#I want a game that tells a story that has good writing and good characters
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scopophobia-polaris · 9 hours ago
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So, to add on to Navi's post, because her whole read for the original was getting screenshots from the game to debunk what was said, of course....we are now here. I want to tell you that no one here disagreed with your conclusion about Ganondorf being a victim. What we here disagreed with was the method you used to get there. Simplifying Ganondorf down to solely good or solely evil is something this Fandom does all the time with little to no nuance. And even though you have written an eloquent essay, Published even! You twisted or outright made up parts of the game to get to your conclusion. In essay writing, that's called a logical fallacy, and the whole essay either twists what happens in the game or outright gets it wrong.
Now people are probably gonna wonder why I'm treating this like a big deal or why I'm speaking so blunt, because this is by all means very stupid fandom drama.
But I think when you're a college prof and you get an essay published and it's online for people to read everywhere without you, one, not giving the context behind Ganondorf's creation and the coding of his appearance and motivations, two the complexities of a corporate conglomerate in a notoriously socially conservative country taking aesthetics from countries who were historically colonized. And Three, The way that video games are a collaborative effort with usually no singular vision, this is very true at nintendo despite what people may think, and at any moment changes can be made for any reason by team leads or executives that would hinder or even hurt a story. It detrimental to the audience reading it that you do not provide them more of a couple of screenshots
Basically, many things go into a story and now I'm taking this more from a DOYLIST view right here talking about Nintendo. But I'm doing this because you keep trying to say..... well fuck man do I need to pull up more examples? Navi got them all, the whole essay is you trying HEAVILY to imply that Nintendo MEANT to do all of this, as in intentional in the story, idk I feel crazy, words have meaning, specific wording has implication, oh and this dosent even get into how localization can change things 😃😀 wording has meaning and sometimes translators don't have cultural contexxxtttttttt and to not even mention about Nintendo's history or even the short hand that comes from Ganondorf's design and the historical Orientalism behind it feels like a disservice to the paper, but much more qualified people then I have discussed the way Ganondorf is written and probably would love to discuss or link to previous writing again if asked.
And this is a cold take but Nintendo isn’t the place you should be looking to for deep story telling, they will always be a corporate entity first and the bottom line is a general audience, this does not mean JUST KIDS this means to a generalized population. And this is extremely cynical but a lot of people cant even handle the complexity of a female character who is mean, like Midna, do you really think people would handle a Ganondorf like how he is in Tp being portrayed in any form of film language as good????? This game dropped 5 years after 9/11, Nintendo was never gonna lose out in money like that.
And Dude people have given so much shit to HUGE fanartists and comic authors about their work portraying Ganondorf in a sympathetic light, you would of thunk more people would of picked up on Ganondorf's story being written as tragedy if there was something in the game that actually DID that. Maybe they would of written a blog post about how Midna saw Link kill Ganondorf and was ashamed of that or Ganondorf TOTALLY said the history of light and shadow will be written in blood thing before the final battle, you think people would of talked about huh why did Ganondorf say that there or something and maybe went đŸ€” instead of it being argued that Tp Ganondorf had the weakest writing of the series until TotK threw a pile of flaming shit at my door with a picture of Ganondorf on it.
Navi also goes in depth on how Hyrule has not exactly stagnated like what was claimed in History of Light and Shadow by using the Goron merchants and Yeto as examples.
Rynling has stated that the cause of the stagnation and decline is due to an ineffectual leader that has "Not allowed its people to be revitalized by change and diversity."
Now I am familiar with the flaws of an undetermined national unity, I am very familiar with the subject, but I’m not going to speak like an authority. Id rather let someone much more qualified make that post and I link back to it, because i know its coming. But Navi said in her post that the idea of what could of happened at Arbiter's Grounds can completely blow over someone's head if they didn't play OoT first, and I think more or less this is accurate, certain things are lost in Wind Waker even with the recaps, but I wanna join in on this in my own way...
Rynling....you may say Hyrule has been on a decline during Tp......you may even think OoT had a more stable Hyrule or some shit.....i THINK YOU FORGOT ABOUT THE PLOT OF OCARINA OF TIME BAYBEEEEEEE
THE SUPPLEMENTAL MATERIAL THAT I CAN PULL UP TO PROVE MY SHIT ABOUT OOT HYRULE BEING DOG SHIT IN COMPARISON TO TP
Like if you're seriously gonna link me and Navi to your essay then I am about to go full BTW it's a Sativa and eat that bitch after midnight cuZ we YELLIN ABOUT OCARINA OF TIME ON THIS POST FOR EVERYONE🌟🌟🌟🌟🌟
All of Ocarina of Time's narrative is haunted by the civil war, the whole reason why Link is being raised in the woods is cuz of the civil war, the Sheikah are implied to have died out during the same conflict, and well its said that Hyrule was unified during it
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Civil War yet the translators use unified the country like it WASNT under a sole ruler before? Hello? I need to go back through the Japanese script for the game again to see if i missed something of the game and freak it harder. And do realize the Deku sprout in this screenshot says fierce war but every where else, including the Zelda wiki (not fandom) its CIVIL War.
The Gate to Death mountain and Simultaniously the fence at Zora's river gives us and idea that peace was....tenuous at best downright hostile at worse given relations with the Gerudo
so today we gonna do some fun comparing and contrasting the Gorons and how they are treated in OoT to TP
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and we gonna start with his racist ass BHJBHDBHKCJW
I mean, damn remmeber how mad Darunia is at Link for being the supposed royal family messenger? Link Unlocking the door to Darunia's room with Zelda's lullaby, I think it's a little funny that Darunia is hung up , you know, like he knows this is some disrespectful shit
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Hey wannna hear some shit? The gates at the edge of death mountain aren't guarded by Gorons and were not built by them you can tell, the only way to visit the mountain is to get permission from the King to go up and not from the people that actually live there
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God and like, there is something about the way Darunia locks himself in his room, like he does it to keep the ruby safe from all the other Gorons being so hungry that he's frightened they're gonna eat it, he doesn't know what to do on how to act about the Dodongos that Ganondorf summon on him for not giving over that rock. It qlmost sounds like when Ganondorf came in and Threatened Darunia, and that he (Darunia) sent a message to the royal family asking for help, why else would he be expecting someone to come meet with him?
"If I'm not mistaken, you came out here to eat the red stone too! Well, too bad! It's not here! What? That's not why you're here? You're looking for a "Spiritual Stone?" You must mean that delicious-looking red stone that was once displayed above the city! I was so hungry that I thought it would be OK to just give it one tiny, little lick...so I snuck up there. But it was already gone! I think Big Brother took it away. He always says that everyone is after that red stone! Big Brother has shut himself up in his room saying, "I will wait in here for the Royal Family's messenger!" this is a quote from the Goron that you can find on the middle of the rope bridge thing in Goron city.
Yeah so he sent a letter or something and no one answered yeesh.
contrast this all with TP where OH LOOKS WHO'S GUARDING DEATH MOUNTAIN
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so in TP spoilers, this happens
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Kakariko is more connected then ever! Renado here is wondering what the hell is going on with their FRIENDS. And yeah the Goron elder Gor Coron is trying to keep the last few people from kakariko left safe, and other Gorons, i mean, theyre keeping a piece of the fused shadow in there. also the way that entry into the temple goes in this game is cute, Darunia was freaking it cuz everyone is starving, but here Link wrestles his way up a mountain to ask the Gron elder whats happening since he was asked to come here by Renado, Gor Coron goes DAMN
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unless......?
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IDK ITS LIKE? ITS SILLY? Idk Hyrule isnt the best place but why try and act like this doesnt happen during TP?
so where am i getting at with this? the hell was going on back during OoT? If things are so odd and weirdly tense with the gates gaurds and non responses
"As time passed, the Triforce became a legend, and the different people of Hyrule forgot the laws and wisdom that the goddesses had left behind. Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo. It seemed every race of Hyrule was at the other's throat. Only the secluded Kokiri, sheltered by their magical forest and the Great Deku Tree, were spared the destruction of Hyrule's civil wars.
After 50 years of ceaseless combat, there arose a Hylian King of great wisdom, courage and power. Through his brilliant military campaigns and wise diplomacy, he was able to bring the varied people of Hyrule into a tenuous harmony. Treaties of peace were signed, and prosperity once again seemed to bloom in Hyrule. But no sooner had people declared peace in Hyrule than trouble once again stalked the land."
Tenuous Harmony, could you imagine if they dropped a line like this in Creating a champion? The tumblr side of the fandom would go fucking nuts with that info like OHHHHH SHIT WAS GOING ONNNNNN
This was ALL on the offical Nintendo Zelda website back when oot was the big game out, we have this cuz someone saved it to the wayback, THIS SCREENSHOT WAS FROM DECEMBER 14TH 2001, ABOUT A FULL YEAR AND A DAY UNTIL WIND WAKER WAS RELEASED IN JAPAN. THAT'S INSANE RIGHT???? â€Œïžâ€ŒïžđŸ”„đŸ”„đŸ”„đŸ”„đŸ”„đŸ”„
And then it all probably got deleted once wind waker became the new thing!!! Or when they wanted to modernize and deleted it!!! THAT SUCKS RIGHT????
And what's worse is that it introduces some new info and also clarifies something. Hey you know when I made that post like damn Darunia racist as hell
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"Warfare and strife became common in Hyrule, as the armies of the Zora marched on the Hylians. The Gorons fought the Gerudo."
NO WHERE IN THE GAME THE LEGEND OF ZELDA OCARINA OF TIME IT SAYS THIS, IT DOES NOT STATE THERE WAS CONFLICT BETWEEN THE GORONS AND GERUDO.....LIKE DIN GET YA KIDS.....IM LOOKING EVERYWHERE FOR SOMETHING I MUST OF MISSED.
But Like oh hey a fucking explanation to why he just fucking says that, I figure it was cuz of Ganondorf trying to almond mom all of them or that he kept talking to the King and well.....Navi already showed the GENERAL reaction to the Gerudo in castle town.
it went from oh hes just racist to dARUNIA AND GANONDORF HAVE HISTORY????
But the interesting one is why did thy Zora "marched on the Hylians."
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Like sitting here like, I know a comic made in Germany shouldn't be a be all end all in shit I knew it never was and it would like. If you put this in warrior cats canonicoty categorization would be considered lower down supplementary material dubious canon, but their are things in the comic AND the Himekawa manga that behinds some behind the scenes actions given that LINK'S MOM HAS A MOSTLY CONSISTENT DESIGN WHAT THE HELLLLLLLL. And I always thought the Goron Zora war thing was stupid but Nintendo then had that out on their website, what the hell was going ON.
Because idk i didnt think much of Zora De Bon XVI and the Hyrulien King's relationship but
Now a days the Zelda website is much different and does not have lore pages like this anymore, it's more like a summary of the timeline. But yeah actually Nintendo approved shit, Hylian/Zora war.
Hyrule is progressing, its just going slowly, Hyrule is not AS stifled by its monarchy or a lack of integration during TP because Hyrule IS integrating, is people's are intermingling like is hasn't before during this game.
And this isn't even to get started on the E3 demo of Twilight princess that the trip that Link is supposed to take at the beginning of the game was to be the representative of Ordon at the "Hyrule summit
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and Hyrule is described in a VERY specific way
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Kingdom of Hyrule and neighboring realms? like theyre all not under the crown? so like???? FUN, that didn't end up making it in the game. the dailouge that is, But the remints is still there in the way the game is made up, like how OoT is built off is civil war bones
actually funny, Navi just got me screenshots of the way the dialouge was changed here
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Like stuff clearly changed during the demo and finished game, I should of been touching more on the intricacies of how like shit was just change for no reason sometimes but uh....
But maybe @rawliverandgoronspice would want to one day like about games industry stuff if you ever want to 😭 I know you're super passionate on this and I wish I like even off hand mentioned something about how like TP is also effected by how games are made but I didn't and I'm a fool but games are complicated as hell and that post you made talking a bit about it was fun ya know 👉👈 and the Beta of Tp changes a LOT of stuff, one Rusl really is like a brother to link in the way he messes with him, it actually makes some weird Nintendo licensed shit saying hes like a big brother to Link made WAYYYYY more since with the Beta in mind, but....that also mean they tried to keep the big bro vibes....but then put the dad ones in there too like.....uh...did..someone not change his summary anywhere?
that was my big thing i wanted to talk about, navi's already touched on everything else i just think the parallels here between the Goron quest between OoT and TP changes in such a nice way.
And like this doesn't get into other shit about TP, like if we wanna deep dive into shit ya don't gotta do it by twisting the story, like I was going and talking to @blackautmedia to ask with some help when it came to like.......god idk what i even said anymore i was going a mile a minute. He wants to write his own thing on Twilight princess so im not gonna step on his toes but he has recommended Arabs and Muslims in the Media: Race and Representation after 9/11 by Evelyn Alsultany, the link I provided here is too her website and her page on the book this link here is from her own site that has a pdf of a part American Quarterly with a paper by the same name.
Anyways i wanna reflex for a moment cuz ive been up for hours finishing this because my brain wont stop unless i do. But the thing that by all means started this, was not your reblog linking me and Navi to your essay, or that there is 2 versions i found out where the paper published one had a lot more context to why you wrote your tumblr post the way you did, Navi helped me get the parts that were cut, please realize removing these does not remove the sentiment from the essay, its baked in.
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fanfic, its a popular Fan interpretation that there was fighting between the Gerudo and Hylians after Ganondorf was caught trying to take the triforce, but this is not stated to of happened in the lore itself or even has evidence to back it up other then the Implications of Arbiter's grounds theory
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UGHHHH AND THIS AGAIN "Twilight Princess Delivers a subtle yet poignant protest against neoliberal discourses of empire reflected in the rhetoric of heroism inform the geopolitical movements of Japan throught the twentieth century"
WHAT ARE YOU FUCKING TALKING ABOUT......
i dont mean this in a stupid ass way, im saying where the hell was about the protest thing, wait i really shouldt take from the published one cuz you actually dumbed down the line for tumblr
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anyways again, where, Navi made it clear enough with her own post that, no, the way that Ganondorf is animated has no sympathy for him until the light is literally leaving him. Hell Twilight princess inst very kind to the gerudo either given that the only thing said about them is that they were thieves and nothing more. Like somehow OoT is more empathetic to the Gerudo, it doesn't just call them thieves, it aint great its not even good its just a bad portrayal of a people, and yet somehow OoT is willing to show the Gerudo in a neutral light at points then TP ever did.
but the reason i decided to just throw down a post is cuz i was pissed that you went after Ezlo for reblogging ME and NAVI's posts and purposefully misunderstood their fuckin wind waker post about ZELDA YOUTUBERS
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dude you had them getting genuinely harassed by people with 0 reading comprehension that thinks a snarky reply to a tumblr post means its 100% correct. Webbed. Site.
anyways, I hope people don't take this as a right or wrong way to interpret a piece of work, as stated before, I read your essay, navi read your essay, you changed parts of Twilight Princess to get to the conclusion of you paper...And im gonna be real but it's kinda crazy that you're using post colonial melancholia for this when it's got some.....well something like idk i need someone to do a full ass review because there are point where i gently raise an eyebrow im gonna be real. but also like
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like how do you read his book and then miss out on this, one of your whole big aruments is that hyrule is stagnate and not multi cultural and i had to grab screenshots and Navi had to get shit from the game.
like damn, do yall ever uh feel a strange sadness when dusk falls? i do. Idk this is one of the first and last times Nintendo ever delt with Ganondorf with some form a sympathy for him, cuz we got the dragon explosion in totk its like oh he's turbo evil now and he exploded you exploded him and yet the Gerudo probably still gotta pay for his shit from a billion years ago anyways idk idk idk pot shots at totk again.
I know you dug around a little for that post, and I understand from the numerous people that dmed me about that, you probably went on making an essay on their post so you could sound smart again.
And to be clear, I was told to drop some shit i was about to say about you because no one wants to start fandom drama, neither do I truly and any jab on the post itself would just be rude. people change and some people only learn to shut the hell up, so we'll keep it at that. I just hope you really don't truly recognize some of these people you started shit with.
So yeah tldr, uh.....idk, im going in for an autism screening in a month
also me watching the ending to windwaker cuz i wanted to say something about stong endings TP fans im sorry But Wind waker's ending hits no matter what best sequal to OoT thats isnt Majora's mask
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The History of Light and Shadow
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At the end of Twilight Princess, Ganondorf delivers one of his most memorable lines, “The history of light and shadow will be written in blood.” He is not wrong. As the player has witnessed over the course of Link’s adventure, Hyrule is haunted by ruins and ghost towns, a mere shadow of what it once was. The landscape is filled with numerous sites of past violence and empty spaces visibly marked by decay and wasted potential.
When Zelda tells Link and Midna that “these dark times are the result of our deeds,” she is referring to specific historical acts of imperialistic aggression. Hyrule established hegemony over its outlying territories by crushing the rebellions against its advances, but the kingdom has suffered from cultural stagnation as a result. Without the dynamic diversity symbolized by Ganondorf, Hyrule finds itself in economic and political decline, isolated from any contact with the world beyond its shrinking borders.
As a representative of a marginalized group of people who have been attacked and driven from their homes, Ganondorf is a tangible manifestation of the horrors of imperialism. He must be defeated, but doing so does not address the underlying problems that have resulted in Hyrule’s decline. I therefore want to argue that Twilight Princess uses Ganondorf to deliver a subtle yet poignant protest against the discourses of empire reflected by the dualistic “light and shadow” rhetoric of heroism that has resulted in tragedy and regret.
Keep reading
#oughhhhhh#oghhnkn eepy time yeah never agian#i have a whole thing about the triforce i wanted to say all this shit because of corruption and power but im so tired and ucked up what if#draw like crazy tomorrow or something like oh hbhbgb but uhhhhhh anyways anyways#now that i dont ffeel like i goot wAIT THE CHAINS BREAKING MAMA DIDNT RAISE A QUITTER#but like idk i dont like fightig or anything online i was just so??????????????? when Ezlo got hit for no reason like hi dont do that they#werent apart of this like#idk maybe im just a little venomus rn too but i also uh....would not be mkaing repeat posts where you wax academic about post colonial#ghosts but can reblog more then 8 posts for palestine in over a year??? like thats mean to say but with the context of Ori....#yeesh#idk bad look. there are real people to care about and this is why i dont wanna do internet discourse no more#its just stupid as hell and i have become SOOOOO normal#god lets hope i didnt eave lose ends i look ill rn ive been up over uh..........36 hours for some ungodley reason#wasnt even writing this the whole time i was clotecting eggs and laying down some diatematious earth for these birds#oh and then i get like.....IM GONN DRAW GANONDORF#I GOT AN ASK ABOUT HIM AND HES BEEN ROTATING IN MY HEAAADDDDDD#OOOOOOOO DORFFYDOOOOOOOOOOOOOOOO#Anyways back to my shit i will hopefull never be this mean again because its fucking exausting#but like bunch of dudes in your dms like LOOK AT THIS and you go oh YEESH i am so sorry i was a teen when that happened#well anyways im gonna be doing my little tasks and stuff tomorrow cuz#AS I SAID THE CHAINS! I CAN FINALLY KRILL MYSELF (srimp dinner)#one of these days i need to designn this fursona i have in my head and post it#i got so many things to dooooooooo and yet#alright well that was a waste of time#maybe ill come back to this and point at myself like you should of grabbed sunset perril by the throat about the wold cock thing#okay it was average it wasnt even Terato i wanted to SCREAM#this is not normal right? dude come on get weird with that shit#oh shit i should play bloodborne agAIN WAIT IS ELDENRING CO OP A THING#oh i would FUCK SO SEVERLY IN THERE#I May get webfishing soon but after i do some stuff
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p0rchc0ll4ps3 · 1 month ago
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I'm going to be completely goddamned honest with you here
If it's not set in elysium, I do not fucking want it
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simcardiac-arrested · 6 months ago
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no actually I’d like to hear your thoughts on the isat ending
Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and
..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point 

 not an excuse 
. not feeling it chief 

. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like 
. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it 
.. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just 

 That
#honest to god if you want a Good Example of a story like this just look at dungeon meshi#we start the story from the end of the characters’ journey. they all don’t know each other very well and they’re just working together#hell they don’t even like each other that much. And then as the story develops and they go through their journey we get to see them bond and#get closer and fight and make up and admit they care about each other and still be mad at each other#nobody even gives a fuck about laios at the beginning of the story but by the end of it they’re all willing to die for him. THAT feels#earned. when marcille super fucks up and everyone tells her off for it but still wants to just make sure she’s ok That feels earned#like honest to god i’d take marcille’s arc any day than whatever’s siffrin going on#i just feel like this game suffers from a chronic Tell Dont Show syndrome. we get old over and over again that these characters are close#told*#and that they care about each other. And that’s just 
.. not a way to write a story 


#when all the characters exist just to comfort the Whump Main it’s like how am i supposed to get invested. in any of this#u know when the dev replied to someone who was asking them how to write a story and they just said ‘glue your fav tropes together until it#becomes a story’? Well i think that is isat’s main problem. it’s not really a story. it doesn’t really have characters#it’s just a bunch of tropes in a trench coat. And let me tell u that is notttt how you make a story. at all. at all#anyways this was supposed to be about the ending but this story just has so many inherent problems i could critique it foreverđŸ€·â€â™‚ïž my badddd#it’s fun as a game and it’s Fine as a story but at the end of the day it just reads like fix-it fanfiction to me#which is not Bad on its own but i wish people would at least recognize how the story is kind of built on sticks#cramswering
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vaugarde · 10 months ago
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this is gonna sound so backhanded but after 3 letdowns in a row from pokemon (followed by a game which isnt terrible but i dislike because of how much it fucked up the plot of sm), then a game that i genuinely really love and want more in the style of and largely because of how it deviates from the main series, im genuinely so shocked that i love scarlet and violet as much as i do. like when i was going through that tutorial i was just cautious and waiting for the other show to drop and be bored at best, but like, graphic glitches aside, it never came. it stayed really fun and charming
#like is it acceptable that it came out so glitchy when its a $60 console release? absolutely not#i think the game has a lot of issues and i dont blame people for not being happy with it#but i think what makes this better than swsh to me is like. swsh sorta feels like it was made out of obligation sometimes#like. tpci and gamefreak treated galar like a kid would treat an art project in a medium they werent interested in#but they were being harassed for that good grade so they powered through and hated the result#and sorta just tried to hide it when they got home from school that day#not that there isn’t anything to like about galar or it has no substance whatsoever but when i played it i couldnt shake the feeling#that gamefreak was embarassed of it. like they did not want to linger too much on this game#i think the anime switching format was a good idea in the end cause just putting ash in another gauntlet after he won the alola league would#would have been weird but its veryyyy telling to me that they changed the format so drastically#that we didnt even spend all our time in galar. their home base wasnt even in galar#and in the game they emphasize that kantos got better pokemon and everyone loves them better and theres not a whole lot to do#and there was always just this feeling of insecurity and dissatisfaction with it#and for all its faults- i cant say the same thing about scvi. this game oozes with charm and care#the writing feels like someone genuinely cared about these characters and wanted the best for them and the story#the gameplay feels more involved and confident. they got more experimental with the format#idk it feels like people LIKED working on this game to a degree and wanted the player to have fun#echoed voice
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racke7 · 11 months ago
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Me vs FF14 part... 2?
It's taken me pretty much three full days of running from cutscene to cutscene. But I've finally reached Heavensward.
And like... on some level? I'm kind of offended?
Like, a part of me genuinely wants to replay the entire game from the start "as something else" (different main-class, different race, different starting-area, whichever), because the dungeon-queuing system is actually really fun when you start to Understand it.
As in, FF14 has somehow made an MMO that has almost eliminated the feeling that it is a level-grind? Partially? It's turned the whole thing into a surprisingly comfortable level of (limited, but genuine) social interaction.
To the point where even someone who isn't obsessively grind-focused like me, can genuinely enjoy themselves. Just queuing up for dungeons, Hunting some bounties, and-...
And then FF14 has so many fucking quests that it literally chokes the life out of the gameplay.
As an example, one of their biggest dungeon-draws (bcs high rewards) is a quest that almost everyone hates playing. Because doing that dungeon means watching literally eighteen minutes of unskippable cutscenes.
And that's with them having reduced the amount of cutscenes in that dungeon, because the players complained so much about them.
Like... I'd be perfectly happy replaying the game from the start with a different character, even knowing that leveling isn't some kind of pain-free thing. But the thought of having to restart the fucking Main-Quest? Of having to spend literal days just running back-and-forth to cutscenes?
I'm currently feeling a bit burned-out as a result of the binge I went on to get here, but I'm pretty damn sure that I wouldn't replay this fucking thing even if you paid me for it.
(And, of course, Heavensward also has a Main-Quest continuation that you have to follow. And now I'm not even allowed to fly everywhere to cut down on the "running back-and-forth"-part of my complaints. Not until they arbitrarily allow me to discover flight for the new areas, by going through even more of the Main-Quest.)
(Not to mention that now I have to go back and do even more Class-quests, with their own cutscenes, in order to unlock a bunch of skills.)
(I'm very fond of the "the church is evil because it doesn't let you fuck dragons"-meme, and I'm very much seeing it. But like... come the fuck on. Why is this MMO a feature-length movie-series? Why can't I just play the game and have fun?)
#and yes. i'm very much aware that ''you can do anything with one character''#bcs everyone gets one (1) race-changing potion. and classes can be switched out super-easily. but that's not the point.#video games#ff14#rants#personal stuff#also like... i'm unemployed and waiting for my classes to begin a few weeks from now. i have INFINITE free-time.#and i still feel like ff14 is actively trying to waste my time by ''telling a story'' that should be in a single-player game.#... actually. that'd explain a lot. did the writers of this game learn to write from single-player games?#is that why there are so many cutscenes and minor characters to constantly juggle? did nobody tell them that they were making an MMO?#(the feeling of going ''all-in'' on the genuineness in the cutscenes even when it's corny as shit? good.)#(being forced to sit through cutscene after cutscene instead of actually playing the game? bad.)#like... even just the dungeon-cutscenes? to some degree it's expected that you SHOULD skip them? bcs you're making others wait?#(and during the Raids. that means outright being left behind. ain't nobody stopping for anyone.)#so you're losing a massive bit of story-telling. bcs it's trying to tell that story in the WORST place.#it's a good story? i guess? but it's so fucking inconvenient to _play the game around_ that it feels more like a chore than an adventure.#and in a single-person game? i think it'd be great. maybe not entirely my kettle of fish. but genuinely good. but as an MMO?#like i get that a lot of it has been added onto it over the span of YEARS and that ppl playing it since launch would've been desperate#for new content. despite how the amount of content seems incredibly overwhelming for new players.#but jesus fuck. at least let people wanting to start a new character to just... skip the fucking thing? they've already seen it once.#* nevermind. they thought of that. they're selling ''story-skip''-potions for 10$. wow. just... wow.
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hecksupremechips · 7 months ago
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Girl like. The reason he said "this is how it should be" and faced death with a smile....is cuz he wanted to die. For 2 years he sat there thinking he was worthless and deserved to die. If he hadn’t be shot, his death would’ve been suicide, he was fully planning to die in a gutter somewhere undetected. When saying "this is how it should be" hes literally saying "don’t cry because I’m dying, my death is a good thing actually because I fucking suck and you are better off without me". I don’t think that’s badass even slightly, it’s actually really sad and really shitty. Shinjiro is so convinced that he deserves to die and hates the idea of anyone giving a shit about him because he literally can’t wrap his mind around the idea that he will be missed when he’s gone, that his death is a bad thing actually. And his last words were meant to be comforting because he fully did not intend for anyone to be there when he died, he intended to die alone, so he says them as a reminder that he’s not worth crying over
Personally, if it were me, if I was holding my dying best friend in my arms who was deeply depressed and suicidal and he said "this is how it should be" uh. I wouldn’t admire him for it??? Like am I losing my mind when I say the way this game handles Shinji is bad or is anyone else seeing this too 😰
#its like okay listen i understand the basic math of any persona game they say things and everything they say is actually#very bad when you think about it for more than 3 seconds#like what theyre intending to do with the death of this character is be like oh no your sad friend dies tragically thats so saddddd#but that doesnt mean you cant live a wonderful life full of meaning you cant let grief consume you life is beautiful awagga#and i guess shinji is a specific character whos used cuz i guess its more tragic that he never realized he was worthy of life and shit#and i guess its also like ‘dont be like this guy who let grief consume him and then died you gotta Be Different’#which i dont. love. that last part cuz if you think about shinji and what led him down this road#its like. of course hes depressed! he accidentally killed a woman with a child when he was 16!#he himself is an orphan and he just made some other kid an orphan as well and it happened cuz his persona went out of control#which very much can translate to ‘this must mean im dangerous and can hurt everyone if im not kept under control’#so of course he isolated himself and believed he was evil and became suicidal like who wouldnt feel that way#like am i supposed to be mad he left sees and took drugs cuz uh while i dont think isolation or Evil Drug is good for his mental health#i dont think him continuing to fight in sees is something he can just easily do again given how he killed someone like he shouldnt have to#be a part of this thing anymore like how would he even safely get castor to not do that??? he cant kill more people on accident!#so yeah like using shinji as an example of bad coping mechanisms is already just. a big fucking oof to me like it just feels like the game#is saying he shouldve gotten over it and simply not be suicidal and stayed on the team. idk if thats the intent but uh it wouldnt faze me#cuz persona games are notoriously awful at writing characters who are traumatized and abused#but what makes everything even worse is how the game kinda like. acts like shinjis death is a stepping stone#like we’re supposed to use it as a wake up call and understand the stakes but keep going on anyways#and akihiko and Ken get. ‘great character development’ according to the game telling you they have now developed#but damn all akihiko is is just repressed he cries for 3 seconds and then is like I SHOULD MAN UP and then neglects a depressed child#shinjis dying words are words to live by now even though they piss me the fuck off like girl am i crazy HES FUCKING#HES TELLING ME NOT TO CRY OVER HIM BECAUSE HE SHOULD BE DEAD ACTUALLY AND THIS IS A GOOD THING ACTUALLY#like if the game wants us to still find meaning in life despite losing someone it just really hurts that shinji has to die for that to work#apparently. cuz the character i see myself in is shinji. not some perfect prettyboy who does everything perfectly and has 4 gfs#his death seems like a punishment for bad behavior. the bad behavior being of course depression and drug use. and im simply supposed to be#better than that if i want to live. and we dont get to form a connection with him cuz thats gayyyyy#and his death is like a NOBLE HEROIC SACRIFICE idk its just such bullshit to me i hate it so bad#how is killing a suicidal guy and then treating it as admirable that he said ‘this is how it should be’ supposed to make me feel#makes me feel sick personally and it ruins the entire game’s theme to me because its fucking shallow and the story is bad and im tired
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archaeren · 5 months ago
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How I learned to write smarter, not harder
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
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simpingland · 5 months ago
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Req: Can you write something with Ewan Mitchell and his co-star (pronounced feminine) where they are on the set of season 2 and how he is surprised by every performances that fem gives (Fem's character is bad and perverse), since since the recordings of season one he was already staring at her surprised by her actings and now with Season 2 he wants to spend more time with her, plus he likes her.
The Rehearsal// Ewan Mitchell x Fem!actress
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Summary: Ewan is a method actor and it has been working fine for him. But he regrets this decision when season 2 of HOTD starts with a love scene, being partner with a lovely talented actress who propaply hates him and his mathods. But nothing is better than asking for help when one needs it, right?
|~~~~~~~~~~~~~~~~~~~~~~~|
Ewan watched from the monitor, patch removed but wig still on, your close-up was impressive. One look at you and you could see all the ambitions that were going through your character's mind, and he himself regretted not having told you yet. The good news was that filming for season two had just begun, and in this new season, Ewan had the opportunity to do scenes only with you.
They shouted cut, and you immediately broke into a smile, laughing after such an intense scene. You received compliments as you were photographed to keep the raccord straight.
"Congratulations, that's a good start," the director said to you. "Remember you have a special sequence tomorrow, get a good rest."
Yes, you remembered. And Tom (who played your brother Aegon) smiled mischievously at you. It was a kissing scene with Ewan, with whom you had barely exchanged a word since the moment you were confirmed as part of the cast, a year and a half ago. You only spoke a little at the audition, which was a chemistry test, and he was a sweet, unassuming guy. When he was announced as the official actor of Aemond... it was something different. You didn't interact in the scenes in the first season, his scenes were shared more with Fabien and Tom, while you had shared scenes with Olivia and Phia (Alicent and Helaena). The chemistry your characters were supposed to have was only hinted by the placement of you both in the scene or montages of shots that you only saw once the series was released. And in the meantime, Ewan had stayed away from all those with whom he didn't share any dialogue, with the excuse of staying focused on his character. Tom had already told you numerous times that Ewan thought you were a fantastic actress, but you always responded the same way.
"If he does, let him tell me so. Then I'll be flattered.”
When the script for the second season came, both of you, in your respective homes, had your hearts skipped a beat. Your character would approach Aemond in the throne room in the middle of the night. And there they not only talk, but share a kiss that promises to go further in the following seasons. Aemond confessed his love for your character, and being that it was a story taken from the world of Game of Thrones, it was sure to end in much more intimate scenes. Normal for actors and comfortable for a cast that was so friendly and close. But with Ewan being so distant and serious? It was difficult. You didn't even dare to call him. Nor did he call you. What you did do was call Tom.
"She hasn't spoken to me once since we started filming. I've seen her look at me sometimes, like she's trying to talk to me but then, before I could say a word, she's gone quiet again. Tom...I don't think I should take being a method actor so seriously," he said to the other actor.
"It amuses me immensely to be the connecting point for both of you. Don't worry, Ewan, she's a sweetheart, and very understanding. She knows that everyone has their own procedure. So if she has respected your method, you should respect hers."
"And what is her procedure?"
"According to Phia, she loves to walk back and forth repeating her lines in a thousand ways."
Right, Ewan saw the video Phia sent around the group so everyone could see how lunatic you looked. And even there, after discovering you were being filmed, you smiled tenderly at Phia asking her to stop. What else would he have missed since you weren't talking?
You had already taken off your wig, your hair was loose and your dress had been off for quite a while. You were waiting to take off your make-up when your trailer was called. You were expecting anyone, happy to have any interaction with the wonderful team around you, but when you saw Ewan, the smile must have dropped a little.
"Sorry if I'm intruding. Is it late?" Ewan asked you as he saw your friendly greeting getting lost in the air.
It wasn't dark yet, and the next day's filming was starting early, so you genuinely didn't know what to say to him.
"Well... I have to finish off some of the lines for tomorrow.’
The lines you had to say with him, and he knew that. But since that wasn't an invitation, Ewan understood instantly and nodded.
"Well, I just wanted to tell you...it's been an awesome first day of shooting for you. It's no wonder you're a fan favorite."
That made you blush.
"Well, that means a lot coming from you."
He smiled sheepishly at you, you were taller than he was, standing on the trailer and he was on the grass a few stairs down. And yet he seemed way too big.
"I promise I'll be on time tomorrow so we'll have plenty of time to rehearse," he said, trying to get out of the strange conversation he had started.
You nodded and watched as he walked away, the patch in his hand and taking off his seatbelts. Did he come with the intention of chatting? My God, you'd had a chance to talk at length with your fellow cast member and you'd wasted it? You needed to go over the scene as much as possible!
"Ewan!" You called out to him, hanging almost on your doorstep, he turned with that agility that is so engaging on screen (and in person). "Are you done for the day?"
"I've got to get out of my costume. But...yes, I'm done."
"Would you mind..." you mumbled in an exaggeratedly loud voice for him to hear. How embarrassing. "Would you mind dropping by again to rehearse?"
Ewan stood still for a second. He watched you from afar, so affectionate and shy, totally contrary to your character, and felt a deep tenderness.
"I'll be back in half an hour," he promised you.
You looked forward to it, and you'd be lying if you didn't say that you'd put your make-up back on a bit. Ewan, on the other hand, was hurrying more than usual to remove his own clothes, forgetting to remove his fake scars in the rush that followed him. He was punctual, and in thirty and a half minutes, he was knocking on your door again.
"I really appreciate you doing this, Ewan," you said as he climbed into your trailer.
"Don't worry, it's going to be fun."
You looked at each other for a second, smiling, kind of gawking, which was nothing like the scene you had to recreate.
"How do you prepare for a scene?" You ask.
"I listen to some music. But I want to try what you do. "
He looked at you expectantly, and you suddenly felt embarrassed. Like the girls at the school function.
"So... I close my eyes, and I create a map where everything looks a little bit like the set."
"And what do we choose to be the throne?" Ewan smiled, which made you blush even more.
"Well... "There was a fully finished teacup, with the inelegantly squeezed bag next to it, dripping. You'd forgotten to clean it up completely. "That cup itself."
Ewan frowned slightly, teasingly, and nodded. The next step for you was harder to explain.
"Now, Ewan, I need some space."
He sat down on your couch, script to one side, the bastard having already memorized it all. And from there he watched live what he'd been craving for months, watching you pace back and forth. You read the annotations and your lines.
"They will never forgive our family for what I did," Ewan replied, intoning in the silky voice he gave Aemond.
"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." though you paced, your hands and gestures maintained theatricality, and you repeated the phrase three more times, all with trapped deliberation. "This pantomime of repentance can only convince Mother...but not me."
"What pantomime do you mean?" replied Aemond.
Then your character stopped looking at Aemond to stare at the Throne. In this case you stopped to stare at the ugly teacup. You had to hold back a smile. Ewan looked at it too.
"It's impossible to fool you, it always has been." Ewan got up from the sofa and approached you, as Aemond does with your character. "It is a crude, chaotic and ugly object, but always that which I have desired."
Then the laughter you'd been holding back escaped, unable to think of the mug as anything else. And Ewan laughed with you, all the tension disappearing instantly. Now he could understand the affection with which everyone spoke of you.
"I'm sorry, really," you said, getting serious again. "I'm sorry."
"Don't apologise, this is fun. I'm going to try your method. Shall we close our eyes?"
"That's right."
You closed them at the same time, thinking about the huge room, illuminated by a silver light that simulated the moon. And after a few seconds, Ewan opened his eyes to look at you. Although you didn't have your white hair, or the elegant dress, your eyes were the same, as beautiful and bright as they were behind the cameras. And he had the privilege of being the focus of your attention and having them in the foreground.
"Though I think I was always more subtle with another of my longings..." he whispered close to your lips.
"That you tried at least" you whispered back.
"When I get the throne I'll need someone as sharp as you to accompany me. There is no woman in the seven kingdoms who compares to you."
Then came the kiss. You looked into Ewan's eyes, up his nose and down to his lips. What was there left to throw yourself? Not much, but with him being so reclusive, with that being one of the few times you spoke to each other, it felt strange to pounce on him without consent. So you walked away, leaving the scene there.
"We can work this out with the director and the intimacy coordinator, if you like," Ewan suggested, a little flushed and extremely sweet.
You poured him a cup of tea while you discussed the romance that your characters might have developed over the years that the series skips. You imagined romantic scenes that might have led up to that kiss and concluded that they were a toxic couple, but possibly better than Rhaenyra and Daemon.
"You know, I love the way you act and I love that I discovered your process," he confessed. "I think the admiration part is not going to be too hard to act out."
"Oh...my process is really ridiculous, everyone laughs at me. I'm glad it at least works. But it gives me a hard time at auditions," you laughed nervously.
"Well, it's true that it's fun to watch. But it's certainly worth it. I don't think you have anything to envy the others, you're...magnetic." He said it with a seriousness that moved you, adding to his intense gaze. "I'm sorry I wasn't smart enough to tell you sooner, because I've been thinking about it since the day they put me in the same room you were in, back at the audition.”
You froze a little, so you just said what you felt in the simplest way and with the most honest smile.
"Thank you."
Ewan took the last sip of his tea and before he left you remembered one of the thousand questions you had for him.
"Is there a reason you haven't removed the scar? Something to do with method acting?"
"Scar?"
You touched his cheek, where the scar began, and Ewan understood instantly.
"Ah, gee, I completely forgot to go through makeup. I'll get a telling off tomorrow."
"Not if you sleep on it until tomorrow" you joked. "Let me help you, I love fake wounds."
You stood next to him, towering over him a little, and lifted the thin layer of silicone with the delicacy you had seen in make-up artists. You were envious of the woman who was in charge of characterising a person as curiously attractive as Ewan. He also smelled exaggeratedly good.
When you took it off, you threw it into the creepy teacup from earlier.
"I've almost run out from, the costume department before," he justified himself. You took the opportunity to wipe that part of her face with a makeup remover wipe. "I usually do this part myself..."
"I know, but I like it..."
And while you were stroking his face with the excuse of cleaning it, Ewan was watching your lips, and didn't notice that you had noticed. You pushed the wipe away, stroking his chin, and at the same time, you both pressed your lips together. A strange kiss, something special, sweet and soft. You stretched it out, standing almost still, afraid of what would happen if you broke apart. When you finally did, you looked at each other with a look of confusion, though neither you nor Ewan pulled away.
It was a dangerous idea, he was your partner, and you had been unprofessional. You broke away.
"I think you should rest. I've distracted you too much." Your tone came out agitated and Ewan rose slowly.
"No, it's all right. I liked it. I liked everything. Didn't you?" He had emphasised the word 'everything' and was looking at you with lambent eyes.
"Yes...I loved being with you."
He said goodbye with a smile of his, and you bowed at your door like a little girl. Most of the team had already gone to rest and you barely noticed.
You had to put on more concealer than usual the next day because of the lack of sleep you'd had from that strange kiss. Ewan had kept his promise and had arrived a good while earlier to re-rehearse the scene. You did it without the kiss or the lights, just with the director's instructions and with your cheeks flushed as you exchanged glances.
"Did you practice with the kiss?" the intimacy coordinator asked you.
You were completely silent. Ewan answered for you.
"Not really, maybe it's better to give a first kiss at the moment of the shot. More realism."
"Well, then I guess you've worked out the sexual tension and dynamics of your characters."
Ewan nodded and smiled, which made you smile. Had he put hours of sleep into your little meeting yesterday? Yes, he had, and he told the woman who was putting on his scar who asked him who had removed it the day before. When you returned to the set, lights on, costumes on, cameras rolling, Ewan looked at you in the distance, asking you with his eyes if you were ready. You nodded with a shy smile, and began to act when they shouted action.
Aemond, still dressed and coming from the castle library, walked into the empty throne room to watch you. You walked behind him, in a smart dressing gown, your hair loose and trying uselessly not to make a sound. Aemond then spoke aloud.
"They will never forgive our family for what I did."
You approached Ewan, who still wouldn't look at you.
"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." You leaned into him a little, as the director had recommended. He was so tall and so tense that you felt as safe as if you were leaning against a stone pillar. "This pantomime of repentance can only convince Mother...but not me." Then Aemond would look down to see you out of the corner of his eye, which made your character - and you - nervous.
"What pantomime do you mean?"
Then you looked at the throne, now there was no laughter to disturb you, only the terrible seat of swords before you. And Aemond was looking at it too.
"It's impossible to fool you, it always has been. It is a brutish, chaotic, ugly object, but always that which I have desired."
After a pause, he turned fully around to look at you, his height becoming primordial in that short distance. In that low light, Ewan's visible eye looked into your eyes, dropping to your lips subtly.
"Though I think I was always more subtle with another of my longings..." he whispered in his velvety tone.
"That you tried at least" you replied trying to keep your composure. If they knew how hard you were struggling not to fall to your knees at that moment they would have nominated you for an Emmy by now.
"When I get the throne I'll need someone as clever as you to accompany me. There is no woman in the seven kingdoms who compares to you."
He stroked your face gently, something that coming from Ewan was tender and expected, immensely pleasing, but then you remembered that Aemond could never be so gentle in the face of his urges, and you let your own out. You pressed yourself against him, pressing your lips together with all the assurance you had longed for the night before. You could feel Ewan intensify your kiss even more, placing his hand on your neck. All the possible kisses that had been going on in your head during the night were now dwarfed by the kiss that was happening right there. As fierce as your characters, with the longing you had just discovered that you and Ewan had shared for a year and a half.
It was only when they shouted 'cut' that you broke apart, catching your breath and barely breaking away. Some applause, chatter and comments from the team, you could hear little of what they were saying. You pulled away flushed, laughing at the sudden intensity. You looked at the director as Ewan smoothed his jacket.
"Let's look at the shot, I think it was simply perfect, congratulations."
Another round of applause, and you felt Ewan brush your unruly hair out of your face, stroking it as he ruffled your hair.
"What a pity not to have to repeat this scene..." He confessed.
"That's the thing about being so talented," you joked.
"Obviously..." he removed his patch and turned back to you to ask in a quieter voice, "although I'd love to have more private acting classes with you..."
You smiled at the hint.
"I'll give them to you if in exchange you let me remove your fake scars again."
"Deal."
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eglerieth · 1 year ago
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Some of y’all are not appreciating Bilbo Baggins enough. I am here to remedy that. This guy has:
‱ somehow managed to establish himself as a respectable, staid hobbit by the time he was fifty, despite being both a grandson of Bullroarer Took and the Shire champion of pretty much every aiming-game known to hobbitkind
‱ had an in-depth debate on pleasantries with a random guy passing by in the street, who turned out to be GANDALF
‱ collapsed in front of his own fire shaking and muttering “struck by lightning” over and over again in response to hearing about dragons and danger
‱ mind you, this was after he screamed loud enough to startle a roomful of Dwarves
‱ signed up for a dangerous quest completely outside of his league out of spite
‱ when told to scout out a mysterious light, saw some trolls, and instead of reporting back with the information, decided to PICK THE TROLLS POCKET
‱ arrived in Rivendell for the first time and said it “smelled like elves”
‱ upon meeting a strange creature that visibly wanted to eat him, he decided to play a riddle game with him- and guessed pretty much every one, and made up his own riddles, afraid and alone, that not only were good and full of linguistic puns, but actually stumped the other guy- AND THEN CHEATED AND WON WITH A QUESTION
‱ showed mercy to said strange creature who wanted to kill him, and was now standing between him and freedom
‱ eavesdropped on the dwarves arguing over whether to try to save him, then popped up casually smack in the middle of them just as they were debating
‱ somehow managed to sleep like a log at the really really high eyrie full of wild predators
‱ found himself in a bad situation, said eff it, and turned around and antagonized and fought off an insane amount of man eating spiders, like enough of them that fifty was a small portion, by singing at them with incredibly complex and punny insulting songs composed on the spot, while simultaneously slaying them in multitudes despite having zero combat training. Seriously, we don’t discuss enough how epic the spider scene is.
‱ broke a company of dwarves out of the very secure prison of the Elvenking by inventing white water rafting with barrels
‱ charmed his way out of being eaten by a dragon
‱ stole the frickin Arkenstone from the guys who employed him, one of whom was a king
‱ took part in an epic battle, only to be knocked out in the first ten minutes and miss the entire thing
‱ was named elf-friend by the guy who’s prisoners he sprung
‱ wrote his own autobiography, complete with all the narrative recognition of his own heroics
‱ spent 60 years writing said autobiography
‱ taught his lower class neighbor’s kid how to read
‱ taught his nephew Elvish- not only Sindarin, but Quenya too
‱ spent decades telling his cousins his own story as fairy tales, complete with character impressions accurate enough that one of them was able to fool a servant of the Enemy with a second hand impression
‱ used the One Ring of Power to hide from his neighbors
‱ planned an elaborate feast with multiple social faux pas to mess with his neighbors, complete with a purposefully bewildering speech and culminating in him vanishing into thin air in front of everyone
‱ left his cousins and neighbors very unsubtle passive aggressive gifts in his will
‱ settled into Rivendell, randomly befriended the heir to the throne of like half of Middle Earth, and apparently spent his time writing very personal poems about his hosts and reciting them to crowds of elves
‱ after being invited to a Council of basically every major kingdom in the continent, spent a quarter of the time reciting vague poems about his friends, a quarter of the time telling anyone who would listen about his heroic past, and half the time interrupting to ask when lunch would be
‱ volunteered to bring the ring to Mordor
‱ became one of only four or five mortals in history to live in Valinor
Seriously, Bilbo Baggins may well be the most chaotic, insane person in the entire legendarium, and that includes the likes of people like Finrod “bit a werewolf to death to save the life of guy who he just met and gave up his kingdom for” Felagund.
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cardo-de-comer · 27 days ago
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soo helloo and i think it's time for me to explain the deal with my characters and this whole "you're not supposed to be here" thing. EDIT: just fixed some stuff. thank you folks for your support, i really appreciate you all <3
i made these characters way back in june and by today they have a lot of lore around them in my head. i even have a dream to make a game with them but it's just a dream for now so i'm gonna try to explain the main things about this story. Obviously this is a long post, although I tried to keep this stuff short. and excuse me for my writing and any mistakes, I don't usually write this much text.
It starts with the world. Alternate 15th century, humanity is almost gone and what's left of it shares quite a big city with demons and angels. However, demons and angels are usually being treated like servants - eventually one gets tired of it all, so everyone knows an uprising is just around the corner. Let's just ignore that for now.
The City has a catch of it's own - it's alive. The walls have eyes and ears and the City knows every resident by heart and soul, both figuratively and literally. Usually City acts through the King, it chooses protectors for itself, ones who have strong minds to comprehend it - they will be called the royal knights, each of them have a company of a /more wiser than the rest of them/ demon and angel to help with their tasks. Only the King and ten royal knights know that the City is alive and very talkative but they don't understand fully what it's trying to tell them. Most of them choose to ignore the voices in their head because hey, that's what you do usually in this situation, otherwise they drive you nuts.
City is also extremely emotional and appearance depends on its condition. Usually it's a sunny day out and the city looks welcoming, but you don't want to be there when the City is scared: it might eat you alive by accident. Now that the environment is aside, time for the main three characters.
Imri is a young lad who will soon be a royal knight. He actually wanted to be a painter when he grows up but well, you cannot disobey the king's orders. Quite emotionless and a man of a few words, he tries to stay on a neutral ground between good and bad - a perfect candidate for manipulation to all three sides, demons, angels and the City.
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look at him
Royal knights get to know their angel and demon companions at least a week before they get knighted to avoid any misunderstandings. Imri doesn't mind his friends at all, although one of them caused quite a fuss.
Angel /they name themselves Lyra/ is an overly positive, naive and blindly kind entity. A bit childish and very fond of justice, they try to act as a voice of conscience, not understanding that sometimes this can make everything even worse than it was. There is a feeling that they're trickier than it seems but you can never quite tell.
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the latin text all over them is just a part of their design
The demon though... That's not even a demon, that's the Devil himself. Yes, everyone knows who this is, everyone avoids him and he's not supposed to be here at all. Despite being THE Devil, he didn't try to do anything horrific yet and, when he's not joking around, he tries to be the voice of reason, the voice that no one listens to. He seems to know a lot more about this whole world than anyone else but he talks about it only when he wants to.
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no one likes him at all, expect maybe Imri who just tolerates his presence like he always does
That's the main three. There is a few secondary characters, Imri's father being one of them.
sir Jastrab /or just Dell/ is one of the royal knights, he's a bit naive, loyal, and a soul so kind that his demon hung himself. Oh well. He lost one hand in what he calls "a work accident" which is partly true but he never goes into details.
He never wanted for his son to be a part of the knights because he knows by experience that it's not an easy job and not every father wants for their child to go insane from the voices in their head.
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few people said that the angel accompanying him looks like d20 and so be it
The others are Sun and Moon - local deities, despite being on the sky every day and night, usually they don't really care about what's going on down below. You can still talk to them but don't expect much action. Regardless of all this, they are still loved by almost all living things. They can rarely meet each other but humans always depict them together no matter what.
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creators of the Stars - some part of a human soul that i can't talk about :)
Angels and demons come in all forms and sizes but those are the main population - lesser demons resemble the Devil in some ways and lesser angels look like clovers. Rivals usually but when the revolution happens, they learn to tolerate and work with each other. Humanity doesn't really have a chance.
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they hate everyone equally And there is another being, that Imri meets a few times through the story - it's Death. Death is just having fun in this end of the world and there is a lot of work to be done.
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this is an old and rough design so maybe it'll change The whole story begins at that day when Imri is supposed to be knighted. Everything seemed fine until Imri gets to hear the City for the first time and realizes that he hears and sees a lot more than everyone else. Completely overwhelmed he blacks out - even the toughest of minds often can't take it - and wakes up later only to find out that the King got killed somehow, angels and demons saw this as the starting point for a revolution and the City starts to panic.
Now Imri, guided by his companions and the voice of scared City that's crumbling and slowly drives him insane, shall travel to the center of it to find out what really happened, getting through demons and angels who are busy destroying the rest of humanity. Fun.
There is a lot more to this whole thing but I cannot tell the entire plot because spoilers, in case if i actually will make something out of this story. Think of it as a game lore. I'm not sure about making sth yet because i operate only on hopes and dreams and i barely have any strength lately but who knows... But now you have at least some context! And yeah, thank you if you actually read all of this, you're a hero.
Now i need to get back to drawing. Thank you all for your support. <3
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innerfare · 2 months ago
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You See His Cabin For The First Time  
Summary: You see their cabin (or in Sabo's case, his bedroom at the RA base) for the first time.
Characters: Luffy, Usopp, Zoro, Sanji, Ace, Sabo, Law, and Kid
Genre: Fluff
CW: None // SFW
——— 
Luffy: He's literally so proud of just his hammock. Insists it can hold the both of you and could probably hold the entire crew if you tried, asks if you want to try, asks you if you’re sure when you say no. Definitely has a couple of dirty dishes that he’s forgotten about, as well as a few wrappers on the floor. Has some fishing poles, a net, quite a few different games, and a bookshelf that’s full of both comic books and snacks so that he doesn’t have to go all the way to the kitchen if he gets hungry in the middle of the night. 
Zoro: Your first thought is, why does it smell so freaking good in here? You expected dirty laundry strewn around and the stench of sweat and maybe a hint of metal from those blades he was always sharpening. And sure, there is a hint of metal in the air, probably more from the many weights against the wall than his swords, but it also smells fresh, like laundry detergent. He has his own wanted posters on his wall- not just the current one, but the old ones, too, all of them lined up in order so you can see his increasing bounty. He also has a collection of unique booze bottles from all over the world, his equivalent of keeping a map with pins in the locations he’s visited. Oh, and there’s an anatomy coloring book and some markers that belong to Chopper that Zoro keeps in his room because sometimes when Chopper is having a bad day, he wants to chill with his dad big bro. 
Sanji: Sparkling clean, and yet, he’ll apologize anyway because the pillows aren’t fluffy enough, the rug isn’t completely straight, etcetera. His closet is very well organized, all of his clothes ironed and properly taken care of (Sanji’s the rare type to actually read labels and do his laundry accordingly). His most prized possession is a book on the All Blue, which he’s poured over countless times, using color coded tabs to flag various pages and writing detailed notes in the margins. He also came across one of Zeff’s old wanted posters in Loguetown, and he keeps it framed next to his own, the closest thing he has to a family photo.
Usopp: You’re surprised to find he has quite a bit of clutter in his small space. He has a collection of different style slingshots and a surplus of supplies to fix them should they ever break, as well as literal boxes full of special stars and ammunition. He has an entire set up rigged on his desk to create more, and some plants in his windowsill to grow ingredients. In addition, his bookshelves are heavy with various collections of fables and tales; he’s working on his own and hopes to publish it one day, but he doesn’t talk about it because he’s worried nobody will take him seriously, and you only learn about it when you see the notebook he left on his bed. He also has a couple of fun hats, crazy sunglasses, and feather boas that he definitely pulls out when the Straw Hats get a little too drunk. Oh, and there’s a picture of his parents on his nightstand. 
Ace: His cabin is pretty sparse because he tends to travel light. He has a collection of animal teeth secured from a menagerie of wild beasts he’s taken down over the years, and he’s very proud of those teeth. He'll tell you about each one if you ask, is practically bursting at the seems with stories. He has way more animal teeth than he does clothing or books. Also has a pretty sick tiger pelt for a rug (he had intended it as a blanket, but he runs so hot he can’t actually sleep with it). He has Luffy’s wanted poster on his wall, and beside it, a note reminding himself to send money back to Dadan on the first of every month. Buried in the chest at the foot of his bed, he has the original ASL flag. 
Sabo: His bedroom at the Revolutionary Army’s base is a total bachelor pad, and when you see it for the first time, it wasn’t planned, so he’s a little embarrassed by the state of it. He has some dirty dishes he forgot about, some dirty laundry on the floor, and a pile of books on his bed. He spends virtually no time there and probably wouldn’t even have furniture beyond a mattress on the floor if it wasn’t provided by the Revolutionary Army as part of his living quarters. That being said, he did pin Luffy’s and Ace’s wanted posters to his wall, and he has a couple of different lotions and skincare products on his bathroom counter. 
Law: You don’t know what you were expecting- would it be sterile like an operating room? You’re surprised to see comic books and a few action figures. He has some records, too- a bit of rock, some low-key emo music- and to your complete and utter surprise, a candy wrapper on his nightstand. And then there’s the coin collection on his desk, tiny pieces of metal he picked up on his many travels. You’re careful not to have a big reaction to his personality showing through for once. 
“I like your action figures.” 
“They’re kind of childish, but-” 
You cut him off before he can dismiss his own interests as dumb. “No, they’re not. They’re cool.” 
Kid: It’s as messy and ostentatious as you’d expect, but he sheepishly tries to fold the leopard-print blanket crumpled on the bed and put some laundry in the hamper, though you quickly deduce he has no clue which clothes belong in the hamper and which go in his closet. It’s shocking to see him care what someone thinks. He has a pile of lipstick and nail polish on his desk and an impressive collection of weapons he’s stolen from various pirates; he could probably open a museum with all the weapons he has. Also has lots of tools he forgot were in there. TBH, he’s probably as shocked as you are by the state of his cabin because he spends most of his alone time in his workshop, anyway. 
———
Hope you enjoyed it! If you want more, you can check out my masterlist here!
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acstation206 · 3 months ago
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I messed up. /j
Introducing...
THE AMAZING DIGITAL ARCADE PARTY!
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Yeah, that's right, I caved in.
Basically the exact same show except its established lore and setting is more largely inspired by archive compilations of popular vintage arcade games of the 80s and 90s such as Pac-Man’s Arcade Party, as well as the different takes within the sci-fi / fantasy genre by the likes of Wreck-It Ralph, Tron: Legacy, and Infinity Train. 
==
= BACKGROUND (in a nutshell) 💿 =
In an attempt to save their dying business, C&A developed and manufactured the first hybrid arcade game of its own kind that combined other popular arcade games and home console games with virtual reality. However, just as the company’s luck was turning around, numerous lawsuits from game companies by the likes of Nintendo and families were filed against the company for their product, from apparently “ripping-off” Super Mario Bros. in its entirety to causing many children to either inexplicably fall unconscious or suffer from amnesia after the cabinet’s headset was put on. Just then, as C&A announced they’ll be temporarily recalling the product to fix its issues, a shocking discovery was already made by investigators that would soon bring the company to its demise: the game’s AI had gone rogue, and once a human mind dies from losing one of the games in any way, they are either permanently reincarnated as a personified cartoon character of themselves or just straight up die in real-life depending on the outcome.
==
= ART N’ STUFF 🎹 =
(might wanna make a separate masterpost for that in the future but oh well)
NES Ragatha
Pomni and Caine redesigns
==
= Q&As and BOUNDARIES (sort of) đŸŽ™ïž =
"Are there any plans to make a full webcomic out of this?" - Uhhhh, mayyybe? I'm not entirely sure, honestly. While there may be a few side comics and artwork from my head I want to get out sometime, I don't really have much plans for this AU that'll be worth telling a full story right now since I feel there is plenty of things that I've yet to figure out and develop in a matter of time, particularly the setting and characters (especially considering the OG show itself has only 2 episodes out as of writing and I only have mobile apps like ibisPaint X to make this all possible at the moment).
"Can I make fanfics and OCs for this AU?" - Of course! I've seen a lot of incredible things from the community, especially in regards to alternate universes, so you're absolutely more than welcome to share whatever's on your mind as long as your heart's in the right place. I can't really guarantee I'll see every bit of it since I do have some personal biz of mine to take care of at any moment, but I'll be happy to reblog them whenever I get the chance. Just tag me and we all good. :)
"Are there any canon ships in this AU?" - Yes. Yes, there are. Well, only BunnyDoll (Jax x Ragatha) to be specific. HOWEVER, you are free to ship whoever you want here! Showtime (Caine x Pomni), ButtonBlossom (Pomni x Ragatha), it's all okay. The choice is yours, a romantic buffet! (Plus, depending on the quality of my writing, I'm not even planning to dwell too much into it for now, aside from the side comics that will.)
==
That's all for right now. Enjoy! :)
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soapsbaby · 1 year ago
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Silly Spicy Call of Duty headcanons
Characters: Simon "Ghost" Riley, Johnny "Soap" MacTavish, König, Kyle "Gaz" Garrick, Alejandro Vargas, Rodolfo "Rudy" Parra, John Price, Valeria Garza, all x reader Rating: 18+ (Minors DNI) Themes: All NSFW but very lighthearted, nothing particularly triggering but ask to tag! Word count: 750ish
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These are just silly little headcanons about them, PLEASE if you have any like these send them to me i had such a blast writing them lol!!
Ghost
Sometimes his mask slips a little and he looks goofy as hell, you have to do your best to not laugh into his face because you know he won’t let that slide.
Uses British lingo sometimes. Has called your pussy a “fanny” before. Got mad when that made you giggle.
Once got so frustrated with trying to figure out how to operate one of your vibrators that he broke it. Was very apologetic and immediately ordered you another one afterwards.
Soap
He is clumsy as hell. Every time you have tried to fuck in a position that is anywhere near athletic, something goes wrong. It’s a miracle neither of you have broken your necks trying to get it on in the shower. He will always take the fall though, protecting you with everything he has and curling himself around you even if it means he will end up bruised or bleeding.
Makes a lot of typos when sexting, never notices. Called you “baby gorilla” once (you will never let him live that down).
Gets offended when you call him “Soap” in the bedroom. You know my name, what are you calling me that for? Dummy.
König
He doesn’t usually wear his balaclava under his mask when you have sex since it gets too sweaty but since his mask is pretty loose he will sometimes have to pft-ppf-tpftt when it gets stuck in his mouth. Has almost choked on his mask before.
Gets so flustered that he will just start sputtering nonsense. Has on several occasions been so out of it that he has messed up the nicknames you use for each other. “yes show me that I am your little babygirl, wait- no, you are
 I am your boy
 you’re
 Wait, I’m sorry”. Not a gender or kink thing, which would of course be alright with you, just him being a dummy.
Is a bit of a crier and drooler sometimes which wouldn't be a problem except for the fact that he will sometimes accidentally waterboard himself in his mask and not tell you.
Gaz
Has called you mommy once and was mortified. Neither of you have really spoken about it but sometimes you will drop little hints around him to get him flustered.
Likes when you suck him off while he is playing video games but then gets too into the game and genuinely can’t help but get annoyed when he loses because you distract him.
Cpt Price
Is oblivious to any signs that you want him. Will go into Dad story telling mode and completely ignore the effect he is having on you until you grab him by the shirt and just tell him to fuck you.
Has a sex playlist called "sensual" with just the most clichĂ© sex songs on it possible. Can unironically have sex to "Careless Whisper" and “Let’s get it on”.
Has given you rug burn with his beard before. 0/10 very unpleasant experience (you’d do it again, though).
Alejandro
Will say things that could be interpreted as sexist in the moment and then immediately get apologetic. Who’s my good slut? I mean
 If you want to be. I’m sorry, I don’t mean to
 Are you okay with that? Okay. Cool.
Will fuck you in uniform because he knows you’re into that and then get distracted by things he finds in his pockets like shopping receipts. 
Doesn’t care whether or not you understand him, he will speak Spanish to you.
Rudy
Gets tormented by you with new pet names every day. mí amor, I don't know what a Zaddy is. I don’t even know if that’s a good thing.
In the beginning of your relationship he was completely oblivious to most kinks. If you ever expressed anything out of the ordinary to you, he’d raise his eyebrows in confusion and say something like “what? why would anyone want that?” but was always open to trying anything. Now he is probably even more of a deviant than you are.
Valeria
Has this roleplay thing going on where you are a traitor to her cause and she discovers it and gets to “punish” you. You find it a little silly but it gets her super riled up so you play along.
Secretly loves to bottom and to be taken care of by you but would never tell you (you know anyway). Thinks she is being very good at hiding it (she is not).
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karasuno-planet · 5 months ago
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Hallo😆 how about some of the karasnuno boys when they have a crush headcanons?? If u don't wanna do multiple characters, that's ok!! I'd love kageyama headcanons!!
Karasuno boys having a crush HCs <3
includes: Kageyama, Tsukishima, Nishinoya, Daichi
a/n: YESSSS TY FOR THE REQUEST and here's some cutesy hcs to fluff u up !!
Kageyama Tobio:
he would avidly deny it but he is suuuuch a blusher, he just turns pink at the slightest things
acts totally cool, but everyone on the team notices his sets are faster when you're at a game
if you help him with his homework suddenly he seems locked in, until you look up at him and realize he's sneaking looks at you
even with your help his grades do not improve im sorry
totally checks you out with the full look up and down without realizing he's doing it
thinks he's really slick but the entire team knows about his crush
would try to smile at you but give you the creepy grimace by accident 😭
if you asked him to work out with you he would push himself wayyy too hard to impress you, probably gets yelled at by Ukai at the next practice
makes extreme effort to give compliments, gets coaching from his sister
GIFT GIVING- always little things like a drink from the vending machine
regardless of your skill or lack of skill at volleyball he would ask you to throw to him or hit his sets
"Why are you always looking at my hands?" swbfvouyqwrbefnh
Tsukishima Kei:
struggles to not just avoid you like the plague when he gets a crush
wants you to come to games but would never ask you, if you do show up he would play way harder
he's actually kinda good about being discreet about it, but yamaguchi definitely knows and encourages him to confess
always fiddling with a pen in his hand when he talks to you in class
"Do you think I should grow my hair a little longer?" "Why? Do you think y/n would like it??" "Shut up."
has a nervous compulsion to push up his glasses
makes playlists about you that he would only share after like yearsss of a relationship with you
low-key gives you sass and would love it if you reciprocated that. and that's def not the only thing he wants you to reciprocate.
if you were in his advanced classes he would kind of initiate an academic rivals thing, but if you weren't he would offer you help with your classes.
chat should I write a tsukki academic rival fic?? edit- the fic has been made <3 find it here!
Nishinoya Yu!
he's a bold mfer but a little shy when you give him any attention in return
would ask your favorite color just to show up at school the next day with this blond streak dyed whatever color you say
tanaka knows. he fs knows. and they avidly abuse the word rizz.
noya is a little embarrassed that he's a pervert when he has a serious crush 💀
makes nicknames for you
would ask you to come to games to watch him play, and smile at you when he made an impressive save
stands up really straight when you're around to make himself a little taller
goes absolutely crazy if you compliment him. happiest boy alive.
"You should call me Noya-Kun"
figures out what kind of music you listen to and then posts stories with it
will "jokingly" flirt with you
"wait, did that make you nervous..? If I didn't know better it might seem like you like me...!! oooooOoooooo"
Daichi Sawamura:
CLASSIC HIGH SCHOOL BOYFRIEND
he's got that promposal planned
would love for you to come to games and would give you his jersey
is honestly shameless about having a crush, and if it went on for long enough without anything happening between you he might just casually confess
rubs the back of his neck when you talks to you
he kinda speaks quieter/softer when he's alone with you
keeps his crush kinda quiet but definitely tells people he's close with, this makes Asahi act particularly nervous around you because he's scared of giving you a bad impression!
is very protective of you but not in an obnoxious way
always offering to walk you home
typical movie-star smiles at you all the time
takes notice of you and compliments you really genuinely
"Did you do your makeup today? It looks great."
[masterlist]
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hecksupremechips · 4 months ago
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The anguish I feel knowing no story is ever gonna have characters as good as the letter 😔
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askmrtorgue · 1 year ago
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HEY! YOU THERE! WANT TO PLAY A TABLETOP ADVENTURE WITH A PROFESSIONAL STORYTELLER?
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I'M MISTER TORGUE, AND THE NERD WHO HELPS ME LOG INTO THIS ACCOUNT ASKED ME TO DO AN AD FOR HIS SERVICES. I TOLD HIM I WOULD, BUT ONLY IF I GOT TO WRITE IT MYSELF. SO STRAP IN, DUMPSUCKS. IT'S PRODUCT PLACEMENT TIME:
--
DO YOU WANT TO PLAY DUNGEONS & DRAGONS BUT YOU CAN'T FIND SOMEONE TO RUN YOUR GAMES?
ARE YOU FED UP WITH A GAME MASTER WHO WON'T LET YOU STRAIGHT-UP MAKE OUT WITH THE VILLAINS OF THEIR STORY?
DO YOU WANT WANT TO LEARN TABLETOP RPGS BUT EVERYONE WHO TRIES TO EXPLAIN IT USES THINGS LIKE MATH AND SPREADSHEETS AND YOU CAN'T STOP THEM BECAUSE FATAL SUPLEXES ARE ILLEGAL ON YOUR PLANET?
THEN YOU NEED BENCOMPETENCE, PROFESSIONAL STORYTELLER AND GAME MASTER.
BRAOOWWWWW-CHICKABRAOW EXPLOSION NOISE HEREEEEEEEE!
BENCOMPETENCE HAS RUN OVER 100 PROFESSIONAL GAMES OF TABLETOP GAMES, INCLUDING DUNGEONS & DRAGONS, CITY OF MIST AND MORE. HE HAS 100% POSITIVE REVIEWS FROM HIS CLIENTS, WHICH IS PROBABLY MORE THAN 34%.
NOT ONLY DOES BEN OWN A PAIR OF CAT-EAR HEADPHONES, HE EXCELS AT RIPPING YOUR HEART STRAIGHT OUT OF ITS RIBCAGE USING NOTHING BUT COMPELLING, ROMANCEABLE CHARACTERS AND BADASS EPIC ADVENTURES. IN FACT, EVEN HIS VILLAINS ARE SEXY AS F*CK. JUST CHECK OUT THIS VAMPIRE FROM ONE OF HIS CAMPAIGNS:
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THIS DEATH DADDY IS ABSOLUTELY ABOUT TO KILL ME AND I DON'T GIVEN EVEN A SINGLE F*CK.
NOT YOUR STYLE? NO PROBLEM, PLAYER, HE ALSO OFFERS TERRIFYING MURDER MOMMIES!
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THIS WOMAN COULD DRINK MY BLOOD AND I WOULD SAY "THANK YOU"
OR MAYBE IT'S TIME TO EMBRACE EVERYONE'S TRUE SECRET DESIRE:
BE A MAGICAL GIRL THAT'S BAD AT ROMANCE!!!
BENCOMPETENCE ALSO HAS THIRSTY SWORD LESBIANS, A GAME ABOUT BADASS SWORDFIGHTS AND WARFARE IN THE GREATEST BATTLEFIELD OF ALL: THE HEART
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WHEN OH WHEN WILL THESE TWO INCREDIBLE WOMEN ADMIT THEIR FEELINGS FOR ONE ANOTHER!??!!?
OR MAYBE YOU WANT TO KICK ASS, PACIFIST STYLE, IN THE NEW BLUE BOX ADVENTURES?!
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TIME TO GO HIGH FIVE A DINOSAUR AND MAKE OUT WITH ALIENS!!!
BENCOMPETENCE'S GAMES ARE INCLUSIVE AF AND BEGINNER-FRIENDLY, BECAUSE GATEKEEPING IS FOR SH*THEELS AND TRASHGUZZLERS. WHETHER YOU'RE BRAND NEW OR HAVE PLAYED A QUILLION SESSIONS, YOU WILL BE RIGHT AT HOME. ALL THAT MATTERS IS THAT YOU GET IN THERE AND KICK THE NARRATIVE'S ASS RIGHT IN ITS D*CK.
HE EVEN HOSTS SEMINARS THAT TEACH YOU TO BE A BETTER ROLEPLAYER OR GAME MASTER!!
HE ALSO ASKED ME TO TELL YOU THAT SESSION 0'S ARE FREE, AND I HAVE NO IDEA WHAT THAT MEANS!
WANT TO JOIN A TABLE? THEN LISTEN UP, F*CKTRUCKS, BECAUSE IT'S LIST TIME:
FIGHT OR MAYBE MAKE OUT WITH HOT EVIL VAMPIRES IN CURSE OF STRAHD (NOW AVAILABLE IN DEATH DADDY AND MURDER MOMMY)
I AM NOW STARING AT THE VAMPIRE AGAIN AND FORGOT THE NEXT BULLET POINT
JOIN THIRSTY SWORD LESBIANS AND BE AS BAD AT ROMANCE AS YOU ARE GOOD AT KICKING ASS
JUMP INTO THE BLUE BOX AND EXPLORE ALL OF TIME AND SPACE
SOMETHING ABOUT LEARNING HOW TO BE A BETTER ROLEPLAYER IN A PERSONALIZED LECTURE
THERE'S A LOT MORE TO SAY, BUT THE NERD WRITING THIS SCRIPT STARTED TALKING ABOUT CHARACTER SHEETS AND SOMETHING CALLED NARRATIVE AGENCY, SO I HAD TO BEAT HIM WITH A FOLDING CHAIR UNTIL HE STOPPED. YOU CAN HELP PAY FOR THE BODYCAST I PUT HIM IN BY SIGNING UP TODAY!
END OF ADVERTISEMENT.
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