#I would do a whole essay on this but sum it up

[sweatandwoe]

Me when I see a Gale/Astarion simp hating on the other: You FOOL they are parallels, foils, you cannot hate the one without the hating the other (I need blood/magic for nourishment or else I will die, they have a patron they are bound to, they are both bookworms, both can make terrible choices for the world, they have a magic the gathering homoerotic card art, both have the tsim just one is masked and the other is not, etc)

Also if you wanted a morally good man to romance, Wyll is right there.

[andy-wm]

I don’t think this is what he meant especially because Namjoon said he gets how he feels and shook his hand after. We all know Namjoon is single for a while now after going through a nasty breakup. Jimin and Jungkook’s bond is precious even though it’s now clearly not romantic.

He also said “Although I feel this way it’s not sad…” when speaking about Who. I think Jimin is strongly indicating that he has been single for a while. We should really take his words for what they are rather than trying to twist them into a narrative that makes jikook romantic. In the context of everything he said earlier in the video up until the Who talk it seems that he created Who to have the direct message of searching for his person. He was speaking about the song when he said that he felt this way. Not having those butterflies is what he is referring to when he says he feels flat, not sad but not exciting. Even if currently platonic jikook have a precious bond.

Imo these three sentences sums up MUSE and WHO perfectly instead of those essays wanting to connect it to jikook because we want them to be real :

https://x.com/jkyoongs/status/1814588120291287475

This is exactly what he told, meant and going through when he created this album. It's sad Jikook is not involved romantically but they still have a great bond given their trips and now enlistment but if Jimin is saying he's single without even feeling butterflies to fall in love then we have to accept that guys.

Hey Anon, thanks for this ask. Its so great to interact with someone who disagrees with me but doesn't have a huge chip on their shoulder about my views.

And honestly i can see that there are many ways to look at this situation.

Nobody can without a doubt claim they are romantic partners, just like nobody can without a doubt claim they are not. You and I have differing perspectives based on what we see and how we interpret it. We probably have different ways of seeing the world and different experiences of love.

And if one day we all find out that they were really just friends, I’ll shake your hand and, without screaming or crying, I'll accept that i was wrong. I hope you would do the same.

But right now, I don't think I am wrong on this.

Looking at the whole picture it seems to me that they are very much still romantic partners.

More like an old married couple with complicated and busy lives, but

Clearly still very focused on each other.

Clearly delighted with each other.

Clearly care deeply for each other.

Clearly spend a lot of time together despite being so busy.

Clearly attracted to each other.

Clearly physically comfortable with each other.

That's how i see it.

Am i prepared to die on the hill that their relationship is romantic? No, because I can't possibly know for absolute certain. Same reason i dont believe in god (although i think Jikook is more plausible than an old guy sitting in the clouds watching humanity like he's playing The Sims, just quietly... and yes bring on all the anon haters who are gonna want to thrash me because i'm an atheist).

But on the balance of evidence I'd say ...

they're still together.

Lets talk about MiniMoniMusic.

As for the Minimoni video, Jimin was there to talk about the album. It wasn't a conversation about his personal life.

He talked about not having excitement in his life, about his life being bland, and empty after suspending group activities. They hadn't been active as a team, and he was working really hard. It was a long time since he felt excited about something.

That sense of excitement was compared to having a crush and confessing his feelings. He said he can't remember the last time he felt that way, and the journey of MUSE was to make him feel excited again.

Tracks 1-5 were exploring the exciting emotions, like you would have when you're crushing on someone. That euphoria, the fizz in your belly, the high energy etc. That's what excitement feels like.

The crush conversation... This is the part that's throwing everyone.

He said he couldn't even remember the last time he had a crush, and Joon says I know how you feel and he and Joon laughed about that.

If it was because they've both come out of long term relationships (and we know Joonie's breakup was traumatic) why would they laugh?

They weren't laughing about being single, they were laughing about being OLD.

Remember what came next ... Jimin says the youngest in his band is really young so Jimin asked him about how a crush feels:

"Give me something since you're the youngest"

Because having a crush is something teenagers feel.

Jimin and Joon feel old, like they are a bit past having crushes. I believe that's what they're saying. And honestly, when was the last time you heard 30 year old men talking about their crush?

A crush and a long term romantic partner are two very different things.

At no point did he say he wasn't in a relationship.

+++++++++++++++

Edited to add a better translation of 'crush' , being one sided/unrequited love.

I'm not deleting what i originally posted because the reason jimin asked Evan is based on his youth.

+++++++++++++

One more thing i need to add...

In my experience, it's very difficult to go from being in a long term relationship to being platonic besties with your former romantic partner. It takes a LOT of work, and it requires energy, effort, and very carefully maintained boundaries.

Jimin & JK don't look like they're maintaining boundaries to me.

Based purely on the recent footage - the Are You Sure teaser they released - I see no sign of clear boundaries. Even in the Minimoni conversation Jimin says they drink and talk for 3-4 hours and it gets DEEP. That's a recipe for disaster with a former lover.

It also usually requires substantial time apart - YEARS maybe - to reset the relationship so you can be best friends without falling into old habits. We aren't talking high scool boyfriends who get the odd hour alone together here. We're talking months and months abroad in hotel rooms with nothing to do except listen to Lana Del Rey and... eat bread (apparently) 🤣🤣

Ok look, that last part was a tongue in cheek joke but they have spent YEARS under the same roof with zero reason not to be in each others bed, pants, shower, and anything else that sounds fun.

So honestly I don't buy the 'used to be lovers but now good friends' argument.

Those boys are comfortably intimate to such a level they don't know where one of them ends and the other begins.

[violetdawn001]

What is with the Dreamers' Houses?!?! Monomon's Archives

Okay, we can all agree that Team Cherry put a LOT of thought into crafting the backgrounds and environments of Hollow Knight. But why is nobody talking about the designs for the Dreamers' houses?! Especially compared with their base forms?  Well, let's start talking about it!

Behold! Monomon's Design!

Taken from Monomon-the-Teacher.jpeg (1280×720) (punishedbacklog.com)

Taken from: https://i.ytimg.com/vi/Yn7QtF-wkSY/maxresdefault.jpg

When you meet the Teacher, the first reaction is either "She's beautiful…" or "WHAT IS A JELLYFISH DOING IN A KINGDOM OF BUGS????" If one isn't your first reaction, then it will most certainly be your second.

I could go on about how Monomon pairs her elegant beauty with her mysterious origins, but then I would be repeating words all day. Let us pause and consider how Monomon, as THE Teacher, would teach Physics…while defying them. It isn't too much of a stretch to say Monomon would float outside of her tank when the all the other Jellies in game do.

Next is her Archives that to my knowledge, lacks books.

We are immediately treated at the entrance of Monomon's Archives.  The only word that could sum it up would be awe: awestruck due to the beauty and the mystery. Looking at Monomon's house from the front can't help but remind one of how Jane Austen would describe a character's house…and how the house perfectly matched the character.

Entering the Archives, we quickly guess that no one has been here in a long time.

But walk in far enough…

And you can't help but guess what an awesome place this must have been.  Take a look at the detail!

The insane amount of knowledge stored here is amazing…and we're on the first floor!

Though we can't read most of it…and what we can read…

Why Monomon, why? Even STEM students need to be proficient in spelling. Source: my engineer brother.

Moving on, the pathway to Monomon's tank is very straight-forward. So much so that we never get a chance to see all of the Teacher's Archives. One point that strikes me is that we never get a chance to see any classrooms. We see Monomon as a researcher as noted by the Charged Lumafly tank and entry:

We know Monomon as a collector of information:

We even get glimpses of Monomon being a mad scientist by creating the Uomu, Oomu, and Uummu.

But the only sign of Monomon being a teacher is by her relationship with Quirrel and the name of her Archives. Unless I am missing something, (or we are simply not able to enter the classrooms) the Archives are more of a library and research center than a school. While I am of the mind that we simply do not see the whole Archives as we are so dead-set on getting to Monomon herself, it really says something about Monomon that we can only see the Madame as a Teacher in her relationships with others.

I would love to further this point, but this essay is for the Dreamers' houses, not necessarily the relationships the Dreamers had unless the relationships are implied in the housing designs themselves, such as the masks in Herrah's Den. Another essay would be required so the Dreamers' relationships can be given the focus and care they deserve.

Returning to Monomon's Archives, it is strange that of all the rooms we get access to, it is not ones that Monomon's students can enter. The pathway to Monomon's tank is blocked by acid.

Yet we are the ones able to see Monomon in her resting place.

Besides Quirrel. But Quirrel has a habit of getting into places most wouldn't dare enter. And it is fitting that Quirrel, Monomon's closest student, is the one to enter Monomon's inner sanctuary.

The Tech in the room is simply amazing and begs more study. Atlas, I fear I might have missed a great deal when it comes to the Teacher. If there is anything more, I hope another member of the Hollow Knight community will step up to fill the void, pun intended.

Now, let us discuss a resting place not for Monomon, but for the player.

Is not this place so elegant in its decay? The perfect symmetry and the framing of the moss ceiling…it is a terrible pity we could not see the Teacher's Archives in Hallownest's prime.

Moving past the pity, let me share a little detail. Team Cherry, when designing each location, placed signs of the ruler of said location in the framework of the place, usually in the fencing. For Teacher's Archives…

It's right at the bench! Which means Monomon is in charge!

The above statement, while made in good jest, possibly bears more weight than on a passing glance. We see no Hallownestian Seals or crests imbedded within the walls. There are also no King's idols or any item to be retrieved from the Archives. Everything in the Archives is centered around Monomon and her research.

This idea gives rise to a theory that perhaps the Teacher's Archives was not part of Hallownest, but rather neutral territory where ANYONE could come to learn about anything in peace. This would not be the first time in media where such a place existed. The TV show "Babylon 5" tells the story of a space station created as a place where the different alien races can learn about the other races in neutral territory for the purpose of creating peace.

 To answer some objections, yes, "The Pilgrams' Way" does pass through Fog Canyon, but it also passes through Greenpath which technically belongs to Unn, not the Pale King.  And the Archives is one of the few places that has its own, unique bench. 

If the Archives is not part of Hallownest, what does this neutrality tell us about Monomon? If the Teacher's Archives is indeed neutral territory, it shows how much emphasis Monomon puts on knowledge being open to everyone as the purpose of the Archives is a place to store all the knowledge she collected.

But if Monomon was neutral, how did she get involved with the Dreamer plan? Simple. Monomon cared about her students. Monomon welcomed everyone from anywhere, and everywhere was infected by the Radiance. To save her students, the majority of whom came from Hallownest, Monomon became a Dreamer. Unfortunately, it was all in vain as the world fell into stasis as one by one Monomon's students either died or fell to the Infection. The Archives, where you could find anyone from anywhere in Hallownest, now only holds jellyfish…

Before we wallow in sorrow, let us escape to the City of Tears and to the final Dreamer. Wait for part 3.0 coming soon!

This is a part series to see if I can fit everything in. I hope you enjoyed Monomon's Archives!

Part 1.0: Herrah's Den : Here

Part 2.0: Monomon's Archives (You are here)

Part 3.0: Lurien's Spire : Here

Part 3.25: More of Lurien's Spire: Here

Part 3.5: Lurien's Spire: Pillows and Patriotism: Here

Link to essay on Ao3: Here

[slytherinboysappreciation]

Hello! It's me againn and guess what 😈😈 Yes! I got another idea for Tom Riddle and m!reader 😋😋

Ekhem- so basically Tom was assigned to tutor this boy who was known for his lack of effort in class, he would sleep nor just ditched out the classes. So, as a nice Headboy he was, Tom decided to accept the task to tutor the boy and behold! The boy just sleeping the whole time Tom explain smth to him. So yeah Tom's mad n reader was like "Huh why r u mad? I don't even need tutor in the 1st place..." So Tom's gotten more mad 😔 and reader would like 🧍‍♂️

AHAHAHA n then as an apology, reader shows up to Tom after the exam ended n gave him his exam papers and oh boy this mf got O (Outstanding) for all the subjects, turns out the reader is able to do the school works from the beginning but he just won't do it bc he's a lazy ass bitch. Then Tom's reaction would be "🧍‍♂️...Yeah, i need those genes for my kids 😍"

THIS IS SO MESSY LMAO im sorry here's sum oranges for ur wonderful writing 🍊🍊🍊

Tutoring - T. R. x male!Reader

A/N: Thank you so much!! I love seeing you in my ask box! I hope this is what you were wanting 💛 Sorry about the ending lol. I couldn’t for the life of me figure out how to end it well.

I think I tagged everything, but let me know if I missed something! Fic is unedited with no use of Y/N

Anyway, have some hearts for sending me so many amazing requests! 💛💛💛💛

CW: Tom being fed up; anger; laziness; yelling; Tom gets fairly upset in this; somewhat mean words towards the reader; making up; brief compliment towards Tom; Abraxas and Tom are friends in this; Tom gets a little bit obsessed with reader; Tom’s evil plans

1144 words

It was a little known fact that Tom loved tutoring. For more selfish reasons than he’d care to admit, but he loved it all the same.

It was the rush of power he felt when a teacher came to him on behalf of yet another student. It was the pride when a student finally understood the material.

It was even the knowledge that Tom was smarter than most of the students at Hogwarts.

And yet, for all his love of tutoring, he was seriously debating quitting.

Why?

The answer was simple. You.

Tom had agreed to tutor you as a favor to Professor Slughorn. It wasn’t even for extra credit; a rare occasion of Tom being nice.

The professor was clearly fed up with you, and Tom was more than willing to take on a challenge.

And oh, what a challenge you were.

You were late to your first tutoring session, completely missed the second one, and slept through the third one.

You’d apologized, of course; but by the fourth tutoring session, it was clear you just didn’t have the motivation to study.

And it infuriated Tom.

He’d never failed as a tutor before, and he certainly wasn’t going to fail now.

When your eyes start to droop for the third time in ten minutes during your next study session, Tom’s patience runs out.

“Were you attending a party last night?” he demands, hands clenched. “What in Merlin’s name could have made you so tired?”

You startle, blearily lifting your head and rubbing at your eyes. “You think I’m cool enough to attend a party?”

It sounds like a genuine question, one Tom refuses to answer.

“What. Kept. You. Up?”

“My roommates.” You yawn and settle back into your seat. “They were having fun or something. Bein’ loud. Kept me up most of the night.”

Tom’s fists unclench. He takes a deep breath. “And do they do this every night?”

“Well… sort of…?” You fiddle with your quill. “Not every night, but…”

Tom pinches the bridge of his nose. “Talk to your Head of House about it. They’ll deal with your noisy roommates.”

“Alright.” You give him a small smile. Tom doesn’t return it.

“Now, for your potions essay…”

You slump in your seat.

But Tom counts it as a win when it takes you a few minutes longer than usual before your head starts drooping again.

You’re falling asleep yet again, and Tom has had it with you.

He slams the potions guide down on the table, startling you awake.

“Merlin, what the—“

“What—“ Tom seethes, “—is wrong with you?”

You blink, clearly taken aback. “Uhhh…”

“I have done my absolute best to ensure you don’t fail your exams next week, and you have done nothing but laze about and sleep!”

“Look, Riddle, just chill out.” You hold up your hands placatingly, giving him a weak smile. “I don’t get why you’re so upset. Professor Slughorn said you wanted to tutor me.”

“Well, not anymore! I am through with you!” Tom stands, fists clenched. “You have driven me to my wit’s end! If you’re not going to bother even trying to focus, I’m not going to bother trying to help you!”

“Hey—“

“I quit!” Tom snaps.

You stare at him, stunned. Then you cross your arms. “Well, fine! Merlin knows I never needed a tutor in the first place!”

Tom glares at you and angrily gathers his things.

It doesn’t feel good to quit. But he’s never felt so helpless before. You just simply seem to refuse to learn.

As he stalks away, though, there’s an odd pull at his heart. Maybe it was something about the unhappiness in your eyes. Or the way your fingers trembled as they gripped your quill.

Whatever it was, Tom squashes the feeling like a bug. He’s done with you. Not even a favor from Slughorn could tempt him to take you on again.

Of that, he is certain.

Tom’s sitting with Abraxas in the main hall, celebrating his exam scores. All Outstandings and Exceeds Expectations, even for Divination and Herbology.

He’s particularly proud of his O in Potions, proof that he knows the material well.

He’s just about to bite into a pumpkin pastry when there’s a soft cough behind him.

He turns, raising an eyebrow. It’s you, looking quite sheepish.

“Hey, Riddle.”

Tom purses his lips together thinly and crosses his arms. “Hello.”

You shuffle your feet and rub the back of your neck. “I know you were really mad at me,” you mumble, “But I wanted to explain myself a bit…”

“Then explain.”

You take a deep breath and pull a piece of paper from your pocket. It’s your report card for the exams.

Tom takes it, expecting to see some sort of dismal grade requiring his assistance.

But instead, what greets him is the best set of scores he’s ever seen. All Outstandings, in every class.

Tom stares at the report card, utterly baffled. “What?”

You rub the back of your neck again, not meeting his gaze. “I told you, I didn’t need a tutor. I can do the work. I just don’t like it.”

Tom slowly looks up from the report card. “You… just don’t like it…?”

You shrug. “Schoolwork’s boring. I’d rather do something else instead.”

Tom’s brain is a whirl. You were capable of doing the coursework already. More so, you knew everything well enough to get Outstandings in every class, something even he failed to do.

Tom hands you back your report card. “I owe you an apology then.”

“Nah,” you laugh softly and shuffle your feet. “Don’t worry about it. ‘Sides, you’re kinda cute all angry ‘n’ stuff.”

Tom blinks. You shrug and give him an awkward smile. “See you around, Riddle.”

“Right…” He watches as you walk away.

Then he turns quickly to Abraxas. “Malfoy, he had all Outstandings.”

Abraxas glances at him once, then does a double take. “Oh, no. I know that look. What are you planning?”

Tom grins. “Surely you see it? A brain that smart, when paired with my cunning? We’d be unstoppable.”

Abraxas glances at where you’d been standing. “Tom, I don’t know about this…”

But Tom’s mind is already at work. You already thought he was cute once… With the right sort of manipulation, perhaps he could get you to think it again.

Perhaps he could get you to fall in love with him.

“Just think about it, Malfoy. Our children would be geniuses!”

Abraxas just sighs. He shakes his head, but Tom ignores him. His plan is forming in his mind; his perfect plan to get you to fall in love with him.

With only a little bit of persuasion, he’ll get you to fall in love with him. And then you’ll be his lover forever. The other half to his genius.

And then all his plans will be perfected.

[rendomski]

Crosshair and Hunter are very good bros

They are, and I don't even need to die on this hill, season 3 backs me up solidly.

But back in season 1, one can only imagine Crosshair's pain when he comes back to his senses. I support the most popular opinion that Crosshair's chip was removed after his injury on Bracca. So, he wakes up and realises that he has been under brutal mind control since the order was issued. He was forced to do atrocious things for the Empire and, most painful for him, to gun for his brothers. And he also realises that his brothers, knowing that he was not in control of his actions, abandoned him and didn't try to get him back or even contact him. Betrayed him and almost killed during their encounter on Bracca. A whole separate essay can be written speculating why Crosshair chose to throw in his lot with the Empire after he got his chip out. But even after choosing the Empire, he wants to get his brothers back, convincing himself that this is the best option for them all. He's hurt and angry, but he wants to forgive them and take care of them, as he sees it. Because Crosshair is a good bro.

***

However, if we go back to his brothers and to Hunter first and foremost, for during this period the squad follows his lead unconditionally, paradoxically, Hunter is a very good bro, too.

Gif credits @werentloyaltome

First of all, many fans tend to assume that Hunter understands the impact of chips as fully as they do. And I don’t see how Hunter could have had this understanding until Bracca.

He was told several times that Crosshair's actions were influenced by the chip, true. And with hindsight, the influence was undeniable. Crosshair's aggression, his insistence on following the orders. Oh, boy, it is painful to watch how Crosshair himself grimaces every time his brothers ask him, “Since when?”; he gets so confused. But, grudgingly though, he obeyed Hunter, he fought alongside his brothers, he trusted them as always—the way he doesn't flinch when, in the midst of their argument, Hunter pulls out his blaster and shoots down the spy probe.

So, Crosshair was very lucid and making his choices the last time Hunter saw him—before Crosshair was escorted away from the cell (need I remind Hunter's reaction then?). And then Crosshair comes back, heading a squad of stormtroopers, trying to order his brothers around, shooting Wrecker, and fully intent to go after everyone else. While I feel very sorry for Crosshair, from Hunter's point of view, it must have looked like a betrayal, plain and simple.

And here Hunter presents himself as a very good and loving bro. I can't imagine myself not being furious at my brother or at any person who used to be close to me but who would act towards me and my family like Crosshair did. And Hunter, while obviously hurt and avoiding talking about Crosshair, still voices his emotions as ‘angry at myself’, first and foremost. Still listens to all the arguments and debates about the chips. True, Hunter cuts them short, but he is responsible for setting their priorities. Basic survival first, risky future plans later.

Here's, actually, the second argument why I'm more or less sure Hunter does not understand the full extent of chips’ influence until Wrecker's chip activates. Taking into account his cautious nature, he and Echo, too, would be beside themselves with alarm if Hunter did understand the danger. And Hunter acts as if he totally relies on Tech’s seemingly casual remark, like, yeah, we know about the chips, but they don't work in us, nothing to worry about.

So, to sum up: Hunter has no idea that Crosshair’s chip was modified to strip him of the remains of his free will and that Crosshair wasn't in control of his actions.

Tech and Omega, not Hunter, are the only two persons in the Batch who know more or less about the chips, their function and the potential force of influence. Hunter doesn't take Omega's words for face value yet. As for Tech, I have two versions of why he doesn’t push the subject of the chips more insistently. One possibility is that Tech thinks it is obvious. Another—and which I like better—is that he, with all his calm logic, doesn't see the point in freaking Hunter out while they can do nothing about it anyway. He just makes constructing the scanner his top priority. It fits well with the canon(?) fact that Tech is the second oldest in the Batch; he just silently (well, as silently as he manages) takes on his share of responsibilities.

Following this line of reasoning, the Hunter and the rest of the Batch run into Crosshair mere hours after all of them finally understand the full, overwhelming nature of mind control induced by the chip. But Crosshair afterwards assumes Hunter knew it all along but still didn't come back for him. Oh, the elegant confusion, worthy of a classic tragedy! The writing in season 1 was so good!

***

I see passionate Crosshair's fans blaming Hunter even for leaving Crosshair to die on Bracca. Somehow forgetting that Hunter left Bracca injured, barely conscious, and having no idea how their counteraction against Crosshair's attempt to kill them backfired (literally) on Crosshair himself.

The only occasion when I’m really mad at Hunter is their encounter on Ryloth. Hunter has not even considered retrieving Crosshair here as an option, seeing him only as a danger. Here, Hunter can't even be justified by his trademark cautiousness, since soon after he agrees to go along with helping Hera, choosing to help a stranger instead of giving a chance to his brother.

I get the counterarguments, Crosshair is not an easy target to be simply retrieved. Still, they all have received the same training and could give it some thought at least. I can think of the arguments explaining Hunter's choice, I know similar situations when you misplace your responsibilities and hurt people close to you. Still, understanding does not take the blame off Hunter's poor, tired head. And when Hunter meets Crosshair next time, it’s a little too late for Crosshair just to accept his offer to come back.

Both pay their price in the end: Crosshair going through his trials and tribulations, and Hunter losing their brother in an attempt to get their family reunited.

Again, I see fans on both sides arguing that their conflict was resolved too easily, with not enough tears, regrets, and apologies. All things considered, yes, they may have ended up estranged and bitter in the end. But I was so ecstatic to see them sort things out and reconcile without inflated emotional drama.

Because Crosshair and Hunter are simply very good bros.

[nalesnik-z-morela]

Why is Aziraphale a hobbit?

Enjoys food very much

English vibes™

Has much circle-shaped stuff at his place (the entrance corridor, the main place where the ball was, the inside balconies of the 2nd floor, the spiral stairs)

Can't or simply doesn't want to catch up on things that go quickly with time (like fashion or technology), sticks to what he already knows, believes in old systems

Not only old-fashioned, he's simply satisfied with what he has and doesn't need new stuff or ideas

Has his favourite set of colours and will stick to it all life long

Uses stimulants

Probably doesn't like so called adventures

Loves his cozy home

Tries to be kind at all costs when he's talking to others

But at the same time cares the most about his own business (the Tchaikovsky record is to him what the spoons are to Lobelia)

Enjoys music so, so, so much (pls somebody show him this hobbit band)

If you still aren't convinced, watch The Drunk Scene. He's basically a hobbit. THAT'S ineffable.

Anyway here's more:

Why does Aziraphale remind me specifically of Bilbo Baggins?

There and back again (IM SORRY)

Likes to socialize once in a while, still manages to be socially awkward af

Can't tell his unexpected guests to get tf out

Has questionable moral system

Says dramatic and/or noble lines (Aziraphale: "Welcome to the end times", Bilbo about sitting at the door)

Gets attached to objects and takes care of them

Keeps managable mess around him

Daydreams but won't admit it (unless unconchously bc he's also naive and his mind drifts away fast)

Would be dramatic about forgeting his tissue

Forgets basic stuff when in stressful situation (Aziraphale and his books in 1941 explosion, Bilbo and the tissue)

Gets very much excited about specific things that are nostalgic to him (Azi when The Clues, Bilbo when Gandalf's fireworks)

Tries to be polite more than he can be

The way he breaks when at the limit of social skills and/or managing stimuluses (Aziraphale ringing that bell so everyone shuts up, Bilbo swearing at the dwarves when they start to place their orders about food)

Kinda does magic and thinks that's epic (Aziraphale doing magic tricks, Bilbo fkn disappearing in front of everyone)

Pays attention to words, remembers details and points them out when necessary (Aziraphale "but is it ineffable?", Bilbo and his fourteenth part of the treasure)

Down bad for bribery but only when all other means let down

Just enough of a bastard to be worth knowing (liking even?)

Other Aziraphale-Bilbo paralels that don't really add much:

Has a sword

Has a ring and carries it everywhere with himself

Has a grumpy friend who likes gloomy aesthetic

Long-lived (kind of)

Both ace and gay communities consider him theirs, although he doesn't work like this at all and probably wouldn't even get the concept of orientation at first

Probably thinks he looks cool in his reading glasses (i'm not sure if Bilbo has such but i like to think that way)

That's already a litany and i don't want to write a whole essay. I promise that there are more such characteristics, those will have to be enough for you now. And if they aren't just open those two books.

To sum everything up, considering all mentioned traits and my own experience, i surely can place a statement that all three of us are neurodivergents, thank you very much.

[horsefigureoftheday]

Quick q, sorry if its been asked before: what is otherheartedness? Hearttypes? I see that you make a delineation between those terms and like, otherkin (which tbh I am not and only have limited understanding of anyway) /gen

Otherheartedness is a bit of a vague term, for historical reasons (explained in part 1 of this essay). In short, otherkinity is when you identify as something, and otherheartedness is when you identify with something.

When you're otherkind you have a strong internal sense that you are/oughta be of another kind than humankind. Maybe you feel bodily or social dysphoria, maybe you have instincts or urges that don't match the humans around you, maybe you keep getting flashes of another life in another world. There are a lot of different 'symptoms' or traits that lead people to the otherkind community.

Otherheartedness is more of a strong connection to something than the feeling that you are the thing. Your hearttype may feel like family to you, you may feel like your life is incomplete without your hearttype by your side, or it may simply be a source of intense comfort. Whatever it is, it's something that's inextricable from who you are, as a person, without actually being what you are. I would not be who I am without my love of unicorns. They're my muse, and have been ever since I was a kid.

I believe there's a lot of wiggle room between identities. What might make someone conclude that they're otherkind might make another person conclude that they're otherhearted and might just be a regular old 'favorite animal' for yet another person. If you gave my experiences to someone else they might be unicornkind instead of unicornhearted, or they may just like unicorns a great deal.

I don't have a lot of writings on otherheartedness, but I once wrote this description of my experience identifying as a bison vs human. Maybe it'll clear things up (or maybe it'll make things more confusing, who knows). It's quite long so I'll put it under a cut. The full essay is available here.

Though I’ve settled in my identity as a bison, and I’m comfortable referring to myself as a bison, I never quit reinforcing [my identity]. While I didn’t create the original bison-like feelings, I’m very conscious of the fact that I do choose to connect every trait to my bisonhood that I can. Whether I see the traits as a cause of my current bisonhood, or a result of it, things like being stubborn, preferring physical fights over verbal ones, and even liking the taste of those Beanboozled jellybeans that are supposed to taste like grass… all these traits, that any human could have, are things I connect to my identity as a bison.

I’ve experienced some pushback towards this idea from a few therian communities. A very common rebuttal I’ve run into in introduction threads [with regards to] considering these kinds of traits part of your nonhuman identity is: “Isn’t that just a regular human thing?”

I have so many problems with that question, I’m honestly not sure where to even begin. Yes, those traits are experienced by humans all the time. I think some of the only experiences in the community that regular humans don’t experience are, perhaps, species dysphoria and shifting. But if your identity began and ended with having dysphoria and experiencing shifts, it would hardly qualify as an identity. Treating an identity like just the sum of its parts, rather than a whole and complicated construct, is reductive and it doesn’t just hinder discussion, it stifles discussions.

I don’t know, maybe I’m the odd one here, but my whole nonhuman identity can not be encompassed by my horn dysphoria or the fact that I sometimes feel more like a prey animal than an apex predator. My identity is so much more than that. It’s how I view the world and how I view myself in relation to the world. It’s how I react to things, what I like and dislike, and what I want out of my life. When you envision an identity in this way, as a way to describe who you are, rather than a summary of every individual thing you experience, you absolutely will see some overlap with humans, like it or not.

[afozine]

AFO ZINE INTEREST CHECK RESPONSES

Thank you to everyone who responded! We appreciate the feedback and are currently planning how to organize the zine based on the answers we received. Now lets look at the results from the survey.

A total of 47 people responded to the survey as a whole

Our first question was: Are you interested in an AFO zine?

33 of you said you wanted to participate as a contributor. While approximately 13 of you said you would be interested in this seeing this zine be made, but you would not want to participate as a contributor. Meanwhile one person said they want to participate, but aren't sure if they have enough time.

Which we do understand if you're unsure if you'll be able to participate due to time constraints. We're not going to be super strict on the schedule and we'll be willing to work with you if you need extensions. We want to give as many of you as possible the chance to participate. So keep that in mind if you're still on the fence about this.

-

Our second question was: If you are interested in participating, what would you like to participate as?

17 of you said you would like to be artists

21 of said you would like to be a writer

4 of you said you would like to be a mod

12 of you said you would like to be a Beta reader

4 of you said you would like to be a Text Editor

1 of you said you would like anything that would make you useful

We are happy with these results as with this amount of artists and writers we will be able to make a decent sized zine. So once again thank you all for your eagerness to participate. Mod applications will be going up very soon so those who are interested in being a mod please keep an eye out for that.

-

Our third question was: What would you like to see from this zine?

Many different responses for this question. Some of you didn't care as long as it had as much of AFO in it as possible, but others were more specific in what they wanted to see. So I will sum up the most common responses here.

Meta essays

Art, Fics and Comics

Dark/Horror theme

Angst and fluff content

Headcanon section

Manga shots

Theories

Dad for One

Shipping content

Before canon content

Merch

A broad picture of his life (childhood to potato years)

Relationship with Yoichi

As you can see there is a wide range of answers. Now to address some of these.

Meta Essays: We would be interested in having some meta essays to be in the zine. We want this to be a celebration of AFO's character as a whole so it would be nice to see some of you include your own analysis on him in the zine. It also gives a wider arrangement of content so that's also a bonus.

Dark/Horror theme: We've been thinking about going with this type of theme before we even posted the interested check so we're happy to see some of you like that idea. It would fit him well and would be fun to base the zine on. We'll release more info about this soon.

Angst/Fluff: We will welcome both of these things in the zine. We don't want it to be solely angst or fluff. A good mixture of both is our goal.

Headcanons: We will have a section where people can include their own headcanons about AFO.

Theories: Theories will be allowed in the meta section, so if you want to write about a theory you have about AFO then you can select the meta section when completing the contributor application form.

Manga Shots: Unfortunately we have decided not to include this. With the amount of potential contributors we have we do not feel it is necessary to include this though it isn't a bad idea. Thank you for the suggestion!

Arrangement of Zine: What we would like most in this zine is for there to be a wide coverage of AFO's life. From his childhood to his reign of terror to potato years etc. So there will be different sections for each which you can sign up for. We will have a list available of all the important events that happened to AFO that you can refer to if you're struggling to come up with an idea of what to do.

Dad for One: Preferably we will want as little DFO as possible, after all there was a zine already created dedicated to DFO. However, considering how big of an impact DFO has had on a lot of AFO fans we will allow some to discuss it in the headcanon section and only allow 1-2 pieces about it in the AU section. Keeping in mind that we do not want either of those sections to only be about DFO and want a variety of content there.

Merch: We are thinking about doing only digital merch. For example, sticker sheets and posters that you can print out if you want. We'll include a section where artists can sign up to create some if they want.

Ships: We have decided to keep our stance on not allowing ships to be included. Sorry to anyone this may disappoint!

-

Our fourth question was: Which would you be most interested in seeing in this zine?

15 of you said art

13 of you said fics

6 of you said comics

1 person said fics and comics

11 of you said all of the above

We will strive to have a good mix of all three! We had a pretty decent response to the interest check survey so we should have enough of each to make everyone happy.

-

About the suggestion box...

Thank you to those who left something in the suggestion box! We will take into account everything that was put in there. Some of your suggestions were addressed in the previous section above so we hope that satisfies some of your concerns Other things that were put in there we are still discussing among ourselves for now.

-

More info is to be released soon. We will be posting our mod applications very soon so keep an eye out for that if that is something you are interested in. We are really excited to make this happen for you all and hope you will remain patient as we sort things out.

We would like to mention we now have a X/twitter page running: @/theafozine. So if you have an account there feel free to follow us.

As always if you have any questions or concerns please leave a ask in our ask box or dm us directly if you want. Have a lovely day!

[woah-uhuh-uhuh-uhuh]

Christine Canigula was socially ostracized & developed a complex to protect herself: an essay

(suddenly i NEED to infodump about Christine actually so here)

Something I only noticed on rewatch: the way Christine will say something silly and then just kind of gingerly wait to see if Jeremy reacts well to it before continuing, almost like she's asking permission?? (e.g. the gap after the first stanza of "Play Rehearsal"). And it's only after he riffs off her bowling alley bit that she feels comfortable talking about her personal feelings with him (right before "Guy that I'd Kinda be Into"). The same happens with their "weird noise" exchange immediately before "It's pretty killer to sit and chat with you." I know theater relies on being succinct, and that 'bonding over shared quirks' and 'feelings talk' are both just crucial parts of relationship development... but I don't think it's a coincidence that it always goes in that order!

It's like Jeremy has to pass these *trials of weirdness* before she feels safe opening up to him and it drives me BONKERS so I wrote a whole 1000 word thing about it under the cut and this got too massive and I'm sorry. Also some autistic Jeremy meta at the end if that sweetens the pot hehehe

Table of contents:

Why she was ostracized

How she was ostracized

How that might inform her pattern of relationship development with Jeremy and Jake

How gender caused Jeremy's experiences to differ from hers, and how that affects their current relationships with "popularity" and peer acceptance.

1. Why she was ostracized

I am just so certain that Christine has been bullied or at least majorly outcast for a lot of her life. She's very obviously neurodivergent and because of that she can have these obnoxiously deep and repetitive interests, she can't judge if a piece of information will be genuinely interesting to someone, and she doesn't take social cues very well.

She frequently interrupts people when they're talking (an ADHD symptom btw), even when they're literally talking to her about the thing she wants to hear!

(C: "Do you find that? Because I totally find that!" J: "Uh, yeah, I-" C: "-And no matter how hard I try....")

(J: "I know the last thing I deserve is another shot, but-" C:"Jeremy, just... say what's on your mind.") (girl I'm sorry but that's what he was doing..... I have a whole other thoughtpiece on how this particularly fucks with Jeremy while they're dating but thats another thing...)

She doesn't seem confident in her interpretations of people's emotions and she'll ask/talk about them point blank (both theirs and her own) in a way a lot of people would find rude

("Uh, you seem really nervous...") ("Popular people are fucked up! *mutual laughter* …I mean, you're one of them!") ("I am flattered, this is new / still I'm not sure what I should do" <- as a response to getting asked out, that's pretty bold! Plus the entire part where she laughs at Jake's "rich boy routine") (also compare and contrast to Jeremy's "I don't know what I'm supposed to say right now." idk. are your allistic stage dorks in the room with us right now motherfuckers)

I'd go on about her hyperfixations/special interests too but I think Play Rehearsal pretty much sums it up lol

2. How she was ostracized

All this to say that I am CERTAIN she spent a lot of her schooling having "nice girls" patiently let her sit with them at lunch for weeks at a time until they finally get sick of her rambling and faux pas. Only when they leave does Christine realize that they didn't actually care about anything she said... And this happens over and over and over. (I know this seems hella specific but I swear it's an actual phenomenon... at least I'm pretty sure? sdjflksjf)

But anyway, it's clear that by the time they're juniors, Christine has kind of (and I do only mean kind of) figured out what behaviour other people respond poorly to. And from evidence I stated in the intro, I think she's become really careful about which people she lets herself get attached to. She doesn't want this to ever happen again - which means if she's going to hang out with someone, she has to know that they actually care about her, that they know she will sometimes be obnoxious or blunt, and they'll still be okay with that forever.

3. Applying this to her canon relationships

You can extend this to Jake, someone who sees her in her element in drama rehearsal (the thing everyone finds annoying about her because she won't shut up about it) and STILL likes her. I think it's a totally valid reading that her bluntness with him later ("Upgrade") is just because she misreads him / doesn't quite get the social standard that she should be white lying instead. But I think you could also read her as testing the waters. If she's really going to commit to dating this guy, she's gotta know he's okay with her being herself. And the fact that this guy (and I think it's significant that he is a boy, for reasons I'll explain in the end note) genuinely seems to like her is a whole new level of peer validation ("I am flattered, this is new") -- so of course she's gonna fall at least a little! It doesn't hurt that he's "tired of being the person that everyone thinks that I am..." just like her!

Her history with being pity-liked makes Chloe's "advice," that Jake's just toying with her and is going to move on soon, even scarier, because that's genuinely happened to her (on a platonic level) so many times before.

Jeremy is also a good candidate from the beginning because he's weird he's a weirdo he doesn't fit in and he doesn't wanna fit in you ever see him without this stupid cardigan on? that's weird! And she keeps warming up to him not only because they're getting to know each other but because he gets progressively more willing to not only tolerate (as Jake does) but *participate* in her weirdness!

First, she does something weird and he tolerates it ("Play Rehearsal"); the next time she's weird, he participates! (bowling ball before GTIKBI). Then finally finally finally he initiates the weirdness and lets her join in! ("weird noises" exchange before GTIKBI reprise).

And notably, it is THIS moment that canonically signifies that they've hit the apex of their canon relationship development. If there was an achievement called "Befriend Christine," it would have popped up right then and there!!!

IN CONCLUSION: YOUR HONOR I LOVE THEM T_T

4: Christine vs. Jeremy: Gender differences & how that ultimately impacts their social goals

I also think all of this would have happened to Jeremy too if he'd been a girl. But because, generally, young boys feel less social obligation than girls to take pity on the autistic kid (and because boys tend to be more quickly recognized as autistic) he just ends up completely alone for most of his school life (Michael nonwithstanding - and yeah there's an important distinction between your childhood friend putting up with you and knowing that, woah, I guess literally nobody else ever will).

Meanwhile, Christine has had people "put up" with her, and she's SICK OF IT!

That's part of why their complexes are so different, because Christine is trying to check everyone she meets to make sure they'll be okay with her weirdness before she gets attached, Jeremy is trying to eliminate his weirdness altogether because he's never even experienced his peers listening out of *pity* so how the hell can he expect someone to ever listen to him out of *interest?*

Jeremy has never had someone pretend to like him before, so he completely lacks Christine's fear of befriending someone who secretly hates you. He doesn't realize how bad it'll hurt him if he destroys his real self for popularity, if he befriends people who would have bullied his real self. He doesn't know what disingenuous friendship feels like, so like a very young Christine he's still actively trying to get there because he thinks it's the only kind of validation he'll ever get.

Do you see what im saying? Do you see it???? AUAUGUGUUGGH

THANK YOU FOR READING!!! If you have thoughts or even rebuttals please share i am so desperate to discuss the blorbos

[icarustypicalfall]

HOW TO GET A+

★ new series ★ p1

ello :)

let's get straight to the point, we all hate those intros of twenty pages. Note that what works for me and others may not work for you, and by those advices I am simply helping you, not obliging you to do them. 🫶🏻

why would we accept an 80% when we can get an 90% working hard is tough and boring but it pays off 🫶🏻

★

1- KNOW WHAT YOU ARE STUDYING

Many people walk in class not knowing what it is about. But that's completely understandable, since many forget or neglect studying at home. You should know what your last lesson was about, and have a sum up and notes aside to remember.

★ Write down on the book, paper, sticky note what you studied in that class, so next time you wouldn't have to go through multiple pages and know exactly the key points.

2- LOVE WHAT YOU ARE STUDYING

I see you scoffing there, but it's actually proved that loving the subject makes studying it easier. I know some subjects are difficult and boring and it's impossible to love it; that's all right. It's not an obligation, nor a rule.

But!!!

You need to love the subject to succeed in it. Dive in it, link it with things that interest you.

3- OTHERS OTHERS OTHERS

Don't bring yourself down by comparing to other people. You might be better than them in a specific subject that they are probably struggling in it. Which is extremely common. Instead, say that what others are capable of learning and understanding, you are capable of as well. Positive comparison that brings the best in you and pushes you to do best.

★Mutual help, helping them and letting them help you will make a huge difference; you can gain a friend and be better in a subject :)

4- MR. X IS THE WORST

About Teachers\ Professors, they were a student too. Hating them wouldn't make any difference. Instead, try to know your teacher.

TEACHER'S PET IS A BIG NO COME ON >:(

This person will guide you for at least a year. You need to know them, and I don't mean by this pull a Sherlock Holmes on them.

★Look at what your teachers love, hate, their charachter, their beliefs. This usually helps in knowing what they'll aim in in an exam, what they'll expect from you in class, how often they'll ask you questions, etc...

★Knowing the minimum about them will prevent you from giving a bad impression.

(Eg) If you know that your teacher's dead husband name is Jo, don't use the name Jo ever in your essays. EVER. (there is some exceptions where they hate their partner so they probably wouldn't mind)

(This is me being silly but still names in essays\essays in general are extremely important, they'll show how dedicated or how seriously you are taking the subject)

★Being polite will give a good impression ★If they like a specific thing, don't try to hate or argue about it. Let them be.

★They are humans, be nice to those people for the love of god.

5- MY PHONE WHERE IS MY PHONE

You are addicted don't deny that. I got you.

*Stay Free* is an application that can help you use your phone less. It's super easy and helpful.

★Put your phone in don't disturb mode or simply turn off the notifications till you finish studying.

★Keep it out of reach and don't use it between breaks.

6- NOTES

Teachers won't put everything on the board, you need to take notes in class. It's up to you how to, just make it clear and pretty.

★Scribble down and when you are home review the whole lesson and your notes and rewrite them neetly.

7- ORGANIZE YOUR SPACE

An organized desk will make you less stressed, limit the distractions, help you focus.

★ Keep the stuff you need close to not lose attention.

8- LA MUSIQUE MON AMOUR

Everyone is different, if you can focus while listening to Metal, you're a hero and I admire you.

Calm music helps in reliving the stress and with the flow of informations.

★Music with lyrics can be distracting sometimes, I'd personally advise listening to Lofi, Jazz, nature noises (becah waves, rain, violin with rain, thunder, birds..)

There are plenty of episodes on Spotify\Youtube to help you focus.

9- WHY IT IS 4 AM?!

Waking up early is better when it comes to studying. You can focues better, less noise, less distractions.

10- ONE HOUR OH MY GOD

To get better grades, you'll need to study, lots. But studying smartly will take a few moments. And including it in your daily habits will give better effects.

★keep a reminder for the same time everyday, reread your notes\ flashcards

★If you can't stay focused for an hour straight, divide the study session to x minutes in the morning and x minutes in the evening\night.

★Keep a list\planner\ app to track your daily tasks and to not forget them.

11- LIBRARY OHHH

Studying in the library is superior, no further explanation.

12- GOALS

You can't study if you don't have a goal. What motives you to get up everyday and study for hours? This goal is important, it'll push you into studying when you're unmotivated. Achieving it is what you work for, so keep it up.

★if you're lost, don't have a goal..

think of small stuff. Picture your dream life, write it down and stick it to your wall

13- LOTS OF BOOKS MWAHA

books, lots of books, everywhere.

MUSTS:

The best apps I use for organizing:

Forest: helps you focus for x minutes

Notein: notes\reminders\to do list

School Planner: The best one out there, litterly the best

Flashcards: makes easy flashcards and quizzes

Dictionary for every language you are studying

Google translate: Not very accurate but you can download the languages and then translate offline

Text Snap: makes from the notes a pdf\ written text a scanned text taht i can edit on my phone

Notion: No clue how it works but still lots of stuff to use

(credits to owners of pics)

hope those help i have no clue what i wrote

[misskattylashes]

Instead of working today I have begun my concept album essays

The Arctic Monkeys and concept albums

Here is where I argue that Whatever People Say I Am, AM, TBHC and The Car are concept albums

Part One

Whatever People Say I am That’s What I’m Not (2006)

As I have said before, this whole album is a rock opera waiting to be written. The whole thing starts with the lines ‘anticipation has the habit to set you up, for disappointment in evening entertainment but, tonight there’ll be some love, tonight there’ll be a ruckus yeah regardless of what’s gone before’

This sums up the whole frigging album. Most of it is set up over one night on the town. There is the disappointment in love (Mardy Bum, Dancefloor, Dancing Shoes). Ruckuses come in the form of When the Sun Goes Down, Ritz to the Rubble and Riot Van. 

The album ends with A Certain Romance which once again sums up everything that has happened that night. ‘Don't get me wrong, though, there's boys in bands’, ‘And kids who like to scrap with pool cues in their hands, And just 'cause he's had a couple o' cans, He thinks it's all right to act like a dickhead (Riot Van/Ritz to the Rubble)

I would argue that there are two queer coded songs on this album. One being ‘You Probably Couldn’t See For the Lights’ that Alex reckoned was about Eva from The Little Flames…course it was Alex. Course it was Eva you made a bee-line for to teach you the chords to Put Your Dukes Up John…

The other one I would argue is Dancing Shoes – the red flag for me is the phrase ‘shit shock horror you’ve seen your future bride’ which to me screams of Northern working class expectation to marry some lass you probably met in a club. Also ‘so what you scared for? Well, don’t you always do the same? It’s what you’re there for but no’ which to me is that he’s there because he is expected to be but he doesn’t want to be because deep down it isn’t what he wants.

AM

In my opinion AM is a concept about loneliness and Alex being mucked about by Miles at a time when Miles wasn’t certain of his sexuality (I have been watching several young Miles interviews lately and his attempts to shoehorn women into them is quite painful). It is also an album with several mentions of secrets (Do I Wanna Know, Fireside, I Wanna Be Yours)

It starts with Do I Wanna Know…let’s look at the lyrics

(Baby we both know)

That the nights were mainly made for saying things that you can't say tomorrow day

Here we possibly go back to our ‘Midnight’ theme (also explored in Knee Socks and  Pattern by TLSP) and Miles’ possible guilt around his sexuality. He’s willing to be with Alex alone at night, but daytime, openly is a different thing altogether. 

‘I'm sorry to interrupt it's just I'm constantly on the cusp of trying to kiss you’

Remember the famous ‘it’s rare we don’t look like we’re about to snog’ interview?

R U Mine

I'm a puppet on a string (ahem)

some velvet morning (as previously discussed Lee Aizlewood/Nancy Sinatra, loved by Miles)

Unfair we're not somewhere misbehaving for days (I mean come on…misbehaving)

Well, are you mine? (Are you mine tomorrow?)

Are you mine? (Or just mine tonight?)

This goes back to our theme that the person is willing to be with him at night but generally treats him like a dirty little secret during the day

One for the Road

I think this one could be a mixed song. 

‘From the bottom of your heart

The relegation zone

I saw this coming from the start’

Once again we’re back to Miles dumping him but the rest of the song hints at loneliness and maybe Alex trying to hook up with someone else after a drunken party.

Arabella

Controversial opinion ahead – I don’t think Arabella is Alexa, Arielle, Miles or Uncle Tom Cobley and all

Arabella is Alex

Okay I am going to go deep here and people probably won’t agree but what the hell. Alex has a lot of feminine energy I think that is commonly agreed. He doesn’t get called slut for nothing. I think Arabella is the woman he would like to be, she is a woman who is highly desired by men (hello Alex flirting with numerous attractive men on various occasions), I would even go one further and say quite possibly she is the woman he wishes he could be, because at this time Miles was still screwed up about his sexuality and indeed if Alex was ‘Arabella’ he could be with ‘her’ without feeling guilty.

I Want It All

‘Ain't it just like you to kiss me and then hit the road

Leave me listening to The Stones

2000 Light Years From Home’

Here we go again (and also Miles has referenced the Stones in several interviews)

‘Blind faith

Heartache

Mind games

Mistakes

My sweet fireball

My sweet rigmarole

I want it all’

This reminds me a bit of the theme of The Wonder. Basically you’re a pain in the arse but I still want you.

No1 Party Anthem

This is a song about loneliness and the meaningless world our hero inhabits in LA (see also I Ain’t Quite Where I Think I AM) 

‘She calls the folks who run this her oldest friends’ (makes me think of some vacuous fame whore – I’m sure Alex has known lots of these)

‘She's a certified mind blower knowing full well that I don't

I may suggest there's somewhere from which I might know her’ 

I find this lyric really interesting. He is saying he doesn’t know this girl is a mind-blower (why, because he isn’t that familiar with women?) but he is trying to get off with her anyway because he is drunk and lonely. 

Mad Sounds

Is basically just Alex wanting to sound like Lou Reed (joke).  It’s just a cute little tune about how music can take you back to a happy place when you’re at your lowest.

Fireside

Interestingly I read the other day that this is the only song on the record Alex wrote in London not LA, so we’re presuming his ‘fuse’ was somewhere else (LA?). We can never ignore the words ‘fuse’ and ‘fire’ (Little Flames). What is also interesting is when AM played this on The Car Tour, Alex changed the lyrics.

The original goes

‘When you're ‘losing’ and your fuse is fireside’

But on the tour on every occasion, he sung;

‘When you’re ‘moving’ and your fuse is fireside’

Which I think is kind of cute, because presuming now all is well on Planet Milex. He is indeed ‘moving’ while he is on tour. Not losing like in the original one.

Why Do You Only Call Me When You’re High

I think this is quite possibly to a casual hook up…

It sort of feels like I'm running out of time

I haven't found what I was hoping to find

This sort of points to someone who can’t have who they want so they are settling for second best..someone he only bothers with when he’s off his head.

Snap Out of It

I think this song possibly relates to my theory of Miles and his issues with his sexuality. Especially the lines;

Forever isn't for everyone

Is forever for you?

It sounds like settling down or giving up

But it don't sound much like you girl (we all know Miles uses female pronouns obvs)

Knee Socks

I have covered Knee Socks 1,882,882 times! Mean Streets, Vespas, Be My Baby, the fact that Alex was always wearing that bloody sky blue Lacoste around the time of writing TAOTU in his house with Miles. Don’t forget Miles is also a footie fan and likes to play and indeed footballers wear knee socks. And obviously the ultimate ‘when the zeros line up on the twenty four hour clock’ 00:00 Midnight. Mr Fucking Midnight!!

I Wanna Be Yours

Now, to me, like A Certain Romance summarises WPSIAMTWIM, then I Wanna Be Yours summarises the whole of this album. The record starts with Alex asking Miles how he feels about him, and we go through a whole journey of Alex’s loneliness and confusion in his seemingly unrequieted love, casual hook-ups to fill the voids, and worries about his own sexuality. But at the end of the day, all he wants is to be Miles’. All the things he wants to be are things that serve – a vacuum cleaner, a car, a coffee pot, an electricity meter, setting lotion in the original JCC version there is mention of teddy bears and dreamboats. Alex just wants to serve the person he idolises. 

Part Two coming soon

How TBHC is about how Alex blames fame and the modern world for the mess his life is in and how The Car is about a him reflecting on his life so far…

[folkwhore1998]

I just don't understand...

how you don't miss me in the black dog

I had no idea what to expect with this album. Taylor's brand is "never let them know your next move"

So, was it going to be more of a folklore/evermore/red vibe? Or was it going to be pop in the way midnights was? I did not think it was going to be straight up pop, but you just never know. I don't have cable so it can be really hard for me to watch award shows in real time, so I pulled a few strings so I could stream the grammys and thank god I did. I could not believe the album announcement and I was honestly gagged about the whole thing.

Now... This is a devastatingly beautiful album and is so vulnerable and raw.

The Prophecy... she literally said "I will go bankrupt. I will give up everything because I am hurting so much I need someone to tell me things are going to be okay and I don't care what I have to do to get this confirmation/assurance. I just want someone to love me the way I love them and I don't care about the superficial things." and she was so real for that.

The Smallest Man Who Ever Lived... the first time I listened to it was like 12:30 AM on album release night/day, and I was yaknow, chilling, listening. and then we hit the bridge... my jaw hit the floor. I literally shot up in bed and was like "holy fuck." when i thought the song was wrapping up, it just kept going. Obviously I had to listen to it again right after it ended. (and I am NOT mad about it. I feel this song in my bones) ((My fiance was also dead asleep during all of this and I made him listen to it at like 10 AM the following day))

(peace: i'll die for you in secret ➜ TSMWEL: i would have died for your sins) ((actually screaming crying vomiting idk))

My favorite part of when she sings this on the eras tour is when she says "hey.. give this message to the smallest man who ever lived" and then turns to the audience and starts singing the bridge. She's like "Yup- heres this message, and another thing- fuck you!" literally incredible. i have an emotional attachment to this song. I could write an essay and honestly, maybe I will.

It's so funny to me because every time Taylor puts out a new album, there are some songs that I hear where i'm like "WOW. This is it. This is the song. She summed up my entire experience in a way I never could. I don't know how much more accurate she could get." And then she comes out with some insane song that keeps the cycle going.

(it's the cycle that keeps on giving and the cycle that keeps me alive! no, seriously. when i was in the hospital at one point in my life, i was asked everyday "and what is something you want to live for?" my answer: my cat and taylor swift's music")

All of this to say... I am so happy I was/am medicated when this album came out.

Here is my ranking of the Tortured Poets Department! (This was incredibly difficult because all of the songs are just so good. Noting that I don't think that any song is a bad song.)

The Black Dog

The Smallest Man

The Prophecy

How Did It End?

Guilty As Sin

My Boy Only Breaks His Favorite Toys

loml (but sometimes it changes places- just depends on the day, but it never goes lower)

Fresh Out The Slammer

But, Daddy I Love Him

Who's Afraid of Little Old Me?

So Long, London

Down Bad

I Can Do It With A Broken Heart

So High School

I Hate It Here

TTPD

Fortnight

Chloe or Sam or Sophia or Marcus

Peter

Cassandra

Flordia!!!

The Alchemy

The Bolter

thanK you aIMee (thank You aimEe)

Clara Bow

The Albatross

The Manuscript

imgonnagetyouback

I Look In People's Windows

Robin

I Can Fix Him (no really I can)

Honorable mentions:

CHILLS

I was so shocked (I watched on a grainy livestream)

When I say I sobbed, I'm not joking. I texted my sister and said "You need to get on this livestream RIGHT NOW.

Check out these small businesses:

Here is the link to a down bad t-shirt: So good for the gym and its a comfort colors t-shirt!

Direct link to the storefront: They have so many cool items!

Check out the link: It's a TTPD vinyl/cd holder and it is actually the coolest thing I've ever seen (I will be purchasing)

Direct link to the storefront: There are a few different options! Check them out!

@taylorswift @taylornation @taylorswift @taylornation

[atamascolily]

some thoughts about the Clara Dolls

A year ago, I posted a very long essay about Homulilly and her familiars which was inspired by all of the questions I had about the Clara Dolls (specifically, why there are so many of them). While I feel like I have a decent grasp of their canonical attributes--at least as they have been revealed thus far--there's one area that still puzzles me, and which by definition, doesn't have an easy or authoritative answer.

Over my time in fandom, I've noticed that many people have a radically different interpretation of the Clara Dolls than I do--that they pay far more attention to them as individuals than you might expect for minor background characters that are never directly named in their source material, especially given their limited screen time. Which naturally begs the question: what is it, exactly, about the Clara Dolls that appeals to people so much, more so than any of Homulilly's other familiars?

Here is my guess: the Clara Dolls are compelling precisely because they are so individually detailed. Unlike the interchangeable masses of Lieses (birds), Lottes (soldiers), Lilias (teeth), Lisas (airships), all of which are variations on the name "Elizabeth", each Clara Doll has its own name and costume. While they are all still clearly variations on the same theme, both in terms of their doll-like bodies and the "sins" they represent, each of them is unique in a way that the other familiars aren't, and the supplementary material released with Rebellion goes into great length about their different personalities.

Most media follows what TV Tropes The Law of Conservation of Detail, meaning that there is a tendency for any given details to be relevant; unlike real life, superficial and unrelated details are omitted for narrative convenience. Thus, I think it's only natural that people would look at the individualized Clara Dolls and assume that they must be important, or else why would the creators go to so much trouble to distinguish them from each other?

To be honest, though, I'm not sure the Law of Conservation of Detail applies to Rebellion, at least not in its entirety. Rebellion's defining visual characteristic is its copious attention to details, many of which are barely visible or discernible outside of freeze-frame. Rebellion is a kind of fever dream, dominated by excesses and so packed that I've spent years untangling the meaning in each still frame, and barely made a dent in it.

It's not that these details aren't important. Far from it--they greatly add to my enjoyment of the film and my interpretation of Homura's character. And while I enjoy unpacking the symbolism, I'd argue that the film's meaning does not depend on any one in particular--that they support what is already there. They are icing on a particularly complex and elaborate layer cake, but it's possible to enjoy a hefty slice without ever digging into them.

And I think the Clara Dolls fall into this "decorative" category, in the sense that plenty of casual viewers watch Rebellion without ever realizing that there is more going on with them than is apparent on the surface--to the point where you could remove their scenes entirely, and the general plot would progress more or less without a hitch (and casual viewers or first-time viewers might not even notice their absence!) They are excellent, but I'm not sure I would call them essential.

Narratively speaking, the Clara Dolls are a mass, a mob, a chorus. Unusually for such a group, they are also visually distinct from one another. Hence the disjunct, I think. This is true for a lot of things in Madoka Magica as a whole, and can be best summed up as the difference between Gen Urobuchi's script and Inu Curry's vision of it, but that's a whole 'nother essay in and of itself, so I'll leave it at that for now.

Inu Curry very clearly loves and cares about the Clara Dolls or else they wouldn't have gone to all the trouble of creating them--but that's different from how the Clara Dolls appear in the final product, which is a composite of multiple peoples' work and effort and all the competing priorities that go along with that. What works for a worldbuilding draft or a still image doesn't necessarily work for a finished film, and while I enjoy the Rebellion Production Note and other supplementary materials immensely, I will always treat the finished film as the primary canon, which supersedes all else.

Thus, I find it hard to get excited about the Clara Dolls as distinct individuals or to believe they will play a larger role in future installments. It's not that they couldn't, it's just different from the role that they were playing before in Rebellion, which seems like a dramatic shift to me--especially if we're talking adding 14 distinctive characters into a 2-3 hour movie! The question I ask myself is, "what would be gained, narratively speaking, by doing so?" and I keep coming up blank. Maybe Walpurgis no Kaiten will surprise me by providing an answer, but I doubt it.

This is not to suggest that people who see the Clara Dolls as individual characters or who want to see them with an expanded role are doing something wrong, by the way. I think it's fine if other people want to flesh them out in fan creations--that's the whole point of fanworks!--just that this particular aspect doesn't appeal to me personally, and I don't think it will ever be of major canonical important. You do you.

It probably doesn't help that I don't have a very sympathetic view of the Clara Dolls in general--there are strong hints that Homura was horribly bullied as a child and that the Clara Dolls are simultaneously the dolls she played with as a substitute for friends and the bullies who tormented her. They don't seem to have any respect for "God" ("Gott is Tott!" and the thrown fruit at the Madokami stele) or their erstwhile master (they mock Homulilly on her way to her execution and cry crocodile tears; they throw more fruit at devil!Homura at the end of the movie). Homura can command them, but it's not clear to me that they will obey; they are wild cards more than anything else. The Clara Dolls are only interesting to me inasmuch as what they reveal about Homura herself, not as characters in their own right.

For what it's worth, I have the exact same reaction to Hitomi: I've seen a lot of people get very excited about the idea of Hitomi becoming a magical girl, to which my reaction has always been a blank stare and a ".... and what would that accomplish, exactly?" Hitomi's narrative role is to be the Ordinary Friend who gets drawn into the protagonists' problems, the perpetual victim who must be rescued from the monsters again and again. Hitomi is defined by her normality; removing it would completely change the character and derail the story as it stands.

Would that divergence be an interesting story? Sure. But that doesn't seem to be the story Madoka Magica is interested in telling. You can sense that in Gen Urobuchi's most-likely-unserious answer to the question of what Hitomi would wish for: "for Kyubey to disappear immediately". Kyubey is the messenger of magic, his narrative role is to guide Madoka and her friends into their roles as magical girls; for Hitomi to reject him as her wish sends a pretty strong message. But it's a moot point, because it will probably never happen--as soon as Hitomi became a magical girl, her role would have to be filled by someone else, and she wouldn't necessarily add anything else to the existing team. (Again, not to say that she couldn't, but that it would be a very different story if she did.) Madoka Magica is centered around a core cast of five magical girls, with Nagisa Momoe already serving as an impromptu Sixth Ranger in Rebellion--what else is there for Hitomi to do?

As I mentioned earlier, I think many, if not all of the disjuncts between various fan interpretations hinge on the difference between Gen Urobuchi's script and Inu Curry's interpretation of it. AFAIK, the Clara Dolls as distinct individuals only exist in the latter, but it's an open question for me how much Walpurgis no Kaiten's script will build on the visual elements in Rebellion versus ignoring them or going in a different direction. So much of the movie ultimately hinges on this question, and I think the role of the Clara Dolls is definitely one of them.

Given that Walpurgis no Kaiten appears to be focused on mirrors and reflections, with at least two different Homuras running around, I think it's natural to wonder if the Clara Dolls are involved in all of this in some capacity. That said, they're not the first thing that leaps to my mind in all of this, and I find the divergence between my assumptions and that of other fans absolutely fascinating. Can't wait to find out what is actually going on when the film is released!

[milk3ad]

why the grudge by olivia rodrigo is actually written abt roceit: an unnecessarily long breakdown

(aka basically an in this essay i will… post but i actually wrote it.)

okay so starting off strong, pof was literally released on a friday in may. (i know technically it took place on april 13th in cannon, but the still what are the chances here.)

next we have these lines would refer to the trust janus built up during the courtroom that he then broke during pof. how he set him up to take the fall no matter what, crushing either roman’s self image and/or his dream. it also refers to the flippant way janus address this and how he basically refers to it as a joke. it’s pretty clear throughout the episode, however, roman holds onto everything that was say.

i sorta feel like this speaks for itself.

this next part i think sums up a lot of pof pretty well. roman making fun of janus’s name is shitty. him calling janus evil the whole episode is shitty. BUT everyone JUST told him janus WAS evil and not to be trusted. and janus WASNT to be trusted in svs since he literally was manipulating him. janus caused like half of this and fed into roman’s insecurities and he knew it. so yes, i think roman is handling this BAD, but janus cut first, and he cut deeper.

lowkey another one i feel speaks for itself. this is pretty much stated this is what janus is doing. literally.

roman and pretending he’s fine when he’s not. i mean it’s like all the sides, but def the way roman seems to handle it (like not too much cannon has happened since so) like this. it still seems to affect him in fwas confidence wise and all. just the way this hasn’t even been addressed. you know the boy is struggling.

okay i kept out a lot of the love stuff cause like that’s not cannon and i tried to keep this close to cannon. BUT it fits with that too and my headcannons… maybe another post. it’s just so perfect.

okay if you read this far i love you forever <3 also this may be formatted like the worst thing ever, i don’t use tumblr really so i was struggling making this. also it’s late and i cant think atm :))

[ningningsdream]

the villain in your story | part forty two

word count: 1k

"come in, come in.", jeno invited you in after opening the door for the three of you. you could see the shock on his face when he saw you standing behind jimin and minjeong but decided not to comment on it, "you can put everything on the table. i'm going to call jaemin out."

"oh, i'll go.", you said, stopping jeno in his tracks, "i have to talk to him anyway.", you walked towards jaemin's room, being fully aware of the pairs of eyes following you.

you knocked on jaemin's door and waited for an answer.

"are they here already? i'm coming.", you heard him shout through the door.

you waited patiently, hands clasped behind your back while looking around. the door suddenly opened and you were met with a very surprised and stuttering jaemin. you couldn't make out a word he tried to say.

"can we talk?", your throat felt dry. you were nervous somehow.

jaemin stepped aside and motioned for you to come into his room.

the discussion you had with donghyuck, jimin and minjeong a few nights before really opened your eyes. you were so caught up in your own feeling of distress that you didn't fully process how jaemin must have been feeling. sure, you knew he probably felt a little down but hearing donghyuck talking about how jaemin was right after you left him in that room alone, to hide away from your problems, just made you hate yourself for acting that way. you should've at least tried to explain yourself a little more on the spot, instead of just abandoning him with questions and a pain growing in his chest. all you wanted to do after hearing that was talk to jaemin. whatever mess is going on between jiwoo and you, you owed him an explanation. you spent the few days after that, organizing your thoughts and what you wanted to tell jaemin so when the occasion came up, you'd be prepared. you thought it'd come when will suhturday open again but it came early than you expected.

"first of all, i'm sorry. for everything i put you through. i went mia on everyone for my own good but i didn't consider how it'll make you all feel... how it'll make YOU feel.", you said, your fingers fidgeting with each other.

"there you go again, playing with my feelings.", he said with a chuckle that sound more sad than joyful.

"i never played with your feelings, ever.", you shook your head, looking at him in the eyes for the first time in a while, "i just really needed some time to clear my mind and figure things out. not only with what's happening between us but with myself also."

"did you figure it out?"

"not everything but a little bit of it yeah.", you sighed with a little smile.

your thoughts ran through your mind like crazy as you tried to sum them up, forgetting your whole apology essay with just one eye contact with jaemin. you realized that you 100% develop feelings for him again, deeper ones that didn't seem to go away no matter what you did. there was still the jiwoo problem that you had to solve but you decided that you've had enough of jiwoo's love life dictating yours. the talk you had with donghyuck during the trip helped you a lot, you realized it became such a habit to overly baby jiwoo that it had become something toxic in your life. also, having jimin, minjeong and donghyuck's inputs on the situation, really helped you clear your mind. having been stuck in your point of view for a long time, it was refreshing to hear the people who watched the two of you get closer talk about it.

"i missed you.", you admitted, "i missed your presence, talking with you, seeing you...not only as a friend."

"i- you- you can't just come back and say that after disappearing for days after what happened.", jaemin was clearly affected by your presence and if he listened to his heart, he would forgive you on the spot but a little voice in his head was fighting to be treated better.

"i know. i just wanted to apologize to you, it's the least i can do.", you said, hands trembling a little because of how nervous you were, "i don't expect you to forgive me right away. i just want you to know that i'm truly sorry and that i regret what i did and how i handled things."

jaemin pressed his lips into a thin line, one question was still haunting his thoughts. he thought that he had partially an answer for it but your apologies just confused his theory, "can i know why you rejected me back then? you owe me that at least.", he tried to keep his composure neutral, even though all he wanted to do was to hold your shaky hands - a habit he noticed you had when you were nervous about talking about something you deemed important.

"you're right...", your eyes darted away from his face, a little ashamed of the reason you broke his heart, "i rejected you and also acted in a pushing-and-pulling way towards you because...someone close to me...likes you-"

he interrupted you, "jiwoo?", dots were starting to connect in his brain.

"how-", you looked back in his direction, eyebrows furrowed.

"i guessed it...with some help."

jaemin thought he did something to make you uncomfortable and that you probably hated him now, so hearing your reason for rejecting him, made him feel a lot of relief. he understood that you were in a shaky situation, especially when the other person involved was your friend.

"well, i have to talk to her first, we have a lot to discuss and i want to give her a heads up before we start anything-", you quickly corrected yourself, cheeks blushing at your slip of the tongue, "if we start anything."

jaemin reached out for your hands, "i'll wait for you.", he said, unknowingly warming your heart with his first smile since the start of the conversation.

his hands warmed yours and your hands stopped shaking unknowingly. you sent him a smile before saying, "we should probably go out before they think anything weird."

main masterlist | tviys masterlist

pairing: fem!oc x barista!jaemin, fembarista!reader x barista!jaemin

genre: fluff, angst, suggestive, barista!au, sns au

summary: girls' code prevents you from liking the guy your friend likes right?

a/n: i miss oreo renjun for real 🥹 and jaemin's too good

taglist: [@glamourizz @rinrinslovebot @beomibeom @moonjobf @hiqhkey @calssunflower @donghyuckster @vianna99 @kookiedesi @baehaechannie @nshimura @thiccfullsun @dear-dreamie @neobowlingshoez @jjaehmins @liliansun @bythe8 @hyuckrec @dearlyminhyung @ohmygs-blog @hoeshi17 @wonupuppy @shan-oldham @jeongintwt @renjunoya @najm00 @sukistrawberry @goldryush]

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[knightobreath]

Ok I gotta know

What’s your thoughts on that one anon (🐝)’s takes

context 1 and context 2

ohohohohhohohoohohohoh. ohohohoh. Well. Basically they're wrong about what headcanons ARE and how they work as a fan created thing. They also definitely need to examine why they feel the way they do about headcanoning characters as having marginalized identities. I wrote a whole essay on trans headcanons specifically under a similar ask and what I said can be easily applied to other aspects of headcanoning characters as minorities (i actually got a lot of the ideology for that essay from discussions of "blackwashing" in fandom)

some other things on what they said (warning: LONG)

My major issues with their thoughts on headcanons can be summed up with the essay i linked. im not going to be going into that stuff as deeply again because we would be here all day, so the rest is just specifics

"but i really hate it when people change pronouns of characters (IVE SEEN PEOPLE USE SHE/HER WHEN REFERING TO SILVER SPOON. LET THE MAN BE A MAN IF HE WANTS TO BE A MAN.)"

Silver Spoon, and other characters for that matter, are quite frankly not real and do not have actual desires or feelings that you can hurt. Also see my essay on trans headcanons.

"but what makes me the most furious is... people making characters autistic. nothing against autism, i understand that, but do you really need to make paper, fan, silver spoon, pen, etc. autistic just because they have specific interests or act... idk, just the way they act?! its just. it doesnt make sense to me."

Bee needs to examine why they feel the way they do about autistic headcanons. A majority of the times characters are being headcanoned as autistic, they're being headcanoned as that be actual neurodivergent people who seem themselves or their autistic friends in these characters or traits.

There are certainly some issues with certain aspects of autistic (or any other disability) headcanons, like infantilization, but Bee's issue seems to be the fact that there are a lot of characters being headcanoned. Which is just not a problem.

"hc's that dont affect story are fine, but ones that completely flip the story or ignore anything confirmed by the employees."

Headcanons are personal thoughts on the story and do not have any bearing on the story or how you interpret the characters. They are a fan creation like fanart or fanfiction.

"EX: "i headcanon that mic and knife are in a relationship!" that completely ignores the fact that some of the pride month art shows that knife is gay. Cakebrunch (official II storyboarder) confirmed that soap and mic are in a relationship."

Cakebrunch is not a writer and does not have any bearing on the written canon of the characters. Just because he works on the show does not mean his headcanons have any bearing on the canon.

"make as many autistic characters you want, yeah! its great to support autism! but you dont have to make every character autistic, okay? (directed towards people that hc lots of characters as autistic)"

Again, the people who are doing this are mostly autistic or otherwise neurodivergent. And they aren't "making" the characters autistic, they're depicting them as such. No harm in that.

Now for the ships ask.

This is less of my domain, as I'm not really a shipper and don't know much about romance and relationship dynamics but I will try.

Also like nothing against people who don't like shipping as a whole, I totally get it. I was in your boat before.

"i absolutely HATE osc ships. half of them are either "oh these characters dislike each other/disliked each other at one point" and the other half is "these two friends should date because theyre friends.""

and that leaves..... characters who haven't interacted?

honestly, if this was between real people that would be really disrespectful.

Except they're not, so it's completely fine. I have a feeling Bee was in an RPF heavy fandom before this one, this and the previous take about pronouns are common discourse points in those.

EX: Fantube. yeah, they tried to raise shimmer together and built bot, but platonic parents exist and CAN THEY JUST BE FRIENDS?! PLEASE?

Like headcanons, ships have no bearing on the canon and in canon they are just friends.

EX: Nickloon. ok, nickels trying to make up for being rude to balloon all throughout season two. but really? they dont have to date just because theyre friends, yknow. imagine someone saying "oh you and your best friend who you only platonicallly love- you should date!" to you. that'd honestly be rude.

They're not real so they can't experience this. Problem solved.

yeah, some ships are confirmed but thats different. EX: Knickle. offical II storyboarder Cakebrunch CONFIRMED theyre in a relationship. thats an official employee of the series saying that a ship is real. not some random person on TikTok saying that TennisGolf is canon because TB is GB's closest ally.

Again with citing Cakebrunch's fan stuff as canon. Interesting how they cited a storyboarder's fan works twice but failed to mention Balloon being arospec as said by a show creator in the nickloon section. While I have my thoughts on word-of-god confirmation, which I will not be getting into here, it is far more canon than any fanwork.

A lot of the rest of this is just confusion about why people ship things. This is different for each ship and each shipper, and if you're ever confused about where a ship came from you can just ask the shipper. There's usually a reason (and depending on who you ask, a whole essay) as to why a ship came about or how it would work. Sometimes though it is just for fun or comedy, and that's not really a bad thing. We're here to enjoy ourselves, after all.

One last thing though,

and dont get me started on those ships that throw certain characters in canon ships (looking at you, metallic salad/metallic salad + mephone shippers.) because like. why? certain characters have established relationships with others, and your just like "ohh well those two are in a relationship, but mic and knife are a cute ship so how about mic + knife + pickle? makes sense!" like. please.

I don't know much on dynamics and specifics (see: not much of a shipper) but from what I have seen of multiships and polyships, all the dynamics and how the characters would all work together is very much thought about.

Also knickle isn't canon and the people shipping knife x mic x pickle are also aware knickle isn't canon. Nobody is thinking of it like that.

Anyways, time for the conclusion.

Bee anon is fundamentally wrong about how fandom works. Headcanons and ships hold no baring on the canon or your interpretation of the canon. Fandom is a place where canon is transformed in fan works for the fan's enjoyment, it is not a place where canon is determined or changed. You can interpret a work however you please, you can even divorce it from fan works entirely if you wish. Bee also has some things they need to think about in regards to why they feel the way they do about queer and autistic headcanons.

Thanks for reading.