#I want a game that tells a story that has good writing and good characters

[shehungers]

CRACKS KNUCKLES let's get to business, Kiri

I want to say that this was SO MUCH FUCKING FUN to read! I'm not much of a superhero-loving gal, but spider-man is one of those heroes that is much more approachable and likeable than a lot of other ones. you "friendly neighborhood spider-man" after all. so, I'm glad that you chose that to go with and that you used Caleb as the hero because it just fucking fits so well!

before I dig in, just know that I haven't played LADS for a long time and certainly haven't played any of Caleb's storyline. so, I can't really make any comment on characterization besides what exists about him in the early parts of the game. if we're going based off of that, this feels very authentic and loyal to his character.

going off of my opinion of how you wrote a character like him: exquisite. you gave me the impression of a responsible older sibling or caretake with a mischievous streak. particularly in regards to the playful banter they share throughout the story, which is equal parts so bratty and caring and sweet that I love, love, love it!!!

a lot of the details you used to describe their relationship: Caleb usually does the cooking, but they dutifully split chores, eat together, consistently yapping with each other throughout the day, that worrying "stay safe" "be home before curfew" "I'll be home for dinner" stuff is just so domestic and ordinary, but something about how you used it in this fic is just so comforting to me; their normalcy is cozy and familiar and loving and lifelong and you did it SO well!!!

one thing I'll mention before I forget is when you were talking about jumping ahead/around w/o dividers or a time skip and having worries about it: don't be. I was purposefully searching for an, ah, rough division in the fic so I could maybe offer a suggestion on improvement. If you did do that, it's nothing so obvious that I noticed it at all!!! I think what "jumps" you did made sense for the narrative and were well-placed, so great work there!!!

what I will get out of the way in terms of a critique, but it's a light one: the length of some paragraphs did become a bit tedious here and there to get through. it's not always easy to figure out how to split up massive thoughts like that bc it all feels relevant to fit into one place, but it makes for more approachable readability to break them down a bit. and I'm saying this as someone who has tendencies to do exactly the same thing.

my proofreaders will tell me to dial it back or split things up sometimes bc I can get so, ah, wordy.

however, I'm also giving you credit here that your readability and flow is excellent! for the most part, I was able to keep scrolling down on my phone without experiencing any hangups, any awkwardness in phrasing or reading. so, truly, wonderful work with that bc achieving good flow can be a difficult task.

okay, that's all I can think of off the top of my head, so I'm dropping screenshots of stuff to yap about:

so fucking same oh my god. I feel this so bad and would've done exactly the same.

there is just something so particularly human and sweet about this paragraph that I just really adore. It does sort of give that childlike idolization where we mimicked people we admired, were inspired by the things they did. But, I love this in the context of mc being an adult and using it as motivation to overcome life challenges. idk idk I just love it

oh my GOD—same. thief running off with my shit? but the crosswalk has 10 more seconds 😫😫😫😫😫 so fucking real. mc is so real for this.

okay, now we're getting into the stuff that I live for when it comes to writing nuanced or small details. agitation causing sleeplessness; overstimulation by way of hyper vigilance, clothes feeling rough? these are excellent little details that can really bring depth into pieces. these are the sort of details that people can feel. the rough clothes are coarse and itch, y'know?

there wasn't much conflict in this fic, which is a-okay, but one thing that I particularly liked was mc's borderline paranoia and hang-up over the fact that he had kept secrets and lied to mc, which I think leans really well into their bond and sort of dynamic that they have. this little passage really stood out to me and was quite potent.

and, the last one:

I also like that in this fic, it was less an issue of caleb's dual-idenities vs MC and more mc vs MC, bc I feel like this entire section you wrote was basically mc internally warring with their own insecurities and fears, rather than having any true issues with Caleb. You present Caleb as surefooted—he knows what he wants, what he's doing, what he's committed to. he is unwavering, he is a solid force and doesn't budge once. that includes his dedication to mc.

MC is the one who wavers and worries and frets and withdraws because it takes them a long time to come to terms with the change and how their lives were going to be inevitably altered forever. and I REALLY love that that's the vibe I got from everything bc sometimes the war within yourself is worse than exists against others, y'know?

I think you did really well exploring all of that!

overall, kiri, I can see all of the heart and work you've put into this piece and I'm so proud of you that you saw it until the end. you have every right to be excited over this piece bc you did the concept justice and executed it beautifully!!!!!!!!

Homecoming

You’re a casual fan, you think. Spider-Man is cool, and you just really like him. That’s all... until you learn that the friendly neighbourhood web-slinger is so much closer than you think.

PAIRING.⠀Xia Yizhou | Caleb x Reader

CONTENT.⠀female reader | superhero AU & Spider-Man Caleb | descriptions of anxiety, fluff, happy ending, mentions of blood and bruises, secrets, slice-of-life (as much as it can possibly be), some angst and hurt/comfort | ~7,6k words

A/N.⠀I really said "I'm going on a writing hiatus" and "I'm gonna lock in" with my whole chest knowing damn well I'm a liar ... anyway yeah this fic was inspired by this Spider-Man Caleb fanart... it made me go crazy.... I hope you enjoy!

available on AO3 | reblogs and comments are always appreciated!

@hunters-association @theseabreezestreet

You were on the verge of a breakthrough. You just knew it.

You were absentmindedly swinging your legs back and forth as you sat at the table. Your laptop was open and displaying several windows—some were images of Spider-Man, some were news articles. Your tablet, and in turn, your notes, had gone completely forgotten. Spending time passively scrolling social media was far from productive, but compared to what you were reading, exam revision was totally dull.

Developing an interest in Spider-Man had been unintentional. You saw him mentioned in the news. Out of curiosity, you looked him up, and all of a sudden, you found yourself deep in the rabbit hole. Before long, you were up-to-date with daily news, keeping up with his movements and making friends with fellow Spider-Man fans. It was swift and unexpected, but you found it more fun than whatever you were previously doing.

He was far from the first superhero Linkon City had seen. There used to be rumours about the God of the Tides and how he ruled the seas for centuries before he found the love of his life. There was also Lumière of the N109 zone, a vigilante who suddenly stopped being active about fourteen years ago. Legends of the Abysm Sovereign and the Foreseer were passed down through generations. No one had proof they existed, only the product of their labour. It was as if they didn’t want to be seen. Still, that didn’t stop your interest from getting piqued.

The difference between Spider-Man and the past legends of Linkon City was that Spider-Man was still active. A web-slinging genius with a no-kill rule, he made the streets significantly safer. Photos and surveillance footage of him were constantly shared, but no one had any luck finding his identity yet. You weren’t investigating him for malicious reasons. You were just, for the lack of a better word, nosy. You wanted to know the man behind the mask instead of the neighbourhood guardian the news always talks about.

You looked at your screen. There was a rough timeline of his appearances the past week. He was in different parts of the city, catching robbers and other criminals with his presumably handmade technology. There wasn’t a strict pattern to how he operated. It seemed that he liked to lurk before making a move. It was how he brought down the corrupted colonels of the Farspace Fleet. Fighting crime appeared to be easy for him, and he wasn’t as destructive as some were. It was impressive. Everything he did had you in awe. His dexterity and swiftness, his strength and courage—he was just what Linkon City needed, you thought.

Just as you were about to go into another deep dive, a hand pushed your laptop shut. Caleb was towering over you when you snapped your gaze to him, brows furrowed as you gave him an offended look. He lightly jabbed your forehead and only smiled in response, seemingly pleased with your reaction.

“You’re supposed to be studying.”

You sputtered. “I was studying!”

“No, you weren’t. You were looking at Spider-Man again.” He tapped his fingers on your tablet, reilluminating the screen once more. “Your exams are next week. You need to focus.”

“I can multitask,” you argued half-heartedly. “And, I’ve never let you down, have I?”

Caleb took the seat across from you with an exaggerated sigh. “I guess not.”

“Why do you hate Spider-Man so bad anyway?” You frowned, trying to move his hand away. He didn’t budge. “He’s keeping the city safe. That’s a good thing!”

“I don’t hate him, but you’ve been distracted. I’m trying to help you.”

“You sound jealous,” you joked. Resting your cheek in the palm of your hand, you looked up at him with a mischievous glint in your eyes. “Are you sad I’m not giving you enough attention?”

He pursed his lips, visibly unimpressed. “Set the table. Dinner’s ready.”

“You’re no fun!” you whined. “It’s not my fault there’s finally something interesting!”

You begrudgingly moved your items to the side and got up to make your way to the kitchen, slippers sliding against the floor. The savoury aroma swirled into the air, making your stomach growl involuntarily. Your irritation now forgotten, you made quick work of setting the table and pouring two glasses of water. With your job finished, you waited at the table, eyes drifting over to the TV on the wall. The screen displayed two reporters behind a desk beginning the evening segment. It faded into a clip of men webbed stuck to a lamppost, undoubtedly the work of Spider-Man himself. They were looking to rob an innocent passerby before the webslinger caught them red-handed.

“Huh. That’s where we live,” you spoke up after rereading the headline.

Caleb placed the plates on the table. “That’s why I always tell you to be home before curfew.”

“It’s not like I break curfew anyway,” you grumbled. “You know I hate being out when it’s dark.”

Distracted, you kept your eyes on the screen. The public had mixed opinions about Spider-Man himself. You, along with your circle of friends, thought of him as a hero, feeling safer knowing that he was out there protecting innocent people. From helping an old woman cross the street to busting evil plans, he was using his talents and intelligence for good. He worked tirelessly every day to keep the streets pristine and harmless. The police, on the other hand, weren’t as fond of him. The LCPD openly expressed their distaste for Spider-Man, citing that he was an obstacle in their investigations. Some people thought he was just another guy with a gimmick. These criticisms didn’t seem to bother him at all. If anything, every time someone said anything negative about him, he’d work even harder just to prove them wrong.

You knew it was far from wise to idolise a public figure, but with Spider-Man, he inspired you to do your best every day. You liked to imagine he’d be proud of you if he knew you. You worked hard and powered through no matter how many setbacks you had. As silly and childish as it sounded, he made for great motivation. He was a good guy, he was cool, and—

Caleb waved his hand in front of your face, a warning tone in his voice. “Pipsqueak.”

You jolted, snapping back to the present. “Sorry!”

“Why do you like Spider-Man so much?” he asked, poking at his food. “You got a crush on him?”

You sputtered. “What? No!”

He gave you a look that urged you to continue. Heat rose to your face as you felt a spotlight shining down upon you, giving you the floor. It was hard not to feel embarrassed about something that felt so childish. You hummed thoughtfully, trying to think of words to say. Knowing you were going to sound like a child regardless, you sulked, defeated, and finally gave him a response.

“It’s just… I really like superheroes,” you mumbled timidly, fiddling with your fingers. “I admire people who use their strength for good. Like you!”

The corners of his lips twitched. He seemed pleased. “So do you like me or Spider-Man more?”

“You are jealous!” you said with an accusatory tone. “Caleb, it’s not like that! It’s like… You know when you have a favourite celebrity? That’s what Spider-Man is to me.”

He made a face, though he ended up relenting. “Okay. I get it.”

“Yeah! It’s kinda like how you used to like—”

“Your food’s gonna get cold,” he interrupted, flustered. “I put all my effort into making your favourite. Don’t let it go to waste.”

“Fine,” you drawled out, unable to hold back the smile from stretching across your lips.

Spider-Man eventually faded to the back of your mind throughout dinnertime. You found yourself engrossed in conversation with Caleb, slipping into the normal banter and routine with ease. Somewhere in between, he changed the channel to natural documentaries instead. When you gave him a questioning look, he just shrugged and said that you should take a break with him. Not one to deny his requests, your laptop went forgotten as you spent the remainder of the night on the couch with him.

It was nearing midnight, and from the way that you yawned, you were nearing your limit as well. The documentary was long finished; the past few minutes were just advertisement after advertisement, regular products with unnecessarily catchy jingles. You glanced over at him, suddenly curious. Unlike you, he didn’t seem to be tired at all. If you were more awake, you’d notice the anxious bouncing of his leg or the worried furrow in his brow, but fatigue was catching up to you fast. With another yawn, you pushed yourself to your feet, taking the throw blanket with you.

“Goodnight, Caleb.”

He smiled at you. “Goodnight. I’ll see you tomorrow.”

Fully sated and worn out, sleep came as easily as breathing. Images flickered behind your eyes, displaying dreams and vignettes in film reels. You dreamt of endless summers and sweetness, of growing up and exploring the world. When you woke up the next day, only a fragment of those memories remained. Caleb was already gone when you left your room. He left a note saying he’d left early and that breakfast was in the fridge. After treating yourself to his homemade cooking, you set off for classes and got the day started. It wasn’t very eventful. Classes weren’t particularly interesting. Lectures were about things you already knew, and a majority of your classmates were absent, leading to little to no conversation. Before long, the academic day was over, and it was time to return home.

The streets were bustling with activity as you waded through the crowd. Clamour and chatter were more than loud, people surrounded you, and the scent of car fumes mixed with savoury food bombarded all of your senses. You were starting to see now why people liked to say that Linkon City never sleeps. With everyone getting off work, the city was beyond crowded. Restaurants were fully seated, as were the cafés. Traffic went by incredibly slowly. Dogs barked to the sound of car horns and people were emerging from the train station in groups. You gripped your bag tightly, anxiety clawing at the back of your mind. News and posters about pickpockets were nearly a regular occurrence; it was better to be safe than sorry.

You managed to make it to a street where there were less people. You recognised some of the vendors out and about, offering them warm smiles as you walked past. Occasionally, you stopped by and bought a few snacks to take home. Now having your hands full, you were more than ready to go home and unwind. You hummed a catchy pop tune under your breath, leisurely walking down the path when the TV screens in the electronic stores came alive. You came to a stop, standing in front of the clear glass. It was a news segment. You couldn’t hear what they were saying, but the screen displaying surveillance of Spider-Man was context enough.

He single-handedly stopped a burglary, moving with inhuman agility and fighting with incredible strength. It showed a group of men bound together by his webs, cursing and fruitlessly struggling to break free. It took a few seconds before the familiarity of the background sank in. The convenience store, the townhouses and the DVD store… The incident happened not too far from home. A frown overtook your features. Despite the crime rate being significantly lower thanks to Spider-Man’s efforts, the curfew was still in place, and the unrest remained. It was not any different for you.

As you made a move to continue your walk, you felt something being snatched from your grasp—your bag. The thief ran at full speed, deftly navigating through the crowd as you yelled for help and followed him, aggressive footfalls slapping against the concrete. Absentminded apologies left your lips whenever a complaint was heard from a passerby. Your chest was beginning to ache, but you needed it back. It had everything. Your phone, your wallet, your house keys with the chain Caleb bought for you. You couldn’t afford to lose it.

The traffic light turned red just as the thief crossed to the other side. You contemplated just dashing through, but anxiety kept you rooted to your spot. They were going further into the distance. You bounced on your heels nervously, eyes glaring at the timer. 40, 39, 38…

It was now or never.

Cars honked at you as you ran to the other side, the combination of noise nearly sending you jumping out of your skin. You pushed through your fatigue and kept running until you tripped over your shoelaces, collapsing to the ground with a loud thud. You hopelessly reached out, watching the thief’s silhouette disappear into the distance. Tears of frustration sprang up to your eyes and you buried your face in your hands, uncaring of how you looked to other people. You weren’t fast enough. All your important things were gone, about to be left somewhere you could never find, and your information would be stolen—

“This yours?”

Your bag was dangling in front of you. Were you so distraught that you were hallucinating having someone come to your aid? You blinked and stared at it dumbly, your mind trying to grapple with the situation. The person crouched down to your level, and Spider-Man’s face came into view.

Wait…

You screamed in surprise, frantically pushing yourself away from him. “What—”

“Hey, hey, It’s okay. It’s just me. I webbed him. He’ll be stuck there for another three hours,” he said casually, speaking as though he was just another regular pedestrian and not the famed vigilante of Linkon City. “I had to look at your ID card to make sure it was you, but I’m glad I got to you in time. Here, take it.”

You barely managed to catch the bag as you were still gawking at him. What felt like a thousand questions were popping up rapidly in your head. How did he know? When did he get here? What was going on? How was he so fast? Caught off guard by your stunned silence, he brought a hand up to scratch the back of his head sheepishly, feeling awkward under your stare.

“Everything okay?” Spider-Man asked tentatively, waving a hand in front of your face. “Are you hurt?”

You shook your head, your reaction slightly delayed. “N-No.”

“Listen, I have to go. There’s gonna be a robbery on Ninth Street.” He helped you get on your feet, carefully making sure you had your balance. “Get home safe, okay? And don’t leave past curfew.”

“Okay,” you said, dumbfounded. It didn’t take long before you managed to snap yourself back to awareness. “Yeah, okay. Thank you for getting this back to me.”

He did a casual salute before aiming his web shooter at a building, swinging away with ease. Digging through your bag, you were relieved to find that everything was intact. Once the confusion went away, excitement came rushing in. You hastily grabbed your phone and dialled Caleb’s number, lips curling into a grin. He picked up after the first ring.

“What’s up?”

“You will not believe what just happened to me,” you said in one breath. “I just met Spider-Man.”

A loud crash was heard in the background.

You hesitated. “Are you busy? It sounds like you’re in the middle of something…”

“Everything’s fine, don’t worry about it. So, you met Spider-Man?”

You nodded, forgetting that he couldn’t see you.

“Uh, pipsqueak?”

“What? Oh, yeah. I did! I’m walking home right now. Someone tried to steal my wallet and I couldn’t catch them, but Spider-Man did and he got it back for me. Isn’t that crazy?”

“Someone tried to rob you?” You could practically hear the frown in his voice. “Why didn’t you call me?”

You blinked. “You’re at work. What were you gonna do?”

He fell silent. It took a couple of beats before he spoke up again.

“Well, I’m glad you got your stuff back. Just make sure to be home before sundown. Tell me when you’re back, okay?”

“Okay.”

“I’ll be back in time for dinner, I promise.”

“It’s okay! Take your time,” you reassured him. “I’m heading home now. See you.”

You had a pep in your step for the rest of the way, feeling in high spirits after the encounter. The weight on your shoulders was lifted, leaving you feeling lighter. You didn’t realise how much you needed to breathe. Relieved would be an understatement—it was as if everything fixed itself in front of you. You didn’t generally consider yourself a lucky person, but today, you had won. The encounter with Spider-Man replayed itself in your mind, echoing his voice, reminding you of the proximity you shared.

After sending Caleb a quick text to let him know you got back safely, you began to cool down from the day. You tossed your keys on the counter and went straight for your room, determined to change out of your sweaty clothes. Since he was normally the one to cook dinner, you didn’t have to do much preparation in the kitchen. You put away the clean dishes, washed the leftover ones in the sink, and decided to tidy up a little. With your tasks done, you returned to the living room and flopped down onto the couch with a groan. Though you didn’t hold high expectations for what was on TV, you turned it on for background noise anyway, half-listening to the dialogue in the show that was playing.

The clock on the wall continued to tick. Caleb would get off work soon. You ended up smiling to yourself, excited to tell him about your day. Lying comfortably on the couch, you continued to passively scroll through social media to kill time. You were beginning to hear the telltale sounds of people returning home. The sound of a car door closing, your neighbour’s doorbell ringing, eager dogs overjoyed to see their owner home. Considering the traffic you’d seen earlier, Caleb returning a little later than usual wouldn’t be that irregular.

With that in mind, your worries were eased a little. But as minutes faded into hours, nighttime came, and not a single call or message from Caleb was seen. Worried, you sent him a text, only for them to be left on delivered. Calling him led straight to voicemail. Growing increasingly agitated, you called him again and again, only to achieve the same result. He always told you if he was going to be late. He always picked up after the first ring. But your attempts to get through to him went unseen, and it was getting harder trying not to sink into your anxiety the longer his silence went.

You paced around the room, fingers clutching your phone as the call went to voicemail again. Your eagerness for dinner had long dissipated and was replaced by immense dread. Worst-case scenarios were starting to appear in your mind, fuelling your panic with its increasingly violent visions. You chewed on your nail as you paced back and forth, trying to reach Caleb to no avail. The situation was growing more dire with each passing second.

You glanced at the time. It was three in the morning. You were wide awake on pure adrenaline and distress. You couldn’t bring yourself to feel tired. It was as though all of your senses were on high alert. Everything was too loud, too much, and your clothes felt rough against your skin. Instinctively, you made your way into his room and crawled into his bed, hugging his pillow and rocking back and forth. The smell of his detergent and perfume soothed you enough to have you breathing normally again. Your fingertips dug into the material, knuckles going white and shaking from how rigid your grip was.

The world started to feel less daunting when you finally calmed down. You felt exhausted, completely boneless. Your eyelids were getting heavier, and as you lay there surrounded by everything he owned, you found yourself falling slowly. The room is dim with only the city lights outside peeking in through the curtains. You felt a cold draft coming through the window, sending shivers running down your spine. Fabric rustled and you felt the mattress dip, immediately jolting you awake. A mixture of relief and fury washed over you.

“Caleb?”

His breath hitched.

You blindly patted the nightstand in search of the lamp switch. Once the room was illuminated, you squinted at him through half-lidded eyes. “Where the hell have you been?” you asked groggily. “I’ve been—”

Your eyes dropped to his outfit. It was the same suit that Spider-Man wore, although more torn and worn down. Whatever tiredness was left in your system dissipated when you saw him. You sat still for a few moments, trying to contemplate whether you were imagining things or if this was real. You didn’t know where to begin. It was as if time stopped. There he was, the person you had been waiting for, standing at the foot of the bed like a deer caught in the headlights. You stared at him with your mouth agape, your mind struggling to put the pieces together despite the obviousness in front of you.

You didn’t know where to begin. Did he always sneak back home like this? What happened to him? In the end, you settled for the most urgent one in your mind—

“How long have you been hiding this from me?”

He forced a smile, the gesture awkward and tense. “A couple of months.”

“Months?” you asked, voice rising in volume. “You’ve been—you—god, I don’t even know what to say.”

“I’m sorry.”

You pursed your lips. “Come here.”

He tentatively complied, sitting down in the spot next to you. Your hands cradled his face, thumbs brushing over the bruises and making him grimace slightly. He didn’t say a single word. It was as if he was also dumbfounded himself. You were still upset, but the longer you looked at him, the more the anger faded. At least he was home. Injured, but still home in one piece. It was leagues better than the thousands of scenarios your mind was conjuring up earlier.

“You have a lot of explaining to do.”

“I know,” he murmured, voice uncharacteristically meek. It was unlike the Caleb you grew up with.

“But it can wait,” you said, pulling him into a hug. “I’m just glad you’re okay. I was worried about you.”

His arms wrapped themselves around your waist and he held you close to him, a shaky breath escaping his lips. He held onto you with a desperation you’d never seen before. He relaxed into your touch just the slightest, reassured by feeling your warm body against his. You pressed your cheek to where his heart would be, feeling its steady rhythm remind you that he was here—that he was home.

Your voice was meek when you spoke. “I thought you left me.”

“I didn’t want to worry you.”

“So you decided with radio silence?” you snarked back. Something in his expression flickered, making you calm down once again. You frowned at the amount of bruises visible on his face and the dried blood on his split lip. Softening, you told him, “Go take a shower and get changed. I’ll patch you up.”

He didn’t argue. He only nodded and disappeared into the bathroom, walking sluggishly. The sound of running water filled the stifling stillness as you took a proper glance around the room. There was an evidence board, several open books, and a well-used first aid kit on the desk. Your heart sank. Just how long had he been doing this, getting himself hurt and having to mend himself? Didn’t he trust you? Why did he keep this a secret from you? You heaved out a sigh and hid your face in your hands, frustration and sadness simmering beneath the surface.

There were a lot of questions you wanted to ask, but this wasn’t the right time. Right now, all you could do was be there for him.

He emerged a handful of minutes later, dressed in comfortable clothes. You scooted over and patted the space next to you, lips pressed in a taut frown. Now that the suit was off, you could see the hits he’d taken more clearly. Splashes of blue and purple were scattered across his skin, some big and some small. There were a couple of cuts and scrapes close by, both old and new. It was the worst you’d ever seen him.

“Sit,” you urged timidly. You gingerly applied the ointment on his bruises, careful not to hurt him as he stared up at you. He looked so vulnerable and so fragile that it made you feel like your heart was going to burst out of its confines. “Talk to me. Please.”

“It was Gran,” he said. “She made a serum. I didn’t know it until a few days later. I was stronger, faster… I could hear everything. I could feel everything.”

“How come I never knew this?”

“I didn’t want to worry you. I’m supposed to be your hero, remember?” He laughed in a self-deprecating way, avoiding your gaze. “I had to stay strong. Figure things out, get stronger… Make sure you’d always be safe.”

Setting the first aid kit aside, you pulled him into your arms once again. He held onto you tightly, fingers grabbing the fabric of your shirt so tightly that his hands were trembling. You raked your fingers through his hair and brushed them back, keeping them away from the wounds on his face. For a moment, it felt like there were only the two of you in the world. All you could hear was his quiet breathing as he latched onto you, unwilling to let go.

It broke your heart to see him this way.

“I’m sorry I made you feel like you couldn’t rely on me.”

“No, that’s not it,” he sighed. “I’d go through anything for you. I just… I didn’t want to hurt you.”

“Then don’t keep any secrets from me anymore.” You pulled away. He looked up at you with a pained expression, years of secrecy and isolation making themselves known in his glossy eyes, the quiver of his bottom lip. “Can you do that for me?”

He nodded weakly.

“I need words, Caleb,” you said, your voice firmer than intended. You cupped the side of his face, feeling him clasp your hand with his own, warm and calloused. “Can you promise me that?”

“I can,” he exhaled shakily. “I promise.”

The tears you were holding back brimmed at the corners of your eyes, small droplets sliding down the sides of your face. A hushed whimper broke out of you. Caleb held on to you like you were his lifeline, refusing to let go for even a split second. The gravity of his words weighed heavy, as did him baring his heart. He melted in your embrace, sinking deep into your comfort as you gently scratched his scalp, easing every worry he was holding.

“Don’t lie to me again, okay?” you murmured into his ear.

“I won’t anymore. I swear.”

—

Though months seemed to have passed in the blink of an eye, the emotional turmoil stayed deep in your heart the entire time.

Life had turned completely upside down. With the new knowledge of him being Spider-Man looming over you, you were having trouble placing yourself. Some days, you felt excited and happy for him. He was more open with you when it came to his successes. He’d tell you about the petty criminals he caught or the passersby he helped while swinging through the city. He was passionate about his identity as Spider-Man, and he was committed. You wanted to support him in every step of the way. Some days, you’d feel like you were sinking. You previously didn’t worry all too much when Caleb returned home late, but since that day, fear and anxiety kept you company on lonely nights.

He didn’t always return looking completely beat up. Sometimes he was unscathed. Sometimes it was just a couple of bruises. But you hated being home alone, especially in the dark where everything seemed to get much worse. You were losing sleep because you’d stay up to wait for him to come home. You needed to see him with your own eyes, otherwise you wouldn’t be able to go to sleep in peace. He tried to give you estimated times to soothe you, but it didn’t always work. You’d wait in the living room, rock yourself back and forth as you wondered if he was coming home.

Your mind wouldn’t let you forget that he lied, either. You already forgave him a long time ago, but you remembered. You’d question yourself, question him, and what would come after was an overwhelming sense of guilt. He was trying. He was more open. He was showing you an important part of himself, bringing you along with him on his journey, yet doubts still lingered in your mind. He kept his cheerful disposition, constantly reassuring you that everything was going to be fine, but your mind was filled with what-ifs. What if he was hiding more from you? What if he was lying? What if he thought of you as a burden?

It was irrational to feel this way. You knew that very well, and yet, you still felt like you were fading out of his life. You talked to Caleb normally, interacted with him like you always did, but something felt different. It was as if he was drifting further and further away from you. Your outstretched hand, desperately trying to reach him, and his fading silhouette. Everything had changed. You felt like you were losing him in real time and there was nothing you could do about it. Everything had changed, yet it was all the same. You still had breakfast together. He still picked up the phone after the first ring. He still smiled at you, looked at you like you were his whole world. You were teetering between security and uncertainty. You didn’t want to feel this way, but you were helpless. These feelings came by themselves, and the more time you spent alone, the more difficult it became to ignore them.

Your sentiments towards Spider-Man had only grown stronger with the knowledge that Caleb was him. His name was more well-known in the city, growing popular among kids and women, and he was constantly being praised by the press. You supported him. You had total faith in him, trusted in him and his strength. But sometimes you’d stay awake stressing about how safe things truly were. More fame meant more notoriety among criminals, and you’d often wonder how long it would be before something drastic happened. You wanted the best for him, you really did, but something guttural gnawed at you. The desire to keep him to yourself, the need to protect him. You wanted to sink your teeth into his flesh, to keep him in your maw. You wanted to hide him away somewhere only you knew.

You dreamt of it sometimes—of risking your life for him just to keep him safe. You constantly wondered if things would be easier for him if you left. You knew there was much that he wasn’t sharing with you yet. You knew it would take time regardless of how much he trusted you, Still, you felt as though you were being kept in the dark. Being Spider-Man seemed to be so easy for him. It suited him, even. You couldn’t see anyone else doing the same thing that he did. But you didn’t know what you were meant to be. You felt for him very deeply, as did he, but the vagueness in the air bothered you more and more every day.

Were you only being selfish?

You thought back on one of the mornings you spent with him. A full spread of breakfast lay across the table and the news played in the background. The sun was shining bright, peeking through the gap between the curtains, and the weather was good. But there was a sense of foreboding that loomed over you, one that you couldn’t keep to yourself. You called his name softly, leading him to look away from the screen.

“Are you okay?” you asked. He blinked at you, confused by the question.

“Yeah. Everything’s fine.”

Somehow, it wasn’t enough.

“Are you okay?”

You didn’t know.

“I’m good. Sorry, I just thought you looked a little distracted.”

The lie slipped out of you with ease. You felt childish. You felt burdensome for needing reassurance from him that he wasn’t going to leave you behind, but you could never bring yourself to say it. Between your pride and the overwhelming fear of rejection, the words you desperately wanted to stay would remain within the confines of your mind. He didn’t seem to be convinced by any means, but he didn’t push the matter. A part of you wished he did.

It wasn’t a fight. There was nothing wrong. Even when he returned home blood and bruised, exhausted out of his mind, you took care of him with love and care. It didn’t matter that you didn’t understand why he was risking his life. Caleb never broke his promises or broke away from the path to his goals. He wasn’t about to let you stop him. With great power comes great responsibility, he said. But was this responsibility thrust upon him, or was he doing it out of his volition?

You hated feeling helpless. You knew he didn’t need you to do anything, but you felt like you weren’t an integral part of his life anymore. You felt like a bystander, like someone he was slowly forgetting. You shouldn’t feel this way. You should feel happy that he still cared about you, that he cared about the city to give his all into protecting it, yet your mind just wouldn’t let you. Your thoughts on Caleb hadn’t changed. You still thought he was the most important person to you, but what used to be admiration and even love for Spider-Man was turning into resentment little by little.

Some days, you hated him. You felt like a little kid without her favourite toy. You felt like a lonely child in a class full of people. You knew it was useless to dwell on these things, so you tried to occupy yourself. You put all your effort into your studies. You kept yourself busy doing chores even on the days when it was his turn. You didn’t wait to eat dinner with him; you went out for food and drinks with your friends, came back a bit later than the sunset. It wasn’t as if he’d notice. He wasn’t home when you needed him to be.

His name was constantly trending on social media. Spider-Man rescues bus from hijackers. Spider-Man stops bank robbery. Spider-Man comics and merchandise releasing. His name became the talk of the town, earning the attention of the rest of the country. The newfound fame kept him even busier to the point where people were starting to dig deeper into his true identity, leading fans and investigators to wait outside your home. You kept ignoring them, but they were persistent. Your declining of their questions only made them more curious. Not only did you feel like he was slipping out of your grasp, but also like the safety of home was in jeopardy.

It wasn’t his fault. You couldn’t blame him for it. But sometimes you wondered if he knew just how much this was affecting you, as self-centred as it seemed. The satisfaction you expected from uncovering the truth about Spider-Man never came. The final piece of the puzzle was right in front of you, living and breathing under the same roof as you were, and all you could harbour was disappointment.

What Caleb was doing was major. He was keeping the city safe—keeping his home safe, for you and everyone. You found yourself sinking further into guilt and bitterness, the light at the surface growing smaller as you fell deeper and deeper. It was childish of you to be throwing a tantrum over something like this. So, you decided to grin and bear it. He understood you like the back of his hand; doing the same to him was the very least you could do. You pestered him less about his missions, stopped trying to call again and again when he didn’t respond. He’d always come home, even if it took days. He never broke promises. He promised he wouldn’t.

If he noticed the change in you, he didn’t mention it. His actions, however, said otherwise. He did his best to pay more attention to you. He tried to spend as much time with you as he could despite your conflicting schedules. He listened to everything you spoke about, promised you to be careful when you asked, and continued to protect you in his own way. You didn’t know exactly what it was that seemed to switch the dynamic completely, but at a certain point, you were no longer drowning in the pool of negativity. The sun seemed to shine brighter, the flowers in full bloom, and your cheeks ached from how much you’d been smiling. The lingering sense of foreboding faded into nothingness, replaced by pure optimism and trust. The future didn’t feel so glum anymore.

You supposed all you needed was time.

Time to heal, time to process everything. Time had a way of turning wounds into scars, healing phantom pains into a comfortable stillness. The claws that had your heart in a death grip had loosened, letting go of the chains they wrapped around it. You felt lighter, happier. Some semblance of normalcy had returned—as normal as it could be considering his dual life, but you weren’t going to take it for granted. You felt like you could finally breathe after being underwater for so long. Even here, where you were alone in the apartment, you didn’t feel lonely. It was… normal. A relief. It didn’t feel so suffocating anymore.

It was quiet save for the sound of your nails tapping against the keyboard. It was a sunny afternoon. Having had a productive morning, you aimed to finish the rest of the day in the same way. You were focused and determined to finish the essay quickly so you had more free time. But as the hours went by, that determination waned, and you found yourself at a dead end. You blankly stared at the blinking cursor on the word document. It almost felt like the thing was mocking you. Fatigue and boredom were catching up to you increasingly quickly. You knew the material by heart. You knew what you wanted to talk about. Yet no words came to mind—you were drawing a blank, and the thoughts in your mind were already drifting off elsewhere.

The counter was littered with snacks, surely something Caleb would chide you for. Your tumbler was long empty, left with nothing but melted ice cubes at the bottom. The dishes awaited cleaning in the sink and the TV remained turned on, playing a rerun of some generic soap opera. Defeated, you closed the word document, eyes drifting to the window beside you.

Outside, the skyline was painted in hues of orange and blue. Birds flew over the horizon, ready to migrate elsewhere for the upcoming spring. Your chest rose and fell with your exhale as you let your mind wander. You used up your creativity for the day, you thought. You haven’t made significant progress on the essay since you started it a few hours ago. Before you could beat yourself up about it, three loud knocks were heard from the window. Caleb’s masked face peeked over the wall as he gave you a gentle wave. Giddy, you got off your chair and skipped over, fingers deftly undoing the lock on its doors. You slid it open, allowing him to crawl in.

“I thought you were busy fighting crime,” you teased, watching as he took the mask off. His hair was tousled and his cheeks were flushed from exertion. “Are you slacking off?”

He huffed, amused. “I can multitask.”

He unhid his hand from his back and handed you a large bouquet of sunflowers, the gesture immediately making you melt. Flowers weren’t that out of the ordinary. Caleb liked bringing you gifts and trinkets he thinks you’d like. You got an equally large bouquet during your high school graduation and another one when you were accepted into university. You took it with a smile, murmuring a quiet ‘thank you’ and curiously looking at him. He bounced on the heels of his feet, seemingly nervous about something. His brows knitted together.

“You okay?”

He met your gaze. “Do you still think Spider-Man is better than me?”

You blinked a few times, confused. From the way he said it, it appeared that it wasn’t the first time he thought of something like this. You chuckled and crossed your arms over your chest, shifting your weight to the other leg.

“Getting jealous of yourself, Caleb?” It was your turn to be amused. “I never said he was my number one hero.”

“You never said I was your number one hero either.”

You sighed in mock exasperation. “Why is this important? You’re the same person.”

“I just wanna know,” he said, uncharacteristically sheepish.

“First of all, that happened once,” you corrected, pointing an accusatory finger at him. “Second of all, I love you. Spider-Man or not.”

His lips curled into a smile. “You love me?”

Warmth blossomed across your chest, rising all the way up to your cheeks as your lips parted in surprise, sputtering incoherent syllables. You awkwardly turned your head away, glancing at him out of the corner of your eye. Love had never been discussed, not really. It just felt like an unspoken commitment since you were children. He was the most important person to you, and you were the most important person to him. You never really thought about labelling your relationship.

Your eyes widened when you remembered you always referred to him as your partner whenever you spoke of him to your friends. You already gave it a label without realising it. You opened and closed your mouth like a fish, struggling to come up with a reply. You could feel his gaze on you, hear the satisfaction and mischief in his words. Clearing your throat, you tried to compose yourself and decided to follow through. You couldn’t take it back anyway, and even if you could, you didn’t want to.

“Yeah. I do,” you said, feigning indifference. “I thought you knew that.”

He couldn’t stop the smile from expanding into a grin. A breathless chuckle left him. His cheeks seemed to be getting even pinker as he fidgeted in his spot. He scratched the back of his head with flustered giddiness, struggling to keep eye contact with you. You didn’t think you ever saw him this shy. He was always your brave hero Caleb, the same boy who held you when you had nightmares, the same boy who held your hand when the thunderstorms got too loud. He was the same boy who defended you from bullies and got into trouble for getting into a fight with them. He was the same man who held nothing but affection in his words for you, the same man who would fall into playful banter with you.

You sighed softly, the corners of your lips twitching up. “You’re not gonna say it back?”

Though he didn’t need to, there was still a hint of insecurity in your tone. You looked at him expectantly, still watching as he tried to maintain composure. You weren’t used to seeing him this way, but you thought you could learn to do it. It made for a rather nice sight.

“I love you too, pipsqueak,” he finally said.

You beamed at him, placing the bouquet on the counter before leaping into his arms, delightfully laughing when he caught you effortlessly. You looped your arms around his neck and hooked your chin on his shoulder. Your legs were wrapped around him, your body supported by his arms around your waist. He held you as if you were as light as a feather. He nuzzled into your hair, letting out a content sigh. The air felt so light, so carefree. The remnants of your worries disappeared into the air, replaced by pure joy and unbridled affection.

“So… What’s the plan? Are you done with the day?”

“I’m going back to work. They need me,” he replied. With a jovial tone, he continued. “But I’ll be back for dinner.”

“You mean it this time?” You pulled away, searching into his eyes for honesty. You were still prone to worrying. His vigilante lifestyle was full of unpredictable moments, so it consistently kept you on your toes, leaving you unaware of what to expect. You were desperate for his words to be true. You felt as though you’ve been away from him for way too long. You craved his presence, his warmth—you craved him.

He gave you a boyish smile. “Yeah. I do.”

And that was a promise.

[p0rchc0ll4ps3]

I'm going to be completely goddamned honest with you here

If it's not set in elysium, I do not fucking want it

[simcardiac-arrested]

no actually I’d like to hear your thoughts on the isat ending

Like i said it felt really tropey and by that i meant that it’s just Everything Good Happens forever and…..that’s it ? like idk we were building up to this huge catharsis sort of thing and then we got to it and it was so sudden and not a good payoff and just kind of nothingburger of an ending . the fact that everyone just forgives siffrin bothers me, or at least the fact that they don’t confront them about the shit they’ve said and done. call me a mental illness villainizer but i think if you’re a fucking asshole and doing the most insensitive things to the people you care about then hey, i think those ppl have a right to fucking tell you off for it. likeeee idk being at your lowest point …… not an excuse …. not feeling it chief ……. like sure the message is to move past your mistakes or whatever but ? that doesn’t mean just getting away with it ??? and i just really don’t understand Why everyone forgives him. honestly at the end of the day the ending is just one problem, the root of which are the characters. everyone feels like trope cardboard cutouts. oh, this is the smart one. this is the smol bean. this is the himbo. and they all care for each other btw. Did u hear that? they all care for each other. we’re not really going to explain to you why these people are so close or what they went through together but just trust me man they’re sooo found famy. like …. okay. i’ve played 30 hours of this game and not once did i buy that any of the characters really cared about each other. like??? why???? You’re telling me everyone super cares about siffrin even though they barely know them?? you’re telling me siffrin cares about everyone sooo much even though he never even bothered to find out their problems before ? Wat ? and this just breaks the ending more because literally whyyy do these people care about him so bad. and then it’s just whyyy does siffrin Have to tell them anything he doesn’t even seem to know them that well. everyone feels like colleagues and Just Friends at best. and so the ending just seems really forced. like it was written by that type of tumblr user who’s always talking about aww why does the found family have to break up after the end of the journey :( which is like fiiiiine. i guess. but u guys know that u have to build up to it right?? you can’t just tell me they’re Family Members(tm) 102829 times and that they super care about each other source: trust. you can’t just do that and then expect me to believe it ….. It feels unearned. the ending feels unearned and i don’ttttt understand what i’m supposed to take away from it . that it’s ok to fuck people up because you’re traumatized and insecure?? that you have to talk about your deepest problems with people you barely know??? i just dont know. Like i said if im being honest the problems with this game’s writing are more than just the ending, it just stands out so much because there’s a lot of build up and then just …… That

[jackass-jones]

The anguish I feel knowing no story is ever gonna have characters as good as the letter 😔

[racke7]

Me vs FF14 part... 2?

It's taken me pretty much three full days of running from cutscene to cutscene. But I've finally reached Heavensward.

And like... on some level? I'm kind of offended?

Like, a part of me genuinely wants to replay the entire game from the start "as something else" (different main-class, different race, different starting-area, whichever), because the dungeon-queuing system is actually really fun when you start to Understand it.

As in, FF14 has somehow made an MMO that has almost eliminated the feeling that it is a level-grind? Partially? It's turned the whole thing into a surprisingly comfortable level of (limited, but genuine) social interaction.

To the point where even someone who isn't obsessively grind-focused like me, can genuinely enjoy themselves. Just queuing up for dungeons, Hunting some bounties, and-...

And then FF14 has so many fucking quests that it literally chokes the life out of the gameplay.

As an example, one of their biggest dungeon-draws (bcs high rewards) is a quest that almost everyone hates playing. Because doing that dungeon means watching literally eighteen minutes of unskippable cutscenes.

And that's with them having reduced the amount of cutscenes in that dungeon, because the players complained so much about them.

Like... I'd be perfectly happy replaying the game from the start with a different character, even knowing that leveling isn't some kind of pain-free thing. But the thought of having to restart the fucking Main-Quest? Of having to spend literal days just running back-and-forth to cutscenes?

I'm currently feeling a bit burned-out as a result of the binge I went on to get here, but I'm pretty damn sure that I wouldn't replay this fucking thing even if you paid me for it.

(And, of course, Heavensward also has a Main-Quest continuation that you have to follow. And now I'm not even allowed to fly everywhere to cut down on the "running back-and-forth"-part of my complaints. Not until they arbitrarily allow me to discover flight for the new areas, by going through even more of the Main-Quest.)

(Not to mention that now I have to go back and do even more Class-quests, with their own cutscenes, in order to unlock a bunch of skills.)

(I'm very fond of the "the church is evil because it doesn't let you fuck dragons"-meme, and I'm very much seeing it. But like... come the fuck on. Why is this MMO a feature-length movie-series? Why can't I just play the game and have fun?)

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[cardo-de-comer]

soo helloo and i think it's time for me to explain the deal with my characters and this whole "you're not supposed to be here" thing. EDIT: just fixed some stuff. thank you folks for your support, i really appreciate you all <3

i made these characters way back in june and by today they have a lot of lore around them in my head. i even have a dream to make a game with them but it's just a dream for now so i'm gonna try to explain the main things about this story. Obviously this is a long post, although I tried to keep this stuff short. and excuse me for my writing and any mistakes, I don't usually write this much text.

It starts with the world. Alternate 15th century, humanity is almost gone and what's left of it shares quite a big city with demons and angels. However, demons and angels are usually being treated like servants - eventually one gets tired of it all, so everyone knows an uprising is just around the corner. Let's just ignore that for now.

The City has a catch of it's own - it's alive. The walls have eyes and ears and the City knows every resident by heart and soul, both figuratively and literally. Usually City acts through the King, it chooses protectors for itself, ones who have strong minds to comprehend it - they will be called the royal knights, each of them have a company of a /more wiser than the rest of them/ demon and angel to help with their tasks. Only the King and ten royal knights know that the City is alive and very talkative but they don't understand fully what it's trying to tell them. Most of them choose to ignore the voices in their head because hey, that's what you do usually in this situation, otherwise they drive you nuts.

City is also extremely emotional and appearance depends on its condition. Usually it's a sunny day out and the city looks welcoming, but you don't want to be there when the City is scared: it might eat you alive by accident. Now that the environment is aside, time for the main three characters.

Imri is a young lad who will soon be a royal knight. He actually wanted to be a painter when he grows up but well, you cannot disobey the king's orders. Quite emotionless and a man of a few words, he tries to stay on a neutral ground between good and bad - a perfect candidate for manipulation to all three sides, demons, angels and the City.

look at him

Royal knights get to know their angel and demon companions at least a week before they get knighted to avoid any misunderstandings. Imri doesn't mind his friends at all, although one of them caused quite a fuss.

Angel /they name themselves Lyra/ is an overly positive, naive and blindly kind entity. A bit childish and very fond of justice, they try to act as a voice of conscience, not understanding that sometimes this can make everything even worse than it was. There is a feeling that they're trickier than it seems but you can never quite tell.

the latin text all over them is just a part of their design

The demon though... That's not even a demon, that's the Devil himself. Yes, everyone knows who this is, everyone avoids him and he's not supposed to be here at all. Despite being THE Devil, he didn't try to do anything horrific yet and, when he's not joking around, he tries to be the voice of reason, the voice that no one listens to. He seems to know a lot more about this whole world than anyone else but he talks about it only when he wants to.

no one likes him at all, expect maybe Imri who just tolerates his presence like he always does

That's the main three. There is a few secondary characters, Imri's father being one of them.

sir Jastrab /or just Dell/ is one of the royal knights, he's a bit naive, loyal, and a soul so kind that his demon hung himself. Oh well. He lost one hand in what he calls "a work accident" which is partly true but he never goes into details.

He never wanted for his son to be a part of the knights because he knows by experience that it's not an easy job and not every father wants for their child to go insane from the voices in their head.

few people said that the angel accompanying him looks like d20 and so be it

The others are Sun and Moon - local deities, despite being on the sky every day and night, usually they don't really care about what's going on down below. You can still talk to them but don't expect much action. Regardless of all this, they are still loved by almost all living things. They can rarely meet each other but humans always depict them together no matter what. Although maybe humans are right...

creators of the Stars - some part of a human soul that i can't talk about :)

Angels and demons come in all forms and sizes but those are the main population - lesser demons resemble the Devil in some ways and lesser angels look like clovers. Rivals usually but when the revolution happens, they learn to tolerate and work with each other. Humanity doesn't really have a chance.

they hate everyone equally And there is another being, that Imri meets a few times through the story - it's Death. Death is just having fun in this end of the world and there is a lot of work to be done.

this is an old and rough design so maybe it'll change The whole story begins at that day when Imri is supposed to be knighted. Everything seemed fine until Imri gets to hear the City for the first time and realizes that he hears and sees a lot more than everyone else. Completely overwhelmed he blacks out - even the toughest of minds often can't take it - and wakes up later only to find out that the King got killed somehow, angels and demons saw this as the starting point for a revolution and the City starts to panic.

Now Imri, guided by his companions and the voice of scared City that's crumbling and slowly drives him insane, shall travel to the center of it to find out what really happened, getting through demons and angels who are busy destroying the rest of humanity. Fun.

There is a lot more to this whole thing but I cannot tell the entire plot because spoilers, in case if i actually will make something out of this story. Think of it as a game lore. I'm not sure about making sth yet because i operate only on hopes and dreams and i barely have any strength lately but who knows... But now you have at least some context! And yeah, thank you if you actually read all of this, you're a hero.

Now i need to get back to drawing. Thank you all for your support. <3

[eglerieth]

Some of y’all are not appreciating Bilbo Baggins enough. I am here to remedy that. This guy has:

• somehow managed to establish himself as a respectable, staid hobbit by the time he was fifty, despite being both a grandson of Bullroarer Took and the Shire champion of pretty much every aiming-game known to hobbitkind

• had an in-depth debate on pleasantries with a random guy passing by in the street, who turned out to be GANDALF

• collapsed in front of his own fire shaking and muttering “struck by lightning” over and over again in response to hearing about dragons and danger

• mind you, this was after he screamed loud enough to startle a roomful of Dwarves

• signed up for a dangerous quest completely outside of his league out of spite

• when told to scout out a mysterious light, saw some trolls, and instead of reporting back with the information, decided to PICK THE TROLLS POCKET

• arrived in Rivendell for the first time and said it “smelled like elves”

• upon meeting a strange creature that visibly wanted to eat him, he decided to play a riddle game with him- and guessed pretty much every one, and made up his own riddles, afraid and alone, that not only were good and full of linguistic puns, but actually stumped the other guy- AND THEN CHEATED AND WON WITH A QUESTION

• showed mercy to said strange creature who wanted to kill him, and was now standing between him and freedom

• eavesdropped on the dwarves arguing over whether to try to save him, then popped up casually smack in the middle of them just as they were debating

• somehow managed to sleep like a log at the really really high eyrie full of wild predators

• found himself in a bad situation, said eff it, and turned around and antagonized and fought off an insane amount of man eating spiders, like enough of them that fifty was a small portion, by singing at them with incredibly complex and punny insulting songs composed on the spot, while simultaneously slaying them in multitudes despite having zero combat training. Seriously, we don’t discuss enough how epic the spider scene is.

• broke a company of dwarves out of the very secure prison of the Elvenking by inventing white water rafting with barrels

• charmed his way out of being eaten by a dragon

• stole the frickin Arkenstone from the guys who employed him, one of whom was a king

• took part in an epic battle, only to be knocked out in the first ten minutes and miss the entire thing

• was named elf-friend by the guy who’s prisoners he sprung

• wrote his own autobiography, complete with all the narrative recognition of his own heroics

• spent 60 years writing said autobiography

• taught his lower class neighbor’s kid how to read

• taught his nephew Elvish- not only Sindarin, but Quenya too

• spent decades telling his cousins his own story as fairy tales, complete with character impressions accurate enough that one of them was able to fool a servant of the Enemy with a second hand impression

• used the One Ring of Power to hide from his neighbors

• planned an elaborate feast with multiple social faux pas to mess with his neighbors, complete with a purposefully bewildering speech and culminating in him vanishing into thin air in front of everyone

• left his cousins and neighbors very unsubtle passive aggressive gifts in his will

• settled into Rivendell, randomly befriended the heir to the throne of like half of Middle Earth, and apparently spent his time writing very personal poems about his hosts and reciting them to crowds of elves

• after being invited to a Council of basically every major kingdom in the continent, spent a quarter of the time reciting vague poems about his friends, a quarter of the time telling anyone who would listen about his heroic past, and half the time interrupting to ask when lunch would be

• volunteered to bring the ring to Mordor

• became one of only four or five mortals in history to live in Valinor

Seriously, Bilbo Baggins may well be the most chaotic, insane person in the entire legendarium, and that includes the likes of people like Finrod “bit a werewolf to death to save the life of guy who he just met and gave up his kingdom for” Felagund.

[simpingland]

Req: Can you write something with Ewan Mitchell and his co-star (pronounced feminine) where they are on the set of season 2 and how he is surprised by every performances that fem gives (Fem's character is bad and perverse), since since the recordings of season one he was already staring at her surprised by her actings and now with Season 2 he wants to spend more time with her, plus he likes her.

The Rehearsal// Ewan Mitchell x Fem!actress

Summary: Ewan is a method actor and it has been working fine for him. But he regrets this decision when season 2 of HOTD starts with a love scene, being partner with a lovely talented actress who propaply hates him and his mathods. But nothing is better than asking for help when one needs it, right?

|~~~~~~~~~~~~~~~~~~~~~~~|

Ewan watched from the monitor, patch removed but wig still on, your close-up was impressive. One look at you and you could see all the ambitions that were going through your character's mind, and he himself regretted not having told you yet. The good news was that filming for season two had just begun, and in this new season, Ewan had the opportunity to do scenes only with you.

They shouted cut, and you immediately broke into a smile, laughing after such an intense scene. You received compliments as you were photographed to keep the raccord straight.

"Congratulations, that's a good start," the director said to you. "Remember you have a special sequence tomorrow, get a good rest."

Yes, you remembered. And Tom (who played your brother Aegon) smiled mischievously at you. It was a kissing scene with Ewan, with whom you had barely exchanged a word since the moment you were confirmed as part of the cast, a year and a half ago. You only spoke a little at the audition, which was a chemistry test, and he was a sweet, unassuming guy. When he was announced as the official actor of Aemond... it was something different. You didn't interact in the scenes in the first season, his scenes were shared more with Fabien and Tom, while you had shared scenes with Olivia and Phia (Alicent and Helaena). The chemistry your characters were supposed to have was only hinted by the placement of you both in the scene or montages of shots that you only saw once the series was released. And in the meantime, Ewan had stayed away from all those with whom he didn't share any dialogue, with the excuse of staying focused on his character. Tom had already told you numerous times that Ewan thought you were a fantastic actress, but you always responded the same way.

"If he does, let him tell me so. Then I'll be flattered.”

When the script for the second season came, both of you, in your respective homes, had your hearts skipped a beat. Your character would approach Aemond in the throne room in the middle of the night. And there they not only talk, but share a kiss that promises to go further in the following seasons. Aemond confessed his love for your character, and being that it was a story taken from the world of Game of Thrones, it was sure to end in much more intimate scenes. Normal for actors and comfortable for a cast that was so friendly and close. But with Ewan being so distant and serious? It was difficult. You didn't even dare to call him. Nor did he call you. What you did do was call Tom.

"She hasn't spoken to me once since we started filming. I've seen her look at me sometimes, like she's trying to talk to me but then, before I could say a word, she's gone quiet again. Tom...I don't think I should take being a method actor so seriously," he said to the other actor.

"It amuses me immensely to be the connecting point for both of you. Don't worry, Ewan, she's a sweetheart, and very understanding. She knows that everyone has their own procedure. So if she has respected your method, you should respect hers."

"And what is her procedure?"

"According to Phia, she loves to walk back and forth repeating her lines in a thousand ways."

Right, Ewan saw the video Phia sent around the group so everyone could see how lunatic you looked. And even there, after discovering you were being filmed, you smiled tenderly at Phia asking her to stop. What else would he have missed since you weren't talking?

You had already taken off your wig, your hair was loose and your dress had been off for quite a while. You were waiting to take off your make-up when your trailer was called. You were expecting anyone, happy to have any interaction with the wonderful team around you, but when you saw Ewan, the smile must have dropped a little.

"Sorry if I'm intruding. Is it late?" Ewan asked you as he saw your friendly greeting getting lost in the air.

It wasn't dark yet, and the next day's filming was starting early, so you genuinely didn't know what to say to him.

"Well... I have to finish off some of the lines for tomorrow.’

The lines you had to say with him, and he knew that. But since that wasn't an invitation, Ewan understood instantly and nodded.

"Well, I just wanted to tell you...it's been an awesome first day of shooting for you. It's no wonder you're a fan favorite."

That made you blush.

"Well, that means a lot coming from you."

He smiled sheepishly at you, you were taller than he was, standing on the trailer and he was on the grass a few stairs down. And yet he seemed way too big.

"I promise I'll be on time tomorrow so we'll have plenty of time to rehearse," he said, trying to get out of the strange conversation he had started.

You nodded and watched as he walked away, the patch in his hand and taking off his seatbelts. Did he come with the intention of chatting? My God, you'd had a chance to talk at length with your fellow cast member and you'd wasted it? You needed to go over the scene as much as possible!

"Ewan!" You called out to him, hanging almost on your doorstep, he turned with that agility that is so engaging on screen (and in person). "Are you done for the day?"

"I've got to get out of my costume. But...yes, I'm done."

"Would you mind..." you mumbled in an exaggeratedly loud voice for him to hear. How embarrassing. "Would you mind dropping by again to rehearse?"

Ewan stood still for a second. He watched you from afar, so affectionate and shy, totally contrary to your character, and felt a deep tenderness.

"I'll be back in half an hour," he promised you.

You looked forward to it, and you'd be lying if you didn't say that you'd put your make-up back on a bit. Ewan, on the other hand, was hurrying more than usual to remove his own clothes, forgetting to remove his fake scars in the rush that followed him. He was punctual, and in thirty and a half minutes, he was knocking on your door again.

"I really appreciate you doing this, Ewan," you said as he climbed into your trailer.

"Don't worry, it's going to be fun."

You looked at each other for a second, smiling, kind of gawking, which was nothing like the scene you had to recreate.

"How do you prepare for a scene?" You ask.

"I listen to some music. But I want to try what you do. "

He looked at you expectantly, and you suddenly felt embarrassed. Like the girls at the school function.

"So... I close my eyes, and I create a map where everything looks a little bit like the set."

"And what do we choose to be the throne?" Ewan smiled, which made you blush even more.

"Well... "There was a fully finished teacup, with the inelegantly squeezed bag next to it, dripping. You'd forgotten to clean it up completely. "That cup itself."

Ewan frowned slightly, teasingly, and nodded. The next step for you was harder to explain.

"Now, Ewan, I need some space."

He sat down on your couch, script to one side, the bastard having already memorized it all. And from there he watched live what he'd been craving for months, watching you pace back and forth. You read the annotations and your lines.

"They will never forgive our family for what I did," Ewan replied, intoning in the silky voice he gave Aemond.

"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." though you paced, your hands and gestures maintained theatricality, and you repeated the phrase three more times, all with trapped deliberation. "This pantomime of repentance can only convince Mother...but not me."

"What pantomime do you mean?" replied Aemond.

Then your character stopped looking at Aemond to stare at the Throne. In this case you stopped to stare at the ugly teacup. You had to hold back a smile. Ewan looked at it too.

"It's impossible to fool you, it always has been." Ewan got up from the sofa and approached you, as Aemond does with your character. "It is a crude, chaotic and ugly object, but always that which I have desired."

Then the laughter you'd been holding back escaped, unable to think of the mug as anything else. And Ewan laughed with you, all the tension disappearing instantly. Now he could understand the affection with which everyone spoke of you.

"I'm sorry, really," you said, getting serious again. "I'm sorry."

"Don't apologise, this is fun. I'm going to try your method. Shall we close our eyes?"

"That's right."

You closed them at the same time, thinking about the huge room, illuminated by a silver light that simulated the moon. And after a few seconds, Ewan opened his eyes to look at you. Although you didn't have your white hair, or the elegant dress, your eyes were the same, as beautiful and bright as they were behind the cameras. And he had the privilege of being the focus of your attention and having them in the foreground.

"Though I think I was always more subtle with another of my longings..." he whispered close to your lips.

"That you tried at least" you whispered back.

"When I get the throne I'll need someone as sharp as you to accompany me. There is no woman in the seven kingdoms who compares to you."

Then came the kiss. You looked into Ewan's eyes, up his nose and down to his lips. What was there left to throw yourself? Not much, but with him being so reclusive, with that being one of the few times you spoke to each other, it felt strange to pounce on him without consent. So you walked away, leaving the scene there.

"We can work this out with the director and the intimacy coordinator, if you like," Ewan suggested, a little flushed and extremely sweet.

You poured him a cup of tea while you discussed the romance that your characters might have developed over the years that the series skips. You imagined romantic scenes that might have led up to that kiss and concluded that they were a toxic couple, but possibly better than Rhaenyra and Daemon.

"You know, I love the way you act and I love that I discovered your process," he confessed. "I think the admiration part is not going to be too hard to act out."

"Oh...my process is really ridiculous, everyone laughs at me. I'm glad it at least works. But it gives me a hard time at auditions," you laughed nervously.

"Well, it's true that it's fun to watch. But it's certainly worth it. I don't think you have anything to envy the others, you're...magnetic." He said it with a seriousness that moved you, adding to his intense gaze. "I'm sorry I wasn't smart enough to tell you sooner, because I've been thinking about it since the day they put me in the same room you were in, back at the audition.”

You froze a little, so you just said what you felt in the simplest way and with the most honest smile.

"Thank you."

Ewan took the last sip of his tea and before he left you remembered one of the thousand questions you had for him.

"Is there a reason you haven't removed the scar? Something to do with method acting?"

"Scar?"

You touched his cheek, where the scar began, and Ewan understood instantly.

"Ah, gee, I completely forgot to go through makeup. I'll get a telling off tomorrow."

"Not if you sleep on it until tomorrow" you joked. "Let me help you, I love fake wounds."

You stood next to him, towering over him a little, and lifted the thin layer of silicone with the delicacy you had seen in make-up artists. You were envious of the woman who was in charge of characterising a person as curiously attractive as Ewan. He also smelled exaggeratedly good.

When you took it off, you threw it into the creepy teacup from earlier.

"I've almost run out from, the costume department before," he justified himself. You took the opportunity to wipe that part of her face with a makeup remover wipe. "I usually do this part myself..."

"I know, but I like it..."

And while you were stroking his face with the excuse of cleaning it, Ewan was watching your lips, and didn't notice that you had noticed. You pushed the wipe away, stroking his chin, and at the same time, you both pressed your lips together. A strange kiss, something special, sweet and soft. You stretched it out, standing almost still, afraid of what would happen if you broke apart. When you finally did, you looked at each other with a look of confusion, though neither you nor Ewan pulled away.

It was a dangerous idea, he was your partner, and you had been unprofessional. You broke away.

"I think you should rest. I've distracted you too much." Your tone came out agitated and Ewan rose slowly.

"No, it's all right. I liked it. I liked everything. Didn't you?" He had emphasised the word 'everything' and was looking at you with lambent eyes.

"Yes...I loved being with you."

He said goodbye with a smile of his, and you bowed at your door like a little girl. Most of the team had already gone to rest and you barely noticed.

You had to put on more concealer than usual the next day because of the lack of sleep you'd had from that strange kiss. Ewan had kept his promise and had arrived a good while earlier to re-rehearse the scene. You did it without the kiss or the lights, just with the director's instructions and with your cheeks flushed as you exchanged glances.

"Did you practice with the kiss?" the intimacy coordinator asked you.

You were completely silent. Ewan answered for you.

"Not really, maybe it's better to give a first kiss at the moment of the shot. More realism."

"Well, then I guess you've worked out the sexual tension and dynamics of your characters."

Ewan nodded and smiled, which made you smile. Had he put hours of sleep into your little meeting yesterday? Yes, he had, and he told the woman who was putting on his scar who asked him who had removed it the day before. When you returned to the set, lights on, costumes on, cameras rolling, Ewan looked at you in the distance, asking you with his eyes if you were ready. You nodded with a shy smile, and began to act when they shouted action.

Aemond, still dressed and coming from the castle library, walked into the empty throne room to watch you. You walked behind him, in a smart dressing gown, your hair loose and trying uselessly not to make a sound. Aemond then spoke aloud.

"They will never forgive our family for what I did."

You approached Ewan, who still wouldn't look at you.

"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." You leaned into him a little, as the director had recommended. He was so tall and so tense that you felt as safe as if you were leaning against a stone pillar. "This pantomime of repentance can only convince Mother...but not me." Then Aemond would look down to see you out of the corner of his eye, which made your character - and you - nervous.

"What pantomime do you mean?"

Then you looked at the throne, now there was no laughter to disturb you, only the terrible seat of swords before you. And Aemond was looking at it too.

"It's impossible to fool you, it always has been. It is a brutish, chaotic, ugly object, but always that which I have desired."

After a pause, he turned fully around to look at you, his height becoming primordial in that short distance. In that low light, Ewan's visible eye looked into your eyes, dropping to your lips subtly.

"Though I think I was always more subtle with another of my longings..." he whispered in his velvety tone.

"That you tried at least" you replied trying to keep your composure. If they knew how hard you were struggling not to fall to your knees at that moment they would have nominated you for an Emmy by now.

"When I get the throne I'll need someone as clever as you to accompany me. There is no woman in the seven kingdoms who compares to you."

He stroked your face gently, something that coming from Ewan was tender and expected, immensely pleasing, but then you remembered that Aemond could never be so gentle in the face of his urges, and you let your own out. You pressed yourself against him, pressing your lips together with all the assurance you had longed for the night before. You could feel Ewan intensify your kiss even more, placing his hand on your neck. All the possible kisses that had been going on in your head during the night were now dwarfed by the kiss that was happening right there. As fierce as your characters, with the longing you had just discovered that you and Ewan had shared for a year and a half.

It was only when they shouted 'cut' that you broke apart, catching your breath and barely breaking away. Some applause, chatter and comments from the team, you could hear little of what they were saying. You pulled away flushed, laughing at the sudden intensity. You looked at the director as Ewan smoothed his jacket.

"Let's look at the shot, I think it was simply perfect, congratulations."

Another round of applause, and you felt Ewan brush your unruly hair out of your face, stroking it as he ruffled your hair.

"What a pity not to have to repeat this scene..." He confessed.

"That's the thing about being so talented," you joked.

"Obviously..." he removed his patch and turned back to you to ask in a quieter voice, "although I'd love to have more private acting classes with you..."

You smiled at the hint.

"I'll give them to you if in exchange you let me remove your fake scars again."

"Deal."

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

David Gaider: "Just to clarify the "they're probably why you'll never see Fenris" thing, as it's spawned commentary: 1. It's the reasoning as was explained to me back then. 2. Obviously, if Bio *really* wanted to, they'd find a way around it. But it was a complication that meant he couldn't be included casually." [source]

[n30n-l1ghts]

Okay, I need to rant. Fuck AI. And I mean seriously. FUCK. A.I. I know I’m probably preaching to the choir here, but more people need to be talking about this, and there’s no point in me saying that if I’m not willing to talk about it too. AI has done nothing but ruin our communities and defile the art that millions of hands have spent millions of hours creating. Fanfiction is a work of passion. Drawing is a work of passion. Voice acting IS A WORK OF PASSION. AI has no passion. It takes the soul out of the things we love and cherish. It steals what we as a collective community have lovingly crafted, and it shatters it to a thousand pieces, spits on it, curses its family, and throws it in a flaming dumpster to be eaten by rats. It is despicable and disgusting.

I won't lie, or pretend I’m a perfect saint. I myself was a user of Character AI until somewhat recently. And as ashamed as I am to admit that, I feel it’s necessary to own up to my own faults. But after seeing the damage it causes, I can’t in good conscience even consider touching that site. Many of us write because it is our passion. Many of us because it is our job. And many of us because it is our *friend*. AI steals the writing of your favorite creators WITHOUT PERMISSION and mashes it together like Frankenstein’s fucked up monster to create storylines that aren’t even fucking coherent. Not only that, but Character AI uses whatever you respond to it with to teach itself as well, which means that the company has access to whatever you chat about, and free reign to do whatever they want with it. They also make absurd amounts of money from it, which in comparison, fanfiction writers, who spend countless hours writing stories for our favorite characters, more often than not charge nothing. And the ones who do charge, tend to have reasonable, if not highly lenient prices for their labor.

Which leads me into another side rant. SUPPORT WRITERS THAT YOU LIKE. It’s really not that hard, it takes two fucking seconds of your time and it makes someone's day. Reblog. Share with your friends. Like. Comment. Just let the writer know that you saw it, and that you liked it. The amount of fanfic writers I have seen get completely discouraged from writing because of lack of engagement is astounding. I’ve seen several posts on Tumblr or Twitter or Bluesky talking about creators that were incredibly popular but never knew it due to lack of engagement is appalling. If you can rant about your love for their work on Discord, you can rant about your love for their work in the comments. Just fucking copy paste it. Tell them how much you love it. Show them support. Especially the ones that don’t charge. Because for those of us that don’t, our only payment, is your feedback. Even constructive criticism is greatly appreciated by damn near every writer I can think of. Because even that shows that you read it, absorbed it, and thought about it enough to have something to actually say about it.

The same thing goes for artists and voice actors. You see a drawing or animation you enjoy? Comment. Like. Share. You see a character in an anime or a game and you love their voice? Go check out their voice actor, maybe they do some other cool stuff, and you might just discover your new favorite series or streamer. A perfect example is Alejandro Saab. I became a fan of his through his astounding performance in several series dear to me, and lo and behold, he’s also a streamer I enjoy. Same story with Aleks Le, or Ray Chase. Yuri Lowenthal, Lizzie Freeman, Landon Mcdonald, Zeno Robinson, the list goes on. But seriously, it’s not that much effort to just show a little love to the creators you enjoy. The people who breathe life into the series’ that we all hold dear. AI does not breathe that life. Using AI, and supporting those companies, will destroy those pillars of our community. And if that happens, the AI would crumble too, it would have no new information to use. SO really, what’s the benefit? I’ll tell you. There is none.

Stop using AI. All it does is bring harm and slowly kill our community. It’s disgusting, appalling, and downright fucking egregious.

Thank you for coming to my TedTalk.

[interact-if]

Our second edition of the Black History Month Author Spotlight series features beloved author, C.C. Hill (@when-life-gives-you-lemons-if)!

(CC is an absolute institution. What better way to celebrate Valentine’s than by doing a feature of the slice-of-life romance queen herself? CC is one the most inspiring, supportive IF writers out there, and it was a great honor to pick her brain! Read on for pandemic-setting feel good stories and Creole-based spells!)

Author: C.C. Hill

I'm from Haiti, born and raised. I love red wine, ice cream, and I'm obsessed with true crime podcasts.

Games: When Life Gives You Lemons (Slice-of-Life)

Synopsis: You play as an MC starting a new life in a small town called Lemon. It’s a story about self-discovery, love, and parenthood—a comfort story where the love interests want to sweep you off your feet.

Games: The Midnight Saga (Horror)

Synopsis: After finding yourself trapped in another dimension, you and your friends must fight for survival and defeat the monsters that lurk in the shadows. Make sure to grab a weapon as your quiet Halloween night turns into an out-of-this-world adventure!

Quote from the interview:

What mostly inspired Lemon in particular was the need for a feel-good story—a story where the character just needs a break. No magic, no monsters, just going through life and having the romance options fall in love with them no matter what. It was just the need for comfort, for feel-good moments, for romance, and a little bit of drama.

Read on for the full interview!

Tell me more about yourself! What are some things new readers or long-time readers might not know about you?

I'm from Haiti, born and raised. I love red wine, ice cream, and I'm obsessed with true crime podcasts.

Can you tell me a bit about what you’re working on right now and your journey into interactive fiction? What inspired the game/story you’re currently writing?

I'm working on so many things it should be illegal for my brain to operate this way. But mainly, When Life Gives You Lemons. My plan is to focus on the final part in March, do some beta testing, and submit it to Hosted Games in April for my birthday month.

I'm also under contract with Heart’s Choice, writing Spices of the Heart, with hopes of completing it this year. On top of that, I’m working on publishing my first visual novel, The Wedding. It’s close to completion, and I have the third quarter of 2025 planned for publication.

I only started writing interactive fiction in 2020. When the pandemic hit, I needed something to keep my brain occupied, and five years later, I’ve published three games and still have a ton of projects in progress.What mostly inspired Lemon in particular was the need for a feel-good story—a story where the character just needs a break. No magic, no monsters, just going through life and having the romance options fall in love with them no matter what. It was just the need for comfort, for feel-good moments, for romance, and a little bit of drama.

How has your identity, heritage/background, upbringing, or personal experiences influenced your storytelling or writing process? OR How does your work feature aspects of your identity / experience?

My first game, The Midnight Saga, was heavily inspired by my background and where I'm from. The story itself is based on an old Haitian folklore about not staying outside after midnight—if you do, the Keeper of Midnight will eat you. I took that idea and built the characters around it.

I even managed to include some spells written in Haitian Creole. It was a lot of fun to write, and even though Book 2 is currently on hiatus, this story has a special place in my heart because it was my first game. The characters are a representation of my people and the struggles they’ve gone through. I’m really happy that it was my debut story.

What are some of the most rewarding or challenging aspects of writing Interactive Fiction for you?

For me, it’s branching and being able to write an MC and other characters in a way that readers can truly connect with. Lately, I’ve been writing a lot of feel-good romance and slice-of-life stories, and I’m starting to feel like this is my comfort zone—and I want to stay here forever.

I never want to create a romance option that is inherently bad or purposely deceitful. My biggest challenge is writing characters who are flawed and complex—where readers can love them or hate them—but making sure they aren’t just villains for the sake of it. They’re simply existing in the world they were created in.

What does your writing process look like? Any rituals or habits? Any tips, tricks, philosophies or approaches that have worked very well for you?

My writing process is a mess. My brain gets pulled in so many directions. When I get an idea, I have to code it, shape it, and give it life—otherwise, it’s going to bug me forever. That’s why I end up with so many WIPs. I need to see them through, at least to a short demo, to see if they make sense.

My desk is also full of notes, and I basically write on anything—pieces of napkins, tissue boxes, whatever is nearby. One weird habit I have is that some of the best changes I’ve made to my games, those "spark" moments, happen when I’m in the shower. It’s weird and strange, but it works.

What’re you excited to tackle/implement/work on next? Or anything you’re looking forward to in the year ahead?

Keep writing romance and feel-good slice-of-life stories. Get When Life Gives You Lemons published this year. Focus on doing this full-time. Publish my visual novel.

Overall, just stay busy and be productive.

If you were to say one thing to your readers, other authors, and/or the interactive fiction community: what would it be?

To the readers—us authors don’t have all the answers. Sometimes, we start writing a story and end up forgetting certain plots or characters, which is easy to do when writing interactive fiction. So yes, we often write ourselves into a corner and just put a period there so the story can progress.

To the authors—write stories you love, something you would want to read. It makes it easier to keep going because if it’s a story you love, you’ll want to see how it ends, and that will push you to persevere.

This-or-that segment: (red = CC's pick)

Coffee or tea?

Early mornings or late nights?

Angsty or Cozy romances?  

Steady progress or frenzied binge-writing followed by periods of calm?

Introvert or extrovert?

Plotter or pantser?

[literaryvein-reblogs]

Any advice for figuring out how to work on writing characters arguing?

I’m just curious and also I mistakenly derailed part of my writing over struggling to write a scene of characters starting an argument that was meant to escalate.

Writing Notes: Arguments

Arguing is full of tension.

Even benign conversations between friends so often belies subtextual personal agendas that are antagonistic or covertly full of anger or upset.

Honesty itself sometimes is the product of extreme tension and upset.

One’s resistance to telling the truth to another or admitting to oneself a truth can be excruciatingly tense and stressful, even between lovers.

SIDESTEPPING

You instantly create conflict in dialogue when you avoid “on the nose” responses.

On the nose means a direct response, sometimes even echoing the previous line.

You can avoid direct response:

With a statement that is unrelated to the prompting dialogue

By answering a question with a question

With a line of dialogue that is going to need some explanation

Also consider using silence:

“Are you ready to go, dear?” Bob asked. Sylvia said nothing.

Or use an action response:

“Are you ready to go, dear?” Bob asked. Sylvia picked up the mirror.

OPPOSING AGENDAS

Always know what each character wants in a given scene.

If a character in a scene is just taking up space, give him an agenda or get him out of there. Or cut the scene entirely.

Scenes require conflict or tension, even if it’s subtle.

Before you write the scene, note what each character wants.

Then spend a few moments playing with those motivations.

List 3 other possible motives for each of the characters, then mix and match to decide which ones will make for the best conflict.

It is also important to create tension among allies.

One of the danger points in fiction is when two friends, or people who are at least on the same side, have a talk about what’s going on. The trouble is there might not be any trouble between them. So much of the dialogue becomes a friendly chat.

This will violate Alfred Hitchcock’s axiom (Hitchcock once said that a good story is “life, with the dull parts taken out.”).

The fastest way to handle it is to make sure there is tension manifested from the start.

Create tension in at least one of the characters, preferably the viewpoint character.

Example: When you have Allison meeting Melissa, her college friend, for coffee, don’t have them sit down and start talking as if nothing’s wrong in the world. Put the trouble of the story into Allison’s mind and nervous system and make it an impediment to her conversation with Melissa. In Melissa, place something that might be in opposition to Allison’s needs. Allison needs to ask Melissa’s advice about a crumbling marriage. Maybe Melissa is full of news about her sister’s impending wedding to a wonderful man and gushes about the prospects.

Spend some time brainstorming about the ways two friends or allies can be at odds. Then weave those things into the dialogue.

DIALOGUE AS WEAPON

Look for places where you can use dialogue as a weapon, a means for your characters to charge ahead in order to get what they want.

Keep in mind that dialogue is action.

It’s a physical act used by characters to help them get what they want. If they don’t want anything in a scene, they shouldn’t be there.

Note that not all weapons are explosive. They can be small and sharp, too.

PARENT-ADULT-CHILD

A great tool for creating instant conflict in dialogue is the Parent-Adult-Child model, popularized in the book Games People Play by Eric Berne (1964). This school of psychology is called Transactional Analysis.

The theory holds that we tend to occupy roles in life and relationships.

The 3 primary roles are Parent, Adult, and Child (PAC):

The Parent - the seat of authority, the one who can “lay down the law.” S/he has the raw strength, from position or otherwise, to rule and then enforce his/her rulings.

The Adult - the objective one, the one who sees things rationally and is therefore the best one to analyze a situation. “Let’s be adult about this,” one might say in the midst of an argument.

The Child - not rational, and not with any real power. So what does s/he do? Reacts emotionally. Throws tantrums to try to get his/her way. Even an adult can do this. We’ve all seen clandestine videos that prove this point.

So it is a helpful thing to consider what role each character is assuming in a scene.

How do they see themselves? What is their actual role? (It may indeed be different than what they perceive it to be.)

Most important, how will they act in order to accomplish their goal in the scene?

Answering these questions can give you a way to shape your dialogue so there is constant tension and conflict throughout.

Also consider that the characters might change their roles (try something new) in order to get their way. Thus, this is a never-ending source of conflict possibilities and only takes a few moments to set up.

TIP ON DIALOGUE

Look at all of your dialogue exchanges, especially ones that run for a page or more.

Analyze what roles the characters think they’re inhabiting.

Rework the dialogue by getting each character to be more assertive in their claimed role. (Also note that a character can change roles as a matter of strategy. For example, if the Parent isn’t working, a character might switch to pouting like a Child in order to get his way.)

Sources: 1 2 ⚜ More: Writing Notes & References

Hope this helps with your writing!

[nipuni]

Alright, time to share my opinions about Veilguard!! I have both criticism and praise so bear with me as I jump from one extreme to the other 😆 spoilers ahead of course!

The game has a very rough start with the dialogue being formulaic and rushed and the characters overexposing. It feels like a heavy handed attempt at summarizing all of previous games' lore for newcomers or in case you forgot but it's so overdone it feels coddling and trivializes a lot of previous events. Luckily this gets better once all of the introductions are out of the way, though the excessive hints and clarifications continue until the end sadly.

The locations are absolutely incredible and very diverse!! This is a highlight of the game for me. There is so much detail and care in every map and there are so many of them. My pc is struggling to reach medium settings and yet everything looks stunning. The verticality of the maps is so imposing and the graphics have a very dreamy quality that I love. I also enjoy the maze-like structure to the maps, it's more linear but makes everything look a bit more intentional. The color and light direction was amazing, all the visual development really!! it has to be one of the prettiest games I've ever played.

When I started I have to admit it did not feel like I was in Thedas and it all felt a bit theme-parky, if that makes sense. A lot of previously important and established world elements that made Thedas what it is were overlooked or made irrelevant. But the more I played the more it started to feel a bit more similar to Inquisition, for better or worse depending on what you feel about Inquisition. But!! this also feels like a selectively sanitized version of Thedas compared to previous games. In it's attempt to stay safe and uncontroversial in some aspects it loses a lot of substance and it changes the tone. The surface level politics, ignoring previously established major societal issues and a tell-don't-show approach makes the world seem more simple and shallow with no grey areas to explore. ( the humor also falls flat and out of place often too, and WHY is everyone always smirking, enough!! godlike beings are destroying the planet please this is not the time for Marvel banter aaaa )

The pacing at the start is a bit of a mess. It is so fast it felt like jumping from one world shattering discovery to the next with no time to process. The characters also seem to underreact to important information and major developments. It felt like the game was rushing me through all this to get to the part of the story it wanted to tell me while I was still wrapped in my shock blanket trying to catch my breath lmao. I really like all the key story points they touched upon, I just wish they dwelled more on them to give them more narrative weight. ( though blaming every bad thing to ever happen on the Elves was certainly..a choice )

I think the writing could have used more subtlety in the first half and more boldness in the second 😆 but I loved the thematic parallels between Rook and Solas and how every quest informs the main storyline. I do wish Rook was given more impossible choices and put in more difficult situations that forced them to lie or betray their own to better drive the point home though ( listen I just love a Trolley problem!! we need more of those, I'm the Trolley problem's number one fan!! ) I feel like they missed the chance to put Rook in Solas' role and be as vilified and hated for it as Solas was despite their best intentions which would make Rook's regrets stronger and in turn make their escape from the fade all the more impressive and give them a better understanding of Solas to either use against him or earn his respect. The line 'they called me the Dread Wolf, what will they call you when this is over' from the trailers was so good I was waiting for this!! But everyone just loves Rook no matter what!!

But I feel like I stated too many negative aspects in a row so moving on to some things I enjoyed!

The characters were very lovable to me. The romances weren't as long or impactful as I would have liked but I enjoyed all the companion quests. Emmrich is a delight and his quest is so wild and fun. I loved learning about Nevarra and I was awestruck by the Grand Necropolis. The mourn watch was so interesting, it showed a whole new side of Thedas' lore I knew nothing about! and I loved Manfred! Davrin is so charming, he became a favorite. I loved his quest too and learning more bits and pieces about the Dalish was great, I wish we got more. Seeing the Wardens through his quest also made me enjoy them a lot. Assan was very cute too and I'm glad he was treated as an animal and not turned into a goofy Disney sidekick too much lmao 😭 Lucanis is hilarious. The fantasy Spain/Italy was a bit silly and off at times but he is very sweet! and I love the Spite possession, that was so fun I'm glad they kept him that way! Bellara is adorable, her first backstory quest made me cry and I just love a nerd! I wish the second part of her story was written better however, and she sort of devolves into 'it's hard, I wish it was easy but it's hard' dialogues too often sadly. Anaris and the Forgotten Ones' portrayal was underwhelming and anticlimactic which was disappointing. Harding is also very cute and her Titan plotline was the most interesting to me, I bawled my eyes out in her quest!! I love the dwarven lore of this universe I'm so happy we got more of it!! ( she also fucking died in my playthrough?! I was devastated what the hell 😭 'whatever it takes' WEUEUGHHHG I'M SO SORRY) Neve was a slow burn for me because of my choices in game slowing that relationship down ( saving Treviso I mean, perdón amor 🙏 ) but I love detective novels and she is such a badass I ended up loving her. Taash was unexpected, I didn't think they would be so young. The coming of age story was sweet, though I found myself cringing a lot too at the handling of it I have to admit ( and the Lords of Fortune in general, and the Antaam...and que Qun..listen- kajshfgf ) but I also enjoyed learning more about the first expedition and the Qunari in general despite the messy writing and choices. I also loved Antoine and Evka! and Strife! And I haven't even read any of the novels they are in 😆 also Mila!!!! and her dad oh my god and Felassan haunting the narrative!! speaking of haunting, I would have loved for Cole to be in the lighthouse too I think it would have worked well 🤔 especially with the whole 'reading Solas' secret diary' thing the game had going on lmao

Everyone seems to get along except for a bit of friction that is quickly resolved at the start, which is hmm missed potential? I would have preferred more tension personally. I enjoy the drama! gives me more to work with and gives you a better grasp on everyone's personality by contrasting values. I think they wanted to speed run a found family trope for the new hero to establish some emotional stakes early on but it ended up making everyone seem like a group therapy session instead. The group meetings also have everyone either state the obvious or repeat the same opinion or conclusion to each other, I would have loved these meetings to have more bickering, have people get mad and storm out and also get to listen to different takes on a situation. Make Rook struggle more to take the reins and keep the team functional, learning how to be a leader.

Speaking of Rook! ( who in my case has a northern British accent that I loved so much 🥺) They seem to have a very established personality. I was expecting more of a blank slate but I'm lucky that the personality they went for kind of matches what I would normally choose in a first playthrough. Though the lack of range in the choices is irritating and takes away some replayability and role playing potential. Rook is very supportive and selfless, I wasn't expecting this tbh! But it all made my Rook turn into the team's weird supportive necromancer mom so it worked out in the end I guess lmao. I can't wait to draw her!!

I was so overwhelmed by the amount of information we got about Solas and his past!! I was expecting answers but not these many and not for them to be such an integral part of the plot!! The game feels like it's about him more than anything else. His arc is the best written out of all. He is mentioned in every conversation, he's the main advisor and the narrative foil, you get to talk to him often, you work for him and with him and go into his memories it all feels so surreal to me lmao I love him so I'm delighted ngl! but also making the other Evanuris so cartoonishly evil makes Solas into such an obvious choice of an ally, god of trickery or not, that it sort of takes the decision out of your hands and makes some dialogue options and companions' opinions seem almost nonsensical. I have no idea how this game would feel to someone who absolutely hates Solas' guts honestly. I suppose I will find out soon enough 😆

About Solas' story, I loved it! I somehow also feel that I knew it already, all the speculation and theories that Solavellan fans were crafting for years were so accurate that it was all very validating. Even the wildest ones! Solas as the Maker, the elves spirit origin, Mythal giving him a body, the war with the Titans, the origin of the Blight, Solas being on your side as advisor, I can go on, we knew!! Also I have to mention this I'm sorry but they made him look so hot!! unbelievable. And the bloodied teary eyed pathetic look in the end ouurghhh I'm cheering and clapping!!

The romance conclusion was so lovely 😭 the Loki and Sigyn ending we deserved to such a mythological epic!! and open ended enough for all of us to cook!! and we got to see him fight and transform into the Dread Wolf!! and whimper and cry!! and bleed and love!! that's all I ever wanted, incredible we were really spoiled what the hell I still can't believe it 😭 GDL acting was brilliant as usual! the visuals were also incredible and exactly what I had in mind when I imagined where the story may go, the eclipse, the giant wolf, the glowing eyes, the Elvhenan ruins, the statues, even the hair lmao it all aligned exactly to what I've been painting all these years but better I was thrilled 😭

Solas backstory with Mythal also offers players that didn't romance him a chance to see him act out of love and show a side they wouldn't be able to reach otherwise and I think it was smart! also very tragic and sheds more light into all of his choices and words and his relationship with Lavellan too and the parallels and reversals and uughh thoroughly enjoying the emotional distress 👌

Pleasing both the Solas lovers and haters at the same time was always going to be hard with him being such a polarizing character by design and the world states being so different but I think they did a good job! at least from my side of things.

I think my favorite part besides the Solas related stuff was the Blight. I loved how horrific and gross and threatening it was! I've always loved the concept of the Blights and I'm glad it was such a huge part of the story in this game. I also loved Treviso!! has to be the most beautiful city in Thedas ahhh and the Necropolis!! the gardens!! Vorgoth!!! Kal-Sharok!!! I can't believe we got to see it!! and a Titan!!! the giant floating face of Ghilan'nain in the clouds??? and the huge archdemons and dragons!! oh and that warden dragon trap in the shape of a griffon?? and the giant blight tendrils!! the siege at Weisshaupt was outstanding!! and the floating panopticon castle situation in Minrathous uughh there is so much I loved.

OH I also enjoyed the Varric arc even though I saw it coming since the trailer it was still played well and it was touching 🥺

The ending felt a bit jarring to me in tone though, a bit too cheerful considering...the horrors. Over half the continent destroyed and most of the problems Thedas had before the game are still there. Veil in place and all 😆

But I had fun!! I'm nitpicking really, the conclusion to Solas' story feels very satisfying to me which was my main worry so I'm happy. It is a good game!! with a sort of soft reboot feel to it and aimed at a younger audience which is probably what they were going for? You can sort of feel the struggle the team went through during production in the way the target audience seems unclear sadly. I also can't help feeling like this is an ending, so much was revealed and resolved!! but maybe I feel that way because that is what I felt after Shadowbringers / Endwalker in FFXIV once my favorite part of the story was wrapped? They can always pivot to a new continent and expand on the world and cultures we know almost nothing about, but that is always harder to sell so I have no clue where they will go from here 😵‍💫

Anyway I'm still processing a lot of stuff that I will probably talk (and draw) about later, this is already long enough!! for now I'll look up how to get the artbook because the art direction of this game is fantastic!! I would love to hear your thoughts too really, I'm curious about the experiences of players who made different choices and with different tastes to mine!!

[bingsoo-jung]

I do Not write video game analysis. However, one thing that I loved about Veilguard that I hadn’t seen people talking about, is that all the companions personal quests mirror Solas’s regrets.

Like Taash is struggling with their mom and identity and what to choose to be in their future. Do they be what someone else wants them to or make their own identity?

Emmrich is trying to deal with a fear of death and if sacrificing the things he loves is worth is for a better future. What’s the cost of never having to experience your greatest figure worth to you?

Davrin’s trying to figure out how to live when he’s always expected he would die. The duty he’s pledged himself to vs following his own nature. Should you sacrifice your life for the duty and happiness of others?

Bellara’s both dealing with the regret of not doing enough to prevent her brothers death, but also trying to decide if progress is worth the price it came at. How do you forgive yourself for your sins and carve a new path forward?

Neve is trying to be a good person in a system literally built for people like her while she has immense amounts of privilege. Do people need someone who will do anything for them? Or do they need a hero to look up to?

Lucanis is figuring out how to deal with the betrayal of someone who you not only trusted, but was your family. The closest person to you. At what point is family who hurt you no longer worth your forgiveness?

Harding is trying to both honor but let go of the trauma and create a future in light of that hurt. How do you create a future despite the trauma of your past?

And Rook! Rook’s entire thing is that they’re self-isolating. They never talk to any of their companions about their stress… except they do talk to Solas, the Inquisitor, and Varric, people who all have power or they see as their leader. They’re actively trying to withdraw from their community and take on whatever mistakes the team makes and whatever consequences will arise from the conclusions of the companions missions.

And this is all wildly clever thing because it creates a really effective way of commenting on Solas and his issues. This is not to say that they were crafted solely to comment on Solas, or to be pale imitations, but by making them have similar regrets and problems to him, it provides this really fantastic bit in the narrative, especially during the team meetups to discuss the murals, where they’re really able to both relate to, or disagree with Solas in some interesting ways because of their issues. It also makes the story much tighter than it would be otherwise, because nothing in this story doesn’t serve this very character-driven narrative about the choices, guilt, and fear and how that hampers or helps your decision making. And I really like it! You can see it in their dialogue around the murals too. Taash for instance specifically talks about the regret of not being able to tell someone you love stuff because you waited too long and now they’re dead. 10/10 bit of character introspection.

[viperwhispered]

Notes on Jamil's speech patterns

I was supposed to just pick out some examples of typical Jamil lines. How he speaks, the vocabulary he uses, things like that. Something I could easily refer to when writing to get the tone right.

But then it kinda blew up, oop – because it’s hard to talk about how a character speaks without also dipping into why they say whatever they say.

Plus then I wanted to get examples of Jamil in different moods, and could not resist some poignant things that were more related to his character or backstory rather than strictly the speech patterns themselves, so… It expanded a bit.

Anyways. Some things I noticed he tends to do:

Sighs (more than I realized)

Snarks

Tch (though could be a more general twst writing choice too)

Stutters when he’s flustered / embarrassed / caught of guard (what a cutie)

Goes ahem like an old man when he’s trying to get back on track in those off-kilter moments

Kinda formal with his manner of speech and choice of words (especially in servant mode) (I always worry I exaggerate this but he sure does do that)

But there’s still some animatedness with the way he emphasises words, for example

(so long-suffering and ready to bark out directions to Kalim oh boy - the way the directness just comes through when he loses it)

sugarcoating his opinions if he doesn’t feel like he can say them plainly (tyrant becomes rigorous, etc.)

sarcasm, sometimes with a side of deadpan, sometimes with a smirk

“Good grief” (another thing I didn't realize was that much of a catchphrase)

Very mild on the level of insults & swears honestly, (I mean, "drat"?) but I imagine this is more of a result of the game's rating (I guess for in-game reasons we can say he's been very conditioned by his upbringing)

I put the screenshots that seemed telling, and some related notes, on to a google sheet. That way one can filter and order it in various ways.

The sheet is probably best viewed on a computer or another larger screen, the screenshots might make it a bit difficult to navigate on mobile.

I did go in with the assumption that Jamil might speak differently pre-overblot (when the servant mask is firmly in place) and post-overblot (at least those occasions where he allows himself to be more honest). Like, there’s the sycophantic (as Leona calls it) flatterer, versus when Jamil’s honestly voicing his own thoughts. Which also shows in how I chose to categorize the screenshots.

Of course events are a bit wibbly wobbly in relation to the main story so can’t be placed in the timeline in the same way, but there are still those occasions where it seems you can tell the difference between the servant mask and a Jamil who’s not saying things just for the sake of appearances.

So, to explain the logic of the sheet:

First column has a screenshot of something Jamil says. The second two columns give the source.

The column for whether or not this happened before or after the overblot is only really used for main story things, since event stories are kinda murky timeline-wise.

Next is whether Jamil seems to be putting on the servant mask or speaking more honestly. This is where get more to interpretation territory, and I’ve not applied it to every screenshot (either because that didn’t seem like the relevant part for that line, or because I couldn’t tell).

The last column of the sheet is where we get most to my personal interpretations. So of course you might read these lines differently than I do, and that’s completely fine, these are simply the aspects that seemed poignant to me. Some notes are simply pointing out specific word choices or style of speech, others delve more into character analysis side of things.

Totally fine if you want to copy this file or modify it to your own needs. All I ask is that you don’t pass off anything I wrote as your own thoughts.

Order of lines is based purely on the order the pics were in my screenshots folder, so guess this is also an insight on the order I played things in, lol.

Tagging some jamil peeps in case y'all find this useful:

@crystallizsch @diodellet @moonyasnow @twstgo @lex752

@majestickitty @viperbunnies