#I’m saying this as someone who DOES have a special interest in the civil war and DOES prefer traditional masculinity

[patronsaint-prometheus]

My masculinity would not exist without the inspiration of queer women. Not only that but I need more trans men to recognize that building their expression of masculinity off Racist Cishet White Men is not healthy for you or the people around you. It’s one of the causes of the kalvin garrah transmed ideologies that hurt so many queer people. Trans men. ESPECIALLY white trans men. Need to be a lot more aware of their actions.

When you are seeking gender euphoria please consider the root of the expression. Cowboy aesthetics can be done without perpetuating confederate propaganda. “Traditional” masculine family dynamics (wanting to work a career and be a provider, wanting to be seen as a protector, and so forth) are not inherently bad as long as you are still conscious of the misogynistic roots of them and actively fighting to dismantle that in your own life. You can want to be a sport loving beer chugging frat guy without also leaning into abusing women and being a racist cunt.

Queer women. Especially the Butch subculture and EVEN MORE IMPORTANTLY the Stud subculture. Are the model of masculinity more transmen should be wanting to achieve. Because they have been forced to fight against the sexism/queerphobia/and racism that white transmascs often transition into benefiting from.

[communistkenobi]

Wrt your posting about the jedi taking on children, I disagree thst the argument about force sensitive people 'need' to be trained for everyone else's safety. It's like Dragon Age mages or BNHA quirks, it's not special if someone can fireball me if they're having a bad day, some random person can already beat or strangle me with just their own two hands in the real world, no fireball necessary.

I mean idk I feel like Star Wars does a fairly decent job of establishing how dangerous force sensitivity can be - it’s not just extra strength or throwing things, but also mind control, healing (which i know is rare tbf), communicating with animals, etc. It also establishes how scary it can be to have those sorts of powers without knowing how to deal with them. I think Rebels does a good job of exploring this kind of thing with Kanan and Ezra.

However I also agree with you that it doesn’t “need” to be a problem, like force users are not inherently doomed to darkness/violence unless trained eternally across all space and time. But I think force sensitivity introduces a wholly organic way to accrue power (both physically in the sense that you’re more powerful and socially in that you have a type of organic ‘capital’ that can be used to gain social and political power in society, either because people adore you and want to follow you, and/or because they fear you), and having that type of power isn’t dependent on class position or family history*, it’s essentially random chance if someone is force sensitive or not. Which creates a threat to the types of societies depicted in Star Wars where there are durable ruling classes who want to maintain power.

And I think the Jedi Order offers a solution to this problem by capturing that type of ‘organic capital’ for lack of a better term; you monopolise an institution responsible for moulding force sensitive people into a particular type of subject - one that is not a threat to the prevailing societal order - and in exchange for being forced to be a Jedi you get massive amounts of privilege via access to knowledge, social status, material needs, and so on. While this creates civil unrest and distrust of the Jedi from a lot of laypeople, it’s a pretty sweet deal in the eyes of the Republic if it means not having to deal with rival force sensitive groups using their power to make political demands, especially through violence.

I think looking at it this way explains why the Jedi don’t really accept or allow any other type of force user, especially as they become more enmeshed with the Republic (the coven in the acolyte is a good example, the dathomiri witches, etc), and why a lot of force users who are not Jedi are labelled Sith, either because they adopt that label themselves or because they’re labelled that by the Jedi. And I’m not saying “the sith are just misunderstood victims” or whatever, but that in a scenario where you have a very powerful monastic order that controls how the rest of society understands and interacts with force sensitivity, force users who fall outside of that are going to be treated as a criminal class who are a threat to the republic (because they are - Maul is treated this way, Dooku and Anakin quite literally topple the Republic, etc). So like in the settings Star Wars tends to play in, force sensitivity is narratively understood as a source of incredible potential power, and capturing that power via an institution like the Order makes sure that power potential is not disruptive to prevailing society and power interests. Which is why I think the Jedi do have a fairly good rationale for taking kids and training them, even if that rationale is tied to the maintenance of the status quo - the Order’s power depends upon the maintenance of their own monopoly

*KIND OF. obviously some of the canon loves doing blood lineages with palpatine and shit, the midichlorian thing, etc. which sucks so bad. But general canon consensus as far as I know appears to be that anyone can potentially be force sensitive

[mayihavethisdanse]

“What is this, the Dark Ages?”

Or, Arthurian themes and allusions in the Brotherhood of Steel mythos as seen in Fallout 4. (But that’s a lot of words.)

Yep. We're doing this. 

First, some obligatory caveats: there is no single Arthurian canon, just 1500 years of assorted fanfic based on the whims of whoever was writing at the time. For this extremely highbrow Tumblr meta, I have ignored most of it and drawn on my favorites. Also Wikipedia.

Also, I am not an expert in Arthurian literature (or Fallout lore, come to that), and I preemptively beg the pardon of anyone who is.

Finally, in no way am I claiming that all these parallels and thematic echoes are deliberate or even significant. In fact, I'd break it down into:

Clearly deliberate allusions, whether in or out of universe;

Probably coincidence, but could be someone deliberately capitalizing on a coincidental similarity;

Almost certainly coincidence, but fun to speculate about; annnnd

Blatant Monty Python references. (Because of course there are.)

I'll start with the big one.

Arthur Maxson, boy king and unifier

(source)

So across all the retellings and variations of King Arthur’s life story, there are a few consistent elements, particularly in his early life and rise to power. Some of these threads are echoed in the Fallout universe, specifically (and unsurprisingly) in the person of Arthur Maxson.

Both the legendary King Arthur and Arthur Maxson were born with a claim to power lying in their ancestry, both were fostered away from their families, and both proved themselves in combat at a young age. 

King Arthur united the warring kingdoms of Britain into a single entity, making them stronger against outsiders and receiving general admiration and acclaim. Arthur Maxson united the divided factions of the BoS after the events of Fallout 3 and is held in similarly high regard by his men.

The name Prydwen is a reference to the ship of the original King Arthur. Presumably, Arthur Maxson (or someone in the BoS who anticipated his promotion) christened the airship in a deliberate homage to the Arthurian myth.

King Arthur is associated with his legendary sword. I think it’s notable that Maxson’s legend is associated with a bladed weapon, too. ("He killed a DEATHCLAW with a COMBAT KNIFE!”)

Probably coincidence, but fun: the historical emperor Magnus Maximus, who pops up a lot in early Arthurian legend, was known in Welsh as... Macsen. (⌐■_■)

Round Table, but make it dieselpunk

(Continued under the cut.)

Moving away from obvious allusions and into some looser parallels:

Like the Round Table, the Brotherhood is an exclusive knightly order with its leader being the one able to open it up to his chosen few.

Like the Round Table, the BoS sees itself as defending human civilization against forces of chaos. (I’ll touch on their tech-hoarding tendencies when I get to the Grail stuff.) This idea of civilization in the face of chaos goes back to the BoS’s founding, even though the level of isolationism we see in most of the Fallout franchise is not exactly what founder Roger Maxson had in mind: “Notably, Maxson's ultimate intention was to establish the Brotherhood as an organization that works closely with people outside of the Brotherhood, as guardians of civilizations, not its gatekeepers.” (source) In a lot of ways, Arthur Maxson represents a return to his ancestor’s original ideals.

Renegade knights? Internal politics? Traitors within? We gotchu.

In both the medieval legends and in all chapters of the BoS we’ve seen, there’s a big focus on bloodlines (ew). Ironically, it’s probably Arthur Maxson’s unquestionable ancestry that allows him to be more progressive than either of his East Coast predecessors when it comes to boosting Brotherhood numbers by recruitment (even though you can still see a clear division between “born Brotherhood” and recruited soldiers, but that’s a topic for another day). Maxson sees himself as an Elder who "cares for the people"—however misguided and patronizing that attitude might be—and whatever else you might say about the guy, you can't say he doesn't believe he has a duty. Which brings us to…

Know Your Enemy: Danse as Gawain

Before I start this section, an acknowledgement of authorial bias:

Gawain, as portrayed in the Middle English poem Sir Gawain and the Green Knight, is my very favorite of King Arthur’s knights. (Other stories aren't always as flattering, but like I said at the outset: I'm sticking to the ones I like.)

That poem is my very favorite piece of medieval Arthurian literature. In this section, I'll refer to the modern English translation by Simon Armitage.

...that’s it, I have no other biases to disclose. 

What? 👀

(Art: Clive Hicks-Jenkins)

All right. So in Sir Gawain and the Green Knight, you’ve got this himbo loyal knight of Arthur’s who finds himself caught up in... you know what, let me just paste in the Wikipedia summary. (The Toast, RIP, also did a pretty entertaining and more-or-less accurate recap.)

It describes how Sir Gawain, a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any knight to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle where he is a guest.

Don’t worry too much about the plot details, though; for this post, I’m more interested in the thematic parallels. The Green Knight story is full of contrasts: order vs. chaos, civilization vs. wilderness, mortal man vs. Other... but let’s start with Gawain himself. 

Some stuff to know about Gawain:

He was "as good as the purest gold, devoid of vices but virtuous and loyal". Gawain took his principles more seriously even than the rest of Arthur’s knights, not out of pride but out of humility: "I would rather drop dead than default from duty," he says. 

He’s faithful and honorable and never even tempted to betray an oath, even when offered every variety of seduction and riches, except for a single moment of weakness in a desperate desire not to be executed for random shit by powerful forces for reasons he doesn't understand.  

Even though he doesn’t really understand why he needs to die, he sticks to his oath. Gawain's one weakness is a moment of desperate, private, human desire for survival. He'll submit to the headsman’s axe if he has to, but he'd still rather live. 

Above all, Gawain is the ideal of a human man: he might be the bravest and loyal man there is, but he’s still fundamentally human.

You can probably see where I'm going with this.

A few more fun facts about Gawain that resonate with Paladin Danse’s story:

He’s got a bunch of really shitty brothers. (No comment.)

Gawain (SPOILERS!) doesn't actually end up beheaded, but he does willingly kneel for his execution and gets a cut on the throat as a reminder of his sin. And, uh, Danse can also get his throat cut! It doesn’t end as nicely but it’s, you know, a thing that can happen.

Gawain might be a really good guy, and he tries really hard to be one, but in the end he’s nothing more than that: there’s nothing supernatural about him, he has no special powers beyond his own principles and devotion. He’s just a dude doing his Best. 

Wait, why not Danselot?

Oh, that guy? Here’s the thing.

Lancelot personifies the continental ideals of courtly love that became popular in the High Middle Ages. Central to his story is the prioritization of personal relationships and romantic feelings in a way that you don’t really see in Gawain's, at least in the Green Knight tale. (Later stories hook Gawain up with an extremely delightful lady, but even that is a different flavor of romance than Lancelot's and has more to do with Gawain honoring his word and his egalitarian treatment of women (hell yeah). In the poem, Gawain is impressed by Bertilak's wife but resists her temptation; in fact, the biggest risk is not that he'll yield to her advances but that he'll be discourteous to her, i.e., violate his principles and cause dishonor to his king and his host.)

Lancelot is driven by passions over principles in a way that Gawain never really is (at least in the stories I’m talking about; later writers have committed character assassination to various degrees). Yes, you could argue that both Gawain and Lancelot betray their oaths, but Lancelot’s betrayal is never, um, blind. He knows what he’s doing and makes a deliberate choice to prioritize his love for the queen over his love for the king. It doesn’t make him a bad guy—he too is an ideal knight with one fatal flaw—but his character isn’t as comparable to Paladin Danse. 

Yeah, Gawain is (in most stories) a prince and a kinsman of Arthur’s, but he’s ultimately a native boy who doesn’t break the mold of a Knight of the Round Table. Likewise, Danse is portrayed as competent and valuable to the BoS, but not exceptional or breaking the mold of what a BoS soldier should be: he simply represents the ideal. Meanwhile, Lancelot is a foreign prince who was marked from childhood as special and fancy, and his storyline goes alllll over the place. (Much like this post.)

For example, Lancelot goes to absolutely absurd extremes to prove his devotion for no other reason than to prove it. (“I’ll do any useless humiliating thing you want. I’ll betray every oath except the one I made to you. That’s what love is!”) Gawain would never. Danse would never.

Ultimately, Gawain's tests are of his character and not of his love. And like Gawain, Danse’s devotion is to service and his principles, not to another person—even Arthur Maxson.

All that said, there are some similarities: both are beloved by Arthur, both are held up as the ideal of what a knight should be. And even if their fatal flaws are different, both make the point that no matter how good and brave and loyal they might be, no human being can be perfect. 

(Except Galahad. Who is, as a result, very boring.) 

I’ll conclude this section with a quote from someone else’s take on the Greek Knight poem:

I like Gawain. He’s not perfect, but he’s trying his best which is all any of us can do. He’s not like the other knights in the Arthurian legends who occasionally ‘accidentally’ kill women on their little adventures and then feel hard done by when they have to deal with the consequences of that. Gawain holds himself to a high standard – higher, it seems, than Arthur and his knights hold him to considering how hard they laugh when Gawain tells them how bad he feels about the whole thing.

I think Gawain is very relatable in this story. We all want to be better than we actually are.

And that, more than anything else, is Danse.

The Grail myth

What’s that? Lost relics of power? Better send some large armed men after ‘em!

The parallels to the BoS’s tech-hoarding ways are obvious enough that the games themselves lampshade them (albeit by way of Monty Python). But it also ties into the larger themes of “purity” versus “corruption” and the BoS’s self-image as a bastion between civilization and chaos. (See Maxson's line in response to the Sole Survivor’s quip about the Dark Ages: “Judging from the state of the world, it wouldn't be a stretch to say we're living in that era again.”)

But the ultimate futility of the Grail mission is also worthy of note. The BoS might want the power of prewar tech on their side, but they’re no more to be trusted with it than any other group of human beings. No matter how they try, the “corruption” of humanity can’t be overcome as long as they’re striving to harness power for their own ends. You can only achieve power by surrendering control of it.

The death of Arthur

The nature of gameplay being what it is, it's not guaranteed that the Arthur figure will be fatally betrayed, bringing Camelot down with him—but it's not unlikely, either.

Awkward.

Some final spitballing:

Outside the Brotherhood, there are some fun parallels of the Arthur myth with the rest of Fallout 4. Betrayal by one’s own son, for example.

The key difference between the BoS and the legendary Round Table: King Arthur’s knights, for all their flaws and human weaknesses, are usually presented as unambiguous Good Guys. The BoS is... a little more ambiguous...

...but damn if they don’t think they're the good guys. 

A-ad victoriam, fellas!

[cblgblog]

Sorry I’m advance but one of my other favorite accounts just reblogged a Tony scene and people are talking about Civil War and how it made them Stan Tony, and how when they watch that movie they hate team cap👀 Then someone was all about how he was sleep deprived and how much pressure he was under and couldn’t understand how people didn’t like Tony because. Someone literally said that when someone says they don’t like Tony in Civil War they say “did you watch the same movie as me.” I’m baffled. Oddly enough someone else said, “he just wants to help everyone.” Sorry for the rant but I think people forget about what the accords are and what it would mean for people. Side note, I hope you’re having a great day/night 😀

No sorry needed!

I feel you man, I do. Honestly, I’ve unfollowed people based on similar posts when I was in especially Done moods, so.

Look on the one hand, the movie would’ve been a narrative failure if everyone was in favor of one side or the other, right? The whole point of the damn thing—besides giving the Mouse overlords more money—was to spark discussion, debate. Which, yeah, we’ll call that the tame description for what actually happened. But just, the thing was meant to split the fanbase so in that regard…winning? Thanks, I guess?

Film is also very obviously subjective, different strokes for different folks, so yeah, ten people can watch a movie and none of them are gonna see the exact same film. Let’s try to remember that this is, in theory anyway, a good thing. I just read a professional film review yesterday where I had the same reaction. What film were you watching, dude? Incidentally his reviewing partner said the same thing.

So honestly, no, they weren’t watching the same film as you or I or anyone else, because everyone brings their own biases and experiences and knowledge and interests into a thing, and that’s always going to flavor how it’s viewed. Again, let’s try to remember that this is good. In theory. Heavy on the theory.

That out of the way? Let’s get into Tony specifically so his uber stans can find this and scream at me on anon as though I just shot RDJ with a nuke.

Oh yeah, he was stressed. Oh, he was sleep deprived. Yeah, I’ve heard that. And that it’s Pepper’s fault, if she hadn’t left the poor baby, if she was there to rein him in, he’d be fine dammit, leave the baby alone!

Here’s the thing. You know who gets a pass on their shit behavior when they’re upset or tired? Actual babies. Actual babies and toddlers, and children, up to a point. Because they actually cannot always help themselves. Their bodies and brains are different, they have not learned better.

When you’re a 50-year-old man who’s supposedly the world’s bestest superhero, who wants, wants to be in charge of protecting the whole world? You need a little more self-control than that. The sleep deprived excuse works if you snap at someone before you’ve had your coffee, not for this. Roseanne Barr didn’t get to blame Ambien for her racism, Tony doesn’t get to handwave CW away because oops, I was tired.

Really? You’re a superhero, dude. Most of your teammates are tired too, that’s part of the gig. If you crash and burn this badly without your afternoon nap, fucking hang up the armor and go back to your billionaire playboy lifestyle.

Speaking of that, sure, right. It’s Pepper’s fault because she left him. Put aside the argument on whether that was justified or not (cough, it was and she should’ve stayed away even though they are adorable together). It’s not Pepper’s job to keep Tony sane. It’s not any partner’s job to do that for anyone. If she wants out, she has a right to that, without Tony going off the rails and blaming it on her. Seriously, he says part of the reason he backed the Accords was to “split the difference” with Pepper.

Dude. You were an asshole and you lost your girl. You destroyed all your suits, turned an emotional and mental corner in IM 3…and then relapsed 4 minutes later I guess because Whedon. Either way, Tony admits himself that he does not want to stop. So instead of doing that, or finding another partner who can accept that, you back an unjust international law that pits you against your team, your supposed friends? Go to therapy, have a pint of ice cream, cry into your pillow, send her more of those strawberries you sent her in IM 2 that she’s allergic to. You don’t go trying to change international law in ways that could ultimately affect millions of people because your girl left you.

Honestly—and thank God they didn’t do this but—the only way the Pepper excuse works in excusing his behavior in any way is if she’d died. Or been severely injured like Happy in IM 3. Still wouldn’t be okay, but, like Quill messing up their chance to stop Thanos because Gamora died, it would’ve been more understandable. Understandable, not excusable, and the way the MCU treats their women as manpain fodder, we’re probably legit lucky we didn’t get this.

As for him wanting to help everyone. He does in fact want that, I think. The problem is that his need to feel like he’s doing that is stronger than his rational mind, or his want to actually help in a constructive way.

Tony is too smart. He’s dumb as hell in many instances, mostly involving people and relationships, but he’s also too smart, and he’s been told for too long that he’s smart, and he’s bought into it. Ultron. Suit of armor around the world, protects the world, no more alien threats. It’s a simple concept on paper that fails in execution. So there are people with dangerous powers. Okay, we’ll make a set of laws to keep them from being dangerous, problem solved. But again, it isn’t.

Tony is not used to problems he cannot solve. He’s a genius, right? He can fix anything. He should be able to fix anything. That’s how he feels. But not everything is zeros and ones and circuits, things that can be fixed mechanically like his armors can. The people he wants to protect are not built that way. But he needs to feel like he’s doing something, because he’s terrified of what happens to the world if he doesn’t. So he creates these simple solutions to complex problems. The suit of armor, the Accords. They sound good in theory, but the problems they’re trying to solve are bigger than they are. And Tony, way back in IM 1, he sat back for years, clueless that his weapons were being used for bad things. He says it to Cap in CW. When he found out what his weapons were being used for, he went in and stopped it. Whether or not he should’ve known that already is a separate issue here. The point here is that when he found out, too late or not, he went in and did something about it.

Tony needs to do something about it. Again, go back to Cap in AoU, Tony’s nightmare sequence. Steve asks Tony why he didn’t save them. Tony’s ultimate nightmare is that he sits back and does nothing, and his inaction causes everyone to die. Which is where you get Ultron. Something he came up with because of what he saw in space in Avengers 1, then doubled down on in AoU. It’s where you get the Accords. Oops, he caused someone to die, he killed Charles Spencer. Must do something about that right now so it doesn’t happen again, and he won’t have to feel this guilt. He should be collaborating with others to come up with solutions (no Bruce in AoU doesn’t count because Bruce was dumb there), or at the very least, taking more time to think through the repercussions of the things he puts out there. But he doesn’t, because he’s got his savior complex that tells him that he alone can and must fix this, and because he’s too dumb to realize how not-smart he is in certain areas.

“We need to be put in check. Whatever form that takes, I’m game.”

Isn’t that what he says in CW, or something very close to it? Whatever form that takes. That’s the issue, right there, whatever form that takes. Realistically, yes, there should be laws regarding people with powers, the same way there are special laws pertaining to people who carry guns, or people who are licensed to fly planes. You have a thing/can do a thing that not everyone else does, so there are regulations pertaining to that thing. Laws change with the times, they always have. Some new technology comes up, eventually there will be laws that regulate it. As there should be, honestly. The issue with the Accords, Steve’s issue with the Accords, was not the basic idea. He says as much. He says that it could work, but there would have to be safeguards. Safeguards that are not in the Accords that Tony wants him to sign.

It's not a matter of oh, fuck the law, there should be no law governing these people, they’re above it. The problem is that the law as it’s presented here is unjust. There’s what, a month between Lagos and Ross coming by to tell them about the Accords? A month is not enough time to properly analyze such a big issue, Especially when you’re reacting out of fear, which is what happened with Lagos. People died because of an Enhanced person, an Avenger, in this case. Lawmakers don’t want that to happen again, they especially don’t want the political shit storm that comes with it. Damn, we look like we were asleep at the switch here, not having anything to throw at this problem earlier. Quick, let’s throw together this thing so no one can say we’re not addressing the problem.

Patriot Act of 2001, anyone? 9/11 happened, the public were rightfully terrified, the US said oh man, these are unprecedented circumstances, we’ve never had this before. Don’t worry though, we’re on this, we’re protecting you. The reality being that that bill simply gave the government too much power, most of it being used against people who were not actually threats, and it’s debatable, to say the very least, whether or not that law helped more than it hurt.

No law is perfect. No law ever will be. It’s not possible. We still have to strive for perfection though, have to aim there so that the laws we get are as close to fair as possible. Tony’s a big deal. If not for his “whatever form that takes” attitude, he might’ve been able to use his influence to pressure lawmakers into coming up with a fairer bill. Hey, I’m me, the public loves me, I will endorse this bill publicly and work on getting the rest of the team to sign, but you need to change this and this and this first, or no deal. Instead, he took the easy way out, the quickest, easiest way for him to feel like he’s atoned for his sins without actually doing anything. Whatever form that takes.

Tony’s not wrong because he backs the creation of a law that addresses these things. He’s wrong because he says himself that he does not care what that law does, specifically, so long as it exists. He’s wrong because he violates said law upteen times during the movie, while preaching to team Cap about what assholes they are for not backing it. He’s wrong because he cares more about feeling as though he’s tackled a problem than he does about taking the time to make sure that the thing he’s proposing is actually a good idea. He’s wrong because of what he does with Bucky, though that’s honestly a separate issue, for the purposes of this discussion.

Anyway, that was longer than I ever wanted it to be. Damn. Next time you see a comment about CW being the reason people stan Tony, just remember there are other people out there who stopped stanning Tony because of that movie. Everyone’s entitled to see a piece of media however they see it, and although the Tony stans are often the loudest, there are plenty of like-minded people out there who share your take on events. Block who you need to, unfollow who you need to, blacklist what you need to, and don’t let them get you down.

Hang in there, and have an awesome day :)

[alphaminor128]

So. As a Megatron stanny, I have some serious beef with Getaway I want to get off my chest. You do not have to read this, you are totally entitled to disagree with me. Just be polite.

So. My biggest issue, right out the gate, is that people say Getaway was justified in what he did. He did some fucked up things to get Megatron off the ship, but it was to get the warlord and his supporters off. That, right out the gate, is wrong. He wanted Rodimus and his supporters gone. He and Atomizer made a fake list of those who did and didn’t vote him off. Likely to entice him to use it and make him look bad. Megatron, if anything, was a boon for them. It let them be more open about their plot.  I’d bet they had a secondary plan to get Rodimus off once Megatron was gone even, as Getaway clearly hated Rodimus as well.

I say he wanted Rodimus gone because he says he realised they would never find the knights of cybertron once he saw the rodpod. That means he wanted to find the knights desperately for a while. He wanted to be Prime more than anything.

Also, he clearly doesn’t hate Decepticons that much, because he sided with Scoponok. Yeah Scorponok. In case you didn’t know, for a not insignificant period of time, Skorponok was the Decepticon Supreme Commander for a while. Who continued to commit other war crimes on other worlds. He sides with this Decepticon, despite him not even being repentant like Megatron.

And why does he side with Decepticon? Along with Tyrest, who held him prisoner for likely millions of years. Sides with Sunder, who turned so many mechs aboard the ship inside out, chews on life cords, and made him sacrifice 25 of his own. What could drive someone to do all this?

No one was around to make him Prime. He was mad Rodimus got to be special and chosen by the Matrix, while he didn’t. He sided with them because he was angry, and he wanted to kill Rodimus and friends.

He had done so much for nothing, so he decided the only logical conclusion was to get worse.

He killed both of his best friends, killed those 25 Autobots. Made those who sided against fight the DJD. Hemanipulated Tailgate to be a martyr against Megatron And when found it didn’t mean he would get to be Getaway Prime, he lashed out. He threw a tantrum and tried to kill those he deemed responsible. 

And let's talk about his relationships while we’re here. Let’s start with his first, Skids. Clearly they have some affection for each other. Friendly or not. Yet when he learned Skids wouldn’t side with him for a mutiny, he wiped his memory, and dumped him on a planet with someone he deems (fairly) the worst Cybertronian in history. He must learn at some point that he died. He knew it was definitely likely. And he didn’t seem that bothered. He had everyone’s memories wiped, and kept on trekking. 

Then there’s Atomizer. His co-conspirator. The one who stuck with him through thick and thin. He agreed with the Tailgate and Whirl plan, he agreed with  leaving them at the mercy of the galactic council. He agreed to let the crew's memories be wiped. But when he started questioning Getaway’s cruelty? He was reprimanded. He was made to execute an innocent he never knew, just because he was having some second thoughts. When he couldn’t stand watching Mirage, one of his own, being killed. When he couldn’t bring himself to allow that fate to befall First-Aid, or Riptide, or Thunderclash, he was killed. When Atomizer couldn’t stand the thought of the most universally beloved Autobot being killed, Getaway killed Atomizer, with his bare hands. Whothen proceeded to attempt to have Sunder make everyone believe it was Thunderclash.

And finally, Tailgate. This is where a lot of people draw the line with Getaway that aren’t Megan Stans like myself. His idea here was to get Tailgate to become a martyr to have him get rid of Megatron. Not the worst thing he’s done so far when phrased like this. First of all, let's cut out the argument that Megatron deserves it, that’s irrelevant. If people are willing to ignore Starscream’s treachery to focus on Megatron’s abuse, let's ignore Megatron to justify Getaway’s abuse. Getaway starts initiating a relationship with Tailgate. He does the things with Tailgate that Cyclonus is too proud or self conscious to do. He goes on dates, tells him (quite possibly false) secrets. He butters up Tailgate, feeding into his ego, and giving him the boyfriend he so badly wants. And behind his back? Mocks him, and considers it a necessary sacrifice for justice. He uses Megatron’s phobia, and makes Tailgate trigger it so he Tailgate would die to get rid of Megatron, to likely continue to get rid of Rodimus with an equally underhanded and disgusting scheme. Tailgate only survives because Whirl knew of the plot, had second thoughts, and warned Cyclonus. Someone who had nothing to do with the war, was nearly sacrificed because Getaway felt like it was the only way to kill one of the generals. 

So, how do I feel about Getaway? I hate him. I hate him very much, and given how he acts, if he was given the chance, he would be just as bad as those he wishes to get rid of. I would say he’s even worse than the most morally grey Autobot Prowl, because I could believe that what he does is with a heavy heart. What Getaway does is with minor inconvenience. Heholds no empathy for friends, the innocent, superiors or inferiors. Only himself becoming a Prime. 

I’m interested in other’s thoughts, but I would appreciate everyone being civil.

[crystal-witchiness]

***Okay so I found this in my notes from May 2021 as a reaction to the scenes in the beginning of Endgame when Captain Marvel first brings Tony and Nebula back to Earth, when they first get off the ship, and when Tony yells at Steve a few scenes later when he looks like ‘Death Warmed Over’ in his robe and i thought I’d share -

Every time someone argues with me about my ABSOLUTE 100% belief that Steve and Tony had romantic feelings for each other, I’ll just show them this scene. “And I needed YOU.” He didn’t say “You guys” or “Your help.” Tony looked at Steve with so much pain in his eyes and said, “I needed y o u.” And Steve is just as broken watching Tony. This isn’t the first time this has happened between them. They had MANY scenes like this in Civil War (but I like to pretend that movie didn’t happen cause ‘ow blow a hole in my ship why dontcha?’) I mean technically I could submit that whole movie as evidence of their feelings but there are too many negative emotions wrapped up in it and it hurts. This movie is the first time they’ve seen each other since Civil War and when Tony first gets off the ship he basically falls into Steve’s arms. First of all, Steve fricking S P R I N T S when he sees Tony getting off the ship, then Tony sighs in relief and lets Steve take his weight. AND IMMEDIATELY begins unloading his grief about losing Peter cause he knew Steve would understand and comfort him. You can SEE s e e when Pepper runs up that (Ofc Tony does another sigh of relief that the snap didn’t take her (which I wish it did sorry Pepper your character stopped being interesting in the 2nd Iron Man)) Tony has to pull himself off of Steve and pretend to have it more together than he does because Pepper immediately begins crying and Tony has to comfort her. But Steve doesn’t leave his side. Tony cradling Pepper but he’s turning his body so that Steve can cradle him and ugh. Honestly I would have accepted a polyamorous relationship. Tony NEEDED someone to be the leader. THATS LITERALLY WHAT PEPPER WAS TALKING ABOUT. Tony NEVER rests because he always thinks he has to be the one to do everything, EXCEPT for when Steve’s around. Steve is the Captain and even though they bump heads (a lot, awww couples’ squabbles) Tony ALWAYS defers to Steve when it’s important. And Steve? Steve HAS to be a leader, to be helpful, in a healthy way because he couldn’t be that for most of his life in the past. He was a scrawny defenseless guy who always had to depend on Bucky. So to be able to take care of this group of wonderful people who are so powerful and yet STILL NEED STEVE? It’s who he his. It’s who Tony is too but he doesn’t WANT to be that way, he does it because he has to. He does it when no one else can or he doesn’t want to lose anyone else. This scene right now is Tony feeling helpless and so he lashes out at the easiest person, Steve. Steve is their leader and has saved them many times. Tony saw that picture of Peter and couldn’t handle his own feelings of helplessness so he lashed out to bring down the next ‘leader figure’ of the group. Steve and Tony have always been the parents of the Avengers. Steve is the most dad-est dad ever to dad. Meanwhile, Tony invites everyone to live with him while feeding them, clothing them (armor and civilian clothes) and making sure they have top of the line protection. HE LITERALLY EVEN SAYS THIS IN AGE OF ULTRON. SUCH a mom. So he wanted to make Steve feel his pain because Steve made a promise that they would lose together and Steve wasn’t there on that moon. And OF COURSE Tony knows that Steve was on earth fighting his own battle against Thanos but he wasn’t WITH Tony. And they are always stronger together than apart. (Civil War kinda proved this too) Tony sees Steve’s absence as the reason they lost, because ‘if only they’d been together’ ‘maybe we could have won if we’d only been together.’

ALSO DONT EVEN GET ME STARTED ON TONY LITERALLY GIVING STEVE A REPRESENTATION OF HIS HEART. I know he did it out of anger and to make a point but he took away this piece of him, that he made SPECIFICALLY BECAUSE HE FELT VULNERABLE WITHOUT THE ARC, and gave it to Steve. Once again shedding that responsibility and giving it to Steve. Because even with the residual anger over Civil War, Tony trusts Steve. He says otherwise in this moment out of anger but that “vision” he talks about here? He literally watches Steve die (YEAH THATS RIGHT I SAID STEVE. Not PEPPER, NOT RHODEY, NOT ANY OF THE OTHER AVENGERS.) Wanda showed him his worst fear in Age of Ultron and it was the death of the Avengers, but he didn’t see THEM die. Everyone else, Thor, Bruce, Natasha, and Clint were already dead. Tony watched STEVE die and it was STEVE saying that Tony could’ve saved them that spurred him into creating Ultron. He was so scared of losing them and letting Steve down (and letting him die) that he wanted to wrap the whole world in armor to protect him. And he tries to do it again in this scene. He means it to be spiteful but he gives Steve his armor and tells him to hide from Thanos. WHICH IS ANOTHER THING UGH. Tony doesn’t know that out of all of the people who fought Thanos in Wakanda that day, Steve was the one who engaged in hand-to-hand combat with him. Everyone else had armor and suits, weapons, etc. Steve has his serum strength and he u s e d it. It didn’t help for very long but he used his BARE HANDS to fight an alien-monster wielding 5/6 of ALL POWERFUL infinity stones, and ofc he was never going to win, but even Thanos looked at Steve in incredulity at his bravery and resolve. A human (a super charged one at that but still a human) fought him with his bare hands and wasn’t going to stop. (Steve proved this again at the end of Endgame when he’s the last one standing against Thanos and his entire army and just tightens the strap on his broken shield, (and most likely broken arm, based on the flinch/hiss) and readies himself to fight alone. Steve also gave Wanda time to destroy the mind stone (unfortunately, that didn’t mean anything in the end)

AND YET Tony doesn’t know any of this. He doesn’t know how hard Steve fought, just like Tony did on Titan, to stop Thanos. And I REALLY wish we had seen Tony’s reaction to Steve standing up to Thanos at the end of Endgame OR EVEN WIELDING MJOLNIR, but anyways.

Back to the basics. Boss level stuff most people don’t remember or think about- Tony’s dad very unhealthily IDOLIZED Steve. He canonically compared everything Tony did to Steve. So Tony grew up idolizing this man that he also despised because it fueled his father’s abuse of him. Tony shows this anger in the first Avengers. When they have their argument on the quinjet. “Everything special about you came out of a bottle.” He even says something about how Steve didn’t live up to his father’s hype (I don’t remember Tony’s exact words but that’s the gist) And ofc Steve says Tony’s nothing without his armor. But then they go on the prove each other wrong multiple times, but mainly in their last moments in the MCU. Steve proves it by standing alone against an ENTIRE alien army and later by picking up mjolnir. And Tony? Tony is that ONE factor in a million that Stephen sees. Tony, a beautifully pure human-being, with no powers or serums to help, takes on the powers of the stones. KNOWING it would kill him. He had proof. It nearly killed Thanos and Bruce and they were hulking (pun intended) beings with super strength and all that.

Tony and Steve were always set up to be spoils to one another and that makes them perfect together. They balance each other out. Pepper was a boss b****, no doubt, and I loved their relationship in the first two Iron Man movies, but as their characters grew and Tony’s personality was intrinsically changed through trauma- Pepper was no longer right for him. She was good for him, no doubt, but Tony couldn’t relax with her as he did with Steve. Tony could trust Steve to take over and everything could be fine. Pepper was like that for Stark Industries but not in other ways. Tony always saw himself as Pepper’s protector. I will 100% give her props for telling Tony that he’d never rest until he tried Scott’s time travel theory, but other than that she wasn’t particularly supportive of Iron. Man. What Pepper never seemed to understand, and what Steve didn’t understand when he FIRST met Tony, is that Tony and Iron Man are synonymous. Their is no ‘man outside the suit.’ Tony Stark is Iron Man and Iron Man is Tony Stark. Steve was placed into an already created persona of Captain America. Steve didn’t create Captain America even though that’s who he was. He was literally MADE for the role. Tony on the other hand, MADE Iron Man. He was the one who built the first suit - dying in a cave in Afghanistan. He was the one who took responsibility for Obadiah and his father’s actions and became a superhero to save the countries that were affected by Stark tech. Steve may have volunteered to be a superhero because he felt like he had no one other choice but Tony DIDN’T HAVE TO. He had fame, money, power, ALL OF IT. He could’ve EASILY hidden his company’s dark underside once he found out. But instead, Tony was like “Hey um so my company has done some bad things and instead of delegating aid through my money and power, I’m going to personally handle this with a titanium alloy suit and technology that I helped create in a cave while being held captive by a terrorist cell.”

Where was I going with this? OH YEAH.

I will believe in TonyxSteve (Stony) for the rest of my life and I will use fanfiction to fill the void of their deaths. Basically, if I lost anyone in the word vomit above, what I’m trying to say is that- Steve and Tony completed each other. They provided something the other needed. Tony needed stability and protection. He needed to feel like he could let go. Steve needed an anchor in the present. Someone lively and opinionated, SOMEONE ADVENTUROUS AND FUNNY, who Steve could smile with and protect. But also. Steve trusted Tony to be a leader as much as Tony trusted him. They had their ups and downs. Trauma and the Accords didn’t help their relationship at all, but should’ve been it for each other. And I honestly believe they would have t h r i v e d.

.

.

.

Honestly I applaud anyone who made it this far. I don’t know where this all came from but I will not apologize✌🏻

I rest my case your honor.

[warrioreowynofrohan]

I think the thing that gets me about tolkien writing is that like…Gondorian (dunedian, Númenorean) crimes against their fellow humans are never paid for. The Easterlings and Haradrim are treated poorly by the narrative as distinctly evil or less deserving of…basic human consideration than the dunedain? And later on in the appendix, we are shown Eonwe and aragorn waging war with the Easterlings and preforming expansionist actions.

I think a good part of my personal criticisms with tolkien is that he doesn’t go far enough with the war is bad, and he never says “gondorian empire building is bad” Like he can have Faramir can bemoan the state of gondor all day, but never once implies maybe so many Easterlings and Haradrim wouldn’t hate them if their ancestors hadn’t taken them as slaves and colonized middle earth? It never crosses his mind that his people have always been the bad guys not just becayse sauron manipulations but because of their own actions. Hell? Their bloodiest civil war was over the fact their king was a son of a “inferior” human women, and people were mad about It. Like sauron is gone, that’s great but where are the self examination that they need to have? They need to confront their own superiority complex that their ancestors (the edain?) Almost never had. They need to recognize they are HUMAN and mortal and flawed just like everyone else left in middle earth, their .00009 elf blood doesn’t make them special, the same worms will eat them too

But they never do. and it’s disappointing.

Yes, there’s no real grappling with the legacy of Númenor as far as its relation to Third-Age Gondoran politics. I’m not sure whether you mean Eómer rather than Eönwe given the rest of the post (I find the fate of the Easterlings in the War of Wrath rather tragic, but I think it’s a product of circumstance and the mutual incomprehensibility of the Valar and Men, and don’t think the Valar could have really done any differently than they did).

I think it’s mostly the product of the author - Tolkien does consider the Númenoreans to be special, he just thinks they used their specialness the wrong the way. Yet at the same time, he does recognize the evil of their pride in their lineage - the side in the civil war that you mention who are opposed to their king marrying someone not from Gondor are the side who are in the wrong, and who lose and become the first Corsairs of Umbar. Tolkien writes that the gradually decreasing lifespan of the Gondorians was “no doubt due above all to Middle-earth itself,” not to lineage.

And another element is that the deeds of the Númenoreans were a vastly long time ago (as in, it’s on the level with the idea of people of our present day going to war out of hostility towards ancient Assyria), so I don’t think the characterization that Sauron operated by stirring up old hatreds among the Easterlings and Haradrim is altogether invalid. And the Gondorians would likely not see those deeds of the Númenoreans as their own, given that (as stated in the Akallabeth), “the Elf-friends had small part” in the colonization of Middle-earth, and were later oppressed by the kings of Númenor, and Gondor is descended from the Elf-friends. And as a consequence of their imperialism “the lives of the Kibfs of the House of Elros waned”, so it’s not something that was overlooked. That said, Tolkien also treats the grievances of the Dunlendings, who were forced from their lands when Gondor ‘gave’ them to the Rohirrim, as equally invalud, so althogether it’s a perspective of the narrative that I certainly don’t like.

Regarding expansionist actions in the Fourth Age, I’m guessing you’re referring to this passage at the end of the Rohan section of Appendix A:

For though Sauron had passed, the hatreds and evils that he had bred had not died, and the King of the West had many enemies to subdue before the White Tree could grow in peace. And wherever King Elessar went to war King Éomer went with him; and beyond the Sea of Rhûn and on the far fields of the South the thunder of the cavalry of the Mark was heard, and the White Horse upon Green flew in many winds until Éomer grew old.

So yes, I agree that it’s generally disappointing.

If you’re the same person who sent the other Asks about Men - you’ve got a lot of good and interesting thoughts! why not start your own tumblr blog?

[vaguely-concerned]

The Mandalorian Chapter 14 reactions: HOLY SHIT THAT WAS AWESOME BUT ALSO I’M CRYING edition

- the good good din characterization is back after all the weirdness last episode!!!! that soft way he says ‘no, no, I’m not mad at you’? THAT’S din djarin, he would not be fucking impatient with his son having just been informed and seen for himself that he is terrified, go away mr filoni I know you’ve got all of canon memorized but you don’t get this lol. this feels much more right in how din being conflicted and still thinking he should give the baby away for his own good plays out too  

honestly every line of dialogue for him in this one was perfect I was just whispering ‘I love this awkward clueless wonderful man just doing his best’ to myself any time he said anything. “...does this look Jedi to you?” sir I adore you more than words can describe

- we got din chuckling. asjdklfhsdkafghsdafsadhjkfsdahjkfh. fskahfksjad. side note: I can’t believe my joke post about din desperately trying to Force home school the kid with the one (1) jedi trick he knows about and the baby being delighted by it over and over anyway -- listen to his expectant excited laugh when din takes the ball and sets up the game!!!! -- was canon all along. and then the baby & mando music kicking in when he gently put the silver ball into the baby’s hands again and tells him he’s special (because he IS special. to din)? hmng. hmmmmnnnnn  

they opened on the height of softness so we would all crumple under the weight of the rest of the episode and that was very mean of them in a way I sincerely appreciate 

- nothing to see here... just a dad trying to walk through the literal manifestation of the unassailable underlying forces of the universe to get to his baby again and again........ the desperation in that, the love, the foolhardy devotion................... shit

- okay so I might be a dumbass, but I’d never noticed this before -- the silver ball has a blue spot on the top, like so: 

and in addition we get the room where the baby goes full darth grogu (I have to laugh so I don’t cry okay) on those storm troopers, and there’s a red light in there dominating the room (and it did even more in the concept art):

in star wars blue means light side and red means dark side (it’s very sophisticated that way), meaning the visual storytelling here is that there’s a battle for the baby’s soul and gideon and all his nonsense (and the trauma bb’s been through in the wider sense) is pulling towards the dark, while grogu and din’s connection leads him towards the light. just... the image of the baby looking at his own reflection in the symbolic representation of his relationship to din? the way children find their sense of self through being safely reflected and held by their caretakers? god help meeeeeee I will go in there and fistfight gideon myself for disrupting that in any way  

the smaller light seems to be blue too, like there’s still the presence of light even if it’s dimmed and small in that shitty horrible room, which is a change from the concept art!

- FENNEC SHAND SURVIVED BITCHES!!! I even called that she’d be back with new shiny robot parts back in season 1, could not happen to a cooler lady, I hope we get more backstory and interaction from her the next episodes -- sounds like she’s basically sworn herself to boba’s service in gratitude for saving her life, I wonder if that’s a cultural thing of whereever she comes from? does she live aboard slave 1 now too?? because that would be hilarious and amazing, it must be like two strange cats trying to get used to sharing the same space   

- everything I could ever hope for about boba fett in this series came true, they went down the much more interesting and nuanced route with jango and boba’s identities as mandalorians, he looked cool as fuck and made din as a character shine rather than overshadowing him... amazing beautiful yesss 

(I did 100% not anticipate just how ‘cool uncle boba here to help you fuck shit up’ he was going to be but I am delighted to get it anyway. uncle points deducted for getting someone to point a gun at the baby, but the main point still stands lol) 

the power and brutality of his hand to hand fighting too... a w e s o m e , I enjoyed the action scenes a lot in this one

- they even recanonized him actually wearing jango’s armour. what more could I ask for. I’ve had confused parent & child feels about these two since I was like eleven and here we fucking go again. and jango fighting in the mando civil wars too!

- so I’m grieving the razor crest (and I always will be, rip you magnificent jalopy, always in my heart) but also there’s the grim satisfaction that my reading on it was sort of true -- it is (...was. oh god it’s going to take a while to sink in huh) a symbol of din’s self and life, and at this point when they take the baby it tears everything else to pieces. the only thing that’s left in the ashes is the beskar and the thing that connects him to the baby. and there’s... a strange solace in seeing that that’s all he needs to keep going? he’s fucking obliterated from orbit but he still has his love for the baby and the beskar and that can keep him going until he finds something new, everything else can be replaced?????? weirdly healing, though he is probably going to have a solid breakdown at some point after they get the kid back (shut up they are getting the kid back) and the cold distant fog lifts 

also this scene/shot feels like it carries some Meaning, doesn’t it? I’m on record several times saying I never want din to be mand’alor and that’s still true, but there’s something about the framing of this and the way boba looks at him that’s like... hm. I’m not sure I have the words for it. there’s something heightened about it, anyway, for a moment he looks like something mythic there in the wreckage 

(something I would be much cooler with is our clan of two growing a little bit and those new people rallying behind him, actually, that might be neat. imagine if a force user does show up for the baby and gets adopted into the clan somehow??? so many possibilities.) 

- from the way he picks up the silver ball... din djarin is on his way to straight up murder some people huh

I think part of what reassures me about this scene is the music -- this mando flute is not distant, is not beaten, is not despondent, it’s clear and determined and strong.

- 

I love this. I love when we get explicit baby POVs, it makes it feel so real and intimate and... like home. (I especially loved baby’s point of view inside the razor crest, which just made me tear up again. baby lost the closest thing he’s had to a home in a long long time on top of it all. everything is suffering)

-

Emotionally Significant Thumb Grabbing tm; the show

- din djarin looking for the ‘on’ switch on a magic rock fhsdakjfhsadlfhsdjah I can’t breathe

 “Well, this is the seeing stone. Are you. Seeing anything?” fsafkdsajhfsa sdhfksjalhfkjsdahfkjsdhf

- the energy around the baby as he’s, in ahsoka’s words, ‘choosing his path’ is blue, and the force sort of works across time and space, right?? so there’s definitely still hope for our lil green bean to not have to come up with a really dumb unsubtle sith name for himself, as is regrettably yet delightfully tradition. darth babbu should never come to pass (I do like how they’re interrogating the normal dark/light side dichotomy in this series, seeing as this is a literal baby who can’t really be responsible for that stuff himself yet and has such capacity for both.)  

- listen. listen, the way din says ‘can you please hurry up’ with no sarcasm or real impatience whatsoever, more like a harried worry, to his force-meditating son as he jogs off to make sure no one’s trying to kill them. is hilarious and also YES this is what the character is!!! weirdly and incongruously polite under stress sometimes and with a slightly odd reaction pattern to things!!! he’s not just quiet and badass, he’s a little strange sometimes and it’s so good!  

- a friendly opening volley warning shot from boba there

also din uncertainly asking BOBA FETT if he’s a jedi... now this is the dramatic irony I’ve been looking for haha 

I guess neither shand nor boba actually know din’s name after this either. baby you gotta start introducing yourself at some point it gets real confusing when there are two mandos on screen 

oh the long weary sigh going through din’s frame when boba says he wants ‘the armour’ and he thinks it’s just someone trying to peel the beskar off his corpse again. sorry the galaxy’s so shitty dad   

- “But fate sometimes steps in to rescue the wretched” is a killer line well done mr favreau. I like that boba actually offers din a good deal as well and seems to intend to deliver on it from how things are going. 

- din using his beskar-covered bod to cover someone he’s fighting alongside!!! literal moving cover haha. also I love fennec’s costume design  

- I don’t know where din got more whistling birds from and I don’t care, it was really cool haha 

-

wow haha um so anyway -- 

(cue all the ‘who wore it better’ with cobb vanth’s ‘spiderman’s first home made costume’ look on one side and ABSOLUTE UNIT DADDY boba fett on the other side posts lol)

- aaaghh the music almost like a stunned desperate fluttering heart beat as din watches the razor crest be destroyed 

- for someone who has willingly worked for them in the past boba sure sounds less than thrilled about having the empire back in any capacity 

- oof the deadness in din’s voice when he says “The child is gone”. ooooh no that got me  h e l p 

- guessing next episode is at least partly a ‘gathering old allies and preparing the assault’ step before the grand finale, then! they cannot go for the season ender cliffhanger with this, I will fucking riot. anything can be up in the air except baby and dad being separated, I will not allow it

it would be very funny if the force user baby called out to comes stumbling into the middle of all this like the troy entering the room with pizzas meme too 

- the music in the darth grogu scene is partially a dark mirror of the baby & mando music :’( is nothing in this world sacred

also from how he reaches out for it baby might have used a light saber before in the past with the jedi? ngl the idea of baby wielding the dark saber not when he’s all grown up but in like two episodes -- with all the chaos a toddler holding a laser sword would involve -- is all that is keeping me sane here 

‘liable to put an eye out with one of these’ well gideon you sure have doomed someone to lose an eye with that one, here’s to hoping it’s you, for full dramatic payoff 

he is a deliciously smug awful force with great musical cues tho, you have to give it to him

- okay so this

is obviously awful and horrible and it makes me so sad... but it is undeniably also very very very funny in how it’s framed. you know what? after all this bullshit baby grogu can have a little dark side tantrum, as a treat, we’ve all been there right

(forget finding a jedi, we need to go out there and find a child psychologist who can help him deal with this without adding the fear that he’s on the path to become a two foot tall evil space sorcerer to the mix Y_________Y) 

- rip the razor crest except for the second time :’’’( gone but never forgotten

- the last thing din tells the baby is “I’m gonna protect you; I’ll be back soon”. and I hope that stays with the kid somehow and that it actually comes true, that din will be back for him as soon as humanly possible and all this pain and fear can be repaired. ggggghhhhh my emotions are too big for my dumb human body 

[carol-effing-danvers]

Steve Rogers is a Monster

Yeah, that’s a hell of a title, isn’t it? Strap in, it only gets worse from here. 

(click here if you’d prefer to read this on AO3)

Forewarning, if you enjoyed the epilogue for Endgame, this particular essay is not for you - and no, I am not bashing the Steve/Peggy shippers, you are beautiful human beings who make the fandom brighter and I’m happy that at least someone in this fandom got the ending they wanted.

Additional warning: if you expect this to be another Civil War debate, you will also be disappointed. There has never been a measurement invented that can adequately describe how much I loathe the verbal dick measuring contest that seems to pass for human interaction between Tony Stark and Steve Rogers in this franchise. It’s not funny or entertaining - it’s exhausting, uncomfortable, and frankly it’s rather lazy writing.

This is about the very specific way that the epilogue in Endgame completely changed the way the character of Steve Rogers can be interpreted, and I don’t just mean the very illogical and contradictory way that time travel is explained, both in the movie itself and the fact that the writers and directors have two completely different views on how that worked out. 

I mean that the choice made by Steve Rogers in the very last minutes of that movie alters the way I view each and every one of his actions starting from The First Avenger and that alteration is exactly what I want to talk about, because whether you view it as deserving or not, what Steve does at the conclusion of Endgame was the most selfish thing humanly possible. Time is a thief, but somehow Steve managed to steal even more than Time.

Side note here: I understand that I am a completely biased Stucky shipper, a friend to Barnes and Noble, a Starbucks aficionado - sorry. Anyway, I’ve always believed that Steve and Bucky were destined blah blah blah, but I was never expecting a Stucky ending. Disney wasn’t going to do that, and I knew that, I wasn’t bothered that Steve and Bucky weren’t doing the smoochies by the end. But Bucky’s facial expression during those last minutes was gut-wrenching. Like...I have no idea what kind of cues the script and directors gave him, but in the future, please don’t ask Sebastian Stan to look sad unless you want soul-crushing devastation. It’s not Seb’s fault, his features are just arranged that way - but the fact that the editing staff allowed Sam to be sad though elated to be entrusted with the Shield and Bucky looked like his soul was being physically torn out of his body was an… interesting choice. 

Other side note: if you’re writing about time travel, I’m begging y’all to get your facts straight. Or just don’t write about time travel. It almost always sounds better on paper than it does on screen and it means that you’ve opened doors to more questions than you’ve probably got the answers for. I know this was about trying to set up the idea of the multiverse, I get that, but there were better and less messy ways to do that, and I know that because I’ve done it before. @Marvel: Let me write you a six-way orgy you fucking cowards~

By going back in time, Steve robbed Peggy of the future that would have been hers - not only that, he’s robbed her of even the chance of making the choice between those futures, because you honestly could not tell me with a straight face that Steve told her the complete truth of what he had done and she would be okay with him alternating the very course of the future. It doesn’t help his case that he has a history of not disclosing truths that he knows will be painful or inconvenient for other people in his life.

He robbed his loved ones - Sam, Bucky, Wanda - of the years they would have spent with him. Sure, he ‘came back’ after Peggy passed away, but they are adults in the prime of youth who knew him sixty years ago in his own time and he is an old, old man who has lived an entire life completely separated from them. He is practically a stranger with a name they know, but a history that no longer belongs to any of them - not even his oldest friend. They have him back, but judging from his age, they’ll be lucky to get even ten more years with him. Assuming of course, that any of them can stand to speak to him - I certainly couldn’t blame them if they tell him to go to hell and take his dad jokes with him. 

Steve has stolen away their friend and dropped off an elderly and dying near-stranger in his place, and this is treated by the writing (and the majority of the acting) as a wild and unexpected but not tragic event. 

Is it really that unexpected, though?

I recall seeing a Game of Thrones essay on Daenerys across my dash (I’m sorry, love, I don’t recall who you are since it’s not a fandom I’m in, but if someone knows who wrote that, please post the link!) which detailed how her ending in the series was foreshadowed many times by her penchant for bloody killings and her habit of surrounding herself with her own fawning friends.

Months after reading that, I had the thought: though Steve is never really shown thinking about Peggy after Civil War, except in a few scattered scenes in Endgame, was this foreshadowed? Whether you believe that his actions are justified or not, what Steve does is still, in the end, selfish at its very heart, and Steve Rogers is not a selfish person. 

Oh no, my dear friends and readers. Because taking this action has solidified and clarified Steve Rogers as the biggest and most selfish asshole in this whole universe.

Steve does not do the right thing, Steve does the thing that will most make him feel better. The fact that this often happens to be the right thing in the end is more the result of happy coincidence than any special sort of moral authority that the man holds. 

Rescuing Bucky Barnes and his fellow captives in a prisoner of war camp from being experimented on by an insane Nazi eugenicist? That was not a moral stand, that was endangering himself, Peggy Carter, and Howard Stark because he couldn’t handle the reality of his best friend being killed in war.

Sacrificing himself by putting the Valkyrie down in the Arctic Circle? That was not about sparing human lives, that was about Steve seeing his friend die right in front of him and not being able to deal with the grief. There were ways he could’ve prevented the plane from killing people without killing himself.

Trying to make Bucky remember who he was? And later on, saving him from the government agencies who wanted to hunt him down? Although, arguably, that last one is also just good common sense - Steve was already shown that government agencies could and were corrupted by HYDRA and he’d also seen how dangerous the Winter Soldier could be when unleashed. 

Steve did, I think, truly believe that this was the right thing to do, but it was also about keeping his connection - his very last, since Peggy had descended into dementia caused by Alzheimer’s before she ultimately died - to a past that for him, was only months or years ago, rather than decades. In some ways, this is completely understandable - Bucky might be the very last person left alive who truly knows who the real Steve Rogers is, because the rest of these people only know Captain America and we are consistently shown through multiple movies how uncomfortable this makes him.

This gets...considerably less and less understandable as we are shown Steve’s growing relationships with Natasha, Sam, Wanda - even Sharon, though she barely gets any screen time and they share the most awkward kiss I’ve ever seen - and indeed, what might be the most uncomfortable kiss in cinema history.

Side Note 3: This is made even more awkward by the director’s choice to have two of Steve’s friends watching them the whole time - seriously, who even does that? Why would you make them do that? Only sociopaths make out with their friends staring at them like that. It’s so fucking creepy - and don’t even get me fucking started on the fact that she’s also apparently his own niece. AHHHHH!

But we are shown, over and over again, that Steve is capable of building close meaningful relationships with people in the present. They don’t know his whole history, but they do know Steve Rogers rather than Captain America and they care about him deeply. 

Side Note 4: Notice that I don’t count Tony Stark among those people - despite this strangely persistent narrative that the various writers and directors tried to sell to the audience, Tony and Steve were not friends. They were never friends. They were colleagues at best, but these were two men who neither liked nor understood each other very well, but had to work together. And sometimes that’s okay, too. (Oh dear, I just gave the Stony fans a fit too, didn’t I? Sorry, guys. Enemies to Lovers is a great trope, I support you!)

But let’s set aside Steve’s gross betrayal of the people who loved him. We’ll also ignore the question of whether the motive for these good actions has tainted the actions themselves. Because even without questioning these, the conclusion of this story arc still transforms Steve into the biggest monster this franchise has. 

The very fundamental way that the writers and directors can’t agree on how the time travel mechanics in their own story work mean that Steve has just done one of two things and they range from shady and very questionable to absolutely fucking horrific. 

The first, that he’s created his own alternate universe to exist in, is morally dubious at best. Even the people who support this theory and liked the ending seem to feel that it wasn’t necessarily a ten out of ten on the moral goodness spectrum. They’ll say things like ‘he deserved to have his happy ending’. Even that phrasing seems to acknowledge that doing this was the opposite of the right thing. It just considers doing the wrong thing as being justified rather than horrifying. 

But let’s examine this first idea for a minute - even this, the more innocent of the two implications, means that rather than really processing his grief or dealing with the repeated tragedies and losses that have occured in his life, even as he was running group therapy sessions and grief counseling, Steve Rogers chose to escape his current life by creating an alternate universe that specifically allows he himself to live out his own fucking fantasies of the way his life should have turned out. 

That, in case you are not aware, is wildly fucked up. I thought I was playing pretty fast and loose with Steve’s characterization when I turned him into an extremely polite serial killer but as it turns out, I clearly just wasn’t setting the bar high enough, because that’s somehow even more fucked up than being an undercover child soldier with a small sadistic streak. 

Hm, and now I feel I should have been more creative there...

The second, and even more horrifying option, is that this older Steve Rogers has been in this world the whole time, watching as things unfolded just as we’ve seen over the past decade, taking ‘the slow way’ through time. 

Side Note 5: I do kind of understand why you would do it this way, because that’s really cool and shocking when you say that! Until you think about it for longer than three seconds and suddenly you realize…

Everything that has happened here, every tragedy and downfall these people experienced, happened because Steve Rogers lived his happily ever after with his beautiful wife and did absolutely nothing to stop it. He got to fuck Peggy Carter and watched as his wife built an empire of intelligence networks, knowing that her efforts were completely in vain because her agency was rotten to the core and he never told her.

Every horrifying act committed by HYDRA under the guise of SHIELD was permitted through Steve Rogers’ negligence. And that’s just the wider big-picture worldview, large and shocking, but not personal. 

What about the people that Steve claims to actually care about? 

This means that Steve lived his whole life in contentment with his wife and children while his best friend was physically and psychologically tortured for over seventy years and just...let that go. 

He allowed one friend to murder another in the nineties, when the Winter Soldier was sent after Howard and Maria Stark. Then their child was being advised by a greedy self-interested warmonger who paid terrorists to drag him off to be tortured and slaughtered, and Steve did nothing about that, either. 

Bruce Banner was exploited, experimented on, and made into a monster against his will in the failed pursuit of recreating what was done to Steve, resulting in billions of dollars in damage and dozens or even hundreds of lives lost, and Steve allowed that to happen, too. 

Like Bucky Barnes, Natasha Romanov was physically and psychologically tortured for others to use her as a living weapon - except that this was probably happening to her since early childhood, and a man her future self loved and trusted implicitly did nothing to save her from this upbringing. 

The Maximoff twins are shown to have not wealthy but loving parents who are murdered in front of them and they both endure days of laying in the rubble of their ruined apartment, wondering if the bomb in their living room would go off and kill them. Later, they are taken in by HYDRA, experimented on, and recruited as child soldiers to the cause when they show signs of having supernatural powers. They start a series of events that result in the destruction of a major city and the loss of what is probably thousands of lives. Pietro is murdered while trying to help the Avengers to stop this, and Wanda suffers the loss of the very last living person she loved. None of these things seem to have bothered Future Steve. 

Steve “I can’t sit on the sidelines when I see a situation go sideways” Rogers, planted himself on that fucking sideline and observed for nearly eighty years as friends, colleagues, and his own wife were lied to, brainwashed, tortured, vilified, and hunted down like animals.

And then there Steve Rogers himself - not the Endgame Steve Rogers, the Steve Rogers who brought down a Nazi plane and will lie beneath the ice for seventy years while everything he knows disappear (mostly) innocent of these horrors, the life he would’ve lived stolen from him by a stranger with his name and his face from another universe.

What I’m saying here is that if you consider this idea for any amount of time, it took Steve Rogers less than ten minutes to become the most evil and disturbing figure in the entire MCU, only (not really tho) contested by Thanos himself. 

Gross and poorly reasoned libertarian ethics aside, Thanos genuinely believes that he did what he did for the sake of the entire population. It’s made fairly explicitly clear that Steve didn’t do this for anyone but himself. 

Call me crazy, but if everyone you know needs to suffer and multiple planet-wide devestations have to happen in order for you to get your happy ending, you might be the bad guy. 

Maybe I’m just old-fashioned?

[luninosity]

Okay, so, some Falcon and the Winter Soldier thoughts (will have some spoilers) for episodes two and three. General non-spoilery comment first: I feel like these were both *okay* episodes - neither as good as the first, but I didn’t dislike them, either. I’m still really curious to see how we’re going to wrap this all up in three more episodes; it doesn’t feel like we’re halfway done yet!

Okay, more spoiler-y notes below the Read More, not in any real order, just as I think and type. I’ll probably forget some things, but for now, here’re some thoughts...

--I like ep 3 slightly more than ep 2, mostly because of Zemo!

--I actually really love Zemo here (I liked him in Civil War, too): complex, sardonic, enjoying poking at people, a villain we do feel sympathy for even as he’s still sharp enough to remind us that he is a villain. Daniel Bruhl has always done a fantastic job flipping between calculated cruelty, wry humor - the whole “I am a Baron” moment was great - and pain that for him is still raw, about the loss of his family. (Some things’re awfully cliche - look, the supervillain’s playing chess and reading Machiavelli in his cell? really? - but, y’know...sure. Why not. We expect some cliches in the superhero genre, and this is an inoffensive one.)

--also Zemo dancing. That’s it. That’s everything.

--moving on from that: I’m also really liking how they’re writing John Walker. He does have charm, and there’s a certain amount of sympathy - especially as we see him worrying about filling the Captain America shoes, in ep 2 - but we’re also getting this really subtle sense of wrongness about him. He’s clearly vindictive and angry when things (and people) don’t act according to his mental script for them, and he’s willing to use his name and power to do things like get Bucky released...which in context and given our sympathies for Bucky is a good thing, but...it’s also an indicator of his willingness to do what he wants, because he can. (To be fair, Steve Rogers also often did that! - but Steve earned our trust, both in narrative and character. From his first introduction to WWII leadership experience to all the Avengers stuff, Steve consistently acts to protect people, and he’ll also listen if someone else has a good idea or if someone needs to talk, like with Wanda.) So I’m really liking this slow-fuse character development.

--mixed feelings about Sharon. I love that the show’s acknowledging how much she sacrificed for our main heroes, with no reward. On the other hand, she also clearly knew the consequences that could happen; she said as much at the time. The level of bitterness seems like a lot. But I’m also interested in everything we still don’t know about her - if she’s not the Power Broker herself, she’s obviously Up To Something. So that should be fun.

--hey, look at that X-Men location, with Majipoor! Also a nod to Wolverine’s favorite bar there, I think?

--I love heist and disguise plots!

--I also really like Bucky’s having to revert to the Winter Soldier - Sebastian Stan does it so brilliantly, with so many layers of emotion: not wanting to, loathing it, recognizing the necessity, shutting off all emotion and just coldly doing it, hurting but covering it up...just fantastic, and you know I love some hurt/comfort, and this seems like such a great set-up for emotional hurt

--but! this also seems like...a weird plot hole, kind of? Bucky’s pretty famous at this point, right? I imagine the criminal underworld knows he’s been pardoned and deprogrammed, right? or do they assume Zemo, with his knowledge of Hydra, still has some special control over him?

--along the same “this seems like someone didn’t think this through” path, Sam, you’re a professional, turn off your phone on a mission. Oh my god. Face-palmingly stupid - and I think somewhat lazy writing, as the writers plainly needed a giveaway, and went for the first idea they had. Even if it made a main character look incompetent.

--the Flag Smashers and Karli are...fine. They feel very Generic Marvel Villain - not the big space alien type, but the other type, the “I have a personal loss and motivating pain so I’m a little sympathetic but also Clearly Evil, watch me kill civilians so the audience won’t ever find me TOO sympathetic” type. Meh. Fine. Zemo’s more interesting, but...fine.

--Anthony Mackie is such a fantastic actor - every bit of his reaction to the Isaiah Bradley reveal is so good. The anger, pain, frustration, ferocity...heartbreaking. Actually that whole scene is so good - his emotions at discovering this secret history are palpable, and it’s so painful, because we also understand why Bucky would keep the secret - as someone who knows about pain and trauma and being experimented on, and knowing Isaiah wants to be left alone - we feel really deeply for both characters here, and it’s great.

--I actually liked the abrupt swing from the Isaiah Bradley encounter to the casual everyday racism of the cops on the street - is it subtle, no. But it’s not meant to be: it’s meant to be standing up and shouting about how not that much has really changed, and about how pervasive racism is. I know some reviews were all, “this was just too much!” or “too forced!” but...look, it needs to be shouted sometimes for people to hear.

--Bucky’s notebook being Steve’s, oh, ouch, my feelings. If I had the time and energy to write fic...

--(also, if I had the time and energy to write dark!fic: where’re my fics in which Zemo’s implication about the Winter Soldier “doing anything you want” gets played with? what or who does Bucky have to do to keep the undercover charade going? so many Bad Wrong Kinky power dynamics and explorations of consent and what this would do to Bucky’s head, here, and honestly I’d totally read them all, just saying.)

--Sam and Bucky together...I don’t know. This is one of the elements that I’m not actually a huge fan of, but I think it’s partly a personal genre / sense of humor thing that’s not clicking for me, personally, again. Like...

--I don’t find people shouting aggrievedly at each other to be funny? I’m not sure why it is.

--I mean, I get that they’re doing, like, eighties buddy cop movies, but...it got old really fast then, and it’s not something we needed to bring back. It’s not clever, and it’s...well, shouty and annoying.

--(I say this as someone who genuinely likes the first two Lethal Weapon movies...but the significant difference is, I think, we’re also shown in both those movies that Riggs and Murtaugh care about each other. They don’t want to be partners initially, and they don’t get along initially, and they do argue over tactics**...but they immediately feel responsible for each other and act to protect each other even as they argue, because it’s the right thing to do and we’re shown moments of them awkwardly trying to connect, because they both have that deep sense of...protectiveness...that makes them Good People - like, if they learn something that the other person needs to know, they tell each other. They protect each other’s families / love interests. So by the end of the second movie, with that fabulous character death fake-out, Murtaugh’s initial shock and grief is real and powerful and painful, and so is his genuine relief when the worst isn’t true - and it’s all earned.) (**however, they tend to argue tactics *before* jumping in - “is it 1, 2, 3, go on 3? or 3, then go?” And then once that’s established, they go ahead. That makes a difference as far as...well...competence and teamwork!)

--(Sam and Bucky, as far as I can tell, don’t do the above, and just...maybe shouldn’t be working together?)

--I also don’t find grown men acting like my youngest nephew, when he’s having a temper tantrum, to be funny. Staring contests? Random insults? Sulking in silence? Oh, grow up.

--(Also, yes, writers, we see you with the “couples therapy” and “get closer and make your legs touch” and “landing on top of each other as they hit the ground” moments. I, at least, personally, am very tired of...I don’t know that I’d call it queerbaiting exactly, but this idea that we’re supposed to find these moments funny...because why? Because, ooh, they’re two men getting close to each other, physically or emotionally? Why is this a thing we need to draw attention to? Do you think you’re doing some sort of fan service? Please either make Sam/Bucky happen or stop doing this.)

--both Sam and Bucky are highly competent and professional agents, or they should be. They should know how to work in the field - even with people they may not like - and adapt to shifting strategy, make best use of available assets, include people in the plan, etc. I can’t help but compare this to something like, say, Leverage, which also has a team who mocks each other and makes jokes but clearly absolutely respects each other’s capabilities, has a plan going in and tells everyone what the plan is, and adapts (and trusts each other to adapt) on the fly as necessary, and does it all without random insults about someone’s (PTSD-related) staring and “robot brain”.

--one of the very specific moments that bothers me a lot is the ending of the therapy scene (yay for showing heroes in therapy! but also I’m pretty sure she’s...not a great therapist?). Bucky finally opens up and says something real, about his own self-doubt and wondering whether Steve was wrong about him....and Sam just...brushes it off and goes, “we’re done here,” basically. Not only does that feel wildly out of character for former counselor Sam, it feels cruel. I really deeply dislike that moment the more I think about it. Makes me want to scream.

--Sam insults Bucky way more than the other way around. It’s starting to feel very one-sided (it’d be better if more clearly reciprocal, though it’s still not a dynamic that’s my favorite), and again, feels out of character - maybe this is Anthony Mackie’s sense of humor, but Sam isn’t Mackie, and Bucky isn’t Seb, and it reads as...a weird unbalanced power-trip thing to me. And also out of character for Sam, who can be sarcastic (”If you guys eat that sort of thing,” about breakfast, when Steve and Nat have randomly shown up at his door) but that’s not the same as just throwing unprovoked insults at a person who’s trying to recover from trauma, and a lot of those insults seem to center on things that were done to Bucky, that he had no choice in (the staring, the arm, etc), and that feels....it just feels mean, to me. Make fun of things he’s had a choice in / can do something about, if you have to - hair, clothes, liking “old people’s games” like gin rummy or pinochle, not knowing who Beyonce is, I don’t know, there are so many options that aren’t cruel! Do that instead. Let Bucky have a good comeback for once, too!

--the action scenes are action scenes. Also fine.

--Sam might be right about destroying the shield, and the show may even be (unintentionally?) setting that up as the best outcome, but that’s a problem for the future, Sam; get it back first. Also it’s a problem you caused by giving the shield up - did you really trust the government to leave it unused in a museum? You’re not that naive.

--overall, it’s...a perfectly fine show, so far, I think? Solid, and interesting, but not great. I think some of what doesn’t work for me is because it doesn’t work for me personally, as far as the shouty insult-heavy action “comedy” bits that I’m not enjoying, but I think they’re doing what they aimed for with it, so in that sense, I guess it’s working? There’s a lot of really cool stuff around the edges - John Walker, Isaiah Bradley, that Dora Milaje stinger, the bigger world of a history interwoven with racism and superpowers, the chillingly effective use of Bucky’s past - but I wish I liked the central Sam-Bucky relationship more. Individually they’re wonderful - they’ve both had such powerful scenes dealing with family, trauma, and consequences - but I feel like, in the effort to do the buddy comedy dynamic, the writing has just made me really sure that they actually genuinely don’t like each other? To such an extent that if they show any affection / caring / interest in each other in the last three episodes, it won’t be believable. (I mean Sam and Bucky, not Mackie and Seb. Mackie and Seb’re adorable.)

--I just want to think about Zemo dancing some more.

[crushing-on-nico-di-angelo]

Seven Nights in Cabin Thirteen

I’m inspired by another post I saw here that I didn’t wish to hijack lol, and OP deactivated or else I’d link their account here. credits to @the-ghost-king for the idea of a demigod therapy/Will being a past drug addict on this post. Yes this is a bad fic. It’s also my first fic ever. Please criticize if you see anything

Will never thought that he would ever appreciate his first monster attack. He was seven years old, and in hindsight his teacher probably only worked there to prey on young demigods (at least, that’s why he suspects the attack happened so early in his life compared to other demigods). But when Lee Fletcher sat him down 4 years later and told him that he was trans and would now be known as Lee instead of his birth name, Will knew that everything happened for a reason.

After many conversations with Lee about how he knew (gods bless that man’s patience) and with an older Athena camper who’s special interest dealt in psychology, Will realized the reason that he always felt disconnected from his mom and sisters in Austin was because he was like Lee. He was a boy.

Telling people wasn’t easy. Of course his older brother had to know; he was the one who introduced Will to this concept. Telling the rest of camp was as easy as telling Chiron, who told Dionysus, who always threatened to turn anyone into a dolphin if they talked shit about any trans kid. Telling his mom... that had to be the hardest part. How was he supposed to tell them? The only similarities they all had were that they were all musically inclined and that they were all girls.

Apparently, Will forgot that Naomi Solace was a musician. The music industry has more queers than an all girl’s school GSA. Her only questions were “Alright, what’s your name then, kiddo?” and “When do you want to set up an appointment with a therapist?” As for his siblings, well, let’s just say the oldest, Frankie, always knew. And it didn’t take long for seven-year-old Mickey to cut her doll-that-somehow-looked-exactly-like-Will’s hair and change his notes from high to low when she accompanied his singing on violin, as part of voice training.

Four years has passed since then and Will can hardly believe it. He’s stealth back at Austin because it’s just easier that way, but since a quarter of the camp knew him since he was seven, he figured there was no point; it isn’t like anyone treated him as though he wasn’t a man-- er, boy-- at camp anyways. So, life went on. He got his period for the first time during the Battle of Manhattan, that was no fun, but luckily Thalia was cool about it and made sure not to tell anyone. He started binding shortly afterwards, got a couple bruises hear and there. Kayla yelled at him for a week for that one, he remembers fondly. Discovered why it’s better to take off your contacts in the shower... that day isn’t such a fond memory. That was the first and last time he ever made himself bleed. Although, he will say that’s what sparked his interest in medicine and what made him the best doctor Camp Half Blood had seen in decades at the mere age of 15 years old. Life at camp was good, if a bit dull. He got used to the routine and the constant influx of damaged campers, the siblings and friends, and the always-perfect Texas Barbecue and Coke.

That is, until the War Between the Camps happened. Lou Ellen woke Will up before sundown that day and told him their plan. They were to hide in the tall grasses and wait for Camp Jupiter to show their ugly faces. Cecil had the genius idea to paint their faces and arms black so they’d blend into the night better, and Will supposes in the hubub of everything they forgot that his hair nearly (”nearly”) glows, even at night. Until Mr. Nico “I’m so smart, I nearly killed myself shadow travelling” di Angelo pointed it out. Whatever, it made sense at the time. They won the war against Gaea, not without sacrifice, and they finally, finally got past all the wars and destruction and health issues that they were able to just hang out and get to know each other as friends.

And boy, was their friendship amazing. Nico had the best taste in music from Will’s eyes, and that’s saying something because Will is a music snob. Nico could be a little stubborn at times, but that’s alright because so was Will (”Gods damn it, Nico, if you don’t take your medication right this second I will-” “You’ll what? Hm? You’ll force it down my throat? Last I checked that was abuse.”). They fit together so perfectly and became fast friends.

It wasn’t always sunshine and lollipops, though. What is, for a demigod? Will relapsed once and passed out right in front of Nico’s cabin. He was crashing from an exciting high that he hadn’t experienced in so long, and he felt so tired and ashamed of himself. Methamphetamine was a goddamned bitch, so while he was coming out of withdrawals, he made Nico promise not to let him leave the cabin for a week were simmering down. He had to make sure something like this never happened again. They Iris Messaged  Chiron and explained the situation, and he understood. He made sure to contact the older son of Dionysus who had been Will’s therapist in the past and said what had happened and they agreed on a session for soon after Will got mostly over his cravings.

So now they had a week of downtime together. Awesome.

“Solace, do you need anything? Are you okay?” Nico asked towards the end of the first full day that withdrawals were over.

“I’m-- fuck. I’m fine. I swear.” He responded unconvincingly.

“That’s not what you said last night... no offense, but I’m not fully inclined to believe you when you look like shit.”

“It- It... it’s not something I’d like to talk about, if that’s alright. And... don’t tell Clarisse, please.”

“I’m not going to tell anyone, don’t worry. But I would like to know if this is going to be a common occ--” Before he could even finish asking, Will was already shaking his head and responding.

“One-time thing only, I promise. Gods, I’m sorry I showed up here at all.”

“Woah, buddy. That’s not what I was saying at all. You’re my best friend, I’m glad you came here.” Will almost couldn’t believe what Nico was saying. Then again, did Nico have very many friends? Nico himself certainly didn’t seem to think so. “In any case, you don’t have to explain what happened, or what led up to this, or anything like that. I don't need to know. What I do need you to do, however, is take a shower. I’m sorry to say so, but you smell like ass.”

“Yeah well, I’m…” He couldn’t finish his sentence. How do you explain to someone that he still wanted his drugs, and he didn’t want to leave the cabin because he knew he would leave to go find some before he would even think about going to his own cabin at this point.

“You don’t have to leave,” Nico said, perhaps sensing his agitation. “I have a shower in the cabin.”

“What the fuck do you mean you have a shower in the cabin?” The shock of this knowledge get him out of his stuck mind. “How did you get plumbing in here? How did Chiron allow this?”

“I helped design my cabin, and while I may not have all the experience in architecture that Annabeth does, I do know a thing or two. I did meet with Isambard Kingdom Brunel, you know.”

“I did not know. You- Who is Isambard Kingdom Brunel?” Will asked

“Oh, some civil engineer who is like a million years old.” Will scoffed at that.

“You’re one to talk,” he teased. He was never going to let go of the fact that Nico was technically like 80 years old.

“Oh hush, William.” William… never Will, like most people. William… like he was something special, something that deserved three syllables. “Anyways, like I was saying: take a shower. You look like you were up mowing all of camp with a flashlight.”

Knowing Will’s reaction to drugs, that wasn’t unlikely. He stood up. “Lead the way? I’ve never been around your cabin before.”

Nico’s cabin was unlike any others. Using some sort of Doctor Who-like technology, there was a living room, a kitchen, and one room. Surprisingly, the walls were all light or pastel, a stark contrast from Nico’s general (and unintentional) punk-rock appearance. However, the furniture was all a deep black. Nico led him to his room, a minimalistic one with a bed, a desk, and a lamp. Will wondered where all the personalization was, but made no comment.

“Here’s the shower,” Nico pointed to yet another room in this somehow huge cabin. “If you see something amiss or odd… ignore it.” Will didn’t want to think of the implications of that sentence.

He stepped in the shower and oh my gods, watching the dirt and grime wash off him after his 8 hour high-- which he did not want to think about (and not just because the author doesn’t want to taint his search history), it was too embarrassing-- was a wonderful feeling. He was still tired. He didn’t know why, it didn’t used to be this hard. However, he was pretty sure that he tried to clean the entire outside of the hypnos cabin before going over to the Hades cabin to do the same. This was the first and last time Will would ever thank the gods for Nico’s poor sleeping patterns, he had heard him outside and came to get him before he tired himself out more.

He nearly passed out in the shower again but managed to make it out. He looked around the well-stocked bathroom and realized something that he probably should have bothered to notice before: he didn’t have any clothes with him. Fuck. He wrapped a (black) towel around his chest because he didn’t think his body could take anymore binding and prayed to Dionysus that Nico didn’t notice that his chest wasn’t exactly male.

Luckily, the first thing Nico did say was “Is that a tattoo?”

Will looked down at his sun. “Yeah, it is,” he smiled. He remembered the night he did it, it was kind of hard. He ordered a tattoo gun off amazon and had Frankie do it for him shortly after the Battle of Manhattan. Some people might think it’s in honor of his dad, which is fine. It was really for Lee Fletcher, though. His mom totally freaked, for a really long time, but after his C-PTSD diagnoses she realized that whatever works for him works as long as it isn’t drugs or self harm. He knows she wants a future for him that doesn’t involve music, and that’s why she freaked. She thought it would ruin his chances. But it’s right on his shoulder, only visible in tank tops or no shirt.

"It… its to honor the man who taught me I could be myself." Will said after a small pause.

"That's a very lovely sentiment. If he made that much of an impact on you, he must be a very cool person."

"He was." Will knew that Nico heard the was by the way that Nico nodded solemnly. "I uh… I don't wish to be more of a bother, but do you mind if I go to bed now? That shower really helped."

"Yeah, of course. I can take the couch, you know where my bed is-"

"No, absolutely not." Nico sighed softly, as though he expected this. "I can sleep on the couch, in Austin I actually prefer it to my bed."

"That's-- no offense William, but that's weird."

"It feels less lonely to me," Will protested, then let out a huge yawn.

"Alright cowboy-" Will smiled at Nico's nickname for him "-get some sleep. I'll see you in the morning."

"Nighty night, Neeks. Love you." he didn't miss the small smile on Nico's face before he walked away. Will has always been very loose with his 'I love you's like that. He figured it's better to say it too much than not enough.

He had found his old stash the night before, the one that Clovis had helped him forget about. He couldn't stop himself from thinking about last nights events. At the time,he told himself that he shouldn't do anything with it, and put it out of his mind for about a week, but eventually his urge to smoke overcame his self-control. He went on a rampage of cleaning and was absolutely certain he looked like a madman. The worst part is, he didn't even know why he did it. It was as though his rehabilitation hadn't even happened, as though this was something that was as natural as getting a cup of coffee in the morning. He was so mad at himself, so embarrassed.

These thoughts occupied his mind until he fell asleep about an hour after his last words to Nico. He slept with no dreams, for the first time in about a month.  

word count: 2,245

[histrionic-dragon]

A little unusual: An MCU AU idea/partial fic outline

This floated into my head as I floated awake this morning.  My subconscious apparently put together the basic idea of this thread (Tony doesn’t know, but he has super-soldier serum because of Howard’s experiments on himself) with all the fanfics about “Hydra used Bucky and/or Steve’s DNA to try to make another supersoldier” and came up with a rich angst-mine.

Say that one of these Hydra experiments succeeded in the early seventies--succeeded, that is, in that the subject was viable. They have no idea if the super-soldier serum traits have been passed on. The only place with the equipment required to test that is a SHIELD lab, so a few well-placed Hydra minions sneak the two-day-old baby in for testing. But babies cry, and the boss has a habit of wandering around the facilities, especially the labs, when he can’t sleep.

Howard and Maria Stark can’t have children. But when Howard happens upon a baby apparently abandoned in a SHIELD lab, well, that’s concerning for a number of reasons. (The SHIELD agents closest to the lab swear they heard the crying and were coming to check it out, and they think they saw someone run away that way, Director, but they couldn’t give chase because they wanted to make sure the baby was alright.... and as they say this, they kick the super-soldier-serum detection test kit under a nearby desk. Maybe we should heighten the security around the labs, Director Stark.)  But when no one claims the kid, it kind of feels like fate, too. I mean, a child discovered in a lab? There’s really no one better to pass on a legacy of creation and defense to, is there?

They never tell the kid he’s adopted--apparently until the last few decades, that was the norm--and they don’t tell many other people, either, just some close friends, who they ask not to tell the boy either. (Obadiah Stane is surprised at first, and worried about Howard being distracted by a child, but Howard laughs and tells him that will never happen, and if the kid somehow isn’t interested in science, well, maybe he’ll just dump the company on Obie instead! Stane laughs and drinks to that, and it’s forgotten.) Howard and Maria both travel a lot, and everyone just assumes that they were somewhere else during the pregnancy. The child has dark hair and he’s scary smart and he picks up Howard’s mannerisms like the little sponge he is, and it never crosses anyone’s minds that he’s not their biological son.

They wanted him, and they were happy to have him, but even that doesn’t stop Howard from getting sucked up into his work. Despite what he said to Obie, Howard never truly believed his little laboratory foundling wouldn’t be interested in science. If anything, it might even make him more desperate to have the child be the person he can pass on his legacy to. They wanted him, but it doesn’t stop the friction. It doesn’t stop them from arguing.

It’s a little unusual, as he gets older, how he can pull so many all-nighters, handle heavy sheets of metal alone, and has reflexes good enough to escape the worst lab accidents even when he’s tired or drunk or hungover, but that’s genius for you--genius or a skewed but intense work ethic. Probably both. You’d need both for that, right? The endless buckets of money and privilege can’t hurt his ability to get away with things, either. He even keeps functioning longer than you’d expect when he forgets to eat. He’s just...he’s tough, and dedicated, but that’s not so unusual, right?

“The serum amplifies what is already there.” What does that mean if it’s passed along genetically? What’s already there in a newborn? Well: potential. Babies want to grow, and learn, and do. They want to live and create and be loved. Turn that up to 11 and you have someone larger-than-life, a brilliant, grandstanding, partying, hard-working inventor/CEO.

No one thinks of that as superhuman, just a little extra.

And so it’s a little unusual when he stays alive long enough for Yinsen’s jury-rigged car-battery medical device to stop the shrapnel from reaching his heart. It’s a little impressive that he can get up and stagger to the lab after Stane paralyzes him, instead of lying helpless on the couch, frozen, until he dies. Maybe he lives with palladium poisoning for several months without anyone but him noticing the effects because the effects aren’t as bad as they would be for someone else, at first. Whether he’s resistant to Loki’s mind control because of some mysterious boost to his own psychic resistance or because the scepter needs skin contact, not reactor contact, is unclear.

He’s Tony Stark. He’s Iron Man. No one notices if he’s a little unusual because he’s always at some far end of the bell curve.

And then there’s the Hydra data drop, and Steve Rogers with a crazy story, asking him if he can find anything in the data drop, anything to supplement the files Natasha got from Russia. So he looks. The Hydra database doesn’t have much information on the Winter Soldier (they must have kept most of that offline, or there would be no canonical shocking revelation from Zemo; it would have been out there already). But there are a few mentions of a “Project Snowfall” that he digs into because of the loose similarity in theme, just to be thorough. He thinks it’s related from a few redacted lines, and that makes it all the more interesting, because the project was apparently successful, but mysteriously abandoned.

Tony looks at the files. It’s weird biological stuff, mainly, and he’s not a biologist and he’s just skimming, but there’s a date near the end with “viable” and then a date just days later with “confiscated before testing,” which isn’t a term he’s seen before in these files. Not “terminated,” not “tests negative,” but “confiscated,” accompanied by a note on trying again when more secure facilities can be found for the testing process. Then a note on holding off on that because “distant observation of subject” reveals nothing special.

Maybe he wouldn’t think much of it, except for when those final dates are.

And then he thinks of something Obadiah Stane said when he took the reactor out of Tony’s chest.   ....But no. No, that’s crazy.

Tony looks at the files.

Tony looks in the mirror.

Tony, for the first time, looks at his own social security card and birth certificate, and then at the other--ever-so-slightly questionable--documentation around the beginning of his life.

Tony, feeling embarrassed and irritated and--always--curious, asks JARVIS to muck around with Photoshop and face recognition software and pictures of Tony, Howard, and Bucky Barnes.

Tony talks to Pepper.

...I’m not sure what happens next, and how it affects Civil War, because it depends on when Tony and Steve talk about what, and when Tony gets his hands on a DNA sample and shoves two random samples at Bruce and says “just run it. Please,” and refuses to say what’s going on.  (Or whether Bruce is around for him to do so--stupid Age of Ultron taking away Tony’s science bro.) And there are a million ways Bucky could react to finding out, too. I may write one or more ways it could go in this same sketch/outline way later. For now I just have the basic premise.

[ornamental-coral]

Do you have houses combos you love besides Snake Bird ?

Hi sorry it’s take me so long to get to you ‘nonnie human you. I promise if anyone sends me questions, I will get to them eventually! It just takes a while for me thinking about them, researching about them (doing Birdy Bird things with even a one-sentence question...), forgetting I have a sort-hat-chats centered tumblr account (which is... can sort of a Bird thing but also a me thing), and then coming back so we are here (there. somewhere)

I myself am a Snake-Bird. I think I’m pretty neat. Birds are usually very good at entertaining themselves. I think. And I’m lucky I like myself enough because I spend a lot of time with me haha.

I’m a little in love with a remarkable amount of Lion primaries, Snake secondaries and Bird primaries (especially with a Snake secondary to make them extra hard to hold onto *rolls eyes) and apparently I love writing Badger Primaries? I guess I find the challenge of building an “ideal” society that is willing to address the current failings of our timeline a worthwhile challenge and my ink-children rise from the ether to meet me.

I’ve expanded below bar because this is actually a really interesting concept to me - how does a particular house combination react to the others. Below is just my meandering through how specifically My Snake Primary Bird secondary might react on a surface level to the other house types. This doesn’t mean I’m right. There are as many ways of acting within the house system as there are human beings and keep in mind, this is all in good fun.

____________________

Lions

The Idealism of the Lion Primary is something that I find admirable. I posted a more extended musing on the position of Snake Birds within media here. I think the Snake in me understands that when you pick up a person the way Snakes do, you pick up a lot of their wants and regrets too. Snakes pick up People, so that means the whole package. A Lion with a worthy cause can be a very attractive thing to a Snake, who will follow and support them in a very specific kind of way. 

With Double Lions, and Lion Snakes there’s that urge to run after them with a fire-extinguisher in one hand and a big stick in the other - one to put out the fires a Double Lion inevitably lights and the Lion Snake may try purposefully to stoke, and the other to beat off anyone who dares to tell your Lion that they cannot Be A Lion. That’s something only the Snake can do, and that’s only because no matter what the Snake says, the Lion is still Their Person warts and all and the Snake Bird knows damn well what they were getting into, or at least thought they did.

Lion Birds house-match secondaries with Snake Birds but can have explosively different moral codes, largely because they method match. I personally find some Lion Bird characters a little grating because as the audience, I feel I’m getting the same information as the Lion, but as a Snake I have a little too much self-preservation to imagine myself doing anything much about it - at least not the way a majority of Lion Bird characters act - or I come to different conclusion. I also hate conspiracy theories because they require leaps of logic the my Bird model typically just can’t tolerate but the felt-house Lion will participate in. However, Lion Birds can also be the hard-boiled PIs, the Best-at-their-Job secret agents (hi Agent Coulson), the one who has Seen the World and Still Believes It Can Be Saved. So that’s admirable and fun.

Lion Badgers are sweet but my Snake Bird goes “fires, fires everywhere”. And like, not the kind your Lion Snake might think is funny when the Snake Bird tries to put them out. Think Steve Rodgers. MCU Steve has a really strong Snake Performance though when it comes to Bucky which MY Snake finds really confusing because it is So Strong I’d be willing to be money he would have at least tried to find a better way to get rid of the Tesseract if Bucky hadn’t fallen from that train and been declared KIA. I think that particular type of Snake performance also confuses Tony, which is part of why Civil War was the way it was.

But yeah, a fire that a Lion Badger wants to light? it’s not going to go out. For a Snake, having that as Your Person means you either really ride or die for them - and might actually literally have to die, or you are keeping them from burning themselves out before they accomplish whatever they’re doing. For a Snake Bird? this is alarming as hell and it’s a fight between the Secondaries to make sure the Lion takes care of themselves as part of the Lion’s “hard work” Badger, if they’re your person.

Birds

Bird primaries will “build” the people they love into the way they see the world. As a Snake, I think this is just really appealing to me? Snakes are loyal, and older Snakes have the life experience to realize that - painful as it is - this loyalty will not always be reciprocated in the way you hope for (this is the stereotypical bone of contention between Lions, Badgers and Snakes. Lions are focused on their cause and if the Snake’s protective instincts get in the way of that, that causes problems It also hurts when a Lion’s mission supersedes their affection for their Snake people. Badgers’ concerns are for their communities and the split of attention can drive the individually focused Snake crazy). If you get built into the Bird’s world, that always felt like something special and something that took hard work, which made it all the more valuable.

My Snake Birds also likes to imagine it’s equipped to learn to the things that a Bird variety believes in and address those things. It’s the kind of relationship that has the potential to go very wrong, and I do realize that. I think Snake Birds have the tendency to want to be everything for Their Person (or people) and our powers of observation mean that we take it a little personally when we’ve missed something. I’m tempted to call Kaz Brekker of Six of Crows a Snake Bird and it drives him to distraction that he can’t be everything, everywhere, all at once to the handful of a people he truly and deeply cares about.

The Bird Snake in particular house matches in a way that can be particularly challenging and attractive to a Snake Bird? A Snake Bird’s tool is, well, the Bird, and the whole persona can feel ridiculously pleased by being able to “pin down” the Bird Snake, which does not necessarily lend itself to being pinned. There’s also this strong urge to understand the Bird Snake. 

So there’s the Snake secondary who delights in finding new ways to be, and a Bird Secondary delights in learning new things. The discovery element in that relationship can, as long as the Bird Secondary is not stifled by the Snake Primary’s concern, actually be really rewarding. Birds, and Bird Snakes in particular are also often really unique. They think differently, act differently, can be off putting to certain types of house combinations because their moral code can come off is so blue-orange, and is Built on top of that. Snakes take great pride in being very “this is my Person and their brand of weirdness is just another thing I love about them. And on top of that, I Know them.” with their people in any situation, and if a Snake can eventually prove to their Bird Primary that that feeling is unwavering, that’s a relationship that becomes central to both Snake and Bird.

That isn’t to say Birds can’t go dark, but usually they learn to be that way given Birds are evidence-gatherers. Unfortunately, this means I love them too because people of my generation and all generations before and hence have a thing for characters with trauma (see Loki, greasy prince extraordinaire).  It’s -- it’s never not been a thing. Take a look at freaking Gilgamesh, which is the oldest things that we know of, look at Enkidu, and tell me he wasn’t your favorite. Gilgamesh is kind an arschloch of highest proportions. As a more palatable example of this Bird-villain thing, I sort of suspect Bucky Barnes is a Bird of some flavor. If he killed one person as the Winter Soldier, he’d feel bad but probably admit it was the brain washing - but he did it dozens of times. He wonders what does this say about him? He is possibly a Badger, but even pre-winter-soldier he doesn’t seem to care on as wide a scale as a Badger typically does. Steve is Built into the fabric of his world, and he doesn’t react to Steve’s death the way I expect a Snake to either. Maybe a really Old Seasoned Snake and I mean technically he’s old? but the cryogenics thing sort of means he’s not old enough to just let it go. He also doesn’t follow the boy from Brooklyn for reasons I would expect from a fellow Snake but I guess the new show might give more insight on that once I actually watch it.

Badgers

Okay, I like writing Badgers. [Leans back on chaise lounge] this probably has something to do with my mother.

Really though. I model Badger because my mother, although I love her and I’m really lucky to have her, is a teeny tiny bit horrified by Snake tendencies and drilled into me the morality that it is okay and it is above all Good to care about other people (for other Snakes, read Yes Even Strangers). To be fair, the prioritizing that Snakes do (which can get as focused as ”My people first, even if someone else far away is in trouble and I am acutely aware of it”) can seem pretty horrific to a Badger. They don’t necessarily get how you could believe everyone is a person and just... not care. And it’s hard to convince a Badger (for whom not acting can = they are not worth it) that you know exactly what you’re doing but are also aware that if you try to help everyone your head will explode because you can’t keep that many People up there. It’s why Snakes have their rings of caring.

But the result is that for me, Badgers are usually the ones left standing at the end of the story. If they’re done dirty, I like to try and fix it.

I don’t like how media treats Badger primaries generally though? There’s often something “goofy” or the Badger is treated as soft in a really unpalatable way. I mean, and to be fair this directly comes from the way a Snake can sort of be flummoxed with the way Badgers just do things for strangers, yes Badgers irl may be considered gentle. On an individual level, they are often the hearts and hearths of groups and homes.  But there’s this weird place where The State is supposed to be a Badger-shaped institution, so that uneasy balance comes out in weird ways.

I don’t remember who said it, but the difference with Badgers and Snakes is that, with a Snake, you start out at Zero. You’re human, but you’re not the Snake’s human, so I will treat you like a human, but there are My People above you. And with a Badger, you sort of start out at like 85-100%? At least this is my perception. Badgers need-base and that off-balances Snakes.

A Snake with a Badger in my opinion needs to be “eyes open” in a different way than even a Snake with a Bird does, because the Snake needs to understand that the Badger is going to look and act similar - until they don’t, and then the Snake needs to be able to put aside the part of them that was attracted to the mirrored morality and actually work with the Badger to figure out what the Snake needs and how the Snake can in turn support the Badger.

Anyways though, I’m writing a thing where a Badger Bird-modeling-Badger is the last woman standing, committed to fixing a broken type of organization that her Snake, Bird, and Lion companions are Tired of. Lady Badger is nothing if not resilient. I’m writing another thing where a really really Burnt Badger man gets a safe place to learn to be part of a community that is meant to be mutually protective again (he dies because this is a fan work and that’s what happened in cannon, and this is arguably because he’s still unburning at that stage and doesn’t Have a proper community, but I hope to show him having at least Some happy times because in the sh**show show he didn’t have any at all). I’ve got a slightly less developed thing where a number of Badger performing princes learn to work together to fix their kingdom and unbury the history that created it. 

Aaand It’s nearing midnight, I have clearly lost the thread of the thread or whatever

Goodniiight to all my houses. Love you all even if I didn’t write about you here.

-Ornamental

[maine-writes]

Meanwhile...: Steven and Connie's Adventure & Couple Time

Space, the final frontier. When one looks up at the night sky, one looks upon a million, billion stars, each star is either a distant solar system or an entirely galaxy of its own. So when one looks upon a star, they are really looking at another sun of another, distant world, or a million suns with a million planets.

But with the miracle of alien technology, where one generates an artificial gravitic singularity to "bend" space in front of a vessel and expand space behind it, allowing said vessel to travel past the speed of light without experiencing the negative side effects of such travel, this vast expanse of space becomes a little smaller.

"This is great, isn't it?" Steven said, lying in bed as he stared at the viewscreen on the ceiling of the room showing the vastness of space.

"Yeah, sure." Connie unenthusiastically agreed.

The pair were on an adventure of a lifetime, or at least their latest strange adventure. A childhood of near-death experiences and adventures tend to make subsequent adventures rather mundane, even the space adventures. But on this particular one, the couple were destined for an old Era 1 colony, located on a planet beyond the Perseus Veil. According to the Diamonds, this colony was one of White Diamond's first and was believed lost after a supernova caused them to lose contact with the colony. Recently, an expedition led by Lars Barriga reported that the colony was alive and well, unaware of the events of Era 3. After initial contact, it now falls on Steven and Connie to check on the status of the colony and get them up to speed.

But first, they have to get there.

So now we find the loving couple, lying in bed in comfort as their vessel speeds past hundreds of star systems on the way to the colony.

"We get to help a bunch of Gems catch up with the rest of Homeworld." Steven continued. "Helping people to make the universe a better place."

"Yeah," Connie muttered, "Just you, me, and Jasper lying between us."

Of course, Steven and Connie weren't going to a distant alien world alone, they had a small contingent of Gems accompanying them. However, Jasper, being the protective Quartz soldier she is, insisted that she come along as well.

"I get the feeling you don't like me being here." Jasper grumbled.

"Oh no," Connie quipped, "Why wouldn't I enjoy a big, buff Gem intruding on me and my husband's alone time?"

"Steven is an important dignitary on an important diplomatic mission." The Gem argued. "We do not know how these Era 1 Gems will react to him. After all, they were independent of the Diamond Authority for well over 10,000 years. So as his bodyguards, we must accompany him wherever he goes."

"What do you mean, we?"

"It makes little sense for only one of us to stand by him at a time. And since he is most vulnerable while sleeping, we must both be as close and as vigilant as possible at this time."

Steven was worried, since Jasper and Connie had been at each other's throats since they boarded. The worse was when he needed to use the bathroom. Jasper was following closely behind him, and when he said he'd rather not have her be in there with him, she called for Connie to take her place. Eventually, she agreed to just having one of them wait at the door.

Jasper was a diligent bodyguard, but sharing a bed with her was going too far.

"Jasper," Connie began as she sat up. "You know, I was really hoping I'd get some alone time with Steven."

"Alone time? Like training?"

"N-Not exactly..."

"Then allow me to training with Steven as well, just like before when he shattered me!"

Hearing this made both Connie and Steven blush, but for very different reasons. To Steven, it was an embarassing chapter of his angst-ridden teen years. To Connie, it sounded pretty bad, but in a different way. What was terrible about the whole situation was that Connie was just planning on cuddling, enjoying each other's company, cute stuff that they never get to do with all the work they have.

"Jasper." Steven interjected. "What Connie means is, the alone time we have is something someone does with someone special to them."

"Am I not special to you?"Jasper asked. Despite her gruff, rough exterior, she did seem genuinely hurt. There was something, puppy-doggish about her amber eyes.

"No! I mean, you are!" Steven stuttered, "I mean, you are important to me, but Connie's important in another way!"

"Explain." Jasper said. "What can Connie do that I can't?"

Steven nervously glanced over at Connie, who was also unsure as to how to approach this problem. They thought they'd have their first "The Talk" with Vonvon, who knows a little bit because of Amethyst's loud mouth, Pearl's enthusiastic approach to education, and Garnet tendency of simply stating facts. After a previous incident, however, they realized that they may not have to have "The Talk" with their child after all. But somehow, explaining human biology to a Gem was just as embarassing.

"I don't get it." Jasper stated after Steven's convoluted, vague, and flustered explanation.

"Well, Gems and humans are different." Connie said, "You guys come fully formed out of the ground. There's not a lot of similarities."

"Show me."

"No."

The whole trip would turn out to be a nightmare for Connie and Steven. Jasper, unwilling to accept that she was possibly not as "useful" or important as Connie, would loudly demand that the couple demonstrate the particular miraculous human activity they inadvertantly exposed her to. The worst was whenever they hugged or cuddled, Jasper would appear and ask if they were currently demonstrating said activity, which only furthered their embarassment.

Connie only wanted to cuddle, maybe kiss. How did it end up like this?

Their visit to the colony itself was mostly uneventful, exactly as one would imagine a diplomatic visit. One unexpected aspect of the colony was the civil war they fought and the establishment of a diverse ruling council. In all, Steven thought they could easily integrate into Homeworld's Era 3. But that was a long ways away, as the council must gather the opinions of the colony and come to an agreement on a course of action. The Pearl that greeted them when they landed, an interesting Aubergine Pearl, was rather excited to finally meet someone from Homeworld. She showed them the vast cityscape they had managed to build from their old spaceships and native materials. Steven and Connie were taken by the seas of crimson grass, the violet sky illuminated by two suns by day and the nebulous glow of the Perseus Veil in the moonless night, and the warm, black sands of the earth. In the distance, natural obsidian spires tower over the colony's skyscrapers, which tended to be mirror-like in appearance to better preserve the natural beauty of the surrounding landscape. The interiors of these buildings were typical of the interior of Era 1 colony ships; marble-like stone, carved into geometric shapes.

Although there were many who were afraid Steven would attempt to re-establish the Diamond Authority's rule over the Perseus Colony, their worries were quickly laid to rest with his presentation on the events leading up to Era 3 and the many changes Homeworld had undergone. There was even a pre-recorded message from White Diamond, encouraging the colony to continue "pursuing the life and freedom" they desired. Luckily, they didn't need the pre-recorded message from White Diamond that was to be used if the colony was hostile.

But during that whole weekend, Connie was still irritated. When not out touring the colony with the Perseus Gems, the couple were interrupted by Jasper.

"Steven! I can't take it anymore!" She screamed as the couple were standing on a balcony overlooking the colony. "We finally have time to ourselves and an easy mission! Can't you just pull rank or something and get Jasper to leave us alone?!"

"I tried, but she insists on being nearby."

"Steven. We have been working for eight months straight." Connie continued, grabbing her husband by the shoulders. "For six of them, we were on different planets. I'm kissing you, we're cuddling, we are going to enjoy each other's company on a beautiful, alien world!"

But shortly after planting her lips on her husband, Connie was interrupted by the big orange Gem bursting through the balcony door.

"So this is kissing!"

"That's it!" Connie screamed, drawing her big pink sword, "You've hus-blocked me for the last time!"

Steven would say something. But he knew better than to get in the way of his angry, sword-wielding wife. He just hoped the Diamonds were faring better in their endeavor of taking care of Vonvon, blissfully unaware of the horrible mistake they made at around the same time.

@artsycooky13

[cap-samwilson]

tentative review of the falcon and the winter soldier overall (spoilers under the cut): 

overall, the characters themselves are the strongest parts. my favorite episodes were episodes one and five, where the action was sidelined and instead we saw a look at the characters we loved and saw them grow. the moments with sam and bucky coming together as friends, as two guys trying to find their way in the world after coming back to it post-snap. their chemistry is awesome, and there’s a reason people love these characters - seb and anthony make them their own. 

but as soon as a story involving villains and the flag smashers and all of that came into play, as soon as the show lost itself in its own action, it lost me. the actual plot was the hardest thing to follow.

don’t get me wrong - i love, love, love that sam wilson is captain america, and i love the way the characters ended up eventually. i think sam wilson as captain america emphaizes how much steve rogers was the ideal for a very specific group of people, while being a good man. sam wilson remains a symbol of what the united states truly needs and is. i also think giving bucky barnes the space to step away from the idealized world that steve rogers wanted for him and finding his own place in the world is where he needs to be. he needs to be his own person and recover and this show allowed him to do that, somewhat. i like the direction of sharon as anti-hero, because she was wronged (though if marvel hadn’t sidelined her and emily vancamp in the first place i think sharon could’ve been something really special). her as the power broker gives us the chance to see her come into her own as a different character with a lot of give in terms of being both with the boys and against the government and people who wronged her. 

but. 

there’s just so much... mess in these episodes that’s hard to get away from. problems with story, writing, editing. i know it’s a disney show, no matter how many times sam wilson says shit, no matter what brutality happens to shock or surprise us. but this means there will always be that feeling of them holding back. what did this show really address? what did this show really give us in terms of a stance? 

what i mean is that, after watching six episodes, tfatws clearly tries to be a show about racisim. but, i don’t think i could tell you what disney thinks about racism besides “racism bad,” and i don’t think i’m supposed to know. this is the example that epitomizes it for me: what i can tell you is that john walker decapitates a guy on screen and gets a dishonorable discharge - but that’s it. john walker, a white man named as captain america, brutally murdered a man in front of millions and all he gets is a gentle hand out the door. and his best friend, a Black man told given us as his moral compass, gets his neck broken without a second thought. a Black side character gets killed to advance the character of a white man, and then... nothing. and then, in the last episode, walker gets mad at karli for saying that lemar’s life didn’t matter, but the problem is that’s exactly what disney told us by killing him.

additionally, i think this show suffers from a lot of logistical issues as well - it tries to tell what would happen if someone actually snapped away half of the living beings, but does it really? would all that would be happening if billions of people ended up back right where they started be a refugee crisis? there were five years of adjustment post-snap before all these people came back. what about food supplies after the world’s production was dramatically ramped down? clean water? housing? energy? 

in summary, this show had to do a lot of heavy lifting, or at least, a lot of heavy lifting was thrust upon it - help show us life after the snap, how horrible it’s gotten, and build us two characters that we haven’t really seen since civil war, or arguably, winter soldier. it was also supposed to address racism and talk about the climate of today’s united states, while introducing new and interesting villains and a story that we could follow, all in six episodes that barely broke 45 minutes (because i am not counting the seven minute credits in the run time). unsurprisingly, it stumbled carrying such a load with such a short run time. 

so, overall, i liked it. kind of. i enjoyed watching it. sometimes. and when i did, it was because the characters were what stuck to me, not the mixed messages of a megacorp trying to tell me what it wants me to take away. 

i want more of sam as cap. i want more bucky. i want more sharon. (i could do without zemo.) i really do want to see more of all these characters and want to see them grow and develop in their own right. i think they’ll get the chance to do that, i really do. i just hope the characters once again get to shine, and marvel sees what they have and what they’re worth. 

[bellaslilpapercut]

Eclipse reread part 2! This is gonna cover a lot of chapters because I forgot to include stuff from chapters 4, 5, and 6 in part 1 (in my defense your honor, this book is very grating to read). Awayyy we go:

1. so chapters 4-6 really could have been one chapter tbh since the plot is: Bella ditches work at Newton’s Outfitters to hang with Jake and then writes some graduation invites with Angela. She pushes her rusty old behemoth as fast as it can go through driving rain but then hangs outside with Jake the whole time so I don’t really know where the rain went. She also manages to hear Jake gasp through her closed car door! Super sonic! Anyway, Bella insists that Edward is a good guy, Jake makes Bella hold his hand, Jake explains imprinting (yuck we can skip that), and then Edward drives threateningly past Bella while she’s on her way to Angela’s house. Angela reminds Bella that, at his core, Edward is a teen boy who is Totally Jealous of how Ripped and Sexy her 16 year old best friend is. Then Alice kidnaps Bella. Fun times!

2. During the imprinting convo it becomes very apparent that Meyer thinks the worst thing that can happen to a girl is getting broken up with. Somehow Leah got the “worst end” of the Sam/Emily/Leah fiasco despite Sam turning into a “monster” and Emily getting literally mauled in the face. What’s worse is later in the book, during the “Legends” chapter, when Bella wonders if Leah thinks Emily’s scars are a form of “justice.” Yea, Bella, that’s justice. 

3. I love this Rosalie quote but hate the entirety of they way meyer writes her story. Others have mentioned it before but Meyer writes Rose's dialogue there as if Rose is an author and not like...a person telling a story. An easy fix would be to format Rosalie's story "flash back" style rather than have her narrate all the way through. Then you can include all the superfluous details of exactly what everyone's voice sounded like and all the excessive dialogue tags you want.

I also Violently Abhor this quote here:

Yea, meyer, the Hot Girl hates your self-insert because her stupid ass brother didn't have the hots for her. It just reads like weird middle school revenge fantasy "I only hated you because you were so Special!!!" Sure, sure. Also "all those females!" People don't talk like that @stephanie

4. I do love the scene when Bella “escapes” from Alice with Jake (I don’t know why i put escape in quotes, Alice could definitely murk Bella) but then that whole adventure ends with Jake telling Bella he’d rather she die than turn into a vampire. And yeah, fair buddy, but also you’ve known Bella for a long time. This should not be a surprise to you at all even a little bit. a) she mentioned it before, b) you knew she would never get over Edward even if your plan in NM had worked, and c) you’ve known that she’s fully obsessed with the Cullen’s since you started hanging out with her again. The last time you guys hung out she went on an impassioned rampage about how lovely and good and fantastic Edward is (footage not found) I really don’t know why you’re surprised that this hard-headed girl is prepared to commit to vampirism for him. She is not normal lmfao.

5. The legends chapter. Oh boy. Stephanie, Meyer, Smeyer. Honestly it might have been less offensive if she had just made up a whole new tribe to give these backstories to, for all that they have in common with real Quileute legends but actually that would still be offensive and terrible anyway. I don’t know how to describe this adequately but if you’ve ever seen G.I. Joe’s portrayal of indigenous people that’s exactly what meyer made Old Quil and Billy’s dialogue sound like. Just absolutely dripping with Mystical Native/ Magical Native trope from the content to the tone. https://mthg.org/ Because it can’t be plugged enough.  

6. The legends chapter ends with this Wuthering Heights quote:

I have no qualms with it's inclusion, if you really want to push the Edward is Heathcliff and Bella is Cathy agenda, I don't believe it but fine, whatever. But those last two paragraphs are such a dumb way to end a chapter. Every chapter ending should make the reader want to turn the page: this makes me want to shut the book (actually I did take a long break after this lmfao). Anyway, just end the quote on "drank his blood," bold those three words, and end the chapter there. Don't go back and say "the three words that stood out were... Anyway it could have fallen to any page I believe in coincidence teehee!!" That's just annoying.

7. Okay guys I hate to say it but Edward does get a lil bit of ~character growth after the first few chapters. He comes home after having Bella kidnapped (she decides not to be angry, surprise surprise) and is all "so I've been thinking about it and you're right my Beloved Angel Face or whatever, please hang out with Jacob but also wear a helmet on your motorcycle my Beloved Dumb Idiot or whatever" (paraphrase). And he also says this in chapter 12:

Which is like, man I hate when I agree with Edward but I agree with Edward here. Now I know from MS that he only wants Bella to stay human because he's creating an Unfolding Drama in his head but this bit of dialogue is really sweet. And it's funny that he thought Bella didn't want to marry him because she just wanted to use him for immortality but it's also a Dark Reminder that he's literally only romantic with her because he can't read her mind and can't tell that she's just as obsessed with his looks as the other Teen Girls TM.

8. uuuh Jasper’s Backstory Time. This is so infuriating to read for so many reasons. So we know that smeyer got Jasper’s name from a confederate memorial/ listing (from a New Moon Q&A but the link isn’t secure so I can’t share) so I know that his backstory was always meant to be Confederate Soldier which makes everything else about his characterization just baffling. Again, he was the only Cullen that was genuinely kind to Bella besides Carlisle for the entire first book and he’s still incredibly kind during Eclipse (which is another issue I have though because no one mentions again that Jasper tried to eat Bella and they stand close to each other and hang out and Bella’s never like “this is scary, this dude tried to kill me” but i digress). The point is: smeyer knew he was going to be a confederate from book 1. She never addresses that this was bad, she never has Jasper mention that he regrets his role in the war, he is the only Cullen that’s actually capable of empathizing with humans anymore (Carlisle cares but I would not categorize him as empathetic), it just... None of these pieces fit together. This is a fraught and bloody history that smeyer throws in with no thought to how it might alienate black readers (though tbh she constantly emphasizes “white beauty” throughout the series so I doubt she cares) and the editors don’t question it either. No one, at any point in time, said “Hey, steph, you know confederates fought for slavery, right?” Every black american deserves reparations. White women and men who glorify the civil war should be the first to pay up. 

9. I’m gonna jump back to chapters 9 & 10 here (target & scent, respectively) to say: no tension is being effectively built. I get it, someone stole your clothes. You’re annoyed because you have nothing to wear and Victoria is scary. But where is she? Where is the volturi? Move it along, please! This is one of the challenges of 1st person narrative because the author is stuck in the eyes of, usually, the person who knows the least. Meyer is not a talented enough author to make this interesting. Not to bring up THG again but Suzanne Collins really knew how to work 1st person. Everything that Katniss asserts with certainty throughout the series gets either confirmed or denied by the narrative, keeping it interesting. She assumes the worst of the people around her so we’re pleasantly surprised when people violate those assumptions. We’re kept on edge by how little Katniss knows and SC never gifts Katniss with more knowledge than she could be expected to have. Bella is constantly gifted with knowledge and her assumptions are rarely proven wrong. You can dig into the canon a little bit more, read the lexicon and the guide, and find all the examples of Bella being unreliable or making wrong assumptions. But within the narrative she is rarely incorrect. She doesn’t get opportunities to grow out of her false assumptions (while Edward does, at least in Eclipse). So to keep the Victoria debacle interesting, smeyer has to plant seeds like- during these two chapters- Bella thinking of Laurent and Victoria while the cullens discuss who could have been in Bella’s room. That just doesn’t cut it for me. 

This is hella long and I’m only halfway through the book. I probably should split the second half into two parts as well but based on how talented smeyer is at stretching out the mundane, especially just before the climax, I probably wont need to.