#I wrote all this on the plane.

[tenebris-lux]

(Heavy-duty Spoilers for Hadestown ahead.)

The original Hades/Persephone myth wasn’t a sweet love story between the light and dark. It was a case of kidnapping and forced marriage and a grieving mother not knowing what happened to her baby. And the result is how it affects humans: the cycle of life and death and the seasons.

Because of the contrast between the type of environment Persephone is from and the one Hades is from, they make a pretty picture to look at. So the modern retellings have the relationship between Persephone and Hades be more mutual, usually like they eloped or something.

I’ll admit, it has some appeal to me too; I enjoy the game Hades, and I’ve enjoyed some digital art of the true-love premise.

That said, my favorite modern version that I’ve seen so far is Hadestown. The idea behind that is that they fell in love, but due to their personalities, they don’t always work well together. Persephone needs periods of separation from Hades. And for a while it works, but as time goes on and they get older, Hades’ insecurities start getting the better of him and he gets more demanding of her time. And she still does love him so she stays with him … but it’s not good for her emotionally. The environment is stifling and depressing to her. She starts numbing herself with liquor and drugs to pass the time, and then goes on extreme binges when she’s away from home. And Hades continues to worry about her no longer loving him, not realizing that his efforts to keep her close just widens the rift between them. He makes changes to his realm to bring some of the overworld conditions to the underworld, but he can only do it through the filter of his own understanding, and it makes the environment … weird. “Unnatural” as she puts it.

There are themes in Hadestown about trust vs doubt, optimism vs pessimism, hope vs cynicism. Orpheus and Eurydice are a fresh couple falling in love with optimistic hopes ahead of them (Eurydice is already somewhat cynical, but she wants to believe things can be better). Hades and Persephone used to be like that when they were young (in this story), but time and life and experience has turned them cynical. They’d even forgotten how they originally felt about each other. “The honeymoon is over,” as some say.

In the end, they’re reminded vividly of how they used to be and are willing to at least try again. They make no promises, no guarantees (because life has none), but they’re willing to make the effort. Specifically, the dialogue between them goes like this:

PERSEPHONE: “Think they’ll make it?”

HADES: “I don’t know.”

PERSEPHONE: “Hades, you let them go.”

HADES: “… I let them try.”

PERSEPHONE: “And how about you and I? Are we going to try again?”

HADES: “… It’s time for Spring. We’ll try again next Fall.”

PERSEPHONE: “Wait for me.”

HADES: “I will.”

As we know, things don’t work out with Orpheus and Eurydice … but Spring does come again, which indicates things aren’t strictly hopeless. Earlier in the play, Eurydice said, “I haven’t seen a Spring or Fall since … I can’t recall.” “It’s either blazing hot or freezing cold.” Yet there it is. And one could say that the relationship between Persephone and Hades had a winter period and it’s starting to bloom again. Which is a theme with them.

…….. And because I love Hadestown so much, I’m expanding on it. Hades and Persephone deciding to try again is a big thing with the play. We’re told at the beginning that the story we’re about to be told is a tragedy. And it is. In this version, Eurydice broke up with Orpheus due to insecurity and doubt. His show of devotion convinced her to try again, but then he had doubts—doubting her, doubting himself, doubting everyone else … and they couldn’t make it work because of it.

It ends in tragedy.

“But we sing it anyway,” as the narrator puts it. “Because here’s the thing: to know how it ends, and still begin to sing it again. As if it might turn out this time.” We see the way the couple meet again, but this time there’s a tiny detail that’s changed. The flower that Orpheus made for Eurydice was already blooming when she walked in. And we also see that Spring has returned. So “hope springs eternal” is another theme. So long as you continue trying, the story isn’t a forgone conclusion. There might be a period of dysfunction, but it’s not inevitable. Maybe things won’t work out in the end. Try again. Maybe they will.

Honestly, Hadestown is a pretty genius play, IMO. Aside from those themes, it links the cynicism and insecurity with the ways that people can be taken advantage of when they’re vulnerable. With the seasons out of whack, the routines of people’s lives are thrown off and things are more uncertain. Hades then recruits the desperate to come to Hadestown with the promise of secure conditions. However, it’s a trap—their lives become dedicated to unending projects that will “protect” them from … those not in their “desired��� position. There’s a song that shows how they get brainwashed into cyclical thinking that they’re fortunate. The jobs are themed to fit in with industry and capitalism (mines, factories, warehouses). Hades profits off the work everyone puts in, and preaches to them—and makes them repeat—how fortunate they are to have the jobs in this exclusive place (you need a ticket to get there). The secluded Hadestown becomes unnaturally hot and bright all year round, and people eventually lose the memory of anything else besides the jobs they have to do to survive; as far as they know, this is the best way, the only way. Persephone also profits similarly by running a speakeasy, which has tastes of all the elements one can’t find anywhere else in Hadestown. But just tastes—they’re all temporary to the never-ending grind of the daily life.

The environment of what Hadestown has become—for it’s hinted that it wasn’t always like this—and the disruption of the harmony between Hades and Persephone allude to climate change and global warming.

When the play starts, Orpheus comes off as very naive and optimistic, which Eurydice—a young woman who survives by continuing to change location when things start going south—finds skeptical. I mean, he says he can heal the world with a song. But despite her doubts she starts to believe him—he played some of the song, and a flower bloomed from nothing—and she has a sweet and hopeful romance with him. Unfortunately, winter comes sooner and harsher than expected, and resources become scarce. She doubts her future; she loves him, but doesn’t see how she can survive by staying with him. So when she’s given the offer for security and the promise of never being hungry again in Hadestown, she takes it. During this, Orpheus was focused on trying to finish that magic song, so he hadn’t noticed her insecurities and starving condition. He immediate goes after her to Hadestown without a ticket, walking an incredibly long way alone and braving guards and guard dogs.

Eurydice becomes disillusioned pretty quickly in Hadestown that it was the better option, but it already has started draining her of the will to find other options or go back…. And then Orpheus shows up. However, he learned then that Eurydice agreed to spend the rest of her life in Hadestown; she had gone willingly. Being an outsider, Hades has the locals beat the crap out of him … and these two elements finally gives Orpheus some of the doubt that leads people to give up. He considers just going home without her … but then he gets angry, given how the conditions are dictated and enforced by those in power.

The people of Hadestown rally behind him and that gets the attention of Persephone and Hades. Persephone is moved by the dedication Orpheus has for Eurydice, and their love for each other reminds her of how she used to be with Hades. Hades needed to be reminded more vividly and have it spelled out for him how his current state of mind is toxic to himself as well as everyone else; he’s letting his insecurities get the better of him and he’s making it everyone else’s problem, while not really becoming happier himself. He’s shown the comparison of who he is now with who he used to be and how he used to feel. He becomes conflicted. He wants to believe and hope again, but … the doubt is still there. He’s still afraid to let go of anything. So he bargains. Orpheus can leave and Eurydice will follow him. But he wants to see that trust and optimism demonstrated. If Orpheus can trust himself and Eurydice, they can go forward. But if he looks back, she returns to Hadestown. See, Hades still doesn’t want to give anything up. The whole town has their eyes on this couple and they all want to leave and try for a different life; this would bring down his empire. But if he demands Eurydice stays, he’s giving up on renewing what it was like to feel hopeful and young again, and his problems with his marriage continue. Thus the compromise. And he knows how separating the loving couple will leave room for doubts to come in. It happened to him, after all, while he was separated from his wife. And it happened when Eurydice was separated from Orpheus earlier.

Sadly … the doubt wins out. Orpheus had become cynical from his experience in Hadestown. He had finished his song, and it led to hope for the world’s future, but now his future is uncertain. He failed Eurydice before, he might fail again. He’s more aware of some of the ugliness out there. (One could also interpret it as her having left him, so why would he trust her implicitly this time?) So, even though Eurydice, who has had experience with that, is willing to try again … Orpheus’ trust fails, and he looks back.

One might think this wouldn’t bode well for the whole future, that everything in the world hinged on that one look. But the idea is to TRY AGAIN. Hades still had doubts, had wanted to see the trust demonstrated … but was still willing to try again with his wife. Spring still returned. People who had given up their lives for Hadestown were still willing to try again, despite the risks. Orpheus had been discouraged when he learned Eurydice left him, but he was still willing to try again, and that led to the whole town protesting against the ruling class. And, on the more meta level, we repeat stories that we know end sad, and sometimes hope something will change. Just like this one. And from there we get variations.

Keep trying. Things may get better. Even if they get worse again, so long as you keep trying, nothing is determined. There’s always a chance.

[petitepatateuwu]

It's way too hot and I am way too tired to do any more efforts, so excuse the critical lack of quality here.

If you didn't know, Cole is my favourite Power Ranger :D

And while I was binge watching Ninjago I had the pleasant surprise to see him physically and mentally traumatized in season 5 😈

And since I'm a huge sucker for angst, my brain immediately thought of developing that idea in order to hurt my beautiful baby boy some more. That and also the fact that my brain immediately looks for logic in the laws of cartoon physics (I really shouldn't do that...)

So I bring you the "Cole is a Ghost Kind-of-Saga". I still have a few more ideas to exploit, notably adressing the ways the other ninjas will help him cope with his new condition :3

And maaaaybeeeee a small comic too 😇

Anyways, I will let my brain rest a bit for now and sleep.

[front-facing-pokemon]

[kitty-mactabbysh]

I mentioned this once so have a thee

Flight pilot and co-pilot GhostSoap AU.

Ghost's messing around and saying the stupidest things while they wait for the appointed time to take off and Soap just won't stop laughing.

Ghost: Alright, all passengers with destination to Wankerville please fasten your seatbelts and hold tight because this will be a long trip. In case of a turbulence you've got no need to worry about a fucking thing, because I'm pretty sure my co-pilot still remembers how to fly this thing.

Soap, who's laughing his ass off suddenly stops: ...Simon?

Ghost: Yeah?

Soap: I think this thing was on.

Ghost: ...The whole time?

Soap: *slowly nods*

The passengers who have been listening to this stupidity for the past half an hour:

[quaranmine]

i think planes are magic because there's something about being trapped in a metal tube in the sky with no wifi that consistently forces me to make progress in writing

[shywhumpauthor]

So you know the “A redeemed villain joins the team of heroes” trope?

And the “supervillain captures the team of heroes and tortured the weakest” trope?

And also the “whumpee is scared that no one cares about their suffering because of their past mistakes” trope?

What if you smushed them all together

Redeemed villain joins the Heroes team, and though they’re good now, they’re still a bit of an outcast among the ranks. The team isn’t outright mean or ignoring to them, but after battles and such Villain is always the last to get checked over in the medbay, their wounds are downplayed, they’re made to work through pain and illness because “come on, it’s not that bad, we’ve all dealt with worse”

So they start hiding injuries, tending to their own wounds behind the locked door of their bedroom. They stop attempting to socialize with the group, and instead isolate themself, and the heroes are fine with that, they don’t care. “If villain wanted to talk, they’d come to us. We’re not going to go in there and bother them.” Of course, whenever villain tried to talk, their worries were pushed aside and discarded without a care, so it doesn’t make a difference when they stop trying.

Then a mission goes south, and they all end up in a big cell, chained and cuffed with ability restrictors. Supervillain takes them all out one by one to interrogate them, and after each return the person is always injured and bleeding. Youngest is the first to be tortured, so after they come back, no one even notices as Villain is dragged out of the cell, they’re too busy tending to Youngest.

Bonus points if the heroes get mad at Villain and accuse them of conspiring with Supervillain, plotting this capture.

Edit: I suppose there could be a nice comfort scene after this where the heroes apologize after realizing how awful they are but where’s the fun in that

[todayisafridaynight]

plane scene is so funny cause why is mine a sleeper agent that wakes up whenever daigo is mentioned

can’t wait to see it in dragon engine :3

mine has been the winner for Funniest Character Imaginable for 15 consecutive years and i have yet to see anyone come close i fear

[lucksea]

who is brie?

brie is a cotl oc, specifically my lamb for the penitence gamemode. they exist in a sort of parallel timeline to my main cotl au. i made a chart for this but i literally cant find it anywhere and i apparently didnt post it so ive recreated it on my ipad for you:

simply put, brie is my evil lamb. they are a merciless and cruel cult leader who craves power above all else. they treat their followers as poorly as they can get away with because they enjoy it. in my mind theyre like one of those southern religious con artists. theres something very charming about them, and also very slimy. but i should note that in brie's timeline, the cleansing never fully took place. brie killed the bishops before all of the sheep could be slaughtered, because they took the crown before it was meant to be taken.

i call brie "half-god" because i feel like them winning the crown in a drunken game would mean that they dont really get all of the same powers that camembert has as the rightful owner. cam and the crown are friends; the crown speaks to them and sees them as an equal. brie has no idea that the crown is alive. it's just a tool to them. they're a god in most of the ways that matter, but they still need to eat and sleep just like mortals do. but the biggest difference between them i would say is the way they see their lives and their godhood which is best summed up by this message i sent in my oc channel in march

[gleefulpoppet]

For the prompt game: 6 - 8 - 27. Coffee shop - exes - “that was a very bad idea. 0/10 would not recommend.”

For this ask/prompt game [X]

Kurt sits at a small table near the window of the bustling coffee shop, engrossed in a book, enjoying the aroma of freshly brewed coffee and a rare lunch break from his unbelievably stressful job. Unbeknownst to him, a stranger walked in and took a seat at the counter having an incredibly difficult time keeping his eyes to himself; his thoughts running wild: Damn, if that man isn’t the most beautiful creature I’ve ever seen! Be still my heart! Is he reading about Gene Kelly? 

As Kurt turned a page, he looked up, met the man’s gaze, and smiled when the other man looked flustered and blushed, biting his lip shyly but didn’t look away. Kurt could swear he was saying, “Hi. How’s your morning?” with his eyes alone, and when he nodded at Kurt with that head of perfect curls, Kurt took it as confirmation that was precisely what he was asking. So he said, “Hi. I’m doing well. Come here often?” with his own, adding an infinitesimal wink, and felt a blush race against his cheeks.

The bell chimed, and they both looked toward the door. Kurt’s heart dreadfully skipped a beat when he spotted his ex-sort of-boyfriend, Fisher, entering the coffee shop. Of course! Of course, he’d show up now! Panic set in as he realized Fisher hadn’t seen him yet. Desperate to avoid an encounter, Kurt frantically looked around, searching for an escape route. Damn! Fisher was headed for him. He looked back at Blaine, who scrunched his eyes in concern, clearly picking up on Kurt’s distress. “He’s a jerk! You wanna help me here?” Kurt said with his eyes and a slight shake of his head, having absolutely no idea what he meant by that or how he thought a stranger could help.

“Kurt,” Fisher sneered much too loudly, towering over him. “Shocking. You’re not working?”

“You smell like desperation,” Kurt says as calmly as he can, turning a page in his book he hasn’t read.

“What the hell is your problem? What? We can’t even be civil in a coffee shop?”

Kurt’s head snaps up. “Civil?” 

“Hello, love,” The stranger says, kissing Kurt on the top of his head and squeezing his hand. As he moves a chair closer, he says, “They were out of your favorite, so I ordered our backup.”

“Thank you,” Kurt says wide-eyed. He should be surprised by the whole interaction, but mostly, he’s wondering how his entire body can tingle from a stranger kissing his head and brushing his fingertips over his hand. 

The stranger looks over at the man who is seething at him. “Hey! I’m Blaine. And you are?” He offers his hand. 

“Fisher.” He shakes it, gripping Blaine’s hand, not in a friendly way.

“Ah! Fisher. That explains a lot.” Blaine laughs and shakes his head. “Quite a grip you have there. Trying to prove something?” He asks as he finally sits down, his shoulder touching Kurt’s and intertwining their hands.

Fisher huffs. “Since when have you two been together?”

“Can’t figure how that is any of your business. Unless…” Blaine turns to Kurt. “Is it any of his business?”

“Absolutely not, honey.”

“Thought not.” He kisses Kurt’s cheek and then looks up. “Can we help you? You’re blocking the precious sunshine.”

Fisher studies them, scrutinizing their hands.

“I’m not going to tell you again to leave me alone,” Kurt says.

“Kurt! I said I was sorry. I don’t understand why you’re being such an ass about all this.”

“Sorry?” Kurt laughs in disbelief. “Like that changes anything about the way you treat me.” He huffs an exhausted sigh and instinctually turns toward Blaine, getting lost in the warm, golden-brown hues that seem to hold a universe of emotions, creating an irresistible magnetic pull. Kurt is sure it would take a lifetime—maybe more—to explore the profound depth of Blaine’s soul staring back at him. He realizes he’s leaning forward, and his eyes dart to Blaine’s lips and then back up again. “Blaine…”

Blaine’s hand, not holding Kurt’s, reaches up to cradle his jaw, brushes his thumb over his cheek a few times, and nods, telling Kurt with his eyes, I feel it, too. “Want to go somewhere else where there isn’t a dark cloud hanging over us, and you can tell me all about your book?”

“Yeah.” Kurt nods and then gasps, surprised when Blaine leans over and gives him a peck on the lips. “Yeah. I’d like that.” He leans in and kisses Blaine again, grins spreading across their faces. Without a word, they’re standing, still holding hands.

“Disgusting saps,” Fisher growls and turns on his heel to order his coffee.

“That,” he tilts his head toward Fisher as they walk out, “was a very bad idea. Zero out of ten. Would not recommend!” 

Blaine chuckles as he opens the door for Kurt. “I’ll keep that in mind.”

“Before you have to ask, he was one of those blind date situations. Perfect gentleman. Wined and dined me for a few weeks. And then… Well, his true colors showed up all too soon, and he didn’t take it well that I wanted nothing to do with him.”

“Ugh. I dislike him more by the second.”

“Good. That’s good. It should be a nice oozing loathing soon.”

Blaine laughs and squeezes Kurt’s hand.

“Thank you,” Kurt says. “You know, for all that back there.”

“Mmm...” Blaine simply hums and then looks at him with a mischievous grin, bumping into his shoulder. “Where are we going?”

“I have no idea. I thought maybe you knew.”

“Not a clue,” Blaine teases. “I only know I’m not ready to let go of your hand.”

“Well, that’s good because I’m pretty sure I’m never saying goodbye to you.”

Blaine beams and notices how the sunshine feels as warm as his heart. 

[goldenpinof]

Sending you much luck and strength for the organising you got this ♥️♥️

~ 🪴

thank you so much <3

[itspileofgoodthings]

I say that you don’t need to know the Taylor lore to appreciate her music and I MEAN it and yet I’m not sure Taylor saying “now I’m down bad crying at the gym” hits quite as hard if you didn’t spend all of 2014 watching her coming out of gyms in NYC wearing her perfect little model ‘fits with her short 1989 bob perfectly coiffed only to learn later all the heartbreak happening behind the scenes then TOO.

[bredforloyalty]

i can associate any love song with incest

[thatsrightice]

Martin-Baker is a company that for more than 70 years has specialized in engineering the ejection seats utilized a majority of the world’s fighter jets. They have saved thousands of lives that in otherwise would likely have been lost. Martin-Baker revolutionized an industry that for a long time had been characterized by low survival rates, and in doing so have created an exclusive club very few are able to join, one that unifies aviators in a way that will never be taken away. I’d say only the best of the best are allowed in, but that wouldn’t be true.

A lifetime membership to the Martin-Baker Ejection Tie Club is awarded to those who have ejected from an aircraft using a Martin-Baker ejection seat, which as a result has saved their life.

These are (some of) their stories…

DAVE “BIO” BARANEK

EJECTEE #4813

For me and my pilot, 19 December 1981 was the date of a memorable excursion in a Martin-Baker ejection seat following a split-second decision to eject. I was an F-14 RIO and we were landing on an aircraft carrier in the Indian Ocean when things went wrong. I was fairly new, but I realized we were in trouble, and when my pilot said “Eject! Eject!” I pulled the lower handle. It happened in the blink of an eye, and only later could I be philosophical about it, to think about leaving the familiar and comfortable cockpit for the unknown. Thanks to the Martin-Baker MK-GRU7A seat my pilot and I survived in excellent condition and have enjoyed 38 (and counting) more years of living, flying, families, and everything else. I am thankful for the skilled US Navy technicians who maintained our equipment and the people of Martin-Baker who provided the seat that saved my life.

CDR. J. R. DAVIS

EJECTEE #4004

Martin-Baker – Thank you for the rest of my life. On 20 March 1987 my F-14A ran away with me as an unwilling passenger. Fire in the environmental control system burned through the flight controls. The airplane started un-commanded pitch oscillations and the last nose down excursion made it clear that I had to eject. My ride in F-14 BuNo 161614 ended 15 seconds before the crash with a Martin-Baker ejection seat and a parachute descent. My wife Sweet Denyse thanks you too.

CDR. TODD A PARKER

EJECTEE #4822

“It was a spring day in 1995 about 200 miles SW of Sicily. The USS Theodore Roosevelt was heading up to the Adriatic to enter the Bosnia conflict. As we expected combat, we needed to make sure as many jets as possible were up and ready so the past few days had been a maintenance blitz. We were conducting a post-maintenance check flight on our F-14 Tomcat, which the jet passed with flying colors.

After the flight we were heading back to the carrier, when suddenly the jet began bucking like a bronco – negative 2 Gs followed by 5 Gs, back and forth for about 1 minute, then it suddenly stopped. We couldn’t figure out what was wrong, but another aircraft joined up and noticed a mismatch in our horizontal stabilators. After two more events similar to the first, each time with the jet losing about 5000 feet, the jet suddenly pitched over into a negative 2 G dive and started rolling uncontrollably. I looked at the altimeter and it read 3000 feet so I pulled the handle. After the loud flash and bang, I found myself under the parachute, and looked down just in time to see the jet hit the water – what turned out to be just 4 seconds after we ejected. We were both safely under parachute, with only minor injuries but alive. We were plucked out of the water by helos from the carrier about 45 minutes later. –

Thanks to Martin-Baker and my Parachute Rigger, I am still alive, and by being able to “live to tell” about our story a major mechanical problem was found. All F-14 Tomcats were subsequently inspected and the same problem was found on dozens of other jets, so Martin-Baker not only saved my life but likely prevented many other aviators from (at best) joining the Tie Club themselves or at worst losing their lives. It was just a month later that a high school friend who heard I was deployed wrote me a letter…We’ve now been married 17 years with two wonderful children. Thank you Martin-Baker!!!

[cosmictap]

To be loved is to be changed:

A Logan Walker x trans masc! OC fic

CWs: Disassociation (entirely based off my experiences), the vague implication that a character thinks the other may be transphobic (barely there), hints of self hatred.

I’m not to sure how well i wrote any of it but! enjoy nonetheless

There was always something about Logan that he hated about himself, he was shorter than average, could hardly hold a conversation with anyone who wasn’t his brother, couldn’t stand strangers, easily irritable, the list went on and on. He got by each day by sticking to himself, putting up a wall between him and everyone - to protect himself, he reasoned; but he knew. He knew each time he found himself stuck in his own head, somewhere he could remove himself from reality for a while, blocking everything out because it hurt less. The truth was, he needed someone to help him get out, but god knows he was far to gone for retrieval.

That was, until a certain blond wanker boy turned up. He was strange. Introduced himself with his last name, point blank refused to give his first name at first. Rorke. The name sounded familiar, in a very distant part of his brain he couldn’t find the energy to explore, regardless, ‘Rorke’ was frankly, the most irritating person he’d ever met (excluding his brother). It took a week. A single week, and Logan was already unbearably fond of him. Rorke was his best friend soon enough, and god if that didn’t scare him; how had he broken through his defences that quickly? Why was this loud, opinionated kid choosing him?

Within a month he was starting to feel real again in a way he had almost forgotten, the small details of his days stuck out, the way the leaves fell near tenderly onto the ground, the calming sound of those very same leaves, crushed under boots. He loathed to say it, yet, it was plain to see. Rorke found a way to get through everything. He was finally learning how to live as opposed to simple survival.

-~~-

They got out of class that day, immediately finding each other so they could make the walk back home together, something he’d grown very pleased with over the weeks. They were chatting about their days, what kids in their lessons got in trouble, the usual, but Logan could tell something was off with Rorke; he was fidgety, quieter than usual.

He soon found out why. Rorke’s name was Cameron. Although, he said it almost uncertainly, like he was waiting for some kind of rejection. It never came.

-~~-

He’d never admit it to anyone, but Logan was in love with his best friend, perfectly content to admire from afar. Feeling his heart break with every relationship Cam got into, and inevitably end up broken up with.

He wished he could save him, just like he was saved. The risk was high but.. He’s willing to try. For the sake of his partner best friend.

WOOOO this was a bit of a mess coming up the end i won’t lie!!! but i’m done with it!

[waitineedaname]

Ten years following the Promised Day, Ling and Ed finally get the chance to talk, just the two of them. It doesn't go in the direction Ling expected.

poly rights 👍

[bluebeary-jay]

Could you do a one shot where the reader has had a bad relationship in the past and one day gets in a fight with Joel where he raises his voice and sends her into a panic (unintentionally of course) and maybe a lot of angst with comfort near the end?😊

Hi, my darling anon!!

Omg I absolutely LOVED your request and will be posting the fic today! 😊 It was a little challenging to create 'good' circumstances for a fight and to write appropriate reactions of the reader and Joel, but I hope I did okay!

Thank you so so much for requesting!!! Hope you're still here and will like what I came up with 😊💕