#I went the other way in my new playthrough

[martiancake]

Two Crows in the moonlight on a romantic Treviso bridge...

[maddieandangel]

Had a weird Hollow Knight-related dream a couple days ago, so I decided to draw a major scene I remembered from it dgsgshf

More context will be in the tags, for those interested!

[goldentigerfestival]

Since I'd been talking a lot about JP Vesperia (primarily Yuri and Flynn and the heavy changes that surround them, and because I'm highly passionate about them in their original context), I wanted to compile some more jarring if not outright glaring mistakes in the localization (or what were likely intentional changes, because I can't look at some of these and just call them "mistakes"). I'm not going to mention every little change throughout the game, so smaller things I'll mostly be leaving out (namely things that don't really affect characters or context). I primarily just wanted to give some insight on some of the bigger parts.

Some of the changes seem to have been mistakes in translation itself (not just localization, but misunderstanding what was being said in general; such as, there's an instance I mention of that between Patty and Don), so I've got some mentions hanging around for clarity purposes as some scenes didn't make much sense, likely because of this.

Vocal tone with Yuri was the most prominent issue that got me making this, and the context that was changed being right after if not equally next to that (most often also with Yuri but also Flynn).

This is something that has been bothering me for a while and I've been wanting to share this stuff with people interested in seeing the game with its original context. Generally speaking, the plot and story themselves are on point. The majority of the differences surround Yuri and Flynn respectively, so there's going to be a lot of mention of them throughout.

I've also posted video clips of my favorite scenes and the heavy changes, so consider those a supplement to this and vice versa.

Part 2.

Part 3.

Part 4.

(Other) GTF Favorites.

I'd like to preface this by mentioning the chief director and producer of the game itself has also spoken about localization inaccuracy issues, so that's something to keep in mind (it's in Japanese, but you should be able to use the offered post translator).

I'd also like to preface this by mentioning that in the original, Yuri is more playful and relaxed/casual (generally but including with Flynn, which the dub pretty much entirely changed until arc 3), but also gentler and softer. He has a very large variety of tonal behaviors/tonal "moods" that were pretty much nuked from the dub.

Basically, to get the full experience for Yuri, I can only really recommend playing the game in JP audio. Obviously you won't get the actual context because all you'll have is the dub context, but that's also partly why I'm making these posts - to cover the contextual changes while the video clips cover some of the tonal changes (because lbh I don't expect anyone to actually go watch the entire game in JP with subtitles unless you're as insanely dedicated as I am, and I'm largely doing it out of my love for the original Yuri and Flynn and my disdain for how the localization treated them).

As a heads up, there won't be many skits in here because I'm going through a specific YT playthrough for these screenshots. Specific skits won't always come up in the playthrough in question, and I can't find a whole list of skits in JP anywhere online. I don't have all skits unlocked in my own save either yet (you can unlock all skits with Grade which I have yet to do in the DE), so I can't use that to compare all skits right now.

There are plenty of small changes here and there that I won't be including in these posts because there are some sentence changes that aren't impactful but do exist. I just don't want to be here for a year covering the random changes that don't matter much. I'm also not going to include details of a lot of honorifics because I'd be here all day, but there is one one major instance that I mention later on.

For reference if anything wants to actually watch the game in JP with the subs (it goes until just after Hypionia), most of the references come from here. Since in some cases the subber just reused localized text even when the context wasn't the same, I did bring some of those up in these posts too. These were subbed before the DE version came out. I used screenshots with subs where possible to make it easier to follow along.

I have a lot of passion for JP Yuri and I hope I can pass on some of that passion to others. 🙏

Apologies in advance if some of these sound cranky. If I sound cranky about some specific changes, it's probably because I am.

---

Since I talked about the whole, Raven being shady and Yuri therefore not being grateful to him incident that the localization for some reason butchered and made Yuri sound like a generally ungrateful or just outright dumb person who doesn't understand gratitude, I'll summarize that one again here:

Yuri has a skit with Estelle originally talking about how he can't find himself being grateful to someone like Raven for showing him how to sneak out of the castle. Basically, Raven is shady and he's not sure he should be grateful to someone like that, and is confused as to why Estelle would be so grateful when she doesn't even know him (because in his mind, he isn't sure he wants to trust a guy with those vibes). The dub just kinda... makes him sound like an ungrateful jerk and not so much because he's not sure he wants to trust Raven. It doesn't really sound like it's an issue of his with Raven specifically but more that he just generally doesn't feel grateful for the aid (and that in general one shouldn't feel grateful for aid like this), which gives off a really wrong impression of him that doesn't hold up throughout the game. Yuri wasn't wholly ungrateful for the gesture itself, but because of who it came from (and I imagine a weird peppy guy in jail is good cause to be skeptical).

We start off we a classic "Yuri, you idiot!" that was changed to "come on already!".

Yuri's response to Estelle mentioning he'd been in the knights doesn't actually give a time frame for how long he'd been there (the dub made up three months, but there was never originally even a time frame given).

Here when Yuri asks Estelle why she can't just leave, her response indicates she actually does know why. The dub made it more ambiguous, which could be easily misinterpreted as she really doesn't know, so I'm dropping this one here.

For some reason the localization seemed to have Estelle responding to Karol directly about the ace always performing their attack last ("I don't think so"). What she was referring to was the tiny monster that walked by, asking for confirmation that that monster was not the eggbear they were looking for (I wasn't gonna fight with the video to get a better screenshot without the annoying YT red bar in the way so the monster is in the corner mid-movement lol). Not sure if that was a genuine mistake, but it was an odd one.

(Also, side note and not putting an image here because it's more general, but Yuri refers to Karol as "Karol-sensei" which was translated in the localization to "Captain Karol". Basically, Yuri calls him "sensei" because that's a teacher/professor, and he's making a play on Karol's knowledge and being their "teacher" about monsters/maps/etc.)

I'd say this is more along the lines of overexaggerating and not overreacting, but this line was literally changed to "haha" in the dub. The whole point wasn't that Yuri just brushed her comment off or found it funny. At this point he still literally thinks she's exaggerating about her lack of knowledge out in the world, her excitement, etc.

Not the only instance you'll find of the dub just changing entire sentences to something meaningless as if they ??? didn't know what it meant (they actually changed Patty saying an entire sentence to "aye"). In some cases they added entire sentences that weren't even there...

Even though I can kind of see where they went with the dub here, the point was supposed to be that Flynn actively thought he would be happy for Yuri to go outside the barrier and see the world.

The dub changed this to Flynn saying that he, in the now, is happy that Yuri is outside the barrier, but then says he got a little less happy when he saw the wanted poster, indicating he was previously happy but got less happy, yet says in that moment that he is happy.

It's a weird case of (past/present) tense usage for the most part, but they also removed the fact that Flynn is literally saying "I thought I would be happy" (thus expressing he'd been wanting Yuri to see the world outside the barrier and would've been happy to find out he did). The reason he's not finding himself happy is because of the wanted poster and the crimes listed on it, following up that his honest happiness for Yuri (ultimately because of the poster) was a lie.

This also means they removed Flynn expressing the honesty of his happiness for a positive concept for Yuri, which, given all the changes toward Flynn in the dub, already now takes away from the fact that he'd been actively hoping for good things for someone and we're left with this more sarcastic take on him being "happy".

Obviously his happiness wasn't really a lie because most of the crimes were falsified (primarily the ones that would make him actually mad, because Flynn has had to have been aware this whole time that Yuri has committed small time crimes for the past few years now), but at the time, the focus on this conversation is that Flynn thought he'd be happy at a time that Yuri left the barrier; meaning he'd been hoping for it prior to it happening.

I'm also mentioning it because it's the very first in a whole line of changes the dub made to their relationship (and it's their first in game interaction ffs) and to Flynn himself as he's perceived as a character. The original is much more expressive of how important they are to each other in a lot of various ways.

Inserting the JP audio version of the following scene with Flynn here.

And... the following one from there.

This was changed to "damn, we if lose our balance...". I know they did it because Yuri had just fallen over, but I'm including this one because the context isn't... really the same thing?

This dub change is a bit odd to me. They had him saying something along the lines of "she is a princess after all" in the dub, regarding the council backing her.

The original context is more like, the council is backing her and he's hearing it directly from Ioder and he probably doubts Ioder would lie like that or about that, cementing that yes, she truly is, like he suspected, a princess, but it's almost still a bit odd to know. It's sort of like, he knew/had suspicions but hearing it directly from Ioder just confirms it for certain.

The dub just made it sound like well yeah, it's obvious they'd want to back her, she's a princess... but Ioder is a prince, so that doesn't explain why they're not backing him. She is a princess after all, so of course they'd back her... but what's stopping them from backing the prince?

Another weird one for me. In the dub Yuri says that "even the Commandant was a little in over his head", when he actually... really wasn't? All he did was step in. Things got bad enough that he had to, but he wasn't in over his head. Not sure how or why the dub ended up with that.

An example of the dub having a habit of just adding in random lines that didn't actually exist (and in this case the one added didn't even contextually make sense. This was no thank you from him, this was literally him making Yuri do something for him because he was going to ask Flynn for a favor and ended up with Yuri in the cell instead).

Another super weird one in the dub. They had Yuri saying Flynn was "too" late, implying he hadn't made it in time, but he did. He made it just before the battle started, but the original context only says he's late, not too late (which makes sense given that they were ready to fight but hadn't started yet).

This was changed to Yuri just mentioning there was one way they could get out of there without actually saying what it was, and Judith saying if he thinks it might work what's the harm in trying it out. Not sure why they changed Yuri literally telling her his plan, so... again, a super weird change that I don't get why they didn't just keep the context the way it was.

Third image was changed to "someone get me away from this psycho", which... I also don't get why they put that there unless they just wanted so much flavor text that they wanted to change the whole "they're in a fight and he's telling her not to come over here because he's pissed at her because they're fighting" part of the fake fight they had going on.

Not one I have a huge problem with, but definitely good examples of them going out of their way to change just... perfectly normal stuff that literally has no reason to be changed? Some of it is flavor text and some of it feels over the top for me. Stuff that makes me like... why would you change that when there was no reason to? Could be more of a personal pet peeve of mine, but I just don't like unnecessary changes when there was nothing wrong or odd about the original text and doesn't at all come off odd in English. Unfortunately Vesperia got littered with those.

I didn't feel like getting a whole video for this, but basically Judith gives a little laugh instead of just the more upset/distressed(?) sound she made in the dub. Feels more fitting imo to keep up the "lie" Yuri started for her. The dub makes it seem more like she feels guilty, versus here she's giving a little forced giggle to go along with it. Again, a change I'm not sure why they put in.

Ngl I get completely different vibes from these. The JP comes across more as concern, rather than... treating them like they're some mob on the loose...?

Once again, this gives off negative vibes toward Flynn as a character imo.

Here Judith gives more of a reason for coming with them, which they changed in the dub to "with the circumstances being what they are, this is just how things turned out". Reasonably, she didn't have to stick around after they ran from Dahngrest, but here she gives a quick "reason".

The dub changed this to "I'll bet he is". They were just told he's the current magistrate in Heliord, and all Yuri says here expresses he's letting it sink in and realizing exactly why all this is happening here. It's not a huge story beat or anything that gets changed, but it's an example of changing things that don't need to be changed as if trying to play things up in a way that... doesn't feel necessary to me? In this case the situation is kind of dawning on Yuri as he realizes how bad this situation could be/why it's like it is, but in the dub it comes across as more just unimpressed and "of course he'd do that".

An unfortunate, classic moment of them changing how much Yuri believes in and trusts Flynn. They changed this to "gotta run, Flynn!" and he just... leaves. I'm sorry but in what universe does "leave the rest to you" equal "gotta run"???

This one is one of those cases where the localization text was super awkward and wonky, and worse, they actually voiced it that way (like "we have guild's job to deal with". Yes, they actually voiced it that way too on top of everything else grammatically wonky with the entire conversation that they didn't bother fixing when the DE came out).

Also here, they changed what Yuri says about Cumore and Flynn. "I don't know how I could explain this to Flynn" doesn't, at least to me, carry the same weight as Yuri actually feeling ashamed (in the dub he says "what a shame", but does not express shame, versus him saying "how pathetic" and expressing shame in feeling pathetic) and saying he can't even face Flynn because Cumore got away. The thing is, Yuri does tend to posture, so when he fails at something, it hits him pretty hard.

And let's be honest, this just hits way harder than "he will get what he deserves".

Interestingly, Yuri could also fall into the category of viewing himself as sinful later on, which I talk about in my favorites post and the usage of "crime" and "sin" within the JP context.

Not particularly important, but just another (more mild) case and example of how the dub just randomly changed tone/mood/wording for no reason.

Another case of Yuri being more aggressive in the dub than he actually was. Here, all he says is just a plain statement. In the dub, he has an attitude about it and says it in a tone that's more insulting that Ioder didn't know about Heracles.

This isn't the only case of dub Yuri acting aggressively toward Ioder when he wasn't supposed to be and we'll get to that, but Ioder is another similar case of the dub making Yuri unnecessarily vocally rude (despite that Ioder is very polite toward Yuri).

(I left out the subtitles because all they did was copy the dub's localization, which kinda defeats the point of this post LOL. This will be the case going forward for any same circumstances.)

This one's a more interesting tidbit to me and less of a harmful change (i.e. I find that a lot of if not most changes relative to Flynn do more harm than good when compared with the original context). Basically it's saying "sweet mask and sharp eyes", implying Flynn's sweet face is a mask and saying it contrasts with his sharp eyes. I could get into a whole rant about why I love that in relation to some side material, but even in the game itself, there's the knight Flynn with his sweet, polite side and his real side that only shows when he's around Yuri (basically, who Flynn has to be for his job and who he actually is as a person, which he only gets to be around someone who knows the real him).

I'd guess this got changed in the dub because they weren't sure how to word it, though there's no mention of "heartthrob" here at all and instead actually says "sweet mask" as if, again, to say his sweetness is just a mask. It's actually a very interestingly accurate representation of his character - how he tends to not be himself when he's being "knight Flynn", and how that sweet face is contrasted by the look in his eyes (which they say, you know, eyes are the windows to the soul, so this would imply the sweet face is the mask and the eyes are the real Flynn. And of course, this Flynn is implied to show himself in his sparring with Yuri in Aurnion, where sword fighting is the best way to express himself. This isn't to say Flynn being a nice person in and of itself is a lie, but that his overly polite, respectful, kind knight side is a sweet mask contrasted to the man who loves to fight and has a sharp look in his eyes)

For now, we'll be back at Mantaic in the next post (due to image per post limit).

[danielnelsen]

whyyyyy is spider ichor considered a valuable rather than a crafting material, i always end up selling it when i need it for requisitions

[hhoneyhams]

Full Count - Modern Laios/F!Reader

Word Count: ~2.7k

Features: lots of inappropriate uses of company time (ahem), closet sex, destruction of store property, technical difficulties, and pizza 'n soda for morale! It also gets a little sappy at one point, yippee!

Warnings: SMUT!! 18+ ONLY!! ESRB RATED M FOR MATURE (Technically A/O but who uses that anymore?? )

Content Warning: Unprotected sex, public sex, and cream pies

The reader has female genitalia and is human. I tried to keep all other descriptions/pronouns to a minimum.

Author's Note: Shout out to @toxycodone for making the post that inspired this whole thing! Minimum wage worker Laios is a darling idea, but thinking about him working in a video game and collectible store just stole my HEART! I'd let him tell me all about his D&D campaign and his most recent Skyrim run any day 🖤

“--have a good night!” you call out to a departing customer. As the door shuts behind them, you turn off the neon ‘open’ sign and begin your closing duties. 

Instead of wiping down the windows and letting the shutters down, you were handed pencils and two printed-off sheets of paper attached to clipboards.

“You and Laios go do the pre-owned and new console count, I’ll see what I can do about the internet before the night is over,” your boss sighs, pulling out their phone to make some calls. Your eyes meet Laios’ as he pauses what he is doing on the sales floor to make his way to the area behind the registers.

“The internet went down?”

“I think that storm knocked it out earlier…” you theorize, handing him the other pencil and clipboard. “We were having trouble over here with the POS and cards.”

“Oh, it's down-down then,” the blond confirms. You grab your second soda can of the night and your keys to the back room. He follows suit after he takes another piece of pizza, cold and tough from airing out on the counter. “That’s lame.” 

Taking care of a count by hand is nothing for you, but using your extra hours to redo a count isn’t your idea of a fun Friday night. The day of full-count inventory for your store was quickly looming, the internet going out another hurdle in the way of your freedom.

The two of you lock yourselves into the back. You open the side closet that holds both sets of consoles to count. The closet wasn’t cramped, but you were a bit cozy in there. Various gaming consoles lined the walls and were stacked along the floors.

You and Laios were rarely scheduled together, but you always enjoyed yourselves when you were. You met him at a staff meeting shortly after he started at the store. The whole night you had ended up talking about everything from dungeon-crawler games to Dungeons and Dragons, to even discussing the potential of getting some friends together to do a joint playthrough of one of his favorite games in the Monster Hunter series.

It isn’t a secret that you find him attractive. Your other co-workers poke fun at how you clam up around him. You’re just content with listening to him ramble, unlike some of the others. 

Usually, people don’t last at this job long enough for you to get attached, but you know you’d be a little sad to see him go. 

Your phone vibrates in your pocket with a text from your manager. Laios’ phone has been forgotten somewhere out front so he glances over your shoulder to read the text:

‘Going home. Finish the count and lock up when you’re done. Someone should be bringing us a router from another store tomorrow.’

Leave it to a manager to have you clean up their mess…

“Shit, why do we still have to do this then? I mean, if we’re just going to be back up and running tomorrow morning, why stay late and see if everything is there?” you vent to Laios, setting the clipboard down on the ground and flopping straight onto your ass. “They can’t even see if we’re actually doing this, so why not fudge these numbers and go home early…”

“Well, think of it this way,” he begins, sitting down beside you and settling his clipboard neatly in his lap. “They can’t see that we’re sitting down and taking care of it!” He begins to scan along the consoles sitting on the floor, marking off each console he finds by the serial number.

He was so content with the mundane that it hurt. He was a real ‘yes, ma’am’ ‘no, sir’ kind of worker, always coming to work with a smile on his face.

You felt like a bad influence every time you worked with him…

Your other coworker, Kabru, always makes it known just how much he wants to choke Laios during their shifts together. Something was very endearing to you about how dedicated he could be to a part-time position like this.

You joined him…and continued your work on the floor.

“--so our DM, right? This guy-”

“Our district manager or your dungeon master?”

“Oh, dungeon master, got mad at me for rolling SUPER high on a perception check and went after my sister’s character for it. So our next session is going to be us trying to get her back from a dragon. We’ve got to take some time off because we lost a couple of people but I’m ready to throw down next time!” he says, determination in his voice. You give him a smile in response, your mind pretty occupied by the task at hand. 

He continues to prattle on excitedly about some of the other escapades his party took place in as you counted the rest of everything that you could whilst sitting on the floor. You were always scared of whatever googly-eyed look you’d give him as you listened intently, so you would usually throw yourself into your work as he talked.

He was kind of like a big, hunky podcast or something…

“Alright, we’ve gotta get up now…” you huff, slowly getting up by grabbing onto one of the wire shelves for support. The hard linoleum floor was not doing you any favors in the comfort department and cut off the circulation to your legs.

You stumble forward and fall on top of Laios, jerking down the shelf you held onto for support, and flinging some of the handhelds onto the floor with you. His strong hands catch you around your middle so you don’t bang your heads against each other. 

A shot of heat rushes through you, embarrassment flushing your face and the telltale signs of butterflies blooming in your belly.

Were you really that touch-starved?

“There goes the Switches, 3 if you need to write it down,” he points out, not making any moves to let go of you as he does so. You settle down in his hands and look over your shoulder to see if he is actually right. 

You’ll have to test those to make sure they still work before you go home…

Laios continued to hold you, almost memorizing the way your body felt under his hands despite the space between the two of you that remained. 

Per your training modules, you knew that physical advances between coworkers were strictly prohibited on the store’s premises. This was clearly an accident, but if the prolonged touching between the two of you said anything, it's that it wasn’t exactly unwanted. 

Laios looks up to the ceiling, the light on the console room’s camera no longer pulsing red like it usually does.

“If the internet is out, the cameras are as well. You can’t get in trouble…”

Your eyes bore into his as you gaped in astonishment.

What is he implying…? 

There are a few beats of silence between the two of you before you close the gap, pressing a heated kiss to his lips and tangling your fingers into his soft shirt. He melted into the kiss, gripping your hips tightly to hold you against him. His lips were slightly chapped and he tasted like the pizza and soda from before.

“I’ve been wanting to shut you up all night,” you mumble, a smile stretching against your lips as you press more kisses against his.

“I thought you liked listening to me!” His tone is genuinely shocked as he says it, taking on a nervous edge like he has done something wrong. You hush him, rolling your eyes.

“I do, but holy shit, you’re so distracting!”

“You’re distracting too!” he fusses, pressing an accusatory finger to your nose playfully. “I’m always trying to get your attention and you never look at me!”

“I’m trying not to give you ‘fuck me’ eyes while you talk about Skyrim!” you confess, swatting his hand away. Telling him causes your cheeks to burn hotter than they have before. 

Suddenly, you feel something (or someone, rather) graze the underside of your rear. Laios’ cock strains against his pants as he looks away from you, his face turning a rather deep red to match the shirt he was wearing. He blushes all the way from the tips of his ears and down his neck.

“You…you want to fuck me?”

“Isn’t it obvious?”

It totally wasn’t. Laios didn’t think you liked him that much at all. He would see the way your eyes lit up at certain conversation topics and he did his best to keep your interest, but you always found something to distract yourself with. He’d even resorted to yelling across the store at you as you darted around to straighten up the shelves or stock. You didn’t tell him to shut up like Kabru or Toshiro, but you didn’t engage with him a ton.

He has caught your gaze on a couple of rare occasions, but you would quickly dart your eyes away when you found out that he had noticed. If you were worried about making him uncomfortable, he would have rather known that he wasn’t making you feel that way.

He wanted to make it all up to you. You now know so much about him, but he wanted to take the time to get to know everything about you. He’s heard you talk about your favorite game once or twice, but he wants to know exactly when you played it and why it is your favorite. He wants to know silly stuff, like your favorite Pokémon. He wants to know why you listen to him and why you don’t talk over him or cut him off. He wants to know how long you’ve liked him…

He wants to know why you’re so afraid to look at him…when it's all he ever really wanted. 

His thoughts run wild in his head about everything he wants to know about you, but they go silent the second you go in for another kiss.

Well…He knows you want to fuck him!

Your hands are cold from the store’s A/C, Laios ends up jumping slightly as you drag your hands underneath his shirt and along his back and sides. He lifts his arms up for you to pull the shirt off of him and wraps them back around your body in turn.

It was pretty damn cold in there, though.

In a heat-of-the-moment, split decision, he decides to reposition you so he can pull himself free of his pants. His overactive fingers struggle with the buckle of his belt as he begins to curse. You take over for him as he laughs at himself.

“Sorry, I’m a bit nervous… it's exciting, really! But, holy shit, I’m not used to all of this,” 

You don’t blame him, it's riskier than anything you’ve ever done in your life. You’re working part-time in a game store, your life isn’t remotely exciting enough to have had sex in public, much less at work and ON THE CLOCK.

From his perspective, he just found out that you liked him 5 minutes ago and now you’re pulling his dick out to suck him silly in your store’s console closet. Make it make sense!

Laios lets out a few quiet moans as you run your tongue along his cock, looking him straight in the eye. It’s everything he could have ever asked for, but he’s jumpy and keeping one eye on you and one on the door. You pull away and use the remaining spit to jerk him lazily with one of your hands. His head thrashes to the side and he lets out a low cry. 

“You know we’re still the only ones here…you don’t have to be quiet, Laios,” you simper. He breathes heavily and grabs your shoulder to stop your ministrations.

“We’ve got to be quick, I can’t wait much longer,” he rasps out. His hands begin to pull at your shirt. “I want to see you, please…”

He doesn’t have to tell you twice!

Laios’ eyes and hands are glued to your tits as you ride him, his fingers pinching your nipples as he notes the size and the way they bounce with you. Your body was something else to him, it was so familiar and foreign at the same time. He’d notice your shape, your clothes, and the way they complemented your figure and movement as you worked.

…yeah, you were distracting.

To have that same body held within his hands, wrapping snugly around his cock, crashing onto him and around him…He wonders how he could have gotten so lucky. 

“I’m…I’m standing up, I-I’ve got you,” he grits out, every movement against you bringing him closer and closer to the precipice. You wrap your arms and legs around him tightly, your fingernails digging into the muscles of his back as he hoists you up. You reach between your bodies to help guide him back in. 

He’s hitting at a new angle, pistoning in and out of you without abandon. Your curses and moans are buried into his shoulder as he keens out. His grunts and his sighs go straight into your ear, his encouragement not lost.

“F-fuck, I want you to look at me,” he says breathlessly. You tear your head from his shoulder and do as he requests. His face is red, sweat dripping from his brow, his iris blown black as his eyes dilate, and his jaw is slack as moans tumble from his mouth. His eyes aren’t staying open as he slams into you, his thrusts losing their rhythmic staccato. “Y-you’re amazing, and this is–”

“Laios, I’m s-so close,” you interrupt him, grabbing him and pulling him forward for a kiss. Your moans are rumbling in your throat as he picks up his pace again. You pull away long enough to breathe but find yourself back on his lips once more. 

You grab and hold one of the wire shelves for support, the position being a bit taxing to maintain for the both of you. He goes to warn you not to do it again but your grip and his movement cause the shelf to fall from the wall just like it did last time. You both yell and your body clenches around his, causing him to double over and almost drop you. 

There goes a whole PS4…

“Fuuck, shit, I don’t care, I don’t care, j-just keep going!” you shout, clawing along his back. Everything around you was becoming too much to bear. The sound and feel of your wetness, skin slapping against skin, the sweaty heat cooled by the A/C. You closed your eyes tightly, you focused on the orgasm rising in your belly, you let yourself get closer, and closer, and–

“I’m gonna cum inside you!” Laios announces with a line of drool running from the seam of his lips. He continued splitting you open with his cock, his form was sloppy but he held you so close to him.

Your orgasm ripped through you, causing you to clench against him tightly. Laios fucked you through your release and came shortly after, pressing you down onto himself as he shuddered and groaned. You weren’t sure how the two of you were able to stay upright after that.

Your legs on his back slide down and you hold onto him for support as he slides back out. His pants were still around his ankles, so it was a quick getaway for him to come back with some of the scratchiest brown paper towels your bathroom had to offer.

“T-thanks,” you say, trading his shirt you fished off of the floor for the paper towels. He hums, still pretty dazed. He sits right back in the floor against the wall as you change, watching you almost enraptured as you pull enough clothes on to toddle to the bathroom and finish cleaning up. “That was…something.”

It was something good though.

The rest of the night was spent testing those consoles that fell, just to make sure they weren’t broken. Luckily enough, everything was in working condition, even if the wire shelves remained discarded to the side of the room.

The two of you agreed to just say you clocked out earlier since it was pushing on midnight. You shared the rest of the pizza in the parking lot and drove your separate ways home. After you got inside your apartment, you received a text from Laios:

‘I don’t think we ever finished those counts…’

End Notes: Some of the work stuff is so specific...Don't ask lol

I'm still working on getting more confident with writing smut and oneshots. I've been writing fanfiction for years but it was all super involved multichapters that never went anywhere! Either way, I really hope you enjoyed reading this because I sure as shit enjoyed writing it!! 😎

Minor edits will be made if I find any mistakes and constructive criticism is always appreciated! (Just don’t be an ass about it 👀)

Credits: Dividers by @/cafekitsune, cover art from 'Daydream Hour' scans

🖤 Rules | Ask Box | Masterlist 🖤

[thedomesticanthropologist]

I went through the tags and replies on my post about wanting Larian to focus on finishing the game and adding content before making DLC

(paraphrasing) and here are the Top Requests from those who engaged with it:

What fans want:

Tara in camp outside of just Gales Origin playthrough

More Wyll content (he has the least out of all companions)

More Karlach content/more satisfying ending (perhaps being more companions with you to Avernus, or find a way to fix the engine so it works in Faerun, there is unfinished hints that this is possible in game?? Unconfirmed)

Re-vamp (haha) Astarions' Spawn Ending- let the player chase after him/help him

Conclude things (certain stuff consistent through act 1 and 2 that ends nowhere, be it quests? or hints from letters found, NPC interactions that seemed to be leading somewhere,etc)

Fix bugs especially act 3

Option to hug companions, hug romanced companion

Other suggestions that are popular on tumblr/tiktok and COULD be DLC

Companion camp outfits that change when the Act changes (have also heard of simple hair changes, their tents gaining times from the adventure so far

A tent for Tav (perhaps being able to pick from a few styles)

Opening up the upper city or adding in a new area to explore that is not main plot related (there are various ideas around this, but I'm keeping it generic for the list)

Please add more in the replies and I will re-make this list when it's more expanded!

[actual-lea]

So who wants to hear about the stupid stupid way I'm playing Baldur's Gate 3?

I made it to Act 3 on my first (original character) playthrough like a week before Patch 5 came out, and after finding it absolutely unplayable (on the PS5) decided it was time to go ahead and start an origin character run for the funsies while waiting on the new patch to fix the Lag Hell. Naturally, I picked Gale. Since this was mostly just for fun/to hold me over until I could continue my other file, I decided it would be a nice time to see what happens if you just refuse to consume any magic items. Of course, if you are not playing as Gale and ignore his Orb Problem, he will apparently eventually leave your party, but what if you ARE Gale? I couldn't find an answer with a minimal amount of Googling SO

There are three stages to his Arcane Hunger, each of which give you increasingly debilitating debuffs: Arcane Hunger, Greater Arcane Hunger, and Severe Arcane Hunger. It seems the triggers for progressing to the next stage are the same as the triggers where he would start needing an item in my other file (i.e. that bridge next to the Blighted Village, entering the temple at the Goblin Camp, the Hag's Lair, etc.) which obviously makes sense. I figure with the amount of contingencies in this game for incredibly specific situations, surely there is some kind of unique dialog or fun cutscene that will play if I ignore the Arcane Hunger long enough and just play through the debuffs.

I played Act 1 completely normally, doing a lil quicksave every time I was about to Long Rest just in case the game gave me a cutscene of the big explosion upon waking up (I thought maybe it would be time-based, similar to the game over you get if Gale dies and you leave him for 3 days (? I think?) which does not seem to be the case). I made it through basically everything without anything odd happening besides the aforementioned debuffs. The Severe Arcane Hunger is where things get really sloggy, because Gale can only move at half speed.

I have been slowly trudging EVERYWHERE since the Goblin Camp.

I eventually started going out of my way to make sure I hit all the Arcane Hunger triggers I know about, to see what would happen, and the answer is nothing, aside from Gale occasionally reminding me that he's wracked with terrible pain.

So, surely, the game will certainly not let me into the Mountain Pass without SOMETHING happening, right?

WELL

That's surprising, but whatever, at least now I have the chance to see what happens if you go meet Elminster without having consumed any magic items,

Except

He wasn't there.

I went to the area in the Mountain Pass where the cutscene is supposed to start, and it just. Didn't happen. Nothing happened. I could walk right up to the entrance to the next area.

But SURELY, the game won't let me into the gotdamn Shadow-Cursed Lands without saying SOMETHING about the fact that the orb has been starving for several weeks at this point, right? The game isn't going to let me into Act Freaking 2 without at the very least giving me a game over to tell me I'm not allowed to do this and make me reload and actually feed this poor starving wizard, right?

RIGHT?

WELL

WELL

Here we are. I'm at the Last Light Inn, I'm at the Taco Bell, I'm at the combination Last Light Inn Taco Bell with a bag full of delicious Cheesy Gordita Magic Boots that I refuse to eat.

SO LIKE. How far does this go??? Am I gonna be able to infiltrate Moonrise Towers without ever speaking to Elminster? Am I gonna trudge all the way to Ketheric at half freaking speed and fight him with Disadvantage on everything?? Am I gonna make it all the way to goddang Baldur's Gate with a Netherese orb that is long overdue to explode???

Like I said, I did not find an answer on what happens if you do this on a Gale Origin playthrough, and at this point, I don't even want to, I just want to see how far I can take this.

I already know I'll have to do another normal Gale playthrough where I actually FEED HIM after this, because I'm sure I've missed out on a ton of dialogue and whatnot, especially from Tara who only ever has this to say when I speak with her in camp:

I am genuinely beginning to wonder if there is actually nothing in place to stop me from doing this. I am wondering what the dialogue options will look like when I get to the "Heart of the Absolute" where Gale would ordinarily want to blow himself up, if Elminster had ever shown up to tell him to do so. Maybe the devs just didn't bother, and figured that no one would be stupid and stubborn enough to play through the whole dang thing while so severely debuffed.

Joke's on them, Disadvantage means NOTHING to Magic Missile Machine Gale Dekarios.

[ffc1cb]

happy to announce i’ve finally lost it and spent a considerable amount of time making a dragon age inquisition mod that lets your inquisitor use they/them pronouns. if there’s anyone out there besides me who wants to use it, here it is on nexus.

detailed description and personal commentary under the cut

update: as of 3.05 (may 3rd), the mod has been uploaded to nexus. see download link above for any future updates.

this is a mod for frosty mod manager 1.0.6.1. you MUST install the bioware localization plugin for it to work, otherwise the game won’t start. on fmm 1.0.6.2, the plugin is already built in, so you don’t need to worry;

this mod is a simple overhaul of the game’s base text; no changes were made to the actual voice lines. this mod also does not affect default romance flags (just like in vanilla game, you can only romance sera with a "female" inquisitor (or dorian with "male"), but the mod should, hypothetically, be compatible with other mods that edit romance flags);

you can install it at any point of the game. starting a new playthrough is not necessary;

works for all races and with all available dlcs;

along with the pronouns change, this mod changes all gendered words used to refer to the inquisitor to be gender neutral, i.e man / woman have been replaced with person or contextual variants. my lord / my lady and other similar titles have been replaced with messere (on the basis of this reddit thread);

some of the dialogue could've been mistakenly changed, since context was not always easy to parse. if you try this mod out, i’d greatly appreciate any help with pointing out my mistakes (blackwall’s romance in particular has given me the most trouble); additionally, i might have missed some lines in the codexes, since i skimmed through them very briefly.

i’ve no previous modding experience, so i went with the easiest option and, like i mentioned above, brute forced it and made a complete overhaul of the base game text as opposed to a pickable option i’d like it to be. ideally i’d love for this mod to be bundled together with this other one that switches pc pronouns (which was a partial inspiration for this mod). if anyone here has any knowledge on whether this is something that could be done, please hmu.

also, since in order to make this mod i had to read through the entire game text (it was torturous. not gonna lie) i collected some of my personal favorite bits and pieces along the way. if anyone’s curious, you can look at them here. there’s surprisingly many developers’ notes in there.

ps: this mod is free to use for all so this is not at all necessary, but if anyone is feeling generous, i have a tip jar.

[pastorfutureletthembe]

I actually started this blog for one post only. The theory is that the story we are following is currently the 5th timeline.

I would need to watch the donghua again to find hints in the show itself but for now this post is exclusively about the content we keep getting served as fanservice. Now, people nowadays see this word as negative but in this particular case, we are evidently caught in an ARG (Alternative Reality Game), which is AWESOME.

For those who aren't familiar with the concept, it is basically a treasure hunt outside of the original media. For example, if you gather enough clues during your playthroughs of OXENFREE, you'll find the coordinates of an actual place where a real object, a gift FOR FANS was hidden. In the context of Link Click, I believe the rules and answers regarding the worldbuilding are hidden in plainsight for us to discover!

I will make different posts on the clues in lyrics, but for now we're gonna have a talk about VISUALS only. And boy, do we have THINGS to talk about

First things first, let's start with

>>>>> Promotional posters.

I'm opening this analysis with this particular one because it is the most relevant to current events. Black circles are V and white ones are IV. The huge clock is the background isn't supposed to be oriented this way for starters. One V is where XII should be, which could mean our journey starts here. The other V is between Cheng Xiaoshi and Li Tianxi, on the light side, while both VI are on the dark side. Every other VI on this artwork is a broken piece taken out of a quadrant except for the one on the right near Qiao Ling which is still part of the biggest piece.

It is interesting that we don't see any clockhands here, only the quadrant, and the only whole number is 5, ONLY on CXS's introduction.

Not so subtil, the mirror or "painting" is labeled 'V'. Lu Guang is also looking directly at US, viewers.

Probably five lines of five x but we only see 3, of which only the first one got 5x. Four diformed shapes can be seen at LG's left, under V/VI, which could be the four previous failed timelines. You might notice that LINK CLICK is written 5times. The clock says 00:05. Oh, familiar, isnt it?

As you can see, the V is a light in the darkess at Lu Guang's feet. it is a broken piece, though. The fact it is the enlighted one could mean two things. 1) It marks the spot, where we're currently at. 2) Hope. I would argue that until then Cheng Xiaoshi always died and now, at the end of season 2, Lu Guang is in the dark because he never went that far.

VI is there too, in complete darkness, blocked from view by a ring. There is something to say about VII being completely obliterated but I honeslty don't know how meaningful that could be.

>>> It is my understanding that if a character change the past, it breaks the timeline. Past changed, present and future cannot be the same ever again. It doesn't create a new timeline like in MARVEL, there is actually no going back from a changing node, it unravels this world. Either it already happened, allegedly because of Lu Guang, or will happen in the next season, we can suppose that Timeline VI is the actual doomed one. The fact Cheng Xiaoshi is trapped is relevant too. Destroying Present and Future would trapped him in the Past, hence Come back from the dive back in time.

>>>>> Dive Back in Time

There are many things to say about this one, but I'll keep it simple since it's already a long post. Let's start with something a bit out of topic: colors. Why? It actually indicates that LG isn't from the same timeline than CXS and QL. And I swear it would be useful at the end of this post.

Blue and Red are on the same plan, no matter if we're talking about RGB or CMYK, but Green and Magenta are not. It's like CXS and QL are anchoring LG in this reality, but Magenta is not supposed to be part of the mix. Primary colors in photography are Red, Blue and Green; not Magenta. Since we're talking about photography and this is not the original timeline, I think it is intended.

I'll leave the count of squares to you (spoiler: either 5 or 3 (I'll explain this one in another post) :D).

>>>>> Overthink

I recommend you read this glorious meta about this ending. I'll just "correct" mimicha on one point:

The way the hands are "cutting a piece" of the clock; just like in the promotional poster for Train Trail. It indicates 5. I'll also add this one:

If you look carefully, you'll see two words: TIME PARADOX. As said above, a paradox should NOT be possible with the rules LC gave us so far, but it could be related to the possible 6th doomed timeline. The "dark side" could try and make it happen. Just food for thoughts.

If you want more meta on OPs/ENDs, I recommend you also watch this glorious analysis. That's all I have to say for this one regarding the number 5.

>>>>> VORTEX

Not much to say, except for this "blink and you'll miss it" screenshot. If I missed anything, feel free to share with the class!

THE TIDES has, sadly, nothing to offer on this current topic!

>>>>> 3rd Anniversary: Surprising Click

Oh boy, do I have THINGS to say. Don't be surprised when I'll make another post about this Link Click monument haha. Note: 5 PVs were prepared for this anniversary. Coincidence? (I think not).

N O W A N D F O R E V E R

The only 5 clue I found is what looks like a clock with one hand going backwards, from X to IV, it appears while the chorus is playing. That might be a bit farfetched but I'd mention it for archives purpose anyway.

B R E A K

I won't be a smartass by pointing out BREAK is a five letters word but- okay that's infuriating of them if it is on purpose.

Most of it is obvious, the same logic applies, except for the cogs and hourglasses, we see four of each falling. Since LG's shadow/light goes from IV to V, it's safe to assume that those symbolize the four failed/achieved timelines. The ones left behind. I'll probably post something about cogs and hourglasses one day.

A last one, for the road:

S U R P R I S I N G C L I C K

You should take a look at this fan's brain! They did a wonderful work. I already had this part prepared so I'm still gonna share the obvious. Five mics ("time is like music"), and five letters (with photographs inside I'm guessing). Magenta and Green are very flashy in this one.

Oh, here are LG's five magenta squares from Dive Back in Time ;D

Four failed timelines/tasks, and... loading the first out of three chances. (Again, I can't address everything in one post, this one will have a long meta on his own, don't worry :D)

T R A I N T R I A L

Two occurances worth mentionning. Once again, V is the only timeline enlighted.

B U R N I N G P A L A C E

Many things are happening in this one but only one regarding our current meta. If you pay attention, you'll see it several times, while the chorus is playing:

x x x x x

Now, if you remember correctly, green is the exact chromatic opposite, the complementary color of magenta. They aren't on the same plan (primary vs secondary)/from the same timeline. Usually, they color Lu Guang but here, there is no magenta and no Lu Guang. With this in mind, could it be the paradox OVERTHINK warned us about? We can only assume Vein is from the same original timeline as LG. Red and Green are primary colors so yeah, we'll see.

That's all for today folks!

I had this brainworm eating at my life for weeks so I'm very happy that it is finally out there.

| Part 2 |

[wayfayrr]

Love like you ✧*.⚝⋆

Here's the 400 follower raffle grand prize for @wailing-whaler!! Got Sky and reader collecting rocks <3 This went a little off of the initial base, but they do definitely collect rocks together (what a geologist not going utterly obsessed with rocks? it's a miracle) But this was very fun to write!! just soft soft fluff with the soft sleepy boy himself.

[masterlist]

“I’m still sorry for dragging you into this by the way.”

“You aren’t, and you don’t need to keep apologising for something you would happily do again in a heartbeat.”

“I am - I really am, I didn’t mean to drag you here.”

“You are an awful liar.”

He drooped like a puppet cut from its strings at that, offended I bet for calling him out. Despite it being the truth, he knows as well as I do that he was bouncing from the walls when I was brought into the game, happier than I’ve ever seen anyone before in my life. And emotions are new for him, kinda. 

“No- I’m not.”

“Yes, you are.”

“Hmph.” 

“Come on, I’ve already said that I really don’t mind it, why are you still so pouty?”

“Cause I wanted to get out rather than trapping you here with me.”

Oh, that admission is new. He’s dodged the reason why he brought me here since it happened, so that makes sense more than anything… The way that he’s leaning on me is also new though, and nice despite his grumbles, which come to a halt as he snakes his arms around me and buries his head into my neck from behind with a soft sigh. 

“Look it doesn’t really matter right now, you’ve got to save zelda right? So we should really get going, gaepora asked me to help you and I really don’t want to make a bad impression.”

That got me a squeeze and a little whine, does - does he not want to save her?

“But no matter how fast I am impa is going to tell me I’m late anyway, so why does it matter… I just wanna spend time with you.”

…

How does he know that..?How does he know what will happen??? He - this is his first time going through this journey… right? But it isn’t is it, even though he’s been trying to act like it is it’s not. I’ve played through this game once already, and he can remember that. The acceptance of it is like a cold chill down my spine, Link already knows me and has been pretending that he doesn’t, half-heartedly but still pretending. Or has he? Just because he hasn’t said it outright doesn’t mean that he’s trying to hide it, maybe he just assumed I knew already. Either way, would I be bothered by him hiding it? It’s not insidious or anything, he’s just like a lovesick puppy. 

“...Love? You - are you alright? I didn’t say something wrong did I?”  

“I was just thinking… link did you know about before?”

“Before? You mean your other playthrough right?”

Well that settles that, he wasn’t trying to hide it. It was just never mentioned, no reason for it to be honest. No one on skyloft needs to know their entire life is a game which could be very easily overheard on the tiny island and sky thought that I knew he knew so why reiterate the obvious already. 

“Sure I didn’t remember completely right away but going through Faron with you here- here brought everything crashing back so quickly.”

His grip on my waist tightened for a split second before loosening, like he’s not sure if I’ll want to be held close now that he’s sharing this. It’s only made clearer by the sigh he lets out as he takes a step away from me.

“I mean I remember remembering you when I tried to get out now, it was like… like when you fell here, on skyloft that is, everything got locked away but since we met the elder kikwi, everything has come back including how felt about it all and how I fell in l-!”

“How you ‘fell in l-’, why’d you cut yourself off there link, I’d love to know what you were going to say.” 

Almost by instinct, my head turns to follow him as he’s fumbling about in his own flustered embarrassment, having said just a tiny bit more than he’d probably meant. Stopping himself mid-word so sharply you’d think he’d bit his tongue to force himself to stop, but not soon enough that I didn’t know what he meant anyway.  

I won’t lie to myself. It’s something strange to know, and honestly all of this is making way more questions than it answers. Questions that it will be pretty hard to get answers too really, for one he and I both know this is a game and yet I’m here - he’s practically a person and… and he’s said it himself. He fell in love with me. But, I don’t dislike that. I really don’t dislike that. 

“I - I fell in love with you, and how you act and all the little things you do and how you make even the smallest things seem exciting, and it’s why I wanted out so badly so that I could hold you close and tell you how much I love every part of you, from the way your hair falls, to the way you smile, how you collect things that others wouldn’t see worth in but you give them so much worth. I can’t even tell you just how much I’ve wanted to get out even if just for a second to hand you a crystal or even a cute pebble I think would bring a smile to your face - even if it meant I’d go back to being trapped in this hell afterwards.”

My face feels like it’s about to set alight, and not from being on an active volcano. He’s still rambling about what made him fall for me, and it’s only getting more and more natural, he’s getting more and more human over time. More real. As with all good things though, it has to come to an end with him looking up only to realise that he’s been going on for a good few minutes now. Ceasing up like a deer in headlights as he struggles to move his mouth again, almost reflexively licking his lips before glancing down confusedly. Better to break through the awkwardness now so that it won’t get any worse. 

“You know, I wouldn’t be against having a relationship with you…”

“- You wouldn’t - I thought that you… you’d… you’d-”

“But.”

“...b-but?”

“I think I’d like to get to know you first link.”

“Wh - What..?”

“Well, right now I haven’t spent much time with ‘you’ you, and I don’t think it’s fair for you if I’m dating you expecting to you to be exactly like the character the game had you as.”

It’s easy to tell he’s thinking about it, with the hurt but pensive look on his face from being denied something he so clearly wanted a yes to. 

“But, I think I’ve been starting to fall for you too, for who you are link. I’d like to spend some more time with you before we have anything romantic.”

He perked up at that, a lot. Which I don’t blame him for. 

“There’s plenty of time for that then, we aren’t in any rush are we?”

“But zelda-?”

“Even if we were to teleport to the end of the dungeon we’d still be too late. Why not take it slow?”

Despite his leather gauntlets his hands are still nice to hold with how he’s intertwined ours, sneaking his fingers so that they snake between mine. Pulling my hand up to rest up on his cheek, leaning into it with a gentle sigh. 

“You’ve talked about wanting rocks from Eldin to study before, how it looked like a different volcano to anything you’ve ever seen. What if we just I don't know, went off and got you as many as you could ever want of them?”

His eyes look almost pleading, begging for me just to say yes, to give him this precious time so that he can win me over to being with him romantically. And really, how could I dream of saying no? Since ending up in skyloft those few weeks ago he’s been nothing but kind, patient and caring towards me and plus even though I said I wouldn’t compare him to the character he’s come to life around, he’s still link. Still the kind-hearted hero that I fell in love with when playing the game for the very first time, who i grew to wish was real when reading comics about his journey, why shouldn’t I be a little selfish when he cares for me as much as I do for him?

“I-”

Biting down hard on his lip now, the pleading look in his eyes switching to something more akin to outright begging. Just for me to say yes. As if there were any other options available to me. 

“I think I’d love to do that with you sky, as long as you’re certain we have the time.”

No words needed to be said after that, his face lighting up like the sky at a new years celebration. I swear if you looked closely you’d be able to see the very fireworks he was initiating in his own eyes. All the while his face was graced with the softest grin I could have hoped to see. It was definitely the right thing to say. 

“So, do you have anywhere that you think would be good places to collect some?”

“You really think after all this I wouldn’t have somewhere nearby in mind?”

“It doesn’t hurt to ask though, does it?”

“Well my pride might have gotten a little bruised, but that’ll heal in time.”

“...Do you reckon a kiss could help speed up that healing?”

“...”

“Link? Are you alright?”

“Are- would you do that for me?”

“If it’ll help fix your pride then, of course… wouldn’t want an injured hero would we?”

That shut him up well and truly, not even his usual confused soft stutters could be hurt as it seemed his code bluescreened at that idea. A full reboot happening in the time it took his face to go through a multitude of different emotions, settling on a gentle, yet mildly confused, look of contentment. Kinda spelling out his answer for me, but still, I’ll wait for clear consent before doing anything more forward than a suggestion. 

“...”

“Take your time, there’s no rush on an answer.”

A nod. Clearly he doesn’t feel comfortable speaking right now, but that's more than fine. It’s not exactly like I’m not used to him being mute again, if anything it’s not an awkward silence as he leads me over to the spot he was thinking of. A small patch to the south of Eldin, littered with just so many different stones. A dream spot for any collector, so close to an active volcano to get fresh samples well as fresh as you can get without quenching the lava. 

Will they even be able to come back out with me? Link seems to think he would have been able to come out of the game, but that only dragged me in here instead. Can I even get - don't ruin this moment with that line of thinking. We can figure that out later. 

“Hey [name], mind coming over here for a moment?” 

“Hmm? Sure, it isn't an issue.”

Speaking again now is a good sign, clearly his brain - does he have one? - has finished dealing with the bombshell I dropped on it earlier. Moving over to him isn’t a bad thing to do though, with whatever he’s holding seemingly a pleasant surprise. As soon as I’m back in front of him, he takes my chin in his hand delicately tilting it upright as he stares into my eyes. Biting down on his lips as he thinks of what to say, lifting up his other hand to my eye level, like he’s comparing whatever he’s holding to them. 

“...It really is the same colour.”

“Oh, why didn’t you tell me we were doing that, I would have been looking as well.”

“No, no collect whatever you’d like for your own collection, I just… wanted to do something where I could still just um… admire your beauty really. If you don’t want this one then, I- I can just keep it instead.”

“I’ll keep it. Thank you link, but really now we've got to get you one too.”

[elyvorg]

The Most Significant Change in AAI2’s Official Localisation (according to me)

Ace Attorney Investigations 2 finally has an official localisation! This is kind of mind-boggling to those of us who played the fan translation and have loved it in that form for years, never expected an official localisation to happen, and now suddenly have to get used to everything about it being Just Slightly Different.

Having played the official localisation in full, I can say that for the most part, it’s even better than the already-excellent fan translation! Most of the lines have just a little bit more colour in them now, and there’s a bunch of small nuances that went over my head before that are emphasised better in the new version. There are some lines I prefer in the fan translation, but they’re vastly outnumbered by all the lines I prefer in the official version. All in all, strongly recommend fans of the fan translation to check out the official version in some form.

However, among these minor lines here and there that I prefer in the fan translation, there is also this one small but much more significant thing from the fan translation which is not present in the official version. I happen to care about this small-but-significant detail a lot, so here is a post explaining exactly why this is a Thing that Matters (to me, at least).

(This will mention major spoilers for the game! Do not click the readmore unless you have experienced the entire story of AAI2 in some form.)

The Thing is this: In the fan translation, Simon refers to his friend as “Knightley”, all the time. Meanwhile, in the official localisation, Simeon always calls him “Bronco”.

Now, I get why the localisers did this. It’s a Japanese cultural thing – in Japanese, it’s common for even close friends to address each other by their surnames, and indeed, Sim(e)on referred to Knight(ley) by his surname in the original Japanese game. This is usually changed into friends using each other’s first names in English localisations, because it feels strange in English to see two close friends addressing each other in what feels like a distant and formal kind of way.

(For example, in The Great Ace Attorney, Ryunosuke and Kazuma addressed each other by their surnames in Japanese, and this was – very correctly – localised to them using each other’s first names in English. It would feel wrong to an English speaker for these best friends not to do that, even though they are still characters from Japan.)

So it just makes sense as the obvious localisation choice to have Simeon refer to his friend with his given name, rather than his surname.

However! In this particular instance, I firmly 100% believe that this was the wrong decision.

See, Simon calling Knightley by his surname in the fan translation isn’t just an awkward holdover of a somewhat more direct Japanese translation – it actually means something. It’s a subtle hint that Simon doesn’t actually see Knightley as the friend he supposedly is; he’s distancing himself from his friend by talking about him in this more detached way.

This is subtle enough that it isn’t a spoiler, either! On my first playthrough of the fan translation, I never batted an eye at Simon using his friend’s surname. Some people in English-speaking countries do just prefer to go by their surname, even to their friends – particularly when their first name is kind of awkward. It felt perfectly natural that Knightley might prefer to be called just that even by his best friend, instead of “Horace”, which sounds somewhat old-fashioned and dorky.

(And this would go double, surely, for someone whose first name is freaking Bronco of all things. It’d make plenty of sense that he’d rather be called Knight!)

Knightley himself probably didn’t even question it. I imagine Simon would have called him Horace while they were kids at the orphanage, but then when Simon reappeared in his life years later after his disappearance and was calling him Knightley instead, Knightley probably shrugged and figured, yeah, Horace is kind of a dorky name, he’s not a kid any more, “Knightley” is way cooler. (Especially with his obsession with chess, not to mention his whole white-knight complex towards Simon.)

The biggest reason why this means something is that Simon calls him Knightley almost the entire time, with one single exception. In the flashback to their impromptu nighttime meeting in the prison, in which Simon knows he’s about to get his “friend” killed and this is the last time he’ll ever see him, the final thing he says to him is, “Goodbye, Horace.”

He uses Knightley’s first name, for the only time in the game’s present. And so, precisely because he’s used his surname every other time, this simple line becomes an achingly telling sign that Simon still cares about his best friend despite everything, despite the fact that he is literally getting him killed. It’s like he’s remembering the happier times they had being friends at the orphanage before everything turned sour, like a part of him wishes they could still have that, and it breaks my heart.

(This is the same in the Japanese, too – he uses his friend’s given name, which is a sign of extremely close friendship in Japanese and would have even more of an impact to Japanese-speaking players.)

This implication isn’t there in the official localisation, because it can’t be. Not when Simeon calls him Bronco all the time anyway, even when he’s revealed his true colours and is no longer pretending for the sake of Edgeworth and company. Which means that he simply did call him Bronco the whole time, even after they reunited, even while secretly wanting him dead. In that context, using the name Bronco when saying goodbye to him in the prison means nothing in particular. It’s just the name he always uses.

…Okay, granted, it’s not like that flashback scene has no emotional weight in the official version. It still is Simeon coming to talk to his friend one last time when he doesn’t really need to, which still means a lot on its own. But the final line itself isn’t a particularly notable part of it. In the localisation, it’s “Goodbye, Bronco. …And farewell.” The added “farewell” mostly just serves to make it obvious that he knows this is the very last time they’ll meet, but I suppose there is at least something to the fact that you wouldn’t usually say that to someone you didn’t care about. I don’t think it hits nearly as hard as calling him Horace for the first and only time in twelve years, though.

It seems like either the official localisers didn’t notice the significance of the given name in that line there, or they did notice it but they decided that localising Simeon to use his friend’s given name the rest of the time, like localisers normally would, was worth losing the impact of that line. And I firmly disagree that this was worth it. There’s nothing inherently wrong about Knight going by Knight even to his best friend, even if it might feel a little awkward in principle, and the emotional impact of the final thing his best friend says to him would have absolutely made up for that.

[loupy-mongoose]

You'd think Jamie would be right at home in the wild setting of Hisui.

Maybe if she went back at a younger age... she would be.

But if it were to happen to present day Jamie... she would barely hold herself together at the start. Her one driving force would be the desire to get home. Her Pokemon help, somewhat--especially Wisp the Zorua.

If nothing else, they're a distraction from her heartbreak...

Lumine the Cyndaquil/Quilava is caring, but quiet. As in, he doesn't talk. At all. He'll share his affection through touch and other means, but he's not good for reassuring conversation. At least Jamie knows what to expect with a Cyndaquil... right...?

Cooper the Umbreon is much more reserved, keeping to himself. Jamie took him on as an Eevee when she found him watching some others eat from a distance. He was clearly hungry, verging on starving, but he was often bullied away from meals by his siblings and had to wait for the slim pickings. So, Jamie offered for him to come with her, battle participation not necessary. After a short while with her, he realized he was finally free of the suffering his siblings had put him through, and was having a good time. Feeling a wave of thanks and affection for his new trainer, he evolved into Umbreon.

Wisp the Zorua is the most comfort Jamie receives early on. She's older than her evo stage would imply, being the team mom and doing her best to be just that for Jamie. Being the type to care rather than fight, she would often run from opponents, ending up staying a dangerously low level and being rejected by her clan for her unwillingness to fight. She wandered her way through Hisui, surviving against the odds to make her way to the Obsidian Fieldlands where she and Jamie met. Jamie offered to either help her work past her fears, or just be company for her. So, the Zorua joined her team.

Note that this was the team when I started the picture. I've since caught two more in my playthrough.

[chongoblog]

My First Pokemon Playthrough

So I've noticed in my time of talking about Pokemon, I've told a lot of various anecdotes that are all a part of my very first time playing Pokemon. I was feeling nostalgic, so I figured I would share what I remember about this playthrough for everyone to enjoy. There may be a tangent or two in there and people who have followed me a while may have heard these before, but hey.

For context, I believe I was about 8 years old at the time, and after collecting some Pokemon cards, watching a kid play Crystal at summer camp, watching some of the anime, and generally being a pretty big fan (I even have Pokemon Yahtzee burned into my memory for some reason...), I finally got myself a Game Boy Advance with Super Mario Advance 2: Super Mario World, some Frogger game (after looking it up, it was Temple of the Frog), Tony Hawk Pro Skater 2, and, of course, Pokemon Sapphire.

I remember that my starter was Torchic. I don't remember why I chose that one, although I remember really liking the color red at the time (which I still do), so that was probably why.

I don't remember too much about my team or the general progress I made in most of the game, but I do remember Slateport City. For those who do not recall, in Slateport City in order to advance you need to get into the museum, which is blocked off by Team Aqua Grunts until you talk to someone in the shipyard. There are also Team Aqua grunts blocking the route ahead

Now, my 8 year old brain for some reason concluded that the only way to get past the Team Aqua Grunts was to intimidate them with a high enough level Pokemon or something like that. So one night, while I was supposed to be asleep on a family beach vacation, I beat down more poor level 13 Pokemon than I could count. I learned later what I was actually SUPPOSED to do, which led to me finally fighting the Team Aqua Grunts.....with a level 42 Blaziken.

And since the Name Rater was in Slateport City and my starter had evolved, I figured it was only appropriate to give him the new moniker "MAGMA MAN"

The rest of the playthrough went about as normally as tearing through the game with mostly Blaziken normally would go. There were a couple exceptions though. First off, at the Weather Institute, after I saved the day from Team Aqua, they were kind enough to gift me a Castform, but my party was full, so I couldn't get it. My 8 year old self did not read this. (Remember this, it will come back later). But I managed to make my way through the game, catching Kyogre with my Master Ball and giving it the nickname "LEGENDARY"

Then we come to the Elite Four where I hit a brick wall. I don't remember my team at the time exactly, but I do remember it was MAGMA MAN which had reached about level 80 or so, LEGENDARY which was about level 48, a level 36 Pelipper, two level ~35 Tentacruels, and some other sixth Pokemon I don't recall. And for some reason, I just couldn't beat the Elite Four with this team for some weird reason. The best I could ever get to was Drake. I felt I was utterly defeated.

That's when we bring a new character into the story. A member of my friend group at the time who we'll call "John" to protect the innocent. Now John had a very "uncle who works at nintendo" type energy to him. The group used to play Gauntlet: Dark Legacy together all the time, and when I got the GBA port of it, he convinced me to trade my recently obtained copy of the Pokemon Trading Card Game Boy game for a Gameboy-Gamecube cables, only for me to learn too late that it didn't work like that, and from there, there were no backsies (but then I got ahold of a copy of Pac-Man VS and Four Swords Adventure then I learned to emulate, so who's laughing now).

Anyway, John saw that I was struggling and he decided that he wanted to help me out. You see, he had come across an incredibly powerful and rare Pokemon that couldn't be found in the wild. He had gotten it exclusive, and I had never seen it before. It was called a "Castform". Now John had Ruby version, so he decided that as much as it ached him to part with it, he figured it would be a reasonable trade to trade this powerful Castform for the slightly less powerful LEGENDARY. I agreed.

And then he moved to Ohio.

To this day, Castform is my least favorite Pokemon because of this betrayal. I was so distraught at 8 years old that I completely restarted my game of Pokemon Sapphire. I don't remember much about that second playthrough, but there's a reason why.

This rival battle on Route 110 is somewhat infamous for being quite the sudden difficulty spike. And since I knew how to get past Team Aqua now, I didn't have an over-leveled starter to stomp my rival with ease. After losing to her about five or so times, I got frustrated and figured that whatever team I had wasn't cutting it. So I restarted again.

In my third playthrough, I made it all the way to the rival battle on Route 110. Then she stomped me repeatedly. So I restarted again.

This cycle would go on for, like, 15 resets. I didn't count, but it felt like there was hundreds. As I would keep on resetting and playing through the early-game of Pokemon Sapphire (which I had practically memorized at this point), I would start to take things a lot less seriously, sometimes picking the girl character, making my name random gibberish, etc.

Eventually, on one of these playthroughs where I started with Treecko, I actually managed to beat the Route 110 Rival Battle! And on my first try too! And thus began the epic journey of a girl named DE.

Now, I'd figured at this point that maybe only leveling up one Pokemon wasn't the best approach, so I was trying to balance my teams a bit better (I guess my rival taught me something). I was making my way through the game, and one day I'm checking out my best friend's Pokemon in Ruby, and who do I see in his box, but a Kyogre. I take a look at his name, and I can't believe it. It was LEGENDARY. John had traded it to my friend before he moved.

My friend didn't know that it was originally mine, so he offered to trade it back, which I accepted. LEGENDARY was a disobedient little bastard since I didn't have enough badges, but he got the job done. I don't remember the team I ended up using to finally beat the Elite Four, but it included my Sceptile starter, a Sableye that somehow knew only Fighting-type moves, and two Kyogres, LEGENDARY and LEGENDARY2.

And that's my first playthrough of Pokemon Sapphire. Thanks for reading, hope you enjoyed it.

[openphrase123]

so i've got three fics that are in what i call "long outline" stage, where a couple chapters are written and the rest is all/mostly plotted out. when i'm done with curtain call i'll probably wait a month or so and then start posting one of them but i Cannot Decide which one to start with. i want to write all of these at some point but i need a Starting Point. please advise. i have decision fatigue

i elaborate on all the options below so if you need to be Sold on any of these keep scrolling. but also if you want maximum chaos and surprise just vote without expanding >:3

no nuance button no chef's choice button. if the chef had a choice he would have choosened it by now. i'm Indecisive please help

propaganda for all the options under the cut

the 20 years later fic is so messy i can't overstate it. i mean that in a good way. very popcorn drama. siffrin and loop haven't seen each other in 20 years but they need to figure out who in the family is harboring a secret regret that's trapping them in a new loop. everyone's over their problems from canon but i give them all NEW problems like osteoporosis and work-life imbalances. bonnie's the only one who ever went to real therapy in two decades and it Shows

the isabeau timeloop fic is probably the most angst out of the three of these??? but it's not a walking sadfest i know how to balance the vibes. it's not Primarily a romance fic but let's face it gamers. this is an isabeau pov. it's like 40% gay longing and you know this. the other 60% tries to solve the question of "would siffrin still be trapped in the loops if they told literally anyone about them at any time" and with the power of miscommunication and self sabotage. i'm pleased to say that answer is YES

the loop one is very prince-and-the-pauper to me. it's set in 1hat in a playthrough of isat that ended on a low loop number. this is both the healthiest and most toxic way for loop to heal postcanon in my heart. siffrin is not here this is NOT about him. he's fine though. it's just that i categorically don't think loop could heal and move on from the loops if siffrin's right over their shoulder being like "hiii do you want to Talk" no you have to TRAP loop into therapy

if you're reading this and going "all of these sound absolutely insane what are you doing" i'm doing My Best <3 all of them have the same general tone as my other fics so if you're like "i like that idea but that sounds too depressing" FEAR NOT. it's the exact same amount of depressing as curtain call and/or inutile

[leaping-lemur]

Thoughts on the Narrator

Played Slay the Princess: Pristine Cut over the weekend and while I expected to be feral about it, I ended up having a lot of thoughts. Like, philosophical thoughts. Mostly about the Narrator.

So without further ado, let's go to the spoilers under the cut. And boy do I mean SPOILERS: everything after this assumes you've beaten the game and are familiar with its structures and themes.

I mostly figured I'd putz along and go with my gut and see where I landed for the first playthrough, with a vague “I should kill the Shifting Mound this time around," but knew I would almost certainly go with a “leave with the princess” ending because I'm a softy, and a predictable softy. So predictable that my initial playthrough path was this:

Specter > Thorn > Stranger > Prisoner > Wraith (via the Nightmare) > time loop ending (because I was a derp and picked up the knife. Hero wanted it and I can deny him nothing.  Also I expected the Contrarian to tell me to throw it out the window but he didn't join that ending.)

I don’t think it’s because I already know the basic conceit and am numb to the “do I inflict violence now, or later?” mechanism of play, because I’ve definitely wanted to claw my own/someone else’s face off during previous playthroughs. Sure, I picked nicer options because I was treating it like a first run, but we all know how totally jacked up trying to be nice can get you.

Zero rancor for the Narrator, and the final conversation with the Shifting Mound felt… kind? Part of it was the new ability to talk to the vessels directly (it felt new anyway?) with less hard edged “we fought and hurt each other and raaaaah.” To the point where some of the angrier Explore options didn't feel relevant to the playthrough, where normally I'm like “you are not the culmination of my best girls, return them >:( “ I think part of it was because I went for the gentler routes, with just enough knowledge to know when to push (my first playthrough ever got me The Prisoner which probably tells you everything you need to know about how consistently wishy-washy I am).

It was all just nice. It felt _nice_ and I was so surprised that I felt this overall magnanimity toward everyone.

I tried it again and quickly realized that this first time was a fluke. Shifty is unable to give straight answers and it was a serendipitous confluence of options that made everything feel… gentle. Subsequent playthroughs, I scraped up against the same jagged edges I’d felt before, the bits that made me go “wait, NO!” and not in the funny way.

One thing jumped out at me. I don’t know if it was present in the base game, but I never noticed it until now.

I know I said everyone felt nice in my first playthrough, but of course the Narrator is…. You know. …himself. A smug prick. So when I say nice, I meant nice _for him_, nicer than I expected/remembered, but not… nice or supportive.

And then this interaction in The Tower:

This is after Broken tries to kill you, Hero fends him off, and you do your damndest to kill Tower. Normally in scenarios where you both die, the Narrator is frustrated, disappointed, sometimes hits you with “I told you so” in some way. But… not here.

I was so struck by this feeling of the Narrator saying “you did your best, good job, buddy. I am not going to lay the weight of my entire reality dying on you, because you tried.” I don't recall another time where he thanks you as you die, either. He knows when you die, the world is potentially destroyed. He still says "you saved the world" as you're dying. There's no need for him to soften that blow except to send you on to the next world with some hope and kindness.

Then you get to Chapter 3 Fury and this Narrator is much more typical. He's furious you'd even think about dying because his world will die.

I had this weird little gut punch when I realized that 1) this totally feels like a different guy and 2) fuck this guy in particular. I'm only saving the world for Tower Narrator now!

And you know it's not just a matter of making sure the Princess dies before you, because if you kill yourself after, the Narrator is... not happy. Well, there is some language suggesting that maybe the world isn't destroyed when you die, so much as you're sent to another world with a chance of fucking things up so please just stay in the void where the Princess is dead, no do-overs, kthnx, but the Narrator also says that the previous realities have been doomed in later chapters, so the only certainty is probably that any time you start in a new reality, there's the chance you destroy all of them, so a reality where both you and the Princess die isn't necessarily saved.

I thought a lot about the Narrator when the game first released, and I'm thinking about him a lot now. I think he's neat.

He is a man (bird, mortal being, whatever the mortal beings are; all that matters is that they’re people) living at the end of his universe’s timeline (maybe it’s the heat death of the universe, the big crunch, who knows). He can either make his peace with the end of all things, or he can do the very human thing and _do something about it_. This dude literally _rewrites physics_ to save humanity (birdmanity?) even knowing he, personally, will never get to reap the rewards of his work. All he has to do is rip a god/the laws of physics apart and excise certain immutable laws of thermodynamics. Sort of. He, as a mortal, can’t do this himself, but he can set certain laws of the universe against each other and tip the scales to one side over the other. (Was the singular god sentient before the Narrator did this? Unclear. Neither Long Quiet or Shifting Mound seem aware of personhood prior, just memories of feelings). He makes a Construct in which he can run this experiment - a sort of large hadron collider for baby gods. The major rule is: the more the baby gods know about the Construct, the more they can shape it, so he can’t just _tell_ them about it. Corollary: if the experiment fails, that instance of reality dies and the Construct moves the experiment to another one.

Getting caught up in LQ or SM’s feelings is kind of beside the point. Humans hurting others in these abstract/metaphysical ways is pretty common but rarely posited _quite_ in this same way. In thinking about it, I was oddly reminded of the Ring Entities from the Expanse: to achieve FTL capability/wormhole teleportation, the rings allow ships to travel through another dimension inhabited by the Ring Entities. They are _really pissed_ about it. This becomes really clear to everyone! _It doesn’t stop humanity from using the rings, it’s not even a debate._ The Ring Entities are something very beyond human understanding and thus, abstract. Humans are very good at punching holes in reality when given the tools and damn the consequences once we have the tools in hand. Gods, extra-dimensional entities, whatever. We'll punch 'em. And that’s just, y’know, space travel!

_This_ is ending death.

Sure, we call it hubris, but that just feels like the human condition.

Which brings me to the philosophical point that many people take as a given, that I’ve never understood: that death is necessary to make life meaningful. Life matters because we know it ends.

This is one of those “understandings” people have that feels totally alien to me, right up there with “if people didn’t have jobs,* they wouldn’t know what to do with themselves.” Every time I heard someone say that about themselves, I just had to sit in that feeling of realization (again, and again, and again) that people have vastly different experiences and inner lives from each other. Periods where I didn’t have a job were hands down my most productive, fulfilling years. No longer was I scratching out an existence for myself at the margins of what little time I was allowed, I could devote myself whole-heartedly to pursuits I cared about.

*By job I mean the capitalistic ‘sell labor for money to someone’ and not a job as in ‘having a task-oriented purpose.’

I know plenty of people who do good work, whose lives would have meaning even if they lived five hundred years, or forever (I do a lot of work in wildlife rescue/rehab spaces, which may color my view of things and how driven people are, and no I’m still not over being fucking _robbed_ of some of the heroes we’ve recently lost in those spaces). Death doesn’t have inherent meaning or nobility - it’s just a fact of life, and physics, and entropy. It’s the shortening of telomeres and the accumulation of mutations. We need death to mean something because fuck, if it’s pointless, if it’s just atoms rearranging themselves in a cold, unfeeling universe, how do we face that? 

And if a flippin’ _god_ can’t give me any argument for why death is a thing that should exist beyond “stupid mortals derive meaning from it” (not that they need it for meaning, just the assumption that they do) - yeah, I think the Narrator deserves to have the scales tilted in his favor. Even if, ultimately, his argument isn’t in support of some immutable meaning about the nature of the universe, so much as “it would be the kind thing to do.”

It's so human, in the face of something that purports to be inevitable. You're at the tipping point where the inevitable isn't, anymore, and the only argument inevitability can make is... itself.

I’ve also heard people say that the Narrator’s ideal universe is a bad one: without death, he describes a cycle of forgetfulness and rediscovery. I’ve heard it decried as lonely (forgetting your friends! etc) and pointless, but all _I_ heard was my own ADHD experience when I go diving through my closet and rediscovering old hobbies. I have had a lot of hobbies. I’ll probably have a lot more. I’ve accepted that I pick things up with passion for a few months to a couple years, then drop them. Many I come back to, eventually. As I get older, the more I think that this is a pretty cool way to spend eternity.

Death being the thing that gives life meaning is axiomatic, a conclusion without support. We already know death is undesirable and the reasons why. Is death desirable for reasons other than this nebulous “meaning”? Does the universe change? Does it matter? There is already more to do in the universe than can be done, because time and space are both infinite.

Ultimately, I don’t think he’s objectively wrong, or a bad guy (this is, of course, assuming that the rules of the Construct are the rules by necessity due to the kind of story the devs wanted to tell, because the Narrator would clearly not build the Construct the way he did if he didn’t absolutely have to). I think he’s a prick, and I think he cares more about his goals than about the gods he’s made, but he doesn’t _not_ care, and sometimes he seems to care more than others.

And I find that fascinating.

UPDATE: One of the new endings addresses this point and (in world) undermines my thoughts entirely! ....I think it's still wrong from a philosophical point of view, but that becomes a disagreement re: metaphysics between the author(s)'s opinion and my own. I don't think living forever would lead to everything being done and nothing left to do (because again, infinite time means infinite space means infinite things to do) but it's purely hypothetical, can't be proven either way, and is argued over by nerds for literally thousands of years. Not like we could ever empirically know.

[seeker-ophelia]

Dragon Age: The Veilguard

Ophelia’s Review, Part 1: The Emotion

Like most people on tumblr, I went into Veilguard for Solavellan. I needed a happy ending for them. I had obsessed and freaked and theorized for years. But before I delve into VG I need to explain some backstory. This is going to be as much a biography of me as it is a tale of my rook. And its going to be long, so you know, heads up. And Veilguard Spoilers.

I have been really struggling to get my thoughts into a coherent string after act 2 of VG. I feel like I can’t even review the game because I’m so emotionally wrecked, all I can do is tell a story. If you want to read this, be forewarned, its long, also, obviously spoilers, Veilguard. But… holy god my Rook. 

[Part 2 is here]

My first Dragon Age game was Origins, in 2009. I torrented it off Pirate Bay and played on my aging laptop that could barely handle it. And I loved it. I had never played a game like this before and loved the emotional and story-telling aspects of the game. I played as a Dalish rogue, Lelianna and Zevran were my best friends. Morrigan was the awe-inspiring yet traumatized goth-girl, and I fell for the golden-retriever bastard king of Ferelden.

I did not only watch on in broken-hearted horror as he ascended to his throne beside Anora without me, but I had him lie with Morrigan, the weirdo-turned-friend, because I trusted her, and frankly, I didn’t want to die.

And it broke me in a way the fantasy books I inhaled like oxygen as a child never did.

Because I chose to do those things. I made the choice. For right or for wrong, I was the one who decided their fate, even if those choices came back to bite me in the ass later.

I played Origins three more times over the next 5 years, through what I now call my University Years. I was broke, stressed, and overworked, and Origins became a comfort to me. I even properly bought the game with the DLCs the last time, because I had a little more money, and I figured a game that I had played and loved so much deserved it. (Never played 2, and that was my own fault). I discovered Fan Fiction because of Origins.

Then… I did some life things that I’m not going to air into the internet, but I kind of got my life together around 2016/17. I had a good job, a career even, and while I was by no means wealthy, I was okay.

And I heard about Dragon Age Inquisition, and remembered my old love for Origins, and gave it a go. I’ve always been a fantasy stan (I grew up with LotR), if you give me the option to play as a mage or an elf I’m going to do it. I wanted to romance Leliana, especially after her bad-assery in Redcliffe, but that turned out to be impossible. Because I never played 2, I didn’t know who Cullen was, and I romanced him (my love letter to Alistair). And while I liked the game, loved it even, I didn’t feel that emotional pull that Origins made me feel, and I put it aside. I’ve played some other games I’ve liked throughout the years, Fable, Skyrim, The Witcher, and I liked them all, but none of them really gut-punched me like that first fated Origins playthrough.

Cut to 2020, covid, and fuck if I didn’t have anything better to do, so I played DA2.

Oh man, I laughed at the graphics, oh it was so bad after Inquisition, how did anyone play this? And then I walked Darktown with Anders, walked slaver dens with Fenris, helped my Merrill with her Eluvian, and Isabela with her relic. And I helped my friend Varric in the deep roads. And I began to feel a tendril again of what I had in Origins. Who cared about the graphics, the gameplay, the locations, these people’s stories were what was driving this tale, and that was amazing and rare.

And I went into Inquisition with new eyes. I could not touch Cullen again, not after how he acted in Kirkwall. I knew Solas left, so I wanted to try and romance Bull (I’ve seen the youtube videos; ‘So you want to ride The Bull’). But I slowed down my playthrough this time, talked to everyone, actually spoke to Solas over and over in Haven. Indominatable focus indeed, hahren. What a curiosity you are. And I fell for fucking Solas.

A bald fucking hobo apostate, are you for real? Brain, get your head in the game. And my heart said, wait.

But he leaves! You know he leaves!  

Well, maybe I’m just destined to fall in love with emotionally unavailable fictional people.

And I played Descent and Hakkon for the first time, which were fantastic. And then I played Trespasser.

And Trespasser broke me. Just like Origins did.

And my Casual Dragon Age Days were done. I was feral.

But I also had a very demanding job. I could not just play video games for large chunks of time. I worked. A lot. I mean a lot. And in the fall of this year, I burnt out. I quit. I’ve got Real Shit going on in my life right now, and I’ve worked so much I can afford to take some time off.

And Dragon Age was there to welcome me, arms open wide, with Escapism 4.0, AKA The Veilguard. I spent hours crafting theories, making connections, playing Inquisition again, playing DA2 again, writing, actually writing Fics again. I read the comics, read TN, watched Awakening (twice).

I joined tumblr to stop being a lurker and actually participate. Joined Caitie and Kala’s patreons, just loving the hype and the theory crafting and the love for Veilguard. I love the Dragon Age world. It has helped me through so many tough times in my life, and its going to get me through this one, too.

I found community online. In tumblr, in reddit, in discord.

And I breathed Dragon Age for almost 2 months before Halloween. Solas this and Lavellan that and Fade and Magic and Titans and Gods and Love. Remember this, don’t forget about that, did you hear this theory, well what about the connection between…

To quote myself, Like most people on tumblr, I went into Veilguard for Solavellan. The companions came out, and I didn’t feel super strongly about any of them. I didn’t even feel strongly about my Rook. I had a general idea, especially because of Trick’s IGN interview, Rook/Mirror/Solas, but nothing really concrete.

And then Nadas-Dirthalen asked me about my Rook a few days before Halloween, and I had to think about it. I had to put down Solas and Lavellan, I had to put down my theories, put down the lore, and pick up this new thing. This Rook.

And I looked at it.

What did I want her to act like? What did I want her to look like? How did I want her to be? What drives her? Where is she from? What are her goals? What does she like? What does she hate?

And I weaved a new friend. Danivas (Dani, for short). Escaped rabbit slave out of Minrathous, her magic the only thing that saved her from hard labor in Dock Town or the mines, and then it was the only thing that saved her from the unwanted advances of the Tevinter Nobility. Rescued by the Dragons in her teens, she sought connection to her elvhen heritage with the Veil Jumpers, falling hard (platonically) for her mentor, her sister, Bellara. Everything she hated about herself, Bellara loved, and Bellara was flighty enough to need protecting, especially after Cyrian, so that’s what she became. Bellara’s protector. Arlathan’s protector. Protector of the small, and defender of the powerless. She will never apologize for saving Varric and the others at the cost of some stupid magic map, she would pay that price a hundred times over to save living beings.

And I made her in CC, I walked her through the streets of Minrathous, through Solas’ ritual, through Arlathan forest. My heart sang when I saw Harding again, and knew that Rook and Harding would be best friends. And I began to fall for the characters.

My Veil Jumper sister Bellara, poised but wickedly intelligent Neve, violent and troubled Lucanis, steadfast and resolved Davrin with playful Assan, towering yet growing Taash, and mystifying, immortalizing Emmerich, with his weird but I guess acceptable Manfred.

I helped Harding, Paragon of her time, discover her new mystifying magic, to find peace through pain, just as Bellara had done for Dani.

I learned all their stories. Their loves. How to interact with them, what they liked and didn’t like. And I fell, for Assan. That fucking griffon. Is so cute. How can you not love him? He’s just like Dani. Forced through circumstance to fight terrible evil, not necessarily against their nature, but certainly not what they would prefer to be doing. They are powerful and special and fierce and playful.

And, like any child, rebellious.

Dani helped Davrin through parenthood. He was a soldier, a commander, not a father, or a teacher, and though she was brash and sarcastic, she had been Bellara’s protector, she knew honey over vinegar, and pushed him to be gentler with Assan. Watched them grow together and felt such unhinged joy through their path to tulum. And then she looked up from digging her fingers into the feathers in Assan’s neck one day to see Davrin staring down at her, and thought, oh.

Her heart stuttered. And they flitted about each other for a long time. Teasing and testing, flirting and ribbing.

As she walked the steps of the Cobbled Swan to meet Morrigan, she told herself she would bring Davrin to Arlathan again, without Assan, and without any gingerwort tea. Just the two of them, and she would tell him what he meant to her.

But the Gods had different plans.  

And they had to move, NOW.

Davrin, the Grey Warden constantly surrounded by death and destruction, tried to warn me.

What if one of us doesn’t come back?

I actually let myself imagine the future.

Our future.

With our half-bird, half-cat kid.

And Dani, who had never had much hope for anything before, brought her hand to Davrins face with a soft smile, and soothed her Griffon Daddy, Var Lath Vir Suledin, Davrin.

When we win, when we beat this thing, we will come back here, and I will show you how much I love you.

Every Solas fresco I uncovered, I cried. Every memory, every revenant, even the ones I saw coming. I felt so much emotion for Solas, even as my love for Rooks Companions grew. Dani’s love for Davrin grew, in a very real, fast, surprising way.

But the Gods Eclipsed the Sun, and we had to move, NOW.

Of course I chose the Grey Warden to lead the charge against the Antaam. I needed Taash and Harding with me, and he was better suited to the roll. Harding is a scout, not a commander, and Davrin would have Lucanis for any sneaky mischief he would need, with Emmerich for any quick heals.

Imagine my relief when we met up again. I made a choice and he didn’t die, thank you, BioWare.

No, Neve, Bellara is better suited to deal with old Elvhen Magic.

And then Elgar’nan took her from me. Dani’s sister. Her home.

And she blasted through darkspawn and Blight to get to Elgar’nan, to get to Bellara.

But they had to get through Ghilan’nain first.

Fuck you Ghilan’nain if you think I’m fighting alone, my strength is my team, and I will move Fade and Titan to get to them. And Dani frees them, only to have Lucanis foiled, again. How do we get out of this? What do we do?

Upside down, she watches Davrin scale a crumbling tower, and their eyes meet.

No.

Whatever it takes.

Davrin, No.

His voice is deep and commanding, resolute and resolved.

“Assan!”

And Dani’s scream tangles with Assans as her son smashes into Ghillan’nain’s back.

The Blighted Goddess stumbles, and Lucanis and Dani fall to the ground, but Ghilan’nain’s blight is lightening, and when Dani looks up at Davrin two tentacles have speared him, his eyes wide and unseeing into the dark sky.

She screams again, Ghilan’nain forgotten, and as she watches Assan dive to the aid of his fallen partner, Dani is knocked back by a concussive blue blast; the Crow has fulfilled his contract.

The air is charged, the veil tearing here, Emmerich is yelling something at her, she must remove the dagger or this world will be torn asunder.

And then there’s overpowering, pressured silence. Grey and fog and stone and loneliness surround her, and all she can see or hear is Solas.

You were never ready to make the sacrifices that leadership requires.

Davrin. Assan. Bellara. My family. Is GONE. Because of ME.

Well, shit, kid. Haven’t you learned anything from this place? I made the choice, even knowing the risks. My decision, my sacrifice, and you don’t get to take that from me.

And Emmerich and Lucanis pull her from her prison of regret, and she knows she can’t blame herself, that would be taking away Davrin and Bellara’s agency, but you know who she can blame?

Solas.

The man my Lavellan loves. The man I swore to save. The one I started this game for. The one who made me feral for Dragon Age.

He did this to me.

Solas took away my love. By not being able to face his regrets.

And Dani became Hardened.

“Are you certain you’re alright, Rook?”

“We’ve still got work to do. I can collapse when this is over.”

“You needn’t carry this burden on your own. The rest of us will send word to our allies. You must take care of yourself in the meantime. We’ll speak again soon.”

But she was fine. She would be fine. Had to be fine. They had a job to do. Gods to kill. People to save.

It was walking past Assan’s spot in the courtyard that broke her.

Mourn Davrin?

To the Void with that.

I will avenge him.

I will kill the Elf who started all of this, forget Mythal, forget Lavellan, forget the Blight.

Mirror.

Solas cannot blame himself, that would be taking away the agency of his friends, but you know what he can blame?

The Veil.

I will end the curse that started all of this, forget Mythal, forget Lavellan, forget the Blight.

Mirror.

I will defend the small.

Mirror.

I will free the enslaved.

Mirror. 

You were never ready to make the sacrifices that leadership requires.

Mirror.

Its easier to play the villain, because that means you didn’t fail, all the damage you’ve done, all the people you’ve hurt…

Mirror.

It becomes a choice.

Mirror.

Remind yourself who you really are.

Mirror.

But will you listen?

Mirror.

Rook lays on the cold cobblestone, eyes wide, fist white-knuckled around the lyrium dagger, a battered and bruised Solas standing behind her. Her anger got her through her battle with Elgar’nan, but it will not help her here.

Rook will have to live with the choices she made. The successes and the failures. She can’t blame Solas. It's easier to blame Solas. But that’s exactly what Solas did, place blame where it did not belong, and it destroyed the world.

And her anger and hate and grief and despair swallow and consume itself into the tiniest, smallest fleck of a wisp.

Of hope.

She rose slowly, meeting Solas’ gaze, and places the dagger in his outstretched, bloody hand.

I don’t want to see any more pain on top of what Elgar’nan has done.

(Hope)

Your prison is made of regrets, and you are trapped in yours.

(I’ll not be trapped in mine)

Destroying everything won’t erase your mistakes.

(Killing Solas won’t bring Davrin and Assan back)

You have the chance, right now, to save the world. Bind yourself to the veil and stop it from failing.

And it takes the Mother, the Maiden, and the Mirror, for Solas to accept his past.

As Lavellan walked the din’an shiral after Solas, Rook walked it for Davrin.

As Varric released Dani from her regret, Mythal released Solas from his.

As Solas turns to the Eluvian, the Magic Mirror named Rook, he is forced to see his faults, and how to fix them.

His corrupted purpose is repairable. And he passes his torch to the Mirror, vowing to seek atonement for the sins of his past, sins grown and amplified because he refused to face the truth of them.

And that will probably hit everyone, because I’d wager good coin that if you’re playing video games, or reading fantasy, you’ve used escapism before, but it hits especially hard for me. Right now. At this point in my life. When my own personal veil I’ve constructed to hold back my own evils is crumbling around me because I have not faced the truth of my own past sins, my memories as demons grown and amplified and slipping through cracks because I refused them for so long. My choice.

And when Solas and Ellana walked into the sunset, I cried. And cried. And cried. Because this whole time I thought I was my Inquisitor, bare your blade and raise it high, look to the sky, for one day soon, the dawn will come, var lath vir suledin. Bellanaris. Perseverance, endurance, outlive, outlast, that is what you need.

When in reality I am my Rook. Let go of your regret. You don’t need to hold on to this, you need to let it go.

We all have to face our regrets. Accept them, and then let them go. Running from them only makes them worse.   

And I leave with the lyrics of the Veilguard Credits song, “Roll The Credits,” by Danielle Ponder:

I could feel it, I won't come down I could see it, oh, with all eyes Hold my head and saw the whole sky I never felt so damn alive And if there's smoke, then I'll be water If there's fire, I'll be rain

We were lost, but we weren't stranded We were dreamers on the run I gave my all, it was commanding And we just did this shit for fun I could feel it, I won't come down Found myself above the sky Tell my mama, tell my daddy That love is falling from the sky

Good God Almighty, I done opened my mind These holy waters left a chill down my spine