#I will be a completionist if it’s the last thing I do

[destiel-more-like-im-dead-again]

Guess who’s doing whumptober

[quarks-pussy]

[Images description: Twelve pictures of Star Trek actors. The phrase "thank you for being both amazing actors and amazing people" is written across most of the images one word at a time, except for the two images in the middle. The middle images are of William Shatner, reading "not you!" and Robert Beltran, reading "or you for that matter". The actors in the other images are George Takei, René Auberjonois, DeForest Kelley, Gates McFadden, Wil Wheaton, Kate Mulgrew, Patrick Stewart, Siddig El Fadil (aka Alexander Siddig), Nichelle Nichols and Leonard Nimoy. End image description.]

Non exhaustive list of course. Many more such cases, in fact feel free to add

(insp)

[skrunksthatwunk]

actually devastating i just found out you can play as trish in dmc2 if you beat dante's campaign on hard

[devotedlystrangewizard]

i would like to make an announcement that will probably land me on the psych ward

i didnt unlock flying anywhere until i was caught up. 6.1. my first region was elpis (not counting azys lla for obvious reasons) because i didnt want to be running to the portal to pandaemonium upon the 6.2 launch. most regions? not before 6.2. didnt do the mount speed either. i was slow walking all throughout shadowbringers and endwalker. i saw the aether current count of the endwalker regions and just refused. too much. not looking for that many. i did, eventually, for every region......except ultima thule.

[dayasan]

I've been doing the Chronolith trials before I start NG+ (I'll probably do a little Kairos Gate beforehand too to see what it's like) and so far the only ones I have left after the trials for Garuda, Odin, and Ramuh. I usually hate timed levels but I love FFXVI's combat so these are challenging and therefor fun lol.

But Odin's is HARD. You can't really stay in his feat for too long cause it's only really useful for building Zantetsuken, but you also need it for the Steel Counter bonus, and then the other abilities aren't very good for damage or will so it's hard to keep the time up. I could never figure out Ramuh's feat before it got buffed and haven't tried it after.

[ailesswhumptober]

Prompts for AI-less Whumptober 2024

As promised, we're bringing you the official prompt list of AI-less Whumptober 2024 today!

We have 31 days of excellent whump prompts, with three prompts per day to pick from, fun themes, and 10 alt prompts to play around with. We hope you enjoy! Additional info + plain text versions of the prompts can be found under the cut.

FAQ and Rules

What sort of content can I create for this event?

You can create whatever you want (fic, art, edits, etc). Any fandom is allowed, as well as OC stuff. NSFW is allowed, but please tag your content accordingly! The only thing not allowed is AI-generated content.

Do I need to make 31 things to participate?

Oh heavens no! You can make as much or as little content as you like, skip days when desired, or combine prompts (so for example, write something that covers a prompt from day 1, 2, AND 3). You don't have to do the days in order either, go wild! To be considered a 'completionist', you only have to make sure that at the end of the month, you've covered 31 prompts from 31 different days, but whether you do that in 31 works or just 1 is up to you.

What are these alts about?

If none of the three prompts of a particular day are your cup of tea, you can swap them out for an alt prompt of your choice.

What are these themes about?

Just a little bit of extra fun for the mods. Like last year, we'll be handing out various badges for people participating in the event. A full list can be found here, perhaps there is a special badge or two for people who can't be completionists but who do manage to finish every single day of a specific theme ;)

How do I tag and is there an AO3 collection?

It suffices to tag your work with #ailesswhumptober for us to see and reblog it! Please also tag nsfw, since we'll be using that tag too. Tagging the day is optional but does help the mods along.

There is an AO3 collection to add your fics to here.

That should be all. If you have any additional questions, check our pinned or hit us up in the ask box. Or join our discord maybe, whumping can be a great group activity!

---

Plain text versions of the prompts:

October 1 - Torture Tuesday

public torture/public use, stress position, “If you cry, we’ll go easy on you.”

October 2 - Whumperless Wednesday

Unfortunate fall, car accident, “Don’t move. You’ll be okay.”

October 3 - Trauma Thursday

Shared trauma, survivor’s guilt, “It’s not your fault.”

October 4 - Fright/Freaky Friday

Painful transformation, non-consensual body modifications, “You’re a monster.”

October 5 - Sensory Saturday

Overstimulation, migraines, “I can’t take this anymore.”

October 6 - Surprise Sunday

Multiple whumpees, self sacrifice, “I’m the only one who can do this.”

October 7 - Medical Monday

Field medicine, running out of supplies, “Hold on, we’re going to have to improvise.”

October 8 - Torture Tuesday

Rope burns, gagged, “You’re so much prettier this way.”

October 9 - Whumperless Wednesday

Hypothermia, heatstroke, “You look pretty pale.”

October 10 - Trauma Thursday

Self worth issues, pushing away a loved one, “You don't need to earn this.”

October 11 - Fright/Freaky Friday

Hallucinations, truth serum, “Why would you even say that?”

October 12 - Sensory Saturday

Isolation, sensory deprivation, “Can you feel me? I’m right here, whumpee.”

October 13 - Surprise Sunday

Whumpee using themself as bait, defiance, “Take me instead.”

October 14 - Medical Monday

Seizures, concussion, “See if you can follow my finger with your eyes.”

October 15 - Torture Tuesday

Waterboarding, removing body parts, “Don’t break down on me yet.”

October 16 - Whumperless Wednesday

Drowning, hostile environment, “I don’t know how anybody could survive that.”

October 17 - Trauma Thursday

Abandonment, misunderstanding, “Why did I even think you cared?”

October 18 - Fright/Freaky Friday

Mind control, possession, “Everybody will end up despising you.”

October 19 - Sensory Saturday

Disassociation, losing a sense, “I wish I could get you back.”

October 20 - Surprise Sunday

Enemy/Stranger to caretaker, accidental de-aging, “I’m absolutely not qualified for this shit.”

October 21 - Medical Monday

Drugged, ambulance ride, “This will make you feel better, okay?”

October 22 - Torture Tuesday

Forced (to kneel/watch/hurt somebody else), whipped, “Do not look away.” October 23 - Whumperless Wednesday

Fever, passing out, “Hey?! Stay with me, okay?!”

October 24 - Trauma Thursday

Deconditioning, relapse, “It’s normal that you need more time.”

October 25 - Fright/Freaky Friday

Humiliation, betrayal, “How could you?!”

October 26 - Sensory Saturday

Electrocution, burning, “This is going to sting.”

October 27 - Surprise Sunday

Before vs after, Alternate universe, “Well, there’s a first for everything.”

October 28 - Medical Monday

Internal bleeding, needles and stitches, “I didn’t think the wound was that bad…”

October 29 - Torture Tuesday

Ownership, branding, “Everybody will know that you’re mine.”

October 30 - Whumperless Wednesday

Poison, delirium, “You’re not making sense.”

October 31 - Trauma Thursday

Panic attack, facing a phobia, “You need to get out of here!”

Alt prompts:

1) Pistol whipped

2) Co-dependency

3) Animal bite

4) Zombies

5) White room torture

6) Shock collar

7) Pulling teeth

8) Kidnapping

9) “You always make everything worse!”

10) “If you weren’t around, I’d be long dead by now...”

[whumptober]

Whumptober 2023

Welcome to Whumptober 2023 — the sixth year running!

COMPLETIONISTS/PARTICIPANT BADGES CAN BE FOUND HERE

To those of you who participated last year, welcome back! To everyone joining this year, welcome!

Please make sure to read the Event Info carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

And this years playlist can be found here.

There are 139 prompt options in total this year - this is including the alternatives list! A special thanks goes out to those who took part in our trope vote back in July. From the 1526 responses to our list of 223 tropes, we looked through the popularity results, as well as your honourable mentions, and were able to produce this years prompts list. Stay tuned, as we will be posting some of the results at a later date!

We’re very excited to see the community come together once more and be a wild, chaotic bunch of creators and consumers of whump. Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(All 31 Themes + Prompts, Event Information and FAQs are posted below the cut!)

Whumptober 2023 Prompt List

No. 1: “But now this room is spinning while I’m trying just to fill in all the gaps.”

Safety Net | Swooning | “How many fingers am I holding up?”

No. 2: “I’ll call out your name, but you won’t call back.”

Thermometer | Delirium | “They don't care about you.”

No. 3: “Like crying out in empty rooms; with no-one there except the moon.”

Journal | Solitary Confinement | “Make it stop.”

No. 4: “I see the danger, It’s written there in your eyes.”

Cattle Prod | Shock | “You in there?”

No. 5: “You better pray I don't get up this time around.”

Debris | Pinned Down | “It's broken.”

No. 6: “Do or die, you’ll never make me; Because the world will never take my heart.”

Recording | Made to Watch | “It should have been me.”

No. 7: " “I paced around for hours on empty; I jumped at the slightest of sounds.”

Alleyway | Radio Silence | “Can you hear me?”

No. 8: “I’ve got soul, but I’m not a soldier.”

Overcrowded ER | Outnumbered | “It’s all for nothing.”

No. 9: “Learning everything ain't what it seems, that's the thing about these days.”

Polaroid | Mistaken Identity | “You're a liar.”

No. 10: “Can’t you see that you’re lost without me?”

Broken Phone | Stranded | “You said you'd never leave.”

No. 11: “All the lights going dark and my hope’s destroyed.”

Animal trap | Captivity | “No one will find you.”

No. 12: “I haven't slept in days but who's counting?”

Red | Insomnia | “I’m up, I’m up.”

No. 13: “It comes and goes like the strength in your bones.”

Cold Compress | Infection | “I don’t feel so good.”

No. 14: “Feed me poison, fill me ‘till I drown.”

Flare | Water Inhalation | “Just hold on.”

No. 15: “I don't need you to help me I can handle things myself.”

Makeshift Bandages | Suppressed Suffering | “I’m fine.”

No. 16: “Would you lie with me and just forget the world?”

Gurney | Flatline | “Don’t go where I can’t follow.”

No. 17: “You’re the lump in my throat and the knot in my chest.”

Collar | Touch Aversion | “Leave me alone.”

No. 18: “I tend to deflect when I’m feeling threatened.”

Blindfold | Tortured For Information | “Hit them harder.”

No. 19: “I’ll take one final step, all you have to do is make me.”

Floral Bouquet | Psychological | “I’m not as stupid as you think I am.”

No. 20: “People don’t change people, time does.”

Blanket | Found Family | “You will regret touching them.”

No. 21: “See the chains around my feet.”

Vows | Restraints | “Don't move.”

No. 22: “They never saw us coming, ‘til they hit the floor.”

Glass Shard | Vehicular Accident | “Watch out!”

No. 23: “It’s gonna get me by the end of the night.”

Shadows | Stalking | “Who’s there?”

No. 24: “I’ve got a head full of chemicals; mouth full of ridicule.”

Goodbye Note | Neglect | “I thought they were with you.”

No. 25: “You’re not delivering a perfect body to the grave.”

Storm | Buried Alive | “They’re not breathing!”

No. 26: “Sometimes I get so tired; I don’t even know myself.”

Seeing Double | Working To Exhaustion | “You look awful.”

No. 27: “You drew stars around my scars; But now I’m bleeding.”

Matches | Scars | “Let me see”

No. 28: “We might not make it to the morning; so go on and tell me now.”

Bloody Knife | Sacrifice | “You'll have to go through me.”

No. 29: “I only sink deeper the deeper I think.”

Scented Candle | Troubled Past Resurfacing | “What happened to me?”

No. 30: “It’s okay, just to say, ‘I’m not okay’.”

Borrowed Clothing | Bridal Carry | “Not much longer...”

No. 31: “I thought that I was getting better.”

Emptiness | Setbacks | “Take it easy.”

Alternatives List:

Betrayal

Aftermath of Failure

Brass Knuckles

Decoy

Body Modification

Playing Cards

Examination

Hunting

Drugging

Shaking

Panic

Broken

Miscommunication

Lab Rat

Reluctant Whumper

Event Info & Rules

~ Please read our extensive event info posts before sending us an ask ~

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. The 'theme' of each day is the line of lyrics.

The prompts are merely to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is "flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be related to the 'spark' of a relationship. It's truly up to you!

In total, there are 4 prompts for each day: there's lyrics, an object, a trope and a line of dialogue to choose from.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag the with:

#whumptober2023 …..(the event tag)

#no.1, #no.2, #no.3, …..(day number)

#lyric, #bruises, #stabbing,  …..(the theme or specific prompt you chose)

#fandom or #OC, … (ironman, originalcontent, oc …)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #gore tw, #etc …..(trigger warnings & any additional tags. Add "tw" AFTER the trigger/content warning. )

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed the event. You do not need to post anything you have created, we rely on trust and we will not check this.

Questions not addressed in one of our many event info posts can be directed to this blog. We will not answer any questions that have been answered in the FAQs or rules already.

Frequently Asked Questions

Q. How does this year’s prompt list work? What do I have to choose?

You can create something based on:

The overall theme/lyric of the day

Prompt 1, 2 or 3

One or several of the alternative prompts

A combination of the above

Q. Is [specific anything] allowed?

When in doubt: JUST DO IT!

Q. Do I have to do all 31 days?

Participate as much or little as you like! Just be sure to tag your posts properly (ex. #no.7, #radio silence). If you create works for 31 total theme days you will become a completionist. But apart from that, there are no repercussions if you don’t fill prompts for each day.

Q. Can I post early/late?

Yes, you can post whenever you want. We will only reblog posts during October, but you can use our prompts all year round. The day you post will only affect your probability of being reblogged.

Q. Will you reblog my post?

Due to the sheer number of content posted during Whumptober we can’t promise to reblog every single post. We will make a random selection trying to capture a wide variety of content. The following will increase your chances at being reblogged:

tag your post properly

post within 2-3 days of the theme you want to fill: if you fill the prompt for Day 1 your chances of being reblogged during October 1st to 3rd are highest and will go towards zero afterwards.

Q. What if I don’t understand a prompt/theme?

Send us an ask! We’re happy to help with wild, unhelpful clarifications or brainstorming. That being said, the themes are entirely up for interpretation. Don’t take them too literally. For example: You can be choking on a cherry, someone else can choke you or you could be choked up on emotions, etc.

Q. What kind of content can I make? Can it be NSFW?

This is a MIXED MEDIA event! You can write fic, post meta, doodle or paint, create a gifset or photo edit, link a song, or get crafty with video - anything goes. As for NSFW, make what you like, we just hope that you’ll tag your work accordingly so that others participating in the event can stay safe.

Q. Can I combine Whumptober with other creation challenges?

Absolutely, as long as the other challenges allow it too.

Q. Can I upload/repost my Whumptober content to other social media platforms?

Of course! You can post your own content wherever you like (or you can opt to not publish it at all). Additionally we’ve created an AO3 Collection to archive any fics posted there. It can be accessed here. The tumblr blog @whumptober-archive is the official archive, so please respect the boundaries of any closeted whumpers in your social circle.

Q. Can I use prompts to write a new chapter for an existing fic?

Yes.

Q. An existing fic I am currently writing contains many of the Whumptober prompts, can I use it?

If you are actively writing this fic at the moment with the Whumptober prompts in mind, yes. If you’ve previously posted something that checks the boxes, we ask that you not include it retroactively for this current year. You can, however, add new chapters relating to one or more of the prompts.

Q. What kind of characters can I write for?

Fandom characters, OC characters, human, furry, alien, cyborg, RPF, whoever you like. You can use the generic “whumpee” character or have specific ones.

Q. Does it have to take place in a specific fandom?

No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want.

Q. Can I use a prompt multiple times?

Yes, but it only counts once towards being a completionist.

Q. If I’m not comfortable with one day’s prompts can I use a prompt of a different day as a substitute and still be a completionist?

No, you can’t exchange prompts for different days. However, if all four prompts of a specific day make you uncomfortable, we have created an alternate prompts list that you can draw from. You can exchange any prompt with these, but please make sure not to use them twice.

Q. Where can I post my work?

Post where and how you want. You don’t have to (cross)post it to Tumblr or at all. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive.

Q. Can I start posting early?

You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? That being said, you can post early, but we won’t be reblogging any work predating October 1st.

Q. Do I have to finish a fic I started/can I post WIP’s?

Yes you can post WIPs. And you’re not obligated to finish it in October for it to count towards being a completionist.  

Q. Is co-writing allowed?

Yes, absolutely, and it would count towards being a completionist for both/all of you.

Q. Do I have to create 31 standalone pieces to be considered a completionist or can I write one continuous story?

One continuous story is fine.  The challenge is to write something for 31 prompts. If that’s spread over 31 fics or just one, you are still considered a completionist. (The same goes for every other media you choose.)

Q. Is there a min/max limit on word count?

There is no limit.

Q. Can I combine prompts? Is there a limit on how many?

No limit and combine as many as you’d like.

Q. Is a hc/angst/emotional whump focus ok?

Of course! We are not going to establish a threshold for whumpiness. If you think it’s whumpy enough, then it’s whumpy enough. It can be physical, psychological, emotional, or any combination of the three.

Q. What’s considered nsfw?

See this post

Q. What is whump?

Typically the genre includes situations where a fictional character is hurt, be it emotionally, psychologically, or physically. Fanlore provides information here.

Q. My interpretation of the prompt isn’t whumpy at all, does that count?

If you don’t think your interpretation is whumpy, then it doesn’t count for Whumptober. Remember that whump comes in many forms, though, and that we don’t have a whump-checker or a threshold for how much whump needs to be included. If you think your interpretation contains enough whump to count, then it does.

Q. Can I start working on the prompts before October?

Absolutely! That’s why we post the prompts a month in advance. We recognise how difficult it can be creating for 31 days in “real time” so feel free to start creating early!

Q. How do I tag triggers?

tw at the end of the word, ex. #gore tw

Q. Do I have to use your tags?

Yes, if you want your work archived on the blog. If not, feel free to use whatever tags you want. 

Q. Does combining prompts count towards completion?

Yes

Q. Can we @ you?

Yes but we mostly rely on the #whumptober2023 tag.

Q. Is there anything we are absolutely not allowed to write?

There are no rules, but please make sure to properly tag your trigger warnings. And keep in mind Tumblr’s policies if you are posting it here (or the policies for whatever site you use).

Q. Where can I go for brainstorming help?

Here on Discord or come into our ask box.

Q. My characters are minors, is that ok?

Yes, but as with everything else, use clear and descriptive tags.

Q. Can I cross post on other blogs?

Yes, multiple platforms and blogs are perfectly acceptable. You can also post different works to different accounts under different names, without posting them everywhere at once.

Note: This is a creation challenge, please don’t repost your old work under our tags (unless it’s been changed or edited for the event).

Thanks for reading, and happy whumping!

[ticktokrobotsnot]

Hurricane Relief

This is part 2.

You can read part 1 here.

Pairing: Carmen Berzatto x fem!reader

Summary: The aftermath of a disaster and how we learn to cope, move on, and grow.

Word Count: 4k

Notes: 1) This is based off of s1e8, but we are going to pretend that Syd did the tablet thing correctly and Carmen doesn't lose his shit in ep7.

2) I am a completionist at heart so I felt an obligation to finish this because I know that if I was reading something and I didn't get a confession at the end I would riot and I aim to please.

__

“Where did you get the money for bail?”

“Used our two week parachute.” 

Y/n, barely conscious felt something pushed up against her chest. She peeked her eyes open and saw that she was sitting in the backseat of Carmen’s car already buckled in. She shifted over to her left so she could rest her elbow on the armrest against the door and balance her head. Carmen glanced through the rear view mirror to confirm that she was still asleep, he locked the car door so she wouldn’t fall out. 

Richie looked back before uttering a small, “Thank you, cousin.” It was strangely vulnerable to thank someone and even more vulnerable to do it with an audience, even if they were asleep. 

“All good.” 

After a few more beats of silence, y/n assumed that their bro moment had reached its conclusion and that she could finally pretend that she had just woken up. Then she heard a sniffle, at first she thought that her mind was playing tricks on her but she heard it again, and then a few more times. Maybe now was not the best time to announce her presence. 

“You okay?” Although she couldn’t see Carmen’s face she was hearing concern and a bit of apprehension. She could tell he wasn’t comfortable with consoling Richie. 

A small but broken, “Yeah…I’m okay” escaped Richie’s mouth. 

Unable to resist, she stole a quick glance at the rearview mirror, hoping to catch a glimpse of Carmen's eyes. They appeared slightly glassy, yet the softness in the corners revealed a simmering sense of relief. Though he was clearly upset, she reassured herself that he would ultimately be alright. Once they returned to the restaurant, she planned to check in on him, but without pressuring him. Recognizing his need for rest, space, and comfort, she understood that he often neglected these needs for the sake of others but she was determined to ensure he received the care he truly deserved.

Carmen took one last look back before pulling out of the parking spot and driving them back to the restaurant. Y/n was wide awake now but she knew that both Carmen and Richie needed some time and space to process what had happened. None of that would work if she was visibly awake, she had a feeling that they would pretend to be all tough by pushing their problems aside because they didn’t want a girl to see them being “sensitive”. So she planned to keep her head down and wait till they were near the restaurant to “wake up.”

The ride back was slow and smooth, Carmen didn’t drive over a single pothole, he stopped softly, and didn’t honk once, which was rare in Chicago. He wanted to drive her home and put her to bed but he had a feeling that she would be pissed if he dropped her off home while they went back to the restaurant. 

They were 45 minutes away from the restaurant but he was wondering if he should wake her up when they got there, or if he should let her sleep in his car. If he left her in the car she would be able to sleep in but it wasn’t safe, what if someone broke a window? At the same time, if he brought her to the restaurant, there was nowhere for her to rest. He was driving on auto-pilot while he was trying to figure out the best way to approach the dilemma, because if there was one thing that Carmen was good at it was overthinking. 

On top of worrying about y/n, Carmen had to steal a few quick glances at Richie to make sure that he was ok, it was hard to tell because he was looking out the window but the reflection showed Richie’s eyebrows were furrowed, he was thinking about something, or someone. Thinking was better than being depressed. 

A small selfish part of Carmen wondered if anyone would ever dissect every small aspect of him to make sure that he was also ok, like he did for others. 

The car ride was peaceful and quiet until a neighboring vehicle suddenly honked near y/n’s window, causing her to jolt and accidentally slam her forehead against the glass.

“Jesus, fuck.” Y/n hissed while putting her cold hand on her forehead to calm the bruise that would inevitably form. Her cover was blown.

Carmen’s head whipped back, “Are you ok?” 

“I'm good, it's just a small bump.” She tried to rub the forehead to quell the pain but it was too tender. “Pay attention to the road, I don’t want to see another police officer for the rest of my life.” Carmen involuntarily flicked his eyes to y/n’s forehead through the rear view mirror. 

Y/n couldn’t tell what Richie’s status was and he hadn’t made a single peep the entire car ride, even when she was “asleep”, so she couldn’t gauge whether or not she should talk to him. 

“We’re glad to have you back, Richie '' She left it open and didn’t expect any response in return. He didn’t respond but he moved his eyes from the passenger window to the windshield and sat up straight. Y/n felt a bit of uneasiness, this was the longest Richie was quiet and she kind of wanted him to make fun of Carmen or at least laugh, something to show that he wasn’t hurting. 

The rest of the car ride was quiet, they eventually pulled up to the restaurant and they walked in. Y/n and Carmen had left the restaurant as it was and even though they knew it was a mess, it was a different beast in daylight. Both y/n and Carmen walked to their lockers to grab their emergency toothbrush and other hygiene products in an effort to look less dead. 

Once they freshen up they went their separate ways. Y/n walked behind the counter and pushed some styrofoam cups aside to start the coffee machine. She waited for the coffee to finish brewing before pouring a cup for the three of them. Richie took one of the cups off the counter and disappeared. 

She walked over to Carmen who was throwing away half eaten food from the tables. 

“Here.” she handed a cup over to him and once again their fingers brushed each other but this time she forced herself to ignore the electricity. Whatever she was feeling would be an additional burden to Carmen, one more thing for him to worry about. Carmen didn’t need this right now, he needed some calm and space. 

She heard a soft thanks, and even though she was supposed to give him space she couldn’t suppress the urge to check on him one more time. His eyes were no longer glassy but the dark circles told her everything she needed to know. He glanced up at her face, finally getting his first good look at her since they left the station. He walked over to the kitchen door and signaled y/n to join him right before he disappeared. She heard some shuffling and she walked over to the kitchen after taking one more look at Richie who looked like he was doing better. 

Y/n went to the kitchen and was pleasantly surprised that it was not as bad as the front, it wasn’t great but still miles better. The kitchen was empty but Carmen’s office door was wide open, she peered inside to see him holding a ziplock filled with a bit of ice and water. 

He shut the door and pulled out a chair indicating that she was supposed to sit. She sat and looked up at Carmen before feeling the ice on her forehead. She groaned in discomfort, “You didn’t have to.” Carmen moved the bag around so the cold didn’t hurt. Y/n felt like she wasn’t doing enough, she was supposed to take care of him and here he was taking care of her. That wouldn’t do.

“How are you feeling?” Y/n asked while avoiding his eyes. She couldn’t look at them without getting distracted and she needed to focus on Carmen. 

“I'm good.” Soft but left no room for elaboration. Y/n knew she couldn’t crack a few jokes to make him feel better, that was wholly inappropriate. She also couldn’t probe for answers either because that would just stress him out, any form of pressure would probably make him feel like a caged animal being cornered. Saying nothing felt like they were ignoring the very obvious elephant in the room. It was like all roads lead to nothing unless Carmen opened up a bit more, which didn’t seem like was going to happen so y/n settled for a distraction.

“Is it bad?” Y/n said while touching the bag of ice barley missing his fingers. She ignored Carmen’s body heat that was radiating onto her side and she also pretended not to notice the way that his lips parted in concentration.

“I'm going to need you to be honest with me, don’t worry I can take it. If I look like shit you’ve gotta tell me so I can get some impromptu bangs or something.”

“You don’t look like shit.” Carmen mumbled.

“I bet I don’t look good,” Y/n swiveled around towards Carmen’s desk for some scissors, “bangs it is.”she exclaimed. Y/n was only joking but she needed a bit of a breather before she broke her own rule about giving Carmen some space. 

Carmen grabbed the chair’s armrest and swung it swiftly so she was facing him again. Her heart leaped out. “You look like how you always do.” He was too much of a wimp to call her breathtaking, the word felt foreign in his head; he could only imagine how disturbing it would be to hear it from his lips. He gently grabbed her chin before putting the ice on her forehead again. Y/n couldn’t escape this time. 

The silence was killing her and she thought she should at least talk about her own experience to let him know that they could talk to each other about stuff like this. 

“I was really scared...” Carmen looked into her eyes and they softened a bit. 

“I was scared that Richie was going to be in jail for basically forever…and …and,” Y/n hesitated, was what she was about to say to Carmen considered cornering him?

“I was scared for you.” Carmen’s hand stalled midair, still holding the bag of ice. He didn’t move for a few moments, “I was worried that this would..” She couldn’t think of what to say next. She could feel the gears in her head working overtime to churn out something that would summarize what she was feeling. “..break you and you wouldn’t let me help you.” She felt her eyes start to burn and a lump form in her throat that was choking her. She wouldn’t cry, he couldn’t deal with his own problems while consoling her. 

“I would have been okay.”

Y/n waited till the lump in her throat stopped burning. “You always are Carmen, but sometimes it’s nice to be better than okay…” She couldn’t do anything about her voice cracking but she might as well finish before she became a mess, “You deserve it.” 

Y/n said her piece and they both simmered in the quiet. A sigh reverberated through the walls and Carmen looked into y/n’s eyes. His lips parted and closed a few times as he tried to formulate a response but nothing he could think off would sound as well-put together as y/n’s thoughts. He felt like he was seven again, a stuttering pathetic idiot who couldn’t say something as simple as a thanks. 

Y/n knew that they were done for now, she had exhausted him so she was finally ready to give him that space that he desperately needed. She slowly got up and slipped the bag of ice out of his hand and walked towards the door. Carmen didn’t look at her as she left but as soon as the door closed, he sank to the floor and sat there for a very long time. 

He finally leaves the office to help with the clean up and is greeted by the crew. Y/n was at the very end scrubbing her countertop which was covered in glitter. As he walks past the crew to survey the damage to the front, he gets a pair of gemstone covered stringy underwear swung towards his face. 

“This is not respect.” Ebra continues to wave the underwear at Carmen’s face.

“No, chef. That is not respect.”

Carmen walked to the front and felt another weight lifted off his shoulder to see that the majority of the mess had been cleaned up. It felt like he was finally able to see the light at the end of the tunnel. His chest felt a bit lighter and he knew it was thanks to the people around him. 

He walked to the kitchen and started slicing some onions, he would be in charge of family dinner. As he was making the sauce, he couldn’t help but notice that he had yet to hear or see y/n, not that she wasn’t in the restaurant but it was like she was doing her very best not to be noticed. She was quietly peeling garlic and even though Carmen hadn’t responded to her, he could tell that they would be alright. He just knew in his bones that they would come back together, he was going to make sure of it. 

As he opened the tomato can and dumped it in, he noticed a bit of green. Mold? Killing the heat, he swiped the sauce away and picked it up to remove the plastic to reveal a wad of money.

Y/n heard Carmen yell for Richie but she didn’t think much of it before she started hearing, “Shit…Fuck..”

A few minutes later the whole crew were opening cans of tomato sauce to dig out the money that was hidden within. Once all the money was out, Richie cleaned it up and sorted it, the crew cleaned up the sauce and Carmen finished up the pasta. 

They sat down for dinner, but y/n had no appetite. However, she couldn't afford to leave her plate unfinished without drawing attention. She discreetly observed Carmen, piece by piece, just to make sure that he was okay, actually more than okay. His hands were relaxed, she took a bite. His shoulders were at ease, another bite. His jaw was unclenched, yet another bite. And finally, the most crucial part, she stole a fleeting glance into his eyes. As she raised her head slightly to check, to her surprise, their eyes met. Against her instincts, y/n held his gaze. It left her breathless. For the first time, y/n saw a serenity in Carmen's eyes that she had never witnessed before. 

With this newfound contentment, it became evident that Carmen had discovered a new version of stability. If maintaining their current relationship, or lack thereof, could grant him such ease and relaxation, y/n was willing to patiently wait for him to embrace a future together, even if it meant waiting for years or even decades. She didn’t want him to relish in the calm but expect it, expect that life was also fun and full of love. Her wish was for him to experience a life of unwavering stability, so that even if unexpected challenges arose as he always anticipated, he would know he was not alone and that he would always prevail. 

Y/n was proud of him, which is a strange thing to say considering the fact that he was a tax paying adult, but she couldn’t help but give him a small smile that said I see you and I’m so fucking in love with you. 

Carmen wasn’t a poet by any means but he finally understood why people write poems about other people. A picture of y/n would have captured her beauty but a poem would have explained it. It was just a smile and he didn’t know why but it was burned into his memory. Y/n looked away to ask Sydney something but if Carmen closed his eyes she was still smiling at him. Y/n had given him many smiles but he knew at this very moment that he couldn’t last another day without her being his. It wasn’t just a smile, it was the weight behind it, the pressure that it put on his chest when she looked away from him, the gleaming aura that wouldn’t let him look away…

It was everything, it was his everything, you were his everything.

Dinner concluded, everything was cleaned up, and Carmen was no longer in his fantasy land where y/n was being lit by the sunlight or party lights and making him yearn, he had never yearned before. Carmen assumed that seeing her in the shitty kitchen lighting and in her messy apron would bring him back to reality but he was sorely mistaken. The pinnacle of his admiration wasn't confined to the previous night or that particular meal; it persisted, unyielding. It didn’t die down when she spilled a bit of oil on the counter, or when she flipped of Richie for god knows what, or when she sampled Sydney's experimental dish and tactfully suggested it needed something more, or when she stepped over to the side to redo her hair, or when she shook her foot because her legs were aching. He could never get tired of her. He could watch her stirring for days on end, each rotation captivating him anew. He could witness her redoing her hair for centuries, and boredom would remain a foreign concept. He could watch her smiling till the sun exploded billions of years in the future, and still, an insatiable craving for more would persist within him.

Time flew by and before she knew it the clock struck 10:30pm and y/n looked up from her stovetop and realized that she was the only person left in the kitchen. It was a bit strange to be alone in the kitchen without Carmen, it felt like a regular room. It lacked the mystic that Carmen brought into any room. She wandered into Carmen’s office but it was empty. The front was empty as well and y/n was getting a bit worried. She grabbed her cardigan from her locker, turned on her phone flashlight and just went to the back of the restaurant and sure enough she found Carmen lighting a cigarette. The phone light was the only source of light other than a very dim street light at the very end of the block, and the small fire lit on the end of the cigarette. She saw that he was surrounded by quite a few cigarettes, five plus the one he was smoking now. 

Carmen looked like a deer caught in headlights. Y/n leaned on the wall so she could see what was compelling him to stay here for what must have been an hour but it was just a brick wall. Carmen shrugged off his jacket and handed it to her. 

She waved her hand, “I’ve got a sweater and it's not that cold today.” She was getting deja vu. 

“The bricks are rough.” 

Y/n leaned forward to avoid scraping her favorite cardigan but he took this as an opportunity to stand in front of her and slip the jacket through her arms. He straightened the jacket near the neck line. His hand glided down the open panels. Although he didn't physically touch her, she could sense his warmth emanating through the narrow gap. 

Y/n said she could wait but what she wouldn’t give for him to grab the collar and kiss her. His lips were wet from licking them and she didn’t notice that he was staring at her lips too. 

Carmen snubbed his cigarette on the wall near y/n’s waist, and then dropped the cigarette but leaving his hand still there. “Y/n.”

A soft hum escaped her barely parted lips as she finally lifted her gaze to meet his eyes. It was as if she had entered a trance while staring at his lips, and even when he attempted to snap her out of it, she effortlessly slipped back into another spellbound state, captivated by the depths of his eyes.

“I have to kiss you.” 

He searched her eyes for a sign of hesitation but y/n wrapped her arms behind his neck and leaned forward. Carmen closed the gap and at that moment he knew that he was never going to be able to get enough of her. He slipped a hand behind her head and another on her hip. He pushed her deeper against the wall and he was having a hard time thinking, his head was spinning and it was making it difficult to imprint this sensation into his memory. It felt like trying to remember an ocean’s wave or a ripple in the sand. 

His lungs were burning and even though he knew that he couldn’t stay conscious for longer, he couldn’t pull himself away. 

After a few moments, y/n withdrew slightly, locking eyes with him, her beautiful gaze penetrating his soul. Unable to resist the magnetic pull between them, he instinctively leaned in, their foreheads touching. The kiss left him breathless, yet he yearned to prolong the contact, craving more of her touch.

Their breath mixed with each other before y/n tightened her grip around him and leaned forward to kiss him one more time, this time with a deliberate slowness that amplified the intimacy between them. He made a conscious effort to imprint the sensations in his memory, but they tantalizingly lingered before elusively slipping away, beckoning him to kiss her once more for a more vivid recollection. It felt new even after the first, second, third, and fourth kiss, as if each one unveiled a new layer of their connection. Carmen could die here and people would be able to honestly say that he died a happy man. He smirked against her lips, unable to help himself.

 They pulled away for one last time before Carmen slid his hands down her body and eventually they had lost contact. 

Y/n grabbed his hand and led him back to the restaurant and in the bright lights, y/n looked down at their interlocked hands trying to finally remember the sensation that she had missed a few days prior but was pulled out of it when she noticed that his hands were covered in cuts and scrapes. 

“What the hell happened to your hand?” Carmen's head felt like it was swimming.

He mumbled out a soft, “I think it was the bricks,” and then added, “I told you they were rough.”

“You should have moved them as soon as they started to hurt.” Y/n grabbed for the first aid kit so she could tend to his wounds. 

Carmen didn’t care that his hand was scraped up because he didn’t want any part of y/n digging into the rough brick, and a scuffed hand was a small price to pay.

“Better me than you.”

“You’re literally so annoying, I can't even look at you right now. Take me home, Berzatto.” Y/n humorously rolled her eyes and finished wrapping him up. 

And with that, Carmen finally found himself standing on solid ground, a place of stability and certainty. In the embrace of y/n's love, he discovered a resolute foundation upon which he could build a future with her. He no longer felt adrift, but rather firmly anchored in a love that provided solace.

[themerrywhumpofmay]

Merry Whump of May 2024 Prompts

Event tags: #mwm2024 #themerrywhumpofmay #mwmday[X]

Thank you everyone for your patience in waiting for this post. We can't wait to see what you create this year! Have fun!

Image text under the cut-

Transcription:

ABOUT THE EVENT

The Merry Whump of May is an event run by @wormwriting and @painsandconfusion. There are 31 days of prompts to be completed each day of May. Feel free to do as much or as little as you’d like. 

Prompts can be filled in prose, poetry, art, or any other medium you resonate with. 

There will be participation and completionist medals in downloadable pdf format.

Prompts

01 - Breathless “Get back in there” | Ring box | Cliff

02 - Scorching “Don’t you dare.” | Glasses | Storage Shed

03 - Lost “See what happens.” | Screwdriver | Club

04  - Forgettable “Who are you?” | Lamp | Alleyway

05 - Strained “Put that down.” | Electrical wires | Plane

06 - Suspicious “You thought you could get away with this?” | Barbed wire | Riverside

07 - Fallen “Forget about them.” | Piano | Edge of town

08 - Pitch black “I’m fine.” | White-hot blade | Passenger seat

09 - Frostbitten “You’re nothing” | Blanket | Parking lot

10 - Jaded  “Revenge is a dish best served.” | Mask | Rooftop

11 - Numb “Pretty little thing.” | Bracelet | Stairwell

12- Known “Let me hear you.” | Garrotte | Desert

13 - Restless “Tell me how it feels.” | Needle | Trail

14 - Punchable “I just want you.” | Rock | Closet

15 - Stone-cold “Let me hold you.” | Candle | Cellar

16 - Naive  “Say aaaaa-” | Whip | Library

17 - Hungry “Wait, are you afraid of me?” | Fork | Lake

18 - Conditioned “Why do you love them?” | Record player | Ballroom

19 - Distracted “Rot in hell.” | Soup | crate

20 - Alone “Don’t tell me you forgot about me.” | Lipstick | Training grounds

21 - Charismatic “Sit.” | Vial | Balcony

22 - Charred “It’s been too long.” | Straps | Rafters

23 - Overthrown “Close your eyes.” | Rock | Truck

24 - Shadowed “Break a leg!” | Plants | Cave

25 - Practical “I’ve always loved the rain.” | Bottle | Shop

26 - Resilient “Get in.” | Pocket | Marsh

27 - Mistrusted “You’re trembling.” | Dagger | Couch

28 - Loyal “Smile.” | Water | Workshop

29 - Reflective “Chin up.” | Trap | Office

30 - Tenacious “Did you have a bad dream?” | Paper clip | Doorway

31 - Broken “Last one.” | Key | Under the bed

Alternate Prompts

Hidden

Waking

Betrayed

Garish

Garden

Theater

Docks

Street corner

“Lean on me.”

“I don’t have regrets.”

“Take me.”

Shoe

Ribbon

Corset

Crown

[gogopri]

Visual Novel Design Corner: CLANNAD's "Dangopedia"

One of my favorite features in a translated visual novel is in CLANNAD (although it's not exclusive to it).

What do you do when a work has cultural references that may not be immediately obvious to people living outside the culture it was written in? Do you add in a translation footnote? Do you leave it as is and let your audience fend for themselves, letting them look things up hoping they can use their intuition and know when to look things up?

Enter: Dangopedia

(Screenshots showing the Dangopedia from CLANNAD's Steam page)

In the English release of CLANNAD (and current Japanese region console copies that include English text options), they've introduced the "Dangopedia."

Whenever there's a cultural reference or joke relies on information people outside Japan might not know, this bit of text is highlighted in the dialogue.

Like in the Steam Screenshot:

I settle down in the small area between the wall and Sunohara's ever-present kotatsu table and begin to eat my dinner.

"Kotatsu" is highlighed in red, meaning you can now open the Dangopedia submenu and read from an encyclopedia what a kotatsu is. Material in the Dangopedia ranges from, "knowledge most people who've interacted with Japanese visual novels," know, such as honorifics, to subjects like specific celebrities, popular music, and more.

Another benefit of the Dangopedia is that completionists have another way to get their fill. Players who feel motivated to 100% everything in a game will have something to chip away at that encourages exploration down every last choice menu, while also probably learning something new from the entries themself.

However, the Dangopedia is entirely optional. If you find it intrusive, you can turn it off entirely, and there's no Steam achievement for filling it out. It's also, obviously, turned off if you switch to Japanese in the console ports.

All-in-all, it's a good feature that I find well implemented into the game.

There are other games that have "cultural reference guides" like CLANNAD's, such as KEY Visual Arts' other games like Little Busters and its "Busterpedia." And there are games like Steins;Gate that have encyclopedias for science and science fiction terminology.

Actually, going further into "information submenus", like character profiles in games like Fate/Stay Night or Umineko no Naku Koro ni, could be a whole other post... so I'll end it here for now.

[wreckedhoney]

MASSIVE SPOILER for one of the endings.

it's been a while since i tried looking, but i did hear that something like this happens last year and over time started to think, "was it a fluke?" bc no one posted footage or caps of it then, and i aimed for a completionist run in my first playthrough. turns out it's real! and definitely shines a new light on a character that, for most other types of playthroughs, will not give this much emotion! EDIT: transcript now included, and some stillshots under the cut

[0:28] Marie: Henry, this is the man who kept you from doing the right thing tonight. Kill him. [0:15] Forrest: Henry, you don’t have to do this. If you’ve not killed anyone yet, there’s still time to make the right decision. [0:05] Out of shot: (Gunshots) Henderson Police! Freeze! Marie: No! Henry, get out of there!

[simspaghetti]

I've never done an heir poll before but I'm genuinely so stuck on who to choose to lead Generation 3 of the Piccolo LEPacy (Ambitions) because I like the idea of following any of these careers - and I can't do a triple-heir situation!

So, I need your help! 🫵 Who will it be?

(obviously spoilers‼️ ahead for what they’re gonna look like as young adults and their future traits / careers if they age up well!) ⬇️

Daphne Piccolo - The Ghost Hunter

Traits: Vegetarian / Loves The Outdoors / Computer Whiz / Mooch / Eccentric LTW: Paranormal Profiteer Completionist Route: Who ya gonna call? 👻

Columbo Piccolo - The Private Investigator

Traits: Neurotic / Unlucky / Commitment Issues / Childish / Perceptive LTW: Pervasive Private Eye Completionist Route: Private Investigator 🔍

🌟 WINNER 🌟 Ra Piccolo - The Firefighter

Traits: Egyptian Heritage / Genius / Natural Cook / Great Kisser / Clumsy / Savvy Sculptor LTW: Firefighter Superhero Completionist Route: Firefighter ⛑️

Full descriptions of each completionist route can be found here under the 'Ambitions' section :)

One last thing to note is that whoever doesn't get picked for the heir will still be living in the household at the beginning of the generation - I'm planning on having all 3 of these guys in the same house until the chosen heir starts their own family, so it's not goodbye forever by any means - and we'll still get to experience a little bit of each of their careers!

Oh yeah, also I'm not done with World Adventures just yet lol - I'm ahead of my queue in my game and this is just some pre-emtive planning on my part as I might do a small timeskip once gen 2's goals are all complete!

[insertdisc5]

Devlog #19: THE LAST DEVLOG BEFORE RELEASE.

Hello everyone! Welcome to this month’s devlog!

If you just stumbled upon this, I am Adrienne, also known as insertdisc5! I’m the developer, writer, artist, main programmer, etc of the game. The game being In Stars and Time, a timeloop RPG, which is also the next and final game in the START AGAIN series, following START AGAIN: a prologue (available here!).  You can find out more about In Stars and Time here!!! 

LET’S GET TO IT. This month is THE LAST DEVLOG BEFORE RELEASE?!??!??!?! URGHH?!??!!

My goodness. Can you believe In Stars and Time will finally be out THIS MONTH? NOVEMBER? TWENTIETH? TWO THOUSAND TWENTY THREE?!??!?!?!? Yeah turns out ME NEITHER so WE CAN FREAK OUT ABOUT IT TOGETHER.

So, as previously mentioned, In Stars and Time will be out on November 20th on Steam, itch.io, GOG, Nintendo Switch, and Playstation 4 and 5!!! We mentioned this previously, but we cannot guarantee they will come out at a specific time, nor guarantee they will all come out at the exact same time and hour and minute, but we will do our best! Hopefully “sometime in the morning for Canada” is the time. Don’t hold me to that though!

And for our announcement, we prepared a wonderful announcement trailer, animated by the lovely Mimi Chiu! Did you see it?!? Well, have it again.

In preparation for the release, we’ve been bringing our marketing A-game! I (insertdisc5) have appeared on The Completionist’s IndieLand Stream, and it was an absolute blast. I also reiterated my Big Hope for this game, which is that I hope ISAT makes you feel so many feelings. 

We’re also doing a Fanworks Contest on Twitter, with the prize being a key of the game on release!!! If you have something in mind, why not participate? We accept EVERY kind of art, from fanart to fanfics to cosplay to animatics to memes to even pictures of food! As long as it’s ISAT related, GO FOR IT!!!

And finally, every Monday until release we’ll be sharing some ISAT character playlists made by yours truly (along with some VERY MUCH NEEDED HELP from friends and family. Finding songs is hard!) You can check them out here on Spotify!

And, finally for real, mayhaps consider joining the Discord channel before all hell breaks loose. Make some friends. Show some memes. Post your last minute theories. Or maybe just lurk! Up to you and your delightful little brain.

How weird to know this is the last devlog before the release! I WILL be posting a couple more monthly devlogs after this month- I want to talk about how the release went! And even after the game comes out, there will be some fun little things in store! So please stay tuned even after the game comes out :) And as always, don’t forget to wishlist the game on Steam!!! Ok!!! Wishlist numbers this close to release are SO IMPORTANT!!!! SO PLEASE!!! I BEG!!! ON MY KNEES!!! PLEASE WISHLIST!!!! (someone does a neck cutting motion off screen) I’m told to tone it down. So PLEASE WISHLIST but like, um, only if you want, teehee <3

Thank you for following this devlog all this time. I hope you enjoy the game when it comes out later this month.

See you next time.

[stormikins]

Mass Effect: Failed Opportunities.

An informal rant/essay about my opinions and thoughts (and ideas/suggestions) about the choices made in Mass Effect Three. This is all because of this one post by mass-effect-anonymous, and my friend (@xoshepard) giving me a compliment about my Shepard came back wrong headcanons. So. I’m fueled by validation and rage. A summary of the mentioned post is anonymous regrets that BioWare didn't explore the implications of Shepard dying and coming back and the fact that Liara helped Cerberus in doing so.

Disclaimer: I am a hater in this. I am. No doubt about it. If you like the story and think it’s great and nothing is wrong with it— then I am so happy for you. Truly. I wish I was the same. So, this post might not be for you. Also, this is a rant, and I try to keep it sensible so apologies if it’s not.

Word Count: 3k

TLDR: BioWare flip flops between decisions and choices and never truly settles, disregards choices already made, and leaves players (AND THEIR MOTHERS!) wanting while eviscerating character personalities. Consistency is not in BioWare’s vocabulary. Or dictionary. Or thesaurus.

One of the things that I dislike the most about BioWare's choices regarding this matter is that Shepard starts having these crisis thoughts/questions about if their body is theirs or not, etc. not only in the third game, but at the end of it. The player is literally doing the mission that marks the point of no return in the end, the last of two until the game is finished, and now Shepard is voicing these thoughts. Roughly sixty-ish hours since the beginning of me2 if the player is a completionist. (that’s in game time, not to mention how much more time for real life but I digress). This isn’t a plot hole, it’s a speed bump the player trips over and then the game expects us to get back up and get going while asking why our nose is bleeding. Fuck you BioWare.

Now, one could construe this into being part of Shepard's character; squashing down all these conflicting and worrying thoughts to focus on their mission, bc they are a soldier. They literally don't have time for this. But now they're physically confronted with their reconstruction post-awakening haze and/or denial about it all bc Cerberus could be them lying to Shepard bc of manipulation. All right. If that is supposed to be the implication, Shepard putting their mental focus on their mission, why didn't Shepard have this crisis when they were in lock-up for six months, aka where they literally only have time to think?

James having a throwaway comment to Shepard, or another crew member (bc they talk to each other now between missions!), about how he's worried about them, about how Shepard had a freak out some point in lock down, the level of 'freak out' does not need to be expanded upon. Hell, James can just say maybe they passed the time asking each other philosophical questions, maybe about consent and choices (which would tie into James’ past!) and bodily autonomy. It could help lend more weight with Shepard posing these questions during the Cerberus HQ bc these thoughts are still plaguing Shepard. Shepard dies—again—without getting closure— again. This would fall into the cycle theme that the games have.

But, like always, Bioware fails to capitalize on opportunity.

Now. The Citadel DLC. sighs Shepard's repeated variations of "don't want to talk about it" it being the clone and everything else that's happening in the DLC, lends more to the theory of Shepard's supposed to be repressing this all. But the counter point about Shepard having their crisis in lock-up still stands.

What could have been interesting is if Shepard had these identity issues in 2 and potentially in three. Given that the Citadel DLC ends with the clone always dying canonically, it can be a pivotal moment for Shepard to realize that they are who they are, different than their me1 counterpart or not (it also would be cool if characters mentioned if the player was choosing choices that an imported me1 Shepard normally would not have) and to have a clarity moment that they are Shepard. The clone and these logs could have provided a clean tying of loose ends of Shepard having identity issues instead of the teammates saying two lines about how they know that Shepard is Shepard and Shepard simply... moving on because you do all this in the middle of a base attack. The player's mind is already set on defeating Cerberus (finally) and getting revenge, on being so close to the end of the game! It's also OPTIONAL. Yes, the player is automatically entered into the terminal, but the choice to leave without seeing what's on the logs is immediately available.

Another thing the previous post went into was Liara's involvement. Her part in Shepard's reconstruction is not explored in the game. The player never learns about how Liara helped, just that she did and that she lost Feron because of it all to the Shadow Broker. I will not go into the comics, because 1. I have not read them and 2. If developers must depend on supplemental media to explain key plot points, they are in fact doing it wrong (this is a conversation for another time).

I would not be as bitter about Liara's involvement if the game treated it better. The player has to complete two quests to unlock the dialogue of Liara telling Shepard that she gave their body to Cerberus. Which, I will give them, it’s normally to not want to tell the person who you gave their dead body over to terrorists. Shepard’s renegade dialogue to Liara apologizing about giving their body over is as follows, “all this time, it wasn’t your sources. You knowingly gave me over to Cerberus. You did this to me!” SHEPARD DOESN’T SAY ANYTHING ELSE. JUST SITS BACK DOWN AND THE RENEGADE RESPONSE TO HER SECOND APOLOGY IS TO SAY, “Let me know if you need any more help,” AND YOU LEAVE. WHY IS THIS THE ONLY TIME SHEPARD ACKNOWLEDGES THIS. wow. AND WHY IS IT LIKE THIS? ITS OPTIONAL. I— Again, this could tie into Shepard bottling up feelings and acknowledging them in Me3, could show Shepard as an actual person if the game lets us choose to be mean or turn her off but alas, the player cannot because the game likes ruining Shepard’s character (which I’ll save that for later) and doesn’t treat the games like RPGs.  

One could say that Liara would go to any lengths for those she loves, whether the player romanced her or not, but in the first game, we have no indication that she is willing to go this far. I have a belief that nothing is 'out of character' if the circumstances are right. Now, these circumstances are right: two important figures in Liara's life die (Shepard and her mother), Liara's only connection to her theories on the extinction of the reapers dies as well, the threat of the Reapers, and all the traumatic experiences she had during me1 and then the destruction of the Normandy all collide together to make it realistic that Liara wouldn't be able to let Shepard go. There is one thing, though, is that this is all boiled down into “I couldn't let you go” and the game doesn't show it. Doesn’t show Liara's descent down into this rabbit hole, doesn't show the switch getting flipped of her turning much more ruthless compared to her me1 characterization.

She does show ruthlessness in some regards in me1, willing to kill her mother no matter their relationship. But out of all the SR1 cast, she is one of the most paragon characters. The game does not show the shift into Liara's characterization. No commentary from Me1 companions about how Liara suddenly shut them out, or from Feron talking about the things Liara was willing to do to get Shepard. No comments from Miranda and Jacob who I do know were part of the retrieval mission about how Liara acted. Liara is just immediately introduced with quoting her mother’s threats. WHICH IS SO INTERESTING! Again—AGAIN—the game goes nowhere with this. We get optional dialogue from Aethyta about the Matriarch’s being concerned about her but that is optional, and only if the player talked to her in Me2 does she show up in Me3 and deliver said dialogue. Liara herself never confronts this. Even when SHE TALKS ABOUT HER MOTHER. LISTEN— LIARA COULD HAVE TURNED INTO A SCIENTIST THAT WOULD DO ANYTHING FOR HER RESEARCH. TO PROVE HERSELF RIGHT BECAUSE SHE IS, SHE KNOWS IT AND SHE’LL DO ANYTHING LIKE BRINGING SOMEONE’S DEAD BODY TO A TERRORIST ORGANIZATION TO RESSURECT AND YET—

Garrus, on the other hand, gets his new characterization explained. In me1 he already tends to be reckless, ruthless, and selfish. It is no surprise that when Shepard died and the Council buried the truth, he went vigilante. The game shows his new bleak outlook on life bc we find him fighting for his life in a base full of dead bodies and then he explains he got betrayed. We deal with his character arc. We do not deal with Liara’s.

One could argue that could go and show how Shepard wakes up two years in the future and everything is different and confusing. Which I will agree with. If it was purposeful. And I don’t think it is, personally.

She doesn’t stay this new ruthless way. I am not saying she can’t be more than one-dimensional; I like that she can be soft with Shepard and the other companions. But all of a sudden, she, the character whose introduction in Me3 is her popping a singularity and gunning down two Cerberus goons with a cold look on her face, “can’t be that callous” about not focusing on the death numbers in the middle of a war zone because “that’s my home down there”. A home she rarely talks about, and she’s also been in numerous war zones just as bad as this. Liara, who spent more time in digs or collecting intel than with people, feels a sudden connection with Thessia.

I would like Liara a lot more if they didn’t eviscerate her character, thank you. Don’t take this the wrong way, I love her, I think she’s great. She just has the potential to be so much more.

Like—

Mass Effect for some reason, tries not to be an RPG. They don't give the players a proper choice/dialogue to allow Shepard to be mad at Liara about what she did. Or to stay mad. (I am not going to get into the debate of whether being mad at Liara should be a renegade option or paragon). It would make sense for someone to get pissed at the person who gave their dead body over to scientists to reanimate, but also terrorist scientists. The same terrorists that Shepard potentially fought in Me1 and also potentially discovered were behind the whole sale slaughter of their entire platoon and the torture of the only other survivor of the incident.

(I can’t remember if Shepard ever mentions Akuze to Cerberus. Funny, isn’t it. How the games like to take away Shepard’s agency but not in any compelling way.) 

Besides, simply not choosing paragon options, it’s never mentioned again what Liara did to Shepard, which makes sense if Shepard accepted Liara’s apology. But what if Shepard, and the player, doesn’t? Liara’s forced on the player in Me3 as Shepard potential confidant, showing up repeatedly to Shepard’s cabin to move the plot forward, give Shepard missions/updates. Yes, the player can refuse to get personal with her which I do appreciate it. Like I said, Liara’s actions never get brought up in any meaningful way to help Shepard on a character journey. If they don’t want to let characters make decisions about who Shepard is, they should give them a personality. But they don’t.

Another failed opportunity about Shepard’s character is when the games don’t get into what Shepard is like post-resurrection. The game seems to be in the middle ground of making Shepard different but not still human, but in actuality, they can, in the words of Hannah Montana, have “the best of both worlds”.

Me2 shows how Shepard is different now. “I’ve noticed a few upgrades,” Shepard states when talking to the Illusive Man on Minute Man station. Shepard can have multiple hard-hitting drinks in a row along with Ryncol in Dark Star, Zakera Ward. A poison tailored for humans served by a batarian bartender in the lower segment of Afterlife only knocks Shepard out, not killing them like it does to every human before.

That is how far the game will go in showing how different Shepard is, not counting renegade scarring. Which is a waste.

Shepard is The Protagonist. The main character. They have done the actual impossible. They are the Sole Survivor, the Hero of Elysium, the Butcher of Torfan, Savior of the Citadel, repeller of Geth, Collector, and Reaper armies and a host of other incredible achievements. They are a prophet, the damned, a modern-day Cassandra. The tip of the Spear, the Diplomat, the Soldier. Coats in the FOB on Earth says that it means something to the soldiers to see Shepard with them. They are “a tool, an agent with a singular purpose,” TIM calls them. (And a Karen ‘accuse her of classism’).

And yet, when Shepard gets revived—the most impossible of all things (and yes, it’s not like they had anything to do with it, it was Miranda and her team, but the Lazarus project only had one subject)—they are not made further into something larger than life. Something Other. Something that sets them out from the others. Because they’re Commander Fucking Shepard.

They literally have a vision of a dying race in their head that propels them to stop the Reapers. Me1 does a great job of playing with it. The player sees it once in Me2 and Me3, a side mission (Blue Suns: Archaeological Site) and after retrieving Javik, respectively.

Mass effect is all about cycles. The Reaper’s, Saren/Tim parallels, etc. What could have been interesting was instead of the reoccurring dream we have about a child that gets his emotional impact tarnished because of said dream and the star-child, the game does a mesh of the vision, prothean civilization in ruin, and the ruins we see of current civilizations from the missions Shepard goes on. Keep the oily shadows that whisper quotes from our dead teammates, but also have their voices coming from long dead Protheans pleading with Shepard to stop the Reapers, to save them.

Shepard can’t get any escape from the war, from the Reapers in their sleeping nor waking hours.

The game not making Shepard Other and going in the opposite direction—that despite all these upgrades Shepard is still human—would be fine if it was done better. A good stereotype of “I’m only human” is when a character fails. Shepard fails in Me3 most prominently on Thessia. I’m all for having characters fail but only when it’s done not so obnoxiously.

It’s a terrible fight. It is. Kai Leng hides behind a gunship that Shepard took down at least three separate times in Me2. Two of these instances are non-optional: Garrus and Samara’s recruitment and Kasumi’s loyalty mission is optional. So, Shepard—Commander Shepard who literally destroyed a proto-Reaper—can’t destroy a gunship. It’s insulting how they ruin Shepard’s character in three.

In the end cutscene, Shepard clearly hears and registers that Kai Leng orders the gunship to fire on the supports of the structure and… runs further into the building. One could argue Shepard was trying to get the Prothean VI for the catalyst, but Liara is shown scanning it with her omni-tool. What did she do, if not copy it? Why would she not? Why wouldn’t Shepard? They’re in the middle of a war zone, with enemies that were just right outside the door. Why stop for a chat here and now? (I know why, the plot demands it and lore dumping— lore that contradicts the lore dump by Vigil in Me1 so I’m even more inclined to not like these proceedings).

Kai Leng is Shepard’s nemesis in Me3 (and I’m forever mad that he is) and he’s supposed to be badass and edgy and able to go toe-to-toe with Shepard. Yet the game shows he can’t. He can’t reach his target because a terminally ill drell stopped him, or he didn’t notice Bau being cloaked in front of the Salarian councilor. (I can also go into how stupid this scene is with BOTH Thane and Bau).

He gets one over Shepard with the C-Sec sky car chase but that doubles back to BioWare ruining Shepard’s character by making them an idiot. Why not hit the brakes? Why not do a couple barrel rolls? Why fire through what should be bullet proof glass because it’s a C-Sec sky car?

Kai Leng can’t go toe-to-toe with Shepard unless Shepard gets dumbed down into an idiot and isn’t someone who reached not only Commander rank but also became the first human Spectre. HELLO!?

So, Shepard failing and still being human and fallible doesn’t hit because they execute it poorly via Kai Leng and his stupid plot armor.

Who would be Shepard’s nemesis if not Kai Leng? HARBINGER. YOU KNOW THE REAPER THAT TAUNTED SHEPARD IN ME2? THE VERY FIRST REAPER MADE? THE REAPER THAT WE ONLY SEE—NOT TALK TO—SEE IN THE LAST HOUR OF THE GAME? THAT GUY. (matter of fact, throw in some of Harby’s arrogant lines about Shepard not being able to stop the Reapers in the alternative dream.) Harbinger should have possessed troops like he did in Me2 in the major Reaper battles. Earth. Menae. Thessia. He should have showed up somewhere, boasting about how they’re darkening the sky of every world. YES THAT’S A SOVEREIGN CALL BACK CYCLES! SHEPARD’S VISION IS COMING TRUE RIGHT BEFORE THEIR EYES AND HE’S NOT BRAGGING!? I THINK THE FUCK NOT! If you’re gonna make the Reapers so obsessed with Shepard as shown in Me2 with Harbinger’s comments and making a human looking Reaper, KEEP THE OBSESSION FOR THE LOVE OF GOD! I hate that the Reapers are obsessed with Shepard, Reapers who are above organics, have no weaknesses etc. and the entirety of Sovereign’s brilliant Virmire speech, because it’s not CARRIED OVER!

The enemies should have primarily been the Reapers from the start, and Cerberus the splinter group trying to sabotage the player. Make them smaller. Keep them kidnapping people for troops and biotic tests and lying about Sanctuary being a sanctuary and not run by Cerberus. Continuously have them send assassins—plural! Phantoms and nemesis—after Shepard with Kai Leng at the head of them. Even better if a strike group of baddies show up randomly during missions and watch out! Now Shepard has to deal with them as they fight the Reapers—in the same mission— because Cerberus wants to stop Shepard from killing the Reapers so they could control them and secure human dominance. Kai Leng is kept away from his target because they’re also fighting Shepard where Reapers are. Have them locked into stalemates until the environment getting destroyed literally forces them apart. Have them actually be equal adversaries.

Cerberus is introduced to be a mere group Shepard took out in Me1. They’re not all gone in Me2 surprise! Okay that’s fine and yet they not only sunk so many resources into Shepard and had so many cells gone rogue but they’re able to stage a coup on the Citadel! Pardon?? “But our resources are not unlimited, rebuilding you was a significant investment. And a significant risk,” Miranda tells Shepard in Me2. Cerberus kidnapping people on Benning would make sense if they’re scrambling for troops other than the relying on Sanctuary. (EVEN IN ME3 THERE ARE ‘ROGUE FACTIONS’— still a common occurrence for them. It’s never explained if Cerberus is lying about Benning or not). If they have these many rogue cells, again, how can they manage all they do in Me3? Especially if scientists are leaving Cerberus as well, aka the Ex-Cerberus Scientist mission Traynor gives you where you meet up with Jacob.

Yet, the player talks more to the Illusive Man than Harbinger in Me3, the leader of the Reapers, and we confront TIM at the end of the game, the most pivotal moment. The moment which people have sunk countless hours into, and we get a power hungry and indoctrinated TIM to… talk into shooting himself or firing a single bullet at him. There is no physical fight between the two. The conversation is similar to Saren’s and again, cycles are a theme, so why can’t we get a Reaper!TIM fight? The player, and Shepard, deserve the choice to fuck him up. This is a military game after all, they’re supposed to be encouraging our aggressive nature.

They ruin TIM but also Shepard.

Shepard never grows and changes like the characters around them, and their resurrection could have—should have—played a part in that. If they’re supposed to remain the same, be a tool for the narrative, make them it. Lean into that. The player chooses options. What would be an interesting mechanic is to make it a struggle for a certain background to get a certain morality. Have Shepard be stating doubts about who they are and if the player is contradicting a stereotypical background (Butcher trying to be paragon, a Hero trying to be renegade), they meet the camera—the players eyes—as they explain their inner turmoil. Make Shepard feel like the tool they are, like they’re not in control of their actions. A renegade overcoming it all and being a paragon hero, or a fall from grace paragon that brings the galaxy down with them. A renegade trapped in a cycle of violence (CYCLE) who can only see the world down the barrel of a gun, or a paragon who continuously chooses kindness. MAKE IT MEAN SOMETHING!

I think I’m done. So.

In conclusion, my love and passion for this game transitions into rage because of seeing possibilities squashed like a bug under a boot. To borrow Star War’s phrase: Mass Effect could be so good if it was good. 

[my-current-obsession]

Something I both love AND hate about FF7 (the original game and everything after, including the Remake trilogy) is that it is just ambiguous and/or player-driven enough that no matter which side of the love triangle you fall on (assuming you do in fact ship Cloud with one of the girls), the majority of fans for that ship are 100% CONVINCED it's the correct/canon option.

Like, certain scenes are definitely up to interpretation, and people are going to thus have varying reads on those scenes and the characters/relationships the scenes are about. It doesn't help that several scenes change depending on the player's choices, which acts as a confirmation bias as you naturally get more time and romantic moments with the girl of your preference. It really seems to me that MOST people who ship Cloud and Aerith have one solid interpretation (with a plethora of supporting evidence) of the series and the romance, while most people who ship Cloud and Tifa have their own solid interpretation with plenty of evidence that is VASTLY DIFFERENT from the Clerith reading of the game.

This is not a case of "one ship is clearly, explicitly canon and fans of the opposition just like their pick better and/or think it made more sense narratively and WISH it was canon" - for an example of that, look to the Avatar the Last Airbender shipping wars. This is a case where both sides literally interpret the story just differently enough that they come to entirely different conclusions about which girl is Cloud's true love. And if either side reaches out to try and explain their viewpoint to the other, they're just met with "uh, no. You're wrong." Try and explain what Cloud might be thinking in a given scene with one of the girls, why he acts a certain way... "That's not it at all, where are you getting this? Are you delusional?"

Like, I am a Clerith shipper. I have played all the games in the compilation and watched Advent Children. I tried to be as completionist as possible, even. And I came out on the other side of really digging into the story of this game loving Cloud and Aerith's dynamic and pretty firmly convinced they were canon. Or as canon as possible in the timeline where she died.

As any Clerith fan who participates in the fandom would know, if you try and explain your interpretation of these characters and the romance to a diehard Cloti supporter... you're met with a lot of "you're misinterpreting! Cloud and Aerith were just friends! She loved Zack to the end and Cloud loved Tifa since childhood and never stopped! Also Aerith is actually BAD for Cloud because she's too pushy/abrasive. She's not helping him open up, she's just forcing him to go along with her and making him uncomfortable!"

All of this is of course infuriating, but I'd like to think I'm self-aware enough to know we are kind of guilty of the same thing. The majority of Tifa fans are SO happy about the kiss in Rebirth, while we're over here dismissing it because, one it's optional, and two Cloud is "obviously" using Tifa as a rebound or settling for her since Aerith is seemingly unavailable. But that's not how Cloti fans see it at all.

We can talk until we're blue in the face about how TIFA deserves better than Cloud because she shouldn't be the second choice - the one he settles for. But I think most people who really love Cloti genuinely don't see it that way. In their eyes, she's NOT second-best. Cloud loved her all along and this kiss is finally confirming that. And nothing we say will dissuade them, just as nothing they say will actually change OUR minds about Clerith.

It is honestly really difficult for me to try and see the story and romance the way Cloti fans do, but I know the reverse is also true. Both groups of fans interpret the characters and relationships differently. The compilation ALLOWS us to interpret them differently. And this is why the ship war for a game from 1997 is still raging on.

Because both camps are certain they're right, they defend their position viciously. Sometimes that means invading the "other side" to tell them how wrong they are. This discussion/rant was prompted by a Cloti fan on a Clerith vid who wanted to debate MY comment about how wonderful the ship was and how good they were for each other. He was "confused" and "concerned" because Clerith fans were reading the story wrong or warping it to suit our ship.

I wanted to tell him, "buddy that's what YOU'RE doing". I wanted to write a goddamn essay explaining why Clerith is canon actually. But considering in my INITIAL comment that he first responded to I'd already brought up why I thought Clerith was great, and he was IGNORING that... I knew it would be pointless. There is nothing I could possibly say that would change his mind. There is nothing he could possibly say that would change my mind.

As long as both sides of this war are fully convinced they're right, this war is going to be endless and brutal. And that's why my absolute biggest fear for part 3 is an open, ambiguous ending regarding the ships. Maybe it will canonize nothing. Maybe it will canonize BOTH by having the actual ending change depending on which girl the player favors.

Either route will offer no relief to this eternal battle. I would honestly prefer for Cloti to explicitly and unambiguously win than an ending where neither girl does. Because I can accept a loss. I can accept being told that actually I WAS interpreting the story wrong, but I'll only accept it from the text itself. If anything, a Cloti ending might encourage me to go through the entire compilation again trying to view it with that canon couple in mind. I'm sure I'd see things differently, even if I'd always have a place in my heart for Clerith. And I sincerely hope that if Clerith were to win that Cloti fans could do the same.

All I know is that I'm sick and tired of this ship war. I personally have never gone after Cloti fans or engaged in Cloti content with the intent to debate or hate on the ship. But I don't speak for all Cleriths. I'm sure at least a few fans of my ship are guilty too. I have seen many obnoxious Cloti fans invading our spaces to disparage us - mostly on YouTube and Twitch, less here on Tumblr - but I KNOW there are plenty of kind Cloti fans who just happily enjoy their ship and leave us to ours as well.

At the end of the day, regardless of how part 3 ends things, I just wish we could live in peace. Please enjoy your ship. Your interpretation of the text and romance is valid. But so is mine. If neither side can agree, then the best thing to do is leave each other alone.

[pixeldistractions]

upcoming stories and plans and stuff

Hello, friends, who wants a long texty progress report?!?

Nobody? Well, you’re getting one anyway! 🤪

First, Thanksgiving is about to plow through everybody’s motivation for a week or two, right? Happy Turkey day to all who celebrate! 🦃 Then Christmas and New Year will be right behind it. 🎄☃️🎄 Let’s not set the bar too high, right?

In my noveling life, I have made exactly 800 words of progress on Miserable Ghost Story last month because my brain is stuck on Boxes and Squares instead. (B&S stories got about 12,000 words added, for a comparison.) Oops. I keep going back and forth on what to focus on first. MGS is a good little book, and if I could focus, it would be quick to finish and get out the door, but I’m just so damn obsessed with my B&S characters. My stupid brain writes what it wants to write about. 😖

And mostly, in writing, I feel like it’s a good idea to go where the energy wants to go. When a story is calling, it’s a lot easier to work on something that is calling than trying to force something that is not calling.

But I think also why I’m so obsessed with the story and getting through book 5 is because I feel like it’ll free up my brain a little to work on other things, both in sim stories and otherwise. There’s this mid-story climax point we’ve been building toward and we’re almost there!

So, plow ahead forward? Right? Right???

But wait…

Now I’m kind of picking at some things from book 1 that never got to be part of the blog version, and I want them to be. Some things that were part of old gameplay stories that I want to revise and expand.

Don’t redo old stories… don’t redo old stories… don’t redo old stories!!!

Except I kind of want to go back and redo old stories. 😂🤣😂🤣😵

I guess I’m a bit of a completionist. I know the blog version is not going to include everything from the novels—it could never—but it should include the important things. The things that develop characters and explain motives and maybe just a little bit of the absolutely precious fluff that deserves to be illustrated with sims, just because.

And I do intend to leave the blog version up when the novel version is published (because I’m an indie author and I do what I want!), so I want them both to be as full as they can be for their format.

Because, at the end of the day, this sims story version is here to please me, and please you guys, and it serves no other purpose than that, really. So, it would make me happy to go back and redo some of those earlier pre-story sections, like before even My Sweetheart. So I think I will.

Because I really do want to get back to Colette in #5.3 and she really does need to get laid! But funny enough, after her shock in #5.2 pt 10, then drafting Colette in #5.3, I felt like she was wanting to dig so much into her history of that time and the failure of that relationship. So I’ve been spending a lot of time in that era anyway.

So, a quick flashback story first??? (I said quick, but I didn’t say little. It’s not really very little. But with the writing done and grabbing a few select pictures, I think I can post it quick.)

The flashback story begins almost one year ago in story time, on Maria’s birthday. It’s an expansion/retelling of this gameplay post, which was their first real story on the blog (not as supporting characters), with Maria and Jordan in their flirty coworkers era, and Jordan and Colette in the last months of their quickly deteriorating togetherness. Then it also fills in the gaps in and around “my sweetheart #2” and what drove Jordan to decide to ultimately blow up his life.

As it stands, it’s about 10,000 words (I’m so so sorry! I promise they’re good ones? 😬😬😬) and will be split into 3 chapters of 4-6 parts each.

Some characters are super excited to be back in this era:

Look at her absolutely cheesing at this man! 😆

Girl, stop and get back to work! You’re not even getting a kiss out of him for another 8 months!

Others are not so happy to be back in this time of their life:

He’s like, “Why, oh god why are you doing this to meeeeee?!?!?”

So, coming soon. Unfortunately, I need to build something for the first part, but this is a real historical save point, so all their other houses and locations are ready to be filmed in.