there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love
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I’m just thinking long and hard about the way Akiren and Akechi are written as foils for each other. Because of course, the game drives it home for us that the two are narrative foils: Akiren is the champion of free will who finds power through his friendships, Akechi represents the ways society binds us. He is chained by his desire to be wanted (importantly, by the wrong people– I’ll get to that).
At first glance, Akiren and Akechi’s point of divergence has to do with their relationships– Akiren has confidants, Akechi doesn’t, and this is the deciding factor in Akiren’s victory over Akechi on November 20th and in the engine room. Still, while this is certainly part of what makes their relationship important as a narrative device, it’s not the full picture. That, I think, has more to do with the fact that they both desperately want the very relationships that are used to foil them. They have common ground, and that’s what makes the emotional beats of their differences hit as hard as they do.
Even though Akechi doesn’t have the close bonds that Akiren does with his friends, he is defined as a character by his desire to belong. He wants to be praised and given everything he feels he was denied by Shido’s callous disregard for his mother and society’s unjust treatment of him after her death. He was a self-proclaimed “undesirable child” who spent his young adult life doing everything in his power to never feel unwanted again. He literally spells it out in his engine room monologue– “I was extremely particular about my life, my grades, my public image, so someone would want me around!”
Akiren, like Akechi, begins his character arc as a social outcast. Unlike Akechi, who appeals to systemic power to claim social clout and chase his own sense of belonging (the Shido revenge plot, which would, uhm, theoretically end with Shido acknowledging his son’s worth), Akiren finds family with other outcasts. All of the Phantom Thieves understand his struggle, and because of this they foster a sense of understanding and community that Akechi never gets to experience.
It is important to note that these bonds are deepened when Akiren helps those around him. While there’s absolutely nothing bad about doing things for the people you care about– in fact, most would argue that this is what makes a friendship a good one– we can take a reasonable guess that Akiren craves the love of those around him just a bit more than is healthy for him. He plays therapist for half of Tokyo– he stretches himself absurdly thin for the sake of his friends. That’s a bit much to ask of one person, but Akiren seems to demand it of himself. This is the nature of confidant routes as a game mechanic, of course, but hey, reading into game mechanics is important to getting a solid reading of who Akiren is behind the mask!
The crux of it is, Akiren and Akechi are both lonely characters. Their desire to be loved quite literally drives the narrative of the game, both in terms of plot and gameplay. What makes their foiling so tragic is the fact that Akechi so obviously wants what he has himself determined he can’t have. He says as much in the engine room when he questions why Akiren has things that he doesn’t, despite being (as he says) criminal trash living in an attic.
And yet, Akechi’s isolation is frankly the result of his own decisions. He is the one who chooses to work for Shido. He is the one who acts on a worldview that requires he keep his cards close to his chest to win— against Shido and against the world that wronged him— and to be considered desirable (even despite the fact that this mindset obviously works against satiating his hunger to be loved. He really needs to go to therapy, but I digress).
I don’t think Akechi even knows how to go about claiming what Akiren managed to. Akechi has agency in the actions he takes, absolutely– he would be furious about any suggestion to the contrary– but in many ways, the choices he feels himself able to make are constrained by his circumstances and the lessons imparted to him by his past.
All this to say, Akechi and Akiren aren’t different because Akechi doesn’t want teammates, or even friends. He sincerely wants everything Akiren has. He tells us this in the engine room. He shoots himself in the foot by prioritizing approval from society and love from Shido above other relationships. But thinking from inside his shoes, what else was he going to do? Where else would he have thought to turn to find what he wanted? He was dealt a horrible hand and he played his cards according to the rule book he was given. If the world were just, Akiren and Akechi wouldn’t be foils. It’s the injustice implicit in that that really drives home the point I think P5 is trying to make when it foils Akiren and Akechi in the first place. It also, personally, has been making me want to scream all day.
On a related note, this is also the exact reason that Akechi being the one to bring up that things might have been different if only he met Akiren a few years sooner makes me want to throw things, but this post is long enough. I’ll save all that for later!
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In another Dr. Scraptrap AU related post, I mentioned the whole ‘Made a TV show focused around the Funtimes” thing instead of the diner with Henry.
And... now, I think I have a new AU—although, I guess it would still technically be a connected one to the Dr. Scraptrap one, of course.
The AU would simply follow the Funtime’s and the shenanigans that the group would’ve gotten into within the show.
Within it: Circus Baby, Funtime Freddy, and Yenndo are animatronics, Ballora is a human, and Funtime Foxy, Bon Bon, and Lolbit are living animals/not animatronics.
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hi yeah so to this day i’m still thinking about the direct aftermath of the betrayal. about how we still don’t know exactly what happened - maybe the movie will give us some backstory! obviously we know the long-term effects of it, but what happened directly after the button was pushed? like did ambrosius realize what he’d done at first? was there instant horror and regret the moment it happened? or did it take a moment to register that he’d blown off ballister’s arm?
and how long did it take ambrosius to realize that the worst mistake of his life had been by design, planned all along? how long before he realized it was never really his fault, but rather the director’s? was it right after he’d stood up in the arena only to find that ballister was still on the ground, or was it a slow reconciliation with the truth that stretched across years?
and about the feud/breakup itself, too - how much of it was pushed by the director and the news, and how much was it ballister himself, rightly angry that he’d been betrayed? how many times did ambrosius try to tell ballister it was an accident before it became clear ballister didn’t believe him, and how many times after that was he just repeating himself over and over? did he ever mention that he’d tried to help, that he’d seen the spreading pool of blood and tried to rush over, only to be held back? did anybody ever find out that beneath the triumphant, untouchable king’s champion was a scared and bitter young knight, forever regretting something that was out of his control from the very beginning? that the price of his victory was so, so much higher than a broken lance and an arm?
what would it feel like, i wonder, to be a golden boy on a pedestal, exalted as a hero but despised by the person who mattered most to you? to be rewarded with fame and glory and a statue in the town square for something you never even meant to do, something that ruined everything? to be celebrated for the worst thing you ever did, crowned king’s champion and gilded in the eyes of the whole kingdom but knowing their approval means nothing compared to the love of the person you’d hurt, someone you’ll probably never get back again because why would you after what you’d done? to get everything you’d ever thought you wanted, at the expense of the one person who mattered most?
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Introducing more characters for my HTTYD/The Deep story! Only this time it’s supporting cast! I’ve decided there’s three overall casts in the story. The main cast (the dragon riders and their dragons, whose story and travels this lengthy project follows), the secondary cast (all their allies and enemies; Eret, Dagur, Heather, the Berkians, the Nektons, etc, etc.) who are there through most of the story, but not all of it. They’re pretty involved, but not every character is there for every episode. And then there’s the supporting cast. Minor characters. Characters a step up from background characters. They show up for a few episodes every once in a while, not near as often as everyone else, and they’re not as important to the overall story as the main and secondary casts, but they have names. They’re involved in certain arcs and episodes, but don’t repeatedly show up throughout the story like say, Dagur, Eret, Heather, the Berkian teens, and the Defenders and Wingmaidens.
But without further ado, here’s who I’ve got so far
And some closeups of each person, cause I like doing so
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