#I was like 'lmao I'm gonna be the only one into this but fuck it' and then it snowballed

[kkdoesstuff]

*giggles excitedly and kicks my little feet* guess who's about to get into BLOODY, SLUTTY, AND PATHETIC by WhatMurdah?

ME, bitch 🥰🥰🥰

it was published over about 5 months in 2024 (so it's complete obvs, i don't read WIPs sorry not sorry), is 21 chapters, and just over 195K words! so a nice sized fic that i'm about to devour like a starving man, tysm.

i am and have truly been looking forward to this fic ever since someone on reddit said they have never seen draco simp and pine and be stupid for hermione harder than he ever has in this fic. i think they said she slaps him in public and then he is just like, "omg she fucking touched me!!!!!!!! *nuts*" like... LMAO yes bitch. yes pls! and then that possessive draco tag is staring at me like 👀😈 and i'm staring back like 👁👄👁💖

this will be my FIRST EVER marriage law fic and i am so happy that it is this one. i can't wait to see what happenssssss. i have tried to avert my eyes from the hype, summaries, think pieces and such because i'm not trying to set myself up or know too much or be disappointed or go off anyone else's interpretation, i just want to let the fic take me where it's gonna take me!!!! i want to scream, cry, giggle, pine, laugh, throw up, feel the feels, etc. my body is ready!!! *rubs hands together vigorously*

summary:

“In my humble opinion there’s only three things that men should be and that is bloody, slutty, and pathetic.” And, on a good day, Draco Malfoy can be all three. When war heroine Hermione Granger and Azkaban-tattooed war criminal Draco Malfoy are forced to wed as part of Shacklebolt’s controversial Reconciliation Act, they openly fight the match and each other—their public brawls breathlessly reported by the press. Secretly, a deeply traumatized Draco delights in Hermione’s attention and pines for a real marriage with her—even as her forced proximity to the Black family magic irritates the cursed scar Bellatrix left on her arm, reminding her why she can never truly trust or forgive him. Then Hermione discovers that Draco’s blood will soothe the scar . . . and Draco is willing to trade his blood for her body. (With post-war blood purity politics, black market potioneers, Pansy Parkinson’s career advice, the Malfoys blackmailing Hermione’s Wizengamot opposition, BDE Neville Longbottom hunting Death Eaters, a slutty Theo Nott serving as Draco’s right-hand man, and Crookshanks loose in Malfoy Manor.)

tags: Enemies to Lovers, Slow Burn, Marriage law, Forced Marriage, Post-War, Angst, Post-Traumatic Stress Disorder - PTSD, Pining/Possessive Draco Malfoy, Morally Grey Hermione Granger; rating: EXPLICIT

very interested by the pairings outside of D/Hr which are Pansy/Neville, and Theo/Everyone lmfao we LOVE a slutty theo, we truly do. i can't wait to see the friendship between him and draco in this one!!! i love their friendship so so so soooo much. (sidenote, i might have to read some theo/harry fics soon enough but that's neither here nor there) ANYWAYS apparently neville has big dick energies in BSP so i'm ready for that. crookshanks is innis bitch where he BELONGS, i love me some crookshanks i truly do.

anything else...? nope i don't think so LET'S MF GOOOO

[miwiheroes]

Dropping Byler Evidence Every Day Until Season 5

Day 6: Parallels with Rovickie

Other than the obvious one--being that Vickie has a boyfriend and Robin is jealous/ put between them--there are actually way more parallels to Rockie than I originally thought, which is why I decided to make a whole post about them!

Again, I'm gonna be stating how intentional I think each parallel is. Even if it's not intentional, it's still a proof because it's the fact they are using the same tropes for two pairings shows that they are both supposed to be seen as romantic.

1. Being Between Them

Very very intentional. The framing is the exact same except Robin is not blurred while Will is blurred. AND the fact that it's a queer character between a straight relationship as well what the actuallllll freak. The difference is the fact that Wills blurred but Robin isn't. Robin is shown to be miserable in this scene, while Will is actually happy in this scene because he is seeing El again.

2. Basically the same conversation

I also think this is kind of intentional, it's tooooo similar not to kind of be inspired by Mike's speech. Obviously, Mike is more of a main character than Vickie so I think that they decided to make her do the same thing as him because the writers see this situation as similar. It's also interesting that she, in this conversation, is talking about how much she should have broken up with her boyfriend earlier. Maybe that gives us a little insight into what Mike is feeling too :)))

ALSO ALSO the bit at the end where Vickie goes "sorry I am rambling while there are people suffering" is literally THE SAME as what Mike says when he goes "it's so stupid given everything that's going on", basically showing they both don't view their relationships as important.

3. The Gay Food Jokes

The 'try before you deny' joke is already kindofsus, but it can easily be argued against as just a little throw away line that is just meant to be a lil bit of banter. Then you see the way that Vickie says "I've made a peanut butter on peanut butter monstrosity" while both queer women are talking to each other. You see the way this kind of sounds similar to Mike going "That's blasphemous, putting fruit on pizza" before the people around him go "Try before you deny" like HAJHDGAJHSGD..... So they have the potential to make queer jokes do they??? Ones that are kind of subtle enough that only queer people pick up on them?? Yessir

4. The Same Look

I don't know if this is totally intentional but it's so perfect <3 Just two gays giving a little smile before looking away quickly teehee giggling kicking my feet.

(im not even adding analysis at this point lmao)

5. 'Cool'.

(also couldnt get a caption for this one but u know what they're saying)

Oh my god I literally yelled when I came across this while watching the scene, not expecting anything else to come up ADGAHJSDG

This is intentional to me. I think the way that the camera is right on Robin's face, the way she says the words, she just seems so IN LOVE and you can definitely see the same (if not more) in love look on Byler's faces when they say the same words. If you can see Robin saying this to Vickie as romantic and as evidence for reciprocated love, then you should definitely see the same for when Mike and Will both say it to each other.

Now that we have gotten confirmation that Robin, Vickie, Will and Mike will all be in the same scenes during season 5, I am even more excited for more parallels between two different flavours of queer couple living their best lives <3 thankyew

GUYS IVE DONE SO MUCH BYLER ANALYSIS TODAY HOLY FUCKING SHIT MY BRAIN IS FULLLL EVERYONE CLAP ME ON THE BACK AHDGAHSJGDHA

[sovaharbor]

actually am i the only person who finds it so fucking weird that varric of all people was the one to die for solas. like. varric? varric??? they didn't even get along half the time lmao... like there's an entire part of cole's arc where him and solas are diametrically opposed and whoever "wins", the other is very much not happy about it. what the fuck happened between trespasser - where varric is literally viscount of kirkwall and kinda fucking busy with that!! - and suddenly him giving this much of a shit about solas????

okay, yeah, he's in the comics. okay, yeah, he's working for the inquisition in the comics. but honestly

i'm gonna be so for real, i don't really think i'm going to listen to the comics when this is apparently a plot thread in knight errant lmao. VARRIC got an invitation to SEBASTIAN'S birthday party?? varric, the guy who literally hated sebastian???? who would be hated by sebastian, in turn, especially if hawke saved the mages - which i'm 99% sure is what happens in bioware's canon? so like???

i dont know. it's just so weird. varric being in inquisition makes sense. cassandra forces him into it, there's a lot going on, man he just works here. whatever. but his role in TV just does not to me. him choosing, apparently, Apparently, after this, to continue with the inquisition, when he's busy being viscount (and hates it, yeah, sure, but he's still doing it because kirkwall is his home) and doesn't really care about solas except now he DOES, actually, to the point that when he is confronted with solas actively doing the ritual he's supposed to stop, he thinks he can talk him down. when EVERYTHING he knows about solas points to the opposite. he knows he is stubborn and obstinate and yeah, he cares, but that is why he is doing this. he knows solas cares to a fault. knows he will do anything to fix what is apparently a wrong by his own hands.

so why talk to him? why DIE for him? varric is smart. varric knows people (or so he thinks). that's his entire fucking schtick. you're gonna look me in the eye and tell me he's gonna sacrifice his life for SOLAS?????

it's so weird man. i don't even know if any of this made sense. but it's so weird to me.

[teddybeartoji]

o wait before i start posting any pics.. i was thinking that maybe.. you guys could help me liquify this gender some more by switching up what you call me.... DON'T GET ME WRONG I LOVE . LOVE LOVE LOVE WHEN YOU USE HE/HIM AND JUST OVERALL LIKE MORE MASC STUFF THAT'S SOOO MMMMMMMMMSO FUCKING GOOD like i don't get to feel that irl at all so it really does make me so happy but i've just been thinking abt TRYING to switch it up more yk? does this even make sense...... . hhhh anyway i might won't even like it and i'll want to just go back to hehim but i wanna try... JUST TO SWITCH IT UP.

[mars-ipan]

some postgame doodles for pride month

[bigriceenthusiast]

you get it !!!!!!! i've also felt i may have gotten too attached but idk... im just a silly fanfic writer, i'm not even super popular so i can't even TOUCH the talent of the arcane team obviously

but i feel that even from a storytelling perspective what they did with jinx was just. not satisfying or compelling? like you can do amazing things without subverting expectations ofc but for a character with such deep-rooted mental health problems that REVOLVE around this extreme paranoia and hopelessness because she feels essentially like a victim to her core, it just makes no sense

(when i say this i mean she doesn't feel like she has agency in her actions— she believes she's a jinx and screws everything up and that's never gonna change so she doesn't try to change it; she thinks there's no other option for her/ she can't be an active agent in her own fate and so she doesn't try to)

it's simply not a satisfying ending for the character or the people with serious mental health problems watching at home to end up being told: no, you're right. the only way you can be happy is by killing yourself and disappearing from your loved ones' lives because they're all better off without you (i don't think she died but my point stands because she doesn't go back to vi and ekko)

and i've seen a lot of analyses (that i absolutely agree with) stating how jinx made these people's lives so much better (like isha) and i wholly agree but in the end what stands is that she's not shown that. to her she kills everyone she loves and that's it! which like— life imitates art and i feel it would've been a beautiful message for people watching that you CAN have agency in your own life no matter how much circumstance has beaten you down (sorry guys therapy lmao)

as for the argument that arcane was always a tragedy— i agree. but what about the inherent tragedy of realizing you pushed everyone away when you didn't have to? the tragedy of watching isha not turn into jinx and seeing that oh, powder could've lived even in THIS universe? (the au was a basically an entirely different world which makes it tragic because little things could've changed everything but isha living and not becoming another jinx has the tragedy of. even in this world, in this fucked up environment, all jinx needed was her big sister and that's tragic within itself)

i could go on but basically. idk i didn't like the arcane ending LMAO

guys i know arcane is fundamentally a tragedy okay. i know this i promise you

and i feel like i'm not gonna be as articulate as i'd like about this but it felt like one those tragedies where it's like the love was there and it changed everything right. the characters could've done everything differently but they wouldn't have. the love was there (thinking of jayvik for example)

however. i just. don't like what they did with jinx?? OKAY DISCLAIMER SHE'S MY FAVORITE CHARACTER OKAY I'M SORRY but i just hate the fucking "curse" so much like it just doesn't feel as poignant and beautiful and thoughtful as the rest of the show for me?? like season 1 jinx was amazing i loved what they did with her but season 2 jinx just felt like she was there to get thrown around if that makes sense?

"everyone close to me dies" is a fine plot and whatnot but what about "but they don't. and now i have to face my own actions and active role in what i let myself become. in what i let others turn me into" because all the other characters felt so much more like people making decisions? for jinx it's like everyone close to her dies and that's her curse and they just. won't subvert that? but defying this idea of the curse and giving this character agency in the now lucid state we saw her in with isha would've made such a compelling arc AND given isha the opportunity for more depth

idk maybe i just loved her and isha too much and i'm being delusional but i think the storyline of her having to accept that the curse was in her head and having to heal from THAT because oh shit suddenly death is real and i can become an active agent in my life and addressing that almost unconscious victim complex would've hit so incredibly fucking hard and been a good way to expand on healing and building something new like ekko said too

i know the curse was a metaphor but literally everyone close to her did die up until she disappeared in the finale which is just. such a weird ending for a character that struggled with extreme paranoia the way jinx did

or maybe therapy has been fucking me up and i'm projecting who knows

[pardonmydelays]

ok look, i don't normally do that because i just don't ship real people but since everyone is talking about this lately... i just read the forest fic for the first time ever.

[danzafila]

i'm a petty bitch. if i see otherwise pretty art of a character i like spammed in unrelated characters' tags, i'll simply refuse to like/reblog it sry 🤷🏻‍♀️

[selfinflictedgunshotwound]

sorry for only saying this type of shit lately but i kinda wanna drive a car straight into a brick wall at the highest speed possible

[nobodybetterlookatme]

How do you ask someone out with plausible deniability lmao like do you just ask them to dinner or something or is that too obvious ahskamskls

[kazhan]

Let's talk about Karen

You know what, fuck it, I want to talk about Karen Wheeler.

More specifically, I’d like to talk about the Duffers’ and, as a result, the fandom’s treatment of Karen Wheeler.

What does Karen do in the show again?

First of all, let’s note that Karen appears in every episode in season 1, and in 5 episodes in season 2, 3 and 4, with very little to basically non-existent lines of dialogue in most of those episodes. 

In the first episode of season one, her first appearance is her telling the kids to end their game because it’s a school night and they can finish this weekend. Later in the episode, Will Byers has gone missing and Mike wants to go looking for him, Karen insists he needs to stay home and tells Nancy the same when she asks if she can go out, she also scolds Nancy when she gets upset because she can’t go out “just because Will is missing”.

Ted barely participates/helps, and Karen “hopes he’s enjoying his chicken”, she leaves the room, clearly upset for not getting much backup from her husband.  

In episode 2, Karen is being supportive, letting Mike stay home because he “doesn’t feel well”, she tells him he can talk to her about anything, not to hide things from her, that she’s here for him. 

When Nancy asks to go to the gathering at school for Will, she tells her to be back at 10pm. 

When Nancy gets home much later in episode 3, Karen was up and waiting for her, she is upset, worried, and says Nancy should have called, then she starts asking questions about the sweatshirt Nancy is wearing, and telling her Nancy can talk to her, “whatever happened”, Nancy insists nothing happened and it’s pretty obvious Karen doesn’t believe her and is extremely worried, she looks on the verge of tears as Nancy goes to her room.

Later, Karen visits Joyce with Holly, to bring her food. She is gentle, reassuring, she asks about Jonathan, tells her that if Joyce needs anything, they’re here for her, etc… When Joyce starts acting weird and insisting Holly tell her what she saw in the wall, Karen tries to tell her to calm down, then leaves when told to.

At the end of the episode, Will’s (fake) body is dragged out of the quarry and Mike rushes home, where he runs to Karen for comfort, thinking he just lost his friend.

Episode 4 shows Karen looking extremely saddened by the news of Will’s death, but also very worried for her son, she tries to cheer him up and help him change his mind, and lets him stay home to get some rest, reminding him to call his dad at work if he needs to. 

We then see her sitting next to Nancy while the cops interrogate her about Barb’s disappearance, Karen doesn’t say a word during that scene, but her and Nancy start arguing the moment they get home because Karen knows Nancy lied to the cops, she is visibly worried and upset Nancy did this, and the conversation moves on to what really happened that night: Nancy admits she actually slept with Steve, but it doesn’t matter because Barb is missing and no one is listening to her. Karen says she is, Nancy says “no, you’re not” and goes to her room, leaving an anguished Karen behind. 

Karen appears at Will’s funeral in episode 5, with her children and to show Joyce support.

In episode 6, Ted wonders why Nancy still hasn’t come down to eat with them, and Karen goes to check on her. After getting no answer at all, she lockpicks the door to find that Nancy is gone.

Next, in episode 7, Karen is on the phone with Steve’s parents because she knows “she and Steve have been spending some time together”, she keeps getting interrupted by Mike, but she asks if Steve is home, probably to ask him if he knows where Nancy might be. 

Later, Karen is in the basement and finds El’s little den and a piece of blond hair from her wig when the people from the lab and Brenner show up, and immediately start feeding Karen and Ted lies about how this girl their son may have been hiding in their home is dangerous (Ted laughs at the thought of Mike being around a girl, while Karen very much looks like she understood from what she found earlier than it might be true), Karen asks what this girl did, she is obviously (again) very worried for Mike, and Brenner uses this, telling her that her son is “in grave danger” but they’ll save him, if only she can tell them where he might be. 

In the next scene, Karen says they should be out there, looking for Mike, but Ted insists that they should let the government people do their job, because they’re obviously “on their side”. Karen points out that this man (Brenner) gives her the creeps, and asks if Ted thinks Nancy might be involved in all this. Ted assures her there’s no way. 

We should be out there looking for our son; Ted: they’re govt people, we need to trust them; Karen: this man (Brenner) gives me the creeps, thinks Nancy might be involved into all this; Ted: no way

In the last episode, after everything is over, Karen and Ted rush to the school, Karen clearly scared. She embraces Mike, crying, relieved. She is then seen at the hospital where they wait to hear from Will, and finally in the epilogue, where she tells Jonathan to wish Joyce a Merry Christmas.

So. What does season 1 tell us about Karen Wheeler?

Season 1 Karen is a housewife, a mother who is worried about the safety of her children (something she will keep showing throughout the entirety of the show). A child goes missing and she wants her own to stay home, her son’s best friend goes missing and is later found dead and she is shown trying to reach out, to comfort him. We also see her offering Joyce the same comfort and sympathy.

When it comes to Nancy, we are also shown a concerned mother, someone who is watching her daughter go puberty, start showing interest in boys and lying to her mother about where she’s going and what she’s doing. She is upset at times, but she is mostly worried and desperately trying to reach out, to remind Nancy that she is here for here, whatever happened. 

We can also see that Ted isn’t the most helpful husband, we always see Karen taking care of the kids while Ted is watching TV or reading the newspaper. We never see them being affectionate and it seems pretty obvious (especially after what Nancy says about her parents) that they probably got married because it was convenient, not because they were in love. 

Karen is also pretty observant: she knows when Nancy is lying at least twice, she makes the connection between the piece of hair from the wig she found and her son actually hiding El in their basement, she notices Brenner’s vibes were off, and she wonders if Nancy might be involved in the same mess Mike is (which, she is). 

In season 2, in episode 1, Karen punishes Mike for stealing from Nancy and being overall rude and misbehaving for months, she states that she knows he’s had a rough year and they’ve been patient, but enough is enough. 

We don’t really see Karen much after that, she only makes very short appearances until episode 9, where we see her relaxing in her bath while reading a romance novel when Billy shows up. She is obviously flustered by his looks, and Billy immediately starts flirting with her, stating he “didn’t know Nancy had a sister”, which flusters Karen even more. Billy says he’s been “worried sick” about his sister Max who’s been missing all day, and that he figured she might be here. Karen invites him in, gives him the Byers’ address and tells him to be careful, then very obviously ogles him as Billy leaves. 

There isn’t much to say about season 2 Karen, as she barely appears and her longest scene is the one she has in episode 9 with Billy. Before that, we only see her acting the same way she was in season 1, parenting her children—or trying to—and receiving very little help and support from her husband.

On to season 3. In episode 1, Karen is at the swimming pool, sunbathing with other moms while reading another romance novel, when they get all excited because it’s “show time”. Music starts playing, slow mo Billy comes out in his bathing suit and sunglasses, looking hot as hell, and the housewives all oggle him. He compliments Karen on her new bathing suit, which obviously pleases her.

Next, we see her swimming, and Billy’s now the one ogling her, he then approaches her, starts flirting, and ends up inviting her to meet him at a motel for “private lessons”. 

Towards the end of the episode, Karen is getting ready to meet Billy, she looks at her wedding ring, hesitates, then takes it off. She goes downstairs, where she pauses before leaving, and looks at Ted asleep on his armchair, with Holly asleep on him. It’s obvious from her expression that she will not go have an affair with Billy.

When we see Karen again in episode 2, she is back at the pool with the other housewives, but she clearly looks uncomfortable. When she sees Billy, she goes find him and tries to explain herself, the exchange goes like this:

“I… I understand if you’re angry with me. I just… I wanted to explain… why I didn’t come last night. It’s not you, it’s just… I have a family. And I can’t do anything that will hurt them. You understand that, right? But I shouldn’t have said that…” (She is interrupted as Billy has some sort of vision of himself bashing her head against a shelf) “Billy… please, will you talk to me?”

“Stay away from me Karen.”

Karen appears next in episode 4, after Nancy got fired. They have a heartfelt conversation, where Karen tells her that “it’s not easy out there Nance, people saying you can’t, shouldn’t, that you’re not smart enough, not good enough. This world, it… beats you up again and again, until most people just stop trying. But you’re not like that, you’re a fighter, you always have been.” She says she doesn’t know where Nancy got it from, Nancy jokes “Dad” and they both laugh, then Nancy says “I get it from you, Mom.” Karen is very emotional, and tells Nancy she’s proud of her for standing up for herself, and that if she believes in this story, she should finish it.  

We don’t see Karen until episode 7, where she is at the 4th of July parade/fair with Ted and Holly. Joyce and Hopper find them and ask if they know where the kids are and Karen admits she doesn’t, she doesn’t think they’re here yet. She starts listing off where the kids have been today and then says she can hardly keep track these days, and it’s summer after all. 

Finally, in episode 8, she comforts Mike after the Byers and El move out of Hawkins.

Season 3 Karen is once again trying to be a supportive mother, and we see her struggling even more with her marriage, even going as far as considering cheating on Ted with Billy before she remembers that she can’t do anything that would hurt her family. 

In season 4, Karen doesn’t appear much either, we see her in episode 1 telling Mike to be home by 9pm because he has an early flight to California the next day, we don’t see her again until episode 5 where she is making breakfast for the kids and says she thinks it’s sweet that they’re sticking together, Ted makes a rude comment about having freeloaders, to which Karen says that they’re always welcome here. 

In episode 6, Karen is horrified by Patrick’s death, she goes to the town gathering like the other parents and looks worried during Jason’s speech, she and the others rush home to look for their children who “should have been back by now” as she thought they were at the cinema. Erica says that they’ve clearly been lied to, and Karen calls the police. 

She is here in episode 7 when the cops interrogate the kids, but she doesn’t really say much, and is only shown running outside when the kids leave, looking worried. 

In the epilogue of episode 9, she is sorting clothes to give away, she doesn’t believe the whole “gate to hell” story they’re talking about on the news, and when Mike comes home, she rushes to hug him and says he’s “never going on vacation again, in fact you can forget about college”.

I feel like a broken record, but… well, season 4 Karen is once again trying to be a good mom, and worrying about her kids. 

Phew. Now that we’ve established all of Karen’s appearances and actions throughout the show, let’s finally get to the reasons why I’m writing this whole thing, yeah? 

Karen Wheeler is a good mom, actually

For the Duffers, Karen Wheeler is nothing more than a housewife and mother in a teen movie, her character doesn't exist beyond fulfilling those roles. Her children live in a horror/monster hunter movie, so do other adult characters like Joyce and Hopper, but Karen doesn’t. Her world is normal, she has normal problems: her husband is boring and unhelpful, her two oldest children are acting up and lying to her about things she can only assume are very normal. 

Karen doesn’t know about the Upside Down because the Duffers don’t want her to. She doesn’t know what her children are really going through because they are lying to her, and because the Duffers don’t want her to. 

Stranger Things only works if there are no parents to get in the way of the children’s adventures. Joyce and Hopper are busy living their own; Dustin’s mom, Lucas and Erica’s parents, Max’s mom and Neil all ignore what is really going on with their children, they are as clueless as Karen is when it comes to where the kids are and what they’re up to, we just see them less than Karen; we don’t even see Steve or Robin’s parents because they wouldn’t bring anything to the story and would only be more obstacles the Duffers would have to get rid of. 

So, considering how we’ve seen Karen behave with her children, and how the scenario is literally forbidding her from ever finding out about what is truly going on, I think it’s really, really unfair when people say she is a bad mom.

In fact, I’ll even go as far as to say that Karen is the best mom in Stranger Things. 

She’s here for her children, she comforts Mike and Nancy when they need, she has told them both multiple times that they can talk to her, she worries about them, and the whole “she doesn’t even know where they are” thing is just bullshit. This happens once, in season 3, it’s the only time where she admits she isn’t sure where they are, and even then, she lists off where she knows (or thinks she knows) they’ve been during the day. In season 2, when Dustin demands to know where Mike and Nancy are and Ted asks Karen because he has no fucking idea, Karen has an answer for both of them. 

Yes, the answers are incorrect, but it’s not her fault both her children are lying to her. 

I think it’s even more unfair—and extremely biased—when people also compare her to Joyce and make it sound like Joyce is the perfect mom while Karen is, if not the worst, not far from it. 

I love Joyce, she is an amazing character, but she is also a hot mess who is barely there for Jonathan throughout the show. Hell, when Karen asks her how Jonathan is doing in season 1—the first thing she asks her by the way—Joyce says that “he’s good at taking care of himself, always has been, you know?” which… well. Sure. He’s also sixteen and his little brother has gone missing and his mom is (in his eyes) losing her mind, you know? 

I’m not here to put Joyce on trial, like I said, I love her character and she is doing the best she can considering her situation and everything that’s happening to her, but she is also deeply flawed and tends to get tunnel vision. She is the one who asks Karen where their kids are in season 3 because she has no idea, she’s also the one who literally abandons her kids and El (who definitely needs all the support she can get) to go to Russia to save Hopper in season 4.

Again, I don’t want to pit those two characters against each other for Mom of the Year, my goal is simply to point out that Joyce, who is often described as The Perfect Mom, is far from being perfect, and Karen, who is often described as The Worst Mom, is… actually mostly doing what a mom should do? 

Yeah, yeah, I know.

But what about Billy?

Let’s go back to how the Duffers treat Karen, shall we?

The season 2, episode 9 scene with Billy is filmed in a funny, even (in my opinion) mocking way. Karen is shown reading a romance novel in her bath, and the man on the cover is very much meant to remind people of Billy: light hair, mullet, strong muscled guy. Karen is clearly flustered the moment she sees him, and we are meant to understand that it’s like this character she was just reading about (and probably fantasizing about) just materialized in front of her. And then Billy immediately starts flirting, and Karen is obviously pleased, she plays along, etc. 

Now, when I look at this scene, my first thought isn’t “ew, she’s ogling a child”, because… well, she isn’t. 

Let me explain. 

The Duffers hired a 23 years old actor to play Billy Hargrove. That is not uncommon, in fact it’s pretty much the norm in most TV shows/movies, and in Stranger Things too. 16-18yo teenagers are very rarely if ever played by actors below 20, but Billy is definitely the one that stands out the most among the teens in season 2, Joe Keery looks more like a teenager despite being older than Dacre Montgomery who has the stubble and body of a guy in his twenties. When I look at season 2 Billy Hargrove, I don’t think “this is a 17yo teenager”, and I’m ready to bet that I’m not the only one. 

Billy doesn’t look like a teenager, because the actor playing him isn’t, and that is the only reason why the Duffers were able to film this scene, and the ones later in season 3.

If Billy had been played by a 17-18yo actor who thus had looked like a 17yo teenager, they never would have been able to make this scene the way it is. They would have been forced to change the tone of the scene entirely, either to completely ridiculous because we’d have seen some kid flirting with a grown-ass woman whose only possible reaction would have been to be like “cute, alright, moving on,” and see right through him; or to indeed make it very predatory, with Karen ogling a teenage boy. 

That was not the intent behind the scene. The intent was to show bored, lonely and horny housewife Karen getting flirted with by a hot young man because they thought it’d be funny. The intent was to objectify said hot young man because they thought it’d be different from what we usually see and make them seem very smart. 

And yeah, this is making fun of Karen. It’s making fun of her loneliness, of her reading romance novels and imagining a thrilling romance for herself, a young, muscular young man showing up to save her from boredom. The Duffers didn’t give a shit about the fact that Billy is 17, so of course Karen, their character, doesn’t.

In season 3, the same intent is there, but multiply it by 100 and just make everything worse. Karen is once again reading a romance novel and her and the other housewives have such boring lives that a young hot lifeguard showing up for his shift is literally the highlight of their day, one they know the timing of; we get the slow mo, the music, the bottom lip biting, everything is there to once again objectify a man because they’re so smart and pro-women being horny, vive le féminisme! 

Anyway, Billy flirts with her, very obviously invites her to have sex with him, she agrees, then changes her mind when she realizes the consequences having an affair could have on her children.

Karen isn’t only made fun of for being a lonely, bored housewife who reads romance novels to escape the reality of her dead romantic and sex life, she is also made to give up on something that made her feel alive, desired, beautiful, to “be a good mother”. Now, I’m not saying that it would have been more “yass girl feminism won” to have her sleep with a guy twenty years younger than her, but… I just find it interesting, you know. She stops being sexual to be a good mother, and fandom decides to ignore/forget/erase all the good things she did as a mother because the way she expressed said sexuality was morally wrong.

Yeah, morally wrong. Because nothing she did was illegal. Even if she had slept with Billy in season 3, it wouldn’t have been illegal. Billy is 18 by then, he’s flirting with her, propositioning her, hell, he’s totally ogling her when she’s swimming, he was also the first one to flirt in season 2, etc. Now, yes, the morally good thing to do would have been to gently let him down in season 2, that’s what should happen in real life.

But Stranger Things isn’t real life, and neither of those scenes are meant to reflect real life. They’re the Duffers having fun, putting their own teenage fantasies of Having Sex With a Mom in their show.

“But the Duffers being a bunch of idiots doesn’t change what Karen did/almost did”. No, it doesn’t. Just like thinking the Duffers are idiots for trying to make Billy a one-dimensional villain who is racist for shock value instead of ever trying to say anything actually valuable about the racism faced by Lucas doesn’t change the fact that Billy said something racist about him to Max. 

And yet, people are quick to jump to Billy’s defense, to make up headcanons, to completely ignore canon, to write posts and posts about how it was out of worry about Max and not really against Lucas (I’m not debating this here, I’m just stating what is being done for Billy) and I see no one doing the same for Karen.

Why? Why is one character butchered by her creators’ misogyny considered an irredeemable monster, subjected to the worst vitriol from a portion of the fandom, when another character, made to say something racist and attack Lucas by his creators’ because “we need to show he’s really bad”, forgiven and rewritten to be better? 

Why is canon ignored for one, and not the other? 

I’m not saying you should be all fine and happy while watching those scenes, in fact, I think it’s good they actually upset people. What I’m asking is why are people more mad at Karen herself than they are at the Duffers’, why I never see people outraged at how her character was used and mocked in those scenes, why no one is writing fix-its for Karen and instead further mocking her and treating her like crap? 

What I’m asking is: why the double standard? 

[lamortwrites]

I'm gonna get such a bad grade in bleeding

[teddybeartoji]

can't tell whether i'm getting fucked by my non-existent period or i've just fallen into a Ditch face first

[lord-squiggletits]

I need to reread the comics again to have specific arguments/evidence for this, but like

I feel a bit like I could've been sympathetic to the way other Cybertronian colonies view Cybertron, if it weren't for the fact that at least several of them (as in, ones that get notable dialogue/screen time) are so low-key self-righteous?

Like, idk... there's a lot of criticism of Cybertronians because they're so "warlike" and how their obsession with violence and vengeance is just dragging the whole galaxy down with them, but uh. The Autobot-Decepticon war was basically a product of societal ills bubbling over for like 6 million years beforehand and then finally boiling over into a 4 million year war that lasted as long as it did because the people involved had immense social/psychological trauma from being "raised" in an oppressive society.

So when the colonists come in being all 'omg you people are so violent and uncivilized why don't you just like, stop fighting' it kind of pissed me off a little bit as a reader/person like. Idk the colonists really came into this society of people full of massive amounts of trauma where even before the war society was super oppressive and no one has any experience of living "normal" lives unaffected by violence and bigotry. And the colonists were like "ummm wow why don't you guys just??? stop fighting???." Like idk it wasn't EVERY SINGLE MOMENT, in fact I think that when it was played for laughs it's quite a funny "fridge horror" type element. It was just annoying because like.... IDK???? It's just really annoying to watch a bunch of people who lived relatively sheltered lives on their own planets come to a different planet full of traumatized people and be like "omg why are you people so fucked up" IDK BRO MAYBE BECAUSE THEIR SOCIETY WAS OPPRESSIVE AND THEY LIVED THROUGH A LIFELONG WAR???

It also doesn't help that the colonies were literally founded based on imperialism and conquest so like, it's fucking rich to hear colonists scolding Cybertronians for their violence ruining the whole galaxy while literally sitting on planets that their Primes colonized from others. The hypocrisy of this is briefly mentioned in Unicron (literally the FINAL STORY OF THE SERIES) but like, that's basically the only time Cybertronian characters are given a reprieve of sympathy from other characters in universe and it's so tiresome.

I've talked to other people who didn't like the colonists and thought they basically (narratively speaking) existed just to shit on the existing characters, and it's actually really easy for me to sympathize with/outright agree with that assessment of the story considering how much of exRID/OP seems to be preoccupied with "Cybertron/the Primes/Optimus sucks" with very few reprieves for anything positive happening and even fewer chances for characters to get to explain themselves and experience a little bit of justice? Like, as the audience, it's just very frustrating to see the characters you spent hundreds of issues keeping up with get shit on by a bunch of "literally-who"s and then not really get a chance to ever defend themselves, either by literally defending themselves in conversation or having some sort of narrative thing happening that vindicates them at least symbolically

[paigemathews]

if you could give prue kids (in an au where she lives), who would it be with (can be anyone dead or alive) and could you tell us a little bit about them?

Okay, so this might be a bit of a boring answer, but canonically, I think that Prue really only ever would've ended up at a place where she was comfortable having kids with Andy, if he had survived. Obviously, if she hadn't died, I think that they'd have given her another love interest, but looking at her canon love interests for more than an episode: Andy (dead), Bane (jail), Jack (...c'mon), and Justin (literally got dumped for no personality.) And while I'd love to spin up a Prue/Bane kid (not a Jack kid bc quite frankly, @phoebehalliwell has got that on lock already), I think it's gotta be Prue and Andy, assuming that they both survived.

The rest of this kind of have to go under the cut because I finished it, checked how many words it was, and went 'oooh, fuck.' In case you're wondering, the answer is over two thousand, so. I'm gonna get blocked if I just drop that on people's dashes lmao.

So, in this 'verse, I think that Prue would've actually been the first to have a child, for several reasons. Firstly, we actually do see her express a desire to have kids at a few points in the show and she doesn't seem to have as many as the same hang-ups of her sisters. Her issue seems to just be the good dad part. Secondly, she'd be the one with the longest and most stable relationship, since she and Andy have known each other for so long and were pretty much on the verge of committing to each other anyways when Andy, y'know. Got dead.

That said, I don't particularly think that it would have been an intentional pregnancy. This is kind of dependent on where we're at in the show, but I think that it'd probably end up at a point where the danger is ramping up and the Source is becoming more of a threat. I don't think that Prue would be initially willing to a) step back from the front lines of the fight b) bring a child into the consistent danger of the household and c) risk orphaning her child like she was. I can see it as a plotline where demons are constantly attacking and frazzling the sisters and we see her miss her meticulous birth control pill or something and then a few episodes later assume that it's because of stress, only to find out that, surprise! You're pregnant, and probably a bunch of dangerous stuff is happening.

But anyways, I think that Prue and Andy would go with the P tradition, because Andy seems like the type of family guy who'd be all for it and I think that Prue, having seen this kind of different continual line of her family, would be into it. (Also, I don't really see any reason why she'd be against continuing it either, tbh.)

So our firstborn daughter is Perri Christina Halliwell, and I'm now realizing the obvious connotation of that lmao. I'm just trying to look at P names that have not been taken by any of the sisters themselves or my main next gen, and Christina is actually a reference to two different female writers that my brain initially thought was the same person: Christine de Pizan, a medieval feminist writer (responsible for The Book of the City of Ladies), and Christina Rossetti, a Victorian writer whose works were often viewed through a feminist lens (at least in my class). I like the name flip thing though, so now I'm keeping it. As for the first name, I think that Perri has this almost rebellious feel to it, which fits for her.

But anyways, Perri, our firstborn witch! I think that because of the circumstances around Perri's birth, especially with Prue having lost her own mother at such a young age, she's incredibly protective over her. (God forbid if Piper or Phoebe died in this 'verse, because it'd multiple by ten.) Perri is also the first member of the next generation, so she's kind of the test child on "Training Your Magical Child 101." And the thing is, I'd genuinely argue that the sisters not being raised with their powers both endangered them as they tried to figure everything out and kept them from reaching their full potential, and I think that Prue's biggest goal is keeping Perri safe, so she goes. kinda hard on the training witch thing. And Andy kind of sides with Prue on this because he doesn't have the magic to help or protect Perri, so. It's not just Prue, but Piper and Phoebe (and Paige? idk if Paige is in this AU or not yet tbh) are also training her, so it's a little less harsh than it could be.

Perri grows up to be a powerful witch with a pretty thorough background on all of the different aspects of magic (spells, potions, powers, demons, etc.) Like her mother, she's a telekinetic witch. I think that under her mother's tutelage, her powers also actually advance relatively quickly so that she develops advanced telekinesis. Lastly, she also had this combination of levitation/limited flight in that she can lift herself and other things off the floor but can't go Superman-ing around. (Is this half because I want to imagine a scene of Perri mid-air wrecking someone's shit? Yes. I fully admit to my utilization of the Rule of Cool here.)

Beyond powers, however, she's a bit more like Phoebe or Paige than Prue as a teenager. She rebels against her parents a lot, but a lot less of the punk teenage rebel thing and more like the artsy creative checking out the art exhibit at the local rec center or whatever. She loves her parents but chafes at the protectiveness. She's very independent, vivacious, bold, etc. She's actually a lot like Prue in that tbh, very popular in high school but with a less "Student Council president, head cheerleader, straight A-student" type of vibe. She's a lot fun. I've kind of bounced between a few different job ideas for her, but I think that she'd love to work in fashion, probably as a designer. Her vibe is very much just nicely saturated colors and colorful modern art.

After Perri's birth, shit probably hits the fan at some point and we get a dark point where all seems lost, maybe a death from someone close (not Prue or Andy obviously and I hesitate to kill anyone else, so some character that they got close to in this rewrite that wasn't in canon. What do you want from me, this is about the kids not the show.) Or maybe just struggles with the Elders and trying to buck that control, especially since we'd have the Piper/Leo and Phoebe/Cole relationships at some point here. But they persevere, and there's probably been another little Halliwell kid running around this point with Perri, but this ain't about them.

Next up, we have Presley Artemisia Halliwell! Now, if you haven't seen that Tumblr post about Artemisia Gentileschi, it's metal af and I have no clue where it is, but short story: girl got a shit deal for quite awhile, including being raped then tortured to give evidence during her rapist's trial, but she was also an amazing painter that focused on women from myths, allegories, and the Bible. Okay, actually, I really gotta find that Tumblr post to explain it, gimme a second. Here it is, high key recommend reading it but trigger warnings but discussion of the previously mentioned rape and torture. Okay, but the point for the middle name: a) I think that she's a fucking cool ass painter and b) seeing as I've mentioned that something awful has happened, the element of surviving that pain and refusing to bow down, especially to a male-dominated society, for someone like Prue. And Presley is because it has this almost academic vibe about it to me, a little cold in a way. (Idk how to explain this, it's one a.m. and I've been at this for two hours, y'all.)

Now onto our second Prue/Andy daughter: Presley! At this point, they've been raising a daughter in the house, maybe even another of the sisters' kids, so there isn't as much of a strictness on her at all points. Don't get me wrong, there's still a level of protectiveness, but Peri's continuing survival has proven to Prue and Andy that magic isn't an instant death sentence. But I'd say that it's Presley's powers that shape her so fundamentally here.

Presley ends up with molecular immobilization initially, but her powers don't advance to molecular combustion. Instead, her next power is an extension of slowing down molecules to freezing them entirely (molecular inhibition, the freezing power that warlock!Piper temporarily had when the sisters were turned evil in Prue's Dark Wedding to Zile). So she ends up being able to freeze things metaphorically and literally. Over time, the molecular inhibition grows to be a bit more versatile, specifically in regards to hand gestures. I'm trying to decide if there's another logical advancement here, but I think that makes her powerful enough for now at least.

With the ability to temporarily freeze everything around her, Presley utilized it to give her time to think. She's very analytic, observant, and intelligent. Unlike her sisters, she's more quiet and introverted but has no issue interacting with people. She's just more content to observe the people around her than be as social as her sisters but is perfectly fine with other people approaching her. Like her mother, she can be a bit prideful and bossy, and Presley can sometimes assume that she knows best because of her observations and intelligent. She actually works adjacent to her dad as a forensic specialist because I knew I wanted her adjacent but not actually a cop. I'm not sure what her specialty is yet though! Her vibe is a lighter neutral Sherlock Holmes and a park on a nice day. (I know that doesn't make it sense, I am simply trying to translate the vibe in my head.)

I think that the last daughter is probably after the craziness has finally died down for the sisters so maybe after any Ultimate Battles or something. They're finally able to just live their lives how they please, with not so many demon attacks, which is when Prue has her last daughter.

Our youngest witch is Pamela Dorothea Halliwell! Dorothea is a shout-out to Prue's love of photography, specifically to Dorothea Lange. Considered one of the most influential photojournalists of the 20th century, Dorothea Lange is known for her work during the Great Depression. Pamela is actually also a shout-out to Pamela Barnes, a psychic in Supernatural! It can also be considered a shout-out to Pamela Bousquet, a Warren ancestor in one of the spinoff novels, who had telepathy.

Pamela rounds out our trio as the resident psychic. While her primary power is premonitions, she's fascinated by divination as a whole, including her powers expanding to show her the past and future, reading palms and tarot cards, and whatever else you'd count that as. Beyond just seeing the future, she also has astral projection, telepathy, empathy, and dream leaping. Her family is pretty sure that at least some of this is magic that she learned instead of naturally possessed, but neither she nor they could tell you which is her own natural power and which she gained through studying the craft. Technically, Pamela could be a threat if she was interested in fighting demons, but she's much more interested in the study of magic and her specific branch of it to wield her powers offensively. She's a threat despite not because of the way she studies.

Continuing with the psychic vibes, Pamela is best described as somewhat dreamy. She's an absolute sweetheart but can get a bit lost in her own head sometimes, which can be dangerous with her powers. Despite what you may initially think, she is voracious when it comes to learning and wants to know everything about everything. She pursues her passion with relentless abandon, which can sometimes bite her on the ass. Honestly, a lot of her dreaminess and kookiness is because of her powers, which are going to cause her some problems soon if she doesn't figure out how to not get lost in them. So of course she works in a witch shop reading palms and tarot cards, basically a more legit "The Amazing Phoebe!"

In my head, I think that Perri is about 26, Presley is about 24, and Pamela is about 21 maybe. The girls are all still in California but maybe spread out a little. Perri is probably in some more fashion-y city that I'd have to ask my sister to pick (but not tonight bc she'd kill me for waking her up at 2 a.m.) while Presley may still be in San Francisco but Pamela definitely is.

Okay, so this definitely ended up taking and being a lot longer than I thought it would be, but this was so much fun! I'm always a sucker for the next gen, and I love thinking about how it may have turned out differently with different characters, relationships, or plots. It's especially fun because there's so many possibilities in the Charmed 'verse for the kids and I'd love to spin out some of the ones that unfortunately just didn't fit for my "canon" kids. (I used to do Charmed roleplay on Tumblr and actually have a new blog that I'm probably never going to actually use, and it has the entire set up of an alternate next generation stemming from Pandora, Paige's daughter, in the Warren Witches spinoff novel. Pretty much all of Phoebe's kids were designed to utilize some of the interesting power ideas I couldn't make my canon girls get.)

But if you have any other suggestions like this, definitely drop it in my askbox! This was so much fun! (Granted, it's two a.m. and I have to be at work at 8:30 tomorrow but whatever.)

[izzy-b-hands]

Checked my old med records re: transition dates bc today's Pl/Pa appt is probably going to be a fucking doozy where I anticipate being quizzed on my transition thus far and future goals for it

And double checked the year to find out A. my memory is shit and I was off a year but also B:

Next year will be my 5 year anniversary on T!!