#I would do like a one season series if I could just to really go deep into all of this

[island-ofthelost]

omg idk if uve posted an explanation for transmasc chase but if u havent id LOVE to hear?!?!?! im trans and i love house so :3:3

I've never made an explanation, but here's my list of headcanons:

as for my explanation, I believe he struggles with his masculinity in a uniquely transmasc way. People that headcanon him as transfemme will notably say that he's "performing gender", overcompensating to portray a sense of masculinity that he doesn't feel internally. But I disagree (for one, he's not hypermasculine in any sense that could be construed as a performance). This is because he has to actively work to be perceived in a masculine manner, and be treated as a man within the structure of the society he lives in, which would almost always come automatically if he were cis (again, he's white, "straight", well off in the beginning of the series, and able bodied. these aspects should put him at an advantage he clearly doesn't have). While there aren't any particular examples, you can clearly tell that characters like House, Wilson, and Foreman really aren't being perceived in whatever way Chase is. He's almost treated like a woman in the context of the series, particularly by House. He's always being described as "pretty" (by everyone) and a lot of House's jabs come from this perception. And this is clearly something he's uncomfortable with. I believe if he were to be a closeted transfemme this would either ease into comfort or become more uncomfortable around season 6 when he does become much more visually masculine (buzz cut, stubble, etc). While he was in no means comfortable at this point (Cause, you know), it clearly isn't discomfort in his identity, it's the natural discomfort of being freshly divorced from a whirlwind marriage. His relationship with Cameron also highlights his transmasculinity. Obviously, Cameron has her dead ex husband. Chase struggles with the fact that Cameron will never view him in the same way as she did her ex husband, like he'll never be the same to her or even enough to her. Especially enough as a man. I think the choice to show Cameron's attachment to her ex through his sperm specifically is a very interesting choice. There's the easy route of going "haha get it he doesn't have his own sperm", which is valid, but sperm and using it to produce children was something that at the time was largely unique to men and traditional masculine gender roles. Showing Cameron keeping her ex's sperm not only conveys that she wouldn't view him as a good and adequate husband, but more specifically as a good and adequate man, which puts a serious strain on their relationship. The show could have just as easily used something else, like a ring, and would be just as cinematic. The choice of sperm specifcally is interesting to me. And killing Dibala, which leads Cameron to end their relationship, was another example of Chase's relationship with masculinity. Dibala tells Chase, who is clearly uncomfortable around him, that "real men stand up for their values", which leads to Chase killing him. And this still isn't enough for Cameron. His relationship with his father is another signifier of his gender. Clearly, his father doesn't view him as a son, going so far as to cut him out of the will. And his religious trauma again gives him a uniquely transmasc vibe, but I can't put my finger on it.

And I hate to bring this into it because I believe you don't need to look a certain way to be a gender, but yeah, he does have some pretty feminine traits physically (soft hair, baby face). But these traits do slowly disappear throughout the show, signifying him going further into his transition (although in reality Jesse Spencer is a cis man and this is just the natural aging process, however Chase is meant to be a few years older than Spencer). Also, Jesse Spencer is transphobic and headcanoning him as transmasc is, to me at least, a great way to reclaim the character, and I view it as fitting much better into the storyline and his character than him being transfemme (I do believe that only a small portion of the fandom actually does view him as a cis man). So yeah. I didn't mean to go on a total yapathon, nor did I mean to invalidate or be malicious to anyone with a different opinion. These are just my thoughts on the subject.

[quibbs126]

Well since I'm here and I ain't got else to do

Maybe I'm too influenced by other people's thoughts and opinions, but I'm really wondering now how much the Earthspark writers wanted Optimus there, and whether or not he was just a studio mandate

Because as far as I can recall, he's really got nothing going on, he's just kind of here. I mean sure, Elita doesn't really have much either, but I think she's just supposed to be a side character, and Optimus is supposed to be more on the level of Megatron. And Megatron's got plenty going on, with his defection from the Decepticons and his guilt over his past actions. And Bumblebee too has stuff going on, with his mentoring the Terrans, wanting to rejoin the Autobots and go on missions with them, his past with Breakdown (well at least these were prominent in the first season). Meanwhile Optimus is just kind of around, not really doing anything outside of the basic Optimus stuff

I don't think there's anything he does in this series that isn't or couldn't be accomplished by Megatron and/or possibly Elita. All he sort of has is that one episode in Season 2 about his trailer, which didn't really accomplish much of anything and barely had to do with Optimus himself

I feel like he's only here to give Megatron someone to talk to and argue with that's on his level, and because if the series opened with Optimus being dead and Megatron an Autobot, I think you have to make that whole deal way more important to the story than the Autobots are supposed to be

Though I do have to say now, I am fascinated what a series involving a dead Optimus and a reformed Megatron (though I'd still put his change of heart before Optimus died), with I'd assume Elita taking up the role of Autobot leader and potentially bearer of the Matrix of Leadership would look like. That sounds fun as hell actually. And when I really think about it, you could maybe still not have it be the main focus of the story? Like it's still something happening, but the Terrans can still be the focus. I feel like it could be feasible

But I wouldn't be surprised if Optimus is here because he had to be. And because of that, the writers never gave him much love, even before Season 2. I don't know if that's the case, but I could see it being possible

I mean yeah, we get our undoomed yaoi with Earthspark, megop can finally exist without the tragedy. But other than that, what is Optimus contributing to Earthspark really?

[kitsu-katsu]

Honestly I've never had a bigger want to become a movie director than when thinking about making a Frankenstein adaptation THAT ACTUALLY KEEPS EVERYTHING INTERESTING ABOUT THE SOURCE MATERIAL

I daydream about this

I NEED an adaptation that actually goes into it. Show the fucked up family stuff while Victor narrates it aa idyllic, SHOW VICTOR BEING 19-21 WHILE MAKING THE CREATURE, show the Creature learning to speak from the Delaceys, show his worldview being entirely shaped by paradise lost and the ONE romantic relationship he saw giving him the bride idea, show Victor being ill, disabled, traumatized, go into his internal conflict, show the fucked up nature of Justine's trial, how Victor becomes more aware that he'll be perceived as crazy if he speaks up every second of it, how the law is corrupt and sentences by a judge can have been coerced and say nothing about the moral standing of the victim, especially when also bringing religion into the mix, how the law continues to be fucked when Victor is jailed after Henry's death, a shell of a man he used to be, and taken out by his father because he has influence, show Victor's bond with Henry, with Elizabeth, explore the messy and disturbing relationship of Victor and Elizabeth where they always saw each other as siblings but were also promised to one another by Caroline ever since Elizabeth arrived, how Caroline manipulated Elizabeth to basically relive her own trauma, how her dying wish left them tied into something that neither of them expresses real want for in the whole book

THERE'S SO FUCKING MUCH

[ratatatastic]

its finally luosty turns last but not least eh? his topic? cranky sasha 🤣🤣🤣 (whoever came up with these topics wanted to get sasha riled up oh my goddddd)

ofc the way he chooses to show off cranky sasha is through his spartan hockey huh and OF FUCKING COURSE he gets lundy to come up and help him because who else but lundy does sasha crack the good ole whip for IM DYING

he also makes sure to mime in the goal posts too so everyones on the same page that this is of course about hockey because this has turned into an improv exercise mama hes a star hes a THEATRE kid

luosty is very good at mimicing cranky sasha must have lots of time watching him get fussy with lundy huh i can imagine the only directions given to lundy here was act like yourself and somehow that makes this funnier

they absolutely both think luosty is the funniest fucker alive OH MY GOD HE GOT LUNDY TO SMILE (WHICH ISNT MUCH OF AN ACCOMPLISHMENT HES SO SMITTEN WITH HIM) BUT HE GOT MIKKSY TO GIVE A GOOD TOOTHY GRIN TOO LUOSTY WHAT POWERS DO YOU HAVE 😭😭😭😭

he has this whole couch bewitched by his antics oh my fucking god... kicking the bench...throwing the water bottle...cranky sasha indeed

THE WAGGING FINGER AT LUNDY hey man whyd you move your hand to your crotch did that incite any revelations in you do you need to cover something that had unfortunate timing huh do you understand why mikksy cant stand them do you understand now

on another episode of i genuinely dont think anyone else could do this and get sasha this giggly in the midst of it of making fun of him luosty has really charmed them all

Sasha Cup Party | 7.31.24 (x)

[sortanonymous]

Wait, they're making another one? Oh-kaaayyyy... Not holding my breath, but hopefully it's at least better than the $h!tshow that was the second movie. (Even if that "version" of Silver is still there.) If it's any consolation, I don't know how much Sega is involved with the Sonic movies, but if it's a good bit, then maybe they can help out! At the very least, there's this amazing comment under the reveal teaser. (GOLDEN ISLAND MENTIONED)

[autixel]

honestly i don't think i'm satisfied with tdp s7

[jensonsbuttons]

gonna watch turkey 2020 to feel something

[coolspacequips]

have been rooting around looking for spooky aesthetic supernatural series to watch, and randomly dipped into watching Legacies for the first time. It's one of those things where I can see why it's a 'hear me out' series for a lot of ppl, so I'm waiting for the show to grow, there's a lot of stuff that I like here but....

I'm like 6 eps in, operating on the assumption that these old ass looking teens are probably meant to be 18 like they often are, but I forgot that in a lot of these teen drama series they're actually 16, and in fact have been 15 this whole time which they drop after a sex scene and everything!!!!! MAN!!! I wish there were more shows like this for adults dflaksfjadskfja

[friendshiptothemax]

I was on a plane this weekend, and I was chatting with the woman sitting next to me about an upcoming writer’s strike. “Do you really think you’re mistreated?” she asked me.

That’s not the issue at stake here. Let me tell you a little something about “minirooms.”

Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can -- characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.

This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. It’s not a huge problem now, but the WGA only gets the chance to make rules every three years -- if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.

Do I feel like I’m mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me -- a mid-level writer who makes a decent living working on someone else’s show (I’d like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels -- the handful of glorified idea people who are already scrambling to find their next show because you can’t make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think it’s plain bad for television as an art form -- what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner can’t do their best work under all of that pressure, episode after episode, back to back. Minirooms just...fucking suck.

The WGA is proposing two things to fix this -- a rule that writers have to be employed for the entire show, and a rule tying the number of writers in the room to the number of episodes you have per season. I don’t think it’s unreasonable. It’s the way shows have run since the advent of television. It’s only in the last couple of years that this has become a new thing. It’s exploitative. It squeezes out everyone except showrunners and people who have the financial means to work only a few months a year. It makes television worse. And that is the issue in this strike that means everything to me, and that is why I voted yes on the strike authorization vote.

[devondespresso]

every now and then one just gets completely enamoured with karen pov prologue chapter and convinces themselves they can totally post it before the whole fic is done

[no-144444]

nothing bad!- o.piastri

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summary: the sprint pisses you off, ted's notebook catches you at a bad time, you say some things, oscar posts some things, and it ends up being one of the most popular ad campaigns in history. oops.

pairing: oscar piastri (no.81) x fem! driver! reader

୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅୨ৎ⋅

You rolled your eyes as you watched the sprint end. Bullshit. Team orders had always left a bad taste in your mouth, but this was just bullshit. You sighed, looking at Mark, and he just rolled his eyes. Oscar was on par with Lando in his second season. Yes, there were some small mistakes or issues, but he was a fucking jet engine, and he deserved a team that treated him like one. He was going to be World Champion next year, you knew it, Mark knew it, everyone knew it. 

“Fucking arseholes,” Mark cursed. “What time is your quali at?” 

“12,” you answered. “I’m going to just go talk to him, see you in a bit.” 

You stood in Parc Fermé and he came up, pressing a kiss to your lips and sighing as his team congratulated him. 

“That was such bullshit,” you sighed, following him to his driver’s room after the media duties. “Wanna fuck to get all that frustration out?” 

He nodded, not even looking at the question like it was a joke. You both knew it wasn’t. “How long until your quali?” 

“An hour,” you shrugged, pulling him into his room with a smirk. 

୨ৎ⋅୨ৎ⋅୨ৎ

When you two finally resurfaced, you made your way over to your car, ready to slot it onto the grid, as you did, you were stopped by Ted Kravitz, the man, the myth, the legend himself. 

“Y/n! How are you feeling about today’s quali and sprint race?” he asked. 

“Good, yeah. Just need to get out and up there,” you nodded. You were the number one driver in F1 Academy, and F2. This weekend was an F1 Academy weekend. You’d won every race since you’d joined the series, a sweep of total domination for 2 years. 13 wins under your belt in F1 Academy, 12 feature race wins in F2, and 12 Sprint wins in F2. And you were only 22. 

“And how did you feel about Oscar’s Sprint race? You didn’t look so happy in Parc Fermé.”

You rolled your eyes. “If Lando really needs Oscar to take a side step like that over one point, maybe he’s not ready to be champion,” you shrugged. “And that’s coming from a friend.” 

You could feel the air shift as Ted smirked, knowing what a headline that would be. 

“Thanks for your time Y/n, we’ll see you on the other side of Quali,” he smiled, allowing you to walk on. 

୨ৎ⋅୨ৎ⋅୨ৎ

Pole position, again. 

It was almost funny how easy it was. 

୨ৎ⋅୨ৎ⋅୨ৎ

You made your way back into your garage and found Oscar looking proud, but slightly guilty…

“What did you do?” you asked, putting your helmet and gloves down. 

“Nothing bad,” he prefaced. “But I may or may not have posted something.”

You looked at him quizzically. “Show me.” 

He turned his phone around and you laughed. 

୨ৎ⋅୨ৎ⋅୨ৎ

oscarpiastri

liked by pierregasly, landonorris, y/nracing, and 839,231 others

oscarpiastri: get yourself a girlfriend who a) is intelligent, gorgeous, and awesome. and b) publicly humiliates your teammate over one point :)

comments

landonorris: low blow... i thanked you -> y/nracing: u forgot to thank beyonce.

user82: WHAT IS GOING ON IN THE HOUSE OF COMMONS

mclaren: please take this down xxx -> y/nracing: if he takes this down i'll bomb mtc. -> mclaren: OH GREAT HEAVENS.

zbrownceo: we know this diva 💜

lilymhe: hold up im trying to spell gorjus -> y/nracing: OMG I FUCKING LOVE YOU DITCH ALEX FOR ME PLZ

carlossainz: at least you've got a leg up on lando... -> user22: ??? -> carlossainz: he hjas a girlfriend that loves him, lando's dumps him every four days -> landonorris: WHY AM I CATCHING STRAYS RN????

oscarpiastri: who is this gorgeous lady? -> y/nracing: she's taken bucko -> oscarpiastri: not by lando norris 😹😹😹 (even though he asked you out first...) -> y/nracing: who the fuck would pick lando over oscar?

pierregasly: WHO IS THIS DIVA 💜

charlesleclerc: glad to see my daughter in law is still insane

୨ৎ⋅୨ৎ⋅୨ৎ

“Well, I’d better post something myself, shouldn't I?” you smirked. He nodded, a bright blush on his cheeks, knowing exactly what you were going to post. 

୨ৎ⋅୨ৎ⋅୨ৎ

y/nracing

liked by pierregasly, oscarpiastri, landonorris and 12,293,942 others

y/nracing: booo ln4. i'm into op81. oh yeah, also our skims collection is out on the 24th xxx

comments

user82: OH MY FUCKING GOD

user29: i have no one to talk to about this.

oscarpiastri: pretty girl -> y/nracing: pretty boy

landonorris: ??? ->oscarpiastri: I will actually gouge your eyes out, unlike this post right now. -> user92: WHAT HAPPENED TO POLITE CAT? -> oscarpiastri: his teammate became a bitch

user92: HOLY SHIT Y/N IS LOOKING GORG

lilymhe: my girl is beautiful

alexandrastmleux: my girl xxx

charlesleclerc: supporting! (with my eyes closed)

pierregasly: 👀 ->oscarpiastri: close them.

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navigation for my blog :) (masterlist)

[gothwineaunts]

Well hello there, readers!!

So, I have been lurking on our socials and in the webtoon comments of Nevermore's finale episode and have picked up some very subtle hints that y'all want to know when we're going to drop Season 2. Firstly I do want to let all the smarties who guessed we'd come back on Halloween based on our Ulalume quote know that they were onto something. When we originally left that hint for you, we were indeed planning to return in late October, but some unforeseen setbacks over the summer pushed our production schedule back. Still, I wanted to say congratulations for getting the hint right! We were impressed so many of you figured it out.

As for the updated launch of season two? While I don't have a specific date to share yet, I can tell you it'll be in January.

I know, I know. Trust me, I wish it was sooner too. I can't tell you how much Flynn and I miss updating weekly. Y'all make creating this series so exciting for us with your energy and excitement and creativity!! The talent I've seen in this community is off the charts. We feel unspeakably lucky to have readers like you along for the ride, and can't wait for you to see the episodes we've been working on.

If you're new to Flynn and I, it might not be common knowledge that we always do the absolute most all the time, compulsively, without stopping ever (save us, ahahhaa). And let me assure you that the opening episodes of season two? Are very most. A lot of most. Super long. Really, extra pretty. I wish I could post them now but I think webtoon might um. Be upset with me if I did that, so. Just trust me, ok? One thing I can share in th emeantime is some of the S2 character concepts. A few characters are getting minor glow ups. See if you can spot the differences!

Okay, well! We'll see you in January!! Or before, if you hang around our socials. I mean we're not disappearing. We'll be here, just. Plodding along on buffer in the background. If you're dying to spoil yourselves with wip streams you can hit up our patreon but I almost wouldn't recommend it on account of. You'll be so confused, at this point. Lmfao. Like. Wow, it would be a really weird time to join a wip stream with no context. This sounds like a shameless plug but I'm being serious when I say it's probably best you don't hop in at this particular moment?? But I mean. I'm not a cop. I'm just your weird goth wine aunt. 🍷

Cheers, Kit Trace

[fuckyeahgoodomens]

SFX Magazine Issue 372 - Designing Good Omens ❤ 😊

PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON

WORDS: DAVE GOLDER

Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.

“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”

GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”

But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”

For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.

But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.

“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.

“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”

Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.

“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.

“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.

“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”

(look at the description under this, they called him 'Azi' hehehehe :D <3)

Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.

“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.

“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”

Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.

“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”

It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”

Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.

The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.

“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”

[nereidprinc3ss]

do you believe me now? | 8

it's the morning after. spencer reid suspects you’re left with some doubts after losing your virginity to him. he has to figure out why—which is hard when you're keeping secrets.

series masterlist

this series is 18+ warnings/tags: fem!reader, blood related to losing virginity (dramatized for the drama duh), super vague allusions to the BAU being hungover, mild blasphemy if anyone even cares, pondering god bc am I really a fanfic writer if I don’t get a little religious w it, emily AND hotch are here and nobody knows why pls don't pay attention to that bc we are imagining like season 11/12 spencer and I'm inconsistent w who is unit chief in this series apparently, spencer slut lore, spencer emotional wounds lore, Spencer is a traumatic situationship survivor a/n: DADDYS HOMEEEEE (me and dybmn not spencer) anyway missed these little guys and am happy to be writing for them again!! idk what my upload schedule will becoming back to this but pls lmk what u think of this part, I have no idea how you will respond but I'm being brave and ily

Friday morning Spencer comes into the office fifteen minutes late (he tried his best), in yesterday’s suit (everything in his go-bag had been too wrinkled), hair messy (no doubt from your fingers), coffee cold (he’s exhausted) and overall, in an excellent mood.

The rest of the team isn’t faring quite as well—Spencer gathers they stayed at the bar celebrating Derek’s birthday a lot later than he had. It shows through sallow skin and dark circles and the grimaces he receives on the way to his desk that are probably supposed to approximate good morning’s. 

Honestly, he doesn’t mind the dull mood—he doesn’t need the teasing and the prying questions that would be sure to come if his co-workers were at peak performance and were able to put together his unusually perky demeanor and disheveled appearance. At least Prentiss doesn’t appear to be paying him any mind. She’s always the one who can read him like an open book and has no shame in doing so aloud. Echoes from years of, ‘so who was the lucky girl, last night, Reid?’ Still ring through his mind and it’s like he can feel her finger prodding at his side. 

The Emily of it all makes him smile, though the rest of the memory leaves a metal tang in his mouth. Back in those days, there were sometimes a lot of girls, but even then he was consciously aware he wasn’t necessarily doing something he enjoyed. He spent a lot of time, actually, staring at his bedroom ceiling, psychoanalyzing himself. Repetition compulsion. The insatiable desire to repeat or reenact emotionally painful experiences. Maybe he thought if he could teach himself to subsist off of emotionless hookups, he could in some way heal from his experience with Elle. Though, he’s hesitant to think of it now as healing—it’s not like he didn’t know what he was doing when a few nights after she said I don’t feel the same I’m sorry he opened up his front door for her. It’s not like he didn’t know what he was doing every time after that. So, maybe heal isn’t the right word, when one doesn’t have the right to be injured. Or when the injuries are, in a manner of speaking, self-inflicted. At the very least he could tell himself that this time around, meaningless sex was a choice he was making for himself. Spencer hates when things just happen to him. 

But you—you’re different. You were a complete surprise. At first, a cute and unexpected complication. After a few painful and short-lived attempts at real relationships, Spencer decided he was simply not to be trusted with emotional intimacy of any kind, including that which inevitably develops from physical intimacy, and would resign himself to a life of celibacy. He tried not to like you, but you were just so damn likable. Magnetic, to use a trite and perfectly honest turn of phrase. All that to say: he doesn’t regret you at all. There is no filter of putrid shame or anguish over his memories of last night. 

Just you. Perfect. Starlit. Glowing softly around the edges like you’re not even real. 

I love you I love you I love you. A hymn with no melody. You, always reminding him exactly why he is decidedly not a man of faith. At least, not in the typical sense of the word. 

How God became the idol and not Mary is lost on him. That’s why, Spencer supposes, tapping an eraser on his desk, marriage and sex were forbidden for so many ecclesiastics. After all, if they knew what it was to love a woman, specifically to love you, he doubts they’d feel like spending much time in the pulpit. Love. Humans had that long before they had any gods. It’s primeval. It’s the most natural manifestation of devotion and worship. It will always have come first. Isn’t it a better kind of religion when a man realizes he can kneel in front of a woman rather than an altar?

A heavy hand falling on his shoulder jolts him from his theological musings—which are in all practicality useless. What’s that saying about blasphemous thinking on the FBI’s dime? Right. There isn’t one. 

“I’m scared to ask,” Morgan says as Spencer jumps slightly in his chair. 

“What?” He mumbles, looking up from the document he’d only sort of been reading.

Morgan just looks at him, strong brows furrowed and a ditch between them, angles his head and glances to the side as if Spencer is missing the obvious. He almost follows Derek’s eye-line. When that doesn’t work, Derek just says your name. Like your status is somehow in question. 

“Did you two work things out, or not? It looked pretty bad when you guys were leaving last night.”

People often misunderstand an eidetic memory. It’s not like things can’t slip his mind—Spencer can actually be quite forgetful. It’s made worse by the fact that last night at the bar feels like months ago. For a moment, he has no idea what Derek is referring to. 

“Oh. Oh! Right, we—right. Yeah, we, uh—we worked it out.” Before Derek has a chance to read his face, no doubt as incriminating as his fumbled speech and an ill-timed throat clearing, he turns back to his paperwork. “Thanks for keeping an eye on her at the bar. I appreciate that.”

It’s quiet for a moment, and Spencer’s lips twist as he can feel the incoming inappropriate comment. 

“Is that the same suit you were wearing last night?” Morgan quips, his wide grin audible. Spencer can practically hear the cartoon gleam of his friend’s bleached teeth. 

“No.”

“You dog.” Derek is still smiling as he claps Spencer’s shoulder again. “What did you say to her that worked so well?”

Spencer clears his throat again and tries to look extremely involved in logging onto his computer, speaking quickly as if he’s beyond disinterested and can’t wait for the exchange to be over. 

“I don’t know what you’re talking about. I’m actually trying to work so if you wouldn’t mind going back to your desk that would be great.” 

“Uh-huh. I’ll let you work. But I see you, pretty boy.”

Spencer tries not to blush like a teenager as he refuses to look up. 

Naturally the rest of the day is a slow descent into dread and madness as all those good feelings with which Spencer had started his morning begin to harden into something much worse, chilled by your lack of response to the text he sent you earlier. Which was essentially a rehashing of the note he left on your bedside table. 

Maybe it was too much. It should’ve been one or the other, but not both. He’s overwhelmed you. 

Okay, so maybe this is what religion is for. A last ditch effort when you can’t talk to your girlfriend so you have to try talking to God. 

But Spencer knows you, and he knows something is wrong. You wouldn’t just ice him out so blatantly if everything was okay. He catches himself glancing up toward Hotch’s window to see if the blinds are drawn, and considers faking an illness to get out of work early and go check on you. But he powers through the remaining hour and a half that he is obligated to stay at work, he bounces a pencil between his fingers, drums at his desk, and gets nothing else done. As soon as 4:59 rolls around, he’s out. 

Spencer can hear shuffling on the other side of your door as he stands in the hallway. A pot clatters. The walls hum with the rush of water through the pipes to your sink. He knocks, relieved that you’re okay and at the same time struggling with that weight on his chest—something cold that leans over his shoulders and whispers into his ear—so she just didn’t want to talk to you. 

Suddenly all sound from inside your unit ceases. For a few long seconds, Spencer’s confusion only grows exponentially. 

“Who is it?” You finally call, voice wavering. Also odd. Usually you just open the door. 

“Um… Spencer?”

“As in my boyfriend Spencer?”

He frowns, bottom lip jutting out ever so slightly as he tries to decipher your sudden paranoia. “I hope so?”

The click and jingle of several locks precipitates your much-anticipated reveal. 

“Come in,” you say breathlessly, more harried than usual and not giving him the tender greeting he’s selfishly become accustomed to—barely even giving him a second to look at you. But he steps inside, watching on in concern as you do up every single lock—the one on the knob, the deadbolt, even the chain. Is this really all because of his little comment last night about anyone being able to get in? He certainly hopes not. He didn’t mean to terrify you. 

When you finally turn, he takes stock of your appearance. Big hoodie, pajama pants patterned in little hearts. Hair pulled back hastily. Your skin is sort of dull where you normally glow. But you’re beautiful, like always. It always aches just a little bit to look at you. Spencer’s always been like that. Going breathless at a particularly good piece of art or pretty girl. Like yourself. Mostly you. 

You quickly turn to hurry back into the kitchen. “I was trying to make dinner, I—”

“Hold on,” he interrupts, stopping you with a hand on your stomach that is so non-demanding it’s really mostly a suggestion. He tries to clear his head, though you make it hard. “You didn’t talk to me all day. Not that you have to, but… I was worried.”

You glance at the floor and mumble, “I lost my phone,” with so much embarrassment he believes you’re telling the truth. “Did you, um—did you text me?”

Insecurity. Spencer knows well what it looks like on you. He softens. You weren’t ignoring him—but you’d been left in a vulnerable state without any ability to contact him or anyone. That couldn’t have been comfortable. 

“Of course I did.” He pauses to observe you. Still anxious. Still prepared to run at any second. Something, and he’s not sure what, did a number on you today. Maybe it’s sheer exhaustion, maybe it was the anxiety of not having your phone. But he has to figure out what it is so he can undo it. “What? What’s wrong?”

He watches your breathing pause—watches your eyes gloss over with tears and a frown contort your features. Oh, god. He’s done something terribly wrong. It’s been thirty seconds and he’s done something wrong. 

“Can we sit down? I don’t feel very good.”

“Yeah. Yeah, we can. Whatever you need.”

You cast a baleful look at him and now he has to wonder what that means. Spencer sets his bag on a pulled out dining chair and follows you to the couch where you settle on opposite sides—you’re curled up in the far corner, hugging a pillow to your chest with your legs folded in front of you. Spencer’s heart is beating fast. He doesn’t know what’s going on with you and he can’t figure it out just by looking and you don’t seem eager to tell him. 

He’s exhausted all his typical ways of collecting information, and now he’s at a loss. 

Eventually, the anxiety comes bubbling up. 

“Please talk to me,” he pleads. And you do. Almost instantly, like he stepped on some sort of landmine. 

“I know it’s my own fault for not having my phone on me and not being able to see your texts, but it really sucks that I had to find out from my creepy neighbor that you snuck out in the middle of the night without saying goodbye.”

The whiplash is so strong it’s almost a broken neck. Spencer reels, frowning deeply as he tries to process your impromptu speech, the sudden confrontation. What creepy neighbor?

“I… didn’t. I went to grab my stuff from the car around one, but I came right back. I left at 7:30. You don’t remember me saying goodbye?”

Your brow furrows, and your eyes dart over the design on the rug like you’re watching memories go by. He sees it in your eyes when you recall some hazy image of him holding your face, kissing your cheek more times than was necessary and whispering sweet things against your lips before he had to go. You shrink into the couch, clearly struggling under the combined weight of relief and embarrassment. 

“I forgot. I thought… he said…”

A moment passes and it’s clear you’ve abandoned the sentence. Spencer is concerned about this shadowy male figure who put malicious untruths into your head. He slides his hand under yours and twines your fingers together. Finally, finally you meet his gaze. 

“Someone made you believe I left without saying goodbye.”

And he almost wishes you weren’t looking at him as more tears pool before falling down your cheeks. You nod, and don’t make a sound. 

“No, honey. I didn’t do that. I’m sorry that’s what you’ve been thinking all day.”

“I was worried that you… or that I wasn’t…”

His chest aches. You’d woken up alone, no recollection of his goodbye, and without the comfort of even a text. 

“You didn’t see my note?”

The way you look at him then is heartbreaking. Eyes wide and wet and sad, lip trembling. 

“You left a note?”

Murphy’s Law. Anything that can go wrong, will. 

It must’ve fallen off the bedside table, or maybe he just hadn’t positioned it obviously enough. 

A lost phone, a missed note, and not even a memory of his departure. While none of these things are verifiably Spencer’s fault, he feels so, so guilty. 

“I did,” Spencer says gently, scooting closer and pulling you into him, head pressed to his shoulder as you try not to cry, and he rubs your back slowly. 

Your sulky words are muffled by his shirt. “I didn’t see it. What did it say?”

“A lot of very nice things about you,” he whispers. Spencer thought maybe he could get away with giving you all the sincere compliments you can’t accept face to face through a note you could read while he wasn’t around. That way you couldn’t refute them or stop him. It was a good plan. 

He feels the sigh of relief leaving your body against his neck. 

“I didn’t know.”

“I know. I’m sorry. That’s not… I should’ve just stayed. This is my fault.”

You keep your cheek pressed to his shoulder as you speak. 

“It’s not. You have a job. A really important job. You can’t just call out whenever I want you around.”

Logically he knows you’re right, but he doesn’t always think logically around you. 

“I could’ve made it work. I could’ve come in late, or the team could’ve called me if there was a case, which there wasn’t—”

“Spencer, it’s okay. It’s not your fault. Don’t worry about it.”

He pulls back slightly, frowning at your tone. You do look relieved, much less plagued than you’d been when he arrived minutes ago, but something heavy still weighs you down. The burden of it darkens your eyes and dulls your expression. When he cups your cheek, you glance up at him, and then away once more. 

He speaks softly. “Is that all you wanted to tell me?” 

Again he earns a moment of your eye contact, but it’s fleeting. He watches the words spin around your head as you try to figure out what to do with them—and then choose to remain silent. 

There is in fact something you’re keeping from him. 

Spencer hates to use work tactics on you, but he doesn’t speak either, hoping that you’ll feel compelled to fill the silence with the truth. Knowing how you’re not entirely comfortable with quiet. 

And you try, lips parting and the sound delayed as you wrestle with something you clearly don’t know how to talk about. 

“I… my neighbor,” you say, frowning like you don’t quite know why you’re speaking. “The one who told me he saw you leaving in the middle of the night. He also—he said…”

Spencer brushes hair away from your cheek with a thumb, stroking the high point in gentle passes as your words taper off. Now that he’s thinking about it, he did encounter a man in a dumpy robe standing in the courtyard and smoking a cigarette when he left you tangled in sheets and dozing contentedly to get his bag from the car. In fact, they rode back up to your floor in the elevator in mostly awkward silence. Spencer was sure his outfit told a story—shirt untucked and hastily buttoned only partway, no belt, shoes barely tied, duffel slung over his shoulder—he wasn’t really expecting to run into anyone at such an hour, to be honest, but he hadn’t particularly cared what this man thought of him, so it didn’t cross his mind again.

Now he remembers. 

Long night, huh? I remember those days. 

It was an inappropriate comment, but given his job he’s used to ignoring those. Mostly his mind had been preoccupied with the idea of returning to you, who gave him such a warm and sleepy welcome when he climbed carefully back into your arms several minutes later that it was like he’d never known anyone else at all. 

Now he resents that he hadn’t said anything, he hates the idea that you spoke to this man and he said something to upset you and Spencer wasn’t there. Usually he tries not a judge a book by its cover (metaphorically, of course) but he’s been around enough bad men to know when he’s looking at one. Last night he hadn’t even been cognizant enough to realize they got off on the same floor. 

“What did he say, angel?” Spencer whispers, incapable of being anything but soft with you at the moment. Even though he senses something a lot like a tide of preemptive anger rising in his chest, painted over with layers of anxiety and guilt. He should’ve found a way to stay with you this morning. 

You sniffle and let your head fall again, forehead resting against his collar. Instinctively his hand slides to the back of your neck and even at the awkward angle he finds a way to press his lips to yours hair. “Can we talk about it later? I don’t feel good.”

If it’s making you this uncomfortable, Spencer really wants to know what passed between you and this neighbor. In fact, he’d be willing to bet a lot of your strange behavior this evening stems from something that occurred which you don’t feel comfortable telling him yet. But he manages to bite back anymore questions. He doesn’t want to make you feel interrogated. 

“Yeah, you mentioned that,” he says eventually, kindly, hand tracing down the length of your back and up again. “Why don’t you feel good?”

He doesn’t miss the way you reach up to discreetly wipe your cheek. But he won’t make you talk about anything you don’t want to talk about until you’re ready, and it seems like you’re already having a rough day. Which is not what he wanted. This is so far from what he wanted for you. He’s cursing himself for how he handled this whole situation. 

“Um, I just… I don’t know. I feel… bad. I’m sorry I’m being so weird.”

“You’re not being weird, honey. You had a hard day. You’re having a normal reaction to an abnormal set of circumstances.”

You sit up, sniffing and wiping your tears like you can just make the whole thing go away. 

“No, I am. I am. It’s all okay now, right? So I don’t know why I feel like this. I don’t know what’s wrong with me.”

He watches helplessly. “Nothing is wrong with you. We’ve… it’s been a big couple of days. Mostly good, but I think you’re probably really tired. Emotionally and physically.” 

You bury your face in your hands and nod silently. He still feels like he’s shooting in the dark, but you’re not entirely comforted yet, and it’s killing him. 

“Whatever you’re feeling is okay. If this is… about last night, or this morning, or something entirely different—regardless of what it’s about, you’re not going to be… in trouble with me if you’re having complicated feelings. And you can talk to me. But it doesn’t have to be right now. We don’t have to figure it out all at once, okay?”

You press the heels of your palms into your eyes, and for a moment, his words sink into silence. When you do raise your head, nodding, the evidence of your discomfort is all over your face—reddened eyes, cheeks polished with wiped tears. But you take a deep breath and try to project whatever it is you think he wants to see. 

The back of your hand is soft under his thumb as he sweeps it, as if he could draw forth more information that way. People speak when they’re ready.

“Is there anything I can do?” He tries, all ramped brow and soft spoken. 

You’re looking at where he’s tracing swirls on your hand as you swallow and blink the last of your tears away. 

“Um… you can say no, but—do you think it would be okay for you to maybe stay again tonight?”

Spencer sucks in a breath, painfully aware that he’s about to let you down. 

“I… I haven’t been home in a week. I’ve been wearing this suit for two days straight and I don’t think I would want to share a bed with me again until I shower.” He watches you wilt and lifts a hand to stroke your hair. “But I do want to spend time with you… do you maybe want to come stay with me instead? No pressure—”

“Okay. Yes. Is that okay?”

Spencer’s brow knits. You seem even more enthused about the idea of going to his apartment, like now that the opportunity has presented itself you can’t wait to get out. Maybe you have some sort of black mold problem. 

“Of course. Do you wanna grab a few things and then we can go?”

“Um—I also haven’t showered today. Do you mind waiting?”

“Sure. Or you could use mine. With supervision, this time.”

Spencer is attempting to make a joke about your unplanned (and unmoderated) stay at his apartment last week after he left—but looking at your face now he’s wondering if he touched a nerve. 

“Like… one at a time? Or…”

He thought maybe you’d be more comfortable around him after last night—and it’s not like he hadn’t seen you naked before then, either.

“Do you wanna do it one at a time?” He asks gently. 

There’s this sparkly sort of longing in your eyes that he’s seen before, but you tamp it down like always. You’re so cautious. About everything. Even the things you’re curious about. It’s sweet and a little sad. 

“I’ve never… showered with anyone.”

The corner of Spencer’s mouth twitches as he pushes hair over your shoulder. “I know. You don’t have to. We could save like 100 gallons of water depending on how long your showers typically last, but—”

“Spencer—”

“Sorry, sorry—I didn’t—I didn’t mean it like that. I’m not trying to pressure you. You absolutely can take your own shower. You can go first so you get the hot water.”

“No,” you laugh, and it’s like a sparkling cloud of gold has settled around you, fractals bouncing off the shine of your cheeks and eyes—the sound of your laughter, the look of it, is such beautiful relief he can’t believe how good it feels, but it fades from you quickly. “It sounds… I think I want to, I just… I don’t wanna, like… do… anything.”

For a split second your veiled language mystifies him and then he realizes what you’re trying to say without saying. Something has changed since yesterday, when you brazenly referred to it as fucking, and today, when you can’t even say sex. He’s gotten as far as it being something your creepy neighbor said. Maybe. He needs to know what. 

But that’s not the topic at hand. 

“We don’t have to. I didn’t mean to imply that we would do anything like that. I don’t expect anything from you.”

You swallow. 

“Okay. I wasn’t sure.”

About what?

He says your name. No response. 

“Can you look at me, please?”

It takes you a moment, and your head raises like you might need some oil in your hinges, but eventually you manage. Spencer hopes the way he’s rubbing your leg is comforting. 

“You know I’m never, ever going to make you do anything you don’t want to do, right?”

To his horror, your answer isn’t an immediate and resounding yes. Instead you look back down and cover his hand with your own, fiddling nervously with his fingers. 

Eventually, you reply, “Yeah… I know. I just thought… I’m not sure. Maybe it’s supposed to be different now.”

“It doesn’t have to be. Nothing has to be different. We’re still doing everything on your schedule, okay? And as for the next few days, at least—I think it might be a good idea to take sex off the table altogether.”

Your eyes narrow and you hesitate. “Why?”

“Because I don’t want you worrying about it. And I don’t think it would feel good for you right now. I think there are things we need to talk about, but… we’ve probably tried enough for a while, hm?”

You give him a shy nod and hum your agreement. For a moment he lets his hand linger on your leg and then pulls it back. 

“Okay. Do you want my help packing a bag, or should I wait out here?”

“You can wait. It should only take a minute.” You pause, halfway up to look pensive. “Um, Spencer—do you think it would be okay if maybe I… if I stayed tonight and tomorrow? I just—I wanna get out of here, for a bit.”

He frowns but doesn’t hesitate. “Of course. Can I ask why?”

“It’s just… suffocating sometimes,” you call as you turn and hurry down the hallway to the bedroom. “Feels like my neighbors are on top of me, like they’re… breathing down my neck, half the time.”

Sure, bigger apartments exist—but it’s not like you’re in a studio. And you’ve never mentioned feeling that way before. That bad feeling is starting to come back—like you’re not telling him something he needs to know. But is it worse to let you deal with it yourself until you’re ready to talk or to force it from you?

A few minutes later you return, a duffel of your own over your shoulder and full to bursting. 

“So I’m an idiot. My phone was literally in the pocket of my jeans on the floor.” You drop the bag as you bend down by the door to pull on your favorite slippers. “Oh—I think I forgot my charger, can you grab it? It’s by my bed.”

Spencer of course obliges, and is secretly pleased to be in your room again, in the light this time, so he can see better. It’s sweet. The pictures on the walls, the plants and the knickknacks and the sticky notes scrawled with messy reminders on every surface and the sweater hanging over the back of a chair—the one you’d been wearing at the cafe all those months ago—it all feels so you. He wonders why the two of you don’t spend more time here. 

He lets himself linger for only a minute before remembering his task, but as he reaches down to unplug your charger, whatever dopey smile he’d been wearing evaporates. The sheets have been stripped from your bed, and he can see why—there’s a striking stain of dried blood, and several surrounding dots, soaked into the mattress. Not much, but enough to make him feel horrendously guilty. He cringes, imagining what it must’ve been like to wake up all alone to nothing but your own blood. Poor girl. Of course he’d noticed some, last night when he was doing his best at cleaning you up, but it had been dark, and he was exhausted, and he hadn’t done enough. 

“Where’d your sheets go, baby?” He asks once back by the front door with his own bag on his shoulder, setting a gentle hand on your lower back and holding out your charger for you. You jump slightly, and he makes circles on your back, wishing there was something he could do to settle you. 

“Oh! They—they got ruined. I threw them out. It’s fine. I have others.”

So you didn’t have enough energy this morning to walk a few feet to your shower, but stripping your bed, getting dressed, and walking down to the trash chute at the end of the hall had been top of your priority list. 

You swallow as he undoes the locks and holds the door open for you, and pretend like you’re not doing surveillance to either side as you stand in the hallway, locking your door again like you can’t get out of here fast enough. 

Spencer casts a sidelong glance at you and wonders if you’re intentionally avoiding eye contact. He tries not to think like a profiler. He tries not to assign meaning to your actions, but he can’t help it. He can’t not notice. 

He can’t not worry. 

And he can’t not wonder what you’re not telling him. 

-

part nine

[liloinkoink]

one thing i think people get wrong about Martyn in the life series is he really isn’t loyal

like yeah, we all know him as the Hand, following the Red King as far as their shared grave, but that is… truly the outlier and not the norm with him

i mean, let’s take a brief look at other seasons. i can’t speak to Secret Life, as it came out when i was incredibly busy and i haven’t yet had time to watch it, but what about the others?

he won Limited Life because he’s a chronic traitor! he betrayed Scott, his ally for the whole season, so that he could win, and said he’d been planning it / wanting to do it the whole session. spent a whole season protecting and helping Scott, and laughed in his face to betray as soon as he saw a shot to do so

Double Life was a whole mess of Martyn and weird loyalties. just one example: he spent all of the first session hanging out with Pearl in favor of even looking for either of their soulmates, with no regard for how he’d been putting his soulmate in danger. when their soulmates dumped them due to being ignored all session and stormed off, he dumped Pearl just because. one session in and he’s betrayed both his soulmate and his day one alliance!

Last Life he teamed with the Southlanders and then made the Shadow Alliance in secret, so he was on two teams and never truly committed to either. he tried to kill Grian basically immediately when he got boogeyman, for example, and in the final fight he tried to lure Ren to himself by offering to team and then tried to blow Ren up

of course, i’m simplifying and ignoring a lot. he doesn’t earn the loyal reputation for nothing. he does a lot of things to help his teammates, like giving a life to Ren in Last Life, trying all season to win Cleo over for all of Double Life, or working to protect Scott for all of Limited Life. it’s not like Martyn doesn’t play the part of a loyal friend well, but, well.

the thing about Martyn is that he’s selfish. he’s basically always going to prioritize his own survival over anything else. he’s never going to roll over and die, especially not for another person. he’s good at looking loyal, because having allies will help you survive, and he knows making outright enemies is a bad idea. he knows he can’t make it obvious he’s a traitor, because then he’ll certainly be killed. but, when it comes down to the wire, he will generally bail at the last minute to save his own skin rather than protecting the people around him. when his loyalty is tested, nine times out of ten, he will not only fail, but do so completely without remorse

it doesnt take a lot to become Martyn’s ally, and once you’ve got a foot in the door, he will take his allegiances seriously (at least, to a point). but it takes effort to really earn Martyn’s trust. and, even when it looks like you have, there’s no guarantee he won’t yank the rug out from under you if he decides having you alive is more detrimental to his survival than seeing you dead

and yes, you can especially see all of this in Third Life. Martyn was absolutely not instantly ride or die for Ren—for a lot of the earlier episodes, he won’t say he’s on Ren’s team or that he lives at Ren’s base, and often tells other players he’s simply Ren’s employee rather than teammate and that he’s wandering or homeless. he trusts Ren so little due to Ren’s inability to keep a secret or stand up for himself that even Ren acknowledges in the third session that Martyn is probably going to leave him and find someone else. Martyn’s loyalty had to be earned, and it very nearly wasn’t. if Ren had taken a session more to grow a spine, Martyn probably would have left

but Ren became an ally that Martyn could rely on, who could stand up for himself and keep secrets. it became more beneficial to Martyn’s survival to have Ren around, so he stayed with Ren for the rest of the season, and committed hard to their kingdom. Ren earns Martyn’s trust by becoming a more dependable ally, and because of that, Ren earns Martyn’s loyalty…. probably

(half related, bc i want it in the post and i don’t know where to put it: after the execution, two sessions after Ren officially earns Martyn’s loyalty, Ren admits to being genuinely convinced Martyn was going to take him out of the series as soon as Ren gave him the chance!)

because yes, even here, even after Ren earns his trust and Ren trusts Martyn to execute him and they become King and Hand, Martyn was okay with killing Ren to save himself. Martyn has said he was going to betray Ren in the final session of Third Life. his entire plan was that when he and Ren hit the final 5, he was going to kill Ren. end Red Winter, usher in Red Spring. even the most loyal version of Martyn was a traitor!

now, you can decide for yourself if you believe he could have actually gone through with this—he and Ren were 6th and 7th out of the game, after all. maybe he wouldn’t have been able to steel himself. maybe his loyalty would have, for once, been too strong to kill Ren.

but it’s very possible that even the most loyal version of Martyn—the version of Martyn who has created this “loyal” image of Martyn in fanon—was only loyal because he died too soon to show his true colors

[die-auster]

Some "if Yue is alive and went travelling with the Gaang" designs

With a ton of text about cultural inspiration.

The main book 2 look

I wanted to show cultural differences between the tribes, so Yue's look is sort of Mongolian. There were Mongolian-styled hats in the Northern tribe, and Yue's dress under the coat looked like a Mongolian deel (thanks @atlaculture for all these posts about clothes and everything else!), so it's not much against the canon information.

So she's wearing a deel again with a second layer - there are chinese actors on photos as far as I know; I hope it's okay. One-shoulder silhouette refers to later Aang's clothes because Yue is still kind of a spiritual person (she wasn't a fighter, so I want her to have some other useful talent – not a bender or healer like Katara or a non-bender warrior like Suki). Violet, pink and white were originally her colors, no changes here. Three blue characters would be too much for a group of five, and total white is not practical at all. I like to think that violet color shows high rank in the Avatar universe; in the original series it was only worn by princess Yue, Kanna, the chief Hakoda's mother, and by king Bumi.

Yue's boots here are mongolian gutals/gutuls (the collage is already big, but I used them again for one of Book 3-looks).

Her hair become simpler – just two braids and a hairpiece, to match her previous decorated hairdo. I guess if she's travelling with the Gaang she's not that much of a Moon Spirit anymore (maybe she returned the part of the moon spirit that saved her and was healed other way?), so I decided to forego the moon-referring part. Also it will be easier to do by herself since she has no servants now... The headdress I took from modern Mongolian dancers; the front part is crescent-moon-shaped.

The Ba Sing Se dress

I fell in love with this Ao Dai dress, it's simple, long and elegant. But... it's mostly Vietnamese… and I'm afraid that it's modern and not historically accurate. Also it does not really go together with other Ba Sing Se dresses :( because I did not want to just copy-paste some background look. But there is at least one dress with a tail, thigh high slits and a standing collar on the dress underneath, so... I guess my choice is not that bad? The tail makes her look more royal. The fan is the same which Toph and Katara had. For the palette I chose Yue's white color with EK greens and warm yellow/ochre to match Katara and Toph. The hairdo is copied from the series; I chose one with the tassel on the right, to refer the NWT/Korean accessories.

The Fire Nation disguise

A confession – I don't like FN clothes. I wasn't sure if I would be able to do it properly, so I almost copied that attire (left one) – asymmetry, as a Thai touch, which again matches Aang's Invasion Buddhist-like clothes. The palette keeps Yue's signature white, with some pink of a warmer shade, as they wear it in the Fire Nation. And the "royal" long skirt, 'cause she's still not a fighter. The look is simplified so I could not keep zigzag ornament on her longyi skirt, therefore I moved it onto the top part.

I used Thai dancers jewelry and... flip flops? idk how they are called in Southeast Asia (don't like Sokka and Katara's FN shoes at all, why the design is so complicated?).

For covering her hair I used a turban, inspired by Myanmar turbans; a white one, so if some hair will show, it won't be too noticeable. Also Yue could still be easily recognised on screen/page by her white head. The long end of the fabric on her right resembles burmese hairstyle silhouette.

The Invasion-and-till-finale look

For her dress I used a deel (again); the sleeveless jacket is an hommage to her original design and has some Korean vibes, like Toph's Ba Sing Se dress (at least I hope so). Katara and Sokka's season 1 looks have Korean influence, so I guess it's okay. Gutals are from her Book 2 main look. I have a soft spot for them.

My favorite thing is her hair :)))) It's a mix of Inuit/Mongolian braids and a hairpiece, also from the Book 2 look. This time there will be more braids. Two on the front – I wanted to keep them from her original hairdo, but now they are braided together (I saw this on the Alaskan Inuit/Eskimo women photos). On the back there are five, inspired by a Mongolian hairdo for young unmarried girls, who wore multiple braids. I decided to make five, because Alaskian Inuit language uses this amount for counting and with two front braids it'll make seven, which is a lucky Mongolian number. And in theory a limited number should be easier to animate.

The post-canon noble look

After the final battle I thought Yue will come back to Agna Qel'a and become a more active political figure. I chose a white kuspuk (blue color is still for Katara and Sokka), showing that she is ready to lead her tribe after this journey, not the passive perfect princess she was before. "She is associated in canon with the masculine yang of the yin and yang and the moon which, in most Inuit and Eskimo cultures, is considered masculine as well. While white kuspuks are associated with men and specifically family patriarchs, a feminine kuspuk in white makes plenty of sense for Yue's character" – @mostly-mundane-atla helped me a lot with the cultural meaning of the clothes (I am so grateful!). Also it's an hommage to her total-white Moon Spirit look. And I changed her hair again to Greenland updo with two tied braids on the front – more complicated than the simple braids she wore during the journey. It looks formal.

NWT is less Inuit-inspired and has a strong Mongolian touch (to make them look more "modern"? dunno) but I guess the formal wear for the spiritual princess could refer to older traditions. Which should be the same with SWT, 'cause SWT was originally a part of NWT – or so I heard. For example, Kuruk, the NWT Avatar who lived about 400 years ago, has nothing Mongolian in his look.

All the looks are simplified to match the style of the original cartoon. I know there should be more details and embroidery, but my goal here was to draw something (at least theoretically) applicable for animation. And no Hahn's betrothal necklace of course.

Also I want to mention here other great Yue designs, since they are the inspiration behind the overall idea of the post – the moon looks and "Yue joins the Gaang" outfits by amazingly talented @chiptrillino.

P.S.: an important note

This is my first attempt ever to design outfits that could fit the world of A:tLA. I am not Asian or ingenious, not an expert in their cultures or costume history at all, not a professional character designer. I am just a fan who tried to create designs with respect to real cultures and people. Nothing here was supposed to be offensive in any way. If something still is – please inform me so I could fix it as soon as possible.

I hope, as a fan, I have the right to draw fanarts looking for an inspiration in the cultures that inspired the original cartoon.

If you see mistakes in my post, be it in drawings or a text, also feel free to tell me. I will deeply appreciate it.