#I was definitely out of my depth with this illustration

[charongess]

She Said No, 2023

[chuluoyi]

࿐ ࿔ 🕰️ 「 10:00 A.M 」

SUMMERRR @ohimsummer you’re so responsible for this infinitely adorable idea omg🤧 based on this ask & this video !

a part of gojo's love entries

“papa. come on. pa-pa~ say it after me!”

sunday morning. the first sight you saw after getting up was another shenanigan staged by your husband—

in the form of him shoving your humongous wedding photo in front of your one-year old boy’s face.

“this is pa-pa~” satoru’s singsong voice echoed through the baby room, full of enthusiasm, pointing at his face in the photo. “pa-pa~ easy right? now…”

your baby merely blinked though, chewing his pacifier in pure ignorance. his eyes—a pair blue marbles—glancing between his desperate papa and the wedding picture with little interest.

“hmph,” satoru clicked his tongue, and then he pointed at your beaming figure in the photo, voice visibly flat. “this is… mother.”

you quirked an eyebrow, totally snorting.

but he succeeded in grabbing your baby’s attention this time, as his crystal blue eyes widened a bit in wonder, staring at you in the picture.

“mother is pa-pa’s wife. she makes your food, nice on some days, but be careful! she can put a ban on our supply of mochi if she is in a bad mood!”

“oh, do i?” you walked over to him with a bark of a laugh, crossing your arms.

satoru made an exaggerated spooked look, mouth curving into an ‘O’. “uh-oh, mama dragon is here.”

“look, you big bully. why are you bothering our baby first thing in the morning?”

“i’m not bullying him! it’s education! he has to see that his papa is the gallant sorcerer—”

“—ma!”

. . .

silence. both of you stiffly turned towards your little munchkin when you heard that little, feeble sound.

your baby and his clear, watery eyes made a grabby motions towards you from his bouncer chair, lips wobbling with effort. “ma—ma!”

...another silence before you snapped—

“my baby!!” you squealed, immediately plucking him, giving and smothering him with the tightest hug and kisses, whereas satoru’s jaw dropped to the depths of soil behind you. “kyaaaa~! i love you soooo much!”

“h-how—!”

“i definitely didn’t go through the pain of giving birth to you so you can call your deadbeat papa first!”

“—?! hey! i’m fully responsible for child support!”

and so you left him in his sorrows, walking out while cooing at your bundle of joy, leaving trails of your baby son’s happy giggles along the way as your defeated husband, who felt so betrayed, sulked in the background.

epilogue

“come on… just once, please? say papa.”

this time, satoru has his baby son open a book beside him, as he points at the father figure in that storybook, still urging his mini-him to call him.

but contrary to his expectations, his little boy just aggressively turned the pages over, only seemingly interested in seeing the illustrations on each page.

“papa. come on, buddy, hmm?” he prodded his chubby arms and tickled his tummy, and once again, his prickly baby retorted with—

“ma! ma!”

satoru sighed in defeat, but this time he relented, as the way his son was all energetic while calling you somehow wormed its way to his heart too.

he was still babbling incoherently, and yet this time satoru only pinched his cheeks together. “you sure adore your mama, huh?”

“mwa!”

“yeah, me too, kiddo. me too.”

[k0libra]

Hank feels older after the accident. He feels older, not in a "more mature" way, but more geriatric instead. Yet he just looks like a man of his age, he looks like before. He feels a deep disconnect — his appearance doesn't match his perception of time. The world goes around him as normal, his body goes on as normal. Grief doesn't leave any imprint on him, and he gets angrier and angrier at himself and more despaired.

And so, when his roots finally begin to turn grey, in a fit of inverted thinking, he cuts off his hair, leaving only grey hair. Is this proof of his grief? A punishment? A manifestation of guilt? It doesn't matter, and it does not get better. This becomes clear halfway through the process. Although now he has a shitty haircut, here goes the rest of his hair, even if he seemed to like it long. He is ruining everything in his life again.

 art process under the cut

This one was a doozy. Some of you might've noticed that this piece is done traditionally. To be more precise, the format is A3, and the mediums include: watercolours, gouache paints, coloured pencils, oil and soft pastels.

I haven't done traditional art in a while, especially on bigger formats, so my approach had to be more calculated than it usually is.

For the first time in ages, I had to pick up my sketchbook to come up with composition because sketching directly on A3 wasn't working out. After that was done, and I got the idea of how I wanted the things to be placed on the piece of paper, it was time to transfer the sketch.

It went well. I decided to follow the same pipeline I use for my digital paintings, so I did watercolour underpaint.

I wish I had determination to make the paint more saturated, but I was feeling quite anxious.

Then I refreshed the sketch with coloured pencils, which was a smart call on my part because otherwise, I would've definitely lost it when I put down gouache. I also applied masking fluid in some places.

Historically, painting with colour is my weakest skill, I tend to struggle with the feeling of depth especially. That's why I decided to figure out my colours digitally first, so I wouldn't loose my progress irl. I really wasn't in the mood of redoing the sketch and repainting.

You see, I really locked with this one lol

The next step was painting with gouache, I think I was the most impatient with this. I wish I would've taken more time, but alas. In general, it was pretty ordinary - applying colour and then adding definition to objects. But not too much because most of my detailing is achieved with pencils.

After that was done, I redefined the sketch following the photo I took (I was missing conveniences of digital painting here), and it was time for the dry materials. It was just a lot of work, but I had fun with it.

I'm satisfied with the end result. Of course, there are things that I don't like how they came out, but for the first illustration done traditionally in a while, I'll let it pass, hah.

Thank you for reading all of that!!!💖 Here's your cookie 🍪

[thesiltverses]

The horror of Eric Carle

Becoming a dad has really been a reminder of all the half-forgotten books that got me interested in horror: the ones that I will definitely share with my kid (The Minpins) and the ones that I probably won't (Not Now, Bernard)

And then there's Eric Carle, and now it's all coming flooding back - the very first time in my life that I experienced terror. Seriously, what the fuck is this?

Carle's most famous book, The Very Hungry Caterpillar, is in its own way uneasy and strange (the caterpillar's voracious and growing hunger is presented ambiguously both as an unavoidable and natural process of change and something greedy and grotesque; the caterpillar appears to devour its own place-of-birth and then feels good about it) but it flies under the radar by being very unCarle-like. The caterpillar is largely tiny and cute, we get plenty of colourful close-ups of tasty-looking food, and there are only two pages and a cover which feature Carle's favourite preoccupation: giant animals with irregular, scissor-cut eyes staring unhappily at the reader as they threaten to grow larger than the page itself.

I genuinely remember feeling deeply unnerved by Carle's first major piece of illustration work, Brown Bear, Brown Bear, What Do You See?, written with Bill Martin Jr., but only now do I understand why. Holy shit, I have so many questions.

Brown Bear, Brown Bear, What do you see? I see a red bird looking at me.

Why is the rhyme-scheme so frantic and breathless, like it's being chanted out during an escalating ritual somewhere deep in the forests? Why are the animals - textured via collage as if half-carved from wood themselves - staring directly at us, the audience, before then revealing that they're actually looking behind us at something else which is staring back at them in turn? Why do so many of the animals look so fearful and haunted as they acknowledge the vast web of visibility which exists between them?

Why does the 'white dog' page - perhaps the only-genuinely-friendly-looking animal - briefly plunge us into night-time, creating the impression that these creatures are somehow watching each other across spans of time and space, when Carle is fully capable of just drawing an outline around the dog?

Why is the teacher's neck extending like a xenomorph's tongue as she glares with narrowed eyes down at the children (what horrible act have they caught her doing?) Why is the cover of follow-up Polar Bear, Polar Bear, What Do You Hear clearly depicting a Tuunbaq stalking the reader?

What seems remarkable and bizarre is that Carle, a talented artist, deliberately chooses to draw animals for infant readers which are neither cute nor charming but which consistently embody the internet joke about hares - feral wilderness prophets who've glimpsed the truth of the universe and gone mad - and has made a stunningly successful career out of doing so.

Carle's beasts know something terrible that they do not fully understand, and which they are incapable of sharing with us.

I'll avoid the crass temptation to draw serious biographical inferences here (Carle believed he had PTSD from an adolescence spent in Nazi Germany, and his works were inspired by his childhood walks with his father, who returned home psychologically shattered by his own experiences as a Soviet prisoner-of-war) and just say that there is something wonderful, awful and innocent in the fact that perhaps the most popular baby-book artist of all time, when asked to draw a goldfish, would respond with what is clearly a monstrous open-mouthed leviathan rising up from black depths to devour us all.

Look at this horrible fucking thing. It rocks.

[ailoda]

ᯓ ✈︎ favourite writers

@sometimesanalice

@honkytonk-hangman

@tip-top-cloud-surfer

@roosterbruiser

@tropes-and-tales

@dearsnow

ᯓ ✈︎ favourite fics

Leave A Light On - @sometimesanalice

When Bradley had given you a key to his place, what he probably didn’t expect was to find you there at 2 am sitting at the piano you’d helped him find.

I read this relatively recently and it's become one of my favourite fics ever. Choosing only one from @sometimesanalice is difficult, but I just cannot not include this. Disregarding the fact that the plot in and of itself is a warm hug in written form, the build-up is so subtle but so well-crafted; it takes you on a journey that doesn't feel out of place or takes away from the main storyline. I find fluff to be a bit more straightforward to write and read as it's typically relatively easy to instil fluffy, lovey feelings, but the feelings @sometimesanalice instilled through this is unmatched—it goes beyond fluffy feelings in a way that is so difficult to describe and is just so beautifully written that it's difficult to put into words. Ever read something and been so close to crying because it's written in a way that makes you feel how loved the main characters are and you want to experience that yourself but you don't think that that level of love and devotion exists? Tada! I would have to say that this is definitely a top fic overall across all the fandoms I read. The literature community best be pleased that this writer is not a published author, because they'd be taking ALL the money.

Truly, Madly, Deeply - @tongue-like-a-razor

Bradley Bradshaw is madly in love with a married woman.

This was one of the first fics I thought of when compiling my Top Gun favourites, and definitely is amongst my top 5 fics throughout all fandoms. It's so wonderfully written in that the plot gives absolutely nothing away until the end. Bradley's characterisation, and how it bounces off the reader's, is done so well and makes him so endearing; he's charming and flirty without coming across too forced or rehearsed—which is difficult to write. Similarly, Lena has a knack that's perfectly illustrated here of being able to build romantic tension through subtle moments. The banter between them both feels so natural and engaging, and contributes to the sense of intimacy that pushes the plot forward. It's such as fun and fluffy read that I fell in love immediately, and I continue to re-read just to nail the point home that I'm incredibly lonely :)

It's That Simple - @tropes-and-tales

Praise Kink.

Where to start with this gem. This fic overall manages to brilliantly balance emotional depth with humour, with the lighthearted tone and comedic moments helping to keep the fic feeling fun without undermining the serious feelings involved—a testament to the excellent writing and curated narrative flow. Another thing that is done so well is portraying the complexities of relationships, capturing both the mundane and extraordinary aspects of intimacy. I also really enjoyed the portrayal of male insecurity when it comes to intimacy too—something I rarely come across. Everything about this fic, from the humour to the complexities of insecurity and how it feeds into intimacy, is done so tastefully and portrayed in such a heartwarming way that I remember reading this for the first time and feeling empty after finishing, wishing there was more.

12:29AM - @dearsnow

Your normally sober husband comes home drunk out of his mind after a party, and you can’t say that he’s any less sweet.

I'm pretty sure this was my first foray into Bob Floyd fics, and I can't say I regret it. This is the perfect blend of fluff and humour that just leaves you feeling all warm and giggly and fuzzy. One key bit I love is Bob's characterisation; the perfect balance of fluff, love, and humour that perfectly captures his character so well. The contrast between the Bob we see - composed, responsible—and his drunken, unfiltered self is hilariously endearing. A definite favourite Bob Floyd fic and one I always come back to when I want a fic that will just wrap me in a warm hug and tell me it's all okay.

When Jake Met Polly - @honkytonk-hangman

 Jake likes to flirt with his Air Traffic Controller.

When compiling this list, I knew that @honkytonk-hangman needed to be included, but boy was it difficult to choose only ONE fic. I think I'm happy with my decision. I absolutely adore the seamless back-and-forth between the reader and Jake, and really adds to the chemistry. But while the overall plot is light-hearted and comedic, you can definitely feel a subtle emotional undercurrent where the romance develops slowly but steadily. The slow build of playfulness that then leads into genuine moments of connection makes the romantic moments feel earned, and it doesn't feel rushed or forced. Their ability to write in a way that builds undeniable chemistry while interweaving moments of vulnerability is just *chef's kiss*.

My Darlin’ - @mydarlingrose

When the daggers are spontaneously relocated in Texas in for a mission and have no where to stay, Jake lets them stay at his place and discover Jake has been keeping a secret from them for a very long time.

This is the fic that started my secret-wife and jake-is-a-girl-dad shtick that has prevailed to this day. It's a great blend of heart-melting fluff and humour. I love how you can still see the bits of Hangman that we see in the movie, and the banter between the Daggers, while also tapping into a different side. They both don't feel mutually exclusive and instead compliment one another. Definitely one to starve off my lack of affection :)

[neurospiczzzziee]

Blitzø is actually really good at Art

From an Art Educator Perspective

Okay so I saw some posts on Blitzø actually really enjoying art and that being his passion other than horses. I don't know if in the fandom we have had this consensus or if this is a hot take on my part, but Blitzø is actually really good at drawing.

You may ask why I know this and why I am so confident?

My credibility: I literally specialize in it.

I am a professional artist. I am a High School Art Teacher, who got their degree in art education and attended a well acclaimed art school.

(Self-taught artists are extremely valid and you do not need to go to art school to be an "actual artist". I am bringing up my background to show that I have a lot of knowledge of the development of fine motor skills and the ranges of art abilities and how to further improve them.)

As an educator, if Blitzø was a student and I saw Blitzø's drawings/doodles I would automatically recognize that he was actually advanced in abilities. Based on looking at his drawings I can tell if he were to actually take his time and focus on something he could create really beautifully detailed/rendered artwork.

You may ask how I know this??? I'm glad you asked.

THE AMOUNT OF LINE QUALITY THAT IS DEMONSTRATED IN BLITZØ'S DRAWINGS IS INSANE.

✨Art Lesson time✨

Okay so everyone learning to draw goes through the necessary stages of development

I'm just going to give humans as an example because obviously this is a fictional demon we are talking about.

Generally everyone goes through these stages as they grow and work on learning to draw. (Prodigies are extremely rare and I've only seen one once)

Art skills are like a sport. You need to train in order to develop fine motor abilities and control in your hands. The more you draw and do art the more you gain control of your muscles. It takes a lot of time and years of work to improve.

When a person's fine motor skills aren't as developed their lines tend to be shaky and they have less control. The more a person draws the better their line control becomes.

(Think of when you were little and you were first learning how to write)

The way I can tell how advanced Blitzø is, is through his line quality.

Now what is Line Quality?

This is a screenshot from this wonderful article

So in Blitzø's artwork he very much illustrates good Line control, force, thickness, and fluidity.

Okay first of all I want to Mention

THAT BLITZØ IS DRAWING IN PEN. You can tell this because different parts of the Calendar are crossed out with his scribbles. Also anybody with a calendar knows you have to write with a pen.

LOOK AT HOW CLEAN, FLUID AND CONFIDENT THESE LINES ARE DESPITE THAT HE IS DRAWING IN PEN!???

My assumption is that Blitzø is not using a reference for these drawings. You could make the argument that he has photos for M&M, Loona, and Stolas; however, he definitely does not have a photo of Striker.

I want to mention how dynamic of a pose he is drawing people in. He isn't avoiding hands at all. All of the hands are relatively accurate (Strikers especially).

In these drawings you see variation in line weight meaning parts of his lines are thicker to thinner. So Blitzø is purposely pressing harder and lighter to show variation and depth. His lines are very clean. I don't see repetitive Stokes and lines for the shapes. He is really confident with his mark making and you can tell because his lines aren't shaky at all.

By looking at his line quality and how clean it is you can tell he drew it quickly.

Not to mention he actually has a huge range of items he can draw confidently including and not limited to horses, weapons, leashes, cars, demons, and of course genitalia.

Blitzø isn't what you call a one trick pony 🐴 when it comes to what he can draw.

You can see this skill demonstrated in his other doodles.

You can even see this ability demonstrated in his drawings on the whiteboard

Okay anybody who has drawn on a whiteboard knows that they are difficult to draw on.

Whiteboards smear and are very streaky. In this photo you can tell where Blitzø made a mistake or changed information. Notice that none of his drawings have any smears. That means he did these drawings in literally one take.

I also want to mention his drawings in spring breakers. He is speed drawing directions and illustrating a plan perfectly to his employees.

HE IS LITERALLY RAPID FIRE SPEED DRAWING HERE

His drawing of Veroskika which he DREW FROM MEMORY.

Demonstrates the following:

Line control, Line Confidence, Line Fluidity, Variation in Line weight, and still has relatively correct proportions!?

Basically shut up MOXIE?!!! He did a good job!

Why have we not seen more detailed Blitzø artwork?

Okay so I as we know in the show Blitzø puts his doodles everywhere. So if he is good at Art why isn't he showing his artwork he spent a long time on????

The answer: he's insecure

Showing someone your art is a very vulnerable action. This is especially true if you spent a long time on it.

If someone doesn't like or makes fun of your doodle you can brush it off and be like well it's only a sketch and I did it in under 5 min.

It's a lot easier to show someone a silly little horse drawing you did than something you poured your heart and soul into.

We already are aware that Blitzø is insecure and has self-esteem issues. He literally covers his face in the photos of himself throughout his apartment. He is a very guarded individual. Of course he wouldn't show people the art he spent hours on. What if people reject them? They judge him for spending that much time? What if they see how much he actually loves them?

Blitzø feels like the kind of person who would crumple up or destroy his art that he spends long amounts of time on. It's a way of self-sabotaging yourself and further self-loathing.

Now do I think he has these hours long art pieces/drawings????

ABSOLUTELY

My guess is that Blitzø most likely has a hidden sketchbook. Artists tend to draw their loved ones and especially their children and partners.

There is no doubt in my mind that Blitzø hasn't been doing long observational drawings of Stola's especially when he is sleeping.

He has most likely been drawing Loona all the time. Why do you think he takes all the photos? Those are his references. He has probably been drawing detailed artwork of his loved ones this whole time (and of course horses too lol).

In conclusion

Blitzø actually can draw really well because his doodles demonstrate high levels of skill in line quality.

Going forward I would really appreciate if someone actually finds Blitzø's sketchbook or portfolio of his artwork he spent large amounts of time on. It would be really cute. It would be adorable if Loona or Stolas found them.

Blitzø could gain more confidence and put is artwork he really cares about on display 🥺

I also just want Moxie to find out and eat his words. (Guys I swear I don't hate Moxie 😂)

Thank you for joining me here today on my Ted talk on how I think Blitzø is actually a talented artist. I'm just an art teacher who has problems with how much helluva boss lives in rent free in my head.

[essektheylyss]

idk I kind of feel like I'm an idiot bc I actually enjoyed cr 3 from the jump to the end but like the blogs who follow bc I feel they are definitely more articulate and insightful than me are like "the whole thing was meaningless and pointless! matt fumbled everything!" so maybe I'm wrong to have liked it all? I'm not really sure where I'm going with this sorry

I think one thing to keep in mind is that many (and in fact, I would argue, most!) people who are critiquing the story and construction have also generally enjoyed the campaign as a whole! Certainly I don't know anyone who stuck it out through the end who did not overall enjoy watching it, for various reasons; I know there are people who hate watch, which I think is an absurd and honestly really stupid waste of time, but from my experience they are normally making snide and vicious tweet-length posts rather than long considerations of what isn't working for them.

There are also a lot of levels of critique—I've greatly enjoyed a lot of moments in isolation that I simultaneously felt weakened, contradicted, or even actively undermined the structure of the story as a whole, but those moments were still really fun and interesting beats. The Arch Heart's cameo comes to mind, as does, in hindsight, some of the construction of the post-Solstice split, but there are plenty of others of higher or lower impact on the story. In the finale the Raise Dead falls into this place very strongly, so I'm going to talk about it at length for a moment, since it was an absolutely stellar moment for me personally and as such I do think it serves as very illustrative of an example where I simultaneously fucking love a moment while finding it worth significant critique. I think it also touches on the critiques you're referring to, which I would summarize overall as the idea that many of the outcomes feel influenced negatively by pulled punches on the part of the DM rather than a flaw of one player or another. (Also, I want to talk about it cuz I love it. :3) This got very long but I think that to your point, it is worth examining in this amount of depth.

First, the good: it is an absolutely phenomenal culminating point of an arc that was only really concluded in summary; I have, as noted earlier this week, written at length about how Essek is never situated as a protagonist, which is functionally fine and even good. He ends up tied very strongly to Caleb's arc, and moves in the narrative in such a way after 2x97 that allows Caleb to reach a concluding note, and strengthens that narrative. So we only really hear about the outcome of Essek's choices, his inevitable leave from the Dynasty, in the summarization of the campaign 2 epilogue. This is not inherently a problem, because he is not a protagonist. But this moment does functionally create a material representation of that denouement, and in particular the tension between the outcomes of his poor choices and the better—potentially even good!—person he is trying to be as a result of the Nein's influence, which does strengthen his arc in its own right.

This moment also, hilariously, bears out my argument from this post. That the resurrection should only work with this intervention, particularly while the Nein are involved, does follow through on the Nein's general positioning within Exandria. Essek's leave happening without a fight (and, frankly, with only one attempted Counterspell) both makes for a very well-paced moment and also maintains the overall sense of story that the Nein impart when they are on screen; I'm thinking again of how their Ruidus episodes feel, much like their campaign and their post-campaign one-shots, like an intrigue action thriller series, and this fits well in that framing.

So overall, it is a fantastic moment... for the Nein. The Nein are not the protagonists of this story. They exist in the world, and are such active agents that they do continue to develop and exert motion on the narrative into this campaign, and frankly, I think this would have been fine if the party given ownership of this story and campaign did not abdicate their responsibility for it with unfortunate frequency. They do not exert a strong control over their story, which is at odds with the fact that the Nein do, and are present and also involved by the nature of their ending. It completely overshadows Ashton's heroic moment, in that the culminating action beat of this sequence is Essek getting away, which kind of takes the wind out of the sails of the Hells' involvement in the gods' outcome. It doesn't negate it, certainly, but it does refocus the story from them to, for some reason, Essek. So in this sense, it occurs at the expense of the Hells.

I find that while the handwaving of using dunamantic intervention to push Raise Dead beyond its limits (if indeed the reason it didn't originally work was because Ashton's brain was essentially gone) fits fine and even well within the framework of the Nein's story, and an NPC being able to do so without a roll is fine, since NPCs are vehicles the DM uses to guide the story, this is a significant divergence from the overall mechanics of the world at large; even the Nein had to do a full ritual for the resurrection of their tiefling. Matt put those mechanics in place specifically to create narrative meaning behind resurrections, which can feel very unmotivated and like a get out of jail free card in D&D, and while it's been noted that this would've really strained the runtime beyond its existing length, prioritizing it at the cost of, for instance, more truncated end notes for the Nein and Vox would've bolstered the Hells' presence in an ending to their own story that even many of their fans felt was ultimately lacking.

Giving the resurrection full weight would've also given Ashton's sacrifice and the Hells' involvement more narrative weight; the reason the other parties are involved at all is because the Hells were truly running on fumes by that point, but any lack of involvement this created could've been alleviated by having them directly involved through pre-established ritual elements that are not contingent on them having any mechanical offerings. So this moment sits within the context of critique that I agree with: that it felt like a pulled punch that ultimately also served to decenter the Hells within their own narrative, when it could've been used with more deliberate narrative force.

At the same time, I fucking love it, and watched it four times in a row yesterday, because it is so good—and it is, as I described, narratively and thematically coherent in one sense! And I think that is one issue of the campaign: many, many great moments are excellent and coherent in a certain framework but are weaker to varying degrees when considered as one piece of a larger whole. There are so many frameworks at play in this narrative, and not enough direct intervention to manage those as frameworks rather than as a single story, but at the same time, I think those frameworks are far more apparent if you're really looking for them, and that's much more difficult, if not impossible, when you're in the midst of them and telling the story.

I also don't think this means one cannot critique this; in fact, I would say this is more an issue of being a serialized narrative than an improvised one, which is often how critique of it has been pushed back against within the fandom. I was thinking about this as I'm currently in a course on, quite literally, how to critique comics, and we discussed this week how Marjane Satrapi said in an interview after making the film adaptation of Persepolis, which was first a serialized comic, that she ended up preferring the film, and I speculated that was because with a film, one has the ability to make a more cohesive narrative purely by virtue of the fact that with a serialized form, you cannot go back and make retroactive edits when new developments come to light. This is something that long-running comics must constantly navigate (as do many long TV shows), and in extreme circumstances such as decades-old comic franchises, ends up resulting in infinite timelines and hand-waving, which becomes so ridiculous that at this point it's a meme. In that scenario, though, it is not presented as a non-contradictory story, let alone a cohesive one.

Many of the critiques of campaign 3 are operating within the idea that this is presented as one overarching narrative. (And honestly, comics and other narratives that don't utilize that presentation are also still critiqued on that merit by people who greatly enjoy the texts they're critiquing anyway.) Within that context, I feel that the framing of the Raise Dead, as well as much of what would be my critique of the other pieces I referenced (the Arch Heart's cameo and some of the party-split sections) if I was to do the same kind of rundown of those, actively undermine this presentation by introducing and forefronting too many conflicting frameworks that are not interwoven well enough to create a single, cohesive overarching narrative.

This is a very long-winded way to illustrate my point, which is that I would really encourage reading critique not as a lack of enjoyment of the campaign, let alone a suggestion that no one should've enjoyed it (and if you did, then you're not smart enough to know better), but as a way to engage with the text(s) as presented within one framework or another. I think this is sometimes obscured in online fandom spaces, where we're not engaging in critique in as formal of a sense as one would in, say, an academic setting, where the norms generally dictate the framework one is using is explicitly stated if not fully delineated within the critique, but it is, more often than not, still implicitly present within the critique.

And as a final note, I would also really urge everyone reading others' opinions on something they enjoy to resist the urge to elide their own opinions from the conversation, even if you don't feel as articulate or as well-versed in critique. Critique is a trained skill, so it is certainly something one can pick up if they are inclined, and at the same time, someone doing it does not mean they are inherently right—and in fact, with all argumentative writing, it is up to the reader to consider the argument and decide whether or not they agree with it. (You can decide that you disagree with me about the Raise Dead! Just because I wrote a thousand words on it does not inherently make my interpretation truth; it's just an interpretation. You get to say whether or not you think my interpretation makes sense based on the evidence presented.) Even here I'm using the framework of some critique that others have made, but I don't delineate in full myself. In doing do I'm not presuming that you agree, but I am presuming that you've read it and know what I'm referring to. Strictly speaking it's also not even saying that I take that critique as true; it's saying that I feel the conclusions drawn are applicable as a basis for my argument. If you wanted, you could even say that you feel that my argument is irrelevant to you because you don't feel those critiques are true! But you ultimately do have to be the one to decide any of that, which does involve a balance between a confidence in the formation of your own opinions on the text and an openness to entertaining others'.

[igotanidea]

3 minutes: Jason Todd x reader

Warnings: SMUT MDNI! swearing

***

Hey Jason, can I ask you something?

Y/N and Jason were cuddling and kissing on the couch, things started to become a little heated and then, out of the sudden, she got into a questioning mood.

Obviously, Jason wasn’t exactly content with the unexpected shift, but gritting his teeth and fighting the urge to just continue with the steamy make out session, he nodded with the calm expression on his face.

If only she knew how much it took from him to keep it.  

“Sure thing, babe. What’s on your mind?”

“Which girl would you prefer: a skinny, pretty and a little sad, shy one or a little heavier, sassy, funny and energetic one?”

“Well…” he muttered, considering the answer. He was going to be as honest as possible without hurting Y/n’s feelings. “While I suppose initially a pretty girl would get my attention I do like when there’s more depth to people. And sassy humor is pretty much essential for me?”

“Was that a question or an answer?” she teased, catching up with his hesitant tone.

“Don’t you know me? I think that by now you should realize that looks are not everything.”

“Duh!” she chuckled, kissing the tip of his nose playfully “Did you think I was with you cause you are handsome?” she repeated her action “Cause you are not.” The seriousness of her tone was bellied by a grin. “At all.”

“Oh really? And here I thought I was your personal male supermodel.” He laughed wholeheartedly pushing her away as she teased him. “But hey, it’s on the inside what counts. And when it comes to that – you got plenty going on.”

“So I’m like your kinder joy?”

“That’s actually quite an accurate description. Sweet on the inside if you are patient enough to tear through the foil.”

“Wow. Um- I didn’t actually expect you to use such an illustrative comparison….”

“Yeah, that’s me.” He smirked with a face full of complacency. Always in your corner when you are feeling down.”

“Thank you… I guess I’ve been feeling a little insecure lately. Except not the little. And not lately.”

“Good thing you got me here then, huh? Now can we please forget about that and focus on us?”

“Mh. Where were we then?” she whispered seductively leaning forwards brushing her lips over his softly.

“Right where we belong.” He responded by pulling her to him, kissing passionately, trailing lips down her neck, feeling the heat rise again.

“Yeah… Yeah, I think I’m starting to remember something…”

“What do you remember, baby?” Jason whispered against her skin, caressing her shoulder, pulling the strap of her top down.

“Something good…” she hummed, closing eyes and letting him continue his ministrations “Something so good…”

“Care to share?” In a blink of an eye she was laying on the couch on her back, Jason’s hands moving over her belly “or would you rather keep it a secret?” he leaned down nipping at her earlobe.

“Isn't it exciting to know that there are some things that stay just between us...?” She moaned softly, tilting her head and caressing his chest.

“Definitely.” Jason nuzzled his nose into her chest, inhaling her scent “Just you and me having something special.” Once more he captured her lips, tangling fingers in her hair, keeping her head in place, not that she was going anywhere.

The soft sigh that left her lips only aroused him more when he rolled on his back, pulling her with him so she was on top, straddling him.

“And I wouldn’t have it any other way, princess.”

She laid on top of him, her full body weight pressing him into the mattress, tracing hands down his sides, reaching for the hem of his T-shirt. The effect was almost immediate. Jason arched into her touch, his cock hardening at the feel of her fingers on his bare skin.

“You drive me crazy…” he grabbed her waist and pulled her closer, grinding against her, though still in clothes. Regardless, the undeniable need for friction was too much to just lay still. “But I wouldn’t want anyone else doing it to me…”

“I sure as hell hope you wouldn't...” She kissed his neck, grinding her hips on him as well.

“Fuck, I don’t even want to imagine another woman-“ he gripped her hips, continuing the movement.

“Don’t ever mention another woman when we’re together.” She almost hissed, cutting his sentence in the middle, biting on his neck, leaving a hickey and licking the stinging place.

There was no way to deny that her possessiveness and marking the territory attitude only turned him harder.

“I’m not planning on it.” He responded, tangling fingers in her hair, guiding her head lower on his neck. “Besides, I already got the only woman I need.”

“The only one you’ll ever need.” She corrected, raising her gaze on him.

“The only one I’ll ever need…” his tone was hoarse and sultry as he leaned to her again.

Being stopped with Y/N’s grip on his chin.

“Be a good boy and strip for me, will you?” She gave him a look full of fire that left him lost like a little puppy, ready to follow the orders of the owner.

“Well since you asked so nicely—” Y/N moved away from him to give him space to undress and the sudden loss of contact made him almost tear his clothes away. Anything to get her body against him again, not that he was going to let her win this. “But remember, baby, payback’s a bitch…”

“Well then, how about I make it up to you then?”

She slid down, standing on the bed foot, starting to take off her clothing piece by piece. Turning it into a sensual striptease. Tracing her body while removing her shirt, inch by painful inch. Shaking her hips while taking off the skirt. Bending down in a little provocative manner during the removal of her tights.

Almost daring him to make a move on her.

But Jason was hypnotized with her every gesture. Eyes wide with desire, hands clutching the sheets, wanting both to pin her underneath him and to watch this show forever. Evidence of his lust was obvious in his naked body, not that he would ever do much to hide it. If anything – the hardness was rather supposed to be exposed for her to lure her in. 

Nonetheless, Y/N seemed to be lost in the world of her own, continuing her dance. Caressing and playing with her breast before unclasping the bra, sliding it off her body, freeing her chest from confinements, and finally -- sliding down her panties. The moment they both were waiting for, one more than the other.

“Fuck, Y/N…. You do know just how to turn me on, don’t you?”

In response, she crawled to the head of the bed, leaning on all fours, while searching for his lips.

“I can’t get enough of you…” his hands slid down her back, all the way to her butt, kneading the flesh there.

“That’s kind of the plan…”  she pressed her chest to his torso, brushing over him like a wild feline, tracing kisses down his neck, unrestrained by anything.

“Yes, kitten��� show me how you want me…” he slapped her ass playfully, one hand kept on palming her butt, while he used the other to start stroking himself.

“Oh now, you’re doing my job for me….?” With a gentle pat, she removed his fingers from his cock and wrapped her own around him.

“Fuck… fuck, Y/N, yes… keep doing that baby….” He groaned, closing eyes and moving against her hand. “Make me yours…”

“You’re going to be a good boy for me?” she stroked him harder, focusing her eyes on him.

“Yes, yes ma’am, I’ll be whatever you want, just don’t stop…”

“Don't worry my pretty baby... I’m not stopping any time soon...” She flicked her thumb over the head of his cock, gathering the pre cum and pulling it to her mouth, licking the droplets with the tip of her tongue.

“So goddamn hot…” Jason groaned from the back of his throat.

“You can touch me too, my little bird…” she whispered in his ear, sliding a little closer to him once more, making it more than obvious where she wanted his touch.

“Like that?” he cupped her breast, letting the familiar weight adjust to his hand. Squeezing and twisting her nipple in a way that made her squirm and gasp for air. The way he knew she liked.”

“Oh yes…”

“That’s right, kitten. You enjoy my touch, cause it’s the only one you’ll ever get for the rest of your life. You’re mine.”

“Fuck, I love it when you get a little possessive.” She placed her hands on his on her chest, showing him to touch her harder.

“And I love it when you get so vulnerable and open with me…”

“Oh I am open.” She smirked, hooking one leg over his hip, straddling him, but not taking in yet “I am so open. And so wet.”

“I can tell.” He grabbed her waist, trying to pull her down, kissing like a wild man, unable to stop even though she kept on pulling away from time to time. Purposefully. To leave him wanting and needy. “Don’t fucking do that, kitten.” He groaned chasing her lips, his tone both a threat and a pleading and with the sudden pressure on her body she knew she would be sporting bruises the other day. “You know exactly what you’re doing to me, don’t you>?”

“Yeah, I do. But don’t worry, I will abuse my power in all the pleasurable ways.” Y/n hummed lifting her hips, hovering mere inches over his shaft.

Jason’s eyes darkened with desire.

“Abuse me all you want. Just … don’t… fucking… stop…  Please…”

“Oh my pretty boy... My heart is breaking seeing you hurting...” She slowly sank to his length. “Is it better now...?” She tenderly brushed hair from his sweaty forehead, observing his eyes falling closed feeling her wrapped around him like that.

“So much better…” he gasped, caressing her back, wanting so much more, but frozen in this moment. He buried face in his hair, breathing in her scent. The smell of her shampoo, the musky aroma of incoming sex and the individual one of her body. Irreplaceable. Hitting all his olfactory sensors, bringing out the feeling of home. She was his home. His everything.  “Y/n….” he whispered “fuck…”

 “Is it warm for my little bird?”

“Yeah, it’s getting warmer, all right. And most of that heat is because of you.” He nibbled on her neck, leaving love bites on the entire length.

“Cause I’m so hot?” she started rocking her hips on him

“You have no fucking idea.” He grabbed her waist and started thrusting forwards with almost extraordinary energy and enthusiasm. “And I fucking love it.”

As the unexpected force of his movement made her jump and stumble forwards, she instinctively reached for his shoulders to find balance and purchase.

“I got you kitten. Hold on tight.” He catches her easily, pulling her down on him easily, digging fingers into her flesh, guiding their movements together. “That’s right. Ride me, kitten.”

One of her hands rested on his shoulder blade, the other on his chest as she picked up the pace. She closed her eyes, throwing her head back, allowing him to control the movements of her hips while thrusting upwards. His eyes were focused solely on the way their bodies unite, making sure to his just the right spot inside her, to make her yearn, burn and shudder with need and pleasure. So fucking beautiful towering over him, lost in the tryst.

Just like him.

There was something erotic about the way she takes him inside to the halt, and then lets him out. Her body opening to him like a wild flower opens to the sun, allowing its warmth and love kisses to caress its petals.

That’s what she meant to him.

She was like a rose – beautiful but not helpless, with thorns.

Like a poppy – vibrant and standing out amongst other flowers on the meadow.

Like a  cherry blossom – magical, soft to the touch but also so ephemeral and fragile if not looked after properly.

He was going to take care of her.

Forever.

“Jason…” she moaned, pressing his head into her chest, running fingers through his hair “Jason…” in the last surge of desire she grabbed his cheeks and looked straight into his eyes.

“Don’t ever stop Y/N—”

“Never-“ she gasped, not breaking eye contact for even a second, seeing the universe in his eyes. “Never-oh!”

As their climaxes approached and hit them like a tsunami wave, bringing the breath of freshness and coolness, but also threatening to wash them off the face of the earth, they held tightly to one another. Like she was his lifeline and he was her rock.

Just like in the biblical parable, that says you cannot build a house on the sand, Jason and Y/N were one’s another solid foundation. A base to build a house on.

For house is not a place, but a person.

Even when he fell back on the bed, exhausted and sweaty, facing the ceiling with mind reeling from love, pleasure and inexplicable need to lock her away from the world, his hold on her waist did not falter for a second. Only now, it was much more tender, softer, though still needy. The irony of the situation was truly textbook. She couldn’t be closer to him and yet, he was still missing her.

After a moment of heavy breathing she climbed off his lap (more like rolled off) and took the rightful spot on the side of the bed, which was hers by design. Even though they were both on their backs, their bodies found a way to one another as she reached for his hand entwining their fingers. Simple gesture, nothing really, and yet amongst lovers sharing true love, if that thing was to ever exist outside of novels, it meant everything.

After a moment, as on cue, they both rolled over to look into each other’s eyes.

“Hi.” She smiled cupping his cheek

“Hi yourself, kitten.” He responded by taking her wrist and kissing her knuckles softly.

“Did you know that statistically the round between couples lasts 3 minutes?”

“Way to ruin the mood with your nonsensical facts, Y/N!”

“it’s not nonsensical. I’m only saying that you are far more than stereotypical to me.”

“Because of how long I can last?” he raised an eyebrow  incredulously, but it was quickly followed by a glint of amusement in his eyes. Despite everything he loved being praised on his performance skills.

“Because of everything-“ she whispered lovingly.

“Oh, stop now.” He grunted, pulling her to his chest, forcing her face down onto his skin so she wouldn’t notice the tears brimming in his eyes. “Otherwise I might think you love me or something.” A single tear escaped his eye at the feeling of being complete.

“I’d hate to implant false beliefs in your head.”

“That would be such a mess, right?”

“How about we keep on cleaning it together?” her soft voice reached his ears, serving as a counterpart for his feigned gruffness.

“Now that doesn’t sound so bad.” He smiled, pulling the covers on their entangled forms, allowing himself to fall asleep, knowing she was there to stay.

A comfort that made him feel warmer than under the blanket.

[live-emotion]

There really are more and more examples of gen AI usage in Live Emotion the closer you look, and it seems to be happening more with recent releases, or at least it isnt being touched up by actual artists as much anymore.

Heres some examples from this street background showing some common signs of AI! For reference, this is the full background image (Thanks to the Wiki for the source!) And of course, who knows if Live Emotion is using AI, I certainly wouldnt accuse them of that would I??? Lets just use this completely normal background illustration to study what could be signs of AI shall we?

Might not look too bad at first glance right? But when you look closer:

Uneven, unconfident, wobbly awning with inconsistency shapes for the draped part (particularly on the left).

A shadow on the brickwall thats not coming of of any visible object! How interesting! (its not the telephone poll to the left of the image, and that is at a different depth). Fake shadows and varying light sources are a sign of AI.

Lots of inconsistent brick sizes (thats not how bricks work). Notice also how the bricks are coloured. Especially on the right most building, there is a patch that is much lighter/brighter red, but it doesn't line up with any of the actual bricks. Anything that has an extremely consistent, well known, real life pattern to it can be a clear sign of AI usage when its incorrect.

Every window has an exhaust fan (excuse my lack of architectural lingo) except the one on the top left. Also, notice the different heights and widths of the windows! Particularly the bottom left window is a lot smaller, and the bottom middle window has an odd little nubbin in the bottom left corner of the windowsill.

What unique architecture, look at how it simply melts into itself with a lovely little floating ball detail on the roof. The way that the lighter part of the exterior perfectly lines up with the vertical line of the same coloured building in the background also commonly happen when the AI gets confused and merges two shapes together. Shapes and colours blending into eachother with no clear definition or hierarchy of depth is a common sign of AI.

Lots of strange unexplainable particule effects/dots strewn about the image.

More incredible windows where the brick texture melds into the border of the window, and some of those borders are also blending into the surrounding brick. Areas with similar colours will often blend into eachother unnaturally with AI generates images.

Bonus round of spot the difference using the Skate event background pointed out by the wonderful people over at the Live Emotion Wiki! Dont you just love when the entire architecture of your city changes at night time?

Flick between the two images and see this magical city transform with the power of badly disguised Gen AI! (boooooo!! ewww!!!)

Any one of these things on their own is fine, especially coming from growing artists! But certainly not something you expect to see to this amount in a game thats making so much money from a big company right? And that's just a couple parts from two backgrounds!

But again, what do I know! Its AI generated

[scorpioriesling]

Guilty as Sin?

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Pairing(s): Azriel x reader

Warnings: angsty asf

Summary: It wasn't hard to love your best friend; after all, you'd been through everything together. He'd seen every in-depth part of you, but now you were forced to give all of that up. All because of the stupid cauldron, and stupid fate.

SR’s Note: Brb going to get "mine" tatted on my upper thigh... this is so UGH anyways. I had to; I apologize in advance. This is one of my favorite new songs.

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The cauldron could boil itself at this point.

You weren't sure how to make the best of this situation; something you could normally do without fail. A talent everyone loved about you. However, that talent was failing you now.

Now that the bond had snapped, and there was no way out. No way of avoiding what you so desparetely wanted for years, and somehow it all ended up messed up in the end.

Lucien was a good male, you would give him that much; but that wasn't enough. Your life felt near over when your best friend revealed his hidden bond with the Archeron girl -- but now, you were in the same position. Somehow, you were cursed in more ways than one. Not only was your best friend mated to someone else -- but now so were you.

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"You're right, we should definitely get matching tattoos!" You laughed, bumping into Azriel's arm as you both stumbled down the Velaris streets. It was past midnight, and you were both buzzed from your night out at Rita's -- something you did at least once a week -- and the walk home turned into more of a walk through town.

He chuckled beside you, fingers curling around your elbow to help steady you. His wide smile was a sight you'd never tire of; he rarely let it show, but when he did, you made sure to illustrate it in your mind, holding onto the masterpiece forever.

"It isn't our worst idea..." he admitted, taking another swig from the bottle he held. You watched as his throat bobbed, swallowing the liquid and turning his attention back to you. You look toward the sky, trying and failing to pretend you weren't staring.

"What should we get?" You ask with a grin. He ponders for a moment, brow lifted in mockery. "Hmm.." he says. "What if we got eachother's handwriting?" You giggled, and he laughed with you.

"I'm serious!" He exclaimed. The tattoo parlor was coming into view, and you rolled your eyes. "I don't know if I trust you to literally write on me," you say. "We've been friends for far too long for me to put it past you to write something like "Azriel is so hot" or "Kiss my ass" on me-" You barely get it all out before laughing again, his gaze on you softening as he loops an arm around your shoulders.

"I promise I won't do something so vulgar," he says. You're now in front of the tattoo shop, the neon lights illuminating his face in a deep blue glow. He grabs the door handle and opens it, gesturing you to go inside.

"Ladies first." He smirks. You lightly smack his shoulder, and saunter your way inside.

"Fine -- but you have to go first." You throw over your shoulder. He enters behind you, and within minutes he's put in a chair and the tattoo artist is holding the needle gun over his forearm.

"Okkayyy, 'lil lady," he says, pulling up a stool to allow you to sit beside him. He hands you the gun, and places his hand over yours to help you with the process. "You ready?" he asks. You glance at Azriel, who now has his eyes lightly closed as he lays down on the bed in front of you.

"Are you ready, Azzie?" You say. He nods silently, a small smile playing on his lips. You release a breath as the gun whirrs to life, and the artist guides you to begin pressing into your best friend's skin. Stealing a glance at his face, you find him peacefully laying there, almost sleepy. That would make sense, seeing as you both drank a lot tonight.

After a few minutes of darkening the lines and wiping away the excess liquid, the artist powers down the needle and scoots back on his rolling chair. Your fingers lightly dance over the puffy black lines on his otherwise bare forearm, and he stirs at the sensation.

"Have a look," you say. He opens his eyes and sits up, delight overtaking his features as he sees your work.

"I choose you and me," he says aloud, reading over the ink now drying in his skin. He almost blushes, gazing at the ink and touching it lightly. His eyes meet yours, and in seconds he is hopping up and offerring you the bed. You sit on it, pulling the hem of your shorts up so it's easier to access.

"Heyy..." he starts. "You picked the spot for mine-" You huff.

"I want mine up here," you point to the upper part of your thigh, and he rolls his eyes. He shoots a look to the artist, and shakes his head.

"I've learned to just not argue with this one," he says, and you gasp at him. He laughs, his white teeth shining like stars inside the dim shop. The tattoo artist sighs, powering on the newly replaced tatto gun and handing it to Azriel. You place a hand on your leg, eyes wide.

"You're not gonna help him?" You ask the artist. He only shrugs at you.

"I've seen his work before -- he knows how to do a pretty damn good tattoo." Your eyes narrow toward your best friend, and he only grins down at you.

Sighing, you rest your head back against the cushion of the tattoo bed. "Az, you better not fuck this up-"

You're cut off by his fingers brushing against the skin of your leg, pulling on your shorts to move them slightly. Your breath catches in your throat, now staring wide-eyed down at the man you'd secretly fallen so madly in love with. His messy curls tickled the strips of skin between the hem of your baby tee and the top of your shorts as he stared intently at his work, needle lightly pressing into your skin. His other hand laid flat on your stomach, holding you gently in place.

You couldn't ever get rid of this sight unless someone quite literally ripped it from the archives of your mind.

He glanced up at you, noticing your labored breathing. His soft expression was one he only ever used with you; a stark contrast to the strong, unfazed front he presented to everyone else. You figured he was going to tell you to chill out -- little did he know you weren't focusing on the pain, but rather the striking male on top of you.

"Lay down -- you can't peek 'till I'm done."

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The air was warm as it rolled off the sidra, the salt air so familiar. You'd come down here for some peace; some time away. Since learning of the bond with Lucien, it was like you couldn't escape. You couldn't get away from the constant "Are you okay?"s and "Have you told Azriel?"s and "Do you think you'll accept the bond?"s. It was getting to be too much. No, you weren't okay. No, you did not want to accept the bond.

And fuck no, you did not tell Azriel. You remembered what happened last time when you found out his bond snapped, and you hadn't even seen him in months. There was no point -- it wouldn't change your situation.

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"I made you that strawberry cream cake, you know, your favorite?" Feyre's kind words filled the kitchen as you continued to pour glasses of lemonade, setting down the pitcher to meet her watercolor eyes. You gave her a soft smile.

"Thank you... but whatever for?" Her gaze dropped, fingers fiddling with one another as she looked around nervously. You arched a brow at her.

"Nothing, I just -- I thought you might like it. To celebrate the first day of Summer," she stuttered. You'd never seen her at a loss for words, but before you could think too long about it, Cassian barged into the room, eyes full of delight when he spotted the filled lemonade glasses.

"Ahh," he grabbed one and chugged it, putting it back on the counter after a few gulps as though it was a shot. You giggled, Feyre finding his interruption rather funny as well. He peered at you, sliding the glass over on the counter top.

"Fill 'er up -- Gods, it is so hot outside." He says, fingers fiddling with a small band tying his hair back. You top off his glass, and he takes it again, only sipping this time.

"Are you ladies joining us outside? Or what?" He asks giddily. You swear, if he wasn't a fae bat he would be a golden retriever.

"Absolutely," Feyre nods. He saunters out of the room, and within seconds you spy him by the edge of the Sidra tackling Rhysand into the river with him. They both come up within seconds, laughing and shaking their wet hair. Feyre peers out with you, and your heart catches when you see Azriel not joining in. He is sitting on one of the picnic blankets the group laid out, Elain's head in his lap as he leans back on his hands. She tenses, laughing at something he said. He gives her a smile; one you'd thought only he shared around you.

"I'll meet you outside in just a moment?" Feyre offers. She knew; she knew exactly how you'd felt for Azriel. But, she also knew that he was in some newfound, weird relationship since her sister arrived.

You tried to brush it off. Your best friend had lovers before; most of them only lasted a few weeks anyway, then they were gone. This one would be no different.

Finally making your way down to the river, tray of drinks in your hands, you were greeted by Mor as she helped pass out the drinks. She walked over to Feyre and Cassian; of course, leaving you to head over to Azriel.

You sighed, and walked over to the blanket where he sat. Her annoying laugh rang out again, and you winced. Azriel looked up, finally noting your presence and shielded his eyes from the sun with his hand. The unmistakable black writing on his forearm still reading "I choose you and me". Your heart swells just a bit.

"Y/N! Did you bring us drinks?" He asks nicely. You smile back, appreciating this side of him never failing to come out around his best friend.

"I just might have..." You say. Elain sits up upon hearing your voice, offerring a kind smile. You pass one glass to Azriel, and hold out another for her.

"Thank you Y/N! You must have known lemonade is my favorite," She takes it from you, beaming and turning to Azriel. He nods in agreement, sipping from his drink.

"Lucky guess." You say, grinding your teeth in a tight smile as you set down the empty tray on the grass. She giggles and continues conversing with Azriel, and you decide to not even try to engage this time.

You stalk over to the towel Mor is currently lounging on, her sunglasses set high on her nose. Your body creates a shadow, and she sits up grumbling.

"Ugh, Y/N, I'm trying to get a tan!" Her eyes finally adjust, seeing that you're stripping off your clothes, only a small emerald green bikini underneath. Her mouth pops open and she gasps, loud enough for everyone to hear. You're kicking off your shoes when she takes her glasses off and gapes at you.

"Girl, I'd let you stand over me any day -- you look good as fuck!" She squeals. You roll your eyes, her loud appraisal catching attention as she continues to compliment you.

"Seriously! Feyre, have you seen Y/N's suit? She is looking like fine wine-" She looks you up and down, and you notice behind her, Feyre has jogged over to where her friend Lucien has just arrived. Feyre turns her attention to you over Morrigan's whooping and hollering, giving you a thumbs up

"Looks good! I told you it would!" She shouts. She turns back to her Autumn court friend, but his eyes are drinking you in as though you are the wine itself. You steal a glance at Azriel, and boy are you glad you did -- he is pissed. He is glaring at Lucien as Elain babbles on, absentmindedly. She doesn't even realize he isn't listening to her anymore. You bend down, coming face to face with your bubbly blonde friend.

"Swim with me?" You say. She scoffs, tossing her sunglasses down and rising. You both walk to the bank of the Sidra, its gleaming water only inviting you in further.

"You know I'd never deny you, but I did want to lay out-" She is cut off by a strangled scream as Cassian yanks her in by the waist, her head reappearing moments later. Breathless, she pants.

"Cassian! Are you kidding?" Him and Rhysand only laugh, you shaking your head and chuckling along with them. You slowly enter the warm water, basking in the last few warm days the year has to offer. Mor wades past you, and makes to get out of the stream.

"Aww what! Where you goin'?" You whine pathetically. She runs her fingers through her soaked locks, huffing.

"I. Am not. Swimming. With those knuckleheads. Any longer." She stomps back over to her towel, and you stick your bottom lip out in feigned sadness.

"Aww, come on, Mor! You're already wet, just get back in and swim for a while!" You say. It isn't long before a splash to your left flings water near you, and you look around for a few moments before something grabs your ankles and drags you under. You come up a few moments later, Azriel resurfacing in front of you and laughing at your drenched complexion.

"I'll play." He says lowly. You shove his shoulder, and Mor waves a hand from her blanket, sunglasses already back on her face.

"Yes, yeah. Let Az play with you."

It isn't long before you're splashing around with your friends, everyone swimming besides Morrigan and Elain. Even Lucien has joined in, the water twirling his fiery locks over his shoulders. Maybe in another life, you'd fall in love with him.

But you're living this one, and you're still in love with your best friend.

"Hey, uhh," Azriel swims close to you, the sunset on the horizon illuminating his tanned skin. You can feel his hands creating water riplets around you to stay afloat, and you gaze at him. "Can we, like, swim over there? Maybe?" He asks, jerking his head toward the rocky alcove a few hundred feet away. Your eyes widen as you try not to think too hard about why he'd want you in there with him instead of his girlfriend; so you glance over to where everyone else is drying off and gathering their items. Elain is staring a hole into the side of your head.

"Sure," you say, timidly. Azriel grabs your hand under the water, his scarred fingers threading through yours with ease. You suck in a breath, and Azriel throws a smile towards Elain.

"We'll be in soon!" He shouts, and she returns the smile, almost a little smugly. She helps her sister collect the items from the grass, and Azriel stars swimming away, pulling you with him.

"Why did we need to come over here?" You ask, out of breath when he finally stops swimming behind a large rock. You can't see your friends anymore. You glance around nervously.

"Well, I had something I needed to talk to you about." He says. "Privately," he adds. Your cheeks heat. Its finally here, the moment has finally come.

"Oh, um. Okay. I think I have something I talk to you about too." You say. His eyebrows raise, and he smiles kindly at you.

"Oh! Alright. Well, why don't you go first then." He offers.

"I don't really... know... how to explain it." You fumble. The breeze blows over the water, pulling you away a bit. Azriel reaches for you, probably to hold you close but his hand grips onto your waist. He pulls a little too hard, and you're flush against his chest. His intense hazel eyes bore into yours, tiny water droplets dripping from the end of his onyx curls. Its silent for a moment, the mixed heavy breathing the only sound other than the nature around you. You gaze up at him, his eyes trailing down from your eyes... to your lips... then down to where your heaving chest rises and falls beneath the water's surface. Your eyes can't escape his full lips, and you snake your hands around his neck, pulling him in so impossibly close and close the gap.

Finally, after all these years, you get to taste those delicious lips on yours. You kiss him, softly, and when he pulls back, he looks at you with sorrow.

"Y/N... I..."

"I don't mind, Azriel. You know I love you; I want this. I would choose this. I choose you and me." Silver lines his eyes and you don't think you've ever seen him get so emotional. You pull him to you once more, kissing with more hunger this time, and he doesn't stop you. His hand scoops under your ass, squeezing and holding you tight, the other one flat against the side of your neck. His thumb brushes along your cheekbone as your fingers curl into his wet locks, when suddenly he rips away from you. He lets go as if he was a bug caught in a zapper, flinging himself away from you like you had electrocuted him. You instantly feel colder without his touch.

"W-what's wrong?" You ask, timidly. He runs a hand through his hair, and rubs his eyes with his palms, sighing.

"What is it, Azriel?" You ask, moving closer. He puts a hand out to stop you, and you begin to feel regret. No, not regret. Fear.

"Don't, Y/N." He says. You eyes close, near slits as you try and keep the sob rising in your throat at bay. He's never taken that tone with you before.

"Don't what? Be honest with you? Azriel, I love you, and-"

"I have a mate, Y/N." He cuts you off. You feel like you've been stabbed in the gut, thrown off a cliff; what was he talking about?

"W-what?" You ask. That sob is barely at bay, tears stinging your eyes as you try to keep from crying. He moves his hands to look at you, and immediately sighs and looks down at the water, hating to do this.

"Yeah... uh, Elain and I-"

"You've got to be fucking kidding me." You huff a humorless laugh and a single tear slips free. You don't bother brushing it away; you just cross your arms instead. He narrows his eyes at you.

"What is your problem with her?" He asks. The sinking feeling in your chest only intensifies as he defends her. You begin to feel angry, angry your best friend, who you'd die for, would defend another dumb girl who didn't know him like you did. Not even in the slightest.

"What is the problem with me?" You ask. He shoots you a confused look, and you continue. "Am I not quite good enough for you? Is that it? I'm not an Archeron, I'm not High Fae; I'm not officially in the Inner Circle? I don't-" You breathe, gasping for air as tears run down your cheeks now. "I don't look like her? I get it Azriel. I fucking got it. Loud and clear-"

"Shhh, shh shh. Heyy," he swims close, offerring you his hand. You want more than anything to fall into his chest and cry, just cry it all out; but you don't. You won't. He doesn't want you. He never did.

"You know none of that is true-"

"Don't bother." You say sharply. He sighs, dropping his hands in the water.

"Y/N, look I'm sorry I didn't tell you sooner, okay? You know how important mating bonds are; I just wanted to make sure it was real, and it would work and Feyre would be okay with it-"

"You... you already told. Feyre?" You seethe. His eyes widen, realizing maybe he shouldn't have revealed that information.

"I, uh... yeah. I did. And once she knew, it kind of got out and everyone knew," he mumbles. You clench your hands into fists.

Your favorite cake.

Elain's smug smile.

"Let Az play with you," Mor had said.

They all knew. No one told you. Not even your best friend. They knew you'd be hurt and not a single one of them told you. A small cry reverberates in your chest and you turn away from Azriel.

"Please don't be mad at me, Y/N. You know you're my best friend, you know I'd do anyth-"

"Save it." You say, wading toward the water's edge. "We're done here."

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *

You hadn't seen him since he accepted his bond with Elain six months ago; you couldn't even bring yourself to sit through the entire ceremony they hosted. It was all too much.

That was the first crushing blow. But then, to find out that not only had he accepted the bond and been happy about it, but now you were bonded to someone you didn't want either?

What a joke. The mating bond was a joke -- it had to be. All these years of believing that bonds were so special... it was all bullshit.

As you sit near the bank, you hear footsteps approaching behind you. You didn't quite care who it was; after all, you were so deep in loathing that you had grown distant from all of your friends over the past few months. It didn't help that the last words you'd hurled at them were unkind, but... maybe it's what they needed to hear. They did keep a huge thing from you, and you haven't even begun to figure out how to move on yet.

Moving on from Azriel sounded like it would be the end for you. You didn't know how you'd ever do it -- it was always him. There never was anyone else for you. You only wanted him.

And now he was honeymooning with his mate. Fucking her. Loving her. Allowing her to know him on a level only you'd ever been on.

Tears are streaming down your cheeks when a whisper pulls you from your thoughts.

"Y/N?"

You turn slowly, the last person you'd expected to see standing behind you. His hair was windblown, his skin tan from the Summer court sun. He had a few light freckles dusting his nose.

Upon seeing your upset state, he slowly approached you, and sat down beside you. Staring out at the water, you continued to let the tears fall, chin resting on your bent knees. His gaze was hot as he stared at you, taking you in fully.

"Y/N... this isn't okay... you're-" his voice cracks. "You're not okay." He whispers the last part, and your eyes meet his. Tears stream down his cheeks, dripping onto the cream colored button-down he's sporting. Typical Summer court fashion, but you should expect that as he did just spend time there.

He grabs onto your shoulders, pulling you to his chest. You have no choice but to sink in, open sobs emitting from your broken hearted chest. He breaths deeply, resting his chin atop your head. A drop of water lands on your shoulder, a tear. It's from him.

He holds you for a few minutes, allowing you to release all your emotions. He sighs, the sun dipping low alolng the horizon. You finally pull back and look at him. Nothing was going to change about your situation.

Your eyes caught on the black letters still imprinting his arm, fresh tears brimming your eyes.

"I hate seeing you like this," he says, sniffing. "You're my best friend Y/N. You always find the good in every situation, in everyone... that's why everyone loves you so much. You saw the good in me when no one else did." He says, rubbing your shoulder. You train your eyes on the grass below.

"I hate this too. But I love you," you say, not looking to meet his eyes. "If this is what is making you happy, I love that for you." He takes one of your hands in his.

"Y/N, it's just... Gods, this is a mess." He says. You let out a humorless laugh.

"Yeah. Even more of a mess now that I have a mate too." His eyes widen, and you look up just in time to see something swimming in those hazel orbs.

"Oh." He says. He drops your hand, but you reach over and place yours on top of where his now rests in his lap.

"The difference is, I would still choose you and me." You say, and he wipes a tear from your cheek. "I would always choose you and me. Because you're my best friend Azriel; and I love you. I don't know how to stop." You say. You lean back, resting your head in the grass as he gets comfortable laying beside you. His fingertips graze over the spot where he'd written on you -- marked you -- years back, reiterating the sentiment he'd etched there.

"And you're mine, too."

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *

Part 2

[faelorelia]

If Byler isn't endgame, then why…

1. Why do they consistently emphasize the unique nature of Will and Mike's friendship within the party? Why highlight their deep bond and illustrate their special connection?

2. Why does Mike gaze at Will with expressions of fondness, affection, admiration, and longing? Not to mention the times he seemingly focuses on Will's lips…

3. Why do they exhibit strange behavior around each other in s4? If they're merely friends, why the nervousness and awkwardness? Their dynamic sharply contrasts with the rest of the party.

4. Why does Mike feel compelled to insist that "they're just friends" to Will if it's an obvious fact? Could it be that Mike senses something more in their relationship?

5. Why are some of their scenes so romantically coded? If you consider it typical best-friend behavior, try swapping Mike with, say, Dustin or Lucas. Byler's scenes, particularly in seasons 2 & 4, are remarkably moving and heart-felt.

6. Why do they share intimate moments they wouldn't with other friends? And say things that sound rather romantic, like "Crazy together," "Hawkins hasn't been the same without you," "I felt like I lost you," "You're the heart"…

7. Why are some of their scenes so intimate that when interrupted by other characters, Will and Mike look as if they were caught doing something "inappropriate"?

8. Why do many of their scenes include "tender, emotional music playing," reminiscent of scenes with other ST couples?

9. Why are Will and Mike consistently paired up and paralleled with other canon couples? And sometimes with gay characters from other films/shows? I recommend checking out this thread as well.

10. Why do Netflix and the ST cast & crew talk about Byler so extensively? Here's a great thread with all their mentions.

11. Why are there numerous queer references surrounding Mike and his relationship with Will? If unclear, you can check out this channel.

12. Why does it seem like Mike and El's romantic relationship is reaching its logical end? If they were intended to be endgame, why did Mike struggle to say he loved her until he felt forced to? And why didn't we get a passionate Mileven scene after his "love confession"?

13. Why was Will present in almost all Mileven scenes in s4? And why was he the one attempting to piece together the broken elements of Mike and El's relationship?

14. Why make Will fall in love with Mike (canonically!) and illustrate the depth of his love for Mike, only to reveal that Will's feelings are unrequited? This character has already endured so much. In the context of a fictional story, it makes sense for such a good character to have a well-deserved happy ending (including being with Mike).

15. And finally: why invest so much in the beginning, highlighting the unique bond between Will and Mike, creating tension with romantic undertones, only to leave it unresolved and without the exploration it seemed to promise?

I want to clarify that I'm not claiming Byler is a definite endgame. I'm fully aware of the unpredictability of ST. However, it seems like a narrative gap if Will and Mike's relationship doesn't find its logical conclusion, which, in my view, is them being romantically together.

[comicaurora]

Hi! I finally got the chance to read Aurora a bit ago. It's a wonderful story--all I was expecting and better! I was particularly amazed and delighted by the artwork and visual mechanics used to tell the story, so I wrote a post to yell about how cool it is and break some of it down. (No criticism, just praise.) I'm mostly a hobbyist, so I'm hoping I've done it justice.

That said: zero pressure to read it or respond to this ask. Normally I wouldn't send it since I tagged, but I know Tumblr's notifs are a mess and things get lost very easily. I've been in both the "one (1) word of praise will feed me for a year" and the "oh gods don't talk about my writing/art because anything that seems Off will break my brain" modes before, and I absolutely don't want to push or make you uncomfortable!

If you are comfortable, however, I wanted to ask about your use of what I'm assuming are Screen and blending modes in sound effect words. (I'm only guessing that's the technique, though, so I could be totally wrong about how it's done! I'm mostly experienced in image manipulation in Photoshop.) Making them semi-transparent over the actions is genius :) What inspired you to do that, and are there specific techniques you use to make it work?

Same questions go for using specific colors to distinguish different characters' words and actions. I really noticed it in the cave sequence with Falst and Dainix, since their colors are so vivid in the dark (ex. Falst's little swats and Dainix's swooping kick at 1.20.9). It lends excellent clarity to busy scenes.

Thanks! Have a lovely day, enjoy your break, and happy holidays <3

You're correct about the technique! "Screen" is the blend mode I use most often for sound effects. I stumbled on it mostly through trial and error - I love how sound effects add depth to a comic panel, but it's very easy for them to obscure the art in a way I find counterproductive, so "Screen" lets me put the sound effect directly over the origin of the sound while still letting it be visible through the word. Early chapters didn't have it as much-

Most of the sound effects in early chapters are just solid colors with reduced opacity if I'm feeling fancy. But I started figuring it out around chapter 8 and 9, because Falst is kind of a sound-effect-heavy guy, especially in his fight scenes.

In order to make sure they don't impede the visibility of the action, I'll often soft-erase the top or bottom half of the SFX to reduce its opacity while still leaving it readable.

I'll usually double that up with an outline on the SFX so it's still readable. This is an especially important consideration if the SFX goes over an area of the background that's very bright or glowing.

Color-coding the speed lines and SFX to the character or force causing them isn't a hard and fast rule, but I like using it (in part because it's a habit from the OSP illustrations, where every character has a single pop of color in their lineart) mostly because it sort of codes every sound to make it clear where it's emanating from, or the general feeling of the sound. Since I normally do character-colors for SFX, something like this stands out more jarringly-

Which it's supposed to, but a big lightning strike doesn't register as anything too worrying because it's just Tess up to her usual shenanigans.

It's also very useful for magic effects, because each form of magic has its own associated palette.

And when I had a very complicated fight scene in a dark environment, I used the texture pattern I'd already made for the monster to color its SFX, so when I Screened them onto the panels they didn't obscure too much while still communicating "this is something else."

Changing the weight, lined-vs-not-lined, and opacity of the SFX words also helps to communicate that not every sound has the same feeling. A strong motion is solid and aggressive, but a crackling, unstable sound is more ephemeral and staticky.

It's definitely been a process of learning as I go - looking back at the earlier chapters I can actually see when I first tried various tricks I now use regularly, like doubling and distorting an SFX to produce the effect of a camera-shaking impact. I haven't really seen any other comics that do it like I do, probably because most other comics follow a more traditional production pipeline where text bubbles and sound effects get locked into the composition early, before the inking stage, because traditional physical comics don't have digital-art layers to play with. Adding sound effects to a page is almost the last thing I do before exporting them, and that only works because digital art and layers allow for a ton of flexibility.

[soularsss]

oh my goodness these were all so hard to choose from.. thankyou all so much for joining!!! And be sure to go check out all these wonderful artists!!

First Place: @collophora

The perspective!! The use of texture and colour variation is what really stood out to me! I adore all of the subtle hue variation and the overall colour palette looks gorgeousss <3

Second Place: @thisisthegay

the use of opacity on the translucent arms really translates so well and i looove how it makes them look! I really love the texture in your rendering too, along with the proportions and pose just mm.. sooo good.. so scrumptious

Third Place: @/sleepyslothdraws on instagram

this pose EAAATS uurgh oh my goodness!!! I love the gloww and the rendering, one of my fav parts has to be the subtle rim light on the lekku, it really adds so much depth!

I will hit you guys up soon in regards to the prize pieces!! Or if you already have ideas send me a message :3

Honorable mentions under the cut! (these are split by which platform they were submitted on!)

@tamago-aki

THIS COMPOSITIONNNN AKIII HOLY MOLYYY the misty handsss reaching up at the sunn and the transparency in the fabric??? FREAKING OUUUT ABOUT THIS OH MY GOODNESSSS

@anartsyhuman-illustration

The glowww of the sun!! And oh my gosh I am so obsessed with the glitter effect on her veil, it looks soo good this is absolutely incredible!!

@brainrotparsecsaway

WOWWW the atmosphere in hereee I adore it so much!! And the rendering!! The way the light flows through the fabric is mesmerizing!

@ciobite

Okayyy this pose goes hard I love how she looks like she is plotting something (she definitely is) And the shine around her eyes and the glitter in her veil make her face look so enchanting!!

@d3epfriedangels

I really dig the silhouette take on the extra arms! I think it really adds so much texture and visual interest to the piece! ALSO!! the sun fitting in between her montrals is sooo good!!! I had been thinking about doing that in my original piece so we were so on the same wavelength there >:D

@femurs-vectivus

I really loved seeing the different rendering and lighting takes on the same pose!! I think this is such a gorgeous dramatic lighting scenario and the wayy the old is glowing looks so gorgeous!!

@orbitalmirror

THE most honorable honorable mention. the winner of my heart. You have no idea how much this one put a smile on my face when I saw it!!! AND OH MY GOODNESS THE LEGO IDEA IS SOO FREAKINGGG GOOD!!! I might have to make a custom lego figure of Reave just because of this one!!

[everestgale]

I SLIDE U SMITTEN ACROSS THE FLOOR FOR THE CHARACTER ASK STUFF -OWL

SMITTEN OUR BELOVED...

[Send Me a Character and I'll List Ask Game]

favorite thing about them

Smitten is so full of love! And he is so open about his love! He loves the Princess no matter what she looks like, no matter what she does to you, how much hurt she inflicts on you. He will always love her! He is so passionate, so devoted to her, even to his own detriment-

Yes, my favorite thing about Smitten is how absolutely deranged and passionate he is. No, I am not sorry /lh

least favorite thing about them

This is less "least favorite thing about him" and more about disliking how some people misunderstand him as possessive and malicious in HEA. He is unhealthy and flawed, and he caused harm, absolutely, but he is not doing anything in HEA from the place of malice, and I will die on that hill <3

favorite line

"Oh, just you wait and see! My vengeance will echo the depths of my bereavement!"

brOTP

I really like the Grey Brothers (Skeptic + Smitten), I like the idea of them having a weird sibling-ish bond, but in a "distant sibling who you don't talk to much because you two are so different... but it's nice to chat and catch up sometimes, and you are still there for each other if you really need one another" kind of way.

OTP

Ironically, I don't actually ship Smitten all that much... who am I kidding, the answer is CheatedSmitten, and I really need to draw more of them when my wrist recovers, or I will EXPLODE-

(If you'd like a reason, a friend wrote a very nice description on how this ship would play out, and I've been rotating it in my head for a few weeks. Smitten, the kind of person to extend his heart wide open, but also to probably wonder if he will ever be enough after he disastrously failed with HEA... and Cheated, the guy who repeatedly failed over, and over, and over, and over, someone who would understand this feeling of not being enough- Okay, I gotta stop, otherwise it will take over this whole post)

nOTP

Definitely not a nOTP, it's just that out of popular Smitten ships, I have a very hard time imagining Smittunist (Smitten/Opportunist), and it's entirely because of how I designed and how I write both of them. In fact, I actually really like seeing how other people write and/or draw that ship!! So it's decisively a "me" and "my designs/interpretations" problem 💔

random headcanon

People-pleaser Smitten. You can see it throughout this entire post, I'm very deep in the "people-pleaser Smitten" headcanon mine, and I can't get out of it /lh

unpopular opinion

Once again, don't know how unpopular it is, but I think specifically in the Unknown Together ending, where Smitten knows that she left with the Long Quiet, while he would be sad for a while over the fact that the Princess is gone, he will eventually bounce back, accept the fact that she is happily with "the big guy" somewhere, wherever that might be, and then choose to extend his over-the-top loving self to other people (mainly, his fellow voices) <3

...this is specifically for the Unknown Together endings. If we're talking about A New and Unending Dawn... well, we get an entirely different Smitten.

song i associate with them

It's more of a mixed HEA + Smitten song, but there is no other song that I associate with Smitten more than this one, so "Predator" by The Crane Wives it is!

"What were you thinking? Shouldn't you know better? You took advantage of another anxious people pleaser"

I'm kind of obsessed with how these lines fit well as HEA singing about Smitten... but also as Smitten singing to the Long Quiet, or rather, you, the player, for choosing to stay in the cabin and create this "Happily Ever After" ending... only to be dissatisfied with it.

favorite picture of them

This is what happens when the character we're talking about is a disembodied voice who has no canon design. So! How about my favorite drawing of him, which is this illustration with the Damsel. Look at them! They are so happy :]

Ignore the fact that it's part of the illustration set and in the rest of the illustrations they are not so happy, that's not what the question was asking!

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#43: The Good Life (1.05)

gif cred: @nerd4music

The vibes of this whole sequence are so good. The good life truly. 🤩And Say Yes has always been a comfort ep for me, so I love that this montage has such Say Yes energy and parallels. If ever I need a pick-me-up this tranquil series of clips from Richonne's road-trip home will lift my spirits every time. I love the way this montage depicts that in finding each other again, Richonne refound the best, most at peace parts of themselves 😌...

So after that teaser with Father Gabriel, we get our babies back on screen. And it hit me that Episode 5 is the first time there are even scenes that don't feature Rick and Michonne. In episodes 1-4 of TOWL, Rick, Michonne, or both are on screen in every single scene apart from that one episode 2 teaser. Which I was very much in support of this as a long-time card-carrying member of the Give-Richonne-More-Screentime ministry. 😊

After how excellent the plot, pacing, and dialogue were in episode 4, I will say that ep 5 & 6 are a bit clunkier in those areas to me. But one thing is for sure, the Richonne content in ep 5 & 6 is still solid gold.

While these last two eps are ranked lower than episodes 1-4 for me, the good moments in these last two episodes aren't just good, they're great and include some genuinely Top 10 worthy Richonne scenes. So we definitely have to break it all down.😇👌🏽

gif cred: @andy-clutterbuck

The montage starts with that yellow truck turning the corner and then they just get right into the good vibes and romance as we see Richonne calmly driving.

I love that they use 'The Good Life' by Tony Bennett to set the mood. Rick and Michonne both just look so relaxed and happy and it’s super refreshing to see. 🥰

gif cred: @msanonships

After everything they’d gone through thus far it was so nice to arrive at a point where Rick and Michonne are back in sync and as connected as ever.

I love the way Rick seems so content and peaceful with his hand out the window. Michonne has that man feeling on top of the world again. 😋 And then it’s so sweet the way he looks over at Michonne and the way she smiles back at him while driving. All is well with their soul and mine. 😌

Then we get one of my favorite Richonne actions ever when Rick takes her hand and kisses it. 🥹 It’s perfect.

I love the lingering depth of this hand kiss and that it’s such an illustration of how much Rick loves and cherishes Michonne. It was another soul kiss. And you can just tell how much peace Michonne brings Rick. She’s like his medicine. The cure to his anxiety and to his life. 👌🏽

gif cred: @msanonships

Something I so appreciate about Richonne is how every moment like this feels like such an organic outpouring of love in their hearts. And it feels like it’s the exact thing they both needed. Like Rick is offering Michonne so much love with this hand kiss but you can tell it’s also for him too, because she brings him so much peace and happiness and calms any anxiety he might have about really being able to break away from the CRM this time and go home.

This might be the furthest Rick has got in terms of actually breaking free from the CRM and heading home. I know he knows it has everything to do with Michonne that they’re making it this far and actually going to get home this time because they can do anything together.

I appreciate how this hand kiss is just one of the many ways Rick’s romantic heart so naturally wants to show his love and that Michonne is so receptive to it. Like the way she looks at him while he kisses her hand. They really know how to make the love they have for each other leap off the screen. And I know she knows that her Rick is fully back by him doing this.

The song lyrics that play say “don’t try to fake romance” and truly this is just giving authentic romance. Richonne's hand kisses in Say Yes were always so incredibly sweet to me so I love that we have another precious one to add to the list.

I also love that now that Rick isn’t trying to shut Michonne out, he’s immediately back to loving on her every second. This is how Rick loves.

I appreciate that Rick and Michonne immediately started living out that sentiment to love on each other as hard as they can while they can. Loving on each other is what they're both so good at doing. And the way they love is beautiful. 🥹

gif cred: @coalfires

So then they pull up and find all those ramen packs because the universe loves them some Richonnne. And y’all, I adore that they are matching again. 😊 It’s another signature Richonne thing. And it's great how they aren’t just matching in the same general color - no they're basically both wearing the exact Pantone shade, honey. The best. 😋

gif cred: @ricksmarlene

And Rick and Michonne are just at their all-time adorable when the noodles fall out of the trunk and they excitedly laugh and pick them up. Michonne looks like such a cutie when she holds up a pack and amusedly addresses their punny name “Tasteful Noods.”

gif cred: @perryabbott

And Rick looks like such a cutie laughing and just seeming happy to be there. I love that they always bring out such a smiley playful side of each other. 😊

gif cred: @andy-clutterbuck

Another thing I love about TOWL whenever I think about it is how Rick and Michonne's journey of refinding each other was never rooted in questioning if they're still compatible as a couple. After nearly a decade spent apart, some characters who aren't soulmates could have easily changed too much and been unable to rekindle this type of comfortable passionate chemistry so quickly.

But while Richonne had to navigate the way their circumstances had impacted and altered them, they still always operated like they knew the other was their person and the love of their life. And now that they've risen from their ep 4 timeout stronger, they're so effortlessly back to being best friends & lovers.

That's part of why I love how passionately Richonne kisses in their episode 2 reunion scene because they didn't have to hesitate, wait, or wonder how the other felt about them after all these years. Without even needing to verbally confirm it, they immediately knew the love, chemistry, and connection they have was alive and as strong as ever.

But back to this heavenly episode 5 montage - We get a sweet moment of the two having dinner together and I’m just smiling from ear to ear yet again. 😁

I love how this montage moment really highlights how far Rick and Michonne have come in their journey since that season 4 moment beside a fire.

Also, in the TWD series finale when Rick and Michonne were both writing letters alone by a fire, I remember just feeling like I cannot wait for them to be side by side again and it was lovely to see that time finally come. 🙌🏽

During this dinner in front of the mural, they’re both looking out at something but I can never tell what exactly. And then Rick puts his arm around Michonne and I love that he looks over at her first, watching her taking in whatever they’re seeing like maybe another mural/painting or something idk. Either way, Michonne is clearly the true view to Rick. 🥰

gif cred: @ricksmarlene

And then Michonne turns to him with the sweetest smile as they share a kiss and I just love how warm this whole moment is. It's great how they take a moment to just smile at each other before having yet another kiss infused with passion. And the way they get lost in this kiss - equally addicted to each other. 😊 They’re so blissfully in their Richonne bubble and it’s great to see. 

gif cred: @lousolversons

As they drive along the scenic road they also come across a vending machine and I love how their movement is so synchronized as they look from the vending machine to a walker with a sword stuck in its neck. See how the universe always wants to provide the things Richonne needs? 😋

Also, what this episode really hammered home is that Richonne communicates with words pretty much for fun, because they’re entirely capable of having whole conversations by just looking at each other.

And in this moment they both immediately get the same idea at the same exact time to use the blade in that walker to hack through the vines covering the vending machine. And they’re so cute and determined as they go to take care of it.

Clearing out the vending machine was clearly a success as they cut to Richonne back in the car while Rick chugs a soda. And even the soda moment shows that he’s really released a lot of the stress he was carrying in the first four episodes and just seems so at home. And of course he seems at home because his home is right next to him looking beautiful while driving. 👌🏽

gif cred: @andy-clutterbuck

Also, you always know you’re truly comfortable with someone when even just sitting in silence together brings you peace and I felt that from them in these car clips.

Then this heavenly montage wants to make me teary by having Rick take out the phone with the image of Carl and just take a moment to appreciate it. Again, Rick loves his son so much. 🥲 I'll forever be moved by the love this father has for his boy.

It's heartwarming that Rick gets so much comfort from these images of his family. And it really is one of the greatest things Michonne’s ever done for him by giving him this drawing that brought his son's face back to him.

gif cred: @taiturner

I love that Michonne looks over at him and gets to again see how meaningful having this piece of Carl is for Rick. The way she looks from the phone to him, both those Grimes boys forever have her heart. 🥹

(And she knows soon Rick will get to meet the third Grimes boy, RJ. 🥲)

I think about the OG Richonne episode Clear when Michonne was behind the wheel as Rick sat silently beside her with a hand out the window. Now, years later they do the same, no longer strangers but soulmates.

The biggest difference between the two moments is Carl is right there with them in the back of the car in Clear, and now in TOWL he's with them through a phone portrait. 🥺

Carl would be so proud of Rick and Michonne for finding their way back to each other and finally going home together. 🥲

Also just looking at Rick and Michonne in this car heading home, y’all, we really made it. 😭 All those years without them and we really made it to a point where Rick and Michonne are back on a road trip home together and at peace. And so I just adore this whole opening sequence for perfectly painting the picture of their travels home and how in love they are at every turn.

gif cred: @ricksmarlene

Rick and Michonne looked so refreshed with vacation vibes as they finally got to just enjoy each other without the threat of the CRM nearby. Beyond here for it. 😇

Then, as they drive they come across a souvenir shop...and it’s there we get another one of my absolute favorite TOWL scenes. 👌🏽😌

[cochineal-leviat]

Sweet Dreams, Stardust

Okay, so I have a lot of feelings about In Stars and Time. But let me say first, wow, this game irreversibly changed my brain network. For anyone who is considering buying this game, please do. I don't think I've had a story touch my heart and mind like this for a long time. And that goes without mentioning the stunning visuals and entertaining battle system. (Be careful, though, because this game handles heavy topics regarding mental health)

If you're still hung up on buying it but are curious, there is a free demo on Steam if you like to try.

Thank you, @insertdisc5, for this gem of a game. I will be turning it around in my head like a microwaveable gourmet meal for months to come.

Technically the illustration has no spoilers (unless you count Siffrin having a good nap as a spoiler). But I will be going into heavy spoiler territory under the keep reading since I need to get my thoughts on this game off my chest.

And a monochrome version because you know me, I can't help myself. Even in black and white art pieces, I will put in some colour.

And a very tiny Loop

Initially, I was going to do a piece with a theatre stage and the cast (Siffrin, Mirabelle, Isabeau, Odile, Bonnie and the head house maiden) taking a bow and finally leaving the spectacle to a life not controlled by a script and Wish Craft. But it was more fitting to put my feelings into creating a peaceful scene. Like, oof, I needed this very badly. I used sepia to make the painting warmer and added some more details like headcanons. The stars/colours might be remnants of Siffrin's transformation. Or maybe they were always there, but he never paid attention to it. Who knows.

I'm going to keep this brief. Otherwise, this post will take way too long.

I adore Siff's character. It's perfect for a game and narrative such as this. I saw a post not long ago on Tumblr going into depth about how their role as the rogue and not the hero works so well, so I won't linger on it for long. But how they would rather listen and fade into the background perfectly aligns with the player's experience of being the silent observer. (And the nodding off that changes into zoning out. It took me way too long to realise that small but essential narrative change) Oh, and the portrait change! It flew over my head until I was staring at the game menu. I was so confident Siffrin had a mischievous grin and not a frown. I always feel slightly surprised when the party asks for Siff's opinion or mentions that they have been too quiet. I felt Siffrin's excitement like my own when he got excited at finding clues to end the nightmare they were in. So I knew it would end up falling on their face because they were too excited. I just had this bad gut feeling the whole time during Act 4.

And oh boy, speaking off acts. I thought it would have been the standard 3. Boy, I was wrong. Whenever I felt I was nearing the end, I was thrown back at the start with more mysteries than answers. It made exploring the game intriguing since there is almost no information about it online (at the time of writing this post). There is the Discord, but I didn't know about it until I finished it.

This game has a lot of secrets, and I had a lot of fun uncovering them. The looping mechanic works so well in discovering little details and further leads. (even though my stubborn arse kept trying to do everything in the least amount of loops as possible. I thought the ending would be different if I exceeded a 100. My final number is 59. I am still not sure if I should be mad about it not being a rounded number like 60 or that I went over the 50 threshold)

However, it is a good thing that only some mysteries were solved. Like, what's up with colours in this world? Everyone sees in black and white, and the idea of shades and colours is only spoken of in scientific studies. They do exist and are not a part of the disaster that happened to Siffrin and their land. But there is definitely something mysterious about it. I adore how the dialogue reflects this, as the characters do not speak of shades or colours. Isabeau expresses surprise to see a streak of red colouring the sky in Act 6. It makes you think about how colour is perceived and how you describe it. (The lore inside this game is immaculate. I eat this shit up)

We never find out the name of the country north of Vanguard or what it was like. We can only infer that the beaches had black sand, with shells that shine like stars, high-reaching mountains, forests and plains. Which is vague and yet intriguing enough to make you wonder. It connected me to Siff and King because I also wanted to know. I was desperate to know. I needed to know. But in the end, we never will know because that is not the story's point. Siffrin even says in the game, that King should let go because he is hurting everyone and everything, including himself, in his desperation to preserve Vanguard. This is all the more ironic when Siff accidentally does the same with his family and the loops. I might gush more about what the country might be like and their technology in another post. This game makes me want to theorise. This is the first time I've wanted to write and post theories. ISAT fucked me up good.

Which, by the way, was genius. Siffrin and King are mirrors of each other. Siff does not have King's disastrous ambition, but their love/obsession will be the downfall of both of them. They have more than being each other's countrymen in common, and I imagine Siff despises that.

I love the fact King's question to Siffrin before the showdown was/could never be answered. Usually, in a game such as this, you must figure out how to solve everything, especially for the big bad. But that was never the goal. King is a delusional monster who will not stop before achieving his dream. He will raze everything to the ground and hurt many people because he must succeed. It is what he desires. Nay, the universe wills it. What a witless excuse that can easily be made into someone's truth. Especially to somebody who is driven mad with grief.

How King's character's done is so excellent. Because, at first, I wasn't scared of him at all. He was just the big bad, and I felt nothing much but the glory of victory when Siffrin outsmarted him by looping and making sure Mirabelle learned the shield spell that would protect the party from freezing in time. But each time you fight him, you get more frustrated until Siff figures that talking to him might be fruitful. It does, but unfortunately, you and Siffrin leave yourself emotionally and mentally vulnerable. King stops being a one-dimensional villain and changes into an actual person. Someone you can sympathise with and possibly mend peace with without fighting. You and Siffrin opened his heart for a kindred spirit and got hurt.

King stopped being a monster and became human. And while monsters are wretched, humans have intent behind their cruelty. I felt so betrayed, so angry, but most of all - terrified. I felt it when Siffrin spiralled when fighting King again after their actions caused such a catastrophic turn of events for Bonnie. Every time after that, the fight with King felt tense and nerve-wracking in a dreadful way. Because even victory could not soothe the dread I felt. (The track 'It's finally over" will forever haunt me. I already feel anxious whenever it cycles to that when I listen to the playlist)

He was not, however, the final villain, even though everything that happened was King's fault. You were always your greatest enemy (or Siffrin in this case, since you are supposed to be Siffrin). I never could have guessed that the whole reason why Siffrin could not escape the loops was because Siff accidentally wished to never let go of their friends. This reminds me of Modaka Magica, where (spoilers for the OG anime) Homura goes back in time so much that the universe ties itself around Modoka, making her a waiting egg whose wish and magic will be massive when she becomes a magical girl. The one thing Homura was trying to prevent.

(Siffrin and Homura are identical in that sense. Shy characters who are loyal to a fault but are rendered into something cold, bitter and cutting by their traumatic experiences. Only Siff has people who care about them and would do anything to save him, too, whereas Homura never lets go, making the world a worse place to live in. Yes, I did go into doomed Yuri. That anime lived in my mind rent-free in my mind for years)

The Head House-maiden not being the villain was also a great touch. I am used to the apparent antagonist turning out not to be the big bad and the trusted, friendly character ending up being the evil one. Twist villains no longer work when everyone expects them to be villains.

That was my biggest theory as I played. The second biggest being that Loop is someone who enjoys Siffrin's suffering. I am so glad that was also not the case. They are apathetic but not cruel. Never intentionally, anyway. They were like the player, urging Siffrin to go deeper into the mystery to solve it. Ultimately, I chose and made cold and cruel decisions simply because I wanted to see what would happen. So yeah, I warmed up to this cosmic star thing as the game went on and even started trusting them. Act 5 really is a punch in the gut. I am so sorry, Loop. Thank you for coming through in the end.

Oh man, this is so long, and I haven't even gone into the main cast. I will leave that for another post. They are such great characters, as are the people of Dormant and the House. (Don't think I don't see the wordplay in this game. Very clever)

Going into this game completely blind was the best experience I could have had. I felt anxious, happy and scared so severely that my neurons were rearranged. I don't know if there are more endings (aside from the obvious action of attacking Odile in the True(?) ending of the game), but I am taking a break from it to make art and write for this game before I dive back into despair-o-land.

Anywho, thank you for coming this far and reading my ramblings. Have a fantastic day or evening further! o(*'▽`*)ブ