#I’m exited for this

[somerandonamedz]

Heads up

Big things are (hopefully) coming soon

[keebokuun]

Thank you murder drones<3

[randomgarbagecan]

[Constellation “Demon King of Salvation” is looking at you.]

[iguessthisisanewobsession]

Just once I would like a Peter stuck in Gotham story where Tony gets dragged along with him for the ride.

Like they drop down and Tony is like

“Not an ideal situation, good news is we’re not dead. Bad news that looked like a one way trip for us. We’ll cross that bridge when we get to it. Now we should focus on short turn goals: food, water and a place to stay, everything else can wait.”

I want Tony to be out there working his ass off from helping people with broken items then getting a job at wayne enterprises and starting a technology revolution in this dimension because he just can’t stand how out of date everything is and then running to pick up Peter from the rich kid school and the two of them trying to do reconnaissance and failing miserably.

Peter for his part is having a great time with school and his new vigilante gig.

Peter’s vigilante friends in school are worried about how bruised Peter looks sometimes and think that Tony is abusive before breaking in and just hearing Tony being a mother hen.

Then one breakout things are not looking too good and Spider-man just says

“Karen, activate Papa Protocol.”

And then like ten minutes later in comes Ironman with a bone to pick with the rouges.

Bruce doesn’t know if he loves Tony or hates him but his kids find him hilarious.

[secriden]

Wild take, but when Style says, "It's okay to love," I really don't think it's actually about love at all.

Let's consider the context leading up to this point: Fadel drives Style to an abandoned factory in the woods and leaves him alone to go and brood for a while. At least part of Fadel's goal is to scare Style, to give him a hint that Fadel is more dangerous than he seems.

But Style doesn't back down, doesn't go running, evidences no sense of self-preservation or worry; and at least on some level it's a clear sign that he trusts Fadel. Despite Fadel literally punching him in the stomach; despite Fadel mocking Style's honest and wanton desire; despite Fadel chasing him away, he still trusts Fadel to keep him safe.

Imagine how frustrated Fadel must be feeling. Style was only gone for one morning, but it was enough for Fadel to become painfully aware that he did not actually want Style gone from his life. He knows now that he won't have the strength to keep refusing Style's relentless pursuit, so he needs Style to be the one to walk away from him instead.

And I think this was a final, last-ditch attempt to make Style run away.

Notice that Fadel starts out rather threatening: "I don't like you messing up my life. My life has been planned out. You're disrupting it." At this point, Fadel could have still turned this violent; attack Style and leave him injured in an abandoned warehouse, and I'm not sure that wasn't still on Fadel's mind at this point. He's incredibly aggressive at first: shoving Style back against the bar, caging Style in between his rigid arms, rattling the metal frame behind Style to show his anger.

But oh, in the heat of the moment, the truth slips out. Fadel is admitting that Style has the power to bring change into his highly regimented and structured life. He's admitting that his desire to keep Style in his life has eclipsed his need for control and structure, in spite of himself.

The truth breaks Fadel open in ways that none of Style's machinations and schemes could. He finally recognises that it is his own feelings that are the true cause of his anger and frustration.

This is the point when Fadel finally gives up on the idea of hurting Style to chase him away. His voice softens (Joong's delivery of "I miss you" makes me weep), his shoulders finally relax, he stops caging Style against the bar and instead it's almost a tentative suggestion of a desire to hold Style.

And I think Style understood this on some instinctive level. Because if you watch Style very carefully, there's a moment of genuine fear when Fadel first shoves him against the bar and then he takes a grim breath like he's fighting off a sense of despair at the at the start of Fadel's rant. Like he could tell this one was going to be a 'make or break' kind of situation.

But when Fadel begins to unravel, when he admits that he was looking for Style when he was gone, there's this almost hopeful, anticipatory look that slowly blooms on Style's face. He's so hungry to see where this goes, and he's gets this intense almost wild look on his face when Fadel pauses to search for his words.

It's incredibly important that Style waited at this point. Style, who talks endlessly and without thought. Style, who demands that his story and his thoughts are aired first. Style, who has been telling Fadel this lie time and time again before Fadel’s feelings made it true... Stops. Waits. Stays silent. Because Fadel had to get there himself or not at all.

Dunk does something incredibly subtle here, but it blew me away: Style does not blink once throughout the entirety of Fadel's rant UNTIL he says "I don't like that I miss you". And that's when Style finally blinks as if it’s finally safe to take his eyes off Fadel. As if there's a wave of relief washing over him as the tension (and sense of danger) finally breaks.

He also does this incredible thing where he softens the look he's giving Fadel right before he drops his eyes down to Fadel's lips. (Joong has always been excellent at this, but Dunk didn’t really get that many opportunities to do this in previous roles). Style is treating this moment so carefully, and there's a purposefulness to this kiss that was entirely absent from the ones Style initiated in the locker room in episode 2.

I also think it's really important that Style was the one to kiss Fadel here. Not just because it juxtaposes the kiss in the store room, but also because Style has shown a strong preference for Fadel taking the initiative. He has been consistently creating opportunities for Fadel to lay hands on him, right from episode 1 when he put the Heart Burger pin on his chest and put his arms behind his head in welcome (and surrender).

But for this to be a functional relationship, Style has to take ownership of his own desire for Fadel. He cannot remain physically passive any longer, because this is the start of something bigger than just the thrill of being wanted. Style is looking beyond what he wants, potentially for the first time, to what his partner needs.

And I wonder, is this maybe the first time Fadel has allowed himself to be kissed since his ex left? There's something so fragile in the wide-shot. The way Fadel only has one hand barely touching Style's hip, while he's still got his other hand clenched tightly around the metal bar like he's desperately holding onto a lifeline. I have so many emotions about this.

Which is why I think this line wasn't really about love at all. This was Style responding to the vulnerability he sees in Fadel and offering reassurance in return. Because Fadel is strong and doesn't need protection, but oh yes he does, for it is his heart that is in danger of shattering.

There's an incredible line in episode 13 of Love In The Air, when Sky (in the aftermath of an extremely traumatic event and after finally revealing the full truth that he was sure would drive Prapai away) turns to Prapai and asks, "P'Pai, can I really love you?" Sky is asking if his fragile heart is really going to be safe in Prapai's hands.

And I think this is exactly what Style is getting at here: He's telling Fadel It's okay to love me. That Style is safe to love. That Fadel can take the risk to let Style into his heart because Style isn't going to take it lightly.

And it's this reassurance that finally allows Fadel to let go: both figuratively (as he starts to take control of the kiss and the encounter) and literally (as he transfers his hold from the metal bar to Style's body). Even the contrast in the wider shots between the kiss before Style says "It's okay to love" and after is startling.

This wasn't really a love confession, not in the conventional understanding of it. But for Fadel, who's mother "loves" Bison and himself for their utility and usefulness, perhaps the assurance of safety is more important.

And for Style, who seems so naive and inexperienced and ignorant of the way the world works in ways that suggest he's never truly had to grow up, this is far more significant. Because he's taking responsibility of someone else's heart for the first time in a way that I don't think he's ever allowed himself before. I said before that Style would be forced to grow up and I do believe this is what we are seeing here.

So no, I don't think this was the moment of "falling in love" but I do think this was the start of something real and meaningful and purposeful that could have eventually blossomed into love for the both of them.

[glossc1]

btw homer spoke to me directly and told me to draw iliad yuri

[phaginof]

that was just an hour of them going “wow they’re just like us :) except we communicate well and have a very nice relationship. what a good husband i am. now get over here so i can kill you with this hammer”

[monstersholygrail]

Today is a very exciting day my darlings because I’m GRADUATING COLLEGE TODAYYYY 🥳🥳🥳

Super exciting and hectic week, but I’ll be back to posting more for you all soon <333

[drakestoes]

If he’s as npc as Eugene in the book I’m gunna tweak

[pwaise-hestia]

[edsbacktattoo]

watching ofmd on streaming and being able to go straight from season 1 to season 2 is so odd to me because the distance between the two doesn’t feel grand enough. like don’t they know what we went through? the months and months of silence. tearing apart bts images for a single pixel of new info. the near-daily clownery. “trailer today? 🤡” like hasn’t anyone told them about the fucking shareholders meeting we sat through? what do you mean i can seamlessly transition from 1x10 to 2x01?? blood sweat and tears went into that break put some respect on her name

[sososososouspicious]

I found my new fave cc ngl 🙏🏻 GEM IS GREAT !!!!!!

[worldsewage]

[starry-mang0s]

The sillies!!

Just finished reading @time-woods new au chapters and I HAD to draw Sidūs and Carma’s masquerade designs.

They’re just so cute I love them so much <3

I have no idea how Time is so incredible at color palettes, outfit design, and just everything. It’s all so delicious!!! I’m just trying my best to learn from them ❤️

[thou-babbling-brook]

AC1 Ending Animatic

“I applied my heart to know wisdom, and to know madness and folly. I perceived this also as a chasing of the wind. For in much wisdom is much grief; and he who increase the knowledge increase the sorrow.” Ecclesiastes 1:17-18

Originally I had planned to include more in this back in the summer but because I got so busy after my internship I decided to just post it as is! Hope you guys like it :3

Also HAPPY BIRTHDAY TO AC1!!!

[mstormcloud]

Sonic ace attorney au!! Pt 1 because while idk when it’ll be I’m almost 100% gonna draw more of this I’ve put way too much thought into it haha