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sweetberrysmooch · 4 years ago

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HC: And There Was Only One Bed (Affectionate) [pt. 1]

(Zzzzzzz.....)

(This is unfortunately gonna have to be in several parts, mainly so I can get something out to you guys while still being able to work on the rest ^^)

Basic sleeping hcs with ya boys, and sort of... smell hcs? Idk, I got into a mood and couldn’t stop writing about smells so here it goes lol.

Characters: Dream, Techno, Wilbur.

Warnings: There’s mentions of nightmares in Dream’s and a emotional breakdown in Wilbur’s, but that’s it.

Song Recommendation: Dream A Little Dream Of Me- The Mamas & Papas.

Up Next- Quackity, George, and Bad. [pt. 2]

Hope you have nice day today <3 Enjoy!

Dream:

Depending on where you’ve fallen asleep, Dream will kind of work with your position before he lets himself relax.

He prefers it when the two of you are in your bed, with him near the closest door and on his back and with you sleeping against his side, arm stretched over his middle. It’s a good way for him to be between any intruders that may come and to still have you close. But no matter where you are, he has to make sure that he can protect you before he lets his guard down.

Another position he likes is when you’re tucked against his chest under his chin, sitting on his lap or curled up together in bed. Being tall with a broad chest means he makes a pretty good pillow, so use those puppies when you can 👀👀

Smells like a forest, most times. Almost like wild honey, but it’s a very delicate smell. You don’t notice it until your first hug, when you were upset and crying and he pulled you to into his arms so you could hide your face. Now you smell it everywhere he is, in your house, on your bed, even your clothes smell like him. Neither of you say anything, but he slowly begins leaving his soap at your house. Just in case, y’know, if you ever run out.

Other times, when he seems a little more... off, he smells like the beginning to a storm, like ozone and petrichor. Those days he doesn’t speak that much, and keeps you at arms length. He sits quietly and watches your doors and windows with obvious intent, and is gone before morning. You don’t think he even moved from his spot throughout the night, much less slept there. You don’t see him for a few days afterwards.

Usually he remains as still as a log, but sometimes he has fidgeting fits where he twitches and grumbles to himself. Sometimes you’ll even catch him speaking full-on sentences, though they don’t make much sense. Mostly normal out of place stuff, but once you heard him talking about someone called DreamXD, and figured you’d ask him about his oc the next morning.

He has nightmares often too. It’s hard to tell when he’s asleep but he’ll wake up sweating and trembling and lean over you to check you’re still breathing. He won’t ever tell you what they’re about, but it isn’t hard to guess when he buries his nose into your hair and holds you tightly like you might leave him.

If the two of you aren’t sleeping in your house or completely alone, he won’t sleep until you are. Sleep loss doesn’t quite affect him like it does others until after a pretty long time of not doing it, to which he’ll become surlier and more angry until he eventually just clocks out. He wakes up extremely well rested 2 days later and the process repeats. Sleeping at your house is the closest he gets to proper sleeping, and it’s the only time he can ever feel truly relaxed when doing so.

When he can’t fall asleep, he goes straight to watching you. He gently plays with your hair and fiddles with your fingers, relishing in how unmarred and soft they are in comparison to his much rougher, bigger ones. It’s a sure fire way to get him to mellow out and relax, and he finds that sleep ends up coming much quicker.

(Dream wakes up in warmth one night, with rain knocking on window panes instead of what ever shelter he could scrape together and a fire crackling far off. He deduces immediately that he’s in someones house, and it doesn’t take long before he notices the owner, asleep in his lap.

Your legs are slung over the arm of the padded chair he’s sitting in, a book (one of his own, he acknowledges, an older version of a well known storybook that he has memorized already) loosely held onto in your hands, and your head rests on his shoulder.

He expects to feel worried soon, the fear of you getting close to him reappearing to ruin another close moment. But it never comes. All he can feel is the safety and comfort you always emanate, driving away his tension and soothing his mind. He closes his eyes, and falls back asleep.)

Techno:

Techno is very very touch starved ^^; While he may not be the only one on this list that is, Techno is definitely the most…. shy about it. He won’t ever directly ask to sleep next to you, and will actively try to avoid that. He’s afraid of making you uncomfortable but also of being close to you in general? It’s an odd mix of emotions, like eating mints and a hot pepper at the same time and then feeling hell fire burn inside of your body. Anytime the two of you have to sleep in the same room as each other, he will immediately offer you the better spot and go find a chair to sleep in, and he won’t accept a no.

The most you can do is make the choice to go sleep next to him. It’ll weird him out a little before becoming overwhelmingly endearing when he processes the fact that you would rather sleep next to him than somewhere more pleasant. When you’re asleep however, he’ll pick you up and move you to the place where he wanted you to be. He’ll drape his massive cape over your body and (after assuring himself six different times that you are in fact asleep) softly press a kiss to the crown of your head. If he runs his thumb over your cheek once, then thats his business.

Later on in your relationship though, after he relaxes and settles a bit, it’s pretty unusual if you don’t fall asleep next to him. He still won’t outright ask for it, but he kinda just hopes that when he starts his nightly routine before bed that you’ll just join him without needing to be asked. Having you there helps him sleep better, you act as both a silencer for the voices and someone to hold close when he’s at his most vulnerable.

When sleeping in bed together, he prefers to pull you close and curl around you in a half pulled fetus position. He’s usually a heavy sleeper, and actively clings on to you when asleep. It's an impressive feat if you can break free from his strong arms while they’re wrapped around your middle, and you leaving inevitably wakes him up. He’ll go searching for you then, barely awake, just to pull you back to bed to be his teddy bear again.

And speaking of the voices, while generally they’re loud and insistent, occupying his mind more than he does at times, their reaction to you baffles him so much. In place of the usual screaming is gentle mumbling, quiet whispers about how nice you look today or how pink and soft your cheeks look. It’s a welcome relief, and no matter how he hard he ignores the fact that he’s wrapped around your finger, he’s glad to know they care for you as much as he does.

He also smells pretty nice, it’s this natural musk he has mixed with a muted minty scent. The mint smell comes from this fancy soap Phil had gotten him a while back that he hadn’t given much thought about until you said something. Techno’s already a clean kind of guy, but after hearing your praises of his smell he almost begs Phil to get him more.

Snores, but in a quiet reserved way. Sometimes he makes soft cute noises, like little happy sounds when you snuggle into him more, or bashful grumbles when you kiss him before bed.

(Sunlight flickers through the blinds of Techno’s room, streaking across your face and waking you from sleep. Sighing quietly, you lift your head a little and stretch as best you can while being held in place at his side, before snuggling back into your spot, fully content to stay there for the rest of the morning.

As you enjoy the moment, you savor the gentle snores that rumble in his chest, his strong heart thumping beneath your ear, and the way his hand kneads your hip as he wakes.

‘It’s a good morning to sleep in.’ Your mind says quietly, and with how he rolls over to face you and kiss your forehead, it seems Techno thinks so too.)

Wilbur:

The way Wilbur sleeps really depends on what Wilbur it is.

To start off though, a few general things. He’s a neat sleeper, doesn’t snore, doesn’t move a whole lot, and smells pretty nice too. His smell also came from a fancy soap he got from Phil, but it smelled like sugar and lemons and it was a lot heavier than Techno’s. He would always take showers before bed because he knew you liked how it smelled, and often he would offered to share it with you (so that you would smell like him). Once he was exiled, he didn’t have the liberty of bathing as frequently as he used to, and he stopped using the fancy soap because he thought it felt tainted. He’d end up smelling like stale air and gunpowder, though he’d never tell you what the smell was from.

With sleep, if it’s pre-Pogtopia Wilbur, you get a fairly standard sleeping arrangement of him crawling up into between your legs to flop down on your stomach with a sigh, waiting impatiently for you to get comfortable and curl around him like you usually do. Your hand comes to cradle his head closer to your chest and he nuzzles into your collarbone before falling asleep near immediately. The two of you wake up tangled completely together and immensely comfortable. Wilbur used to sleep in on days like that, quietly savoring the peace that came with you and your generous hands that would slowly brush through his sleep-messed hair. Even after the election, when he starts descending into madness, the memories serve as a final comfort to him.

Post-Pogtopia Wilbur (Vilbur, if you will) is a stark contrast to his old self. He’s more bitter, more reserved, and even more paranoid. He doesn’t sleep with you anymore, at least never consistently, and the only times he does is when he’s so emotionally fraught that he passes out from the stress and lack of sleep midway through you trying to calm him down. You usually end up just kind of holding him close, praying that when he wakes up you can settle him before he works himself up again. You fall asleep like that, tired and restless.

(He rouses from sleep a few hours later, curled up in your arms and still exhausted from the breakdown. Your chest rises and falls slowly behind him, face smushed into his hair and completely relaxed.

For a moment, all is calm again. He can pretend that it’s just how it used to be before the election had happened, that the two of you are back at home, happy and stable.

His hands tremble when they reach for yours, and he grants himself the freedom to cry while you’re still sleeping, ignoring the fact that the next day will be just like the last, and that nothing has changed.)

See you next time :D

#mcyt x reader #c: dream #c: technoblade #c: wilbur #hc: and there was only one bed (affectionate)#dream x reader #technoblade x reader #wilbur soot x reader

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estrel · 4 years ago

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for #spnprideweek day 1: coming out + flags

↳ summary: cas tells sam a secret that he hasn’t (really) told anybody else. surprisingly, sam has one too. PRIDE series | gen, sam & cas | word count: 1.7k

[READ ON AO3]

Sam’s grimacing a little at the grease from the fries on Cas’ plate. Cas would usually make a comment, here, about Sam keeping his eyes on his own paper, or that it isn’t nearly as bad as the veggie burger sitting on his plate at Sam’s behest. This is the recompense, Cas wants to say, but his mouth is dry and no words are coming out even if he wants them to.

Accompanying the inability to speak is the twisting feeling in his gut that won’t even allow him to pick up the burger. The smell is too much, too, and Cas hates to admit it but it’s probably the grease, so he sits back a little against the peeling seat of the booth to calm his nerves.

It’s just Sam. He can do this. It’s only that this is the first time he’s telling anyone, and that definitely ups the stakes a little.

Well, that’s somewhat of a lie. Cas had told the nice woman at the grocery store check out last week when he’d seen her little pin on her work uniform and asked where he could get one.

He hadn’t actually bought one, of course, but Cas eyed the small bin full of brightly colored pins on the way out, convincing himself it was stupid to get back in line again for something so small and inexpensive. Still, he’d thought about it on the drive back to the Bunker, and that night in his bed, and the full week following, up until now.

Now, Sam was looking at him with concern, and wiping his mouth in that way that means he’s about to get serious.

“Is everything alright?” he asks, pointedly looking down at Cas’ loaded plate. He’d barely taken a bite, except for a few nibbles of his admittedly greasy fries. And it was weird because since becoming human, Cas' appetite had grown considerably, much to Dean's delight.

And—Dean. That's what this was all about, wasn't it? Sure, it was more than just Dean, it was all the humans that had made Cas' body ache like it hadn't before, had made him think of what it means to be in this vessel—his body—and be attracted to other...humans.

It was odd. In hindsight, things in Heaven had been so much easier in this regard. Cas had spent most of his life clueless to the capabilities of human attraction, and then he met Dean and it all came crashing down around him. Only then, Cas was ignoring it. He was facing the other way, because though he felt human, he wasn't. Not really.

But everything is different now.

Cas clears his throat.

"Well," he starts, "no. I am feeling what I believe you’d call...anxiety. My stomach hurts, I find I'm unable to eat, a-and my hands are—"

"Cas," Sam interrupts. Shaking. Cas' hands are shaking.

Sam's fully set his fork and knife down now, hands clasped together on the edge of the table. "Talk to me."

Cas licks his dry lips.

"It’s not...it isn’t a big deal, really,” and yet Cas can feel his heart hammering in his chest. He sucks in a breath. “But I’m, uh. I wanted to tell you that...I like men.”

Sam’s expression doesn’t change, but he blinks at Cas once from across the table.

“Okay.”

Cas raises an eyebrow, pulse slowing down a little with his next exhale. “Okay?”

Maybe it was that simple, and Cas was worrying over nothing. It’s just...this feels like it should be bigger. Earth-shattering. Like Sam should either hug him or tell him he never wants to speak to Cas again.

Instead, he just shrugs, picks up his fork and pushes bits of his salad around his plate.

But then Cas’ gaze moves to Sam’s face and...Sam’s frowning. Cas feels his heart thumping hard again, waiting for the ball to drop. It feels a little like when Dean sat him down to “talk,” right after he lost his powers, and, well. Cas knew how that had ended. He braces himself for the worst, schools his features to something more neutral.

“I’m,” Sam clears his throat, “I’m sorry you got nervous over all of that. I-I get that coming out is...” he laughs, “usually a bigger deal, but. You don’t have to worry with me, you know? I get it.”

That makes Cas pause. “You...do?”

Now Sam’s looking at him, eyes a little wide, but he works his jaw and gets the words out. “Yeah. Uh... well I guess now’s a good a time as any to tell you.”

“Tell me what?”

The fork is set back down again. The bell over the diner door jingles.

“In college...you know about Jess,” Sam says, jogging Cas’ memory. He knows, so he nods and Sam continues, “Well we uh. We actually met in a Gender Studies class. I thought, ‘pff, easy A,’ but it was actually way more complex than I originally thought, so she kind of...tutored me.” Cas raises an eyebrow, and Sam rolls his eyes.

“Actually tutored me. Whatever. Point is, I learned a lot—‘cause she was a great teacher—and...not just about the class, but about myself, too.”

Cas nods slowly, beginning to catch Sam’s drift. “Okay...”

Despite his tone, Sam’s posture stiffens a little, like he’s uncomfortable, or not really used to this type of conversation. Cas does his best to relax into his seat to ease him, unfolding his arms.

“What I’m saying is,” Sam shrugs, “I’m...not...cis. Like, I don’t....I’m not um, a guy, I guess. Well, sort of. I’m non-binary.”

Cas is silent for a second, mulling it over in his head. Eventually it becomes long enough for Sam to say, “Uh...you know what? You can forget it, man—”

“No!” Cas says, almost knocking over his plate in the process. The silverware clatters as it falls onto the table, and Sam flinches a little. “I was just thinking...I want to apologize if anything I’ve said about your gender has ever made you uncomfortable, or if you—”

Sam’s out-facing palm makes Cas stutter to a stop. There’s a weird guilt settling in the pit of his stomach, and the anxiety that he’d thought was gone is back full force again. Cas tears off a piece of his napkin.

“Cas, dude. Calm down,” Sam laughs. He takes a deep breath, and Cas follows his lead. They breathe in and out together for a beat, and when Cas feels fairly calmer, Sam pushes both of their plates aside.

“There’s no need to apologize for something you couldn’t have known about,” he starts, shaking his head a little, “and you haven’t done anything wrong, either. I still use he and him pronouns, and sometimes they and them. And besides, it’s not like I go around telling people. Especially with, uh, the way I was raised...I’ve been hesitant, you know? It was great in college, people were really supportive when I told them. But then when I started hunting again...I don’t know.

“My dad...uh. I tried telling him, once. Didn’t go too well, so I didn’t try it again. I think that’s why Dean...” he shakes his head, frowning down at the table again. “It wasn’t easy, growing up the way we did. You could probably understand that.”

Cas nods. Under the table, his napkin is shredded into bits.

“I do. I think, in a way, I also understand being trans.” Sam jerks their head up, intrigued.

“Angels...we don’t experience gender the same way humans do. In fact, the concept is entirely nonexistent in Heaven. So, when we take vessels...”

“You’re essentially defining yourself,” Sam says in awe. It makes Cas smile to see them back in their element, leaning forward a little to listen better. “I never thought about it that way, not really.”

Cas shrugs. “I’m not sure all of my siblings did, either. Many chose according to which vessel would best suit them and their form. That was definitely a factor in me choosing Jimmy, but I also found the thought of looking like a human man...greatly appealing.”

Sam’s nodding now, gaze darting to different parts of the table. Cas knows that means they’re mentally crafting an essay right about now, or thinking of what books in the Bunker might further help in their research about it.

“Wow,” he says, “that’s—I mean. Wow, Cas. Thanks for telling me that. And uh, the other thing.”

“Oh. Thank you.”

There’s a comfortable silence between them now, and Cas takes it as an opportunity to sip from his slightly-melted iced tea.

“So,” Sam starts again slowly, “have you told Dean?”

Cas sucks in another deep breath, and Sam nods. “Yeah,” he says, “me neither.”

It surprises Cas a little that Sam hasn’t told him, and he expresses that with an inquiring eyebrow.

Sam purses his lips and dodges the unspoken question. “Dean’s not a bad guy. You probably know that better than anyone except me. You know he’d still love you if you told him.”

Cas’ heart pounds at the mention of the word. When Sam notices, he feels his ears begin to heat with a blush.

“Oh,” Sam smiles, “that. I figured. For a while now, but I didn’t wanna say anything.”

Cas tries to will away the heat on his face. He doesn’t say anything, so Sam leaves it be.

The waitress gives them a worried look when she brings the check, eyeing their barely touched plates. They both smile apologetically, insisting that their food was “great” when she whisks it away.

On their way back home, Cas asks if Sam can stop at the store. They don’t ask anything more than, “we need groceries that bad?” and Cas dips inside. He knows this is just like any other grocery run—going in and out as quick as possible with the things they need—yet his heart hammers all the same when he stops in front of the bin near the door. The same employee from last week is working on lane six, and he’s sure to check out at that one with his goods. She gives him a knowing smile.

Cas flops into the passenger seat, a little out of breath.

“That was fast,” Sam starts to say, before noticing Cas’ lack of grocery bags. “Dude. What d’you buy, air?”

Instead, Cas brandishes two brightly colored pins. Sam tentatively takes the yellow, white, purple, and black one, eyes wide.

“For me?” they ask.

Cas smiles, running his thumb over the rainbow one in his hand.

“For both of us,” he says.

[@spnprideweek]

#b*gen #bookshelf #spnprideweek #sam and cas #rambleoncas writing #roc original #my post #theedorksinlove #userdainty #klinejack #usershey #creativecaviar #userpris #usersully #spnclownpals #hope it was okay to tag!!

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meruz · 4 years ago

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once again i am answering asks in a big compilation post. included is... gotham, patrick stump, tips about drawing backgrounds, tips about drawing in general, links to my faq, and infinity train

like.... the tv series? No... I’ve drawn dc comics fanart before, though. But it’s been years since I’ve been really into it. I like jumped ship like 10 years ago when the New 52 happened LOL.

AFJHDSLKGH I’m sorry I (probably) won’t do it again??

Actually full disclosure I have a truly cringe amount of p stump drawings/photo studies in my sketchbook right now LOL. He’s just fun to draw... hats, glasses, guitar, a good shape... but I don’t think I’ll rly post those until I can hide them in another big sketchbook pdf.. probably Jan 2022. Stay tuned........ (ominous)

(ominous preview)

These are all sort of related to backgrounds/painting so I grouped them together even though they’re pretty much entirely separate questions.... ANYWAYS

a) How is it working as a BG artist? Is it hard? What show are you drawing for?

I think you’re the first person to ever ask me about my job! Being a background artist is great. It’s definitely labor intensive but I think that could describe pretty much any art job (If something were rote or easy to automate, you wouldn’t hire an artist to do it) and I hesitate to say whether its harder or easier than any other role in the animation pipeline. Plus, so much of what truly makes a job difficult varies from one production to the next, schedule, working environment, co-workers etc. But I will say that I think while BGs are generally a lot of work on the upfront, I think they’re subject to less scrutiny/revisions than something like character/props/effects design and you don’t have to pitch them to a room like boards. So I guess it’s good if you don’t like to talk to people? LOL

A lot of my previous projects + the show I’ve worked on the longest aren’t public yet so I can’t talk about em (but I assure you if/when the news does break I won’t shut up about it). But I’m currently working on Archer Season 12 LOL. I’m like 90% sure I’m allowed to say that.

b) ~~~THANK YOU!! ~~~

c) What exactly do you like to draw most [in a background]?

@kaitomiury Lots of stuff! I really like to draw clutter! Because it’s a great opportunity for environmental storytelling and also you can be kind of messy with it because the sheer mass will supersede any details LOL.

I like to draw clouds... I like to draw grass but not trees lol,,, I like to draw anything that sells perspective really easily like tiled floors and ceilings, shelves, lamp posts on a street etc.

d) Do you have any tips on how to paint (observational)?

god there’s so much to say. painting is really a whole ass discipline like someone can paint their whole life and still discover new things about it. I guess if you’re really just starting out my best advice is that habit is more important than product. especially with traditional plein air painting, I find that the procedure of going outside and setting up your paints is almost harder than the actual painting. There’s a lot of artists who say “I want to do plein air sometime!!” and then never actually get around to doing it. A lot of people just end up working from google streetview or photos on their computer.

But going outside to paint is a really good challenge because it forces you to make and commit to lighting and composition decisions really quickly. And to work through your mistakes instead of against them via undo button.

My last tip is to check out James Gurney’s youtube channel because hes probably the best and most consistent resource on observational painting out there rn. There’s lots other artists doing the same thing (off the top of my head I know a lot of the Warrior Painters group has people regularly posting plein air stuff and lightbox expo had a Jesse Schmidt lecture abt it last year) but Gurney’s probably the most prolific poster and one of the best at explaining the more technical stuff - his books are great too.

e) Do you have tips for drawing cleanly on heavypaint?

@marigoldfool UMM LOL I LIKE ONLY USE THE FILL TOOL so maybe use the fill tool? Fill and rectangle are good for edge control as opposed to the rest of the heavy paint tools which can get sort of muddles. And also I use a stylus so maybe if you’re using your finger, find a stylus that works with your device instead. That’s all I’ve got, frankly I don’t think my drawings are particularly clean lol.

f) Tips on improving backgrounds/scenes making them more dynamic practicing etc?

Ive given some tips about backgrounds/scenes before so I’m not gonna re-tread those but here’s another thing that might be helpful...

I think a good way to approach backgrounds is to think of the specific story or even mood you want to convey with the background first. Thinking “I just need to put something behind this character” is going to lead you to drawing like... a green screen tourist photo backdrop. But if you think “I need this bg to make the characters feel small” or “I need this bg to make the world feel colorful” then it gives you requirements and cues to work off of.

If I know a character needs to feel overwhelmed and small, then I know I need to create environment elements that will cage them in and corner them. If a character needs to feel triumphant/on top of the world then I know I need to let the environment open up around them. etc. If I know my focal point/ where I want to draw attention, I can build the background around that.

Also, backgrounds like figure compositions will have focal points of their own and you can draw attention to it/ the relationship the characters have with the bg element via scale or directionality or color, any number of cues. I think of it almost as a second/third character in a scene.

Not every composition is gonna have something so obvious like this but it helps me to think about these because then the characters feel connected and integrated with the environment.

Some more general art questions

a) Do you have any process/tips to start drawing character/bodies/heads?

I tried to kind of draw something to answer this but honestly this is difficult for me to answer because I don’t think I’m that great at drawing characters LOL. Ok, I think I have two tips.

1) flip your canvas often. A lot about what makes human bodies look correct and believable is symmetry and balance. Even if someone has asymmetrical features, the body will often pull and push in a way to counterbalance it. we often have inherent biases to one side or another like dominant hands dominant eyes etc. you know how right-handed artists will often favor drawing characters facing 45 degrees facing (the artist’s) left? that’s part of it. so viewing your drawing flipped even just to evaluate it helps compensate for that bias and makes you more aware of balance.

2) draw the whole figure often. I feel like a lot of beginner artists (myself included for a long time) defer to just drawing headshots or busts because it’s easier, you dont have to think about posing limbs etc. But drawing a full body allows you to better gauge proportion, perspective, body language, everything that makes a character look believable and grounded.

Like if you (me) have that issue where you draw the head too big and then have to resize it to fit the proportions of the rest of the body, it’s probably because you (I) drew the head first and are treating the body as an afterthought/attachment. Sketching out the whole figure first or even just quick drawing guides for it will help you think of it more holistically. I learned this figure drawing in charcoal at art school LOL.

oh. third mini tip - try to draw people from life often! its the best study. if you can get into a figure drawing/nude drawing class EVEN BETTER and if you have a local college/art space/museum that hosts those for free TREASURE IT AND TAKE ADVANTAGE OF IT, that’s a huge boon that a lot of artists (me again) wish they had. though if youre not so lucky and youre sitting in a park trying to creeper draw people and they keep moving.. don’t let that stop you! that’s good practice because it’s forcing you to work fast to get the important stuff down LOL. its a challenge!

b) I’ve been pretty out of energy and have had no inspiration to draw but I have the desire to. Any advice?

Dude, take a walk or something.... Or a nap? Low energy is going to effect everything else so you gotta hit that problem at its source.

If you’re looking for inspiration though, I’d recommend stuff like watching a movie, reading a book, playing video games etc. Fill up your idea bank with content and then give yourself time/space to gestate it into new concepts. Sometimes looking at other art works but sometimes it can work against you because it’s too close.

Also something that helps me is remembering that art doesn’t always have to be groundbreaking... like it’s okay to make something shitty and stupid that you don’t post online and only show to your friend. That’s all part of the process imo. If you want to hit a home run you gotta warm up first, right? Sports.

I should probably compile everytime i give tips on stuff like this but that’s getting dangerously close to being a social media artist who makes stupid boiled down art tutorials for clout which is the last thing i want to be... the thing I want to stress is that art is a whole visual language and there are widely agreed upon rules and customs but they exist in large part to be broken. Like there's an infinite number of ways to reach an infinite number of solutions and that’s actually what makes it really cool and personal for both the artist and the viewer. So when you make work you like or you find someone else’s work you like, take a step back and ask yourself what about it speaks for you, what about it works for you, what makes it effective, how to recreate that effect and how to break that effect completely, etc. And have a good time with it or else what’s the point.

for the first 2, I direct you to my FAQ

For the last one, I don’t actually believe I’ve ever addressed artwork as insp for stories/rp but I’ll say here and now yeah go ahead! As long as you’re not making profit or taking credit for my work then I’m normally ok with it. Especially anything thats private and purely recreational, that’s generally 100% green light go. I only ask that if you post it anywhere public that you please credit me.

(and I reserve the right to ask you to take it down if I see it and don’t approve of it’s use but I think that case is pretty rare.)

a) @lemuelzero101 Thank you!!! I haven’t played Life is Strange but actually that series’ vis dev artist Edouard Caplain is one of my bigger art inspirations lately so that’s a really high compliment lol. And yeah I hope we get 5-8 too...!

b) Thank you for sticking around! I’ve been thinking about Digimon and Infinity Train in tandem lately, actually. They’re a little similar? Enter a dangerous alternate world and have wacky adventures with monsters/inanimate objects that have weird powers... there’s like weird engineers and mechanisms behind the scenes... also frontier literally starts with them getting on a train. Anyways if anyone else followed me for digimon... maybe you’d like Infinity Train? LOL

c) @king-wens-king I’M GLAD MY ART JUST HAS PINOY VIBES LOL I hope you are having a good day too :^)

a, b, c, d) yessss my Watch Infinity Train agenda is working....

e) aw thank you!! i think you should watch infinity train :)

#ask #trying this new thing where i tag people in the body of the post instead

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flashflashhundredyarddash · 4 years ago

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batkids and their relationships with their siblings headcanons. under read more because this got fucking LONGGG

dick

dick is the eldest so he doesnt want to bog down his younger siblings with his problems, but if he DOES, he tends to talk to jason about it

dick and cass start to really begin to bond when Cass shows up to dicks gymnastics class for 3rd-6th graders and then cass shows up all the sixth graders and they get frozen yogurt after lmao

dick and tim are Very much thick as thieves. tim is very much like bruce on the Emotional Suppression scale, so dick just really wants to make sure his little brother is safe and happy ALL the time

Duke and Damian are the only two really permanently at the manor anymore, so when dick drops by he tries to do something with both of them. duke frantically zoom calls dick every other week to help him with his his trig homework. dick shows up to dukes high school graduation with literally the BIGGEST SIGN

everyone insists damian is dicks favorite but he does actually genuinely love all his siblings equally, his relationship with damian is just Very different from the others because of the age gap and being dami's primary caretaker for a year. dick babies dami every chance he gets

jason

would sell Dick to satan for One corn chip

him and cass don't have the greatest start to their relationship because cass is very much Against Killing so it takes a while for jason to warm up to her and earn her trust. now, though, jason is competing with steph by showing cass all the classic American Teenager things she missed out on. steph is currently winning but jason is like 98% positive a crunch wrap from taco bell is going to push him over the edge

tim and jason are currently competing over who can solve the most cases in a month. tim is winning. that won't last long.

jason Loves to Big Brother duke its so embarrassing. duke will get out of school and go to his car and jason is SITTING IN THE FRONT SEAT FRANTICALLY WAVING TO GET DUKES ATTENTION. JASON THAT IS MY CAR. signal has one (1) mission with arsenal and arsenal goes hey did you ask that girl to homecoming yet and duke is like I DON'T EVEN KNOW YOU.

Damian is proof that Actually, Little Brothers are Pests. Jason fully believes that he was brought back from the dead PURELY to torment damian and he will fulfill this mission at any cost

cassandra

it actually really upset her when Dick didn't accept her at first. she knows her other siblings really adore dick so his lack of trust was really disheartening. it takes dick a while but once he Actually Accepts that cass is going to be a permanent part of their life and oh, wow, dick you really hurt her feelings he really hyperfocuses on bonding with cass for a couple of months which definitely improves their relationship

she really likes jason!! their relationship doesn't start well but because he's close with steph and tim who are cass's top two favorite people to exist ever, cass is like well i GUESS ill hang out with him more. jason is fun to talk to because he always tries his best to explain jokes and give context to what people are talking about (also tim took her to taco bell already but she didn't tell jason she just wanted to hang out)

cass LOVES tim. they just click okay. tim always seems to know when to give her space and when to push and come closer. Tim's "guest room" is just her room lets be real. tim and cass occasionally get mistaken for twins and Cass Loves it.

duke makes cass listen to metal once and cass loses. her. damn. mind. they bond over music a lot because they both Love Music to a degree the others in their family don't.

damian!! damian is her little brother!!! dami isn't As Hostile to cass at first because he is 100% aware cass has the edge in fighting and respects her. cass likes all of his instagram posts and they have a snapchat streak going

tim

tim Loves dick, dick was his first sibling!! he had Very strong hero worship when he first met dick but it mellowed out when tim got older because wow 17 is really not that cool and mature lol. tim has an open invitation to dick's apartment which he does occasionally take advantage of. tim has more than once scared the shit out of wally when wally comes over and wally is convinced they're being robbed (HA) for half a second. i mean. he's not wrong.

listen. tim understands that forgiving the guy who tried to kill you would be a Struggle for some people and it was! definitely! but also at least he can trust jason to, uh, be open about if he doesn't like tim. which is not an assurance he has with other people. so if the guy who tried to kill him tells him tim is cool now then like. maybe tim isn't that bad or annoying a person? also jason arrested a whole gang and won the cases competition but then it created a power vacuum that the whole batfam had to clean up the rest of the month. thanks, jason.

tim LOVES cass. you know how most of the time theres this empty feeling inside you and you just kind of ignore it because you don't know what will fix it or if you do, you know you can't fix it? cass makes that empty feeling feel a little less empty. they just click. tim always tries to travel with cass whenever she leaves gotham.

tim and duke. Tim is actually the sibling who duke goes to whenever he has questions he doesn't want to ask bruce or alfred about, like, life or vigilante-ing or school or college or whatever and Tim is always like yes!! i love Giving Advice and Solving Problems!! tim and duke and jason fill out their college applications together.

tim and damian. LMAO. ROUGH START THAT'S ALL ILL SAY. at some point alfred goes like fuck it. family therapy. and tim and dami are PISSED. tim and damian get along best when they have a common enemy to work against. their relationship gets much better when damian is older and they actually talk about their feelings like emotionally stunted bats. despite how bad their relationship was, tim will ALWAYS protect damian

duke

very much intimidated by dick at first. dick is so much older and has his own job and friends and life and is very much AN ADULT. dick likes to take duke out to do lots of cool stuff (paintball, lasertag, tech exhibitions, concerts, etc). also, dick PERSONALLY introduced duke to superman and is dating THE FLASH. 10/10 awesome big brother.

was intimidated by jason for 0.5 seconds before jason actually opened his mouth and started speaking. jason is literally. So Embarrassing. which is weird because nobody else really seems to feel that way about jason but duke knows he's 100% in the right here. like yeah jason is also An Adult and does Adult Stuff but he's also at the manor like every other weekend???? and he always complains about bruce but always seems to be in the same room bruce is in????? like okay jason. they bond over literature!! jason and duke and alfred will spend literal hours talking about books and duke loves it. duke is the only one who doesn't think jason is funny and jason gets so upset about it lmao.

cass has this one week where she gets really into photography and by virtue of being nearby (and also not nocturnal), duke becomes her victim subject. duke prints out all the pictures and hangs them up in his room (his favorite is one he took when he stole the camera and took a really bad selfie of them together).

tim is closest in age to duke so duke tends to hang around with him a lot. tim introduced duke to his young justice friends and duke is like yes!!! meta-friends!!!! tim really helps duke out with his powers because tim is always like wow i wonder if your powers would work if we did This? can you see farther than other people? is your visible spectrum of light different than other humans? Bruce does the same thing but bruce is boring about it lol.

damian and duke live in the same house and will be in the same room and just send each other social media posts back and forth. they follow each other on instagram and will, OCCASIONALLY, make tik toks together because they're tik tok fiends. each of his siblings have visited his parents once or twice but damian routinely comes with him.

damian

damian gets a special bullet point to say that it took him. forever to come around to the idea of having siblings. he very much believed that he was Bruce's Blood Son and everyone else were just tagalongs or allies. it took him ages to acknowledge that dick, jason, tim, and cass were his siblings, so when duke came and like a week later damian was like Ah, Yes, this is my brother Thomas everyone else was like dude wtf

listen. LISTEN. Obviously. Richard is very highly skilled. and also Father values him highly. and also Richard will listen to Damian complain about his schoolmates. and also Richard is much more patient with Damian than other members of his family. listen....,,, (all this to say damian kind of fucking adores dick lmaooooo this kid).

Todd is kind of unbearable but damian has been informed this is both a normal feeling when it comes to Todd and also big brothers. damian was an only child for ten years so yes, Father, if Todd attempts to tickle me I WILL break his fucking nose. yes i WILL put money in the swear jar but I want you to know i don't regret it. they always try to sneak up on each other but mostly fail.

DRAKE!!! but no lol once damian grows up and is like I Apologize for attempting to murder you it was wrong and you are just as much a son to Father as I am tim is like UGH i guess its cool since ur being so emotionally mature and all. also im 2 for 5 on siblings trying to murder me so im definitely going to win trauma bingo and damian is like i take it back you are insufferable. When Will My Older Siblings Stop Joking About Their Trauma.

CASS!!! listen. cass is cool. Cass Gets It. They have a special Bond. also damian really likes it whenever cass is home because 1) he gets to hang out and do something cool with cass and 2) he feels significantly safer with cass in the house because Nobody will be able to hurt any of their family if Cass is there. ALSO he tries to call her cain but everyone is like DONT DO THAT and he doesn't want to call her wayne bcus theyre ALL wayne (dick adds it on as a middle name but also Richard John Wayne West-Grayson is just. the lamest name ever so dick needs to reconsider it before his upcoming nuptials)((dick will not reconsider it except maybe whether grayson-west would work better)) and so he tries cassandra but cass is like :) call me cass and damian is like cassandra is more formal and respectful and cass is like :) and finally damian just has to give in.

Duke! him and duke actually live together so they get the Most Bonding Time and have a bunch of inside jokes as a result. (is it bad i wanted to laugh because inside jokes... joker... i'll see myself out). they're eating breakfast together (and also alfred sits with them IM NOT A MONSTER ALFIE'S LIKE 70 NOW OKAY) and duke laughs and bruce is like what are you laughing at, son? and duke is like oh damian just showed me this funny meme and then he shows the phone to bruce and bruce grabs it (both the boys groan) and after WAY TOO LONG is like "i don't get it" and so now duke and damian have to try and explain the comedic intricacy of bob's burgers

#this took. two fucking hours #batfam #batman #bruce wayne #dick grayson #jason todd #cassandra cain #cassandra wayne #not sure which one to commit to yet #tim drake #duke thomas #damian wayne #dc #the burd squawks #birdflash #birdflash was like. one of my first ships lmao

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braedybread · 2 years ago

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//Sge movie spoilers, kind of a more detailed review and my opinions about some other opinions I’ve seen about the movie, I feel like these are going to be controversial aaaa

I miss the Agatha mirror scene and Circus of Talents as much as anyone, but idk I still think the movie is good and a great adaptation of the book. I’m getting the vibes that there are a lot of people who read the book and wanted the movie to be an exact copy, which is a very common thing in book to movie adaptation reviews. I’ve always been under the belief that adaptations are adaptations though. They require some change: to be able to fit that time constraint of movies (which this was very generous on by the way!! 2 1/2 hours is about an hour more than I was expecting!), to make sense to people that haven’t read the whole series, and to have something new for readers to see. Going in with that expectation made the movie much more enjoyable than expecting the book word for word, and left me open to the new aspects that were just as enjoyable and gave me new content about this world and characters!

Why do so many people keep talking about missing stuff from the other books? It’s just based on book one people.

I’m glad they didn’t make Sophie as mean as she was in the book. It made so much more sense to me why her and Agatha were even friends, Sophie was such a bully in the book. It also made it so much less obvious that they were in the wrong schools (making that entire plot point less annoying), and exhibited that lesson about gray area between good and evil that makes these books so special. Sophie was so much less OBVIOUSLY bad, she had nuance, she was a human.

The school master thing wasn’t done in the same way. But that doesn’t mean it was bad! Just different. I liked it! I thought it made it a little more surprising in a way; because he was so open/involved, they definitely all took for granted that he was the good bro. Sorry, but when the school master is all mysterious and hides away in his tower all day and literally wears a mask, it’s so suspicious and I wouldn’t have been so trusting that he was good if I was literally anyone in the story.

Speaking of school master, him just stepping back and letting good get all cocky and vain and taking their wins for granted?!?! Loved that twist!! Again it shows some nuance in evil/good!!! It also apparently just worked better to unbalance good and evil which was what he wanted to do.

Sorry again but I’ve never understood why people shipped Sophie and Agatha so hard. They’re LITERALLY SO TOXIC and I guess I’m biased because of how much I disliked Sophie in the books, and loved Agatha and wanted better for her. I think the movie does their relationship a lot better honestly. Agatha isn’t such a like, victim? Idk what to call it. Their friendship was so fake and I hated reading about Agatha following Sophie around like a puppy the whole time. For the movie, Sophie literally saves her from the creepy drunk guy, and they laugh together and like make fun of the other people in Gavaldon together and it actually seems like they’re friends, they’re all they’ve got in the world. It makes Agatha’s devotion to Sophie make so much more sense to me!!! Of course she loves Sophie, Sophie is actually nice to her sometimes!!! Genuinely!!!! Not a good deed!!! They also assured several times and made it very clear that their relationship is platonic so hopefully there won’t be so much freaking out about incest or queer baiting like people are expecting. It’s more powerful that they’re platonic anyway, we kind of need more of that relationship in media I think. You can have very strong friendships and have romance.

Sophie’s movie character!! She still wants to be a princess and she still wants power and she still wants to be beautiful! I get her SO MUCH MORE NOW! It makes sense that she thinks she can be good because she does save people and she is genuinely Agatha’s friend! It doesn’t seem like she’s faking it as much as she does in the books. She is still power hungry, and vain. To be honest I think that makes her more like some of the good characters like Beatrix, making all the concern about the “switch” seem much more valid. But then her embracing the evil, the fact that she likes it, she doesn’t feel guilt, she just wants what she wants, is what makes her truly the evil queen she is. She’s not pretending to be good. Her desires just happened to align with good things sometimes. Like Agatha/their friendship. She does want to protect Agatha because she actually values her; I never really felt like Sophie even liked or valued Agatha in the books, just blatantly used her to get what she wanted. I think it was less blatant in the movie which makes it more evil, if that makes sense? Subtlety and manipulation rather than just being a brat :/

Omg but also Sophie not actually hating and being ashamed of being ugly??!!! She totally purposefully rocked it to make her point and then was able to fully be her evil self and it just wasn’t as much evil=ugly as the book kind of became. Same as we can say for Agatha, her coming into her beauty was like, not even a thing which made her beauty not equate to her goodness! A lesson not very well executed in the book, was basically taken out!

Hort in skirt??! I can’t believe no one mentioned that as fas as I’ve seen??? He was also so much creepier, seeing it was totally different for me than reading it.

This movie was also funny!! I’m so glad it kept some of the silly stupid humor that the books have. (At least there was no fart jokes,,, I would have died of embarrassment)

Also the diversity of the cast in so many more ways than race! An Ever in a wheelchair, not ugly Nevers (other than Sophie), various body types/shapes on all sides! Vanessa appearing to be mixed race!!! I just wanted to appreciate that for a moment amongst the upset about queerness and race things. This is probably one of the most diverse casts I’ve seen,,, ever!! (Pls don’t come at me for that I don’t watch a lot of tv or movies other than anime/cartoons, I don’t PERSONALLY know yet about other more diverse casts.) I just know I would have really appreciated seeing Agatha, with her thick, big, gorgeous curly hair, or Chinen, or Dot, or Anadil, for not being super skinny and still being beautiful Evers and Nevers! Being humans instead of models!

I thought the CGI was good! The blood magic was definitely,,, interesting, but I guess I can see it as purposeful, it kind of seemed glowy and popping off the screen, out of place, like it should have been if it was supposed to be so strange and taboo and dangerous (or I’m just making excuses for it asgdhjflglf) I miss the unique finger glow colors and the iconic pink magic, but I was surprised in the ball scenes that there was different colors sometimes so maybe it’s just because they changed and added the blood magic so I think it’s fine

Omg GREGOR!!! Was so cute!! I loved his addition, and the fact that it wasn’t a random Gargoyle and it was someone Agatha KNEW and was kind of friends with that turned into a animal and that Tedros killed makes it more impactful. I still cried at that and the wish fish scene even though I’ve read it probably ten times lol. The fact that it isn’t given that absolutely everyone wanted to be at the school, even if they grew up in fairytale land.

I loved how over the top and dramatic the fight scenes were, it felt as fantastical as it should be, and showed that they don’t take themselves too seriously which I appreciated a lot!! It’s literally supposed to be fairy tales I don’t want realism

I am sad that the trial by tale, Agatha mirror revelation, circus of talents, and even Sophie killing the wolf had to be cut/reduced. Reading the trial, I thought that was the end of the story, the climax, and the fact that it moved past that kept me so invested I was like what can possibly be next?! An even BETTER climax with a HUGE CLIFFHANGER!! That’s why the book has always stood out so much to me, it kept twisting and surprising me. I miss Agatha discovering she was beautiful the whole time. I miss the realization that Sophie was truly off the deep end when she pushed the wolf in the water. Those were VERY important to their character arcs, and the girls do feel underdeveloped in the movie because of that. But from a non-reader perspective, I think that the fact that Sophie isn’t so blatantly evil as I’ve described makes up for her lack of murder, and Agatha just didn’t seem as insecure in the movie so I don’t think that was as much of a barrier for her to overcome, so it probably wouldn’t have fit as well anyway. The circus of talents is like, my favorite scene in the book, but the same goes for that, I’m not sure it would have fit? I feel like it was replaced with having Gregor become the stymph. He was Good, and became an evil creature. It just wasn’t as knocked over your head as the circus did it. And the whole collaboration of good and evil was still there in the end with the students picking each other up after the Balls. A movie couldn’t be as long as the book, and as I’ve expressed, I think the movie plot choices make up for it in subtler, different, but still good, ways. For the trial, it wasn’t as big, happened SO FAST, but it accomplished the same goal as in the books. I’m probably most disappointed about these four scenes being gone than anything else about the movie, but I can understand why they were cut/changed and I don’t feel like it entirely detracts from the quality of the movie.

I’LL SAY IT!! I LIKED THE MUSIC CHOICES!!! Toxic by Britney Spears as the big climax fight song!!! ICONIC! WONDERFUL! SHOWSTOPPING! BRUTAL OUT HERE?! YEAH IT SURE IS!!!! It made me laugh, but it wasn’t overused and it was mostly instrumental too or like more moody remixes so I liked it a lot actually

I guess my general rebuttal to a lot of complaints about how different it is, is just that there are (good!) reasons for much of it and it even fixed a lot of the flaws of the books in my opinion. I’m excited to read what more people think even if it’s different from my thoughts :) still so excited for my family and friends to see it and understand what I’ve been talking about for literal years!!!

I miss Prof Sader :( because of the plot changes he wasn’t exactly necessary and I get it but Agatha father figure and he was so fun and quirky and I miss him

OH MY GOSH I CANT BELIEVE I FORGOT ABOUT TEDROS THAT WAS LIKE MY FAVORITE CHANGE!!! He’s actually cute and funny!!!! He’s still like stereotypical prince and Agatha still is helping him see less black and white sides but he’s not like, soooo egotistical, and the fact that he is drawn to Agatha because she’s sassy, from the beginning, instead of being immediately drawn to Sophie being hot means a lot to meeee :) and I feel like thinking you saved someone and then punching you for it is a valid reason to be salty and confused about it just sayin. But he actually gets some development and charming personality traits I like him so much more :)))

#sge movie #sge #the school for good and evil movie #the school for good and evil

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tigerkirby215 · 3 years ago

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5e Vex, the Gloomiest build (League of Legends)

(Artwork by Horace “Hozure” Hsu. Made for Riot Games.)

Writing this build in a dark room late at night, super tired and stuff... Stuck inside cause of this dumb virus... AFKing in TFT for a Prestige skin like a tryhard... It’s kinda aesthetic, ya know?

GOALS

Another person to kill... Shadow? Can you handle it? - You don’t need best friends: you’ve got your Shadow. He’s the only cool one, because he’s basically you.

Ugh. Can we get some rain clouds in here? - No one likes a debbie downer, but everyone loves a good scare!

Man, walking suuuucks - Nowadays even the anti-dash champion needs a resetting dash. “Do the thing, Shadow.”

RACE

I could make Vex a Harengon to justify her rabbit ears, but she doesn’t really do much “jumping.” That, and I didn’t buy Wild Beyond the Witchlight. So Halfling still works good enough for a yordle. Your Dexterity increases by 2, and while your movement speed goes down to 25 you have Halfling Nimbleness to move through people who are bigger than you. You’re also “Brave” for advantage against fears (when you hang around the Shadow Isles stuff really isn’t that scary) and of course have good ol’ yordle Lucky to reroll Nat 1s.

Halflings are normally pretty cheerful but Ghostwise Halflings are perfectly dark. You’d normally increase your Wisdom by 1 but I’d recommend increasing your Constitution instead. But I mean, it’s not a big deal if you take Wisdom instead. It is only +1. You also get Silent Speech to keep to team chat with 30 foot telepathy. I mean, they have to understand your languages but at least you don’t have to tell everyone what you’re talking about. And oh yeah you obviously speak Common and Halfling.

ABILITY SCORES

15; CHARISMA - Turns out when you don’t release any new yordles for (wait it’s been 5 years since Kled was released? Holy shit) people end up wanting them.

14; DEXTERITY - Just because you don’t like walking doesn’t mean you’re slow.

13; CONSTITUTION - Imagine dying like a normie.

12; WISDOM - Vex isn’t sad because she’s pessimistic. She’s just realistic.

10; INTELLIGENCE - You’re too cool for school. (And I needed everything else more.)

8; STRENGTH - Ughhh I don’t wanna lift heavy stuff! I’m tired...

BACKGROUND

I guess you’re technically a Haunted One, even if the black mist is the best thing that ever happened to you. You get proficiency in Arcana and Survival as well as two language of your choice to talk to your "allies.” (I guess one of them has to be exotic or whatever.) (I’d personally pick Sylvan as the language of yordles and whatever language the majority of your party knows as your second choice, but that’s just me.)

The thing that sucks about having a Heart of Darkness is that everyone keeps trying to help you, thinking that your sadness (and the living shadow on your back) is something to be fixed. I mean, at least you can get the NPC normies to help you, as long as you don’t spook ‘em. “No doctors! I told you: being sad makes me happy.”

(Artwork by @ToggleD0wnFall on Twitter.)

THE BUILD

or whatever...

LEVEL 1 - SORCERER 1

Starting as a Sorcerer for saving throws and stuff. Also proficiency in Intimidation and... Persuasion, I guess? Look, persuading people that you’re fine “no really” is a skill too.

I wonder what Sorcerous Origin we’ll pick... If only there was one based entirely on shadows and darkness... Oh hey Shadow Magic. As a Shadow Sorcerer you get Eyes of the Dark for 120 feet of Darkvision to see with your dumb Halfling eyes, and Strength of the Grave which will let Shadow take a hit for you. (As long as you make a good Charisma save.)

But of course the main appeal of a Sorcerer is the Spellcasting. You can learn 4 cantrips from the Sorcerer list and two level spells: For cantrips Mage Hand will let Shadow pick things up for you, Mind Sliver and Sword Burst will keep loud people off you both up close and from afar, and Prestidigitation will let you do all sorts of normie yordle magic. As for leveled spells Shield and Mage Armor are both kinda mandatory for some Personal Space.

LEVEL 2 - WARLOCK 1

What? Did you really think we wouldn’t get at least some support from adults? Work for that cool gloomy dude Viego and make a pack with The Undead. That’s because Undead are super dark and morbid and have a Form of Dread: as a bonus action you can turn on your Doom and Gloom for 1 minute. You get some temporary hit points, fear people when you hit them, and are immune to fears yourself. You can transform a number of times equal to your proficiency bonus and regain all expended uses when you finish a long rest.

You also get Pact Magic, which is different from normie Spellcasting because you get the cool stuff done with just a Short Rest. Anyways you can learn two cantrips from the Warlock list like Minor Illusion to have Shadow trick some normies and Eldritch Blast to Eldritch while you Blast. You can also grab some first level Warlock spells like Hex to mark people you don’t like, and Arms of Hadar if you really need your Personal Space.

LEVEL 3 - WARLOCK 2

Second level Warlocks get their Eldritch Invocations for extra stuff that you don’t have to put effort into. While Armor of Shadows does exist it’s honestly better for you to cast Mage Armor with a spell slot, so with that being said take Agonizing Blast to agonize while you blast and Eldritch Mind so you can keep your concentration around annoying people.

You can also learn another spell like Hellish Rebuke, because people just keep barging into your Personal Space!

LEVEL 4 - SORCERER 2

Now that you can agonize your blasts it’s time to go back to Sorcerer. Second level Sorcerers get a Font of Magic for Sorcery Points which currently don’t do much other than give you more spell slots. You can turn your Warlock slots into Sorcery points though, which is good because they come back on a Short Rest but the rest of your magic does not.

You can also cast another spell like Earth Tremor, to slow people down with Looming Darkness and sunder the land with your edginess.

LEVEL 5 - SORCERER 3

Third level Sorcerers finally get Metamagic! Empowered Spell will allow you to maximize your damage and retain your role as an artillery mage. Alternatively if you want to guarantee fears in your foes take Heightened Spell to give them disadvantage to resist Shadow’s influence.

If you want Shadow to stick around then Dust Devil will swirl around for quite awhile. Alternatively Shadow (Magic) also teaches you Darkness for free, and you can cast it with 2 Sorcery Points to see through it! Your friends can’t see through it, but you can team up with Shadow for some powerful combos when you can see them but they can’t see you!

(Artwork by @jpdiasarts on Twitter.)

LEVEL 6 - SORCERER 4

4th level Sorcerers get the first of many Ability Score Improvements, but I can’t take Fey Touched every time for Flash. That, and we won’t give into basic yordle society. So let’s get value out of our Halfling race with the Second Chance feat. Along with +1 to your Charisma you can also use your reaction to make an enemy you can see attacking you reroll their attack roll, potentially making them miss.

Don’t use this against an attack that you can Shield against, but if someone gets a really good roll you can use this to get your Personal Space back! You can only use this once per combat though (it comes back when you roll for initiative!) so make sure to use it when it matters to keep your spell slots in check.

Oh and you can also learn another spell, and another cantrip! For your cantrip Shocking Grasp will help you push people away if they get too close (folk tend to react poorly when zapped by a tazer!) As for leveled spells Web will keep foes from dashing around, and is also pretty flammable. Huhn; wonder if that’ll be useful.

LEVEL 7 - SORCERER 5

5th level Sorcerers get gifts from the Ruined Queen Tasha in the form of Magical Guidance. You can use a Sorcery point to reroll a d20 if needed, potentially squeezing a success out. Don’t use this all the time (even if Warlock slots means you’ll have plenty of Sorcery points to spare) but this can be very useful in an emergency!

You can also learn third level spells and hey: Fireball may be a normie spell, but it’s still pretty effective. It’s maybe a bit too flashy to be Looming Darkness but it’s a good source of AoE damage which isn’t as loud and annoying as Shatter.

LEVEL 8 - SORCERER 6

All this time being a Shadow Sorcerer and Shadow hasn’t even done anything for us! Well how about you go out there and get some work done, Shadow? For 3 Sorcery points you can summon a Hound of Ill Omen to target a foe within 120 feet of you.

Shadow is basically a Dire Wolf except he’s Medium, has temp HP equal to half your Sorcerer level, can move through stuff (but takes damage if he ends his turn in stuff), and automatically chases whoever you told him to go for. Shadow will appear 30 feet away from the person you told him to get, and will chase after him like I said. All he’ll really do is attack the target you told him to though; he won’t even opportunity attack unless it’s the person you told him to chase. But if Shadow’s near someone they have disadvantage on their saving throws, which is pretty cool. (Unfortunately it’s only against spells, not your Form of Dread.)

Speaking of saving throws: Slow is a really great way to keep normies from running around doing annoying stuff. And you don’t have to hit Shadow with it which is pretty cool.

(Artwork by @Lauriquess on Twitter.)

LEVEL 9 - WARLOCK 3

Third level Warlocks get to choose their Pact Boon: if you want a really small Shadow go for Pact of the Chain, and if you want your cool necklace go for Pact of the Talisman, but we’ll be going for Pact of the Tome because you’re mostly a spellcaster really. (And we definitely don’t have enough cantrips.)

You get a Book of Shadows (See? Books can be cool!) with three cantrips: take Thaumaturgy to be extra spooky, Vicious Mockery for some sick teenage burns, and Sapping Sting to make normies fall over when you fear them. Some might say that 10 total cantrips by level 9 is a bit overkill but look on the dark side: you’ve now got a cantrip for basically every type of saving throw in case you can’t hit with Eldritch Blast!

Honestly none of the Pact Boons are particularly important for Vex so I picked the one that made the most sense. Feel free to take something more practical since 10 cantrips is admittedly overkill.

Oh and you can learn more Warlock spells, so now it’s time to finally take Misty Step. For Flash!

LEVEL 10 - WARLOCK 4

4th level Warlocks get another Ability Score Improvement: getting more Charisma for better spellcasting is probably a good idea.

You can also learn another spell, and hey look another cantrip. For your cantrip even if more damage options are kinda overkill by this point Chill Touch inflicts Grievous Wounds, which might be useful. You can also grab another second level spell and Blindness / Deafness (which is on the Undead list) is far more useful than any of the other normie options you’d have at this level anyways.

LEVEL 11 - WARLOCK 5

5th level Warlocks get another Eldritch Invocation, and even if you’ve got a resetting dash you’re still a squishy mage. So grab Tomb of Levistus for Zhonya's Hourglass.

You can also grab third level Warlock spells now! Remember how I took Fireball and complained that it wasn’t a good replica of Looming Darkness? Well Hunger of Hadar takes your Concentration but it’s a lot edgier!

LEVEL 12 - WARLOCK 6

6th level Undead Warlocks have become Grave Touched by the mist, and can make mist of their own! Along with being able survive without eating, drinking, or breathing you can turn any of your damage into necrotic damage. If you’re in your Form of Dread however you can add one extra damage die to whatever you’re using to get people to buzz off, adding to that morbid and macabre aesthetic.

You can also add another spell and if you’re bored with Shadow being a wolf how about you make them a Summon Shadowspawn? Weaponize your Fury, Despair, or Fear (I’d honestly recommend Fury since it has good synergy with your Dreadful Aspect) and work together with Shadow to deal with all your annoying foes! I’d also suggest replacing Hellish Rebuke with Counterspell, because even if the former fits better the latter is way more useful.

(Artwork by Jennifer Wuestling. Made for Riot Games.)

LEVEL 13 - WARLOCK 7

7th level Warlocks can finally activate Shadow Surge. Relentless Hex lets you mark a foe with Hex and then dash to them. And technically you can move Hex around after the fact to reset your dashes! And while you’re at it you may as well grab Dimension Door for Summoner Teleport.

You could also upgrade Summon Shadowspawn to Summon Aberration if you so desire, but Summon Shadowspawn is more than strong enough and far more fun and thematic.

LEVEL 14 - WARLOCK 8

Another Ability Score Improvement. Yay. Cap off your Charisma for the best spellcasting you can get out of Shadow. You can also learn another spell, but we’re going to wait for...

LEVEL 15 - WARLOCK 9

9th level Warlocks get another Eldritch Invocation: even if it’s kinda ineffective Ascendant Step is still pretty useful to have Shadow carry you around. I mean yeah it’s slow but not that much slower than walking for you, and Shadow can lift you up in the air. “Shadow; carry me...”

You can also learn 5th level spells. If one guy’s being particularly annoying Negative Energy Flood can get them to shut up and work for you. Alternatively if you want more Personal Space Antilife Shell is on the Undead List and will make sure normies keep faaaaar away.

LEVEL 16 - WARLOCK 10

Are you ever so sick of everything that you just want to explode? Necrotic Husk has two benefits: for one you’re resistant to Necrotic damage, and immune while in your Form of Dread because being around Viego for so long means you’re used to his work.

But additionally when you are reduced to 0 hit points you can use your reaction to drop to 1 hit point instead and cause your body to explode! Each creature of your choice within 30 feet of you takes 2d10 + your warlock level in Necrotic damage. You do gain 1 level of exhaustion after using this, and after using it once you can’t do so again until you finish 1d4 long rests. So I’d perhaps use Strength of the Grave first unless you really need to lash out.

I hope you weren’t expecting more spells because you aren’t getting them from Warlock: just a cantrip. By this point we’ve honestly got far too many cantrips so I dunno maybe just grab Prestidigitation again and swap it out from Sorcerer when you get the chance.

(Artwork by @DukkoArt on Twitter.)

LEVEL 17 - SORCERER 7

Finally back to our yordle roots: 7th level Sorcerers get 4th level spells like Storm Sphere for a sphere of darkness and angst. But I mean the real benefit is that you get more Sorcery points let’s be real.

Oh and you can swap out Prestidigitation for Gust I guess. Spooky winds and stuff. Either this level or next level depending on your DM.

LEVEL 18 - SORCERER 8

Your last Ability Score Improvement... You’re gonna have to ask: what’s more important to me? More Metamagic, or more Eldritch Invocations? If Metamagic is to your liking take Metamagic Adept for Careful Spell and Distant Spell along with two more Sorcery points to use on them. If you like Eldritch Invocations though Eldritch Adept has a ton of options as a level 10 Warlock. I won’t tell you what invocation to take (they’re all great boosts but none of them shout out at me as something you should prioritize) as there are plenty of options to make your own Vex now that they’re all grown up.

I can at least tell you what spell to take: none of them! Wait until next level!

Oh and you can swap out Prestidigitation for Gust I guess.

LEVEL 19 - SORCERER 9

9th level Sorcerers can learn 5th level spells which means you’ve finally caught up to your Warlock slots. And look at that: the good wish Tasha gave you one last way to weaponize Shadow. Bigby’s Hand does a bunch of cool stuff and is pretty much the ultimate way to make Shadow crush some normies. (Most literally.) Alternatively if you want to borrow from Viego Enervation will let you heal from the mist and also do some damage. Great if you’re stuck in a corner with a bunch of annoying normies.

LEVEL 20 - SORCERER 10

Our final level is the 10th level of Sorcerer for one last spell, one last cantrip, and one last metamagic option! For your metamagic it’s honestly about time you take Quickened Spell to up your DPS. For your cantrip take Mold Earth to dig holes in the sand and brood. And as for your leveled spell? Honestly I just like Synaptic Static, and there isn’t much else I want anyways.

FINAL BUILD

PROS

We’re all doomed. But you’re more doomed - 5th level spells pack more than enough punch, and you’ve got plenty of them. Warlock slots will always be at your fingertips, and Sorcery points give you plenty of flexibility too!

I can feel it: someone’s happy over there! - Along with giving you a temporary hitpoint shield Form of Dread puts a nice bit of CC on all your abilities. Keep enemies scared and sad with tons of Doom and Gloom!

Ugh. Stop copying me Shadow! - Hounds of Ill Omen are cool. Summon Shadowspawn is also cool. Bigby’s Hand is especially cool. And hey: even your lower level Concentration spells like Hex? They’re pretty cool too.

CONS

Ughhhhhhhhhh this is gonna take foreeeever! - You’ve got limited fumes, even for a coffeelock. Form of Dread has limited uses and there’s only so much spell slot melting you can do to get your magic back.

I’m dancing... Happy? - You’ve got a really boring set of really normie skills... and if you’re playing Vex the way she’s meant to be played you’re probably not going to use any of them except for Intimidation.

Yup; the glass is half empty - Half your levels are Sorcerer levels, meaning you’re squishy. You’ve also got Mage Armor on which guess what: also means you’re squishy. People who hit teenagers sure are lame but it’s really not hard to Power Word Kill you.

But I guess you’re pretty cool overall. Shadow’s an alright partner and you can spread Ruination even without Viego. Trudge around and get people to frown for once. There’s nothing wrong with being sad, and there’s nothing wrong with wanting the world to be sad. But do try to at least be happy out of character, because we play games to have fun. I mean, who’d play a video game that just makes you depressed and angry?

(Artwork by @AzzylumArt on Twitter.)

#dnd #dnd 5e #dnd build #dnd guide #League of Legends #League of Legends Vex #vex league of legends #Vex #yordle #shadow isles #dnd warlock #dnd sorcerer #shadow #meh #whatever #I dunno what to tag this

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potrix-the-queerschlaeger · 3 years ago

Text

joy in my heart - chapter 1

Or; What if Johnny had been forced to step up? [On AO3.]

February 5th, 2002

“What do you mean she’s gone?” Johnny glances away from the awkwardly shifting nurse, over to the empty hospital bed. The sheets are rumpled, one of the tabloids Shannon loves to hate lying open on the pillow. Her favorite mug, the tag of the tea she’s started drinking against the morning sickness hanging over the rim, is sitting on the bedside table. “To the bathroom? The cafeteria?”

“Mr Lawrence,” Shannon’s doctor speaks up, and the pity in his voice that he doesn’t quite manage to hide makes something heavy settle in Johnny’s stomach, “your girlfriend left the hospital earlier this morning—”

Johnny’s shaking his head. “No, she—she gave birth a day ago? She—”

“Ms Keene discharged herself, against medical advice, about an hour ago.”

Before Johnny can even begin to wrap his head around any of that, there’s a soft knock on the door. The nurse goes to open it, gesturing for the woman on the other side to come in. She’s got a clipboard under her arm, and a no-nonsense expression on her face.

“Ah, right on time,” the doctor greets somberly. Then, addressing Johnny again, he says, “Mr Lawrence, allow me to introduce you to Mrs Porter.”

“Mr Lawrence,” Mrs Porter says, with a curt nod. “Francis Porter, Child Protective Services. Why don’t we take a seat?”

In his crib, Robby starts crying.

(Watch out for the break!)

February 14th, 2002

They won’t let him take Robby home.

Johnny’s sitting on the old, dirty carpet floor in their—his, now, he supposes, with Shannon fucked off to who knows where—shitty little one-bedroom apartment, his back against the couch, and a mostly empty bottle of the cheapest whisky the gas station had to offer on the coffee table in front of him.

The foster family they’ve lined up has experience with babies like Robby, they’d said.

It’s too early to tell if there is going to be lasting damage, they’d said.

We can refer you to people who know how to help, they’d said.

No one is trying to take your son away from you, they keep saying.

Yeah, right.

Johnny reaches for the bottle again.

“Happy fuckin’ Valentine’s Day, Shan.”

April 21st, 2002

Robby is asleep. He’s asleep in some strange woman’s arms, tiny chest rising and falling steadily, looking so damn peaceful—

Johnny turns around and walks away, ignoring Mrs Porter calling after him.

June 13th, 2002

“Please, Mr Lawrence,” the guy who stole Robby, who’’s telling him he can’t see his own fucking kid says, blocking Johnny’s view into the house, “you can’t be here, not unsupervised. You know you can’t.”

Johnny takes a step forward, swaying on unsteady feet. “I just—I just wan’ to—only for a minute. One minute, okay? ‘S all I’m askin’, okay?”

In the distance, Johnny can hear sirens.

He blacks out before the cops arrive.

July 8th, 2002

“Fetal alcohol spectrum disorders (FASDs) are a group of conditions that can occur in a person whose mother drank alcohol during pregnancy. Symptoms can include an abnormal appearance, short height, low body weight, small head size, poor coordination, behavioural problems, learning difficulties and problems with hearing or sight. Those affected are more likely to have trouble in school, legal problems, participate in high-risk activities and have problems with alcohol or other drugs. The most severe form of the condition—”

Johnny doesn’t bother putting the book back before he stalks out of the library.

July 9th, 2002

“My name’s Johnny. I’m—I’m an alcoholic? That’s what you’re supposed to start with, right? My kid, uh, Robby? He’s the reason I’m here, I guess? He’s not staying with me right now. For obvious reasons. His mom’s not in the picture. I—look, I don’t really know what the hell you want me to say? I just—I just want to see my kid, man.”

August 4th, 2002

Robby is six months old. He looks at Johnny with big, curious, familiar blue eyes, thumb jammed into his mouth. He’s drooling all over his sleeve, wispy blond hair sticking up wildly from the nap he’s just woken up from. He’s still got pillow creases on his chubby little cheek.

“He’s been doing really well lately,” Helen tells Johnny, with a soft little smile. She bounces Robby, smoothing back his hair. “Isn’t that right, honey? Are you ready to say hi to your daddy?”

Johnny’s heart is in his throat.

His hands fumble, for a moment, when Helen passes Robby over, before he manages to settle on under Robby’s butt, and the other on his back. Slowly, carefully, Johnny lifts him out of Helen’s hold, pulling him close against his chest.

Robby makes a cooing baby noise, still staring at Johnny, and curls his free hand into the collar of Johnny’s shirt.

Johnny is holding his son.

For the very first time.

He is never letting go again.

Ever.

October 25th, 2002

“—crying for, like, forty minutes now? That can’t be normal? Right? I’m—what the hell am I doing wrong, he won’t stop—”

“Johnny.” Helen, in Johnny’s less than expert opinion, sounds way too calm, considering the situation at hand. “We knew this was going to be an adjustment for him. First overnight visit with you, in an unfamiliar apartment, a complete deviation from his usual routine. He’s probably just a little confused.”

Confused because he’s staying with his deadbeat, piece of shit father.

Right.

“He’ll be fine, Johnny. You’re doing great,” Helen reassures him, as if reading his mind. Johnny squints suspiciously. “You’ve bathed him, fed him, changed him—”

Whatever she says after that, Johnny doesn’t hear, since Robby decides to add flailing to his sobbing, and yanks the phone right out of Johnny’s grasp.

“—some calming music,” Frank is suggesting, when Johnny manages to jam the receiver back between his ear and shoulder. “Helen is partial to ‘Stuck On You’, but anything slow will do, in a pinch. Put on some music, walk him around, bounce him. You’ll be fine.”

Music. Yes. Okay.

That’s definitely doable.

Only.

“Wait, Lionel Richie? What the hell have you been teaching my kid, oh my god, and they let you be foster parents? Unbelievable—”

“Johnny.” Helen’s clearly trying to hold back laughter, and not doing a very good job of it. And that, somehow, is enough to finally make Johnny listen. Really listen. She wouldn’t laugh at him if Robby was in actual danger. “You will be fine. Both of you. All right?”

Johnny doesn’t own anything Richie, obviously, but one of the boxes he hasn’t unpacked yet is stuffed full of all his mom’s old tapes. He rummages through it one-handed, while Robby attempts to make him go bald prematurely, until his fingers land on an old, well-loved copy of ‘Rumours’.

“Definitely beats Richie,” Johnny murmurs, and pops the tape into his cassette player.

Robby is probably just startled, when it starts in the middle of a not exactly slow song, but he does finally, blessedly, stop crying. He still looks like he’s thinking about it, though, so Johnny hugs him a little tighter, and starts singing along.

All I want is to see you smile. If it takes just a little while. I know you don't believe that it's true. I never meant any harm to you.

February 4th, 2003

They’re celebrating Robby’s first birthday at Helen and Frank’s house.

There isn’t a huge crowd present, but Johnny had still been surprised at how many familiar faces were there to greet him.

“Like we’d miss this,” Tommy had scoffed, elbowing him in the ribs, while Jimmy’d nodded along. “Nowhere else we’d rather be, man.”

Bobby had just pulled him into an almost bone-crushing hug, and whispered quietly, “I am so proud of you, John.”

Because making someone cry at their kid’s birthday party was, apparently, a thing priests did.

Johnny is sipping his apple juice, squished onto the couch between Bobby and Tommy, when there’s a dull thud from the other side of the room. Helen is standing right by Robby, who’s looking mostly confused as to why he’s on the floor instead of toddling towards the gift table, frowning down at the carpet as if it’s personally offended him.

Then, his lower lip begins to wobble.

Helen is right there. Frank not five feet away.

Robby looks up at her, at Frank, then over at Johnny. Lifting up his arms, eyes wide and wet, he demands, “Dada?”

Johnny’s never moved faster in his life. “I’m right here, buddy. I’ve got you.”

#cobra kai #johnny lawrence #robby keene #fatherhood #lawrusso #eventually #father son relationship #father son #parenthood #myfics

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osakaso5 · 3 years ago

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Tenn Kujo Marie Mariage Rabbit Chat Part 2: Camping Plans

Part 1 | Part 3 | Part 4 | Part 5

Tenn: Good work with the shoot today.

Tsumugi: Hello, Kujo-san. Thank you for joining us today.

Tsumugi: Everyone was very excited for your talk!

Tenn: Right. It was interesting to hear the opinions of all artists, instead of just the idols.

Tsumugi: There were people from all genres of music.

Tsumugi: It was very educational to hear about less common topics, like the strengths of groups versus individuals, and role divisions!

Tenn: Some of us got so into it, parts of that conversation had to go off record. I thought it was still really useful, though.

Tsumugi: It was. It showed how each one of you feels about their team. I'd love to have another talk like that sometime!

Tenn: Same here.

Tsumugi:

Tenn: Speaking of which, you looked to be chatting with Anesagi-san afterwards.

Tsumugi: We were discussing our most recent work!

Tsumugi: She told me TRIGGER's begun preparing for the bridal shoots.

Tenn: Yeah. I had a meeting about it just the other day.

Tsumugi: Your location will be a lakeside church!

Tenn: It's surrounded by nature, and there's a camping resort nearby that seems to be a really popular summer vacation destination.

Tenn: Gaku wanted to go there, because the sun looked so pretty, setting against the lake.

Tsumugi: I'd love to see that..!

Tsumugi:

Tenn: Since the place is so popular, maybe you can find pictures of it online? That's what Gaku and Ryu were doing when they got their hands on a pamphlet.

Tsumugi: Are they interested in camping?

Tenn: Ryu's always been outdoorsy, and Gaku's not exactly the type to avoid going outside, either.

Tenn: Two grown men, gushing over pictures on their phones. They even asked Anesagi-san if we could go there by the end of this summer.

Tsumugi: Aren't you going?

Tenn: I'm not really into that stuff.

Tenn: Ah, I got a message from Gaku and Ryu.

Tsumugi: Alright.

Tenn: "What do you want to eat when we go camping?"

Tenn: They seem to assume I'm going with them, for some reason.

Tsumugi: I think it'd be fun if you all went together..!

Tsumugi: Food tastes better when you cook it surrounded by Mother Nature!

Tenn: I didn't know you liked this stuff, too.

Tsumugi: I do! I don't have much camping experience, but I like seeing camping features online and on TV...

Tsumugi: Since I can't actually go camping, sometimes I put on camp cooking videos and I make the food at home, lol

Tenn: I hear camping food is usually easy to make and delicious. Maybe I should check out those videos later, myself.

Tsumugi: Please do! There's also camping videos about things other than cooking, such as how to make the most out of your experience.

Tenn: What would you recommend?

Tsumugi: Well, it depends...

Choices/outcomes:

1. Just staring at the scenery around you is one way.

Tenn: What a lavish way to enjoy yourself. Then again, I guess even doing nothing can be good for you sometimes.

2. You might be able to relax with a book to read.

Tenn: Being surrounded by nature could really help me get immersed in a story. I could definitely enjoy that.

3. You could have fun in more active ways, such as mountain climbing and fishing.

Tenn: Ryu seems to know about that stuff, so I'll ask him if I ever feel like giving those a try.

Tenn: There's more ways to enjoy camping than I thought. Maybe I won't have a bad time, after all.

Tsumugi: I'm happy to hear that!

Tenn: If I find any camping foods you might like, I'll write them down.

Tsumugi:

#idolish7 #tenn kujo #marie mariage #translation #trigger #rabbit chat

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sparring-hyena · 4 years ago

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Ok i got a request . Remember how Chris Kait and James got those special 1 chapter episodes where they go on special dates. It would be cool to see Beccas. So its set after Book 3. Instead of going to the festival with the gang Mc decides to visit Becca first at her lakehouse and then they go to the festival just her and Becca. They ll share lots of sweet moments at the pool more fun at the concert and later on at home things can get a bit heated.

Becca reaches for her phone with the intent to scroll through her social feeds. really, she does. opening her messaging app is a reflex. opening the short text thread she has with Alex is just an accident. and typing out a hey, what’re you up to? is… a mistake? some kind of predetermined notion written into the fabric of reality?

whatever. it doesn’t matter what it is. no, what matters is that she does, send a text to Alex that is, and that she tosses her phone to the other side of couch as soon as she hits send, almost like it burns her hands.

she stares at her phone, waits for it to react to what she just did—maybe it’ll implode. she’s almost surprised when her phone buzzes a few minutes later. and she’ll never admit to just how fast she jumps forward to snatch it up.

it’s Alex. Alex responded. okay. cool cool cool.

my friends and i are on a road trip. we’ve just passed into California. you?

the you? twists itself into Becca’s mind. slips into every nook and cranny until it’s she can think and feel, and her heart is going ba-dum ba-dum and she definitely can’t just say oh, not much. just by myself at my dad’s lake house because he’s trying to buy my love now that my parents are getting divorced. except she does say that. word for word. it tumbles from her mind onto her phone and then she hits send and holds her breath in her throat as she waits for Alex’s response.

want some company then?

and what really surprised Becca is that she answers with yes.

in the days leading up to Alex’s arrival she cleans. not that there’s much to clean—the house is big, and she’s kept to one small part of it. she also rifles through her closet and decides, an hour before Alex is due to arrive, that she doesn’t have anything to wear. the clothes laying forgotten on her bed disagree, but she ignores that and feels the anxiety twist itself around her.

and then her phone buzzes and there’s a knock at the door. Alex is here. Alex is early.

shit.

she tosses on the first thing she can grab and runs her hands through her hair before darting down to the front door.

when Becca opens the door, Alex greets her with a warm smile that simultaneously calms and frightens. frightens, because how does her smile have such an effect on me. they stand awkwardly in the doorway until Alex clears her throat and asks, “did you wanna invite me in?”

“right.” Becca steps aside and motions Alex in.

Alex whistles as she looks around, still holding her bag in front of her. “nice place.”

Becca shrugs, because it is nice, stunning really, but the house doesn’t feel quite right—it never really has. it’s big and empty and somehow always manages to be cold even during summer.

“come on, i’ll show you around.”

it’s as they walk through the house that Becca realises she’s not quite sure what they are. they aren’t enemies, and now she wonders if they ever actually were. and they definitely aren’t dating. dating implies some level of commitment that Becca doubts she could ever really give. and then there would be intimacy and comfort and little inside jokes that they’d share quiet smiles over.

but that doesn’t matter anyway because she would never want to date Alex—never ever. dating Alex would be complicated and messy and she has a reputation and expectations that Alex doesn’t fit and—

“you doin’ alright there?”

“huh?” Becca shakes the thoughts away.

Alex tilts her head to the side and offers a small curious smile that manages to worm its way into Becca’s heart and find a place for itself amidst all the dark twisty tendrils that have been growing with each passing day.

“why are you looking at me like that?” Becca asks, her tone both defensive and amused.

“like what?”

“like you’re trying to read my mind.”

“i’m not, i just—” Alex sighs and Becca suddenly wonders what she’d been about to say. “you mentioned swimming?”

“swimming, right.” Becca knows a digression when she hears one, but she points to a room Alex can get changed in and says she’ll meet her downstairs.

Becca doesn’t actually swim. she sits on the edge of the dock beneath the dying afternoon sun and traces the water with her toes. Alex swims though, splashes around for a short while and tries to gently prod Becca in too. but Becca holds firm and insists that she’s more than happy on the dock.

Alex climbs out later, dripping water onto the dock and creating a small puddle that manages to spread and reach Becca’s leg. she pretends Alex dripping water on her irritates her and pretends to hate it when she flicks water at her.

Alex sits down beside her, and Becca thinks she’s waiting for her to break the silence that’s comfortably settled between them.

“do you wanna talk about it?” Alex finally asks.

Becca wonders which it they’re talking about—her parents’ divorce or the fact that some fundamental piece of their relationship or friendship or whatever they are, is changing. maybe it’s both. maybe it’s neither.

“thank you for visiting me,” she says instead. “i’m sure it pales in comparison to a road trip with your friends.”

“hardly.” Alex smiles and nudges Becca’s shoulder with her own. “we were all cramped in a van that doesn’t have working a/c. besides, i like hanging out with you, it’s…”

Becca raises her eyebrows, curious and nudging Alex on.

“easy.”

Becca laughs, like, full body laughs. never in her life has she been described as easy to be around.

“what’s so funny?”

“nothing, nothing.” Becca tries to suppress her laughter, but it doesn’t work.

“i was trying to be nice.” Alex makes a show of being hurt, even makes to leave, but the smile on her face tells a very different story.

“no, sorry.” Becca places her hand gently on Alex’s arm; wants her to believe the sincerity behind her words. “it was nice and i didn’t mean to laugh. i’ve just never been described as easy before, and with everything going on, i guess it’s been a while since something’s made me laugh.”

“oh.” Alex settles on the dock again and Becca’s hand remains on her arm. “are you talking with your parents much?”

Becca shrugs. “mom’s trying. i think we’re both just having a hard time adjusting to speaking to each other. it’s been good but strange.”

“and your dad?”

Becca barks out a laugh. “i think he’s just as clueless. only difference is he’s not making much of an effort. my sister and i were supposed to spend some time with him here over the summer. look how that turned out.”

“i’m sorry.”

“i don’t need pity—”

“i wasn’t pitying you.”

“i know, but it’s just…”

“just…?”

and Alex’s arm is suddenly very warm beneath Becca’s hand. warm and solid and grounding and— they’ve done this before. played this game where they share their insecurities and offer something dangerously close to companionship.

it won’t end well, she thinks, but her heart thumps along and tells her to indulge just this once. what’s one more time anyway?

“we shouldn’t,” Becca breathes, because one of them needs to say it.

“probably,” Alex agrees, but neither of them move to put some space between them.

“but we could.”

“definitely.”

“it would be” —amazing is the word she thinks— “fun,” is the word she says with a playful lilt to her voice that she hopes distracts from the longing want she can feel in her bones.

they’re closer now, faces no more than a couple inches apart, and the air around them feels stiff somehow, like the world around them took one massive breath and is now waiting for them to do something about the balloon of tension that’s been slowly inflating for months.

and then the balloon bursts, and there’s kissing and moaning and wandering hands and— oh god, Becca suddenly remembers why she wanted to do this again. it feels like electricity zapping up and down her body. it hurts and it heals, and she wonders if they’ll ever do this again—silently hopes that they will.

she pulls Alex closer, decides that it’s still not enough—some tiny part of her heart hums and says that it never will be—and moves to straddle her lap and thread her fingers through her hair.

“here?” Alex asks between frantic and hurried kisses.

Becca hums and urges Alex’s hands further down her body.

it happens quickly after that. the coil inside Becca tightens each time Alex moves her fingers and moans her name and nips at her neck and— it snaps. the coil snaps and its wonderful and horrible and Becca is suddenly acutely aware of the place Alex holds in her heart.

and that— it terrifies her, because for the first time in her life she has no idea how it will go.

they head back up to the house not long later, stumbling through the first floor and upstairs as they share laughs and kisses. and when they reach the foot of the bed, Becca pushes Alex back and is quick to return the favour.

Becca wakes early in the morning on her side and facing Alex who’s fast asleep and completely dead to the world. she takes this moment, this brief interlude, to consider her next move.

the last time they did this, she left as soon as she woke up. though leaving isn’t exactly an option right now, and Becca finds that even if it were, leaving is the last thing she wants to do.

she brings her hand to Alex’s face and brushes a loose piece of hair behind her ear. the gesture, though small, is enough to cause Alex to stir.

“hi,” Alex says, her voice heavy with sleep and eyes barely open.

“hi.”

“you were right,” she says, sporting a tired grin, “it was fun.”

Becca hums and shifts closer to Alex, tracing lazy patterns on her shoulder. “how long can you stay?”

“how long do you want me to stay?”

“i asked you first.”

“so?”

“humour me.”

their back-and-forth is light, airy. it’s how they usually talk. but there’s insecurity that hides beneath it all. insecurity that itches to be breathed into the world and soothed away.

“well, my friends and i were going to the aurora music festival tomorrow.”

“oh.”

“but maybe, if you wanted to, you could come with?”

“are you asking me to go with you?”

“i asked you first.”

Becca smacks Alex’s shoulder but can’t stop the smile on her face. “yes, i want to go.”

“good” —Alex leans in then, stops only when their lips are just about to touch— “because i really want you to come with me.”

“is that so?”

Alex hums and brings their lips together in a slow and easy kiss that Becca’s all too happy to get lost in.

“wait, hang on.” Alex pulls away, a suddenly serious expression on her face. “you didn’t tell me how long you wanted me to stay.”

forever is the word she thinks, but she just smiles and brings their lips together again, and she thinks that Alex might just understand.

#my writing #request #anon #becca davenport #becca x mc #the freshman #the sophomore #the junior #the senior #playchoices

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pastelwitchling · 3 years ago

Text

Somebody to You (1/4)

Chapter 1. Hidden Feelings

Alex Manes is Michael's best friend in the entire world. His platonic soulmate, in fact. That's why, when Michael discovers that Alex is in love with him, he panics. Rather than risk the loss of his friendship, Michael begs his brother Max to date Alex instead, and divert his affections. Though hesitant at first, Max agrees for the sake of helping his brother. But what happens when Max realizes that there is more to Alex than he first thought? Romance ensues, and as Max and Alex become closer, Max realizes that what had started as a favor to Michael has turned all too real. The only problem is that Michael never expected Max to actually fall in love. Can Max stay with Alex knowing that their beginning is based on the worst kind of betrayal?

High school was hard enough without your best friend falling in love with you.

Not that there was anything wrong with Alex Manes, guys and girls both had to admit he was pretty to look at, but he was Michael’s best friend. When he’d first come out to him last year, Michael had very pointedly not teased the question, You don’t have a crush on me, do you?

Now, he didn’t know whether or not that had been the right move. If he’d asked, would Alex have blushed and given himself away? Or would he have been insulted? Or would he have rolled his eyes at the question like he did any time Michael said something stupid?

Maybe if he’d asked, he wouldn’t have found out by accidentally eavesdropping on Alex’s private conversation with Liz. Maybe he wouldn’t have heard Alex’s tears, heard his voice as strung out as it had been, fueled by exhaustion and fear.

“What if he doesn’t say no?” Liz tried, the words more a plea than an actual consideration to Michael’s ears. He could hear her desperate desire for her own words to be true, and the resignation in the knowledge that they weren’t. “What if he likes you back?”

“He won’t,” Alex cried, and made Michael’s grip on the music room door handle tighten. “He’ll never talk to me again.”

“Michael loves you,” Liz insisted. “He’ll love you even if you want something more. Look,” she was speaking more quickly now, “maybe if you tell him, you’ll feel better. Right? That’s why you’re crying, isn’t it? It’s just another huge weight on your shoulders, but if he knows that you’ve loved him since middle school, then – then maybe at least he’ll stop rubbing his one-night stands in your face!”

She sounded furious at the mention of it. Michael thought about the last blonde, nameless girl he’d had two nights ago, the way he’d latched to Alex’s back the next day, eager to tell him all about it. The way Alex, the dark circles around his eyes darker for reasons other than the eyeliner, had shrugged him off and murmured some excuse about getting to class.

Shame swelled in his chest until he realized he had nothing to be guilty for. He hadn’t known Alex had feelings for him!

Oh god, he realized. Alex had feelings for him. His best friend – no, best friend wasn’t enough to describe what Alex was. His soulmate, the very half of his heart, wanted more than friendship from him.

He swallowed, about to walk away. He shouldn’t be hearing any of this. He shouldn’t know any of it. Then –

“No,” Alex said. “No, I’m just – I’m just tired.” He sniffled, and Michael imagined him roughly wiping his face with his sleeves. “I don’t want him to know.”

“Alex –”

“No, Liz,” he said more sternly, more afraid. “I don’t want him to know. You . . . when I told you, you promised you’d never tell him. You’re not going to –”

“No,” she breathed, appalled. “No, of course not. I’d never do that.”

“I know,” he said quietly. “I just . . . please, you can’t say stuff like that. It – I can’t – if he finds out –”

“Hey,” Liz said softly. “He won’t.”

“I can’t lose him,” he said and sniffled. “I’m just . . . upset because of my dad. The last thing I want is for Michael to leave me because of a stupid crush.”

A moment’s pause, then Liz tried, “Alex . . . it’s more than a crush.”

“Please,” Alex pleaded. “Don’t tell him. I never want him to know.”

“Okay,” Liz said, and Michael heard shuffling. He dared peek into the room and saw Alex there alongside the piano, his back to the door, Liz’s arms around his shoulders. Her eyes were closed, so she didn’t see Michael. “I promise, I’ll never tell him.”

Alex hugged her waist, and his body sagged with exhaustion against her. He hummed, but his voice waivered, like he was trying not to cry again.

Michael had left then, replaying everything he’d heard in his head. Alex liked him. No, Alex more than liked him. What was he supposed to do with that?

This wasn’t like finding out the local gay guy had fantasies about him. This was finding out the guy he trusted more than anybody, the guy he cherished more than anybody, had feelings for him. It felt like a threat to their friendship.

Michael slumped against the driver’s side of his truck, his backpack barely hanging off one hand. This was Alex. What was he supposed to do?

Alex liked him. His response? He clenched his jaw. No fucking way. He didn’t want to be in a relationship with Alex. It was Alex. It wasn’t that he couldn’t see holding his hand and going on dates with him and he’d seen him in the locker rooms. It was no wonder the girls here had had a memorial when they’d found out the hot emo musician only wanted men . . .

It didn’t matter. He didn’t want anything with Alex. He’d had too many one-night stands and too many nameless, faceless nobodies to know that love was only something that existed in his brother’s books. Getting intimate with someone meant risking losing them.

He clenched his fists. He would’ve rather died than lose Alex. He opened his truck door and climbed inside. He gripped his steering wheel tightly, unable to start it for a good minute as an unidentified dread settled in the bottom of his chest and climbed up through his heart.

When he parked in front of the junkyard where old man Sanders let him stay, and he found his brother Max sitting in a lawn chair, he understood what the dread was. It was the same thing he’d heard in Alex’s voice when it seemed like Liz might let his feelings for him slip; Raw fear.

As he stepped out, millions of worst-case scenarios swarmed his mind. What if Alex decided to tell him the truth? What if he blurted it one day in a fight? What if they were so happy that Alex got the courage to kiss him? What if things ended terribly and they lost each other?

Max raised a brow at him. “You look like hell. What happened?”

Michael could only shake his head as he took the seat opposite Max. He was due to work in half an hour, but sometimes Sanders let him rest up if he’d had a long day. And those last few minutes overhearing what he had in the music room had officially made this the longest day ever.

“Tell me something,” he sighed, leaning his head back and not at all paying attention to the dotted white clouds across the blue sky. “Anything.”

“Okay?” Max said more in the form of a question. “I – uh – saw Liz today. In the music room. With Alex.”

He groaned. “Anything else.”

Max nudged his knee with the back of his hand. “Hey, what’s wrong with you? You look like someone just smashed your guitar.”

My guitar. The guitar that Alex had given him because Michael had offhandedly mentioned once that music helped ease the noise in his mind. How had he not known then? Alex had paid such special attention to him. He had read his mind and known what his heart had wanted and given it to him when no one else bothered to look past the excitement of getting to rebel under the bleachers with the genius trailer trash.

How had he not known?

“I changed my mind,” he said. “Don’t speak. Just let me wallow.”

“Huh,” Max said. “Isobel’s been a fortress since she joined the Spring Dance committee, and you’re busy falling into your own despair for whatever reason.” He pulled a little brown leather notebook out of his back pocket. “Do any of my siblings have time for me?”

“I’m not falling into anything,” Michael grumbled. “Why do you have to get so poetic about . . . every . . . damn . . .” he trailed off, his eyes narrowing at the notebook. “Alex has that same notebook.”

Max hummed noncommittally, leaning back in his seat again and resting the notebook on his lap as he began doodling a rose. “Different colors though,” he said. “His is black. They got mixed up last week when he and I bumped into each other in the school hallway.”

An idea formed, somewhere in the back of his mind. Like water on ink; something definitely there, but unreadable. He leaned back again, wiping whatever the itch was from his eye.

“I don’t want to think about Alex right now,” he muttered, though even as he said it, his thoughts taunted him. Alex was all he could think about right now.

“Whoa,” Max blinked. Even he knew how much Alex and Michael treasured each other. Michael had never said he didn’t want to do something where Alex was concerned. “You guys have a fight or something?”

“No,” Michael said, though a fight might’ve been easier to deal with. “I found out . . . I heard Liz say . . .” He huffed, closing his eyes. He blurted. “Alex is in love with me.”

Silence. Michael opened his eyes and saw Max’s expression completely unsurprised. He looked like he was waiting for Michael to get to the point.

He straightened. “Are you kidding me? You really knew?”

Max scoffed. “You really didn’t?”

“No!” he gaped and stood. “He’s my best friend, why would I think he was in love with me?!”

“Because he’s your best friend.”

“So?!”

“So!” Max said like it was obvious. “Alex hates people! Liz and Kyle are his only friends, he barely tolerates me and Isobel, and Rosa Ortecho swears he hissed at her once!” He huffed a disbelieving chuckle. “Before you came along, Liz told me he never said two words to anybody he hadn’t known since before his mom left. You want to take a guess as to why he warmed up to you so quickly?”

Michael didn’t answer. Max grabbed his arm. “And for the love of god, stop pacing, you’re making me nauseous.”

He tugged him down onto the lawn chair, and Michael sagged against it. He stared into the distance, lost in his memories of his first meeting with Alex. Alex had been bullied, pushed into a tree and made fun of for stares and feelings he had yet to understand himself. Then Michael had jumped between him and the bullies, waving a tree branch, screaming at them to get away or he would kill them.

It had been the wildness of his eyes and words, wildness he’d gained from years with monsters for parents, that had unnerved them in the end. Alex had taken his offered hand with wide eyes then, and timidly asked, “You’re not scared of me?”

Michael had known then that this twelve-year-old had been told too often that he was something unnatural, something wrong, and was expecting it from someone else now. So he’d looked Alex over, as if checking for bruises, and rested the branch on his shoulder like it had been a bat.

He’d grinned and said, “No fangs or a tail. You look fine to me!”

After that moment, Alex had followed him everywhere, his eyes never anything less than adoring.

Michael shut his eyes. How could he have not known?

A buzzing against his thigh snapped him out of his thoughts, and he pulled his phone out of his pocket. Alex was calling.

“Shit,” he leapt to his feet, holding the phone at a distance as if afraid that Alex could somehow see him through the camera. “Shit shit shit.”

“What?” Max followed and his shoulders slumped at the sight of Alex’s name. “Dude, just answer. He doesn’t know you know, remember?”

“Yeah,” he nodded. “Yeah, right, yeah.”

“It’s still just Alex.”

“Just Alex,” he repeated. “It’s just Alex.” He answered the call, held the phone to his ear, and all but yelled, “Hey!” He winced at himself and Max rolled his eyes.

“Hey?” Alex asked, laughter in his voice. He didn’t sound like he’d just been crying his eyes out at all. Then it hit Michael. Alex was abused. He was used to hiding his scars. “Why’re you screaming?”

“I’m not!” he said, then adjusted his volume with a clear of his throat. “I’m – uh – I’m not. What’s up?”

He loves me. He loves me, he loves me, he loves me.

Michael, so caught in the thought, completely missed what Alex had asked him. He pinched the bridge of his nose. “Sorry,” he grit out, “say that again?”

“Oh, I’m sorry, is the auto shop really busy right now?” Alex asked like he knew the answer. “Pay attention, Guerin, this is important!”

Of course, Michael had ditched time and time again because they hardly had any cars in around now, and all Sanders did when he was an hour late was yell and grumble, then give him and Alex an extra plate of whatever he’d had for lunch.

“I asked what time you were coming to my gig tonight,” he said, a little more hesitantly. When Michael didn’t answer, he cleared his throat. “At the – uh – the Wild Pony? Just so I can save you a seat.”

Michael let his hand with the phone fall, his shoulders slumped. For years, he’d owed that nervous stammer in Alex’s voice, the way he went from confident to shy with just a second of Michael’s silence, to nerves about his gigs. Now he speculated it was because of something else.

Damn it. He wished he’d never known about Alex’s feelings. He wished he could unhear everything.

He realized Alex was talking again, and he held the phone to his ear.

“If you can’t make it,” he was saying, “I get it, I just need to know for the seats, you know?”

Michael had never canceled on Alex before, but Alex was a little sensitive where his music was concerned. Michael assumed it was because he had a father and brothers who belittled what he did every day, no matter how often Michael told him he loved his songs.

He gripped the phone tightly. He wondered what Alex would do if he canceled on him now.

“Michael,” Max mouthed, “talk to him.”

“Guerin,” Alex huffed a laugh. It sounded forced. “Dude, it’s fine. It’s one gig, I think our friendship will survive.”

Will it? Michael feared. Will it survive this, Alex? Will it survive feelings that friends shouldn’t have for each other? Will it survive if I can’t help but look into the double meaning of every word you say now?

He felt oddly frustrated with Alex, like this was his fault somehow. Like he was singlehandedly destroying everything they’ve ever had by wanting more.

“Is it another gig?” Max asked, nudging his elbow. “Will Liz be there? Ask him if Liz will be there.”

Michael rolled his eyes, about to snap at his brother that this was not the time. Couldn’t he see that Michael was suffering some emotional turmoil over here?

“Guerin,” Alex tried again. “Are you there?” He heard a sigh, and Alex mumbled, “Is the reception bad?”

Michael hated this. He was starting to scare Alex, and it was the very last thing he wanted to do. Max was still asking about Liz, his notebook, just like Alex’s but a different color, in his hand, and Michael clenched his jaw. Max liked Liz, but it would be so much easier for everyone if . . . if . . .

His eyes widened. The idea that had begun to sink below the depths of his mind surfaced now. Before he could make it out completely, he found himself saying, “Sorry, hang on a second, babe, my brother keeps trying to talk to me.”

“Oh!” relief flooded Alex’s voice and he chuckled breathlessly. It sounded so much more real, and that hurt Michael all the more. “Yeah, sure! God, Michael, you freaked me out a second there. Yeah, take your time.”

Michael covered the speaker on his phone and told Max quietly, “I need you to come to Alex’s gig with me.”

Max’s eyes widened. “Liz will be there?”

“Doesn’t matter,” Michael said. “I need you to ask out Alex.”

Max stared a moment, then, “What?”

Michael held up a finger to his brother and brightened his tone when he told Alex, “Hey, Alex, can I bring Max to your gig tonight?”

“W-wait,” Max said, “Michael, what’d you mean, ask out Alex? Was that a joke?”

Michael ignored him as Alex scoffed. “Sure. But you’re definitely coming, right? Because I was totally lying before. If you don’t make it, I’ll never talk to you again.”

Michael smiled and almost said, Would I ever not show up for you?, realized how Alex might take it, and diverted at the last second.

“Uh – yeah – see you tonight, then.”

It was awkward and unnatural for them, but Alex hardly seemed to notice, lost in his own happiness, as he told Michael he’d see him tonight, and hung up.

He barely met Max’s dark eyes and crossed arms when Max said, “No.”

“Hear me out –”

“If your next sentence doesn’t end with, ‘and then everyone will laugh, and it’ll totally take the edge off,’ I don’t want to hear it.”

“One date!” he begged, following Max back to the chairs and their backpacks. “Just one! Consider it a birthday present to me! For the next five years – no, ten years!”

“This isn’t a favor, Michael!” Max argued. “I’m not going to ask your best friend out just so you can avoid having to talk about this!”

“But –”

“Besides,” Max said, grabbing his bag and slinging it over his shoulder, “I’m not gay or bisexual or pansexual or anything. He’d smell a fake a mile away.”

“You’d totally pass for bisexual!” Michael argued. “Look at you” – he tapped Max’s arms, his chest, his notebook – “you have the whole muscly jock with a tender heart thing going on, come on!”

Max stared. “Do you hear yourself?”

“Max,” he urged. “I need you to do this one thing for me! I’d do it for you!”

“You wouldn’t have to,” Max said. “I don’t pass off people who like me to my brother like a freaking torch.”

Michael winced, and Max sighed, his expression softening. “And I like Liz, remember?”

“Then this’ll be the perfect in for you,” he insisted. “Getting close to Alex means getting close to Liz. Then, in – in a month, just until the Spring Dance, you can smooth your way to Liz, and Alex will know the breakup is coming.”

Michael swallowed thickly before he said, “I know him. He hates being left behind, so he’ll end things first.”

Max shook his head. “And he’ll be heartbroken. Assuming your plan works. Is that what you want, Michael?”

Michael hesitated, then, “It’ll just break for a minute.” He added quickly, “Th-then I’ll come in, and he won’t want to date your brother, so he’ll know we’re better off as friends.”

He pursed his lips a moment, then walked past him. “You’re crazy.”

Michael clenched his jaw and blocked Max’s path. “I can’t date Alex,” he said fiercely. “I can’t.”

“He doesn’t know you overheard anything,” Max told him, not unkindly. “Can’t you just . . . play along?”

Michael shook his head, his fists tight at his side. “It’ll come out,” he said. “I know it will. Please, Max, I . . . I can’t lose him. I need you.”

Those were the words, Michael knew, that Max could never say no to. Those were the words that he and Isobel used only in extreme cases, when guilt for taking advantage of their brother’s good heart had to be put aside to fix whatever had happened. Michael hated using them, had used them only once before in his life, but knew he had to use them again now.

Max sighed and looked away, something like resignation settling in the slump of his shoulders. A moment’s pause, then – “Alex hates me.”

“No,” Michael breathed, already smiling despite the pinch in his chest that he would’ve rather not thought about. “You said it yourself, he barely tolerates you.” He took Max’s journal and held it up. “And if anyone can make something into something more, it’s a writer.”

Max wasn’t good at being a boyfriend. Not that he’d ever been anyone’s boyfriend, but that was the problem. He had no idea how to flirt or tease or ask anyone out. It was why he’d spent the better part of the last year pining after Liz Ortecho, stumbling through his hellos.

Now, for whatever reason, he was prepping himself to ask out someone for the first time in his life. And it was Liz’s best friend. The things he did for his siblings . . .

As Michael parked his truck outside the Wild Pony, Max thought about the few times he’d seen Alex around town. He was reminded of the Greek mythology stories he loved reading; of Hades, Lord of the Underworld, and how sunlight couldn’t touch him. He was nothing like his brothers who were all on one sports team or another. Who seemed to have no problem being popular.

Though none of them, he knew, were like Alex. The dark prince, the one everyone wanted to know for his mystery, but the one who didn’t want anyone near him. The one people gave up on because he was too difficult to approach.

You had to have an in. And, Max supposed, Michael was his in.

“Remember,” Michael was telling him as they left the truck. “His favorite song is Welcome to the Black Parade, don’t get him a beer until after his set, and whatever you do, do not insult Star Wars. He didn’t talk to Valenti for two days when he thought there were Jedis in Star Trek.”

Max started to laugh, saw that Michael was watching him expectantly, and huffed. “Would you calm down? I’m the one who gets to worry here. There’s no way Alex will let me come within three feet of him.”

“I already told you,” Michael said. “You have me. You just think about being your usual charming self –”

“Is that supposed to be another joke?”

“—And Alex will be happy to have you.”

Michael stopped abruptly just as they reached the doors. He turned to Max and pointed a warning finger. “Just don’t kiss him.”

Max blinked. “Excuse me?”

“Don’t kiss him,” he repeated seriously. “That’s . . . it’s too far. He deserves to be kissed by someone who . . . really wants to kiss him.” He shook the thought out of his head. “Just – just don’t kiss him.”

“I won’t kiss him,” Max held his hands up. “I don’t want to anyway.”

“And don’t talk that way around him,” Michael grit out. “Anyone would be lucky to have Alex.”

Max looked to the skies for aid. “Then you date him!”

“I can’t,” was all Michael said, and tugged on Max’s arm. “Come on, you’ll do great.”

The Wild Pony doors opened to chatter and cowboys and clanking drinks. Max heaved a sigh, tapping his fingers on his thigh. He could do this. He could do this.

Michael patted his back and went on ahead. Max followed, thinking of what he’d say to Alex when he saw him.

He considered, “What’s up?”, “How’s it hanging?”, “‘Sup, bro!”, and winced at himself. He needed more time to think of something, but he didn’t have any. He spotted Liz first, and Kyle and Alex beside her. Liz and Kyle were laughing about something, but Alex was focused on his music sheets, his fingers running over the keys as if making sure he knew the song by heart.

Right then, Max realized what a terrible idea this was.

“Michael,” he tried, reaching for his brother’s shoulder. “I – I think we should talk about this –”

“Alex!” Michael called, and went ahead. Max was left stumbling behind him.

Alex glanced up and smiled at the sight of Michael. “Hey! I saved you a seat up front!”

Michael looked like he was going to wrap an arm around his shoulders like he usually did, then his smile dimmed and he cleared his throat, patting Alex’s arm in the end.

“Duh, buddy,” he said. “What are friends for?”

Alex glanced down for a fraction of a second before his smile returned and he pulled Michael to behind the keyboard to look at his song. It was like Max wasn’t there.

Michael seemed to notice that, too. He raised his brows pointedly at Max, and Max cleared his throat, stepped forward, and said, “H-hey, Alex.”

Alex looked up like he thought he heard someone talk to him, and his eyes met Max’s. His brows furrowed and he pressed his lips together, clearly confused as to why Michael’s brother was talking to him.

“Hi,” he murmured. “So, Guerin, look at this, I used the lyrics you came up with yesterday.”

“Uh –” Michael barely glanced at the page. “Hope you don’t mind that I brought Max,” he said, pulling Max forward. “He really wanted to hear you sing.”

Alex narrowed his eyes at Max. “If he’s here to, like, make fun of me or something –”

“No,” Max said at once. “No, I – I really do . . . like . . . music.”

Alex stared a moment. Then he looked away, uncomfortable, and took Michael’s hand. He muttered, “Is he coming with us for ice cream after?”

Michael chuckled and subtly removed his hand from Alex’s. Max could see the flash of hurt in Alex’s eyes before it was gone, and he thought he might’ve imagined it.

“We’ll see,” Michael said, “about the ice cream, okay?”

Alex scoffed and bumped their shoulders. “Yeah, okay. The day Michael Guerin says no to ice cream is the day Kyle Valenti gets into med school.”

“Hey!” Kyle argued.

“I’m kidding!” Alex laughed. “I knew you were listening in, you freak!”

Kyle pulled Alex to him, and Michael kept laughing until he whipped around to face Max, then his smile fell away and he hissed, “Work with me here!”

“I’m trying,” Max hissed back. “I am making him uncomfortable, Michael.”

“He’s just not used to you talking to him,” he whispered. “Just – just – just . . . move in there!”

He pushed Max forward, and Max nearly stumbled into Alex’s keyboard. Alex looked startled.

“Max,” Liz blinked, “are you okay?”

Kyle tilted his head. “You drunk already, dude?”

“Uh . . .” Max started, and pointed at the keys. “I like your piano.”

Alex raised a brow. “It’s actually not mine. It belongs to the bar.”

“Oh.” Max nodded. “W-Well, you look really cool. I wish I could play the piano, so that’s – that’s really cool.”

“Thanks?”

“Can I – uh – can I buy you a beer? After your set?”

His face burned as Alex stared. Then, while still watching Max apprehensively, Alex called, “Guerin?”

Michael didn’t answer. Max turned to find that he’d started talking up the first blonde he’d found. Asshole, he thought, clearly looking for any excuse to leave him alone with his best friend.

He looked back at Alex, and saw that he was watching Michael, too. His shoulders had fallen, and his brows pinched, but there was no surprise in his face. He was so used to Michael ignoring him when a better offer came along.

He knew he should say something, though he didn’t know what. If Alex thought of Michael as nothing but a friend, this wouldn’t have hurt him.

Liz then suddenly wrapped her arms around Alex’s waist, tighter and tighter until he burst into laughter. Kyle picked up the music sheets and complained why Alex never played any heavy metal.

“You dress like you play it,” he said, “is all I’m saying!”

They were clearly trying to distract him from whatever Michael was doing. Max scratched the back of his head, not knowing what to do himself.

When the show started, Michael was already in his seat, pulling Max to sit down beside him. Liz clapped the loudest and Kyle offered a thumbs up. Michael kept his arms crossed, as if afraid anything he did would be taken the wrong way. Max could see Alex’s momentary confusion before Mimi DeLuca announced his song.

Max was looking everywhere, namely at Liz, until Michael nudged his side with his elbow, and Alex started playing. As the first few notes fell together like a soothing waterfall, Max started. He looked to Alex, eyes wide. This was his music? He didn’t know why, but he’d imagined, like Kyle had teased, heavy metal or I-hate-everything ballads. But this . . .

Not thirty seconds in, Max’s eyes had fallen shut.

He had no idea how it had happened. One second, he was in a wooden chair at a bar where most of the crowd was laughing and talking over the music. The next, he found himself in a forest, surrounded by pine trees, with a clear lake behind him.

When Alex started to sing – who knew he had such a smooth voice? – Max then felt the breeze of a desert night across his cheeks, the stars and full moon bright above, the rest of the world turned to peaceful quiet.

The further along Alex got in his song, the more Max’s fingers itched to write. He couldn’t remember the last time ideas poured into his head like this, the last time he felt his heart swell with the anticipation of creating something.

This was a song Alex had made up. Had he always had such talent? Max had never been to one of his gig’s before because he’d never been invited. Or he had, and he had been lost in the chattering crowd in the back, not paying attention.

Now, he had to pay attention. He found it impossible to do anything else. When Alex finished, his friends and Michael stood to applaud. Liz screamed, Kyle whistled, and Michael looked prouder than Max had ever seen him of anybody. Max slowly did the same, staring.

Alex looked red-faced, but his eyes shone brightly and he smiled widely, like even he could feel the emotion he’d just created. He stepped down, running a hand through his dark hair, and accepted the bottle of water from Kyle with a thanks.

“Is it over?” he breathed after taking big gulps.

“Yeah,” Kyle laughed, ruffling his hair and messing it up again. “It’s over, buddy.”

“That’s my Alex,” Michael said before he could help it, and Max saw the blush deepen in Alex’s cheeks. Michael seemed to have realized his mistake, and handed a cold beer under the table to Max.

Max hesitated, then held it out for Alex to take.

Alex looked startled, but he was still smiling. “Thanks,” he murmured, accepting the bottle.

“So,” Kyle drummed his hands on the table. “Ice cream to celebrate?”

“Ice cream!” Liz yelled and Alex laughed. He turned to Michael.

“Ice cream?”

“Uh . . .” Michael looked over at the blonde he’d been flirting with. She waved to him from across the bar. Max saw the tick in his jaw, the way his fingers curled to fists under the table, and he knew that the last thing Michael wanted to do was cancel on Alex.

Yet that was what he did.

“Raincheck?” he said, and nudged his chin at the girl. “I think I’m about to live the Rockstar fantasy.”

Liz frowned, disapproving. “But you’re not the Rockstar. Alex is.”

“Well, the girls have to go somewhere,” he shrugged, already walking backwards. “If any guys show up, I’ll send ‘em your way, babe.”

“O-Oh,” Alex’s brows pinched. “Okay . . .”

“Max can take my place!” he offered, and turned his back to them. “See you tomorrow!”

“Jackass,” Kyle muttered.

Max opened his mouth to defend Michael, not knowing what he’d say exactly, when Alex said, “He’s just been really stressed out lately. He – he has all those honor classes. I think he should let off a little steam.”

Liz did not look like she agreed. “Alex . . .”

“It’s okay, really,” he said, then managed a smile that did not reach his eyes. “More for us, right?”

Max stared. “You really care about him, don’t you?”

“Of course I do,” Alex said simply, and looked at Michael’s retreating form with a forlorn look. “He’s my best friend.”

Alex seemed distracted. No matter how much Liz and Kyle tried to pull him into conversation, the best he could manage was a smile that even Max could tell was fake. Max felt kind of bad for him. He seemed to really be trying his best to cheer up, but every time a blonde girl or any straight couple passed, his mood dimmed again, like he couldn’t help but wonder what Michael was doing now.

Not knowing what else to do, Max nudged his arm and asked the only question he could think to. “Did you really write that song you sang tonight?”

Alex looked confused as to why Max would ask him anything, and he shrugged a shoulder. “Yeah.”

Max shook his head. “That’s so cool,” he breathed. “It – I mean, it was really good.”

Alex checked to make sure Liz and Kyle were too caught up with each other to hear them, then said, “Okay, what’s your deal, Evans? Why are you suddenly being so nice to me?”

Max frowned. “I’ve always been nice to you.”

Alex raised a skeptical brow. “You’ve always been polite. And that’s only because I’m friends with your brother. I know you’re as scared of me as everyone else.”

“That’s not true!” Max said at once. “I’m scared of everyone!”

Alex blinked, and Max realized too late what he’d said. He blushed and looked down, expecting to be laughed at. When he heard Alex huff an incredulous chuckle, he shut his eyes tight, humiliated.

Then he said, “You? Mr. Perfect?”

“I’m not perfect.”

Alex scrunched his nose. Max was reminded of a kitten. “Aren’t you though? Tall, dark, and handsome,” he nudged his chin at the notebook poking out of Max’s back pocket. “And you write.”

Max smirked. “But you’re all of those things.”

Alex blinked, startled, and Max could’ve sworn he saw a pink tint across his cheeks. Maybe it was just too dark.

Max cleared his throat and went on. “You should know then, better than anyone, that it doesn’t matter how good-looking you are. Sooner or later, some people just give up trying to get close to you.”

“Is that what you’re doing?” Alex scoffed halfheartedly. “Trying to get close to me?”

He wouldn’t look at Max as he said it, as if he was sure that was not what was going on. It made Max’s words come out more smoothly than he’d expected. “Yes. It is.”

Alex stopped, surprised. Max also stopped and faced him. He could see Liz and Kyle stop out of the corner of his eyes, and prayed they couldn’t hear him.

When he spoke, the lie left his lips with a little more trouble. “I like you, Alex. I – I always have. I’ve wanted to talk to you for years, but I . . . I’m not good at . . .” he gestured at his entire self, as if to say everything about him was an obstacle.

“That’s why Michael brought me to the show tonight,” he said. “He knew I’ve wanted to talk to you forever. And I finally got to.”

Alex stared, his expression unreadable. For a terrifying moment, Max wondered if he saw through the charade. Then he said, “You like me?”

He said it more like a statement, a dare. Max could only nod once, gripping his notebook so tightly his knuckles turned white.

Then he saw it. The doubt and suspicion behind Alex’s eyes. Alex sighed and kept walking. “Then let’s see how long,” he said, “until you give up, too.”

Max Evans stared. A lot.

Alex was not new to people watching him. Everyone was usually curious about the youngest of the Manes brothers until they realized just how different and unapproachable Alex was, and then their curiosity’s limit showed.

But the longer Max stared, the more curious he seemed to become. If he wasn’t glancing at Alex’s hair or eyeliner, he was looking at Alex’s bracelets, the rings on his fingers, the drawings on his shirt, his necklace, his nail polish.

Alex felt like he was being studied. It was weird. He wished Michael was here to get Max to stop staring. He wished he could snap at Max to look away, but the guy was like a walking cinnamon roll. It was impossible to get angry at him without feeling bad.

When Alex ordered his Neapolitan ice cream, Max not only insisted on paying for it, but offered a spoon of his own lemon sherbet cup for Alex to try.

“Don’t you have, like, hundreds of other friends you could be spending Friday night with?” Alex finally asked.

“Just my brother and sister,” Max confessed, picking at his sorbet. “Hey, since it’s Saturday tomorrow, y-you want to do something?” Then, as if it was an afterthought, added, “Together.”

“No,” Alex grumbled around his spoon.

“Why not?”

“Because I always spend Saturdays with Michael,” he said, and immediately longed for Michael again. He wondered if he was having a lot more fun than Alex was right now. He tried not to think any harder about where Michael might be.

“Oh,” Max said quietly. Alex glanced at him and saw that he was awkwardly tipping the melted part of his sherbet into his mouth. His lips twitched before he quickly schooled his features.

He thought that would be the end of that conversation, but then Max asked, “If he cancels, you wanna do something?”

Alex frowned. “Why would you think he’d cancel?”

“Just . . .” he shrugged. “He kinda does what he wants, you know?”

“Michael never cancels on me,” Alex bit back.

He nodded, but wouldn’t look at Alex again. “Sorry.”

Alex faltered. There it was, that guilt again. Saturdays belonged to him and Michael. He didn’t want anyone else coming along. He continued quietly eating his ice cream. At least maybe now Max would know to give up this ridiculous chase.

“Well, maybe Sunday then?”

Alex blinked and looked up. “W-What?”

Max was smiling nervously, swirling the contents of his sherbet. “There’s – well, there’s this museum for fine art pieces. I – I heard it’s really cool, I’ve been meaning to go, but Isobel and Michael don’t really . . . like paintings and sculptures.” He shook his head. “Sorry, I know you must not either, I – I don’t know why I thought you would –”

“Paintings?” Alex couldn’t help but ask. “Like Potthast? And Einaudi?”

Max blinked. “Y-You know about them?”

“I mean,” Alex scrunched his shoulders. “I’m not an idiot. I love any artist who pours themselves into their work. It’s” – he blushed – “inspiring.”

Max perked up. “Right?! I’d do anything to be a writer, you know? Seeing people love something as much as I love books, it kind of makes me feel like . . .”

“Like it all has to mean something,” Alex finished, smiling to himself. “I can’t love it this much for nothing.”

Max huffed a laugh. He looked surprised, his cheeks tinted pink. “Yeah! Yeah, exactly . . .”

Neither of them said anything for the next minute. Alex rubbed the sole of his shoe against the pavement and cleared his throat.

“I mean,” he finally said, “I guess . . . if I’m really not doing anything Sunday . . . I can come. B-But only if Michael’s coming, too! I don’t want you to get the wrong idea.”

Max didn’t say anything, and Alex chanced a glance at him to see he had a small smile.

“What?” he demanded. “I said I’d – I’d come. M-Maybe!”

Max nodded. “Er – can I have your number?”

Don’t do it, Alex thought. Don’t do it, don’t do it, don’t do it. Max was just a stranger.

But he’s not a complete stranger, he reminded himself. He was Michael’s brother, and if Michael was letting him get this close to their tight little group, then he must’ve trusted that Alex was safe around him. And he could trust Michael more than anyone to look after him. He knew he could.

“Yeah,” he said, handing Max his phone without looking at him. He saw Liz and Kyle watch him from across the street where they were twirling around a lamppost. They were tilting their heads and smirking, like they knew something he didn’t.

Alex cleared his throat, and, as if his friends could hear him, added in a mutter, “Whatever.”

Even Max smiled at that.

The next morning, Max woke to knocking on his window. He saw Michael and leapt out of bed, letting him in.

“Can’t you knock like a normal person?”

“Didn’t want to wake anyone else up,” he said. He smelled like he’d spent all of last night drinking, but his curls were wild, like he’d walked for hours in the desert instead of lying in someone’s bed.

He nudged Max aside and sat cross-legged on his bed, shoes and all. “Tell me about Alex,” he said. “How’d last night go?”

Max put his pillows up and slumped against them. “Fine. Good. Okay, I guess. He was mostly quiet the whole time. Did you have to blow him off like that?”

Michael looked down and clenched his jaw. “Don’t remind me,” he grumbled. “I hated not being there. The whole time she was talking in my ear, I was trying not to get her to gag on me. I almost called Alex like fifty times!”

He shook his head, as if eager to be rid of the memory. “Forget me. So he didn’t say anything the entire night?”

“No,” Max said. “He did. I got him talking about music and other artists and stuff. I even asked him out to the museum today, just like you said.”

Michael clapped him on the shoulder, happy. “Yeah? Max Evans, you sly dog!”

Max couldn’t share in his enthusiasm. Would Michael have been so happy if he’d seen the look on Alex’s face last night? The way he defended him even when it was clear that his own heart was breaking?

“Yeah,” Max said, rubbing his eye. “Said no.”

“Well,” Michael shrugged a shoulder, “it’s not like he was going to fall in love with you in a few hours.”

“Actually,” Max said, “he said he might be able to come tomorrow. He can’t today because you guys usually hang out on Saturdays.”

Michael raised a brow. “Oh yeah?” He hummed, studying the blanket. After a long few minutes, he said, “I might . . . just call him and –”

“Er –” Max cut him off, “he was pretty adamant that you would never cancel on him. Even after . . . you kind of already did.”

Michael’s shoulders slumped, and he looked away. He muttered, “Yeah?”

“Yeah, Michael,” Max sighed. “Look, can’t you just talk to him about this? It looks like he really cares about you, I’m sure if you told him what you heard –”

“He’d hate me,” Michael said. “Imagine finding out that the one person you like knows you like them, and it makes them uncomfortable. Would you ever be able to look them in the face again?”

Max pressed the heel of his palm into his eye. “And you’re sure you don’t like Alex like that? At all?”

Michael looked up, holding his brother’s gaze. Max had never seen him so fierce. “I can’t date him, Max.”

“Why not?” Max said. “You don’t think your relationship would survive a breakup?”

“I can’t risk it,” he said. “I won’t.”

Max almost pointed out that that wasn’t an answer, but decided not to. “Fine, well,” he laid back down and turned his back to Michael, trying to fall asleep again. “He’s not going anywhere with me on a Saturday, so see you tomorrow.”

Michael did not leave, or say anything for a good long while. Then Max heard shuffling, and tapping. He peeked an eye open and saw Michael texting. Immediately, the look on Alex’s face last night hit him and he sat up.

“What’re you doing?” he demanded, reaching for Michael’s phone. Michael kept himself out of reach. “Michael, I told you, if you cancel –”

“I’m not canceling,” Michael murmured, brows pinched. “Just texting someone.” His finger hovered over the screen a moment before he hit send. “There,” he said, pocketing his phone. He didn’t look any happier than he’d been seconds ago. “Now Alex will be the one asking you out.”

Max’s shoulders slumped. “What’d you do?”

Michael didn’t answer, but the guilt on his face said it all. He was about to break Alex’s heart.

Alex had woken early. Last night he’d climbed through his window to his father banging on his door. He’d managed to sneak under the covers and play asleep the second Jesse had burst through, but he knew his luck wouldn’t last.

It hadn’t mattered, because there was nothing that was going to keep him from an entire day with Michael. So he’d risen early, forgotten about breakfast at the risk of running into his father and being trapped inside again, and just had water from the hydro flask he kept by his bed – he didn’t care, he would eat later with Michael. He’d thrown on his favorite skull and crossbones t-shirt, his silver skull choker, and his rings.

He felt silly fixing his hair in the mirror, running his hand through it so that the strands looked windswept. It wasn’t hard, as his hair rarely stayed down neatly. He’d learned to live with it.

Michael wouldn’t ever like him like he liked girls, he knew that, but maybe . . . maybe some part of him might find Alex attractive. Maybe he might look at him differently without realizing that he was looking at him differently.

It was dumb, but he could hope.

At least, he had hoped until Michael met him in front of their favorite coffeeshop with his arm around Maria DeLuca’s shoulders. Alex had been holding two coffees, a caramel macchiato for him and a mocha for Michael, because he loved chocolate. He’d nearly dropped them at the sight.

“Hey!” Michael called.

“Uh – hey, Alex,” Maria smiled awkwardly. “Guerin,” she said, “I thought we were hanging out today.”

“We are!” Michael smiled widely, taking his coffee and handing it to her. “With Alex! I always spend Saturdays with Alex.”

“B-But . . .” Alex looked between them. He could feel his heart slowly sinking into his stomach. He pressed his lips together in a quick smile to Maria and tugged Michael aside by his sleeve. “What’s going on?” he whispered. “We always spend Saturdays together.”

Michael tilted his head. “We are together.”

“Alone,” Alex insisted. “Just you and me, remember? We’ve never invited anyone else. And . . . Guerin, Maria?”

Michael laughed. He was laughing far too easily, and smiling way too much. He knew that of all people, bringing Maria would be a real sting. Didn’t he care about how Alex felt? And today of all days?

“Come on, Alex,” he said. “I’m just trying to have a little fun here.”

Alex felt like he’d just been slapped. “S-So being with me isn’t fun?”

Michael rolled his eyes like he thought Alex was messing around. Alex, horrifically, thought he might cry.

“Am I supposed to turn down a hot girl for you?” he said, taking Alex’s coffee and having a sip. “Seriously, so Maria’s coming. What’s the big deal, right? I mean, it’s not like we’re dating.”

He reached out to pat Alex’s shoulder, but Alex flinched back, away from his touch. For a split second, Michael’s face fell and he looked mortified. But it was gone so quickly that Alex was sure he must’ve imagined it.

He felt guilty, and dramatic, and pathetic. He felt cast aside, unwanted. All of that was okay, he was used to it. Maybe not from Michael, never from Michael, but he was used to it.

So he did what he always did when he was reminded just how worthless he was. He forced his chin up, exhaled shakily, and kept his words steady. “I actually just remembered that Max wanted to go to a museum thing today.”

Michael was still smiling. It felt wrong, but Alex couldn’t look at him too long to read into it. “Oh yeah?”

“Yeah,” Alex took another few steps back. He couldn’t remember ever wanting to be away from Michael, but at this moment nowhere felt far away enough. “He sounded like he really wanted me to go with him, but I had to say no because of today.” He moved further away. “I really wanted to go, too, to be honest. It sounded cool.”

“Yeah?” Michael sounded quieter. Maybe that was just because of the distance between them.

“So if you’re going to hang out with someone else, then I guess it’s okay if I go, too?”

Michael didn’t answer for a minute. “Yeah. No, yeah, that’s great. Works out for both of us, huh?”

Alex turned around so Michael didn’t see his face fall. “Yeah,” he said, and began walking away. “Guess I’ll see you tomorrow.”

Before Michael could say anything else, Alex pulled out his phone. He wouldn’t dial until he rounded the corner and was out of Michael’s sight. He fell back against the wall, his legs giving out under him. He held the phone to his forehead, breathing deeply.

Kyle, he knew, was on a camping trip for the weekend with his dad. Liz was busy working shifts at the Crashdown.

It’s okay, Alex told himself. It’s okay. You don’t need anybody. It’s okay.

He may not have needed anyone, but he didn’t want to be alone today. So he dialed Max’s name, and held the phone to his ear.

It rung twice, then Max answered. “Alex?” There was hesitation in his voice that made Alex blush. Was he not actually expecting Alex to call?

“Er – hey,” Alex murmured, and rubbed his face with one hand. “Look, t-turns out I’m free today after all . . . If you . . . still want to go to the museum . . .”

Max didn’t answer for a long few seconds.

“O-Or not,” he said quickly, “doesn’t really matter to me, I just thought –”

“Yeah!” Max said, “Yeah, I’m – sorry, I was changing. I’m ready to go when you are! Where do you want me to meet you?”

Alex’s shoulders slumped. He felt a strange relief trickling through his chest, but it didn’t ease the weight on his heart. He muttered, “Wherever you want. Just text me the address.”

He waited for Max’s okay, then hung up. He rested his chin on his knees as he waited for the message to come in, closing his eyes and promising himself that he would not cry.

Max didn’t live in a house. He lived in a mansion. The two story villa stretched out over a valley of cacti and desert flowers, the windows long and the front doors big enough to fit ten grown men standing side by side. Michael had once told Alex how he’d sneak in through his brother and sister’s windows, and Alex now had to wonder how.

No sooner had he gotten to the door than Max came stumbling out, a bag thrown over his shoulder.

“Hey,” he panted, “let’s go.”

Without waiting for Alex’s greeting, he bodily turned Alex around and nudged him back toward the road. Alex was not new to being hidden away by boys who’d rather their parents not see him, but he’d already had his plans with Michael ruined, and was in no mood to humor any homophobia.

“What?” he sighed. “Afraid mommy and daddy will know you asked out a guy?”

Max blinked, surprised. He stopped. “What’re you talking about? I’m not trying to hide you from my parents.” He looked over his shoulder as if remembering they were supposed to be in a hurry, and frog-marched Alex away again.

“Oh?” Alex rolled his eyes. He tried to ground his heels to make it harder for Max but had no will to do it. He was tired, but anything was better than spending the day curled up in bed, abandoned and pitiful. “The who are we trying to hide from?”

“My . . . crap . . .” Max trailed off, and, following his gaze, Alex understood why. At the end of the road, her arms crossed, her purse hanging off one elbow, was Isobel Evans. She did not look happy.

“Sneaking off?” she demanded. “Who do you think you are? Michael?”

“Isobel,” Max warned. “Not now.”

“Did you honestly think you could hide your date?” Isobel narrowed her eyes at Alex. “Huh. You weren’t kidding. It really is Alex Manes.” She reached a hand towards his face. “You were right, he is very pretty –”

“Isobel,” Max slid in between Alex and Isobel, forbidding her from touching him. “I never said that.” Then to Alex, “I never said that. N-Not that you’re not – I mean, clearly you are –”

He shook his head, and turned back to Isobel, his jaw clenched. “I’m not kidding, leave us alone.”

Isobel was relentless, tilting her head over her brother’s shoulder, since she was almost as tall as he was. “Oh, what do you think I’m going to do, Max? Get out of the way, let me look at him!”

“Alex,” Max said, his wary eyes on his sister, “I am so sorry about this.”

“Sorry about what?” she demanded. “I didn’t do anything! Get out of the way, Max! Do you have any idea how rare it is to get a look at him this up close?!”

“He’s not an octopus, Isobel!”

“It’s a compliment!” She told Alex, “It’s a compliment, it means you’re really cute.”

“We have to go,” Max insisted, fending off his sister’s reaching hands. “We have a thing at the museum and –”

“What museum? Why didn’t you invite me? I want to come with you!”

“NO!”

“Why not?”

“Because you’ll make it weird!”

“What does that even mean? Scared I’ll embarrass you in front of your new boyfriend?”

“Isobel!”

Watching them, Alex should’ve been annoyed. But Max was being gentle with his sister, and Isobel’s eyes were so genuine that Alex could tell her curiosity was innocent and eager. There didn’t seem to be a malicious bone in either of their bodies.

Crouching behind a building just half an hour ago, Alex had not thought he’d be able to smile for the rest of the day. Now, a giggle escaped his lips before he could help it.

Max and Isobel stopped and stared, wide eyed. Max’s cheeks were tinted pink. Alex pretended not to notice.

“Isobel,” he said wearily, “you want to come with us?”

Isobel looked momentarily surprised, then pleased, a satisfied grin stretching across her pink lips. She lightly shouldered her way past Max and hooked her arm around Alex’s.

“I like him,” Isobel said cheerfully, and pulled Alex down the road. Alex looked over his shoulder at Max, who blinked out of his haze and ran to catch up to them.

“Why would you invite her?” Max murmured.

Alex took one look at Isobel and smiled, something about her radiant demeanor an interesting contrast to the darkness he lived in. Maybe it was having a writer with him, maybe it was that he was kind of a writer himself, but he thought there was a fascinating story here between the three of them.

To Max, however, he merely shrugged a shoulder and smirked.

“Come on, Evans,” he said. “I wouldn’t want you to think this was a date.”

Max again blushed, and Alex again pretended not to notice.

Ahhhh here it is!!! Finally!!!

I know only three to four people may enjoy this, but I wrote it mostly for me, so my expectations are low. Or, I should say, that’s how I’m trying to keep them. Don’t ask me how long until the next chapter comes up, this is just supposed to be fun. Any questions about updates shall be ignored.

That said, if you did enjoy it, comment! Tell me what you liked, if it was funny, angsty, if it’s not your kind of thing but you decided to give it a chance anyway - I love that stuff. And share/reblog. You may not have liked it, but maybe someone else really will!

#alex manes #max evans #sheriff manes #max x alex #sheriff manes fic #roswell new mexico #roswell nm #sheriff manes fanfic #sheriff manes fanfiction #tyler blackburn #nathan dean parsons

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thephantomessoftheopera · 4 years ago

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Notes on Gaston Leroux’s “The Phantom of the Opera” - Chapter 13: “Apollo’s Lyre”

Image of the Apollo statue on the rooftop of the Palais Garnier from Wikimedia Commons

<< Previous Chapter

The chapter “Apollo’s Lyre” constitutes the basis for the “rooftop scene” between Raoul and Christine in the ALW version, but in the book, it is really all about Erik. It’s quite possibly the most important chapter in the novel because we meet our title hero face-to-face for the first time, and because Erik overhearing Christine‘s plan to escape provides a turning-point for the plot.

The symbol of Apollo's Lyre is not only present in the Apollo statue on the highest point of the rooftop (that Erik is supposedly clinging to here), but also adorns the chandelier both in the Palais Garnier and in the original production of the musical.

At the end of the preceding chapter, Raoul had vowed to take Christine away, but she is still at war with herself about the idea. She wants to leave because she is afraid, but at the same time, warns Raoul that he will probably need to force her to leave since she isn’t emotionally ready to let go:

““But if I refuse to go with you when the time comes for you to take me away, you must make me go!” [...] she spoke these words with a forcefulness that seemed to be directed against herself.”

Every time Raoul offers to take her away right then and there, Christine refuses with an excuse of why it’s not possible to leave just now. Yet she is afraid that the next time she goes to Erik, she may never leave again. Erik seems to make her feel very deeply - but too much feeling can be very terrifying, especially if it’s a wild ride on that emotional rollercoaster of ecstasy, horror, pity, despair and passion that he sends her on. It’s no wonder she rationally wants to get out before it consumes her, and yet is afraid of losing it.

While she begins telling Raoul the whole story from her perspective, they repeatedly think they hear sighs, but still remain in the same place. This is a bit odd, considering how they kept running around before, but now, Christine insists that they stay, which is a bit curious. It is possible that she thought they were safe - but considering her general unwillingness to leave, I think it is even possible that she might be subconsciously sabotaging her own escape plan.

When Christine speaks about how she first met Erik, it becomes clear that masquerading as the Angel of Music was not initially Erik‘s idea. When Christine heard Erik in her dressing-room for the first time three months ago, he sang and spoke to her like a real man, except that he had this beautiful angelic voice and was hiding in the passage behind her room, so that he could not be seen. The first person to suggest that he might indeed be the Angel of Music is Mama Valerius, who prompts Christine to ask Erik if he is the Angel her father had sent for her. Erik jumps at the opportunity presented to him and confirms that her assumption is correct, and asks if she will let him teach her. She consents, and together they make amazing progress, developing both Christine’s technique and her inspiration to hitherto unknown heights.

One day, Christine sees Raoul at the Opera, and eagerly tells Erik about it. I bet he bitterly cursed himself then for passing himself off as an Angel, leaving enough space in Christine’s heart for a real man. But his threats to leave cause her to despair and to try to ignore Raoul - also because a marriage to him would be out of her reach anyway. Now it’s Erik’s turn to whine and accuse Christine of being in love with Raoul in the same way we’ve seen Raoul do before. But just like with Raoul, she won’t have that and even challenges Erik that she will ask Raoul to accompany her to Perros. According to her, Erik’s jealous reaction made her realize that she loved Raoul. I wonder if madly jealous Raoul also made her realize that she might possibly be just a little bit in love with two very different men?

Subconsciously, she seems to kind of know already that Erik is not really an angel, because when the chandelier falls, she is half-mad with panic and terribly afraid that it may have killed “the Voice” (and it would be a bit difficult to kill a heavenly being even if you dropped a chandelier on it). She also admits that then, Raoul and Erik were both “the equal halves of her heart” (and I think they still are, beneath all the complications that have arisen in the meantime). She runs to her dressing-room because that is where she is most likely to find “the Voice”, and when she hears the sounds of Erik singing and playing the “Resurrection of Lazarus” on his violin, she follows his voice through the mirror without being able to say how exactly she disappeared through it. She suddenly finds herself being gripped by a man in a black cloak and a full-face mask and tries to fight back, but then faints. When she wakes, she is resting on the ground near a fountain, and Erik is gently tending to her, but doesn’t reply to her questions so as not to give himself away as “the Voice”. Christine recognizes César the horse, and realizes that even though she never believed in the ghost, she had heard the rumours about him stealing the horse.

Erik takes Christine to the house by the lake, first on César’s back (that’s what he needed the horse for, after all) and then in the famous boat (which is rowed in the novel). She is no longer terrified, but feels strangely peaceful - an effect which she attributes to the possibility of having been drugged, even though she admits that at the same time, she was still in full possession of her senses.

“Lake Averne”, the name of the lake under the Opera House, is a play on words as well as meaning. First, “lac averne” is almost the same as “la caverne”, which means “the cavern”. There is also a real lake named “Lago d’Averno” in Italy, and in Roman mythology, that lake is one of the entrances to the Underworld. This fits with the fact that Erik also bears characteristics of Charon, the ferryman to the Underworld, whose name can be literally translated as “with glowing eyes”. The iconic boat ride certainly resembles the passage into the Hades, which is even alluded to in the novel.

The water tank below the Palais Garnier. Image from atlasobscura.com

Let’s stay in the Underworld for a moment. “The Phantom of the Opera” can also be seen as a variation on the story of Hades and Persephone (Christine’s ship in “Love Never Dies” is not called “Persephone” for nothing). Hades, the god of the Underworld, fell in love with the young and beautiful Persephone and wanted to marry her, but as the goddess of spring, she wasn’t willing to abandon the world above and go to live in the Underworld. Therefore Hades abducted her, she finally consented to marry him and became queen of the Underworld. Due to the intervention of her infuriated mother Demeter, it was finally decided that she would divide her time between living on earth for some months every year and living in the Underworld for the rest of the time.

When they arrive, Erik sets a confused Christine down in his brightly lit drawing-room, which has been decorated with an enormous amount of golden baskets full of flowers. It is not quite clear where all the flowers come from, so I guess he bought them all for her. With a salary of 20,000 francs, he could probably afford the luxury of spending so much on flower decorations… He tells her that she is in no danger, as long as she doesn’t touch his mask. When Christine realizes that the Voice is not an angel, she starts crying. Erik then kneels down in front of her and proceeds to tell her without further ado who he is, begs her to forgive him, and lays his heart at her feet. He confesses how much he loves her, and how wrong his actions were, but that he did everything out of love for her. It seems that Erik was rather anxious to reveal the truth that he is not really the Angel of Music and end his deception, but at the same time, was waiting for an opportunity that would allow him to explain everything without the risk of her running away from him forever. Keep in mind that he took on the role of the Angel of Music for just a couple of months, not years as it is commonly assumed.

Christine then stands up to demand her freedom, and is taken aback when he actually concedes it to her, telling her that she is free to leave. But after all, she does not leave because he starts to play the harp and sing for her. The piece he is singing here is the “Canzone del Salice” from Rossini’s “Otello”, in which Desdemona laments the cruelty of love. It is often assumed that the „Otello“ Leroux is referencing here is the more famous “Otello” by Verdi, but that one didn’t premiere until 1887, while the story is definitely set before 1886. Furthermore, Rossini’s version of the “willow song” is the only one that starts with a harp solo. The song is included in the playlist, listen to it here:

https://open.spotify.com/track/25ILZhCIWIRjJVK8SqDWzn?si=U5EPiO_ySBOlIy5XvI1BGw&dl_branch=1

The next morning, Christine awakes on the couch in „her“ bedroom (aka the “Louis-Philippe room”) where Erik must have carried her after she had fallen asleep. When she can‘t get out, she suffers a fit of hysterics, although it seems that she has simply been unable to locate the door set within the wall. Erik has been out shopping for her, which is a rather cute scene when he comes back with all the boxes for her while she yells at him. He calmly tells her to get ready for lunch, and she slams the door in his face so she can take a bath in peace. She places a pair of scissors within reach so that she could kill herself if Erik “stopped behaving like an honourable man”. Her concern is understandable, being alone with the man who is madly in love with her, however it is important to note that Erik never physically forces himself on her throughout the story.

Remarkably, Erik’s house had both hot and cold running water, something that was still very rare then, which suggests that he actually lived in better hygienic conditions than most people at that time, and that he was a skilled engineer.

When she finally joins him, he tells her that she does not need to be afraid, and that all he asks for is that she will spend 5 days with him. After that, he hopes that she will come back to see “poor Erik” from time to time, shedding a few tears beneath his black mask as he speaks. He serves Christine lunch in the drawing-room, consisting of crayfish, chicken wings and Tokay wine, but he himself does again not eat or drink. From their conversation, we learn that Erik has taken on his name “by chance”, whatever that means. The meaning of the name is “sole ruler” which is quite fitting for him.

When Christine has finished eating, Erik invites her to see his room, and she doesn’t hesitate as she instinctively trusts him. Apparently Erik has a very gothic taste as far as room decorating goes, and all this also plays heavily into the death symbolism of his character. Erik sleeping in a coffin is reminiscent of vampire stories, especially because it seems to be a choice and not a necessity. There is also an organ with the score of “Don Juan Triumphant” on it, written in Erik’s customary red ink(?). Erik tells her that he started composing it 20 years ago. Christine asks him to play her something from his “Don Juan”, but Erik refuses because “some music is so formidable that it consumes everyone who approaches it”. It is quite significant that the “sing for me” motif is absent from the novel version, in contrast to the ALW version where it is very strong. Erik, in the novel, has no plans for Christine to sing any of his music. He wants her companionship and her love, and he wants to sing together with her and lose himself in their shared passion for music, but he definitely does not see her as an instrument of sorts. He did help advance her career, but not with the intention of having her perform his work.

Erik makes it clear that his own music is very different from Mozart’s „Don Giovanni“ and from “opera music” in general. “Don Juan Triumphant” can be seen as an allusion to Lord Byron’s epic poem “Don Juan” (in which, incidentally, Don Juan is sold as a slave to the sultana of Constantinople).

He sits down at the piano and starts singing the duet from “Otello” with Christine. There is of course more than one duet in “Otello”, but this one is most likely “Non arrestare il colpo/Notte per me funesta” from Act III (here: https://open.spotify.com/track/151M60b3qxzqKLDFwIVuUB?si=WX4TDWCeQVmIChqd6u7CyQ&dl_branch=1 and here: https://open.spotify.com/track/2Ep1OncGZCNR9yFevG6Pb6?si=QzG2JztuQ42MDoiVrLAaew&dl_branch=1 ) In this scene, Othello accuses Desdemona of betraying him, while she tries to convince him that she is innocent. She realizes that she has fallen victim to Iago’s plot, but Othello does not believe her and stabs her. This opera, for once, is in Italian, while most of the other pieces that appear in the “Phantom” are sung in French.

The unmasking in the novel happens while Christine is swept up in the passion of her duet with Erik. She “stepped closer to him, attracted and fascinated, enticed by the idea of dying at the center of such passion. But before dying [she] wanted to see his face…”

It’s not like she is sneaking up to him out of pure curiosity, but rather reacting to an instinctive wish to pull away the barrier between them. The scene is even more tragic because with a normal face, the passionate mood that Christine was in would have potentially led to her kissing him. But sadly, his face is anything but normal, so Christine recoils in horror instead. Erik’s reaction to the unmasking is violent and horrific as he goes mad with rage at her, even hurting his own face with her fingernails - an expression of his self-loathing. Throughout the scene, Christine seems fixated on the horror of his face more than his behaviour, though. Ashamed of himself, Erik crawls out of the room and shuts himself up in his bedroom.

“Apollo’s Lyre” by Annie Stegg Gerard

Erik’s appearance as described in the novel is indeed bordering the realm of the fantastic and supernatural. He is so stuffed with death symbolism that it is hard to take everything literally. Christine’s description makes it rather hard to see him as “real” because he seems to look like something straight out of a nightmare.

It is important to note that Erik is not just run-of-the-mill ugly, but that he is very clearly associated with death in many ways - from sleeping in a coffin and having funeral-style decor in his room to actually looking like a „living corpse“. Erik and Christine can be seen as a literal expression of the artistic topos „death and the maiden“, which especially towards the end of the 19th century associated death very strongly with the erotic (see https://eclecticlight.co/2020/01/05/paintings-for-our-time-death-and-the-maiden/ for a very good overview of the motif). Death here is usually represented as either a skeleton or corpse, or as an angel - which is very much in line with Leroux’s Erik.

”Girl and Death” by Edvard Munch

Combined with the fact that Erik‘s music creates feelings of passion, rapture and ecstasy in Christine, it is not a big stretch to conclude that Erik is associated not only with death, but also with sexuality. The duality of sex as both a life-creating and life-threatening force was acutely perceived by the people of that period. Love and death are connected, and both are represented in Erik‘s character. ALW‘s musical adaptation recognized this strongly erotic undercurrent in the story and translated it very aptly into songs such as „Music of the night“ or „Point of no return“. The way in which Christine describes her lessons with Erik - that they “awakened an ardent, voracious, and sublime life” in her, and made her live in a “kind of ecstatic dream” can also be interpreted as her romantic awakening, with all the frightening emotional chaos attached to it.

Raoul, on the other hand, is more associated with purity and propriety - which is reflected in how he views Christine, and the standards that she must conform to in his opinion.

Before seeing Erik’s face, Christine admits that she *would* have come back, but that now, she would never return because “you don’t go back into a grave with a corpse that loves you”. Note how she switches from the first person to the impersonal “you” in this sentence - “you” might not do that, but we already know she did in fact go back more than once. And she is still able to see something of the angel in him because he does not take advantage of the situation, but leaves her alone, turning to his music again.

And then, “music has the power to abolish everything in the outside world except its sounds, which go straight to the heart”. Erik starts playing the finale of “Don Juan Triumphant” where “ugliness, lifted on the wings of love, had dared to look beauty in the face”. Through the music, Christine can glimpse into the depths of Erik’s heart and soul, feel his torment and suffering, and is overwhelmed with compassion.

Once again, she is the one to tear down the wall between them. She pushes open the door to Erik’s room and asks him to show his face, sincerely thinking that she can handle it - but it turns out, she really isn’t quite able to when there’s no music between them. But she manages to put on a brave facade and lie to him about being able to look at him without horror. She despises herself for her lies, but then she also does what she must in order to be set free. Erik takes her for walks along the shore of the underground lake, and for carriage rides to the Bois de Boulogne (that’s where they ran into Raoul in Chapter 9). After two weeks, Erik finally trusts her so much that he is willing to set her free (with conditions, of course). It’s really heartbreaking when she mentions how he dared to try to make her look at him even when he wasn’t singing, like a “timid dog”. At this point, he is in her power just as much as she is in his.

When she finally leaves, she is moved more by his tears than by his threats, and his pain is what gets her to come back in the first place: “Those sobs attached me to him more strongly than I thought when I said good-bye to him.” Part of why she is afraid to leave is that she fears it will kill him if she leaves him.

At the end of the chapter, Raoul asks the fateful question that sums up the tragedy of Erik and Christine:

“You’re afraid, but do you love me? If Erik were handsome, would you love me?” “Why tempt fate, Raoul? Why ask about things that I keep hidden at the back of my mind, like sins?”

Christine’s reply along the lines of “Don‘t ask” was cut from the de Mattos translation. It clearly evidences that Christine has conflicted feelings for Erik that go beyond only horror or pity, and that she prefers to suppress them so she doesn't have to deal with them. The statement also shows that if Erik had not been cursed with his face, then things might have looked very different for him and Christine. Attentive readers of de Mattos might nevertheless notice that her next line „If I did not love you, I would not give you my lips“ evades addressing the „what ifs“ Raoul posed, but it still makes her appear less conflicted than she really is. Christine’s heart is a pretty deep ocean of secrets, and at the back of her mind, there seem to be quite a few things that she is unwilling to admit to herself, as Raoul suspected before:

“You obviously love him, and your fear, your terror - all that is still love, of the most exciting kind! The kind you don’t admit to yourself.”

I haven‘t really counted, but this must be like the fifth time that Raoul insists on his suspicion that Christine is in love with Erik, and he just can‘t get a „no“ out of her. That “no” is given very directly though when he asks her if she hates him. She kisses Raoul to prove that she loves him, at the same time telling him that the kiss is just a one-time thing („for the first and last time“). Then “the night is torn apart”, and the last thing they see is a pair of glowing eyes looking down on them from Apollo’s lyre - which are clearly Erik’s, who has overheard the entire conversation…

Image from wikipedia

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