#I want to get into this in detail so bad like!!!!!!!!

[bixels]

The more I think about it, the more I question Arcane S2's politics and themes, which were so foundational to S1. Like, a tiny example [SPOILERS AHEAD]:

Singed wins. He gets exactly what he wants in the end. All his "efforts" are rewarded. What does that say about people who share his ideology of eugenics? He is the source of nearly every horrible thing and conflict that happened (Shimmer, the factory deaths, Jinx, Vander as Warwick, the corruption of Viktor), and he gets a happier ending than any other character. Not even a 'he got what he wanted but he has become completely unrecognizable/monstrous to his daughter' tag at the end. You can say they're setting him up and need to open his daughter to future shows, but the way you end a character's story says something about what you think about that character. What does it say when the eugenicist war criminal gets the happy ending he doesn't deserve?

[briarlovesclara]

is this anything? (details/analysis under cut)

(closeups have more extensive ids)

Sam and Evan: need no explanation. Neither of them have confessed to each other but COME ON. whether or not you think they Should be together, there is no way at this point that danielle and brennan are unaware of what their characters are doing which is falling in love. on screen in front of us.

Sam and K: this is where it gets less obvious-- I can't remember exactly why but K in the last episode just felt so down bad to me. Even before last ep, I was starting to see a future where Evan and Sam got together and K was really fond of Sam "totally by proxy" (see K and Evan later).

Evan and Jammer: this one I struggle with if I'm being so honest, so I decided to make them struggle with it too. If you think either of them would ever know what was happening you'd be wrong in my personal opinion.

K and Evan: they're in love. I'm sorry. Not saying they're in a healthy or stable relationship but they are in fact in love. I'm part of the theory that Evan broke up with K and if you've seen his face this season he's dead in the water for them.

Jammer and Sam: he has no idea what's in his brain about Sam. I didn't put an arrow back because I don't know what she feels about him in my head so I didn't even want to make her confused.

Similarly, Jammer and K: I have no read on them. I can however see K being at least platonically into Jammer (they seemed a little too into the Weugan thing). But that's just a thought. A film thought.

That's it! This is all in good fun :) lmk your thoughts if you'd like!

[doctor-yoshi-soul]

The httyd movie especially is one of those where like. It's just going to be 80% CGI anyway? Like those were still animated dragons in the trailer! So what is being added here other than being able to use the faces of big name actors? Like if nothing else your live action remake should do something in the new medium you could not get in the previous because otherwise why would this thing need to exist, right? So you COULD do something with animatronic dragons and highly detailed costumes that wouldn't be possible in the original animation style (WHICH I DONT THINK IS BAD BY THE WAY it's literally just a matter of how every style and medium always has pros and cons) but that's not what you're doing here! And the original isn't even old enough where it would make a modicum of sense to remake it with current techniques to put a new stylistic spin on it! So who is this FOR outside of shareholders who want to hit the nostalgia button to make their pockets fatter for no effort

And I think that answer is no one

my biggest issue with the httyd live action-and just about any live action reboot is that it seems that the live action adaptations are being made to make the original “better”? like, so many people talk about a live action spiderverse, a live action hercules, a live action PRINCE OF EGYPT (dont piss me OFF.)-like animation is a beautiful work of art, and for some reason putting real people and cgi in it is supposed to be an “upgrade”? im probably being that friend that’s too woke or whatever, but i just think it’s so disrespectful to act like something that takes so much time and effort and energy is immediately considered as lower because it is animated. animation is beautiful, and it is one of the most heartfelt art forms there are, and erasing that for the sake of a cash grab is downright degrading to animation as a medium.

[paxtito]

secret door

pairings: jenna x fem!reader

word count: 4936

warnings: smut 18+, fingering, kissing- that’s about it

summary: you’re not famous so attending your first event (mexico beetlejuice, beetlejuice premiere) with jenna was nerve racking

a/n: so, so bad at summaries. this is for the anon who wanted more jenna content and the other anon who wanted smuttt— twas not originally gonna be smutty but — everything i touch turns to smut — #poetic

MASTERLIST

The hotel suite buzzes with activity. Jenna sits at the vanity, her makeup artist carefully blending a soft shimmer onto her eyelids. She’s wearing a silk robe, her deep teal leather dress hanging nearby, waiting to transform her into the star of the night.

Her stylist, Enrique, circles the room, picking at details, double-checking accessories, and adjusting the angle of her shoes laid out by the full-length mirror. Meanwhile, you’re standing by the suite’s other mirror as a tailor pins the last adjustments to your suit.

You glance at Jenna through the reflection, watching as she talks with her team, that familiar mix of excitement and focus lighting up her expression. She catches your gaze and smiles softly, the kind of smile that feels like it’s meant just for you, even with all these people around.

“How’s the suit looking?” Jenna asks, her voice cutting through the gentle hum of conversation.

You turn to face her, straightening your jacket. The tailor steps back, allowing you to move freely. “It’s coming together,” you reply, running a hand down the lapel. The suit is sharp—deep teal with subtle leather accents along the cuffs and collar, designed to complement Jenna’s dress without competing with it.

Enrique claps his hands dramatically. “It’s more than coming together,” he exclaims. “You look fantastic.”

Jenna tilts her head, her eyes scanning you from head to toe. “He’s right,” she says, her lips curving into a grin. “You look incredible.”

You feel a blush creeping up your neck and try to brush it off with a playful smirk. “Not bad for a first-timer, huh?”

“Not bad at all,” Jenna replies, her voice warm.

Her makeup artist steps back, admiring her work. “Done! You’re all set, Jenna.”

Jenna stands, tying the belt of her robe before walking over to you. Up close, she’s even more breathtaking—her hair styled to perfection, her makeup subtle yet striking. She places a hand on your chest, right over your heart, and looks up at you.

“Are you ready for this?” she asks softly.

You exhale, the weight of the evening settling over you. You’re not famous, not used to the flashing cameras and crowded red carpets. But then Jenna’s fingers curl slightly into the fabric of your suit, grounding you.

“As long as I’m with you,” you say, meeting her gaze, “I’m ready for anything.”

Her smile widens, and she leans in, pressing a quick kiss to your cheek. “Good. Because you’re going to blow them away.”

Enrique claps his hands again, pulling both of you back to the moment. “Alright, lovebirds, let’s get you dressed, Jenna! The car’s going to be here soon.”

Jenna winks at you before turning to Enrique. “Alright, alright, I’m coming!”

As she steps into her dress, you take a moment to compose yourself. Tonight isn’t just about her—it’s about the two of you, stepping into the spotlight together for the first time. And as nervous as you are, you can’t help but feel a swell of pride knowing you’ll be by her side.

A few minutes later, when Jenna emerges in her dress, the room falls quiet for a beat. She looks stunning, the deep teal leather hugging her figure perfectly, the details nodding subtly to the Beetlejuice theme.

“Wow,” you murmur, unable to stop the word from slipping out.

Jenna grins, brushing her fingers against your arm as she passes. “You’re not so bad yourself,” she teases, though there’s a sparkle in her eyes that tells you she means it.

As the two of you head out, hand in hand, you can’t help but think that no matter how many cameras flash or how loud the crowd gets, the only thing that really matters is the way she looks at you—like you’re the only person in the world.

The car ride to the premiere is a blur of laughter and nervous energy. Jenna keeps brushing her fingers against your thigh, a small gesture that sends shivers up your spine. She tells you stories from the set of Beetlejuice, her eyes sparkling with excitement as she recounts the behind-the-scenes antics.

When the car pulls up to the red carpet, you feel your heart rate kick up a notch. This is it—the big moment. Jenna squeezes your hand, her skin warm against yours.

“Remember, breathe,” she says, her voice low and soothing. “And if it gets too overwhelming, just find me in the crowd. I’ll be looking for you.”

You nod, drawing strength from her calm presence. As the car door opens, the flashes of cameras and the shouts of fans hit you like a wave. Jenna steps out first, her dress swishing around her legs as she takes in the scene. She turns back to you, her hand extended.

“Come on,” she says, her smile wide and infectious. “Let’s do this.”

You take her hand, letting her pull you out of the car. The world seems to spin for a moment, a kaleidoscope of colors and noise. Jenna keeps hold of your hand as she leads you towards the mass of reporters and photographers.

She stops every few feet, posing for photos and answering questions with ease. You hover slightly behind her, trying not to be trampled by the flood of people. Every so often, Jenna glances back at you, her eyes checking in, making sure you’re still there.

When it’s your turn to pose together, she wraps an arm around your waist, pulling you close. The cameras go wild, the flashes nearly blinding. Jenna leans in, her lips brushing your ear as she whispers, “You’re doing great.”

Her words settle something inside you, and you stand a little taller, a little prouder. As the night goes on, you find yourself relaxing into the role of being by her side. When Jenna introduces you to her co-stars and friends, she does so with a casual intimacy that makes you feel like you belong.

After what feels like hours, the red carpet portion of the evening finally winds down. Jenna leads you into the theater, her hand still clasped tightly in yours. The cool darkness of the space is a welcome reprieve from the hot glare of the lights outside.

As you take your seats, Jenna leans over, her breath warm against your ear. “Thanks for being here tonight,” she says softly. “It means a lot to me.”

You turn to face her, taking in the way the dim light plays across her features. “I wouldn’t miss it for the world,” you reply, your voice barely above a whisper.

The movie starts, and for the next two hours, you find yourself lost in the world of Beetlejuice. Jenna’s performance is captivating, her ability to blend comedy and depth leaving you awestruck. Every so often, you catch her glancing at you from the corner of her eye, a small smile playing on her lips.

When the credits roll, the audience erupts into applause. Jenna stands, pulling you up with her. She leans in, pressing a soft kiss to your cheek before pulling back to take in the standing ovation.

As the crowd begins to disperse, Jenna tugs at your hand. “Come on,” she says, her eyes sparkling with excitement. “Let’s get out of here.”

Jenna leads you through the quiet door, the sudden silence a stark contrast to the bustling energy of the theater. You find yourself in a small courtyard, the walls draped with lush greenery and the air heavy with the scent of jasmine.

She turns to face you, her eyes searching yours. “I needed a moment away from all that,” she says, gesturing vaguely back towards the main event. “Just the two of us.”

You nod, understanding all too well the pressure of being constantly in the public eye. “I get it,” you reply, reaching out to brush a stray lock of hair from her face. “It’s nice to breathe.”

Jenna leans into your touch, her eyes fluttering closed for a moment. When she opens them again, there’s a new intensity in her gaze. “Yeah,” she says softly. “It’s nice to breathe with you.”

She takes a step closer, her body almost pressing against yours. Your heart races at the proximity, at the way her eyes drop to your lips for the briefest of moments.

Jenna's eyes meet yours, a silent question hanging in the air between you. You answer by leaning in, closing the distance until your lips are a mere breath apart. She exhales, her breath mingling with your own, and then you're kissing, soft and slow at first, then deeper, more urgent.

Her hands come up to cup your face, her fingers tangling in your hair as she pulls you closer. You respond by wrapping your arms around her waist, molding her body against yours. The kiss goes on for a long moment, the rest of the world fading away until it's just the two of you, lost in each other.

Finally, Jenna pulls back, her chest heaving. She looks up at you, her eyes dark and half-lidded. "Wow," she breathes, a small smile tugging at the corners of her mouth. "That was..."

"Incredible," you finish for her, your voice rough. "You're incredible."

She ducks her head, a blush staining her cheeks. "I'm not the only one," she murmurs, her fingers toying with the lapel of your suit. "You look pretty amazing yourself."

You grin, pulling her back into your arms. "I guess we make a pretty good team, huh?"

"The best," she agrees, pressing a soft kiss to your jaw. "Now, what do you say we explore this beautiful city? I hear the food here is to die for."

You grin at Jenna's suggestion, your eyes roaming over her figure appreciatively. "Food sounds amazing," you agree, "but first, I think we need to change out of these fancy clothes. I'm not sure I can eat a taco in a leather suit without looking ridiculous."

Jenna laughs, the sound bright and melodic in the quiet courtyard. "Good point," she says, smoothing down the front of her dress. "Though I have to say, you wear it well."

You wink at her, enjoying the way her cheeks flush at the compliment. "Thanks, but I think I'd rather be in something more comfortable. Plus, I don't want to risk getting any salsa on this thing. Enrique would have a heart attack."

"True," Jenna agrees, glancing down at her own outfit. "I'm not sure I can handle the stares if we waltz into a taqueria looking like this."

You take her hand, lacing your fingers with hers. "Then let's find somewhere to change. I'm sure there's a shop nearby where we can pick up something a little more casual."

"Ooh, shopping!" Jenna exclaims, her eyes lighting up. "Now you're speaking my language. Lead the way, miss fashionista."

You laugh, pulling her along as you exit the courtyard. The cool night air feels good on your skin, and you can't help but feel a sense of excitement at the prospect of exploring the city with Jenna by your side.

As you walk, you keep up a steady stream of chatter, pointing out interesting shops and restaurants as you pass. Jenna listens attentively, asking questions and sharing her own thoughts. It's easy to forget, in moments like these, that she's a famous actress. Right now, she's just Jenna—your Jenna—and that's all that matters.

As you and Jenna walk down the street, you suddenly freeze, your eyes widening in horror. "Did you see that?" you gasp, your hand tightening around Jenna's.

She follows your gaze, her brow furrowing in confusion. "See what?"

You point a shaky finger at a dark shape scurrying along the sidewalk. "That! That rat!"

Jenna squints, then bursts out laughing. "Y/N, that's not a rat. It's just a sock."

You blink, realizing she's right. The "rat" is indeed just a stray piece of fabric, fluttering in the breeze. You feel your face flush with embarrassment.

"Oh," you say lamely, trying to regain your composure. "Right. A sock. Not a rat."

Jenna grins, her eyes sparkling with amusement. "You're cute when you're scared," she teases, bumping her shoulder against yours.

You roll your eyes, but can't help the small smile tugging at your lips. "Thanks," you reply dryly. "I think."

As you continue walking, you can't help but marvel at the way Jenna makes you feel—safe, cherished, and loved, even when you're being silly. With her by your side, you feel like you can face anything, even the threat of a sock-turned-rat.

After your close call with the sock-rat, you and Jenna make your way to a nearby clothing store. The shop is small but cozy, with racks of colorful clothes and friendly staff. You head to the changing rooms, each grabbing a few items to try on.

Inside the dressing room, you peel off the leather suit, feeling a sense of relief as the tight material slides off your skin. You opt for a pair of simple black sweatpants and a gray hoodie, the soft fabric a welcome change from the structured lines of your suit.

As you emerge from the changing room, you spot Jenna across the store, her arms laden with clothes. She's wearing a pair of ripped jeans and an oversized pink hoodie, her hair pulled back in a messy bun. She looks adorable, and you can't help but grin at the sight of her.

You make your way over to her, your own arms full of potential purchases. "Find anything good?" you ask, setting your clothes down on a nearby bench.

Jenna nods, holding up a pair of red sneakers. "These are perfect," she says, her eyes bright with excitement. "They'll go great with the jeans."

You help her try on a few more outfits, offering your opinion on each one. She does the same for you, her eyes roaming appreciatively over your body as you model hoodies and sweatshirts.

Finally, with bags full of new clothes, you pay for your purchases and step out into the night. The air feels fresh and cool, and you can't help but feel a sense of anticipation for the rest of the evening.

As you walk hand in hand, you glance over at Jenna, a smile playing on your lips. "Ready to find some food?" you ask, your stomach grumbling at the thought.

Jenna grins back at you, her eyes sparkling in the streetlights. "Lead the way," she says, giving your hand a squeeze. "I'm ready for whatever you have in mind."

You and Jenna wander through the bustling streets of Mexico City, the night air filled with the tantalizing aromas of street food and the lively chatter of locals. After a bit of exploration, you stumble upon a cozy little taqueria tucked away in a side alley. The smell of sizzling meat and warm tortillas draws you in like a magnet.

"This looks perfect," Jenna says, her eyes lighting up as she takes in the colorful decor and the inviting atmosphere.

You nod in agreement, your mouth watering at the thought of authentic Mexican cuisine. "Definitely. Let's check it out."

As you enter the restaurant, the hostess greets you with a warm smile. She leads you to a small table in the corner, the candlelight casting a soft glow over the checkered tablecloth. You settle into your seats, the menus already making your stomach rumble.

"Everything looks so good," Jenna sighs, her finger tracing the options. "I don't know what to choose."

You grin, leaning back in your chair. "Well, we could always share a few dishes. That way we get to try more things."

Jenna's eyes light up. "Ooh, I like the way you think. How about we start with some guacamole and chips, then maybe some tacos al pastor and enchiladas?"

"Sounds perfect," you agree, flagging down the waiter to place your order.

As you wait for the food to arrive, you and Jenna chat about the movie premiere, the different outfits you tried on, and your plans for the rest of your time in Mexico City. The conversation flows easily, punctuated by laughter and the occasional brush of hands across the table.

After a long evening of exploring Mexico City and indulging in delicious food, you and Jenna arrive back at your hotel room, exhausted but happy. You can barely keep your eyes open as you stumble through the door, kicking off your shoes and collapsing onto the plush sofa.

Jenna flops down next to you, her head landing on your shoulder. "That was amazing," she mumbles, her words slightly slurred with fatigue. "But I think I might have eaten too many tacos."

You chuckle, wrapping an arm around her waist. "You and me both," you agree, rubbing your stomach. "I thought I was going to burst."

Suddenly, there's a knock at the door. You both startle, your heads snapping up in surprise. The knock comes again, more insistent this time.

"Jenna? Y/N?" a voice calls from the other side. "Are you guys in there?"

You recognize the voice immediately—it's Enrique, Jenna's stylist. You exchange a glance with Jenna, your eyes wide with panic. You had completely forgotten that Enrique was expecting you back earlier.

"Uh, yeah, we're here!" you call out, your voice slightly strained. "Just give us a minute!"

You scramble off the couch, hastily straightening your clothes and running a hand through your hair. Jenna does the same, her movements slightly clumsy with exhaustion.

When you open the door, Enrique is standing there with a look of concern on his face. "Where have you two been?" he demands, his eyes narrowing. "You disappeared for hours! We were worried sick!"

You and Jenna exchange another glance, then burst into laughter, the events of the day catching up to you in a wave of hysteria.

"Sorry, sorry," Jenna gasps out between giggles, wiping tears from her eyes. "We got lost in the city and ended up on a taco crawl. We didn't mean to worry you!"

Enrique's stern expression softens, and he can't help but join in your laughter. "You two are impossible," he sighs, shaking his head.

As Enrique steps into the room, his eyes widen in surprise. "Wait a minute," he exclaims, his gaze flicking between you and Jenna. "What are you two wearing?"

You glance down at your outfit—a simple hoodie and sweatpants, a far cry from the designer leather suit Enrique had so painstakingly selected for you. Jenna looks similarly casual in her ripped jeans and oversized hoodie.

"Oh, uh, we went shopping," Jenna explains, a sheepish grin on her face. "We wanted something a little more comfortable for exploring the city."

Enrique's eyes narrow, his gaze sweeping over your casual attire with a critical eye. "Shopping?" he repeats, his tone a mix of disbelief and exasperation. "You two went shopping while you were supposed to be at the afterparty?"

You and Jenna exchange a guilty glance, suddenly feeling like naughty schoolchildren caught in the act. "Well," you begin, trying to find the right words, "we thought it would be nice to have something a little more practical for our time here in Mexico City. And we didn't want to get the fancy clothes dirty or ripped."

Enrique sighs, pinching the bridge of his nose. "I understand the practicality, but you should have at least let me know. I was starting to think you two had run off and eloped or something."

Jenna lets out a snort of laughter, quickly covering her mouth to stifle the sound. "Eloped? In Mexico City? On the same day as the premiere?" She shakes her head, her eyes sparkling with mirth. "If we were going to do that, we would have at least planned it better."

Enrique rolls his eyes, but you can see the hint of a smile tugging at his lips. "Very funny," he says dryly. "Just promise me you'll let me know next time you decide to go on a spontaneous shopping spree, okay?"

"We promise," you assure him, holding up your hands in a gesture of surrender. "No more disappearing acts without warning."

Enrique nods, seemingly satisfied with your response. "Alright then. Now, if you'll excuse me, I have some calls to make. I need to do damage control after your little stunt." He gives you both a mock glare before turning to leave.

As soon as he's gone, you and Jenna collapse onto the couch once again, dissolving into a fit of giggles. The exhaustion of the day catches up to you, and before you know it, you're fast asleep, your heads resting on each other's shoulders.

The morning sun filters through the curtains, casting a warm glow across the hotel room. You blink awake slowly, your eyes adjusting to the light. For a moment, you're disoriented, unsure of where you are. Then the memories of the previous night come flooding back—the premiere, the shopping trip, the delicious tacos.

You turn your head to the side, your gaze landing on Jenna. She's still fast asleep, her face relaxed and peaceful in the early morning light. Your heart skips a beat at the sight of her, and you can't help but smile.

Carefully, so as not to wake her, you shift closer, your bodies pressing together under the soft sheets. Jenna stirs slightly, her arm draping across your waist as she mumbles something unintelligible.

You let your fingers trace the curve of her cheek, marveling at the smoothness of her skin. In moments like these, it's hard to believe that she's a famous actress, that thousands of people adore her. To you, she's simply Jenna—your Jenna—the girl who makes your heart race and your soul sing.

As if sensing your thoughts, Jenna begins to stir. Her eyes flutter open, her gaze hazy with sleep. When she sees you watching her, a slow smile spreads across her face.

"Morning," she murmurs, her voice rough with sleep.

"Good morning," you reply softly, leaning in to press a gentle kiss to her forehead. "Sleep well?"

Jenna stretches languidly, a soft yawn escaping her lips. "Like a baby," she says, her voice still groggy. "You?"

"Pretty good," you reply, your fingers still tracing lazy patterns on her cheek. "Though I might have gotten used to this view."

Jenna's cheeks flush a soft pink, and she ducks her head shyly. "Flatterer," she teases, but you can see the pleased smile tugging at her lips.

You lean in, your forehead resting against hers. "I'm not flattering," you murmur. "I'm just stating facts."

Jenna's eyes sparkle with mirth, and she closes the distance between you, pressing her lips to yours in a soft, sweet kiss. You melt into it, your arms wrapping around her waist and pulling her closer.

The kiss deepens, growing more urgent as the morning haze lifts. Jenna's hands slip under your shirt, her touch sending shivers down your spine. You lose yourself in the sensation, in the feel of her body against yours, the taste of her lips.

After a long moment, you both pull back, breathless and smiling. Jenna's hair is mussed, her lips swollen, and you've never seen anything more beautiful.

"Wow," she breathes, her eyes dark with desire. "Good morning indeed."

You grin, your heart feeling full to bursting. "Breakfast?" you suggest, though your gaze lingers on her lips.

Jenna laughs, a sound of pure joy. "Food can wait," she says, pulling you back in for another kiss. "I'd rather savor this moment a little longer."

You lose yourself in Jenna's kiss, the rest of the world fading away until it's just the two of you, wrapped in each other's arms. Her lips are soft and insistent against yours, her tongue teasing the seam of your mouth until you part your lips to let her in.

A small moan escapes you as Jenna deepens the kiss, her hands sliding up your back to tangle in your hair. You can feel the heat of her body through the thin fabric of your sleep shirts, the curves of her hips pressing into your own.

Dimly, you register the sound of a phone buzzing somewhere in the room, a reminder of the outside world waiting beyond the closed door. But you push it aside, too lost in Jenna's embrace to care.

After a long moment, you both surfaced for air, your chests heaving. Jenna's eyes are dark, her pupils blown wide with desire. "I want you," she whispers, her voice low and husky. "I want you so badly."

Your heart races at her words, at the raw need in her voice. "I want you too," you breathe, your hands sliding down to cup her face. "So much."

Jenna takes your hand in hers, guiding it slowly down her body. Her skin is warm and soft beneath your fingertips, and you can feel the rapid beating of her heart as you trail your hand lower, over the swell of her breasts and the dip of her waist.

She lets out a soft gasp as your hand skims over the hem of her sleep shirt, dipping just beneath the fabric to brush against the smooth skin of her stomach. Her grip on your hand tightens, urging you higher, until your palm is cupping the weight of her breast.

You can feel her nipple hardening against your touch, the sensitive bud straining against the thin cotton of her shirt. Jenna arches into your hand, a soft moan escaping her lips as you knead her flesh.

"Please," she whimpers, her hips grinding against yours in a slow, deliberate motion. "Touch me, Y/N. Make me feel good."

Your own desire is a hot, pulsing need between your legs, but you force yourself to focus on Jenna, on bringing her pleasure. With a gentle tug, you pull her shirt up over her head, exposing the creamy expanse of her skin to your hungry gaze.

"You're so beautiful," you murmur, your hands skimming over the curve of her breasts, the dip of her waist, the flare of her hips. "I can't believe I get to touch you like this."

Jenna shivers under your touch, her skin pebbling with goosebumps as your hands explore every inch of her bare flesh. She reaches for you, tugging impatiently at the hem of your own sleep shirt, desperate to feel your skin against hers.

You comply eagerly, lifting your arms so she can pull the shirt over your head. As soon as it's gone, Jenna's hands are on you, tracing the contours of your chest, your stomach, your sides. She leans in, pressing hot, open-mouthed kisses along your collarbone, down the center of your chest, until she reaches the valley between your breasts.

You gasp at the sensation, your head falling back as Jenna's lips and tongue work their magic on your sensitive skin. Her hands slide lower, slipping beneath the waistband of your sleep shorts to cup your ass, pulling you harder against her.

The ache between your legs is growing, your clit throbbing with need, but you focus on the feel of Jenna's body against yours, the way she makes you feel cherished and desired. You slide your hand between your bodies, palming Jenna's breast, thumbing over her nipple until it's hard and straining.

Jenna moans into your skin, her hips bucking against your hand. "I need you," she pants, her voice rough with want. "Please, Y/N. I need to feel you."

Your own need is a pulsing heat, your panties damp with arousal. With trembling fingers, you slip your hand into Jenna's shorts, groaning at the wet heat of her. She's soaked, her folds swollen and slick with desire.

"Fuck," you breathe, circling her clit with your thumb. "You're so wet for me."

You slide your fingers through Jenna's slick folds, teasing her entrance with the tips of your fingers. She's so wet, so ready for you, and the knowledge sends a thrill of desire straight to your core.

Slowly, carefully, you push one finger inside her, groaning at the tight heat of her walls. Jenna bites her lip, her hips rolling in a slow grind against your hand as you work her open. Her inner muscles flutter around your digit, drawing you deeper.

"More," she whispers, her eyes dark and pleading. "Please, Y/N. I need more."

You add a second finger, curling them just so, brushing against that spot deep inside that makes her see stars. Jenna's breath hitches, a small moan escaping her lips as you stroke her most sensitive places.

You kiss her deeply, swallowing her whimpers as you finger her faster, harder, pushing her towards the edge. Her hips move in time with your hand, her thighs trembling with the force of her arousal.

"That's it," you murmur against her lips. "Let go for me, Jenna. Come for me."

Jenna shudders, her walls clenching around your fingers as she comes with a soft cry. Her orgasm washes over her in waves, her body shuddering and twitching as she rides out the pleasure.

You hold her close, your fingers gentling their movements as she comes down, pressing soft kisses to her neck and collarbone. When she finally stills, you withdraw your hand, bringing your fingers to your mouth to taste her essence.

Jenna watches you with heavy-lidded eyes, her lips parted and her chest heaving. "That was... incredible," she breathes, reaching out to tangle her fingers in your hair. "But I'm not done with you yet."

With a wicked grin, she pushes you onto your back, settling between your thighs. "Your turn," she purrs, her fingers hooking into the waistband of your shorts. "And I plan to take my time."

—

[muletia]

[tfp] obsessed!orion pax x human!reader

summary: what if optimus' obsession bypassed his memory loss? what if he was so infatuated that even his past self yearned for you?

cw: fluff, pinch of angst, canon divergence: orion is taken by the autobots, obsessive thoughts, clinginess, orion literally cannot be left alone for one(1) second, tbh nothing happens in this, i just wanted to write obsessed!orion interacting with you, bad writing, silliness

an: i wanted to implement more ideas, but it came out as it did. i will definitely write some more fics with orion, maybe some smut??? ;)) who knows

word count: 4700

"Come to the base. It's urgent."

As you stare at the terse message from Ratchet, your chewing slows and stops. A storm of questions whirls in your mind, panic creeping into your body. Before you can even type a single letter, your phone rings. The caller is none other than the Autobot medic himself. You answer in less than a second.

"Hello? Ratchet, please don't scare me—what exactly happened?"

"It's about Optimus." Your heart skips a beat. "During the last mission, he was... injured. Or, to be precise, damaged."

"Is it serious?" you ask, pacing nervously around the break room. Lunch now long forgotten. "Will he be all right?"

"Physically—he's never looked or felt better. Mentally, however... that's a different story. I'll explain the details when you get here. And make it quick."

"Hold on, wait—I can't just leave work early like that. There's a whole procedure for this. I can't just waltz out, even though I’d love to leave right now."

"...In an hour and a half, I expect to see you here at the base. See you then."

He hangs up. You stare at your phone screen for a moment, replaying the conversation in your head. Something serious must have happened—Ratchet wouldn’t disturb you at work otherwise. And it involved Optimus... You bite your lip, torn by indecision. You need to at least make sure he's okay, to see with your own eyes what Ratchet was talking about. Otherwise, you'll regret your negligence and spend the rest of the day worrying.

Shoving the half-eaten sandwich into your bag, you rush to your computer to draft a request for early leave, praying fervently that your boss will grant it.

You kept pressing the gas, speeding toward the base, trying to balance obeying traffic laws with worrying about the Autobot. You knew he had been preparing for a mission recently, he had told you about it during a ride you shared, but you didn’t expect it to end like this. Maybe you should have, considering you were associated with a race of aliens deeply embroiled in a centuries-long war, but you always pushed such unpleasant thoughts to the back of your mind, wishing your friends the best. Now, though, all the worst scenarios were coming to the surface. Had he fallen into a coma? Was his processor damaged? Had he died? You didn’t want to think about such an ending. Optimus was alive. You were sure of that.

Seeing the familiar red rock, a tight knot of anxiety gripped your throat. In a few moments, you were about to drive into what was practically your second home, not knowing what awaited you. You glanced at the clock. You were half an hour late—well beyond the time Ratchet had given you.

As if on cue, the medic called you again.

“Don’t enter the hangar. Leave the vehicle at the entrance.”

He hung up before you could say a word, and you sighed. The situation had grown even more worrying.

Before you could say a word, he hung up, leaving you to sigh in frustration.

Following his instructions, you parked at the main entrance and made the rest of the journey on foot. The lights seemed especially harsh, glaring into your eyes as the tunnel stretched endlessly ahead of you, as if warning you, giving you one last chance to turn back. But no force on Earth could stop you now. Determined, you marched forward, needing to know what had happened to your friend.

The hangar was full of Autobots, their sheer presence intimidating. You had thought you were over the feeling of smallness that came with being one of the humans among them, but now it hit you again, hard, dredging up memories of when humans in their midst were still a novelty. You froze for a moment, your courage momentarily disappearing in the shadows of giants.

It wasn’t until your eyes landed on the reason you had left work early that you began to breathe again. Optimus stood there, seemingly whole and healthy, facing the platform where the kids likely were. Relief washed over you. He was alive. Your heart was still racing, but the weight of dread lifted slightly, leaving you braced for the next wave of bad news.

"Hey, sorry I’m late. Work took longer than I expected," you called out.

Your voice immediately caught his attention. Optimus turned to you so abruptly that it shocked everyone present, abandoning the conversation he had been engaged in. Tilting your head back to meet his gaze, you were surprised when he knelt down on one knee, making himself more accessible. You still had to look up, but now his face wasn’t obscured by his… windshields.

The first hint that something was off was his smile—wide, cheerful, and curious. Optimus didn’t smile like that, not even when something genuinely delighted him. Worry started gnawing at you again. Something was wrong.

"Greetings. You must be our next human ally, correct?"

At first, you were at a loss for words. Of all the scenarios you had imagined, memory loss hadn’t even crossed your mind. But before the conversation could veer into awkward territory or panic could take hold, you managed to reply, mirroring his smile.

"That’s right."

"You seem… familiar. As though we have met before."

The hangar fell silent, the atmosphere thickening.

"Of course he would remember her," Ratchet hissed under his breath. You shot him a glare filled with venom.

Focusing back on the mech before you, you forced a calm smile, masking the whirlwind of emotions inside you. You felt like you were on the verge of exploding—uncertain whether to jog his memories or pretend this was truly your first meeting. Why hadn’t anyone given you guidance on how to handle this?

"Erm, well…" you began, only for Ratchet to step in and spare you.

"Humans can look quite similar at first glance," the medic interjected. "Orion, this is [Name], the last human who should know of our existence."

A flicker of something lit up in his cyan optics—something indefinable, known only to him.

"Greetings, [Name]. It is a great pleasure to meet you."

He extended a servo toward you. Tentatively, you clasped one of his digits, ignoring the ache in your heart. This shouldn’t have been happening. You shouldn’t have to forge a new relationship with someone so dear to you. It felt uncanny—like he was wearing Optimus’s skin but was someone entirely different inside. It was unnerving, disorienting. Yet this stranger had knelt before you, reduced himself to your scale to show respect, just as Optimus always had. It was a glimpse of his alternate self, a sign of the inherent honor and kindness he still carried.

"Hello, Orion. The pleasure is all mine."

Letting go of his servo, you gave him an apologetic smile, signaling the end of the conversation. You needed answers, clarity about the situation, before you could decide how to proceed. As Orion straightened up, you stepped past him toward the platform. You could feel curious optics on you, particularly his, as you fist-bumped the kids. Unbeknownst to you, Orion clenched his servo in the same way you had during your handshake.

"So," you said to Ratchet, "what happened?"

The medic sighed, clearly weary of recounting the story yet again. But you had to know. You listened intently, the details unsettling and at times horrifying, but you felt a growing sense of calm. At least now you knew what you were dealing with—what topics to avoid, how to act. The relief faded, however, when you learned that the first attempt to restore Optimus’s memories had failed, and no date had been set for the next.

As Ratchet spoke, most of the team dispersed, leaving only you, the medic, and Orion in the hangar. Taking a moment to process everything, you glanced at Orion, catching his curious gaze.

This was your new reality. Optimus was gone, yet not entirely, standing just a few meters away, watching you intently. It was too much to dwell on. You needed something to distract yourself.

Standing from the couch, you headed down the stairs. You figured you’d be here for the rest of the evening, so you might as well find something productive to do.

"[Name]?" Orion’s voice stopped you in your tracks. He looked genuinely concerned. "Are you leaving already?"

His behavior puzzled you.

"I’m just going to grab my things. I’ll be right back."

"I see. May I accompany you?"

Oh, that was adorable—especially with the hopeful tone in his voice.

"I’m not sure you’ll fit in the tunnel in your current form," you teased with a laugh. "It won’t take long. I’ll be back in a minute."

This time, you quickened your pace.

For several hours, Orion's life had been filled with uncertainty. He didn’t know how he had ended up on this planet, who the Autobots around him were, or why they called him "Prime" when he felt he was unworthy of the title. And now, another enigma had appeared—you. Orion could not rationalize the overwhelming need to be near you. He had felt it the moment he laid his optics on you. The need to stay close, to converse, to observe. The need to know you better. Never before had such intense emotions stirred within him for anyone, let alone a stranger. But you weren’t a stranger. This may have been your first meeting, and he may have spoken to you for the first time, but you were not unfamiliar. Of that, he was absolutely certain.

Seconds stretched into minutes, and minutes into hours since you had disappeared into the tunnel. He regretted not following you, even if it meant transforming into his alt-form. At least he would have kept an optic on you, preventing the gnawing feelings of confusion and longing from devouring him from inside.

Ratchet watched his friend closely. He recognized that look, that body language. He knew what it signified, what storm was brewing in Orion’s processor. Optimus had been the same when it came to you. For a brief moment, his friend was back. Too bad it was under such circumstances.

"Do you really remember that woman?" he asked.

"I am not certain," Orion replied, still gazing toward the tunnel. "I feel like she is not a stranger, even though I know this was our first encounter. And as… Prime, if I indeed held that title, was she close to me?"

Primus.

"Perhaps closer than any human, but only Optimus knew to what extent. That might explain why you recognized her."

"Then she is special."

"Everything points to that."

Orion glanced at him, offering a faint smile. For reasons Ratchet couldn’t quite explain, the gesture was hard to look at. Fortunately, you emerged from the tunnel, giving him an excuse to start working again.

"See? I told you it’d only take a minute," you laughed, a black backpack slung over your shoulder.

Orion didn’t confess the truth—that by his reckoning, you had been gone an eternity. He watched intently as you climbed the stairs and took a seat on the couch.

"So, Orion," you began, "what did you do on Cybertron?"

Oh. You were curious about him? Truly? He had never thought of himself as particularly interesting.

It was fortunate that you were not looking at him because his body language betrayed his embarrassment.

"I was an archivist. Do humans on Earth have similar professions?"

"Of course. You know, I’ve always admired archivists. It’s meticulous work, requiring patience and nerves of steel—if you know what I mean. Anyway, it’s an important job, and anyone who takes it up is very cool in my book."

"Cool?"

"You know, fascinating, impressive, admirable."

"Does that mean that... in your optics, I am… cool?"

He asked without thinking and immediately regretted it when you gave him an amused look. Embarrassed, he tilted his helm downward. For such a towering and formidable being, he was also astonishingly skittish. It was peculiar to see a former Prime in such a light, but it made him more relatable, more emotionally accessible. Even so, you couldn’t deny that you missed Optimus.

"Of course, you’re cool to me."

That answer brightened him. A spectacle of stars dances in his optics.

You returned to typing on your laptop, but Orion had other plans for you.

"It seems I still have much to learn about this planet."

"I think you’ll catch on quickly. Besides, if it makes you feel any better, the other bots don’t know everything either. If you’re ever unsure, just ask. I’ll do my best to help."

"Thank you, [Name]. Your kindness is very important to me."

"Anytime. If you’d like, you could also explore our literature—it’ll give you a good insight into what humanity is all about. That sounds like a fitting activity for an archivist, doesn’t it?"

He would much rather have you as his sole source of knowledge about your species, as it meant spending more time with you. He wanted to know not just what you were but who you were—your interests, where you worked, how you spent your free time, your philosophy, beliefs, and hobbies. Everything you were willing to share. He wanted to know you inside and out, to solidify this sense of connection and make it real. And if you wished, he would bare his own secrets, reveal his spark, and show you every part of himself. Perhaps then you might look at him just for a second longer.

"Yes, I believe that would be an enjoyable activity. And what is it that you do?"

He asked question after question, each answer adding a new layer of understanding about you. He shared a little in return, preferring listening to you—your opinions, your perspective.

Time passed swiftly in your company. Relentless and unforgiving, it waited for no one. Orion realized this when you set aside your device and began stretching. It was a mesmerizing sight—your movements were so different from those of Cybertronians, fluid, and light. That was until the air was pierced by the loud crack coming from your back.

Energon froze in his fuel lines, and his spark leaped to his intake.

"[Name]? Are you alright? Are you harmed?"

"Hm?" you hummed, confused. He looked as though calamity had befallen him, as though you’d been beheaded. Then you remembered—it was Orion, not Optimus, and the human body was weird. "Oh, that. Don’t worry, I’m fine. It’s perfectly normal." To prove your point, you began cracking your knuckles, stopping quickly when you saw his horrified expression. "Okay, sorry about that. But really, I’m fine. I just need to stretch."

"Alright…" he replied, though he didn’t seem convinced. You couldn’t blame him.

You rose from the couch and stepped down from the platform, intending to take a short walk. Panic erupted in his spark. Oh no. No, no, no. He didn’t want to be left alone, not after such a jarring experience. He wouldn’t let you out of his optics now—not even for a moment.

"May I accompany you?"

"Of course!" you replied without hesitation, smiling—a gesture he immediately mirrored. "It won’t be very exciting, though."

"On the contrary, I find you to be a most intriguing individual."

"Oh, thank you," you said, clearing your throat, embarrassed. Compliments delivered in that baritone still flustered you.

Together, you ventured deeper into the base, bypassing various sections. In the training room, Arcee worked on her speed, while Bulkhead struck a makeshift punching bag fashioned from an old car. The children watched the spectacle, occasionally entertaining themselves. You both quickly slipped past the always-open entryway and continued on your way.

“[Name]?” Orion inquires. You turn into an empty hangar with a high platform, starting to ascend the stairs.

“Hm?”

“How do humans attempt to court their partners?”

You hadn't expected that kind of question. You stop mid-step, pondering your answer. When you look at him, his expression is dead serious, though his optics betray a determination. Why would he want to know this? You decide it’s probably mere curiosity.

“It depends on the person.” You continue climbing the stairs until you finally reach the top, now level with his faceplate. “Some buy gifts like flowers, others go on elaborate dates. But the common factor is spending time together, and getting to know one another. Feelings tend to develop naturally that way,” you explain. “Actually, that’s an interesting topic. How did it work on Cybertron?”

“Similarly. However, instead of exchanging ‘flowers,’ we presented rare metals or crystals to leave the best impression. To demonstrate strength and potential as a partner.”

“I know a few people who would totally fall for that approach. Heh, I’d be thrilled to get a geode myself.”

Orion suddenly lights up. Were you suggesting something or just sharing an opinion? Whatever it was, he felt compelled to try. To prove himself worthy. Perhaps he could even find the ‘flowers’ you mentioned.

“I see. Thank you for enlightening me.”

“You’re welcome?” you reply, unsure exactly how you’ve helped, but the sight of his broad smile and bright optics makes it all worthwhile. He was utterly adorable.

The two of you chat casually until you’re forced to check the time. You inhale sharply, and Orion tilts his head slightly, curious about your reaction.

“It was great talking to you, but I really need to go. I have work tomorrow and I’d like to get some sleep.”

Panic flashes across his face. He had enjoyed your company so much. He didn’t feel alienated or alone when he was with you. The sense of connection played a significant role, but Orion had already let you into his spark. He had found a safe harbor in you and wasn’t ready to drift away just yet. He wasn’t ready to let go, even if the world around him were to crumble.

“May I accompany you?” he asks, desperation seeping into his tone.

“Excuse me?”

“May I accompany you?” he repeats, now begging.

“My home isn’t exactly designed to host a giant robot. Besides, it’s dangerous and... wait, do you even know the traffic regulations?”

His expression answers the question, but he still attempts to defend himself.

“I have acquainted myself with them partially.”

“Who has the right of way at an uncontrolled intersection?”

He opens his mouth but quickly closes it again, visibly crestfallen. He looks as though he might cry.

“Orion, we’ll see each other tomorrow,” you reassure him. “The first thing I’ll do after work is come here.”

He frantically searches for an argument to keep you with him—anything to prolong your company. Then he remembers his first encounter with human children.

“Every child was assigned a guardian who escorted them home and ensured their safety,” he states, refusing to give up. “Do you have a protector?”

“Unofficially, that was Optimus…”

“Then I would like to carry on his mission.”

“I’m not a child, Orion.”

“I understand that. I merely wish for your safety, [Name],” he explains earnestly. “And… I would prefer not to part from the company most dear to me.”

Your thoughts drift back to something he said earlier—how he recognized the bond you once shared, even though this was your first conversation. He hadn’t recognized Ratchet or anyone from his team—only you.

You tried to put yourself in his position. To suddenly find yourself in a foreign place, surrounded by strangers addressing you by a false name and feeding you information that might as well be fiction. And then, in a world where nothing is familiar, someone steps in—someone you vaguely recognize. You might not know their name, but you know there was once a connection. Wouldn’t you cling to that tiny thread, desperately pulling it closer if someone tried to take it away?

Orion had found solid ground, and you were unintentionally trying to undermine it. You exhale softly. You already knew you’d be saying goodbye to sleep tonight.

“Alright.” His smile makes it all worth it. It’s as though you’ve handed him a star from the sky. “Let’s see what Ratchet has to say about all this.”

"I see no objections."

Orion looks at you with excitement sparkling in his optics.

"Wow, that was quick."

"It's a good excuse for Orion to explore the area and get accustomed to his alt mode."

The medic refrains from adding that if the former leader remained at the base, he would likely have wasted away in longing for you, lamenting to every sentient being that he couldn't wait to see you again. Though the comment teeters on the edge of his glossa, he opts for discretion. Optimus, at least, had never vocalized his peculiar obsession with you quite so openly.

"Should anything unusual occur, contact me immediately. Someone will come for you in the morning," Ratchet advises his friend before turning to you. "Good night, [Name]."

You thank the medic for his diligence and ask him to take some rest, earning a piercing glare that almost feels lethal, then retrieve your backpack and head toward the tunnel. Orion stays close by, not leaving your side even after transforming. Ever the gentleman, he opens the door for you, visibly delighted at the prospect of your first shared drive together. In his mind, this was more than a mere drive—it was a deeply intimate act, almost akin to inviting a partner into one’s private space.

But his dreams are promptly shattered when you inform him that you have your own car.

The journey is uneventful but nerve-wracking; you constantly check your side mirror to ensure Orion is still following you. Thankfully, there are no issues, and he even remembers to use his turn signals when necessary. Everything proceeds smoothly until you pull into your driveway and are struck by a dreadful realization: Will a Peterbilt even fit in my garage?

You park your car to the side, leaving Orion enough space to drive safely. Exiting your vehicle, you open the garage door and wave at him to proceed. You nervously bite your thumb, watching the massive truck carefully edge into the space. There are barely three centimeters between the roof of the truck and the ceiling. When you close the garage door, the already limited space shrinks further.

"So, do you regret your decision now?" you ask, stepping around to the front of the truck.

Orion transforms with meticulous precision, carefully positioning his limbs and helm to avoid damaging the walls. The process goes well until his helm grazes the ceiling with an audible thud, dislodging a few small pieces of debris. He winces slightly and rubs his helm but offers you a warm smile.

"I do not regret my decision."

"Pfff, well, that's good. Are you all right?"

"I am unharmed."

You can’t help but feel guilty for confining him to such a cramped space, but it was his choice. If he insisted, he would simply have to endure it. Of course, that meant you would have to endure it, too, as the issues began almost immediately.

"All right, I’m going to grab my things. I’ll be back in a moment."

He panics again—something you’re beginning to expect from him.

"Please, do not leave me."

His voice is unchanging. A deep and thick baritone that permeates your body, speaking straight to your soul. It is strange to hear the same voice coming out of a shamed and uncertain being, begging you for company.

"I’ll only be gone for two minutes."

You reach for the door handle, but his servo shoots forward, blocking your exit.

"Orion," you chide, your tone sharp and reprimanding.

He doesn’t meet your eyes, his apprehension laid bare.

"Please, I do not wish to be alone."

"Two minutes," you say firmly, though your annoyance falters when you see the raw emotion in his optics. Sighing, you place a hand on the edge of his digit, catching his attention. "I’ll be back. I promise."

He believes you, of course he does. He trusts you to return, yes, he even knows it. It doesn't change the fact that he is frightened, he feels alone, and your proximity calms the storm raging through his processor. His whole body is clamoring for you, screaming for you to stay with him. He craves bodily contact, he wants your soft hands to stroke his metal and your lips to whisper sweet nothings. He wants more, he wants to feel the softness, more, more, more.

He takes his servo away.

"Good mech."

As you disappear through the door, Orion buries his face in his hands. Despite his embarrassment, he can’t suppress a grin. He had enjoyed that moment—far too much.

He wants to hear you say it again.

When you return, you’re carrying a blanket, a deck of UNO cards, some snacks, and your laptop. Orion beams at the sight of you but frowns when he notices you shivering.

"Are you cold?" he asks with concern.

"Hmm? A little, but I’ll warm up soon."

Without warning, he gently scoops you up in his servo, handling you with the utmost care. The shock is brief—you don’t even have time to protest before he places you on his chassis. His servo remains loosely wrapped around you as a precaution, but your back presses against his warm metal frame. Tilting your head up to glare at him for pulling such a stunt, you find him already watching you, amusement dancing in his optics.

"Ask next time before you do something like that," you scold lightly.

"I make no promises," he teases, earning a playful flick to his digit.

"I was planning to play UNO, but since you pulled that move, let’s watch a movie instead. Unless you’d rather do something else?"

"I leave myself entirely at your mercy."

He would have been content doing nothing as long as he could hold you close.

"All right, then. A movie it is."

It's hard for him to keep up with the plot when he's overstimulated, but he tries, because your questions encouraging discussion come out of nowhere. And it was just at moments when he started to drift off, when the optics shifted from the tiny screen to you; when there was only you and him in the world. Sometimes, however, he would focus for longer, especially during the romantic scenes. He longs to experience something similar with you, an indestructible, sappy love. To recite poetry into your ear and watch you blush, to announce to everyone how much you mean to him. To bestow expensive gifts, the geodes you mentioned earlier. He needs your tender words, your praise, your touch. You could do whatever you liked with him, and he would give you his spark.

He worries when you fall silent for too long.

"[Name]?" he calls softly, leaning closer to check on you. Relief washes over him when he sees you’ve simply fallen asleep. Poor thing—you must have been exhausted.

Still, a part of him resents it. He wanted to talk to you longer, watch more films, learn more about human romance to win your favor. But he knows his thoughts are selfish. Setting the laptop aside, he carefully covers you with his other servo, creating a cocoon of warmth and safety.

He's not sure he'll be able to recharge. At least not now, when he was too absorbed in devouring you with his optics. You felt safe with him. You gave him your trust. You chose him.

A spark of possessiveness sweeps through his processor. He doesn't want to let you go. He doesn't want you to go to work tomorrow and leave him for eternity. He also knows he shouldn't think that way. The spark goes out.

Watching you sleep, his processor churns with thoughts. You trusted him. He vows to prove his worth tomorrow, to show you just how deep his feelings run.

Because he doesn’t know how much longer he’ll be himself. How much longer he will remain as Orion Pax.

[yeyinde]

I am binge reading your work and I love your Price characterisation so much! Can you please go into detail what you his childhood looked like and what led him to be this angry, stubborn man who is fixated on saving the world at all costs

this is basically a reinterpretation of opening Pandora's box but instead of releasing great evils, it's just me yapping non-stop about John Price whenever i get the opportunity. but i cut a lot out because it was getting too long, so this is a brief summary on what made John Price the way that he is;

re: abuse (physical, mental, emotional; of authoritative power).

Nepo-baby. Born into Military Royalty. The Price name has a lot of sway in the government. Probably lived in Hereford going up before moving to Liverpool at 18. Realistically, Price has no other career choices because I can't see Mr "threatens to hang superior officers" sitting in a cubical and expected to hit quotas without catching several charges for assault and battery when his temper gets the best of him. And it always does.

His homelife was bad (but absolutely nothing compared to Simon's). His dad was just a staunch disciplinarian groomed by the traditional values of 40s-60s England. The typical "father works to provide for his family all day and then comes home to quiet, respectable children neither seen nor heard with food already on the table waiting for him and a wife that only speaks when spoken to and only ever to agree with her husband (and a lil bit of female "orgasm"????? by god! they've brought witchcraft back to the land of her Majesty the Queen!)"

He has an angry, uncompromising father with a temper and a mother who says thinks like, "well if *you* didn't make him angry, then you wouldn't have gotten yourself a black eye."

His dad was very physically abusive to both of them. Price really tried to stick up for his mum, but that would just set his dad off even more. And afterwards, his mum would just side with his dad, anyway. But on the flipside, I think she expected Price to protect her. So when he didn't (because he's a literal child!!), she'd get angry. But she obviously can't lash out like her husband or even her child, so uses the only weapon she has to gain some semblance of control: manipulation.

Price takes pieces of both his parents. His father, the physical aggressor, and his mother, the manipulative victim. And she is a victim, very much so. But I also think she pits them against each other. Gets bored. Causes issues. But there's power in getting someone to do what you want, and that's how she takes hers.

Price catches on to her in his early teens, but that's still his mother. Even though they have a very rocky relationship, she's still the Victim in his head, even when she's whispering in his dad's ear about all the things she despises about her son. And then going to Price (after his dad does something about it - again: disciplinarian, control freak) and playing the pitiful mother subjected to her husband's tyranny and a sad, weak son who can't do a single thing to protect her when she needs him.

Price learns to manipulate from her. Emotional blackmail. Victim-complex. Gaslighting. Scapegoating. But the biggest takeaway is the way he shifts the victim-complex into heroism (esp with Gaz). They can't be the bad guys. It's a logical fallacy in his mind. They're the ones saving the world, and if the world wasn't so riddled with bad guys, with people who need projecting, then they wouldn't need to do what they do.

I think Price has a bit of animosity towards people he sees as weaker (re: his mum having to share the victimhood with her son). But this animosity can also rear as obsession. He's the only person who can save you/them/the world. And since you/they/the world can't save yourself, then you should just listen to him.

And if you don't. Well, that's going to be a pretty big problem.

Honestly on the fence about siblings. If he has any, it's probably an older sister and she's either the equivalent of Janice Soprano (minus any of the backbone and ambition) or Barbara, resigned to her life and utterly forgetful. but I kinda like the idea of him not having any siblings to weather the storm with, you know? Like, it's just him and a mother who victim blames and ignores, and he gets the brunt of his dad's anger.

He was an obnoxious kid to be around. Probably really tried to impress his dad by adopting all of his values; baby misogyny, bite-sized authoritarianism, military fiscalism/military–industrial complex, militarism, etc., before realising (earlyyyyy teens) that he hates his dad and everything he stands for (but I'm a SUCKER for letting Price suffer and I love cyclicity and generational trauma so naturally, as much as he tries to run from the ghost of his dad, it still lingers - just in different ways; the worst thing you could ever say to Price is, you're just like your father).

Turned into a moody teen in the 80s/90s. His anger is a hair trigger. Utterly uncontrollable. But by this time, he learned to hide it because his dad's way of idealing with trauma was to add more. Therapists are pseudoscience, so he taught Price that men just bury these things. And if you can't, then you should be put down like a dog.

The assessment of a man's character was entirely based on the military tests he passed. And with Price's anger, trauma, he probably shouldn't have passed the evaluations, but since his dad, his grandfather, his great-grandfather, were all military dogs, he learned how to beat it. He's also really good at manipulating people.

I think between 16-17 there was a real attempt to do something that wasn't the military and I haven't decided which one I like better but:

He gets a job (as a port worker or in a factory). The Price name has no sway here (and baby Price grew up surrounded by people who knew his family, who revered them for their service to the country, etc). If he wants to make it, it has to be by his own merit. The problem is, while he's a hard worker, his trauma (men who remind him of his father, women who are too much like his mother) causes an incredible rift between him and authority.

If his boss is a man just like his dad, then Price is a match in a tinderbox.

If he isn't, to Price (who has only just learned to hold his tongue), the idea of a nobody being in a position of power over him will also set him off.

Either way, he's doomed.

If he man is a beast that no one can stand up to, and gets away with things because he's the boss, then Price's temper would flare pretty quickly. Especially if he comes after Price. Bullies him. Belittles him. But the worst is the humiliation. He ends up beating his boss very badly, terrifying the men around him but in their fear, and how quickly they listen to him because of it, Price realises he likes it. That fear can be weaponized. Honed.

Or: same situation, but if you lean more towards Price looking out for the underdog rather than his own self-interest, then he sticks up for someone and beats his boss to protect them. Everyone's still afraid of him, but they revere him. They do what he asks. This version, he realises that respect can be weaponized.

(and if the man is not like his dad, then Price will antagonise him into action. He'd throw the first punch, and Price will retaliate. It would still go too far, but - Nepo baby, weaponized fear: the outcome would be the same.)

He gets taken into custody. The tell him his boss is not going to make it. But Price's dad exercises every ounce of power to get his son out of trouble (because this will look very bad on them), and Price leans several things which shape him as an adult: his name has a lot of power; rules and regulations and just policing won't stop bad people unless you take it into your own hands once and for all, and people listen to him and that either version of the above can be weaponized.

He'd probably take the military a bit more seriously but only because he's trying to get vengeance for himself (even if this is subconscious and he doesn't realise it). He leaves at 18. Joins. And climbs the ranks higher than his dad.

At first, there's a concerted effort to do good but something cracks. Builds. Eventually Price comes to the conclusion that he'll have to take a more hands-on approach and get them a little bloody if he wants real change.

I have a lot of thoughts of military-dog Price. But!! That's basically it.

Shaped by physical, mental, emotional abuse; leans into the poor rich kid trope slightly. It all manifests more when he climbs the ranks, gets freedom, and realises that only he can do what needs to be done.

[straynoahide]

semantics come from linguistic convention, basically words mean what they do because we agree they do out of customary usage.

every word has an etymology, or origin, but semantic change is a constant of language. so etymology is insufficient to explain a word's meaning. the word "sake" (as in, "for god's sake!") meant "thing", now it doesn't. "vagina" meant sheath, now it doesn't.

depending on what demographic, community, you may have different conceptual systems for the same terms, even during the same period of time. nowadays, some are cross-cultural and cross-linguistic with the advent of multinational 'internet culture', so it is harder to keep track of these things.

"sentience v sapience v sophonce" actually is an interesting elaboration, a three-tiered distinction over the two-tiered distinction if you collapse any possible distinction between sapience/sophonce.

sophonce is a neologism with a greek root, although it is latinate, coined by a collaborative worldbuilding project called Orion's Arm, and "a project by nerds" doesn't quite translate it. it's a sci-fi fictional setting and their webpage is a bit old styled but it still includes thousands of articles expanding history, culture, 'galactography', etc, for tens of thousands of years into the future. it is a treasure trove of interesting ideas, some very original and philosophically relevant now with the development of AI.

many deal with a branch of philosophy called "noology", the study of the mind, thought, and knowledge.

they have developed terms like hypersophont too and tiers of possible levels of super-human intelligence based on what makes human intelligence different from animal intelligence, including the intuition that this is not like a linear ascension.

so the three-tiered distinction conveys something like this

sentient = could include literally invertebrates, sensory functions, but not necessarily able to form thoughts. subjective experience can go from vivid and detailed to very rudimentary (like a jelly that only "notices" light and dark)

sapient = intelligence, but not at the level of human intelligence. canids, felids, corvids. more importantly, primates, great apes. because there are currently important ethical questions that ponder what "personhood" and non-human personhood in particular is. is an ape that knows itself is itself and can do sign language* a person? maybe not, but they're not just sentient like a grasshopper is.

(*animals can sign, althought it's not really 'language' because animals can't really do grammar/syntax)

the current best estimate for that threshold, scientifically, is self-awareness btw. self-awareness is the ability to have, in one's mind, the notion of self. self-awareness is also called "autoscience". some non-human animals are able to do this.

sophonce or whatever word you wanna call it, would imply something more, something currently only humans possess. metacognition is not just self-awareness.

but metacognition takes it a step further, it implies associations around that, the ability to form knowledge about oneself, to turn oneself into a concept, and think about it.

this conversation would reveal someone is self-aware:

+hey you spilled your coffee -ah right, i see the spot, i hadn't noticed. i wondered why suddenly my knee felt hot. the fact they can associate an internal feeling (hot, cold) with the experience observed by someone else, as happening to them- that requires a concept of the self as the thing that experiences things. but only this conversation would reveal someone is metacognizant: +hey you spilled your coffee -oh fuck, i actually love coffee, now i have to get another one +do you really love coffee, though? -hm i guess you're right, i actually have a caffeine addiction, but i don't want to say it because i feel bad about it. only humans can form knowledge about the self and know things about the self, and have "recurrence" in thoughts. they aren't just thinking about coffee, they're thinking about what they're thinking about coffee (they're reflecting on the fact their euphemism reveals an avoidance to admit a problem).

that's what is so far human-only in terms of intelligence.

i am on my knees tears running down my face knuckles raw and bleeding and BEGGING people to learn the difference between sentient and sapient

[secriden]

So I made a post theorising about Style before episode 1 dropped and I'm both pleased by how much I got right and enamoured by all the extra details we have about Style in this episode.

Style is so obnoxiously overconfident and full of undeserved swagger that it somehow flips around to being winsome. He's the very definition of "empty-headed" but in a way that makes him innocent and guileless.

Narratively he functions as a bit of a foil to Bison because they are both impulsive and naive and blunt, but where Bison's past is steeped in blood and deception and it feels like he's got tricks up his sleeve, Style is an almost painfully open book. This also stands in contrast to Kant who seems very capable of manipulation.

And while he's nearly annoyingly self-assured, who can blame him; I mean look at him. Pretty boy is so fucking pretty. I bet he rocks up to the club, leans with his back against the bar so his shirt rides up, and immediately has 3 drinks being offered to him.

I'm so glad the show makes it clear that Style was flirting with Fadel well before the deal with Kant. It both establishes how genuine his interest in Fadel is, whilst also telling us that the unhinged behaviour was all Style - he didn't need any incentive to pull the "my nipples are sensitive" line.

I also love how he's demonstratively SO BAD at flirting! At the diner, its clear he's just trying things out to see if anything will stick. He's dressed to make himself alluring: arms and side bared in that loose tank top, and he keeps making these big gestures that show his arms off. (I wonder if he drinks as much as he does partly because he starts to get nervous when nothing seems to be working. xD)

All this is good, though, specifically because Fadel would probably see more sophisticated moves as deception. Instead, I think Style's unpolished and unpredictable flirting winds up being accidentally effective because it leaves Fadel feeling unmoored.

Fadel, who is so in control of his life; who (thinks he) knows exactly what he wants and how to get it. Style makes him feel things he probably hasn't in a while. Attraction, embarrassment; but also, anger and violence. His little dramatic knife-clench moment is such a contrast to the calm, clinical way he assassinates the mob boss and I think it shows that Fadel feels his lack of control around Style - and that frightens him a little.

I like how the show signposts the ways both characters are going to have to grow as people for them to be in a relationship: Style needs to learn how to take things more seriously, to mature and temper that arrogance, and slow down and read the room/people better; Fadel needs to allow himself to let go sometimes, to have some fun for once, to face and accept the reality of his own emotions.

They both have to learn how to love and be loved, and its fascinating how ideally suited they are to teach each other these things.

And in the mean time, well, the chemistry is undeniably electric.

[go-learn-esperanto]

Hey what do the new ao3 rules mean? Like what changed? I know this stuff is probably pretty simple to understand but I have a hard time wrapping my head around legal stuff and I figured it's better to ask

I'll try giving an easy summary of the new Ao3 TOS for you:

All the types of fics that were allowed before are still allowed. No changes there, only rewording.

Restructuring of TOS. Basically they divided it into 3 parts so it's easier for the users to look up something they want to check on. There was also a part that was moved to somewhere else. The information is still there just not on the TOS, because the committee believed it didn't belong in the TOS.

They tried to make the language easier to understand.

They made the Abuse Policy more generalised aka now the AO3 Policy & Abuse committee can more freely decide how to deal with TOS violations.

The "underage" tag is named "underage sex" now so it can be clearer.

They clarified that it's prohibited to use any Ao3 content for commercial use, and they specified scrapping for later commercial use aka "Fuck You AI Scrapping".

I'm obsessed with the fact that they state in the changes that now that they don't warn people that there may be works on Ao3 with bad spelling and grammar, and that on the FAQ they now include a question saying something saying "there's not grammatical or spelling standards". They really said "You are legally allowed to write horrendously, without shame. We won't tell on you." LOL

All other small changes are to do with very minutes changes on how the Board of directors Vote or that single cases of Ao3 TOS abuse are now not voted on by all the PAC volunteers because it's impractical with the amount of users and cases they get. Now they have a line of work and ban decisions are required to go through multiple people.

The reality is that not much has changed and most of the new TOS is only rewording and clarifications. Internal changes in the way Ao3 operates are really just so things can be done more efficiently considering the millions of users Ao3 has.

They also specify that they haven't added specific bans on having fics made with AI/having AI help on the website however that if a fic is found to be too similar to another work, writing wise, than can be a plagerism or copywrite violation.

Here's the official post detailing all the changes in TOS

[tomsparkyr]

𝐌𝐎𝐓𝐄𝐋 𝐂𝐀𝐋𝐈𝐅𝐎𝐑𝐍𝐈𝐀 [𝐅𝐑𝐎𝐌 𝐓𝐇𝐄 𝐕𝐀𝐔𝐋𝐓]

*✧･ﾟ: *✧･ﾟ

summary: when coach tells people the room requirements and the 'no sexual perversions perpetrated' rule by the so-called 'little deviants', it only makes the couple want to break that rule even more.

stiles stilinski x fem!reader (no smut sorry babies)

━━━━━━━━━━━━━━━━━━━━━━

You were nestled into your boyfriend's neck, the soft flannel material brushing against your cheek and the scent you knew all too well, all of the senses could have made your eyes flutter back closed. You felt a small nudge on your shoulder, groaning and shrugging off the contact, you decided to ignore Stiles’ silent request for you to lift your head up.

It wasn’t until you felt his warm touch brush the hair that had fallen in front of your face away and the palm of his hand stroke your cheekbone, you pulled away from his contact and looked up at him.

His brown eyes looked into your own and he smiled softly at you. He couldn’t help but think you were the most beautiful person he’s ever laid his eyes on. He couldn’t believe he was going out with someone like you. You were beautiful in and out, hence his gut-wrenching crush he’s had on you since the 3rd grade. After long years of pining and certain dreams, he couldn’t thank the supernatural world for existing more as he finally got a chance with you; and boy, did he take it.

At the beginning of your relationship, Scott thought Stiles was joking when he said he kissed you, and you actually kissed him back. He just laughed, patted him on the shoulder and moved on with the subject.

“No, Scott! I’m not kidding.” Stiles said, almost offended. But then he sobered his thoughts and kind of understood Scott because it had taken him 3 hours after your kiss to finally process that he had grown the balls to do that, and apparently you liked it too.

Scott paused momentarily, “Neither am I Stiles, we need to focus on--” Stiles sighed dramatically and flailed his arms around in desperation. Scott paused mid-sentence, tilted his head and waited for his best friend to continue.

“Scott, I kissed her. Like, I actually kissed her!” Stiles smiled widely. Scott remained unconvinced, blinking slowly and scrunched his brows. “You know, when you put your lips on someone else's--”

“Yes, Stiles! I know what kissing is!” The werewolf exasperated, he shook his head. “I just don’t believe it was with her. Y/N? Head cheerleader, popular, smart, way out of your league Y/N?”

“You better believe it, Scotty.” Stiles patted his hand rhythmically on Scott’s back as he began to walk away, intending to walk to his beautiful girlfriend's house. 

Scott grabbed onto Stiles’ flannel and yanked him back for more details, “You mean ‘I’ve had a crush on her since 3rd grade, I wish she would look my way and we would get married and have kids’ Y/N?” Scott grew a proud smile the more he said, knowing how down bad his best friend was for this girl.

Stiles nodded frantically and adjusted his flannel, “And she actually kissed you back?” Scott questioned. “Scott, I think 3rd grade me died a little bit when she held my hand, let alone kiss me back.” Stiles jokes.

The two boys looked at each other before high fiving and doing their ‘bro-hug’. Scott congratulated the boy, not hiding his pure excitement for his friend; borderline jumping for joy. The boys gushed over the new relationship for a few more minutes before Stiles snapped out of it and ran out the room, shouting behind him saying he had to get back to his girlfriend who was waiting for him. Scott doing a subtle fist pump as Stiles turned his back.

“Wake up, baby,” He whispered, not wanting to disturb you too much as you wiped the grogginess and sleep off your face. You looked at your surroundings, “We here?”

Stiles looked out the window of the bus, eye twitching at the surroundings. “Not quite…” 

The motel looked uncomfortable, old and just overall, definitely violating hundreds of safety codes. The poor attempt at the neon lights brightened up the place in the darkness outside, but did little to make the atmosphere any more homely. But he knew it would be fine for one night, as long as you were by his side the entire night.

Everyone began piling out of the bus, a couple of your friends passing you and giving you two a wink as they noticed the state you and your boyfriend were in; cuddled up close, hands intertwined and Stiles admiring you as if you had hung the stars in the sky. Even in this messed up supernatural world, Stiles found beauty in the horror; and that was you.

Stiles helped you off the bus, his hands never leaving you. He slung an arm around your waist as you stepped onto the concrete and became aware of your surroundings. 

It was clear you had the same initial thoughts as Stiles as he read your body language. He rubbed his thumb on the skin between your top and the jeans that hugged your figure, leaning in and kissing the top of your forehead.

As you walked towards your friends and addressed Lydia’s discomfort at the Motel, Stiles had sneaked behind you and hugged you from behind. He rested his head on top of yours and you leaned back into his chest; his arms were locked around your front and you rested your hands on top of his, sighing into the contact.

It felt like you were in a dream, you never wanted to leave this comfortability with Stiles, he was the best boyfriend you could ever ask for.

The Coach’s whistle broke you out of your bliss, snapping your attention to him as he turned away from the Motel and faced the angsty teenagers. 

“Listen up. The meet’s been pushed till tomorrow.” You groaned quietly and nestled backwards into Stiles’ chest, he smiled at you. “This is the closest Motel with the most vacancies and least amount of good judgement when it comes to accepting a bunch of degenerates such as yourselves.”

You would protest Coach’s point, but he was completely correct, actually. Who the hell would want 20 odd, hormonal teenagers who definitely have questionable things packed in their bags to stay in your Motel?

“Now, you’ll be pairing up. Choose wisely.”

You and Stiles look at each other, untangling yourself from his hold and intertwining your hands. You pulled him over to the Coach, not seeing Scott raise his brows at Stiles’ smirking face at the idea of spending a night with you in your own room, no parental interruptions, no supernatural; just a boyfriend and girlfriend in each other's company.

Coach noticed the two of you approaching like a couple on their honeymoon and felt the need to clarify something.

“And I’ll have no sexual perversions perpetrated by you little deviants, got that? Keep your dirty little hands to your dirty little selves!” He shouted, looking directly at you. “Especially you, Stilinski and Y/L/N!”

You two dropped your hands expectantly, reluctantly taking a key for different rooms. The boy sighed at you and leaned in to kiss you before you departed over to Lydia and Alisson.

The sound of the Coach’s whistle made you two jump apart before your lips touched. “What did I just say!” Stiles went to protest, “I don’t wanna hear it! Get out of here!” 

Stiles groaned and turned away to room with Scott, you loitered back for a moment, just in time to hear the Coach say, “How he managed to get you to go out with him… I’ll never know.” You chuckled to yourself and roomed with your friends.

It had been an hour since you got to your room and settled in, kicking back and chatting to the girls for a while until they decided to shower and get themselves ready for bed. You had begun to set up until you got a message from Stiles.

Stiles: come to my room please i miss you

You smiled at his message, missing him too. And typed out a response.

You: i can’t the girls will see i’ve gone somewhere :((((

Stiles: you’ll be back before they’ve noticed you’re gone i promise

Stiles: baby?

Stiles was typing out more questions, and thinking of other ways to convince you to come over as Scott had left the room to explore the Motel more.

He was confused by your silence until he heard a knock at the door. He stood up, expecting it to be Scott but was braced by your beautiful face as he swung the door open.

He smiled, looking you up and down before tugging you into the room. He kicked the door behind him as he twisted your bodies so your back was facing the room. 

Your arms wrapped around his shoulders and you messed with the hair at the nape of his neck, drinking in his appearance and licking your lips. “I missed you, baby.” He groaned in the sexiest voice you think you’ve ever heard in your entire life. “I missed you, too.” You chuckled before connecting your lips.

He leaned into your body as his lips pressed into yours, subtly sneaking his tongue into your mouth. His hands snuck around to your back and held your body against his own, feeling every crevice and worshipping them. His hands explored your back, itching closer as he murmured for you to jump into him.

You obliged and wrapped your legs around his waist, he caught you by planting his hands on your ass. He smiled into his kiss and found himself growing more desperate for you as each second passed.

Your hands tangled in his hair and tugged at it as he walked the pair of you to the rickety bed situated in the middle of the room. He gently placed you on the bed and leaned on top of you, finding himself comfortable in between your legs.

The kiss grew more erratic as it went on, hotter and hands wandering. Stiles slipped his hands underneath your top and began to lift it over your head. 

You stopped him suddenly and he pulled back, his face coated in your lipgloss and his hair a mess; God, he looked good. 

“What? Did I do something wrong?” He panicked. You smiled and placed your hands on his face. “No, baby. Just don’t want Scott to walk in on us.” You confessed.

Stiles shook his head, “He won’t be back for ages…” He whispered and leaned back in to kiss your neck, sucking at your sweet spots that made your back arch. You sighed as his tongue worked wonders.

Stiles noticed you weren’t fully convinced and jumped off the bed, leaving you stranded. You were confused momentarily until he snatched something out of the bedside drawer, and opened the room door, hooking it on the handle and turning back to you.

“Just to be sure.” He winked and situated himself back between your legs and lifted your shirt over your head this time.

The room became hotter with each second, steam practically coating the walls; as the room door held up a ‘Do Not Disturb’ sign with pride.

Your stay with Stiles was much more prolonged than you had intended, your clothes now back on your body a little misshapen but the thought that was there. 

You skipped back to your Motel room and quietly pushed open the door at this late hour, knowing Lydia and Alisson were probably curled up in bed at this time. 

Kicking off your shoes, you snuck into the room and breathed a sigh of relief that the girls hadn’t had their suspicions about your disappearance, obviously feeling content enough to go to sleep with no nerves.

You turned on the bedside lamp to see where you were going and jumped at the sight of Lydia and Alisson wide awake and leaning on the headboard of their shared bed, staring right at you with raised eyebrows and a subtle smirk.

Alisson tilted her head, “So, where were you?” She questioned.

You stuttered for a moment, trying to come up with a convincing lie. “I was just… at the vending machine. Stupid things sucked up my money.” You fake chuckled.

Lydia hummed, “Yeah, it took you 3 hours…” You could practically feel a bead of sweat dripping down your forehead, “Yeah, I had a lot of trouble with it… Anyway, I’m heading to bed-”

“I didn’t know vending machines give you hickeys.” Alisson said, making you freeze and pale.

You opened your mouth but no words came out, “And it has nothing to do with the fact that Scott tried to get back to his room but the sound of moaning probably stopped him from going into the hot box.” Lydia smirked.

You quite literally had no words, “Shit.” You murmured.

Alisson giggled at you, "You realise Coach is gonna kill you two, especially Stiles." You groaned loudly.

The two girls chuckled at you and invited you into their huddle, only insisting you showered first. You laughed along with them and jumped into them, “At least someone had fun on this God awful trip.” Lydia smiled at you before you whacked her with the pillow you were previously leaning on.

[greatwyrmgold]

Obviously, the power (and even whether this gets bad enough to cause a trigger event) depends on a lot of details that your friend didn't tell us. But that just means we can fill in the blanks in a way that makes the story/powers work better.

My versions are below the cut.

Alex is the stubborn guy, Bob is the rich guy.

Version 1: The Involuntary Hermit

This version paints Bob as a bit of a capitalist supervillain...I mean, more than "deliberately depriving Alex of sunlight to drive him insane" implies.

Construction has already started, and they're laying foundations for a building that will obviously intersect with Alex's property. Every afternoon, when Alex is driving home from work, Bob's construction vehicles and supplies are in the road—not enough to actually block the road, just enough to make it inconvenient to return. There's a crane with a wrecking ball attached, parked in the lot next to Alex's, waiting.

Alex has complained to the police and City Hall and every other authority he can think about, but they say nothing Bob did is technically illegal. He considered suing Bob, but he can't afford the lawyer. He even contacted the news media, but no one with a significant audience wanted to run the story, not with how much hype there was around his new development.

Obviously, there's a Shaker element to this power, but the long-term and institutional aspects make me think Architect Tinker, specifically the terraform subtype. Alex can build megaprojects which reshape the landscape, both as an intentional design decision and an unavoidable side effect.

I've tried to narrow it down from there, but that's already got the Parahuman Knife-Twist. Alex got powers because he wanted to keep his home, but using those powers would destroy his home. (It's not like he has access to an off-site laboratory.)

I guess it needs to be something that Alex could build in his basement, but which can still have that kind of earthshaking effect. Maybe something seismic, Tecton on a larger scale? He can disrupt Bob's construction, wreck his scaffolding, topple his vehicles, but in the process he also damages his own house. And if he wants to use his powers to their fullest extent, he needs to go farther, destroying the entire neighborhood, replacing the house he knows and loves with a bunch of caves and maybe an earthy keep.

Version 2: Bound by Duty

In this version, Alex would have left long before the darkness-wall if it was just him. But it's not Alex's house, it's the house of Alex's aging relative(s); maybe grandparents, maybe parents, depends on how old Alex is. This Alex has to take care of his relatives, because no one else will. And they don't want to leave this house, come hell or high water.

Alex feels trapped, partly by his sense of filial duty, partly by the literal wall being built around the house said duty traps him in. So this feels like a Mover trigger.

Looking at the MOVERS document, I see elements of Takeoff (close relationship to the source of tension), maybe Hurdle (harassment), and Gate (long-term, but not long-term enough for a tinker power, because I don't want to write up a bunch of tinker powers). In reverse order, that's creating something that grants movement (like a launchpad or gate); a power that lets Alex "run, leap, climb and/or bound"; and an effect produced on departure.

There are a lot of ways to mix those ideas; imagine a power that could make boost pads like in racing games, or bounce pads like in platforming games, or...something not from video games. So let's look for the Parahuman Knife-Twist and build a power around that.

Alex is torn between his desire to help his family and the desire to leave. In theory there's a way to compromise those desires; living in a house surrounded by walls and whatever else Bob is building can't be good for them, right? So selling the house and moving somewhere else would be good for them, right? That's just not what they want. So a power that lets Alex move others (whether they want to be moved or not) seems like a good first step.

This Alex also doesn't have any goal more specific than "get away from Bob". He has a place he wants to escape, but not a specific destination. So maybe the movement should be unpredictable; he can decide on a general direction that someone bounces, but it's not precise or consistent.

So I was hanging out with a friend from the west coast today, and he mentioned an anecdote about some rich guy who was trying to buy up all the homes in a neighborhood, but there was this one guy who wouldn't sell no matter what, so the rich guy built giant walls on the edges of all the surrounding properties to try and drive the holdout insane from sunlight deprivation. I told my friend that this sounded like the kind of thing that would make for a fantastic trigger event. I told him I was going to turn this over to the wormblr brain trust to see what all of you would come up with

[ddarker-dreams]

lock's otome game recs

i received some asks indicating an interest in a compilation of my favorite otome games, so i decided to go for it!! i've played about fourteen otome games, but of those fourteen, only these six left a lasting impression on me. there are still some that i intend to check out, so the rankings may update in the future. i'll give a very general overview of each game and how i'd score the categories that i find the most important in an otome game — the heroine, story, art, enjoyability, along with the characters i liked the most.

number 6 - piofiore fated memories.

heroine: 6/10 story: 6.5/10 characters: 7/10 art: 10/10 enjoyability: 8/10 favorite characters: dante (ishikawa kaito), nicola (kimura ryouhei) and yang (okamoto nobuhiko)

this game centers around the heroine, with the default name liliana adornato, who finds herself entangled in the politics of the region's three most prominent crime organizations. the game has an italian backdrop and iirc, takes place in the 1930s.

the overarching narrative, while it has its fair share of intrigue, isn't the game's strongest point. it's the interactions with the characters themselves that made the game feel worthwhile. each love interest has more to them than what meets the eye, so it's satisfying to watch the relationship between them and the heroine develop.

the heroine takes a passive role throughout much of the game, events sorta just happen to her. still, she has a kind disposition that makes her likable and doesn't make stupid decisions that has you wanting to fling your console across the room. her characterization changes slightly depending on the route. for instance, without getting into spoilers, she's more assertive throughout yang's route. the resulting dynamic made yang's route the most memorable, even if he's my third favorite character from the bunch.

what feels unique to this game is the effort put into the bad endings. in most visual novels, bad endings can feel like gimmicks. you make one or two wrong decisions and you're rewarded with a few paragraphs. the downward spiral of the characters in the bad endings are decently fleshed out and you can see how they arrived at this 'worst' version of themselves. they're suitably dark and it shouldn't come as a surprise that i enjoyed them because of that 😭

then there's the art. it's stunning, the details in each CG are mindboggling. the heroine gets to wear a variety of pretty outfits which is something i like to see. even in the story's weaker moments, a stunning CG would pop up that had me forgiving everything. i still glance through the gallery to this day.

number five - cupid parasite.

heroine: 9.5/10 story: 7/10 characters: 7/10 art: 9/10 enjoyability: 9/10 favorite characters: ryuki keisaiin (junya enoki) & gill lovecraft (kimura ryouhei)

iconic. showstopping. a little bit camp.

cupid parasite stars one of my favorite heroines, lynette. she works as a bridal advisor whose ambition is to ensure everyone finds their soulmate. in actuality, she's the goddess cupid, who left her post in celestia to better understand humanity and create lasting pairs. she's a delight to play as.

this game's presentation and overall aesthetic is the most distinct from any otome game i've played. aside from the presentation, the story itself is unlike any of the others on this list. when it comes to romance, i typically prefer them to be dark and mature. this game opts for a more lighthearted approach. it vacillates between being a romcom and dipping into the absurdist genre. there were times i was literally left speechless (glances at gill's route)... but it makes for an entertaining experience. the game's plenty funny as well.

personally, i enjoyed the more grounded moments when the mythological elements remained in the background. because of this, the true ending doesn't do it for me as much as they do in other games. as with anything, this is a personal preference though. i liked all of the routes and found the game handles the development of each love interest well. we're introduced to these men at their most pathetic and get to help them become a little more well-adjusted. lowering the cringe meter, if you will. it makes their growth all the most satisfying as the narrative progresses.

number four - even if tempest.

heroine: 9/10 story: 8.5/10 characters: 8/10 art: 6/10 enjoyability: 9/10 favorite characters: the heroine herself, tyril i lister (noriaki sugiyama), crius castlerock (makoto furukawa) and lucien neuschburn (kaito ishikawa)

right from the get-go, this game's premise had me hooked. it features the heroine, anastasia (<3!), who leads an incredibly tragic life. she's bestowed the ability to reverse time following each of her deaths and uses this to unravel a mess of mysteries the world's setting is tangled in.

this game is absolutely anastasia's story. without spoiling anything, i loved the approach they took with the time rewinding ability. how it's incorporated is unique to an otome game, which they take full advantage of to amplify the tragic romances. on that note, the romance itself occasionally takes a backseat to the narrative as a whole. personally, i didn't mind this in the moment, since i found the story so interesting. in retrospect, i do wish that we got more moments between the heroine and each love interest, especially in the true ending.

there are more gameplay elements here as well. you have to conduct investigations, gather evidence, and apply what you've learned during these trial segments. when i first read about this, i thought it'd be a gimmick, but i liked playing through them. it incentivizes you to pay extra close attention to the world.

while i liked the narrative as a whole, i do wish we got more worldbuilding. there are hints of political subterfuge and religious oligarchy that, while touched upon, could've been leaned into more to give the setting a distinct feeling.

number three - olympia soiree

heroine: 8/10 story: 8/10 characters: 8/10 art: 10/10 enjoyability: 10/10 favorite characters: akaza (yoshitsugu matsuoka), himuka (shun horie), and yosuga (yuma uchida)

in olympia soirée, the eponymous heroine, olympia, lives in a society divided into castes based on colors. she is the last surviving member of a clan that can perform rituals to keep the sun aglow. this game is a lengthier title, i believe i clocked in around 25 ish hours (i don't use auto-play so that sheds some time). the story benefits from this, as olympia has rich worldbuilding and lore that's revealed throughout the route's progression.

we get to see the consequences of this caste system and olympia's growth as she becomes determined to realize a better future for the islands. this makes the heroine someone that you want to root for. personally, i'm a sucker for stories that center around a sheltered individual being forced to face the harsh realities of the world and maturing in their own way. this, paired with the struggles specific to this setting, make for a gripping backdrop for the character's routes. all the love interests have problems of their own that they need to address.

this is certainly a mature title, there's plenty of steamy scenes featuring gorgeous artwork. seriously... all the pretty CGs are absolute eye candy. i enjoyed the balance between the main narrative and the development of the romantic relationships, i don't remember ever feeling bored.

ironically enough, i think this is the darkest game from the bunch listed here, surpassing the game with actual horror elements. there's a whole litany of trigger warnings to be mindful of when going through the game's bad ends. they are, as the term suggests, Bad. not light or humorous in the slightest. the poor heroine goes through it. please be mindful of these more touchy subjects.

number two - 9 r.i.p

heroine: 8/10 story: 8/10 characters: 9/10 art: 10/10 enjoyability: 10/10 favorite characters: minami (nobuhiko okamoto), hibiki (shunichi toki), kureha (toshiki masuda), and koyo (ryota suzuki)

i was looking forward to the english localization of this game before it was even announced ... i'd been wanting an otome game with this vibe for ages. and it didn't disappoint! there are four different overarching story sections, with two characters each having their routes fall under them. this makes it difficult to give a summary since each route has a vastly different feel. some routes lean heavy into supernatural horror (such as hibiki and kureha), whereas others are just... supernatural (like with yukimaro and koharu).

the basic premise is that the main character, misa, is a high school girl burdened with her career survey. she's uncertain what she wants for the future and is being pressured by his mother to pursue a career in medicine. in one way or another, depending on the story section, she comes into contact with the afterlife and those who inhabit it.

i loved this game, i couldn't put it down. the routes that leaned heavy into horror were my favorites, which shouldn't be a surprise lol. i do feel some love interests were given preferential treatment of others, i wanted more from sena's storyline in particular, since he's voiced by one of my favorite VAs (tetsuya kakihara, the voice of scaramouche) 😭... apparently this game is receiving a fandisc, so hopefully they'll remedy that in the future.

minami stole the show for me. from what i've gauged online, he's a divisive character, you either find him grating or love him (like i do). i'm biased but i do think he has the most interesting and well-written story out of the love interests, i've played through it three times already. i just adored the dynamic between him and the heroine. he's petulant, selfish, and a bit immature, yet he goes to extremes for her as he realizes his unhinged feelings.

hibiki is a close second. the most yandere-coded of the bunch, he's soft-spoken and polite, but that exterior hides a creepy personality. like all of the characters in this game, there's a tragic element to him. i was worried about the role the heroine would play in helping him 'overcome' this, but i think they handled it well. it doesn't feel like the heroine's fixing him so much as she's helping him have a different perspective on certain events.

yeah i'm not normal about this game, i cannot recommend it enough. it would've taken the top slot if some of the routes were a bit more polished. i didn't care for yukimaro's at all, for example. routes like minami's, hibiki's, and koyo's more than make up for it though.

number one - collar x malice

heroine: 10/10 story: 10/10 characters: 10/10 art: 10/10 enjoyability: 10/10 favorite characters: takeru sasazuka (daisuke namikawa), kei okazaki (yuki kaji), and aiji yanagi (masakazu morita)

the holy grail. the otome games that died for our sins. this isn't just a good otome game, it's an excellent story, with a very human cast, commentary on issues like the nature of crime, and you're left wanting to solve the various mysterious as much as the heroine does. speaking of the heroine, miss hoshino ichika is my all-time favorite heroine. she's clever, resolute, compassionate, and you can't help but fall in love with her a little yourself 😭😭

i'm not sure if this makes sense, but the world feels very... full? you get this sense that ichika exists outside just interacting with the love interests. she has her career, friends, and her younger brother that act as more than passing NPCs. the writers ensured all the characters with portraits are given some level of depth. i left caring about more characters than the heroine and love interests.

each route is dedicated to working through a certain case, which keeps the story intriguing as you progress. finally, all of the little hints that have been littered throughout coalesce into the 'true' route, where questions you've had since the first chapter are given satisfactory conclusions. at the same time, you're left wondering about a few things, such as the complete philosophy of the main antagonist.

ichika's relationship with each of the love interests develops alongside the case they're investigating, which almost always have connections or parallels to the LI's past. this helped ground them in reality and flesh them out into dynamic characters. you come to care deeply about them alongside ichika. the romance feels earned and doesn't come on too fast, which some otome games suffer from.

if you like otome games and haven't played collar x malice yet, i fully recommend it!!!!!!!! it's the strongest title from what i've played so far.

[fic-dumpster]

Deer in Headlights | Panic arrives at the office

Summary: Working as Sanzu’s secretary for a day wasn't so bad; he was rarely in his office, so you had to handle most of his paperwork and appointments. Where was he? Who knows…

Pairing: Bonten x F!Reader

Word count: 2.4k+

Content Warnings: Plot development, feelings with sprinkles of angst (eww), reverse harem, fluff, brief mention of violence and death. This is part of a series! Just adding that for new readers.

A.N: Finally freeing one of the old wips which I rewrote like five times because i couldn’t remember what I was doing. Anyway! Enjoy more of this never-ending series of unfortunate events surrounding Doe and her harem. K bye 💋

You asked Mikey if you could stay at their workplace longer since being at home was becoming duller and duller. He agreed, but as always when it comes to anything involving you, nothing happens in this household without a fight.

At first, Takeomi objected and would only allow this ridiculous idea if you were his assistant, then Kakucho added that he also needed help. But then backtracked. He remembered his position as an enforcer and didn’t want you to see him like… that— so yeah, discarded.

Meanwhile, Kokonoi laughed in their faces. mentioning how he was the one who spent more time sitting down on his desk— buried in paperwork— and that's why you should be with him. The safest option, according to him.

Surprisingly, the infamous Bonten trio had been quiet the whole time. Ran, Rindou, and Sanzu seemed very uninterested in acquiring you for help. Such a reaction from your pack of hyperactive golden retrievers left you puzzled.

Your incertitude didn’t last long. Later you found out that they didn't want you with them due to the nature of their jobs too, just like Kakucho earlier. The more gruesome parts of Bonten always fell on their shoulders as well.

Not soon after you heard Kokonoi explain their unusual silence, he also added a few extra details. Such details gave you the final push to decide who gets a new helping hand.

Kokonoi gave the longest speech you’ve ever heard him say about Sanzu. The silver-haired individual went on and on about Sanzu never submitting reports on damage, expenses, casualties, and a whole bunch of other desk work.

Sanzu argued that it was utterly ridiculous and unnecessary since everything would be destroyed by the next day. Still, you watched them ping-pong about such… matters for a while.

That's the main reason why you decided to choose Sanzu. And that's what you are doing right now. Sitting outside the door to the pinknette’s office in a new desk that Kokonoi insisted on arranging for you, even added a new desktop setup and all.

The whole morning was pretty calm. Kakucho came by and left some sweets for you, then Ran and Rindou took you out for lunch, and Mikey passed and snatched some of the sweets Kakucho gave you.

Everything seemed normal. it wasn’t until a little after noontime when the scorching sun hit the blinds that a shadow fell over your desk. Looking up from your papers, there stood a tall man—a dangerous-looking man, you might add. A distinctive tattoo was peeking from the neck of his well-tailored suit, strikes of blue and white adorned his hair. The alarms in your head activated for the first time since you were with Bonten. Which meant that danger was imminent.

He greeted you, although his gaze was not on you but looking at his surroundings. Observing and analyzing.

“I’m here to see Bonten’s numbers two,” that was all he said, not sparing you a second glance.

Panic settled in your guts. Sanzu never told you about a scheduled meeting, nor that someone might be asking for him today. You felt that denying something to this individual was not a good answer and how you wished you had followed your instincts.

“I’m sorry, Sir, he's not here at the moment, but you can-” You were cut short when, out of nowhere, a hand hit on your desk, sending papers and pens flying everywhere.

“Call him, then,” now he did pay attention to you, yellow eyes scanning every inch of your features, “or not.”

he stepped closer to your desk, somehow, you felt he was about to break the wood and glass with his palm still there. He then proceeded to bend over, just a little, to have a closer look at you. And it was like recognition hit him and his eyes seemed to acquire a playful glint, ���I don’t think he would mind if his secretary keeps me company.”

You felt your breath hitch in your throat. You froze under his scrutinizing eyes. As still as you were, your fingers itched to bash the keyboard on his face. What was this slimy feeling covering you, overwhelming you? A sudden thought shot through your mind… you were no cheap whore.

That’s what you wanted to scream at him, at least. But you held back— or more like, you were out of options. The fact that he was standing inside Bonten’s building unharmed and without an escort spoke volumes about the caliber of this individual.

Why was such a short interaction setting off all your distress signals? Why was your throat screaming for air even as you breathe? Cold fingertips and a racing heart were the least of your worries at the moment.

Damn, Sanzu and his unorganized schedule and his lack of communication and… you would have continued to mentally berate him if the previously mentioned individual hadn’t stepped around your desk and offered you his hand.

“What do you say we take a walk?” As much of a question as it sounded like, your instinct told you that there was not really an option to decline.

“My boss wouldn’t like me leaving my position…” you articulated with gritted teeth. Against your best judgment, you tried to kindly refuse with an excuse involving Sanzu.

“I’m sure he would make an exception for me,” those were his last words before one of his hands steered you away from your just-acquired desk.

And that’s how you were now walking away from your new desk and going to who knows where. Every step was a scream you swallowed. Again you wondered, what was your instinct detecting from him that your consciousness couldn’t comprehend?

He mentioned his name was Taiju and that you should be careful working in such a precarious organization, such a feeble thing as yourself shouldn’t be exposed to an all-male environment and he kept going on about it.

This… Taiju individual placed his hand on your lower back. Dangerously low. Too low for your liking. So much so that you even hurried your step to create some distance but it was futile.

As if they had heard your silent prayers, Rindou and Kokonoi arrived just in time to see your back being led away from your supposed workplace. Both men felt like cold buckets of water had been thrown at them, blood freezing as a picture they never imagined possible now rose in from of their very own eyes.

You heard your name being called, well, almost screamed. The big guy halted his steps and you followed soon after, both turning to the screaming duo at your backs.

“You can’t take her.” Rindou asserted with a very forced smile, hands already on their way to reach you and bolt if necessary.

“Why is that?” The blue-haired individual inquired.

“Because she’s—“

“She’s my girlfriend!”

Both Rindou and Kokonoi spoke at the same time respectively, the latter with more urgency than the other but the message was clear enough. You were not to be taken away just like that.

“Oh? Congratulations! I never expected you to settle down, Hajime-kun. I thought you would be with Sei—“

“Nonsense,” quickly replied the silver-haired man before moving beside you and hastily pulling you towards his body; avid fingers replaced the previous hand on your lower back—gripping your skin tightly.

“Then why is she with Pinky? Shouldn’t you be taking better care of your women?” Taiju bellowed, eyes analyzing how his old acquaintance held you with so much affection and care. It was clear to anyone witnessing the two people in front of him, how Kokonoi was desperately but subtly in a hurry to erase any trace of Taiju’s touch from you.

“Yeah, Koko, you should take better care of your woman,” Rindou added, internally biting his cheeks to stop himself from laughing at how unexpected of a reaction his colleague had. Forgotten was the panic no soon you were in his fellow member’s arms. Now he decided to play along just for the laughs.

Meanwhile, you were face-pressed against a hard chest and an expensive button. You would have an imprint of Koko’s button on your face, you thought as you silently groaned in frustration; but eternally grateful for their opportune interruption.

“I am,” Kokonoi sent death glares towards Rindou who seemed to forget where you had been a minute ago. He cursed his fellow member’s fish brain. Sending a nod to his old acquaintance, Koko mumbled a hurried goodbye and disappeared with you in his arms.

The remaining two were left standing, watching silver locs wave like a cape.

“That’s an… interesting character development, I must say.”

“He’s pussy whipped,” the purple head commented, dismissively as he took Taiju toward his own office. Of course, the pot calling the kettle black. Well, Rindou talked from first-hand experience.

How does he tell you that he panicked? How does he tell you that you might not have been in danger, but his mind refused to understand? How does he explain his actions when they are not consistent with how he always treats you?

Kokonoi Hajime knows it doesn’t make sense what he did or what he’s feeling. It had nothing to do with Taiju but everything to do with you.

He sat in silence with you on his lap, arms wrapped around you tightly as his mind circled over his latest silent outburst. Sanzu’s office wasn’t the coziest place but it would have to work for now.

Air was something you certainly knew you needed in order to live. You hoped you didn’t have to remind Koko of that fact as he kept tightening his grip as time passed.

Up and down, your eyes gazed over his side profile. The few details you could see from your perspective—face harshly compressed against him—seemed to suggest he was not here completely. The lost look he wore was new to you.

“Koko?” You mumbled curiosity and worry mixed together within you. After a while, the odd silence didn’t quite sit well with you. “Koko?” You called out his name for a second time, squirming in his constricted grasp in an attempt to get his attention.

“Hum?” He seemed lost as he hummed a response. Slowly blinking away whatever thoughts had captured him for the last several minutes.

You knew talking things with him was hard, you didn’t wanna say the wrong things and make him lock you out. That’s why you had waited in place, letting him process whatever happened in the hall. It was so uncharacteristic of him to claim you in public or even touch you in front of others. You had expected Rindou to make a scene but never from Kokonoi.

After another prolonged silence, you went for the safest route. Asking for the only phrase that stuck with you. “So I’m your girlfriend?”

“Of course, you are, dummy,” he whispered with a dry chuckle; cradling your head against his chest—not once did his grip loosened. You felt words weren’t needed at the moment, something told you just to be there for him.

Kokonoi wanted to reaffirm you were real, you were still there, you weren’t a product of his mind… like his younger self used to imagine.

Maybe that was it? The image of you simply walking away; your back facing him tormented him now. He felt like his old self again, the one who lost so much and the little he was left with he kept it under a thousand locks. His mind and body remembered the devastating events and the pain… the pain of having something so dear to you again and how easy it was for life to take everything away in the blink of an eye.

Fear paralyzes. That’s when he realized he was afraid, but also… in love. Love doesn’t make sense; it’s the only part of the equation he could never calculate accurately.

He was so in love, that he acted out of character—vulnerable and raw. Only you had been able to bring that back out from the innumerable hard shells covering his heart.

“I’m not going anywhere.” You might not know that your words were just what he needed. Saying whatever was at the tip of your tongue has always been a talent of yours.

“Thank you,” he said softly, unwavering. you both stayed intertwined in the coach until darkness fell.

Somewhere in Japan near an abandoned port.

“You did this on purpose, did you not?” Mochi accused the pink-haired man after checking the message Rindou had sent to the group chat.

“Dunno what you mean,” rebuked Sanzu.

ah, so feigning ignorance now, was it? Mochi sent him a questioning gaze. “Sanzu…”

“It’s a sign that she wasn’t supposed to be there. She’s perfectly safe at our place and I don’t need help with paperwork.” He nonchalantly told Mochi. “Hey! Roll out the tarp! I don’t want any mess here!” Sanzu bellowed at the henchmen around him.

“Nah, I agree. You knew.” Ran taunted him, walking toward the now laid-out tarp. “You knew at what time Koko was going to check on her with Rindou and Taiju just magically went straight to your office with no problem? Ha, right.”

Kakucho heard the conversation and nodded in agreement with Ran. Bonten’s enforcer would have engaged in the accusation party but three cold bodies rested at his feet and nobody else seemed to have his mind on the job at the moment. He barked orders to the footmen who were taking too long to move the deceased.

“No, it was Takeomi.”

Every Bonten member perked up at the information their leader was providing them with. Takeomi froze in place as four pairs of eyes focused on him. Mikey on the other hand, sat a top of a wooden pallet tower; munching carelessly on some snacks.

“Well, now it makes sense. It was too much of a good plan to be yours.” Ran commented out loud with a laugh.

“Excuse me? I was part of the plan!” Argued Sanzu like a hissing kitten.

“Didn’t you just say you didn’t know?”

Sanzu looked at Mochi with exasperation as the sound of something heavy hitting the plastic tarp resonated in the background.

“You approved, though,” mentioned Takeomi who was standing close to Mikey.

“Sometimes it’s better to let a bird clash against the glass. It learns that sometimes no matter how clear the path looks, you can’t always fly at your heart’s content.” Mikey said as he dusted off the remaining pieces of crackers from his dark shirt. “And eventually… it won’t fly in that direction ever again.”

“And Koko?” Mused Kakucho joined the two men conversing.

“He needed a push in the right direction. He’s as hardheaded as always.” Chuckled Takeomi before tasking a drag of his cigarette.

[spaceman-earthgirl]

“Agatha and Rio arrived at school together this morning,” Jen says by way of greeting, dropping her books on the table and joining Alice and Lilia.

Alice looks up, half intrigued, but Lilia keeps her head down, ignoring Jen except for a little wave in greeting.

It’s before school, and the staff room is mostly empty, giving them plenty of space to gossip before the school day starts. Though not a lot of time, the bell for first period is about to ring so they better make this quick.

“When you say ‘arrived together’ do you mean they got out of the same car, or just walked into the building together?" Alice asks.

Jen deflates a little. “I saw them walk into the building together.”

“Then that proves nothing,” Alice says, returning to her book too.

It’s been a hot topic of discussion over the last few months, what’s going on between the two of them, ever since Alice had seen them in the hallway together, Agatha laughing at something Rio said. 

The way Alice tells it, Rio even touched Agatha’s arm, but that detail was added after a few retellings so Jen isn’t so sure about that part.

Either way, ever since they noticed, they can’t stop speculating, because even just the few times Jen has seen them interact since, there’s definitely been a vibe.

Lilia has repeated on multiple occasions that she thinks they’re together, but they need proof.

And Jen is determined to find it.

---

“Someone sent Agatha flowers.”

Jen grins, Alice always gets the good gossip.

“Who are they from?” Jen asks. There’s a pile of homework she needs to grade before her next class but this is more important.

“I’m not sure, I was in the main office when they got delivered. I managed to sneak a look at the card but all it had on it was a little green heart.”

Jen thinks about this for a minute. “A secret admirer perhaps? Maybe even one who teaches biology a few doors down.”

“There’s no way to prove that,” Alice says, but she still looks on board with this information.

“What if we just ask Agatha?” Jen asks, keeping a straight face for as long as she can before she bursts out laughing, Alice, and even Lilia joining in.

“It’d be your funeral,” Alice says.

And Jen knows it would be.

Agatha is snarky and no bullshit and you always want her on your side in an argument. There’s no way she’s risking Agatha’s bad side.

When she’d first met Agatha, she’d wondered why someone like her would even want to be a teacher, and then she’d actually seen her with her students and she’d changed her mind. Agatha might be scary, but she has a way with kids that Jen didn’t expect.

Maybe it’s the no bullshit thing that kids respect, but whatever it is, the kids love Agatha and she seems to love them too.

But there is still no way she’d ever ask Agatha about her personal life. From what Jen can gather from their limited interactions is that Agatha is a private person, and she’s not going to question that.

She really hopes Agatha never finds out that their favourite way to spend their lunch break is gossip about her and the chemistry she clearly has with Rio.

read the rest on ao3 or under the cut

---

“I just saw Agatha and Rio having lunch together in Agatha’s classroom.”

They really don’t greet each other normally anymore, they just spill gossip. She hopes the other teachers don’t overhear them. Or if they do, they have gossip to contribute.

“I knew it,” Jen says, like that’s the proof they needed when in fact it proves nothing except the fact that they’re friends.

Which they knew already, so that’s not news. They've seen them together enough to know that they're friends, which only adds fuel to their speculation because Agatha doesn't have any other friends at school besides Rio.

“And they were sharing a sandwich,” Alice adds.

Ok, that might be something. 

“’Lady and the tramp’ style?” Jen asks, because that’s the first thought that pops into her mind when Alice says it and she also knows Alice will hate her question.

As expected, she gets a withering gaze in return. “No not ‘lady and the tramp’ style, they were sharing a sandwich like normal people do, Rio handed Agatha half of her sandwich, but that’s all I glimpsed as I walked by.”

“I mean, that’s kind of something I guess?” Jen says. “Lilia, back me up?”

Lilia barely looks up from the book she’s buried in. “You already know my opinion on the matter, but that alone proves nothing.”

“I’m adding that to the list of signs they’re dating,” Jen decides after some thought. It doesn’t really prove anything either way, but she’s going to figure it out.

---

“Guess who is chaperoning the school lock in tonight together?” Jen asks. She feels like this is good information.

“I’m guessing Agatha and Rio?” Alice answers, taking a carrot stick from the container Jen offers. 

“As well as about 10 other teachers,” Lilia pipes in, ruining the fun.

Lilia is still firmly in the camp of “they’re definitely together, and why bother gossiping about someone else’s personal life?” but even she sometimes gets involved. She’d been the one that noticed Rio wearing a shirt she swears up and down she’d seen Agatha wear before.

But maybe they just shop at the same place, so that proved nothing either.

“Are either of you two chaperoning?” Jen asks. When they were taking volunteers, she’d said no. She couldn’t think of anything worse than being locked in the gym overnight with a bunch of kids. 

Agatha doesn’t usually volunteer for school activities either, which is why this is a little suspicious.

“No,” Alice says as Lilia shakes her head.

Damn, she wishes she’d volunteered now, they might’ve gotten some good intel.

On Monday, they get no information from any of the other teachers because she’s pretty sure no one else is as invested as they are so that’s a bust.

---

Jen is halfway through her sandwich when Agatha walks into the staff room. She watches in surprise as Agatha crosses the room, takes a seat at the only empty table and pulls out her lunch.

“Do you think they’ve had a fight?” Alice asks, as quietly as she can. There’s no need to ask who she’s talking about, they all know.

They’re all fairly certain that Agatha and Rio spend every lunch break together, so why not today?

The logical answer is that she’s busy so Agatha is eating alone but gossip and speculation isn’t logical.

A couple minutes later, Rio walks in and the imaginative side of Jen’s brain runs away with her, to the point that by the time Rio has crossed the room, Jen is expecting a fight because in her mind they’ve broken up, but all Rio does is sit down next to Agatha and pull out her own food.

Jen deflates a little. Not that she’d wanted a fight, but it at least meant they might get some drama.

That doesn’t stop her from watching them though. As subtly as she can, of course. She can see Alice and Lilia doing the same, all three looking for clues to whether something is going on between them or not.

But it’s about as boring as watching anyone else each lunch. All they’re doing is talking and eating and Jen is just starting to wonder if maybe they’re reading too much into things when it happens.

Jen can’t see from where she’s sitting what Agatha is eating, but whatever it is, it must be messy enough for Agatha to get something on her face. Rio reaches out and wipes her thumb across Agatha’s lips, removing whatever food was there, before bringing the thumb to her own mouth to lick it clean.

Alice immediately clutches Jen’s arm, clearly just having seen it too.

They (again, subtly) watch in silence until Agatha and Rio get up and leave not long later, nothing else eventful happening after the incidentTM.

“Did you see that?” Alice asks as soon as Agatha and Rio are gone.

“That is not 'just friends’ behaviour,” Jen says, still in shock at what they’d witnessed. Maybe there was something to this after all.

“I mean-“ Alice starts, like she’s about to justify it.

“No. Do you ever do that with your friends?”

“No,” Alice says, her cheeks going red.

“Exactly. So we’re adding this to the list of evidence that they’re dating.” Not that that list is very long, but if they’re not dating, then they’re clearly into each other, evidenced not just by what Rio had done, but by the fact that Agatha hadn’t punched her afterwards.

---

It’s early, earlier than she’d usually arrive at school, but they have a school spirit event today so they’d all arrived early to set up their classrooms.

But before that, Jen needs coffee.

There are a few other teachers on campus, all trying to get an early start on the day, so she’s not surprised when they walk into the staff room and find they’re not alone.

What she very much is surprised by, however, is that the two people in the room are Agatha and Rio.

And they’re kissing.

It’s a fairly chaste kiss, as far kisses go, which is probably good considering they’re at school. But Agatha is pressed close to Rio, Rio crowded against the counter.

At least their hands are in appropriate places.

The noise of the door closing must alert them to the fact that they’re not alone as they break the kiss and turn towards the noise.

“Morning,” Rio smiles, giving a small wave. She makes no move to push Agatha away though and Agatha doesn’t move either. Agatha does give a flippant wave in their direction which Jen is assuming is also a hello.

Clearly, they don’t care that they’ve been caught because Rio turns back to Agatha, saying something too quietly for them to hear but whatever it is, Agatha laughs.

Jen will blame the lack of coffee and the fact that they’ve been speculating about this for months for her next words.

“You two are together?” Jen asks before she can stop herself. There definitely was a more tactful way to ask that but it’s too late.

“I told you,” Lilia says, as Agatha and Rio turn back to them, finally stepping apart. Lilia pays everyone no mind as she walks across the room and starts making herself a coffee.

Jen ignores her, too focused on the two women on the other side of the room.

Agatha looks mad now, which is a little scary, but Rio looks amused.

“Are you serious?” Agatha asks, voice gruff, and Jen is starting to have regrets. But they’re in this now, and there’s only one way to find out the truth.

“We just…” Jen looks to Alice for support, but she holds her hands up in a way that says ‘don’t make me a part of this’. 

Traitor.

“We’d just noticed you two spending a lot of time together and you obviously have chemistry so we couldn’t help wondering if something was going on.”

Rio looks even more amused, and there’s a slight quirk to Agatha’s lips too which means she’s at least not contemplating killing her right now.

“You know nothing exciting ever happens in Westview,” Jen adds, like it justifies their actions. “It was just idle gossip.”

“Well, Rio starts. “You know, I saw Agatha and I just couldn’t stay away. I’ve been trying to get her to go on a date with me all year, it was those sexy reading glasses that-

Agatha gives Rio a slight shove, pushing her away and cutting her off. Agatha still doesn’t look mad at least. “We’re married,” Agatha says with a roll of her eyes, but the look is directed at Rio.

“See, I just couldn’t stay away,” Rio grins, gesturing to Agatha. “All she did was ask me one little question and now I’m hers fore-“

“Stop,” Agatha cuts in, giving Rio another playful shove but she’s looking at Rio with such affection that no one could deny them being in love. “Or else you’re walking home.”

Rio holds her hands up in surrender with a grin.

“You’re married?” Jen finally asks, incredulous. She almost feels like she’s intruding on something.

How on earth did they miss that?

“We’ve been married for eight years,” Agatha supplies, looking a little annoyed again. It’s very clear that the annoyance is directed at them, and not Rio. “It’s not a secret, everyone knows.”

Jen’s mouth drops open. 

“Or we thought everyone did.” Rio says, taking Agatha’s hand, threading their fingers together. “We have a kid too, if that helps,”

Jen feels each new piece of information like a physical blow. She needs to lie down, this is too much this early in the morning.

They clearly missed a lot.

“Come on,” Rio says, giving Agatha’s hand a tug. “Let’s leave these guys to whatever it is they’ve got going on here.”

“Sorry,” Jen says, having the decency to look sheepish as Agatha and Rio walk past them.

Even more so when Agatha stops and turns to them. 

“Maybe next time, don’t gossip about people behind their backs. If you have a question, just ask.”

“You heard the lady,” Rio winks, tugging on Agatha’s hand once more and then they’re alone again.

Jen and Alice wait a few short moments, making sure Agatha and Rio are out of earshot before they turn to each other.

“Oh my God,” Jen says, at the same time Alice says “I thought Agatha might hit you there for a moment.”

“I told you so,” Lilia says, carefully setting down three cups of coffee on their usual table.

She’s a lifesaver.

“I’m sorry, you did,” Jen says, gratefully accepting the mug. “Next time, I’ll believe you.”

“I can’t believe we missed it, all this time,” Alice says, looking equally grateful for her drink.

“Technically we missed nothing, we thought something might be going on and we were right.”

Jen is sticking by the fact that they got this one right.

“Yeah,” Alice says. “But married for eight years is a little different than wondering if two people are dating.”

Jen waves her off. “Details. But don’t think I will forget that you basically threw me under the bus there.”

Alice is the one who looks sheepish now. “Sorry, but she’s scary.”

Jen won’t deny that. “So, who’s going to be our next source of gossip? We’re going to need something new to talk about.”

Alice rolls her eyes but doesn’t protest, which is either because she’s too tired this early, or because she wants the gossip too.

Probably both.

“What about your love life?” Jen teases, earning a glare from Alice that she knew was coming. So, what? It’s easy to wind her up.

“Don’t you dare,” Alice warns.

“Fine,” Jen laughs. She’s sure they’ll find something else to gossip about, at least for now they’ve solved the Agatha and Rio mystery. 

Which wasn’t really a mystery after all, because it was common knowledge.

Apparently they were just the last to find out.

[da-man-si]

I agree with the people saying that both leads are horrible communicators and thus have their spoiled and cold relationship but, based on the first episode only, I put about 90% of the blame for that on Sa-eon. I obviously don't know the entire history between these two but what's clear so far is that— Sa-eon was supposed to marry Hee-joo's sister and maybe he liked her (or maybe not), Hee-joo used to admire Sa-eon (the intensity of the admiration being unknown for now), their families are in a typical political relationship where they scratch each-other's back, Sa-eon has developed some possessive feelings towards Hee-joo during their three year marriage which he is highly confused about and would rather punch his hand on the wall than admitting it and start treating her right. On the other hand, the three year marriage has Hee-joo feeling suffocated, depressed and unloved. I wouldn't have blamed Sa-eon for majority of it, if it had not been for that wedding scene and the term in the contract— "she must not show her face in the public". No matter how much Hee-joo admired him, all that is enough for her to not even want to look at him. Yes, she is at fault for not expressing her feelings but it's not like he would get it even if she does *cue that scene at the party when she signed to him and boy didn't get anything except that maybe she cursed at him*. Hee-joo's situation reminds me a lyric from So Long, London— "just how low did you think I'd go before I self-implode, before I have to go be free?"

To communicate is to sit on a seesaw and balance the weight so that both parties can have fun on it by having both the edges go up and down repeatedly. However, Sa-eon is sitting on one edge with his full weight and the seesaw isn't moving at all. It's only the first episode so my view will probably change with the revelation of more details.

Also, I do not mean I hate Sa-eon in anyway by saying that he is to be blamed for their bad relationship (this is not MDL so I don't need to clarify but just in case). In fact, his character is what I was hoping it to be lol. I'm loving both the main characters and am seated for them (especially Sa-eon) to catch up with their feelings and fall in a love spiral so much that they'd want to puke. I want the down-badism to be expressed and shoved down my throat.

[secretress]

❝𝐏𝐀𝐂: 𝐈 𝐦𝐚𝐲 𝐛𝐞 𝐟𝐫𝐨𝐦 𝐚𝐧𝐨𝐭𝐡𝐞𝐫 𝐜𝐨𝐮𝐧𝐭𝐫𝐲 𝐨𝐫 𝐬𝐭𝐚𝐭𝐞, 𝐛𝐮𝐭 𝐦𝐚𝐫𝐤 𝐦𝐲 𝐰𝐨𝐫𝐝𝐬, 𝐈 𝐰𝐢𝐥𝐥 𝐟𝐢𝐧𝐝 𝐲𝐨𝐮 𝐚𝐧𝐝 𝐦𝐚𝐤𝐞 𝐲𝐨𝐮 𝐦𝐢𝐧𝐞.❞

Where is your future lover from? (Detailed)

Masterlist.

Authors note,

I finally fixed my links (starting here and with my masterlist), now you can press on them instead of clicking on my profile.

Moodboard. Divider.

Pile I.

Trigger warning: faintest mention of self-harm.

France, Indonesia, Canada, China, Afghanistan, San Marino, Norway, Some of you have someone who is on a cruise/overseas (may be a fisherman, work with the ocean, ocean is key), Sudan, and French Guiana.

You already know where and who your future person is. I, originally, was going to use tarot to figure it out, until I saw 4:44 on the clock, and it hit me, as it will do the same with you. Since you already know where they are, your mind has been running with ideas on what to do about it. Some of you like to travel a lot and want to find them since you are intuitive as it is. And the rest of you want them to come to you like a knight saving their princess. One word of advice for everyone here: allow your heart and intuition to decide for you. I know that listening to your logical mind is better and it can protect you, and sometimes where they are from and finding them can be exciting, but at the same time, with your current energy, it will not help nor happen for you. Right now, your main focus should be working on yourself, healing, and connecting with your flaws. I know that you have healed a lot, and I am so proud of you for that, but you need to connect with your flaws. Not everyone is perfect, not everyone will have the best or good qualities, and that is okay. Not everyone will always be perfect and only have a few of their qualities; sometimes they will have their flaws, and that is how they will act for that day. And that is okay. Everyone has flaws, and everyone has good qualities to them, and that is what makes them human.

A lot of you have been focusing on what is good and what is bad; try to focus on what you want your morals to be instead. A lot of you don’t believe in what society says about morality and how they pressure the world to focus on their ideology, but because of this, you started to feel guilty for it. Don’t. You are allowed to have your own morals and your own ideas on what is right and what is wrong, or in this case, what works best for you. That is the beauty of having your own mindset and not following the crowd, and that is another thing that makes you beautiful. Because I find you and your energy beautiful, and you need to start to believe that. You need to start to fall in love with yourself and learn to appreciate all parts of you. Some of you feel nervous about the flaws you have, and that is okay. But, at the same time, if you don't show appreciation to them, then you will start to feel scared around who you are. You cannot allow your future person to fill the void you feel. You have to do that for yourself first. Because if you don't, you will lose yourself throughout the relationship and become a people pleaser like you did in your younger days.

A lot of you desire for me to speak more about your future person, but there is nothing that I can channel, nor would tarot give me anything. The problem is your current energy. You need to stop chasing ways to find them and start to chase yourself back and accept all of you. I keep thinking of a mile run; some students will work hard to become the best, and some will cheer the slower ones so they can make it at the end. You are in between these two types of people. I know that you have healed, and again, very proud of you, but you honestly need to get a grip and start to cheer for yourself and your flaws. Fall in love with yourself again, you are deserving of that. I do not care what you have done in the past, everyone has forgiven you, so why can’t you? What makes it so worthy to sabotage your happiness for your past mistakes? What is done is done, and you know that, so why indulge further? Make yourself happy so you can be that princess and allow your knight to come your way. Because your future lover is supposed to come to you, not the other way around. Stop taking care of others, respect your younger self for healing your people pleasing ways, and get a grip back into the path you desire. It is your time for your happiness because you deserve that.

I know that sometimes you seek others’ validations or need for comfort, so take it from me. I read people’s energy, and your energy is fine. You’re okay, you deserve happiness, and I am telling you to go seek it. It is time for you to appreciate yourself instead of allowing yourself to be a widower to your past. Stop letting others hurt you and make you believe your flaws are disgusting when they are not. Who are they to say something about who you are when they do not know anything about you? Sure, you can say I don’t know anything about you, and that is true, but yet again, I am reading your energy, so I have the gist here. Do not allow your insecure thoughts to eat you alive again. Our insecurities can always shift into something positive, and you deserve that happiness, and when you do meet your future person, they will show you the same. But please, do not wait for them to arrive to feel their touch, do it for yourself. Take care of yourself, pamper yourself, appreciate yourself, put yourself on a pedestal, and no, that is not wrong. It is not selfish. Those who say it is selfish are the people who do not know how to respect themselves, they do not. They may have grown up in an environment where it was frowned upon, but yet again, it is a lack of respect. So, do not do that to yourself, understood? Some of you think you have selfish tendencies, and yes, you do, however, it is something that can be switched to gratitude. You need to show more gratitude for those who can be a little more selfish; those who aren’t and others say that you are, stop allowing them to make you feel that way and start to become more selfish. Being selfish is not a bad thing, excessive amounts are the problem. So balance it out with gratitude and self-love for yourself. Please show yourself compassion when things become harder and stress arises. Stop nitpicking everything you do, stop going back into picking your skin, chewing something that damages your teeth, and/or picking your nose with sharp nails (it can cause scabs in your nose damaging your inner lining meaning bacteria has a better chance of entering and thus bacterial infections). Stop the self-harm too, you do not deserve that. Okay? You deserve happiness.

Masterlist.

Pile II.

Greenland and Mauritius (drawn to it two times), Ireland, Some of your future person lives on a boat so their locations differentiates, Russia.

Your future spouse’s energy is so beautiful. I instantly kept saying, “wow, wow, okay, wow, wow.” Your future spouse's energy keeps shifting, meaning they like to travel a lot, but at the same time, people are drawn to them like a magnet. Their energy is very strong. It reminds me of taking shots and getting dizzy after one. So strong, wow.

A lot of you are trying to figure out if someone in your friends’ circle is your future spouse. From the readings you have read, the signs you have seen or wanted, the way the people speak to you, and the way you feel about them have made it harder for you to pinpoint or locate who they are. It is no one in your circle, but someone in your circle knows your future spouse online. And they will introduce you to them in the near future. My intuition says, “you are not ready to meet them. You need to let go of being the investigator and stop reading pacs. Give up on them and take a break for the sake of your mind and peace. It’s time for you to let go and have fun before you are introduced to them and fall for them on the sight of their words addressed to you.” They are such a romantic with you, with others, they are like, ‘’meh, whatever. Okay, and?” But with you, it is like let me just find the most perfect, stunning, angelic … (more lovely words) rings for the most perfect person in the world; you are my world, my life, my presence .. and so forth. Very lovey dovey with you, you make them so soft. At first it was gross and weird to have this switch of who they were, but then you started to make them realize how nice it was to feel something more. You are their safe haven, and the same can be said about them for you.

I see a pretty garden, filled with nice roses and pink roses, some dandelions, and dragonflies surrounding the both of you. You have an outfit similar to Alice in Alice in Wonderland, and they have an outfit similar to the White Queen. It’s such a warm and bright atmosphere that you can get lost in it and fall into a rabbit hole. The same can be said about who you both are and how your energy will melt perfectly with one another. So drawn to one another that no one can separate you both away from one another. Your adventurous and childlike wonder personality is what grabs your future lover’s attention and spins their world into the story itself. In short, your relationship will be magical but overwhelming with their parents and yours. There is going to be clashing. A lot of communication will mend it but not heal the relationship. Do not pour yourself into fixing it, focus on you and them.

Masterlist.

Pile III.

Trigger warning: faintest mention of rape.

Mongolia, Panama, Burundi, Northern Mariana Islands, China, Canada, Russia, and Kazakhstan.

Your future spouse grew up and is still living in a close bonded village or community. Their mindset is closed, very closed, hence why the energies you have read differ from one another.

II of Swords and X of Swords.

I need you to listen to me very carefully. Although this is a future lover or spouse reading, your lover is not someone you are supposed to be with. Their energy is so.. so very overwhelming, complex, and so damn off putting. I can’t even read it.. it is that bad. I have no idea if you are speaking with them on a dating app, met them and had a “lovely” date with them, if they are your ex, or even dating you, but leave or do not engage with them. I will describe them. I wish I could give you a cute reading about who they are, but their energy is so blank—so empty, shadow like, and so very much draining you.

This person blends into the crowds and projects themselves as a kind and lovely person who went through so much trauma. This person has told you, or will tell you (future energies appeared), that these people were awful, and these people made them feel small, but they were able to heal, or at least tried to feel better about themselves. (Red flags are waving in my mind), they like to talk about France or are associated with France (born there, love the food, know the culture, etc.). They will subtly mention how perfect you are but secretly hide their disgust for you. You may have noticed it and brushed it aside from how exhausted you have been lately. I would not say you have been gaslighting yourself; you could be, but something along the lines of ignoring it or acting ‘oblivious’ because you want something good to finally happen to you. They like to bounce around each topic, never fully explaining what they are saying but ‘appearing’ intelligent because they bullshit their words. Some of you have noticed it and have called them out on it, but they either love bomb you and you let it go, or they manipulate you and you believe their lies or will (future energies only). They believe you are easy to trick, and they are right. You are easily swayed to someone’s side because of how open-minded you are; you need to start to limit that and focus on your ideals.

They love, and I mean love, being perverse around you. They always act as if they are modest and clean, that they have innocent and pure thoughts, but they do not. Very disgusting mindset, it reminds me of those who think it is okay to rape others. Yuck.

With the X of Swords (ten of swords), they.. (sigh, I am so sorry for you, truly. I hope one day you can finally heal and find the right person for you). They prefer to put you down and make themselves feel better about themselves. Usually, people who are insecure do that, yet they are not. They see themselves as this perfect being who deserves the best, and everyone deserves filth for being around their existence. Very high unhealthy self-esteem and very close tendencies to being a sociopath. I am not sure if they are diagnosed or not, but they do or would have pride for that, for being a psychopath or a sociopath.

You got two sword cards, and when it comes to the more depressive or weaker genre, this symbolizes abuse, lack of empathy or care, and being harsh. This may explain this person’s inner thoughts and how they interact with others, yet on a surface level they act like the better parts of what the swords symbolize: being creative, being brave and taking charge, learning to communicate or perfecting it, and being overall intelligent with a touch of care. I believe now you know who this person is, and the fear that surrounds your heart is making you overwhelmed because you put so much into this relationship only to find out that it was a lie.  I believe it is time for you to let them go and let go of everything about who they are and what they did for you. In reality, it was for them so they could have you wrapped around their finger, and unfortunately, you gave them easy access. Block them, cut contact with them, simply get rid of them, and bring back your peace.

Intuition told me that you need two oracle cards, and I will explain it for you. The first one you got was ‘’dna.’’ It states, ‘’you are predisposed to follow the karmic dictates of your ancestral patterning to some extent, yet as you evolve in your consciousness and expand the light of awareness, you can make choices that shift and modify this ancestral design.’’ Meaning, you have to follow along what your beliefs were all along, stop allowing others to sway you and follow their beliefs, their morals, and their tradition. Though it is good to have an open mind, an open mind with a huge heart, and being naive is what makes you fall down; it is your downfall, and it will be hard to build back the same place you fell from. You can ever truly go back to that, but you can always rebuild it and make a place that is better for you, but at the same time, a safer and calmer place for you to rest when things become tough. The next and last card channeled is ‘’iceberg.’’ It states, ‘’whatever you suppress or deny and attempt to keep out of conscious awareness will show up somewhere and somehow.  These are your shadow aspects.  Now is the time to allow these elements to surface and embrace them.’’ It means exactly what I have been saying to you. Learn to appreciate your open mindset, but learn to push away being so naive that you fall into that spiral I previously spoke of. Learn to appreciate that you care, that you want good things coming your way, and that you know and understand that you deserve good things, but push away those who do not mean well to you. They will sink you like how the Titanic sank with the iceberg. And that is something you simply do not deserve.

Masterlist.