#I worked hard on it
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rock-eating-emo-girl · 2 months ago
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Took a page out of Haley's book. How do I look? I better look cute
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chloesimaginationthings · 22 days ago
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New Patreon tier art now FNAF themed,,
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cyber333angel · 3 months ago
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PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE MAKE MORE PORN LINKS FOR LOGAN HOWLETT
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P*LINKS FOR LOGAN HOWLETT <3
logan calling you into the bathroom
making out with logan
logan teasing you before bed
logan taking his stress out on you
logan putting you to sleep on other his fingers
when your really needy so logan makes you do all the work
nightly routine before bed
riding logan because of a failed movie night
how the two of you wake each other up in the morning
logan being rough
a very neeedy logan
sitting inbetween logans legs and getting fingered 😵‍💫
logan fingering you pt4
face to face
logan on the kitchen counter
in the honda odyssey pt2
logan showing off his strength
logan eating you out
logan and his breeding kink
choking with logan
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sirgavvainet · 5 months ago
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I just needed to draw him baby 🥺🤲
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ponytailzuko · 6 months ago
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[ID copied from alt text: A comic depicting an alternate universe where Season 1 Zuko is a mermaid. He's shown on a beach, hiding behind a rock watching Aang and Katara practice waterbending. He thinks to himself, "The Avatar is supposed to be an airbender…" He watches Aang and Katara talk, while continuing his thoughts, "He has the tattoos… and he was waterbending…" Aang notices Zuko hiding and points him out to Katara, who turns. Zuko notices them looking at him and he ducks his head down behind the rock. Aang and Katara straighten up as they notice him disappear. Aang and Katara start running towards where Zuko disappeared, yelling, "Wait! Hello!" Zuko has his back to the rock, scared and thinking, "Shit, shit, shit." Another comic. It shows Zuko laying on the beach. He thinks to himself, "I'm so close to going home." He sits up and says, "Avatar, here I come!" showing that he's no longer a mermaid and has legs. After a moment of silence, he asks, "How do I walk?" End ID]
mermay means i make a little mermaid book 1 zuko au.
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munchboxart · 7 months ago
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So I've been doing this thing for months where I just start grabbing one of my plushies to have as tummy support to prevent me from leaning too far forward towards my screen (the plush pushes me back as it's against the desk).
Maybe not good advice but for now it's better than me leaning all the way forward like a dog
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linkvcr · 4 months ago
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drew some of my fave totk sets ^_^
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austriasmole · 2 months ago
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Hello, Hetalia fandom ‼️
It can be difficult to find certain Hetalia episodes, so I’ve compiled every Hetalia episode (sub and dub) into a Google Drive, alongside navigation docs for easy searching. Every episode is on here, including the movie and OVAs for both sub and dub. Happy watching :)
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strawberri-draws · 2 years ago
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Cannot wait for the Mom Team Up
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pbnmj · 1 year ago
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(not) your guy in the chair
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madbalalaika · 8 months ago
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heartorbit · 24 days ago
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figure skating set right now please. thanks
#project sekai#pjsk#prsk#emu otori#proseka#tsukasa tenma#nene kusanagi#rui kamishiro#wxs#wonderlands x showtime#GUYS I AM PUTTING OFF WORKING ON MY COSPLAY SOMETHING STUPID. im tireddddd i like sleeepingggff i want to play and drawwwww#after work ​I literally ate a giant bowl of mac n cheese and climbed into bed. lifestyle choices of a 9 year old#anyways i want figure skaitng set. bad. PJSK HAS A WEIRDLY LOW NUMBER OF ACTUALLY WINTERY SETS... like 3. kind of.#i have some thumbnail sketches but im kind of stumped on composition for them. my idea was a nene focus set#(IF HER NEXT FOCUS ISNT PHANTOM OF THE OPERA THEMED INWILL DIE. BADLY. THEYRE GOING TO AN OPER AHOUSE. PLEADBR)#originally my idea was for nene to be biting a medal i was very sold on it bc i love nenes competitive side#however her outfit is so nice i want it to also be part of the art .. its heavily inspired by that one iconic eunsoo lim dress#from her somewhere in time program iirc. im really undatisfied with emus dress tbh my origimal idea was to give it a phoenix look#but a lot of the firebird/phoenix skating programs have very sleek dresses and i want emus to be fluffy. the balance is hard ..#and since i want her program song to be once upon a dream from sleeping beauty i swerved to make it look a bit like auroras ? but again#it definitely feels like the weakest of everybodys ... maybe i just love her too much and want her to look the best. sorry wxs.#tsukasas outfit is supposed to look like a shooting star. easy. program music moonlight sonata 3rd movement like from dazzling light. easy.#actually i like takahashi daisukes moonlight sonata program its a medley of the 1st and 3rd movement.. i think the calm at the beginning#is best. maybe smth like that.. for his card inhad him doing a haircutter spin but again. the outfits good i want the outfit visible. damn.#ruis the one im very set on even now. girl why are you so phantom of the opera.#it has a lot of beautiful programs to reference but the outfit i didnt really have any solid reference i kind of just balled#my main idea was to make it look a bit like both christine and the phantom.... gender Fluid.#my yapfest... i should be SEWING!!!!!!!!#despite my yapping im not that well versed in figure skating i cant really distinguish jumps i just like it . and medalist#i only do normal skating. bc i played hockey for like 7 years LOLLLL inlove skating though Heart.
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cozylittleartblog · 4 months ago
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Columbo and the Knight (1984)
put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.
Autism W!
#columbo#knight rider#art#michael knight#kitt#comic#highlight reel#crossover#telebeast#there are two small easter eggs here. can you find them. they were somehow not Entirely lost when i resized these for the public#this is what i mean when i say I Draw And It's Everyone Else's Problem. look at my INCREDIBLY niche crossover comic boy#if the knight rider fandom has like 12 people in it. how many of y'all have seen columbo#this comic is for like 4 people and me and phoenix are already two of them#niche is my specialty lets be real. weird niche obscure shit and ships nobody's paid attention to yet#not to suggest this is ship art. columbo has his wife and michael has his car lmfao#stylizing real people is EXTREMELY hard btw sorry for when they get off model. its partly a 'better imperfect than never finished' situatio#cant tell you how much i redrew some of these panels. weeps#this took me 2 weeks but i think i thumbnailed it all in may and the ideas been rollin around in my head since march#is anybody good at editing. please edit michael and columbo into an image together like its a screenshot. NOT generated. edited.#it would be so cool#ive drawn columbo a lot but i haven't drawn a lot of michaels. i was learning things about his outfit AS I WAS DOING THE DAMN#COLORS ON THIS. all the lines done. it was too late to change anything. i did all the lines and colored page by page#i realized my mistakes on like page 3. 1 and 2 were already done. it was Too Late.#imagine it though. them working a case together. switching between the more serious tone of columbo vs the goofier#action antics of michael and kitt. columbo being so impressed by Modern Technology. there's more i could say but phoenix may write#more of this crossover and i don't want to spoil it :'3#there's opportunity here though i swear. there's gold to be dug.#i like how kitt gets shading but columbo's junker peugeot doesn't. kitt looked wrong without any. columbo's car is matte and dirty#i also applied effects to this to make it look a little film-grainy and VHS like. some CRT TV vibes#the only question left is. did they put knight rider into columbo; or columbo into knight rider 🤔
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sunsburns · 3 months ago
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four or five moments (ii.)
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pairing: wade wilson/deadpool x fem!assassin!reader
summary: you're literally just trying to do your job, and it's going great so far, you've killed trask, all you have left is to stop that truck from leaving new york. few problems: deadpool can't stay dead, you're having a moral dilemma and why is that car getting closer? oh shit-!
—or: deadpool literally hits you with a car
word count: 4k+
warnings: fem reader, wade being nasty, flirting, sex jokes, canon violence, there isn't too much plot, blood, strange conversations about morality, wade being annoying, he also breaks the fourth wall a few times, i did not pre-read this pls bare with spelling mistakes
notes: i was peer pressured to write this. it literally strays off from the og plot so bad you get whiplash!!
part one
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All you really need is four or five moments.
Four or five moments to prove that you're better than them, that you wouldn't stoop as low, to prove that an eye for an eye will only leave two people blind. No blood will bring mercy. No. But it might get you some peace of mind knowing that they can't hurt you anymore, knowing that there's one less asshole on the earth that's trying to hurt you and the people you care about. It is heartless, you're well aware, but you are not trained to have much of a heart, much less to care.
You remind yourself of that fact as lights blur into neon streaks and speeding vehicles race by. Your heart pounds in your chest, adrenaline sharpening your senses, and the stab wound on your leg becomes a distant throb.
You leap onto a motorcycle conveniently left unattended by a fleeing warehouse worker, hot-wiring it with practiced ease. The engine roars to life, and you peel out onto the road, weaving through traffic. The bike vibrates beneath you, a sleek, powerful beast responding to your every command.
Behind you, Deadpool is a persistent shadow. You catch glimpses of his red suit and mask as he commandeers a car, recklessly swerving through lanes to catch up to you. His determination is infuriating, but you can't afford to be distracted. You grit your teeth, focusing on the chase.
Your earpiece crackles to life, and a familiar voice comes through. "I've got eyes on your tracker," your handler says. "They're heading towards the docks. Be careful; we don't know if it's a set-up."
"Understood," you reply, voice steady despite the chaos.
As you near the docks, the industrial landscape looms ahead, a labyrinth of shipping containers and cranes casting long shadows in the dim light. The truck is just ahead, its taillights glowing like beacons.
You accelerate closer, and with one hand, you grab an energy gun, in a quick movement, you shoot at the truck doors, immediately regaining your grip on the handle afterwards. The doors fly open, revealing giant metal scraps and wooden crates.
You nearly curse, swerving out of the way when a pipe tumbles out from the back of the truck, crashing onto the road. The clang of metal on asphalt echoes in your ears. You slow down by the truck's blind spot, knowing you'd have to stop it, especially now that the cargo was confirmed to be in it.
You stay ready with your gun, pulling it from the holster on your thigh. You wait a beat, then another, and as the truck starts to pick up speed, you make your move and roll up to the driver's window, shooting through the glass. The bullet flies through the driver's head, causing him to slump forward, pressing on the horn. The blaring sound drowns out your second shot, which takes down the man in the passenger seat before he can shoot you.
The truck starts to slow, veering erratically before it crashes into a building with a deafening crunch of metal and shattering glass. The impact takes down a few light posts and parked cars, sending debris flying. Broken electrical wires dance and crackle around the wreck, their sparks reflected in the spray of a burst fire hydrant.
"Great job," your handler's voice crackles through your comms. "Dispose of the truck. No witnesses—"
The connection cuts off as you are violently hit from the side by a black car. The force of the impact sends you flying off your bike, tumbling across the rough asphalt. Your suit and helmet take most of the fall, tearing and cracking under the friction. Your visor shatters, the protective plastic lining breaking at the base.
You feel the sting and burn of broken skin on your arms and legs, grime and dirt mixing with the blood seeping from your cuts. Your vision is blurred, and a high-pitched ringing fills your ears. Every breath you take is shallow and painful, your ribs protesting with each inhale. Biting the inside of your cheek, you push yourself to pull off your broken helmet, tossing it aside. You blink hard, trying to focus your vision and spot a figure approaching.
Through the haze of pain and confusion, you recognize the distinctive red and black suit. Deadpool. He strides towards you with casual confidence, katana in hand, his eyes hidden behind the mask but undoubtedly filled with a mix of amusement and determination. The streetlights cast eerie shadows on his suit, highlighting the dried blood and grime.
"Please, don't be mad, honeybuns." Deadpool's irritating voice is the first thing you can hear when the ringing stops. He's standing before you, gloved hands out for you to take.
You don't move, heaving, "What the fuck, Wade?"
"Oh, are we on a first-name basis now? I think I like it." Wade Wilson hums, and when you still don't take his hands, he kneels before you. The smell of sweat and gunpowder wafts off him, mingling with the metallic scent of blood. "I know this all seems a little confusing—"
"You hit me with a fucking car, you dick!" you belt out, eyes wide with rage. The pain and exhaustion make your voice hoarse, every word a struggle.
"Well, yes. But it's only fair—"
"Fuck you."
"Listen to me." He says a little desperately, and you're glaring at him through your tears. Wade doesn't let it get to him, instead, he calls out your name, barely above a whisper as he looks at you. "You are getting innocent people killed." He tells you. "Look around. This might not be a cul-de-sac, but there are civilians, and they're hurt. We need to leave. You need to call it."
You glance over his shoulder, tired eyes scanning the area. He was right. Dock workers are running around, shouting and helping people out of the old building the truck had crashed into. It's late at night, but not late enough for the place to be deserted; people are still at work, still trying to get by.
You wince as you watch a pregnant woman being led out of a crashed car by her husband, a gash on her head. The smell of gasoline and burning rubber fills the air, mixing with the acrid scent of smoke from the crashed truck.
"Killing shitty people is one thing," Deadpool tells you, and you hate the way his voice is almost earnest. His tone is different, more serious, a stark contrast to his usual unserious demeanour. "But I'm familiar with your no-witnesses rule. This would just be mass murder if I let you keep going. Not exactly my piece of cake. Just..."
He stops, letting his head hang for a moment as if he were too repulsed to say it. You can see his shoulders slump slightly, a rare show of genuine emotion. "Oh god, I can't believe I'm about to say this," he grumbles, "Four or five moments. That's all it takes. Just stop and think. It's all it takes to be a hero."
You grit your teeth, hating that Wade Wilson is your voice of reason. The biggest asshole in New York, and here he is lecturing you on morality.
Hairs are falling out of your braid and sticking to your forehead, yet you don't care. Sweat mixes with blood, creating a sticky mess on your skin. You can only glare at him. "You're the last fucking person who should be telling me how to be a hero."
Wade sighs, loud and obnoxious, his mask wrinkling around his eyes as he scrunches up his face. "I'm sorry I hit you with a car. You kinda deserved it after killing Trask. He was my last chance at becoming pretty again. Now I have to stalk another crazy scientist." He taps his chin thoughtfully, "I always figured I'd end up chasing a mad scientist again, but not under these circumstances."
It's when you can no longer hold yourself up with your arms that Wade takes in the gravity of your injuries. He winces, watching you crumble to the ground before him. "Oh, wow, that's a lot of blood," he notes, his voice suddenly devoid of humour. The sight of your blood pooling on the asphalt seems to pull him back to reality. "Should I take you to a hospital? How many fingers am I holding up?"
He doesn't give you a chance to answer.
"Three? No. Two? Yikes. It's worse than I thought." Wade stands, and the worry in his voice is poorly masked by his usual sarcasm. "Here we go. Up, up!" When he moves to pick you up, you start turning away, your body protesting every movement.
"Wade, wait—" you rasp, trying to stop him from touching you. Your voice is weak, barely above a whisper.
But it's too late. When he reaches for you, your body phases, a faint white glow surrounding you as his hands and arms fall through your body as if you're a ghost. He recoils, jumping back while a squeamish sound escapes his lips. He stares at you, then his hands, then back at you on the ground as you try to sit up again, confusion and amazement written all over his masked face.
"Oh. My. Motherfucking. Fuckballs." Wade gasped, eyes wide behind his mask. "Did my hand just go through you or is all that cocaine finally kicking in?"
You ignore him, holding onto your side as it throbs with pain. Every movement sends sharp, agonizing waves through your body. "Fuck."
"No way, you're a fucking mutant?" His tone is a mix of awe and excitement, like a kid discovering a new toy.
It's not like you kept it a secret. You used your abilities whenever you needed to, and sure, it was useful at times, especially in your line of work when you needed to get through locked doors and hidden rooms or just for the element of surprise. But it's draining. Leaves you winded after only a matter of seconds. You've always had a hard time controlling it when you're slightly delusional though. You must've hit your head really hard. Maybe that's why you haven't shot Deadpool, yet.
"Shut up, Wade."
"Hey, no need to be ashamed of it." He reassures you while trying to pick you up again. This time, he is more cautious, his movements slower and more deliberate. When he succeeds, you can tell he's grinning like a child underneath the mask.
He carries you back to the same fuckass car he hit you with, holding you with one arm under your knees, the other supporting your back. There's a faint skip to his step as if you're not on the verge of losing consciousness. While kicking open the back door, Wade continues his chatter, and you really wish he'd killed you on impact.
"Being a mutant is great! Plus, it's not the early two thousands anymore, or whatever timeline Stewart was in. Man, they sure did hate mutants in that trilogy."
He sets you down in the back seat gently, his hands surprisingly delicate. "You know, I always knew you were different. You hit me harder than regular people. I just figured you really hated me."
"I do." you mutter.
"Oh, my little sweet buns, I'm sure you do." To your annoyance, he pokes your nose playfully. "But you can't hate me too much right now, I'm literally your knight in shining armor. See, I can be nice, especially to my fellow mercs. You'd bleed to death if I left you there."
"Only because you hit me with a fucking car," you snap, the pain and frustration boiling over.
"Good to know you're still harboring great anger towards that. Means you're still conscious. Keep being mean to me, baby, that's how I'll know you're okay." He pauses before shutting the door, looking at you lying on the backseat, bleeding and all the glory that comes from it. "And it also turns me on a little bit. God, I can't believe your suit is torn and not one bit of extra cleavage is exposed. What will it take for a guy to get some rated R nudity over here?"
And with that, he slams the door shut, the car shaking with the force of it. The sound makes the ringing return to your ears, and you bite back the urge to curse him. He takes a seat in the driver's seat, starting the engine and rushing out of the scene before first responders arrive. The car roars to life, and as he speeds away, you feel your consciousness slipping, the pain and exhaustion overwhelming you.
The two of you sit in silence for the most part, only the sounds of the engine running and Wade humming the tune of a song you think is from The Greatest Showman soundtrack. You force yourself to stay awake. Mostly because you don't trust him, but it's also because you fear that if you let your eyes close you won't wake up again. Yeah, it's mostly because you don't trust Wade Wilson.
"Where are you taking me?" you finally ask, and you hate the way your voice sounds weak, barely above a whisper.
"Just a little safe house I know." He tells you, glancing back at you for a quick moment. "Very homey, trust me."
"What about the shipment?" you murmur, your mind struggling to stay focused.
"What?"
"The truck," you repeat, fighting to keep your eyes open.
"Oh, don't worry. That's no longer our problem." He says, "We're about to enter a whole new setting. That truck is forgotten plot."
Wade takes a sharp turn, and you wince as your body shifts uncomfortably in the back seat. The pain is getting worse, each bump in the road sending jolts of agony through your body. You grit your teeth, trying to stay conscious, but it's a losing battle.
After what feels like an eternity, the car finally comes to a stop. Wade gets out and you hear his footsteps crunching on gravel as he walks around to your door. He opens it carefully this time, his usual wiseass demeanour replaced by a rare show of genuine concern. He scoops you up gently, and you're too weak to protest.
The last thing you remember, before everything goes black, is the sight of a grand mansion looming ahead, its imposing silhouette framed by the moonlight. The large iron gates creak open as Wade carries you through them, the gravel path crunching under his boots. The mansion, with its towering spires and Gothic architecture, looks like something out of a fairy tale, a stark contrast to the violence and chaos you just escaped from.
When you wake up, the first thing you notice is the softness of the bed beneath you. The second thing you notice is the smell of lavender and the faint hum of medical equipment. You try to sit up, but a sharp pain in your side makes you gasp.
"Whoa, easy there," a deep, accented voice says from beside you. You turn your head slowly, the motion making your vision swim. A towering, metal-skinned mutant sits by your bed, his imposing figure softened by a look of genuine concern. "You need to rest. You are badly injured."
Your throat feels like sandpaper as you rasp, "Where am I?"
"The X-Mansion," he replies in a soothing tone, the accent heavy but comforting. "Wade brought you here. You’re safe now. I am Colossus."
You try to take in your surroundings, your head feeling heavy as you look around. The room is vast and elegant, with high ceilings that seem to reach the heavens. The walls are adorned with rich tapestries and framed paintings, depicting serene landscapes and grand historical scenes.
Large windows let in the soft, golden glow of morning light, casting gentle shadows that dance across the floor. It’s a far cry from the dingy, rundown places you’re used to, especially that old apartment with its creaky floors and peeling wallpaper.
Your eyes finally land on Wade, who is slouched in a chair in the corner. He’s flipping through a Playboy magazine with exaggerated interest, still in his dirty suit from the night before.
When he sees you stir, he grins and waves a hand in your direction. "Morning, sunshine," he says cheerfully, his voice carrying an unnerving mix of sincerity and teasing. "You gave us quite a scare. But, I've got to say, that hospital gown is doing wonders for your figure. I love the blue. Great contrast to that black you're always wearing."
You roll your eyes, too exhausted to respond properly. The gown feels scratchy against your skin, and every movement sends sharp pangs of pain through your body.
Colossus, noticing your discomfort, shifts slightly. "How are you feeling?" he asks, his voice deep and steady.
"Like I got hit by a truck," you mutter, sending a glare in Wade's direction.
Colossus chuckles, the sound deep and resonant, like rolling thunder. "Do not worry about him. We will take care of you."
Despite the throbbing pain and overwhelming fatigue, a wave of relief washes over you. For the first time in a long while, you're surrounded by people who genuinely want to help. You close your eyes, letting yourself sink into the softness of the bed. "Thank you," you whisper, the words feeling strangely comforting. For once, you don’t feel the need to be constantly on guard.
Wade's grin widens as he leans back in his chair, stretching his legs out and adjusting his mask. "Anytime, honeybuns. Anytime."
As you drift in and out of consciousness, you feel the cool, soothing touch of a wet cloth on your forehead. The gentle pressure is a welcome contrast to the persistent throbbing pain.
The sound of soft murmurs and quiet footsteps fills the room, creating a cocoon of calm around you. At some point, you notice Colossus's massive hands, surprisingly gentle, as he carefully tends to your wounds, applying bandages with precision.
Eventually, a teenager with short hair and a no-nonsense expression enters the room. You learn her name is Negasonic Teenage Warhead. She carries a phone in one hand, handing Colossus a stack of clean bandages with the other. The faint scent of antiseptic and medicinal herbs fills the air, mixing with the crispness of the freshly laundered bed linens.
Hours pass, or maybe it's days—it's difficult to gauge. When you next wake, the room is dimly lit, the golden light replaced by the softer hues of early evening. The pain has dulled to a manageable throb, and the heaviness in your limbs is slightly alleviated. Wade is still there, his previous outfit swapped for sweatpants and a dark green sweater, though he keeps his red and black mask on. He lounges in the chair beside your bed, now engrossed in an iPad, giggling softly to himself.
"Oh, man. Instagram reels are crazy," he snorts, shaking his head as he scrolls through the screen.
He looks up and hums when he sees you're awake again. "You're tougher than you look," he comments, turning off the iPad with a flick of his wrist. "Most people would have keeled over by now."
"You wish."
"Oh, trust me, I do." Wade nods vigorously, his mask bobbing with the motion. "I tried injecting poison into your IV, but your body rejected it."
"Don't worry. My handler will kill me for you."
Wade groans, dramatically rolling his eyes as he gets up from the chair. "You’re still worried about that? I already told you, the truck and all that shit is past plot. We’re in the sequel now, babe. There are new rules. Who knows, maybe this is your redemption arc where you join the X-Men. Though, I will miss your assassin era. You were so sexy in that suit."
You make a face, "Fuck off."
Just then, the door opens with a soft creak, and Colossus enters with a tray in hand. He’s followed closely by Negasonic, who carries a stack of fresh bandages. Colossus places the tray on a small table beside your bed with practiced ease. The tray is filled with a bowl of steaming soup and a couple of slices of crusty bread, the aroma wafting up and making your stomach rumble.
"How are you feeling?" Colossus asks, his voice calm and reassuring as he sets the tray down.
"Better," you admit, managing a small smile. "Thanks to you guys."
Negasonic shrugs nonchalantly, a small smile tugging at her lips despite her usual scowl. "Don’t mention it. Just doing our job."
Wade groans, clearly troubled by the kindness. "Oh great, now you’re all buddy-buddy. What am I, chopped liver?"
Colossus chuckles, the sound of a comforting rumble. "You must eat something. It will help you regain your strength."
You nod gratefully, and with Colossus’s help, you manage to sit up enough to sip the warm, comforting soup. The broth is rich and flavorful, and the bread is soft and fresh. As you eat, you can’t help but feel a strange sense of belonging. Despite the pain and the chaos, you’re surrounded by people who care, and for now, that’s enough.
Wade, not one to be left out, scoots his chair closer, setting it right next to your bed. He stretches out, propping his elbows on his knees as he leans in. "So, what do you think of the X-Mansion? Pretty swanky, right? Lots of rooms, big kitchen, danger room for training... and other things."
Negasonic scoffs, her eyes narrowing. "Gross."
You finish your meal, feeling a bit stronger. As Colossus helps you settle back into the bed, you glance at Wade. "Why did you bring me here?"
Wade’s expression shifts, becoming uncharacteristically serious. He looks at you with sincerity. "Because you’re one of us. And because... well, everyone deserves a second chance."
You blink, surprised by the depth of his words. Before you can respond, he’s back to his usual self, grinning and turning on his iPad. "Plus, it’s not every day I get to play hero. I gotta milk it for all it’s worth. And no, Colossus, I will not join your boy band, thank you very much."
The metal man grunts, waving a hand dismissively before walking out, Negasonic following right behind him. Wade stays seated next to you, his lips curled into a wide, amused grin that seems to stretch just a bit too far was he watches you.
"You're never gonna take that off?" you ask him.
Wade's laughter is a low, rumbling sound that feels almost too bright for the quiet room. "Oh, no fucking way," he says, his voice dripping with mock seriousness. "I wasn’t kidding when I said I’m ugly under this. Trust me. You’d be repulsed. Like, horror movie-level repulsed."
You give him a look, your eyebrow arched in disbelief. "I doubt it."
Wade leans in closer, the grin on his face widening. He taps his chin thoughtfully with a gloved finger, the gesture oddly contemplative. "Maybe next time I’ll take it off for you," he says, a taunting tone in his voice as he raises his brows. "Maybe that and a little more."
"There's a next time?"
"I mean, as the famous words of Natasha Bedingfield say: the rest is still underwritten."
"God, you’re fucking ridiculous," you mutter, the words coming out with a mix of exasperation and reluctant amusement. "I can’t wait to get out of here and never see you again."
Wade's shoulders slump, the white eyes of his mask narrow at you, "What, that's it? No steamy sex? No heavy petting? Is this how it ends? Not even a kiss?"
"Fuck no. Get out."
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dailyastarionpics · 11 months ago
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A huge night full of well deserved awards and recognition for Larian Studios! Congratulations and thank you for creating such an incredible game!
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kringle-c · 7 months ago
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"It's only-"
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