#I was doing separate posts for each tag

[jessfandrawer]

Print Shop

Hey internet strangers, sorry to bother you in your tags, but here is a link to my print shop's fanart collection:

And here is a list of what I put in there:

On the Picnic Table, Sunset on the Lake

Tied, Dangerous Hope, Duck Pond

Reunion, Golden Years

The Red Strand, Small Actors

Timeless River, Sokai and the Seven Dwarves, A Disney Castle Ball

Trigun x Wall-E Chibis, Renruki Renaissance Chibis

Tanabata, Victorian Christmas

The Acrobat

Acid Rain, Sigyn's Garden, Northbound Train

Some pieces have been lightly updated for the print shop.

If there's piece I've made that you're disappointed is not on the list, let me know and I'll see what I can do. Many of the notes I've gotten still cheer me up when I'm feeling low or inadequate. I would like you to have something that cheers you up too.

[cloud-ya]

first off, THANK YOU FOR LIKING MY DRAGON AU SO MUCH IT MEANS EVERYTHING TO ME AAAAAAAAAAAAAAAAAAAAAAAA

second off, HAVE MORE

[killjoy-prince]

House M.D. but it's when Wilson and House says each other's name

[waitineedaname]

not romantic or platonic but a secret third thing (bonded pair)

[turtleblogatlast]

[ cw: trauma / mind control / separation anxiety / autophobia / ]

Something that kills me is that there’s no way in hell that Raph’s debilitating separation anxiety isn’t infinitely worse after the movie. The trauma of being Krangified like that, all alone, would probably regress him so hard.

Not to mention his worries of getting “weird” would likely get mixed up with his experience while Krangified - aka, he loses full awareness, and when he’s brought “back” it’s to the understanding that he attacked his own family (of course not to his own fault at all, but how much of that does he believe?)

The fear of being alone would take on another layer and become a fear of himself.

[nabaath-areng]

I have way too many alts that I keep to myself (which is why I generally refrain from posting them), but I'm going to ignore that habit for a moment just because I'm feeling particularly insane about this guy.

[itadooori]

You said in your tags on your latest junhun masterpiece that Junho initiates affection more but that he’s also weird about their relationship.

Care to elaborate? 👀

- exactly who tf you think it is

oh i would ABSOLUTELY love to elaborate:

first of all, i love to think about jun-ho seeing all the things he wishes in-ho was in gi-hun. someone who took a stance against the games, rather than choosing to run them. this fills jun-ho with some messy unhappy feelings about his brother that he'd rather not unpack, but unfortunately it's kind of intertwined with his relationship with gi-hun so sometimes i think it itches at the back of his brain

secondly, jun-ho struggles big time with an unhealthy dependence on gi-hun. it would play a biggg role in he and gi-hun's relationship. he's addicted to gi-hun i'm ngl. while he does have a genuine connection to gi-hun, and does genuinely love him, there are some other factors at play that should be addressed but Aren't. it leads to jun-ho crossing emotional boundaries that gi-hun has a lot of the time

i also think that the fact that this relationship is inherently just not built to last with the foundation its laid upon is something that haunts jun-ho. it gnaws at his brain and i think is another thing that pushes him to be so forward with gi-hun. whether he's trying to make the most of his short time with gi-hun, or is actively ignoring the train hurtling down the tracks toward them, is entirely up to you

and finally: the whole lying about in-ho thing has got to be putting some kind of weight on his psyche. he's doing things to make up for a lie that gi-hun isn't even aware is a lie. silent apologies in every kiss and touch and whatnot

[cappybawa106]

Rivals 🎼🍎🦔

Close ups + Extras:

[musicalmoritz]

Been making people mad with HisoIlluKuro since 2021 and I’m proud to say I have no intentions of stopping

[anoant-haikyuu-dump]

got bored, nekoma ship wheel + sexuality hcs (explanations under cut along with empty templates in case anyone wants them)

FUKUTORA TIER

This is self-explainatory. They're basically 90% of my account. If you go to the fukutora tag its just me talking to myself because no one else has posted in it since 2022

LOVE

Kuroken - I have specific opinions on Kuroken because I'm a fan of unrequited Kenhina in highschool. Don't get me wrong, I still like how most of the fandom portrays them, but I much prefer them getting together after the timeskip when everyone's settled into their new jobs. I also really like it queerplatonic, as much or even more than romantic.

Inushiba- Idk man they're just silly, no deeper reasoning. Funny guys doing funny things with a cute height difference

LIKE

Kuroyaku/Levyaku - Honestly I like these two about equally, i think they're both shitpost-able and that's my top priority for a ship. My gf likes Levyaku so i lean towards them but i've seen some good Kuroyaku art too so i can be won over. I'm a firm believer that Kuroo and Yaku were each other's first kiss

Fukutoraken - I think Kenma being a serial third-wheel is infinitely funnier but i dont mind it, as long as fukutora aren't separated i'm chilling. Kenma getting dragged along despite not being part of the relationship is my ideal for them tho, also i think Kenma being Tora's unwilling wingman/the recipient of his sexuality crisis rambles is hillarious

Anything else i'm neutral on or haven't heard of

[salty-an-disco]

I'm not one for polyshipping, usually (< token monogamist of my friend group) but. Longest Night polycule………

[cyclogenesis]

ryan reynolds photos i've been fixating on lately 37/∞

[everythingsinred]

Hi, I'm sorry, I know it's been a long time but I found an old post of yours where you say that the mangaka of Gakuen Alice said that Natsume and Mikan relationship is not safe or comfortable, did they really say that? I had no idea. What else has the author said about their relationship? I'm curious (⁠ㆁ⁠ω⁠ㆁ⁠)

hi <3

There's really no worries about ever sending me an ask, especially if it's GA related. I'll pretty much always answer <3

And that would be from the Memorial Book, where, according to some fan translations I've seen here and otherwise online (because there is no official English translation), Higuchi Tachibana said something along the lines of Natsume not getting too comfortable or sure of himself or thinking he "won." Essentially she's implying Ruka and Hotaru still have a shot with Mikan because she might change her mind about Natsume so he shouldn't get cocky or some other bullcrap like that.

I feel like it's understandable that I despise that line of thinking so I more or less ignore the Memorial Book and everything about the ending in general (excluding the Little Red Riding Hood comic and the HotaRuka crumbs). I've talked at length about why that type of commentary bothers me here. I just generally don't really care much about what the mangaka says anymore. I love her story and I love her art but her personal opinions, even about her own characters, do not matter to me at all.

I'm not sure what else she said in the Memorial Book or otherwise. She mentioned Natsume would have a slightly longer life because of Mikan's alice stone but that he'd still die young, and after that Mikan would probably be with Ruka (if the picture she drew of them together is supposed to be taken as canon). She mentioned somewhere (I don't recall where) that Natsume wasn't planned to be the "victor" but he just emerged in the lead at some point and she went along with it, which I always took to be a bit ridiculous because SHE WROTE THIS STORY. The characters lead you places but if she really preferred Ruka as the one Mikan ended up with then she should have written that from the beginning and IMHO, it was always Natsume from the start so no I don't buy that.

I realllyyyyyy don't like being negative about GA so I usually don't think about the canon ending, Memorial Book, or Higuchi Tachibana much. I love this manga with my whole heart and always will, but I really don't like it when creators rag on something fans love just to be edgy or contrary or whatnot. It makes me feel like they don't respect me for liking something THEY made, and if they don't respect me then I don't really wanna respect them. I feel similarly about actors shitting on past projects I like, but this one takes the cake in making me feel Not Great because of how much I love GA and NatsuMikan. It's just a huge slap in the face and always was, since the first time I read that comment of hers.

Since then, neither the canon ending nor the Memorial Book have existed to me.

Death of the author applies to lots of works but to me it has always applied to GA and always will!

[no-light-left-on]

So the Death of the Outsider lacks a chaos system and it makes perfect sense

(I recommend reading my other post on how chaos works in the DH universe first but it is not mandatory.)

The point of the chaos system is, at its core, a reflection of how a world already at its tipping point reacts to the player's actions: Dunwall ridden by the plague and oppressed by the Lord Regent’s rule, Karnaca bloodfly-bitten and slowly torn to shreds by the Duke with people scared after the recent coup.

Billie, however, simply exists as a person once the world has been tipped towards the better, Emily having reclaimed her throne and Karnaca slowly but surely steering towards better times. Her quest is not motivated by politics or by a falling empire. It is entirely personal to her, Daud, and the Outsider.

Billie is an ex-assassin. She puts the world on a tipping point, but she does not decide whether the world rights itself or comes crashing over the edge. She takes jobs from the black market, sometimes killing people for money, because that is all it is to her - a job. And while she may kill innocent people while at it, there is no more terror it can bring atop the cruel rule of the Duke and people dying in the mines. In the end, she will disappear into the shadows. It is just another mugging, another unfortunate murder of a father coming home in the evening. Nothing more, nothing less. No responsibility to take over it after.

She is dedicated to her quest, and that quest is not even hers - it is Daud's, and she is just going along with it out of maybe guilt, maybe old times' sake. She is not even that interested in killing the Outsider herself, has very little stakes in it, and decides to go through with it because it's what Daud wanted. There is no world that can react to her because she is the world that is reacting, in a sense, to Daud's wishes and the Outsider's subtle interventions.

Compared to, say, DH2 which takes place months before the events of DotO, Billie has very little to lose, no place to reclaim, no world to save. The results of her actions, no matter what they might be, won't change how the world is at the end of the game. Emily can choose whether a brilliant doctor lives so she can save lives, she decides whether the Howlers or the Overseers take over Batista, dictates who rules and with how much power, with what level of cruelty. Billie is killing a god, no matter what it takes, and there is little need for consideration of how this result is achieved.

The game does not even have targets, save for one, the Outsider himself. All the missions are about gathering intel and preparing for the job. The structure of the whole game is very different to serve the purpose of the plot and honestly it's a clever choice so that the focus remains on the one thing only - killing the Outsider.

One thing I did not mention in relation to chaos in my other post is that the chaos also influences the Outsider and his speeches at the shrines. Which, fair enough, it is just one more change in dialogue among many. But in the case of DotO, he is directly involved. He is not an observer anymore. He has real reason to be emotionally invested in what is happening and what Billie is doing. He needs to bait her into murder, or change her mind to spare him and free him from his eternal imprisonment. There can't be a change from interest to cynicism as Billie kills more people to get to him, because in the end, he is the target. He wants out of the Void by any means necessary, which means he has to be fully invested at all times. He has no reason to suddenly go soft and make subtle comments. He comes across as so much more malicious in this game, maiming Billie and being so incredibly cruel when he tells her that Daud has passed while she was away. All this because he can't risk her changing her mind, thinking to herself, “Hey, maybe he sucks but he’s not That Bad” and then turning on her heel to leave. He is trying to influence Billie instead, which he didn’t do with his Marked (unless you count his mentions of multiple possible outcomes as influencing, or him telling Daud about Delilah).

So no, the world won't change for you, the player. It won't change because you chose not to kill anyone, not even the contract targets, because if you don't do the dirty work, someone else will. And the Outsider cannot change either, because Billie is not changing the fate of an empire. She is changing the fate of Him, personally, and he cannot afford to let her choose the only bad choice - indifference. So there is no point in a chaos at all.

No matter what Billie does in the end, the outcome will be the same - the Void will change. sShe will change the universe as they know it, but no matter how she goes about it, the change will come. She is not faced with a question of what she wants the world to be. She was guided there by others, expected to do one thing - kill a god. The world has set her up, and now she has to react.

And so she comes to the Void and is met with the only choice that will matter: Is she going to show mercy, or remain the same?

[flowering-darkness]

Hmm.

..What if I just made one massive document that holds all of the key information for each of my selfships, so that it all can be accessed from a single link?

("key information" here would include: tags on the blog, a paragraph about the respective F/O and self-insert, then how we meet in-story, key events in the selfship (confession, significant plot points, etc.), then probably a section about fankids if I have any for that selfship)