#I was going to tag music related things

[snoelledarts]

POV: Ripping Your Beloved's Heart Out | A Dark Urge Playlist BG3

I present to thee, a Dark Urge playlist (feat. metal music)! I got tired of listening to the same 10 songs in all the villain arc playlists, and then this ran away from me creatively... and I decided to write in-game-esque dialogue to go with each song as an explanation.

Narrative description/explanation for each song of the playlist is below the cut <3 LISTEN IN ORDER! (If you want to, I'm not your mom)

(Trigger Warning below the cut for cannon-typical graphic description of murder, body horror, and death. This is a Durge playlist, after all.)

(Note: The below narrative is not canon.)

List of songs/narration:

Krwling (Mike Shinoda Reanimation) - Linkin Park, Aaron Lewis

Narrator: *That thing deep inside you stirs. You want it. You want to prove yourself. You want to see their insides strewn across the camp and smeared on the cavern walls.*

> And only then will your beloved be perfect. > Run as far as you can from the camp as fast as you can. You can't kill your love tonight if you can't make it back to camp before the sun rises again. > I can't - what would I do without them?

God Complex - VIOLENT VIRA

Narrator: *You approach their sleeping body. How peaceful and sweet. How perfect a chance to immortalize them, just like this, forever. It's almost a shame that they'll never know it was you who committed the perfect crime.*

> Wake them first, then go in for the kill. Let the gods hear them scream your name. > A kill while the victim is asleep isn't a mercy, it's an art. And you, the artist.

Yandere - Jazmin Bean

Narrator: *Blood sinks into the bedroll as you slit their throat. Wouldn't want to wake the others...*

> Pretty, pretty... > Resist the urge to continue to mutilate the body.

Stabbed Her to Death - Zheani, Cameron Azi

Narrator: *The sound of your weapon hitting flesh over and over rings through the otherwise silent night.*

Want It All - Ashnikko

Narrator: *When you finally come to, their body is naught but remains, each piece eagerly and lovingly carved away from the others.*

> Laugh. Sceleritas Fel was right. Only now are you truly free. > Weep. What have you done?

Saccharine - Jazmin Bean

Narrator: *There's one small problem... this masterpiece is incomplete. Where is the artistry in a dead lover without a matching pair? How will anyone understand the weight of what you've done?*

> Carve a matching piece of yourself to lie next to them. > You cannot leave this world before you've seen to it that everyone else has left it first. > Have you gone mad? Hide the body, or the whole camp will surely know.

GASLIGHT! - Maggie Lindemann, Siiickbrain

Narrator: *You half expect Sceleritas Fel to reappear and congratulate you on such a fantastic job well done. But no matter how long you stare at the corpse, he doesn't show himself. Which begs the question, now what? Alfira was one thing to explain to the others... but this?*

> All those living and dead should bear witness to your craft. They should be honored. > Weigh your options. Which ones of them could be convinced to stay on your side? And those who can't... could you take them down in a fight? > Shake yourself out of it. Hide the body, burn the note.

Don't Fucking Touch Me - Banshee

Shadowheart [alt: Wyll]: What - what have you done?!

> Isn't it beautiful? > [Intimidation] I told you it would keep happening. I warned all of you, and you let me stay. You tried to convince me I could change. This is your fault. > [Deception] They tried to kill me. It was self-defense.

You Make Me Sick! - Ashnikko

Narrator: *You're not sure who, but someone behind you vomits. Whether at the sight of the state of the once body, or at the visage of cold drying blood against every inch of your skin, you aren't sure.*

> Wipe dirty hands against equally vile clothing. > Turn around to see who.

No Mercy - DeathbyRomy

Narrator: *The whole camp erupts into noise. They are debating if you are safe to keep around.*

> Drown out the noise in favor of admiring the corpse some more. > [Persuasion] You need me. Without me, you'd all be long dead. > [Intimidation] Any abandoners or insurrectioners will meet the same fate. I expect no disruptions to our goal.

*Success*

Whore of Babylon - Zheani

Narrator: *Peace and quiet. It seems as though you've finally earned your rightful spot as the leader of this group.*

> Now, leave us. > Rejoin the camp.

DAYWALKER! - Machine Gun Kelly, CORPSE

Narrator: *You settle in to spend your night on the cold stone floor of your camp, picturing every other way you could have honored or desecrated your beloved's corpse.*

Monster Truck - Jazmin Bean, Zheani

Narrator: *Vision swimming with blood and unidentifiable fluids, you spot their heart, neatly placed in the center of it all.*

> Reach for it. It was yours, and it still is now. > Close your eyes and pretend it was just a fleeting thought.

BIRTH OF VENUS - Banshee

Narrator: *It is only as the sun peaks through the mouth of the cavern that you wall asleep, your head cradled, comfortable in the still-warm viscera of what could have been.*

Requiem - Avenged Sevenfold

Sceleritas Fel: Wake up, Milord! I should have had more faith in your most vile self...

[vivitalks]

Last night I saw the Great Gatsby musical. Before I went, I reread the Great Gatsby book (for the first time since 11th grade!) to get a refresher on the source material and the original story. Having the book so fresh in my mind made seeing the musical really interesting, and now I am going to do something I never thought I'd do, which is post some lengthy meta about The Great Gatsby. If you haven't seen the musical, this post may still be interesting to read, but it does contain some mild spoilers, so I leave that up to you. If you also haven't read the book, godspeed lol.

There's a lot I could talk about here when it comes to the way the book was adapted for the stage. But there's one particular thing I want to zero in on in this post, and that's the "unreliable narrator" of it all.

In the book, Nick Carraway is our narrator. He's an unreliable narrator practically by default - the idea is that he's retelling events that occurred two years prior, from memory. But even knowing that Nick is probably not reporting all events and characters with complete accuracy, it's hard to know which parts exactly are wrong, or what might have happened in reality, because even though he's an unreliable narrator, he's still the only narrator and this is the only version of events we know. We're forced to take Nick as our surrogate and take him at his word. Until the musical.

(I wondered how the show was going to deal with the fact that the story of Great Gatsby is not only told by an unreliable narrator but also by an outside perspective - generally speaking the events of the Great Gatsby aren't happening to Nick, they're just kind of happening around him. Yet he's the voice of the story, so in that way he's central to it, and I was curious how they were going to balance that fact with the fact that Gatsby is functionally the main character.

I think they struck a really good balance in the end. Nick's beginning and ending lines, lifted verbatim from his book narration, frame him clearly as the anchor of the story - I think that's the best word for it; the audience jumps from scene to scene, many but not all of which contain Nick, but we know that Nick is always going to be where the action is, or that he will at least know about it. He may not be the main character, but he's an essential character. But I digress a little bit.)

The difference between the way the story is imparted to the audience in the book versus in the musical boils down to this: in the book, Nick "plays" every character, so all their dialogue and actions, their mannerisms and the way they're described and reported, it's all informed by the beliefs Nick holds about them. Whether he means to or not, his biases paint certain characters in certain lights, and because he is our eyes and ears to the story, we have no choice but to absorb those biases.

But in the musical, every character is literally played by a different actor. Nick can only speak for himself. Nick can only tell his own parts as they happened. He may be "telling" the story, but we're watching the story. We have the benefit of an unblemished perspective on things - we can watch the events the way they actually unfold, regardless of how Nick believes or remembers they went down.

This difference - between Nick as the narrator and Nick as merely his own voice - is crucial in how the musical develops each character, some of them fairly different from how Nick described them in the book. And there's one book-to-stage change - a fairly small one, all things considered - that, to me, illustrated this difference perfectly.

There's a line towards the end of the Gatsby book. Something Nick says in narration, after his final conversation with Tom Buchanan, talking about how Tom gave away Gatsby's name and location to George Wilson (which ultimately led to Gatsby's death). Nick writes:

"I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy — they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made…"

When I read this line in the book, I couldn't help vehemently agreeing. Screw those rich assholes! Money does corrupt! Tom and Daisy ARE careless wealthy people! It was easy to side with Nick, not only because he was the only perspective on the situation that I had, but also because he said this in internal response to a conversation with Tom, who, I think we can all agree, is a major jackass and a deeply unsympathetic character.

But in the musical, this line is spoken aloud by Nick. And he says it to Daisy, in her house, as she's packing up to skip town after Gatsby's death. In fact, he doesn't just say it; he shouts it, visibly and audibly outraged at her audacity to lead Gatsby on, ghost him, skip his funeral, and then move away to avoid the fallout. Nick is angry and highly critical of Daisy. But because we're no longer confined to his shoes, we also get to see Daisy's reaction - not as Nick remembers it, but as Daisy actually reacts. And because of that, we're able to really see, and confirm, that "Daisy is rich and careless" is not the full story.

I have to credit Eva Noblezada for a phenomenal performance (duh). Daisy in this scene is emotional, grieving, and it's clear she has been trying to contain these feelings for the sake of her husband and her own sanity. She's remorseful, not that Gatsby is gone necessarily, but that she allowed herself to entertain the fantasy of running away with him, only for it to be torn from her. She is trying to make the best of her unavoidable reality. And then Nick tears her a new one, calling her careless, accusing her of destroying things and being too rich to care.

And as I watched that scene, I was no longer wholly on Nick's side. I understood that this situation was so much more complex than Nick's chastisement acknowledged. Sure, Daisy wasn't innocent, but she also wasn't the callous rich girl Nick made her out to be. She did love Gatsby. And she also had a whole life with Tom. She had a daughter. She was a woman in the 1920s! That's a kind of life sentence even wealth can't erase.

The way Daisy responded may not quite have landed with Nick (if we consider the kind of fun possibility that the musical is the events as they happened and the book is Nick retelling those events as he remembers them two years later, then clearly Nick's disdain for Daisy's actions overtook whatever sympathy he felt for her), but the musical gave Daisy the opportunity to appeal to us. The audience. Having this omniscient perspective of things allowed us to draw our own conclusions, and I found myself a lot more sympathetic towards Daisy when I could both see and hear how she responded to Nick's verbal castigation.

In the book, Nick is the narrator. In the musical, Nick is a narrator. But he's no longer the sole arbiter of the story. The audience got to make our own judgements on the events as we witnessed them. Every one of us was a Nick - beholden to our own biases, maybe, but at least not beholden to his.

[scatterpatter]

What if I presented a whole complicated Megaman Classic AU except I didn't give a SHRED of context

Haha, just kidding!

... Unless?

No these aren't being presented in the order they were drawn in but they ARE presented in AU-timeline chronological order so like im at least a LITTLE kind with throwing these all at youse

[whimsicalcotton]

unhinged animation rambling bc i am. truly afflicted

okay so aside from The Horrors in the last bit even some of this fucking dialogue is unbelievably pm rachel&max flavored. like

also this. fucking hand kiss bit. Oughggohg

also this

oh and. and and and

and fuck it i'm gonna foam at the mouth over the fucking reversal again because it's so fucking good look at some of this shit

[chloecherrysip]

Just Beyond My Reach, There's Someone Reaching Back For Me (speculative mario movie fic, mario & luigi centric, around 3600 words.)

[OK SO i literally could not stop thinking about this post in the mario movie tag from last week, which turned into me trying to write out my thoughts about how the scenario could unfold, which then turned into me writing a full-fledged fanfic that's over 3,000 words long??? I DON'T KNOW WHAT HAPPENED. I've truly lost my common sense, but I just felt like I HAD to get this out before the movie arrives and their reunion is nothing like this in any way whatsoever.

This is a speculative fic of just one possible scenario out of millions, no actual spoilers; i'm working off info we've seen in the trailers/TV spots/promotions/etc, and all the characterization is based off those too, so it might ultimately be off-base. Please don't @ me after the movie comes out and get on my case about details being wrong! I AM IN THE PAST (and jealous of you in the future for having already seen it).

I present to you: A Version Of Mario & Luigi's Reunion in the Mario Movie That Would Cause Me Irreparable Psychic Damage.]

----

Mario hears him first. He would know that panicked yelp anywhere. 

By that point, he’s lost count of how many of Bowser’s minions he’s tried to interrogate as he fights his way through the airship. There’s so much shouting and clanging all around him, and his voice hurts from yelling loud enough to be heard over it, but he can’t stop. “Where do you keep prisoners? Have you seen someone who looks like me — but tall, skinny, and green? If you take me to him, I’ll go easy on ya, I swear—” 

it’s hard to tell if they’re just refusing to answer him, genuinely don’t know any useful information, or can’t actually communicate in a way he understands — probably some in each column. But he’s about to grab another angry Koopa by the shell and try again when there’s a commotion far off in the distance. The yell that echoes out to him is faint, but it tugs hard at Mario like a rope tied around his middle. Something from his memories, the nightmares he’s been having this whole adventure that he hasn’t told Peach and Toad about. Something instantly, certainly familiar to him in a way that few things are. 

His heart is suddenly lodged in his throat. He barrels his way past the troops and the Kongs fighting them, moving fast towards it.

The area of the airship he’s in starts to slope down further ahead, surrounding a huge open space that, judging by the flickering embers in the air and heavy heat that’s got him sweating through his shirt already, has a whole bunch of lava simmering at the bottom. On the other side of the chasm, there are a whole group of what look like angry blue penguins beating down some feisty stacks of Goombas with their bare flippers. There’s also what impossibly looks like a star, with a face and everything, beaming bright and doing twirling cartwheels in the air, giggling at the carnage underneath. And behind all that, he can see—

Mario reacts without having to think. He jolts forward against the railing, reaches a hand out, and yells as loud as he can. “LUIGI!” 

He can only see glimpses of his overalls and green hat at first amidst all the other chaos, but then pieces of the ongoing fight tumble further to either side, giving a clear view. Mario watches wide-eyed as his brother frantically swats away Goombas, shrieking and flailing his arm furiously when one snags some teeth through his sleeve until it comes loose. He looks terrified and a little queasy, but also very determined, even jumping in to help when one of the penguins gets pinned down. They seem to be working together. 

Luigi is here. He’s really here, alive and fighting and still in one piece. Mario isn’t too late. It feels like a 20 pound weight’s suddenly gone from his back that he hadn't even realized he was carrying around.

His yell is half-drowned out by the chaos, but Luigi’s head still snaps up, eyes wide and stricken and bright with recognition. “Mario?” He cries out, his voice cracking badly. He kicks another Goomba away and then starts spinning, searching the surrounding area with increasing desperation. “Mario!?” 

“Over here!” Mario wishes he had another raccoon powerup so he could just fly across the gap and reach him right then and there. He has to settle for taking off his cap and waving it in the air like a flag. “Luigi! Over here!” 

Finally, their eyes meet across the gorge. It’s not necessary at that point, but Luigi still tears off his own hat and starts flailing it around too overhead, as if just to make absolutely sure his brother knows where he is. “MARIO!” He shouts, his tired face instantly transforming into a relieved, overjoyed smile. 

“Are you okay!?” 

“Y-Yeah! I mean, define “okay,” but I, I'm not hurt or anything like — wait, how did you get here!? We’re way up in the air!”

Mario’s face already hurts from how wide he’s grinning. “Not anymore! And whaddya mean? What do ya think I’ve been doing all this time? Looking for you! You don’t think I could find you wherever you are, even if it’s a million miles in the air? Give your big bro some credit, eh?” 

A laugh bursts out of Luigi, surprised and shaky. Mario has missed that sound so much. “Right, right. I did think…I mean, I hoped, or…” His brother shakes his head, his voice failing him. He lets out a deep breath, so deep that it’s almost like he’s been holding it in ever since they were separated, still smiling like the sun. “I knew you would. Mario, you — look out!” 

Mario turns just as a hammer goes whizzing past his ear, tumbling down into the lava pit. He dodges the next one more capably and then catches the third one that comes his way. In one smooth, lightning-quick motion, he throws it back at the attacking Hammer Bro, nailing him in the face and knocking him out cold.

“Whoa!” He turns back to see Luigi staring with his mouth agape. “When did you learn how to do that?”

“It's kinda a long story!” There will be plenty of time to get into all the details about his adventure when he’s gotten Luigi safely out of an active warzone.  “What about you? I thought you were a prisoner here!” 

“I am! Or I was, I guess! We — me, and the penguins, and Lumalee,” he gestures wearily up overhead, where the blue star-thing is idly playing with a pinwheel that it somehow conjured out of thin air, “and the others — we broke out! We, ah, we’ve been trying to find a way outta here ever since, but this place is a maze and we need some kind of hot air balloon or one of those floating clown-car thingies to even get away in the first place, and—”

“Spinies at four o’clock!” One of the penguins shouts, at the same time that Mario yells “Luigi, on your left!”

Luigi jolts at the sight of the three spiky, spinning shells approaching fast. He jumps high enough to leapfrog right over them all, causing them to ricochet off the wall unexpectedly and careen off the side straight into the deep pit. 

“Nice, Weegie!” Mario cheers. “You always were the better jumper.” 

“Keep your head in the fight, soldier!” One specific penguin calls out to Luigi. He’s wearing a very fancy gold crown — probably their king? “We’re not done here yet!” 

“I know, I know, but look!” Luigi gestures excitedly across the chasm. “My brother’s here! He made it!”

“Good show! If he’s as brave as you said, he can help us beat back these dastardly troops once and for all! We’ll all see the light of day again soon!”

The rest of the penguins cheer, thrusting their flippers victoriously into the air, and then let out a wave of new, guttural battle cries. The Penguin King smiles over at Mario and salutes him before rejoining the fray. There are more of Bowser’s minions crowding the walkways on both sides, Mario realizes with a newfound wave of worry. He needs to get to Luigi now. 

“Stay right there!” He calls, starting to run alongside the railing. “Don’t move! I’m coming!”

“Are you kidding!? Wait!” Luigi starts running too, mirroring Mario. “I can meet you faster this way!” 

Mario laughs. “If you can keep up with me!” 

“You’re on!”

The road ahead of him is pure chaos, filled with attacking enemies and whooping Kongs and weapons flying every which way, but Mario runs. He runs until his heart burns, dodging and weaving, almost tripping here and there because he can’t stop looking over the gap to make sure Luigi’s still there on the other side, stumbling his way through his own gauntlet. The two areas are winding closer together, slowly but surely. They must meet somewhere. He’ll find it. He has to.

“Hey, Luigi!” He yells, breathless and happy. “Remember when we were fixing Mrs. McGrady’s sink a couple weeks ago and talking about the future? Did you imagine it’d be anything like this?” 

“Whaddya think!?” Luigi shouts back jokingly. “I-I mean, I imagined people being mad at us, but those were customers. There was definitely a lot less lava, and magic, and crazy green pipes that send you to places from your literal nightmares!” He laughs, which swiftly turns into a yelp when he has to dodge away from a red Koopa. The next words come out thicker, almost strained. “Mario, you, you’re really here, you — I missed you, I…”

Even with the distance and the distracting noise and the heavy breathing, Mario can hear the familiar tearing in his brother’s voice, and it pushes him to run faster. Luigi is so much braver than many people in their life have given him credit for, but he has a breaking point, and Mario can recognize it like the back of his own hand. Heck, he could use a good cry right about now too. They're so close. Just a little further.

He’s never been the biggest hugger — that title belongs squarely to Luigi, who always holds on a little too long, especially when Mario protests, swinging him up into the air until Mario has to grab him in a headlock and wrestle him down, both of them laughing by then — but he genuinely doesn’t know how he’s ever going to let go of his brother again once he’s within arm’s reach. 

“I missed you too! Every day!” He calls out, and if his voice cracks, well, that’s okay. “Hold on! It’s gotta be just up ahead!” There’s a solid wall coming up where they won’t be able to see each other across the way any longer, but the sharp curve of it looks extremely promising. “I’ll meet you on the other side!” 

“Okay!” 

The wall comes between them. Mario's finally in the clear, having left all the attackers in the dust. His legs and chest hurt, but it doesn’t matter. He's about to get his brother back. He feels invincible, unstoppable.

“I told you, bro!” He can’t hear Luigi at all any longer, but he shouts anyway, hoping the words reach him.  “Even if it didn’t turn out like we thought, it’s all gonna be okay! This is crazy stuff, but as long as we're—” 

Mario turns the corner and skids to a sharp stop. The words die in his throat, turning to ash.

Bowser is in front of him. 

The King of the Koopas nearly fills the entire space wall-to-wall, hulking and monstrous, even bigger than what Mario imagined. He breathes out an angry, deep growl that prickles at Mario’s skin, star-bright embers scattering in the air, the smell of burning getting stronger and stronger. But none of that is what Mario is focusing on. He’s frozen in place at the sight of Luigi, wriggling in one of Bowser’s gripped hands. A thick, scaly finger is coiled tight over his brother’s mouth too, keeping him from making any noise besides a variety of muffled, panicked sounds. 

“Thought you didn’t know him, Greenie,” Bowser says in a low voice to Luigi. “Wasn’t that what you said? Boy, you wouldn’t like what I usually do to liars. It involves fire — a lot of it.” His rows of sharp teeth part, just enough for a big exhale, tinged with molten heat. Luigi cringes, turning his head away as far as he can manage. He’s trembling. “But lucky for you, turns out you’re not entirely useless.”

It takes a moment for Mario to come back into his body, remember how to move and think. But slowly, his hands ball into fists. A voice erupts out of him that barely sounds like his own, grave and angry, angrier than he’s ever been in his life. 

“I’m only gonna say this once, ya overgrown turtle,” he says, shifting his footing into a fighting stance. “Let my brother go now.” 

Bowser looks down at him with a derisive sort of amusement for a long moment before laughing outright. "Give me a break, shortie! You’re even punier in person — 50 of you couldn't stop me. But that hasn’t stopped you from trying, has it? You and your little friends  — your pathetic excuse for an “army,” if that’s what you want to call it. But that all ends now.” 

As if on cue, Mario hears DK and a few other Kongs turn the corner, whooping and hollering, only to pause too at the sight of Bowser. “Let’s get ‘em! He can't take us all at once!” Someone says, and there’s a rush of new movement behind Mario. Bowser turns Luigi in his hand, holding him out a little closer to Mario with a shake of the wrist — a taunt. One of his claws pulls up just a little from the rest, the sharp tip arched and pressed lightly to his brother’s neck. The implication is clear. 

“Stop!” Mario shouts, half-strangled. He must sound serious enough that DK yells “hang on, hang on!” to his brethren, grabbing them with both arms and holding them back from attacking. On Bowser's other side, Mario can see the penguins watching what’s unfolding too with wide eyes. Even all the minions in the area have gone still, weapons lowered, waiting to see what Bowser does before making their next move. The space is suddenly quiet. 

The claw finally relaxes again. Luigi’s eyes are very wide, and there are tears on his face as he stares at Mario. He tries to say something, the sound of it hopelessly muffled against Bowser’s hand — an apology, or a plea, or simply Mario’s name. 

Mario is shaking. He grits his teeth hard, desperately tries to hold himself steady again. He hopes Bowser can’t see it — but there’s a gleam in the King’s eyes, and it couldn’t be any clearer that he does. 

“Do you know how long I worked on this plan?” Bowser says, his tone softer, more thoughtful all of a sudden.  “Orchestrating these invasions, gathering forces far and wide to serve me, taking the almighty power star for myself. I’ve wanted this for years!” His wide mouth curves up, plainly wicked and self-satisfied. “And now here I am, about to rule the world like I deserve, and a couple of useless, pipsqueak plumbers from who-knows-where think they’re just gonna waltz right in and ruin it for me.” Bowser chuckles to himself. It’s a dangerous, sharp-edged sound, echoing on and on. “Ain’t that a laugh, Mario?” 

Mario doesn’t say anything. He doesn’t even know if he’s breathing any longer. All he can do is glare.

Bowser shrugs. The large fingers on his occupied hand flex ever so slightly, a slow, malicious ripple of movement, all the scales glinting in a wave. “You’re less fun than I thought you’d be,” he says gruffly. "What does the princess even see in you? A tiny little killjoy who loves ruining things for others. Guess it’s only fair I ruin something of yours to make us even."

There’s no further warning or fanfare. In one brutal motion, Bowser crushes his grip tighter around Luigi. His brother’s mouth is still covered, but the way he cries out is starkly, unmistakably pained. 

Mario’s vision floods with red. Something inside of him, the patient, careful part that was still desperately clinging to one last scrap of self-control, snaps cleanly in two. He runs at Bowser full-speed, fist cocked back, teeth bared. 

“I said LET HIM GO!” 

He doesn’t make it there. Bowser, grinning outright, moves so much faster than Mario would have ever guessed he could. He spins, and his tail comes out of nowhere. The impact is like an oncoming train, catapulting Mario into the nearby wall with a sickening crack.

There’s a horrible ringing sound in his ears. His head hurts. He hears Bowser laugh, followed by a roar and a burst of fire breath, awful-smelling and close enough to singe. There’s a lot of shouting, and panic, and thunderous footsteps, moving in a hurry. He can’t think any longer. Why can’t he think? All that comes to mind is—

(They’re fifteen, hiding in their bedroom with some smuggled bandages and antibiotics from the medicine cabinet because if their mom finds out Mario punched out a kid behind the school, she will LITERALLY murder him. Luigi wraps each bruised knuckle carefully as Mario winces and complains about the stinging ointment. His brother looks angrier than he’s ever seen him before, though, and that makes him quiet again in a hurry.)

“You want him so bad?” Bowser is much further away, his voice a distant rumble over the flickering flames. Get up, Mario tells himself. He’s gasping, struggling to push himself back up with useless, trembling hands. His legs feel numb. Get up! “Then come and get ‘em already!”

(“You never stop and THINK first, y’know?” Luigi shakes his head, badly trying to hide the tears budding under his eyes. “And now you’re hurt, and it’s all my fault, and — and I don’t need you to do stuff like that for me! I can handle it, e-even if you think I can’t!”) 

“Mario!” That’s Luigi, terrified and wheezing, finally able to talk again. An intentional decision by Bowser, no doubt, just to be cruel. Mario can barely hear his brother at all, and the sound of his voice keeps growing fainter. “No! Let go! MARIO!” 

(“What are you even saying? That’s not why I did it at all!” Mario insists, using his uninjured hand to flick Luigi’s nose with a few fingers. His affronted expression at that makes Mario laugh, and the motion quickly turns into them trying to be the first one to swat each other in the face without getting blocked. At least the tears are forgotten, which is what he wanted from the start. “Don’t ya get it? I know you can take care of yourself. But if anyone wants to hurt you, they’re gonna have to go through me first. I’M the big bro, and that’s just how it is forever.”) 

Luigi! 

He’s standing again, even as his body protests every pull and push of the way, even as he’s still struggling to open his eyes. Someone strong and furry offers some extra support on his right side. 

“You okay, man?” Donkey Kong asks. “Geez, that looked like it hurt. Hey, anyone have an extra mushroom?” 

Stars are flashing across his vision, but finally they fade away. There’s a line of fire in front of them like a makeshift barrier, slowly but steadily dying out. Sure enough, Bowser and Luigi are gone. Mario’s heart lurches hard against his ribs.

“Setting a devious trap for sure,” The Penguin King grouses from further away. “Using one’s own flesh and blood! Does that dastardly Koopa’s depravity know no limits?” 

“I’m fine. Never better,” Mario groans. He points past the fire. “He went that way, right?” 

DK blinks, looking a little uneasy. “Uh, yeah, but we should probably regroup first and — hey! Wait a second, you idiot!”

Mario’s already charged full-speed ahead, jumping over the flames. Others yell after him too, saying it's too dangerous, but he’s running anyway, chasing the smell of molten heat, the faint, far-off echoes of yelling that feel like pinpricks in his lungs. 

He knows it’s a trap. He knows. He just doesn’t care.

He already let Luigi literally slip through his hands once before. Heck, he isn’t sure if he’ll ever be able to forgive himself for that alone. No matter where he has to go, who he has to fight, how much abuse he has to take, he's getting Luigi back right now, and he's gonna pound that overgrown bully's face until he regrets every life decision that led to him daring to hurt Mario's little brother.

It can't be too late. He can't have screwed this up again. He'll do anything. Even if...

The feeling of something on his cap startles him out of the thought — the softest boop-boop-boop, like someone very small is bouncing on it. He assumes he’s just imagining things until the blue star-thing (Lumalee?) floats down further, easily keeping up with his top speed, humming what sounds like a lullaby. Mario gawks in its direction. 

“The biggest sacrifices are often the ones that burn the brightest, out in space,” it says, bright and sing-song. “Did you know that?”

“What are you even talking about!?” Mario yells. “Sorry, but I’m a little busy here!” 

It’s unbothered by that, twirling close enough to give his mustache a little, playful poke. “Not existing any longer is natural, inevitable. We all go into the light someday.” The way it’s staring at Mario is unnerving, as though this little, creepy star knows exactly what he was just thinking about. “You look scared of that. Are you?” 

Mario swallows thickly. 

“No,” he says. “If that’s the only way, then…” His eyes are burning at the edges, just a little. “If the people I love are safe, then it doesn’t matter what happens to me.”

Lumalee smiles a dreamy, thoughtful smile.

“Oh,” it sighs, little more than a breath. “This is going to be so much fun.” 

And then it floats away. 

Mario doesn’t have time to stop and wonder what that was all about. He throws himself deeper and deeper into the airship, even when a heavy metal gate slams down behind him to separate him from the others, even when the slabs of rock under his feet sink down into the lava from the weight and don’t resurface, erasing any way out. Mario thinks of his training, of Princess Peach and Toad cheering him on, of the exhilaration and hope he felt looking out over the Rainbow Road, of Luigi smiling in the warp zone right before they were ripped apart. He steels himself for what’s coming next.

Further ahead, he hears his brother call out for him.

Mario runs.

[stringless-arthur]

Your favourite Puppetshade Chronicles headcanon pretty please?

hi!! brilliant question umm (: i don't think about headcanons a lot normally buuut i Have been thinking about puppetshades a lot lately so. um. here is Something

my main thing (that i also incorporate into my character designs lol) is that each of the puppetshades have a special pair of glasses. oki has round red tinted ones because they're very vampire to me, skyler has star shaped dark blue tinted ones because he is very star shaped things to me. magic. yeah, and piper has like rectangular light blue tinted ones (i have a pair like this lol) (i Could have given her heart shaped ones!! to correspond w the love theme!! however i forgor and also skyler already has glasses with a fuck ass shape. and let me tell you those things are Hard To Draw. and besides i gave piper heart shaped earrings (: ) AND we've not met them yet but. dottie has goggles actually becauseeeee i dont know actually and cindilou has like. ok hold on i actually drew cindilou yesterday i can show you

lots of effort i put into this one it's true. um. the second i heard "mecha assassins guild" i imagined her w these lol. she also has a mechanical arm ☝

[h-didanart]

Just came across this short for epic the musical, and this just reminded me of QTIPO ruin…

I wouldn’t be surprised if this was going through his head:

https://youtube.com/shorts/gWw4RQtFYRs?si=WV-3fWAxEI4HsN-6

(Here’s the short again for anyone curious, the short itself has a warning but be warned that there’s allusions to SA, and they’re very on the nose)

Well

These are the most fucked up lyrics I’ve heard in a while

Gods—

Yeah

Yeah I can see that

Fits The Bastard all too well. I’m half tempted to go into analysis mode and analyze how the lyrics could fit him, because they really do, from the very first line to the last I can link that to his fucked up way of thinking//acting

What’s more, I can hear him singing that

Just— Gods

Thank you for sharing, I might not sound like it but I’m absolutely over the moon over this ask, I was staring at it for a good five minutes when I saw it, so really really thank you for dropping by and sharing, please feel free to do so again anytime about anything really

[astramachina]

*holds up a finger* boy do i wish that was me tho ngl

[chocolate-cream-soldier]

-.-

[wooly-nooly]

I love when you can tell when someone truly enjoys theyre creative endeavor because they get very weird about it.

Like while they’re in the zone of they’re craft and they hold their face funny, or they sit super uncomfy looking/ hold themselves strangely or, they move and fidget weird.

Bonus: when interrupted from their task they take a while to acclimate to the world again because they were real deep in the zone

[skyburger]

RIP reo speedwagon (the jojo's bizarre adventure character) you would've loved reo speedwagon (the american rock band)

[united-under-skyfall]

.

[avocado-frog]

9 people tag

A thank you to @hallwriteblr (waitwhatwasyourlastsearch-)

Last song: are you satisfied- marina and the diamonds. right now i have piano music on though

Last movie: I went to see Asteroid City last week

Currently watching: nothing in particular. I have a whole bunch of shows that I started and never finished. I'm thinking about watching Arcane soon

Currently reading: ugurgugu nothing. I have to read something for summer homework :((

Currently craving: Ruffle's chips but it's 10:15 at night and I would not get away with a crinkly bag of chips. my grandpa can hear every step i take + my grandma's room is right next to mine

Last thing you searched for writing purposes:

Real answer: spin the wheel. sometimes I let the wheel spin app decide the plot for me Answer: "how far can you fall without dying"

---

Tags, no pressure: @autumnalwalker @breath-of-eternity @calloumii @elizaellwrites @gracien-system @inflarescent @kaiusvnoir @lilac-honey @the-stray-storyteller

[girls-and-honey]

Hiya honey girl!

How are you doing? ♥️

I feel gay today, and I don’t have anyone to vent to, so it’s gonna be you I’m afraid

I feel so gay, I spent half the day looking longingly in the distance, and *sighing* wishfully

Do you ever feel like that?

Last week I bought a red rose from a dude in the street and offered it to a beautiful lady singer in a bar, and even if I don’t particularly want to see her again, it still felt good to do something chivalrous and lesbiany you know?

I like living my life on my own, but some days I wish I could do those romantic things with somebody, like holding hands and cuddling, and walking along the river, and maybe kissing a little.

Even if I’m happy by myself, sometimes I still yearn for the day I’ll have my own lady to offer my roses to 🥺

inkaaaa hi hi <3

I'm doing pretty good, in drastic need of a weekend. almost there!

!!! gay vents are always welcome here! oh to look longingly into the distance whilst sighing wishfully...

do I ever feel like that YES absolutely in fact while pondering my response I did just that asjdfkl okay I might ramble in the tags but yeah completely relate to be happy with life on my own but sometimes wishing it wasn't just me yeah I'm definitely going to ramble in the tags

offering a beautiful lady a rose I'm 🥺🥺 sometimes you just have to indulge in chivalrous lesbiany actions this is unavoidable. manifesting this for you, I hope all your rose offering yearnings come true!

[maulfucker]

Tagged by @better-call-maul :0

Last song: Vem Morena by Luiz Gonzaga (he is the june in Brazil equivalent of All I Want For Christmas Is You in december, which is to say he's playing everywhere)

Currently reading: I finished Maul: Lockdown last night! And now I might go back to reading The Devil To Pay In The Backlands (Grande Sertão: Veredas), a book I've been sloooowly reading for months now

Currently watching: nothing :3 I don't really watch stuff that often. But I rewatched a few bits of The Clone Wars (some Maul scenes) earlier, if that counts

Current obsession: ... Well I wouldn't call it an obsession but. It's june. I'm brazilian. I have to think about nordestine culture and the gangs of outlaws that terrorized the region around the early 1900s and influenced so much of the popular culture of the region since. I have to remake the silly little ocs I made ages ago to exist in that setting.

Also [points at my icon and url] that guy. He lives rent free in my mind. Every night I go to sleep thinking about the story I'm trying to write that I'll never finish in which a decade or so after the rise of the empire he decides maybe he should lean away from the dark side so he tracks down Obi-Wan to Tatooine to get him to teach him about the light side. And now they're roommates :] I can't wait to see where this goes <- says the guy who controls the story and is NOT writing it

Tagging... no one,, but if you want to do this you can say I tagged you

[iamthemovie]

thrift store things + vegas image :D