#I will come for all of you if you don't stop shipping her

[humblefryingpan]

The "Amy likes spiders" poem in doki doki literature club (Natsuki's second poem) just makes me think of being closeted with internalized homophobia and I think it works really well for her

There's the poem if you haven't seen it!

(This is just me analyzing the poem and it's probably my longest post yet. I've been overanalyzing all the poems but this is the only one I've typed out atm lol)

It specifically makes me think of four things - Yuri liking different things and her disliking her for it, Natsuki being so far in the closet that she'll take any excuse to avoid the pretty girl™, Natsuki's self projection onto "Amy" and most importantly internalized homophobia, like I said earlier

It generally makes me think natsuri but I'll get to that later. So if we go from the internalized homophobia + closeted perspective (more like raised homophobic and doesn't know she's gay but ykwim), it reads as "a girl I know is a lesbian and Im meant to hate her for it. She's pretty and she makes me feel things but I can't be friends with her because she's a lesbian"

'The narrator' (Natsuki) heard a rumor that a girl, "Amy" (the lesbian), apparently likes 'spiders' (girls) and is repulsed. And that's why she isn't friends with her.

"Amy" sings the narrator's favorite love song, her voice is cute and it's making her heart pound. But she still likes 'spiders', so she can't be her friend.

She hurts her leg and "Amy" helped her get to the nurse. She tried to avoid touching her because her hands might be gross due to touching 'spiders', so she still can't be her friend.

"Amy" is very popular, but "she probably talks about spiders" (being gay). "What if her friends start to like spiders too?" (This entire verse rlly speaks for itself)

The next verse is shortest and even more repetitive than the rest of the poem (to emphasize her point) "it doesn't matter if she has other hobbies, it doesn't matter is she keeps it private, it doesn't matter if it doesn't hurt anyone" because to the narrator - she can't be "Amy's" friend, no matter how bad she wants to, because she's always going to be a 'spider lover' (lesbian) and she won't be able to ignore that.

And then the final nail to seal shut the door to the closet - "it's gross, she's gross, the world is better off without spider lovers. And I'm gonna tell everyone" because she needs everyone to know she hates 'spider lovers' to make sure no one knows she is also one. It's so gross because she was taught it was and now she can't stop thinking it's gross, no matter how nice/pretty/kind "Amy" is.

Onto the natsuri part so if you don't like that ship feel free to skip the rest of this (if you're still here lol)

Yuri and Natsuki like such different things (creepy and complex vs cute and simple) and they reach the point where they've argued so much that Natsuki doesn't want to admit she doesn't dislike Yuri. Even if she likes her poems, she'd never tell her because she feels like she can't at this point.

Natsuki couldn't see past their differences for a while, when she finally does, she's too embarrassed to apologize and too uncomfortable to befriend her without apologizing.

Nearly every verse of the poem will talk about how great the girl is. How she has a cute voice, she helped her, she has lots of friends, she makes her heart pound. But every verse she will still come back to "but she likes spiders. That's why I'm not friends with her". It feels like her gradually warming up to Yuri but still reminding herself that she can't be her friend, they're too different, Yuri likes creepy things (Yuri probably does like spiders so that's a bit more literal but it's also that spiders seem to symbolise everything she likes that Natsuki doesn't) and she couldn't be friends with someone so different.

And lastly, Natsuki's self projection (this is what the meaning is said to be in-game), meaning "Amy" is Natsuki herself. Natsuki likes manga and her friends won't believe it counts as literature. Her manga is the spider in this interpretation, she doesn't want people to judge her based on what she likes. She's had to be so defensive about what she likes, she may even judge herself for liking it at this point. She doesn't want people to judge people by their interests.

I keep seeing people say that Amy is a real person but that's one of the only interpretations that makes no sense to me. Because Natsuki may be a bit judgemental but even she wouldn't make an entire poem about disliking her classmate's love of spiders. She said herself that anyone that agrees with the narrator in the poem is a bad person. It's far more likely that "Amy" is a made up idea, she's barely even shown as a person. She's seemingly meant to be symbolic of Natsuki's flaws and insecurities, whatever you perceive those insecurities to be.

Portraying Amy as an actual person kinda cheapens the poem, at least in my opinion, because she was talking about how people should be given a chance no matter what (or who) they like and if Amy was a person it wouldn't make sense

[lovemyromance]

A lil angry rant

FOR THE LOVE OF GOD -

Elain eating drinking and sleeping again in ACOWAR had nothing to do with LUCIEN. Very tactically - It had to do with FEYRE - Our NARRATOR - arriving at the Night Court. Not even in the sense that Feyre brought her out of her depressive state. But in the sense that until FEYRE arrived:

We would not have known Elain was even depressed

We would not have seen Elain getting better

We would not know anything ABOUT Elain or her current state - or ANYONE in the NC, because Feyre - Our first person narrator - was NOT there.

The idea that Lucien was the reason she started eating and drinking again is LAUGHABLE. For that to be the REASON - he would have had to ACTUALLY DO SOMETHING to help her.

And I'm sorry but his mere existence did NOT fix Elain. There was a VERY clear cause and effect that fixed Elain, and it was Azriel discovering she's a Seer. People can try to downplay it as much as they want, but it doesn't change the fact that Azriel revealed she was a Seer - and literally the next page - Elain get's freed from her murky realm. Clarity returns to her.

Do NOT try to make this a thing. This is NOT the argument y'all want to actually use for Elucien. There are a dozen other things that make MARGINALLY more sense than saying "Elain got better because of Lucien and Mor and Feyre not Azriel". Mor & Feyre? Fucking really? REALLY?

Like I'm sorry but I am drawing the line at saying MOR fixed Elain and Elriels are misogynistic for erasing her BIG ROLE in fixing Elain. Like my god, if she really had such a BIG part in fixing Elain, maybe the real ship here is MorElain??? Or that Feyre fixed Elain because she literally asked AZRIEL "What is wrong with her??"

Like stop, just STOP at this point. Calling Elriels misogynistic over this is such a reach.

You are the same people who claim Elain is out here sniffing and cradling Lucien's cloak he gave her after the same most traumatic day of her life, disregarding her ENTIRE trauma and PTSD just to have a 'cutsey lil headcanon about elucien'- and you have the fucking nerve to call ELRIELS misogynistic? For what? Reading the books?

Sorry I don't read things like quizlet flashcards, like random letters cut out of a magazine and shuffled and taped together to try to send a message that just ISN'T THERE.

Y'alls logic is literally "Lucien made her feel better because he arrived and then she got better" even though she literally cringed away from him and all he told them to do was get Elain some fresh air. You are just theorizing - desperately hoping, really - that somehow, Lucien's "mate-ness" cures her? Through what? Osmosis? Tf? "Through the mating bond" -> You mean the one Elain called strange and runs away from? That mating bond somehow cured her? What led you to that conclusion when even Feyre didn't come to that conclusion?

Azriel figured out she was a Seer. He found out why she was in that scared, depressed state, and he freed her. And then as soon as she could put a name to what was happening to her, babygirl straightened her spine and came back to her senses. That is literally written - black and white - in the text (that you so carefully cut Azriel out of btw).

And I keep seeing this ridiculous shit about how "oh well Elain's powers are not WRONG >:( so Azriel figuring out her powers didn't fix what was wrong with her" -> And to that, all I have to say is stfu and stop being crazy, you look like fucking clowns 🤡 . You are trying SO - SO hard to try to disprove every Elriel moment it's making you seem so desperate.

You shouldn't have to do this level of mental gymnastics to prove your ship is relevant? Why are these people SO - SO obsessed with trying to "disprove" every Elriel moment to claim they aren't significant??? Like newsflash - if Elriel wasn't significant or important - there WOULDN'T BE so many moments!

Why don't they - IDK - put half as much energy into trying to prove Elucien? Why don't they put that energy into appreciating canon Elucien moments? Why don't they have cute quotes and fanart about canon Elucien moments? Why don't they sit here fawning over cute Elucien moments from the actual books?

Oh....lol...wait. BECAUSE THERE AREN'T ANY. 😫

They HAVE to sit here and make headcanons and try to disprove everything about Elriel because they don't HAVE anything to fawn over in the books. 🤷🏻‍♀️

Why is their ENTIRE ship:

70% trying to disprove every time Elriel ever even breathed beside each other + 30% over-analyzing random out of context words and sentences + 20% headcanons about Lucien (cough, oopsie I meant headcanons about Elucien. Sorry guys, sometimes I type too fast and its so hard to miss the small, miniscule E for Elain in the Lucien ship. Sorry did it again - meant E-Lucien)

(And yes I know this adds up to over 100%. Because they're ALWAYS TRYNNA DO TOO MUCH to act like Eluciens not a dead ship)

[hey-august]

Cus saying something about rollercoasters gave me an idea.

What do you think buggy is like if he wants to take his partner to like a fair or theme park or something of the sort. Cus, obv he would. But they're way too afraid to get on most of the rides?

He may tease, sure. That's got to be a given, no? But seeing the terrified look your face after he'd somehow coaxed you into let's say the Ferris wheel? He's holding your hand, telling you it's okay. Describing the pretty lights and stunning view as you slowly get to the top. And while it's stopped all the way up high, you actually look out. Able to relax a bit. It's not so bad. It's pretty, actually. But heights are still terrifying.

Or maybe it's a rollercoaster he had to coax you onto. "Just try it once!"

And maybe he'd regret it just a little. The constant scream right next to him. Absolute death grip on his hand.

Getting on and starting to go up was one thing. The second it sped up just a hair to get to the top is when the screaming started, the tight hold on his hand. Then the screaming got louder as it sped downwards and your hand kept one hell of a death grip on his hand. The only time the screams stopped was so you could take a breath to continue screaming. Once the ride was over though he led you to a nearby bench until you could relax.

Or maybe those teacup rides. Only scared to get on it because.. Well it's buggy. And most people you've been on that type of ride would spin it way too fast and scare the ever loving hell out of you. But he's already dragged you on enough rides and this was one you liked. So he did spin it, but made sure you were okay with the speed. Laughing and spinning it together, enjoying the more peaceful ride.

Though you two did get on it again just to go as fast as possible. Laughing and clinging onto the seat.

I feel like he'd also want to win you a prize. *Of course* it had to be one that was so fucking stupidly hard to get. But he wanted to see you smile, he always did. So he tried. And tried again. And again. And..one more time. *damnit* why was it so difficult? But the second the person who was in charge if the game became distracted with something, even for a mere second, he cheated. Hey, he wanted to get you that prize. And it so happens he can detach limbs. His hand reattaching before anyone can see of course.

Is some of this based on personal experience? Yes. I can't stand rollercoasters, they scare the shit out of me.

My personal story with my first rollercoaster was at Kentucky kingdom. Lightning run. My mother fucking counted. (Yk the count to 3) Just to get my ass on a rollercoaster. I was terrified okay? But, yes, the death grip and screaming was what I did. That was her karma. My loud ass screaming in her ear (I was on her left) and one hell of a death grip. She might have lost a little blood flow for the time being. But she never dragged me on a rollercoaster again. And she never will be able to again.

(I have written more than intended but ideas keep coming)

Heck yes! Buggy would be a MENACE with this. Taunting and goading you into going on the thrilling rides.

PUH-LEASE, only weenies skip the big rides. What's the point in going if you're not gonna ride Mr. Bones' Wild Ride? (okay, maybe skip that one)

Buggy also talks up how the rides aren't even that scary. You eventually give in because:

maybe he's right,

you don't want to miss out on a good ride,

he seems so excited, and

he's getting annoying.

Yeah, the ferris wheel wasn't terrible. A little more shaky that you expected and very high up. But you got to sit next to Buggy. He even bought (stole) you a corndog to enjoy. He ate most of it.

The roller coaster though. Buggy thought he won (what exactly? who knows) when you agreed to go, but a little worm of regret started wiggling when the car reached the apex. Buggy said it was like climbing the ship's rigging on rough waters, but this...did not feel the same. Or maybe it did and he forgot how intense that feels. Both of you had white knuckle grips on the safety bar the whole time.

The tea cup ride was fine. Better. Really nice, actually. Even when it spun wildly, you still enjoyed it. It was less of a competition and more of a cooperative sport to spin the tea cup juuuuust right. Buggy also showed off by using his hands to spin the cup while he leaned back, handless-arms behind his head.

And BIG AGREE to Buggy stealing prizes. He also cheats. A barely-noticeable fingertip knocking over bottles, nudging balls, guiding hoops. He's schmoozing with the game attendees, distracting them from all the other shady shit he's doing. Meanwhile, you stand slightly off to the side and grab whatever Buggy hands you.

Do you need a giant plush sleepy banana? Or five bunny keychains? Or more than three lanyards? Or a frog bucket hat that doesn't fit? Or a bear bucket hat that doesn't fit? Or a cat bucket hat that doesn't fit?

No. But you take them anyways.

---

I'm also right there with ya with some un-fun ride stories, cyra. 😂 Once when I was a younger kid, I CRIED on the queue for Space Mountain. SOBBING. I was scared but we were going to go on the ride. And then the HORROR - I was supposed to sit at the front. Absolutely not. Thankfully, some older teens took pity and sat in the front.

I got on the ride, continued to cry, and shrunk myself so low that my head knocked on the sides of the ride during sharp turns. It was not ideal.

On a lighter note, there was a time where I was on one of those spinning Gravitron rides. The UFO shaped one. And the ride operator would slow down the spinning and then start it right back up. They said we were almost done more than once but everything kept spinningggg. We were hostages in the UFO and it felt like forever. Honestly, I loved it but omg I felt like I was outside of my body afterwards. I was not the same person.

[loreensdarling]

monthly reminder that yelena belova is canonically aroace and has been confirmed to not have interest in relationships 🗣️🗣️

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[smoshingatut]

I'm kinda tired of dungeon meshi fans blatantly misinterpreting Kabru's goals, motivations, and character so they can ship him with Laios...like obviously it's awesome if you enjoy Laikabu but can you nooot twist Kabru's intentions for involving himself with the guy who constantly triggers his monster trauma and pisses him off so bad he gets brain damage so that he turns into "the guy who wants to suck Laios's dick" as his entire character? I've even seen people cut off Kabru's words to make it seem like he is admiring Laios because it would disrupt that narrative

[cloudcountry]

i love how i come back to twst post about how much i hate idia for a few days and then leave again it's such a cycle

[snoppy]

I'm sorry but I think its good that tom is saying stuff that makes you all uncomfortable. I think everyone is a little too willing to make him the hurt innocent underdog

[phantomrose96]

Okay I have a story.

So my birthday is this Sunday (May 26th). My mom ordered some presents for me but one of them (an Etsy purchase) was seemingly stuck in transit and might not make it on time. I tell my mom all good, no worries. She gets in contact with the seller. After a long delay in response they get back with "Right we'll fix it!" It ships, tracking label and everything, good to go! ETA May 22nd (yesterday.)

During the work day I check the tracking and it says it's been delivered in/at mailbox! I double check with my mom "hey, is it mailbox size?" because if not, I don't want it sitting at the front door where anyone walking by could snag it.

She says "it's definitely NOT mailbox size." Okay. I text my neighbors in the building "Anyone seen a package delivered? It's a birthday gift from my mom and I wanna make sure it gets inside!" Success! Floor 2 David (not to be confused with Floor 1 David) had brought it inside. Inform my mom. All good!

I stop by home briefly around 4pm, because yesterday was hot-hot and I just installed my window A/C that morning in the living room, and according to my cat cam my stupid cat hasn't spent a single second in the climate controlled living room and is, instead, voluntarily baking herself elsewhere so I'm like "great" and hop on my bike to go home (10 minute ride) to check on her.

I get in the building door. Patches is crying from the top floor because she heard me. I maneuver my bike in the front hall. The ugliest fucking 6-foot-tall cat tree(?)/totem(?)/statue(?) I've seen in my entire life is just. Standing there.

My first thought is "What the fuck is that." My second thought is "Oh fuck that is for me." I look around at the floor in case there's perhaps anything else that might, in fact, be the gift.

No. Me and Cat Pole.

It's taller than me. I turn it around to face me and its face is painted and this is, in fact, uglier than it looked from the back.

Um.

Patches is crying. So I just haul it up to my level. MAYBE it was supposed to come with twine that I wrap around it (and hide its face from the world) for Patches to scratch. Maybe this is a prank. Maybe this is an inside joke, because when my mom moved into her current house the neighborhood gifted her some ugly-as-hell totem that apparently, by tradition, each newest-comer to the neighborhood is required to have and display in their window so maybe this is a very good riff on that.

Patches rubs against it. She's not afraid of this horrid facsimile of her kind.

Great.

Meanwhile SHE'S fine and the condo is a little toasty but totally liveable so I'm like "Good, cool, you're not baking. You're having a good time. Enjoy your new sister, I guess, I'll see you later."

I go back to work because this is a problem for later me.

After work, after my run, after whatever, I get home and it's like 8:00pm and Patches is so happy to see me and the totem pole is still just. There.

I text my friends like "so a bday gift is here from my mom and it's the Biggest Ugliest cat pole I've seen in my life. Is this a bit? Did my mom go 'that's so ugly haha! send!' Maybe she genuinely found it cute. How do I navigate this." My friend Sarah has the good advice to maybe text my mom neutrally like "Got the cat pole!" and feel the waters whether my mom is like "Isn't it ugly? 😂" or "Hope Patches likes it! 🥰"

My mom goes to bed early so I don't do any of that yet. Problem for tomorrow me.

This morning, Patches wakes me up for breakfast. I get her situated and I'm staring at the fucking Cat Pole again. I wonder if my Mom's been wondering all night what I thought of it.

I take a picture. I text her.

Okay.

I get on call with my mom. I ask for clarity that the ungodly horrid thing is NOT my birthday gift and is in fact a mix-up from the seller who sent me this instead of my actual gift. She's wheezing between words. She thinks I'm being too charitable for the amount of Absolute Fucking Ugly this is. I have to gently talk her out of using the word "monstrosity" while messaging the seller asking what the hell happened here.

I tell her I need to apologize for harming her dignity with Floor 2 David, who thinks this fucking thing is my mom's idea of a great birthday gift for her to-be-28-year-old daughter.

My heart goes out to the poor soul who did actually order this cat totem and is lacking it on this lovely day.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[you-will-return]

Treating my presentation like an elaborate art project

[zaczenemiji]

Hi there! It's me...again. Hope your doing okay.

I was thinking about a new request about Kenji Sato x Fem! Reader based on the song "Please, Please, Please" from Sabrina Carpenter. Reader is a singer just like her so and has a relationship with Ken but she thinks that some things aren't doing good, but she also has him wrapped around her finger. Like the part with "I beg you, don't embarrass me, mother******". It can be angst but also fluffy and spice (Only if you want to but no smut) It can end in a happy ending.

The rest is up to you because I know you'll do a great job. No need to rush so take your time.

Don’t Prove ‘Em Right

Kenji Sato x Singer!Reader

Word Count: 1,358

Genre/Warnings: Angst (light), Character Development, Drama, Emotional, Redemption

Author’s Note: I went with a bit of angst 🤧

MASTERLIST

“You could do better.”

This was one thing you’ve always heard since you started dating men as a singer. Throughout your career, you were either cheated on, abandoned, or used in a way that they just rode your fame.

Other times, fans would ship you with another singer or celebrity or whoever famous and you’d give it a try for them but the ending is the always same: you two were just pretending for public entertainment and there was never love at all.

Your perception of love blurred the longer you got in the singing industry. You sang about it, wrote songs about it, but you’ve never really experienced it for a significant amount of time or for a significant depth.

That was until you met Kenji.

Despite his fame, he seemed down-to-earth and genuinely interested in getting to know you. He took you to his baseball games and introduced you to his teammates. In return, you invited him to your recording sessions.

Kenji was always supportive, and always encouraging. He seemed genuinely proud of your achievements and was always there for you. Despite his busy schedule, he shows up at your gigs and concerts and cheers you on from the front row.

He had a way of making you feel special like you were the most important person in his world. It was easy to overlook the occasional outbursts, the moments of impulsiveness that seemed to come with his fiery temperament.

You told yourself that everyone had flaws, and Kenji's good qualities far outweighed his bad ones.

You believed in him and in the future you could build together. Despite the red lights and the stop signs, you held on to the belief that this time, this love was right.

But as time went on, the cracks in Kenji's facade began to show. His temper flared more frequently, and his impulsive decisions started to take a toll on your relationship.

You made excuses for him and justified his actions to your friends and family. You told them he’s different.

But they told you that with the way he’s behaving, you’ll just end up in the dumps again—that he’s going to cheat on you, hurt you, leave you, and the ending will be the same…

“You could do better.”

Heartbreak is one thing, but your ego is another. You couldn’t afford your name dominating the headlines again. And for what reason? Another breakup.

You loved him deeply, but the constant cycle of highs and lows was exhausting. You wanted to believe that he could change, that he could be the man you fell in love with.

But the more you tried to fix things, the more you realized that some things were beyond your control.

You sat in front of your vanity doing your makeup nicely. You glanced at the clock. Kenji would be here any minute to pick you up now. Tonight is your big night. It’s an afterparty to celebrate the release of your new single.

Your boyfriend had a reputation for causing a scene. It wasn't entirely his fault—he was passionate but it sometimes translated into impulsiveness. Tonight, of all nights, you needed him to be on his best behavior.

As if on cue, the doorbell rang. Kenji stood there, looking dashing in a tailored suit, a grin spreading across his face as he saw you.

"Wow, you look stunning," he said, pulling you in for a quick kiss.

"Thanks," you replied, forcing a smile. "You sure you wanna come?"

"Of course," he replied with a confidence that both reassured and worried you. “I’m always here for you.”

You arrived at the venue in no time. Celebrities, reporters, and fans filled the room, all eager to celebrate your success. You and Kenji mingled with the crowd, exchanging pleasantries and accepting congratulations.

But as the night went on, Kenji's behavior started to shift. The drinks were flowing, and while you had stuck to soda water, Kenji had not.

You watched with growing anxiety as he laughed a little too loudly, and gestured a little too wildly. The conversations around you started to feel like a backdrop to a ticking time bomb.

You pulled him aside. "Kenji, please," you whispered urgently. "Just... take it easy, okay?"

He frowned, a mix of confusion and irritation crossing his features. "What? I'm just having a good time."

"I know," you said, forcing another smile. “Just... for me, okay?"

He sighed but nodded and for a while, it seemed like he was keeping his promise. He stuck by your side, an arm around your waist, engaging in polite conversation with your friends and family.

However, you left him one moment and then the next, he was talking to one of the reporters. The latter walked away, a smirk on his face. Kenji turned to you, his face flushed with anger.

"Can you believe that guy?" he spat. "He had the nerve to ask about the last game. Said I sucked."

"Kenji," you said softly, trying to calm him down. You placed your hand on his chest. "It's not worth it."

"But—"

"Please, Kenji. Just... let it go."

He looked at you, the anger in his eyes slowly fading. He took a deep breath and nodded. "For you," he said quietly.

But the reprieve was short-lived. You caught sight of him at the bar, raising his voice at someone who had apparently made a snide comment.

The situation escalated quickly, and before you knew it, Kenji had thrown a punch, causing a commotion that drew everyone's attention.

Your heart sank as security rushed in to break up the fight. You could feel all eyes on you, whispers spreading through the crowd.

You felt a sense of dejà vu as this wasn't the first time Kenji let his emotions get the best of him, and you were able to hold it together as you’ve always done, but then you heard the one thing you hated.

“She could’ve done better.”

Without a word, you grabbed your things and stormed out of the venue, the tears you had been holding back finally spilling over.

Not long after, Kenji arrived at your house, disheveled and remorseful. "(Y/n), I'm so sorry," he began, reaching out to you. "I didn't mean to ruin everything."

You stepped back, keeping a distance between you. "Kenji, this can't keep happening. You promised me you would behave tonight!” You said in between sobs. “This was supposed to be my night, and you turned it into a disaster.”

You sat on your couch, your legs feeling too tired to keep you up. "I can't keep making excuses for you,” you continued. “I can't keep sacrificing my career for your mistakes."

Kenji fell silent, his shoulders slumping in defeat. He’s scared. He knew what those words meant. At that moment, he felt like the sky was crashing on him.

"I don't want to lose you, (y/n)," he said quietly, tears falling down. "I love you, and I know I've been screwing up. But I'm willing to do everything to make things right. Therapy, anger management, whatever it takes."

You stared at him, your heart aching with a mix of love and doubt. "Kenji, this isn't just about tonight,” you said. “This has been happening for a while now.“

“Please, (y/n),” he begged, his voice trembling as he knelt in front of you, embracing your legs as he rested his head on your lap. “I want to be the man you deserve. Please, give me one more chance."

Over the next few weeks, Kenji followed through on his promise. He made genuine efforts to address his issues.

He went out of his way to apologize to your friends and family for his behavior at the party, taking full responsibility for his actions.

Slowly but surely, he’s coming back to being the man you fell in love with. He made sure you wouldn’t be the one doing better because he was becoming better himself.

One afternoon, you had lunch with your friends. They asked about how things are now going between you and Kenji. You gave them a smile, a genuine one since after the party.

“He became better.”

Taglist is open! Comment if u wanna be tagged on future Kenji oneshots

@flowerloves @eternallyvenus @puppyminnnie @wattpadsuckssohard @sakura-onesan @reggies-eyeliner @buggs-1 @miffysoo @spencerrxids @stupidbutsmart @marimargirlies @mixvchelle

[jimvasta]

Humans and their pets

The sentient races of the universe have just about started to get their heads, or approximate similar in function body parts, around the odd nature of humans but only recently have humans begun to bring other Earth creatures into space with them.

“Don't worry about Fluffy, he's totally ship trained.” the human designated Bradley spoke with frightening casualness about the creature sat at his side. It's muzzle was level with his hips and it's forward facing eyes showed it had predator history just as much as humans did.

“It has fangs.” Captain Mota'tog was unimpressed. The permissions were correctly stamped on the file and yet such a creature hardly appeared inoffensive.

“He does not, he's not poisonous. Of course some of his teeth are sharp, he's an omnivore.”

“He's a hunter.”

“He mostly hunts biscuits. He'll scavenge in the canteen from anyone soft enough to feed him. He's a certified well-being dog. People stroke him, he's got really soft fur, it makes them feel better. Look, he's wagging his tail, it means he likes you.”

Mota-tog whistled uncertainly.

“Oh wow!” One of the human engineers arrived at the airlock and dropped her bag as she stared at the dog. “So cute!”

Fluffy jumped round, tail wagging furiously, nuzzling in as the woman buried her hands in his warm soft fur.

“You are totally gorgeous. You're so fluffy and beautiful, you're like a little polar bear. You're here to stay, yes you are.” the woman happily baby talked to the dog who was more than half her size.

Bradley looked at the Captain and indicated. “See. Dogs make us happy.”

“You do all the care for it.”

“Of course.”

There were some false starts with the rest of the crew who were not so trusting of the huge pack hunter in their midst, but over the next few months they slowly learned to trust that the worst he would do was beg for food off their plates at meal times. Some of the braver aliens even began to pet him.

Then an alarm sounded.

Everyone raced to their emergency stations.

Bradley was in the cargo hold, his duty was to check the cargo was safe and secure.

He had quickly trained Fluffy to sit in a corner out of the way. It kept him safe in case anything shifted. The last thing he wanted was for his pet to get hurt by moving cargo.

The clang of magnetic grabs was deafening.

The alert was for a boarding raid.

Pirates.

Bradley cracked his knuckles and picked up a pry bar.

Through the rest of the ship there were varying degrees of panic.

A few of the other species could fight but most looked to the humans, having learned the way they fought when cornered and knowing their best hope to survive was to stay back and wait for the screaming to stop.

“What the fuck is that?!” the shout was shock and outrage. More anger than fear in the moment.

Crouching as it came through the main airlock was a creature taller and broader than anything else on the ship.

“Star spirits preserve us,” Mota'tog whistled. “A Batath.”

“It's a bloody troll is what it is.” Martins snapped.

Everyone froze as they heard the snarling and growling.

It was not coming from the Batath.

Fluffy arrived at speed and leapt, not caring can his opponent was huge. His fur was already matted with the blood of pirates and this was just another opponent.

The humans charged.

The Batath could only concentrate on one enemy at a time, it was used to picking off creatures as they ran, not fighting them off as something had its teeth deep around a knee trying to rip it apart.

The pirates ran when the Batath fell and the gore covered humans turned to face them.

Bradley let himself drop to the deck. “Don't worry, I'm fine. Good boy, Fluffy.”

Mota'tog shook his feathers as he watched the dog go back from snarling killing machine to placid fuss receiver. “I swear to the spirits, all Earth creatures are insane.”

[lolasky]

ㅤㅤㅤ HEY DADDY!

[ ᯓ★ ] meeting their future child with you when you're not even dating yet | fem!reader | fluff, humour (at some point), a teeny tiny bit of angst on usopp's one, foul language (just koro saying an 'ass') ꩜ | wc. 4.7k — approx. 1k each |

not said, but kazuki is 4, koro is 8, nyla is 6 and heaven is 11

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ ㅤㅤL U F F Y

he'd be so confused once he saw a little boy just like him. not just in appearance, but with his whole energy. once he learned and accepted the fact that the boy – who was his mini version, the crew couldn't even doubt – was his son, he refused to give him back to his timeline.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ☆ ]

the straw hat crew has just docked at an island so they could get some supplies before getting back to sailing.

"okay, so, sanji and i are going to get some food," you tell, waiting for sanji to get out of the kitchen with the list.

"robin and i are going shopping!" nami says excitedly. "are you sure you don't wanna go with us instead with... him...?" she points to the blonde cook, who was lighting up another cigarette.

"i wanna go too!" luffy yells from inside, running to the deck, where the crew were at.

"you. stay." the navigator says through her teeth. "we'll be quick and don't need any trouble. you stay with zoro and watch the ship."

luffy pouted, watching his crew get down from the ship. he looked at zoro, thinking if he could pest him a little, but soon the swordsman brushed him off saying "i'm gonna sleep. if you make any noise or cause some trouble, i'm gonna slice you in three."

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ... ]

nami and robin were getting out of another store with more bags, chatting about random things when a kid bumped into them and fell.

"oh, i'm sorry, little one..." robin drops her bags and kneels in front of the little boy, offering her hand to help him stand up, but as soon as she sees his lips quivering and his eyes starting to get wet, she worries.

the little boy stretched his arms out to her, asking silently to be picked up and so she did.

"where are your parents, little boy?" nami asks in a soft tone, watching him getting comfortable in robin's arms.

"and what's your name?" the archaeologist drops the second question.

the kid gazed at the woman, lips quivering again and his voice trembling when he asked "you... you don't rwemember my name aunt lobin?"

nami gave her a weird look. she was as confused as robin. watching the little one in her arms closer, he reminded her of someone. the messy black hair, the big round eyes, the pout. why the hell does this kid look so much like luffy? robin seemed to notice the same thing as her.

"okay... so... what about we look for your parents, huh? and you can tell me your name 'cause i love hearing you say it!" the older woman says, eliciting a big smile from the boy. nami coughed immediately.

"can we go to the shwip? i'm sure they are thewe!" he holds the women's hands and pulls them in any direction.

it sure made the navigator and the archaeologist even more confused because how did he know they had a ship? and why would his parents be there?

"so, sweetheart, tell me your name?" robin asks once again.

"oh! i'm kazuki!" he stops abruptly, making nami almost trip and fall. "i'm monkey d. kazuki!" and that's how their jaws went slack.

"YOU'RE WHO?!" they panic.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ... ]

as soon as the girls got back to the sunny, they met all of the crewmates, except for sanji and you, who apparently hadn't been back yet.

"who's that kid?" usopp asks confused. mainly because he couldn't pry kazuki off of him and his nose.

"where did this kid come from?" zoro asks. he was starting to get irritated.

"uncle zoro, whewe is dada?" the little version of luffy asks, a bit upset that usopp could get him off of him.

"how would i know, kiddo?" he answers in the same annoyed tone as ever.

"i'm so hungry! when is sanji coming?" luffy whines, showing up at the deck and there they could spot the similarities.

not only their hair, eyes, pout, or even the big grin kazuki offered, but the energy the kid had. he was just like luffy in many ways. he just wasn't that loud like the straw hat captain – thanks to his mother.

once the crew saw them together, all the pieces seemed to connect. one, two, three blinks in disbelief and the boys' jaws fell to the ground.

"oh, hey kid!" luffy greets him friendly.

"dada!" the little boy jumped into the captain's arms who seemed as clueless as ever.

and a wave of yelling could be heard.

a couple of minutes has passed by and luffy and his son seemed to get along well. zoro, chopper, usopp, brook and franky were in the same position, they were still loading the information.

the captain and his little kid were running around the sunny, playing tag. they even tried to call the others but they didn't... seem like playing.

"you know, kazuki is too old to be in this... uhm... timeline..." nami points it out to robin.

"i know. how can luffy have had a son?" she murmurs, watching both run and giggle around the ship.

"robin!" it seems to call the other back to earth. "i'm seriously worried! and we don't even know who his mother is." the navigator looks stressed. one luffy is enough trouble, but a luffy and a mini him?

"we don't even know how he got here in the first place." robin sighs.

"we're back!" you announce as you put some bags on the floor.

"wow! you took more time than us." nami approaches you. "what happened?"

"well... sanji decided to pick up a fight over a fish..." you say casually. "uhm... did we miss something?" you notice the boys, finding it normal – well, for the straw hats, but as soon you spot a kid running around the ship with the manchild your captain is, you get confused. "who's that kid?"

"long story..." nami smiles innocently.

"did you kidnap a kid?"

"what? no! it's not- it isn't-"

"mama!" a childly voice is heard from the depths of the sunny and you can see that kid from before running to you happily.

okay, it's going too far!

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ... ]

"so, this kid, kazuki, is luffy son's with... you?!" usopp tries to connect all the pieces. you hum an "yes" and his brain seems to burn. "too much information, too much information!" he holds his head while falling to the ground dramatically.

"when did you and luffy make a baby?" zoro asks confused as ever.

"don't be stupid mosshead. this kid is clearly from the future." sanji answers, blowing the smoke away.

"thanks, sanji." you smile at him, who looks at you like he's helplessly in love.

you feel a tug in your shirt and look down at your kid. "is something wrong, little one?"

"mama, i wanna sleep..." he rubs his eyes and yawns, blinking slowly while stretching his arms out to you. the whole crew – zoro included – had their hearts melted.

"then let's sleep, huh?" you say softly, picking him up and gently caressing his cheek and hair as he snuggled against you.

luffy runs to you, seeing his child in your arms. "what? don't tell me you're sleepy already, kid!" the captain pouts, watching the baby yawn. "no, let's play more!" he bounces excitedly.

"luffy, he's tired." you hiss, wanting your baby as calm as possible.

"but i wanna play more with my son!" he insists.

"you played enough, don't you think?" you start to make your way inside the sunny with luffy following you, insisting that they should play more. "now he wants to sleep with his mama."

"but-"

"mama, dada, let's sleep, pwease?" hearing the sleepy voice of his child, luffy seems to calm down a little.

"sure baby." you peck his forehead. "but your dada is not joining us 'till he baths." luffy gasps.

"how can you betray the dada of your child like that?" the captain whines, still following you to your quarters.

"yeah, i guess they settled pretty quickly to this life of mama and dada." nami comments, grinning at their recent view.

"i can't believe this idiot became a father before me." usopp complains, murmuring still lying on the floor.

"how do you know that?" chopper asks. "well, maybe all of you are already parents in the future..." that simple sentence was enough to ignite something in zoro, usopp and sanji.

"hey, kazuki! don't sleep right now!" zoro shouts.

"yeah, tell me if your great uncle usopp gave you little friends to play with, huh?" usopp is the first to run, looking for the little family.

"surely i'm the only one qualified enough to even get a spouse!" sanji yells at zoro, punching him to reach the one person who could give him the precious information.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤZ O R O

he'd be as confused as luffy and would deny every word that kid would say. like, only just because a kid has green hair, is almost obsessed with swords, has the guts to insult him and is the sassiest kid he'd ever met, that is his son, huh? he definitely could grow accustomed to the presence of that child and the fact that he made him with you.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ☆ ]

another island could be seen by the pirates. it meant they could dock there to stock some items. franky was the one eager. on their way, some pirates tried to fight the straw hats – which obviously couldn't be a good idea. well, the matter is, the sunny had some minor damages and usopp and franky were trying to keep their home alive.

chopper and you didn't need anything. the medical supplies were enough for a while, so you and he didn't need to go outside, but he wanted to. nami went to see if she could buy something she liked. luffy went to see if he could find a nice restaurant. zoro, robin, brook and you stayed on the ship.

zoro and you had a hate-love relationship. you were friends and would get along, but he's the sassiest man you've ever met and just gets on your nerves. you just want to kill him.

some time has passed by and the crew came back. you were still reading your book, laying your head on robin's legs as she sunbathed.

"hey, uhm... i didn't know zoro and you were together..." usopp says awkwardly, approaching you as robin coughs in disbelief.

"we're not." you stand up, angry. "what is that stupid vegetable slicer saying now?"

"no! nothing! is just... franky and i found a kid... and he's... claiming to be your son..." you gag.

"MY WHAT?!" you hear zoro yelling and soon coughing desperately.

"where is he?" you ask the sharpshooter who points to the entrance. the green-haired kid looks so timid. he's just standing there, looking at every part of the ship. you approach him calmly, bending a bit so you can talk better to him. "hey, kid!" you offer him a smile and he can't help but feel calmer.

"hi, mom..." he answers in a low voice, still shy.

"why don't you say your name and we get to meet the others, huh? so you can tell us more about what's going on. do you know what's going on?" he looks into your eyes and advert his gaze again.

"something like that..." he plays with his fingers before answering your first question. "my name is roronoa koro." your eyes widen a bit, you can't hide your surprise.

"so you're really the kid of that stupid man..." you murmur and he nods.

"i swear he gets more likeable in the future." koro says, earning a warmful giggle from you. seeing his mother never fails to calm him.

"i rather see it myself." you offer your hand to him, who holds it without even thinking. "let's see the others."

as you walk hand-in-hand with koro, getting closer to the crewmates, they couldn't believe what their eyes were just seeing.

zoro's jaw fell on the ground. how- how can he have a child? with... you?

the little kid gasps immediately once he sees the swords zoro is carrying. he runs to his father and try to touch the the swords, but the grumpy swordsman doesn't let him to.

"what you think you doing?" he asks, holding the kid's head so he couldn't get closer.

"do you use them often?" the boy asks, curiosity dripping from his eyes.

"of course, i use them often. why wouldn't i?"

"well, currently, the three swords are untouched, held by a support in the living room's wall..." the little roronoa answers, trying to touch them at all costs. "let me see it!"

"no, you won't touch it!" zoro insists.

a loud noise was heard by the crew. a tray with some snacks was splattered on the floor while sanji stood there, looking at the little mosshead in front of him.

"am i seeing it right?" the blond cook's eyes were wide open. "WHY IS THERE A LITTLE MOSSHEAD?"

"uncle sanji!" the little boy runs to his beloved uncle, who was left flabbergasted.

"you like him? he's a stupid cook!" the swordsman was at a loss of words.

"and so are you." sanji laughs his ass off. his eyes glossy because of the tears of joy. "seriously... i can't believe you had- well, you're gonna have kids with this idiot." he talks directly to you.

"trust me... i have no reasons to..."

"my favourite boy! tell me, kid, what do you wanna eat? i can prepare anything just for you." sanji talks to him, guiding koro to the kitchen. luffy is following them quietly until sanji yells at him so he scurries away.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ... ]

trying to know more about him and where he came from, zoro and you sit and talk to koro. you were lying on a wall, koro was by your side and zoro was in front of you.

"so, how did you come here?" you ask the boy.

"i don't know. last thing i remember i was sleeping, then i ended up at that weird place." your son explains. "the weirdest thing is... my sister was next to me... why she's not here too?" he sounded confused.

"wait... not only one but two kids with the mosshead? what did i do to deserve such a punishment?" you mumble.

"ha ha, like it's my dream to have kids with you." the swordsman hissed.

"not only two, but three. you're pregnant." you gag as you listen to his words.

"three..." you whisper, not believing a thing. "what's your thing, huh? three earrings, three swords, three kids. are you obsessed or something?" you yell at zoro who just smirks.

"might be my lucky number." he keeps that eat-shitting grin on that stupid pretty face while you die internally. "wait, you have a sister... what's her... name?"

"the one you fought mom to name her. kuina." koro's face lit up at the mention of his sister. he really loves his family.

that annoying grin zoro held up in his face was replaced by a genuine smile which made you smile along, happy. koro knew about the past of both his parents and was really proud of them.

"lord, please give me strenght..." you sigh. "well, i know it can be a bit... confusing not to call me mom, so you can keep it..."

"and you like it..." you son knows you too well no to notice it. doesn't matter what timeline he's at, you'll always be his favourite person.

"and i like it..." you smile, ruffling his short green hair. "okay, i'll try to find some way to send you back to your life. future me and... zoro... might be worried." you stand up, pecking his forehead and walk away.

"pleeease, let me see it! mom never lets me..." the little boy pouts, making grabby hands at his father as soon as you're out of sight. "please, dad!"

that word. that kid.

"fine. but only if you tell me some things. it'll be our... little dad and son secret." zoro suggests, knowing way too well his son wouldn't refuse.

"deal!" he answers excitedly while watching his father pull wado ichimonji from its sheath.

koro inspects the sword. his eyes are bright, sparkling like a starry sky. he's just like his father, a swords lover. even though his mother has forbidden him from using one. zoro has an amused look watching his little soon-to-be-swordsman.

"so... did i become the greatest swordsman?" he questions, seeing koro maneuvering his sword.

"yes, you defeated mihawk." the reply is short and simple due to the boy's concentration to something else.

zoro just celebrates, murmuring a few things, feeling like he's the strongest man alive.

"did future me teach you that well how to use a sword?"

"sure thing! despite mom's clear rule not to let me touch a sword 'til i was sixteen, you've started to teach me two years ago." the kid smiles.

"and... last thing... uhm... did future me ever tell you how i get your mom?" the swordsman looks a little hesitant, even more when he sees the knowing look koro was shooting at him.

"hate her my ass." the roronoa kid mumbles.

"hey!"

ㅤㅤㅤㅤㅤㅤㅤ ㅤㅤㅤㅤㅤU S O P P

the moment he spotted you coming back with a child, he thought you've just kidnapped her, but as soon as he laid his eyes on the little girl, he thought it was too good to be just a joke. when the girl introduced herself, he couldn't help but smile and welcome her, loving the idea of being the father of such a cute girl.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ☆ ]

the crew were preparing to set sail. the island they docked at was way too small, so they hadn't much to do there. as soon as they've got everything they needed – or the island could provide – they'd get back to sailing.

yet, you were walking around the place, seeing some things, and if you liked it, you'd keep it.

you were standing at a fruit stall, hearing the seller babble about some rare golden fruit he just got from a distant island, but you knew it was just talking. you were distracted by your favourite fruit – which looked so pretty and delicious – that you didn't even notice a little girl running around.

"dada? dada!" she was screaming. she looked so terrified.

you turned around, seeing the kid crying. some people were trying to help her, some people were just ignoring her and passing by. but as soon as she spots you, she runs to you like you are her hope.

"mama!" she clutched to you and refused to let you go.

"oh! uhm... hey, baby... i'm- i'm not your mother, kid..." you tried to pry her off of you, but her grip was too strong.

"yes, you are! you're my mama! dada always talks about you and shows pictures of both of you. you are my mama!" she yells at you, not giving you space.

"okay, okay, let me see you, right?" she looked hesitant, but eventually she loosened her grip and looked up to you. she was so beautiful and reminded you of someone. "first, tell me your name, huh?" you knelt in front of her, taking her face in your hands.

"nyla..." the girl looks at you with such admiration.

"and where are your parents?" she frowned.

"you're here!" she insists, pouting when you refuse to be her mother. "you've met me! and dada might... be on the ship?"

"what?"

"the ship, mommy! can we go there, please?" her eyes were sparkling.

"fine..." you just accept. she streches her arms out to you, wanting to be as close as possible to you. you pick her up, heading to the sunny.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ... ]

"uhm... who's... that girl?" usopp asks as he's the first to spot you with a child in your arms.

"dada!" nyla is quick to let go of you and run to her father, who just stands there, looking shocked.

"HE'S YOUR FATHER?" you yell, as shocked as usopp.

"yes! and you're my mama! and i'm happy to be here!" she points and hugs usopp, who embraces her too.

nami shows up at the deck and frowns. "who-"

"our daughter." you just accepted. it looked so confusing and complicated, you just accepted.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ... ]

late at night, nyla wanted her father to sleep with both of you, but when you said usopp had to sleep in the boy's quarters, she sulked a bit, but eventually, accepted. it was clear to see that she was attached to you, like your shadow, or an extension of you.

"okay, so, i can stay just by the time you sleep, or else your mother throws me outta the ship." usopp explains casually, smiling, getting in the bed.

"right! i want mommy anyways!" she nuzzles her face in the crook of your neck while hugging you.

"see! i'm the favourite, hah!" you tease the sniper, who crosses his arms, sulking.

"that's not fair, nyla!" he tells her in a whining voice.

right after that, you can feel something wet on your neck and a sniffing.

"nyla, baby, why you're crying?" you push her a bit, trying to see her face. her eyes are red and wet, tears rolling down her cheeks nonstop.

"dada are you mad at me?" the little girl asks her father, whose eyes widen in surprise.

"no, no, i could never, love." he rushes to scoop her in his arms, calming her.

"i just wanna spend more time with mama..." her voice is muffled due to her face being pressed to usopp's chest.

"why that? i'll always be with you, huh?" you try to soothe her, but it doesn't, she sobs even more.

"i just have my dada now, mama. you're not there. i wanna spend more time with you because when i get back you won't be there..." you glanced at usopp, who looked even more panicked than you are.

"hey, come to mama..." you call her and nyla is quick to hug you. "don't think about that, okay? i'm here for you right now." you kiss her cheek, wiping her tears away. "and i won't leave by your side until is your time to get back to your life." she looked into your eyes, trying to catch every inch of your face so she can remember. "now let's sleep so tomorrow we can enjoy more!" she smiled.

"night momma, night dada!" nyla pecked yours and her father's cheek, then she closed her eyes, waiting for her time to be kissed.

usopp and you chuckled, leaning in to kiss both of her cheeks, making her giggle happily.

"night, baby girl." usopp sang, caressing her hair.

you closed your eyes, getting yourself comfortable to sleep and usopp stayed there, just like he said. well, is not like he'll get any sleep that night, after all, now he knows he has a daughter with the woman of his dreams, but she's not there.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤS A N J I

the moment he saw a little girl looking for her parents, he'd be stunned. he could clearly see some of your traits on her face, just like your smile – the thing he adored the most about you. but he'd be confused asf, because who's that girl? when she finally introduces herself, saying she's the daughter of blackleg sanji and you, he'd faint. has... his dream just come true?

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ☆ ]

you were in the kitchen with sanji. since the others have just gone to explore the new island, someone had to watch the ship, and you offered to do that. the cook, not missing an opportunity, said he'd be with you, after all, he couldn't let a delicate flower like you alone at an unknown place, right?

at the moment, sanji is cooking like always. he's making some kind of dessert he refuses to tell what it is.

"sanji, are you sure it doesn't contain anything i'm allergic to?" you ask, trying to peek at some of the ingredients.

"please, my swan, i'm not some kind of inexperienced chef, am i? i would never cook something you're allergic to. now, please, take a seat and be ready, i'm almost done." he says and you do, taking your seat and preparing yourself. sanji turns around, placing the plate with the colourful dessert in front of you. "et voilà! hope you like it!"

"i always appreciate your cooking." and you take a little bite. your eyes roll in pleasure. you're so lucky to have a sous chef in your crew.

sanji just looked at you in awe. he could move a mountain if it meant he could get you smiling.

"excuse me!" an unknown voice shouted from afar. you shoot a glance at the cook who is doing just the same.

"can't believe i'm being interrupted..." you murmur, taking another bite before heading to the deck with sanji following you.

there you were welcomed by a girl. her blue dress was a little dirty and you wondered if she has fallen.

"can we help you?" the blond cook asked her in a soft voice.

"uhmm... yes..." she looked a little hesitant. "i know it may sound a bit... unusual, but... my name is heaven and... i'm your daughter..." she avoided your gaze.

a loud thump was heard and you looked at your side. sanji has just fainted.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ[ ... ]

caught by some headache, sanji woke up. he was lying on the hammock...? but, i was on the deck...? well, he had some kinda dream. not weird, but the perfect dream! that might be the reason for that headache.

hearing distant voices, he waltzed through the ship, going to the kitchen. there, he could see you and the same girl in his dream!

"what?" he mumbles. heaven notices him and signs to you.

"oh, sanji, dear, come here!" you called him so excited he couldn't refuse – not like he would do it anyways. he always does what you say. "do you remember what heaven said?" you ask carefully.

"uhm... she's our daughter...?" the cook says hesitantly, afraid that what he has heard was just a dream.

"yess!" you squeal.

the girl seemed so amused. getting to know her parents when they're not even together yet. in her timeline, they're so in love with each other and her and... now... her mother seems so clueless or just... don't wanna know about him. after all sanji is a womanizer (for now).

"so it's true! hah! i thought it was just a dream, but is true!" now is his time to squeal and that makes heaven smile.

"it's different to see you like that..." the girl points out. "you know... having your hair hiding your eye."

"uhm..." he clears his throat. "it's just part of my style."

"i like your curly brows, dad!" she smiled and that alone would make sanji smile too, but the way she called him, it warmed his heart.

"okay, sanji, we've got you're excited to know you have a daughter-" you start, but he interrupts.

"with you! the most amazing woman i've ever got to know!" he bats his lashes, smiling widely.

"yeah... with me... but we need to know how to send her back to her timeline. she can't be here. she's not supposed to be here. future you and me might be worried... mainly you." you explain and he quickly gets to hug the girl, who appreciates her father's gesture.

"but she's our daughter! would you do that?!" he sounds so desperate, you may just slap him.

"yeah! but only in the future! it'll just mess up our time! maybe we don't even get together anymore."

"okay, kid! see you in the future." he immediately walks away from her, but quickly runs back, clinging to her. "but we can keep her while we don't find a way to send her back, right?"

"yeah! can i?" she joins her father, pouting and batting her lashes.

"fine! you didn't even need to do all that! what would i do to you if not keep you? throw you at the sea?" you ask in disbelief.

"he's the one most likely to get thrown..." heaven points to sanji.

"hey!"

"let's just wait for the crew and give 'em some good news." you smile, watching sanji and heaven get along well.

@LOLASKY ᡣ 𐭩 actually i've wrote sanji's part with the live action sanji in mind. idk he just looks so more mature... actually the live action characters in general!! but yeah wtv- dividers and template by @/cafekitsune

[k8lynjoy]

I'm so tired of people telling those of us who are upset about the LA atla remake that we are "being too dramatic" or are just "finding things to be upset about". We are allowed to be upset that something that we love so dearly has been butchered, AGAIN. If you liked it, then that's your personal opinion, but don't sit here and tell those of us who didn't that we're the problem.

I personally think the CGI, costumes, and sets all look terrible. None of it is immersive. Sure, it LOOKS like atla, but it doesn't FEEL like atla. The heart of the og is gone, and people are allowed to be upset about this. They've altered characters to the point that they aren't the character anymore (looking at you Aang and Katara), which is a huge upset for me personally because Katara is one of my favorite characters ever. So watching her be turned into someone meek and docile is more than a slap to the face. Not to mention them removing her as the narrator as if Bryke themselves didn't state that Katara is the person the story is being told through. And before you start telling me that Aang is the same. No, he isn't. Major parts of his development through season 1 (him coming to terms with the fact that he's the avatar and embracing that role, and him also accepting the fact that he RAN AWAY and how he is never going to do that again, which is also pivotal to his character later on) are completely removed. And don't even get me started on what they did to Kataang. Regardless of whether you ship them or not, those 2 are deeply connected to one another from the start, and their relationship is a big part of the show, so to see that butchered is heartbreaking for me.

This isn't just about them "making some changes" or it not being a 1:1 adaptation. I'm fine with adaptations that aren't 1:1. What I'm upset about is that the changes they are making are VITAL changes to characters and dynamics between characters. They're rushing through the plot and condensing the story (and I will scream if I hear one more person say that it's because they couldn't fit it all in with their runtime. The runtime is an HOUR LONGER than the og, so yes, they did have the time). The changes they are making make it evident that they do not understand the og show, and if you don't feel like that, fine, once again, that's YOUR opinion, just as this is MY opinion. So stop telling us we have no right to be upset and that we just want to hate everything. That's not true. What is true is that we are expressing valid complaints about another bad adaptation of something dear to us.

Edit: If you also come at people who are upset bc they were expecting a faithful adaptation and didn't get it bc "its not supposed to be the cartoon," you're missing the whole point. An adaptation is ADAPTING SOMETHING from one medium to the other, not rewriting it. "Yall expected it to be just like the cartoon." No, I expected a FAITHFUL ADAPTATION and was met with poorly written fanfiction.

[ineffable-gallimaufry]

if they made a homestuck movie:

VOICEOVER: it's coming...

*two drum beats*

JOHN EGBERT: *puts the disk for sburb into his computer* i'm in

VOICEOVER: this summer

*two drum beats*

ROSE LALONDE: *rolls eyes* john, stop goofing around

VOICEOVER: prepare to be stuck...

*two drum beats*

JADE HARLEY: *wakes up and looks around*

VOICEOVER: at home

*two drum beats*

DAVE STRIDER: *spins record* woah, this is off the wall, yo

*shitty orchestral cover of sburban jungle plays*

ROXY: but you don't understand! this game is dangerous!

*cut to dave leaving his clone behind at his quest bed*

DAVE: i can't do it... i just can't kill another me...

*bec noir appears next to alt dave*

ALT DAVE: he's right behind me isn't he

*fades to black as bec noir slashes a sword at alt dave's neck*

*text on screen reads "ASCEND"*

*cut to rose in her shed*

JOHN: rose, the meteor's gonna hit!!

ROSE: *grabs computer* *rolls eyes*

*text on screen reads "DESCEND"*

*cut to scenes of the war on the chess field*

*text on screen reads "RISE UP"*

*cut to john, running out of his kitchen*

JOHN: these imps are everywhere!!

*text on screen reads "ABSCOND"*

ROSE: it's all over...

*cut to the various sprites being sprited*

*cut to jake kissing dirk's head*

DIRK STRIDER: *standing nearby* *coughs* awkward...

*cut to terezi and john after game over*

TEREZI: john, 1t's 4ll up to you now...

JOHN: *gasps*

*cut to john and dave hugging*

NEPETA: *grins* :33< i ship ittttt

KARKAT: *facepalm*

*cut to terezi and vriska facing off*

TEREZI: vr1ska, you c4n't do th1s!

VRISKA: watch me!

*montage of vriska doing a bunch of random and cool stuff*

VRISKA: i can do anything!!!!!!!!

*cut to grimdark rose and dave*

ROSE: to win... we're gonna have to blow up the sun

DAVE: awww snap

*text on screen reads "NIC CAGE"*

JOHN: and i mean, of COURSE con air is the best movie ever!! what other movie would you even suggest

*text on screen reads "LIL NAS X"*

DAVE: man, this isn't even the best song in obama's whole rap career

*text on screen reads "AMANDLA STENBERG"*

ROSE: *rolls eyes* whatever, mom! i'm summoning cuthulu!

*text on screen reads "ZENDAYA"*

JADE: *petting bec* oh, who's the best dog! is it you?

*a bunch more celebrity names on screen*

*text on screen reads "BASED ON THE WEBCOMIC BY ANDREW HUSSIE"*

ANDREW HUSSIE: *sitting in chair* wait, am i still in this movie? do i still die?

VOICEOVER: yes

HUSSIE: oh poop

*text on screen reads "HOMESTUCK: THE MOVIE"*

JOHN: we're gonna save the world... or die trying

*quick montage of every single death scene*

DAVE: i think we're gonna die trying

JOHN: daaaaveeee

*text on screen reads "COMING THIS SUMMER"*

*cut to dave beatboxing*

KARKAT: CAN YOU SHUT UP?!

DAVE: are you gonna make me?

NEPETA: :33< ooooh—

DAVE and KARKAT in unison: DON'T SAY IT

NEPETA: :33< ship it

*they both sigh*

*cut to black*