#I will have to write those one day

[poorly-drawn-mdzs]

Look what we've become.

[First] Prev <–-> Next

[remxedmoon]

practicing self care (projecting my stims on my blorbos)

greyscale vers below the cut!

[maramahan]

Writing Tip:

it helps if you m ake. worbs

[mellosdrawings]

Now I want to see the losers club. :)

Are you referring to the ACTUAL Losers' Club (aka the Stephen King's Losers Club) or my band of completely unlucky morons ? Whichever the case, you're getting more N2 Squad x)

Here's some random doodles I did to try and get their dynamics for an attempt at fanfic.

(With a very self-indulgent side of Jamil & Ruggie)

[ohitslen]

Intrusive thoughts

[thresholdbb]

what's the threshold theory

There was a post about how Tom is the only crew member who isn't really affected by the Borg, and there's a theory that he has so much luck because he saw the past and the future when he crossed the transwarp threshold. He saw the past and the future, all of time and space. There's some subconscious part of him that remembers that experience. In fact, Tom refused to play a part in Chakotay indulging Annorax's temporal incursions, probably because a part of him knew nothing good could come of it.

If we extend that same theory to Janeway, some of her wild luck with time travel and other crack plans starts to make sense. She doesn't verbally hate time travel until after the events of Threshold, since it happens in Time and Again without complaint. Janeway has an uncanny knack for time travel, as evidenced every time she deals with it. She hates time travel, but it might be because part of her knows exactly how to manipulate the timeline. She manages to avoid the "inevitable" temporal explosion in Future's End, saving both Voyager and Braxton. She resets the entire timeline in Year of Hell, and no one else followed her reasoning. She pulled it off flawlessly. In Relativity, she senses the incidents are all related, despite it being just one reading that connects them. By the time she's involved, she has a temporal incursion factor of .0036 and a time travel protocol named after her, even if that may just be Braxton's personal grudge. Then there's Endgame, where she intentionally changes the timeline. Up until this point, she has been dragged into time travel, but for the first time, she jumps in on purpose. How does Admiral Janeway know how to get them home sooner in a way that completely avoids the Temporal Integrity Commission? It's because she has seen all of time, and part of her knows exactly what needs to happen so she can get Voyager home and do it in a way that becomes baked into the prime timeline. Maybe she doesn't consciously remember what happened during her transformation, but the experience lives in her mind somewhere, guiding her decisions.

[fluentisonus]

working in a factory has you thinking so much about the insane chain of labor & transport that goes into making literally anything

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I��love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[deoidesign]

My comic is so pretty...

The hiatus is letting me take a little extra time on these episodes, and I'm definitely putting it to good use!!!

[chronologically-challenged]

There was this one art a little while ago about the family stuck in a situation where they're forced to play ISAT in some post game scenerio. I keep having many thoughts, but here's some about them figuring out who Loop is:

1) They all BAFFLED by how Loop usually talks. They all thought Loop was this shy little star person. Immediately, they get hit with "have you tried not dying~~~~" into "I think you deserve help" and do not know what to think.

2) Odile is in charge of the controller. Mainly bc no one else wants to control Siffrin and they all have equal amount of video game experience aka none, so Odile is being practical about it. This has the side effect that Odile gets to be all investigative. Odile makes it her MISSION to find stuff out about Loop.

3) Siffrin has complicated feelings about them finding out about Loop??? Like okay they HATE their family has to see all this, ESPECIALLY THAT THEY CAN SEE HIS THOUGHTS!!!! But. Loop. Siffrin hasn't told his family the truth. It's not his story to tell. But. If they figure it out...? In a way that proves Loop wrong, right? That they can recognize them. Maybe it takes a bit because Loop looks different is and actively trying to be different from Siffrin. But. Maybe...? Either way they encourage Odile to talk to Loop. If this is a simulation... if this is real in some way even... yeah he wants to talk to Loop.

Anyway here's a list on how they find out one by one:

Odile: She catches the little stuff. She notes the royal We, the fact that Loop alludes to having an old body by accident, the casual familiarity in some places. All of that. She is also the first to note their eyes being different shades. However, Odile doesn't make the connection 100%, not until Isabeau. Well.

Isabeau: He gets some of the weird stuff Loop says but not as many as Odile. HE finds Loops side comments weirder. He sees Loop's reactions and they're a bit. Uncanny.... and then he has another realization, Loop and Siffrin have the same eyes. When Isabeau notes this, it all clicks for Odile.

Mirabelle: Okay, so. You cannot tell me that Mirabelle has not read fantasy stories with weird guide characters. She has to have!!!! So at first, she's not even looking for who Loop is. And tbh? She has the best read on Loop's personality otherwise. Sassy, but clearly caring. A bit of a shit, but serious when needed. And mainly, she appreciates Loop Being There when the rest of them couldn't. That being said, the moment where the "have you wondered who I am" happens. And suddenly Mirabelle Is Thinking Of the Possibilties. And then the ME option pops up!!!! Odile was already about to pick it but Mirabelle YELLS to pick that one!!!!! Uh. Shortly after that they all have a conversation about how yeah, Loop is VERY likely Siffrin. Mirabelle justifies herself with tropes. Of course!!! Of course they're Siffrin!!! If they're anyone they have to be Siffrin. Siffrin got transformed and became the guide they needed!!!! It Just Makes Sense.

Bonnie: ....Tbh doesn't really figure it out on their own? But also. Loop. Feels like Frin. Not exactly like Frin. But they're Frin enough to be trusted so who cares. It takes awhile for them to really get it too because... it's weird. Also they're the one to really ask why there would be two Frins??? Duh??? And why would Frin become Loop???

Anyway, basically, after picking "Me?" They pretty much are all on the same page. They got that it was wishcraft. They got Loop is Siffrin somehow. I think Odile might figure out that "hey, uh if Loop is the guide then what happens when Loop doesn't have a guide" and Mirabelle probably says "wait Siffrin didn't you say to me once that without Loop you wouldn't have made it?"

Meanwhile Siffrin is a mix of sad and very emotionally touched. Because. Yeah. Even when trying to actively hide, their family recognized them.

Notably, Siffrin gets them to twohats (Siffrin remembers that they understood Loop most after showing them the coin. So yes, the family does get to see Siffrin's "I will forget everything I love" moment. Goes as well as you expect. Lots of hugs and the reassurance that they will bug Siffrin until the end of their days so he can't forget him so HA!)

But yeah. Siffrin really wants to make sure they can get little simulation Siffrin to realize Loop is Siffrin as well. Because if there is any chance of this being real and that they're guiding a Siffrin in another reality, then they want to make sure they can get Loop to know just how much they did. How much they helped and changed Siffrin's fate for the better.

To note: I'd imagine in this scenario, Odile wouldn't go do any of the side stuff. At least not too much of it. There wouldn't be as much exploration either. Siffrin likely would be very underleveled as a result.

So perhaps in this scenario? Imagine if you will that while the Siffrin watching definitely defeated Loop, the simulation Siffrin loses.

And Siffrin finds out that... no. No! Of course Loop couldn't kill him. Of course they wouldn't. There is a catharsis to that realization.

(After they finish the game, either a) prologue playthrough time or b) they're freed and the group IMMEDIATELY try to figure out a way to find Loop bc uh??? Even if they weren't Siffrin, they want to find them. But like. Two Frins. Two Frins they know are different but who cares, no matter who Loop chooses to be, Loop Is Family Too).

Anyway, family plays isat featuring the Loop Saga.

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[becca-e-barnes]

I’m literally drooling over the thought of sensitive Bucky whimpering and whining while fucking your tits and thighs he’s so pathetic and needy all he wants is to make you feel good and to fill you with his cum even if it overstimulates him

Okay, tit fucking is great and all but thigh fucking is SO underrated in my humble opinion. Could just be the fact I've got a small chest though lmao

It's so fun when you're already really into it and the insides of your thighs are all slick. I feel like Bucky would lose it, getting to see your face and look in your eyes and enjoy your body.

It's a nice one to do while laid on your side, facing each other. Although the angle isn't quite right for him to slip inside you, it's fun to explore the other ways your bodies can steal pleasure from one another.

"This isn't going to work, sweetheart." You can't help but laugh, having already tried everything you can think of to make the height difference work. There's no way to keep this romantic and intimate in that position because there's just no chance of aligning your bodies properly to allow him to press inside you.

"Maybe not. But it feels nice anyway." His eyes flutter shut, gliding his dick over the smooth, soft, warm insides of your thighs, encouraged by how slick and easy your arousal makes the movement.

You adjust yourself to bring your other thigh on top of his length, closing him in on both sides.

You're wet enough that friction doesn't impede his movement too much and there's something oddly romantic about it. Maybe it's his hand smoothing the back of your head or his other hand up your back, pulling your body closer to his.

It's so intimate, watching his face as he whines your name, rutting senselessly against your thighs. The little flush to his cheeks is beautiful and you can't resist kissing the thin sheen of sweat on his forehead. The thick duvet on top of you both, coupled with your combined body heat means the room is far hotter than you'd planned.

You take a second to reach between your bodies, spreading your wet folds and readjusting his length, letting him drag his cock against your neglected clit with each stroke and oh, that's pretty mind-blowing.

"O-oh my God." He whines, desperately fucking himself against your wet cunt, rather than into it. It's a different kind of pleasure to being inside you and while they're not comparable sensations, it doesn't stop this from feeling fantastic.

"Fuck, that's good." You groan, rolling your hips to meet his. Your fingers dip between you once more, gathering some of your slick arousal, using it to glide your fingertips over the underside of his shaft and over his balls.

"Holy shit, that's - fuck." Bucky's hardly got a coherent thought left in his head. He's closed in on both sides by your wet, soft thighs and now your fingers are giving him a different sensation underneath while pressing him against your soaked sex.

"I know, baby. Feels good, doesn't it?" Your fingertips trail lightly back and forth over the underside of his shaft, focusing on the inch or so beneath the tip.

"I can't... I need to cum." He groans, thrusting frantically, clinging to your body to keep you close. Within a few seconds, you feel his dick pulse under your fingertips, his cum coating the inside of your thighs in hot, thick, messy spurts.

He doesn't waste a second, kissing your forehead before kissing your neck and whispering "Good girl. Now let me watch you get yourself off with my cum on your fingertips."

[little-pondhead]

Danny moved to Gotham.

Freakshow is touring in Gotham.

Freakshow knows Danny is in Gotham.

Danny knows Freakshow is still after him.

Danny's faith in heroes has been shattered.

Danny turns to the only person powerful enough to run Freakshow out of town, hopefully for good.

Danny turns to the Joker for help.

The Joker is looking for a new punching bag sidekick after Harley Quinn left him.

Danny is just the perfect person to be shaped by the Joker's hands.

Danny becomes the new Joker Junior.

[baeshijima]

u know what would be a cool genshin fic idea? isekai/transmigrated reader, but instead of appearing within the general timeline, you come into the genshin world 500 years prior to the start of the storyline in khaenri'ah.

honestly it could be either a little before the cataclysm, giving enough time to delve into some relationship building + explore some world building with characters like dainsleif, traveller's sibling (which would probably be lumine bc i actually do like her as abyss sibling & aether as traveller), and npcs like halfdan (still crying over him to this day ;w;) and possibly the khaenri'ahn royal guards (assuming you either join them or have a good enough relationship with them), OR it could be you appear during the crisis, completely and utterly lost as to why you were brought amidst the chaos and bloodshed as you watch everything you barely knew about this nation crumble before your very eyes.

either route will still result in reader's existential crises and constant "why am i here? just to suffer?" monologues because really, who would be fine after going through that after coming from /our/ world? and not to mention you've had to endure the next 500 years wandering with no real set path because you don't know this world— this era of teyvat or of genshin. you're merely stuck, unable to die, and forced to live a life of uncertainty with no clear direction for you to go to.

despite it all, you've at least been able to see dain during this course. while your meetings pass far too quickly for your lonesome, and his solemn demeanour is something you're yet to be accustomed to after having been with him before the fall of khaenri'ah (assuming it's the route where you appear before the cataclysm), you're glad to see a familiar face every now and then. after the messy departure with the lumine who left for the abyss order, you've come to appreciate his quiet presence more and more each time.

and then you decide it might be time to settle. you soon realise it's difficult to do so when your lifespan has become far more than that of a human's — of a mortal's — and so you find yourself becoming used to staying in one place for a few years before setting off for the next. rinse and repeat. over and over. it's come to a point where you've witnessed the nations undergo various changes each time you visit. you know change is inevitable, and yet your heart stings each time you witness it; a testament to how the world is ever-changing, yet you're stuck in place as a bystander.

one thing you're grateful for, however, are the bonds you've established amid your back-and-forth over the centuries. from archons like zhongli and venti to long-life beings such as neuvillette and the adepti to regular mortals who have showed you kindness as if one of their own... you've grown to cherish those memories, often reminiscing them when the nights get too long and surroundings too quiet. it was difficult at first, and still is, but you've become used to the inevitable change and the passing of those you once knew.

and after 500 years, you find yourself face-to-face with one you haven't seen since before you appeared in this world; the protagonist of this world, and the one you eventually join in hopes of finally finding a means to an end, aether.

little side notes/extras:

from /our/ world, you would probably know the storyline from up to around current (5.0) or maybe a little after the fontaine aq conclusion. it gives a lot to work with, but you definitely won't remember a lot of the lore after so long other than some main events, especially since most of your knowledge is pretty irrelevant for the next 500 years,,,

i think it would be cool if you had an inteyvat on your person as a little homage of khaenri'ah, which may or may not invoke some opinions from certain characters (*cough* aether immediately being reminded of lumine and having an existential crisis *cough*)

post-cataclysm you would go through a, uhm, long phase of helplessness, wondering why you were even brought to this world so far back if you couldn't even make any contributions. it does eventually morph into a resolution to do what you can to help those you come across if it's within your capabilities, but the nightmares and helplessness come back every now and then as a reminder for what you can't do :D yippee :D

honestly i'm on the fence whether you would have a vision or some other type of abilities (think on the similar lines of aether/lumine's and dain's), but i think having some type of purification mechanic would be a must in your arsenal !! would definitely lead to some moments between you and characters like dain or zhongli who suffer from the erosion as you give them a slight reprieve from what rages within and corrodes them

a little self indulgent, but i'd like to think your first /proper/ meeting with zhongli happens during a lantern rite festival, wherein you're admiring the lanterns in the sky after making a wish of your own and he comes up from behind with "they're beautiful, wouldn't you say so?" and !!

also as for love interests, as much as i would love for human/mortal characters, a part of me feels like this story would be better suited for the immortal/long-life characters as love interests?? idk i feel like considering that 500 years is, well, a long time, the bonds you would have with them compared to characters like, say, alhaitham or diluc would be way too different ?? though i would definitely still add them as love interest bc i am a sucker for so many of the human characters ;w; it would also add to the angst and hurt/comfort ahahha...

anyway thank you for reading this massive brain dump of a fic bc i absolutely would put this as a long term project, and if u made it this far then i would like to say that dain solos—

[5-turtleducks-in-a-trenchcoat]

Everytime I listen to the Ancient Rome Sidequest it destroys me emotionally. But who knows, maybe somewhere there's a world where nothing terrible happens and it's just Sasha and Grizzop having fun adventures in ancient Rome.

[buddie-buddie]

you'll find that you were never not mine

5.1k - explicit - buck x tommy - read on ao3

In his thirty two trips around the sun, Buck has done plenty of things he’s proud of. He’s run headfirst into burning buildings. He’s saved lives. He’s reunited with his sister and survived being crushed by a ladder truck and been named the legal guardian of the coolest kid in the world. 

He’s felt pride before. But never like this. 

This is different. It’s intoxicating and addicting and everything Buck never realized he could have. Everything Buck never realized he deserved. Not until now. 

Not until Tommy. 

The swell of pride behind his ribs, the warmth flooding his chest and beating through his body, it isn’t foreign, not entirely. But he’s never felt it all quite like this. It’s never consumed him like this. It’s never been so heady, so dizzying, so absolutely electrifying. He wants to bottle it up and carry it around in his pocket and take hits from it when no one is looking.

It’s a high he’d gladly spend the rest of his life chasing, if he could only be so lucky. 

Never before has he felt so alive, so proud and worthy and good. There’s a deep, intoxicating pleasure to it, tiny bursts of ecstasy skittering across his skin and dancing up his spine as he looks down at Tommy. 

Tommy, who’s lying beneath him, with his eyes sparkling and a wild, sated grin stretching across his face. His chest heaves as he catches his breath, his heart hammering beneath kiss-bitten, come-covered skin. He has one hand still fisted in the sheets, the other splayed across Buck’s chest. 

“C’mere,” Tommy says, voice rough and heavy. He sounds absolutely destroyed. And that alone sends sparks flying across Buck’s skin, electricity crackling behind his chest as he realizes it was because of him. He did that. 

The pride flares in his chest as he lets Tommy pull him in for a filthy, open-mouthed kiss. 

“S’that good?” Buck mumbles against Tommy’s mouth. 

Tommy pulls back, just enough to give Buck a look of absolute bewilderment. “Was that good?” he echoes, eyes wide. “I haven’t come that hard in–– I don’t even know. I–Yeah,” he says, huffing out an incredulous laugh. “Yeah, Evan. It was good.”

Buck’s breath catches in his throat, pride swelling in his chest as Tommy’s praise sets him ablaze. As does the way he calls him Evan. A name Buck usually hated now makes warmth bloom behind his ribs when it falls from Tommy’s lips. 

Buck can always hear the smile behind it, can feel the fondness as it settles over him, grounding him in a way that still feels just as exciting as the very first time.  

Buck just…. well, he never corrected him. He’s usually pretty quick to ask people to call him Buck, but for some reason he never did when it came to Tommy. Buck used to think that his nickname was reserved for the people who know him, but then along came Tommy with his sparkly eyes and his adorable nose scrunches and his kind heart and his fingers beneath Buck’s chin and well– Buck is starting to think maybe Tommy knows him better than he thinks. 

It was only a month ago that Tommy had kissed him and his world exploded. Everything was suddenly a little bit brighter, a little bit warmer. Nothing had changed, per se, and yet everything was better. So much better. 

It reminds Buck of that part in the Wizard of Oz when Dorothy steps into technicolor. When the sepia tones disappear and there’s nothing but bright, beautiful color. It’s not that Buck’s life before this was bad. It was just… sepia toned. And now that he’s had a taste of technicolor, he can’t believe he ever lived without it. 

He’d be lying if he said part of him doesn’t mourn the fact that it took him three decades to get here. But now that he’s arrived? Well, he’s making up for lost time. 

Tommy pulls Buck back in for another kiss, this one softer and sweeter than the one before it. And yet, it still sends the same zip of pleasure up Buck’s spine, the same rush of desire thrumming beneath his skin. 

Initially, Buck thought that the night Tommy kissed him for the first time was the moment when all the pieces clicked into place. But he was quick to realize that wasn’t the case at all. It wasn’t all the pieces that night, not really. More like it was the edges of the puzzle, the corner pieces that guide the rest of the journey. It was the moment when you press the edges together and have a real perimeter, and for the first time, it all feels possible. It was the realization that something will come of all the jumbled up pieces scattered in front of you. Something real. Something beautiful. 

And the more time he spends with Tommy, the more the pieces fall into place. 

A few days after their coffee date, Tommy had taken him for a flying lesson– the first of many, he had promised. The flying was fun, not to mention how hot it was having a front-row seat to watch Tommy in his element, this time with permission to stare. But the best part of the day was when they left the airstrip and Tommy reached down and took Buck’s hand in his. 

They walked to Tommy’s car hand in hand, and Buck didn’t miss the way his mind quieted the second Tommy’s fingers intertwined with his own. Being with Tommy settled something deep inside of Buck, it eased his mind and quieted the noise he hadn’t realized had once been so loud– not until Tommy smiled at him and suddenly, everything wasn’t so loud anymore. Everything wasn’t so hard anymore.  

Buck likes being with Tommy. He likes the weight of Tommy’s hand in his and the brush of his stubble against his chin. He likes the feel of Tommy’s lips on his and the way his skin sparks each time they touch. He likes being on the receiving end of raised eyebrows and nose scrunches and a quiet, fond, “Evan.” He likes it all. 

Never before has Buck been in a relationship where he’s felt so good and settled and safe. Which isn’t to say he felt unsafe with any of his exes. It’s just…. it’s different with Tommy. Buck feels safe to explore, safe to not know things, safe to not be the guy with the answers all the time. Safe to figure out who he is, what he wants, what he likes. Safe to just be.

He feels safe with Tommy. Proud, too. God, he’s so fucking proud to be with Tommy. 

He still has hard days— occupational hazard, and all. But even when his days are hard, they’re still good. Any day with Tommy is good. 

Today, though? Today is the best of them all. 

Today, Buck has Tommy in his bed. Laid out beneath him like a fucking god, looking like he’s been cut from marble and sent from the heavens just for Buck. He’s perfect, so perfect, with his kiss-swollen lips and lust-blown eyes and bruises starting to bloom beneath the trail of dark hair leading down his chest. 

Buck swears he’s dreaming. It would make it the longest, most vivid dream he’s ever had, but it’s the only explanation. There’s no way a human being can feel this good– there’s just no fucking way. He must have the flu– or maybe that nasty virus Eddie had mentioned was going around Christopher’s class– and his temperature’s climbed so high that he’s started hallucinating. There’s just no way this is real life. 

It’s not like Buck is a stranger to sex. Kind of the opposite, actually. He’s had his fair share of it, all of which was blown clear out of the water the first time Tommy got his hands on him. It’s not that it was necessarily bad with any of his exes. Sex with Tommy is just… better. Much like everything else with Tommy is revealing itself to be. 

At first, Buck thought it was the newness of it all. Like there was a honeymoon phase of sorts, something that would vanish the next time he found himself lucky enough to be in bed with Tommy. He wondered if it would pop suddenly like a balloon that’s floated too high, or if it would slowly ebb away like the tide from the shore, gone before he realized it was. Or maybe it would melt like the wings of Icarus from flying too close to the bright, dazzling radiance that is Tommy Kinard, and he’d come crashing down, cushioned only by the memories of what they once had. 

Except it didn’t. It didn’t pop, didn’t ebb. It hasn’t melted, or vanished, or even dimmed for so much as a fleeting moment. It’s been a month since the first time they got their hands on each other, and it’s still just as electric, just as intoxicating. 

In fact, it’s only gotten better. 

Granted, the first time was a rush of hungry kisses and frantic grinding and come-stained jeans against the door of Buck’s loft. So really, it was only up from there. 

The second time, Tommy got his mouth on Buck and Buck swore he was next in line to meet Jesus. There was the time that Tommy had jerked them off together, both of them in one hand, as if that wasn’t the single hottest thing Buck had ever experienced. And the time Tommy blew him in the shower and then stood up and stripped his own cock until he came on Buck’s abs with a shout. And then there was today. Today happened to be the first time Buck got Tommy off all by himself, and it was… transformative. 

Buck has never, in all his life, known pride quite like he has today. 

Earlier, they had stumbled into Buck’s loft after dinner at his favorite place around the corner, barely through the door before they were on each other, swapping heavy, frenzied kisses.

“Upstairs,” Buck had breathed, punctuating his request with a kiss. “Please.”

“So polite,” Tommy hummed, and Buck could feel his lips stretching into a grin beneath his. He followed Buck up the stairs, their fingers laced together the entire time. Buck dropped backwards onto the mattress, fisting his hands in the lapels of Tommy’s jacket and pulling him down with him. 

They made out for a while, grinding and rutting against each other fully clothed like teenagers, rather than two thirty-something men with all the time and space and freedom to take each other apart properly. 

Tommy pulled away just long enough to tug off his jacket and toss it on the floor behind him. Buck whined at the momentary loss of touch, chasing after it with an arch of his back that had Tommy swearing beneath his breath before diving back in and kissing Buck again. 

“You need to use your words, baby,” Tommy said between kisses, his voice low and breathy in a way that had heat zipping up Buck’s spine. Tommy’s mouth trailed a line of hot kisses across Buck’s jaw and down his neck, nosing at his pulse point and relishing in the way doing so made Buck’s breath catch in his throat. The pet name lit him up, made him feel warm and sparkly all over, like live wires were crackling beneath his skin and setting him on fire in the very best way. 

It was exhilarating and absolutely intoxicating, and Buck wanted to live the rest of his life feeling this happy, this floaty, this good. 

“Please,” Buck’s voice was hoarse, thick with lust and desire as he pushed the word out past the arousal climbing up his throat and threatening to consume him. 

Tommy’s warm breath ghosted across the shell of Buck’s ear as he all but purred, “That’s it. Tell me what you want.” 

“I–” Buck froze for a minute, suddenly unable to form words. He didn’t know where to begin. 

He wanted it all, whatever Tommy would give him. Whatever he could be so lucky to have before this beautiful, delicate bubble popped and the magic disappeared and sepia tones began to bleed into technicolor and the jig was up. Because really, it all felt just a little too good to be true. 

“A-Anything. Whatever you want.”

Tommy made a tsk sound under his breath, but there was no malice behind it, no shame. Instead, just warmth and patience and a fond, familiar sparkle in his blue eyes that made Buck’s chest ache. “Evan,” he had said, his thumb ghosting over Buck’s birthmark before coming to bracket his temple. It was a gesture so simple yet so intimate, it nearly split Buck in two. “What do you want?”

Buck stopped for a beat, letting Tommy’s words settle over him. He felt the fondness behind them all the way in his bones, and something about that made him feel whole, made him feel seen. The words were out before Buck could stop them. “I want to be good for you.”

“You are,” Tommy assured him without so much as a second’s hesitation. He stole another kiss. “You’re perfect.”

Buck’s instinct was to duck away from the praise that settled over him like a balm, soothing the rapidly-fraying edges of his sanity and warming him from the inside out. But Tommy didn’t let him. His fingers hooked beneath Buck’s chin, tilting it back up until their eyes met and Tommy said, “None of that.” His voice was so warm, so gentle and fond and soft, it made Buck’s chest ache. “You can have what you want,” Tommy told him. “Just gotta ask for it.”

Buck’s breath stuttered, his heart hammering against his chest. “I wanna get you off,” he said, barely recognizing the heady rasp in his voice. “Want to take care of you. Make you feel as good as you make me feel.”

Tommy’s eyes were wild as he bit back a groan, as he closed the distance between their lips and kissed Buck for all he’s worth. Without breaking the kiss, he sat back, pulling Buck with him. He tapped Buck’s thigh, humming in appreciation as Buck got the memo and slung a knee over Tommy’s thighs. He settled in Tommy’s lap with a slow, experimental roll of his hips that had both of them seeing stars and struggling to catch their breath. 

Buck loved this, he fucking loved it, being manhandled like this. Tommy’s hands are big and strong and Buck’s never felt better than when they’re on him. He loved that Tommy could take him, that he can hold him and move him however he pleases. It sent a rush of heat dancing across his skin, lust and desire pooling in his belly.

“You’re so good,” Tommy told him, and the words danced up Buck’s spine, heat licking at his skin as he felt a flush creep up his neck. “The best boy.” 

Holy fuck. Tommy knew exactly what he needed to hear, exactly what to say to drive Buck past the point of crazy and all the way to borderline hysteria. Buck whined against Tommy’s lips, rocking his hips as his fingers dug into Tommy’s waist. 

Tommy’s fingers pushed up beneath the hem of Buck’s shirt, splaying out across the warm skin of his lower back. Buck arched his back in a silent invitation, one Tommy accepted instantly, tugging Buck’s shirt over his head and tossing it onto the floor before doing the same to his own. He dropped back against the pillows, looking up at Buck with a happy, hungry grin. Tommy’s hands settled on Buck’s hips just as Buck rolled them again, grinding down on Tommy’s lap before dropping down to his forearms, bracketed on either side of Tommy’s head as he kissed him again. 

“Fuck,” Tommy panted into Buck’s mouth. He rocked up against Buck, his grip on him tightening as his eyes raked over him with a look that could only be described as insatiable. “Look at you.” Tommy’s voice was low, thick with arousal and something that sounded a lot like awe. 

Buck blushed, heat rushing up his neck and burning in his cheeks as he dipped his chin, dropping his gaze with a shy smile. “Hey,” Tommy said gently. It was just one word, but it was unmistakably fond, so much so that it left Buck swallowing past a lump in his throat and pushing down a rush of emotion. Tommy’s fingers were beneath Buck’s chin again, tipping it up gently until their eyes met. “No hiding,” Tommy whispered.

Buck found himself relaxing almost instantly, shyness fading away as he held Tommy’s gaze. Buck’s mind instantly quieted as he stared up at bright, piercing blue that was somehow still soft and kind, gentle in a way that made Buck feel warm and safe. Tommy’s eyes are flanked in tiny, nearly invisible tan lines, courtesy of the way his skin crinkles when he smiles. The lines are barely visible, but Buck already knows them by heart. He’s kissed them and traced them and seen them when he closes his own eyes, in those heavy, floaty moments right before he falls asleep. 

He sees Tommy’s eyes in his dreams, and in the ones when he’s awake, too. He loves the way they sparkle, the mischievous glint behind them that only Buck seems to earn. He could lose himself in them, could drown in the warm, wild, cerulean seas that set his heart on fire and his mind at ease. What a way to go.

Tommy smiled, leaned in and kissed him. It grew heavy quickly, breaking only when Tommy pulled back to draw in a shaky breath. “How d’you want me?”

Jesus Christ. 

Buck’s throat ran dry, clicking as he swallowed and let Tommy’s words hang in the air between them. He placed a hand on Tommy’s broad chest, his fingers splaying out across the smooth skin shrouded in a smattering of dark hair. Tommy’s eyes flitted between Buck’s eyes and his hand, a grin tugging at the corners of his mouth, his eyebrows raising as Buck pushed him back until his head hit the pillows. 

“Just like this,” Buck said. He took a deep breath, shaky on the exhale as he looked down at Tommy laid out beneath him, drinking in every inch of him, melting into every point of contact where their skin met. Eagerness and a sudden, unwelcome flare of uncertainty burned in his gut, a killer combination that had Buck’s head swimming and his breath catching as he swallowed nervously. “Tell me if I— if it’s not—”

“I will,” Tommy assured him, his hands skating up and down Buck’s flank reassuringly. “Won’t need to, though, cause you’ve got this.” He tipped his chin up, meeting Buck in a kiss that was slow and gentle and instantly chased away the waves of self-doubt rising in Buck’s throat. 

Buck nodded, brushing his thumb over the apple of Tommy’s cheek before trailing his fingers down, his touch ghosting over the heat of his neck and the soft, dark hair on his chest. He got to work on Tommy’s belt, despite the way his hands were trembling with some combination of anticipation and restraint. 

Tommy noticed, because of course he did. It’s what he does. He notices things. Because he’s so tuned into everything Buck does, every breath he takes. His hands left the spot where they’d settled on Buck’s shoulders in favor of covering Buck’s own, curling his fingers around Buck’s. 

Buck opened his mouth to apologize, but Tommy must’ve picked up on that too, because he was leaning forward and kissing him again before Buck had the chance to get the word out. Buck– though, really, it was the self-doubt monster inside him rearing its ugly head– half expected Tommy to nudge Buck’s hands out of the way and unbutton his pants himself. But he didn’t. He just let their fingers sit tangled together as he kissed Buck for a minute, slow and steady and everything Buck hadn’t realized he needed until it was happening. He didn’t rush him, didn’t brush him off, didn't make him feel anything other than good and safe and perfectly capable. 

He doesn't think he’ll ever get over it– how Tommy’s so in tune with him, how he’s able to read Buck so well. Not only does he know what it is Buck needs, but he gives it to him any time he can. Buck’s never felt seen like this before in a romantic relationship, and it’s all so much, so good, but so much. He didn’t know what to do with it other than sigh into Tommy’s kiss and pray he'd never wake up from the dream that his life has become. 

They kissed and they kissed and they kissed, and finally, Buck started moving his hands again, this time with a certainty and a deftness that wasn’t there before. He got Tommy’s jeans unbuttoned, and then he was murmuring “Up,” against his lips, urging Tommy to lift his hips enough that Buck could pull the fabric down. 

Tommy did as he was told, and Buck tossed his jeans and briefs to the floor before stealing another hungry kiss. He trailed a line of hot kisses along Tommy’s jaw, down his neck, across his chest. He had his hands on Tommy’s hips, holding him down as he licked at his nipples and Tommy all but writhed beneath him. “Evan,” he gasped, wild and desperate in a way that had Buck fucking floating. 

He sucked and nipped and kissed his way down Tommy’s chest, leaving small marks and bruises that started blooming as he made his way down, down, down. And then he was face to face with Tommy’s dick– his beautiful dick, flushed red and glistening with precome that had beaded on the tip and was starting to drip down the underside. 

The heady rush of pride and delight that came with the realization that Tommy was wet for him nearly knocked Buck over. God knows Buck himself had soaked through his fair share of boxers in the past few weeks thanks to Tommy, but having a front-row seat to the role reversal was almost too much for Buck to handle. 

He pressed a hot, wet kiss to the tip, his tongue dragging over the slit. Really, he was helpless to do anything else, having given himself over entirely to the lust simmering his veins and thrumming beneath his skin, chasing after the heady rush that came as the salty, musky, irresistible taste of Tommy exploded on his tongue and lit him up until he felt like he was high on it. 

Tommy let out a broken moan, and it was everything. Buck could gladly spend the rest of his life in this bed, coaxing that sound out of him over and over and over again. He wrapped his fingers around Tommy’s cock, relishing in the way Tommy’s breath stuttered and his eyes grew heavy. He gave an experimental stroke, focusing on twisting his wrist in the way he knew feels good when he does it to himself. He was rewarded with a punched-out sound that lay somewhere between a gasp and a groan, and then another as he did it again. 

Tommy was leaking steadily now, and Buck gathered more precome and used it to slick him up. “Oh, fuck,” Tommy panted. His voice was raspy and breathless, and it did nothing but spur Buck on even more. “Just like that, yeah, just like that.”

“Yeah?” Buck hummed, confidence building with each passing second, with each delicious sound that fell from Tommy’s lips. “You like that?” Buck asked, pleasantly surprised to hear the rasp in his own voice. He didn’t sound quite as fucked-out as Tommy did– not yet, at least– but his breath was starting to come a little more ragged, his heart starting to hammer a little harder in his chest. 

Tommy nodded, teeth digging into his bottom lip as he dropped his head back against the pillows. “Yes, yes," he practically chanted, the word punched out of him as Buck doubled down, wrapping his free hand around the base, twisting it opposite his other hand and earning himself a filthy, drawn-out moan. 

Buck’s own dick strained against his jeans, harder than he thought he'd ever been as he watched Tommy fall apart beneath his hands. His hands. He was the one doing this to him, making him feel this good. That alone was enough to have Buck teetering on the edge, his skin hot and his mind hazy.

He dipped his chin down again, pressing another kiss to the head, before running his tongue down the underside as his fingers trailed down to Tommy’s balls. 

Tommy jerked beneath him, his back arching and his hands fisting in the sheets so hard it was a miracle they didn't tear. 

“Good?” Buck asked, pulling back just enough that Tommy could hear him, but not enough that the vibrations from his voice didn't send a jolt up Tommy’s spine. 

Tommy’s toes curled and his breath stuttered as he nodded. “Good, yes, good,” he promised, his breath ragged. “Please,” he begged. For what, Buck wasn’t entirely sure. But he’d be damned if he stopped before he figured it out. “Please, baby.” 

Buck loved it, couldn’t get enough of the way Tommy– one of the calmest, coolest people he had the privilege of knowing– lost his composure like this, how he started to babble and beg, his words slurring together as he gave himself over to the ecstasy rushing through his veins and started to come undone. 

Buck kept one hand on Tommy’s cock, long languid strokes that were just shy of enough to get him off, but still enough to have him moaning and whining a litany of broken sounds beneath him. Buck took his other hand back, drinking in the strangled gasp that fell from Tommy’s lips as he watched Buck stick two of his fingers in his own mouth, licking and sucking at them as his eyes locked with Tommy’s. 

There was fire burning in Tommy’s eyes, an insatiable hunger as he watched Buck, completely transfixed. 

Buck released his fingers with a wet, filthy sound and wasted no time before slipping them between Tommy’s ass cheeks, grinning at the way Tommy absolutely whined. One of Tommy’s hands flew to Buck's shoulder in an attempt to anchor himself, the other staying where it was, twisted up in the sheets. Buck shifted his weight, keeping Tommy’s thighs locked between his knees so he didn’t arch off the bed. 

It was something Buck never could have done with any of the women he’s ever slept with— he was always very conscious of his own strength, too worried about being too much, too strong, too powerful. But not with Tommy. Tommy’s big and strong, broad and muscular just like Buck is. They’re evenly matched— even if Tommy’s hands are bigger than Buck’s, something that still makes heat pool in Buck’s belly when he thinks about it. Tommy can hold his own, can handle himself. What’s even more, Tommy can handle Buck, too.  

So Buck kept Tommy’s thighs in a vice grip, and Tommy’s breath hitched and his cock jumped in Buck’s hand, and Buck had to breathe through the wave of pure, unadulterated pride that swelled in his chest and broke over his skin. He felt like a glow stick, cracked open and glowing from the inside out for anyone to see. 

He teased Tommy’s rim with the pads of his fingers, drinking in the tiny punched-out moans and broken gasps that were falling from Tommy’s lips as he did. And then he dropped a kiss to Tommy’s jaw and pushed one finger in, enveloped by warm, slick heat up to the second knuckle. Tommy cursed, spilling over Buck’s fingers and onto his chest as his orgasm rushed over him. 

Buck was mesmerized, completely transfixed with the way Tommy’s back arched, the way his lips fell open on a silent sob, his fingers digging into Buck’s skin hard enough Buck found himself hoping they would leave bruises. Tommy’s beautiful always, but especially like that– coming undone beneath Buck’s hands, skin flushed as he rode out his orgasm with ragged breaths and tiny, uncontrollable jerks of his hips. 

Tommy blinked slowly, his smile syrupy sweet as he came back to himself and saw Buck leaning over him. He reached up and cupped Buck through his pants, grinding his palm against the bulge where his cock was straining against the front seam of the denim. 

“Good boy, let go,” Tommy practically purred, the words shooting straight through him. Buck felt like he was on fire, absolutely glowing as the praise washed over him and his orgasm built. He was helpless to stop the whine that fell from his lips, though he was so far past the point of holding back with Tommy, he didn’t even try. He still had a finger in Tommy’s ass, and when Tommy clenched around him, Buck’s vision whited out as he came with a strangled cry.

It took a minute for Buck’s brain to come back online, for him to relax into the sweet kisses Tommy was peppering across his jaw and his cheeks and his neck, to ease his finger out and take a deep, sated breath. 

“Hi,” Buck slurred after a beat, his voice heavy in a post-orgasm haze.

Tommy grinned, tugging him back in as lazy kisses turned hungry, then lazy again. Buck pulled back to catch his breath, warmth exploding behind his chest as he sat back and took in the sight of Tommy before him. And a few minutes later, when he asked, with just a hint of trepidation creeping into the edges of his voice, if it had been good, he was instantly settled by Tommy's immediate and genuine assurance.

And now, as Buck lays on Tommy’s chest, he doesn’t feel the tackiness of the come cooling between them. He doesn’t feel the wet spot in his own pants, or the faint burn in his wrist. He just feels happy. And good. And proud. 

And when, a little while later, Tommy will mumble “C’mon,” and ease Buck up to guide him to the shower, Buck will go easily, without hesitation. He’ll go anywhere Tommy asks him to, would follow Tommy anywhere he wants to go. Maybe that's how it was always destined to be. Or maybe not. But it's where they are now.

They're together, and nothing has ever made Buck feel quite as proud as that.