#I was originally going to put Nor in something different

[meamiki]

okay here is the original ramble under the cut here! mainly doing these to the ones with associated textposts for different tagging systems tbh LOL

vvv

TLDR - The Universe keeps fucking with Loop and they are not really happy about it, regardless of timing.

While I haven't decided anything 100% concrete for Loop, the idea of a reverse isekaied Loop in general is interesting to me, so I'll be exploring that a bit here. Especially in terms of timing on when Loop gets taken out of their timeline. At least in terms of immediate outlook within this AU. So, for now, have a couple of those thoughts! 

---

The two main points in time I am currently considering are the following:

1. From when they gave up their original wish and made a new one.

In this instance, I feel like their arc would play a bit similar to in game

Seeing this new world as different & peaceful

Since they don’t have to deal with the loops anymore, just watch whatever happens.

Be a lil silly for funsies! The chaos that can ensue with a star being existing within a modern world! 

Even though it hurts to see Siffrin’s team hanging around, they really don’t have anywhere to go at the moment (hard to hide a star being in this type of world)

To a slow realization of how unfair this whole situation is. In comparison to all of the horrors they went through, this Siffrin has it so easy.

This Siffrin gets to live an idyllic life, free from the world calamity of being frozen & the literal time loop.

This Siffrin gets to freely hang around their family team, with no foreseeable "end" to being with them in sight.

This Siffrin had their original wish, the wish Loop wanted granted, handed to them on a silver platter. 

This Siffrin, nor anyone in this world, would ever be able to come close to understanding what Loop went through; Loop would never truly be seen in this world, not fully anyway.

What does The Universe have against them, to put them into this world and make them witness all of this?

It should have been them, with this carefree type of life, given all they went through.

2. AFTER the fight with Siffrin.

This leans a bit more lighthearted than the last, since Loop would have gone through all the development from the game via convos + the talk at the very end with Siffrin, and has a bit more peace about their whole deal.

Perhaps they would still see the same conclusions as above, since healing from the horrors would not happen all at once, if ever, with additional flavor

Underlying bitterness in why the script is still going. 

Why is The Universe asking for them to continue into a new world and role?

Haven’t they had enough, once making them witness another Siffrin’s loops and perfect ending, and now a completely idyllic Siffrin’s life from the get go?

However, there is also a bit of hope in the entire situation. Since if The Universe keeps deciding to fuck with them (as in, sending them to different world lines) there is still, technically, the chance of going backward as well.

To their original timeline and to their family.

Once could have been a one-off, but twice?

Perhaps three world jumps might be the minimum to go back, following standard wishing rituals?

More hope in this one from the get-go, with that thought in mind.

---

Though there are probably other points in time that would be interesting too! 

Another one I was considering was RIGHT BEFORE the fight with Siffrin, perhaps even mid-fight. However, I don't think that makes much sense for this particular AU ASAFASFASDAS. Can you imagine if Loop just spawned into this world, doesn't realize this is a completely different Siffrin, and attacks on sight?????

Honestly the idea of a reverse-isekaied Loop into different AU's in general is neat, would love to see other people's takes on it!!  Especially cuz of the various reactions/conclusions Loop could have/make based on the scenario/circumstances would be interesting, if that makes sense. At least I think there is something in that thought? I dunno!

I feel like I am missing some characterization bits in here, but that was the main gist of it for now since I cannot remember LMAO.

Mumblings over, thanks for reading my silly thoughts if you got this far!!!

a star being appeared in your apartment, wdyd?

(aka loop getting reverse isekaied into the modern office au)

also there are some scattered mumblings on loop in this AU under the cut actually in an rb now link right here if anyone's interested (spoilers for all of ISAT, including 2hats!)

[ifindus]

IreNor opinion?

I believe I've answered a question similar to this before, but it might have been closer to a year ago sooooo

I've mentioned a couple times now, but there's very few ships including Norway that I don't like - love people exploring different relations for him. IreNor is one of those I really like. It has great historical background and I believe their personalities would go together very well. I'm def up for seeing more of them around and people creating more art and writing for them - it'd be very interesting to see other people's take on their interactions. All in all, solid ship ✨

[tleeaves]

There are two wolves inside me. One wants to embrace a new hobby in dance so I can be active and feel elegant and graceful and strong. This wolf wants to try something new and exciting, finally indulging in something I've always had an interest in.

The other experiences such frustrating emotions on a near daily basis that I want to go back to boxing, which is arguably easier to break into since I've already done it before. This wolf doesn't think of elegance, she just wants to fuck shit up until her body's so overworked and warm it fogs up car windows without having to do anything but sit inside.

Which one do I fucking feed??

[theriverdalereviewer]

ENOUGH WITH THE REBOOTS AND SPIN OFFS ENOUGGGHHHHH

[malachitezmeyka]

Sometimes I wish I wasn’t 12 when I came up with Suiren and Midori cause why the fuck do both of them have Japanese names

[gojoest]

BEDTIME STORY (about love) — gojo satoru

in which satoru tells his daughter the story of how you met. those of you who’ve read this already know, but your now 4-year-old daughter is yet to hear it

girl dad satoru, father-daughter time, she/her pronouns used for reader, wc: 1k, not proofread, just a silly little thing

“papa”

“yes, my life?”

“how did you and mama meet?”

“oh my, i never told you the story?”

“no, papa. you didn’t”

“well—"

one thing gojo satoru never fails to do, no matter how busy his schedule, is reading bedtime stories to his 4-year-old daughter. even when he’s swamped with missions, he would make sure he is at home by the time his daughter had to sleep — after tucking her in, he would sit beside her with a book in hand and read her a story until she’s fast asleep.

but tonight, your daughter asked for a different kind of story — the origin of your love, how the two of you met — and truth be told, satoru was more than excited to talk about it (as he always is whenever the topic in question involved you).

his eyes glowing with the same old dreamy glint anytime your name was mentioned, he puts the book on the nightstand and makes himself comfortable next to his little one in bed. slightly scooching her over so he could sit with his back leaning against the headboard, he cradles her in his arms and takes a deep breath before starting.

“it all happened on my birthday, 7 years ago”

“december 7th!”, your daughter excitedly points out.

satoru chuckles, his chest swelling with joy that his little daughter remembers his birthday. “that’s right, my life. your mother came into my life like a birthday present”, his lips curl into a gentle smile as he reminisces about the night that changed his entire life.

“was mama invited to your birthday?”

“no, but we just happened to be in the same restaurant that night. while i was celebrating with friends, she was there, on another table, with her coworkers”

your daughter hums, “i see”

“she was so beautiful, i noticed her the moment she walked in. and i couldn’t take my eyes off her for the rest of the night. i knew i had to go and talk to her before she left. something in me knew she was the one, you know?”

your little one tilts her head up to look at satoru, eyes curiously blinking, “but how did you know, papa?”

“my heart whispered it to me, beating relentlessly the entire time. it was like this unknown force was pulling me towards your mom and the whole time i was trying to come up with a plan, an excuse even, to go talk to her without coming off as a weirdo”

“and did you succeed?”

“well, by the looks of it—”, he points at her and gently boops her nose, “i did”

she chuckles sweetly, “no, papa—i mean did you manage to not be a weirdo?”

“hmm, i’ll let you decide on that one. so pay attention, okay?”, to which she silently nods. his hand rubs the top of her head softly before continuing.

“you see, i couldn’t think of anything but nor could i wait any longer. i decided i’d just go and say hi. so i stood up and made my way towards her table. i had to know her as soon as possible, because every second of inaction felt like it was taking away from my future with her. any second was precious, you know? if i could be with her sooner, be it even a planck time earlier, i had to take it — as it would only add up to the time spent with her”

“what is planck time, papa?”, your daughter cuts him off.

“it’s theoretically considered to be the shortest measurable time”

“is it less than a second?”

“waaaaay less”

“woah, papa you were down bad for mama”, your daughter gasps in amusement.

an audible laugh breaks through satoru’s lips, “yea, i was. and i still am”

“and what happened when you went over?”

“i said hi but she wasn’t having it at all, didn’t even bat me an eye. tried to chase me off before i was able to introduce myself. but i was already determined to make her mine, i knew it deep down that she was my person. so i forced my way and introduced myself”

“papa you’re a stubborn one”

“yea, but your mother turned out to be even more stubborn. she dodged all my attempts at her. so, i had to make it very clear to her, let her know that the man standing before her was the one to be her boyfriend, then her husband, and then the father of her children — therefore, in order for all this to work, i asked for her number”

“you really said all that?” — satoru nods to her question affirmatively. “papa, that’s so bold of you, honestly”, another gasp leaves your 4-year-old’s mouth. “and then?”

“and then she got mad at me, thought i was playing around with her”, satoru chuckles, brushing a hand across his face at the memory, closing his eyes to replay that very scene in his mind. your reaction is still pretty vivid to him, how your eyes grew wide in disbelief after what he had just told you...

i am gojo satoru, also known as the man to be your boyfriend, then your husband, and then the father of your children — and you are to be my girlfriend, then my wife, and then the mother of my children…

…and then how you narrowed your eyes and gave him a good lecture.

is this your move? you pull this on everyone you find remotely attractive?

“to be honest, i was slightly panicking internally — this was my best move, you know? and it was failing. but luckily, your uncle suguru came to my aid. he convinced your mom to give me a chance before blatantly turning me down. and she did — i got her number by the end of the night”, a soft smile painted on his lips again. “look at us now �� wasn’t i right about all that?”

“papa, you’re a hopeless romantic”

“you bet i am”, he smugly confirms.

“…and a bit of a weirdo”, she cackles quietly.

“oi”, satoru furrows his brows. his hand softly tickles the side of her, incurring a loud laugh on her end. “shhh, time to sleep now or else mama will scold me for keeping you up past your bedtime”

“but, papa — you did well, being a weirdo paid off”

“yea, it really did — it gave me a home and a family”, his eyes soften observing the treasure in his arms.

[ellecdc]

Legs-for-days Lupin

hockey player!Remus Lupin x team medic!reader who didn't account for Remus' shorts [1.3k words]

part 1 | part 2 | part 3

CW: fem!reader, guys teasing each other about their place of origin (all in good fun - shout out to Sweden and Russia), suggestive -> nothing happens in the fic but it's very clear what has taken place and readers mind strays to...less then polite places for a moment -> mature content, viewer discretion is advised

It’s not that either of you had been keeping it a secret, per se, but rather that you were keeping it quiet. 

The league was aware. Or, at least they knew as much as they needed to know when you and Remus requested that his on-going care be transferred to one of the other league doctors citing a conflict of interest in your own care of the athlete. 

So they may not know, but… they knew.

The coach knew and the PT knew as well as a few other members of the coaching staff, but the equipment manager, the media team, and the general manager didn’t know.

Oh, and the team.

The team didn’t know either. 

You had worried that it would be hard, especially when things were still so new between the two of you, spending extended periods of time in each other’s company without exchanging heated gazes or hungry exchanges. But, after years of working in medicine, you found it was very easy to put your team scrubs on and see Remus as just another one of the boys you were treating - an athlete you were responsible for, a body to heal.

Out of those scrubs though? Well, that was a completely different story. 

Turns out you should have been a little more careful in your shared time together sans scrubs. 

“Whoa, whoa, whoa. Hang the fuck on!” James shouted as he pulled his headphones away from his ears to rest on his neck, jumping to place one foot on either side of the treadmill before hitting the stop button. 

You - alert in the gym should anyone get hurt - uncrossed your legs and sat at attention, concerned that you might be needed 

“What the fuck is that, Lupin?” He continued with a breathy laugh, causing Remus to remove his own headphones and cock an eyebrow at his teammate. 

“Fuckin’ Potter, always chirpin’.” Benji snickered to Sirius who snorted in return.

“What’re you on about now, Cap?” Sirius called over. 

“Look at Lupin’s leg!” He nearly shrilled, causing Benji to cackle.

“Spend a lot of time oggling your teammate’s legs, Potts?” Caradoc taunted as he slowed his stride on the treadmill next to James’ to a walk. 

“No, just Lupin’s. Can you blame him though? Fuckin’ look at them; they go on for days.” Benji called over, making a show of stretching his neck as if it was necessary to fully appreciate Remus’ legs, causing Remus to toss a balled up sweaty towel at him. 

“Fuck off, the lot of you.” Remus laughed at the same time James started sputtering.

“Look! On his thigh! He-”

“Chirst Potts, you’ve got it bad.” Wood interjected.

“- looks like he’s been mauled and fuck off, Wood!” James finished despite the interjection.

And, much to your horror, everyone did look at Remus’ thigh and now that you were too, you couldn’t even appreciate the well defined muscles from years of skating, cardio, and weight training, nor the way they shined a little with sweat from today’s workout, nor the way that he was sitting on the weight bench which caused those shorts - already a little short for a man with legs so long - to ride up sinfully further due to the fact that there was a well-defined and blatantly obvious love bite sucked into the soft skin of his inner thigh. 

“Holy shit! Did ya find yourself a baby shark or something, Loops? And why’d you let it so close to your crotch?” Benji called over causing everyone to hoot and holler at him. 

“Fuck off.” Remus laughed with a shake of his head as he tried to adjust his shorts in an attempt at some modesty - it was all for naught. 

“I didn’t even know you were seeing anyone! And damn, she’s gotta a fuckin’ mouth on her, eh?” Sirius added as he came to lean against the side of James’ treadmill in favour of his third set. 

“Okay, debate about whether or not you’re dating a vampire aside - blink twice if you need help - how’d you even find time to receive that hickey? We’ve been on the road for almost two weeks!” Potter grilled then, pausing for the briefest of moments should Remus need to blink, which he did not.

“None of your fuckin’ business, that’s how.” Remus commented dryly, though you could see his tongue in his cheek as he tried to suppress his own laughter. You thanked the hockey gods that the blush Remus was currently donning could be explained away by the exertion from his work out, but you knew it was different, you knew the signs. 

You knew exactly how far that blush went when you whispered how beautiful his eyes were. You knew the way his breath hitched - perhaps even which rib it got stuck under - when you brushed the pad of your thumb just below his waist band sitting on his hips. You knew the sound that left his kiss bruised lips when you sucked that mark into his leg; no shorts impeding your view of his very impressive body, watching the golden colour of his eyes eclipse behind pupil as he watched you reverently. 

You knew that blush probably went right to his chest, past the pretty pink nipples you’d also spent some time suc-

“No fuckin’ fair! How’s Loops finding chicks on the road? He doesn’t even go to the bars with us!” Benji whined. 

“Don’t have to.” Remus shrugged. “Look at me, I’m gorgeous.” 

“Oh, I’m sure the hotel staff were just throwing themselves at you.” Sirius sneered, though his smile proved it was all for show. 

“Just make sure not to do it in front of doc, yeah? Don’t wanna hurt her feelings.” James called as he turned his treadmill back on, causing you to choke on the drink of water you’d opted to take instead of either salivating over your - boyfriend? Could you call him that? - or chewing nervously at your lip, convinced that everyone was onto you.

“Why me?” You barely managed without shrieking. 

James offered you a casual shrug of his shoulders. “We all know you love the Swedes.” 

“I don’t love the Swedes.” You retorted, though a few of the guys were cackling at your expense.

“Everyone loves Swedes!” Isak Grönvall called excitedly. “Vänaste land uppå jord!” [a/n: lyric from the national anthem of Sweden, believe it translates to "loveliest land upon earth"]

“No.” Krum grunted then as he let the weights fall to the ground. “Everyone love Russia.”

“No one loves Russia, Krum.” Benji offered with faux consolation as he patted him roughly on the back.

“Why not? Is most good!” 

“We’re getting a little off track here.” James butt in. 

“I think you’ve gotta let it go cap, Loops just doesn’t like you like that.” Sirius stage whispered. “Besides, we’re going to make doc jealous if we keep pointing it out.”

“Black!” You barked. “Back to your machine; ten more reps.”

“Ten!?” 

“Ten.” You confirmed. 

Sirius looked just about ready to succumb to his fate before a flash of hope danced across his features. “Wait…you can’t tell me what to do in here, you’re not my coach!”

“Coach Moody?” You called calmly. 

“Ten more reps, Black.” Moody gruffed without looking up from the gameplay board in his hands. 

Sirius groaned.

“You too, Lupin.” 

The gym erupted into laughter. 

You tried to will your cheeks to cool down as you returned your focus to the notes in your hand when you felt your phone vibrate.

[Remus]: Are you happy, now? You’ve gotten me in trouble. 

You looked over in a way you hoped appeared casual to see Remus smirking down at his phone in his lap.

[You]: It’s not my fault at all. 

[Remus]: No? Whose fault is it then?

[You]: Yours! Those shorts are fuckin sinful.

[Remus]: So is that mouth of yours. 

You felt a sinful smirk take over your face.

[You]: Really? You didn’t seem to mind much last night. 

Remus shook his head and readjusted himself in his seat. 

[Remus]: No…I really, REALLY didn’t.

[helenanell]

Contempt of Court || Challengers

━━━━∙⋆⋅⋆∙━━━━

Art Donaldson X Fem!Reader 

CW: 18+ MDNI. Alcoholism / substance abuse. Suicidal ideation. Mentions of car crash/ injury, infidelity (technically - Art is still married to Tashi, but they’re separated) Angst. Smut. A little toxic.

Wordcount: 10.8K

Notes: No use of y/n. Set after the events of the film. Reader is a Tashi stan (There’s too much Tashi Duncan erasure happening and I won’t stand for it.) 

Summary: Still recovering from an injury that put your tennis career on pause, your publicist has landed you a deal to be an ambassador for Nike. What she doesn’t tell you, is that so is Art Donaldson: the player who bad-mouthed you in a live, post match interview two years ago. You only find out once it’s too late. 

 (This story was inspired by the dynamic between Billy and Daisy in Daisy Jones and The Six. But…make it tennis.)

  ━━━━∙⋆⋅⋆∙━━━━

For eight agonising weeks, your wrist has been encased in a cast, but now that it’s finally off, you feel far from relieved.

 As the doctor had sawn into the plaster, producing a cloud of white dust like he was breaking into a bone instead of revealing a healed one, you had actually felt panicked. 

After the car crash, you had spiralled into a pit dug with your own self-pity and pain. And once you’d reached the bottom, you’d staved off the encroaching darkness with alcohol and too many painkillers. 

You’d taken drugs before at parties and drunk until you wiped your own memory, the consequence being waking up with your skull practically splitting open from pain. But there was something profoundly different about becoming intoxicated in the hopes of rendering yourself numb:

 You hated yourself whilst you were doing it, and once the harmful buzz wore off, you hated yourself a little bit more. 

You had become fast friends with shame in the past few months. 

You have been desperate to play again, screaming, crying and practically tearing off your own skin with the need to get back to work- to not let yourself fall behind or your ranking suffer. 

But, amongst the amalgamation of negatives there had been a sort of relief, too. Relief, because the choice had been taken away from you. 

The accident hadn't been your fault and nor could you force your bone to heal faster, so for a brief period of time, you had convinced yourself nothing was your fault. For once, you couldn’t be blamed for your own fall from grace. 

But now your bone had healed and if you didn’t give recovery your all, it would be your fault. If there was no triumphant comeback, it would be on you. 

Another thing to fail at. 

Another thing to lose. 

All of which only added to your bafflement over your publicist’s insistence on coming over this morning, in order to discuss ‘a major opportunity’ that wasn’t related to a competition. 

You had originally tried to worm out of it, but your coach had found out and given you the third degree. 

You’re already tired at the thought of it and you don’t even know what it is yet. You don’t want to think about anything but tennis. You don’t have the energy for it. 

In all honesty…you’re hanging on by a thread.

‘Drinking too much’ is a far too casual phrase for how you’ve been living: it has connotations of casualness- a glaring lack of stakes. For you, the stakes are unbelievably high.

You know you can’t afford to become alcohol dependent because even being a functioning alcoholic isn’t an option for you. The only way to function as an athlete—to maintain your career trajectory and the attain the US Open title—is to be at one hundred percent. 

Mixing your painkillers with straight vodka isn’t one hundred percent: it’s a cry for fucking help. Except you can’t let anyone hear the cry, you need to stifle it. 

It’s bad enough that pictures of you being rolled away from your totalled car in a gurney had been plastered over the internet for weeks after the accident. The alcoholic, pill popping tennis pro was a story that would never go away. 

It would morph into an ugly sort of infamy: you’d been in the exclusive club of American sweethearts and heartthrobs who had been hounded so much by the ‘devoted’, that it had driven them to substance abuse to drown out the noise and fortify against the flashing lights. 

So, no one could know. No one.

Which is why, as your publicist pulls into your driveway, you’re rushing to hide a half full bottle of vodka inside a hideously expensive—and also just hideous—vase that had been given to you as an engagement gift.

Two years ago, when your fiancé–and fellow tennis player–had been caught in 4k, kissing a barely legal actress from a HBO teen drama, you’d almost smashed the vase. But, something about destroying a gift from Serena Williams felt like spitting out the ambrosia a god had fed you from their very own hand.

So, while your ring had been thrown into a ravine (best not to dwell on that.) the vase had remained. 

The doorbell rings much sooner than you’re prepared for. Who knew a five-foot-two woman in heels could move so quickly? 

You run over to the door, chewing down on two pieces of gum you’d hastily shoved into your mouth to cover up the scent of alcohol. When you pull it open, you’re met with the stern face of your Publicist, Rebecca. She’s tiny but terrifying, her sharp features framed by a pitch black bob.

Sometimes, it does feel a bit like you’re talking to Edna Mode, but you’d never dare say that.

“Rebecca, hi!” You’re aware the greeting is too happy, and try not to grimace.

When you step back to allow her to enter, Rebecca frowns at you as she passes.

“Why are you fake smiling?” she questions. “Your cast is off, you should be actually happy.”

 You drop the toothy grin, wincing with embarrassment as you follow her into the kitchen.

“I am happy about that, obviously.” You clear your throat, overly aware of how disingenuous you still seem. “What I’m not exactly overjoyed about, is whatever this ‘opportunity’ is.” 

You watch as Rebecca grabs bottle of water from the fridge and then pulls out a stool to sit at the kitchen island. You follow suit, dropping down beside her.

“Well, you should be. I practically had to sell my soul to get them to pick you.”

You level her with an unimpressed look. “Wow, Rebecca, way to raise me up from rock bottom.”

She waves you away. “Oh, please! You hate when I coddle you.”

You huff, dropping your chin into hand and propping your elbow on the counter. “Okay, out with it then. What is it?” 

Rebecca’s cheeks split with a blinding grin. “Nike.” She declares gleefully. 

“Nike.” 

Her smile dampens, disappointed you haven’t burst into happy tears. “Yes, Nike. You know…Just Do It.”

“Yes, I do. I’d just prefer not, you know…do it.”

Your publicist looks just about ready to slap you. “You’re kidding. It’s Nike.”

“Oh, is it? You haven’t mentioned that.”

Rebecca’s frown becomes a scowl and you think about ducking when she angrily snatches up her water bottle. But she doesn’t throw it, just waves it around as she begins to rant at you: 

“Do you know how hard it was to get this?! They wanted Naomi Osaka but I convinced them to go for you instead. And christ knows they were hesitant after the US Open meltdown-”

“We agreed not to refer to it as a meltdown.” You cut in. “My therapist says it has negative connotations that, ‘make me feel a harmful degree of shame.’”

Rebecca scoffs. “You went to one session with that therapist and then fired her because you didn’t like that she drew you a diagram.”

“It was condescending: I’m not five, I don’t need visual aids.”

“Okay, just shut up!” Rebecca barks, smoothing down her still immaculate hair and taking a deep breath. “This isn’t actually up for discussion. You’re doing it.”

“I’m not doing it.”

  ━━━━∙⋆⋅⋆∙━━━━

( Two Weeks Later… )

‘Just Do It.’ 

It’s the first thing you see when you walk into the Nike office for the photoshoot. 

The poster from a past campaign with Andy Murray has been blown up to ridiculous proportions and framed, hanging in on the first wall that greets anyone who enters.

“If they make mine that big I won’t be able to look at it. I’ll actually vomit. ” 

When Rebecca–who is the epitome of a chatterbox–remains silent, you turn you head to look down at her. She’s already peering up at you, worrying her bottom lip between her teeth.

Your eyes narrow with suspicion. “What have you done?”

Rebecca lets out a laugh laced with unadulterated fear. “Okay…so, any minute now you’re going to be super fucking pissed at me and you have every right to be, but remember that as you’ve already signed the contract, you don’t have a right to walk out of here.”

You stare her down, knowing it doesn’t take much intimidation for her to crack. 

You don’t end up needing her to blabber, however, because not even five seconds later, the door you’d just come through swings open and a lone figure enters.

 As you turn, you feel your publicist actually take a step away from you.

“Rebecca, I’m going to kill you.” 

You’re not looking at her as you spit out the threat, your eyes are already boring into the man who’s noted your presence and is lingering just beyond the doorway. 

Your history with Art Donaldson is far from extensive. In fact, while the trajectory of your careers have practically run parallel, the two of you have spoken maybe twice. 

But then, almost two years ago, the U.S Open had happened. 

Still dealing with the fall out of your fiance’s cheating scandal, you’d been in potentially the worst mental space of your life. And yet, you had still made it to the final.

 But, during the match…well you’d sort of lost your shit. And then you’d just lost. It had been dramatic and mortifying. 

Then, with the dust not even close to settling, things had gotten even worse. 

Having just clinched the men’s singles trophy for himself, Art Donaldson had sat down for his live post-match interview and one of the first questions he’d been asked, was about your ‘comportment’ during the final. 

You would never forget his answer: 

'Well, obviously it’s a massive disappointment. In so many ways the match between those two women today was legendary. But it always stings when you see someone get in their own way. Anger like that doesn’t belong on the court: it’s infantile and disrespectful to staff and to the fans. It threatens to overshadow what was otherwise a phenomenal game of tennis for both of them.'

When he had then been pressed for his thoughts on what should be done in regards to sanctions, Art had simply said: ‘I think whatever she’s feeling that made her act that way, is probably punishment enough.’

In a few minutes, Art had made you a subject of scorn as well as unwanted sympathy.  He’d made you sound simultaneously contemptible and pitiable. 

He was right, but he hadn’t needed to sound so sanctimonious when he’d said it. And telling the world your own mental anguish was probably torment enough, was just salt in the wound.

In your own defence, you had gone into the final right off the back of the announcement that your ex-fiancé’s new girlfriend was pregnant. And the dates had made it blindingly clear, that conception had happened whilst you were still with him.

 You’d never felt so worthless or dehumanised. And then, after you’d practically killed yourself playing the match of your life, only to lose, Art fucking Donaldson had felt the need to call out your behaviour. 

‘Anger like that doesn’t belong on the court.’ 

Anger ‘like that’ wasn’t something you’d brought to the competition in your overhead luggage, it was a parasite that had been poisoning your blood.

You’d thought that sort of self-cannibalising rage was in your past, bust as Art starts walking over to you, it rears its ugly head once more.

And he has the gall to smile at you. It’s an amicable, almost anticipatory smile. 

You barely even register when Rebecca ducks away, muttering something about finding the photographer. 

Art calls out your name as he stops before you, the corners of his eyes creasing as his smile intensifies. “It’s good to see you.”

“The feeling is not mutual.” You intone harshly.

Art’s smile doesn’t drop, it just becomes tighter, his eyes sparkling with mirth. “Ah- so you are still upset about what I said at the Open.” 

You glare at him, forcing yourself to stop gritting your teeth lest they shatter. “What could possibly make you think that I wouldn't be?”

Art laughs softly, running a hand through his short blonde hair. “Well, because your coach and your publicist both assured me that you weren’t.”

Those fucking traitors. 

It looks like you’ll be going into tomorrow with only your nutritionist and your physio left on your team.

“They lied.” You reply sharply. 

Art tilts his head, his gaze becoming brazen in the way it assesses your face. “Clearly.”

“Well, obviously this isn’t happening.” You gesture between the two of you. “I’m not doing a photoshoot, let alone an entire campaign, with you.”

“I don’t see why it can’t go ahead.” Art declares casually, his lips tugging upward as he observes your indignation. 

You take a step back, not trusting yourself not to lunge for him.

“Well, it’s a good thing I have little regard for your opinion then, isn’t it?”

Art's brows draw together, some irritation beginning to pollute his easy going demeanour. “You do care.”

“Excuse me?”

“You do care about my opinion, because f you didn’t, you wouldn’t still be this pissed over something I said years ago. 

“Pissed?” You almost choke on the word. “You made me sound pathetic. Weak. You insulted my entire career!”

“I seem to recall saying that your match was ‘legendary.’ Phenomenal, is another word I used.”

If there wasn’t so much anger writhing in your gut, you might have rubbed it in his face that for something he’s outwardly dismissing, he seems to remember what he said about you very well.

You step up to him, closing the distance in two strides.

“‘Whatever she’s feeling that made her act that way, is probably punishment enough.’ You said that about me in front of peers and fans in a live interview that was watched by thousands!”

“You’re telling me you don’t think you were out of line?” Art challenges, crossing his arms over his chest and leaning in. 

You know he’s not wrong: it hadn’t been your finest hour. In fact, the morning after, with your behaviour laid bare in the cold light and already being picked over by commentators and tabloids, you had been able to acknowledge it may very well have been one of the worst hours you would ever have. 

But you’d rather die than acknowledge that to Art.

“Oh, that’s fucking rich coming from you!” You hit back disparagingly.

Art’s fingers dig into his arms. “What does that mean?”

“It means you’re a hypocrite, Art. I watched your match against Patrick Zweig at the…what was it- Phil’s Tire Town Challenger? Someone recorded it from the stands. Tell me, what emotion were you bringing to the court when you yelled ‘fuck you’ at him across the net?” 

“You have no idea what you’re talking about.” 

“I’m not proposing a thesis, Art. This isn’t up for debate. I’m just telling you what I saw. And it seems to me, that you have some fucking anger issues of your own, so quit chewing me out over mine.”

“Chewing you out–” He splutters, his cheeks flushing with outrage. “Wow, you really do have a victim complex, huh?” 

“Fuck you!” You seethe.

Your exclamation doesn’t dissuade Art, instead he gathers momentum: 

“You’re acting like I should fall to my knees and beg for forgiveness over an entirely reasonable answer I gave to a question about your piss-poor behaviour. But I didn’t make you launch your racket across the court or cuss out the line judge. You’re not a tragic woman, or some wronged heroine, you’re a grown woman throwing a tantrum because I wasn’t very nice about her in an interview, two goddamn years ago!” 

“Well, I’m a bitch and you’re a hypocrite, looks like neither of us should be tennis’ poster child.” You snap, pushing past him and heading for the door. 

There was absolutely no chance you were doing this photoshoot. Nike could give Naomi Osaka another call. 

Just as you’ve got past him, Art is following you, snagging your wrist with his hand. “Hey! I didn’t call you a bitch.” 

“Don’t worry, I’m not going to tell anyone. Badmouthing people in public forums is your move.” 

You yank yourself out of his hold and with his eyes burning into the back of your head, you leave Art Donaldson alone in the lobby. 

  ━━━━∙⋆⋅⋆∙━━━━

( Three Weeks Later… )

In the intervening weeks since your confrontation with Art, you have discovered just how airtight employment contracts can be. 

Nike should really give their lawyers a raise, because you have been assured that there is more chance of you sprouting wings, than being able to get out of the ad campaign. 

You’d been forced back to the studio a week later with your tail between your legs, but while you’d felt genuinely apologetic over the inconvenience caused to Nike’s team, your fury at Art had only compounded. 

Thankfully, the feeling had been mutual and the two of you had passed the entire shoot in utter silence. Neither of you had offered up so much as a hello or goodbye to the other, and while it had clearly been painfully awkward for everyone around you, it had worked out quite well. 

Unfortunately, you and Art had been called back for a day of what they were calling ‘action shots.’

Which is why you’re currently at a country club, dressed in all of Nike’s new gear, being forced to actually play tennis against Art. 

If it was anyone else, you would already have drawn attention to the fact that your wrist is in excruciating pain, but you refuse to falter in front of him. 

Besides, as much as you’re loathe to admit it, playing against Art is exhilarating. 

The team have just called for a break and somehow, despite the innumerable people that have been buzzing around you for the entire day, you and Art suddenly find yourselves alone at the side of the court. 

You’ve done well at remaining civil with each other, but that’s only because you only said ‘hello’ and ‘ready’ before you’d started playing.

Unfortunately for you, Art seems to be in the mood to antagonise.

“I don’t get why this is making you so miserable.” Art says, dropping down onto the bench beside you with a shit-eating grin on his face. 

You hold up the can in your hand, fingers biting into the condensation slick metal. 

“I specifically asked for Tangerine La Croix and they’ve given me Pure.” You mock. You couldn't care less about what you’re drinking.

“Funny.” Art deadpans. 

“And here was me thinking you’d jump at the chance to call me a diva.” You answer, donning a smirk of your own.

“You’re being ridiculous.”

Some genuine anger colours Art’s tone and it only feeds the fires of your own.

“What?” 

Art grabs the can from your hand and maintains eye contact as he steals as a sip.

“You refuse to let go of a few critical, but very valid sentences I said about you in that interview and you’ve used them to construct a narrative about my dislike for you. I don’t dislike you.”

“Oh, you don’t? That’s good, because this amicable exchange is really making me feel all warm and fuzzy inside.” 

Art groans, slumping back on the bench. He manspreads so wide that his knee knocks into yours. 

“Can you not just enjoy yourself? It’s a beautiful day and we’re being paid to do what we’re great at.”

You wrinkle your nose and try to snatch back the can, but Art tightens his grip and the metal crumples as you both tighten your hold. 

“Yeah, well, not everyone gets off on having their face on a billboard.” You sneer, almost falling back when Art suddenly lets go of the can.

It’s practically empty and completely deformed, so you slam it down onto the empty space beside you.

“How do you know that I do?”

“What?”

“How do you know that I get off on it?” He repeats glibly.

“Because, you’ve clearly wanted to retire for years and now that you have, you can monopolise on the popularity that your wife built up for you and live off clothing lines and ads for the rest of your life.”

“Being great at tennis built up my popularity.”

“Oh, don’t tell me you actually believe that, Art? So many phenomenal players go widely unknown for their entire careers. You are only The Art Donaldson instead of just plain old Art, because Tashi Duncan made you a brand. She’s responsible for your legacy.”

“She didn’t make me.”

“Maybe not, but she did mould you into what you are. You would have been just another generic Stanford whiteboy if she hadn’t decided to give you fucking form.”

“You talk about her like she’s God.” 

“Are you telling me that’s not what it feels like when her attention is solely on you?” You challenge, but you don’t wait for an answer. “You know, I actually played her quite a lot when we were teenagers– we always ended up being us against each other in finals– and even then…it was like trying to play against an elemental force. Every time, without fail, there was a tiny part of me that just wanted to fall to my fucking knees in front of her. But I never did, instead it made my game better. She made my game better. Tashi put all she had into you after her injury, the least you could do is acknowledge what she’s done for you.

“You don’t have to tell me what I owe my wife.”

You scoff, rising to your feet. “I’m telling you what you owe your coach.” 

You don’t actually know where you’re going as you walk away, only that you need it to be far from him.

  ━━━━∙⋆⋅⋆∙━━━━

( Two Months Later… )

At the launch event for Nike’s new line, you’re standing in front of the massive poster that’s at the forefront of the campaign and swallowing down bile. 

It’s a great picture, you’ll give them that: Your feet are practically lifting off the ground as you throw up the ball for a serve, your expression is contorted with a ruinous passion that portends some sort of violence. And across the net, there’s Art: he’s dropped into a crouch, ready to pounce once you send the ball his way. In the face of your fury, his anticipation comes fitted out with his signature smirk. 

It’s not just a great photo, it’s phenomenal.

 You want to tear it off the wall. 

You’re on the verge of asking anyone if they have a pen so you can scribble over Art’s face, when the man himself appears beside you. In your peripheral vision you catch a glimpse of his sleek, all black suit, but you don’t turn to look at him. 

“I’m not sure you’d get away with defacing it in front of so many people.” 

Trying to suppress your eye roll would be a fruitless endeavour, so you turn to face Art, forcing him to bear witness to your indignation. 

“You should know by now that I have little regard for decorum. You certainly like commenting on my lack of it.”

“I thought you’d still be hung up on that.” 

“Yeah, well, some of us have follow through.” You give him a venomous smile. “How is retirement treating you?”

“Ah, I should have known.”

“Known what?”

“You see retirement is quitting. So, you’ll force yourself to continue well past the point you should, your game will get shittier and shittier, so by the time you’re forced to quit, people will be pitying you instead of remembering how phenomenal you were.”

There’s a compliment in there, but you’re not feeling generous of spirit enough to pluck it out of the insult. 

“I know when to stop, Art. It’s just not now.” You answer coldly.

“Okay, when? Like- give me your timeline. You must have thought about it.”

“Not yet.”

This answer seems to really frustrate him and he just stares at you, a muscle in his jaw feathering as he grips his champagne flute. 

“Do you think I didn’t notice how much your wrist was killing you when we played each other? Are you really going to wreck your body out of stubbornness?”

“You know, Art, what you did wasn’t bowing out at the perfect time, it was cowardice. You skipped right to the curtain call when you still had a last act left to perform. You never got that US Open trophy, did you?” 

Art sighs, his gaze moving back to the photo of the two of you. "Yeah well, something tells me you won't either. Have a good night."

Then he's backing away, his stare lingering on you even as he lets the crowd reabsorb him. 

  ━━━━∙⋆⋅⋆∙━━━━

( One Month Later… )

Had Tashi Duncan not been one of the people in your life that you most respected and admired, you wouldn’t even have considered attending the fundraising gala for her and Art’s foundation.  

But you were, quite frankly, obsessed with her, so of course you had come.

 Sitting in an uncomfortably tight dress at a table of people you don’t know and with a fair amount of alcohol circulating through your system, is quite possibly the most painstaking thing you’ve ever gone through.

Apart from the car crash. That had been pretty bad. 

But you’re adamant you won’t think about the car crash tonight, or the fact that, somehow, your wrist seems to be getting worse; devolving to a state more dire than when the cast had first come off. 

The meal—which you hadn’t been able to stomach—had come and gone and now the auction is beginning. Tashi is up on the stage, dazzling in the way that only she can and Art is standing at the bottom of the set of stairs that lead up to the platform.

Unfortunately, your table is very close to the front and you’re positioned right in his eyeline. 

Art keeps stealing glances at you with an emotion you can’t place. You had tried to switch seats with the man across from you, but the asshole turned out to be a real stickler for assigned seating. 

If only to distract yourself, you whip out your phone, resting it in your lap beneath the table.

The moment you open up Instagram, your heart drops into your stomach. 

You thought you had expunged any remnants of your ex from your life, but it seems you’ve missed a mutual friend on Instagram, one who has just reposted his engagement announcement with his girlfriend and mother of his now one year old daughter. 

That bastard has broken your heart and wrecked your head, but while your life just keeps getting worse, the universe has seen fit to bless him with everything he’s ever wanted. 

The auction is already in full swing when you rise clumsily from your seat and weave through the tables, heading for the closest exit. 

It’s only as you push open the door and begin to sway, that you realise you’re actually quite tipsy. You might have drunk a little too much before you’d left the house. 

It’s freezing outside, but you can’t face going back for your coat, so, unsteady on your feet, you flee into the extensive gardens that surround the estate that’s acting as the gala’s venue. 

You walk well past the point where the lawn lighting disappears and clamber over a fence that has ‘restricted area’ prominently posted in front of it.

You don’t know where you’re going, but as you stagger down the hill, your sadness is alleviated very slightly by the sight of a massive pond that you’re sure is beckoning to you. 

You kick off your heels and drop down onto the bank, quick to put your feet into the water. Once you’re settled, you retrieve your hip flask from your clutch and begin to guzzle vodka in earnest.

“What the hell are you doing?!”

You turn and you find an incensed Art striding towards you. You’re more than a little delighted by the sight of mud splattered over the polished surface of his shoes. 

“I was having some time to myself.”

“You needed to walk all the way down here to get it?”

You laugh caustically, gesturing at him. “Well…no. Obviously I should have walked even further away.”

Art huffs, entirely unimpressed. He takes a few steps further down the bank and holds out a hand beckoning you over.

“Come on, you need to come back inside.”

“Why is that?”

“Because, you offered tennis lessons with yourself as an auction item and you’re up soon. You need to be on stage.”

Ah. You’d forgotten about that. 

“Why do I need to be seen? It’s not like they’re buying me.”

“You still can’t stay in there. Get out.”

“I’m not in it, Art. I’m just dangling my feet in the water.”

“Well, you can’t ‘dangle’ your feet in there, it’s a pond not a swimming pool.” 

“I can’t?” You feign a bafflement as you look at your feet, submerged in the murky water. “I sort of already am?”

Art moves even closer but falters, his bright eyes becoming an invading force: his gaze takes hold of your edges and peels them back.

He can see inside.

“What’s wrong?” He probes, the harsher edges of his previous words now nowhere to be found.

“At the moment, it’s you.” 

“You’re drunk.”

“I’m not actually, but I’m getting there.” 

Art’s eyes flick to the metal object glinting in your hand. “Is that a hip flask?” 

“What a keen eye you have.” You mutter sardonically.

“Okay, I'm serious now, get out.”

“Oh, he’s being serious!” You mock, rising to your feet.

 But you don’t move away from the pond. Instead, you turn and start walking backwards into the water you wobble when your bare feet sink into the mud, icy liquid seeping into the thin fabric of your silk dress.

Art lunges forward, closing the distance until he’s standing at the edge of the water. His hand darts out and he grabs your forearm. 

“You’re too close to drunk to be near a body of water, let alone in one. You’ll drown yourself.” 

Art plucks the hip flask from your fingers with his free hand and tosses it into the grass behind him, all without taking his eyes off you. 

Then he seems to actually register where his hand is. He’s still gazing into your eyes as his thumb brushes over the scar above your wrist. 

“Compound fracture.” You say on a bitter breath. “The bone went right through. Fucking drunk driver. Funny that, isn’t it? He crashed into me, fucked my career probably permanently and then I became a drunk to cope.”

Some of the hardness in Art’s expression melts away, but it pools into the bags beneath his eyes and the shadows beneath his cheekbones, making him look almost distraught. Once you realise it’s sadness--no, pity--for you, you wrench your wrist out of his grasp and wade further back into the pond. 

You gasp, shocked as the frigid water wraps around your legs in an eager embrace. It’s like it’s clinging on, wanting to keep you forever. 

You find the thought of it quite peaceful.

You think on Art’s words from months ago: he’s right, about you being too stubborn to know when to stop. You won’t retire until you’re physically falling apart.

 But what if you just sink down into the water right now? You’d disappear and the memories would be of a great player gone too soon.

God, you didn’t realise you had such a large ego that you’d consider letting yourself drown just to save face.

Art is beyond unimpressed now. He’s furious. 

“Get out.” You just smile at him, stepping further back. The water reaches your navel and you let your fingertips skim over the water. “I’m not kidding, get the fuck out. Now.”

“Will you just back off!” You erupt. “We’ve done the campaign, we’re not friends, there’s no reason for us to be involved.” 

“None of that gives me a reason to leave you alone out here.”

“Why not?!” You protest desperately. “It’s not the ocean, I can’t be swept out to sea!”

“Get out of the water.”

“No.” 

“Get out.” 

“Get fucked.” You hit back, letting yourself sink back into the water. 

As you move to float on your back, another frantic laugh bubbles up as you're enveloped by its icy grip. Your dress becomes heavier, a five thousand dollar weight around your body, urging you to sink lower.

You turn your head to the side so that you can see the surface of the water:

This far out of the city, the stars are no longer choked by smog and so are able to tear through the darkness. The water perfectly mirrors the sky, so much so that it’s like you’re swimming in the cosmos. If you open your mouth, you could take some of it into yourself. 

You had struggled to get out of bed this morning, but now, in the quiet night, you have the chance to swallow a thousand stars–

Impudent splashing disrupts your peace. 

Your head shoots up, water running in eager rivulets off your hair as you watch wide eyed, as Art drops into the water. His jacket and shoes have been discarded on the edge of the bank. 

“What are you doing?”  

Art doesn’t answer, instead he drives through the water towards you, his strides producing ripples that disturb the reflected constellations. Shooting stars. 

You’re not very far out, so just as Art closes in on you, you plant your feet on the muddy bottom of the pond and stand up.

The fabric of your dress is dark and slick against your body like an oil spill. The breeze blows a tentative breath against you, causing your skin to pebble and your nipples to harden.

Art reaches for you but your hand flies out and you swat him away.

You push yourself further out, giggling at his expression as the water comes up to your chin. 

Then Art’s diving after you, the white material of his shirt submerged in the water. 

“Art, this is a pond, not a swimming pool.” You tease, amusement blooming.

In fact, you’re relishing the sight of his arms pushing through the water so much, that you forget to make another escape attempt. 

Before you know it, Art is right up in front of you, his breath coasting over your face as he wraps an arm around your middle beneath the water. 

You drive your feet into the mud, your smile growing as he looks exasperatedly up at sky. His fingers press into your side.

“This is so beyond funny.” He grouses, trying and failing to tug you closer.

Seeing as you’re not actually drunk, you’re not sure what comes over you, but you’re seized by a giddy, childlike urge. 

You decide to give into it.

Art’s eyes widen slightly as you rush forward, pressing your chest right up against his. Then, you place one hand on each of his shoulders and push.

There’s a brief moment, where your face rises above Art and he gazes up at you, droplets of water rolling off your face and onto him. He’s looking at you in the same way you had been gazing up at the stars. Perhaps you’ve become one of them. Wouldn’t that be something?

Art realises too late what you’re going to do. 

“Don’t you dare–”

You push all of your weight onto his shoulders and dunk him into the pond. His head goes under, short blonde locks floating up in the water.

You immediately let him go and when he comes up, spluttering for air, the hand not on your waist winds around the back of your neck, threading into the hair at the nape of your neck. He pulls you flush against him again.

When he speaks, it is a whisper you feel against your cheek. “You’re such an asshole.” 

Your hands fall onto his waist beneath the water. “I know.” 

You shriek as Art tips you back, his hand still cradling the back of your neck as he dunks your head into the water in retaliation. It feels like a baptism. 

When you come back up, he's chuckling as you gasp for air. 

“I had to do that.” Art defends.

 He notices you scrambling to push soaked strands of hair out of your eyes and proceeds to help you, his hand brushing over your cheeks and forehead before returning your sight to you. 

“I feel like you didn’t have to.” You splutter, fighting back a laugh of your own. 

You’re suddenly glad for his grip on you- you’re far too flustered to stand firmly on your own two feet. 

Art’s cheek’s dimple as he smiles, shaking his head at you. Your breath hitches. 

When he’s unencumbered by negative emotion…Art shines. 

He leans in again, his lips grazing the shell of your ear: 

“Don’t start something you’re not prepared to finish, sweetheart.” Your breathing becomes even more laboured as he draws away, his nose briefly dragging against your cheek. “Now…get out of the goddamn pond.” 

And then he’s pulling away, leaving you gaping after him as he moves back towards the bank.

 His touch is an absence you really wish didn’t feel so profound 

“Spoilsport.” You grumble. But you’re already moving after him. 

The alcohol you did have in you has disappeared; shocked out of your system by the frigid water and the feel of Art’s hands.

 You wade back towards the bank, your hip flask is nestled in the grass and glinting seductively in the moonlight. 

With Art’s back to you, you let yourself stare as he drags himself out of the water. His shirt is stuck to his body and entirely see through, settling into the ridges of his muscled chest. The moon’s light shines through the fabric hanging from his sleeves, making it look like the membrane of wings.

As Art kneels on the grass, you blink rapidly as if he’s a vision you can dispel from your sight. 

You can acknowledge he’s attractive- you’re not blind– but you can’t abide the yearning arising within you. You don’t have room for that in your life, for anyone, but especially not for him. 

You finally reach the edge of the bank and then Art is kneeling at the edge, holding a hand out for you to take.

You consider him for a moment and process the newfound ease on his face. He seems almost serene. 

You fight off a shiver that you blame on the cold and ignore his outstretched hand, pulling yourself out of the water unaided. 

“Really?” Art bites out irritatedly, watching as you wander over to your hip flask and sit down right beside it. You take it into your hand and unscrew the cap. 

When you bring it to your lips you look right into his eyes. “Really.” 

You throw your head back, the path the vodka burns down your throat is a welcome discomfort. You had felt far too peace just now, floating in a sea of stars with Art. 

But those weren’t stars, just a reflection of them. It was a trick. Nothing that could ever be real. 

When you drop the now empty flask into your lap, there are tears in your eyes. 

When was the last time you’d felt even close to the happiness you’d found in that water? 

It wasn’t real.

A traitorous tear is already rolling down your cheek as you drop your eyes to your hands. 

“Hey.” Art says softly. He kneels down beside you, one hand on your soaked back as the other plucks the flask out your lap. “What’s wrong?”

You make a noise that’s half sob, half laugh. “I already answered that question.” 

“Yeah, except I know you’re full of shit.” When you look up at him, Art’s frown becomes something gentler. “I know I’m not your problem.” 

You scoff, shoving his chest. He sways backwards, but drops down onto his knees, planting himself on the ground beside you. His hand is still on your back.

“Yes, you are actually.” You answer nastily. “You really are.”

“Just tell me.” Art whispers, ducking his head into your field of vision so you’re forced to look at him. His free hand settles on your cheek. “Tell me what’s wrong because this…is sort of scary.”

You lift your hands and clasp his cheeks, digging your fingers in. You’re overcome by a violent impulse to tear into his skin. 

It would be far easier to draw blood than confront how you’re beginning to feel about him. 

“Aww.” You croon. “Did I scare the poor little baby?” 

“Stop it.” He scolds. His hands move to grasp your wrists but he doesn't pull you away, not even as you press your nails further in.

But you won’t stop- can’t stop. Your feelings have become spiteful and unruly, running away from you at a pace which you can’t hope to match.

You can’t take the strain. And because Art is the contributor to that is closest to you, it’s him you’re going to lash out at.

“No, really, I didn’t think you’d be such a pussy.” You forge on, spewing venom. “I scared you by getting in a pond? Grow the fuck up, Art.”

But Art doesn’t rise to it. His jaw doesn’t clench and his grip on you doesn’t tighten. 

“This isn’t okay.” He says, tentative but assured. “You’re not okay.” 

“No, I'm not!” You snap wrenching your wrists free. “But it’s got absolutely nothing to do with you.”

You try to rise to your feet, but Art doesn’t let you. He moves so he’s kneeling either side of you, his legs pressing into your thighs as his hands fall onto your shoulders. You can feel in the way his fingers press into you that he’s fighting the urge to shake sense into you. 

You look up at him, slightly startled by his forcefulness. His back is facing the moon now and his drenched body is limned in silver. 

Before you can berate yourself for even thinking about it, you’re winding your hand around his tie and dragging him down, smashing your lips against his. 

You shouldn't be doing this, a large part of you doesn’t want to, but it feels like the only way to purge yourself of him. And what kills a bacteria faster than blazing heat?

Art lets out a warning groan, but your teeth nipping his bottom lip is all it takes to have him leaning in. Even your kiss feels like a fight, battling each other for control, pressing with bruising force.

Art crowds over you, guiding your back against the grass.

You let yourself fall. 

As your back presses into the earth, one of his hands settles on the side of your neck as he drags the other up your leg. When he peels up the sodden material of your dress, his hand exploring your thigh, the cold air bites tauntingly against your rapidly heating skin. 

Your hard nipples brush against his soaked t-shirt and the feeling is so tantalising, that you find your back arching, pressing yourself into him and chasing the sensation.

When you let out a moan into his mouth, Art draws back as if some unseen hand has pulled on him.

He’s still agonisingly close, his lips a hair's breadth away as he gazes down at you through heavy eyelids, water droplets running down his face from his hair. His breathing is ragged.

 Art’s eyes close and with his sight lost to him, his lips drift closer to you again and his teeth nip at your chin. After placing a ghost of kiss over where he’s bitten, he takes a deep breath.

Then his eyes open, and his expression is blank. It makes you feel sick.

You’re burning up with want, but you can already see the realisation of your transgression settling into the very bones of Art. He’s about to spurn you, disdain no doubt working its way to the surface. So you have to get there first. 

“Poor, sensitive Art, scared by a kiss.” You goad. The words are forced out and they feel malformed on your tongue. “Don’t worry your little head over it, it doesn’t mean anything.” 

Art drops his eyes from you, shaking his hand as he pushes himself off up. 

“Nice try, but I know what you’re doing.”  

He mumbles it and doesn't give you a chance to acknowledge it befores he’s on his feet and walking away. 

Tears prick insistently at the back of your eyes but you force them back, pressing the heels of your thumbs into them until it hurts. 

You sit up, feeling leaves and blades of grass sticking to your exposed skin.

You feel the air shift behind you, and are startled when you peer over your shoulder and find Art standing at your back. He has his shoes back on and is gripping his dry jacket far too tightly. 

You find your voice, but it’s weak: “What am I doing Art?” 

He doesn’t meet your eye, instead he opens up the jacket in his hands and settles it over your shoulders. You sit there, stunned as he tugs it around your body. Then he leans down and over your shoulders, his breath on the side of your face as he deftly buttons the jacket up. 

Art encloses you in the dry garment that carries the scent of him. 

“You’re doing the same thing as me.” He says quietly. It sounds almost painful for him to talk. “Running away. I guess we’re both cowards.”

And then he’s gone, marching back up the bank without another word.

You’re left sitting there, wrapped in his jacket and staring out at the pond. 

Not the night sky. 

Just a pond. 

  ━━━━∙⋆⋅⋆∙━━━━

( Three Months Later… )

After your cast had first come off, Wimbledon had felt like an intimidating but still far off thing; a dark shape on the horizon, but one you had to squint to see. But then it moved closer, barreling towards you like a bat out of hell. 

You’ve made great progress in your recovery, you really have…but all your extensive physiotherapy hasn’t been able to heal the nerve-damage you’d turned out to have- at least not in a timespan that’s workable for a professional athlete. 

You’re done. Tennis career over.

And your worst fear has come true: it hadn’t been your choice. Injury has forced you out and the public discourse is rife with commiseration and useless, positive platitudes. 

Art has been proved right. Everything would be so much better had you known when to quit. You had preferred ridicule to this. 

But until you’d come to Wimbledon, it hadn’t really sunk in yet: you hadn’t had the moment of finality. 

What closure has ended up feeling like, is the final nail in your coffin.

As you had watched the first matches of Wimbledon from the stands, Rebecca glancing at you constantly–presumably to check you weren’t about to burst into tears–you had felt as though you were being buried: each serve and volley another hand tossing dirt on top of the coffin, sealing you beneath the ground for good. 

At least one part of your day has been successful. You have completed the challenge you’d set for yourself that morning, which was to not drink any alcohol until the evening.

 It has been excruciating.

Evidence of your victory lays in your trembling hands as you fit your keycard into the door of your hotel room. You’re desperate for what you know sits waiting for you on the other side. 

But then, just as the lock mechanism chirps to let you know you’ve been granted entry, someone calls your name.

Your keycard is left in the door as your fingers fall away from the handle and you turn to face Art. He’s stopped himself a safe distance from you and is gazing at you with what looks like…relief? 

Of course you knew he was at Wimbledon–you’d narrowly avoided crossing paths with him a number of times already today–but to hear his voice and having his probing stare directed solely on you, is as debilitating as you remember. 

You haven’t seen each other, or even spoken, since the night by–or rather in–the pond. 

The only place the two of you are still together in any capacity, is on the Nike billboards that are still occupying space throughout the world.

And as if Art’s thoughts align with your own, he says: 

“You pull an impressive disappearing act.” He steps closer.

“That suggests you went looking for me.” You counter, pleased with how detached you sound. “We both know you didn’t.” 

“No. I didn’t.” Art replies frankly. 

“So I didn’t disappear, did I? You just couldn’t see me.”

Art moves towards you some more, stopping an arms length away. 

“It felt the same.” He utters lowly. “You were gone.”

You shrug halfheartedly. “So were you.” 

Then you press your back into the door, fingers seeking out the handle, shaking now for a reason other than alcohol withdrawal. 

You really don’t know if you’re running away or urging him on, but when you push open the door and duck inside, you do know that you’re not angry when he follows. 

You put your back to the hallway door, expecting Art to move past you and head into the suite, but he doesn’t. At least not right away. Instead, he stops right in front of you, looking down at you as the door swings shut. 

You would barely have to lift your hand and you’d be touching him.

You hate that he looks so good. He’s in simple navy dress pants, a white shirt sitting snugly on his chest, the top few buttons undone. 

The two of you stand like that for a minute or so, and just as you realise that your breaths have practically synchronised, Art is moving away from you and wandering inside. 

It’s only then, as he ventures deeper, that you remember what you’ve been so eager to get back into the room for. You curse yourself, letting your head fall back against the wall behind you.

Even if he hadn’t already seen them, it would be too late for you to hide the line of alcohol minis that you’d gathered from the bar cart. 

You’d set them out earlier, the process almost meditative. It had been a promise to yourself: get through the day without drinking and you can have all of these once you’re alone.

But now they’re standing out in the open, displayed on the nearby desk like pieces knocked off a board in a game that you’ve been playing against yourself. 

You watch helplessly as Art walks right over to them, his hands in his pockets. Your face flushes with shame.

Art cranes his neck back to look at you. You’re still pressed against the wall, afraid that if you take one step closer, you won’t be able to stop yourself from taking ten more. And you don’t want to be close to him when his face shifts into pity or revilement. 

“You planning on drinking all of these?” Art asks, turning back to the bottles as if he knows his gaze is steadily undoing you and wants to grant a reprieve.

Eased slightly by the remarkable placidity of his tone, you’re able to answer calmly. But you still don’t move. 

“That was the plan.” 

Art lets out a non-committal hum. “Why?” 

You laugh awkwardly, wringing your hands together. “I don’t know, why does anyone drink?” 

“I don’t care about anyone, I'm asking about you.” His voice is firm, but the foundation of it is something less solid. His words shake on the way out. 

You’re overcome with the urge to be honest. It’s actually a lot easier when he’s not looking at you. 

“I drink because at some point in my life, every tiny thing became really difficult- like, embarrassingly difficult, to the point where I feel like a child again. And it turns out that ineptitude is easier to bear when you feel like you’ve imposed it on yourself. I drink because it makes me feel helpless…but, helpless by choice.”

The confession hangs suspended in the air, a horrifying, complicated marvel- like a beautiful butterfly now dead and pinned by its wings to a board. 

Art speaks into the silence, his back still turned to you. “Do you want to forget? Is that part of it?” 

“Forget what?” You’re struggling for breath now, his presence drawing all of the oxygen from the room.

He half-turns his head, blue eyes settling over you once more. “All of it.”

“There’s not enough alcohol in the world for that.” You say morosely.

You have learnt that getting drunk doesn’t rid you of all the thoughts that torment you in sobriety, it just pushes them further to the back. Even if you drink so much you can barely walk, the thoughts remain, banging on the barrier and demanding to be let back in. 

Art doesn’t respond to that. He turns back to the little bottles and you watch as he reaches out a hand and knocks over the one closest to him. He pushes it forward, sending them all toppling one after the other like dominos. His eyes are set on them as they roll around on the table, a couple falling onto the plush carpet. And your eyes are set on him. 

Then, he finally turns to properly face you, knocking the fallen bottles with his feet as he leans back against the table and crosses his arms against his chest. 

He’s waiting, you realise. Waiting for you to speak. Waiting for you to make the first move. Wanting you to come to him. 

You push off the wall and start walking towards him. “Why did you follow me in here, Art?”

He sighs, the corner of his lip pulling up with a melancholy smile. “Because you make me feel helpless.” 

That almost stops you in your tracks, but you recover quickly, barely a footstep faltering as you advance on him. Your heartbeat is a warning drum in your ears.

Once you reach him, Art widens his legs, allowing you to step between them.

As you settle your hands on his thighs, his duck beneath your dress and come to rest on the bare flesh of the back of your legs. He draws you closer, making you fingers dig into his trousers to steady yourself. 

You sigh, your eyes fluttering shut as he leans forward, brushing his lips against your exposed sternum. 

You’re still flushed and sweating from the uncharacteristically blazing English sun and you shudder as Art’s tongue darts out lapping at the moisture there. 

You rock forward, placing your chin on the top of his head, inadvertently pressing his mouth further into your skin. His lapping tongue turns into kisses, kisses that travel down onto the swell of your breasts and into the valley between them.

Even when he reaches the fabric of your dress, he doesnt let it stop him: Art’s lips close around your clothed nipple, wetting the thin fabric with his saliva. You let out a breathy moan into his hair as he moves onto the next one. 

As Art works his mouth against you, you push your hands higher, letting your fingers brush the bulge in his pants before they’re settling on his belt buckle. 

He says your name, each movement of his lips searing into your flesh. 

“Do I make you feel helpless?” He asks, his hands moving up to curl in the sides of your underwear. 

“No, Art. You don’t.”

As you undo his fly, he begins to pull your underwear down.

“Why?” He closes his mouth around your breast and bites down just enough to make your breath catch in your throat. 

You remove one of your hands from his crotch and use it to grab the back of his neck, you pull him away from your chest, forcing him to look up at you as your other hand disappears into his trousers, palming his hardness.

Even as you step out of your underwear and kick it away, you’re starting to stroke him. His mouth falls open, sucking in a breath as gazes up at you as if you hung the moon.

“How could I feel helpless?” You goad, leaning in and resting your mouth beside his ear to whisper. “When I have so much power over you?” 

Art’s initial answer is to buck up into your hand, chasing the friction you’re moving too slowly to give him, but when you laugh at his desperation, he’s surging up, wrapping his arms around your waist and spinning you.

In a flash, you’ve taken up his position: ass resting on the edge of the desk. 

Before you can catch your breath, Art has his hands on your knees and is spreading your legs, exposing your bareness to him.

But apparently he still hasn’t got you where he wants, because his fingers then wrap around the back of your legs and he lifts you, placing you further back onto the wooden surface. More bottles roll off the edge and drop into the carpet. 

Then, finally, Art’s eyes meet yours. His smirk makes a return. 

“So…” He begins, his hands gathering up your dress and leaving it to bunch up at your waist. “I have absolutely no effect on you? None at all?”

“No-” You can’t even finish your thought let alone the word before his fingers are running through the wetness between your legs. Your instinct is to shut them, but his hips are in the way, so you only succeed in holding him firmly in place. 

You are left to stare as he lifts his hand up, evidence of your arousal glistening on his fingers. Then, slowly enough that he can watch the realisation of what he’s doing dawn on your face, Art takes his fingers into his own mouth.

His eyes meet yours and do not shift away for even a second as he licks your wetness from his skin. 

The tightness in your belly becomes almost too extreme to bear, and a throbbing begins between your legs. 

“I want you to ask.” Art says, his fingers–now wet with his own saliva–drawing circles on your inner thigh. “I want you to ask me to fuck you.” 

“I thought you were here because I make you feel helpless?” You try to sound taunting, but your voice is ragged with want. “Now you want to be in control?”

Art leans down and you expect an abrupt, bruising joining of your lips, but instead he kisses you slowly, tenderness in every gentle movement. His mouth is is still aligned with yours as he answers: 

“It’s not about control, sweetheart. I just want to hear that you want me as much as I want you.” 

You begin to kiss along his jaw, your sentence formed with words cushioned between the press of your lips:

“I want you to fuck me, Art.” 

Art's fingers curl around your jaw, bringing your lips back to his as he frees himself from his pants with his other hand. Your kiss is languid but rapidly growing with force, passion driving pleasure ever closer to point of pain.

“Condom?” Art questions into your open mouth. 

With his fingers digging into your chin, you can't shake your head so you’re forced to gather enough of your wits to speak again:

“Birth control.” 

“Okay.” Art pecks your lips before lifting a hand and spitting onto it. Then he’s fisting himself in his hand and pressing inside of you. 

Your legs immediately wrap around his waist, hooking together to pull him in even further. 

Art lets out a shuddered breath, his head dropping to your shoulder as he settles himself inside of you.

He kisses and licks across your collarbone, only stopping when he comes across the thin strap of your dress. With a little growl, he takes it between his teeth, tugging it back and then letting it ping back into your skin. 

You laugh, still adjusting to the feel of him inside of you as you move to pull down the top of your dress. But Art has other ideas. He stops you with a slow thrust, rolling his hips just enough to have your hands wrapping around his neck instead. 

“Let me do it.” He’s giving a command and yet it sounds like a grovel. 

Then, in unison, his fingers find the straps of your dress and he’s pulling them away, tugging the bodice down and exposing your breasts to him completely. His hands fall onto them immediately, palming the supple flesh and lifting them up higher so that he can kiss them even as he begins to rock into you. 

Just as your heartbeat begins to find some sort of rhythm again, Art pulls out of you almost completely before driving back in. Your breath is knocked out of you and as he begins to thrust with controlled rapidity.

Your hands fall to his still covered ass and dissatisfied with the lack of contact, you push your fingers past the waistband and dig your nails into his naked flesh. 

Art moans into your neck, clamping down with his teeth as he picks up his pace yet again. 

“Art-” You call out, lost in the press of him inside you. 

The table begins to shake so much that it’s slamming against the wall, the noise perfectly aligning with the sound of your hips slapping together.

“Tell me this doesn’t make you feel out of control.” Art pleads, his movements growing frenzied. 

By this point you can hardly think straight, so you give in, his statement going unanswered as your head is thrown back in pleasure. Art chuckles, licking up the column of your neck. 

“I think I got my answer.” 

“Shut up.” 

When Art laughs at you again, you remove your hands from his ass and grip his face instead, drawing his lips back up to yours. He opens wide, panting into your mouth before your tongues start to move together.

You stay like that, mouths joined and breaths shared as his thrusts become messier,  his hands on your back beginning to tremble.

But you’re not close yet and he knows it. He reaches between you and presses his thumb into your sensitive bud, applying enough pressure that, combined with him driving into you, has you quickly coming undone.  

You break the kiss, crying out as your body is wracked with convulsions. 

Art smiles, his eyes drooping closed as he chases his own release. And it doesn’t take long. You’re still coming back to yourself when his hips stutter and his fingers dig into you. He lets go, spilling inside you. 

You both go still. You press your face into his chest–his shirt now dappled with spots of sweat–as he places a kiss on the top of your head. 

You’re both breathing heavily, reeling in the wake of your joining when your phone–tucked into your purse that you had dropped by the door–begins to ring

Still inside you, Art shifts, pressing closer as his lips begin to kiss a path down your cheek. “Don’t answer it.” 

You lean back just enough to meet his eye and smile. “I’m not going to answer it.” 

Art matches your grin as he leans down and gives your lips a peck. “Good. Because I’m nowhere near done with you.”

[aphel1on]

Dungeon Lords and the Human Need for Connection

When I came across these panels again the other day, it got me thinking about dungeon lord parallels again.

...And I spiraled until I was writing my thesis statement about how All Four Dungeon Lords (Yes, Even Laios, Stop leaving him out of these discussions) Are Actually the Same.

Firstly (because on some level everything is about Thistle to me) I thought about how the lion could have very likely given Thistle a similar offer when his loved ones started losing their souls/rebelling/etc. And yet, there is no sign that Thistle ever accepted such an offer, nor any sign that he used magic to forcibly change people's opinions, the way Marcille briefly threatened the party with while she was dungeon lord:

Instead, he ended up with the fucking dining table that drives me insane. Which probably means that either Thistle rejected the offer, or the lion sensed it wouldn't go over well and didn't even try it.

Making replicas of people doesn't seem to be an uncommon part of granting the dungeon lord's wishes. In his time, Mithrun actually took the demon up on it:

(Not pictured; the infamous lamia-version of his love interest.)

What makes Mithrun different from Thistle and Marcille in this instance is that Thistle and Marcille both became dungeon lords for the sake of specific people. Both were motivated by the terror of losing their most important people, and both told themselves everything they did was for the sake of protecting those people.

Because they were motivated by genuine love, copies or mind manipulation were not palatable. I think Thistle even in the late stages of his madness probably would not find these to be acceptable solutions. No matter how twisted, possessive, and obsessive his love became under the dungeon's influence, it was still from the fear of losing those original, irreplaceable people that he was doing all this. Even as his relationship with Delgal and the other Melinis fell apart over the years... even as he was left with only their soulless bodies... he would still rather cling to whatever was left.

Perhaps on some level, Thistle recognized the same thing that kept Marcille from following through with her threats:

Even in the state of endlessly chasing their desires as dungeon lords, they couldn't feel truly okay accomplishing it that way.

For Mithrun, meanwhile, the people in his fantasy world were a means to an end. It was all-encompassing insecurity and the pain of not being wanted that led him to become dungeon lord. His desire was not fixated on any specific people - it was broad enough and desperate enough that anyone could fulfill it. The thing is, Mithrun prior to becoming dungeon lord was by all accounts well-liked. But his emotional walls were up so high that not a single one of his admirers could make him feel known and cared for. The kind of crushing perfectionism he exhibited in that stage of his life often comes with a silent and equally crushing imposter syndrome. No one actually knew him, because Mithrun didn't let them, even though every aspect of his personality then was a desperate plea to be seen and liked. I think the sad truth is that, by the time he became dungeon lord, Mithrun didn't truly believe that happiness was something that could be found in other people. (It's telling that his wish was for a world in which he had never been discarded; perhaps for a world in which he never felt the need to put up those masks.)

In this respect, Mithrun is actually more alike to Laios than he is to Thistle and Marcille.

Laios was told again and again by the world that it was wrong to be who he was - that he was unlikeable when he acted the way that came naturally to him. The lion didn't bother asking Laios about replicas; those would be meaningless to him. Like Mithrun, Laios had lost all hope of being liked for who he was, but took it one step further: Laios had lost hope that he could find happiness in the human world entirely. At that point, all he wanted was an escape. To leave the pain of the human world behind and become someone, something, different. All he really needed in order to be tempted into it was the assurance that his friends would be safe.

All four of these stories have a pretty obvious throughline when you think about it: the deep, intrinsic need for human connection and what happens to someone when that need cannot be met.

All four of them were starving for connection. All four of them experienced alienation and isolation that made them desperate enough to turn to the demon.

Marcille (a half-elf whose unstable aging left her without peers) and Thistle (raised as the only elf in a kingdom of humans) both formed intense attachments to the few people they did become close to, and went off the deep end from fear of losing them.

Mithrun and Laios were both rejected by others for aspects of themselves that were out of their control, and tried to cope by developing masks that left them unable to feel accepted by the people still in their lives.

...So it's fitting, then, that genuine human connection is also what saved all four of them in the end.

(Thistle is a little arguable here; I personally don't think he died, but even if you do believe he died at the end of the manga- Yaad being able to connect and empathize with him is what gave him peace and solace in his final moments.)

Dungeon Meshi is about alienation and connection as much as it is about food and cycles of life. (Or more like, these themes are masterfully intertwined - food is used to represent love and connection over and over again. But that's a whole essay in and of itself!)

[nanaminokanojo]

ACCIDENTALLY IN LOVE | Sukuna X You | CHAPTER INDEX I /PROLOGUE (Part 1-68)

-meet cute? a cheesy musical number? forget it! love makes itself known to you through a minor car accident, a broken arm, and a treacherously charming temporary chauffeur

CHARACTERS: sukuna x you/reader | jjk characters (uraume, gojo, geto, shoko, nanami, choso, maki, nobara, mei-mei, etc.)

GENRE: full-length smau + prose | bad boy x good girl | college au | a lot of firsts | aged-up characters | strangers to lovers | smut | fluff | angst | ooc depictions - soft sukuna ftw

TW/CW: strong/mature language | adult content so mdni on some parts | mentions of alcohol and/or smoking | mentions of injury, promiscuity and bullying | pet names because they're cute with 2D men | toxic behavior | will add more if something arises

AKI’S NOTES: Reblogs and likes are very much appreciated, and I actively respond to comments as well as Asks. Also, if you’re interested, I will include you in the tag list. Just message me through whatever avenue you’re most comfortable with. Happy reading!

MASTERLIST

A/N: Yup. Intrigue and a video right off the bat.

CHAPTERS: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15

16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30

31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45

46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60

61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | CHAPTER INDEX II

ADDITIONAL NOTES: i will be using pics and other media which would fit situations and make the smau-ness of this piece a little more realistic and entertaining when i believe it’s appropriate/fitting to the plot (as i've done with my other smau). having said that, with regard to inclusivity, i just want to put it out there that they will not necessarily be aimed as the exact descriptions to fit a supposedly generic reader nor will they be representative of a specific race or color. it’s all for the simple fact of media availability, for funsies and the fact that i don’t exclusively write in consideration of those aspects when using reader-insert characters unless i specify it. thank you for understanding.

TAG LIST: CLOSED

PLEASE READ: If you wanna be included in the tag list, please make sure that your “Exclude __(tumblr username)__ from Tumblr search and recommendations” setting is OFF so I can actually tag you guys and you'll get notifs when I update. Thank you very much.

Here's a reference for the instructions from domainofmarie. Thank you very much, my friend. This is very helpful.

A/N: I have another version of this story somewhere on the internet with different characters, and I thought, why not make it a Sukuna smau. So excited for this! This'll probably come out this weekend lol or the next if push comes to shove.

© ORIGINAL WORK BY nanaminokanojo. CHARACTERS ARE INSPIRED BY GEGE AKUTAMI’S “JUJUTSU KAISEN”. [20240514]

PHOTOS/IMAGES/GIF/FANART/ANY MEDIA CREDITS GO TO THE RESPECTIVE OWNERS.

[noaestheticacademic]

On the Identity of "Chat"

Like all the linguistics folks on Tumblr, I've been sent the "chat is a fourth person pronoun" post by a bunch of well-meaning people and and I've been thinking waaay too much about it. @hbmmaster made a wonderful post explaining exactly why "chat" ISN'T a fourth person pronoun, and after reading it I wanted to go a little deeper on what it might actually be doing linguistically, because it is a really interesting phenomenon. Here's a little proposal on what might be going on, with the caveat that it's not backed up by a sociolinguistic survey (which would be fun but more than I could throw together this morning).

On Pronouns

Studying linguistics has been really beneficial for me because understanding that language is constantly changing helped me to become comfortable with using they/them pronouns for myself. I've since done a decent amount of work with pronouns, and here are some basic ideas.

A basic substitution test shows that "chat" is not syntactically a pronoun: it can't be replaced with a pronoun in a sentence.

"Chat, what do we think about that?"

"He*, what do we think about that?" (* = ungrammatical, a native speaker of English would think it sounds wrong)

Linguists identify pronouns as bundles of features identifying the speaker, addressee, and/or someone outside the current discourse. So, a first person pronoun refers to the speaker, a second person pronoun refers to the addressee, and a third person pronoun refers to someone who is neither the speaker nor the addressee (but who is still known to the speaker and addressee). This configuration doesn't leave a lot of room for a "fourth" person. But the intuition people have that "chat" refers to something external to the discourse is worth exploring.

Hypothesis 1: Chat is a fourth-person pronoun.

We've knocked this one right out.

Hypothesis 2: Chat is an address term.

So what's an address term? These are words like "dude, bro, girl, sir" that we use to talk to people. In the original context where "chat" appears - streamers addressing their viewers - it is absolutely an address term. We can easily replace "chat" with any of these address terms in the example sentence above. It's clear that the speaker is referring to a specific group (viewers) who are observing and commenting on (but not fully participating in) the discourse of the stream. The distinction between OBSERVATION and PARTICIPATION is a secret tool that will come in handy later.

But when a student in a classroom says "wow chat, I hate this," is that student referring to their peers as a chat? In other words, is the student expecting any sort of participation or observation by the other students of their utterance? Could "chat" be replaced with "guys" in this instance and retain its nuance? My intuition as a zillenial (which could be way off, please drop your intuitions in the comments) is that the relationship between a streamer and chat is not exactly what the speaker in this case expects out of their peers. Which brings me to...

Hypothesis 3: chat is a stylistic index.

What's an index in linguistics? To put it very simply, it's anything that has acquired a social meaning based on the context in which it's said. In its original streaming context, it's an address term. But it can be used in contexts where there is not a chat, or even any group of people that could be abstracted into being a chat. Instead, people use this linguistic structure to explicitly mimic the style which streamers use.

And that much seems obvious, right? Of course people are mimicking streamers. It doesn't take a graduate degree to figure that out. What's interesting to me is why people choose to employ streaming language in certain scenarios. How is it different from the same sentence, minus the streamer style?

This all comes down to the indexicality, or social meaning, of streamer speak. This is where I ask you all to take over: what sorts of attitudes and qualities do you associate with that kind of person and that kind of speech? I think it has to do with (here it comes!) the PARTICIPANT/OBSERVER distinction. By framing speech as having observers, a speaker takes on the persona of someone who is observed - a self-styled celebrity. To use "chat" is to position oneself as a celebrity, and in some cases even to mock the notion of such a position. We can see a logical path from how streamers use "chat" as an address term to how it is co-opted to reference streamer culture and that celebrity/observer relationship in non-streaming mediated discourse. If we think about it that way, then it's easy to see why the "fourth person pronoun" post is so appealing. It highlights a discourse relationship that is being invoked wherein "chat" is not a group but a style.

[kjupchurch-xx]

Intoxicated

March 16th, 2009

Today was my 21st birthday. My friend had set me up on a blind date with an actor, but didn't tell me who. She figured this would be the perfect scenario considering the hell I'd went through last Summer with a guy that was probably the biggest piece of shit on the planet. I haven't dated or been intimate with anyone since then, nor did I really have any interest in being. 

I looked over at her, "What is this guy even like?" I asked, finishing up curling my hair. 

She smiled, "He's tall, he's nice, he's super sexy and he's not American, if that gives you any hints." 

I shrugged as I sat my curling iron down, starting to put my eyeliner on, "It doesn't. But I mean, is this even someone I'd be remotely interested in?" I asked her, giving her a questioning look. 

She chuckled, "I'm positive you'll be thanking me by the end of the night." 

I rolled my eyes, "So he's an actor?" 

She nodded, bringing me a pair of ripped bell bottom jeans, "Yes. A very talented actor." 

I quickly changed into the jeans, "Is he anyone I know?" 

She walked to my living room, grabbing my keys to bring me, "Ummm... He's in that movie we watched when we were teenagers. I think it's called Swordfish or something like that." 

I gave her a questioning look, "Did you set me up with John Travolta?" 

She covered her mouth laughing, "You'll just have to wait and see. I'm not telling you anything!" 

She probably set me up with one of the extras, someone I most likely wouldn't even remember ever being in the movie. She knows I hate surprises, but I appreciate her for trying, even though the last blind date she set me up on was a complete and total dud. 

She clapped her hands at me, "Go! You were supposed to leave 5 minutes ago! He's going to meet you at RH Rooftop." She yelled. 

I grabbed my phone, made sure I had my keys and looked at her before heading out the door to our apartment, "I swear, if this is another dud, I'm going to kill you." 

She rolled her eyes, "I promise, it's not a dud. Just go." 

I rolled my eyes, closing the door behind me as I made my way down the hall, towards the elevator, then to my car in the parking garage. While making the drive to the restaurant, I'll tell you a bit about myself... I'm a Southern Belle, originally from South Carolina. I moved to NYC after obtaining a degree in journalism. I didn't have many opportunities in my small town, so I decided to move to a bigger city in hopes of pursuing a career as a reporter. I've been serving as an intern for a local publishing company, which has gone well for the most part. 

Callie and I are roommates. She also moved here for journalism, but moved here from Arizona. We met while working part-time at a coffee cafe and became roommates since the cost of living in NYC is astronomically high. She took a different career path, as a model which caused her to meet many different celebrities.She'd tried getting me into modeling with her, but it wasn't my thing. We shared a dog, Harley, who was a beautiful French Bulldog, that was treated as if he were our love child. 

As I arrived and finally found parking for RH Rooftop, I realized I was 10 minutes late. I quickly turned my car off and sprinted towards the entrance. I don't even know who I'm looking for or how to spot this dude. I approached the hostess stand, looking nervous as I skimmed the crowd of dinners wondering who Callie had set me up with. 

The hostess noticed me, "May I help you with something?" She asked kindly. 

I nodded, "Ummm... I"m here with a guy, but I'm unsure of where he's sitting. He's not American and is very tall. He's also an actor." I stammered, knowing I must sound insane. 

She giggled, "Can you tell me his name?" 

I pursed my lips, "Not really. I'm on a blind date, so I have no idea what his name is...or who he is." I chuckled nervously, scratching the back of my neck. 

She smiled, "Okay, I think I know who you're referring to. He told us he was expecting a blind date. Follow me." She said, grabbing a menu and leading me to the rooftop entrance. 

I followed behind, still curious as to who this would be. I'd probably shit a brick if it were John Travolta, but I'm pretty sure he's off the market. There was that computer hacker dude that was pretty hot too. As we reached the rooftop tables, she led me to a dark haired man that had his back towards the entrance. I couldn't make out who he was just yet and considering that was an older movie, I doubt I'd recognize him from the movie from the back. 

He stood as he heard us approach and pulled my chair out, turning to face me, "You must be my date." He said with a smile, extending his hand to shake mine, "I'm Hugh." He said casually. 

It was the computer hacker dude, and shit, did he look good. Even 8 years later, he still looked good. 

I smiled, shaking his hand, "I am, I'm Kaitlyn." I said as I took my seat. He gave me another smile before going back to his seat across from me. 

"How're you doing, love?" He asks, smiling at me, keeping his elbows off the table. Hm, a real gentleman. 

I chuckled at his flattery, already calling me a pet name. "I'm doing good, everything's going great for me at the moment. How's things going for you?" 

He shifted, "I just wrapped up filming an origin movie for a character I've played for the last 9 years, I'm finally on a much needed break and no longer on a strict regime for my character, which I'm fully intending on breaking tonight with a milkshake." 

I giggled, "I see." I said as the waiter approached us. He was a young man who was obviously infatuated with my date. 

"Holy s-, I mean, I'm so sorry-" He stammered as Hugh began cracking up, "It's quite alright, mate." He said to the young man. 

The man smiled, "Mr. Jackman, I'm sorry. Wolverine is my all-time favorite X-Men character." Hugh smiled, "Can I please get a picture with you? I swear I'll keep it professional after." He asked.

Hugh laughed, "Sure thing, mate. I'm sorry, love, but do you mind helping our waiter out with a picture?" He asked, almost embarrassingly. 

I chuckled, "I don't mind." The waiter smiled, handing me his cell phone as Hugh got up to stand beside him, making a Wolverine pose as if he had retractable claws. 

He pat the man on the back and sat back across from me, "Thank you so much, Mr. Jackman. And thank you for taking the picture. My name is William. What can I start you guys off with to drink?" He asked. 

Hugh and I looked at each other, "I think I'll take a martini." I said, flipping through the bar menu. "No problem, William. I'll take a martini, and also, a chocolate milkshake. Large, William." 

I giggled at his serious tone making sure William understood Hugh wanted a large. "Coming right up, are there any appetizers you guys want to start with?" William asked before walking off as we both shook our heads. 

Hugh looked up at me, damn was he sexy, "So, tell me about you." He said, smirking. 

I pursed my lips wondering what to tell, "Hmm, let's see... I have a Frenchie, his name is Harley. I'm an intern for a local business. I have a degree in journalism. I moved here from South Carolina after graduating college for a better chance of a career in journalism." 

He nodded, taking my words in, "I've always wanted a French Bulldog. I also have a degree in journalism. I moved here from Australia many years ago, but I moved for X-Men." He said, forcing his accent deeper as he mentioned being from Australia. 

I chuckled, "You do have a very sexy accent. I actually didn't know you weren't American because your American accent is so convincing." 

He smirked, "I happen to think your accent is sexy too." He said flirtatiously, making me blush.

I laughed, "I literally sound like cornbread, stop." 

He laughed, "You do not. Even if you did, cornbread tastes good." 

Our waiter returned with our drinks and Hugh's large milkshake, and proceeded to take our order. I reached for the menus, but Hugh swiped them from me, handing them to our server. 

He winked at me, "Gotta be quicker than that, beautiful." 

I playfully rolled my eyes, "Tell me more about you." I said, resting my chin on my hands, giving him my undivided attention. 

He smiled, "What do you wanna know?" He asked flirtatiously. 

I shrugged, "Everything." 

He chuckled, "For starters, I have two children, Ava and Oscar. They are 4 and 9. I play cricket. I enjoy singing. Every year, I go back to Australia and do the polar plunge. I'm recently divorced. Anything else you want to know?" 

I smirked, "Have you been with anyone since the divorce?" 

He looked at, surprised at my question, but smiled, "No, no I haven't. I haven't been with anyone besides her since 1995." 

I bit my lip, raising my brow with a giggle, "So you're not a douche bag then, noted."

He smiled sweetly, "No, I'm not a douche bag." He said softly. 

I shifted in my seat, taking a sip from my martini, "What are you hoping to come from this?"  

He shrugged, "I really don't know, love. I have no expectations, whatever happens, happens. What about you?" He asks, his eyes burning through me, almost with a lust. 

I smirked, "I kind of go with the flow. Whatever happens, happens." 

He bit his lip, "I like that." 

As the night went on, we ate our food and drank a few martinis. Both of us, feeling a little tipsy and beginning to ask risque questions as he moved his chair to my side of the table, now beside me. 

"So tell me, what are some of your turn-ons?" I asked with a smirk, sipping my 3rd martini.

His one hand moved to my thigh under the table, "Does it count if I say you?" He smirked, looking me in the eyes. 

I bit my lip, "Do you want to um...get out of here?" I asked him quietly. 

He grabbed my hand, "C'mon, love." and began leading me towards the entrance of the rooftop bar to head back downstairs and to the sidewalk. "Let's go to my car." He said, leading me to an SUV.

As we got to the car, he rushed towards the backseat, opening the door, motioning for me to climb in. I climbed in, sliding to the other end as he quickly slid in beside me, shutting the door and pulling me onto his lap, slamming his lips against mine as he roughly gripped my hips.  I felt him begin pushing his hips upwards, grinding into me as I reached behind us, positioning myself upwards, tugging at his belt. 

"Take this off..." I muttered against his lips as he bit my bottom lip, I pulled away and slid my top off as he helped me, tossing it into the seat beside us, leaving me in my bra and jeans. I slid off of him to remove my jeans and underwear as he undid his belt and jeans, his hard dick exposed. 

"Come here." He said, almost demanding, as he grabbed my arm, bringing my lips back to his as I straddled his lap, wrapping my arms around his neck as I lowered myself down onto him, taking every inch. 

He moaned against my lips, "Fuck, you're tight." He said lowly as he sucked on my bottom lip, nibbling at it. 

I began bouncing up and down, roughly, my moans filling the car. I felt him reach up and grab my breasts, that were covered by my bra, squeezing them. "Shit, your cock feels so good inside me." I cried out. 

He pushed my bra down, exposing my breasts as he popped one of my nipples into my mouth, nibbling at it and sucking as he started thrusting his hips up to meet mine. "Oh fuck!" I yelled as he moved his hands to my hips and started thrusting hard into me. 

"We gotta be quick, we're in a parking lot." He chuckled as he began moaning again. 

I could feel my orgasm coming, I grabbed his chin, forcing his face back to mine, crashing my lips onto his. "Cum for me, baby." He said huskily, moving his lips down to my neck, sucking and biting softly. 

I felt my eyes practically roll back into my head as I let myself go, my juices flowing down his throbbing cock as he spilled his load inside me. 

"Second date?" He asked, out of breath, laughing. 

I nodded, catching my breath, "Definitely."  

[bluegekk0]

Finished designs for the FPK Dragon AU! Very happy with how they turned out, I'm definitely going to draw more art for this side AU in the future

Some short info and close-ups below

General AU stuff:

I don't have many story or world details yet, but in general it would be quite simplified and changed in a lot of ways

The vessels are not a thing, though The Radiance does exist and the infection would still happen in some shape or form (I haven't thought of the details yet). Holly's purpose would still be to put a stop to it, but the whole aspect of emotionless void beings is not included

Humans don't exist in this world, so the one above is simply to get an idea of their scale. The dragons in that world are sapient and live in communities, a lot of them can use magic and similar powerful abilities

More info to be added as I brainstorm it, and I might design more characters for the AU in the future

Character specific stuff:

Vyrm - a lot of his backstory is very similar to the main AU, his kind is considered extinct (the reason would most likely be different), though he never changed his form to be smaller, which means his large wyrm form does not exist here. His relationship with WL was also basically the same, as was his journey of discovering his love for Grimm. And just like in the main AU, he ended up losing his status as a leader and hibernating. Unsure whether he would also lose all his powers, since I want to keep his workshop hobby and I like the idea of him having powers that he learned specifically for that purpose (not to mention, doing any kind of precise engineering would be difficult with his dragon anatomy). So we'll have to see.

Grimm - once again a very similar backstory to his main AU counterpart. He is one of the most powerful dragons to exist, and The Radiance is still his sister in this AU. He was banished from his homeland and stripped of many of his powers, losing his status as a higher dragon as a result. I'm still brainstorming how NKG comes into the AU, as of now my idea is that it would be closer to a god-like beast form than a being in another realm, but it may still change. And I'm still thinking how to reconceptualize the ritual to fit this version. Even though he's much weaker than in his prime, he's still more powerful than an average dragon, especially in the NKG form (if that is the direction I take with him).

Lewk, Asta and Milo - basically the same as in the main AU. Lewk and Asta can fly just fine, Milo however is incapable of it (and will likely remain that way even as he gets older, with his wings being too small and weak for flight).

Hornet - in most aspect she's the same, though her half-spider origin would be changed to something else; Herrah is not a spider in this AU, though she would still be quite beastly and unique in her appearance. She has two pairs of wings, which are a trait inherited from her mother's side. She knows silk magic, which she learned as a young dragon.

Zote - he's the most unique here body plan wise, I based his design on pterosaurs. I loved the mental image of him being this annoying, bird-like dragon. In basically all aspects he's the same as his main AU counterpart, though being a dragon I imagine he would have a more impressive lifespan than an average bug in the main AU. He's a herbivore dragon, his mouth resembles a beak, and he has no powers, only a nasty attitude.

Holly - as mentioned before, they are not a vessel in this AU, nor a void being. Instead, they're a hybrid of Vyrm and WL, who is a powerful higher dragon, and were trained to stop The Radiance and put an end to the infection from the day they hatched. Though they did end up learning void magic to aid them in the fight, I think that would be a nice way to preserve at least some of that aspect and it would explain the color of their body in this version. They have a mouth, though they are still mute, likely as a result to battle damage. Like in the main AU, they lost one of their eyes and a limb, and I'm considering designing a prosthetic wing for them at some point to mirror their counterpart.

[missnancychavez]

So I am on my third rewatch of Twisters. So here are some of my own personal headcanons and theories for the movie and some parallels that may add weight to those theories.

1. The original 5 friend group dynamic: Jeb and Praveen have known each other for years and are each others best friend. Javi and Kate are the dynamic duo (basing it on the fact that they were the only ones to do the handshake together). And Addy is everyone's little sister. Her and Kate were extremely close, but in a different way than her friendship with Javi.

2. Tyler Owens is the nephew of Bill and Jo on Bill's side (As we knew Jo didn't have any sibling). He spent his summers with them as a kid, and then as a teenager, he moved in with them full time. He started chasing with them around then, too. He even pays homage to that as he is driving a newer model of Bill's red dodge ram.

3. Boone and Lily have something going on. The way Boone screams her name as she gets picked up by the wind. And their personalities are perfect together. You can't convince me otherwise.

4. Kate and Tyler kiss in the truck after the chase they go on straight from the airport at the end of the movie. (Refer to point 8)

5. Kate puts in her resignation almost immediately, and Javi cuts ties with Riggs and Scott. The wranglers and Kate join StormPAR. Kate and Tyler spend the off-season working with Javi while the others do their own gigs, but during the storm season, they are all chasing and gathering data.

6. Cathy is so encouraging of her daughter because she's been through loss before. They called her Mrs. Carter, meaning she was married. Kate's dad died when Kate was a little girl. Cathy had to learn how to navigate being a young mom and tending a farm on her own. But she also knows that it could stop her from living her life. So she didn't. She grieved, and she learned to live with the grief and still do what she loves. It's why she is so encouraging of Kate getting back out there.

7. Kate stayed in OK for another couple of weeks after the tornado (neither her nor Tyler appeared injured in the final scene, and the truck looks great, all things considered, so clearly they had time tp heal and fix the truck.) They all were forcibly invited back to the farm by Cathy after Tyler and the wranglers went to drop Kate off post El Reno. Cathy took one look at Tyler and forced him in the house. Kate gave herself a headache from laughing so hard. She was then sent inside alongside him. Cathy made everyone stay for as long as they needed. But she did, however, get some free labour from it. It was an unspoken agreement that Kate's was now home base.

8. By the credit scenes, Kate and Tyler are together. Their first kiss was immediately after the two of them went chasing from the airport. Something about their adrenaline rushing, and it being just the two of them. It was electric. It was immediate. It just happened, and when they pulled back, they both started laughing. It reminded him of the first time they chased together, just the two of them. Kate delayed her flight for another two days. She was back home within the month. Tyler quickly realised he would have to start bribing Boone afterwards on the days he and Kate went out.

9. Kate and Boone will play card games at night to see who gets shotgun the next day, when Boone isn't riding with Lily, of course. Turns out, Kate's damn good at playing poker. On the rare occasion that Kate drives, Boone automatically hops in the back of the truck. He won't tell anyone, but he loves it when she drives. She gets this manic energy about her in the drivers seat and his adrenaline always ends up pumping. Tyler loves it, too, but he has no qualms verbalizing his affections toward her.

10. Tyler has nightmares now. Of watching Kate drive into the tornado. Of finding her body, discarded and broken by his truck. Of her slipping through his fingers during a storm. He wakes up sweating and panicking. And it's only when he sees her that he can calm himself down. The two of them, those first two weeks after El Reno, would spend hours each night, sitting in the barn, going over formulas. Or sitting outside on the tree swing, talking until they were both too exhausted to have any nightmares. When she left to go back to New York, she wasn't particularly surprised when one night she awoke to her phone ringing, Tyler close to having a full blown panic attack as he tried and failed to reassure himself that she was okay without her help. They would always call each other before bed after that, usually falling asleep over facetime.

[llyfrenfys]

I'd like to preface this with that this is a screenshot of a post I saw a few days ago in the #welsh tag and that the OP has since deleted this post, but the sentiment is something I'd like to address since I see a lot of parallels with this kind of thinking in other contexts, such as in LGBTQIA+ rights conversations.

So, the most obvious elephant in the room is the idea that Welsh is super widely spoken in Wales now and that it isn't in as much danger as other Celtic languages. This idea is wishful thinking at best and erases the very real danger that Welsh is in and that it could be lost just as easily as Irish or Scottish Gaelic. Cornish (which is related to Welsh) actually did die out and has had to be revived. To make a metaphor out of this, we classify languages on a scale of non-threatened to endangered in a similar way to how we classify species.

Here are the statuses of Welsh and Irish as of 2010 (above) and the statuses of Lions and Tigers (below).

On paper tigers are more 'in danger' than lions. But that does not mean that lions are suddenly not in danger at all. The little bracket above CR, EN and VU labels all of these classifications as threatened. It isn't (and definitely shouldn't) be a competition of 'who is most in danger' because you do not want the thing you care about (whether it be a species or a language) to be in danger.

To come back to the original screenshot "they* [Welsh speakers] have always had the means and the ways because the English didn't beat or slaughter them for speaking it"- on the most basic of levels, this is just incorrect. The Welsh Not was a wooden token hung around schoolchildren's necks if they spoke Welsh in school. If someone else spoke Welsh the Not would be hung around their neck. At the end of the school day, whoever was wearing the Not would be beaten and caned by their teachers. I needn't go into much detail but there have been concerted efforts to beat Welsh out of schoolchildren. With the lions vs tigers metaphor, making the claim Welsh speakers have never been beaten for speaking Welsh because they always had the means and ways, while Irish speakers were beaten and never had the means or ways is like claiming poachers have never shot lions, only tigers. Bottom line is, lions and tigers are both victim to poaching and both species have suffered as a result. Similarly, Welsh and Irish have both suffered language loss and both need conservation efforts in order to survive.

(*sidenote- the consistent use of 'them' and 'they' in the original post is definitely indicative of a 'us vs them' sentiment which is a deeply unhelpful attitude to have when it comes to endangered languages and the Celtic languages in particular)

I see parallels with LGBTQIA+ rights in this situation. When equal marriage came in for gay and lesbian couples in the UK in 2014, many allies began to act like gay rights had now been achieved and that gay issues had been done, they're solved. Except, they really weren't (and aren't). Progress has been made in Wales and undeniably Welsh is doing the best out of the living Celtic languages. But that doesn't mean Welsh has been saved or that full equality for Welsh speakers has been achieved. It very much hasn't. The sentiment of the post in the screenshot is not conducive to helping Irish or Scottish Gaelic. Putting down Welsh speakers and erasing Welsh-language history will not save Irish or Scottish Gaelic. Pretending Welsh has had it easy in some kind of lap of luxury is a deeply harmful and bogus claim.

I'll address the tags under the cut as this post is getting long.

To address the tags, personal feelings ≠ an accurate reading of a situation. Nor is it praxis, for that matter. Why is pride in Welsh different/less good than pride in Irish? Is it the assumed proximity to England? If so, that's a terrible claim to make. Not only that, but Scotland is also next to England- does that make pride in Scottish Gaelic the same as pride in Welsh according to this metric? It's a ludicrous thing to say and deeply insensitive to the needs of Scottish Gaelic and Welsh speakers, who cannot help any current or former proximity to England.

Additionally, proximity to England ≠ worse. I know it's a popular internet joke to hate on England because of English attempts to eradicate the Celtic languages, but when the joke becomes praxis, it does not help. England ≠ a place devoid of Celtic languages either. Many English counties near the Welsh border actually have communities of Welsh speakers, such as Oswestry (Croesoswallt) in Shropshire. Cornwall is also home to many speakers of revived Cornish. It does a disservice to Celtic speakers in England to insinuate that proximity to England taints or corrupts them somehow. This is how ethnonationalism starts and we ain't about that.

And "#it feels a little.... blehhhhh you were seen as sophisticated and english enough and you assimilated however the Irish and the Scots? #brutish animals that need to be culled". So, this is arguably one of the worst things to say about a Celtic language- or any threatened language in general. First of all, the 'you were seen as' - 'you' is very telling. The switch from 'them', 'they' to 'you' indicates that this sentiment is aimed at Welsh speakers directly. This was likely a subconscious thing that OP wasn't thinking about when they wrote this. But it does indicate unhealthy feelings of jealousy and bitterness unfairly directed at Welsh speakers, who are also struggling. This righteous anger at the decline of Irish and Scottish Gaelic would be better directed at efforts to help promote those languages- some useful things to get involved with are LearnGaelic, similar to DysguCymraeg but for Scottish Gaelic or supporting channels such as Irish channel TG4 by watching their programmes.

The idea that Welsh speakers were or are 'sophisticated and english enough' is insulting and carries with it a lot of baggage of how any of these assumptions came about. Welsh speakers were definitely not seen as sophisticated. Where Welsh was 'tolerated', it was treated as a curiosity, a relic of a bygone age. Classic museification which all Celtic languages and cultures suffer from as well. Welsh was not tolerated in any legal sense since 1535- with English becoming the only valid administrative language and the language of Welsh courts after England annexed Wales into its Kingdom. Monolingual Welsh speakers suddenly had no access to any legal representation, unless they learned English. This is no voluntary assimilation- it is an act of survival for many speakers of minoritised languages to 'assimilate' into the dominant culture, or else risk losing access to legal security and other kinds of infrastructure. You need only ask any non-native English speaker living in an Anglophone country what that process is like. Welsh people did not see English incursion as an opportunity to become 'sophisticated and english enough', they had to assimilate in order to survive.

The "Irish and the Scots? #brutish animals that need to be culled" is also painfully misrepresenting a very complex social and political process that unfolded over the span of hundreds of years. The phrasing itself of 'brutish animals that need to be culled' speaks to righteous anger at the damage done to these languages and cultures, but it reinforces negative stereotypes about the Irish and Scots themselves. It also is more complicated than a simple English hatred of anything non-Anglo, since the English conception of particularly the Irish changed a lot over the centuries. It was (and still is) rarely consistent with itself. See: the enemy is both strong and weak. The very earliest Celticists were by and large, Anglos or French.

Ernest Renan (1823-1892) for example, was an early French Celticist who published La Poésie des races celtiques (Poetry of the Celtic Races- English translation) in which he says:

"... we must search for the explanation of the chief features of the Celtic character. It has all the failings, and all the good qualities, of the solitary man; at once proud and timid, strong in feeling and feeble in action, at home free and unreserved, to the outside world awkward and embarrassed. It distrusts the foreigner, because it sees in him a being more refined than itself, who abuses its simplicity. Indifferent to the admiration of others, it asks only one thing, that it should be left to itself. It is before all else a domestic race, fitted for family life and fireside joys. In no other race has the bond of blood been stronger, or has it created more duties, or attached man to his fellow with so much breadth and depth"

Yeah. This guy (unsurprisingly) was a white supremacist. Note that this sentiment is being applied to all people considered Celtic by Renan- Irish, Welsh, Breton, Scottish, Cornish, Manx etc. None unscathed by the celtophobia of the day. In this period, Celticity was romanticised (yet disparaged at the same time). It is less 'brutish animals' and more 'archaic, time-frozen peoples' in this period. Of course, 'brutish animals' attitudes towards Celticity did still exist, but it is disingenuous to act as if it was this attitude alone which drove English celtophobia. Like many things, it is always more complicated and never clear cut as it might seem.

I'll bring this to a close shortly, but returning to OP's suggestion that the Welsh assimilated and the Scots and Irish did not, is also incorrect in that some Scots did have to assimilate to survive as well. The Statutes of Iona (1609) required Scottish Gaelic speaking Highland chiefs to send their sons away to be educated in Scots and/or English in Protestant schools. Many did as the statutes required, which led to further language loss in the Highlands of Scottish Gaelic. These are acts of survival- and not ones always taken willingly.

This has been a long post but it's one which I felt I wanted to address. There's no need for infighting between speakers of Celtic languages over who has it worse. There isn't any answer to that question, nor is it a good use of time or energy. All in all, the Celtic languages have suffered greatly over the years and its only just now that some of them are turning a corner. If you care about these languages, put your energy into something good. Only through active work will these languages be saved for generations to come.

[spamton-deactivated19970420]

i made a little hand-sewn beast based on everydayspamton's drawing & took it with me on a family roadtrip

if you'd like to make your own, i've included the [[FREE]] pattern & some rough steps below the cut, as well as an Educational Video

EDUCATIONAL VIDEO. THIS IS NATURAL SPAMFISH BEHAVIOR & IT IS NOT SCARED OR IN PAIN.

BEAST CRAFTING INSTRUCTIONS:

disclaimer: i'm an amateur & i've never tried making a pattern before, nor have i ever tried writing directions

materials you'll need:

sewing needle & pins

black thread & white thread

fabric in these colors - black, white, red, yellow, & pink

stuffing

(optional) a squeaker

notes:

for the thread, i suggest something thicker, like whats used for embroidery - i used two different thicknesses on mine, & i think the thicker one; (the black thread); stands out a lot nicer

for the fabric, i used craft felt. its nice because its cheap & malleable, but if you want something that can actually be washed & played with without disintegrating on you, don't use felt. different fabrics will have different results, though, & may not give you a clean-looking edge & lines

you can also just go nuts & use whatever colors of thread/fabric you want, make pattern alterations, whatever

if you make one, feel free to @ me, send an ask or DM me with it, i'd love to see!

^^^ here's the pattern!

now the actual steps?:

1.) download & print out the pattern - it should(?) fit normally across a regular sheet of printer paper. i don't have exact measurements, i eyeballed this whole thing & then lost the original pattern - (there's only a copy that i scanned & edited left on my computer. woops.)

2.) cut the pieces out. pin the patterns to the fabric color the instructions call for, & cut out the number you need for each

^^^ here's what you should end up with!

now the sewing! for this whole thing i used doubled-up thread & a 'running stitch', then went over it a secondary time with another running stitch to fill in the gaps. you could also try using a 'back stitch' (which i don't know how to do), but that might be tougher. the goal here is to give it an Outlined look, like a drawing

3.) with white thread, sew the pink & yellow eyes onto the glasses - pink is Left, yellow is Right. reference the image above if you're not sure!

4.) sew all the fins pieces together - on the black fin, use white thread; & on the white fins, use black thread. reference the pattern for the detailing. i made my own front fins 'wrong', but you don't really have worry too much about being exact

5.) overlap the Head pieces onto the Body pieces - making sure you have a Left and Right side! pin the heads to the bodies, & compare their lengths by holding them together to make sure you've got it right. sew the heads to the bodies using black thread. detail the head with black thread, & detail the body with white thread

6.) now that you've got the two sides of the body completed, you can hold them together to try to get even placement for the red cheeks. pin each cheek to each side, then sew them on with white thread

7.) using black thread, sew the pink glasses onto the Left side of the body, and the yellow glasses onto the Right side. they'll be slightly overlapping the cheeks

8.) with white thread, sew the front fins on to each side. NOTE: i put mine on wrong, & didn't realize until i was finished. for the 'right' placement on these (closer to the original drawing), reference the pattern, & not the images

you now have all your parts ready for assembly! for me, this is the hardest part. you'll need a bunch of pins - use the guidelines on the pattern and/or reference the below image to get the right placements

9.) pin in the back fin & the nose. leave some space on the bottom for stuffing when you start, & using black thread, sew together the nose & the fin unto the body - the fin should be sandwiched Between the two body halves

10.) pin in the tail fin. continue sewing down the back with the black thread, & sew the tail fin in - once again, it should be Between the two body halves

11.) pin in the back fin between the halves. continue with the black thread, sew along the tail & sew the back fin in - Stopping once its secured. you should have some good space still open on the belly

12.) time for stuffing. using something thin, but not sharp - like a chopstick or the back of a crochet hook - & push stuffing into the nose & tail portions. stuff the head about halfway. now, if you have a squeaker, put it into the widest part of the head, & stuff a little around it

13.) still using the black thread, sew the belly up a little more so its easier to keep the stuffing in, & then fill up the rest of the body. once fully stuffed, sew the remaining hole together

14.) congrats! you now have a spamfish. if you opted for a squeaker, squeak it thoroughly

don't worry if it's not exact, some individual variation is fun & makes your creature unique! mine has upside-down front fins with upside-down detail lines

here's the thing with some friends i had made a little bit before him. have fun with your beast!

i am not liable for any damage it causes to you or your property