#do I see the necessity in calling it a reboot? no like just make your own show about two half siblings on a basketball team
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ENOUGH WITH THE REBOOTS AND SPIN OFFS ENOUGGGHHHHH
#first of all why is it always teen shows that they reboot like what for#second of all can anyone name a single reboot that was equally as good and popular as the original#only one I can think of that I would say was as good was 90210 but even thatâs up for debate#but the gossip girl reboot? a train wreck from start to finish idk what they were thinking#the pll reboot had slightly more positive reception but even that came and went#compared to the crazy hype the og had. and keep in mind the og was terrible#but I could see the incentive to reboot both of these shows cause people were neither satisfied with the conclusion#of gossip girl nor pretty liars⊠but one tree hill? why on earth would you reboot one tree hill?#personally I find one tree hill boring but I know for most people thatâs like the gold standard of tv#so why would you go and add more to something people were satisfied with#sure you get the hype but youâre also gonna be subject to so much more backlash if it doesnât meet the originals standards#and one tree hill set the bar PRETTY FUCKING HIGH#if they wanted it to just be about another generation at tree hill high well fine I guess I mean just go and make your own show#do I see the necessity in calling it a reboot? no like just make your own show about two half siblings on a basketball team#but fine letâs call it that. however putting Peyton and Brooke in it means youâre going to basically ruin their character arcs#like thereâs no way Lucas and Julian are coming back so youâre already gonna turn a lot of people away#and the elephant in the room is that most people are concerned about the Woke aspect#what Iâve seen in the past is that these reboots start off trying really hard to be politically correct to demonstrate how#itâs a different time now and things have changed#but I think they misunderstand how much modern audiences hate this? and let me make it clear I donât have a problem with a show being h#socially aware. itâs that the way these reboots handle it is SO heavy handed and unsubtle#thereâs just no nuance about it no actual depth it feels⊠tokenizing?? thatâs not the right word#but like they just throw it in there like itâs a box to check before they forget about all of it#but not before youâve alienated your audience#anyways this will be bad letâs enjoy!
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From @thedragonqueen1998âs tags (and technically my tags?)
#yeah iâm ending it there XD #no haytham canât see him #iâm not that nice XD #<previous tag s#noooo! #XD
From @mysticalbasementwitch
Oh poor Edward heâs having a blue screen of death and needs to reboot
From @knine-nights-loves-ac
RatonhnhakĂ©:ton really just isnât fazed by anything huh
From @blue-cat-ter-flies-blog
The shit Connor would just tell Haytham. "Grandpa wants to say 2 things. 1) He loves you very much and 2) he's not mad, just disappointed that you became a Templar"
From @zero-saito
Why would Connor be surprised by a spirit? Heâs dealt with them before. Haytham is in for a bad time, all of Edwardâs angst just got shoved to him lol
(this one uses Connor instead of RatonhnhakĂ©:ton because the narration is in Haythamâs POV and he had always called RatonhnhakĂ©:ton âConnorâ)
âMake this quick, Connor.â Haytham ordered as he glanced around the captainâs cabin. His brows furrowed when he saw the black flag on the wall behind the captainâs desk, severely questioning the design choice of this entire ship.
It had to be Achilles Davenportâs questionable design choices.
Connor didnât seemed like the type to care about interior design.
âGrandfather wishes to speak to you.â
Haytham sighed as he turned to face Connor, âI do not have time for your japes, Connor. Ziio told me her father died when she was young.â
âNot motherâs father. Yours.â Connor clarified.
Haytham simply raised an eyebrow as he dryly said, âMy father has been dead for decades now. I would know, I saw him die.â
Connorâs expression didnât really change but there was something in his eyes that gave away his true feelings. Achilles must have been slacking in his training. Everyone knew that hiding oneâs true feelings was a necessity in this⊠âline of workâ.
But Connor was young. He could still be educated.
Connor nodded to his right before he turned to face Haytham once more, âHe said he knows you might not believe it but heâs next to me. He said that you might believe it if he tells you something the two of you only know. When you were six, you were playing with your dog Thatch and tried to climb his back-â
â-while pretending he was a horse and I was a general leading an army.â Haytham finished before sighing, âI donât know who told you that story, Connor, but itâs not a secret. Many Templars must have heard that story already. Bir- The previous Grand Master would tell that story as a way to âshowâ our people how I had always had the âinclinationâ to lead.â
Connorâs brows furrowed and he turned to look at his right. He nodded once more and turned to stare back at Haytham as he opened his mouth.
âAnd even if my father is haunting you.â Haytham cut him off, âI have no desire to hear the complaints of the dead.â
Connor closed his mouth and Haytham ignored the grim line of his lips as he sighed, âEnough of this childish attempts, Connor. We must focus on Church.â
Haytham turned around and began to walk towards the door. His hand was about to grasp the door handle when Connor said quietly, âHe does not understand why you became a Templar but he still loves you.â
Haytham gripped the door handle tightly as he said calmly, âThat doesnât sound like my father at all.â
He opened the door and walked out, not waiting (not wanting) to hear what Connor would say next.
The cold breeze threatened to freeze his skin but he accepted it.
He has no idea what Connor had been planning with that little trickery of his.
ButâŠ
âEdward Kenway was loyal to the Creed. He wouldnât understand why you have chosen this path but I do, Haytham. I will always be your ally.â
Birchâs words meant nothing, considering his involvement with his fatherâs death.
HoweverâŠ
âFather would have been disappointed of the man you have become.â
Jennyâs words rang clear, her expression as blank as a Master Assassin. In another life, she would have been a great Assassin. In another lifeâŠ
âI served with your father, Haytham. He would be ashamed to see what you have become.â
Ah, of course.
How could Haytham forget that manâs words?
He had been one of his fatherâs closest friends.
And Haytham simply watched as Shay Cormac killed him.
So, yes.
Whatever trickery his son had in mind would not work on Haytham.
He knew exactly how his father would have felt if he knew of the man Haytham Kenway was.
Okay what if Edward stated haunting the jackdaw after his death and some pieces of the jackdaw after its destruction was repurposed into the aquila
Yeah, that could work. All we know from the Jackdawâs âdeathâ is that it sank in the West Indies (as seen in Freedom Cry where AdĂ©walĂ© can get the figurehead) so itâs possible that AdĂ©walĂ© could have told them where to find it. Although using parts from an already sunken and drenched ship would be dangerous so I would suggest that thereâs something in Aquila that was once part of the Jackdaw. I would have suggested the helm but thatâs already in Kenway mansion before it sunk and having the figurehead instead is kinda iffy (and absolutely not because I like the figurehead of the Aquila XD).
So how about the chest in the captainâs cabin instead?
Edward would start haunting the Jackdaw under the sea since the Jackdaw was sunk before his death and maybe he manages to whisper to the one diving to take the chest because he realized thatâs what he was âconnectedâ to.
Why?
He has no idea.
His first guess would be because the Jackdawâs pirate flag had been stored in the chest after they sailed for Bristol.
Maybe the lingering attachment Edward had for the pirateâs life is what is keeping him tethered to the ship.
Once Aquila is constructed, he begins to haunt it.
The crew of the Aquila believes he is a dead sailor or maybe even one of the men that Achilles had killed before.
Achilles never saw him though.
To be more exact, Edward couldnât appear before him.
No matter what he does.
He always return in the cabin whenever he is about to enter Achillesâ line of sight.
No.
When heâs about to enter the line of sight of any Assassins.
He canât even contact anyone else. The moment he tries to come near them, heâs back in the captainâs cabin once more.
If someone was in the captainâs cabin, it was like he was completely invisible.
And he could not do anything.
Canât even try and leave a message for AdĂ©walĂ© any time he boards the Aquila.
He canât even throw anything to defuse his rage after hearing that Haytham, his own son, had become a Templar.
All he could do was watch the sea as his rage slowly subsided.
And whatâs left is pain and love.
The pain of knowing his son chose a path he could not approve and the indestructible love he felt for him even as he walked a path Edward would never approve.
Maybe there was a reason.
Maybe Edward simply want there to be a reasonâŠ
He didnât want to believe his son would willingly join the organization that killed him without a reason.
What about Jenny?
Was Jenny alright?
Was she⊠still alive?
.
.
.
How many years have passed?
Since that fateful dayâŠ
He finally saw Haytham once more.
And he heard of AdĂ©walĂ©âs death.
And now, all he can do is watch as Haytham destroys the Brotherhood in the colonies, leaving Achilles in pain and limping as he ordered the Aquila to return home.
.
.
.
.
.
.
.
He haunts a rotting ship.
He haunts a dying ship.
He doesnât know what has happened to Haytham.
He does not know what happened to Jenny.
Was this his punishment for not being a good husband to Caroline?
He tried to be a good husband to Tessa but he knew that would never remove the stain of his failure as Carolineâs husband.
Was this his punishment for not listening to Jenny? For trying to selfishly keep her safe by marrying her off to someone who could provide her with everything she would ever need?
Was this his punishment for teaching Haytham before he could even understand what it means to be part of the Brotherhood?
Was this his punishment for believing Birch?
Was thisâŠ
His own personal hell?
His punishment for living when his friends, his fellow pirates, all diedâŠ
Was he meant to haunt this dying ship until it finally sinks deep into the waters below?
Alone in this cold prisonâŠ
âHello?â
Edward turned at the sound of a young manâs voice.
He was tall with clothes that reminded Edward of the few natives that would sometimes board the Aquila when Achilles still held fire in his eyes.
âAre you one of Mr. Faulknerâs men?â The boy asked curiously.
Edward looked around, wondering who the boy was talking to.
Until he remembered.
It was just him.
His head turned back to the boy quickly as he asked, âCan you⊠can you see me?â
The boy frowned as he replied in a questioning tone, confused by the question itself, âYes?â
Edwardâs eyes widened.
Someone could see him.
But why?
âWhatâs your name, lad?â
âRatonhnhakĂ©:ton.â The boy replied before pausing for a moment. His brows furrowed as he added, âYou may call me Connor.â
âConnor.â Edward repeated. He knew the name.
It was the name of Achillesâ late son.
He wasnât that boy.
Who was he?
Why could he see him?
âHello, Connor. My name is Edward Kenway.â
The boy frowned as he asked, âAre you related to Haytham Kenway?â
âYes.â Edward couldnât stop the resignation in his tone as he admitted, âIâm⊠his father.â
The boyâs frown deepened as he said, âBut you donât look old enough to be his father.â
âI stopped aging when I died.â Edward explained, waving a hand on himself as he said, âIâm a ghost haunting that chest over there.â
âOh.â The boy blinked and seemed to mull it over before he nodded as he said, âItâs nice to meet you then, grandfather.â
âNice to me- wait what?â
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Menoa Bellucci, and her relation to Adventure and 02âČs antagonists
I mentioned in an earlier meta that Kizuna has a particularly deep relationship to 02 on a thematic level, with a lot of that being because its primary antagonist, Menoa, has heavy parallels to its two main antagonists (the Digimon Kaiser and Oikawa Yukio). I felt like I should make another post talking about Menoa in particular, and how the themes of both Adventure and 02 relate to her.
Do note that naturally, this will contain heavy spoilers for the movie (although I guess Iâve technically already spoiled it in this postâs premise...).
Before we begin, Iâm going to start off with...well, look, I donât really like starting off with whatâs probably going to sound like an indictment, but Iâm pretty sure so much of the potential audience for this post is going to be thinking about it that I inevitably need to address it. Itâs the part where a lot of people have generally accused Menoa of being a rehash of tri.âs Himekawa Maki. Honestly, I donât blame anyone for jumping to that connection, because of how similar the surface details are -- sheâs a young woman who was a Chosen Child, who lost her partner and did morally questionable things as a result. That, and tri. was only a few years ago, so Himekawa is still recent in memory, and itâs logical to think that maybe the most recent work would be pulling from the second most recent work.
...But thatâs also exactly where the similarities stop. Beyond that surface level, thereâs not much connection on a thematic level. Mainly: after losing her partner, Himekawaâs main goal was to get said partner back, even if it meant dismantling the same Digital World sheâd been originally meant to protect -- she was willing to destroy everything for the sake of that goal (i.e. she was knowingly acting selfishly). Not only that, sheâs not even the primary antagonist, because the whole thing ties into her being used as a pawn by Yggdrasil -- so weâre not even sure how much agency she had in this entire arrangement. Meanwhile, Menoaâs motives were definitely very based on her desire to get said partner back, but the whole point was that she thought it was impossible -- sheâd certainly tried, but because nothing was bearing fruit, she determined that the only thing she could do would be to prevent everyone else from going through the same thing. So in other words, she was convinced her actions were actually selfless, and her failure in getting her partner back was what motivated her -- all based on her own personal choices and motivations, directed entirely by her. Other than the backstory part being somewhat similar, the way they react to it is completely different.
If Menoa is meant to be relevant to Himekawa, then that can only really be said in the sense that Menoa is a response to and deconstruction of the plot point Himekawa introduced. This is especially because part of Kizunaâs creation involved being a direct response to tri.âs inadequate portrayal of Digimon partnerships, which, unfortunately, Himekawa is...kind of a major symptom of -- weâre never given any serious depiction on what emotional connection Himekawa and her partner had, weâre only supposed to glean this by projecting the old Adventure/02 definition and depiction of partnerships, and everything else we learn about Himekawaâs desperation is after the fact. And...well, Iâll be honest, itâs still kind of hard to even rationalize how Himekawaâs âcharacter arcâ makes much sense (especially the part where weâre supposed to figure out how she apparently studied the reboot since university but had no contingency plan for Bakumon not remembering her, to the point where this apparently drove her completely insane...?). So as a result, sheâs just killed off unceremoniously, because thereâs no real natural conclusion to this arc, nor any underlying logic as to what relationship Himekawa and Bakumon supposedly had.
So it is true that Menoa starts off with a similar base concept, but because Kizuna is dedicated to âdefining what it means to have a partnerâ, it takes a proper step-by-step approach: firstly, what did Morphomon actually mean to Menoa? Weâre given tons and tons of depictions of how Morphomon was integrated into her daily life, and was her closest confidant for years. What exactly does it mean to lose a partner? The depictions and descriptions in Kizuna donât hold back at all; Menoa even says that it feels âlike a part of your body has been ripped awayâ. What is a Digimon partner in the first place, and what does it mean to have one or to not have one? In line with Adventure/02âČs portrayal of Digimon partners, a Digimon is portrayed as a part of the inner self whose presence or absence depends on the humanâs state of mind, which means that getting a partner back also depends on said human -- and thus, even Menoa is provided an opportunity for salvation at the end, because everyone has the potential to grow again. In that sense, itâs hard to really call Menoa a parallel or a rehash, when, if anything, itâs more like sheâs taking that concept and readjusting it to what it should have been more like when under the original Adventure/02 concept of partnerships.
Anyway...
Back to Adventure and 02. On its face, Kizuna does seem to have more pertinence to 02 than it does Adventure when it comes to themes -- after all, Kizuna styles itself as something thatâs supposed to be relatable and personal to the modern millennial adult, meaning that it focuses moreso on human drama and introspection more so than it does Digital World and Digimon mechanics. In doing so, it was probably inevitable that it aligns itself more with 02 (which was significantly more about human drama and interpersonal relationships than it was Adventureâs Digital World and Digimon lore) by default.
Still, there is a lot of pertinence in the sense that Adventure was always intended to be âa story of humanityâs evolutionâ -- recalling that the 02 epilogue was actually the originally intended ending for Adventure, and the result of âeveryone in the world having a Digimon partnerâ being the âevolutionâ of humanity by having a visible form of their own soul -- and thus, the core of each enemy in Adventure was tied to it in some form. This is made especially clear in the third Adventure novel:
At the beginning of the world, when the Digital world was still in chaos, the Digital world chose the idea of âevolution.â By deciding that this process would involve the Digital world itself âevolving,â it created Homeostasis for that necessity...
...Apocalymon must have sent its thoughts through the âWall of Fireâ into the Digital world. It planted the idea into the Dark Mastersâ minds to unconsciously reject âevolution.â The Dark Mastersâ plan would permanently destroy the function of the Village of Beginnings. It was possible that, to the very end, they had been unaware of it. In other words, the construction of Spiral Mountain took âevolutionâ away from the Digital World.
When the kids finally meet Apocalymon in the penultimate episode of Adventure, he has the following complaints:
Apocalymon: We are the Digimon who have disappeared through the evolution process...The resultant build-up of thoughts that have cursed our sad and hateful fates! Sora: You were created from the dark hearts of the Digimon who disappeared? Apocalymon: Dear Chosen Children and your dear Digimon. We have been looking forward to meeting all of you. ... Apocalymon: Listen. While we lay buried under a deep darkness of utter coldness and sorrow, you were on the other side, enjoying yourselves and laughing happily in the warm light. WHY?! ... Apocalymon: What have we done to deserve this?! (tears at self) Why must we weep tears of grief while you enjoy cheerful laughter? Mimi: No, I don't want to see this! Apocalymon: We, too, have tears that flow from our eyes and feelings that flow from our hearts. Just who decided that we were to be deprived of this world and consigned to oblivion?! We wanted to live! We wanted to live and speak of friendship, justice, and love! We wanted to use this body to be helpful to this world! Are you saying that this world has no need for us? That we are meaningless?! ... Apocalymon: Then we shall rule this world! We shall make this place belong to us. All who get in our way will die! (laughs) May the light be forever cursed where it shines!
(Translation by Ryuu-Rogue.)
So, basically, Apocalymon is a âLegionâ sort of Digimon, made up of the condensed regrets of Digimon who were unable to evolve, and lived so much in despair that they decided they would drag everyone else down with them, and reform the world into their own. So in other words, his main goal to âinhibit evolutionâ was in the sense of inhibiting the Digital Worldâs own evolution and development, while it was growing alongside the human world -- all of this villainous âdestroying the worldâ and âtaking over the worldâ is all tied to a root of âinhibiting evolutionâ. And this was all intended to be tied into 02 as well, along with even the theoretical third Adventure series that never happened -- an ongoing fight for humanity and the Digital Worldâs right to continue âevolvingâ against forces that were trying to block it.
How does this relate to Menoa?
âEvolutionâ in the context of Adventure and 02 has a lot of meanings, and of course one of the most prominent ones is in terms of the metaphor of âevolution = human growth and potentialâ. Kizuna brings it to the forefront in terms of explicitly saying that Digimon growth is tied to human potential, but thatâs always been there from the beginning -- especially considering how high-level evolution is powered by human virtues, like Crests.
But by trapping everyone in Neverland, Menoa is keeping people from âevolvingâ -- not just the Digimon from evolving, but humans from gaining any growth or potential, because theyâll be fixated in their childhood memories forever. The namesake of Neverland, the original Peter Pan, was very much about how staying a child forever would involve always being immature -- Peter was not a heroic figure in the end, as he was someone who was ultimately callous and irresponsible, at times even self-serving. No one will grow as people. Everyone will stay locked in the same mentality forever. The Digimon will never evolve. Robbed of Chosen Children to help protect the world, both the human world and Digital World will be left defenseless, and perhaps even be destroyed -- and that would be the end of âevolutionâ for all.
All because of Menoaâs own grief and projection.
Moving back to 02, this is of course where the parallels start getting really explicit. As I mentioned earlier, Menoa is effectively a combination of 02âČs two most prominent antagonists -- the Digimon Kaiser, Ichijouji Ken, who was pressured into being recognized as a âgeniusâ by society and lost a grip on his true self as a result, and Oikawa Yukio, who was cut off from the Digital World in childhood and spent his adulthood trying to grasp at shallow symbols of his past, projecting on others in the process.
Actually, letâs go over these characters in their stages of antagonism!
The Digimon Kaiser:
Was recognized by society as a âgeniusâ and paraded around for those abilities; mentioned to be intelligent enough to skip grades into university (was only prevented from doing so like Menoa did because he lived in Japan, which didnât have a system for this)
Tried to smash out the aspects of himself that didnât fit the image he was aiming for, throwing away the âkindnessâ in his heart under the idea it was âweaknessâ, trying to become âbetter than othersâ
Started pushing away his own Digimon partner in the process, symbolizing a rejection of his own inner self
Ultimately, never got to have a proper childhood of having the freedom to do âmeaningless thingsâ, because he and his brother Osamu were âdemanded to grow up fastâ
Young Menoa:
Was recognized by society as a âgeniusâ to the point she felt isolated from her peers, to the point she decided to skip grades into university because she felt like it would get her recognition and allow her to be productive to society
Stopped engaging in childhood hobbies (e.g. the swing she used to play with Morphomon at) and is implied to have pushed others away in her bid to be independent
Wasnât even talking to Morphomon much anymore by the time of their separation, because sheâd prioritized her studies in order to skip grades
Ultimately turned herself into an âadultâ at the age of 14, far too young for anyone to become an adult
The surface details are a little different -- because Kenâs troubles manifested in a way that made him more âconsciously rejectâ Wormmon rather than outright neglect him, and because his reaction to being âdemanded to grow up fastâ ultimately involved him trying to ditch everything into the Digital World instead of trying to become more mature, he was spared from the fate of having an outright partnership dissolution with Wormmon at the tender age of eleven. (Although he did still have a pretty traumatizing âlossâ of Wormmon, so itâs not like he got off scot-free -- especially when getting said partner back involved a necessary epiphany about choosing to face what he did and moving forward with the consequences, something Menoa did not do during the events of the movie.) Either way, though, he managed to snap himself out of it and prevent himself from taking the same path Menoa did -- especially since the two of them are based off the same real-life origin story, the 9-year-old American boy whom Seki Hiromi read about in a newspaper, who skipped grades into Columbia University, causing her to conclude that heâd be unable to make friends his age.
Since Menoa ends up taking a different path and going âall the wayâ, once Morphomon is taken from her, she veers onto a path very similar to Oikawaâs.
Oikawa Yukio:
Was torn away from contact with the Digital World (and his future partner) by a well-meaning Hida Chikara, worried about him and Hiroki getting into âfoolish talkâ
Was isolated from the only friend he could relate to (via Hida Hirokiâs death)
Tried to make his own Digimon, implied to at least partially be inspired by trying to fill the void (see 02 episode 47), but only manages to create minions who do his bidding
Kidnapped a bunch of children under the premise that he was just giving them what they wanted; implanted Dark Seeds into them that on the surface gave them what they wanted but actually ate at their feelings
Blamed the fact he was a âtainted adultâ for his inability to go to the Digital World without more forcible methods
Menoa:
Lost her partner after discarding her childhood hobbies in order to fit societyâs standard of adulthood
Developed an obsession with becoming âindependentâ; ended up likely having no friends to connect with (states during the climax in Neverland that nobody understands how she feels)
Tried to use âscientificâ computer methods to bring back her partner, but only managed to get hordes of soulless husks to do her bidding
Kidnapped a bunch of people (eventually including literal children) under the premise that she would be saving everyone; forced them to experience eternal loops of their childhood memories that prevented them from moving forward
Blamed the fact sheâd âmade that choiceâ and become an adult for her loss of her partner
Oikawa didnât âloseâ his partner in the sense of something permanent-sounding like Morphomon, but in terms of thematic parallels, Menoa basically ends up throwing herself into his path after continuing in the direction Ken ultimately chose to tear himself away from.
Ultimately, there are still differences in execution and life circumstances between all three characters -- and thatâs how it ought to be, given that it would be inappropriate for Kizuna to be a complete rehash of 02. But considering that 02 was heavily built on the themes of ânot drowning in regret and learning to move forwardâ and âembracing the inner child and not caving to societal expectationsâ, it makes sense that Kizuna, which is built on ânot drowning in nostalgia and learning to face the futureâ and ânot losing touch with childhood memories and experiences nor the childish self to the pressures of becoming an adultâ, the parallels between the main antagonists driving the story are going to be very similar.
Although, given the events of Kizuna and how they played out...one wonders if Ken has any idea how lucky he is...
#digimon#digimon adventure#digimon adventure 02#digimon adventure last evolution kizuna#menoa bellucci#tri negativity
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Well it seems that Ghostbusters Afterlife is causing controversary just by existing and it is the same stuff that happened when the trailer for this movie first came on to the scene. The title of this article I found on Paste Magazineâs website says it all. The title of this article is âWe Should Have Cherished The 2016 Ghostbusters When We Had The Chanceâ. Yeah, you can see where this is going and I am going to cherry pick my favorite bits from the article and will link it so you can read this for yourself.
âThe second will be that although that is very much true, there will soon be a short-term tonic. That tonic arrives on July 15, and itâs the new Ghostbusters movie. On that day and any day after, buy your tickets, sit down, and cherish every second. Cherish the expertly assembled ensemble of hilarious people making every sequence a riot; cherish the bonkers new take on spirits, specters, and ghouls that need busting; cherish the titan that is Kate McKinnon stealing every scene and getting her own slo-mo action sequence; and cherish the fact that this is a reboot/remake/whatever that means to respect what came before, but remains 100 percent confident in its new vision. Cherish every fleeting moment, because while it may not be perfect or the new take on the series you were expecting, I was telling the truth when I said whatâs coming would be much, much worse.â
This is like the first part of the article and I just canât help but laugh my ass off at this. I mean, it really sets the tone for what the article is going to be about.
âThe necessity for Terminator-style time travel stems from the fact that when the movie from director Paul Feig and starring Kristen Wiig, Melissa McCarthy, Leslie Jones, and McKinnon dropped over five years ago, we didnât give ourselves a chance to bask in its comedic brilliance.â
I am sorry but did this guy say comedic brilliance??? Yes, you had four comedians which should have helped the 2016 Ghostbusters movie but there was actually no direction given to the actors. No, no, wait, thatâs not true. They were given direction and the only direction they were given is make it up as they go and just riff off of each other. oh, whatâs the word for that, I canât seem to think of the word...oh well you know what I mean. Thatâs what led to the most of the dialogue in the 2016 Ghostbusters was terrible because of the lack of actual direction from the director.
âby âcontroversyâ, I mean big babies taking to social media. Said babies made the first trailer the most âdislikedâ film trailer in YouTube history, and in turn made every conversation about the movie have to share space with sexism aimed at the cast, racism aimed at Jones, and general rage that this reboot simply didnât look like the new movie they wanted.â
Now, there is something I agree with here and thatâs the fact that all the sexism and racism the cast got is terrible is people really shouldnât do that. Assuming that, before Ghostbusters 2016 released, the movie was going to flop âbecause womanâ is just wrong. But, on the flip side, the writer of this article is basically doing this to people like Ghostbusters Afterlife MORE than Ghostbuster 2016 by calling them big babies or man babies etc. so, our writer here isnât setting the kind of example they want people to have.
âIn essence, any praise (or valid criticism) was drowned out by children who opened a box on Christmas, and saw that the toy they got wasnât the exact one they wanted, and proceeded to pout a la Verruca Salt. And a big chunk of this was all before the movie even came out.â
And this is exactly what I was just saying. The writer is calling Ghostbuster fans a bunch of children and comparing the reveal of Ghostbusters 2016 to opening and box on Christmas and seeing something they got that they didnât want. Now they also say that most of this happened before the movie release and to be honest, it was mostly the sexist and racist stuff that dominated before the movie released. AFTER the movie released is when people set that aside and said that Ghostbusters 2016 is actually an awful, not funny movie and here is the proof that is IN the movie.
âHad we as a society had the opportunity to have a normal discourse about the movie, and have the foresight to see what was coming after the success of Star Wars: The Force Awakens the previous December, people maybe would have better embraced how Feig, co-writer Katie Dippold and the cast delivered the best possible version of a reboot of a beloved franchise.â
Okay, why the fuck are you bringing The Force Awakens into an article about Ghostbusters??? Why the fuck are you trying to COMPARE Ghostbusters 2016 to The Force Awakens??? Also, did you actually watch Ghostbuster 2016? Itâs not the best possible reboot of this franchise and I am not even a fan of Ghostbusters, I just like watching them. But seriously, there is no comparison between Ghostbusters 2016 and The Force Awakens.
Here is the link to the article if you want to read it: https://www.pastemagazine.com/comedy/ghostbusters/ghostbusters-afterlife-lazy-nostalgia/
I am going to continue this in a second post.
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Digimon Adventure: Ep 19!
Wow! That certainly was an Episode!! It was pretty fun from start to finish, though nothing mind-blowing, but it was definitely the ending that made me gasp. Not wholly unexpected to an old turnip like me, but promising lots of fun (and angst!).
Picture of the week: MIKO, THE TRUE STAR OF THE SERIES!!
no for serious are the writers reading my reviews? they keep giving me what I want. within reason I guess. They seem to have an extremely limited budget as usual xâD
but Miko is still adorbs
ok Iâm really looking forward to recapping this one so letâs get to it!
So last week I thought the kids sans Taichi and Yamato were abducted by Devimon, but apparently that either isnât the case, or it was, but then Devimon decided itâs best just to dump the kids back on Earth and hold on to their partners. Because thatâs the current situation. While concerning that the kids are separated from their partners, itâs probably best this way, since Devimon appears to be sending Gesomon(?) and Parrotmon(?)
to the human world, if I remember right. Itâs hard to remember what happened in the first fifteen seconds kay So when the kids find their partners it will probably be in the human world and they can fight back.
Meanwhile Taichi and Yamato are alone and very Confuse
Taichi tries frantically to contact Koushirou. The others too... but especially Koushirou.
Finally he gets him!! Heâs so happy!! My Taishiro heart flutters!
But I was fully expecting it to be a trap. When I saw this still here, my first thought was âDevimonâs forcing him to tell Taichi a lie by threatening him with a gun!!â
of course thats not whats happening. Koushirou is relatively fine and there are no guns (yet). Whatâs happened is the other kids have been sent back to the human world for reals this time!
This show is not even bothering to hide its Taiyama angle.
They spend the entire episode giving each other Significant Looks like this. The entire episode.
Now whereâs Jou through all of this, you ask?
He went to talk to the police. Heâs shocked they donât believe his story about monster attacks and the world ending (well, at least Tokyo ending). I freaking love how taaaaall Jou is. Though it makes Koushirou look like a bean xâD
Jou = beansprout / Koushirou = bean
Koushirou has a much easier time dealing with the news that the police donât believe them. Heâs a denizen of the Internet. He knows how peopleâs minds work. And he has tons of chat logs to prove it.
People are chatting and spreading gossip and disbelief and complaints, but my favorite is the comment that just says âItâs a flood of fake newsâ xP
The home team runs into Mama Yagami! Who Sora literally calls Mama Yagami! xâD I mean I know thatâs how kids generally refer to their friendsâ parents but I still lolâd.
So un... Jou is almost as tall as Mama Yagami. LMAO. Iâm gonna assume sheâs short. Jou might indeed be quite tall for his age but Sora and Mimi are pretty close to Mama Yagamiâs height too. I guess we havenât seen Taichi standing next to his mom yet! With his hair heâs probably taller than her.
So Mama Yagami is HILARIOUS and Iâm so glad thatâs a continuing thing in the reboot! She was already that way in 99 Adventure, but weâre just seeing a lot of it now - like every time sheâs around. (And we didnât see it in Tri so I missed that.) Basically she seems like a basketcase. Not a totally irresponsible one, more like just... generally the carefree go with the flow type. Which is not bad. She just also seems a bit, uh, ditzy?? I think Taichi probably grew to be so serious by necessity. Dadâs busy with work and someoneâs gotta make sure mom doesnât leave the house without her keys!
The way Sora just stares at Hikari like âexplain??â after Mama Yagami thrusts Miko at her and runs off to get her car with a big smile as if they hadnât all nearly died recently... bahahaha.
also I love how she doesnât even bother asking her sonâs good friend if she knows where he is after not seeing or hearing from him for three full days
^The face of a boy shouldering the weight of nuclear family life and all its batshitness
Taichi and Yamato determine their priority is find the Holy Digimon. I wish they were a little more concerned with what happened to their friendsâ partners, but I guess this is the only goal with solid clues. Anyway before they can do anything they are attacked by Bulbmon Looks like subtitlers went with Valvemon which also works, who looks like a Lego monster creation by an eight year old (and probably is).
He has the Domo face. Grrraaah
Domo is NHK mascot by the way. bahahaha
Next these guys come swarming out of Valvemon. (And if we didnât already get it, apparently Digimon can construct other Digimon as weâve seen before.) Nothing is quite as freaky as gas masks. They are commanded by Minotaurmon/Mintaromon whatever.
They too have the aim of Stormtroopers though so our heroes will be fine...
... probably...
... then Leomon finally shows up!! Yay! He looks good! All beefy and scarred and sounding exactly like Zaraki Kenpachi. Uhh. Is it the same VA?? Nothing comes up in the Google search so maybe not but it sure sounds like him. (Minotaurmon and Ogremon also sound like Leomon... while itâs normal for VAs in kids shows to voice multiple characters esp minor ones, it literally sounds like Zaraki Kenpachi is the voice of all the characters in this episode besides the main ones. And Mama Yagami of course because that would be weird.)
Leomon may look cool, but his ride... and his friends... uh, less cool xâD I want to strangle that ostrich thing with its own scarf somehow it inspires violent emotion in me
In the smallest, most shocked voice, Yamato says, âLeomon...?â Itâs honestly kind of adorable. Heâs clearly remembering what Neemon said about Leomon leading the resistance way back when.
Leomon helps them escape. Taichi very considerately and cutely helps Agumon aboard the fashion disaster ostrich emu thing.
Yamato also considerately helps his partner but rather less cutely xD
Leomon takes them to his hideout and gives them your standard fare of weird-looking Digi fruit. He then proceeds to tell them about Devimon and that he is trying to infiltrate Valvemon yadda yadda.
Taichi is freaking ADORABLE, immediately concerned that by saving their asses, Leomonâs battle plans have been ruined. Leomon waves that aside though. Yamato is equally adorabibble when he asks after Neemon and gets told that they made it to Leomon safely.
Leomon plans to try to get into Valvemon again because he knows Devimonâs put something related to the holy Digimon in there. Taichi is determined to join in. He doesnât have much of an argument as it why they should be allowed when they just got their butts kicked so easily, but he has a trick up his sleeve: the Burning Eyes of Fiery Passion.
Not to be outdone, Yamato shoots off his Icy Eyes of Cold Determination.
Faced with this twin assault, Leomon has to give in. Ahh, I remember last week when we saw the trailer for this ep and I naively thought Leomon would train them like Piximon did in 99 Adventure. Nope. Theyâve just met and theyâre already spy buddies.
Okay, okay, yeah Leomon does seem to have some knowledge of the âChosen Childrenâ and thatâs his real motivation. Still.
They break into Valvemon and we get the excellent invention of Agumon riding on Garurumon. I assume because of Garurumonâs advantageous speed. That seems to be recurring thing in this show.
Idk I just capped this because heâs so darn cute
I donât know why I capped this one though.
They enter some sort of central space where Leomon tells them something relevant to the holy Digimon is being kept. (Lol I already forgot the details of what he said.) There are two protectors, Minotaurmon and Bullmon. Leomon tells the kids to take Bullmon while he faces down Minotaurmon. These guys might have been somewhat intimidating if we hadnât already got Perfect level evolutions mastered, not to mention the occasional Jogress :P Sooo I didnât feel too worried.
... uh, never mind xâD Taichi what are you doing
Yamato saves his idiot butt and almost gets in a bind himself. Once again Iâm just wondering why they are sticking at Adult level. Whatever. They win of course
Leomon uses his Fist of the Beast King to maim Minotaurmon. His brilliant one-liner? âI have more than one first.â
Bully: *punches you*
You: ow
Bully: *smirk* I have more than one fist.
You: Thatâs funny, I only have one, but itâs made of titanium *You punch the bully straight through the stratosphere* Quality over quantity!!!!
*cough*
Our heroes approach the secret compartment supposedly holding something to do with the holy Digimon... Yamato gets a look inside and gets the black shadow of true terror over his eyes
becaue floating inside like some kind of Weapon X experiment is... Takeru!!!
Hold on while I put in my ear plugs. Okay, ready, screech all you want now.
EEEEEEEEEEEEEEEEEEEEE!!
So... okay. First of all, baby Takeru is sooooooo cute <3 I had two predictions about what happened to Takeru last week. Either he ended up in the digital world and was now on his own, or he got abducted by Devimon. I thought the former was more likely, but in hindsight, it should have been obvious that it was the second. This show misses a lot of points where I feel like they could have developed some relationships or thrown in some drama, but it never passes up a chance for Yamato angst.
So yeah, this is pretty much gonna destroy Yamato xD Not only is the baby brother he wanted to protect no longer at home where he can easily protect him, heâs now in the digital world and in the enemyâs clutches.
I BETTER SEE REALLY TRAUMATIZED YAMATO NEXT WEEK. Of course, I expect him to be cool-headed enough to try to save Takeru, but I will be very disappoint if this goes off with no break downs at all. Takeru is always Yamatoâs number one priority!
Super exciteddddd
So I give this ep 7.5/10. The .5 is pretty much for ending with a killer cliffhanger. My one real complaint about this ep is how highly plot-based everything is - we finally got the team all together only to split them up, and on top of that, once split up, we donât even get all that many character moments between Taichi and Yamato. As I said, they give each other lots of Signifcant Looks, but man cannot live on bread alone. However this is par for the course for this show and I know I should stop mentioning it every week because I doubt itâs changing. We will get the big shockers when we get them and not a moment before.
I just want Yamato to cry in front of Taichi and make him all uncomfortable xâD Thatâs what made 99 Adventure so great bahahaha
Some cool bits from next weekâs trailer:
Surprise surprise, Angemon is the holy Digimon! Or one of, anyway. And he is indeed trapped. This makes the âAngemon is Devimonâ theory less likely. Letâs not forget that our heroesâ Digimon partners were evidently a band of powerful warriors in the past, but theyâve forgotten much of it. I wonât be surprised if the result of that war played a part in Angemonâs abduction.
Next week theyâll have to fight to save Takeru from being drained, I guess.
And then!! Digi egg! Excite. Also I only just noticed that his hate says TK!!!
Takeruuu <3 My first fav when I was 10. Though my heart has belonged to Taichi for many long years, I still have a special spot in it for Takeru only <3 Even if he does dress like a celery stick
#digimon adventure 2020#digimon adventure:#digimon adventure reboot#digi spoilers#digimon#fizz watches digimon 2020#i made edits lets see if they save for once...
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If you were to ask me whether Iâd choose to watch episode 24 of Gou or to have a mad case of diarrhea due to eating one of those sandwiches at Arbyâs, Iâd probably choose the latter.
Just...there is nothing really salvageable from the season finale for Gou now that it is made clear that there will be an additional season come July. It just feels...empty like why did I dedicate a few months to watching the anime for it to end on a sour note?Â
Thereâs just not much to gain here. The episode basically confirms a lot of what we already know: we see Takano having a ânightmareâ of her killing herself once she was defeated even though that doesnât really make much sense. I will commend the show for at least better properly depicting the nurse as more sympathetic: that was kind of the issue that I had with Kai. It just poorly adapts Takanoâs origin story to where itâs hard to truly feel bad for her even when knowing she had a horrible childhood. I mean that came right smack after the episode where she kills everyone execution style and disembowels a little girl; thereâs just no coming back from that. So, props to the show for making me care a little bit.Â
We get some insights into the conspiracy Takano was behind, so we do see now what made her deflect. And of course, we get to know the obvious: Satoko was the one who stole a sample of H173 to inject people with it (dun, dun, duuuunnnn!!!). And we end the episode with Takano giving up her goals of becoming god and Satoko taking the mantle calling herself the new Oyashiro-sama. Even though that doesnât make much sense because when she was performing the Watanashi ritual and gutting Rika, she claimed to be the new shrine maiden of the godlike being Not Hanyuu and Totally Not Featherine. So was it that she was referring to herself in that moment? And of course as the new god, Satoko intends on using the new curse to break Rika. Fuck this bitch.Â
Out of everything; the false advertising this as a remake/reboot when it was really a sequel to the OG show, to Satoko and Rikaâs character derailment, and the thin line of whether this should be taken as canon due to the obvious ties it has with Umineko, the show ends up validating many a fansâ concerns as to the necessity of this continuation. It at first didnât appear to know what it wanted to be: a straight retelling of the events of the original question arcs, or if itâs trying to not just tell the same tales beat to beat, but also add on more twists and plot holes. You cannot have your cake and eat it too.Â
But what is the most irritating bit of this is that in the end...really, nothing mattered.
#higurashi: when they cry#higurashi when they cry gou#higurashi: when they cry gou#satoko houjo#satoko hojo#hojo#houjo#satoko#hojo satoko#rika#miyo takano#takano miyo
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Hey guys! So this is something I wrote awhile ago and idk if yâall will like it but wanted to post it đ let me know what you think and/or if I should write more. If you have any questions about horse stuff feel free to message me! The cover page has all the horses on it! Iâll reboot with the order of which horse is which.
5sos x horses; Luke Hemmings x Nicole
Chapterâ â1
Theâ âtrailerâ âdoorâ âswungâ âopenâ âandâ âaâ âbeautifulâ âchestnutâ âwarmbloodâ âbackedâ âoutâ âwithâ âhisâ âheadâ âheldâ âhighâ âandâ âhisâ âtail brushingâ âagainstâ âhisâ âlegs,asâ âheâ âswishesâ âitâ âbackâ âandâ âforth.â âHisâ ânameâ âwasâ âetchedâ âonâ âtheâ âsilverâ âplateâ âattachedâ âtoâ âthe cheekâ âpieceâ âofâ âhisâ âorangeâ âhalter.â âTheâ âscriptureâ âwasâ âneatâ âandâ âstraight,â âetchedâ âinâ âallâ âcapitalâ âlettersâ â"CRASH"â âcentered inâ âtheâ âmiddleâ âofâ âtheâ âplate.â âCrashâ âwasâ âaâ âheckâ âofâ âaâ âhorse,â âstrongâ âandâ âtrainedâ âtoâ âtheâ ât.â âHeâ âexcelledâ âinâ âeverythingâ âheâ âdid. Heâ âwonâ âalmostâ âallâ âtheâ âJumperâ âshowsâ âheâ âenteredâ âandâ âexcelledâ âinâ âdressage.â âCrashâ âwasâ âsentâ âtoâ âmyâ âfarmâ âasâ âa retirementâ âhome,â âevenâ âthoughâ âhe'sâ âonlyâ âaboutâ â6.â âHisâ âownerâ âdecidedâ âthatâ âheâ âshouldâ âretireâ âfromâ âtheâ âshowâ âlifeâ âandâ âjust beâ âaâ ânormalâ âhorseâ âsoâ âIâ âboughtâ âhimâ âtoâ âteachâ âpeopleâ âhowâ âtoâ âjumpâ âandâ âuseâ âhimâ âasâ âaâ âbeginnerâ âlevelâ âshowâ âhorse.â âIâ âtook Crashâ âfromâ âtheâ âtrailerâ âhandâ âandâ âledâ âhimâ âintoâ âtheâ âbarn.
Theâ âbarnâ âhadâ âaboutâ â12â âstallsâ âwithâ âanâ âattachedâ âindoorâ âridingâ âarenaâ âatâ âtheâ âend.â âThereâ âwereâ â6â âsetsâ âofâ âcrossâ âties inâ âtheâ âisleâ âbetweenâ âtheâ âstalls.â âThereâ âwasâ âaâ âroomâ â5â âstallsâ âdeepâ âonâ âtheâ âleftâ âthatâ âwasâ âfilledâ âwith saddles,halters,leads,bridles,â âandâ âeverythingâ âtheâ âhorsesâ âneededâ âalongâ âwithâ âtheirâ âfood.Allâ âtheâ âstallsâ âledâ âoutâ âtoâ âlong stretchedâ âoutâ âpaddocks,â âleavingâ âtheâ âhorsesâ âplentyâ âofâ âroomâ âtoâ ârunâ âandâ âgraze.â âAllâ âtheâ âhorsesâ âwereâ âoutsideâ âinâ âtheir pasturesâ âwhenâ âweâ âenteredâ âtheâ âbarnâ âandâ ââ âIâ âbroughtâ âCrashâ âintoâ âtheâ â4theâ âstallâ âonâ âtheâ âleft.â âIâ âreleasedâ âtheâ âleadâ âfromâ âthe placeâ âitâ âwasâ âclippedâ âonâ âhisâ âhalter,â âlettingâ âhimâ âlooseâ âinâ âhisâ âstall.â âHeâ âinstantlyâ âgulpedâ âupâ âsomeâ âwaterâ âandâ âmovedâ âtoâ âhis hayâ âwithâ âaâ âwagâ âofâ âhisâ âtail.â âAfterâ âwavingâ âoffâ âtheâ âtrailerâ âhand,â âiâ âclimbedâ âupâ âintoâ âtheâ âhayâ âloftâ âandâ âpushedâ âdownâ â8â âbalesâ âof hay,â âlandingâ âthemâ ârightâ âoutsideâ âtheâ âfrontâ âdoorâ âofâ âtheâ âbarn.
"Oy,Nicole!â âYouâ âalmostâ âcrushedâ âusâ âthereâ âsweetheart."â âaâ âthickâ âAustralianâ âaccentâ âcalledâ âfromâ âbelow.â âIâ âsmiled asâ âiâ âclimbedâ âdownâ âtheâ âladderâ âfacedâ âwithâ â4â âboysâ âcoveredâ âinâ âhay.â â"Sorryâ âguys!"â âIâ âgiggleâ âasâ âiâ âgrabâ âeachâ âhayâ âbailâ âand quicklyâ âstackâ âthemâ âinâ âaâ â4X4â âpile.â â"Haven'tâ âbroughtâ âtheâ âhorsesâ âinâ âyet?"â âAâ âvoiceâ âaskedâ âformâ âbehindâ âme.â âIâ âturnâ âaroundâ âto faceâ âhim.â âHeâ âisâ âtall,â âaboutâ â6'3",â âwithâ âbrightâ âblueâ âeyesâ âandâ âblondeâ âhairâ âthatâ âwasâ âstyledâ âupâ âintoâ âaâ âquiff.â â"Theâ ânewâ âhorse cameâ âjustâ âaâ âfewâ âminutesâ âago,Lucas.Iâ âhaven'tâ âhadâ âtime."â âIâ âsmiledâ âatâ âhimâ âasâ âiâ âwalkedâ âupâ âtoâ âhimâ âandâ âquicklyâ âkissedâ âhim onâ âtheâ âlips.â âIfâ âyouâ âcouldn'tâ âtellâ âtheâ âblonde,tallâ âboyâ âisâ âmyâ âboyfriendâ âLuke.â âWithâ âhimâ âheâ âbroughtâ âhisâ âfriends Ashton,Calum,andâ âMichael.â âAshtonâ âisâ âtallâ âbutâ âtheâ âshortestâ âofâ âtheâ âboys.â âheâ âhasâ âcurlyâ âbrownâ âhairâ âwithâ âemeraldâ âgreen eyesâ âandâ âisâ âalwaysâ âsmiling.â âHeâ âworeâ âaâ ârippedâ âupâ âmuscleâ âteeâ âandâ âblackâ âskinnyâ âjeanâ âidenticalâ âtoâ âtheâ ârestâ âofâ âtheâ âboys. Calumâ âhasâ âblackâ âhairâ âwithâ âaâ âblondâ âstreakâ âinâ âhisâ âbangsâ âthatâ âisâ âsweptâ âoffâ âtoâ âtheâ âsideâ âjustâ âoverâ âhisâ âchocolateâ âbrownâ â. Michaelâ âhasâ âaâ âdifferentâ âhairâ âcolorâ âeveryâ âtimeâ âiâ âseeâ âhim,â âbutâ âtodayâ âitâ âwasâ âredâ âandâ âstyledâ âinâ âaâ âmessyâ âwindâ âsweptâ âlook hidingâ ââ âaâ âlittleâ âbitâ âofâ âhisâ âjadeâ âeyesâ âfromâ âview.
"Doâ âyouâ âguysâ âwannaâ âhelpâ âmeâ âgetâ âthemâ âin?"â âiâ âaskedâ âasâ âiâ âranâ âdownâ âtoâ âtheâ âendâ âofâ âtheâ âbarnâ âenteringâ âtheâ âstalls andâ âclippingâ âtheâ âdoorsâ âtoâ âtheâ âpaddocksâ âopenâ âandâ âslidingâ âtheâ âstallâ âdoorsâ âclosedâ âbehindâ âme.â âAshtonâ âandâ âCalumâ âdidâ âthe sameâ âasâ âIâ âsawâ âLukeâ âandâ âMichaelâ âstrugglingâ âtoâ âopenâ âaâ âhayâ âbail.â â"Um,Nicoleâ âdoâ âyouâ âhaveâ âlikeâ âaâ âknifeâ âorâ âsomething?" Michaelâ âyellsâ âtoâ âmeâ âasâ âiâ âmeetâ âCalumâ âandâ âAshtonâ âbyâ âtheâ âtackâ âroom,â âallâ âtheâ âstallsâ âreadyâ âforâ âtheâ âhorses.â â"Youâ âdon'tâ âneed one,Mike."â âiâ âsayâ âasâ âiâ âwalkâ âoverâ âtoâ âthemâ âandâ âtakeâ âtheâ âbalingâ âtwineâ âandâ âpoppingâ âitâ âoffâ âtheâ âhay.â â"Yourâ âgirlfriendsâ âgotâ âsome muscle,â âLuke"â âMichaelâ ânudgesâ âLukeâ âinâ âtheâ âarmâ âasâ âheâ âwatchesâ âmeâ âbreakâ âopenâ â4â âmoreâ âbalesâ âofâ âhay.â â"It'sâ âbecauseâ âI've beenâ âopeningâ âhayâ âbalesâ âforâ âyouâ âforâ âlikeâ â3â âyears."â âiâ âturnâ âaroundâ âandâ âlookâ âatâ âMichaelâ âwhoâ âisâ âshockedâ âforâ âbeingâ âcalledâ âout onâ ânotâ âbeâ âableâ âtoâ âdoâ âit.â âTheâ ârestâ âofâ âtheâ âboysâ âstartâ âlaughingâ âatâ âMichaelsâ âlackâ âofâ âwordsâ âandâ âsoonâ âheâ âjoinsâ âinâ ârealizingâ âi
wasâ âjoking.Partially.â âTheâ â4â âboysâ âhelpedâ âmeâ âgetâ âhayâ âinâ âallâ âtheâ âstall,â âLukeâ âtossingâ âaâ âbrokenâ âupâ âbaleâ âoverâ âhisâ âshoulder andâ âwalkingâ âtoâ âtheâ âendâ âofâ âtheâ âbarn,â âthrowingâ â2â âflakesâ âinâ âeachâ âstallâ âuntilâ âheâ âranâ âout.
Asâ âsoonâ âasâ âtheâ âhayâ âwasâ âinâ âallâ âtheâ âstalls,â âCalumâ âturnsâ âtoâ âmeâ âandâ âasksâ â"canâ âiâ âdoâ âitâ âthisâ âtime?"â âIâ âlaughâ âasâ âIâ ânod myâ âheadâ âandâ âgrabâ âontoâ âLuke'sâ âarmâ âasâ âheâ âcomesâ âupâ ânextâ âtoâ âme.â âCalumâ âputâ âhisâ âfingersâ âinâ âhisâ âmouthâ âandâ âwhistledâ âloud andâ âlongâ âandâ âthereâ âwasâ âaâ âmomentâ âofâ âsilenceâ âthroughoutâ âtheâ âbarnâ âthenâ âthereâ âwasâ âtheâ âsoundâ âofâ âthunderingâ âhooves.â âAll theâ âhorsesâ âcameâ ârunningâ âinâ âasâ âweâ âstoodâ âatâ âtheâ âbeginningâ âofâ âtheâ âbarnâ âandâ âwatchedâ âasâ âtheâ âhorsesâ âstartedâ âtoâ ânibbleâ âon theirâ âhay.â âInâ âtheâ âstallâ âtoâ âourâ âleftâ âwasâ âCam,â âaâ âbigâ âchestnutâ âsuffolkâ âpunch.â âHisâ âcoatâ âglistenedâ âfromâ âtheâ âsunlightâ âpeekingâ âin throughâ âtheâ âdoorâ âbehindâ âhim,â âmakingâ âhimâ âlookâ âasâ âifâ âheâ âwasâ âsparkling.â âOnâ âtheâ âRightâ âsideâ âwasâ âJoe,â âaâ âbigâ âblack percheronâ âwithâ âaâ âhugeâ âheadâ âandâ âbody.â âHisâ âmaneâ âwasâ âperfectlyâ âstraightâ âandâ âfloppedâ âtoâ âoneâ âsideâ âasâ âheâ âateâ âhisâ âhay. Besideâ âCamâ âwasâ âmyâ âfavoriteâ âhorse,â âBaelfire.â âHeâ âisâ âaâ âbeautifulâ âbayâ âArabianâ âwithâ âaâ âbeautifulâ âwhiteâ âblazeâ âgoingâ âdownâ âhis foreheadâ âandâ âendingâ âatâ âtheâ âendâ âofâ âhisâ ânose.
Acrossâ âfromâ âBaelfireâ âwasâ âJade.â âIâ âhaveâ âhadâ âJadeâ âsinceâ âsheâ âwasâ âaâ âfoal.Iâ ârescuedâ âherâ âformâ âanâ âanimalâ âshelter afterâ âherâ âmotherâ âpassedâ âawayâ âandâ âneededâ âconstantâ âcare.â ââ âThereâ âwasâ âaboutâ âaâ âmonthâ âwhereâ âiâ âwasâ âsleepingâ âinâ âtheâ âbarn withâ âherâ â,feedingâ âherâ âbottlesâ âeveryâ â3â âhours.â âNowâ âsheâ âwasâ âoneâ âofâ âtheâ âbestâ âhorsesâ âI'veâ âeverâ âtrained.â âEvenâ âthoughâ âsheâ âis aboutâ â7â âyearsâ âold,â âsheâ âisâ âtrainedâ âtoâ âunderstandâ âmyâ âvocalâ âcommandsâ âandâ âiâ âuseâ âherâ âallâ âtheâ âtimeâ âtoâ âteachâ âtheâ âbarnâ âkids howâ âtoâ âride.â âSheâ âisâ âaâ âbeautifulâ âwhiteâ âWarmbloodâ âmareâ âandâ âisâ âoneâ âofâ âtheâ âmostâ âbeautifulâ âhorsesâ âI'veâ âeverâ âseen.â âNextâ âto Baelfireâ âwasâ âLuke'sâ âhorse,â âCoal.â âWeâ âhadâ âgottenâ âhimâ âaboutâ âaâ âyearâ âandâ âaâ âhalfâ âagoâ âasâ âaâ â5â âyearâ âoldâ âandâ âLukeâ âinstantly fellâ âinâ âloveâ âwithâ âhim.â âHorsesâ âthenâ âturnedâ âintoâ âaâ âpassionâ âforâ âbothâ âofâ âus.â âLukeâ âworkedâ âhardâ âwithâ âCoalâ âtoâ âmakeâ âhimâ âthe excellentâ âhorseâ âthatâ âheâ âisâ âtoday.â âCoalâ âisâ âabsolutelyâ âspoiledâ âtoo.â âLukeâ âalwaysâ âsneaksâ âdownâ âandâ âgivesâ âhimâ âtwizzlersâ âand candy,â âwhichâ âCoalâ âlovesâ âandâ âcanâ ânowâ âsmellâ âonâ âanyone,â âevenâ âinâ âyourâ âbreath.â âAcrossâ âfromâ âCoalâ ââ ââ âisâ âaâ âhorseâ ânamed Klausâ âwhoâ âisâ âtheâ âbiggestâ âhorseâ âinâ âtheâ âbarn.â âHeâ âisâ âaâ âbeautifulâ âblackâ âandâ âwhiteâ âshireâ âwithâ âwithâ âfluffyâ âwhiteâ âfeatheringâ âon hisâ âjetâ âblackâ âlegs.â ââ âHeâ âhasâ âaâ âstraightâ âblazeâ ârunningâ âdownâ âtheâ âlengthâ âofâ âhisâ âfaceâ âandâ âendingâ ârightâ âaboveâ âhisâ ânose. Despiteâ âhisâ âbigâ âbody,â âhe'sâ âtheâ âsweetestâ âhorseâ âandâ âeveryoneâ âwhoâ âmeetsâ âhimâ âinstantlyâ âfallsâ âinâ âloveâ âwithâ âhim.â âNextâ âto Klausâ âisâ âCrashâ âtheâ âwarmbloodâ âthatâ âIâ âreceivedâ âthisâ âmorning.â âHeâ âwasâ âsettlingâ âinâ ânicelyâ âasâ âheâ âmunchedâ âonâ âhisâ âhay lookingâ âupâ âandâ âdownâ âtheâ âaisleâ âatâ âtheâ âhorsesâ âaroundâ âhim.â âAcrossâ âfromâ âCrashâ âisâ âBeck.â âBeckâ âisâ âaâ âsolidâ âcoloredâ âgolden paintâ âwithâ âaâ âflaxenâ âmane.Beckâ âisâ âsortâ âofâ âtheâ âbarnâ âstud.â âHeâ âalwaysâ âhasâ âtheâ â2â âbarnâ âmaresâ âaroundâ âhimâ âandâ âheâ âisâ âalways veryâ âpossessiveâ âoverâ âthem.â âTheâ âotherâ âhorsesâ âletâ âhimâ âthinkâ âhe'sâ âtheâ âbossâ âbutâ âwhenâ âheâ âstepsâ âoutâ âofâ âlineâ âtheâ âhorsesâ âput himâ ârightâ âbackâ âinâ âhisâ âplace.
Nextâ âtoâ âBeckâ âisâ âanâ âemptyâ âstallâ âatâ âtheâ âmoment.â âAcrossâ âfromâ âtheâ âemptyâ âstallâ âisâ âtheâ âtackâ âroomâ âfilledâ âwithâ âsaddles andâ âbridles,alongâ âwithâ âbrushes,firstâ âaidâ âsupplies,â âandâ âaâ âbunchâ âofâ âotherâ âhorseâ ânecessities.â âNextâ âtoâ âtheâ âtackâ âroomâ âisâ âa chestnutâ âwarmbloodâ âgeldingâ ânamedâ âKing.â âHeâ âisâ âtheâ âoldâ âguyâ âonâ âtheâ âfarmâ âatâ âtheâ âageâ âofâ â24,whichâ âisâ âjustâ âaâ ânumberâ âto him.â âKingâ âlovesâ âtoâ ârunâ âandâ âheâ âlovesâ âtoâ âactâ âlikeâ âaâ â2â âyearâ âoldâ âandâ ârunâ âaroundâ âtheâ âpaddocksâ âwithâ âtheâ âyoungâ âgunsâ âofâ âthe barn.â âWeâ âneverâ âcountâ âKingâ âoutâ âbecauseâ âofâ âhisâ âage.â âHisâ âageâ âjustâ âmakesâ âhimâ âmoreâ âexperienced.â âAcrossâ âfromâ âKingâ âis theâ âotherâ âbarnâ âmareâ âAussieâ âwhoâ âisâ âanâ âAustralianâ âStockâ âhorse.â âSheâ âisâ âaâ âbeautifulâ âdarkâ âbayâ âwithâ âlightâ âpointsâ âandâ âlegs. Aussieâ âisâ âaâ âgreatâ âtrailâ âhorseâ âandâ âhasâ âreceivedâ âmanyâ âribbonsâ âinâ âreiningâ âandâ âbarrelâ âracing.â âIâ âstillâ âtakeâ âherâ âtoâ âshowsâ âevery onceâ âinâ âaâ âwhileâ âbutâ âhereâ ânewâ âfavoriteâ âthingâ âtoâ âdoâ âisâ âtoâ âgoâ âswimmingâ âinâ âtheâ âlakeâ âdownâ âoneâ âofâ âtheâ âtrails.â âNextâ âtoâ âAussie isâ âoneâ âofâ âmyâ âfavoriteâ âhorses,â âDino.â âDinoâ âisâ âanâ â18â âhandâ âgiantâ âWarmbloodâ âandâ âisâ âeverâ âpoundâ âofâ â2,000lbs.â âDinoâ âisâ âaâ âdark bayâ âwithâ âlightâ âdapplesâ âonâ âhisâ ârearâ âandâ âwhiteâ âsocksâ âonâ âhisâ âtwoâ âfrontâ âlegs.â âAcrossâ âfromâ âDinoâ âisâ âaâ âsmallâ âPaintâ ânamed Masonâ âwhoâ âisâ âveryâ âvibrantâ âredâ âpaintâ âwithâ âoneâ âbrownâ âeyeâ âandâ âoneâ âblueâ âeye.â âMasonâ âisâ âTheâ âyoungestâ âhorseâ âthatâ âiâ âhave atâ âjustâ âaboutâ â3â âyearsâ âold.â âHeâ âisâ âridable,â âbutâ âisâ âveryâ âgreenâ âandâ âneedsâ âaâ âlotâ âofâ âhelp.â âEveryâ âoneâ âofâ âtheseâ âhorsesâ âholdsâ âa specialâ âplaceâ âinâ âmyâ âheartâ âandâ âtheyâ âareâ âallâ âfamilyâ âtoâ âLukeâ âandâ âI.
"Soâ âyouâ âguysâ âreadyâ âtoâ âgoâ ânow?"â âIâ âaskâ âasâ âIâ âenterâ âtheâ âtackâ âroomâ âwalkingâ âdownâ âtheâ âlineâ âofâ âbridlesâ âhookedâ âtoâ âthe wallâ âandâ âgrabbingâ âtheâ âblackâ âleatherâ âbridleâ âwithâ âaâ âsnaffleâ âbitâ âonâ âitâ âandâ âaâ âsilverâ âtagâ âonâ âtheâ âbrowâ âbandâ âreadingâ â"Baelfire".â âI thenâ âgrabâ âmyâ âsaddleâ âfromâ âtheâ âsaddleâ ârackâ âtoâ âtheâ âleftâ âofâ âallâ âtheâ âbridles,â âalongâ âwithâ âaâ âsaddleâ âpadâ âandâ âgirth.â â"Ashâ âhere hasâ âneverâ âriddenâ âaâ âhorse,â âNicole"â âMichaelâ âsaysâ âasâ âheâ âgrabsâ âAshton'sâ âshouldersâ âandâ âpushesâ âhimâ âaâ âlittle.â â"â âHeâ âcanâ âride Jade!â âWhereâ âdidâ âLukeâ âgo,â âheâ âcanâ âhelp"â âIâ âaskâ âMichaelâ âasâ âLukeâ âisâ ânoâ âwhereâ âtoâ âbeâ âfound.â âAsâ âifâ âonâ âqueue,â âLukeâ âcomes outâ âofâ âoneâ âofâ âtheâ âstallsâ âandâ âstartsâ âwalkingâ âtowardsâ âus.â â"Wellâ âiâ âwasâ âtackingâ âupâ âCoalâ âcauseâ âiâ âhadâ âaâ âfeelingâ âyouâ âwere gonnaâ âaskâ âmeâ âtoâ âhelpâ âAsh."â âLukeâ âannouncesâ âasâ âheâ âcomesâ âupâ ânextâ âtoâ âmeâ âwithâ âallâ âmyâ âtackâ âinâ âmyâ âarmâ âandâ âgrabsâ âmy saddleâ âandâ âplacesâ âitâ âonâ âtheâ âsaddleâ ârackâ ânearâ âBaelfiresâ âstall.â â"â âThankâ âyou,â âBaby."â âiâ âsayâ âasâ âwalkâ âupâ âtoâ âwhereâ âheâ âwas withâ âmyâ âsaddleâ âandâ âiâ âattachedâ âmyâ âlipsâ âtoâ âhis.â âAtâ âfirstâ âitâ âwasâ âaâ âsoftâ âkissâ âbutâ âthenâ âitâ âgrewâ âintoâ âmoreâ âofâ âaâ âkiss.Iâ âstartedâ âto
Laughâ âintoâ âtheâ âkissâ âasâ âBaelfireâ âreachedâ âhisâ âheadâ âoutâ âofâ âtheâ âstallâ âandâ âgrabbedâ âLukeâ âbyâ âhisâ ât-shirt.â âLukeâ âpulledâ âaway fromâ âtheâ âkissâ âfeelingâ âtheâ âpressureâ âofâ âBaelfireâ âpullingâ âonâ âhimâ âandâ âonceâ âheâ âgotâ âhisâ âshirtâ âfree,â âheâ âsaidâ â"Iâ âguessâ âiâ âhave someâ âcompetition,â âHeyâ âBaelfire."â âLukeâ âgiggledâ âasâ âheâ âscratchedâ âBaelfiresâ âheadâ âandâ âstartedâ âwalkingâ âtowardsâ âtheâ âtack room.â â"Whatâ âdoâ âyouâ âwantâ âJadeâ âin,Nicole?"â âLukeâ âyellsâ âoverâ âhisâ âshoulderâ âasâ âheâ âentersâ âtheâ âtackâ âroom.â â"â âThrowâ âherâ âinâ âthe kimberwickâ âandâ âuseâ âMason'sâ âsaddle."â âIâ âyellâ âasâ âIâ âgetâ âaâ âhalterâ âonâ âBaelfireâ âandâ âpullâ âhimâ âintoâ âtheâ âaisle,â âattachingâ âhimâ âto theâ âcrossâ âties.â â"Whatâ âtheâ âheckâ âdidâ âyouâ âjustâ âsay?"â âAshtonâ âgiggledâ âasâ âheâ âlookedâ âatâ âmeâ âlikeâ âiâ âhadâ â3â âheads.â â"It'sâ âtheâ âtack Ash.â âLukeâ âwillâ âshowâ âyou."â âIâ âlaughâ âasâ âiâ âreturnâ âtoâ âBaelfireâ âandâ âstartâ âbrushingâ âhimâ âoff.â âCalumâ âandâ âMichaelâ âcomeâ âoutâ âofâ âthe tackâ âroomâ âwithâ âtackâ âandâ âplaceâ âthemâ âonâ âtheâ âsaddleâ âracksâ âthatâ âareâ âonâ âtheâ âwallâ âdownâ âtheâ âaisles.â â"Areâ âyouâ âguysâ âtaking Beckâ âandâ âDino?"â âIâ âaskâ âasâ âtheâ âwalkâ âdownâ âtoâ âtheâ âendâ âofâ âtheâ âbarnâ âandâ âintoâ âstalls.â â"Yes,Nicole.â âIsâ âthatâ âaâ âproblem?"â âCalum sassesâ âasâ âheâ âgivesâ âmeâ âaâ âgrinâ âandâ âentersâ âDino'sâ âstall.â â"â âIâ âlaughâ âandâ âcontinueâ âbrushing.
â âLukeâ âcomesâ âoutâ âofâ âtheâ âtackâ âroomâ âwithâ âAshtonâ âinâ âtoeâ âandâ âsetsâ âtheâ âtackâ âdownâ âonâ âtheâ âsaddleâ ârackâ âwithâ âaâ âPurple saddleâ âpad.â âIâ âputâ âBaelfire'sâ âlightâ âblueâ âsaddleâ âpadâ âonâ âhisâ âbackâ âalongâ âwithâ âtheâ âsaddle.â âIâ âthenâ âattachedâ âtheâ âgirthâ âand tightenedâ âitâ âonâ âbothâ âsides.â âIâ âunclippedâ âBaelfireâ âfromâ âtheâ âcrossâ âtiesâ âandâ âslipâ âtheâ âreinsâ âoverâ âhisâ âheadâ âandâ âslideâ âoffâ âhis halter.â âIâ âslowlyâ âpushâ âtheâ âbitâ âinâ âhisâ âmouthâ âandâ âpullâ âtheâ âcrownâ âpieceâ âoverâ âhisâ âearsâ âandâ âadjustedâ âtheâ ânoseâ âbandâ âandâ âthroat latch.â âIâ âleftâ âtheâ âreinsâ âoverâ âhisâ âneckâ âandâ âjustâ âletâ âhimâ âstandâ âthereâ âasâ âIâ âputâ âonâ âhisâ âlightâ âblueâ âsplintâ âboots.â âOnceâ âIâ âwasâ âall tackedâ âup.â âIâ âlookedâ âbehindâ âmeâ âtoâ âseeâ âeveryoneâ âtackedâ âbutâ âAshton.â â"Whatsâ âtheâ âholdâ âupâ âLuke?"â âIâ âaskâ âasâ âiâ âcomeâ âupâ âto Jade'sâ âside.â â"Umm,â âwellâ âiâ âcan'tâ âfindâ âherâ âgirth"â âHeâ âsaysâ âasâ âheâ âscratchesâ âtheâ âbackâ âofâ âhisâ âneckâ âandâ âlooksâ âaroundâ âtheâ âtack room.â âIâ âgoâ âinâ âtheâ âtackâ âroomâ âandâ âlookâ âunderâ âsomeâ âofâ âtheâ âsaddleâ âracksâ âandâ âfindâ âtheâ âgirthâ âweâ âwereâ âlookingâ âforâ âunderâ âone. Itâ âmustâ âhaveâ âfallenâ âwhileâ âweâ âwereâ âmovingâ ïżœïżœallâ âtheâ âtackâ âaround.â âIâ âexitâ âtheâ âtackâ âroomâ âandâ âhandâ âLukeâ âtheâ âgirthâ âasâ âhe handsâ âitâ âtoâ âAshton,â âheâ âinstructsâ âhimâ âonâ âhowâ âtoâ âputâ âitâ âon.â â"Ok.â âAshâ âsoâ âyouâ âbuckleâ âitâ âlikeâ âaâ âbeltâ âandâ âthenâ âyouâ âgoâ âtoâ âthe otherâ âsideâ âandâ âtightenâ âitâ âaâ âbit."â âAshtonâ âdoesâ âtheâ âgirthâ ânoâ âproblemâ âandâ âthenâ âpicksâ âupâ âtheâ âbridleâ âfromâ âtheâ âsaddleâ ârackâ âand movesâ âtoâ âherâ âheadâ âandâ âunclipsâ âherâ âfromâ âtheâ âcrossâ âtiesâ âandâ âbridlesâ âher.â âAfterâ âheâ âisâ âdoneâ âbridlingâ âJade,â âHeâ âputsâ âonâ âher purpleâ âsplintâ âbootsâ âandâ âsheâ âisâ âallâ âsetâ âtoâ âgo.
Weâ âallâ âwentâ âoutsideâ âwithâ âourâ âhorsesâ âinâ âoneâ âhandâ âandâ âaâ âhelmetâ âinâ âtheâ âother.â âMichaelâ âledâ âBeckâ âoutâ âinâ âhisâ âdark greenâ âsaddleâ âpadâ âandâ âsplintsâ âwhichâ âcontrastedâ âperfectlyâ âwithâ âhisâ âlightâ âcoatâ âcolor.â âCalumâ âcameâ âoutâ ânextâ âwithâ âDinoâ âinâ âa Tealâ âsaddleâ âpadâ âandâ âwhiteâ âsplintâ âboots,â ânotâ âmatchingâ âtheâ âtealâ âbecauseâ âweâ âcouldn'tâ âfindâ âtealâ âsplintsâ âinâ âhisâ âsize.â ââ âFinally Ashtonâ âandâ âLukeâ âcomeâ âoutâ âwithâ âJadeâ âandâ âCoalâ âandâ âjoinâ âusâ âinâ âtheâ âlittleâ âfieldâ âinâ âfrontâ âofâ âtheâ âbarn.â âLukeâ âputâ âCoalâ âisâ âaâ âbark blueâ âsaddleâ âpadâ âandâ âsplints,â âwhichâ âkindaâ âmatchedâ âwithâ âBaelfireâ âandâ âI.â âLuke,Calum,andâ âMichaelâ âallâ âhopâ âonâ âtheirâ âhorses andâ âputâ âtheirâ âhelmetsâ âon.â âIâ âtieâ âupâ âBaelfiresâ âreinsâ âandâ âletâ âhimâ ânibbleâ âonâ âsomeâ âgrassâ âandâ âwalkâ âoverâ âtoâ âAshtonâ âtoâ âhelpâ âhim getâ âon.â âIâ âwalkâ âoverâ âtoâ âJadeâ âandâ âtightenâ âherâ âgirthâ âandâ ârollâ âdownâ âherâ âstirrups.â â"Okâ âAshâ âsoâ âallâ âyouâ âhaveâ âtoâ âdoâ âisâ âputâ âyour footâ âinâ âtheâ âstirrupâ âandâ âpullâ âyourâ âselfâ âupâ âintoâ âtheâ âsaddle."â âIâ âinstructedâ âasâ âIâ âheldâ âonâ âtoâ âtheâ âstirrupâ âonâ âtheâ ârightâ âsideâ âofâ âthe saddleâ âwhileâ âAshtonâ âwasâ âonâ âtheâ âleftâ âside.â âAshtonâ âputâ âhisâ âfootâ âonâ âtheâ âstirrupâ âandâ âpulledâ âhimselfâ âupâ âintoâ âtheâ âsaddleâ âlike heâ âhadâ âbeenâ âdoingâ âitâ âforâ âyears.â â"Weâ âhaveâ âaâ ânaturalâ âhereâ âboys"â âCalumâ âsaysâ âasâ âheâ âdropsâ âhisâ âreinsâ âandâ âputsâ âhisâ âhands upâ âinâ âtheâ âairâ âcelebratingâ âthatâ âAshtonâ âgotâ âon.â âIâ âadjustedâ âhisâ âstirrupsâ âforâ âhimâ âasâ âwellâ âasâ âtighteningâ âhisâ âgirthâ âoneâ âlastâ âtime andâ âthenâ âwalkedâ âbackâ âoverâ âtoâ âBaelfire.â âIâ âuntiedâ âhisâ âreinsâ âandâ âjumpedâ âonâ âhisâ âback,â âclippingâ âmyâ âhelmetâ âinâ âplaceâ âbeforeâ âi adjustedâ âmyâ âgirthâ âandâ âstirrups.
Whenâ âIâ âwasâ âfinished,â âIâ âaskedâ â"Areâ âyouâ âreadyâ âboys?"â âwithâ âaâ ânodâ âfromâ âallâ â4â âboysâ âweâ âstartâ âheadingâ âonâ âtheâ âtrail.â âI gaveâ âAshtonâ âaâ âquickâ ârunâ âdownâ âonâ âhowâ âtoâ âride,â â"Okâ âAshtonâ âsoâ âkickingâ âherâ âwillâ âmakeâ âherâ âgoâ âforwardâ âandâ âkickingâ âher moreâ âafterâ âshesâ âmovingâ âwillâ âmakeâ âherâ âgoâ âfaster.â âifâ âyouâ âwantâ âherâ âtoâ âstopâ âpullâ âonâ âtheâ âreins.â âIfâ âyouâ âwantâ âhereâ âtoâ âturnâ âpull gentlyâ âonâ âtheâ âreinâ âinâ âtheâ âdirectionâ âyouâ âwantâ âtoâ âgo.â âDon'tâ âworryâ âifâ âyouâ âhaveâ âaâ âhardâ âtime,â âJadeâ âknowsâ âcommandsâ âsoâ âjust tellâ âherâ âwhatâ âtooâ âdo.â âGotâ âit?"â âIâ âaskâ âridingâ âupâ âtoâ âAshton'sâ âside.â âHeâ ânodsâ âandâ âgivesâ âJadeâ âaâ âgentleâ âkickâ âandâ âweâ âwereâ âon ourâ âway.
#5sos#5 seconds of summer#michael 5sos#michael clifford#luke hemmings#luke 5sos#calum 5sos#calum hood#ashton 5sos#ashton irwin#5sos imagines#5sos imagine#5sosfam#5 seconds of summer imagine#5 seconds of summer imagines
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Looking back on Software Development in 2020 and forward to 2021
I think we can all agree 2020 sucked. Hopefully 2021 will be better.
I've been a remote worker for 13 years by choice but in 2020 I HAD TO DO IT because, well, most programmers and tech workers did. I wrote about how Remote work != Quarantine Work while our whole division and then the whole company moved back home! We were a fairly remote-friendly company before but I have to admit I didn't always think my coworkers had really deep empathy for the remote...until they, too, were forced to be remote.
Last week on the podcast, I got to speak with Amanda Silver. She's a CVP in the Microsoft Developer Division who has been coding and thinking deeply about coding for many years. She's leading the creation of tools like Visual Studio, Visual Code, Live Share, Code Spaces, IntelliCode, and other collaborative productivity products. She's always thinking about what coding will look like in 1, 5, and even 10+ years.
We talked about her thoughts on moving the division remote and whether it would slow us down. Would it change how we develop software? What about when everyone comes back? After talking to her about her thoughts on 2020 and where she thinks we're heading, I got to thinking myself and wanted to put those thoughts down.
2020 broke everything, and developers like to fix things
Somewhere in the spring as we started into lockdown, developers started making sites. Sites to track COVID, GitHub projects with scripts to scrape data and analyze it. Javascripters started making D3.js visualizations and codepen users started building on top of them. Bots on twitter would tweet out updates and parse new data.
When there's a problem - especially a scary or untenable one - developers run towards the challenge. Necessity breeds invention and 2020 was definitely a year where we were collectively reminded there was a bunch of stuff that was always possible, but we needed a push. Cameras and mics were upgraded, ring lights were purchased, home networks got fancier, and everyone who could called their ISP and got an upgraded plan. We could have done all this before, but why? Remote work happened for the first time in 2020, and I say that having worked remotely forever.
We HAVE to collaborate remotely now
Back in 2010 I spoke to PhDs at Microsoft Research about how people feel when they are remote and what they can do to be more connected. Ten years! Folks thought it was pretty "out there" but I sure needed my virtual cubicle buddy this year.
2020 accelerated what was possible with remote collaboration. I spent hours coding with Live Share, pushing text and coding context over the wire, not a ridiculous 4k worth of pixels. Having two cursors (mine and my friends) - or even 10! - in one Visual Studio seemed like magic. Even more magic is me pressing F5 and my coworker hitting their localhost and seeing our app running! We needed tech like this more than ever in 2020.
I heard one story where a company sent everyone home but folks had disparate desktops and laptops so they set up 100s of Virtual Desktops over a weekend so everyone was able to log into secure work systems from their home machines.
For us, since we use Github and Azure DevOps here in DeviDiv, our collaboration model is asynchronous and distributed whether we are in the office or not. Can you imagine everyone working remotely while using a locking source control system in 2020? I feel bad for those who are in that predicament.
Can something be BETTER remotely?
Many of us miss being in the same room with co-workers, and we will be together again one day, but are there some things that the constraint of being remote can make better? In the podcast episode Amanda said that our new hire bootcamp was so much better remotely!
She said (paraphrasing a bit):
We have a bootcamp for anybody who's newly started on the team. They actually fly out for two weeks. And the first week is introduction and the second week is our customer driven workshop. And our customer driven workshop is basically this really intense team project where you break up into groups of five to six people, and you're given a business assignment like - how could we double the number of Python developers using Visual Studio Code.
You're basically doing like stickies on the wall the entire week - that's how you collaborate. I've been so amazed that that has transitioned to be remote first. And it's better. It's better. That was a brainstorming process that I thought was only possible in person it's better.
When we moved remote, we had to essentially reboot the way that we thought about our meeting culture to actually make it much more inclusive. And if we go from 40 to 50% of the people participating to just 2 people participating, that's a huge, not only degradation, but you're wasting people's time. Right?
Now if we can actually take six people who've never met each other before and get them to work super collaboratively on a new problem area that they've never worked on before. It's incredible. And the thing that's also really awesome about it is they are forced by nature of the fact that this is remote to actually create it as digital content. Whereas in the beginning they would literally walk us through sticky notes on the wall and they had fantastic ideas, but it was really kind of somewhat unorganized and, and it was hard to be able to see and, and retain and share out afterwards what these incredible ideas were that they came up with.
But when remotely starts with this digital format by necessity because everyone is remote first, we actually now have all of these things archived. We can come back to them, we can go back and actually see, you know, what was the genesis of the thought and, and pursue a lot of these things that we really weren't being able to pursue previously.
Constraints breed innovation!
It was nice to be reminded that People are People
2020 normalized being a person. Having a boss welcome a sad child to sit with them during a meeting reminded me that, what, my boss is a person? With a life and kids? Having meetings while going for walks, talking about treadmill desks, and video called parties with family, and OMG when will this be over is the most horrible team building exercise ever.
It's forced us to rethink our group's culture, how our interpersonal dynamics work, how many meetings we have (let's have less), and it's given everyone the joy of somewhat flexible hours. We talk more now about 'is everyone in this meeting being heard?' than ever before. We use the "hand raising" tool in Teams to make sure all voices get a chance to speak.
If 2020 hadnât happened, we may not have made these important leaps forward. MAYBE this would have happened by 2025 or 2030 but COVID was the pivot point that forced the issue.
Here's some other blog posts that are both reflecting on our last year and hopeful for the coming year:
Software Development in 2021 and Beyond by Amanda Silver
4 Open Source Lessons for 2021 by Sarah Novotny
Low-code Trends: Why Low-Code Will Be Big In Your 2021 Tech Strategy by Dona Sarkar
PODCAST: Living through 2020 as a Remote Developer
Sponsor: Looking for free secure coding training but donât know where to turn? Check out Veracode Security Labs Community Edition to start hacking and patching real apps online. Try it today.
© 2020 Scott Hanselman. All rights reserved.
     Looking back on Software Development in 2020 and forward to 2021 published first on http://7elementswd.tumblr.com/
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My Last Two Brain Cells Took a Nap and Now Weâre Here
This is essentially a love letter to @incorrect-rangers-quotes. Keep doing the Lordâs work.
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7
Halt was never worried about whether or not Gilan and Will would get along. Both boys were quite affable and easy going, and while Will was still skittish in his new home, he had a feeling that the two of them would grow close as the summer went on. Even after Will had beaned Gilan with a Nerf dart to the cheek.Â
âHey. Hey Will. If you work on a farm and your job is to take care of chickens, you are a chicken tender.â
Will gasped long and loud. Halt frowned down at his report, what the hell-
âYoooooooooooo!!!!! Gil youâre so right!!!!â
Although, on second thought, Halt really shouldâve been worried.
***
Most mornings for Halt were often blessedly silent. Will was an early riser but he wasnât exactly a cognizant early riser and seeing a ghost was more likely than finding Gilan out of bed before eleven. However, today was different.
One day, every July, Halt set aside time for himself and Gilan to go to the amusement park. It had started back when Gilan was barely 12 and had more energy than a pika who had chugged ten red bulls in a spite fueled dare. Halt had figured that an amusement park was a worthy investment that would burn off at least five of the red bulls and he hadnât been wrong.
Gilan had spent so much energy running around from ride to ride that he went to bed early that night and Halt had a wondrously quiet time reading in the living room. Halt decided then and there that the amusement park trip was now a necessity for each summer he had Gilan, if only for the potential of peace and quiet for one night.
At seventeen, Gilan was considerably less of an energetic mess that vibrated if left without something to do for too long, but the trip out to the amusement park had become a tradition to him and so, Halt was obligated to set a date and go.
This year, Will would be accompanying them and Gilan was thrilled at the prospect of finally having someone to ride the rides with him. Halt, knowing his limits, had only ever gone on the whirli-gig for its slow movements and gentle circular motion. Occasionally, Crowley had joined them but Crowley could only handle so much before he also had to bow out.Â
Due to the excitement of the day, Gilan had actually woken up early and was seated at the table with a zombie-like Will eating eggs. Halt pulled the last of waffles out of the waffle maker and set the plate on the kitchen table.
âThanks, Halt!â Gilan smiled up at him and reached for a waffle. Will grunted out something that couldâve been English and also reached for a waffle.
Halt snorted at the two of them as Gilan began to drown his waffle in syrup and Will tore into his completely plain. After a few bites it seemed like Will was beginning to finally perk up. Halt went back to the stove, collected the bacon, and was about to reenter the dining room when Will spoke up.
âYou know, if you think about it, waffles are just thick pancakes with abs.â
Halt felt his brain screech to a stop.Â
Gilan snorted. Then he giggled. He broke out in a full peal of laughter and kept going for the full minute it took Haltâs brain to reboot.
âOh my goodness, Will, youâre so right! They are! How did I never notice?â
Halt saw will shrug. âYou just never let the subconscious rule your waking thoughts for more than a few minutes.â
âWell damn, now I gotta try it!â
Will nodded and the two of them went back to eating.
Halt took advantage of the quiet to slip back in with the bacon and start in on his own breakfast. He managed to get two bites of his eggs in before Gilan spoke up again.
âWait, if waffles are thick pancakes with abs, what does that make crepes? Are they the twinks of the pancake family?â
Halt pinched the bridge of his nose.Â
***
âWill! Gilan! Come on weâre going to the hardware store!â Halt called.
There was a loud thump from Willâs room followed by a yelp and hurried footsteps. Another thump and more footsteps joined the first set.
Thereâs one, Halt thought as Gilan came skidding around the corner in his sock feet. Aaaaaand, thereâs two, he thought as Will tried to run around the corner, slipped, faceplanted, and got up grinning.
âShoes, the both of you. Preferably closed toed. Weâre buying bricks for the garden walkway.â
âYou have a garden?â Gilan hopped past with a sneaker.
âYes, I have a garden, Gilan.â Halt glared at the teenager.
âYeah, itâs the rectangle by the two oaks that has all the dandelions in it. Halt says they compliment the petunias he put in.â Will plopped himself on the floor and started to loosen his shoelaces.
Halt stared balefully at the middle schooler sitting in his hallway. âYes, thank you, Will.â
âHuh, I always thought that was just a patch you let grow over from the first owner.â Gilan straightened and moved closer to the door.
Halt swung his glare back around to Gilan. Gilanâs cheer didnât diminish in the slightest.
âBut hey, to each their own!â He sidled past Halt and went to sit in the passengerâs seat.
Will got up and followed Halt out the door, dogging his step with questions.
âWhat color are we buying? Are they gonna be straight or wavy? I like the wavy ones I think theyâre cool! Ooh, are we gonna get to put them down? Iâve never done that before! How do you make a garden walkway anyway? Do you dig little holes and then put the bricks in there or do you just set them down on the dirt?â
âRed, straight, yes, and Iâll show you later.â
âOkay!â Will bounded into the vehicle like a puppy that had been told it was going for a walk and practically vibrated in his seat the whole drive there.
***
While Will and Gilan had behaved themselves on the ride over, they seemed to have forgotten all their manners once they entered the store. They buzzed around from display to display, picking up items and cracking jokes. Halt tried to ignore them and kept on a steady course for the bricks. The boys followed him, but at a more sedate pace.
When they did catch up to him, he was already loading packages of bricks into the car. Will, helpful as ever, came over to aid him while Gilan hung back and snagged a display brick off the shelf.
âYou know, bricks are just domesticated rocks.â
Halt closed his eyes and fought off the urge to lay his head down on the cart handle.
âNu-uh! What do think pet rocks are if they arenât domesticated rocks?â Will countered, crossing his arms.Â
âCan I please have one day without your nonsense. Both of you. One day. Thatâs all I ask. Please. Just one. A singular day,â Halt broke in just before the two of them could really get going. Both heads swiveled towards him. Will, a bit sheepish, Gilan, utterly unrepentant and clearly not done with the topic at hand.Â
Halt saw the gears turn in Gilanâs head and belatedly moved to cut him off. âDonât-â
âWhat if pet rocks are kinda like monkeys though? Like, theyâre similar to the domesticated version but theyâre not quite there.â
âWait, but wouldnât they be more like Neanderthals, then?â
âAn excellent point!â
Halt sighed and started to push the cart towards the check out. Maybe if he walked fast enough he could lose them and have a peaceful ride back.
#halt o'carrick#will treaty#gilan davidson#ranger's apprentice#the ranger's apprentice#they are dorks#halt is so done#modern au#ananas writes#mine
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The Nuptial Necessity - Chapter 11
A 12xRose Human AU
Despite an unglamorous job description, Rose loves the work she does with The Thistle Foundation, a charity founded by her best friendâs great-uncle. Â It doesnât hurt that her boss, her friendâs father, is easy on the eyes. Â With a great job, wonderful friends and a loving family, life couldnât be better â except for having someone to share it with.
All of that is threatened, though, when the great-uncle dies â and sets a strange condition for his nephew to inherit, jeopardizing the Foundation and Roseâs future, sparking a chain of events that might just get her everything she dreamed of and more.
Chapters will be posted on Saturdays and Tuesdays. Â Many thanks to my beta, @stupidsatsuma
Rated: Explicit, for eventual smut
@doctorroseprompts
AO3 Â | Â Masterlist
â
Saturday (1 week to wedding)
Rose straightened with a groan, grabbing her wine glass and taking a large gulp. Sheâd spent most of the day alternating between packing and questioning her life choices, as she prepared to move. It wasnât the most exciting way to spend a Saturday, her last as an unmarried woman (or, inevitably, a divorcĂ©e), but she had put it off for long enough.Â
Tomorrow Malcolm, Mickey, Danny, and Pete would move out anything she wouldnât need in her final week here; most of her clothing and some knickknacks would be going to Malcolmâs townhouse, while the rest returned to her parentsâ house for storage. Clara and Danny had more than enough in the way of furniture and furnishings, and sheâd decided to clear out everything to allow it to truly become their own space, instead of making them feel like guests in what was now, essentially, their own home.
What they would all do in five years was anyoneâs guess; so many things could happen between now and then Rose refused to dignify it with any thought â except for when the questions haunted her in the middle of the night.
She took another large swig of wine, unable to bring herself to regret skipping dinner as warmth rushed through her.
A knock on the door made Rose frown, and she hesitated until a second, more forceful bang on the door convinced her to move towards it. âWho is it?â
âItâs me, open up,â Clara called.
Rose sighed, glancing between the door and her wine glass, finishing it off in one go before opening the door. âWhat?â
She realized her mistake too late, as she found her mother, Clara, and several other female friends smiling on the other side, dressed up for a night out.
âNo,â Rose said firmly, then spotted the âBrideâ sash tucked in the crook of Claraâs elbow. âOh, fuck no.â
Clara caught the door before it slammed in her face, wriggling her way inside. âOh, fuck yes,â she shook her head, artificial curls bouncing. âCâmon, itâs your last weekend as a bachelorette, you should live it up!â
âI donât want to, and I have a lot of packing to do,â Rose whispered, giving her friend a pleading look. âDonât make me do this.â
âItâs tradition!â Clara tried and failed to match her volume, telling Rose that the partying had already begun. âItâll be fun.  Weâll go out, have a few drinks, maybe one last one-night stand?â
âIâve never had a one-night stand, and I donât intend to start now. Besides, Iâm getting married â to your father â next week,â Rose hissed back, conscious that Clara was the only person in the proposed party to know the truth. âStop it.â
âRose,â her mother said firmly, eyes crossing slightly as she tried to focus, âstop being a wet blanket. We want to celebrate you finally getting married.  This isnât for you, itâs for us.  Now, get tarted up and letâs go. You owe it to us.â
Rose sighed, not convinced but knowing she wasnât going to win. Jackie had made everything about this so far a Thing, whining over every choice Rose and Malcolm had made, first and foremost that she wasnât being included in any of the decision-making. Malcolm had insisted on footing the bill, letting Rose have whatever she wanted, though sheâd insisted they make their choices together.  Theyâd decided the fairest thing would be leave everyone out of the planning, making all the decisions and arrangements themselves.
I know I should just be grateful sheâs still talking to me, but stillâŠ
âFine.â Scowling, she opened the door wide and stepped back. âCâmon in, Iâll just go get dressed.â  Not waiting until they entered she stalked off towards her bedroom, cognizant that Clara trailed behind her. âWhat?â
Her friend was silent, settling herself on Roseâs bed as Rose opened her closet and started flipping through the dresses still hanging there. âYou know, if youâve changed your mind, Dad would understand,â Clara said quietly. âHe wants you to be happy, and so do I.â
âI made my choice.â Rose clucked at the options in front of her; what twenty minutes ago sheâd deemed too slutty for work were suddenly seeming perfectly tame. âReally, Iâm good.â
âDad says youâve been in a shitty mood all week.â
Iâm marrying a man I love who doesnât love me. Iâm scared that Iâve wasted the last five years of my life waiting for someone who will never want me, and that Iâm going double or nothing on something that could never be anything. Iâm scared of missing my chance at real love, and happiness, and a family.
âIâm just stressed,â she sighed. âWith moving, then the wedding and the GalaâŠÂ Thereâs a lot going on right now.â  Picking a dress at random she started undoing her jeans; after four years of living together at uni and more than a decade of friendship, she had no issue with changing in front of Clara.
âIf youâre sure,â her friend said cautiously. âFor the record, I think Dadâs really excited about having you in the townhouse. Heâs been fussing over everything, insisting it has to be perfect for you.  Itâs cute.â
Rose smiled wistfully to herself, backing out of the closet and otherwise ignoring the comment. âZip me up?â
Clara rolled off the bed, and by the sound of it, it was a less-than-graceful move. âCominâ.â  A moment later she zipped her up, and Rose turned for inspection.  âIs that what you want to wear?â
Rolling her eyes, Rose moved towards her bathroom. âYes.  Give me five more minutes.â
-
It was almost midnight when the first text came in.
Never been so bored at a club. Am I getting old?!?!
Malcolm stared down at his mobile in bafflement, double checking that the message had come from Rose.
I thought you were packing tonight? he sent back, before setting it back on the sofa next to him. The movie playing out on screen faded to the background as he waited for a response, worried- and somewhat concerned he was overreacting.
She can go out if she wants, he reminded himself firmly. She doesnât need me fussing over her.
To that end, he picked up the mobile again, hesitating a moment before sending another message.
Forget my last message. Have a good time.
He hit send and immediately regretted it. I donât know how to do this. A month ago if sheâd texted him something like that theyâd spent the next hour or so joking back and forth â but that was a month ago, and this was now, a week before their wedding.
Can I tell you a secret? was her response after an agonizing wait, and nothing like what he expected â he had, in fact, given up hope of any reply at all.
Of course.
It took seemingly forever for her to answer, but he darenât give up â if Rose Tyler wanted to confide in him, not even death itself could stop him from being there for her. Dramatic, much?
Iâm⊠actually really happy weâre going to be living together. Officially Claraâs my best friend, and she always will be, but⊠so are you. Iâm looking forward to spending more time with you out of the office, hanging out. Watching a movie, dissecting the latest ep of Game of Thrones as it airs, cooking dinner together.
I just think itâll be nice.
Sitting on his couch, Malcolm stared at his mobile, in equal parts awed, confused, and heartbroken. Awed, because that was exactly how he felt, confused because how could someone like Rose, so caring and warm and sweet and funny and wonderful want to spend more time with him, and heartbroken because⊠she doesnât love me. That much was clear. Obviously she cared for him, maybe even loved him, but that didnât mean she was in love with him.
Eventually his brain rebooted enough to realize that was not a message to leave unanswered, and hurriedly pecked out, I wholeheartedly agree. Really looking forward to it.
He fell asleep waiting to hear back.
-
Malcolm knocked on the door again, harder this time, and checked his watch. Rose had strictly instructed him to be there at eight, and heâd been knocking off and on for several minutes â it was only a matter of time before her nosy neighbor rang the police, which was the last thing he needed or wanted.
Is she even here? he was starting to wonder; after not hearing back the previous night he was worried if it was just a hangover, or something more.
His mobile buzzed then, and he pulled it out to see a new message from Rose. Clicking it open, he was confused to just see the word key. What? A moment later he understood, and found the spare key sheâd given him years ago, just in case.
Heâd never used it before.
Juggling the bag of baked goods and a tray of coffee he let himself in, dumping his backpack by the door and making his way through the flat. âRose?â he called quietly, sidestepping the veritable maze of mostly-full boxes.  âI brought coffee.â
A pitiful moan led him to the living room, where he leaned on the back of the couch and looked down to find a mess of blonde hair splayed out. She was face down in the pillows, half falling off the couch, and he had to fight back a laugh at the adorably pathetic vision she made.  Out of habit his eyes flickered over her, down the back of her tight black dress, only to stop, breathless, at her bum.
Her bare bum.
By the time his heart restarted he realized she was, in fact, wearing a scarlet thong, which was visible because the hem of her dress had ridden up at some point. His full senses returned then and he spun on his heel, stalking away and resisting the urge to adjust himself in suddenly uncomfortable trousers.  âIâll be in the kitchen.â
Once there he relinquished his death grip on the paper bag and carrier tray, setting breakfast carefully on the countertop. The more he tried not to think about what heâd just seen the clearer the image was; her soft skin, the delectable curves- Stop perving on her, he told himself firmly, even as he wondered what other skimpy knickers she might have and- heaven help him- might even bring to the townhouse. BEHAVE.
In an effort to distract himself he looked around the kitchen wildly, spotting a few gift bags down the other end of the island. Mostly out of desperation he stuck his hand in the bag, closing around something and pulling it out, staring down blankly at it, blood rushing in his ears â and other bits.
âUmâŠâ
His head snapped up in horror to find Rose, now with her dress lying flat on her thighs blimey could that be any shorter? standing in the doorway watching him.
âI can⊠this is not what it looks like,â he stammered, heart now racing in embarrassment. âReally.â
Rose licked her lips, giving him a faint smile as she ran her hand through her hair and padded towards him. âSo youâre not standing in my kitchen holding a massive dildo my mates bought me?â Her voice was raspier than normal, further evidence of her night of drinking, and he had to swallow twice before he could attempt an answer.
âOkay, maybe it is what it looks like.â Glancing down at it again, he frowned.  âI dunno if Iâd say it was massive.â Then, face flushing further, he gingerly dropped it back into the bag. âSorry.â
She just hummed, reaching for one of the cups but hovering her hand just over it. âMine?â
âYeah.â
Lifting it to her mouth she drank greedily, and he watched her throat work as she practically inhaled the coffee. For fuckâs sake, did you wake up eighteen? Pull your shit together he reminded himself firmly, pressing against the countertop to alleviate some of the pressure.
It didnât work.
âRough night?â he managed, inching down the island towards the as-yet untouched bag. âBrought you a bear claw.â
âMhmm, thanks,â she accepted it, ripping off a big bite. âYeah, you could say.  I was gonna just stay in and pack but Clara and Mum and a few mates showed up and dragged me out for a hen night. Didnât get in until two.â
He just nodded, entirely inappropriate thoughts swirling through his mind. âErm, can I ask- why theâŠâ
âDildo?â she finished helpfully, dragging herself up onto a barstool. âThat was Shireenâs gift.  She thought it might come in handy⊠just in case.â
âJust in case what?â He knew the answer before he even finished asking, bristling. âIâll have you know, I have no trouble in that department,â he said stiffly, thinking of his current predicament. âBelieve me.â
Her smirk just grew, her eyes coming alive with a twinkle. âIf you say so.â
âI do!â
They stared at each other for a long moment, her look teasing, his indignant, before the reality of the conversation settled around them.
âUhâŠâ
âI need to go clean the club off me,â Rose stood. âThanks for the coffee. Give me ten minutes, then we can get started.â
âOkay.â He watched her go, studying the way her skirt clung to her hips, before turning a glare on the gift bag.
âThat may never happen between us,â Malcolm told it quietly, checking to make sure she was out of earshot, âbut if it does, she sure as fuck wonât need you.â
#bbatcfic#ficandchips#Doctor Who#doctorroseprompts#Human!12xRose#Human!Twelfth Doctor#Rose Tyler#Human AU#AU#The Nuptial Necessity
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The sun sets on another day - TRSNS fanfic
@redstone-sunâs fic fucked me up so I did what I know and wrote about it to cope asdfghjhgf
the basic summary of this fic: Mumbo has a Bad Day(TM) and we stan Good Guy IskallÂ
AO3 Link
On days like these, Mumbo felt his guilt like concrete weights tied tight around his throat.
The actual impulses and desires to obey that sanguine call no longer affected him as often as they used toâperhaps out of sheer necessity rather than true recovery, but the fine details didnât matter. Not to Mumbo at least. The intrusive thoughts and feelings, however, were another story.
Sometimes he wished he could just press a button and fix all of his problems like one would a faulty machine, force him through some kind of psychological reboot. His prescribed process was tedious enough as it was; exposure therapy was a snailâs race by nature, and the transitions were mind-numbingly gradual. From mentions of redstone, to discussions of redstone, to looking at redstone, to touching redstone, to holding redstone, toââ
And so on and so forth.
Days turned to weeks, weeks turned to months, and the process was anything but linear and orderly. For a long while it felt like every step he took forward, something would send him three steps and a stumble back. One moment he was setting up semi-complex circuits from memory in his obsidian home, the next Grian would make an off-hand comment about a test contraption one of the hermits built nearly killing him and Mumbo would find himself involuntarily wishing it had.
Those moments scared him. He knew that it wasnât really him thinking then, that it was just some heinous, corrupted part of him, some deep innate brand of the Red Sun festering behind his eyes. But it wasnât any less terrifying to catch himself tempted by the crimson voice in the back of his mind that told him he didnât belong in the overworld, that he needed to continue wiring in the quartz covered plains or heâd never be satisfied, to beg and steal and lie and cheat if it meant getting back to the Sunâs dimension, that if anyone got in his way he had to kill kill kill kill kilL KILL KILL KILL KILL Kâ
. . .
Those nights, Mumbo felt pain beyond anything heâd known before, from the crescent welts of his fingernails dug deep into the meat of his forearms, to the once-foreign hopelessness that left him wondering why anyone thought he was worth saving anymore.
--------------------------------------------
On days like these, Mumbo found himself convinced that heâd never be released from his blood-stained binds.
It hurt more than he cared to admit, having redstone so intrinsically ruined for him. Sure, he had brute-forced his way into standing it enough to look over blueprints with Iskall and play with it like a child when he was alone, but it was never the same. Nothing compared to the satisfaction of improving on an existing design, nor the pride and excitement of inventing something entirely new.
Inventions. Redstone was such a progressive material, a resource far beyond any of the hermitsâ understanding. It was able to do just about anything if only someone could crack the code to get there. Most of them already knew of the wonders it could provide--plenty of the hermits used redstone-based bionics, or at the very least a form of enhancement.
Iskall was no stranger to them, obviously. Perhaps Mumbo shouldnât have been surprised, then, when the man came to him amidst his wallowing with a stack of crudely arranged notes in hand. He was somehow more chipper and cheeky than usual if the bright smile on his face was anything to go by. There was a proud sort of flourish as he handed the papers to Mumbo, who sat with wariness and confusion. That apprehension, however, was quickly replaced with curiosity.
Blueprints and notes regarding the conception of redstone-powered contraptions and devices would typically be a quick read for Mumbo, but even having been friends with Iskall and Grian for quite some time, there was no way to scan through the chicken-scratch handwriting and less-than discernible doodles in a short amount of time.
Mumboâs initial attempt at cracking the code that was Iskallâs notes was interrupted not ten seconds in when two loaves of bread, an apple, and a bottle of water was set down in front of him, making him flinch slightly. He stared at the selection for a moment, mouth suddenly dry, before nodding his thanks and reaching for the apple. It was in that instant that Mumbo realized he didnât remember the last time he had something to eat and swallowed down his embarrassment.
The two men soon fell into silence as Mumbo worked through the notes bit by bit, often pausing to right papers that had somehow folded or flipped upside down in Iskallâs attempt to organize them. Though it took a while, a careful read through informed Mumbo of Iskallâs plans to research a possibility of mechanically repairing his vocal cords.
There was a prominent section on the usage of prismarine crystals and diamond powder to color match the box with his eye prosthetic, and another that explored the possibility of controllable pitch and volume settings.
(In a better scenario, Mumbo would have been terrified at the possibilities that would come with giving Iskall such power, and even now he wondered who the first prank victim would be.)
All of it was quite clearly in the early stages of development, but Mumbo could help but brighten up at the thought of Iskall being able to talk again. It wasnât something he liked to think about for long or often, but he missed Iskallâs voice. Before the incident, his friendâs laughs and sly comments were one of the things that helped the days go by, and Mumbo knew he wasnât the only one who thought so. The man deserved his voice and more for what heâd gone through.
But information on Iskallâs voice-box plans came to an unexpected stop halfway through the stack of notes. Suddenly Mumbo was reading through two different handwriting styles about mechanical joints and synthetic muscle fiber and artificial nerve endings andââ
He stopped reading. This section contained far too many things he knew too little about.
Head spinning from unfamiliar jargon, he looked up at Iskall in question.
âF...f-for Gri..ian,â came the harsh rumble from Iskall, startling Mumbo in the process. Both of the men stared at each other for a moment, each sheepish in their own right, before Iskall pulled out a relatively new-looking book and began writing.
[Doc let me take a look at his arm a bit ago and helped me out with the technical stuff. Iâm hoping that we can replicate a pair for Grian. Took much more work comin up with this blueprint than it did for my voicebox plan lol ]
Mumbo went from bemused to ecstatic as he read Iskallâs explanation, feeling surprisingly hopeful for the first time in a long time. The sheer thought of his friends getting back what he took from them made his heart swell with guilty joy.
The technicianâs part of his brain fired off a million different inquiries about how they could get these plans to work, but his heart ached knowing this was a project he wouldnât have much part in if any. He didnât specialize in bionics for one, but even if he felt like dabbling in the expertise for the benefit of his friends, Mumbo didnât want to get too involved out of fear of relapse.
Especially not after today. He just wasnât ready.
âThese plans are incredible, Iskall.â Mumbo whispered in awe, flipping through both sections of the packet thrice over. A part of him yearned to add notes and suggestions of his own along the margins of the already messy prints, but he swallowed down the eagerness and handed the papers back to Iskall with a shaky hand. Far too fast for him to subdue, bubbling apprehension rose into his chest again as a presence beneath his ribcage scolded him for not ripping the notes to shreds when he had the chance and Mumbo turned away from Iskall in shame. He didnât even notice himself staring off into the corner of his room until the scratching of a feather pen against paper got his attention again.
[I was hoping you would say that. Wouldn't be Architech patent-worthy without your approval :) ]
Mumbo gave a half-hearted as smile his dear friend stored the notes away in a light blue shulker box he hadnât seen get brought out. As Iskall packed the box up, a red hot silence burned within the room and Mumbo flushed at the uneasiness of it all, hating the fact that he couldnât enjoy the company of the people he loved anymore. It made him feel like an ass when he was so unresponsive and caught up in self-pity, but at the same time it felt like acting as if nothing ever happened would be a slap in the face to everyone he wronged. He was halfway through a mental reprimand when Iskall huffed through his nose and came to sit beside him at his birch wood table.
A beat or two passed in silence before a steady hand reached out to fix the uneven part in Mumboâs hair, smooth out the collar of his dress shirt, and pat him gently on the side of his face. The warmth of Iskallâs hand damn nearly drove Mumbo to tears. With cloudy eyes, he watched as Iskall tilted his head, expression a melancholy mix of fondness and sorrow.
[Itâs bad today, huh?]
With a sharp intake of breath and clenched teeth, Mumbo glanced away from Iskall. Heâd rather pretend he was fine than admit to the Red Sunâs influence holding strong sway over him today. But before he could come up with something to say, Iskall was already shoving his book back into Mumboâs hands.
[Donât try to lie to me, I can see it in your face. And in the stubble on your chin.]
âIâŠâ Mumbo started, cotton-mouthed and ashamed, closing his eyes to prevent the tears from glossing over his vision.
Sweet scarlet whispers pricked at the back of his head and swirled behind his eyelids, reminding him the Red Sun never sets the Red Sun never sets the Red Sun never sets, and he tensed his jaw to try and drown out the words with a high-pitched strain. The world around him grew warm and tight and dark, and despite his best efforts, the voices seemed to just get louder.
All at once, Mumbo realized that Iskall was pushing at his shoulders and letting out determined, wordless noises as he tried to bring the man from his panic. Mumbo brought down his hands from where he found them pressed firmly against his ears, noticing that his face felt warm and wet. He silently wiped at his cheeks with his sleeve, defeated.
â...Yeah. It is.â
âI-I...Itâss oh-k-kay.â Iskall offered gently, releasing his hold from his friendâs shoulders and sliding them down to his arms as he scanned Mumbo for any more signs of distress. As soon as his hands were free, he reached for his book again.
[Itâs a nice day out today. Letâs go for a walk. Iâll shoot Grian a message to meet us in the shopping district.]
Before Mumbo could begin to read, Iskall plucked the book from his hand and began writing frantically, leaving Mumbo to wipe at the heavy tears that pooled over the edge of his eyelids once again.
[Letâs not tell him about my plans yet. I donât want to get him excited for something that could take months or more to even start on. Promise to keep it a secret for now?]
Mumbo couldnât help but flash him a warm smile. This man has done so much for both him and Grian even in wake of his own obstacles and responsibilities. There was nothing in this world or the next that Mumbo could offer as retribution.
âSure thing. You have my word.â
Iskall huffed a laugh, grabbing and immediately shaking Mumboâs hand with unnecessary earnest.
[Jolly good cheers mate! Letâs get you ready for our stroll, shall we lad? Pip pip!]
With a good-natured roll of his eyes, Mumbo stood from where heâd been sat since early that morning, bones audibly popping from inactivity, and made towards his room to change into a clean white button-up and dress pants, leaving his coat on the bed. It took him a moment to brave the mirror in the corner of his room, but once he could stand to look at his reflection, he made an honest attempt to make himself presentable. After smoothing out the folds and wrinkles in his shirt, Mumbo pulled at his mustache a few times in an attempt to style it, lamenting that he didnât have the time to shave the shadow from his jaw.
There was a soft, gentle hum from Iskall that got Mumboâs attention as he exited his room, and he walked closer to read what his friend was saying.
[Handsome.]
Bashful, Mumbo blushed and shut the book. Compliments always made him somewhat embarrassed before, but it hit him much harder nowadays, especially when he felt bad about not being able to clean up as much as he preferred. Despite his self-consciousness, Mumbo was grateful for Iskallâs encouragement and offered a small smile in thanks.
As he and Iskall locked up his house and began the journey towards the shopping district, Mumbo watched him message Grian and shake with silent laughterâprobably at something stupid Grian responded with, knowing them, but he was too engrossed in thought to catch what was saidâand noticed that for the first time in a while that he couldnât hear the honeyed song of the Red Sun, nor could he feel its pull deep within his bones.
Truly, Iskall and Grian were gifts from the universe he didnât deserve. It was a bloody wonder that they still stood by him after all they went through. Despite everything, his friends still cared for him. Still loved him. There was nothing he could do to repay them for that. And nothing could compare to the outpour of adoration he felt for them in return.
--------------------------------------------
On days like these, with his best friends at his sides, Mumbo felt free.
#the red sun never sets#trsns#mumbo jumbo#mumbo#iskall85#iskall#grian#grian and mumbo and iskall#architech trio#hermitcraft#I am likely to and probably will be looking for errors so Blease let me know if u see any
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you are the vessel and sheâs the life
Okay. When I first read issue #3, I did not like it. The art continues to be amazing, the colors glorious and they add to the atmosphere of the Hellmouth world - but I felt at first read, this was a weaker installment for the non-movement of the plot. If Hellmouth was a longer arc, I would have less issues because Jordie & Jeremy are developing Buffy and Angel, and giving the space for the audience to learn more about them, just as other characters are being brought into the spotlight for the namesake comics. I want to learn more about Kendra, Jenny, Fred, Gunn, et al. But itâs also a valid criticism that Buffy was missing from her story, long before Hellmouth began.
To compare Buffy (the intellectual property) to another cultural juggernaut for a minute - Star Wars. The reboots, the prequels, the ever-expanding universe - itâs all Star Wars, no matter what fans may feel about certain portions of it. But I see a lot of the same argument leveled at the Boom!verse that I do about Star Wars - âit doesnât feel like ________________â, or  âthatâs not my Buffy.â Iâve certainly done my fair share of completely ignoring/complaining about the Dark Horse âcanonically approvedâ verse, so I get it. And I think just by the nature of a reboot, there are so many expectations, especially when you use the same characters. And IMO, Jordie and co. have been doing an admirable job of balancing their version of Sunnydale vs. memories/nostalgia of the TV canon.Â
The point is to remake something for a new audience while respecting the source for the âoriginalâ (whatever that means) fans. And itâs such a rich world with many characters to play with, and lots of different ways to explore themes that the show didnât, or botched/dismissed. Itâs a daunting experience to adapt, Iâm sure - and Iâve been enjoying reading what Jordie has been doing with character development and the emotional beats of a story. The characters do feel like they exist in 2019.
However, with this issue, I felt like there was retread/not enough of a building on the momentum that Issues 1 and 2 had, along with a last-minute feel of a brand new original character, and some in-jokes that didnât really add anything. This was my first reaction. Then I read it again, and with the other Hellmouth issues.
Major spoilers underneath the cut.
Back to my earlier point about Buffy being missing from her story - we still donât know very much about Buffyâs backstory but that was never the point of her character, she was always very much in the now. The earlier issues had her in full Slayer mode with little intervals of an awkward, uncertain teenager! Buffy, and the last time she gets to hang out and do teenager things, Xander gets turned. And we didnât really see the fallout in terms of Buffyâs feelings about it - but we did get very much appreciated insight into Willow and Xanderâs characters.Â
Then Buffy flings herself into the Hellmouth, after feeling estranged from Willow and dealing with a lot of unspoken guilt/shame. Oh no, not like TV Canon Buffy at all.Â
However, the break from the Scoobies and entering the Hellmouth brought out Buffy Summers in all her confused, messy, intense bravery. Here was the girl who quipped malapropisms, made up sassy nicknames and leaped into the fray, fists first. And here was the girl whoâs self-aware that her impetuousness and desire to save people also hurts the people she loves because she pushes them away - both out of necessity and because itâs her job. Itâs a common refrain throughout the run of the series, emphasized by Giles and repeated by Buffy - she has to do this, and often alone - sheâs the first responder in the apocalypse.
Heroine complex, man.
And then she meets LAâs finest, the dark knight, Mr. Hunchy Shoulders Guy - Angel. Iâve said it before, Bryan Edward Hillâs decision to have Angel meet Buffy cold, with an already established backstory of his own and then Jordie carrying that over into the Hellmouth event really changes the Buffy and Angel dynamic in the Boom!verse. A welcome change, and then when the portents/prophecies kick in, Angel dismisses them completely. His no-nonsense, Iâm just here to do a job and then Iâm out mode is amusing to me, because obviously, this is going to end up in romantic comedy land, just with a higher body count and lots of blood.
Buffy and Angel in TV canon never really got that light-hearted, getting-to-know-you phase because there was always the pall of forbidden love/gothic angst/and willful misunderstandings on both parties, never mind the interference/concerns and complaints from the people who loved them.
In Hellmouth, not only do Buffy and Angel get developed as characters, so does their budding âworkâ friends relationship. Their banter is just delightful to read, and they get to be vulnerable/honest (to a point) with each other, that they havenât been able to do so with their respective friends. And as theyâre fighting demons and tracking down Drusilla, it creates an understandably sudden bond that most likely wouldnât have happened above ground. Theyâre the only ones who can stop the forces of evil and cover each otherâs backs.
Except for the undead elephant in the room, that has been in the room since Angel first appeared in Sunnydale -
Angel is a vampire. Angel witnessed Drusilla attacking Xander -- and did nothing to stop it.
And he knew it was Drusilla and Spike.
That lie comes back to majorly haunt his ass in Issue #3. Drusilla gleefully tells Buffy that he saw the whole thing, and also he has this whole other name, Angelus, which Buffy completely mishears and then rounds on Angel, asking him pointedly if they need a moment, or can she do the job sheâs here for.
The revelation that Angel didnât stop Xanderâs turning naturally pings Buffyâs anger defenses and she tells him actually, no, weâre not friends, you donât know me (even though I vented my guts out to you and you know Iâm a slayer and you give weird pep talks to try to make me feel better -- Issues 1 & 2) - and I think besides the fact that Angel stood by and did nothing, itâs also that he didnât tell her. Angel not telling Buffy important things, lying by omission basically, breaks their fragile alliance.Â
But itâs not until the second lie.
Something that has been driving me nuts since the first issue is that Angel hasnât revealed his Vampire self to Buffy. Thereâs different levels to the relationships Angel has cultivated so far in the Boom!verse - with Fred and Gunn, heâs an ally (reluctant on Gunnâs part) and a friend (Fred) and heâs upfront with them that heâs a vampire. But with Buffy, who is going to be a major part of his life (if any of the previous portents and prophecies are to go by), he holds off/and hides his vampire self. And the question is why? Buffy already has a friend who has a Vampire side, but Xanderâs a special case because he can still pass as human.Â
And itâs humanity that pops up in this issue - I knew it was coming, due to Boomâs wildly spoilery summaries/previews, but the way it was delivered?
Auggie - I know he has a full demon name but Iâm not typing it out - and I think his name is also derived from Augury which means an omen/sign of what will happen in the future, seemed out of place to me. I mean, okay having a hell hut in the middle of the Hellmouth is whimsical and not completely out of the realm of the Buffyverse tone, and demons just trying to demon with no ambition to destroy the world is always nice to see - I just felt the introduction of him was too McGuffiny. There already was a figure who could see into the future (two of them, if you count Fee Fee from Angelâs first issue, except she disappeared into the plot hole where women characters go in that issue) and the initial one who set Angel on this path: Lilith.Â
Having Angel strike up a random conversation with an essentially magic demon eight ball when he could have been searching for Buffy or Drusilla felt like an unwelcome departure from the main story. Yes, the revelation that Angel could achieve humanity through some terrible ritual is important, but also - do you believe a demon whoâs making a stew out of unidentifiable parts in the middle of the Hellmouth and just casually drops that information?Â
Read the room, Angel. Itâs probably a trap.
Back to the A-story, Buffy thinks the Cthulu shape-shifter demon is back when she sees the vision of the guys in her life attacking the women - Giles and Jenny, Eric and Joyce, and Xander and Willow.Just as the Demon Joyce taunted her about her absence causing more havoc than help, the Demon men call her out Greek Chorus style - Giles says, âSunnydale burns, Sacrifice.â Xander tells her, âBut we can stop all this. The mother awaits you.âEric says, âCome. End this suffering.â
Buffy accuses Dru of orchestrating this, and she laughs and tells her, âThis is the hellmouth. Adapt, wonât you? Itâs adapted to you....these are your people. This your nightmare.â
Buffy denies it coming true, and Dru tells her that it may yet come true - and sheâs left Sunnydale defenseless. A slayer without her friends. There are fouler things than beasts, above. There are men.
Who have become the puppets of the unseen Hellmother.
So Drusilla was a red herring, a pawn in the game of Evil Chess. And this bums me out because Dru as a tangible villain/opponent is more interesting to me than another shadowy doom voice from the ether. Hellmother? Really?
This is where the reboot kind of loses me - Buffyâs greatest villains have been the ones who were personal to her, not as in just wanting to kill her, but an active part of her life. Dru (and by extension, Spike) in the Boom!verse would qualify because of what she did to Xander and threatening her mother. Dru being the front of a disembodied voice (that probably will take form in the next two issues) is a letdown. Itâs the First Evil again.
The side effect of the men being turned into malevolent goons - okay, that is scary, but are we talking the Pack/Billy scary? (aka not very good episodes of either show because they either pulled punches or handwaved consequences)
Buffy teams up with Drusilla, which was unexpected, but at this point in the game, Buffy doesnât have that many options. Her friend is missing (and itâs telling that even though she was hurt by the knowledge Angel did nothing to prevent Xanderâs turning, she still refers to him as a friend to Drusilla. It might not be true forgiveness, but she was willing to move on, just for the sake of finding him and working to stop this mess.) And she keeps on reminding herself, these demons are not her friends, and are not real.
Which brings us to the final act - in more ways than one. Angel gets ambushed by a bunch of orc looking vampires, and finally goes Not Today, Satan on them.
And of course Buffy spots him on a mound of corpses, in full vamp face.
As much as Iâm disappointed with the way Angelâs vampirism is revealed, it had to happen, and I have to admit, those last pages and panels are incredibly vivid and affecting.
Angelâs outstretched human hands covered in blood?
Buffyâs disbelief and then hardened look of disgust and her, âDonât touch me.â
Goddammit.
Jordie and Jeremy have specific repetitions that I find interesting in terms of character development and where I think the plot is going -
Friends - the potential loss of them, the making of them, who to trust and how personal actions always have a consequence in relation to friends - Buffy is down on herself because she pushes people away and tried to lone wolf and it always, always blows up in her face, so this new thing with Angel is Buffy trying something new - trusting the other person so she can trust herself (because even though Willow and Xander are helpful and her besties, Buffy still canât fully trust them with the fighting of evil because of her Slayer nature and belief that itâs her sole responsibility. Sheâs never had friends like that before. Angel has an equivalent strength to hers and already knows the evil game.)
So this issue blowing up all those tentative friend bridges?Â
Fucking painful. Because now it feels like Buffy was right - she canât trust Angel, heâs not a friend, because why would he lie? Why didnât he stop Drusilla? They clearly have a history. Has he been in on this from the beginning?
Buffy is alone, again.
And Angel? Who the fuck knows. Buffy has become important to him in a short amount of time, and it still needs to be addressed why he did nothing to save Xander. He was already on the saving gig, and was it because he knew Spike and Dru that he let it pass out of...familial bonds? That still doesnât jibe with what heâs atoning for now.Â
As always, thanks to @jenny-calendar for being there for me to figure out all these fiddly parts. I still think this is the weakest issue of Hellmouth, and Iâm not as confident as I was before in thinking itâll be wrapped up neatly in the last two issues - but I hope this doesnât signal the end of crossovers, and that the relationship wherever it goes, continues to develop over both of their lines. But I dislike it less on reread.
And Buffy better make an appearance in Ring of Fire, damn it.
AND WHERE IS CAMAZOTZ?
#buffy comics#boom! studios#hellmouth#boom! verse#meta#tldr summary i didn't like it as much as i did the first two#but i didn't hate it either#reactions and reviews#spoilers and reactions#angel in boom! land#angel done fucked up#disaster grumpy bats
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i hate that post that's like âwe would've gotten a better trilogy if they'd just let rian johnson write all three films than playing hot potato with jjâ like i get the point it's trying to make but you're forgetting that rj was fighting tooth and nail for the tlj r*ylo narrative since day 1 so you do realise we would've just gotten the same trilogy as we got now.......
further Thoughts on the trilogy as a whole and a few troc spoilers under the cut
also you KNOW that even if jj COULD have had a hand in saving it... thereâs no saving a screenplay written by the guy who did the justice league films
No Comment. No Thoughts. Head Empty. everything post tfa was doomed from the start
have you SEEN the screenwriters for tfa? THATâS why that one was so good, THATâS why tfa succeeded as an excellent reboot of a long-dormant franchise. kasdan and arndt and jj should've been on for ALL THREE, and if they couldnât, then a hiatus was the way to fucking go. rian never should have Touched it, never should have even Looked in its direction.
tfa had the essence of sw BECAUSE the essence of sw wrote it! tlj and tros isnât sw!!!!Â
they rly just tried to make Anakin..... 2! with kylo... but somehow... even Worse. you canât make an anakin story Without showing kyloâs motives and morals - oh, except, you Did show his motives and morals, and they were in no way redeeming whatsoever! anakin had a whole ARC of complexity that allows for endless discussion on morality and justifiability that led him to earn his redemption. all kylo had was a blood tie to han and leia, which!!!! if anything!!!!!! made his motives and morals WORSE, knowing that he had the most IDEAL most loving and perfect upbringing and he still chose the dark side. that makes any love received from han or leia or luka or even fucking rey completely insignificant because we ALREADY KNOW what it means to him. all of this shit was so worthless!!!!!!!! fuck!
and i have a lot to say about rian johnson because i Cannot for the life of me believe the guy behind BRICK (2005) was taken on for tlj, WHILE TFA WASNâT EVEN FINISHED YET. i really didnât think this had to be said but that is just NOT how you make a Trilogy. that is how you make Three Separate Films and guess what! that is exactly what we got! and it honestly saddens me to think that the guy behind the beautiful 6 minute music video âoh babyâ by lcd sound system, inspired by some of his greatest work in looper (and even brick!), would then take the absolute worst of his worst and apply that to a star wars franchise that desperately needed his best. and thereâs something hilarious about that too, that you have this huge sandbox FULL of belief-suspending ridiculousness and STILL somehow make it fail? make it atrocious? that takes skill. itâs like that one post that was like âyou have to ACTUALLY put EFFORT into making something this badâ like itâs no longer silly mistakes or lacklustre energy, this was ACTIVE sabotage.
the fact rian Had the Understanding of the core concepts of star wars right in his hands, but somehow completely missed the entire point of them? if you look at the films he screened to his story group during the development of tlj... this handful of culturally and historically significant war films that just seem like he screened for aesthetic and reference purposes only instead of actually exploring and analysing the importance and criticism of the exonerating war propaganda and racist source materials and using these films to inspire the actual groundwork of some of the root themes of current climates and todayâs culture in a sw universe... i bet big bucks on the fact that twelve o clock high was only screened to inspire the air battle on crait (red salt planet) and because of âVIII Bomber Commandâ because ha ha hee hee tlj is episode VIII and hoo hoo hoo *youâve been gnomed.mp4*Â
the general rule is this: when reading ANY report on tlj and tros and something like âthe characters came firstâ is mentioned, just exit out the window, itâs already a botched article/thinkpiece.
iâm also thinking a lot about how arndt translated his first draft for tfa into a script for eight months and said he needed 18 more, which disney and jj said no to, so he left, and IMMEDIATELY after jj kept saying how relieved he was that the release date was delayed and gave him more time that he also needed. like.. you had your lesson then and there. did they learn from it? *disney forcing rian to write tlj at the same time as tfa was still being made* No!
i am ALSO thinking about how they had considered fincher, brad bird, jon favreau, del toro, even getting development suggestions by spielberg.......... and rian johnson is who they called up for tlj.... my head is... empty.
just give the fucking thing to taika waititi he understands the nuances of the socio-political climates of swâs narratives built around a guise of a fun sci-fi fantasy adventure-drama. he understands. thatâs literally the very definition of his style of writing and directing. Makes You Think Why The Mandalorian Is A Hit.... they already gave him 2 mandalorian episodes just give him the whole franchise i cant take it anymore.Â
AND NOW THEYâRE GIVING RIAN JOHNSON A WHOLE NEW TRILOGY? RIAN? RIAN JOHNSON? THEYâRE GIVING HIMÂ A WHOLE NEW TRILOGYÂ AFTER WHAT HAPPENED... HERE. SURE.. OKAY . ALRIGHT. ITâS HONESTLY MIND-BLOWING. THE THOUGHT PROCESS THAT GOES INTO CONSECUTIVE DECISIONS SUCH AS THIS. like i would LOVE to see footage of the board meeting for this. no sarcasm i am GENUINELY curious to hear what was said to greenlight this. i have GOT to know what post tros board meetings about this will be like.Â
anyway! op of that post! i will be thinking about you when the new rj trilogy drops!
whatâs worse about this whole trilogy is that.. they Had it. they had it in the bag with tfa. they HAD the original idea they HAD the power to make a sw trilogy set to current climates JUST LIKE THE PREVIOUS TRILOGIES DID, cos thatâs what sw is all about! what it was ALWAYS about! a space opera reflective of current times and climates. but disney turned it into a Keeping Up With The Skywalkers reality tv show thatâs nothing more than a sci-fi fantasy light show and vfx flex to keep the brand alive, and personally, i think thatâs ultimately one of the reasons itâs so hated and why it failed (of course rampant misogyny/sexism, racism, homophobia under the guise of geek culture within the sw community and in the production itself is a whole other discussion and is another humongous part of why itâs hated and why it failed)
and itâs why hamill had every right to criticise tlj the way he did with rotj, why boyega and isaac and ridley had Every right to their commentary on their distaste of the second and third instalments. how the only reason theyâd rescind what they said was due to their contracts. how their silence was necessary to squeeze every last dollar out of consumers because god forbid a potential boycott due to their own starâs âcontroversialâ (Correct) judgements and disapprovals
they really had it in the bag..
a female protagonist who could be a chosen one regardless of her blood and family ties, a protagonist that reflected the importance and validity of found family, and the idea that Anyone can be a âSkywalkerâ, a symbol of hope and a fighter for justice and goodness and love in the world, especially in the darkest of times... a young woman being just as powerful, as Chosen, as essential as Luke and Anakin were... a narrative that couldve been commentary on the necessity of women needing to do double the work, make double the effort, to earn the same spot of her counterparts. and with the second and third instalments, especially NOW, with the growth and vocalisation of the MeToo movement, the narrative of strength to speak out against abusers, to fight back and to thrive, a symbol of justice, to teach that men such as kylo who refuse consequence, who actively and soberly choose violence and manipulation for the strengthening of the self, who will ignore and deny all opportunities to better the self, to know their guilt, to make up for their actions, are the ones who are irredeemable. that people like him are not owed any time or understanding or belief in, when that belief perpetuates the violent and oppressive nature they are indefinitely attracted to and make themselves defined by.
a black hero raised by violence and refusing to be defined by it and unlocking the force within as a symbol of that strength within over encompassing goodness, to have a hero that breaks that harmful narrative stereotype that black characters have had for decades and still continue to do so, to have a voice and a hero that fights with love and kindness, that is able to find family and support in a place beyond what he believes he is allowed to have, the significance of a hero being deemed a âtraitorâ, a term that holds weight in the shame of seeking your own independence and identity, versus the cathartic empowerment of thriving in the independence you make for yourself in the end. a black hero that defeats his oppressors, oppressors that belong to a policing fascist regime, a faction that has always from the very beginning been a depiction of nazis, of authoritarian nationalism.Â
a canonical gay latino man freedom fighter, being the best in his career as a literal symbol of hope for the resistance, a literal symbol of the climates for lgbt folk in regards to resisting those same fascist nazi regimes, resisting laws against lgbt existence, lgbt employability, lgbt success. a man who grew into a legacy of heroism, surrounded by it, something that could have been powerful poignant commentary on the necessity to sacrifice lives so others like his didnât have to, the very narrative to fight for a world that the innocents and the ones he loves could have peace in, could have a future in, could Exist in. poe fights in the skies because he knew damn well the effect of believing in someone that is human, like you, instead of a force that is bigger than anything you could ever know or believe in. poe brings humanity and realism to an otherwise fanatical universe of magic and religion and chaos of endless war that means nothing, that is based on nothing. poe is commentary on fighting a fight that you have no choice but to fight, that you are forced to fight from birth just for the very act of Existing. his humanity and realism is a significant grounding necessity for our two protagonist heroes and it is appalling that heâd just be discarded the way he was, shallowly played off as sideline comic relief, much like lgbt narratives and characters are expressed in pretty much ANY media today, so it comes as no surprise.Â
the three most vital narratives that should have been told in this trilogy but no of course not (disney voice) gimme my Fackin MANEY. itâs the silence of marginalised voices cleverly disguised under hollow face-value representation.
honestly, even rey being blood-related to palpatine as his granddaughter was such a strong and perfect set-up for The Narrative That Couldâve Been TM, but instead they had palpatine make it a whole weird pseudo-marriage thing that was just so. backwards and unbelievably shocking that it was in a 2019 era star wars film.
wow marriage story and the rise of skywalker really is the same movie huh
yes we wanted a grey jedi protagonist hero that gets tempted by the dark side but this was the absolute worst way that couldâve been explored. like if they were just gonna recycle old characters and old storylines and make them worse they couldâve at least looked at darth maul or asajj ventress and the nightsisters
and NO WONDER oscar looked so DEFEATED every time finnpoe was mentioned cos he fought for that shit tooth and nail and they? ? ? they gave him a funny ha ha hee hee hoo hoo straight flirt scene? ? with like his ex or something, where they imply they get back together? COMPLETELY destroying the ENTIRE narrative of his character that was so lovingly built and developed in the Official Canon Comic Series About Him ? ? ? ? ? ? ?
NO WORDS. there are NO WORDS. head EMPTY. no not even empty there's NO HEAD at all i am BEHEADED
finn had NOTHING in this film. Nothing. how are you gonna make him a joint-protag with rey and give him Nothing?Â
anyone with brain cells knows that what finn truly was trying to tell rey the entire film was that he was force sensitive, i will take this to my grave, and that shouldâve built up to this grand reveal where they empower each other and take down palpatine and kylo as one, as the joint-protagonists they were Literally Fucking Written And Built Up To Be. they gave EVERY antagonist to REY. what was the POINT. rey had her significant clash with kylo across two films, hell, even in this one (before the Final one), tros was the penultimate film about her family, her bloodline, so her significant final battle should have been with palpatine a la rotj. the person who DESERVED to clash with and take down kylo once and for all was FINN, even a TODDLER would understand WHY.Â
but considering everything, i would take the thing finn was trying to tell her the entire film being that he loves her ANY DAY if it meant whatever the fuck we got instead Never Happened.
finn got made general and not only was it a blink-and-you-miss bit but it adds NOTHING, yes itâs something to celebrate and of Course he deserves it, but it holds zero significance to him as a character. like i mentioned earlier, when han was made general, that never defined him. he was still han solo and it took a Dozen other significant scenarios and twists to make him a significant and vital memorable character. han solo isnât known for âbeing a generalâ. heâs known for being han fucking solo, a critical puzzle piece in the taking down of the empire, a scamp-turned-deeply-loyal friend and lover, a man who not only got his own personal storyline concluded to the level it deserved to be (the repercussions of his bounty hunter life, the importance of the falcon, his relationships with lando, luke, and leia, his triumph over his captors even when it was luke and leia who freed him).Â
side note, this was maybe the one thing that tfa screwed up, the entire point and development of the original trilogy, it sort of felt a bit moot with how they put a âtwistâ on han, leia and lukeâs relationship, especially when it came to kylo. but i think there are some forgivable aspects to it for the sake of the new trio, and thatâs why those executive decisions kind of Worked! this is, of course, for another discussion bc this is about the new trilogy.
leia IS known for being a general because part of her entire storyline revolves around it and the significance of it!!! which is why finn being made general just feels so... i donât know! just completely disrespectful, to both him as a character, and to generals who are defined by this position (such as, hello!!!!! poe!!! poe fucking dameron!!!! a man raised by the resistance!!! a man whoâs entire life and prior legacy was entirely dedicated to the resistance!!!! him being made general MEANT something). itâs like rubbing salt in the wound of the fact that finn has been discarded as the protagonist he was meant to be, the story, development and conclusion he never got, just to slap general on him and call it a day and then write about his actual development in a novel that 3/4ths of the ppl who watch the films will never read.Â
and that's just the core story stuff!!! do NOT get me started on the general lore proposed in this shit. iâm talking about the force ghost nonsense and the convenience of some of the timing choices (rewriting the way death works in sw, claiming that rey âdidnât really die/wasnât really deadâ since she didnât fade which in itself completely destroys the entire plot they were going for with the resurrection scene, the timing of the fades themselves bullshitted for âdramatic cinematic purposesâ), the entire palpatine storyline, the bullshit with snoke and the lack of explanation, all these one-off characters that have the lore capacity of an overwatch character when instead they could have developed the ones that already existed and had the opportunity to be fleshed out and CARED about
the FACT that HUX (hux!!!!!!!!!) had a more interesting storyline in all three films with a total screentime of maybe 10 minutes than these one-offs whose only purpose is to stroke the cock of sw nostalgia seekers and lore aficionados. to make these characters so inaccessible that to fully appreciate them, fans have to dive into hundreds of different novels and comics and games and whatnot. like if you make it so that the Only way someone can experience a characterâs full essence is by reading their wiki page then youâve failed in creating them, in writing them, in including them, in using them, in whatever them. youâve just failed as a creator.
and the ONLY reason hux got a reaction (a barebones reaction but a reaction nonetheless) out of me was because they essentially just turned him into phasma 2 which is SO telling of the climate of this trilogy.
itâs a recycled trilogy. thatâs all it is. itâs a recycled series of films where tfaâs originality was completely entirely scrapped and ignored because rian wanted to write his personal fanfiction more than he wanted to continue the story he was given, and did everything he could to insert that whenever he could, and kennedy, of course, let him, because she realised giving herself indulging content other than fifty shades and radfem articles that she could jerk off to was more important than telling a critical story where its wonder and valuable, influential morals couldâve stayed in this generationâs minds for years to come.
if you want to watch tros just watch the prequel trilogy instead you'll get the same story except actually good.
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Title: Who Needs Sleep Anyway?
Summary:Â Kenny's been working long hours, so a Saturday date is just what he needs to relax.
Ships: Stenny
Rating: T
Request from spaceboi.craig on instagram
~~~~
Four and a half hours at City Wok, eight and a half hours at school, two hours rushing through homework, that's fifteen hours, not counting morning grooming and travel time.
Fifteen hour days all week.
Kenny had never been so thankful for a weekend. A weekend with a Saturday date on top of that almost made not spending the day sleeping worth it.
He rubbed his eyes with the heels of his palms. Even so, he was still tired. Slapping his cheeks might wake him up. Didn't he watch a Mythbusters episode on that once?
As he prepared to smack his cheeks, a voice called out his name.
A hand slammed firmly between his shoulder blades, nearly toppling him over.
âOh, shit, dude, â Stan gasped and grabbed his forearm, âare you ok?â
Kenny flashed a smile and a peace sign.
âI'm fine, Stan, my man, but you shouldn't go attacking people like that. Your jock strength is dangerous, â Kenny teased.
Stan did not look amused. He fixed Kenny with a hard, probing look.
âWhen did you last sleep?â He demanded.
Kenny held himself firm with a deadpan expression.
âI got seven hours last night, â he replied. That wasn't a lie, but it wasn't what Stan wanted to hear.
Kenny continued on, âI got plenty of sleep all week. Mr. Kim has been letting me work on my homework at City Wok when there is a lull, so I don't need to do it at home.â
That was a lie, but it pacified Stan enough that he backed off the subject, much to Kennyâs relief.
He would rather not start their date once again reminding Stan that Mr. Kim wasn't all that bad and if he hadn't let Kenny work under the table for the last few years, Kennyâs family would have starved.
Throwing an arm around Stan's shoulders, Kenny asked, âSo, what's this date plan of yours and does it involve me driving Sweet Rig?â
Stan snorted a laugh.
âSweet Rigâ was Cartman's sarcastically given name to Stan's car, which all of Stan's friends lovingly adopted.
Sweet Rig was actually Stan's grandpa's car, handed down to him on his sixteenth birthday. The brakes squealed. The back passenger side door only opened from the outside. The whole vehicle shook when the speedometer needle was over fifty-five. It smelled like mold and cat urine and dust, guzzled gas like none other, and Stan coddled it like a newborn baby.
The tank never fell below a forth. He didn't allow food or drink inside. A trash bag waited under the back seat for muddy shoes, and every seventh, like clockwork, Stan checked the fluids.
Kenny batted his eyelashes and Stan pushed him away.
âNope.â
âDamn, well, worth a try.â Kenny shrugged. âSo what are we doing really?â He cast a glance around him.
The morning sun glinted off Stark's Pond. Little rivers of melted snow snaked across the dirt paths. The trees extended into the distance.
Stan puffed out his chest. âHiking, â he proclaimed.
Kenny couldn't help but wince.
âHiking?â He repeated. Stan had to be joking.
Stan nodded. âYeah, hiking.â For emphasis he turned the backpack Kenny just noticed he had towards his front.
âYou see, â he said as he began to unzip the pack, âthe weather is supposed to be gross and windy next week, so I thought it would be a good idea to enjoy nature before then.â
For a moment, Kenny wondered if this was a test. Was Stan doing this to make Kenny fess up to being dog tired? If he did, would Stan give up the charade then drive them to the movies?
The admission sat on his tongue for a best, ready to come out, when Kenny remembered that this was not the first time Stan had done a date idea like this.
He did it before when he and Wendy were still together. It had been the first time he put his hand up a girl's shirt. Stan bragged about it for weeks afterward, earning the respect of his fellows.
Oh, I get it. Stan wants to get down and dirty in the woods, Kenny thought.
Out loud, he said, âoh, that sounds great. I'm game for some outdoor activities.â
If Stan noticed the inflection in Kenny's voice, he didn't show it. Instead, he nodded, pulling out a pair of worn hiking boots.
âHere, â he set them in Kennyâs hands, âthey'll work better than what you have.â
Kenny lifted his right shoe. The sole near his big toe came loose on Wednesday. He'd wrapped some duct tape around it, but when he got home, Kenny would have to super glue it.
Stan set a hand on his elbow and led him to the bench by the pond.
Kenny pulled out a bootâs tongue with a frown.
âStan, I'm a size nine, this is an eleven,â Kenny told him.
Stan set his bag on the bench to dig around.
âI know, so I picked up some socks. Two pairs should work, you think? The pack has three, I think if two doesn't work.â Â
Kenny perked up from the bench seat as he untied his shoes.
âPicked upâ had become something of a code word meaning âyou can keep these afterwardâ that Stan started using in an attempt to save Kenny some pride when he bought him a necessity.
Kenny didn't complain though. He could always use new socks, with how fast he wore out his.
âOh, cool, thanks.â Kenny set his shoes on the bench beside him. As he did, he stole a glance into Stan's bag.
Gatorade bottles, granola bars, beef jerky sticks, but Kenny didn't see anything particularly useful for adult recreation. Maybe it was in another pocket.
âDamn it, â Stan swore. âI forgot the socks in Sweet Rig. Do you mind waiting?â
Kenny shook his head. ââCourse not. Take your time, but, â here he winked, âdon't take too long, lover boy.â
Kenny took great pleasure in seeing Stan's cheeks turn pink.
âUm, yeah, be back.â Stan pointed towards the parking lot before jogging towards it.
Kenny snickered, then leaned back against the bench.
The sun warmed the wood, leaving it pleasent against him. The birds tweeted a lovely song. Ducks occasionally splashed in the pond.
He shut his eyes.
âJust for a moment, â he muttered to himself.
If the weather really did get gross and windy as Stan claimed, then making a pleasant memory such as this was the best course of action.
After a few moments, his chin lowered to his chest, his breathing deepened, and Kenny dozed off.
~~~~~
On some level, Kenny knew he was dreaming. Somehow he always knew when he was dreaming.
But lucidity of the dream soon faded as the dream solidified into a scene.
He was on a nice couch, in a house he knew he ownedâ not rented, owned. The walls had posters of scantily clad people in many different poses that showed off their exposed skin.
On the shelves were knick-knacks and pictures of his family. Karen and Kevin were happy and his parents were sober.
This was his dream future.
When he was younger, the room would be filled with the people from his posters, but with age, the people had dwindled to one person laying under him.
He had his lips pressed to Stan's neck and Stan had his hands running up and down his back.
Sounds more wanton than anything Stan had made in real life escaped his mouth.
Kenny pulled back, admiring the string of hickies heâd left along Stanâs neck and collarbone. Stanâs hands stayed planted firmly on his lower back as he scooted to a sitting position.
He hugged Kenny, hurrying his face in his stomach.
âGood...Love you...â He murmured. Stan was sappy and clingy when they made out and Kenny loved it.
He raised his hand to stroke his boyfriendâs hair when a sharp pain resonated from his back.
Throwing back his head, Kenny let out a gasping scream as sharp claws dug into his flesh.
When he looked back down, Stan was gone, replaced by a thick, sinewy claw wrapped around him.
Its nails dug deeper into him as the claw rose up.
Soon Kenny found himself face to face with a creature of nightmares and madness.
Cthulhuâs skin stretched across his face like wet leather. His eyes burned with an orange, unworldly flame.
All around them strange architectures sprung up as did disfigure, unnatural monsters buzzing by like grotesque flies.
Cthulhu squeezed and Kenny bit down on his tongue to hold back another scream.
This creature was his nightmare and, in a sense, his equal. This was one of the few beings that could kill him forever â
His heart froze in his chest. His limbs felt like lead.
If Cthulhu killed him, he wouldn't come back. It would be The End. No rewind. No reboot. No return after the commercial break.
Just The End.
His cries fell quiet in his throat.
Another squeeze and he heard bones crack.
â...no...please...â He whimpered. âI'm happy. You can't do this to me when I'm finally happy.â
Kenny wanted to cry, to scream, to plead that it wasn't fair, that he was scared, that he didn't want this.
He shut his eyes, trying to calm his shaking.
The afterlife stopped scaring Kenny a long time ago, but having all he worked for taken away from him, leaving his love and family alone? That scared him stiff.
He waited for antagonizing moments for the great old one to squish him like a bug, but instead of killing him, Cthulhu turned his claw around and dropped Kenny.
Not once did he open his eyes to see the ground rushing towards him. His body went lax, like Kenny long ago taught it to do when it was one a collision course with a hard object.
The collision never happened.
A pair of arms wrapped around him. His head slumped against a chest. The sound of a strong, steady heart calmed his own.
Kenny had dreams of carrying quite, though he didn't know why. At least they were always a comforting dream.
Usually in his dream, either his mom or dad carried him. This time, the scent of cigarettes and beer didn't fill his nose. The scent of body spray, grass, and dog hair did.
Stan, he realized groggily.
If Kenny had more conscious control over his dreams, he might have wondered when Stan became so involved in his happiest fantasies, but he didn't, so instead, he wrapped his arms around Stan and snuggled close without ever opening his eyes. Curling up against Stan, Kenny let himself slip back to his earlier dream of the house and of a happy future.
~~~~~
Someone shuffling around under him woke Kenny up.
He blinked looking around.
The interior of Sweet Rig was all around him.
âOh, shit, sorry, did i wake you up?â Stan yawned, stretching out. He too blinked the sleep from his eyes.
âWhat's going on? Did we go hiking?â Kenny readjusted himself more comfortably on Stan's lap, his feet hung over the center console of the front seat. He was still only in his ratty socks. Where did his shoes end up? Stan probably set them in the shoe trashbag.
âNah, you passed out on a bench. I carried you to the car.â Stan explained. âI was going to take you home, but then you hugged me in your sleep.â He smirked. âItâs was pretty cute, dude.â
Kenny pressed his shoulder against Stanâs chest and smiled slyly. âCute enough for a drive?â
âNo.â Stan purposefully took the keys from the ignition and put them in his jacket pocket.
âWorth a try,â Kenny sighed dramatically. He continued, âSo, how long was I out? An hour?â
The sun still shone outside, so at least he didn't sleep the day away.
âTry four,â Stan took an open Gatorade bottle from the drink holder.
âFour?!â Kenny gasped, twisting onto his stomach. âYou let me sleep the whole fucking day? How can we go hiking if Iâm asleep?â His hand grasped the door handle when Stan set a hand on his wrist.
âDude, dude, dude, itâs fine. You needed it anyway.â Stan shook his head with a smile.
Kenny deflated before rolling back over. His shoulder blades pressed against the car door. The window handle stabbed into his back.
âBut...the date...second base and all...â He trailed off, his mind going to the start of his dream.
âSecond base?â Stan furrowed his brows. âWhat?â
âThatâs why you wanted to go into the woods. Like you did with Wendy? To fool around?â Kennyâs shoulders slumped. âWe could go now, but itâs afternoon, so there will be more people.â
Stanâs face went red. He shook his head. âN-no, no, thatâs not my plan.â He ran a hand through his hair. âIâd forgotten about that, actually.â
Kenny bolted straight, scraping his back against the door. âYou forgot about the first time you groped boob?!â He was almost offended. How could anyone forget such an important milestone?
Stan hummed. âAbout that, I, uh, didnât. Not completely.â Kenny fixed him with a confused look, so he went on, âShe let me stick a hand up her shirt, but the second I touched her bra strap, I panicked and, um, didnât go any farther.â He laughed nervously. âDonât tell anyone, though.â
Kennyâs lips quivered. Snorts escaped his nose. He tried to hold it back, but the wave of laughter escaped nonetheless.
âReally? Really? Holy shit, dude! You went in for the long con on that lie. Remember how Clyde and I begged you to give an in-depth detail on how it felt? Did you just make all that up?â Kenny doubled over, holding his stomach. âShut up, or were breaking up,â Stan threatened, shoving his hand over Kennyâs mouth. Even his ears were red now.
Kenny pushed Stanâs hand anyway. âPhew, ok, ok, Iâm done.â He wiped away a tear. âBack on track, I really am sorry I fell asleep on you.â
Stan raised a shoulder. âItâs cool. You talk in your sleep by the way. Something about being happy and dying?â
Kenny pressed his lips into a line. He didnât dare tell Stan about this dream in full. Years of dealing with his curse caused him to learn to appreciate it for what it was, a weird, unnatural secret that no one else needed to burden themselves with.
âNightmare, I think.â Kenny shrugged back. âBut it ended on a good note.â He pressed a kiss to Stanâs cheek. Stan wrapped an arm around his waist and hugged him.
Part of him wanted to stay in the front seat and keep snuggling the rest of the day, but the afternoon was so lovely, it would have been a crime to do so.
âI think,â Kenny said, reaching for the door, âI do what to go on that hike nowâ
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i router, you giles
read it on ao3!
âWifi,â said the dark-haired woman, holding a small tech-looking box out in front of her like it was some sort of birthday present. âGot any?â
In which Giles meets the new computer science teacher, Jenny is unapologetically combative, and Willow does her best to set them both straight. (It doesn't work.)
in the event that jenny calendar does show up in the btvs comic reboot, we are probably going to see her meet giles for the first time. and because i have my own thoughts about how that will play out, i wanted to make sure i wrote a fic about it before thereâs any established canon.
doesnât actually require any knowledge of said 2019 reboot--just that this is giles and jennyâs first meeting, now with modern tech thrown into the mix.
âWifi,â said the dark-haired woman, holding a small tech-looking box out in front of her like it was some sort of birthday present. âGot any?â
Giles missed the British Museum, where his request for a lock on his door had been processed and accepted. âThe libraryâs closed,â he said, in the annoyed-academic voice that generally got most of the children in this school to leave immediately. âIf you could perhaps come back laterââ
âOh, no, this is totally a necessity,â said the woman, breezing past Giles as though the word closed wasnât in her vocabulary. âSee, the principalâs under the impression that thisââ she blinked, squinting around in the dim light, ââmusty old cave of antiquities is lacking a basic Internet connection, so I figured, hey, why not be a good neighborââ
âNeighbor?â
âIâm in the classroom across from yours,â said the woman, giving Giles a small, bewildered frown. âI see you all the time. Are you telling me youâve never noticed me?â
âIâm a bit busy,â said Giles, gesturing around at the books he had been shelving, âand I do not appreciate my work being interrupted.â
âWell, arenât you just a laugh and a half,â said the woman, lookingâamused? Giles was insinuating that he didnât want her there, and she thought it was funny? âAnyway, you being a stuck-up snob totally isnât the point right nowââ
âIÂ beg your pardon?â
ââmy point,â said the woman, verging on impatience, âis that I brought you a wifi router. In this day and age, an actual internet connection is a total necessity.â
âYes, we wouldnât want people to unplug themselves from their smartphones and actually read a book, now, would we?â said Giles waspishly. âForgive me, Msâwhatever your name is, but Iâm afraid I cannot condone adding a potential distraction to a place of studying. Please leave.â With a wince, he realized that this wasnât very decorous of him. âI appreciate the offer,â he tacked on somewhat unconvincingly.
âYou so donât,â said the woman. Her eyes were narrowed. âAnd for the record, computers arenât a distraction. Theyâre a tool. Have you ever used one, or do you just cast aspersions on anyone who does?â
âOh, absolutely the second one,â said Giles, pulling out his flip phone for emphasis. âI see no need to muddle my mind with poorly sourced information and exorbitant amounts of social media.â
âOh my god,â said the woman disbelievingly, âhave I somehow stepped back into the nineties?â
âThere were computers around then,â Giles began smugly.
âThe 1890s, Rupert,â said the woman, giving him an extremely attractive grin. Giles very hastily replaced the revealing adjectives with annoyingly smug and glared back. âYou know, you can rot your brain from academic elitism just as fast as you can fromâahemââ She cleared her throat, then said in a horrible British accent, âexorbitant amounts of social media?â
âI donât sound like that,â said Giles indignantly. Then, âAnd my name is Mr. Giles, thank youââ
âIâll cut you a deal,â said the woman. âIâll call you Mr. Giles if you let me install wifi in your library.â
âAbsolutely not!â said Giles immediately, infuriated. âHow dare you blackmail me with informalities!â
âWell, how dare you insult me and my chosen profession!â
âYou came into this library when there was a clearly marked CLOSED sign on the doorââ
âI was trying to be friendly!â
âBY BRINGING IN THE INTERNET?â
âOkay, what is going on?â came Buffyâs voice.
Giles turned. Buffy, Willow, and Xander were standing in the open doorway, all of them watching the spectacle with expressions that suggested theyâd been here for longer than he would have liked them to be. âShe was attempting to install better Internet in the library,â he said, âand I told her that I wasnât having any such nonsense.â
âWait, the Internet is nonsense now?â said Willow, frowning.
âRupert here thinks that everyone uses good wifi for flash games, dating sites, and Instagram,â said the woman, patting Giles on the shoulder. He jumped away and knocked over two stacks of books. âAnd I attempted to inform him that actually, the Internet is used for a lot of things when youâre not a dinosaur.â
Buffy looked extremely happy. Xander looked like he was trying not to laugh. Willowâs frown had deepened. âWell, Giles isnât a dinosaur, Ms. Calendar,â she said, âand I donât think itâs very mature of either of you to be acting like this. You two are my favorite teachers.â
âHer?â said Giles.
âHim?â said Ms. Calendar.
âWork it out,â said Willow, and led a beaming Buffy and a giggling Xander out of the library.
Giles considered this turn of events. Awkwardly, he said, âIâsuppose I was a bit abrasive, initially. If Willow likes you, you canât be as intolerable as you initially seemed.â
âWay to apologize,â said Ms. Calendar, looking completely unimpressed.
Giles snorted. âAm I supposed to grovel for reacting poorly to you forcing your way into my library?â
Ms. Calendar tilted her head, glaring at him. âYou do know that the reason a school library needs Internet is for things like online research papers and collaborative study groups?â she said.. âA lot of the work that these teachers assign is done almost entirely online, and a lot of students are going to turn to the library for a good place to study between classes. The least you can do is make the library more accessible for the kids who are going to be using the Internet responsibly.â
âOr,â said Giles, refusing to feel guilty, âthe least I can do is make the library more accessible for the children who want to come in here and read books, undisturbed by YouTube videos and, and, Myspace.â
âHave you ever touched a computer, or have you just read a lot of instruction manuals from 2009?â said Ms. Calendar.
Giles didnât want to answer that.
âAnyway,â said Ms. Calendar. âI do not accept your apology, I think youâre a total asshole, and at some point, when you arenât paying attention, I am going to sneak back in here and put the wifi router somewhere you will never find it. Kudos!â She patted Giles on the shoulder again (she had graceful fingers with sparkly, painted nails, not that Giles noticed) and headed out of the library without a backwards glance.
âI hate her very much,â said Giles to the books. It didnât sound all that convincing.
The wifi router turned up seventeen times within the next two days, regardless of his attempts to remove it from the library. Giles had no idea how she was doing it, and strongly suspected that the children were helping her out.
#fic#calendiles#rupert giles#jenny calendar#anyway i am so glad my wife is alive and well in 2019#this is short bc i literally wrote it today
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Part 7 is here!!
One thing Tony hadnât considered when he accepted the help of the prince was the method in which the prince was going to lather him with the disenfectives. Paws werenât exactly ideal, not when claws could accidentally cause more damage or the salve wouldnât be placed properly.
As a panther it wouldâve been difficult for TâChalla to work on four legs. Opposable thumbs was a luxury and proved to be a necessity on more than one occasion and now suddenly the blanket TâChalla brought with him made more sense.
Tony tried his hardest not to allow his eyes to glance over to the form of the prince kneeling next to him with only a blanket to cover his nakedness to the world. Instead he focused on the feeling of fingers trailing through his fur and caressing his skin. The medicine soothing the burn of his fresh wounds and the soft fingers relaxing his muscles.
The sensation had him nearly falling asleep and his weakness to touch had him going soft and pliant. If he had the capability he was sure heâd be purring right then. As it happened, he might or might not have been slowly melting under the princeâs hands.
He had a weakness. Living as a solitary tiger had its pros, less worry, no responsibilities to others, no other mouths to feed, but above all else solitary had its cons. No physical contact. No affection. No grooming. No gentle touches. No bonds. No pride strength. He was alone and the feeling of loneliness in moments of weakness hurt more than any wound he could ever receive.
He didnât believe himself as someone to easily grow affection for another simply because he ran fingers through his fur, but as TâChalla gently lathered around his wrists with a care of easily breakable glass Tony could feel the affection bloom in his chest. It said something for a tiger to allow the fragile treatment, but Tony had been so starved of anything related to gentle treatment after being captured he couldnât be faulted.
He wondered if TâChalla understood or even noted the importance of it.
The more the panther tended to his wounds the more Tony inched closer to falling asleep. Then TâChalla moved his hands to his flank and back and Tony was in pure bliss.
âYou sustained more injuries than I have salve to use.â
Tony twitched his ear at the sudden sound disrupting his elation. He made the mistake of looking to TâChalla and got a trail of skin visible between the the blanket wrapped around his shoulders and a well-toned chest for his troubles. Mouth suddenly dried he put a lot more effort than necessary to move his gaze to TâChallaâs face.
âAs long as the big ones are taken care of. Donât go using all your stock on me.â
TâChallaâs hand suddenly moved to lather on his neck. Tony prevented himself from flinching but gave himself away when his ears went flat down. He moved his head according to TâChallaâs movements to accommodate. At one point TâChalla had to use both hands to adjust and held his chin as he put pressure in order to pass through the fur. Tony stared at his face as he did so. The tongue sticking out slightly as he focused. The thought of grooming strong on his mind after seeing that.
The pantherâs fingers ran over the fur of his cheeks and as if belatedly realizing what heâd been doing TâChalla finally met his eyes. For a brief moment time stopped and Tony wondered what the princeâs next move would have been had the sound of twigs snapping didnât make them nearly jump apart. TâChalla retracted his hand and both of them faced the panther cub and wolf pup trying and failing to hide under bushes. The youngsters looking far too interested at what they were doing.
TâChalla wrapped the blanket tighter against himself and Tony did the sensible thing and stood to move his body in front of the panther, blocking the view. He gave the young pair an unimpressed look.
âHow long have you both been hiding there?â
The panther princess peeked her head through the green and piped up. âLong enough.â The feline grin she had didnât leave room not to worry.
Peter followed her and stuck his nose up, tongue hanging lazily out of his mouth. âWe didnât want to disturb you, Mr Stark. Looked like you were having a moment.â
If looks could scare.
âMind coming out from there?â
âSince you asked so nicely,â Shuri slithered out and stood tall. Her fur shining under the light of the sun. Peter didnât slither but he gave a good attempt at it. His fur wasnât as shiny but considering what they had gone through months prior it was practically sparkling compared to his furâs previous state. He looked healthy and energetic and Tony sighed fondly at him. Carefree for the first time in so long. He couldnât take that away from him.
âDid you both need something?â There had to be a reason why the two sought them out.
âNo, we wanted to check you both werenât dead. You were awfully silent.â
âWhat, were you expecting us to fight? Pretty sure your guards would be against me hurting a prince.â
âNo, but plenty of other reasons to be quiet.â
TâChalla, now in his panther form, walked around Tony. âSuch as?â
âI canât possibly say.â Shuri made a show of looking around paranoid. âFar too many ears around us.â
TâChalla shook his head, ready to respond, but it seemed Shuri was not going to stick around for it. She jumped on her four legs and to Peter she said, âRace you to the top of the hill.â
Peter crouched down before taking off. âYouâre on!â
And just like that they were both gone, leaving tiger and panther alone to wonder what all that was about.
âThe energy of youth,â TâChalla said with fondness.
Tony raised an eyebrow at him. âAre you calling me old?â Which, rude.
âN-no! Of course not. I hadnât meant to offend by it.â
The wide eyes and the taken back stance made Tony internally chuckle. A prince that stuttered. He never thought heâd ever see it in his life. Then, as if stuttering wasnât enough, the prince actually froze and blinked at him. As if his mind was attempting to reboot.
Tony grinned. âNo offence taken. I wouldnât even know what to do with all that energy. Iâm old and grumpy.â
The panther seemed to snap out of whatever notion he got himself in. âThere is plenty to do with that much energy. You just need creativity.â
Now it was Tonyâs turn to blink. If he didnât know any better heâd assume the prince was flirting with him, and his eyes seemed to be half lidded.
It was a good thing he knew better. The prince was his owner and most likely didnât have time to flirt with his property. Even if he did nothing would come out of it. Not unless the prince wanted a warm body for the night and Tony had no choice but to say yes.
Tony hummed and refused to respond. If he didnât acknowledge it perhaps the prince would drop it. Instead he turned and got comfortable back on the ground.
~~
Shuri ended up winning the race up the hill by using the branches and jumping to her advantage while Peter was stuck running on the ground. While he may have lost he hadnât been upset by it. Not when he could finally run after being locked up for so long. To feel his legs burning from exertion and breathing heavily.
He flopped down on the ground when he finally reached her perched on the hill. âNext win is going to be mine.â
âIâll believe it when I see it.â She wasnât winded and she didnât look even close to as tired as he was.
âFive minutes.â
âIâll give you ten.â
âThanks.â Peter breathed deeply during the time, trying to calm his heart, all the while Shuri sat upright for a moment before pacing in a circle around him.
âSo,â she started casually, âmy brother and Mr Stark.â
Peter grinned. âDo you think they know?â
âIf they donât theyâre about to. The way they were gazing at each other. It reminded me of that lion film and the love song it played. Theyâre practically begging for it to be their song.â
âLion film?â Peter perked up.
âHave you not watched it?â the panther tilted her head.
âI live with my pack hidden in the forest away from humans. Iâve seen a few films from what we manage to get, but theyâre usually not priority. My uncle tells me to focus on staying hidden.â
âI see. Sounds sad.â
Peter shrugged. âPlenty to do with the pack every day. Not that itâs always fun, but we survive.â
Shuri circled one more time before curling up next to him. âIs that how all shifters live where you are from?â
âNot all. Only those who live as their animal form. Itâs easier to live hidden like that and have humans keep walking. Thereâs some who try to live as both and even manage to make small villages deep within forests. They have electricity and technology and everything.â
âDo you live as your animal only?â
âYeah. Electricity makes it easier for humans to track us so we try to avoid that.â
âIs that why you donât shift even now? You and Mr Stark?â It was a sad thought, and made sense now that Shuri thought about it.
Peter nodded. âWe live in a forest. Mr Stark on his own but heâs a friend of my pack. He helped me when I got seperated from my aunt and uncle one day, and tried to stop the poachers from taking me. They got us both instead.â
âHow long ago was this?â How long were you captured.
âWhat day is it?â
âSeventeen of September.â
Visible sorrow appeared in Peterâs eyes. âMore than half a year ago. Aunt May and Uncle Ben must be worried sick.â
âYouâll return to them,â Shuri said with utmost certainty. âI meant what I said. We wish to help and that means returning you to your home. Wherever that is.â
âThank you.â
Shuri made a quick move to bump her head against Peterâs in affection before pulling away and standing again. âNow. I canât believe you havenât watched that lion film. Tomorrow Iâm bringing a whole set up and weâre going to sit and watch it and when that scene comes out youâre going to help me play it out for my brother and Mr Stark.â
Peter hopped to his feet as well. âI canât wait.â
(Part 1) (Part 2) (Part 3) (Part 4) (Part 5) (Part 6)Â (Part 7)Â (Part8)
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#text post#long text post#ironpanther shifter au#lost and found au#ironpanther#tiger tony stark#panther t'challa#panther shuri#wolf peter#what better way to promote birthday fic than posting it on the main character's actor's birthday#happy birthday to all!!#naferty writes#peter and shuri
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