#I would not live

[purplemoonabove]

Love of my life, you've hurt me

You've broken my heart

And now you leave me

Love of my life, can't you see?

Bring it back, bring it back

Don't take it away from me

Because you don't know

What it means to me

…

I swear to you.

If this plays in season 3,

I swear…

I’ll cry…

LIKE F**K!!

[an-na-ko]

Lyra, my beloved cat of 13 years, passed away this year on Father's Day. She's been by my side through very difficult times and was my little rock of steady and unrelenting love. I struggled a lot drawing this, and struggled a lot posting it, but I know I would've wanted to read a comic like this that validated my grief for her when I lost her.

Wherever you are, Lyra my little summer star, I love you always! Thank you for being the best thing in my life.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[violetsandshrikes]

I met a girl when I was fresh out of high school in undergrad who frankly, annoyed me quite a bit, but I also had an inkling to continue to be compassionate to her given a few things about her life/background/family

I ran into her two years ago. Last week, her daughter turned 1. This girl, let’s called her “P”, is a really good example of why I never feel comfortable mocking trad wives

Her perfect trad husband, who was a shining young figure in the local religious community, volunteered in all sorts of groups, well loved in his workplace and everything else, beat her up at 1 month post-partum. I reached out to her after seeing her desperately asking for a stroller on a page, confused and slightly concerned knowing both of them came from wealthy backgrounds.

The reality for lots of tradwives living “perfect lives” is this: P was immediately ostracised. All the wealth of her husband and her family meant absolutely nothing if she wasn’t in favour and doing what she was told. Her child and her well-being didn’t matter. P, at 25 years old, was basically deemed an oopsie, and left on her own to figure out how to pay for herself, a baby, find housing, and every other task you can think of.

Having known many of these women (and supported many of these women), another factor most people don’t consider is this: they are intentionally raised to be helpless. When I immediately offered my support to P, she really needed it. This young woman needed to be guided through how to apply for government assistance, how to weigh up rentals and apply for them, how to apply for jobs, how to sign up for childcare. How to sign up for your own power and internet, and how to connect them.

It wasn’t that she was “stupid”, or incapable, or spoiled. While it looks like they’re being sheltered, in reality, these women are practically being held hostage. Sure, they might be allowed to learn things that are expected of them (see: basic cooking, baking, cleaning, child rearing, women’s bible studies, hosting, and so forth) but they are heavily controlled from family life into marriage life, and they are never given the opportunity or the reality of what many of us would consider basic adult tasks.

She’s doing okay now. Her daughter turned 1, is happy and healthy. They live frugally, but they have a roof over their heads and the essentials. I often babysit for her so she can attend counselling, or go to a woman’s support group. She is painfully aware that she has so much to learn about how to live as an adult.

I don’t envy tradwives, but I don’t find any joy in mocking them either. Even when they live the most picturesque lives, they’re also practically living a real life Jenga game. If (and often, when) it comes tumbling down, they’re screwed too, and they often have 0 skills to help themselves or find community (that again, isn’t carefully curated).

[chaichai-draws]

Personally I think that Telemachus permanently and irreversibly changed Athena for the better, more on that at twelve

[nat-20s]

name a more iconic thing to happen for the fictional qpr community than Donna Noble quite literally meeting her soulmate and being like hmm. there's no one I've ever wanted to fuck less

[humming-fly]

I love how Gerald was trying to keep Shadow from spoiling anything about the future meanwhile literally everything Shadow says and does around Maria is the biggest death flag ever

[beebfreeb]

[followmetoyourdoom]

Personally, I think the best way to burn the Gävle goat would be to infiltrate the security team, play the long game y'know. Join the team and keep the goat safe for 3 or 4 years, maybe even 10 years, make them trust you, maybe marry a fellow security person. Then, when they least expect it, whoosh up goes the goat, your beloved is the first on the scene, you see the devastation in their eyes as they ask 'why? Was it all a con?' And you will sweep your beloved off their feet and dip them in front of the blazing goat as the head crumbles into itself sending up a column of dramatic flames. And you will declare your love for two things: arson, and them. And then you sloppy kiss and run away from the law together.

Eighteen years later, a young person who looks suspiciously like the both of you joins the security team...

[diabloku]

The #cursedcatalastor is all over Twitter so Alastor is making good use of his new army 😌

[platoapproved]

What was that you said about memory? "A monster," was it?

[kiwi]

everybodys gotta get back into the practice of using pseudonyms online... i remember the time of screen names where u never ever told anyone ur real name and that was just understood as basic internet safety. plus having a screen name is fun because sometimes it sticks so well that it becomes part of ur identity that u can use in whatever facet of ur life you choose. it rocks to pick your own name

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[novaneondream]

Anyways what kind of music do you think Eri listens to

[collaredkittyboy]