#I’m planning on having AT LEAST a trilogy at the moment to complete the story

[ailurocide]

Inland or Coastal?

Both! ^^

[pumpkinsplots]

Writeblr Intro

Hello, writeblr! I finally caved and got tumblr, mostly because I love rambling about my wips and hearing other people ramble about theirs and all of that lovely stuff, so this seemed like a great platform to do that. With that being said, I plan on posting about my wips and ocs, as well as art related to those things, so if that interests you at all, I’d love to see you stick around. Also feel free to call me either Pumpkin or Maria, it’s entirely up to you!

About my writing

I’ve found that I really enjoy writing in a variety of genres, so hopefully at least one of my wips will tickle your fancy. Though I’d say a common thing for me is that I really like to world build, so my wips tend to be sci-fi, fantasy, or magical realism of some variety. Anything where I can put my own spin on the setting is something I’m bound to enjoy writing about.

I write in third person, usually with multiple povs, and I really enjoy character driven stories.

I often like to have a wide variety of ages in the cast, and if I had to pick a favorite trope it would be found family, so that’s usually present to some degree in my stuff.

Tonally, I always include light-hearted moments here and there, even if the wip is very bleak. It provides some levity, and I think it makes the painful stuff hit a lot harder. This is probably partially why I put some thought into each character’s sense of humor.

Most of my wips are geared towards older teens and adults, but I’ll get more into content warnings when I talk about each individually, because it really varies.

I’m one of those writers that kills off a lot of characters, so this is your warning not to get attached /j

I’m demisexual, so at least one character being on the ace spectrum is like a requirement for me at this point.

I’m a plantser, and pretty bad at staying motivated to actually finish first drafts.

About my wips

Falling Up

Falling Up is a sci-if story set in the future where Earth is a utopia where inhabitants experience little to no hardships throughout their lives. The deceased are replaced with AI created to replicate them, and everything is automated to the point where people no longer need to work to make a living. This lack of struggle results in dull, perfect lives and skewed morals. The people crave entertainment, even if it means making others suffer for it. Quasdom, a miniature man made planet initially intended to be used to separate deviants from the rest of the perfect society, is used as a catalyst for entertainment. The people of Quasdom believe that those on Earth are superior to them, and that Earth is a place where any wish can come true. This leads to the tourney, a death game between groups of ten on Quasdom, being viewed similarly to winning the lottery. The winning team gets to go to Earth, after all. Being chosen for the tourney is the luckiest thing that can happen to you. There’s no hard feelings between participants, death is completely painless, and the afterlife will welcome any participants to a better life than they previously had. There’s nothing to fear, so smile and put on a show.

A large cast and lots of character deaths

An exploration of why we get so attached to fictional characters, and how fiction can have an impact on reality

Probably going to be a trilogy

Content warnings include language, some unsettling themes, depictions of mental health issues, and generally things that are more psychological. Despite it being a death game, there’s no gore, like at all. The people on Earth may be desensitized, but they aren’t accustomed to seeing blood, so the tourney is designed with that in mind

Facade

Facade is set in a world where the living world and the spirit world coexist. Due to some actions by the main antagonist, about 20 years prior to the current story, spirits started getting aggressive and sort of going haywire. They possess any person they can, turning the individual into an uncontrollable killing machine. The best defense to this was the invention of a certain kind of mask that prevents possession, and masks quickly became widespread. Since there’s no known way to reverse spiritual possession, the only solution is to kill those that are unfortunate enough to meet that fate. A group led by an anonymous vigilante known as K9 seek to find a way to reverse possession. Many enemies are made along the way, and there are countless obstacles to face.

Its setting is based on Singapore and set in the 90s, though there are many creative liberties taken

The wip is currently pretty no plot just vibes

Themes about individuality vs equality

Content warnings include language and some sexual content

Facade: After Dark

While Facade is currently no plot just vibes, developing the characters led to me thinking of the plot for a prequel. Is it a self-indulgent novella about two of the characters I love? Yes, absolutely. In summary, it’s a romance novella about the the relationship of Leijing and Iris, and their struggles in navigating the wild world of Facade. They have vastly different upbringings and experiences, but their differences bring them together in more ways than one.

I have so much backstory for this pre-established couple and I couldn’t think of a good way to incorporate it into the main story without cutting a bunch of it, so boom it’s a prequel now

I’ve found that working on a wip that’s more low stakes and simple is really fun—I tend to get stressed about my more ambitious plots, so this wip is a great change of pace

Leijing is demisexual with little interest in anything sex related and Iris is an omnisexual sex worker, and the story explores how a world obsessed with all things sex can effect both more sex-negative and sex-positive people

Content warnings include language, explicit sexual content, and potentially triggering subject matters. This is my only wip where it’s strictly 18+!

Lights Out

Sunlight is the essence of life. Without it, the world would wither away. However, a dangerous new life form of unknown origin festers in the light. With long, elegant glimmering limbs, high intelligence, picturesque precision, and a craving for flesh, these organisms pose a major threat to humanity. But for some odd reason, these creatures refuse to step into any area where the sun doesn’t touch. Much of humanity takes to the shadows, building elaborate underground tunnels for civilizations and doing what humans do best—using their resources and ingenuity to adapt.

Has two protagonists that butt heads but start to develop a father daughter dynamic. A young adult girl who’s from the underground and unknowingly part of a cult, and an older man with one leg who’s so stubborn he’d rather fight and die than flee to the darkness

Lots of creepy cult imagery and themes about religious trauma

So much banter of course

Content warnings include language, disturbing imagery, and gore

If you’ve made it this far, thanks for reading! Asks, comments, tag games, and messages are always appreciated, and I’d love to hear about your wips as well!

[juniperusashei]

The Lord of the Rings by J. R. R. Tolkien - 2/5

I have tried, and failed, to get through The Lord of the Rings once before. I read The Hobbit as a child, and was not terribly taken by its muddled prose and weak characterization! But I figured this time, if I am ever going to survive Tolkien’s entire trilogy, it’s going to have to be via audiobooks, which still took me three months to get through! I’m sorry but I just really do not get the appeal of LotR, and I think I only finished the trilogy (skipped the appendices because I was so close to giving up!) out of stubbornness, so I could tell the fans exactly why I dislike this series so much. Which I plan to do right here!

I think I just don’t understand the fanaticism over these books (and the movies, which is an entirely different conversation… they’re not good! With the instagram filter color grading and editing moments that look like a Slipknot music video!). I want to like fantasy but I feel like most fantasy ignores the actual interesting parts and instead focuses on boring worldbuilding... I feel like the literary landscape is this way solely because of Tolkien’s influence. I read this for a bookclub, and I made the point that the racial absolutism of Orcs being completely evil isn’t believable nor does it make for interesting character drama, and someone replied “I don't feel like a guy who invented like 4 languages while writing a story should be called ‘lazy’,” (if you read this blog sorry!! I mean no shade!). Which is true, but I feel like Tolkien’s interests were more in inventing languages and worldbuilding, not telling a compelling story. Most of it was fanservice, and I suppose people do eat that up, but it wasn’t a universe I felt was worth the cost of entry, unlike something like Dune which has similar levels of acclimation.

Why is it different? Dune tells the story of a local political conflict of limited consequence. Lord of the Rings attempts to tell every story in its universe, and it’s exhausting! What’s more, the whole time I could not tell what the actual consequences of Sauron getting the ring would be. I find these sorts of undefined, metaphysical high stakes completely unrelatable and therefore uninteresting (when contrasted with something like Star Wars, where the worst case scenario is a shitty president, something we can all relate to.)

What’s more, I found the pacing completely bizarre. My favorite volume was probably The Fellowship of the Ring, because the culture of the Shire was charming and interesting. The Two Towers was my least favorite, and I was baffled by the decision not to intercut the two volumes (which the film adaptation at least remedied). I completely zoned out during the entirety of the Rohan drama, with my attention regained a little when Gollum finally showed up. (Sidenote: the audiobook narration by Andy Serkis was absolutely incredible, and at times was the only thing holding my attention. He does every character’s voice different in a manner recalling Jim Dale’s Harry Potter, and at times it could be described more as “acting” than “narrating”!) The third book was somewhat baffling to me. I enjoyed Sam and Frodo’s bickering gay married couple dynamic (with Gollum giving adopted dog vibes) but the climax of the story appeared weirdly early, and the resolution was overlong. My conclusion is that Tolkien had no idea how to pace a story and was in dire need of an editor (which is how I felt about The Hobbit as well!) “The Scouring of the Shire” was probably the most interesting part of The Return of the King because the consequences were so much less cosmic.

In the end, having spent so much time with this book, it feels weird to leave it behind, but also a huge relief because the bad waayyy outweighed the good. It could have been amazing! I think I would have loved this series if they had somehow made it gayer and also shorter.

[writing-for-life]

I totally get the frustration. As a decades-long comics fan, I wanted something like five seasons with roughly two arcs each (pretty much like they started). That’s never gonna happen, and I unfortunately had a hunch since the renewal. I honestly think we were lucky that we got S2 at all.

However, that’s also the reason why I can see what didn’t work for non-comics fans in S1 (as much as I personally don’t share that view): They want the throughline and a focus on Morpheus (and possibly someone else 🤣). Move away from Dream, and you lose viewers. It sadly is what it is, and it’s all Netflix is interested in (together with people binge-watching it. They only care about high completion rates within the first few weeks, and that’s also why DBD wasn’t renewed: It had far fewer viewers in several months than Sandman S1 in the first week (!), and even Sandman renewal was on a knife’s edge).

I also still remember when they talked about turning The Sandman into a film trilogy (that’s where all of Jill Thompson’s concept art comes from because it was for the pitch). So we were talking about heavily condensed arcs that exclusively stayed on Morpheus’ story, probably roughly six to nine hours of running time in total. And that’s why I have faith that they’ll do a decent job of S2, because they had a concept of it before and now have more running time for it than for the planned movies. Even if I bemoan the stuff that will end up on the cutting room floor. But Allan Heinberg made it pretty clear that this will be Morpheus’ story from now on, whether we love it or hate it.

I wouldn’t worry though: I am near certain they’ll do Sunday Mourning. It was in the movie concept art, too. I’m personally a lot sadder that we’ll probably only get a glimpse of Exiles because I think it’s so, so central to the message, and it’s honestly super important to me, but I’m not the measuring stick (and I still have the comics, so I’ll survive either way). But I do think they’ll give us a scene as a sort of replacement, it’s just hard to fathom what it’ll look like.

I think episodes 7-12 will mostly be TKO to be honest (my guess is four of them). Maybe two episodes of The Wake and the rest (I have a strong feeling they will give us Shakespeare as bookends of sorts: A Midsummer Night’s Dream at the start of S2, The Tempest at the end).

So while I would have loved to get all of it, I’m also hopeful it will still be good and at least not end with a cliffhanger. Because with all that’s been going on, I really think we would have finished the whole thing after a season 2 of SoM and AGoY if they had stuck with the concept of S1. As in: 100% sure it would have been cancelled, for several reasons that don’t only have to do with NG.

So I’m trying to see the positives: We’re going to see it through to the end, plus we deplatform NG moving forward (because this was already done way before that even became an issue). I love this story with all my heart, but I feel much more ambivalent about giving him a platform from here onward. And I think since The Sandman was never his IP to start with, they can simply scrub him off further S2 promo involvement, but I wonder what would have happened if there had been more seasons in the pipeline.

So, albeit said with a slightly heavy heart: I think this is the best solution all around. And when I get these moments of feeling slightly pissed off, I remind myself that I survived something like 30 years (yeah, I’m ancient 🤣) without the series, and that the comics will always be my first love (Netflix still sucks though)…

Sandman Speculation Thoughts

Ok...

So, a bunch of us have been going back and forth on the Sadman Discord Server, trying to figure out if Season 2 will be the end of The Sandman.

With the confirmation that the character of Kris will appear in episode 6 (please check out THIS POST by @writing-for-life for more detail and info. They go into deeper depth on this and have some pretty good speculative posts as well), it looks as though the story will end with season 2.

I... have some complicated thoughts on all of this, and fuck it, it's tumblr so I'm gonna just share them.

With the corporate streaming culture of canceling a show after 2 seasons (or even LESS) because of capitalism, a lot of us saw this coming.

And yeah, ok, the show runners, writers, and cast and crew are doing everything to make sure the rest of the story is completed in that time. And this post isn't to jump on them. They are all in an impossible situation, doing the best they can considering EVERYTHING.

However, FOUR major storylines (one of them being The Kindly Ones - a DOUBLE length story) are being shoved into ONE 12-episode season.

That means we are getting 3 episodes each MAXIMUM for Season of Mists, Brief Lives, The Kindly Ones, and The Wake. In fact, it may even be less in some cases because we've also got Midsummer's Night, A Song of Orpheus, parts of A Game Of You AND possibly even Thermidor confirmed.

Oh, and from what we've see, we also have Death: The High Cost of Living.

Again, I am happy that we're actually getting the rest of the story on screen. But also, it looks like it's going to be SO RUSHED. There are so many stories being added into a short 12-episode season, I'm so worried about what the cost of that will be.

We're already missing out (as far as we know) on SO MANY rich stories from Fables and Reflections and World's End. What else has been cut?

(Not gonna lie... a part of me is terrified that Sunday Mourning ---my favourite story--- is one story we'll lose out on because of all this rushing).

I don't know. I might be overreacting. But I've also just come from The Umbrella Academy Season 4 (another AMAZING story ruined for the sake of The Suits demanding that it wrap up quickly).

I'm just... I'm so fucking tired of good stories being built up and canceled in favour of soulless, bland, background movies/shows. This isn't to shame if you like that kind of show. To each their own. But those of us who love stories like Dead Boy Detectives, Shadow and Bone, Kaos, and even Lockwood & Co. should be allowed to get the 4-5 seasons that shows like Emily in Paris gets.

Yeah, I know, I have to just wait for the season to premier and reserve my thoughts until then. But past experiences with Netflix's bullshit have made me more than a little wary.

Thanks if you've took the time to read my rant. I'm just exhausted, and I don't see myself keeping Netflix once The Sandman Season 2 is finished. Enough is enough.

[thebellekeys]

Matthew Fairchild: Beauty and the Bottle (Meta)

Alternately entitled Matthew is still in love with Cordelia in the Epilogue, or, The Love Triangle made sense thematically, or, Matthew’s character arc was just excellent in ChoT, or, Matthew as one of Cassie’s best.

Feel free to stream Pomme while you read. 

Okay, so now that we’re post-ChoT, I’m starting a new meta series where I break down some of the characters and the issues I had with The Last Hours trilogy now that it’s complete. In this post, I’m exploring the intersection between the Fairstairs, Matthew’s alcoholism, his characterization, and Oscar Wilde (the man). I’m starting off with Matthew, who’s my favorite character in the trilogy and like, my third favorite TSC character ever. This is a review and analysis of his character arc in the series as well as some of my opinions on his character. (N.B. there’s a lot of gushing and simping here. The other ones I have planned are not even remotely as flattering.)

How Cassie writes Matthew

All in all, I thought Matthew was the best written character in TLH and in Chain of Thorns. I thought that his character had a clear-cut narrative arc and that his character also remained consistent from start to finish. Matthew feels well thought-out because he’s fundamentally a character of enigma and a character of subversion. It felt like Matthew was real and wasn’t just a sidekick or an unwilling hero. But moreover, I find that from the midpoint of Chain of Iron, Matthew changed the trajectory of the story completely. I don’t mean in the sense that the love triangle was formed and got in the way of Jordelia (okay, I guess), but rather that Matthew’s character arc threw both James and Cordelia’s own arcs off guard, out of their orbits. This was for the better.

Enigma - It’s incredibly interesting that we don’t know what Matthew thinks or feels, at least not really, due to no Matthew POVs. We got a couple of pages in ChoG from his POV, but that was only to show the Grace kiss, and that was only because we couldn’t have gotten anything from Grace’s POV so early on in the trilogy for obvious reasons. And besides Cast Long Shadows, we got nothing else using Matthew’s narration in the trilogy. Nothing in ChoI or ChoT at all, at the very least. Like… that’s fricking weird, isn’t it? Not weird in the bad way, but weird in the sense that you have characters who are significantly less influential in the main plot/in the Jordelia plot, like Anna or Ari, who get POVs literally all the time. And yet, we never really know what Matthew is feeling at any moment. This is actually awesome. By giving us less of Matthew in the POV, Matthew becomes a larger-than-life character in the story i.e. he’s outside of the reach of the reader; he’s almost untouchable despite being, in my opinion, omnipresent in ChoT. I find it hard to believe people don’t see Matthew as a compelling character by default.

Subversion - Indeed, I was not kidding when I said Matthew is vaguely omnipresent. He is, kind of. He literally threw the Herondaisy ship off its course in a considerable way. His alcoholism and increased depression were always in the back of every character’s mind, and yet, we didn’t really get a peep out of Matthew until we did, and when we did, it always packed a punch. I think the fact that Matthew hides his feelings and his innermost desires is an effective trait that Cassie plays on time and time again by not giving us his POV. We’re always getting a reveal from Matthew, or an unanticipated act from him i.e. “love is a creeping vine”, him going to Edom with James. I know this is partly due to the alcoholism, but it’s a smart narrative choice nonetheless. Matthew is always important without his importance being immediately shoved in our faces: Matthew was instrumental in both the Thomastair arc and the Jordelia arc.

Matthew and Alcoholism

I was really pleased with the way Cassie dealt with Matthew’s addiction and his trauma. The scene where he tells Charlotte about the potion business should have been an extended scene, but everything else was amazing. Cassie absolutely needed to put Matthew through the wringer in ChoT for all of his foreshadowing as being a beautifully tragic young man to make sense. In fact, I had anticipated it would be way worse than it actually was, but alas, it’s fine. I like the way that Matthew absolutely did not have an easy time in Chain of Thorns. Every time you thought the withdrawal symptoms were manageable for him, he either drank again, or got hurt in some way, or simply couldn’t manage the withdrawal symptoms at all. It also was the factor that ended Fairstairs, which was important, as Matthew was becoming, in Cordelia’s head at least, a potential reincarnation of her father. Matthew’s alcoholism was as realistic as possible, at least in the context of a YA paranormal fantasy book. Cassie didn’t sugarcoat or water down what Matthew was facing nor its consequences on his relationships, and good.

Matthew and Cordelia

I maintain that by the Epilogue, Matthew is still in love with Cordelia, that he's leaving in part because of his feelings for her, and that she's very much aware of this (the stone thing seems metaphorical). This is why I say that Matthew's arc is bittersweet: his love will indeed remain unrequited and he has to live with that, at least until he inevitably moves on. He does not have the chance that Jem will inevitably have with Tessa in 100 years. He's leaving James and Cordelia for a reason, because he knows it will hurt to live and have to see it every damn day (in the same way that he was actually gonna run off to Paris alone and by himself at the end of ChoI anyway, before Cordelia has busted in).

In my opinion, the Fairstairs arc was excellent, from a holistic perspective. I will talk about this more in Cordelia’s meta piece, but essentially, Matthew symbolizes the self-liberation trope as it relates to Cordelia (James symbolizes stability and safety). For Cordelia, Matthew is kindled fire where James is eternal cool, Matthew is the bacchanalia where James is the hearth, Matthew is the Bohemian where James is the Gentleman’s Paragon. As you may have noticed in some of my previous posts on this topic, Matthew exists to provide an avenue of freedom for Cordelia: freedom from rules, from Edwardian morals and etiquette, from judgment, freedom from repression - he subverts Cordelia’s expectations of how her own life can play out. It’s for this reason that Matthew is characterized as the hedonist and as the decadent, and why we’re reminded of it time and time again by Cordelia herself. Matthew, by nature of the subversion that we’ve covered in the earlier section, was the ideal choice to whisk Cordelia away from the path she’d thought was carved out for her. If James and Cordelia are two stars locked in each other’s orbit, Matthew is a golden comet that appears out of nowhere but whose power you cannot deny.

If Matthew effectively symbolizes self-liberation and his character plays purely on subverted expectations, then Cordelia not having Matthew and Cordelia rejecting Matthew (Jordelia stans, look away now!) represents the end of Cordelia’s quest to escape society, to escape society’s inherent restrictions, hierarchies and repression, and the end of her quest to attain self-liberation to the fullest. Cordelia has chosen the least subversive path possible at the end of her story and has chosen to stay in orbit after all, and great for her! Matthew, to paraphrase Oscar Wilde, will always represent to Cordelia all the sins she never committed, all the choices she never really made, all the opportunities she did not take, and she will always be fond of him for that. Regardless, Matthew was not in a suitable mental place for any relationship in ChoT (see the previous section on alcoholism) and we’re reminded that this freedom that Matthew symbolizes came with a caveat after all. Plus Herondale love runs true yadda yadda. But let’s not pretend that anything is given for nothing - Cordelia indeed has lost something very big by the end of ChoT, and it’s very bleak if you look at it with a microscope… but this isn’t Cordelia’s post! On we go!

Matthew Fairchild as Dorian Gray

So, Matthew is absolutely Dorian Gray. Starting with the physical or immediate similarities, we do notice that Matthew is lean and tall and blonde and angelic, looking the way Dorian is described in the text (we as a society must never let a certain actor, bless him, let us forget this). Dorian makes a deal with the devil to stay young and beautiful forever, while Matthew purchases a truth potion from a sketchy fairy because his trust in his mother faltered; this is the crux of Matthew’s central conflict (which will always be directly proportional to Alastair’s own conflict in the story). Dorian's horrid painting hidden in the attic is Matthew's grim secret about what later happened with the potion. Dorian is a murderer, and Matthew sees himself as a murderer (he isn't one, but he absolutely believes it). Dorian has sold his soul, and Matthew thinks his own soul is forfeit. Both Dorian and Matthew live for the sake of art, freedom, amorality, and beauty. After all, Matthew's key tenet in life is to do “mad, wonderful, colorful” things. But a hidden darkness and silent suffering beneath the obvious beauty are intrinsic in Matthew's character. Matthew turns to the bottle to cope with his own painting in the attic. The fact that Matthew is also bisexual, eccentric, a lover of Oscar Wilde, and positively adored by everyone he interacts with whosoever are also signs of his parallels with Dorian Gray. Both Matthew and Dorian prioritize extensive travels as a means of attaining these mad, wonderful, colorful experiences - Dorian, like Matthew, had fled London to tour the world and gain all the experiences he could gain with his newfound gift. Likewise, Matthew and the Fairchilds having an ever so tangential link to Faerie (even if it's by virtue of his own character descriptions) also helps us picture him as eternal and larger than stuffy London life. Matthew's beauty - beauty of body, beauty of soul, beauty in suffering, beauty as a mere pursuit - is simultaneously Matthew’s core value and core trait. 

But Matthew Fairchild eventually supersedes Dorian Gray. Dorian did not ever have the heart or soul or courage to look his own sin in the eye or to acknowledge the equilibrium that must exist between body and spirit. But Matthew finally opened up that dusty attic by the end of Chain of Thorns and looked the worst of himself in the face. And so, Matthew will retain that grace and beauty and light that is now forever out of Dorian’s reach.

Concluding Thoughts

Matthew is a character who we crave more of by virtue of Cassie’s choice to give us less of him than we would anticipate, especially considering that he’s one of the four cornerstone characters of The Last Hours. He's one of the few characters in ChoT specifically who didn't constantly make me envision Cassie just pulling strings and making things happen out of nowhere. Matthew is aesthetically beautiful on the outside and by consequence, it’s easy to merely watch him flirt with the joy of living like you’re watching a play, which is rather fitting for a character who is timely linked to stagecraft and who claims he would have been an actor in another life. But the other Matthew on the inside is also equally beautiful and shining, and he shows his capacity to love, suffer and still come out on the other side of it all with his cracks glowing gold like kintsugi. In this way, Matthew Fairchild is as relatable to us as he is still untouchable. And that’s fricking awesome.

[screamingatanemptyroom]

Please Fix the Story pt 26 - The Higher Realm

The Higher realm continues. So close to the end!

Master post linked here

Enjoy!

______________________________

Time passed, but it was difficult to tell how much. Time worked so differently in the different realms. How long did we really spend trying to save one lower realm? Minutes? Decades? It felt like no time and forever. Adonis and I traveled to lower realm after lower realm, fixing the stories, stabilizing the world before heading back to the higher realm.

Some lower realms were easy, if a bit annoying, such as the high school dramas. In those I would often play the “average” new girl at a school. I would meet new people, and was supposed to go on to have romance, betrayals and coming of age realizations. I quickly realized that befriending all my supposed romantic leads instead of dating them, reconciling with my rivals instead of humiliating them, and pushing towards success all together was a much more satisfying strategy. Fortunately, graduating valedictorian with a happy and psychologically healthy group of teenagers often stabilized worlds that had been torn apart by half-baked character design or infighting between rivals.

I took calculus so many times that I could recite lessons in my sleep, but at least the worlds were saved. Despite our success, however, Adonis was often frustrated. He had his own vision of how we were to save these realms. His plans almost always involved us dating, making the high school romance “successful”.

I refused.

He had been a lot more likable since our first meeting, and I was able to consider him a close friend and ally… but I felt uncomfortable at the idea of even pretending to have a romantic relationship. It was definitely a more difficult route to stabilize the world without a romance, but I chose it every time. Adonis pouted and complained, but couldn’t argue with success, and I was successful.

Some lower realms were more difficult. In particular, zombie apocalypse stories were my least favorites. The worlds often couldn’t be stabilized until a cure was found or humanity’s survival was assured. This meant that Adonis and I sometimes spent decades within these realms, working to build armies, or teams of scientists. There was hardly ever any running water, which meant showering was few and far between.

My unwashed self was made even filthier by my absolute failure at using anything with range. Bow and arrow, guns… anything that would keep me out of the gore, I couldn’t hit even the largest of monsters. Fortunately I picked up a sword with relative ease, which allowed me to fight… but this also meant I got covered in rotten blood and guts.

I hated zombie worlds the most.

Realm after realm. We worked constantly, spending very little time in between in the higher realms. Adonis would often try to use those moments to push his ideas regarding fate and the higher realm’s story, but as soon as I rejected him, which I did every time, he would simply scowl and pull us into the next lower realm to save.

It was getting old.

“How many lower realms are there?” I asked one evening as we recovered from our latest mission, rubbing my sore shoulder where I had taken a blow in the last sci-fi alien battle. The wounds disappeared with the realm traveling, but my mind still could feel the wound, projecting the pain long after I had left that form behind.

Adonis leaned back in his chair, his grin a little too bitter to be a natural expression. “How many unfinished stories are there? Infinite, Bel. There are infinite lower realms. We will never be able to save them all. Not like this.”

“It’s not like there’s a lot of options.”

“There are options. You just don’t want to hear them.”

“What, this fate you keep talking about?” I sighed, closing my eyes, tired. “ It sounds like a terrible idea.”

“It’s not.” His voice was quiet, but the intensity shown through all the same. “It’s our duty. Everyone’s survival depends on it.”

“But what you’re saying is: we follow along some sort of script…”

“Fate.”

“…fate… here, in the higher realm. And that is somehow supposed to fix the lower realms?”

He chuckled. “You’re oversimplifying it, but pretty much. We follow our fate, and the heroes of the lower realms will find their happiness tied to ours.”

“What if they don’t want that ending? What if they don’t want that happiness?”

“Of course they do! Everyone wants a happily ever after with their destined one.” He snapped. My eyes flickered open to study his enraged expression.

“I don’t.”

“You’re selfish!”

I shrugged. “Am I? If you’re right, we submit to fate here, everyone in the lower realms gets an automatic happy ending… but most of those worlds aren’t breaking because they don’t have a happy ending. They need a wider world, different ideas… and what about the side characters, even the villains… what about their happiness?”

“They don’t matter.”

“Why not?” I raised an eyebrow. “Just because they’re the villains?”

“They’re evil.” He stood up, trying to tower over me. An intimidation tactic, one that might have worked before we’d spent countless years fighting in life-or-death battles together.

“Have you met the heroes and heroines of some of these realms?” I laughed. “They’re not much better. I don’t think these roles are as clear as you would like them to be. And I don’t think you and I having a happy ending together, and forcing a simplistic ‘and they lived happily ever after’ on all the lower realms will actually fix them. In fact…” I stood up, and he stepped back slightly at the danger in my tone. “I bet we would break them all the more. Are you really so foolish as to think that saving a universe of worlds would be so simple?”

“…” Adonis was gritting his teeth, his hands clenched so tightly the knuckles were white. But I didn’t back down. Didn’t step back. I knew he wouldn’t hit me. He wouldn’t dare step out of the role he imagined himself to be in. Wouldn’t dare cross a line that might ruin his chances at the happy ending he seemed to crave so desperately.

“…” The silence stretched on between us. We were at an impasse. He wanted to follow fate. He wanted clearly defined roles and rules to follow. And I?

I wanted freedom.

*** Soul transfer 11% complete. ***

It’s been forever since I last saw those words… I thought it had disappeared. For some reason, I felt a deep sense of relief at the glowing blue sentence. Something within me had frozen during these many trips to the lower realms, but finally it was growing again.

“The next world is waiting.” Adonis spoke up, his tone flat. I noticed an odd shifting of his gaze, a reluctance to meet my own, and felt a sense of unease.

I won’t like this next world. I cracked my knuckles and gave him a thumbs up. Well, no sense running from a challenge.

We left.

______________________________

I woke up in a luxurious canopy bed. Staring up at the fabric , I raised my arms and have a cheer.

“YES! NOT A ZOMBIE WORLD!”

On the downside, the setting appeared to be a more primitive era, medieval at best, which meant no running water, but at least I appeared to be noble or wealthy.

At least if I suffer, I’ll be clean while I do it!

“Princess?” A young woman dressed as a servant entered the room, seeming very confused. “Are you all right? I heard you yelling.”

I smiled brightly at her. “No worries. It was just a nightmare.”

She visibly relaxed. “Even so, you seem in a much better mood, if I may say so.”

“Really?”

“Yes, you haven’t broken a single thing this morning.” She, unfortunately did not seem to be kidding. “I’m so glad you’ve accepted your father’s decision.

I didn’t have my character’s memories yet. I needed to accept the mission first. In the meantime, acting too out of character could destabilize an already poorly functional world.

“I’m still… thinking it over.” I spoke up cautiously.

“It’s not so bad, your highness.” She smiled at me. “Most young girls feel a little uneasy when their father arranges their husband. But you’ll be happy. I just know it.”

Arranged marriage?

“After all, Prince Harold is reported to be a true gentleman, a might warrior, and a handsome young man!” She sighed dreamily. “Any woman would be thrilled for a chance to be his bride.”

“I’m. Sure.” I spoke through gritted teeth, the satin sheets crumpling in my grip. Adonis, when I find you, I’m going to make you regret every life decision you’ve ever made… and the ones you’ve only considered making. What kind of lower realm did you land us in? As I plotted my revenge, the mission screen popped up.

**** NEW WORLD: A Divided Kingdom****

This is a romance fantasy story featuring a prince and a princess from different kingdoms, putting aside their differences to save the world.

“I already don’t like this.” I muttered.

The Princess Alaire of the Yenlar Kingdom was a clever, independent woman, horrified at the idea of an arranged marriage. Prince Harold of the Bestion Kingdom felt differently. He fell in love at first sight and vowed to woo the young maiden. The couple was different in almost every way, and seemed destined to bicker and fight.

“Then how about we don’t get married?”

But fate had other plans…

“Of course it did!”

A terrifying beast threatened to destroy both their kingdoms, and to survive, the political marriage had to go forward. Uniting the kingdoms, and therefore their armed forces, was the only way to save their people.

However, despite the happy ending, the first book was not well received by readers and the trilogy was abandoned due to poor sales. The reason given was that the romance was “forced” and unbelievable.

Your mission is to bring a satisfying end to the story, while making ensuring the survival of both kingdoms.

**** DO YOU ACCEPT THIS MISSION? ****

YES? NO?

“Quick question.” I spoke quietly to the glowing words in front of me. “Do I have to marry the prince to ensure an ending?”

The kingdoms will not unite without the political marriage.

“That wasn’t what I asked. I asked if I HAVE to marry the prince. What if I can save both kingdoms without a political marriage?”

The stability of the world is all that matters.

“No lecture on the necessity of fate?”

**** DO YOU ACCEPT THIS MISSION? ****

YES? NO?

I grinned. “Sure. Let’s do it.”

As the words faded away, I jumped out of bed. My head spun slightly as I accepted the memories from the poor princess of the original story.

She had not been happy.

She had dreams, ambitions. The Kingdom of Yenlar allowed for women to inherit the throne, and as the firstborn she was ready to take over from her father, to rule her nation. She had spent her entire life preparing. Studying law, economics, warfare…

And all of it had meant nothing in the end.

She had begged for a political treaty. One that did not involve marriage. The Kingdom of Bestion had refused to even discuss it. They stated that there was too much distrust between the kingdoms to move forward without some sort of permanent assurance. Even the threat of annihilation from the ancient beast of legend wasn’t enough to have them reconsider. That wasn’t the full story, though.

Later she discovered that Prince Harold had seen her at a party. He had supposedly fallen in love with her at first sight, and became determined to marry her. He had learned of her plans to marry a minor noble, one who would support her position on the throne without causing an imbalance of power within the nobility. He had no chance, as far as she was concerned. The threatened destruction of their people was just the perfect opportunity to force the matter.

She had lost all power. Becoming a figurehead, a beautiful statue beside the true king, Harold. He ruled over both nations with an iron fist, treating her own people more harshly, much to the approval of his staff. She slowly became bitter and deranged, watching the destruction of the people and the nation she loved so dearly.

Beyond the end of the first book, when the realm’s story ended, she had attempted to poison him and failed. Harold had been disappointed, but felt that she still had use as a figurehead. They faked a stroke, and kept her mute and weak with poisons. A lovely doll. A perfect figurehead.

…is this a fantasy or a horror? Sheesh, no wonder the trilogy wasn’t going to sell. I shuddered, still standing awkwardly next to the beautiful bed that had belonged to a lovely young woman.

I will change this story. I spoke silently to the memories, feeling a sense of relief that didn’t belong to me as I did so.

First, let’s try to reason with Adonis. He and I had worked together in multiple realms, side by side. We were friends. We may not see eye to eye when it came to our approach towards fate and the lower realms, but he had never forced me to do something I didn’t want. He had always respected me and backed off when I said no, even if it made him unhappy.

Hopefully this time will be the same. I thought uneasily. Hopefully he will listen.

______________________________

“No.” His tone was gleeful, but his face was calm, towing with a silver goblet rather than meeting my gaze.

“Are you joking?” I leaned forward, keeping a gentle smile on my face to fool the guards and our fathers who sat on the other end of the enormous dining table.

“I’m perfectly serious, Princess Alaire. Our kingdoms face certain doom at the hands of the ancient beast. The only way to survive is to work together. We can only work together if we trust each other. The only way the Kingdom of Bestion will trust the Kingdom of Yenlar is with a marriage alliance. It’s out of my hands.”

I reached forward and took the cup from his hands, forcing him to look at me. “Why are you forcing this, Adonis? You know it didn’t work out so well for the originals.”

“Careful Princess.” His eyes glanced over at the nearby guards. “You don’t want anything to destabilize the situation further, now do you? Better to act as a proper princess should.”

“Answer the question. This plan already failed. Why do you think it will work?”

“Simple.” He leaned forward and plucked the goblet back from my hands. “We’re different. You may not want to admit it, but we have spent lifetimes at each other’s side. Growing up, going to school, facing enemies, fighting together… we could make this work. It would be a wonderful ending.”

“You know what happened to Alaire after the first book.”

“I would never do that to you.”

“But you are.” I growled, wishing I could punch him. “You are trying to make me a beautiful figurehead, just like Harold did to Alaira.”

“We would rule side by side.”

“What use is that promise, if you are already ignoring my wishes and forcing me to do this in the first place?”

He shook his head. “You have to trust me. This is the only way we can defeat the monster, and stabilize this realm. We’ll save this world. Together.” He smiled. “It’s our fate.”

I threw a plate at him, forcing him to fling himself on the floor to avoid injury. Walking out, I ignored my father’s shouts of rage. Picking up a bag I had packed ahead of time, just in case, I changed into some light armor, grabbed a sword, and headed out into the forest.

If I couldn’t win by a political alliance, I was going to find another way to save the world.

I was going monster hunting.

I searched Princess Alaira’s memories of the legends and stories, going out in a northern direction towards the area known as Death Valley.

As I marched onward, my thoughts wandered over the time I had spent since I had woken up in the Higher Realm. I couldn’t help but feel disappointed with Adonis. He might truly think that he was saving the world by insisting on going through with the marriage, but his lack of willingness to even consider other options was frustrating. He was the only person consistently by my side through every one of these worlds, someone I considered a friend, and being unable to rely on him served to make me feel all the lonelier.

My mind briefly touched on the assassin of the first realm, Liam. I had thought with his comments and actions that he had known about my mission… that he might be from the higher realm too. But no matter how much I looked for him, no matter how much I hoped to see him again, I never did.

Maybe I was wrong. Maybe he was someone from the lower realm, and I’ll never have the chance to see him, to thank him.

I felt a sense of despair. How long can I keep doing this? Is this why Adonis preaches following our fate so much? Is he as tired of traveling, tired of the missions and the different lives? Is he just hoping to end all this?

I sighed, keeping moving. I’m not that tired, not tired enough to sacrifice my freedom. Not yet, anyways.

It took several days of traveling. Fortunately from my years of experience in zombie worlds, I was well prepared to survival in the wilderness. At least here the rivers were clean, allowing me to bathe occasionally. Finally I was at the entrance of the valley, staring up at the pillars on either side.

There were ominous words carved deeply into the stone.

Only death lies ahead.

I stared at the words silently for a few moments, and then shrugged.

“Still better than marrying Adonis.”

I moved forward.

______________________________

The valley was dark, a deep fog settled in permanently, apparently unaffected by the weather beyond its borders. Dark twisted purple trees rose all around me, their roots tearing through the earth desperate searching for nutrients. The valley was quiet, suffocating in an unsettling silence. My presence there felt like an intrusion, my instincts screaming at me to run away, to escape.

I kept moving.

There were no other signs of life. But I knew at least one other being lived here, the reason why nothing else dared to.

The Ancient beast.

There were no descriptions of it in the legends. Just that it was deadly, enough to take on entire armies. And that it was terrifying.

I feel like I should have seen something by now, if it was so large. I sighed, sitting on one of the trees, staring up at the mountain ahead of me. Shouldn’t it be easier to find an enormous beast that terrified an entire world?

…

Wait.

I looked up, struggling to see the top of the mountain in front of me.

I’m in a valley…

The mountain moved up and down, with regular motions.

There shouldn’t be a mountain here.

It was breathing.

I drew my sword, inwardly despairing. I had underestimated the sheer scale of the monster. I had thought it would be the size of a house, an elephant. Instead it towered stories above me, unimaginably large.

I was doomed.

There was a rumble as the beast in front of me shifted. I couldn’t tell the shape, just an impression of scales and spikes. Slowly, something lowered down in front of me, stretching forward in all directions, filling my vision. I saw teeth larger than my own body, the white of them contrasting with the dark fog around us. As I prepared myself for my death, an eye opened to stare at me.

It was a beautiful dark blue.

“…”

Suddenly, I felt relief. It was incomprehensible. I was standing in front of an ancient beast, enormous and terrifying, and instead of fear and dread… I felt safe.

I raised a hand, almost despite myself. “Hello there.”

The eye blinked. I comforted myself that it hadn’t eaten me yet.

“I think you look awesome. I’m Princess Alaira from the nearby kingdom of Yenlar. I actually came here to kill you, to protect my people… but now I realize that you could crush me like an ant, and that was a bad plan.”

The eye blinked twice. It seemed more confused than anything.

“I have a much better plan, if you would be willing to listen to me.” I let out a laugh, slightly startled at how… villainous it sounded.

*** Soul transfer 20% complete. ***

The creature let out a sound like thunder. I felt that it was laughing too.

______________________________

The wedding was this morning.

I was surprised as I drew near to see the party going. You would think that after I disappeared, they might have canceled or delayed it. I assumed that Adonis had felt sure that I would agree with him in the end. That I wouldn’t be able to let the world end just because I didn’t want to marry him.

Well too bad, buddy. This princess has a different plan in mind!

I could see him, standing on the elevated stage before two thrones, waiting. I couldn’t see his expression from this distance, but I imagine he was barely hiding his worry. Alaire’s father and Harold’s father were also waiting on the platform, their postures betraying their impatience.

“Let’s get this party started!” I yelled.

ROOOOOOOAAAAAAR!

The ancient beast let out a triumphant roar as he flew closer and lowered his head, letting me jump down onto the platform before landing behind me, a large, threatening mountain of a creature.

“Alaire?” The king called out, confused. “What are you doing?”

“Hello, Father.” I also nodded to Adonis, who stared back.

“What is this?”

“Your daughter is a witch!” The King of Bestion shouted, drawing his ceremonial sword. “She betrayed us!”

“Hold on, father.” Adonis held out his hand, stopping his attack. “I’m sure it’s not what it looks like.”

I grinned.

“Nope. It’s exactly what it looks like. I’ve teamed up with the Ancient being. We’re friends now.” I gestured at the monster high above us, who let out a grim chuckle, shaking the ground. “So now I make the rules, got it?”

“…”

“I’ll take everyone’s stunned silence as happy agreement! Now, first rule: Wedding canceled.”

“What?”

“What?”

“You can’t do this!”

The three other royals on stage shouted simultaneously. I simply pointed again at the enormous creature.

“I can do whatever I want. The big scary monster behind me says so. Next, the kingdom of Bestion will surrender to me, as will the kingdom of Yenlar.”

“You want to rule the world?” Adonis’s gaze was… disappointed. I grinned shamelessly. “Nope. But here’s the thing: Our kingdoms face certain doom at the hands of the ancient beast. The only way to survive is to convince the monster not to kill us. The monster only trusts me. So I have to rule both kingdoms.” I shrugged. “It’s out of my hands.”

I threw his words from earlier back at him, and felt satisfied as he winced in recognition.

“We… surrender.” His words were quiet, defeated.

“You unruly child!” My father tried to shout, but a roar from the monster above us silenced him. He quickly surrendered too. I accepted both surrenders, quickly organizing the meetings to bring our governments together under one rule. Fortunately, the princess’s years of study served me well, guiding me smoothly through the process.

______________________________

I had one more confrontation with Adonis, the night before the coronation. He was escorted to my rooms by guards, saying he had a request. I hesitated briefly, but allowed him in, waving the guards behind the door so we could speak freely.

“What was that?” He shouted as soon as they had left.

I stayed sitting, forcing myself to be calm. “I fixed the story.”

“You ruined everything! Even if it stabilizes this world, it will ruin it in the long run.”

“Says you.”

“Trust me.” He threw up his hands as he paced back and forth. “Everything will go a lot smoother if you STOP CHANGING THE STORY.”

“I thought that was why we were here, though?” I sighed, leaning back in my chair and cleaning my nails with a blade. “To fix the lower realms, to save these worlds? That requires change, right?”

He paused in his movements, glaring at me. “Stop acting stupid. These worlds are broken because they didn’t follow the rules. We have to follow them perfectly.”

“I don’t want to though.” I shuddered. “No offense, but if the story is going to require us to have a romantic relationship, I’m finding an alternate solution.”

“That’s what the story requires, you have your role to play. You know the consequences of not playing the right part.”

I sighed. “No, there’s always different paths to take. You’re a good friend, and I’m glad to have you by my side, but that’s different than love.”

“…”

“You clearly don’t love me either, so why are you making such a fuss about this? As long as we complete what we came here to do, that’s all that matters, right?”

“…”

“Right?”

Adonis stepped closer to me, his atmosphere slightly threatening. “Why are you so different from what you are supposed to be?”

“What are you…?”

“Why can’t you just accept.”

His hand grabbed my wrist, the grip painful.

“your.”

He pulled me closer until our faces were inches apart. His bright blue eyes were blazing with anger as they stared into my own.

“fate.”

Letting me go, he walked away, putting some distance between us, before turning back to face me.

“This lower realm is stabilized. We should return.” His smile was cold. “The next mission is a little different from our previous ones. We’ll talk about it later.”

“…”

“And next time…?” He laughed, a bitter sound. “You’ll play your part whether you want to or not.”

THUD.

The blade in my hand threw through the air, stabbing into the wall inches from his face. I smiled cheerfully as he looked back at me, shocked.

“Try touching me again, and I’ll cut off something you’ll miss. We’ll discuss missions and roles again in the higher realm, but for now?” I rang a bell and guards came in, escorting him out. “I have a coronation to plan.”

______________________________

My coronation was held outside so that the Ancient beast could stand behind me. It seemed cheerful, letting out victorious roars and swaying from side to side. The people cheered as well, seeming a lot happier than I expected them to be. I guess they’re relieved that they won’t be eaten by the giant monster? I wondered idly how I was going to incorporate the creature into the day to day life of a monarch. For an odd reason I had very little doubt that the monster would stick around.

However, all my plans came to nothing. As the crown was placed on my head, bright blue words formed in the air in front of me:

100% complete.

**** You have finished the mission! ****

It was time to go.

At little sad, I looked up at the ancient monster above me. “Thank you, friend for your help. I wish I could stay with you longer.”

A mournful cry echoed through the world. It seemed to understand that I was leaving. Before I could say anything more to reassure it, the world around me shimmered and disappeared.

Only to reveal a furious Adonis standing in front of me.

“Happy now, Your Majesty?” He sneered.

“Oof, someone’s still a little angry that I used an ancient monster conquer the world. Believe it or not, I’m sorry that I’ve hurt you. But you know why I did what I did. Let’s talk about it in the morning.”

I walked away, feeling his glare on my back long after I was out of sight.

______________________________

When I woke up, I realized that I couldn't move.

I panicked, struggling to move my arms and legs, only managing to turn my head slightly. Enough to see Adonis’s smug expression as he sat by my bed.

“It’s time for our story to progress, Bel.” His smile was strange, twisted. I couldn’t talk back, I shook my head slightly side to side.

“I’m the hero, you are the heroine. If the relationship between us can’t be advanced by working together, than it must be forged in adversity." He reached down and picked me up, carrying me out of the small cottage I had arranged for myself and into the castle courtyard. Whatever drug he had injected me with was slowly wearing off, and I struggled in his arms, finally able to shout.

“Put me down!”

To my surprise he did, and although I struggled to stay upright, I kept my balance and glared at him.

“What are you planning?”

He sighed quietly. “I’m tired of always being the one to compromise. It’s time for you to make a sacrifice, Bel. I’ve avoided this so far, worried that progressing our story this way would kill you, but it seems that it is our fate that we take this risk. It’s… unfortunate. I do very much hope you don’t die.” He paused, trying to smile at me. “Don’t worry. It’s only temporary. I’ll come and rescue you soon.”

“A sacrifice?” I felt cold, even as I stood in the warm afternoon sun. My thoughts were slow to form, possibly a side effect of the medication. “Why?”

He shrugged. “There’s an order to everything. Rules. Law. They are all that stand between us and pure chaos. No one can ignore them. Not you. Not even me.”

“Then sacrifice yourself, asshole! Why send me?”

He shrugged. “It’s your role to play, not mine. Your fate.”

“Screw fate! I don’t care if you say it’s temporary or not! Friends don’t sacrifice friends!” I was furious, still weak and feeling helpless.

His hand reached out and brushed my cheek, the touch freezing my skin. I wanted to move away but I could still barely move, only managing to glare at him. “Don’t look at me with those eyes. It’s not my fault. If you want to blame anyone, blame the story.”

“Ad…”

“Sorry, you must accept your fate.” I felt a pinch in my arm, the stick of a needle as he injected something into the muscle. Immediately darkness overwhelmed me.

“We all do.”

Everything faded into darkness.

______________________________

When I woke up, I was in a strange world, surrounded by forest. I lay on my back, still feeling weak, fury coursing through my veins.

Adonis and I had worked well together, despite arguing multiple times in the past. But now… any goodwill I had towards him was gone. He had betrayed me. Knocked me out and sent me to somewhere dangerous, somewhere I could be killed, just to follow his precious fate. To get the story he wanted.

“Are you lost?

I looked over at the source of the voice. It was a tall young man with dark hair, wearing grey, non-descript clothing. He kneeled down next to me, and I found myself staring into dark blue eyes.

“Seems a good description for my current situation.” I smiled despite the dizziness. “Nice to meet you, Stranger.”

He grinned, reaching out a hand to help me up. “Call me Liam.”

Liam? Could he be…?

“…Nice to meet you, Liam.” I laughed. “Or should I say: nice to see you again?”

*** Soul transfer 25% complete. ***

[blaberid]

halloween ends SECOND impressions

after a second viewing and a couple of nights’ sleep of varying quality i think i have gained a little more clarity... but only a little.

there will be spoilers this time!!!

i think i’m having such a hard time figuring out how to even feel about this movie because honestly... there were things i liked and things i disliked and it’s just really hard to make up my mind. but maybe i don’t have to. maybe it can just exist somewhere in the middle. floating around with no clear placement on my halloween movie ranking list.

it’s definitely hard to come to terms with the fact that this won’t be another halloween kills for me. i swear to frick that movie helped me through some tough times. i would reward myself by going to see it for getting further on my thesis, and over the span of a little less than a month, i went to see it eight times in total. it became the movie i saw in theaters the most times by a MASSIVE margin so it’s immensely special to me... not to mention that it catapulted me right back into my horror movie obsession after pretty much sleeping on it for many years... kind of like... michael myers himself!!

so yeah it’s been a year where i’ve been living and breathing horror, giddily looking forward to the release of halloween ends, while also dreading it, cuz after it’s out, it’ll all be over... and like i KNOW even though they’ve gone out of their way to proclaim this as the absolute final movie, we all know our slashers and how much hollywood love to bullshit but like... it’s still quite a shock to deal with... i can’t see them making more movies in the franchise for several years at least. but like. what do i know?

the moment they started advertising this movie as being “different” and that there was only going to be “one survivor” out of the two main driving forces i already started to brace myself, but i still kept clinging to the hope that it would be satisfying and that i would love it...

soooo yeah, i really truly desperately wanted this to be my halloween kills experience 2.0. and now i need to come to terms with the fact that it won’t be that.

my personal circumstances aside...

the movie was... fine. it was fun. it entertained me, kept me on edge, and introduced some interesting concepts. michael was in it sometimes and he was very cute. he even did his iconic head tilt a few times. it would have made an excellent middle movie or a side story. if i had watched it in bulk as part of my halloween movie marathon i would really have enjoyed it. it was definitely more fun and campy than gritty and nasty, which is exactly what my taste in horror is like. but as the grand finale for an excellent trilogy and one i had been hyped for for an entire year, it fell flat on its face. the promotional material was completely false advertising. like it really made it seem like the movie would be all about the epic final battle when in reality that plotline was sidelined and tacked onto the ending while the majority of the movie was about a completely new character.

the corey in the room...

he was pretty interesting. i don’t hate him. i hate that they made such a significant movie all about him, but i found the concept behind him and his story pretty fun, and an interesting side project for michael to explore. i spent the entire movie dreading where they were going with him, from the moment they showed him wearing identical coveralls to michael... they really had me thinking they could be planning to retire michael and replace him with a new character. the absolute highlight of the movie was when michael showed up and nipped that in the bud and i could breathe easily. good job.

laurie’s ending line about evil changing shape has me a little worried not gonna lie. michael is irreplaceable. don’t even think about it. if you want a new character, make up a new franchise. please...

it did feel kinda off as a sequel to halloween kills (especially if you’ve seen the alternate extended ending but yeah)... like... maybe a bit too abrupt of a change... like i can see laurie having a change of heart to be more like her daughter wanted her to be, especially after the mass tragedies, but it was overall pretty jarring. she felt like she was from an alternate timeline for most of the movie.

i absolutely do not agree with the decision to seemingly have michael killed off and frankly i will never forgive them for it, but i understand why they did it especially in the light of the current political climate... i guess team laurie deserve a timeline where she comes out victorious... but i don’t think this timeline was the right one for it, due to how it was heavily implied that michael wasn’t even particularly focused on her this time around and that she was the one who put herself in his path... and ymmv of course but to me at least halloween is all about michael and his indestructibility and him coming out on top no matter the odds. i really wish they’d left it ambiguous... it really doesn’t feel like it aligns with the spirit of the halloween franchise. this was my favorite halloween sequel timeline, and i ended up disagreeing with how it ended. i am frankly heartbroken! but i’ll always have halloween kills... nothing can change that... it’s just... man. i wanted to love this. it’s such a massive L to take that i’m going to need some time to like... go through the five stages of grief.

i never did like the idea of michael being imprisoned for such a long ass time to begin with so maybe the only halloween timeline that is canon in my heart begins and ends with halloween (1978). i can still enjoy the other movies (halloween 5 my beloved)... but yeah. it’s such a strange jumbled franchise with so many timelines but the beauty of it is that you can just kind of pick and choose how you want the story to go personally. i mean that’s true with all fiction when all comes down to it, but it’s ESPECIALLY true with halloween.

i am really sad to see them close the curtains on this timeline, but nothing lasts forever. if there’s one thing slashers have taught us it is that no death can ever be 100% confirmed but yeah... this time it did seem really deliberate so i doubt they’re gonna follow up with anything...

...

ONLY HE CAN SAVE US NOW!!!!!!!

WHERE IS HE WHEN WE NEED HIM!!!!!!!!!!!!!!

[brood-mother]

original fiction temp check

OKAY so, bare with me for a moment of ~vulnerability~ here. i turned 29 last week and one of my ‘life goals’ was to at least start writing my first original novel before i was 30 (it was actually to have finished writing one by then but. well, life happens), however my first immediate problem is i’m naturally a massively indecisive person and i have about one hundred million ideas. i’ve whittled them down to 3 that are the most complete in terms of planning & prep, but i would really really appreciate it if you could glance over the quick descriptions below and tell which one (if any) piques your interest the most? you don’t have to be mutuals or to have read any of my fanfic, anon asks are also on if you’re a lil shy like me.

--

1. working title: no glory in the west

genres: historical fiction/drama/romance

blurb: Pilgrim's Creek is dying. A former gold rush boom town, its prosperity dried up with the mines, so when tragedy strikes and a young girl is kidnapped, the town can't afford her ransom. Help comes in the unlikely form of travelling guns-for-fire & the town's strange physician, who finds himself stuck as the go between for the people and the gang.

notes: set in the wyoming territory circa 1870, it follows a french-algerian medic who went awol from the french foreign legion during the second franco-mexican war. he wandered north america for some time before he arrived at pilgrims creek on the day of a terrible mining disaster, and was able to use his medical training to save many lives, ingratiating himself with the townspeople. he is accepted as their physician when the old one retires, however he becomes less and less welcome as time goes on and things begin to get desperate in the town, and he sees ‘solving’ the kidnappings as a way to gain favour again. falling in love with the head of a travelling gang kind of puts a pin in his plans, though. MC and his LI are vaguely inspired by doc & lion from r6s. 

themes: the line between conformity and complicitness / longing & belonging / personal identity / internalised prejudice / freedom, desire & repression

aesthetic board

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2. working title: the sun sets on us

genres: fantasy/adventure/drama

blurb: With her mother dead, her father missing, and her homeland consumed in a vicious civil war, a young witch is forced to leave the safety of her family’s farm for the first time in her life. Along with her two brothers, she embarks on a perilous quest to find a semi-mythical city in the frozen wastes of the far north when it’s said magic is revered & celebrated rather than reviled & hunted. However, after a long and dangerous journey, they soon discover all is not as it seems in the city, and she must fight harder than ever to protect what is left of her family.

notes: started out life as a “what if” about the hawke siblings (dragon age 2) fleeing to tevinter rather than kirkwall, and what might happen if bethany had to be the family protector rather than garrett/marian. quickly developed into its own original story with unique setting, but hardcore DA fans would still find familiarity. the sharply defined 3 act plot would lend itself well to a trilogy or an “epic” length novel. i was reading grrm when i plotted this out and it shows (in a good way i think?). technically no humans involved?

themes: the meaning of family & the obligations we create for ourselves with it / the cost of self-sacrifice vs self-preservation / self actualisation / the inevitable corruption of power / morality vs practicality 

aesthetic board

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3. working title: there among the trees

genres: fantasy/romance/horror

blurb: After a lifetime of education abroad, a young Crown Prince must return to his homeland to assume the throne from his dying father, long before anyone - himself included - believes him ready. Determined to prove himself and to do right by his subjects, he resolves to push against the ancient traditions he believes stands in the way of progress & prosperity - but he is quick to realise the people’s reverence of the forest is something far more sinister than mere superstition.

notes: ngl this entire story is based on that once scene from the last court where the horned knight kidnaps the wayward bard to serve in his creepy forest court and you have to go get him back, sprinkled with the life-long fear instilled in me by a short horror story i read as a kid about a little boy with an over-active imagination who imagines there’s a monster living in a woodpile he walks past every day, and he ends up believing in it so much it briefly becomes real and kills one of his friends, garnished with the inherent creepiness and power of deep ancient forests. 

themes: man vs nature vs man / the inherent bias of civilisation / the power of belief / tradition vs modernism / nature vs nurture 

aesthetic board

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if you read All That Shit, thank you so much!!!!!!!! i’ve always been really, really shy and private about my original works so i’m kinda nervous and ANY feed back or questions would be a++ helpful, even just commenting “#1/2/3″.

[showrunnerihardlyknowher]

Idk about you but that trope where a giant gets angry and accidentally scares a tiny and feels bad abt it afterwards makes me go absolutely feral,,

So, originally, I was planning for this scene to be in a future chapter of This Is Nothing Like The Disney Star Wars Trilogy, but I could never really think of a full story arc around it, even though I still really really really love this idea. In any case, if I happen to brainstorm a better plot and find a way to squeeze this in I might edit it into the main story, otherwise enjoy some classic Giant Catboi and Twink Solider fearplay >:3c

--

“Do you have any idea how dangerous that was!?”

As expected, the little one did not respond to his rhetorical question, though his tone certainly helped snap it out of its previous stupor as it released its death grip on his shirt in favor of squirming as soon as the bedroom door slid shut behind him. His aggravation at the situation was clear as day even without the usual language and cultural barrier that impeded any sort of deeper relationship Edix tried to form with the human. Red ears were still folded back against his curls and his shoulders tense, the stiff posture traveling down to his hands were they gripped the earthling to his chest perhaps just a touch more tightly than usual, not that it prevented it from trying to push and wriggle itself out of his overprotective hold.

Fuck no, he wasn’t ready to let it go yet, not when flecks of blood were still smeared against his knuckles as a result of an impromptu rescue mission. The satisfying snap of cartilage under his fist after one good sucker punch to Talan’s smug face still echoed in his mind, blood gushing from the surely broken nose while the biologist stumbled backwards into the shelves. Edix wondered if he would be reprimanded for that by the directors later, or if Talan would be too proud to report the ass kicking, maybe even taking the lesson to heart to not fuck with his things in the future. And yes, that included trying to vivisect his sweet little pet.

How was I supposed to know the stray belonged to you? He had asked with sarcastic innocence, as if the human in question hadn’t been seen with Edix a thousand times before, and wasn’t drenched in his scent, and didn’t have his ID code printed on the back of its little suit, Maybe if you weren’t such a wuss and actually put it on a shorter leash-

Asshole. He was lucky Edix’s only goal at the moment was to get the little one off the table and back to the appropriate sector rather than rip Talan to shreds with his own tools. A taste of his own medicine, perhaps. Still, he admittedly did have a point about the human, what with how much it would run off and get lost and damn near killed. He simply couldn’t figure out what was so terrible about staying in his company that the little one would risk injury and mutilation in a foreign environment as opposed to the safety and comfort he so desperately tried to provide for it. They might have had a bit of a rocky start, sure, but stars above that was far in the past now. There’s nothing either of them can do to change the facts so why not accept things as they are and make some type of effort to be happy in this new life? By all accounts, Edix was a great owner!

And yet, the little one still fought him every step of the way. Even now, having just saved it from a fate of having its tiny organs sliced while it was wide awake, it made it known it did not want to be near him anymore. It might have been clinging to him the entire walk back to the bedroom, but it must have remembered it was supposed to be oblivious to the notion of genuine love and safety because now it started to stutter out little squeaks on top of struggling. Normally, Edix adored any and all of the sounds it made, especially when it was directly trying to talk to him which only served to give him the mental image of a pup mindlessly babbling before they managed their first few words. This time, however, it only worsened his irritation.

“Stop.” He ordered, which the human somewhat complied with, though it probably had more to do with his harsher tone and the fact that he was already lowering his hand towards the bed to set it down. As soon as it was free of his hold, it scrambled back, looking at him with those wide brown eyes that were full of so much fear it made him sick. Why did it have to be so afraid of him? What could he have possibly done that even now, almost a cycle later, it was still overtly wary of his intentions. All he ever did was care for it. Feed it, pet it, cuddle it, protect it, and still nothing was good enough!

With a tired sigh, he rubbed his hand down his face and resisted the urge to tug at his hair. “I just don’t understand,” he pleaded, begging some cosmic being out there to suddenly grant the little one the power to understand what he was saying, “what can I possibly do to prove to you that I’m not going to hurt you? I’m trying to keep you alive and it’s like...I don’t know, you resent me for that or something!”

The sweet thing looked more confused at his words than anything, but he could tell his body language and voice were making it uneasy. The human was used to soft words and purrs and slow movements, rarely any agitation in his being. After a beat of silence marked by an intense stare down, Edix gave up on hoping the earthling would miraculously explain itself and open up to sharing its thoughts on the matter. He reached for it and it instinctively back up, flinching when a growl rumbled in his throat in response.

“Stop running,” it was a fruitless endeavor, but like hell if he wouldn’t stop trying. That was how new pups learned how to understand a language anyways, wasn’t it? To repeat certain words over and over until they got the idea? Maybe that’s all he needed to do here, maybe by now it already knew the Venandi words for no, stop, be good, and so on. He reached for it again and it did the same thing as last time, always sure to stay just out of the most convenient reach. Not that it mattered how much it inched away seeing how it was trapped on the bed with Edix directly in front of it, but it was the principal of the matter.

And it was then that something inside him snapped. Something primal as a result of dealing with an unruly pup far too long for his nerves to handle at this moment. He wasn’t even aware of his actions, belatedly realizing how he pounced on the bed in a flash, the human scrambling to get away but only having enough time to turn around before being roughly pinned on its stomach against the mattress. His teeth were bared and pressed tightly against its back, fangs scraping against the layers of its clothes to no doubt bruise the tender flesh underneath, though thankfully they didn’t break the skin. A loud growl reverberated though its entire body, shaking it to its core.

“Enough.” He hissed against its back, keeping his teeth pressed into its skinny frame for a moment longer before pulling away. The second he did, his glare softened, all the anger he felt gone in an instant as soon as he saw the sight underneath him.

The poor thing was absolutely petrified.

It was probably the worst it’s ever been scared, arguably. Not even the first time they met, when it had so gracefully tumbled down that hill and landed face first in front of him, compared to the level of fear that radiated off it. A split-second thought had Edix wondering if he had legitimately scared it to death. Soon enough, though, he was able to pick up the minute tremors that shook through it, almost like an aftershock of the warning that it felt more than heard. It was pale, baby face devoid of color not unlike that time before when it had been sick with fever. But its eyes...those sweet little doe eyes he loved so much were wide and wet with a sheen of tears that refused to fall, locked in a blank stare straight ahead towards the wall and refusing to look at him.

A small, choked hiccup made its body twitch every couple of breaths, but it refused to open its mouth to allow any of these sniffles to turn into cries. Shit, it refused to move at all, too terrified of Edix’s threat display that if it did anything he didn’t like there would be dire consequences to pay. He supposed it worked exactly as intended, in that case. It was still, it was quiet, it was technically obeying him after he just forced it to behave via alternative punishment. That didn’t change the fact that he felt absolutely, terribly, extremely awful about what he just did.

It was just a pup, as he always said, regardless of what Ylva would tell him about human adolescence and such. It didn’t know any better, it had never been raised in these situations before and needed much longer than a measly cycle to unlearn all of its prey behaviors it needed to survive on its home planet. Besides, it wasn’t that it didn’t fully know that it was perfectly safe with Edix, it was smart enough to know he was at the very least the safest option when presented with any other Venandi. Edix had been upset, and it knew he was upset, so of course it would want to avoid a potentially hostile predator before-

--before it snatched the little one in its teeth.

Fuck, fuck, he was an idiot. Maybe he wasn’t as cut out for this as he thought, not like Ylva who was the very essence of motherhood. No. Now wasn’t the time for self doubts and pity, not when the human was in such a state. Slowly, hands cupped around its shaking form, mindful to make sure his fingers were in its view so it wouldn’t be any more startled when he lifted it up, not that he was completely sure it was actually seeing anything in front of it. The little one hardly reacted to the movement, laying limp when he pressed it against his chest and moved to sit up against the headboard of the bed in a similar fashion to what he had done the first night the poor thing was on the ship.

“I’m sorry, I’m sorry, it’s okay,” he whispered to it, rubbing his thumb along the curve of its back just how it liked whenever it dozed, “you’re okay, we’re fine, it’s okay to cry. I’m sorry I scared you, I’m so sorry.”

Normally in these types of instances, he’d be purring and shushing the little sweetheart until he was able to get it down for a nap, but he had little confidence that any other types of chest vibrations would have its usual effect of making the human drowsy currently. When it finally started blinking again, the tears that had welled up ran freely down its cheeks, quickly biting down on its wobbling lip to prevent any sobs from escaping and get it in trouble for misbehaving. He softly clicked his tongue at it and cooed, anything to put it at ease with a softer demeanor. “I know, honey, I know. I won’t ever do that again, I promise."

Well, if nothing else, at least the little one’s apprehension of him wasn’t unfounded anymore, much to his dismay.

[aricazorel]

Part of my latest Mass Effect endeavor that will see the light of day sometime…

Featuring an alternative timeline from my previous work, “Broken Road,” this story features Kaidan Alenko and Kora Reese (my OC). Establishing their relationship in ME1 and following it throughout the events of the trilogy until the conclusion of ME3. I plan to deviate here and there from the BioWare cannon and deal with what ifs I always thought might be interesting to explore.

[only proofread once—all mistakes are mine]

~ ~ ~

She nodded as she began walked towards one of the terminals near the bank of sleeper pods. “I know some people because of my work on the project that brought the Normandy to life so to speak. I thought I could tap them and get things moving quicker. I’m pretty sure Shepard is going to want to leave ASAP.”

“Uh, yeah. Actually he does,” the L2 noted as he followed her over to the terminal. “That’s kinda why I’m here. He wanted to know why you volunteered since you aren’t in requisitions. You have other duties.”

“Which had already been completed,” Reese replied as she punched up a comm line. “Anderson ordered the Normandy to be flight ready as soon as the meeting with Udina about the evidence was over. I completed my duties and some tweaks to the ship’s systems while you and the others were in the meeting with the Council.”

“I think that was not communicated to the Commander,” Alenko said as he watched a Turian appear on the screen.

Reese ignored his comment as she made her request and explained the situation to the alien. After less than three minutes, she had a green light for the needed supplies to be delivered to the Normandy within the hour. Thanking him, the Lt. closed the comm channel and turned back to Kaidan. “I informed Pressley. It should have been his job to inform the Commander and Captain of the status of the Normandy. As for my volunteering, maybe I should have said why but I thought that the fact I was helping was good enough for the moment.”

“Maybe,” Alenko said. “But Shepard is under an enormous amount of pressure right now and all he wants is for his ducks to be in a row. For him, that means knowing that someone who is doing something outside of their assigned duties actually knows what they are doing.”

She crossed her arms as she tilted her head. “And I suppose this little duck isn’t in its assigned row even though I just made Stephens’ job ten times easier.”

Kaidan shrugged. “Something like that.”

“So why send you?”

“Because he thinks you get along better with me than other crew members,” the Canadian marine noted with a smirk.

She made a face. “I suppose I do but I don’t need a handler.”

“How about a crew mate who has your back?”

“I don’t know. I haven’t had one in a while…I don’t play well with others. Remember?”

“Joker seems to like you. I think he mentioned you were trouble earlier.”

“And you believe him?”

Kaidan shrugged again. “I’m still feeling out the crew.”

“So what do you think of me then?”

“I think you work well alone. I think you’ve done it too long though and you are a guarded person. I think Anderson put you here for a reason and that’s the same reason he wanted you to stay even though he’s leaving.”

“Very insightful except for the part where you tell me the exact reason I’m so guarded.”

“I don’t know that yet. Maybe one day you’ll tell me. Maybe you won’t. But Anderson knows. So its got to be something big. I mean he wouldn’t try talking you into staying if it wasn’t right?”

“Who said he tried talking me into staying?”

“Come on, Reese. You’ve served on ships and in the Alliance almost as long as I have. You know how scuttlebutt works. So why did you stay? Because he asked you to or because of something else?”

“Both.”

“Both?”

“Both.”

“That’s all I’m gonna get out of you isn’t it, Lt.?”

“Yep…at least for now,” Reese replied with a smirk.

Alenko grinned. “Then I guess I have something to look forward to later.”

[rivalsforlife]

Do you have anything you wished was different from Ace Attorney canon?

Hello I'm finally slowly starting to get around to answering some of these! Sorry for the wait.

Uh this ask got super long so a basic summary of it: narumitsu being canon in a well-written way would be nice even though I don't think it would ever happen, I stand by not bringing back Phoenix as a main protagonist in DD, and I'd also want to rewrite all of SOJ so that Apollo goes to Khura'in in place of Phoenix, to have more interesting character stuff going on.

So the longer answer is this:

Aside from some of the actually problematic stuff that I don't feel qualified to talk about, story-wise, I answered a sort of similar question about a year ago here. I have changed my opinions a little bit since then, particularly with regards to the canonicity of narumitsu... because while I do love narumitsu I feel like I don't trust Ace Attorney to actually do it properly. After all if this past November has taught us anything "making a ship canon" could actually be quite undesirable and I have no desire to see Phoenix and/or Edgeworth sent to superhell. (I literally know nothing else about supernatural sorry about that.)

If capcom were somehow able to make narumitsu canon but in an unobtrusive way and as a natural progression of the storyline, like oh hey, the court record profile for Miles Edgeworth's Obligatory Last-Case Appearance has Phoenix mention they're dating, and maybe there's a few lines suggesting they live with each other, but it's not like... taking the entire story to force them together and otherwise does not change the way they interact with each other and butcher one or both of their characterizations in the process? I'd definitely be happy about that. Not gonna lie even if they made narumitsu canon in the most terrible way possible I'd have a "holy shit I can't believe they did that it's the best day of my life" kind of moment before I could think about it critically. But I honestly see no chance of them ever actually making narumitsu canon, so that's quite unrealistic to hope for anyways.

Aside from that in that other ask I talked about basically the premise of an Apollo trilogy and not bringing back Phoenix as the main protagonist in DD, and I still stand by that, buuut in my other ask I did touch on making SOJ a different game where Apollo goes to Khura'in instead of Phoenix - and you know what I'm going to take some time to actually talk about my dream version of SOJ because there were a lot of little things about the one we got that I didn't like. And it's going to be very long. So it's under a cut.

SO yeah I talked about it a bit in the other ask. I think that Phoenix going to Khura'in is a rather weak idea both externally and in-universe. In one of the interviews, too lazy to find which one, Phoenix basically goes to Khura'in because the writers couldn't figure out how to challenge him anymore. ... And then they don't actually challenge him at all. Because oh well now we're going to this new country where they KILL DEFENSE ATTORNEYS WHO LOSE and then it's supposed to be *shocking* that Phoenix would risk his life for a kid or his best friend. you know the guy who ran across a burning bridge to save his best friend. you know the guy who got punched in the face, nearly killed by the mafia, and tazed trying to save his clients. This doesn't tell me anything new about Phoenix's character. His whole travel in Khura'in doesn't tell me anything new about Phoenix's character. Basically the only reason he's there is to see Maya - Maya who theoretically would be returning home in about two weeks. Maya who was still in her training for two more weeks when Phoenix visited so he wouldn't be able to see her anyways. ... And in the meantime Trucy had the biggest show of her life that was going to be on TV and Phoenix wasn't there for it. And of course Phoenix didn't return home after Trucy was accused of murder (yes he couldn't be there for the trial, but he definitely could have for the emotional support afterwards) and instead just sits for two weeks in Khura'in doing literally nothing after Ahlbi's trial.

(And yes I know about the anime prologue that has Phoenix think Maya's in danger... but that's not strictly canon since it's never mentioned in game, isn't technically a part of the game, and even still, why wouldn't he go home after knowing that Maya's safe and that Trucy had been ACCUSED OF MURDER. Honestly that's what makes me angriest about this whole thing is that it makes Phoenix out to be a terrible dad. We really don't need any more takes like that, especially not from canon.)

And what about Apollo, you may ask? Well, given case 5 of SOJ, Apollo actually has a personal link to Khura'in and ends up staying there afterwards... after being there for like a day or two. I should note here that it has been a while since I went through SOJ in its entirety so I am fuzzy on many of the details. But both through what I remember and some conversations with people who actually played the game recently, the motivation for Apollo to actually stay in Khura'in isn't that great. It mainly seemed like guilt about his dead dad who he hadn't been in contact with for years and had completely written off until a few days ago but oh he died and then went to go visit him so... better take up the law office!

If Apollo had gone to Khura'in in place of Phoenix and spent more time there, reconnecting with his childhood home and actually getting passionate seeing how corrupt the legal system is there (even though we have a corrupt legal system at home) and being driven to fix it, that would make for a stronger story, I think. The Khura'in plot is more personally focused around Apollo than it is Phoenix. Phoenix's connection to Khura'in is through Maya, but Maya doesn't really have much of a connection to it aside from "it's where spirit channeling is from and she trains there". But Apollo, I guess, grew up there. So it's so strange to me that they force all of Apollo's connection to Khura'in in the last case while Phoenix is running around doing who-knows-what for the rest of the game. Phoenix spends more time getting to know the state of Khura'in and the Defiant Dragons and case 3's whole thing but he isn't the one who in the end decides to sit down and fix it; that's all on Apollo. It almost feels like they forced one of the two plots in to everything. And it was probably conceived as a Phoenix story that they needed to fit Apollo into last minute because oops he's supposed to be a protagonist too.

Some other strengths to Apollo going to Khura'in include that it would shake up the character dynamics a bit. Instead of Phoenix defending Maya, it's Apollo defending Maya, and that's a particularly interesting thing to look at in the context of Khura'in's "we kill defense attorneys" system. Of course, Phoenix would risk his life to save Maya, 100%, every time. But what about Apollo, who hasn't met Maya, who only knows her as "Mr. Wright's former assistant" - would he risk his life for her? And I feel like Maya would argue more against him defending her because of that. "We're strangers, you don't know me, you don't have to risk your life defending me." (Sidenote that I was always upset that Maya didn't protest much when Phoenix offered to defend her, knowing his life was at risk - sure she knows him better and knows he's always been able to get her out of these situations, but at the same time, the fact that there was no "what about your daughter?" conversation sucks. I really wish SOJ wouldn't have like. completely forgotten about the phoenix-trucy father-daughterisms.)

Let's say Apollo goes to Khura'in. Phoenix stays at home. Phoenix gets a call from Apollo that's basically "uhh hi Mr. Wright you know your friend Maya, she's been arrested for murder, if I defend her and I lose we're both dead," then you can tie in to that moment in 6-2 where Phoenix (who can't make it in time for the trial!) believes in Apollo and his skills as an attorney, not just to save Maya's life, but also his own. It ties in a bit more to the overall challenge of defending someone at the risk of your own life. Again, Phoenix would have very few hesitations, if any, risking his life to defend Maya. Apollo may have more defending a stranger at the risk of his own life.

Then if you can actually have Apollo and Maya talk together that would be neat - Maya can tell him embarrassing stories about Phoenix's rookie days, for instance. Their dynamic would be quite a bit different from Phoenix and Maya's, and that would be an interesting thing to see, unlike what we have in SOJ where all of Maya's substantial interactions are with characters she already knows or brand new characters.

(It would also be pretty neat to know more spirit channeling politics and dive in more to Maya's perspective on Khura'in and also her role as upcoming Master of the Kurain Channeling Technique and where she plans to lead the village in the future and also reconcile with her family's bloody legacy, but I'm not quite sure how to fit that in right now.)

And how about Phoenix, back home in Japanifornia? Evidently he'd end up being in charge of defending Trucy. Now, I did love the siblingsisms in canon 6-2, but I feel like there is still potential for Phoenix defending Trucy. All of Apollo Justice has a bunch of good moments between Apollo and Trucy, and she's co-counsel on all his trials, but we've never had any substantial Phoenix and Trucy investigation or co-counsel moments. I feel like AU 6-2 would be a great opportunity to dive more into Phoenix and Trucy's relationship and how it may have changed after Phoenix got his badge back. Plus, Phoenix being "the only one who knows how she really feels on the inside", he'd have unique insider knowledge into some of the Gramarye stuff that comes up in the case and Trucy's personal connection to the Gramaryes, which Apollo knows a bit of, but Phoenix knows more of. ... Or at least, should know more of, given that he raised Trucy for nine years at this point and they're very close, and Phoenix knows her better than anyone else does, even if capcom has forgotten this.

... Of course having Athena defend the case would also be great because more Athena spotlight is never a bad thing, but it's hard to come up with a reason why Phoenix wouldn't be there to defend her. And doing more switcheroos in terms of role in the plot is a bit beyond the scope of what I have in mind right now. Sorry Athena.

Aside from that, Athena still gets Storyteller, Apollo still heads Turnabout Revolution, and Phoenix still gets the DLC case. Apollo stays in Khura'in in the end with a bit more to his motivations. Rather than it just being about carrying on Dhurke's legacy, it's also something Apollo is passionate about after all he witnessed here. While we're at it I'd still rework a lot of Turnabout Revolution to make it so that Phoenix genuinely believes in Atishon because that makes for sooo much more interesting of a plot and actual character development on Phoenix's part than "Maya was kidnapped again and Phoenix is only wrong when he has no other choice", but that'd require some more detail and this post is long enough already.

And in terms of other details that need to be sorted out, there's the question of why Apollo would need to go to Khura'in in the first place. I'd probably say something to do with Dhurke. Maybe he comes back a bit earlier - actually alive, maybe, though crossing borders would be a bit of a challenge, or he reaches out to Apollo remotely somehow and Apollo goes to yell in his face about abandoning him (or at least that's what he thinks he wants.) Then we could have some more Dhurke and Apollo bonding time, potentially? Idk, if you switch up Phoenix and Apollo you're pretty much writing a whole new game and obviously I have not worked out all the details, but I think if Capcom had tried to go with this route from the outset they'd have a stronger game. At least stronger character motivations.

So... yeah. Those are my opinions. If you read through this whole thing I'm very impressed because it got very long!

[lepusrufus]

So I'm not really sure if this has been asked yet but how does the actual plot of RE8 fit into your AU? Is it something you have plans for, like Miranda never kidnaps Rose, sommit like that or nah? Either way I still bloody love all your stuff!

That's a great question and it actually got me thinking on this.

For starters, the events in Double edged scalpel take place quite a bit before the events of the game, around 2010 or so, even earlier. Dani and Anita's "story" happen in a similar timeframe while Laura comes along a couple years later. (I'm not sure if I'll be writing full on fics for them but I will write oneshots and such to expand on their characters/relationships)

Now for the actual game events, the tldr is Miranda isn't an idiot playing stupid games.

In my AU, she has no intention of messing around. She kidnaps Mia, gets in the house (as Mia), waits for a moment when Ethan is distracted and takes Rose. Before anyone manages to catch on or anything. She then takes Rose with her and just keeps her under her careful watch until the time for the ceremony comes. No splitting her up, none of that redundant stuff.

Ethan manages to find his way into the village, but again Miranda is not being a fool and wants him captured and in a damn cell asap to be experimented on later. No Heisenberg's lil death obstacle course, none of that. Ethan just goes to the castle and does some damage thinking Rose is there. The gals, knowing when to pick their battles just tell him that he's wasting his goddamn time and to leave their home so they have time to regroup (nobody dies tho).

Then he makes his way to the Beneviento house and, since Donna deserves to go full fucked up villain, she captures him. She has the power to psychologically destroy someone and that's exactly what she does, rendering him pretty much brain dead, his mouldy body to be studied later.

Also should add in the fact that the cult has a less... "Miranda is purely using us and will get us killed with the first occasion" dynamic. She does want them around and alive. She basically wants to create her own mini empire (for lack of a better word) for her to rule over and the Lords are all part of that. And therefore, Heisenberg for example, is a lot less inclined to betray and kill her. Also also Miranda doesn't just.. straight up has everyone killed. Dunno I feel like it's at least a bit counterproductive killing all your worshippers instead of collecting people from the outside to work as biomass.

Now with Ethan out of the way, back to Miranda, Rose and Mia. Miranda doesn't actually want to use Rose herself as a vessel, but use a tissue sample to make a copy that then can serve as a vessel. It's not out of the goodness of her heart mind you, it's more of a guarantee the if anything goes wrong with the process, the "original" is still there to get more samples from. Mia doesn't want that but she doesn't exactly have a say in this. It does work though and Miranda gets her Eva back yay for her ig. Mia also gets Rose back and Miranda, in an odd act of kindness, promises that if they ever need anything, Mia knows where to find her.

Now, where things get a lil' weird. Should preface this by saying that I'm basing this detail of the AU on my favorite book, Annihilation (from the Southern Reach trilogy). The gist of it is: aliens create an anomalous area enclosed in something akin to a force field where everything alive gets modified on a biological level by the alien organism and it interferes with any technology within.

Now obviously, no aliens here. But we have the Megamycete at the center of it all and Miranda controlling the whole area in which the village (more akin to a small town in my AU) and its surroundings are enclosed. This is how she controls exactly what comes in from outside and what works inside.

And therefore, Chris can't do jack shit. He can't even enter the area let alone blow anything up. Ok moving on.

As stated before, Miranda's offer to Mia still stands, even as she gives her a bitter "fuck you" as she leaves the village with Rose in her arms. However it takes her little to realize that no matter where they go, Rose is basically gonna become a lab rat under supervision 24/7 so she swallows her pride and comes back to Miranda, asking her to let them stay in the village where nobody from te outside can touch them. She obliges, letting her choose any place she'd like to live in and that's how Mia and Rose settle there. (Also the town is a lot more functional here).

Aaand idk maybe Rose and Eva grow up to be friends or something idk I think that'd be cute. They have a whole ass cultish "family" too so that'd make for some interesting shenanigans.

Also, realizing you may want to know more about the maidens: they do partake in anything ceremony related as much as the sisters, complete with matching outfits. By this point in time they are also married and fully part of the Dimitrescu family. Also had gone through the mutation but no spoilers on that. Just going to say that Miranda comes to see them as at the very least good assets to keep around and therefore somewhat important members of the cult.

[retvenkos]

No, I am not done talking about aging up the characters of the Grishaverse, thank you very much...

(Spoilers for pretty much all of the Grishaverse!)

I’m going to come right out and say it - I don’t think aging up all of the characters was the smartest move. I think the Grishaverse is compelling, and the characters can be very complex, and part of that leans on the ages of the characters. I’m going to be talking about why I think (at least some) of the characters should have retained their same age, or at the very least, shouldn’t have been quite so aged up.

But first, I understand some reasons as to why they aged up characters, so I’m going to state them outright, to advocate on their behalf (but also, I can try my hand at debunking some of these. For funsies):

1. Mass audiences will be less interested if the main story feels too Y.A. - most adult audiences won’t want to watch that genre.

(This is a very fair argument! However, when comparing Shadow and Bone to other popular (non Y.A.) fantasies, Shadow and Bone is very Y.A. Compare Game of Thrones or Lord of the Rings to Shadow and Bone, and you can see how the Y.A. genre permeates the text. There are character moments and story beats that Shadow and Bone utilizes that are characteristic of the Y.A. genre. It was created with that audience and expectation in mind. No matter how hard the show tries to divorce the source material from it’s Y.A. roots, it is still very much a Y.A. story. The second most important plot line is a romance and not the implications of how society created the Darkling and how society Must Be Fixed if we ever want to move on and win the war. Those problems of the wider Grishaverse are better tackled in the Nikolai Duology (which still stumbles), and the Nikolai Duology feels like a different story/genre because it’s tackling something different. Shadow and Bone is an inherently Y.A. story, and really, it is the later books in the Grishaverse that deviate from the tropes and traps of the genre.  No matter how you dice it, the original trilogy is very much a Y.A. story. Lean into it, and you might be better able to mess around with the fluidity of the genre, all while your audience knows what the story is, and what will come of it. Alternatively, the writers could have gotten deep into the text and tried to bring up the deeper problems of the story (most of those grey areas) to make it less trope-like, but that would require an almost complete retelling, which we did not get. Too often, Y.A. stories are divorced from the genre when they are adapted, but it’s not done in an organic way that looks at the text itself, and it feels very off when viewing. Just let Shadow and Bone be what it is. If you want a longer rant on this, hmu.)

2. Some very serious things happen to these characters! To write about it is one thing, but to watch a 17 year old Alina be manipulated in this way or to watch a 19 year old Genya be used in this way is dark and very much Not Okay!

(Yes! Watching all of the terrible, terrible things happen is bad enough on it’s own, and when you de-age Alina from 25 to 17 and Genya from 30 to 19, there are some very big consequences! It’s not nearly as inviting or Okay to view! Anyone would be rightly horrified! Especially older audiences! Well, forgive me for being so blunt, but that is part of The Point. Part of what makes all of this so cruel and so unfair is that these characters are young - they are barely no longer children - and that is what heightens the injustice of it all. Alina is a teenager who is tasked with saving the world and freeing an oppressed people! And she doesn’t want to do it! That’s a lot to handle, right? Arguably, by keeping their young ages, you are better breaking out of the Y.A. adaptation trap because you are making a statement about how young these characters are and how unfair all of this is. Y.A. adaptations always age up the characters for palatability, but by keeping them young, you are making it more grungy and more frightening without even changing the source material!)

3. Okay, but adult audiences don’t want to ship teenagers. How will we get them to watch?

(This argument is probably the most sound, and it makes the most sense! Netflix wants to get the widest audience they can - they know teenagers who read the book are going to watch it anyway, so they need to get the older crowd invested. An easy way to get people invested is to get them hooked on a romance plotline. Then you have to watch the show to see how it progresses! It would be hard to do that if adults feel uncomfortable telling 16 year olds to kiss already. Another problem is that Shadow and Bone doesn’t have an adult cast - they have the young ones and that’s about it. Compare that to Game of Thrones (or, if you want me to stop with GOT references, shows like Cobra Kai) where there are 2+ generations - fans have the older group to ship, and the younger group to wish the best for. This is a trap of the Y.A. genre. They are Kids, but they are Not. In the book, this works fine, as their ages aren’t mentioned often. In fact, in the books, they read like competent 25 year olds, except for key moments when they show their age, which usually feels bittersweet (the Six of Crows Duology is much better at this than Shadow and Bone, but I digress). So what do we do? Well, D*rklina fans aren’t going to like this, but I would argue that we keep Alina and Mal aged down, and the story subliminally changes from “the love triangle” to “coming of age while dealing with abusive relationships”. In fact, this is another great way to divorce it from the Y.A. genre, which was already a goal we had in mind.)

✧ *:･ﾟ

Now, let’s move onto character analyses... everyone’s favorite.

In this section, I’m going to break down some main characters from the Shadow and Bone Netflix show (and some upcoming characters, just for the hell of it) and I’m going to advocate for changing their ages. At the end, I’ll give you a rough ballpark estimate for what I think they should have been.

(Also, I just want to address that I loved the actors chosen for the Netflix show, and this is in no way an attack on them. They did great, and they’re performances were amazing. This is me talking about an issue the showrunners made, not the actors.)

Alina Starkov

First, we get to talk about the lovely Alina Starkov. Jessie Mei Li is 25 years old. Her book counterpart is 17. That’s a whopping 8 year difference where a lot of growth happens. Alina Starkov in the books is doing her best for a girl who is told that she is going to save the world. She doesn’t have a lot of experience outside of the orphanage and the army, and so her knowledge of how Grisha are treated is ignorant at best, and malicious at worst. She doesn’t see nearly all of the suffering that is happening in the world, and for the most part, it stays that way. She knows the Fjerdans don’t like them, she knows the Shu are bad too, but she doesn’t really know the extent. She really gets a good look at it in the 3rd book, but for a large part of the series, Alina doesn’t really know what she’s up against, and her age is an easy explanation for her ignorance. A 17 year old growing up in a remote orphanage hasn’t had the greatest education. A 25 year old Alina has less excuses.

(There’s also a lot to be said about how Alina mostly... doesn’t care about the wider issues plaguing Grisha. This is decidedly Bad. I’m going to say this once, and I will say it many times again, but generally, audiences are more okay when a younger character does Bad Things because they reason they’ll learn in time. Thus, for a show, it’s strategically better to make these characters younger. Saying this doesn’t mean I support Alina’s disregard, it just means I recognize how it is utilized in storytelling.)

But why is her ignorance important, you ask? Because, Alina misses a key point of why the Darkling does what he does. To her, his actions of expanding the Fold are very black and white. Even when she’s with him, she refuses to see how it’s justified. Thus, a younger Alina is a little more understandable.

If Netflix was planning on focusing on how the Darklings desires are good but his methods are wrong, keeping Alina aged up is fine because she could be the voice of those concerns. However, I don’t really see that happening, so aging her up seems cheap.

Furthermore, part of the injustice of Alina’s character is that she is a child tasked with saving the world. She is a teenager who is being worshipped as a Saint, and who is going to have to martyr herself for the good of the world. It’s unfair. It’s cruel. Alina being 25 doesn’t somehow change this injustice, but to the average viewer, seeing a 17 year old child dying for the good of Ravka - dying because she’s the only one who can stop the villain - is more emotional and more disturbing.  There’s your grit, Netflix. It was already handed to you.

And I know, Ben Barnes (who plays the Darkling) is 39! It would be extremely uncomfortable to watch him fall in love and manipulate Alina! Again, I’m apologizing to the D*rklina shippers, because that is The Point. The Darkling is hundreds (perhaps thousands) of years old. That is why his talk of “eternity” is so compelling. He has felt it. He has lived it. When he tells Alina that he will break her, it should be greatly disturbing!  It would change the feeling of the story completely if Alina looks like a teenager. It would be a story about survival - not of romance. And while survival is definitely a Y.A. dystopian or fantasy trope, depending on how it’s handled, it could be markedly different from its predecessors.

However, book Alina is a minor, and that doesn’t sit right with me. Thus, I would make Alina 18, or 19 at the most. She should still very much be a teenager.

Malyen Oretsev

Mal is the next character we get to talk about, and I’m sure you have an idea about what I’m going to say. Archie Renaux is 23 and his book counterpart is 18. That’s only a five year difference, which isn’t that damning, but still leaves some problems.

One thing a lot of people disliked about Mal in the books was his temper and the way he expressed his frustrations. Now, while it’s true that viewers tend to be more forgiving with male characters having bad attitudes, this attitude problem could still be something that viewers will dislike in later seasons. This problem is only larger when you factor in an older age. Already, I expect people to complain about Mal’s temper and his inability to vent his frustrations in a healthy way (avoiding talking to Alina, blowing up, having a sour mood, having violent or explosive tendencies). This is only going to get worse when another argument added is “he is a grown man. He should have learned how to cope by now.” This argument isn’t completely nullified by a younger age, but it is made a little more understandable to the audience. (Again, in no way am I justifying these unhealthy behaviors, nor am I saying it’s okay when younger men do it, I’m just saying that viewers on a whole are more likely to excuse this behavior from a younger man - a sad reality, but a reality nonetheless.)

And as for his tracking ability, which is the best out of everyone in the world, he is gifted primarily because he’s an amplifier. At the end of Ruin and Rising, it’s noted that he can’t track nearly as well as he could because the world doesn’t hum with life in the way it used to. The in-world explanation probably also explains the ease with which he can pick up new skills. Thus, Mal doesn’t need to be aged up for skill reasons.

So, I would make Mal 19-21 in the series. He can be the slightly older than Alina, and everything works out how it should.

The Darkling

This one is going to be really quick - I think the age they made the Darkling was fine. Ben Barnes is 39 and we really don’t get an answer as to how old the Darkling is in the book (although he’s older than 400 years old, because the Fold was created 400 years ago). 

It’s worth noting that in the books, the Darkling isn’t described as being much older than (a 17 year old) Alina, but having him be markedly older than Alina was a smart move for subtext, but also for the presence that the Darkling has, and the reverence with which people regard him. The Darkling has power - I can’t imagine a 17 year old boy having the same effect as a grown man.

I have no beef with a 39 year old Darkling. I wouldn’t age him down much more, but I also wouldn’t make him much older, either.

Genya Safin

Genya Safin is another character I feel like should be addressed. Daisy Head is 30 years old. In the books, Genya is 19. Now, Genya’s character is an interesting one, because arguably either age suits her character. Throughout the series she’s shown to be more mature and capable than Alina, and while she places importance on the cliques of the Little Palace (which was poorly shown in the show, imo), she was raised in this environment from very young, and she’s at the bottom of the ranking. Her investment in it is justified. Sadly, I think more viewers would be moved by her story of sexual abuse if she were younger, but what happened is a tragedy and it was wrong no matter how you dice it.

Her age is one of the few I’m neutral on.

However, she and Alina are shown to be very close in the book, and while that doesn’t carry over as easily in the show, I think it would be nice to place her at least a little closer in age to Alina, but still keep her a little older so that she can offer her advice and it doesn’t feel preachy or unearned.

I would place her around 19-26. She has a lot of room for her age, because it’s not vital that she be any specific age. 

David Kostyk

I’m very briefly talking about David because Luke Pasqualino is 31 and David in the books is 19-20. I aged down Genya, and since they are love interests, I would like them to be in a little closer range of each other.

However, David is a very gifted Fabrikator - so much so that he changes the war considerably in later books - so I still want him to be older than the average cast.

I would place him around 24-29, and mostly, it would be based around the age of Genya. I wouldn’t want him to be 29 if Genya is 19. That’s just the ballpark range.

Zoya Nazyalensky

The final Shadow and Bone character I’m going to talk about is Zoya because she’s really important later in the Grishaverse. Online, I could not determine exactly what Sujaya Dasgupta’s age is, but the two ages most commonly given are 19 or 21. Zoya in the books is 19-20, so Sujaya is one of the most faithful castings in terms of age. 

I think it’s important that Zoya is around the age of Alina. Not only do they have a shared love interest in the form of Nikolai (and the Darkling in the show, which I absolutely hate), but they also have a rivalry for the Darkling’s favor (which isn’t romantic, but about sTATUS), and having her be markedly older than a teenage Alina would be weird, in my opinion.

Furthermore, Zoya’s character is pretty closed off and (dare I say) one-dimensional in the original Shadow and Bone trilogy, so keeping her younger isn’t going to make her any less believable. She’s not particularly wise, so keeping her young won’t be an issue.

Finally, she has a romantic plotline with Mal (even if it doesn’t go anywhere), so we want to keep her within range of Mal’s age, too.

I would place Zoya at 19-22. Thus, I am in agreement with the showrunners!

Nikolai Lantsov

A character that has yet to make an appearance in the show is Nikolai Lantsov, who is stated as being 20-21 in Siege and Storm, and the rest of the Shadow and Bone trilogy. Nikolai hasn’t been casted yet, but I decided to put him here because why not?

Nikolai, interestingly enough, is a character I would like to age up, however, only slightly. Nikolai is a very accomplished character, as anyone who has read the series knows, and while he does have the grooming to be that smart and accomplished, he is able to outsmart the Darkling and other older characters on multiple occasions, and him being so young just seems off. Of course, I understand why he is young - his love interests are, and he certainly has his moments where he’s boyish and unprepared - but these reasons pale in comparison to all of his talents and accomplishments.

Taking all of this into consideration, I would put Nikolai at 23 or 24. It’s a minor age change, and it would really just make him more apt to grow into his role. He’s still young enough to where people can underestimate him, but he’s old enough to justify having such smarts and charm. The only argument I can see going against this is his love story with Alina, seeing as she’s 18/19, but I think there was a lot that went into his pursuit of Alina. At first it was political, but after that, it became about how Alina was someone who challenged him and knew him for all that he was. It was less of a romance and more of a friendship that lended itself to a nice opportunity. It could have been more. It wasn’t. Plus, the age gap isn’t egregious.

Tamar Kir-Bataar and Tolya Yul-Bataar

I’m briefly talking about these twins, because they are originally 18-19 in the Shadow and Bone Trilogy, and I would like them to be older overall. Tamar and Tolya are some of the most competent characters in the Grishaverse, and having them be the same age as Mal and Alina is off, in my mind.

I would like them to be at least Nikolai’s age or older, so 23-27.

✧ *:･ﾟ

Finally, we’re on to the crows....

Kaz Brekker

Ah, yes. The Bastard of the Barrel. His is a character I was actually really glad to see aged up, before watching the show. Afterwards, I have some more complex thoughts. Freddy Carter is 28 years old and Kaz, in the books, is 17. 

Kaz in the books is very competent. So much so that he outsmarts everyone he comes up against - characters who are older than him and often have military strategy. Furthermore, he is ruthless. He is probably one of the darkest characters in all of the Grishaverse, and all of that is placed on the shoulders of a 17 year old. To make a comparison, he and Alina are the same age when their stories take place (Shadow and Bone for Alina, and Six of Crows for Kaz). I don’t know a lot of young celebrities to make the comparison, but he’s a teenager. He’s a child. Aging up Kaz in the show was something I was very much on board for. Kaz is a ruthless killer and an expert thief, and making him older was a smart move, imo. A Kaz in his 20′s made more sense.

However, when we meet Kaz in season one of Shadow and Bone, he’s very much in his fledgling state. Not a single plan of his goes as planned. He is foiled at every step, and the most gruesome thing he did in the show wasn’t bad, when you compare it to thing Kaz has canonically done. Rumors say that the Six of Crows arc is going to pick up in season two, and while I hope it doesn’t, I covered that particular argument far more in depth in another post and won’t address it here. Whether or not I think show Kaz is up to snuff, I think they aged him up too much and they depowered him too much.

Part of Kaz’ secret weapon was that he was wicked smart and crazy competent, but people underestimated him because of his age. They figured he didn’t have nearly enough experience to be as ruthless and cunning as he was. They were clearly wrong.

I think that Kaz in his 20′s makes sense, but Kaz in his late 20′s does not. Especially when you factor in the fact that he was so epically unsuccessful in the show, the extent to which they made him older wasn’t doing him any favors. It made him less “Dirtyhands” than he is.

So, final say, I would have made Kaz 20 or 21 in Shadow and Bone. We’re de-aging him so he still has time to grow, but he’s not crazy overpowered at 17. Furthermore, in a perfect world, he has time to age between Shadow and Bone and the events of Six of Crows.

Inej Ghafa

Inej is played by Amita Suman who is 23 years old. In the books, Inej is 16. In an interesting turn of events, I don’t find Inej in the books to be terribly overpowered so much as she is just really talented. 

Inej in Six of Crows is hesitant to kill. She’s smart and watchful, and she’s a really great spider. She’s given backstory to explain all of this, and it makes sense. At most, she is mature for her age, but that is also given a pretty damn good reason. She has to be. 

The few reasons I could see as to aging up her character is to make it less awkward for the romance between her and Kaz, as well as make the crows group more cohesive in age, with fewer outliers, both of which I am not against. 

I would make Inej around 18 or 19 and call it a day.

Jesper Fahey

Jesper is another character that I largely have no problems with. Jesper is played by Kit Young who is 26 years old, and in the books, Jesper is 17. 

In the books, Jesper is an extremely talented marksman, but part of that (even if he doesn’t know it or doesn’t want to acknowledge it in the books) is because he is a Grisha Fabrikator and he is using his gifts to bend the bullets he shoots and aims them where they need to go. His character wasn’t particularly overpowered in the books, and as for his personality, in the books he acted the most “teenage-like,” but in the show, he retained his same youthfulness without it seeming out of place, so that isn’t particularly damning.

For Jesper, I don’t mind aging him up or making him younger. Both work. 

However, he has a romantic plotline with Wylan (who I will get to eventually), so we wan’t to keep that in mind.

Final say, I would make Jesper 18. He’s the same age as (or slightly younger than) Inej, and that sits well with me.

Matthias Helvar

Oh, boy. If you’ve been on my blog long, you know this is the character that started this whole rant. Because here’s the thing: Matthias is an incredibly complex character. And part of that complexity comes from the fact that Matthias doesn’t know about anything beyond what Fjerda has taught him. He is heavily indoctrinated and heavily ignorant, and his struggle is what makes him such an interesting character.

Matthias is played by Calahan Skogman who is 28 (in my other meta, he was 27, but birthdays, y’know?). In the books, Matthias is 18 when Six of Crows takes place. That’s a whopping 10 year age gap. As you can imagine, so much happens in 10 years time. Now, with Matthias, we’re going to look at his life a little more in depth so that you can really understand how this 10 year gap affects his ignorance.

Matthias’ family were killed by Grisha when he was a child. We don’t know how young, but that doesn’t really matter, because either way it’s traumatic. Soon afterward, he starts training to become a soldier. Now, just when drüskelle are allowed to be fully initiated at Hringkälla is unknown, but I’m guessing the age would be at youngest, 14 (although, it’s probably closer to 16, but I’m not arguing about that right now). Grisha are supposed to be the most dangerous type of person. The Fjerdans are not going to put 12 year olds out there to fight them. So, a roughly 14 year old Matthias is going on expeditions to catch Grisha. When he is 17, Matthias meets Nina. At this point, he has only been a full drüskelle for 3-ish years. Regardless of how many Grisha Matthias has captured, 3 years is a vast difference from his show counterpart, who is 28 and therefore (as a drüskelle since he was 14) has been capturing Grisha for 14 years. In fact, in the show, they give Matthias props for having been the one with the clever ideas for capturing Nina, which shows he has done this often.  After that, Matthias spends one year in Hellgate, making in 18 in the books and (eventually) 29 in the show.

So, why was it so important that I detail that for you? Matthias’ change of heart is prompted by Nina, a pretty Grisha. I’m not saying their bond is shallow, but if you are a man who has a nasty past with Grisha and has been hunting them for 14 years, having a pretty Grisha change your mind is a little shallow and a little unbelievable. Even though Nina saved his life, I think it’s a little hard to sell the substantial change of heart he has. On the other hand, if Matthias is 18-19, he’s still a hormonal teenager, and his feelings for Nina prompting some critical thinking makes more sense. Furthermore, Matthias is younger and more impressionable. It would be much easier to change his worldview, if he were younger.

All in all, I would de age Matthias to be 19-20. Slightly older than in the books to allow for Nina to be a little older than her book counterpart (which I’m about to get to.) 

Nina Zenik

Almost finished with my rant, we’re talking about Nina. Nina is played by Danielle Galligan who is 28 years old, and in the books, Nina is 17. 

Now, Nina Zenik is a capable character. She is a spy. She speaks multiple languages, she’s a talented Grisha, and she’s quite self-assured. All of that advocates for an older Nina, so that she may have time to hone these impressive skills. Furthermore, Nina is the most sexualized of the Crows. I wouldn’t mind her being older, and I’m sure general audiences would be in favor of her not being a teenager.

Nina is also a soldier and she has a very complex storyline in Six of Crows, and later. By all accounts, aging her up is not a bad idea. In fact, I quite like the idea that Nina is older. I agree that she should be aged up, just not to the extent she was.

If this were my world, I would make Nina 20-22. That would make her the oldest out of all of the crows, and I quite like that.

Wylan Van Eck

Wylan has yet to be casted, but he is 16 in the books, and pretty damn smart. He’s not street smart, mind you, but he’s a chemistry nerd and demolitionist, so he’s very competent. He’s still under his father’s thumb, but I don’t take that to mean he has to be young - abuse can affect you well into your life. He’s definitely a character more naive to the realities of the Barrel, but that can easily be played off as “the rich boy is out of depth.”

There’s nothing that explicitly needs him to be younger than an adult, although the argument for making him young amongst the crows is strong and still stands.

He has a love story with Jesper, so we want to keep in mind the fact that Jesper is an adult.

Wylan also has the tricky little storyline of him being tailored into being Kuwei, so in determining his age, we want to keep him in the ballpark of Kuwei. Luckily, he was tailored from a Grisha on parem, so truly, anything is possible.

For his smarts, his competence, and his love story, I think we should age him up.

All in all, I would make Wylan 18. It’s not far from his book counterpart, and I think it makes sense.

Kuwei Yul-Bo

Kuwei is another character who was yet to be casted. He is 16 in Six of Crows, and I would say he is the character who most shows his age. Kuwei may be wicked smart, but he’s a chaos gremlin who doodles in his notebook, pretends to not understand Kerch, and also renames himself to be nhaban - “rising phoenix” in Shu. He doesn’t scheme the way the rest of the crows do, and while this can be explained away by the fact that he’s not a criminal, there still seems to be something hopeful and youthful about his character.

He’s still a boy in mourning over the death of his father, and he’s currently one of the world’s most wanted. In Crooked Kingdom, he’s vibing in a tomb for the majority of the book. Kuwei is honestly such a fun character that I hope gets more complexity in coming Grishaverse content.

Kuwei is very similar to Wylan in that he’s wicked smart (although his dad is a scientist and they have worked together, so there is some in-world explanation) and he has a crush on Jesper (don’t we all?).

Taking this into account, I would make Kuwei 17 or 18.

✧ *:･ﾟ

TL;DR, the characters of the Grishaverse were aged up and I’m a little miffed about it. The reasons for aging them up are to detract from the source material being a Y.A. story, but you cannot separate a story from it’s genre. The story is inherently Y.A. because it uses story beats that are typical of a Y.A. story. It’s not just viewer expectation - the story is Y.A. The ages of the characters in the books are very young in some cases, but in the show they were aged up too much, imo. It detracts from the tragedy of them being young and forced to survive, and it adds very little in most cases.

✧ *:･ﾟ tagging @missumaru

[little-murmaider]

Hello I just wanted to follow that other anon and tell you just how much I've loved reading A Permanent Arrangement (as well as your many other wonderful stories) you have such a lovely voice to your writing that weaves seamlessly from slapstick to heart wrenching to warm and tender, it's incredible. I don't suppose there is any chance of a sequel in the works or any slice of life follow ups for anyone? I'm not ready to let that world go yet! Very beautiful work. If you could write the movie it'd be a hit for sure.

AAAA anon this is so kind thank you so much!!! Between work and my personal life (and being completely ensconced in Gay Pirate Hell) I haven’t had the energy to write much and I’ve been down about it. I’m so happy you enjoyed my work, in particular is APA is really special to me.

I have written a couple of APA DLCs (little scenes that still take place in the universe), I’ll reblog those if I can find them.

Once upon a time I DID have plans to make it a trilogy. The sequel would have focused on Pickles and Murderface caught in a You’ve Got Mail/Shop Around the Corner romp. Following their terrible first date post-APA both are convinced to give online dating a shot. They sign up for a website where all personal information is kept secret until both parties mutually agree to meet in person. They are surprised to quickly find a connection, unaware they are speaking to EACH OTHER. I had a lot of plans for this one, like Abigail and Rachel moving in together, exploring Pickles’s history with Magnus and why it makes it difficult for him to put himself out there in a sincere way, and Toki and Skwisgaar being obnoxiously in love in the background. I may still circle back to this one, but I have ANOTHER Pickleface WIP I’ve been neglecting that I need to give attention to first.

The third would be focused on Nathan and Charles, and is simultaneously the most and least complicated of the three. Basically it would show them working together at city hall, developing a sort of will-they-won’t-they workplace relationship. The twist most of the scenes would be expansions of moments mentioned or hinted at in the previous two stories. So like, in APA when Skwisgaar says Nathan was out cause he was “getting really sloppy” with Charles, or when Charles picks Nathan up at the studio at the end, we’d see those from Nathan and Charles’s perspectives. The problem with this is I don’t know if I have enough Meat to flesh it out into a full multi chapter like the others. Also since writing APA I’ve cooled a little on Narles—still like it! But like other ships for both more—so focusing on them as a pairing for a sustained period could be a challenge.

Thank you again for this ask, anon, it really made my day!

[starcookiechu]

ROTT Review

SPOILERS FOR THE MOVIE. You have been warned.

FYI: I just finished the movie. So my opinions may change a bit but here I am writing a full review.

Before I talk about the movie, I have to say this movie has fantastic animation. The music is as good as usual.

Ok now the story. Let’s start with the our Trollhunters.

Fair Lady Claire. My girlie Claire really brought her all into this. I’m really proud of the young woman she has grown up into. However for the sake of the plot and story they make her run out of magic juice quite a bit. But my girl is still the best and gives it her all.

Wingman Domzalski. I will be perfectly honest. Toby is kind of the annoying best friend at times and bothers me as a plus size person. (They really push the over eating thing to the point that it’s his biggest factor.) Toby is a very eager kid who is ready to get in the action. Never being negative to his friend but the best emotional support who will always be at his side. Sure Toby was used a bit as comedic relief in the movie but when push comes to shove, Toby will always be there to do the right thing.

Blinky is amazing as always. One of the best father figures out there.

Aarrrgh was there. Was great for the scenes he was in, but all together didn’t do much that altered the story.

Our Trollhunter, Jim Lake Jr. Someone I admire and basically see as my little brother/child. Kiddo really did it. I know everyone is upset that Jim’s arc was redone when we had the “Unbecoming” episode. If I could come to a peaceful middle ground, I saw we all need to blame Merlin. He really rocked Jim’s world and self worth. When the creator of the object you need to save the world with tells you “You’re not enough”, it really can be a great setback. But once we past that, Jim really pulled through. Amulet or not, he is our Trollhunter.

Mommy Dr. Lake was there. Barbara was mostly there for our emotions.

Dilf Strickler. I felt that he was changed a bit since we last saw him, but he had a new purpose. He was more cautious and happy because he had a chance at a happy life with Barbara. Which makes what happens to him more upsetting. 

Nomura my sweet. This movie did not deserve you. At least she was with Draal.

And Not-Enrique (seriously why didn’t they ever give him an actual name) just wasn’t in the movie.

How about some CreepSlayers?

BABY ELI PEPPERJACK CAME BACK LOOKING SO CUTE. So proud.

Bumbling knight oaf Steve the Palchuckian was great as usual.

I will say though. The whole pregnancy plot was just a way to get Eli and Steve out of the way. I could feel that the writers maybe didn’t like Steve so much since Wizards. But Steve was once again someone to laugh at. Pregnant and out of the way.

How about some Akiridions?

Aja my darling girl, oh how you’ve grown. I understand some think she has changed. However I must say that her preparing a plan B on the side was smart. She isn’t just a princess on earth anymore. She is a queen on a distant planet. So if she thought evacuation was best, it would ensure that everyone would live. And avoid losing more valuable people from her life. So no, I can’t blame her.

DJ Kleb was there. He was kinda doin his own thing and messing with Steve. Brother-in-law stuff.

It was good to see Varvatos Vex.

Stu was the man in the background working on the busy important things like working on the amulet. Personally I feel like the series REALLY underutilizes Stu A LOT so I was so happy to see him being a part of something huge.

And finally some Wizards.

Douxie my love, you were amazing as usual. His powers have grown greatly and have contributed to the adventure. But god the writers really do love to take everything away from him don’t they. It’s unfair.

Archie was kinda just there and just... I understand leaving Douxie but that doesn’t mean I like it.

Nari the sweetest. I can only imagine the guilt she felt to end Nomura. Her self sacrifice was probably the one in the movie most called for.

Alright now I’ll talk about the movie.

I can whole heartedly say this movie was rushed. To be honest I feel like the original writers weren’t completely in this. At least it felt kind of not so much Trollhunters or 3Below vibes but more Wizards, if that makes sense whatsoever. Something is off.

I just want to blame Merlin for everything. To hell with that guy.

The beginning sequence was great. A car chase to a moving train. Which ends up with Toby of course screwing up and breaking the brakes. Of course. The train falling off the tracks which ultimately ends up with Nari gone. Oh yeah, and video recordings of Magic, trolls and being taken in by the police. Great.

WHY TF WAS TOBY TELLING THEIR STORY TO THE POLICE. YOU DON’T MIX THE POLICE IN STORIES UNLESS YOU KNOW THE COP PERSONALLY. CUZ IT’S A MESS AND THE POLICE GET IN THE WAY. GDI TOBY.

Our heroes go back to base on the new and improved Camelot. Where we discover that Barbara and Strickler are now engaged. Happy news and would secure that Jim has another Father figure in his life and his mother’s happiness. Which explains Strickler’s “stay behind” advice. Now he has a family to watch over. He must be careful and warns that Jim’s actions could cost so much that he might not be able to afford.

Enters our Majesty Aja and the new stud on the block, Eli. Dang I wish puberty hit me like that.Truck-kun strikes again. And also enters... the pregnancy thing. I will say, I didn’t mind it too much... at first. But there are complications. Steve is too young to be a father and dang 7 kisses?? I can’t help but feel like Aja should have mentioned that or it was a last minute plan to write out Steve and Eli. (Which it was.) It was funny sure cuz omegaverse and ALIENS but all together it’s really iffy.

They really had Douxie preform a body-swap spell only so it would be undone. And undoing the spell only hurt them both?? C’mon. C’mon.

And they mention the Krohnisfere. We’ll get back to it. Jim gets a brand new amulet infused with Akaridion tech. However theres an issue. It was created by Merlin right? Who is a wizard right? Who uses MAGIC. Shame Douxie wasn’t there to help make it. Ya know. 1/2 of the original creator of the AMULET. So it’s missing a huge part and for the sake of the plot, Jim doesn’t test the Amulet which is out of character personally.

Toby makes a silly big deal over a penny. I was actually hoping they would make it a silly Chekhov's gun later on. But no, it’s just Toby being loud and comedic relief.

The titans are released and we visit a very pregnant Steve. Ok so it’s a rushed kind of thing. ok.

Aja suggests evacuation. You can say it’s out of character but we need context. When Aja helped in the Doomsday Battle, she was ensured a way out but if she let the people of Arcadia perish. She decided to stay and help. But now the Trollhunter himself can’t help. So to ensure the survival of everyone, evacuation. A best chance for everyone to survive. Plus she is now a Queen. She rules over a whole planet which must change her thinking.

Now our characters are split into 3 teams:

Blinky, Archie, Archie’s dad and Claire for the Krohnisfere.

Jim, Aja, Toby, Strickler and Barbara for the Glacial Titan.

Nomura, Douxie and Aarrgh for the Earth Titan.

Now here is where I have problems. WHY. DID. THEY. SEND. TROLLS. TO. BRAZIL. IN. THE. DAY. Nomura dying was just so out of pocket. Unnecessary. I couldn’t even grieve properly I didn’t have a chance to process. The best thought I could think was “At least she’s with Draal now.” 10 seconds later, Strickler makes the choice to sacrifice himself. Because of Jim’s heroic’s, Strickler decided to try to save the most important people in his life. The person who was always dishonest finally had a chance to live a happy life with his family. The one who played it safe now had to make the final impulsive move. And unfortunately, his death was in vain. These deaths were just so forced. It wasn’t in any way good. And Strickler being one of the best written characters just going in such a way was just off. He died for nothing. He could have turned back and fought another battle but... no.

(BTW Barbara was just there... for Strickler’s death.)

We move to Babara and Jim having a heart to heart. I’m glad she didn’t blame Jim but a small moment of anger. Something a little more real for me but no I guess. Barbara will always just be Jim’s mom. She mention’s Jim’s father and it passed so quickly I missed it on my initial viewing. I’m happy that Jim’s father is never revealed or made a bigger part in his story. This is good representation for those of us who did have our fathers walk out on us. That we can grow despite our parents failing us.

And finally team Krohnisfere. Archie just leaves. He’s gone. Poor Douxie. A mentor and now his closest companion.

Our heroes meet up to go against the Volcanic Titan. In comes Varvatos Vex on a Gun Robot. Nice to see some good ol Gundam with a character mentioned throughout the entire trilogy. However it doesn’t last. BTW for the sake of survival, Aja leaves Jim and Toby. Iffy.

Douxie pulls a “Jason stop. This isn’t you.” thing with Nari and is reunited with his friend.(+ points for the shippers. It’s kinda winning me over?) Also, Claire now has the power to teleport a Titan. I know she’s much stronger than she was for the Trollhunters Sn 2 finale, but cmon. You can’t just say she’s out of magic juice and then pull this. C’mon.

(btw did the titan make a War of the Worlds tripod sound? No? Just me?)

Nari sacrifices herself and takes the other god with her. Which takes away Douxie’s other companion. Mr. Stark I don’t feel so good. Why does this movie hate Douxie so much. (I am so sorry shippers. Angst.)

BLINKY DIDN’T SEE A PAGE? ADDRESSING IT IN THE SHOW DOESN’T GIVE YOU A PASS. I forgot the word but this irony isn’t greatttt.

Jim now has to pull out the legendary sword Excalibur. But he can’t cuz he hasn’t harnessed the power of friendship.

And Steve is giving birth. At the worst time. What is this a zombie movie??? C’mon.

Jim says “Magic is friendship” And Stu is finally being used for one grand act. Seriously Stu is just so unappreciated. So he fixes the amulet with magic.

Basically everyone who went on top of the Volcanic titan falls off at some point. Except Jim cuz of course some 1v1. 

ONCE AGAIN Claire is out of magic juice. Because... reasons.

Toby makes the choice to race to Jim’s side with the technology to cancel out magic. (Wait how does science stop magic again)

BTW, For the Good of all doesn’t hit as well BUT it’s not mentioning any glory towards stinky Merlin so I am happy with the change.

JIM HAS A NEW TRANSFORMATION. MY BOY. MY SON. I’M SO PROUD.

Toby races to Jim and his helmet falls off the taco truck. That honestly should have been a huge warning sign. I was worried he didn’t have armor but we know how this goes.

Jim defeats the final titan and everyone is happy. The fight is finally over.

STEVE HAS 7 KIDS. OUCH. 

Seeing Jim run to Toby was heartbreaking. Now this is the one scene where the movie really let out actually process a character’s death. How on earth can you process your best friend, your most faithful companion dying. Jim goes through too much I swear to god.

Now let’s discuss the time travel plot. I honestly feel like they pulled some kind of Attack on Titan ending. The main character burdened with knowing the future and what could have been. And if everything is meant to be how it will be, destiny will reconnect them again. (Jlaire reincarnation AU???)

I’m actually ok with this ending. I understand people would want the time stone to return only a few minutes. But even then, the kiddos still have police records, so many people dead at the titan’s hands (or feet) and now the world knows about the existence of trolls thanks to the internet. In New York no less. And people are still dead.

We return the the beginning of everything, reflecting the “Unbecoming” episode.

(NGL I’m bothered that they didn’t do anything to stop Steve from bullying Eli, but Jim can’t do it. He’s saving it for Toby.)

And now finally, let’s discuss Toby becoming the Trollhunter. From the beginning, Toby never considered himself good enough to be the main star. Always the wingman, the 2nd best. Support. Now it was Toby’s turn to climb the ranks and be the Hero he’s always wanted to be. It’s Jim’s turn to live an easier high school life. I don’t doubt that he won’t follow Toby. But now he knows what to avoid and how to make the story process more smoothly.

I understand some are unsatisfied with this ending, which is kinda trademarked with Dreamwork’s shows. I get it. But honestly as of right now, I think I like the ending.

The amulet didn’t choose Jim because this Jim is not the same Jim as in Sn 1 Ep 1. He is a new man. And I think we all can agree that it’s his turn to be happy.

---

I still love this series so much. It is my favorite cartoon. Of course it has it’s flaws, but this ending is at least satisfactory and not heartbreaking. Now it’s up to us to either continue the story or contribute our ideas in fanfiction. I look forward to everyone’s creations.

Don’t think. Become.

[britesparc]

Weekend Top Ten #510

Top Ten Halo Games

Can you really do a Top Ten of Halo games? Really? Well, yes, I think you can. There have been, to my knowledge, six mainline “Master Chief Saga” games; two spin-offs; two Halo Wars RTS games; and two top-down twin-stick shooters. Maybe I’m missing something even! But that adds up to More Than Ten, so away we go.

Anyway, Halo. It’s in the news a lot at the moment. There’s a new one out! And it’s good! It’s very good! Halo has been one of the biggest games for the last twenty years, and probably on balance remains my favourite FPS series. It seems as though tastes have shifted a lot since the first one came out – first in favour of serious, gritty, semi-realistic military shooters, and then in favour of large Fortnite-style Battle Royale games. Halo has always remained refreshingly old-school in its basically jump-about-and-shoot gameplay, and that’s the sort of thing I like; fast-moving fire-from-the-hip kinds of games, where tactics are made up moment-to-moment rather than planned out in advance.

All that being said, it’s wise to remember that when the first game came out twenty years ago, it was a revolution, tearing up the FPS rulebook. Gone were deep inventories of multiple weapons; gone were genre staples such as health percentages and armour collectibles. The combination of only having two weapons plus a rechargeable energy shield changed the dynamic of gameplay just as much as the open outdoor levels and vehicular combat. I imagine some of these decisions were at least in part informed by its status as a console shooter; and it’s as a console shooter that its legacy is assured. Back when console FPS games were mostly looked down upon (Rare’s twin landmarks of GoldenEyeand Perfect Dark notwithstanding), Halo gave us a console title that looked and acted like a PC game. And once we got onto Halo 2, with its Xbox Live functionality, we had online multiplayer just like a PC game too.

The series has been a mainstay for me, one of my favourite ongoing game franchises. I just love the crazy fast-paced combat mixed with the tactics of the enemy, who behave relatively intelligently. I love the fact that it’s silly; bunny-hopping around landscapes, batting away jeeps, firing little pink darts at people. I really like it’s insane, convoluted story, that I barely understand; playing each game for me is like watching non-concurrent episodes of Deep Space Nine several years apart. I also feel that in a gaming landscape dominated by intense, gritty, violent games aimed at adults, here’s an accessible sci-fi franchise that, despite a militaristic setting, is tonally closer to The Last Jedithan LA Confidential.

So, with no further ado, and to celebrate the release of Halo Infinite, let’s set off on our own Great Journey, and chart my favourite games in the franchise.

Halo 3 (2007): the dynamic, emergent combat pioneered in the first game reaches its apex, with some truly spectacular set-pieces, and vehicular battles that feel truly open-world. The chunky, explosive combat is at its best, but it’s combined with a tone and storyline that just feels suitably epic. Has that “final part of a trilogy” feel that you get from The Return of the King; all bets are off, and I wasn’t even certain going in that the Master Chief would make it out alive.

Halo Infinite (2021): maybe it’s too early to judge (I’ve not completed it), but the transition to a “true” open world has done wonders. Seemingly random encounters carry the weight of a Halo 3skirmish, the sheer vastness and verticality of the Zeta Halo calling to mind Breath of the Wild, and in the Grappleshot, you’ve got a mode of traversal just as cool as any of Link’s horses. Plus the multiplayer is a back-to-basics fine-tuning of everything Halo does really well, making it a sheer delight (dodgy progression system notwithstanding)

Halo: Combat Evolved (2001): the game that sold me an Xbox! Just a sheer joy to play, right from the start, and back then it was revolutionary. Phenomenal graphics combined with fast, reactive gameplay in lush outdoor settings, it did everything we’d wanted from games for years, but which felt impossible. Packed with iconic, era-defining moments, it also boasts a twist so huge that its existence has kind of become a defining landmark in the franchise, as the game suddenly shifts gear from being Quake to being Resident Evil. One of the most important games of all time, right here. Everything Microsoft has done in the gaming space for twenty years is built on it.

Halo 3: ODST (2009): the first game to shift focus away from the Master Chief, this was a change of pace for the franchise, with a slightly grittier, earthier tone, as your souped-up Spec Ops soldier makes their way through encounters in a ravaged, occupied city, traversing larger urban hub-style levels. Boasted a starry cast (hi, Nathan Fillion!) and debuted the series now-iconic Firefight horde mode.

Halo 2 (2004): coming along like a superhero sequel, this was a bigger, bolder Halo, taking the fight to Earth. Boasted gameplay tweaks (dual wielding weapons! Exploding vehicles!), it had a punchy, propulsive campaign, famous for its early-doors twist that saw the Master Chief share screen time with his supposed enemy, the Covenant Arbiter (a revelation that was spoiled for me by a review in Empire magazine, of all places). This is where – depending on your point of view – the overall arc of Halo’s plot either became thorny and interesting or just batshit crazy, with our two heroes at one point expositioned to by a giant talking weed.

Halo: Reach (2010): often cited as a high-water mark by fans, this was Bungie’s swansong with the franchise, their last game before jumping off the good ship Microsoft and handing the Halo reins to 343 Industries. Personally, despite the improved graphics, presence of a familial squad of Spartans throughout, and the ability to craft your own bespoke character for the first time, I just wasn’t as invested here as with the mainline Master Chief saga. Does everything right, and has a suitably melancholy story, but kinda feels a bit like a redundant and unnecessary prequel.

Halo 4 (2012): the first game under stewardship of 343, this sees long-discussed ancient race the Forerunners take to the stage as, really, the main set of antagonists, with their own enemies and weapons to add to the human/Covenant arsenal. I found the storyline interesting, as Chief’s longtime AI companion (love interest?) Cortana is either dying or losing her mind entirely. Never quite hung together for me the way other prior Halos did, but it’s still a very good, very enjoyable game feels resolutely Halo-y.

Halo 5: Guardians (2015): once again splitting protagonist duties between the Chief and new character Locke, this is totally fine, with reliably fun Halo gameplay, and some chunky, hefty weapons leading to some chunky, hefty fights. But the decision to bisect the narrative feels like a failed attempt to add drama; we know the MC ain’t bad, and for me the Chief’s whole arc was way more interesting. Despite my not loving it as much as other titles, it’s still unfairly lambasted in some quarters; I’d say everyFPS Halo title is a four-star experience at least. This one has the mostbaffling plot since 2, though. I genuinely don’t remember what it really ended up being about.

Halo Wars 2 (2017): so we move on to another genre at last! Yes, Halo is at its core an FPS franchise, but their segue into real time strategy is not without its successes. It’s hard to delineate the two games, but I think things were just a bit slicker second time around, and the Brute-lead Banished forces offered a reassuringly nasty threat, casting a shadow of grim foreboding over the whole game.

Halo Wars (2009): there’s a hair’s breadth between the two games for me, but I feel the gameplay of part 2 to just be a bit slicker and more user-friendly. But this first one is still great, proving that the Halotemplate works in an RTS, and proving that an RTS can be made to fit a console.