ve got to pretend to be a couple in front of everyone while Arm actually works as Tankhun’s bodyguard. as the only other person who knows their relationship isn’t real, Chay is helping to mastermind the entire operation. what Chay also knows is that Khun does actually have very real and Not Fake feelings for Arm - and you can be sure he’s going to be a menace about it.

luckily, Khun is being just as much of a menace in return - the wedding is the first time Kim and Chay have been in the same room since… well, everything, and Tankhun has watched them both silently pine for each other for long enough. background KimChay reconciliation era my beloved!

and so the usual fake dating antics ensue! lots of pining… plenty of acting out intimacy while wishing it was genuine… Chay putting them in so many Situations… lines slowly blurring between what is part of the act and what is real… and. obviously. there was only one bed.

🥰 thank u so much for indulging me, i love talking about blorbos from my shows and my silly story ideas for them! i came up with this with @aikinn and @thewholedamnboulangerie during some kind of group astral plane projection, which makes it especially delicious as they always have the best and most objectively correct Tankhun takes 💪

my brain is currently on 24/7 armtankhun lockdown soooo if u have thoughts about Them… pls… i would like to eat them…