#I’m not on the sky

[stripedstarsblueflags]

lando and oscar: *managed by a shitshow of a team and therefore clash with each other*

nico rosberg, from several kilometers away: I CLASHED WITH MY TEAMMATE ONCE. it was the spring of 2016, even the brilliant rays of sunlight couldn’t melt the frozen shards of the love i gave to–

oscar: lando and i bought each other flowers today :)

[happypeachsludgeflower]

I just think it’d be really funny if Airplane wrote a new trashy romance novel with the same writing style as PIDW but this time a danmei and Shen Yuan was riveted. Suddenly, Shang Qinghua’s hack writing isn’t so bad when it’s about men and now Shen Yuan is spending his time insisting that Shang Qinghua’s writing somehow improved (it didn’t) and it has nothing to do with being gay (it absolutely does.)

[eraofelizabeth]

source @ tea.jay on instagram

[zytes]

sailor’s delight

[the-phantom-peach]

Meeting the Light Dragon ✨🐉

[tagged as spoilers!]

[poisonpercy]

Nico’s perception of himself is his own worst enemy. Peak example of self fulfilling prophecy

[happyheidi]

© 𝗁𝖺𝗇𝗀𝖼𝗁𝖺𝗍𝗀𝗂𝖺𝗋𝖾𝖾

[indieyuugure]

I drew a fanart piece for @somerandomdudelmao’s incredible Marble Sky Comic :] I saw an ask awhile back where someone made a comment that Oscar is living a rom-com while Ward is living a sci-fi horror, I thought that was pretty funny, so I made this to kind of emphasis the point :]

[quiet-bones]

The Moth 🕯️

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????���in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[beigetiger]

I honestly think that the Mellow Musician is such an underrated character in Sky because like

⬆️ Face of a mf who managed to get their guitar stuck under the ice

[noodlebox-bird]

Buddy Heroes 😏👍

og

[fluffygif]

Absolutely stunning!

  ♥️ ♥️ ♥️

[major-comet]

the biggest problem with tos’ episodic format is that the episode usually ends pretty quickly after the conflict resolves and then they never really talk about it again - no matter how intense or harrowing it was

which means that we don’t get to actually *see* the interpersonal fallout of bones being diagnosed with and cured from a previously-incurable terminal illness (that he didn’t even want to tell jim and spock he had), and then just four episodes later drugging them so that he can go be tortured (and likely die) instead of spock, and so jim doesn’t have to make the choice between them.

did they talk about it? beyond just a standard debrief and a “never fucking do that again bones i swear to god i mean it this time”? did they make it the captains’ quarters for the debrief, only for mccoy to be pulled into a crushing, trembling hug as soon as the door shut while jim tried to assure himself that bones was still here, was still breathing? spock hovering nearby - a hand gently coming to rest on his shoulder?

why didn’t mccoy want to tell them about the xenopolycythemia, anyways? to try and hold onto a few more normal-ish months before every time they looked at him their eyes would be filled with grief - mourning a man they hadn’t yet lost? the same reason he ran away; to spare them what he went through with his father?

only for him to immediately turn around and throw himself back to the wolves to (almost) die right in front of them anyways

i don’t really know how they handled it. whether they talked about it and attempted to soothe the hurt, or just resolutely tried to bottle it up.

but i do know this: spock eventually came back from gol because jim simply (though accidentally) called out for him in a moment of need. bones only came back because jim personally drafted him back into starfleet

[happypeachsludgeflower]

So, in PIDW, there was obviously wife plots that could bring back the dead (mushroom body being one of them), and since we know Airplane is a hack that reuses concepts over and over, there’s probably multiple wife plots that could work, so like, where’s the PIDW fics where Liu Qingge somehow comes back to life, memories of Shen Jiu trying to save him intact, and goes to hunt the asshole down so he can repay his life debt, and along the way accidentally clears Shen Jiu’s name of all his crimes and now everyone is convinced Shen Qingqiu is a saint.

[opikiquu]

OWAKCX BEFORE THE TWIN KILLS ME