#I very much failed the painting part

[thereseuwu]

Drew/sketched Apollon again :^0

(I wanted to go with a painterly vibe but I can't paint </3 so I scrapped the idea... DSKFDSFK I was heavily inspired by Wolfy the witch! But don't tell them that. I just love love love their artstyle X^D)

Here's my failed attempt at painting him X^D

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[screampied]

thinking about kuna's gf trying to convince him to let her paint his long nails 😃

✩ ‧ ˚. — tags ⋮ fem! reader, pure fluff, heian! era sukuna, panting his nails, meanie kuna but he’s a softie, petnames: little one, woman, girl.

“no.”

a downcasted frown drags against your glossed lips once you sigh. sitting on no one other than sukuna’s lap, you huff out a single vexed breath. “huhh. what do you mean no, i didn’t even ask my question yet.”

“exactly,” he replies in a low voice, leaning back against the ancient, comfortable throne. for a fleeting moment, dark, sinister eyes stare into yours before he cocks his head. “you’re gonna ask me another one of your imprudent questions.”

“kuna, just let me ask you the question,” you protest, straddling the king of curses— it was never a dull moment with him, regardless of how grumpy he turns out to be. knowing sukuna, he’s almost always grumpy. his eyes gaze into you a bit longer and he then brings his thickset upper arms to cross near his chest, a cute pout on his lips as he waits for you to finish speaking. “pretty please?”

“…….fine,” he gives in, aware that you were probably gonna persist on asking him for who knows how many more times. with a sigh, he tilts his head at you. “what is it you wish to ask me, little one?”

smug grin and all, you pick up his broad hand that was so much larger than yours, brushing a thumb against his wrist before cooing, “can i paint your nails, sukuna?”

“no.”

“sukuna!”

he’s leaning back against his throne, the well raised chair sitting up all high and mighty—one of his arms repose near the lower part of his torso and wraps around your hip, pulling you closer.

“you already know what my answer was gonna be, no?” and this time, you give him a pout.

dewey red-shot eyes peer into you for a lengthy amount of time before he groans. that cute little pout of yours, you never fail to make everything so hard for him. “hmph. why do you want to paint my nails? they’re clearly already painted, woman.”

he’s trying..

you hold back a giggle before bringing one of his hands up to your face.

glimmering eyes focus on his nails, how naturally long they were— he had a point though, they were pretty much already painted. full on richly black, the tips of them were oh-so sharp he’d be able to cut about just anything. still, you wanted to paint his nails yourself. you couldn’t really come up with a good enough answer, so you just shrug.

“i just want to,” you hum in a soft voice, intertwining your fingers with his.

he scoffs, showing little to no reaction. with a puny eyebrow raise, you feel his right thigh start to gradually bounce. “please, ryooo,” you mutter, tugging your eyebrows into a pleading, needy furrow. “this way, we can match.”

“goodness, you’re so annoying,” he grumbles, watching your grin stretch as you dangle your own hand up in front of his face.

dark cruel eyes stare at your nails, observing how well manicured and painted they were. he sighs again, uttering out a raspy, “very well,” and he sits manspread, reaching for a nearby tiny table that resides against his infamous throne. “you may paint my nails. just this once.”

with a precious giggle, you grab about two bottles nail polish from your pocket, gently placing his hand down against the porcelain glass table. he’s keeping a sharp eye on you, rolling his eyes at how ecstatic you were on this. the way you treated his hands with such care—that cute little smile never once departing from your sheeny lips,

the moment you twist off the black tight cap that sticks onto the bottle like glue, the strongly loud aroma of the polish hits against his flared nostrils.

it’s heavily strong, the familiar scent of acetone wafts against his domain entirely.

“stay still, ‘kuna.” you whisper, gathering a good amount of polish. for a moment, you swear you could have heard a low growl escape from him.

oh, you were testing his patience.

you were testing sukuna ryōmen’s patience and he was letting you.

“good, good.” you give him a closed-eye smile.

“do not praise me,” he snarls, and he’s already embarrassed. his tone made an attempt to come across as more stern and assertive, but it was just so cute.

with daunting, glaring eyes, he watches silently at the way you softly brush the tip against his nail.

each individual nail took a few seconds each— oddly enough, it was wholly soothing for a while.

“hmph,” he bleats, feeling the softness of your hand skin against his hand every so often. you were so thorough, so precise.

delicately, you lay the brush flat against the bed of his nail. the bristles coat against the layer of his nail and you feel a brief coldness of air fan against your skin. it was rather amusing to watch you pay so close attention to him, to his hands. “hm,” he raises a brow for probably the nth time today. still scowling, his face softens a bit— you had him all relaxed. “you’re quite good at that, i must admit.”

“aw. thank you,” you cheese. with a grin, you give him a cute exuberant glance, pulling up his ring finger to paint the entire part of his nail with a freshly new coat. “how’s it feel?”

sukuna groans, not liking how sentimental this moment was. the entire mood was so … soft.

you made him feel soft— he always thought things like that just wasn’t possible. especially with someone as such as him.

who would have thought that painting the almighty sukuna ryomen’s nail’s would have him falling for you ten times harder . . ?

“it’s … good,” he utters in a gruff tone, and you’re just about done.

his eyes linger toward your hands for a long time, you’re still placed on his lap before you feel the curse’s lower arms grip against your waist tightly. you felt a feeling of abrupt security and it was quite nice. within his touch, you always felt secure. moments with him like this, you’d never be anywhere else. “hurry up though, my thigh’s cramping.”

“oh shut up.” you roll your eyes with a snicker, bringing the brush towards his pinky now. he sticks it out for you, staying still as possible before you pause— dipping it back into the glass teensy bottle, swirling it, delving it around the inner crevices of the glass before finishing up his final finger.

the audacity,

the audacity of telling him to shut up, you must have been out of your mind.

but truth be told, sukuna has somewhat of a sweet spot for you. it made him kiss his teeth in sheer exasperation. he wasn’t used to such tender forms of affection. part of him wonders just why you’re always so warm to him. treating him with such care, he’s the king of curses after all, and yet here he is— acting like his long lost self, the king of love..

“alllll done,” you harmonize, he looks down to see the final results. with low hooded eyes, sukuna stares at his sharp nails— once black, now a light pinkish color. his mouth dangles opens and his face scrunches up, eyebrows curling together and it’s hilarious. for once, sukuna ryomen was speechless. “i know right? you’re gonna get so many compliments, ‘kuna.”

“you did not just paint my nails pink, woman,” he huffs out a grunt, you lean up close to him with a coy, impish look. “the nerve is beyond me..”

you giggle, flashing off your nails in his face, the two of you now having the same exact color. “oh, don’t be a baby. see, now we’re matching,” and his face is still all scrunched up. god, you had him feeling a feeling he didn’t even know he could feel. his stomach’s tight, churning ridiculously, his heart’s racing, and even his palms start to sweat. “with your long nails, you pull it off so well, heh.”

sukuna kept asking himself the same question the more he avoids eye contact.

why must you be so so cute..?

not a single reply comes from his mouth, instead he just crosses his arms into a mere fold. “mhm,” is all he replies with, tilting his head before resuming his words with an obstinate grouse. “whatever. but i’ll have you know that pink is not my color.”

you titter. “oh? what is your color then, my lord?”

you were being a brat, he sends you daggers before regretting he even said that— you always had the higher up on him, every single time.

“tch. nevermind that,” sukuna scorns, and his pout was so adorable.

pink stretched lips compressing together, stubborn as usual.

he brings his hand towards his face before exhaling lowly. “what in the— the nerve of you to put little sparkles on it too,” and he watches your smile beam at his live reaction. “i … don’t know what i’m gonna do with you.”

“you can start by thanking me,” you tease, planting your lips against his cheek.

he tenses up, the softness of your lips giving him whiplash for a moment. every time you present him either something as simple as a kiss, he was never prepared for it. “fine. thank you,” and as his bulky lower arms snake around your waist, he meets your brightly dilated irises. “are ya finished? i need a nap.”

“so old,” you stroke his cheek, and that earns a glare from him. “it’s not even the afternoon yet,” and you gift him with another mwah, the contact that your sweet lips provides has him growing more and more flustered. “but yes, i’m done ‘kuna. thank you.”

“…..good,” he responds after a long seven second pause. sukuna’s scowling before he finally returns your eye contact. his face was slowly getting more flustered from each kiss you give him before he tsks. “ah ah,” he creates a swift hand motion, “off my lap now, you’ve had your fun.”

you frown. “aw,” a sweet disappointed tone hiding underneath your voice. he’s then taken aback once he feels your humanly hands sneak their way into his hair. pink slightly curled up strands of his was a bit messy and tangled. the curse was still publicly pouting, studying your every move before you get an idea. “hm. one more thing though?”

he exhales. “what.”

“can i do your hair? i found some bows and—”

“count your days, girl.”

“stop flirting with me, ‘kuna.”

“….foolish woman,” and after a long dreadful pause, sukuna pouts yet again. so cute, his arms remain crossed before he speaks through annoyingly gritted teeth, an almost smile pokes through his lips that conceals his fangs. “fine. you may do my hair…. or whatever.”

[finelinefae]

flower [tattooH x Innocenty/n]

synopsis: harry's the boy next door, he's also a tattoo artist aannd y/n's sexual awakening because she's an innocent virgin with a flower shop. 

word count: 8.6k

content warnings: smut (fingering, daddy kink, praise kink, virgin Y/N) 

read part 2 here

my first imagine !! i hope u enjoy it !! i enjoy it here very much !

. . .

Y/N had been having a terrible week.

She owned a flower shop called 'Sweet Juniper' which had been hers for almost an entire year. It had been her dream to share her love of flowers with everybody so when she finally saved enough money to set up a shop, she worked tirelessly to make it the best possible floral shop the town had ever seen.

People would put in special requests if they needed flower arrangements for special occasions or others would just come by to just lift their mood a little bit if they were having a tough day. Y/N loved her customers and spent so much time chatting throughout the day all whilst tending to her plants.

But this week was not fun.

The shop next door had been empty for a long time now - ever since Y/N had set up shop. She lived in the flat above the shop so it was ideal not to have to handle any neighbours. But the past few weeks, decorators and construction workers had been making a lot of noise - fixing up the empty shop - which meant someone was moving in.

Y/N hadn't met them yet so she wasn't sure what the shop next door would be. The town was relatively quiet so she expected a bakery or maybe a clothing boutique. Only yesterday, with the shop all set up and ready to go, she found it to be nothing of the sort.

It was dark and music pulsed through the walls of her flower shop. The heavy bass made it sound like someone was trying to fight their way through the floorboards she had painted a very, very light pink.

Her customers had complained especially the older bunch. They had trouble concentrating whenever they tried to talk to her or hear her advice on what the best flowers were during the current autumn season.

So after a not-so-fun week and frequent visits to the corner shop to top up her headache medication, Y/N made the decision to confront her new neighbour and tell them exactly how she felt. She wasn't going to let her flower shop fail because of an inconsiderate, noisy fool.

Y/N flipped the sigh from 'open' to 'closed' and took off her apron which had her name in swirly handwriting embroidered onto the breast pocket. She took three deep breaths and mentally went through her speech. She wouldn't be unkind but she would be fair.

"You can do this Y/N," She said to herself before she exhaled and opened the door to walk five steps over to her next-door neighbour.

She hadn't seen the shop properly since the decorating was completed so was immediately struck by how dark it was in comparison to her own shop. It was painted black with illustrations and pictures of people's tattoos set up in the shop window.

The pavement was lit up in the darkness by the red neon lights coming from inside the shop. Everything about it was so different to her baby pink and white flower shop.

The sudden thought of turning back and going upstairs to her apartment almost tempted her enough to turn away but she knew the problem would not be resolved if she were to sit by and do nothing.

Her Mary Jane heels tapped against the pavement as she came to stand in front of the door. It seemed as though the shop was still open, so she pushed the door and stepped inside.

The smell of tobacco and musk and ink hit her senses as she closed the door behind her. The heavy bass of the music was now pounding through her ears. The nerves were rising within her and turning back seemed much more tempting now.

She spun on her heel and reached for the door handle, only to be stopped by someone clearing their throat.

"Are you here for a tattoo?" His voice was deep, husky and... pretty.

She turned around and was met with a tall figure standing in the doorway to the back of the shop. His arms were by his side and he was wearing a black, fitted shirt with black trousers and low cut doc martens with red laces. His face was illuminated by the red, neon sign on the wall with the words 'Styles INK' written in a grungey font.

"T-tattoo?" She gulped, the script she had rehearsed over and over again was nowhere to be found like the words had silently fallen from her brain, through her nose and slipped from her mouth before she had time to speak them out loud.

He walked to the front desk, footsteps heavy against the wooden floor. "We don't take walk-ins this late at night if that's what you're after."

The tone of his voice made her tremble in her heels. She curled her fingers into a fist and tried to stop her heart from beating so fast. "I-I'm not here for a tattoo. I-I'm actually from next door."

His head lifted up, she could finally see the colour of his eyes were a pale green and his hair was curly and brunette. "Ahhh," He dropped the pen he was fiddling with on the desk, "The flower girl."

She huffed, "Yes, that would be me."

"M allergic to flowers." He said.

"W-what? Why would you set up shop next to a flower shop then?" She asked.

"Only place that offered a space with an apartment." A breath slipped past her lips.

He was not only her shop neighbour but her neighbour neighbour too.

Well, this just made things a bit more awkward.

He came in front of the desk and leaned against it, crossing his arms. Y/N saw every inch of the skin on his arm littered with tattoos and even caught a glimpse of his ring-clad fingers. "Listen, if you're not here for a tattoo then why are you here? I need to close up so I'd appreciate it if you were quick with whatever it is you came here for."

Y/N swallowed her nerves, "Your music is too loud a-and it's driving my customers away."

"What was that?" He wanted her to repeat herself.

"Y-Your music, it's much too loud and my customers are c-complaining." She wished she didn't stutter but at least she got what she needed to say out.

"My music?" His eyebrows scrunch up.

"Yes." She nods.

"What about your music?" He retorts, "s all I can hear when I'm upstairs."

She immediately blushes and wonders how long he has been staying in the apartment upstairs. Y/N was so used to not having neighbours that she hadn't thought to turn her music down or take a break from her lonesome karaoke nights.

"That's different."

"If I have to hear you sing to that broken-hearted, bubble-gum pop princess every night then you can't complain about me playing my music like I have." He argues.

"B-but I don't play it in the day like you do! It's so loud! It is - hey quit laughing!" She huffs when he snickers at her.

"M sorry, you're just so little." He laughs. "Maybe that's why I haven't seen you since I've moved in."

Y/N crossed her arms, "I'd just appreciate it if you turned your music down a little, just so my customers can shop for their flowers in peace."

He says nothing. Instead, his eyes scan her face and then fall on the rest of her. She was wearing light blue jeans and a pink, cosy sweater. Her hair was tied back in a ponytail with a white, silk ribbon and her heels were still on her now aching feet.

He smirks, "Alright, I'll turn my music down but you have to do the same. I don't want to hear you sing about Romeo and Juliet or running out of the woods at 11 o'clock at night when I'm trying to relax."

She turns pink but luckily the red light hides the true colour of her cheeks, "Fine." She huffs and turns on her heel, too embarassed to say anything else.

"It was nice to meet you, flower." He says and she swears she can hear him smiling.

Her entire face heats at the nickname.

***

The next day, Y/N walked downstairs to her flower shop and prepared for a new day. She spent the rest of her night after visiting the stranger next door, quietly listening to music in hopes he would reciprocate today.

She hadn't seen him since last night and part of her was grateful for that. He was tall and intimidating and covered in tattoos but his voice was just so...nice that she couldn't seem to get the thought of him out of her head since she walked out of his tattoo shop. It was embarrassing to admit and Y/N was awfully bad at hiding her emotions so she hoped that would be the last time she'd speak to him face to face.

When she flipped the sign on the door to 'open', she held her breath as she waited for the sound of heavy, rock music coming through the walls only to find complete silence. She smiled and mindfully tapped herself on the back for being brave enough to go over and stand her ground.

Her customers were happy with the change too. They stayed and chatted with Y/N for a while, bringing home their baskets of flowers. The day had been much more successful than the past week had and she was thankful things would finally get back on track.

After cleaning the shop at the end of the day, she walked upstairs to her apartment and immediately decided to get into her new cute pyjamas she had ordered from Hollister - long trouser bottoms and a cute tank top both covered in the same pink, ditsy floral print.

She made herself some dinner and snuggled up on her tiny couch with her pet cat, Marshel, nestling to the side of her. Y/N hummed in delight when she made the decision to re-watch her favourite Harry Potter movie- it was the best film for the autumn weather.

Ten minutes into the movie sounds of people speaking and loud music sounded through the walls of her apartment. "Oh please no," She looked up at the ceiling, praying that someone out there would put her out of her misery.

It could only be her new neighbour, the tattoo artist, the one with the nice voice.

She pressed her ear against the door of her apartment and from the racket of people speaking and how loud the music was, she knew he was having a party.

"It's going to be a long night Marsh." She sighs, picking up her kitty and carrying him to bed.

At 2 am, Y/N was still awake. The party was still going and the music had yet to quieten down.

Y/N had been tossing and turning all night. Tears in her eyes as she tried to sleep but couldn't because of the loud noises coming from next door. At this rate, she'd only get four hours of sleep before she had to be up again for the busiest day of the week at the shop.

She couldn't handle it anymore. She flipped her duvet off and swung her legs over the bed. Her eyes fighting to stay open as she stumbled for the door.

At this rate, she was so tired she didn't care how she looked. She just wanted the quiet.

She flung her front door open and already found herself outside the tattoo artist's door. She knocked but the music was so loud, the only thing she could do was invite herself in.

The door opened and suddenly she was in a whole new world. There was cigarette smoke and a strong stench of alcohol. It was dark but red LED lights lit the room. People were laying on the floor or sitting around chairs or dancing in the empty spaces. There must have been about thirty people but with how tiny the apartment was it felt like much more.

Y/N took a deep breath and began her mission to find the source of where the music was coming from. Everyone was much taller than her which made it harder for her to push past people, especially in their drunken state.

"Excuse me please," she mumbled.

"Flower," his voice made her freeze in place.

She stilled and spun round on her sock-covered feet, making a mental note to throw them in the trash when she got home.

The person standing in front of her looked the same, wearing the same all black outfit he wore yesterday. She could see the illustrations of his tattoos a little better this close and she could also see the anger that covered the features of his face.

"Y-you." She said through parted lips, unable to hide her fear or shock.

"What the fuck are you doing here?" He grabbed her arm and pulled her to a corner of the room. He placed his hand on the wall behind her and covered her with his body like he wanted to hide her away.

"The m-music it's too loud and I-I can't sleep." She said, nearing on tears.

"You and your loud music." He muttered, "It's Saturday night. Shops aren't open on a Sunday."

"Mine is." She said.

"What?"

"I open my shop on a Sunday. I do work shops for little kids whose parents have to work on weekends and for elderly people who get a little lonely." It was her favourite day of the week but now she was dreading it because of the lack of sleep.

His expression seemed to soften but he rolled his eyes, "Of course you do."

"I just need to sleep for four more hours and then you can carry on doing whatever you're doing." He smirked.

"You've never been to a party before flower girl?" She shook her head and yawned.

Harry's smile fell and he sighed. He looked around at the party and then at the sleepy girl in front of him. "Fucks sake." He muttered and wrapped an arm around her.

Y/N's eyes widened when his hand rested on her shoulder. He tucked her into his side and quickly manoeuvred past everybody.

"Is that your new girl Styles?"

"Nice one, H."

"Have fun Styles."

"Ignore them." Harry told her as he reached their front door.

"Is that your name? Styles?" Y/N realised she had yet to ask what his name actually was.

"S Harry. You call me Harry." He says and she smiles at how normal and soft his name was compared to his dark and grizzly stature.

She hadn't realised what he was doing until he opened the door to her apartment. She gasped, suddenly wide awake and highly alert considering he was now in her very messy, untidy apartment.

"W-what are you doing?" She ran to her sofa and picked her blankets up from the floor before grabbing her bowl of popcorn from the coffee table that was littered with books and magazines she was halfway through reading.

Harry's eyes darted around her small apartment. The corner of his lips flinched into an almost smile when he saw the pastel colours littered around the place. It was so her - cute and cosy.

"You wanted to sleep." He said, "M helping you sleep."

Her mouth opened and closed in shock, "Helping me sleep?"

"Mhm, I've got these," He pulled out some earbuds from his pocket, "They're noise cancelling. Can't hear a sound when you've got them in your ears."

She looked at them in intrigue, "Where's your room?" He wondered, already walking in the direction of her bedroom like he'd been in her apartment many times before.

"My room's a little untidy," She tried to get past him so she could block him from coming into her room but he was much too tall.

"Don't care flower, just helping you out." He walked into the messy bedroom and paid no mind to the state of the floor. She'd never had a man in her room before so wasn't sure exactly what to do. Her apartment seemed so much smaller from his presence alone. "Get into bed, love." He pulled out his phone.

"O-okay," She said and tucked herself under her blanket.

It was strange to let a person she barely knew into the confines of her room but she was too tired to care and something inside of her trusted him.

He crouched beside her, resting an arm on her mattress. "Here put these in," He handed her the headphones, "Can you hear me?" He asked but received no reply, instead, Y/N giggled.

"I can't hear you Harry!" She laughed and something weird happened in his chest.

He smiled, "Tha's good." He murmured and put on a song he knew she would like.

Her heart stopped beating in her chest when the gentle piano music began to play. An instrumental of 'Cardigan' by her favourite singer whispered into her ears as he played it on a low volume.

"Sleep now flower." He encouraged.

"M name's Y/N." She whispered, her eyes fluttering shut, "You can call me Y/N."

"Y/N," He whispered back and the name seemed to unlock something deep inside of him. He said it once more for good measure before leaving her there with the music still playing.

***

Y/N woke up the next morning with a phone that was not hers resting right by her head. She had managed to fall asleep for four hours thanks to the man who she now knew as Harry. She felt as though last night was a fever dream and Harry had been a guardian angel, granting her sleep at last.

She could have slept in for another four hours but the shop would not run itself and she had many workshops on today that a lot of people had signed up for. She grabbed Harry's phone and made a mental note to give it back to him before she went to open the shop.

She made herself a good breakfast and fed Marshel as well, before getting dressed into a grey mini dress with a cute white collar and an encrusted black bow. She tied her hair back into a half up, half down and fastened it with a black bow to match her dress. She wore the same black Mary Jane heels and a bag with her packed lunch inside.

When she left her apartment, she listened out for any loud music coming from Harry's apartment only to be met with silence. She knocked three times- his phone in her hands- but no one answered.

She'd come back later, she thought. Maybe he was also catching up on some much-needed sleep.

Her first workshop of the day was with a group of children.

Their parents worked weekends and some of them were from the orphanage that they had signed up to help them develop new hobbies. Y/N knew them all by name and loved teaching them how to grow their own tomato plants and arrange flowers with cute bows.

An hour before lunch, she had a class with a group of mothers whose children had just left home. Most of them came because they needed a little company on the weekends when not a lot was going on at home or they wanted to pick up a new hobby.

In the midst of her basket weaving session, Y/N heard a phone ring. She glanced at the phone still on the front desk and saw the screen lighting up. "Excuse me ladies," she slid off the chair and walked over to Harry's phone.

Mike Supplier was the name on the screen. She wondered whether or not it was important and if she should answer it just in case. The phone stopped ringing for a brief moment until the name lit up the screen again.

"Seems important, Y/N." One of the ladies said.

Y/N furrowed her eyebrows and walked to the back room, pressing the green button to accept the call. "Fucking finally!" A gruff voice speaks on the other end, "I've got your stash when do you want it?"

"Excuse me?" Y/N blushed, not use to such aggressive language.

The person paused, "Are you Styles' new lady? Listen can you put him on the phone? I need to speak to him urgently."

Y/N was in shock, "I'm not his lady! I'm his neighbour."

"Well, whatever you are could you just pass the phone to him?"

"Give me a second," She huffed, entering the shop again and turning towards the ladies who were in deep conversation, "Ladies, I just need a moment to go next door." They nodded.

Y/N could hear Mike Supplier cursing over the phone even as she had it by her side. She noticed Harry's shop was still unopened so went upstairs instead.

She knocked on the door of his apartment repeatedly until she finally heard footsteps coming towards the door. His door swung open, "Can I help you flower?" Her eyes widened.

He stood in the doorway with nothing but grey sweatpants and socks. His bare torso was littered with tattoos and his brunette hair was clipped with a tiny claw clip.

"Your p-phone," She held it out to him. His eyebrows furrowed like he had a lot of questions as to why she had his phone but he took it from her anyway and held it to his ear.

"Yeah, yeah shut up." He spoke. Y/N could still hear Mike Supplier talking on the other end. "Come by this afternoon. I'll wait outside the shop and don't wear that dodgy fucking hat this time."

The conversation ended and Y/N stood awkwardly in front of him. "Well I should go,"

"Wait," Harry stopped her "Did you steal my phone from me flower girl?"

"N-no! You left it in my apartment." She argued.

"Oh yeah," he grins like he was thinking back to being in her room last night, "Your lips go all pouty and you snore when you sleep you know that? 'S cute."

"Hey," she huffed, "I do not snore!"

"Whatever you say baby." Her cheeks warmed at the new nickname he had accidentally added to the seemingly growing collection.

"W-well who was that anyway. He was a little rude." She mumbled.

"You spoke to him?" He arched a brow, "was he rude to you?"

"He swore at me,"

"Dick." Harry muttered, "He's my supplier."

"Oh like for the shop?" She asked. Harry could have sworn he was having palpitations from how innocent she looked.

"No baby," he smirked, "a different kind of supplier."

"Oh," she said, still not fully understanding what he was getting at, "Well I better get down to the shop. My class is waiting for me."

"Sure I'll come with you." He grabbed a sweater and his jacket from the coat hanger.

"Wait, what? No."

"I'm bored and I want to hang out with you." He shrugs, "I don't see how that's a problem."

"You want to hang out with me?" She couldn't make sense of it.

"Mhm," He shut the door of his apartment behind him, "Lead the way, flower girl."

Y/N argued with him as they walked back downstairs. She tried to push him out of the shop before he could even step foot inside but she was too small for his 6ft frame and he gently grabbed her waist and picked her up as if she weighed nothing, stepping into the shop.

All eyes turned in their direction. Y/N blushed and stuttered as she said, "L-ladies, this is my neighbour."

"Hi, I'm Harry." He said from behind.

The ladies looked confused and then concerned and then suddenly they were grinning ear to ear, slipping out of their seats to welcome their new guest.

"Oh Harry, you look as old as my boy! It's so lovely to meet you." Mildred, one of the elder ladies said.

"Nice to meet you too." He spoke in a warm, almost flirtatious way.

Y/N stood there in shock, her mouth opening and closing like she couldn't believe what she was seeing. Kathy and Lucy had already sat him in between them both and got him the things he needed to weave a basket.

"Are you interested in flowers Harry?" Julia asked.

He looked across the table over at Y/N whose cheeks seemed to be a shade of red they'd never even been before. "Only one."

"Oh well Y/N's an excellent teacher. We're making hanging baskets to plant daffodils in them for the spring."

"Hmm I guess I've come to the best place to learn then." His eyes remained fixed on Y/N who defeatedly picked up her basket to show Harry exactly how to make one himself.

"How are you so good at this?" Y/N whispered in awe as Harry finished his basket.

"These hands are good with fiddly things." He says.

"Oh that's wonderful Harry!" Kathy exclaimed, "You could take over Y/N's job. Might help her out and she can finally have a much deserved rest."

"S that right? You tired flower?" Harry murmured when he saw Y/N's eyes opening and closing as she leant against the desk.

"Not tried at all," she lied but Harry seemed to see right through her.

"Hmm," he frowned which immediately had Y/N standing straight and trying to disguise her exhaustion a little better.

"You hungry?" A tall shadow loomed in front of Y/N as she sat at the desk, processing payments for her classes and labelling the baskets for the ladies to take home.

She looked up and saw Harry, his voice now a familiarity after the last almost twenty four hours since she had met him. "A-a little." She decided not to lie this time since apparently, she was much easier to read than she thought.

"I've got food upstairs, wanna come up?" He asks.

"A-Are you sure?" 

"C'mon little flower, I wouldn't be asking you if I didn't mean it." With a nod, Y/N locked up the shop for lunch and followed Harry up to his apartment. When she stepped inside, it was completely different to how it had been last night. 

It was clean and tidy. A few boxes were lying on the carpeted floor of his open living room here and there, but for the most part, it was pretty neat. Y/N's eyes were immediately taken by the prints hanging up on the wall. 

"These are incredible." She gasped, feeling particularly fond of a line drawing of a woman. 

"It's my mother," He stood next to her, looking up at the drawing with her. 

"You drew it?" She asked, wide-eyed.

"Mhm," He hummed. 

"Wow, no wonder you're a tattoo artist," She glanced at the intricate tattoos littered on his arms. 

"Ever thought of getting one yourself?" He asked. 

"N-Not really, I'm no good with needles." She said, rather sheepishly. 

He smirked, "Let's get some food in that tummy." 

Twenty minutes later, Y/N and Harry sat on the small two-person couch eating sandwiches and a fruit salad they had prepared together in Harry's even smaller kitchen. Y/N giggled as Harry threw a grape into the air and tried to catch it in his mouth.

"T-tell me about your tattoos," Y/N insisted after taking a bite out of a strawberry. Harry's eyes looked down at her lips and back to her big, doe eyes. "What does this one mean?" She questioned, pointing to the words written in Hebrew.

"M' sisters name," He starts, "And that says 'Can I stay?'" 

"Hmm, you have a lot of hearts." She said, fingers lightly touching the human heart on his arm. 

"I have a lot of love." He grins, cheekily, like he knew the line was cheesy but wanted to use it anyway. He was glad he did from the smile it had formed on Y/N's face.

Y/N hadn't realised how close they had gotten until she felt his breath on her neck.  Her voice wavers slightly as she tries not to think too much about it, "And what about this one," She points to the rose, her fingers tracing the petals. 

"I did that one myself," He murmured, lips close to her ear. 

"You did?" She said but it came out more as a whisper. She seemed to have forgotten how to breathe, her brain turning to mush and all her thoughts suddenly turning into Harry. 

"Mhm," She glanced up and his deep, green eyes were already boring into her. Her eyes darted down to his lips and then back up again. "You're pretty," He mumbled, loud enough so she could hear.

She shook her head, "I-I don't think so," She was suddenly flustered and confused and wondering why her brain was not acting the way it usually did. 

"I know so," His hand reaches up to tuck her hair behind her ears, and she shudders when his fingertips brush against her cheek. Slowly his head inches forward and the nearer he gets it feels as though more oxygen leaves the room. "Relax," He whispers, touching her hand, "You're okay flower girl."

"H-Harry, I-I've never kissed anyone before." She admits, embarrassment flooding her. 

"What?" He furrows his eyebrows. 

"O-oh, it's just that... I've never been k-kissed before."

"By anyone?" She nods. "Impossible." He whispers.

"We can stop if you want to," He says, his voice gentle and comforting.

"No," She wraps her small fingers around his wrist before he pulls away, "I-I want to,"

"Want to what?" He smirks, "You've gotta tell me baby."

"I want to k-kiss you," She blushes, it's all she seems to do around him.

"Cute," He murmurs before his lips press to hers.

Y/N's not sure what to do at first, her eyes are open and shock courses through her, but Harry's lips move against hers and he breathes, "Relax flower," He insists and she does. 

Her eyes flutter shut and she mimics his movements. What he gives, she gives right back and a small whimper leaves her when he kisses her even harder. She starts to lose her breath with how long they kiss for but she's far too deep, floating too much, to pull away. She grabs the back of his neck and pulls him in closer, a groan eliciting from somewhere deep inside him. "Baby," The name escapes his lips and a shiver runs through her. 

With panting breaths, she pulls away and so does he. Her face is flushed and his lips are pink, "You okay?" Is the first thing he asks, receiving a nod. "I think 'm a little bit obsessed with you." He confesses.

"M-Me?" She couldn't believe what he was saying. 

"Don't think I've ever wanted anything more," He looks away like being vulnerable is a foreign thing for him.

"Why?" She can't help but ask.

He shrugs, "Sometimes it just is." 

She thinks on his words before replying, "Can we kiss again?" 

Harry chuckles, "Kiss me all you want flower."

. . .

Y/N had a permanent smile on her face the next day as she went back to work. People asked her what was making her so happy and she was constantly finding things to lie about instead of speaking the name of the tattooed boy next door. 

An hour before lunch, the postman came to deliver her new ribbons for the bouquets and accidentally dropped off a package meant for Harry. Y/N couldn't help but smile at his name written on a brown box. 

"Give me a second ladies, I'm just going to pop next door." Y/N grinned, ignoring the knowing looks of the ladies she was teaching. 

As Y/N walked next door, her confidence seemed to shrink with every step. She realised she had yet to go to Harry's tattoo shop when he was actually working and she knew she would stick out like a sore thumb once she took a step inside. She was wearing a lilac dress and white heels, of course, she was going to stand out.

The bell rang as she stepped inside and a few customers looked up, some of them doing a double take at the small girl. Music played through the speakers but it was a lot less quiet compared to the first day Harry's shop had opened. 

Footsteps walked on the wooden floorboards and Harry walked out from the back room. His eyes caught sight of Y/N and his frown immediately turned into a smile. He held his arms out for her and she quickly walked into his embrace. "Hi flower," He murmured into her hair. 

"I came to drop off your package," She held out the box to him when he let her out of his arms.

"Oh," He took the package from her, "That's all?"

She bit back a smile, "Mmm, I may have something very important to tell you," She gave him a not-so-subtle wink.

He grinned, almost wickedly, "Well, do follow me this way to tell me this very important thing," He led her way from the waiting area and somewhere closed off and hidden from everywhere else. 

When they were alone, he grabbed her hips and hoisted her up onto a countertop, knocking things over. "Harry," She giggled, wrapping her arms around his neck. 

"Shhh no more talking baby," He said before kissing her lips that he spent all night dreaming about. Their mouths were wet and hot against each other as they made out in a closet hidden away from Harry's customers.

His hands slid down her back and around her waist, pinching her hips, "Did you wear this dress f' me baby?" He murmured, the tone of his voice sending shivers up Y/N's spine. 

"Wanted to be pretty for you." She told him. She had spent all morning trying to find a nice outfit to wear, not only for work but for when she saw Harry too.

"Fuck," He groaned against her lips, "Where have you been all my life?" 

Y/N felt like a teenage girl getting all flustered and hot over a boy. She'd never experienced being with someone in this way before and now she had a taste for it and couldn't get enough of him. She had left Harry's apartment yesterday in a daze and she felt like she was still floating from the high of her first kiss. 

He stood in between her legs and she subconsciously rolled her hips against him. She gasped in both shock and at the feeling of him against her, "You're okay baby," He soothed her, sensing her confusion.

"Feels good huh?" He pulled her hips into him again and she felt a moan bubble in her throat. "Have you ever touched yourself Y/N?" He wondered. 

She froze, "N-no," She confessed, embarrassed. 

"Nothing to be ashamed of baby," He comforts her, his words soothing the insecure part of her. He kissed her lips softly, "Can I visit you this evening?"

She nods without even thinking about it, "Please," 

He smirks, "Please baby? Please? What are you asking for?"

She didn't know, her mind was foggy and all she could see was him, "Everything." 

His eyes darkened but his smirk never left, "'M polite little flower."

"Harry," She whined, burying her face in his neck. 

Harry laughed and cupped the back of her with his hand, kissing her forehead, "I'll come visit tonight and you better be wearing those cute pyjamas," He knew she was smiling because he could feel her lips against his neck. 

That evening after Y/N had closed the shop, she ran upstairs to her apartment and kicked off her heels. She ran around her living room, hiding things she didn't want Harry to see and flinging dirty laundry into the washing basket. 

She walked into her very pink bedroom and pulled out her pyjamas, happy to finally be wearing something comfortable. She spritzed some of her favourite perfume and rubbed vanilla lotion into her skin. 

Y/N sat on her sofa with Marshel seated by her feet on the carpeted floor. She switched on the TV and watched a few episodes of friends whilst continuing to finish her knitting project - she was making a blanket since one of the ladies from her group was pregnant and would be giving birth very soon. 

She fought to keep her eyes open as she waited for Harry to knock on her door. His shop was meant to have closed twenty minutes ago so she assumed he'd be here by now. 

Slowly, an hour had gone by and Y/N was getting worried. Her mind spun with insecurities and a sudden fear that something might have happened to Harry. She placed her knitting project on her coffee table and patted Marshel on the head. She walked to the door and slid her sock covered feet into her brown UGG boots. 

The shop was not its usual LED red colour when she came to stand in front of the window, instead it was neon blue. Y/N frowned when she heard music playing from inside and checked to see whether the door was open.

Her hand pushed the door handle, the door swinging open and the muffled music suddenly became coherent. She could hear voices coming from the back room where Harry tattooed his customers.

Walking towards the sound, Y/N eventually caught the sound of Harry's voice amongst the group of people chatting. Her shoulders relaxed at the thought of him being here, at least she knew she'd be okay if he was there with her. 

Turning the corner, her eyes landed on Harry with two other tattooed men, smoking something that - in Y/N's opinion - smelt a little strange. 

Harry must have sensed her presence as he turned his head and caught sight of her hiding behind the corner wall. He smiled, "Hey flower," 

"Hi," She murmured, feeling embarassed. 

"C'mere," He held out his arm for her and she scurried towards him, attaching herself to him by snuggling her body into his side. He put an arm around her, kissing her forehead. "I thought I was meeting you upstairs?"

Y/N frowned, "You took too long,"

He smirked, "M impatient girl," He nodded towards the two men he was talking to, "Y/N, these are 'm friends, Mike and Dan."

"Mike supplier," Y/N whispered, finally putting a face to the name of the man she had spoken to on Harry's phone.

He was tall and bald with a beard and looked to be in his forties. Like Harry, he also had tattoos but not nearly as much. Beside him was Dan who looked closer in age to Harry, maybe a little older. He was blonde but wore a cap on his head and a silver chain around his neck. 

After Harry had finished smoking with his friends, he said his goodbyes and led Y/N upstairs back to her apartment. "What were you smoking? It smelt funny," Y/N asked,"

Harry fell back onto the couch and pulled her down with him. She lay on top of him, the smell of the smoke still lingering on his clothes. "'S just a bit of weed." He confessed.

Y/N gasped, "Weed? Is that legal?" 

Harry looked at her amused, "Not here but it doesn't do much harm to me, been smoking it for ages." He twirled a piece of hair around his finger, "Does that bother you?"

She thought about it but the idea didn't really seem to phase her. As long as he was being safe and was using it in a healthy sort of way, she didn't mind. "N-no, not at all." Harry's smile widened into a grin. He didn't hesitate to kiss her, feeling her soft lips which had recently become his new obsession. They were so soft and red and kissable and made just for him. 

Y/N didn't want him to stop kissing her whenever he did. She loved the feeling of her eyes fluttering shut and all of her senses just filling up with him. Harry pulled away, still cupping her cheek in his hand. Y/N's chest heaved up and down against him as she tried to catch her breath, "Breathe, flower." His heart ached when she looked up at him with swollen red lips, trying to catch her breath. "Lose your breath a little bit huh?"

"A little," She huffed. 

"You're too cute." 

Y/N kissed him again once she had caught enough air again. Harry sat up, pulling on the roots of her hair as her legs wrapped around him so she was straddling him. She whimpered, tugging on the fabric of his t-shirt.

"What do you want baby?" Harry mumbles against her parted lips. 

"Take it off," She whispers, pulling on his shirt. 

Harry does as he's told, pulling his shirt up over his head and revealing his muscular, tattoed torso. Y/N's eyes widened. She'd never seen something so beautiful, he looked as though he was one of those marble statues in a museum. "Eyes on me baby," Harry smiled, pushing her chin up with his finger so her eyes were looking directly into his. "What now?"

"I-I-I don't know," She blushed, losing her confidence now that they were no longer kissing. 

"We don't have to do anything you don't want." He looked at her with a soft gaze.

"I-I don't want to disappoint you." She admits, her insecurities coming to the surface. 

"Couldn't disappoint me baby, ever." She smiles, feeling secure in his words and his hold. Y/N leans forward and rubs her cheek against his chest. Harry's hands go beneath the tank top of her pyjamas, brushing her bare back. "If it helps I've never done this before."

She's shocked but she tries to hide it, "W-what do you mean?"

"Been intimate with someone." 

She smiled. 

She really, really liked him.

. . .

For weeks after, Y/N was obsessed with two things. 

Her flower shop and her tattooed boyfriend next door.

When she wasn't working, she was with Harry, either cooking in his apartment or cuddling together on the couch in her living room. Harry had also developed a new taste for basket weaving, joining in on Y/N's Sunday classes with the elderly ladies in the morning. 

In the short time they had known each other, Y/N had come to learn that Harry wasn't a morning person but he never missed a Sunday class even when he was exhausted from the busy day before at the tattoo shop. He would stumble downstairs with dishevelled hair and sleepy eyes in sweatpants and a hoodie, sitting in his seat between Mildred and Julia as they fussed over him. 

Y/N had also grown a love for kissing Harry at every opportunity. She'd take many five-minute breaks, walking over to the tattoo shop and kissing Harry in the cupboard or visiting him in the alleyway behind the building where they'd make out against the brick wall. Even Harry had an addiction to his girlfriend's very kissable lips, sneaking out of his shop in between appointments to smother her in kisses in the storage cupboard. 

"Hey Marshy little fur ball," Y/N bit back a grin when she heard the door of her apartment open and the familiar gruff voice speak to her little cat. 

She swung her legs over her bed and paused the movie she was watching, running to the front door and leaping into his arms, "Hi flower," Harry murmured, inhaling the scent of her coconut shampoo. 

Y/N nuzzled her face against his jumper and squeezed him tightly, "Hi Harry," She sighed, blissfully.

"Wanted to come see ya, hope tha's okay." He kissed her quickly. 

"Course, I was watching a film in my room." She tugged on his hand and lead him to her bedroom. 

Harry had spent nights in Y/N's room before. Sometimes he would ask her if it was okay if he took a nap in her bed whenever he finished work early because it was much comfier than his. She'd find him curled up under her blankets, hugging one of her stuffed animals to his chest with the hood of his sweatshirt over his head.

Harry removes his sweatshirt, leaving him in only sweatpants, before he crawls into bed and pats the spot beside him. Y/N turns on the movie but knows that neither of them has any plans of watching it. 

With the amount of kissing they had been doing, Y/N hoped she had gotten a lot better. She realised Harry would often make small, quiet noises whenever she did something he liked, like tugging on his hair or sticking her tongue in his mouth. 

It wasn't long before they were making out again on her bed. Her leg hooked around his hip and her hands in his hair as he gripped her waist, every now and then he would squeeze her ass remembering the first time he did it and how much she loved it from the soft moans that left her. 

Y/N thought that kissing Harry was the best thing in the entire world but what she didn't know was that Harry had plenty more up his sleeve. 

His hand slid from her waist and down to her bare thigh - she was only wearing pyjama shorts since her apartment was pretty warm. He squeezed her softly, "Can I feel you baby?" He asked.

Y/N froze, not sure how to react. "I-I-"

Harry cupped her cheek, "I know," He already knew what she was thinking before she even said anything, "We can carry on doing what we're doing if you prefer. It's no rush." 

"N-no," She grabbed his wrist in both her hands. Y/N was a virgin but she wasn't afraid... Just inexperienced and that made her a little wary. But with Harry, she knew she wanted to allow that part of herself to him. Maybe not the whole thing but a little something. 

"Y-you can feel me... I-if you like." She said, awkwardly. 

Harry chuckles, "What about if you like, hmm?" His fingertip traced circles on her thigh, leaving a trail of goosebumps. 

"I-I would l-like that p-please." She whispered.

Harry grinned, "Only because you're so polite sweet girl."

Harry's arm slides between her legs and hooks his fingers around her pyjamas bottoms to pull them down her legs. Y/N inwardly praised herself for shaving the night before yet she was pretty sure Harry wouldn't mind either way. Harry tuts when he sees her underwear, "Did m' little flower get all wet from kissing on daddy?" 

She felt the air leave the room and her body heat at the nickname. It was so dirty and yet she felt herself aching from his words. "Y-yes," She breathes. 

"Yes what baby?" He kisses up her thigh. 

"Yes daddy," She murmurs. 

Harry eyes darken as he looks down between her thighs, "My good, polite girl." He pinches the flesh on her thigh and she feels her chest heave.  Y/N gasps for air when his fingers trace the fabric of her underwear and her heart races even more when he moves her underwear to the side to see a part of herself no one had ever seen before.

"Fuck me," He whispers under his breath. "Prettiest pussy I've ever seen." 

"R-really?" Y/N blushes, her cheeks hot.

"Don't think I've ever seen something so pretty." 

"T-thank you, daddy." She whispers the last part but it doesn't stop the bulge from growing in Harry's sweatpants. 

"Have you always been this needy when we kiss baby?" Harry murmured in her ear as his fingers part her pussy. He tries to stop himself from groaning at the slick wetness that coats his fingers.

Y/N gasps at the new feeling but is immediately overcome by pleasure as Harry begins to move his finger back up to her clit, "Harry," She whimpers. 

Harry's quick to pull his hand away, "Nuh uh baby, that's not my name."

Y/N's head was all dizzy but she managed to reply, "Daddy, please," She whines.

"Barely even touched you and you're already whining," He tuts before rubbing his thumb over her clit and making small, slow circles. Y/N whimpers at the new sensation of intense pleasure. "Does that feel good flower?" He asks, nipping her ear as he murmurs against it. 

"S-so good- so good daddy, so, so good." She babbles as he continues to tease her clit with his thumb. 

"Who'd have thought I had such a naughty girl hmm?" She arches into his touch as he moves his finger in a certain way. She wonders how she managed to go on for so long without feeling something so blissfully delightful. 

"Put your hand here baby," Harry instructs, reaching for her hand that wasn't currently scrunching the duvet, and placing it flat over the top of his, "Let me show you how to touch yourself. Watch daddy," Y/N's eyes look down to see his gold ring-clad fingers drenched in her wetness, his tattooed hand moving in circles as her rubs her clit. "This is how I want you to touch yourself when you think of me baby and when you're good, I'll make your perfect, little hole feel good too." Y/N gasps and clenches when he brushes a finger against her hole. 

"I-I'm good-Please, I'm good," She mewls and her hand grips his wrist instead. She uses it as leverage to twist and turn into him, the pleasure overwhelmingly good she can't help but hide her face in his neck. 

"You are good," He kisses her forehead, "My good girl." She nods at his praise, eyes shut. 

Harry forces her legs a part and continues to pleasure her in a way she didn't know about until today. She writhes and moans beneath his touch as he whispers dirty things into her ear. "I want you to cum baby, think you can do that?" 

"Mhm," She sighs, already feeling the bubble of pressure in her tummy. "F-feels - feel's s-so-" 

"Feel good m'love?" He coos, "Cum f' me. Cum f' daddy, wanna see you soak my hand." 

At his words, Y/N whimpers as she becomes increasingly sensitive the more he circles her clit. Harry feels as though he's about to explode as he watches her cheeks flush pink and she grinds her pussy against his hand as she rides out her orgasm. "That's it my little flower, so good." He praises her, feeling her shudder as she finishes coming down from her high.

She's panting heavily as Harry slides her panties back into place. "You okay?" Harry checks, brushing a loose strand of hair behind her ear. Y/N nods and instantly feels embarrassed, hiding herself in the crook of his neck. Harry chuckles, "That was the hottest thing I've ever seen."

"You're lying," Y/N says, her voice muffled against him.

"Never gonna lie to you flower, never." He promises. 

Y/N removes herself from her hiding place and looks up at him. Harry's heart bursts in his chest when she sees her sleepy, blissful gaze. He wonders where this girl has been all his life and how he managed to go this long without her. He was pretty sure he was falling in love with her but that was a conversation for another day.

"W-what about you?" Y/N looks down and sees the very noticeable bulge in his trousers. 

Harry shakes his head, "Not today," He smiles, "We have plenty of time to experiment some more but think you've had enough experimenting for one night."

"Me too," Y/N curls into his side, not bothering to put her pyjama bottoms back on. "Having sex is exhausting." 

"We didn't even have sex, silly girl." Harry laughs.

"Felt like it," She mumbles against him.

"I'm that good huh?" He grins, cheekily, "Just you wait baby,"

"The best," She slurs, yawning, "M so tired." 

"Yeah? You sleepy baby?" He kisses her forehead. "Get some sleep m'love," He wraps an arm around her and tucks her into his chest. 

"I like you very much Harry," She whispers, sleepily. 

"I like you very much too." Harry replies, holding her close.

psa don't let strangers into your room... actually don't let anyone into your room

[comatosebunny09]

oblivious | sylus

summary: how he could confess so matter-of-factly is beyond you. you could only hope to be so brazen. but you won’t deny how it makes you feel. how your body vibrates with pleasant tingles and your mind colors with relief, knowing he feels the same. genre(s): fluff, romance warning(s): kissing, very minimal spice, short and sweet, allusions to sylus’ past? now playing: lago azul - jamila velazquez

Curiosity killed the cat.

But not knowing is killing you more.

“Sylus?” you offhandedly query from your place on the settee in his study.

“Yes, sweetie?” comes his automatic response from an adjacent armchair. He doesn’t look up from his book. Instead, flips another page, the yellowing paper flashing across the lenses of his glasses.

“Are you in love with me?”

For the first time since you’ve both occupied this room, he looks at you. Really looks, peering into the bowels of your soul. And with all the seriousness of the world, he answers, “Of course I am.”

You blanch. Nearly tumble from the couch, your tongue heavy and swollen in your mouth. Sylus watches you grapple with words, the solemness never leaving his face.

“Y-You…what? Are you serious?” Your voice is shrill, and it’s laughable how you clamber to your feet, pointing an accusatory finger at him.

“Yes.” He speaks evenly, as if his words will scare you off. “I am.”

“You—what?” It seems coherent sentences still fail you.

His book snaps shut with finality. He faces you fully, one leg crossed over the other as a smirk crooks his lips.

“Well, isn’t it obvious?” He waves a hand as if his affection for you is as evident as the transition from day to night.

“Huh?” You could smack yourself for how foreign the English language seems today.

“Sweetie,” Sylus sighs. Pinches the bridge of his nose after sliding his frames from his face, shaking his head. “For someone so intelligent, you can be incredibly daft.”

“Heh, ha! Joke’s on you; I don’t even know what that word means!” It’s your attempt to dispel the pressure that’s settled on your shoulders. To shoo away the heat branching into your cheeks, the anxiety swelling in your chest.

How he could confess so matter-of-factly is beyond you. But you won’t deny how it makes you feel. How your body vibrates with pleasant tingles and your mind colors with relief.

Without relinquishing eye contact, Sylus slides his book onto the coffee table. Gradually stands, and you stiffen as he pads towards you, steps measured like those of a feline maneuvering through the snow.

“It means foolish,” he murmurs. “Ridiculous. Insufferable, much like you’re being right now.”

You’re a comical sight. Spine ramrod stiff, petrified like a goat. You unconsciously step back until the wall collides with your spine, and you’re like a cornered sheep in a wolf’s den.

You shrink as he spills over you like liquid smoke. He places a hand on the space beside your ear, blotting out everything that isn’t him. Eases his fingers beneath your chin to coax you to look up at him, and he’s surprisingly gentle as his thumb cruises over your chin, just shy of your bottom lip.

His eyes flicker like the slow inhalation of a flame, and he studies your gaze for something. An out, a sign of discomfort. There’s no fight to you. No qualms, no attempts to push him away. And when he discovers this, he slowly pans in until your mouth is but a hairsbreadth away.

His breath fans over your lips. Filters through your lashes, and you grow dizzy from the haze of it all. Find yourself painting a sluggish triangle between his hooded eyes and the pucker of his parted lips with your gaze, and—

And somewhere between the proximity of his body…

Between the warmth of his breath and the calming scent of sandalwood he carries…

Between his thumb tenderly tugging your bottom lip down, and your throat thickening with words left unbidden…

He kisses you. Sylus kisses you, honey-slow and exploratory, fingers curling affectionately around the nape of your neck whilst his thumb slides along the angle of your jaw.

Once the initial shock peters out, you’re kissing him back. Snake your arms about his shoulders, unconsciously drawing him to your height. He pours a bitten-off sound into your mouth. Brows furrow, his expression etched into one of anguish as if he’s waited lifetimes for this.

His lips slant possessively over yours, and the tension once coiled in his muscles like a spring slowly sloughs off. He bows into you, trapping you between the rigid pane of his body and the textured wall behind.

You’re both moving on instinct now as relief washes like a soothing balm over your limbs. And you’re kissing him with equal fervency as his sweltering tongue seeks out the wet glide of yours. You sigh hot and wanton into each other’s mouths, your fingers seeking solace in the soft riot of his hair.

His hands perch on your hips. Ease down, down, down to your thighs to wrap around the backs of them. He effortlessly hoists you into his arms, securing your legs around his hips. Doesn’t once break the seal of your lips as he turns you ‘round, walking you back towards the settee.

And as he lays you down all tender, your hair fanned around you like a halo, and his body a warm, homely pressure settled between your legs…

You think, maybe I’ve been in love with this insufferable idiot all along, too.

masterlist

[yessirplease69]

❝Domain Expansion: Love❞

Synopsis: You are Gojo Satoru's only weakness. When the bearer of the Six Eyes discerns that your life is in jeopardy, he will do everything to keep you safe.

෴ Genre: fiction, fanfiction, mystery, dark fantasy, short story, one shot, romance, imagine.

෴ Content: husband!gojo satoru × wife!reader, jujutsu society, sorcerer!reader, angst, fluff, sensitive content, bloodshed, suggestive (mature content), satoru gojo!yandere, satoru gojo!tsundere, this takes place shortly before the shibuya incident arc, reader has a maternal relationship with megumi, pregnancy.

෴ Word Count: 3.4K

— Oi, I ain't revised it yet, so sorry if there's any mistakes! Hope u enjoy it 🤞✨

Satoru Gojo is the most powerful jujutsu sorcerer in existence. However, the moment he sees you, his beautiful wife, unconscious on the battlefield with nearly incurable wounds, this man's world crumbles completely. Suddenly, all of his physical and mental energy is being drained, even his enthusiasm to exorcise curses vanishes. He is motionless in place, trembling enough with wide eyes under the black blindfold, and even though they are hidden, they scrutinize all the blood leaving different parts of your body. Minutes ago, there was a stupid and arrogant smile shaping the face of the confident man all the time as he killed horrendous creatures. A countenance of terror overtakes his face now. He feels his legs weakening, his feet seem to be too far from the ground, and he remembers that he is not manipulating the space to make it levitate. He is feeling weak for not having been able to arrive in time to protect you, this emotion has intertwined with him. Especially since Satoru Gojo never even had a weakness until you came into his life.

His heart is beating rapidly and his breath is so intense that all the curses around him are impacted by the reaction of the mighty man among them. Time frenetically ceases as the strong cursed technique is creating an invisible barrier in the air and continues to repel the malevolent creatures that persist in their futile attempt to touch the bearer of Mukagen and Rokugan, while he himself is left vulnerable like a puppy that has just lost its owner.

Didn't she use the reverse cursed technique to stay healed?

Why...

"Satoru." The presence and hesitant voice of Nanami become noticeable at a certain distance. The tie-wearing sorcerer clenches his jaw, too tense as he sees you in a deplorable state. Nanami fails to try not to show all his agony. Witnessing one of his closest friends on the brink of death equals the feeling of having his heart cut with the cursed blade he carries.

Amid the scene, Satoru is lowering the blindfold covering his eyes, the white locks of hair cascading as the black cloth falls. The fabric hangs on his neck before revealing the orbs, the bright blue darkening as a storm brews within them. A lost and distressed gaze is exposed on his face, as if you somehow took his emotions along with you.

"My wife shouldn't be on that suicide mission." The tone of voice of the Jujutsu High teacher is harsh, firm in the way he usually imposes on a very serious subject. A power which makes the walls vibrate when he is arguing with Gakuganji. He is so angry.

As he melancholically walks towards you, the semi-grade 1 curses around him are exploded in a matter of seconds. There are parts of physical structures scattered and fluids like blood painting the ground at this moment, justified by the power of his ability to manipulate space.

"I should've just isolated her from the world, maybe locked her on the 15th floor of a building and then acted as if I didn't do that." A small sad smile forms on the edge of his mouth, he is imagining how you would laugh at this idea if you were conscious now. You would probably find it absurd and put him to sleep on the couch.

Damn, he misses you and wonders why it hurts so much. His intention is to act quickly to take you to the jujutsu sorcerer doctors and stay by your side the whole time while they are taking care of you. He will not leave you for even a minute, and those are the words of Gojo Satoru against anyone. If someone dares to touch you right in front of him, he will definitely be willing to kill.

The strongest sorcerer abandons these thoughts, he does not hesitate to carefully wrap his arms around your body, holding you close to his chest. The man notices the wounds on parts of your face, your jujutsu uniform is dirty with blood and so destroyed, revealing your naked skin. The sweet taste on his tongue is bitter now, his mind can only focus on the fact that you suffered from fighting until you could not take it anymore. You resisted too much because of your undeniable strength, and on one hand he feels so proud of it. He loves showing everyone that his wife is one of the best professional jujutsu sorcerers, strong like him. But you should not be dealing with this cruel world. You are the most precious thing to him.

Satoru could feel your energy miles away, making it easy to identify your presence. But now he's not sensing any cursed energy flowing according to your emotions. It's all so quiet and calm. The powerful energy emanation should be surrounding your body as it always has, but it's as if something inside you is blocking it right now, since he can't feel your aura. It's different. He will question Shoko about this as soon as he takes your body to her for analysis.

"Do not mention it to the students, especially Megumi." The request leaves Satoru's mouth like a command. He imagines how the teenage Fushiguro would react upon finding out your condition, as you had become a maternal figure by making sure to take care of him since he was so young. The spiky-haired student is on a mission with others, and the best choice is not to disclose the information as the bad news would have a big negative impact on the boy. Gojo knows you would want that too.

On the other side of the area, the grade 1 sorcerer nods in deep silence. Nanami feels the muscles strengthen beneath his formal clothes. He is aware of the gravity of the situation, the actions and the consequences. He is not one to conceal lies, but that will be an exception he makes.

"She's losing a lot of blood." The blond man pushes his glasses closer to his eyes with his hands as he gazes at the white-haired sorcerer. He sighs deeply, containing the desperation within him. "Take her out of here before it's too late."

"Thank you, Nanami."

And that was the last thing Satoru Gojo said before teleporting with you unconscious in his arms.

෴⥊෴⥊෴⥊෴⥊෴⥊෴⥊෴⥊෴⥊෴⥊

The night takes over the city, darkness has crept upon Tokyo Metropolitan Curse Technical College, and 2 hours have passed since the sorcerer of the Six Eyes emerged in the place, insane, with you clinging to his chest and enraged enough as he searched for an available doctor. Gojo laid your body down onto the nearest stretcher, his hands dirty and consumed by your blood, staining the sheets red and making a mess. 2 hours ago he was screaming at anyone who crossed his path. At this moment, silence hangs in the air like a fog, it is peaceful again behind the school doors.

In one of the infirmary rooms, you are peacefully sleeping on the stretcher. Your chest rises and falls in a steady motion, your body completely healed through the spell cursed technique reversal performed by professionals. The minor wounds and even the most serious ones - like the rupture of your rib - had vanished, and your skin is renewed under the hospital gown you are now dressed in. Sitting in a chair quite close to you, the strongest sorcerer is comfortable with legs apart, assuming a relaxed posture as he rests the upper part of his body on your legs enclosed by the sheets. Satoru Gojo is resting, his eyelids is closed and his head supported by his own arms. He spent so much time watching you sleep that his eyes were influenced by exhaustion. Satoru has no idea of the time he spent caressing your face, running his fingers through your hair, and kissing your forehead several times before settling into his current position. His neck is turned towards the ceiling, his white hair falling naturally loose. There is only a black t-shirt hugging his torso as he had taken off the jacket of his jujutsu attire since your blood had stained most of his clothes. The exposed skin of his arms is almost glistening in the light of the room.

He has kept you safe all this time, only leaving you when he realized that everything was under control. The man always ensures to protect you at all costs, even though most of the time you don't need it. After inspecting the entire perimeter and realizing that you were safe at Jujutsu High, he went to finish the mission that was according to the superiors, just as it had been ordered to you. Since he completed the task of exorcising a special grade curse, his precious time now remains only for you. By the time indicated on the wall clock, Satoru wishes so much to take you home and he only thinks about holding you close until morning comes again. Nevertheless, Shoko was quite insistent when she said that you still require monitoring by a doctor, and that for now you should stay here. What did she mean by that?

This question echoes in Satoru's mind, suddenly he awakens fully and opens his eyes as quickly as if he felt some creature attacking him without warning. A movement of your legs under the sheets does not go unnoticed by him, his blue orbs almost popping out as they contemplate you lazily waking up from eternal rest. For him, it was truly eternal.

"I knew you were here." You whisper. Your voice is weak from just waking up, but a strong smile spreads across your face when your eyes slowly open and meet the white mane. You try to push yourself up out of bed using your arms, but your efforts are blocked by Satoru.

"Babyyy! Easy, easy." Your husband gestures with his hands, a gaze of relief on his face. You're really strong, huh? He is smiling like a little boy who just tasted his favorite mochi flavor, and you are certain you see stars twinkling in his eyes. "Gee, you're already eager to fly."

"Satoru, if you don't let me get out of this bed right now, I swear I don't know what I'll do."

"When in doubt, do nothing." He is clapping consistently to highlight the idea. "Settle that cute and pretty booty down right there, I've locked all the doors and you ain't leaving here. Now tell me how you're feeling, my lovely wife. That's all that matters to me."

"Argh." A small huff of air escapes your lips while you roll your eyes towards the ceiling, defeated enough. The man right next to you is playfully disapproving of your behavior. "I'm fine, 'Toru. You know that better than I do. My skin's just tingling from someone else's reverse technique." You report during the time you notice the scars that have formed on your arm after the outcome of the cursed method. A technique that you have the experience to perform on yourself. After all, you don't carry the title of special grade sorcerer for nothing.

"Nah, don't sweat it. I'm gonna take good care of you." There's an intense gaze that matches his words. The man emits a little chuckle as he realizes he managed to tease you with that.

"And where's 'Gumi?" You inquire, more to yourself than to Satoru. Your eyes are scanning the entire room in search of finding the black-haired teenage boy. You still ponder the king of curse's intentions towards Megumi, it consumes you and leaves you with a nagging feeling.

"You're more worried 'bout him than 'bout yourself, heh." The man raises his eyebrows, indignation stamped on them. A comical expression, almost too much. "You know that tough boy is independent, he's able to handle anything. Can you chill out for a minute, lady?" Satoru's smile broadens before he proceeds: "I took care of everything already, I told him to swing by here before heading to the dorm. Didn't go into the details, of course."

"He's probably gonna be surprised to find out we're here at Jujutsu High at this time of night... Guess I must have slept for a while, right?" You touch the skin of your husband as you place your hand on his face, and give a radiant smile as you realize that there is no invisible barrier holding you apart, even though he always deactivates it when he is with you. "Hey. Thank you for keeping things on the down low. And for everything you do for me."

"Awww! You're welcome, bae." Satoru copies the way you smile, but it is quickly replaced by a grimace. He puts his hand right on top of yours, the wedding rings on your fingers colliding with each other. "Ain't nobody care 'bout me like that. What did I do to not deserve it?"

"It's like I wouldn't be worried about you even if you could move mountains with just your own thoughts." You are rolling your eyes for the second time. Once you blink, he is staring at you with a stern and intimidating look.

"I'm the one here who got the most worried 'cause you got me feelin' this way. A guy like me shouldn't have these kinds of feelings." His voice is husky and his cold blue eyes unravel your soul, the temperature is freezing you. "Don't do that again, or I'll lose my mind and kill anyone around me." The way he adresses this, it is not a bluff. It seems like an objective he would fulfill, a mission that would not require anyone's authorization, not even the higher-ups of the Jujutsu society.

"Satoru..."

"You're trying to make me a widower, hah?" His voice becomes light again, genuine good humor returns. Now he has a broad smile on his face, the eyes are nearly closing due to that action. As if he hadn't announced something so violent just 10 seconds ago. "If I tally up how many folks got worried 'bout you, there won't be enough fingers on Sukuna's hand to count it."

"Sorry, I didn't mean to do that." You are making amends, and he cannot resist gazing at your lips without stealing a quick kiss. A man clingy to his wife. "I had just exorcised a special grade cursed spirit when I started feeling dizzy. My head began to spin."

Satoru reveals a pensive expression on the face, one hand resting on his chin. The most powerful sorcerer is contemplating all the possibilities to uncover the reason behind that eventuality concerning your cursed technique.

"So, I suppose that might have been the reason you didn't recover yourself at that moment, considering you experienced signs of fainting. Your brain became destabilized." He pronounces, cautiously, witnessing you confirm the information. "Were you feeling like that before you got the fight started?"

"When we split up to head towards the mission I was feeling fine." The corner of your mouth moves, you display your teeth to the man in an attempt to reassure him. Gosh, he is being so serious about that. "Maybe I used up too much of my energy, I guess I hit my limit. That's it."

"Hmm, there's something more. It's interesting and surprising how your energy flow is strongest now." The white-haired man is examining you with a curious look.

"Are you saying I'm accumulating this more than usual? Is that possible?"

"It's a fact. And I'm the one confirming it, little sweetheart." There is a smug smile playing on his lips. "But at least you're feeling better right now, yeah?"

"Hell yeah, I feel brand spanking new thanks to Shoko's skills!" You are shooting fire arrows with your eyes towards the bold man. "Can you stop staring at my tits now?"

"I'm just checking to make sure everything's really okay." He speaks with such honesty, finally lifting his eyes to meet yours. Satoru cannot shake off the thought of how beautiful you look to him, a very sugary sweet and his favorite. You make him feel so mushy and nearly diabetic.

However, Gojo Satoru is a natural provocateur.

"You're getting on my nerves, 'Toru."

He opens his mouth to laugh out loud, giving you a wink. You also join in his laughter as he starts poking your body several times, this real jokerster tickling you. The antics are suddenly interrupted the moment someone knocks on the door. Shoko Ieiri appears seconds later behind it, revealing only the upper part of her body.

"Sorry to interrupt the lovebirds." She smiles faintly, continuing: "I need a quick minute to talk to Satoru." The experienced doctor has a lit cigarette between her fingers, she is pointing it in your direction. You see its tip sparkling at you. "And you, go rest. Don't even think about escaping from that stretcher until we come back."

"You heard that, huh? This time it didn't come out of my mouth." Gojo has one finger pointed at the tongue he sticks out.

You gaze at them and fold your arms, simply accepting your fate.

"Alright. Goodbye." You are turning your back on them and burrowing into the blanket. "If possible, turn off the light before you guys leave."

"Going to sleep without giving me a kiss? That's not fair." Satoru is shocked enough, a pout forming on his lips and a puppy dog look in his eyes. He truly displays his emotions, reminding you of how every night Satoru Gojo questions that same thing after going to bed with you. Every night, the same thing.

"Okay, you two. I'll wait outside." The woman manages to capture the attention of both of you before the noise of her high heels against the floor fades away.

As soon as she departs, warm lips land on the side of your neck and journey up to your mouth. You need to raise your head to reach Satoru's lips, his skin burning against yours like a flame. The instant his hand wraps around the flesh of your waist and grips it tightly, you understand that he would never let you escape his grasp, or his domain expansion. He is kissing you as if he were thirsty and you were the water fountain, this man is showing you how much he requires you in his life. Preferably alive, of course. Otherwise, he will make sure of it for you.

"Hmmm, get outta here. I promise I'll make it up to you with a full kiss later." You moan at the touch, trying not to show that you're shivering just to not further inflate his already oversized ego. As if it were possible to be any bigger than usual.

"Oh, is that so? You know I'll hold you to that, babe." He growls near your ear.

At the moment the sorcerer is leaving the room, he halts on his path and gives you a long look with his blue eyes. Inside them, Satoru harbors concern.

"What's going on?"

"I'm feeling sorry for my friend." Ieiri ignores Satoru, making one's way to her desk. Instantly, a breeze from outside the window extinguishes the cigarette ember in her hand, smoke spreading throughout the room. "She is truly doomed to sacrifice her life, including putting up with your strong-willed nature for the rest of her life."

"Oi, what's that supposed to mean?" Satoru wears a playful smile on his lips. He places his hands in his trouser pockets in a relaxed and unconcerned posture, anticipating a highly amusing joke.

"You have no idea what's happening, do you? And what's going to happen from now on." She sets aside the cigarette, burying it in the ashtray on the table. Gojo watches everything attentively before rolling his eyes, he's starting to get bored with all the fuss. "But I believe you may have already noticed that the train is off the rails."

The doctor is moving around the small armchair in the room. When Shoko sits down, she leans her back against the backrest and then crosses her legs, silently facing Satoru. The expression on the white-haired man's face is impassive. He wishes he had the ability to read minds.

"Y/N is pregnant, Satoru." The sound of Ieiri's sigh is loud. "She is carrying your child in her womb. It's extraordinary that the baby has survived."

Satoru Gojo's world crumbles once more, for the second time that day. Not only is his own world shaken, but also the entire Jujutsu society.

[evilminji]

I woke up to this thought? And it made me smile~

Wrong way Au?

It's EASY to fly from point A to point B. Linear. Just on long, no traffic, straight line. And if you get lost? Go higher! There you are! But "normal" reporter families with Totally Human genetics can't exactly DO that.

Plus? It's part of the whole Americana thing!

Childhood.

Gotta do a road trip, see weird road side attractions, camp and hike a bit. Go somewhere other then the farm for once. Soooo~ everyone into the car! Yes, you too, Kon.

And don't look at Lois, kids. She hates this idea as much as you do. But it's for Dad. So we're doing it. Get in the car. Some times loving people means "suuuure, honey! I TOTALLY want to sit in an uncomfortable car for hours for your nostalgic dream trip!", so get comfy.

Problem is? He either can't navigate for SHIT (unlikely) or this patch of nowhere? Possibly haunted? Cursed? Fuckey. Very, very Reality Fuckey. Far more likely, honestly. They THINK that was the a same barn the passed four times now... but it looks... wrong? Off. Worse each time, in ways that are hard to place.

Where the FUCK are they Clark?

According to the GPS?

Here.

(You are Here. You are Here. You are He-)

Oh, THAT'S not cursed! She fucking KNEW they shouldn't have left the city. FUCK the countryside. She likes ONE(1) small town and it's where her in-laws live, THANK YOU VERY MUCH! If they die, she swear to GOD-!!!

Then Jon points to colorful tents up the road. A mix of the kind you buy at big box stores and Ren fairs. Balloons. What the fuuuuuck? "Fenton Family Reunion"?

Was... was that THERE a second ago?

Clark's very deliberate Not Too Tight Grip Of Panic ™ on the steering wheel? Confirms that No Honey, it was not. Kon points out? That eventually they ARE going to run out of gas. They should stop.

Words can not express how little the Kents want to do that. They have KIDS to protect. This feels "magical fuckery" to them. AKA? One of the few things Kryptonians very much CAN NOT handle.

And luck getting ahold of anybody back there kids? No? Emergency lines too?

Fuck ™.

Okay! Guess we're stopping! Stay behind us.

They park.

There are campers and trucks, modified tanks and trackers. A few horses grazing side by side with an honest to God moose and two mules. A Llama. Someone's anchored a dirigible. A boat with spindly chicken footed legs, like it's the house of baba yaga's sea faring love child. The name Fenton is slapped on everything. Peoples faces.

Grinning.

Everything grinning.

As they get closer, the racket gets louder. Crashes and smashes. Roaring laughter. Explosions. The screech of metal failing and the whine of energy overclocked. Fatty meats cooking. Spices from around the globe. Radios and instruments, at least one of which violently cuts off in a smash.

They pass an almost violently balloon choked arch, into chaos.

Grinning giants, everywhere. Every color, every shade, every race imaginable. The spectrum of humanity laid bare. Made large. Grinning, Grinning, Grinning. Crashing into each other, against, through. Smashing and laughing, as everything breaks around them. Titans.

Darting underfoot, children. Fast with wild eyes. Mad grins and fae laughs. Wives and husband's, partners and friends, dancing in and out of the chaos. Just as destructive. Perhaps MORE so. Grabbing meals from grills, laughing and joking, tossing children into the fray, all as they effortless hold conversations of their own.

Like a Dionysian revelry, all madness and joy.

Then they are noticed.

"Cousin!"

One of them booms. Locking eyes on Clark. He doesn't even have time to move, doesn't realize until too late, in all the chaos, that the man meant HIM. A running start is followed by a brutal, full body, flying tackle. Clark is taken skidding to the ground and into a headlock.

"LETS WRASTLE~!!"

He watches in helpless confusion as, with high-pitched war cries, a pair of twins jump Jon. They are wearing war paint. Krypto already taken out by a glowing green dog, now confused and wrestling off to the side. Lois has whipped out her tazer. Kon between her and who ever comes next.

By the time he wrestle his "cousin" off of him, he's lost sight of them both.

Dives into the fray.

Magic be damned, that's his FAMILY!

It... It's the most fun he's had in years. That any of them have. He finds Lois in a breathless, screaming, debate/fistfight with her new best friend. Samantha "call me Sam Or ELSE" Manson-Fouley-Fenton. Kon is in the mud pit, wrestling other teenagers in some sort of battle Royale. Jon? Has become king of the ferals. The other parents are impressed.

His years of Damian wrangling finally paying dividends, apparently.

By the time Clark FINALLY tracks down Krypto, there is already crowd and it apparently six heel turns deep into the WWE Grand Saga of the Fenton Pet's League. Krypto, what the hell. No. No you may NOT "form one last alliance against my sworn wrestling enemy, to prove the true meaning of Christmas!" It's the middle of SUMMER!

Clark... Clark is so tired.

He's also a Fenton now. Yes, he KNOWS that's not how anything works. YOU try explaining that! He's on the call list and card list. It's like the Addams family out here! They just... just DECIDED him and his family were related! They've apparently DONE THAT BEFORE!

They leave with directions, fudge, more leftovers then anyone could possibly eat, and a massive new extended family. One that honestly? The Justice League SHOULD have known about. The sheer destructive chaos they get up too? EVERYONE should be aware of them. It seems impossible NOT to be! But? According to THEM, it's a "family thing". Reality tries to ignore them for "it's own sanity"? What???

So yeah.... no more road trips.

How was YOUR weekend?

@hdgnj @legitimatesatanspawn @nerdpoe @the-witchhunter @lolottes @babbling-babull @dcxdpdabbles @hypewinter @mutable-manifestation

[aerynwrites]

Longing

Halsin x Fem!Reader

A/N: I have been burning with an intense CRAVING for Halsin and there is such little fic about him (although there are some good ones out there 👀) so I had to do my part and add to the pool 😏 hope y’all enjoy!

Word count: 2.5k

Warnings: fluff, hurt/comfort, reader is insecure about her virginity, talks of inexperience, love confessions, Halsin is a sweetheart, references to NSFW content. Very very minor spoilers for act 2.

Part 2

The fur of the rabbit is soft between your fingers as you prepare it. Yet, despite having a knife in your other hand and your task being a delicate one, you can’t seem to focus.

Your eyes keep drifting back to the druid across camp chopping wood for the fire. The axe is a large one, heavy - heavier than you’d be able to lift. Yet the large elf manages to bring it up above his head and swing it back down with a grace you never understood how he possessed.

The muscles in his shoulders ripple with each movement, accompanying the rythmic thump of the axe through wood. His soft grunts as he pulls it from the stump he’s using before placing the next log onto the surface and starting the process all over again.

“The rabbit is already dead, darling.”

The familiar voice rips you from your staring as your head whips around to see none other than your vampiric companion standing over you, a smirk tugging at his lips. You huff at him before looking down to the rabbit by your knees and heat rushes to your cheeks. What should have been a simple skinning job to get the meat ready for dinner has turned into a mess. Cuts in the wrong places, the hide nowhere near usable anymore.

You look back up just in time to see Astarions red eyes go from you, to Halsin, then back again. His smile grows. He shifts his feet, one arm resting across his chest as he gestures with his other to Halsin.

“You know, you could paint a portrait. It would last longer.”

Your cheeks somehow get even hotter, as you turn back to the rabbit in front of you, doing a much better job than earlier.

“Leave me alone, Astarion,” you mumble, cursing internally when the elf lowers himself to the ground beside you, arms resting on his knees.

“And why would I do that, when teasing you gives me so much joy?”

You can’t stop the small smile that tugs at your lips. “Okay, well you got me all flustered. So now that’s out of the way, did you need something or did you really interrupt your reading to bother me?”

The vampire sighs, leaning back on his hands as he looks over to you. “What I need is for you to finally jump that druids bones.”

You nearly choke as the words leave his lips, looking around to see if anyone heard and feeling heat creep up your neck once more as you see Shadowheart failing to hide a chuckle.

You turn to face your friend, eyes narrowed. “Could you be a little more quiet? I don’t need the whole camp hearing you.”

Astarion laughs this time, loudly, and it draws more glances than you’d like. You roughly shove the man next to you before he can speak.

“Your next words better be a whisper or I’m going to stab you ” you threaten, poking the knife in his direction.

Astarion places a hand over his heart, faux hurt in his eyes. “You wound me, darling. I’m just trying to help you. Plus,” he gestures to the camp, “it’s not like your attraction is a secret, nor Halsin’s.”

You shake your head turning back to grab another rabbit, embarrassment welling up in your chest. “He doesn’t…” you trail off, getting defensive. “Nothing’s there, Astarion. So can we please just drop it?”

Of course, he doesn’t.

“Look,” he starts, “all I’m trying to say is that neither of you are benefiting from holding back so…indulge, for once. Gods know we all deserve it.”

You ignore him. Curling in on yourself at the mention of…indulging. There nothing wrong with it of course. Everyone at camp has blown off steam along this adventure. Just…not you.

And the vampire must be able to tell too, because at your silence he straightens up, brows pinching in the rare way that shows he’s concerned.

“Wait, have you never…?” he gestures vaguely in the air.

His words, despite their genuine curiosity, strike a chord in you. You stand abruptly, tossing your work to the ground and stabbing your knife in the dirt.

“No I haven’t. Not that it’s any of your business.” Your words are louder than you intended and draw the eyes and ears of your other companions.

Astarion softens, obviously not expecting this reaction. “I didn’t mean to upset you-“

You clench your fists at your sides, interrupting him. “You never mean to Astarion but -“ You cut yourself off, taking a deep breath. “You’re such an ass sometimes.”

You turn on your heel and storm from camp before anyone can stop you, ignoring the concerned gaze of a certain druid.

———

The water is cool against your skin as you squat by the stream’s edge, rubbing at your hands as you try to get the blood off of them.

You feel foolish now, storming off like that. But Astarion pointing out your inexperience just struck you. It’s not something that’s ever bothered you before. Especially not in recent months since dealing with the tadpole. You all have more important things to worry about.

But the moment you rescued Halsin…it’s like something changed. You were instantly drawn to him. His kind smile and thoughtful words. His care for everyone and everything in nature.

And he flirted with you.

The memory is still fresh in your mind. The night of the tiefling party after you had stopped the ritual at the druid camp and saved Halsin. You were worried you were talking his ear off, but he was attentive the whole conversation. Answering your questions and asking some about you.

Then he said those honeyed words. Suggested celebrating by spending the night with someone special. Implied he would spend it with you if his mind wasn’t elsewhere.

You withdraw your hands from the water to drag them down your face as more memories surface.

More flirtatious banter and kind words. Thoughtful conversations and fighting side by side. The night sat by your bedside nursing you back to health after a particularly nasty fight. After Ketheric Thorm almost took you out.

Your side still aches with the memory. But the thought of his hands with their soothing healing glow, makes the ache subside.

You sigh, sitting back into the grass as your eyes lock onto the slowly gurgling stream, Astarion words playing over and over in your head.

Indulge, for once.

You want to. Gods do you want that.

You’ve spent many sleepless nights thinking about it. About his lips against yours, his hands on your skin, the sweet words he’d no doubt whisper against your ear.

You shudder at the thought before shoving it away. Because any time he hinted at that - showed any interest in you - you would be so elated before insecurity took over.

Halsin’s views on love and intimacy are no secret. You’d asked him once about current lovers and while he did confide no one currently held his affections back home he also expressed that there were others in the past.

Others. Plural.

And you’ve never been with anyone. Not physically or emotionally, you’ve never trusted anyone enough.

Not until now.

You sigh, frustration creeping back in as you press the heels of your palms into your eyes before quickly standing up. You need to apologize to Astarion and finally, maybe, talk to Halsin.

You turn on your heel to do just that when you run straight into a solid mass. You gasp, stumbling backwards just as two strong hands reach out to steady you, gripping your wrists firmly.

Once steady, you look up to see none other than the man haunting your thoughts smiling down at you.

“You must have been very deep in thought for someone like me to sneak up on you, little one.”

You have to suppress a shiver at the nickname. A moniker he’d given you since you teased him about his size at the beginning of your friendship.

You shake your head, moving to step away and only stopping when his hands let go only to slip down and take your own gently.

“I’m sorry,” you apologize. “I was just…thinking.”

Halsin stares at you for a moment, a thoughtful look on his face before he steps away, gesturing down the first path, one hand still in your own.

“Walk with me?” he asks. “I know being in nature helps me clear my head of even the darkest thoughts.”

You give a hesitant nod and follow him as he turns towards the path, not able to stop the smile when he doesn’t drop your hand.

———

The walk is mostly silent, a comfortable silence, but silent nonetheless. And you are grateful for it, not sure what you would say if Halsin were to ask what has you so upset.

But, silence can’t last forever it seems, because eventually the large Druid breaks through the sounds of nature surrounding you to speak.

“I overheard your conversation with Astarion,” he says, voice gentle. Probing, but not not forcing you to talk if you do not wish.

You stiffen, your pace slowing slightly, wanting to pull away from the man at your side. But his sure grip on your hand keeps you in place. The warmth of his skin on yours puts you slightly at ease.

“You…you heard that?” you ask, cringing internally. “You were across camp.”

The druid chuckles, gesturing to his ears with his free hand. “One of the curses of us elves. Impeccable hearing. Even when we don’t wish for it.”

You can feel your shoulders creeping up to your ears. Embarrassment settling in once more. “You were listening to us? To me?”

Halsin shrugs. “Not intentionally,” he admits, slowing his steps until you’re both stopped and he’s facing you. “But I find my attention turning towards you more often than not these days.”

His words tie your tongue and before you can gather enough sense to respond he continues.

“Nature works in mysterious ways, little one,” he tells you, eyes never leaving your face. “There is no one way to traverse it, and others journey do not define your own. Each one is unique, as it is intended.”

His words are beautifully woven, as always. And despite his cryptic deliverance, you know the meaning behind his words.

He’s comforting you. And once again, he speaks before you can detangle the jumble of thoughts in your head.

“And,” he reaches out, placing a curled finger beneath your chin to urge you to look up at him, “if it’s any encouragement, I seek you out as much as you do me. Possibly more so.”

Your eyes widen, heart stuttering in your chest at his words. He…does he feel the same way? Rationally you know he does. But that ever familiar self doubt, the tiny voice in your mind has always brushed away the flirting - the kind words and gentle touches as just part of his nature. None of it is reserved just for you.

Right?

Halsin smiles, eyes crinkling at the corners gently as he looks down at you. “Is that really such an outlandish thought? That I return your affections?” He pauses, “unless my heart has run ahead of itself and I have misread-“

You stop him then, reaching up to place a staying hand on his own beneath your chin.

“No! You haven’t…you haven’t misread,” you assure him, trying to still your racing heart.

His smile never falters, his other hand finally coming up to cradle the back of your head, teasing soft strands of hair between his fingers.

“That is good to hear,” he says, pulling you ever closer, his nose almost brushing yours, “it puts this old druid's mind at rest.”

Gods, you can’t breathe. The air in your lungs refusing to expel as he lean even closer, lips a hairbreadth away from your own. Your body sings with anticipation, your skin hot despite the cool air ushered in by the sun sinking below the horizon, the days last rays barely filtering through the trees.

“Can I kiss you, my heart?”

Halsins words are soft, barley a whisper and nearly drowned out by the sounds of nature around you and the roaring of blood in your ears.

You nod. “Please-“

The word barely passes your lips before he descends upon you, sealing his mouth with your own.

It’s both everything you expected and completely surprising at the same time. His hands are sure as he pulls you into him, one hand still cradling your head as the other slips down to your hip before wrapping around your waist. Yet his lips, the kiss itself is…soft. Gentle. Loving. The action speaks louder than any words either of you have said to one another. Louder than the words you never worked up the courage to speak.

Finally, your mind catches up with you, and your hands slide up his chest to clutch tentatively at his shoulders.

Halsins still hasn’t broken away from you, and when his tongue brushes against your lips you let him in. You tug him closer then, one of your hands sliding up to rest at the back of his neck eliminating any empty space between you as his tongue slides against your own.

He only pulls away when he must sense your need for air, but he doesn’t go far, lips pressing gently to the corner of your own, and then another to your jaw.

You’re breathless.

Chest heaving against him, as he pulls away just enough to look at you once more.

“As much as I’d love to continue…” his hand squeezes your hip gently, “we should make our way back to camp. I can imagine our absence as stirred gossip with our vampiric companion and..” he sighs, pressing another soft kiss to your lips. “I don’t want to overwhelm you.”

You can’t surprise the shiver that runs down your spine, or the smile that tugs at your lips.

“I’m…I’m okay being overwhelmed if it’s like that,” you tell him breathlessly.

Halsin laughs, a deep down genuine laugh that makes your heart sing even as he steps away from you.

“Then I will overwhelm you in all the ways I know how.” He promises, eyes trailing over you heatedly.

Your stomach does a flip at his words, and the effect they have on you must show on your face because Halsin chuckles again, leaning in to press one last kiss to your cheek before tugging you back in the direction towards camp.

“Another night, my heart,” he says, thumb brushing over your knuckles from where your hand remains in his own.

You let out a shaky breath, and nod, smiling as you walk closer to him. “I’m holding you to that.”

“I hope you would, though I doubt I will forget such a promise,” he assures before letting silence blanket you both one more.

You can’t stop the thrill that runs through you at his words.

Yes, I’ll hold you to that promise indeed.

[halcyone-of-the-sea]

Between Dreams and Sugar

Pairing: Simon 'Ghost' Riley x F!Reader

Synopsis: Your screams will haunt his dreams until the day he dies.

Word Count: 5.1k

Warnings: Torture, gore, angst, violence & death, suggestive joke, fluff, happy ending, rescue fic but who rescues who...>:)

A/N: Guys, I have a confession - I don't think I can write Ghost properly lmfao. This is horrifically mid.

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

There was so much blood coating your body that you had forgotten where the wounds were and weren’t. It flowed from you like viscus water—a homogeneous mixture of congealed shades of red like rubies except for the simple fact that this was not beautiful; it was not desired or sought after. 

 On the ground, soaking in indistinguishable pools of crimson, ripples are sent out when your limp foot twitches mutely in its clutch. That was all you could do now. Twitch. Writhe. They didn’t even bother tying you to the chair anymore—just let you slouch half out of it like a school kid who had gotten too drunk the night before. 

Hell, you wished you were drunk. 

“Sergeant.” 

You wished you could feel your fingers. You wished you could move your neck up from its bend position as if it was a wilting flower; hair stuck to your skin. Blood dribbles out of your mouth. Drip…drop…drip…drop. 

You’d bitten your tongue open in a vain attempt to stop yourself from screaming, hadn’t you? You…you can’t quite remember.

“Sergeant!” Groaning long and low, the violent chills that wrack your form only serve to make yourself bleed out faster, tension forcing precious life fluid out from burst veins and slashed ankles. 

Cuts far span your legs and shoulders. Your back is nothing more than a painting of burns coated with sweat and infection; puss sticking you to the backrest of the chair like yellow-colored adhesive. Your clothes are the opposite idea of modesty. Tattered, torn by blades to create harm. Fuck, could you even breathe properly anymore?

Lungs only create a wheeze—you’re not getting enough oxygen to function. 

A dark growl bounces off the walls.

Ghost struggles against his binds, uniform also in a state of disarray with very obviously broken ribs and bruised chest. Splotches of yellow-white mounds signal blunt trauma over the pale skin that’s already laced with old scars. 

They’d all but anchored him to his chair—and even then the red marks that blister are a signal of the brutality of the large man as he peels back his skin to try and struggle himself out. 

You whine, the loftiness stuck in your brain addictive; to pull back that curtain was as much of a struggle as staying awake. That harsh Manchester accent was something to draw closer to, though, professionalism a key to the lock on your failing consciousness. The reminder of companionship.

“G…” Your vocal cords fizzle, “Ghost…” 

“Open your eyes.” Every word was enunciated, deep and guttural.

Parting your lips, more blood drowns your lap in thick globs, and soon your battered throat vibrates with coughs that make you see stars, mild panic the moment you realize that you can’t breathe. 

Jerking forward, you gasp, eyes snapping open as your neck bends ahead in desperation. Mucus and other bodily fluids spray over your lap, tinged scarlet, but the blockage in your throat is dispelled as your broken ribs quiver in agony. 

Whimpering like a kicked dog, you wonder how long it’ll take for Ghost to realize getting you to focus on him was pointless. If this all continued, you’d be dead within the day. 

But you entertain him.

Head slowly balking back as your jaw hangs loose, you rest it on the wooden frame behind you as softly as you’re able with a most likely concussed brain and a fractured skull. Only one eye opens, and even then it’s half-glued to your cheek with dried blood. 

Ghost’s balaclava had been ripped off. It felt wrong to see him in the open like this. Exposed. It was quite obvious he disliked it just as much as you did. 

Blue eyes blazed at you; blonde hair going this way and that as crimson fell down the swell of his Adam’s Apple from a very broken nose. That gaze was unrelenting, and even with your blurry vision, you knew it would be unwise to look away. 

His stubbled jaw sets as a heart can be seen skipping beats in his breast. You were totally out of it, enough so that you missed the way his lungs slightly released when you had pulled yourself back to the present. 

The gulping sigh.

“That’s it, Sergeant.” You cough once more, wet and haggard, and your head falls back to your chest before you have to force it back up on shaking muscles. It was getting harder. “Easy does it, then…Thought I lost you.”

“C–can’t,” the useless feet flicker over the ground, sloshing through fluid in unstable jumps as you slur out, “Hurts, Ghost.”  

A slow and dark inhalation meets your ears before a sudden grunt of a struggling body; jerking arms as the chair squeals with old nails being torn out. 

“I know, Birdie, I know.” His tone is lesser now as he bites back a curse as the blisters on his arms pop, the rope burns turning a vile color as his muscles strain, “But you keep those pretty little eyes on me, yeah?” 

It wasn’t supposed to go like this. 

Black Operations were dangerous, yeah, but never had the Lieutenant been so down in the gutter as he was right now. Mainly because of you, no, entirely because of you. He could withstand months of torture—mental and physical—with no problem. He’d done it countless times before. 

But never had he been forced to watch someone hurt you instead of him.

They would come in every day, these pitiful excuses for German drug runners, and would make him watch as they ripped open your skin with blunt knives and other tools coated in rust. Questions would be asked—questions that Ghost knew he could not answer even if it was you who would get punished. 

Every time you would flinch when the door to this concrete basement opened, it was harder to keep his tongue from wagging. He was watching you die; letting it happen. 

Fuck, it made him sick.

Ghost violently reems a shoulder up and down, not caring about the long stripes of now oozing blood on his forearms or the pain that the action brings bone-deep. There was so much scarlet flowing from you. Too much.

What he knows for certain is that he can’t let you die here. He’d never forgive himself for that.

How is she still conscious? The question was utterly genuine as Ghost’s dead eyes narrowed dangerously, sparking with urgency at the uneven risings and fallings from your chest. 

“Fucking hell,” the Lieutenant growls, each word punctuated by a desperate attempt to free himself. He had to get you out of this. You were his responsibility; his team. 

His…Ghost pants, sweat dripping down his arms.

You didn’t abandon him, how could he do the same to you? When questioned you hadn't given up his true name, hadn’t blabbered to save your own skin so you could avoid a horrible amount of pain. Pain that Ghost knew well. 

Pain that was never supposed to be known to you.

Your screams would haunt his nightmares until the day he died. 

“Ghost,” blue eyes freeze, snapping away from the sight of the bone around his wrists becoming visible through a thin coverage of remaining flesh. He pauses like a guard dog. Your optic was glinting, flicking with failing consciousness. The movement of your chest sputtered as the man clenched his teeth together. “You’re hurtin’ yourself.” 

“‘Bout to do even more damage, yeah?” he gets back to it, working enough blood into the rope to make it slick; dripping. “If it’ll get me out of these bastard things.” 

The weak smirk on your face gives his brows a deep furrow, sweat glistening on his forehead.

A part of him hated you. Hated you for the way you had this effect on him. He shouldn’t care if you lived or died—that wasn’t his cross to carry. 

But you’d made him soft these last few months. Soft, and weak, and disgustingly concerned for your safety. It wasn’t right. It wasn’t Ghost. 

“Gonna b…bleed out, y’know.” Your tongue slips, mind so loose that anything that comes to the front slips out like water from a slip-and-slide. Fingers twitching, your limp body grows so cold that you shiver. 

“Negative.” Ghost barks, slipping one hand partially under the restraint and his flesh, acting as a zipper, starts to go with it. He hisses under his breath, body hot and spilling. Mutilating himself. “Shut your damn gob.” Blood splatters to the floor, “I’m gettin’ us out of ‘ere.”

“Tell me a joke.” Blue eyes flicker, blonde lashes slipping over pale cheeks. 

You feel another wave of pain shutter through you—one that makes you whimper as quietly as a soft breeze on a summer day. 

“Joke?” Ghost hisses, glaring over at you without heat. “The fuck are you on about?” A wobbling eyebrow raise is all he gets. 

He grunts feral-like, evocative of a bear that hadn’t gotten his supper. Your lid droops and panic spikes.

“How long can a fish breakdance for?” Ghost slips a hand free, snarling in the back of his mouth as the entirety of his left hand is left ripped open, the fissures itchy and welling. Wasting no time, the limb goes to assist the other, pulling with ripped-off fingernails at the tight knot. A side-eye is sent your way.

Only you weren't moving. Lips snap in a moment of obvious concern, not only by the tone but by the way the man jerks forward in the chair—no matter if one arm and both of his legs were still restrained.

“Love!” The door handle rattles with screeching chains, but Ghost is occupied with raging at you. Ordering you to stay awake with terrifying eyes. It was as though for the first time in a long time there was true fear in his throat. True hatred. 

Chucking voices heat veins that he had long since thought were cold, and the Lieutenant composes himself with a sharp pause. He leans back slowly into the chair; jaw so tight his molars almost crack in the back of his mouth like candy. Your face is tilted downward, and Ghost memorizes the make of it, trails his gaze slowly over every slash and cut that mars you. Feet slap off the concrete as multiple people enter the room, but it was like a switch had flipped internally, walls going up.

The mask was still there, even if all that physically remained of it was the black paint in his sockets.

He’d return every mark, from a bruise to an open wound, tenfold. But you needed to wake up first. You…you needed to.

You had to be okay.

Three men encircle the two of you, faces hidden and obviously enjoying a bit of their own product.

“Look at this, Lutz, the man got a hand out of the binding.” Blue eyes travel to stare dead-on into a pair of blown pupils; mind gone. 

The second man goes to grip your hair, forcing your head up in inspection. Ghost’s vision immediately travels over, biceps going tense like a dog with its hackles raised and vision going red. 

“Don’t worry about that. It’s one hand, what can the Bastard do?”

“Oh,” another laughs, though his body is wound tight, “careful with the woman, Alric—the beast looks like he’s about to snap at you.”  

The three share sly looks. Alric, the one with your hair in his grip, shakes your head back and forth, blood flying around in the air as your limp body jerks. Ghost lunges, but he only makes it as far as the chair allows him before he’s shoved back by a hand on his chest. 

Moving quicker than an animal, bone snaps, and an agony-laced scream echoes off the walls not a millisecond later. 

Ghost had gripped that hand and twisted, making the wrist joint completely flip on itself. Blank blue eyes watch with glints of sadistic glee as the man wails, grabbing onto himself and falling back onto his ass.

The one holding you instantly releases your hair and rushes to his friend. 

“Holy fuck!” Everyone divulges into frantic German curses, Ghost making out a command to leave and go see a doctor.

“Cheers. Good luck with that, ya’ Bastard.” Grumbling under his breath, the Lieutenant realized he was probably enjoying this more than he should, but always his attention shifts back to you. How you hang limb, battered face covered by your hair, and loss of blood steadily leaving your hands curling into the palms—

Ghost’s eyes widen slightly as the two still try and calm down their companion. Your hand. It wasn’t curled because of onset rigor mortis. You were holding a blade. 

The Brit’s large chest swells with pride; jaw going somewhat slackened as he stares at you. So you were faking it….Fucking hell, Sweetheart. 

Slowly, his vision peels to the empty sheath on Lutz’s belt. It wasn’t a big knife—nothing more than a three-inch blade on the end. But you were still conscious enough to hear these goons show up before he had; had used sleight of hand that anyone else in your situation would have just given up on. 

It was hard to hold back a low chuckle, but he managed. Fuck, you were something else.

The two unmaimed men shove the third out the door, shouting down the hallway as his sobs and sniffling nose reverberate even as he’s out of sight. 

Grunting, the Brit shifts his hips, lips pulling in a snarl at the bouncing electrical wire that goes up his ribs. Many were broken; along with his nose and a dislocated shoulder, but he knows he can deal with it. Getting you out and to the Evac point was his top priority—his wounds weren’t over-the-top life-threatening unless they went too long without treatment. 

You on the other hand. 

Lids narrow on the way the knife-holding hand shakes with exertion when simply applying pressure. If this was going to happen, it had to happen now.

“That was a nice little show,” Alric growls, standing in the middle of the two in the chairs and keeping a considerable distance farther from Ghost than you. Blue eyes blink blankly, emotions swiftly wiped away. “One-handed? I’m impressed.” 

Ghost raises a single blonde eyebrow, “More where that came from.” 

Alric smiles.

“Emil—get the gun.” Legs slowly tense, but other than that there’s no outward display of nervousness. 

Seconds later a barrel is level with Ghost’s forehead, the chilled metal pressing deep into his blood-coated skin. He doesn’t balk back, he doesn’t even flinch, just watches with a dim flicker in his optics that remains even after he blinks. Like a cat’s slitted pupils. 

It would be no use shoving the gun out of this man’s hands—he would fire before the Lieutenant was able to steal the weapon for himself. 

“I’m getting sick of this game, Soldier. We’ve been through this day after day.” Alric swipes at his nose, white powder stuck under his nostrils. Ghost can’t stop the small tick of his mouth. “Tell me who you are,” the gun swivels, and the Brit’s heart seizes up. It points at your abdomen. “Or the girl gets a nice new stomach.” 

Lips thin into a small line as hidden fury swells. 

“Alric…” Emil seems nervous, his feet shifting and hands twitching. The aura Ghost was emitting was like a dark cloud around the room; sheer size and indistinguishable emotions rose to drown out all else when a threat to the beast’s bird was brought into the picture. There had been multiple times throughout the days when the men had been scared to touch you at all for fear of the look that had been leveled their way. Those eyes…fuck it was like a demon was stuck in flesh. In blue so close to gray the color was more like the concrete of a prison cell. “I don’t think that’s a good idea.” 

“Tell me.” Alric growls as Emil gets closer to you. Ghost stays silent, unblinking as his fingers curl into fists. His knuckles crack from the force. “Tell me!”

Emil bushes your shoulder and you lunge. Bringing the blade into his chest, your form brings the both of you to the floor in a splash of scarlet and twin screams of pain. 

The Blonde’s heart seizes at the sound in an aggressive bounce.

Alric whips around, eyes widened and gun loose in his grip. Ghost wastes no time, trusting your judgment, and shoves himself forward. A shot goes off as the Lieutenant rams his shoulder into the man, but the bullet bites into the far wall instead of your back as you dig your knife into Emil’s throat; wrestling for life. 

The chair still attached to Ghost was a problem, but his body weight was used to his advantage. Sinew bunched as a growl exits his lips, Alric and him slamming to the floor in a flurry of rabid intentions and the likeness of wolves caught in a trap. Ghost’s eyesight goes red, remembering every cut and beating you went through for him in the reflection of Alric’s eyes. That pathetic drug runner had made you bleed. 

His bird doesn’t bleed.

Teeth and nails are tools kept for animals, and now that the gun was too far from grip and you were limp beside the gargling body of Emil, Ghost decided that being a bit insane might do him well at the moment. 

He had to get you out of here. And in no world was this man going to get away to live one day more.

“Please, don’t,” Alric begs, clawing at his behemoth build, “I’m not—I wasn’t—!” 

Blood-stained teeth snap into the thin flesh of a visible neck as dead blue eyes keep you in sight like a dog does the moon.

—

You don’t recall anything after slashing one man’s neck and even that is a blur of flashing colors; instances of one waxing expression waning into another. Trapped between bouts of failing consciousness and pain that could rival someone getting their bones snapped one by one. 

But you know the feeling of moss on your cheek. The shadow that sits above you and the fingers that prod at your back, pressing cooling salves of Silverweed into the burns and cuts. Your eyes weakly flicker, a low moan stuck in your throat. 

Every limb is a cinder block.

“Stop your moving.” The command was stiff but quiet, and the pressure on your spine increased. Flinching, the sensation of tight bindings all along your body became apparent to you, slowly but surely. 

“That…hell?” You cough, throat bare and dry. Sweat drips down your temple. 

Blinking rapidly, you try to focus on the cold wind whipping past your bare skin, the trees in the distance of what appeared to be a glade. The sound of a running stream makes your ears perk.

A canteen was suddenly shoved to your lips and you grunt in surprise, water slicking your closed lips.

“Drink.” You don’t argue, peeling back your lips and letting the liquid drip into your mouth, most falling to the moss under you and getting re-adsorbed into the earth. “...There’s a girl.” 

The metal container disappears just as quickly as it showed up, and you lick at the corner of your lips, cheeks burning at the comment.

Ghost kneels above you, bar a shirt, and you narrow your lids to focus on the black and blue splotches completely covering him. He still doesn’t have a mask, and you glance over the blonde stubble; the scars, and the aggressive set of his eyebrows. The blood had been washed away, and you wondered if the stream in the background of this place was still stained with crimson and the telltale black of eye paint.

“Simon,” whispering seemed appropriate, though you don’t know why. Your voice was better now but still, your body refused to listen to your instructions. Every plea to move your arms or legs was denied, sharp needles poking into your flesh that made you shake. “What…?” 

Blue eyes blink down at you, something hidden in the depths. A finger curls to flick a stray hair from your face slowly. Skin brushes skin.

“Snagged what I could before I ran off. Wasn’t much.” That harsh voice, the gravel in it. You frown weakly, your lids heavy. “Bandages. Extra shirt. Blanket I used to stop the bleeding.”

He won’t tell you he was begging you to wake up when he’d been stuffing old fabric into your open wounds. 

Coughs wrack your frame, whole body jerks that overtake what little peace there was to be found. A hand tilts your head back to the ground, patient as the other grabs your hair, peeling the strands away as a flood of vomit escapes your mouth. 

Eyes burning and face hot, you sputter as a thumb runs deep circles over your scalp. 

“Easy…” Ghost whispers, tattoos like obsidian in the darkness of the world around the two. Late afternoon and this was the first time you’d woken up since he’d been carrying you. A nail was taken out of his heart. 

Seeing your eyes flicker, even filled with the tears as they were, was a blessing he’d thank whatever God that was out there for. “Easy, Sweetheart. Breathe for me.”

“Fuck,” you gasp, shaking more than a leaf. “Fuck it hurts, Simon.” 

He shifts you slightly away from the bile, the familiar words burning his lungs. 

“Evac point is four miles.” It felt like a death sentence to you, your eyes going buggy at the thought. “I’m carrying you there.” 

“Bullshit,” you pant, wheezing. “Your arms are destroyed.” 

Ghost blinks before scowling, sending a glance to his limbs. They’re both raw and skinned, just like his fingers; red with burst blisters the size of rocks. One hurts far more than the other.

“They’re nothing.” 

“Nothing pretty to look at,” blue eyes narrow on you in annoyance, but the dry-humored Brit doesn't miss a beat.

“Seems you’re in good spirits, Sergeant. Fancy walking on your own?” Your lips flick, delirious and high off of whatever pain meds that Ghost had found when he had been carrying you out of the basement of that house. 

Try as he might, the feeling of your dead weight was worse than he ever could have imagined. So, outwardly, he stayed numb but knew that every little look from you was as beautiful as a sunrise. 

“Want me to try?” Palms begin to shift, a hand pressing deep into the moss that bends and yields to your form. 

Ghost snaps forward.

“Fucking Bastard!” He puts weight on the back of your shoulder as you hiccup dull chuckles, “Quit it! Else I’ll leave you here to annoy the damn plants.”

The threat was empty, and your eyes softened as they spread their fatigued gaze over the span of the Brit’s visible skin, glee leaking out. Ghost sighs, shaking his head sharply at you, agitation stuck in his skull as it always was.

So beastly, this man, but his hold on you was about as gentle as you could imagine. 

Your attraction to him was anything but one-sided. You knew his emotions as well as your own; it was quite obvious to everyone but him. The long looks, the concerned glances. His touch freely given.

He had given you his name and, to you, that was about as close to a proposal as a ring was. You’d kissed; you’d shared beds and shared skin. You knew when he was being horrible to himself deep in the confines of his head.

“Simon,” you whisper, and a blue gaze stays stubbornly away, glaring at your burns with venom. A tired smile peels your lips. “Simon.” 

A huff is all you get, a bush of skin as breath wafts over your bare back. Your hand goes to touch his knee, brushing softly over the torn fabric. The flinch would not be noticeable to anyone but you. Brows pull slightly tighter. 

“I had a dream about you, y’know.” Speaking hurt, but the attention that is finally brought your way was worth it. Birds chirp in the distance.

“What’s that?” 

“Hm,” you lightly nod, cheek ruffling moss as you take down slow inhalations. Staring into each other’s eyes you for a moment forget the agony under your skin. “You were trapped by a giant fish underwater.” 

A Blonde eyebrow raises, slow smirk unable to be hidden. It was impossible not to be entirely taken by you. How you speak, how you breathe. Even like this, you had placed a spell of black magic over him, binding the darkness that made up Simon Riley—Ghost—to your every action and whim.

“That right, Sweetheart? What happened, then?”

Chuckling, Ghost’s hold goes to your neck, massaging the skin so delicately that you lose your train of thought for a moment as shivers erupt, “I had to save you.”  

Lips press to your scalp, a bent nose digging despite the shifting cartilage as lion limbs shake with a want to drag you to him. Such a rabid beast that devotes himself to your life.

“You tend to do a lot of the savin’, Love.” It’s muttered into your hair, softly, lowly. Compliments are rare—Ghost prefers actions above all else—but they’re treasured. 

You know what he means.

“Yeah, I love you, too, you brute.” Deep chuckles dance in your ear, and you both stay there for a while, simply breathing in each other as the sky bleeds into the earth. So content, your heart had slowed, the salve in your wounds and the bandages compressing the areas with the most problems and forcing them to be numb. 

When you had nearly fallen asleep, Ghost had peeled back to look down at you; eyes malleable as they slipped over your battered body. 

“Hm,” he hums, reaching to his side and grabbing for the shirt he had stolen. After a few minutes of quiet curses and apologetic kisses, the large piece of fabric was over your top. The Lieutenant had begrudgingly admitted that the scraps of pants you had on now would have to do until you got proper attention. 

“Giving the squirrels a show, then, Simon?” The man rolls his eyes deeply at the sarcastic comment, rubbing up and down your legs to keep circulation going as he readies to move you.

“They better keep quiet ‘bout it,” Ghost grumbles, running a hand through his hair, “Else I’ll have to rip a few tails.”

“So violent,” You wince when your shoulder is gripped, neck limp as your upper half was rotated. Gnashing your teeth, the Lieutenant shushes you comfortably, raising your body to rest in the crook of his large arm. Muscles tense and loosen, your cheek now resting on your Lover’s pec. You hear him hiss silently at the pressure on his broken ribs as guilt hits you. “Not the squirrels’ fault.” 

“It is if they keep looking at ya. Only I get to see you like that.” Your pain-laced laugh is cut off when you’re lifted, large hands under your knees helping equalize your body. 

A strained whine exits your lips, straining to get air as you pant and clench your eyes shut. Ghost wasn’t doing much better—gritting his teeth and tilting his head back. 

Feet stumble before righting themselves, lids opening as lashes flutter over bloodless cheeks to stare down at you. 

The word seems to stop.

“...Tell me you’re alright.” You heard that for what it was—Tell me to keep going, because if you don’t then I won’t be able to. 

Blinking up at him, your nose slots under his chin as you feel him shake with exertion, lips pressing deep into his raging pulse. You swallow down saliva as his grip on you tightens, pressing you closer; giving you his body heat.

“I’m okay, Simon. Not…not lost yet.” 

“Good.” He lets his eyes close for a moment, taking you in as he lets his nose be coated in your scent, the flesh under his fingertips. Ghost knows some of your wounds reopen, and, thus, his bare feet start off into the woods. His men would still be at the Evac point waiting for them. Price would have given the order. “...I’ll be needing you ‘round. Might lose my head otherwise, eh?”

“You do seem to have a few loose screws when I’m not near.” 

“That was an exaggeration,” Simon grumbles. 

You scoff, trying not to puke at his limping steps. The word swirls, but the man carrying you stays ever clear. “No,” you whisper, “No, it wasn’t.”

Scared lips pull up, but the birds respond for him. 

Less than ten percent out from the Evac point is when you drop a tidbit of a thought to the man.

“Y’know what I want, Ghost?” The large Brit side-steps a downed tree, sweat dripping down his chin to splatter to your skin.

“What is it?” He pants, sparing you a glance as his eyebrows are constantly furrowed in concentration. Your talking made it easier to push on.

“A fucking cake. A big one.” Blue eyes blink and his feet nearly stumble to a stop before he forces on. A gasp of a chuckle makes your heart skip a beat as voices start up from the next tree line.

“Keep talking to me, Love, and I’ll buy you the whole bloody bakery.” Soldiers burst from the bushes, and Ghost calls out identification as everyone gapes. Guns immediately lower.

Medics rush forward, but still on high alert, the Lieutenant snaps at them, bringing you closer into his hold as he pushes onward. 

“Where’s the fucking heli?!” Everyone stops and points. Huffing, Ghost shoves forward. 

“The whole bakery?” You slur, giggling and feeling the kiss on your head. 

“Every bastard pastry’ll be yours. Count on it.” 

—

“Simon, you promised.” Your wheel-chair bound form pouts as the man in question deadpans from behind you, leaning on the handles. His balaclava can only hide so much.

The air is sweet with the scent of desserts and bread. 

“Birdie, you can’t eat all ‘O that, you’ll explode like you took a .308 round to the head.” The woman behind the counter pales, pulling at the collar of her shirt with her smile becoming strained.

“Is that a challenge?” You glance over your shoulder, smirking wide. 

“No,” Simon blanky states, the skin over his nose bridge and under-eye completely black and blue. 

“I think that was a challenge.” 

“It wasn’t.”

The customers grind their palms into their eye sockets, some tuning around in line and leaving entirely.

“Simon,” you intertwine your hands and lean to show him, eyes wide and pleading. “Please.” Drawing out the word, you smile with everything you can. 

The both of you connect in a battle of wills—you with that infectious innocent and sly nature, and Simon with a tight glare and tired eyes. A blatant will to please you in every aspect and a need to see you happy at all times. This goes on for a full minute before a loud sigh echoes off the walls, shoulders deflating. A hidden kiss is pressed firmly to your head.

You giggle loudly at the authoritative order.

“One of everything.”

TAGS:

@blueoorchid, @jxvipike, @revrse, @shuttlelauncher81, @bruhhvv, @kittiowolf210, @aerangi, @spikespiegell, @ghost-with-a-teacup, @1234ilikecowsthanyoumore, @uberraschungg, @neelehksttr, @shoe1412,@jemandderkeinenusernamenfindet​, @pukbadger, @omeganixtra, @nanialis, @gills-lounge, @voidinfernal, @sukunas-left-nut-sack, @untoldshortsofthefandoms, @batmanunicorns523, @icepancakes, @copiasratscheese, @besas-stuff, @marytvirgin, @misfne, @halfmoth-halfman, @lothiriel9, @anna-banana27, @jade-jax, @cl0wncxre, @emerald-valkyrie, @michirulol, @330bpm-whiplash, @lora21, @bespectacledhuman, @wolfyland07, @dilfsaremyfavourite, @astronaunt2009, @shmaptin, @levietc, @kk19pls, @semieitabby, @thriving-n-jiving, @cringe-kats, @n1choles, @gaychaosgremlin, @johnpricesprincess, @haleypearce,

[thydungeongal]

I think it's good as enjoyers of fantasy RPGs to realize that even the greatest fantasy RPGs (Rolemaster) are kind of mired in racialized iconography and it's very pervasive across the whole genre, but that there are better ways of dealing with it than 1) pretending it's not there and 2) trying to put a progressive coat of paint on it.

I'm very much an advocate for "orcs are just some guys." Orcs can be a bit nasty and crude. That I feel is part of their appeal. Humans can also be nasty and crude, and at the end of the day being a bit nasty and crude doesn't make anyone ontologically evil and undeserving of grace! They can also be ugly, because being ugly is not a sin! At the same time it's of course good to move away from depictions of orcs that lean very heavily on racialization!

Attempts to sanitize orcs often fail not because they aren't well-intentioned but because they often end up replicating a bunch of unfortunate tropes from the other side. Turning orcs into essentially elves with tusks of course rejects the idea that orcs are ugly, but instead of doing it by way of "there's beauty to be found in the monstrous" it does it by actually leaning into a very conventional set of beauty standards (including lean, muscular bodies!). Attempts to sanitize orcish culture in turn while trying to keep parts of their culture like them being a "warrior culture" and their focus on strength often end up turning them... Into noble savages. Which isn't great either!!!

Anyway, orcs can be just guys. Get out with that "warrior culture" shit too. No culture has ever subsisted simply on raiding and pillaging. And a culture that has to constantly supplement its own subsistence with raiding is also one that is constantly failing and could not in fact continue to exist for an extended period of time! Of course there are orcish farmers and crafters and laborers at home!

And at the same time orcs can be ugly and a bit crude but none of that makes them evil because being ugly isn't a sin and even if you say "h*ck" and "fuck" doesn't mean you're beyond salvation!

[charliemwrites]

Sooooo I learned a valuable lesson last night. Which is not to draft things in tumblr. Because I wrote almost all of this in drafts, was like 15 minutes from posting. And then the app glitched when I changed the song I was listening to and lost everything.

I’m not entirely sure I wrote this version half as well as the original, which is maddening. But please enjoy this next part to the Mister(s) Steal Your Girl (poly 141) series.

Content:Safe/Sane/Consensual Intimacy

You honestly didn’t expect to speak to Kyle again after the bookshop encounter. Sure, you exchanged numbers and he seemed so sincere, but your faith in reading people has been a bit shaken as of late.

That said, you wouldn’t have held it against him if you didn’t. You’d had a wonderful time meeting someone new, even if just for a moment. He seemed like a busy man in a high-stress job, it wouldn’t be a surprise if he looked at your open-relationship-with-a-fiance situation and decided it was too much drama.

But the very next day after meeting him, he sends you a text. Repeating that he had a great time and asking if you’ve already started any of the books you bought.

You try (and probably fail) not to giggle like a schoolgirl every time he texts you. He’s as sweet through the phone as he was in person. Throughout the week, he checks on you (more messages than you’ve gotten from your fiance in a month) asking after your days and nights and generally chatting.

On Thursday at lunch, you ask if he’d like to meet up again, heart clenching anxiously. Nearly throw your phone across the break room when his name pops up as an incoming call.

When you answer, he doesn’t even waste time on a greeting.

“I’d like to take you on a date, luv,” he specifies, voice silky and amused in your ear.

Date one is a nice dinner. He shows up at the door with flowers. You have to take a second to blink away the mist in your eyes.

“Sorry, sorry,” you hurry to say, summoning a smile. “Just no one’s ever bought me flowers. Thank you, they’re wonderful.”

And then you realize that probably sounds pathetic and quickly turn away to deposit them in a vase. (Miss the baffled and almost offended frown on Kyle’s face as that processes.)

At dinner, the two of you toast by tapping your appetizers together. He feeds you bites of his meal from his own fork, and you let him try your wine, giggling at the faces he makes.

The night ends (after dessert, a walk in the park, and a nightcap at a quiet bar) at your front door. Kyle fits a big, warm hand on your waist, pulls you in… and drops a chaste kiss to your cheek.

You try not to let your disappointment show, but he must catch it because he chuckles and gently nudges your face back into position. Graces you with another kiss at the corner of your mouth.

“I want to, darling,” he admits, so close you’re sharing air. “Trust me, I want to. But I need you to know I’m doing this for the right reasons too.”

Touched and a little choked up, you hug him tight, cheek pressed to his chest. His breath stutters. And then his strong arms are curling around you, tucking you in, his whole body becoming a warm haven.

“Can we… can we do this again?” you ask hopefully.

“Darling, I’d take you out tomorrow if you’d let me.”

Date two is bowling, which you find Kyle is actually terrible at, despite being a sniper. You laugh and joke through three games, trouncing him each time. He doesn’t seem to mind losing in the slightest, and even takes you out for a victory ice cream afterwards. You hold hands while you lick at the cone.

Date three, you invite him to a wine and paint night. He seems willing, though unsure. By the end, though, the two of you are giggling and tipsy, paint on your hands and faces. He kisses you against the passenger door of his car, lips soft and gentle. Moans when the tip of his tongue skims your bottom lip.

On date four, you sing to the radio in the car. Blush when you catch him sneaking glances at you, but also notice that he goes around the same block twice. Tease that you’re going to be late if he keeps stalling.

At the end of the night, he sweeps you in close on the dance floor.

“Come home with me?” he asks in your ear.

Your heart stumbles as you nod, cheeks hot.

He barely gets you in the door before pressing you back against it. Fingers in your hair, body one firm line pressed flush to yours. Kissing earnest but not rough, flicking at your bottom lip until you open for him with a soft sigh. He tastes like heaven, like the drinks you shared before this. Your fingers curl into his Henley, tugging him closer, arching your back.

The desire he’s been steadily building in your gut bursts into an inferno. You’re burning all over, can barely breathe. Dizzy with his cologne.

You break the kiss with a squeak when he scoops up beneath the thighs.

“I-I’m too heavy!” you gasp, clinging tight.

“Like hell you are,” he scoffs. “Come back here, I’m not done kissing you.”

You hesitate, taking stock. But he doesn’t feel like he’s straining; didn’t even make that mortifying grunt noise. Feel secure enough to lean back just a bit to check his expression.

There’s not an ounce of effort there. Just liquid dark eyes focused on your swollen lips, tilting his chin to coax you back. You go with a little thrill in your stomach, messier this time, teeth scraping.

He bumps you against the wall on his way to the bedroom. It doesn’t hurt but it makes you laugh against his cheek.

“Love your laugh,” he murmurs into your neck. “Could listen to it all day.”

Somehow that makes you flush more than the hard bulge pressing against your ass. So you shove your tongue in his mouth again to shut him up, breathless at his tongue curling against yours.

You squeal when he drops you on the bed with a little bounce, a brilliant, cheeky smile your reward. Then he tugs his shirt off and your mind goes utterly blank.

He’s a monument of strength and discipline, power in every plane of hard-earned muscle. There are glossy scars peppering his skin, and you’re fascinated as much as you are sad for his pain. He looks like a young god. You’ve seen marble statues half as beautiful as him.

“You’re bloody gorgeous,” you whisper, crawling to the edge of the bed.

He shivers and leans into your palms as they explore up his toned stomach, across the defined lines of his chest and shoulders, down his arms. Leave open-mouthed kisses against long-healed wounds and patches of smooth skin alike, appreciating every part of him.

He uses your interlocked fingers to draw you away, bending to meet you halfway. Speckles kisses over your cheeks and jaw, down to a tender spot beneath your ear that makes you hum. You could melt into him and just float.

He pauses there, breathes you in. “Can I take this off?” he asks, plucking at your shirt. You hesitate, just for a beat — but it’s enough to have Kyle pulling back a little.

“We can stop here,” he offers. “Or we can just keep doing this. Whatever you want, luv, I’m not fussed.”

You duck your head, but he doesn’t let you escape for long, gently guiding your gaze up by the chin.

“Talk to me?” he asks.

“I-I want to keep going,” you say, “I’m just… and you’re so…”

He shakes his head, kisses you quiet. “I’m not anything but a man that wants to make his girl happy. In whatever way she’s okay with, yeah?”

You have to blink away another sting of inopportune tears. Then reach for your shirt and pull it off yourself.

“Bloody hell,” he murmurs, eyes going big.

You flush as he nudges you back, spread out amongst the neat sheets and pillows. His eyes trace every inch of you over and over, hands quick to follow. The contrast of his rough palms on your skin makes you squirm and sigh. He touches you like you’re something special, like he wants to savor you.

He nibbles kisses into your collarbones, lavishes your breasts with tongue and gentle teeth. Works his way down your stomach and stops again.

“Can I take the rest off?” he asks.

You don’t hesitate this time, shifting to give him access to the zipper. His hands fumble a bit when he notices the embarrassing wet patch on your underwear, thumbing at your slit through the fabric.

“Please let me eat you out,” he breathes.

You press your thighs together, nervous. “Y-you don’t have to…”

“I want to, luv,” he answers, eyes barely flickering away. “Fuck do I want to.”

Words desert you, so all you can manage is a jerky nod. For the first time, his patience seems to fray as he tugs your underwear off. Barely gets them down to one ankle before diving between your legs.

He laces sweet kisses along your thighs and hips, slowing as he gets closer and closer to where you want him most. His tongue dips into your slit, just skims your throbbing and sensitive clit. You moan softly. The next swipe of his tongue is bolder, curling at your soaked entrance. He groans into you, deep and animal from his chest and makes you shudder.

“That’s it, baby,” he whispers. “Just enjoy.”

It’s impossible not to when he pampers your cunt so thoroughly. Never rough, never too fast. Like he could spend all night between your thighs. Sucking gently at your clit, thrusting his tongue inside, lapping in perfect, even strokes. You didn’t think you enjoyed oral from the few times you’ve experienced it — but Kyle makes it heavenly.

One of his hands, squeezing absently at your hip, travels down. He presses a finger at your entrance, playing in your slick but not going further. Waiting. You murmur a soft “please” that nearly has him growling.

Even just one finger feels like so much. His hands are bigger than yours. And so deliciously clever. It’s not long before you’re babbling for another, crying out softly when he provides. Two fingers curling and rubbing against your slick, sensitive walls and his tongue swirling around your needy clit — it’s so much. Overwhelming and perfect.

“K-Kyle, ‘m gonna…” you keen, shocked by how quickly it’s building.

Then he hums an encouragement and that little extra bit of stimulation sends you hurtling over the edge. You clench around his hand, hips twitching, grinding against his willing mouth through wave after wave. Not even aware of the noises you’re making until they fade off into soft whimpers of overstimulation.

Kyle eases his fingers from you, drops one last kiss to your hip. The lower half of his face is glistening. If you weren’t still somewhere in the stratosphere, you’d be embarrassed. But right now all you can manage is a quiet, needy noise, reaching for him.

He smiles and crawls over you, the warmth of his body soothing your shivery muscles, easing you through aftershocks. You wipe absently at his chin as you exchange lazy, sloppy kisses. Surprised to find that you don’t mind the taste of yourself; not much different than jizz.

“Give me… another second…” you mumble, head falling back as you catch your breath. “I’ll return the favor.”

Against your leg, you can feel him twitch through his jeans. He feels big. Your stomach clenches with want.

“That sounds bloody amazing, don’t get me wrong,” he answers, voice husky in your ear. “But if you’re up for it, I’d like to feel you cumming ‘round my cock.”

You gasp, not sure if you’re scandalized or even more turned on than before. Both?

“Wait, but I already…”

“I know, I was there,” he teases, kissing your temple. “But I wanna see it again. Feel it proper this time.”

You pause, blinking up at him as you trace your fingers along his ribs. “But isn’t that… I dunno, unfair?”

“Fuck no,” he answers. “I’d spend all night just making you cum if you let me.”

You huff and swat at him. “I think you’d kill me.”

“What a way to go, though, eh?” he chuckles, arching his eyebrows.

You groan, but there’s no hiding your grin. He brushes hair back from your face, cups your cheek.

“What do you say, baby? Let me fuck you good and proper.”

You snort, turn to nip his thumb in relation, but chirp, “yes, please!”

Previous | Next

Masterlist

[maxlarens]

Hi, I have a smau request for Charles (based on c.ai bot lol, and the fact that I love painting), so the reader is invited by her friends to a house for vacation, her friends are all with their s/o and they also always try to set up reader with someone, that's when her and Charles meet, and reader finally gives it a chance because she knows her friends won't stop to set her up. They talk for a whole evening about what they do in life (reader is an artist/painter) and they get along really well. Eventually they get together and reader is very liked by the public, even if there will always be haters, but most fans thinks she's just very adorable (especially because of her insta/twitter posts)

CL: slip up and i call you baby

pairing(s): charles leclerc x artist!reader

summary: you love your friends, you really do. you just wish they’d stop trying so hard to set you up with random guys. [smau + written fic] (read on: ao3) (part 2)

fc: faceless

word count: 5.1k

warnings: mild sexual references

a/n: this is such a cute idea! thank u so much for sending it in!! u will not believe how much this idea gripped me like i never write one shots like this its just unheard of for me if im honest. anyway i know u asked for a smau so i will be doing a second part/continuation to this that is solely an smau to make up for that. (ALSO sorry for disappearing i was super sick for the whole week and have been getting my shit back together in the aftermath😭)

(yn’s messages)

(instagram)

@ynusername just posted…

liked by @chloegarelli, @charlesleclerc and others

ynusername italy we are in u!!!

Amalfi Coast, Italy

You’ve never been particularly boy crazy. At least not the same way your friends are.

There have been a few not-quite boyfriend’s over the years, but those relationships never last long. They never really get you, or they never really get the art thing. Which means, of course, that they don’t get you and never will— and that’s fine, you’re content with that. If living for your art means you’ll never be in love then so be it and frankly, good riddance to them.

For the most part, you’ve given up trying. You go on a few dates here and there, but you never let them stick around. Even the ones that seem interested in your paintings you don’t bother with— none of them really seem to be able to grasp what art truly is to you. It isn’t just paint on a canvas, it’s living, it’s breathing. You are only yourself with a way to make art.

It’s difficult to put into words.

So you don’t. Instead, you send texts that say ‘thanks for your time but this isn’t working out’ and you keep the men your friends try to set you up with at arm's length. You placate Chloe and her partner Rowan– who collects friends like they’re Pokémon– with, “he wasn’t my type” and “I’m not looking for a relationship right now”, which you suppose is true, but also isn’t the entirety of it. Yet, every time without fail, there’s a new boy at the scene of the crime.

Chloe doesn’t get it, none of your friends get it. You don’t try to explain it to them. So, y’know, here you are again.

Anyway, here’s the thing: they’re getting closer. Inexplicably, without knowing how you really feel about it all, Chloe and Rowan are getting better and better at picking the boys who are able to tempt you. Which is a pain really, because sometimes you’re trying to have a perfectly nice vacation in Italy without the lure of a boy you can’t let yourself have. But alas, these things generally don’t go your way.

You should know that by now.

Charles Leclerc is bang on the money, he really is. He is unbearably cute, like so cute that you have to leave the room when he walks in, because you don’t trust yourself to be in close proximity to him right now. You have a hard time looking at his face when you are forced to be around him. The dimples when he smiles, the squint of his eyes even when he isn’t. If you look too long you’re liable to stare and that wouldn’t lead to anything good at all.

He’s nice as well. So nice, just like Chloe told you. You try to pretend he doesn’t exist and he still asks you questions about your job and the area of Monaco you live in— like he’s even interested, like he’ll remember you two weeks from now. You try your best to be pleasant, to answer without it being like pulling teeth, and to ask questions of him as well. You’ll probably see him again after this, so best to not to go too far and act like you hate him. It’s difficult though, toeing the line between friendly and encouraging of more. Or it feels difficult for you. Charles doesn’t make even the slightest suggestion of the two of you being set up by your nosy friends. That’s unbearable too. Part of you wishes he’d just make a clumsy pass at you so you can rebuff it and make your intentions abundantly clear. But, obviously, he doesn’t, because he’s perfect or something.

It sucks. You hate him, you think.

Or you want to.

On the second day of the trip, you’re on the villa’s private beach, laying in the hot sun. Chloe, Anaïs and Bea are there; everyone else is either still sleeping off the wine from last night or swimming in the glittering ocean. You’ve got a secondhand book, a 2B pencil and a pair of sunglasses over your eyes. You’re trying to read but you just end up doodling, drawing your friends bikini-clad bodies over the text and shading grapes into the margins. Trying desperately not to accidentally put Charles Leclerc’s dimples, messy hair, or sloped nose to paper.

“So,” Chloe says conspiratorially, as you abort an attempt at drawing a slightly squinted eye with thick lashes, “What do you think of Charles?”

You raise an eyebrow carefully at her over your sunglasses, betraying nothing of your inner turmoil, “I think nothing.”

Anaïs laughs, rolling onto her back, “That’s such shit. You practically sprint away from him everytime he comes near.”

“I do not,” you answer too quickly.

Anaïs laughs again, louder. Chloe joins in and Bea raises her eyebrows at you like you’re a fucking liar. You frown, glaring a little before stubbornly turning your head back to your book. The conversation about Charles ends there, but unfortunately your actions have spoken for themselves. A chill of something like panic chitters up your spine and into your shoulders. You have to roll them to make the feeling go away.

As the sun climbs higher in the sky you lose some people to the heat and gain others. It’s just you and Chloe sweating onto your towels when Rowan and Charles finally give up on whatever game they were playing in the ocean. Rowan collapses unceremoniously into the space between you and Chloe, kicking up sand and getting water droplets all over you like he’s a wet dog. You let out a noise somewhere between a laugh and an exasperated groan as you roll away from him, landing in the sand.

“Watch it,” you cry, “You’re getting my book all wet.”

Rowan laughs, “You’re drawing in it!”

“So.”

He pulls a face at you that makes you roll your eyes; then he turns into Chloe, shoving his face into her collarbone and flinging limbs over her. You snort, leaning over to snag the book off your towel before it gets dragged into the mess that Rowan is causing. You’re about to get up and go inside until you realise Charles is still standing there. Has, in fact, been standing there since Rowan ran over. Your breath catches, heart skipping a beat as you look up to find him standing there.

“Hey,” you smile briefly at him, quickly looking away from his damp hair and bare chest (–which is difficult to do because, holy shit–) so you can gather up your towel.

“Hi,” he replies.

He might smile back. You don’t look. You’re trying to get the image of his washboard abs out of your head. This proves difficult when you clamber to your feet and find yourself face to face with him.

“Are you heading back?” he asks.

“Yeah.”

God, you want to kick yourself. You’re being so awkward, and right in front of Chloe too, who may not be watching but is absolutely listening to you make a fool of yourself in front of a guy you have very firmly said that you are not interested in. It must be clear to him too, that you’re trying very deliberately to not be interested in him. You cant tell what would be worse; if that means he’ll think you’re a weirdo or if it means he’ll take it as a sign that he should make some kind of move.

Ugh.

“I’ll come with you?”

“Hmm,” you blink yourself back into existence, seeing the questioning look on Charles’ face, “Yes, yeah. Sorry.”

You say goodbye to Chloe and Rowan who barely look away from one another, still rolling around in the sand like teenagers.

“Gross,” you say to Charles, as the two of you trudge through hot sand toward the sandstone steps that lead up to the villa.

He laughs, a breathy thing that tapers off with a sigh, “A bit, yes.”

You don’t say anything else, but you find yourself staring at his back and the way his muscles shift and move underneath his tanned skin. At the top of the stairs you part ways, he smiles at you and you offer something awkward in return, trying to pretend you hadn’t been looking at him. You don’t think he notices, but your cheeks red burn anyway.

You don’t see him watching you leave.

(instagram)

@chloegarelli just posted…

liked by @ynusername, @charlesleclerc and others

chloegarelli hungover, sunkissed and lovesick

Amalfi Coast, Italy

Dinner is a huge affair, as it always is on these trips.

You, Anaïs and Chloe spend three hours in the kitchen that afternoon making chicken fricassée and about a hundred different side dishes to go with it. Everyone crowds around the dinner table to eat and drink even more wine than the night before. Piero Piccioni plays on the old record player, crackling away as you laugh and talk and tell stories with your friends well into the night. You watch the sun set through floor-to-ceiling glass windows and you wish wish wish that you had your paints right now.

You brought along a set of oil pastels and one of your art notebooks, but it doesn’t compare at all to painting. If you could get your hands on cadmium yellow in all it’s hues, maybe vermillion and a powder blue, your lack of paintbrush or canvas wouldn’t even matter. You’d use your fingers if you needed to. It bothers you so much that you get up in the middle of clearing away the meal and go to your room for the pastels and notebook. You need to get it on a page at least.

You push a few plates to the side, folding out your notebook and immediately marking the page up with a creamy white pastel. Bea teases you when she comes over to take the rest of the dirty dishes, but you just mumble something unintelligible, too engrossed with smudging the sunset into something that looks like what you’d seen out the window. When the oranges and yellows blend to your satisfaction you take the black and brown and draw in the top of your friends’ heads, not thinking about how much attention to detail you’re paying to the shape of Charles’ side profile.

When you’re finished, you’re surprised to see that the table is cleared save for a few half-full wine glasses and a fresh bottle. Only Chloe, Rowan and Charles are still sitting by you. You’re listening to another Piero Piccioni album now, or maybe just the other side of the record. You remember saying goodnight to the others and saying yes to a glass of wine, so you’ve not been totally dead to the world, but it’s all in a bit of a haze.

You think this might be part of the reason why you can’t hold down a boyfriend. The disappearing into your art like you cant breathe until it’s finished. That may as well be the case if you’re honest.

You sigh, wiping your stained fingers on the next blank page, then you take a long sip from your glass of merlot, pretending you dont notice the others’ eyes on you.

“All done?” Chloe quips, somewhere on the border of teasing and being annoyed at you.

You look at her, your eyes just narrowing enough for her to notice. She does and purses her lips. You raise an eyebrow to ask okay, what’s your fucking problem? And you see her eyes flash to Charles. You follow her gaze to see him and Rowan pretending to look disinterested in your answer. Charles is tracing the base of his wine glass and absently biting the inside of his mouth. You have to tear your eyes away.

“All done,” you answer, tone clipped, before gathering your things (including the wine glass) and leaving the room in a move you hope doesn’t come off as too rude.

At your back you hear Rowan ask Chloe, “What was that?”

Chloe means well, you think as you wind through the villa, making your way to the balcony overlooking the private beach. She wants you to be happy and she thinks you need a boyfriend to be happy. But she’d found the love of her life in Rowan after only a few years of dating around and she doesn’t quite understand that it’s never going to work like that for you. There aren’t enough people out there that understand the kind of passion you have for your art and certainly not many that would also be compatible with you. You’re fine with that, but Chloe doesn’t know what to do with it. Especially not now she’s cottoned onto the fact that you have some kind of interest in Charles. It’s killing her.

It’s irrelevant though, whatever interest you have in Charles doesn’t factor into anything. He’s cute, he’s nice, but so were the dozen boys that you’ve already dated and not continued dating. So really, Chloe needs to stop pushing it because it’s pissing you off. You’re here for a holiday, not to be forced into conversations with a guy you don’t know. If she needs to have an argument to finally understand that, then so be it. You’ve been friends for years, it’ll blow over eventually.

You flick a switch and blinking lights illuminate the balcony. Fairy lights are wound up the posts and draped on the awning, intertwining with the lush green vines that have grown up through the wood slats. The air is balmy and the breeze light as you settle into one of two cushioned chairs situated by a coffee table. It’s perfect. You spread the oil pastels out next to your glass of wine and set your open notebook on your crossed legs, listening to the sound of waves lapping against the shore.

You’re alone for what feels like a long time but is probably only an hour or two.

When the sliding door clunks open you expect it to be Chloe coming over to have it out, but it’s not. Instead, Charles slips through the gap with the rest of the wine gripped in one hand.

“Hi,” he greets, smiling at you in a way that makes dimples carve in his cheeks, and dashing any hopes you have that he’d walk right past you.

“Hey,” you forget yourself for a moment and bite your lip on a broad smile.

He holds the bottle out toward you, offering more. You lean over your notebook and hold your empy wine glass up in acceptance.

“Merci,” you say, and in a moment of weakness (and probable wine drunk-ness) you gesture at the plush chair across from you.

Charles, somewhat caught off guard, looks between your outstretched hand, the chair, and your face, before shaking his head almost imperceptibly and finally taking a seat. Despite his apparent shock, you find it hard to believe he’d come out here simply to offer you some of the last of the wine. Surely, this is Chloe and Rowan’s doing. Though, strangely, you cant quite bring yourself to care.

He sets the bottle on the coffee table, next to your oil pastels. You lean forward to place a few back in their rightful spots, snagging your wine glass as you go.

Charles eyes’ scan your face for a moment, searching for something you suppose, then he points at your notebook, “Have you been drawing?”

You nod, “Mmm.”

You think perhaps the answer is a bit obvious. He seems to realise this, you watch a blush spread onto the top of his cheeks and he flutters his eyelids slightly, almost like rolling his eyes at himself. You don’t think about his eyelashes, thick and dark as they brush against his cheekbone, and you don’t think about his eyes, the lights reflecting off them, making them sparkle.

“What are you drawing then?” he asks after a moment of collecting himself, an edge of embarrassment to his voice.

You give in easily to the strange urge you have to show him, grabbing the notebook off your lap and holding it out for him to see what you’d been scribbling in the book for the past two hours. You let him take it off your hands, ignoring the spike of anxiety. He holds it gingerly, like it's a precious artefact (of course, to you, it is), which makes something warm bloom in your chest. You take a sip of wine and gesture for him to flip through a few pages, which he seems hesitant to do without permission. The book is angled in such a way that you can see most of the page, so you’re content to let him. Or at least you are until he flips to the page you’d started when you’d first come out here.

Panic drops like a stone in your gut because he’s looking right at a fully rendered drawing of his eyes. It’s in amongst some pillars strung with lights and covered in climbing vines; your best attempt at capturing the way the beach looked earlier in the day; and, perhaps your saving grace, Chloe half asleep on her towel. But the drawing of her is haphazard, it’s half-scribbled and half-finished, whereas the one of Charles eyes’ is as detailed as the sunset scene you’d done the page before. It had been something you just needed to get out, drawn in one of those hazes of yours. You’d felt better after it was done, your hands had stopped feeling like they were itchy.

Now, you itch to snatch the notebook off him, but you fear that would be even more incriminating. So you watch him look at the page and try to sit with the panicked feeling spreading in your chest.

Eventually, he points at the page, “Is this me?”

You bite your lip, breathing slowly through your nose to try and abate the blush spreading up your neck. You don’t say anything exactly, just shrug and rock your head back and forth in a kind of confirmation that doesn’t really admit anything. Though, there’s no denying the drawing is him.

“It’s good,” he says, seemingly stumbling over the words, “It’s very good.”

You frown into your drink, “Thank you.”

“I mean it.”

You know he means it. It’s not that.

“Yes,” you put down the wine glass, looking at him but avoiding eye contact, “I know. I know it’s good. I’m just… I’m embarrassed,” you admit.

He furrows his eyebrows– or it’s more that he squints and his eyebrows fold in with it. You watch his tongue dart out to run across the top of his bottom lip and you stamp down the less than innocent thoughts that come bubbling up at that. He waves the hand that’s not still holding carefully onto your notebook about for a moment, trying to conjure up words that he doesn’t have yet.

Slowly, he says, “You shouldn’t be embarrassed. I– It’s–”

He’s about to say flattering, so you cut him off, not wanting to hear the tone of it, whether it be pity or something else entirely.

You try to explain yourself, “Things get stuck in my head sometimes. Like after dinner,” you reach forward and flip the page back one, to the sunset, “I have to get it onto paper. Or… or… it just runs laps in my head for the rest of eternity, I guess. I don’t stop thinking about it.”

You cringe internally. You’ve just told him that you were so consumed by thoughts of his eyes that you had to draw them immediately. That is perhaps worse than just wanting to draw him because you thought he was cute. Charles raises his eyebrows, clearly surprised by your admission, but there’s perhaps also something sincere in there? You can’t pinpoint it, but it makes you feel a fraction better you think.

You sigh forlornly, “That’s weirder, huh?”

He laughs, properly laughs, and it sends some strange feeling skittering down your spine, “No. No, I get it. I don’t have any way to get it down as quickly as I’d like, but I definitely understand the feeling.”

You bite the inside of your lip, hesitant but still curious, “You understand the feeling? Really?”

“Yes,” he smiles easily now, relaxing more in the chair after he places your notebook onto the counter with a cautiousness you still don’t expect, “For me, with racing, it’s like I get an idea and I can’t sleep until I try it on track or talk about it with someone. Some of them don’t work, or aren’t possible, which is fine, but if it sounds right to me and it checks out with the people that it needs to, then, well, then it literally does run laps in my head.”

You laugh, mostly to yourself. You’re not sure yet if he understands what you’re saying, but he’s trying. That’s more than you can say for a lot of people. You try not to let that thought linger for too long.

“You think it’s similar?” you ask in a way you desperately hope comes across as curious and not accusatory.

He hums, waving his hand around again for words, “Perhaps. I think the urgency is the same. The passion is the same. Do you ever feel like something terrible will happen if you can’t–”

“Yes,” you’re a bit breathless in your haste to agree, to talk about this feeling with someone who understands, “Yes. I do. It’s like I need to put it somewhere before I lose it. Otherwise, it won’t be perfect, or it’ll be too late.”

“Exactly,” his eyes seem to light up, for a long second you watch the flickering lights reflect in them, “Exactly.”

“It’s never as good as I want it to be,” you admit, finding it easier to look him in the eye now that some strange barrier between you has been broken, “It’s never quite how I imagine it in my head.”

Charles points at your notebook, “These are very good, really. I don’t see how they could be better. But,” he shrugs, “Eh, I will win a race and still think of everything I did wrong.”

You nod eagerly in understanding as you lean back into the chair, finally relaxing into the cushions. It’s strange to have this conversation, knowing you’re talking about two entirely different careers, but feeling like they’re so similar. Maybe it’s just you and Charles that are similar, maybe your jobs have nothing to do with it? You don’t know, you just know it’s nice to feel like someone gets what you’re talking about.

Charles continues, speaking like he’ll explode if he doesn’t get this off his chest, “It’s there all the time, do you know what I mean? Maybe I’m not thinking about it every second, but it’s always there waiting for something to draw attention to it. And people ask what else is going on in my life, and of course I do other things, and I enjoy other things, but I want to be on the track. I want to be driving whenever I can.”

You nod again, more subdued now, “Mmm, right. I want to be making art all the time, and when I can’t it’s like missing a limb. To me art is– it– it’s like–”

“–breathing,” he finishes, almost the lilt of a question to it, but not really, it’s like he knows exactly what you mean… how you feel.

You exhale, long and slow, “Yeah. Like breathing.”

Both of you are quiet for a little after that. You’re trying not to stare at him, but it’s not easy. He’s looking at you almost blatantly and you can feel blood rushing to your cheeks the longer he stares. The air feels thick with some feeling you can’t place. All you know is there are butterflies in your stomach and a smile keeps pulling at the edge of your pursed lips.

The smile takes over as you catch him starry-eyed in your peripheral vision, you mutter, “Stop that. Stop looking at me.”

“Why?”

You tip your head back so you can’t see him looking at you, “Because.”

“Because?” he laughs breathily, shaking his head at you, “Okay, well, tell me if I’m misreading anything, but I’m pretty sure that drawing of me in your notebook says something, at least.”

You run a hand down your face, sighing loudly, “Yes, okay. I suppose it does. But– I–” for a moment you struggle for the right words to explain yourself, “I guess I’m not really looking to date anyone.”

He tilts his head to the side, furrowing his eyebrows and looking for all intents and purposes, like a confused puppy, “You guess?”

You nod, resisting the urge to just launch over the table and grab his face. He is very cute and he is making this so hard for you.

He sucks his teeth briefly, shrugging, “I’m not really either.”

“Alright,” you say, “Good.”

As over as that should make the issue, strangely enough it doesn’t feel like you’re done with Charles Leclerc and it certainly doesn’t feel like he’s done with you either.

(instagram)

@ynusername just posted…

liked by @charlesleclerc, @beabarouh and others

ynusername nothing to see here😇

Amalfi Coast, Italy

You try to avoid Charles after that, you really do, but he doesn’t quite let you.

For a few days of the holiday you give him pointed looks and purse your lips a lot when he’s around. Chloe catches on straight away and that makes it all infinitely worse until she finally realises she might need to leave you alone (yeah, shocker). When Chloe finally forces everyone to get off your back about Charles, it becomes much easier to be around him. You’re not glaring at your friends while they make eyes at you, or worrying if you’re acting weird; you’re just allowed to be.

It’s nice. He’s nice.

But you knew that already.

Neither of you are looking for a relationship so there’s no pressure for it to be anything at all. But you have this sneaking suspicion that perhaps both of you are looking for a relationship with eachother regardless. You try to ignore the thought.

On day five, you’re sitting together on an outcropping of rock that overlooks the ocean and you’re letting Charles doodle in your notebook with a ballpoint pen. The bare skin of both your arms are pressed together, they stick with sweat from the hot midday sun but neither of you seem to care. As you watch him doodle inexpertly you can smell him— salt and sweat and whatever cologne he uses masking the very faint scent of burning rubber. Your hair, still damp, brushes his forearm, you wonder if you smell of acrylic paint and mildew from all the water cups you accidentally leave out for your paintbrushes.

You reach out to trace a line he’d made, “Here, it should be more like…” you taper off, taking the pen from his hand and quickly fixing the curve of the beach before handing the utensil back.

“Hmm,” he hums, giggling a little, “I guess that looks better.”

“You guess?”

He nods, “What if I had a very specific vision?”

You raise an eyebrow in disbelief, leaning back to look him in the eye you tease, “A vision. Did you?”

He tilts his head down to look at you. You’re very close now, you can feel his breath fanning over your face. In the reflection of his sunglasses you watch your lips part slightly and your eyelids flutter. Your chest grows tight with anticipation and maybe a little bit of panic. Still, you reach out and slide his sunglasses up to settle in his hair. You’re a little careless, but you like the way his hair pokes out from them at odd angles. As he breathes out you hear it catch for a split second.

“Did you?” you repeat, knowing he won’t remember what you were talking about.

He blinks twice, still staring at you, “Hmm?”

“You said you had a vision,” you breathe.

“Oh,” as he says it, his eyes flicker down to your mouth, only for a second, but it’s long enough to you know you’re done for.

You both lean in at the same time, your noses sliding off each other in your eagerness. You breathe a kind of laugh into his mouth and you feel him try to suppress a smile against your lips. It’s slow for the first few seconds, just you and Charles figuring out how your mouths fit together. His mouth is warm and wet and so soft, and it’s easy to lose yourself in it. You move the hand that had adjusted his sunglasses, sliding it up his shoulder to the back of his muscled neck. Your fingers weave into the short hair at the base of it, your nails scratching absently there. He groans, ever so slightly into your mouth and it sends heat skittering down your spine, into the low of your gut.

The hand of his that isn’t clutching onto your notebook slips forward and winds around to press at your bare back. He pulls you closer to him as you slide your hand up to cup the back of his head, tilting his head to deepen the kiss. Soon it’s a mess of tongue and teeth and Charles blindly shoving your notebook somewhere it wont slip into the water so he can grab you with both hands. He tastes like red wine and coffee and you love the way his fingers dig into your skin and the way his teeth have been grazing at your bottom lip, like he wants to sink into it.

You’re almost in his lap when you’re forced to pull away for air.

Foreheads pressed together, you breathe heavily into the space between you. Your hand is still stuck in his hair and one of his on the small of your back, the other holding your knee. The sides of your noses touch, you nudge yours against his affectionately, tempted by the proximity of his mouth.

He laughs and you feel it against your lips, intermingling with your own breath, “Alright. That was–”

“Yeah,” you finish, dipping forward to kiss him again.

You’re lost for another few minutes. Tongue and teeth and the sound of the waves crashing against the rock behind you. And his hand on your jaw and in your hair and pulling you closer closer to him.

He pulls away this time, turning his head to press your cheeks together, mouth at your ear, “So,” he drags the word out with a laugh, “are you looking for a relationship now?”

You snort unceremoniously, and tease, “Hmm. I guess I would be amenable to that.”

“You guess?” he asks— but not really needing to at all because you can feel his dimples pressing into your cheek as he smiles knowingly.

You nod, smiling too, “I guess.”

🎨 yes of course i made a playlist>> https://open.spotify.com/playlist/6cAJaZjvK0V7SrmxoMosBX?si=ADlJGHxxQYKnlZ1jWFJxfw&pi=a-AI0MKbo3RTqE

taglist: (pls message if you'd like to be added to the taglist for charles. my yuck! one is full so need to start a new one😭)

[corkinavoid]

A list of things I've done that pissed my mother off, but as Batfam + Team Phantom edition

Bruce: got into a verbal fight and held a year-long grudge at my teacher for not giving me a fair grade at an annual competition, and proceeded to go out of my way to win said competition next year

Alfred: refused to eat her food, got told to cook for myself and did so, ending up with both my dad and sister saying my banana bread was the best thing they've eaten

Dick: swung on the bungee rope over the dry riverbed turned into junk yard, fell, miraculously did not die, went to that same bungee rope the next day

Babs: organized a stake out, found out which neighbor had been messing with trash bins when everyone blamed raccoons, called said neighbor a raccoon for the next three weeks

Jason: kept reading books at night with a flashlight, when said flashlight was taken away, lit a candle and accidentally almost set the house on fire

Tim: fled to a different country across the globe without telling anyone except my sister, who's been 7 at the time, and did not respond to any calls or messages for three months

Steph: picked a dress with glitter for a dinner with her relatives after specifically being told not to, was forced to change, but took my revenge by exploding a glitter bomb in the car when we have already arrived at the relatives' house

Cass: responded with 'sorry I didn't quite catch that could you repeat' to her very long rant, over text

Damian: successfully clawed and gnawed at a classmate's face after they destroyed my painting

Duke: was the leader of school rebellion over the 'no wigs allowed in school' rule in sixth grade, managed to convince two teachers to join, ended up with the rule taken down

Danny: accidentally shocked myself with a tazer I stole from her handbag, cried, when she came to ask what happened, showed her by repeating the accidental electrocution

Dan: pushed my maternal aunt into the pool and watched her flounder, knowing very well she is a bad swimmer, when confronted about it later argued it was the kiddie part of the pool and she could not have drowned

Jazz: told her I was in love with a girl she disliked, when she voiced her opinion on it, made a whole argument about how I'm supposed to learn from my own mistakes and not from her experiences

Dani: zoned out while she was yelling at me, came back to her saying 'you're no better than a pig', impulsively told her 'it's because of genetics' and started oinking

Sam: painted my nails and toes on my left hand and left foot black, dyed my hair purple, but only on the left side, as well as got a piercing on the left eyebrow, while the whole right side was left 'natural'

Tucker: learned to change the wi-fi password and held power over the internet every time she took my electronics away by asking a friend that lived nearby to come by my house and using their phone to change the password

Bonus:

Selina: repeatedly stolen antique jewelry from grandma because she, in turn, stole it from my other grandma

Valerie: turned rogue, teamed up with the opponent team in lasertag and helped them win over my own teammates

Talia: threatened a person I will carve their eyeballs out with a spoon if they ever as much as look at my sister funny again, a month later gave them a decorated silver teaspoon as a birthday gift

Jack Fenton: failed my driving license test seven times, three of which were on purpose

Maddie: ruined her plans of my picture-perfect marriage by friendzoning a son of her friend, claiming I'm saving my love only for the important things like mozzarella

Vlad: scared my sister shitless by telling her a scary story about ghosts under her bed and then hiding under her bed and making 'boo' noizes

Clockwork: purposefully made her experience deja vu by wearing the exact same clothes and greeting her the exact same way in the exact same place for three days in a row

[linkspooky]

JASON TODD VS. DABI: WHY NOT ME?

"You haven't been here long but you've seen him, right? The batman. The batman. He lives in darkness, to find the helpless and bring them into the light. So I have to wonder...why couldn't he do it for me?" The Boy Wonder: Issue #2

This is the story of the boy who didn't get saved. The story of a boy who really ought to have been saved. Of course, every victim deserves to be saved, but this boy was the son of a superhero. Can a hero who saves everyone, but fails to save his own son really be called a hero? As for the son, how does it feel to watch his father save complete strangers but let him fall to the wayside?

Jason Todd and Dabi are two characters with similar backstories and motives (so similar it's possible Dabi is outright based on Jason Todd) which are worthy of comparison. These are two tragic arcs which explore the conflict between a hero's responsibility to act as a father, and their responsibility to save people. As I said they are tragic because in both cases the hero fails, as a father, and a hero. However, I'm comparing the two because Jason Todd's story is a well written tragedy, and Toya's story is not.

If you were to write a story of my life, it would surely be a tragedy.

Aristotle's Poetics is the first attempt to define what Tragedy is, not as a story where sad things happen but a specific story structure. He outlines not only what makes tragedy, tragedy, but also what makes a good tragedy.

The Plot, then, is the first principle, and, as it were, the soul of a tragedy: Character holds the second place. A similar fact is seen in painting. The most beautiful colours, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait. Thus Tragedy is the imitation of an action, and of the agents mainly with a view to the action.

I use this quote because the painting metaphor is a great way of explaining what I'm getting at, you can have a painting with the most wonderful colors, you can have a story with really good ideas like the Todoroki family plotline but if you don't use those colors correctly all you're going to end up with is a bad painting.

In poetics Aristotle clearly defines a tight well-structured plot as the first priority for effective tragedy, character as second.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long

To make sure you understand, it's vital in tragedy for all the pieces to fit together. Tragedy is a specific story format. Good tragedy uses the parts of a story well, but bad tragedy is sloppy and poorly put together. In tragedy, the whole has to be greater than the sum of its parts. The Todoroki Family are all good characters out of context, but the story could have enhanced their characters but detracted from them due to how poorly it is told. The fact that a lot of MHA fans are in love with the Todoroki family out of the context of the story, but also have constant complaints for how Horikoshi handles their plotlines is, in my opinion, very telling.

What Aristotle goes on to posit is the best tragedies do not come about by accident, but rather by the direct actions of the characters.

But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design. 

Therefore Tragedies require consequentialism, like Newton's Third Law, every action will have an equal and opposite reaction. To simplify a good tragedy arises from the consequences of the character's actions (or inaction). The most basic form is that the hero of the story will have a tragic flaw that they fail to improve upon in time and then leads to their destruction. In essence, tragedy is where the hero fails. Not only does the hero fail, but the hero loses, and that irreversible loss is what defines tragedy. Medea slays her own children, Oedipus rips his own eyes off and deserts his kingdom, Creon Antigone is buried alive and Creon's son, her fiancee, commits suicide.

These events share two things in common, they are irreversible (hence why they feel like good endings), and two they evoke catharsis. Aristotle defines the goal of tragedy to evoke terror and pity. We feel alongside these heroes, Medea was abandoned by the husband Jason who she left her home and slaughtered her own brother for, Oedipus did all of his crimes unwittingly and is a victim of fate, Antigone was doing the right thing by burying her brother so his soul could pass on to the afterlife.

There's all different sorts of tragedies, Hamliet explores more here. I'd say UTRH and Hellish Todoroki Family are tragedies centered around grief.

Tragedy works on extreme emotions, and extreme hard-hitting consequences to the hero's failures. The worst thing a tragedy can be is boring.

The Tragic Hero

Now that I'm done lecturing you let's actually talk about both My Hero Academia and Batman like I promised. Both of these stories don't actually feature the central victim as their protagonist, and that is a feature not a flaw.

Rather, the story we are being told is that of a tragic hero, failing to save a tragic victim because of their own personal flaws.

These flaws are called (hamartia) or "error in judgement". A hero, being called a hero of a story is often unaware of his flaws which is central to what makes them unable to fix those flaws in time. That flaw can later lead to a moral failing, such as Othello's jealousy, initially jealousy is an understandable emotion, but then it leads to him trusting Iago over his own wife and killing his wife in a rage.

Most importantly, the hero’s suffering and its far-reaching reverberations are far out of proportion to his flaw.

Let's begin with talking of the heroes and their flaws, Batman and Endeavor. My main reason for comparing these two is in these specific stories they have the same flaw, inability to move past their personal guilt towards their son, and the same conflict the duty of a father versus the duty of a hero.

However, Batman functions as a tragic hero, and Enji does not. The summary of their conflict is right here in these two panels.

A parent is required to place their children above everything else, because they are the ones responsible for bringing that child into the world. Bruce Wayne made the decision to adopt Jason. Enji made the decision to have children, however with Enji you have the added insidious motivation of he only wanted to make designer babies and just didn't care for the ones who didn't turn out right.

Bruce attempts to do both, to act as a father for Jason and also a crime fighter as batman but he can't do both. This comes to a head in Death of the Family when Jason is having serious trouble because of his lack of a strong parental figure, and Bruce knowing that Jason is in trouble chooses still to go off and fight crime instead of staying with him. The choice to place crimefighting over the child they chose to take responsibility for has the unintended consequence of getting that child killed.

Whereas Enji makes the same choice over and over again, ignoring Toya's clear troubles at the fact his father no longer spends time with him and choosing to run away to the world of heroes because he doesn't want to face the fact that his actions are severely hurting his son. Bruce's motivations are more sympathetic admittedly he wasn't actively practicing eugenics, but the choice is the same and the consequences are the same.

Both Bruce and Enji are forced to bear witness to the deaths of their children when they are not there, specifically because they made a choice to be a hero instead of staying by their child's side. A situation directly caused by their choice to be a hero over a father, and a situation that would have been avoided if they had stayed with their child in their time of need. Jason runs off when Batman tells him to stay and gets kidnapped by the Joker, if Enji had been on Sekoto peak that day Toya would never have accidentally lost control of his fire.

This is just the backstory however, the main event that kickstart this plot is the unexpected return from the dead of both Jason and Dabi. Each story follows the same plot beats. A new villain appears to challenge Endeavor / Batman. The villain reveals themselves as their dead son. Both Endeavor / Batman are given a chance to try reaching out to their sons, but they choose not to.

Then even though they are given a second chance with a miracle of a dead son coming back to them, they choose the exact same thing they chose before, being a hero and because of that the tragedy repeats itself. For both of them they are unable to save their son again, and the son goes through a second death. History repeats itself, the lesson isn't learned.

Their fatal flaw is their guilt. This is a story about grief and mourning after all, a son who is died, buried, but never grieved properly, never mourned, an open wound on the father suddenly coming back. The inability of each to process their grief blinds them from seeing the fact the son has come back, and they have a second chance.

Toya has internalized he is a failure, because Enji literally called him that. Jason believes that Batman thinks he is a failure. In both cases the father is the one who failed, Bruce at least acknowledges this but cannot communicate it in any way shape or form.

This guilt and responsibility both Enji and Bruce feel causes them to self-sabotage. They no longer have the confidence they are in the right (they no longer feel like heroes because they have failed to be heroes to their own son).

You can also add the layer of complication that since both men chose to be heroes in the past, they do not know how to handle the situation as a father now that they're being challenged to step up as one. Unfortunately, they are not the fathers that stepped up.

The reason their grief becomes a flaw is because they put their grief over their victims. . Each man is aware too much of their own failure, and while they should feel guilty they make the classic mistake of placing their own guilt over the feelings of the victim. The guilt they feel for causing the death and the genuine grief of losing a son is given priority over Jason and Dabi who you know... actually died.

An overwhelming grief and guilt is understandable because grief is a messy and human emotion, losing a child is an unimaginable tragedy that should never be inflicted on anyone.

Yet at the same time both Dabi and Jason are grieving to. This paradox that Batman only thinks of his own grief at losing a son and never stops to think about how Jason must feel leads to one of the best lines in Under the Red Hood.

"The father had lost a son, and now the son had lost a father."

Batman's guilt is so strong over being the cause of Jason's suffering, that the suffering of the victim himself is ignored. To be fair to My Hero Academia, the Todorokis say a similar line to Enji.

However, this is where I begin to get into the difference between ideas and execution. Tragedies are stories of actions and logical consequences, every action has an equal and opposite reaction in Under the Red Hood. Batman is punished for the choices he makes, the choices he doesn't make, and the choices he fails to make in time.

The Todoroki plotline features almost none of its character making any choices of substance, and because of that the plotline says the right things over and over again, but it all comes off as tell don't show.

I'm going to quote @codenamesazanka's post right here a couple of times because they describe the complete failure of the Todoroki plotline to show us a reason why we should be feeling things for the characters artfully.

We've heard Enji say this before - I'm sorry, I intend to atone. It's indeed the right thing to say, it's exactly what he should be saying and acting. Natsuo is declaring no contact - That's fine, I'm sorry, I accept this as part of my atonement and will continue. Touya calls him a coward - That's fine, I'm sorry, I accept this as part of my atonement and will continue. The public hates him - That's fine, I'm sorry, I accept this as part of my atonement and will continue. But you can only hear this so many times before you want to snap and beat the character, the story, the writing over the head with Enji's wheelchair. Why is that? He's behaving exactly as he should, and yet...

The reason why it fails to evoke strong feelings is because of what we'd called "narrative dissonance." The actions of Bruce and Enji are the same, they both neglect to do anything, make any real attempts to reach out to their victims because they're paralyzed by guilt.

However, we are told that they have entirely different arcs. Bruce's arc is a tragic fall. He's failing as a hero. While we are being told that Enji is experiencing an arc of atonement. Enji is supposed to be improving himself, and Bruce is supposed to be experiencing negative character development but they both do the exact same thing in story. Bruce neglects Jason, we are told by the story, by the characters in the story that Bruce is failing Jason. Enji does nothing in time to actually atone for Toya or try to help him, yet, we are told again, and again, and again, and again, and again, and again that Enji is atoning with nothing substantive to show us this is the case.

To show what I meant instead of telling this scene is in chapter 252.

This scene is the ending point in chapter in chapter #426.

It's just him repeating the exact same sentiment and yet in a more than 150+ chapter gap, Enji never made any action to show he was now placing his family first. Enji didn't say anything to Dabi when he revealed himself as Toya. Enji didn't look for Toya in the months before the final war arc. Enji literally appeared on live TV in a broadcast that Toya was watching and said the very selfish "Watch Me" atone for the crime of creating Toya instead of literally talking about Toya or too Toya. Well, that would have rocked the boat too much... THAT IS LITERALLY THE POINT. Enji had to somehow break from tradition or make some significant sacrifice onscreen to his social standing to show that he's willing to put his family first. Enji decides to go along with Hawks decision to not face Toya head on, making the decision to be the hero for the final time which directly causes Toya to get up after Shoto brings him down non-lethally and make one last attempt to suicide bomb for his father's inaction.

Bruce does nothing for a long time in Under the Red Hood. He ignores his initial instinct that Jason came back and instead makes a long investigation on whether or not someone can come back from the dead in order to distract himself. When Jason takes the mask off, Batman already knew but was pretending otherwise because he didn't want to face the reality.

Even when Jason takes his mask off, Bruce still takes on the "I need to investigate this" angle even though Jason calls him out that deep down he already knows it's the truth. This of course foreshadows Bruce's underlying flaw, he doesn't want to face Jason head on because he feels too much grief about what happened to Jason and his guilt is more important than Jason's own grief. Just as the father has lost the son, the son has lost the father.

What follows is several chapters of Batman fighting crime as usual and making no attempts to directly search for Jason. They cross paths a few times but when they do Bruce doesn't follow. In fact, Bruce only shows up when Jason sends Bruce a sample of the joker's hair and Bruce knows that the Joker has kidnapped him out of Arkham. Bruce almost lets Jason get killed by Black Mask because he doesn't know whether to stop Jason or save him yet again, and then they have their final showdown where Jason has kidnapped the joker to demand Bruce kill him, and Bruce finally attempts to talk him down.

Out of context it sounds like I'm describing the same plotline, to the point where if you haven't read either, it looks like I'm complaining baselessly. Why is one hero doing nothing until it's too late good, and the other bad? The difference is of course context, or rather framing. Bruce's actions are called out by the people around him (Dick, Jason, Alfred) as him handling the situation wrong. Whereas both Enji's internal monologue and other characters say that he is doing his best to atone for his actions and deserves a chance, but the events we are shown in story are the exact opposite.

Here's another example to SHOW my point. Here's Dabi with my special, hardcover edition of under the Red Hood.

I reread the entirety of the fourteen chapter plotline and the majority of internal narrations come from characters outside of Bruce observing his behavior and commenting on how differently he's acting. Jason's backstory for instance is told by Alfred, not Bruce. Dick Grayson the first Robin comments on Batman's odd behavior. The rest are the third person narrator. Bruce has four instances of internal monologues spanning a few pages each in a 378 page story. (Alfred has the most internal monologues and he's presented as a more trustworthy unbiased narrator than Bruce, to get us to question Bruce's actions).

"Information travels on many routes, sometimes it comes predictably like the tides. You just need to know where to stand and meet it. Other times it's elusive and you have to root through the garbage to find it. In the last few years I've come to rely on Barbara Gordon, Oracle, we all did. Utilizing every form of surveillance equipment she has been the eyes and ear [...] but those days are over. I can't rely on anyone anymore. [...] and tonight it's also about the company I keep. It's different with him [night wing] out here. I think about when he was younger, when I was younger, it was different, simpler and I miss it. I miss those days, for that it's hard to be around him.

This first internal monologue is a case of unreliable narrator, because as soon as finishing it Dick Grayson / Nightwing shows up, offers Batman his help and while Bruce at first refuses it the two of them are forced to work together to fight Amazo. What does this show us? Bruce is not alone, but Bruce actively acts like he's alone ignoring the feelings of the other people around him. It exhibits a flaw of Bruce and the bad headspace he is in mentally (if I remember correctly Stephanie Brown recently died in the comics while this storyline was being published. It establishes Bruce's improper coping mechanism with grief, and how he is going about it the incorrect way.

Bruce says I work alone, and then Bruce says it's easier working with Dick, I miss it, but I can't go back to those days. It's bruce's contradictory thinking patterns in the same chapter that stop him. it's bruce's fault he cannot connect to Dick, and he is actively mourning the past because his relationship with Dick has changed.

Now the final part of the monologue in that chapter.

He's quick. Not just fast, agile. He's not thinking about his next move, he's just making it. He's been trained well. And there's something about him. Something familiar. There was something interesting about before he cut the line, before it had been taught. That had to have been practiced. Either that or just plain dumb luck. No it's not luck.

This is the first hint that Bruce already suspects it's Jason from early on but is in denial about it. This unreliable narrator trope also gives an agency to Bruce's decision, he is actively choosing to ignore the possibility that it's Jason because it doesn't want it to be.

Whereas, a lot of Endeavor's plot takes away any agency from him. For example, he doesn't even know that Dabi is Toya, because if he had the sneaking suspicion and ignored it like Batman did that might have made him look bad. We can't have the main character in a tragedy looking bad now can we?

The second monologue is more denial.

That device is from Kord industries. I should know. Ordered it special from them. How can he have it? No more dead ends. No more questions. No more guessing. Tonight I find out what is passing for the truth.

Reading between the lines this is outright confirmation Batman already knows.

The third is a brief reflection in his feelings for Jason.

The armor has to be light enough to fit but strong enough to protect. But sometimes a great many times, it's not strong enough. It wans't strong enough for Barbara who has to fight from her chair. It wasn't strong enough for Stephanie, other dear soldier enough dear grave. And it wasn't enough for Jason. Willful Jason. Who ignored the danger. Who spat at risk. Who was never frightened enough. I've always wondered... always... was he scared at the end? Was he praying I'd come save him? And in those last moments when he knew that I wouldn't. Did he hate me for it?

This monologue directly shows without stating it outright, Bruce is prioritizing his feelings of grief and failure mixing them in with his genuine grief over the loss of a son. it's selfish of him, but grief is a selfish emotion.

Here's the thing Bruce is allowed to be selfish and to not have the correct reaction to his grief, because the whole story is centered on Bruce being unable to get his shit together in time, and this picture into his emotions is an explanation as to why. Bruce is afraid of being hated by Jason. Jason of course has every right to hate him for failing as a father, but still I think not wanting to be hated to a person you loved so much and feel genuinely sorry over what you let happen to them is an understandable reaction.

Meanwhile we have Enji saying repeatedly all the right things in his monologue, the selfless, I don't need to be forgiven, it's okay if they hate me, I just need to atone but he never actually does anything. There's no explanation for why he isn't doing anything either, so that narrative dissonance. We're shown why Bruce doesn't act in time, he's internally a mess to be frank. We are not shown why Enji doesn't act in time because his internal monologue tells us again and again he's committed to atoning and he understands what the right thing to do is.

As Codenamesanzanka says:

Enji is still saying all the right things, but the story isn't giving him the opportunity to actually do the right things. To have his new actions matter. I have no doubt about his sincerity in his mantra, but without the 'show', it's hollow. Similarly, "Let's talk" is actually kinda bullshit too, because it's so vague. This is less about Enji, and more about the writing, how it set up this scene. "Let's talk" or "I want to talk" or any of that variation is repeated 6 times, without anything more or specific added.

There's an excess of repetition of Enji saying he wants to atone, he's ready to atone, without any of that materializing in the story.

As @class1akids says in this reaction post:

It also feels also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

The fourth because I don't want to write it down, it's just Batman monologueing on how his partnership with Jason is still good and explaining the technical details of his fight with count Vertigo. It's in chapter 10 if you must look it up.

So four monologues total. Two monologues establish indirectly that Batman knows that Red Hood is Jason and doesn't want to face him. The third monologue establishes why he doesn't want to face him, he's afraid of being hated. The monologue is in line with Bruce's actions in the story, Bruce investigates several ways of reviving from the dead instead of looking for Jason.

The character's reactions around Bruce are also talking about how he's not acting like himself. Especially Alfred's who speaks of Bruce's indecision, on whether to put a stop to or save Jason.

"It is curious. He is lost in thought. It is not like him to spend vast stretches of time immobile, where his mind is gripped in the solitary process of deduction. This is quite different. He is hesitating. At a loss for what to do. I believe it is about Jason. And whether or not to stop him or save him."

This is illustrated in two scenes later where Jason spends a long time simply watching when Jason is fighting enemies, first in a fight against Captain Nazi, and second Black Mask. Jason even gives a direct callout of that behavior.

Jason: What the hell took you so long? Couldn't decide if you wanted to let me live. Batman: Shut up and fight.

Observed by Alfred Bruce is completely stalling and can't choose, observed by Jason Bruce can't decide whether to let Jason live or not. Bruce hesitates twice. We know why. We see it in action. It's called out as flawed behavior.

Now let's cover all the tell that don't show that is Endeavor's many monologues.

Pro Hero Arc:

I have to safeguard the future for them. That's the job for whoever's on top. What about the lives I cut short? Just demanding forgiveness isn't enough, it's too late for that. At this point I need to atone there's no other route.

Hellish Todoroki Family 1:

I'm trying to make ammends going forward. It might be too late. but I fall asleep every night thinking about it. Lately it's been the same dream. The wife and the kids looking happy at the dinner table. But I'm never there with them. It might be too late but I fall asleep every night thinking about what I can do for my family. I wish you could be here too, Toya. It's always the same dream. My whole family's there but not me. If I really care how they feel [I'll remain here].

I'm not going to read 200 chapters so I'm just going to ballpark it based on memory. Here we go.

Dabi's Dance:

My eldest, Toya didn't harbor frost within him. He didn't have a way to overcome the inescapable downside of overheating but I nevertheless sought to raise the boy as a hero. [...] Because Toya had more potential than me I placed my ambitions on his shoulders. I thought it could be you. You could have been the one to reach my eternal goal. My frustration... My envy... The ugliness in my heart... you could have been the one to smash it all to dust.

Plot twist this is the only monologue I like. It's different from all the others, and it's the only one where Enji is being emotionally honest. He put the emotional burden of his own emotional insecurities on an eight year old child, and expected to live vicariously through him and when Toya failed to live up to those expectations he just abandoned him. It alligns what we have been shown so far, Enji is not acting like a reptentant man here who realizes the harm he's done to Toya and only thinks of Toya as an extension of himself and his own regrets.

The Fight Against AFO:

My mistakes took the form as Toya leading to many stolen futures. The past never dies. Rage, resentment and even penace wound together toward the future. And the future is a path for the young. A path with so many branching choices. That's why I must win this. [I'll keep paying my penance. I'll win today and keep my eyes on Toya.]

When Enji decides to double Suicide with Toya:

I take full responsibility. I swore to bear the burden and live my life atoning for it all. However, you've been watching me all this time. While I couldn't be there to watch you. You were someone I especially needed to do right by. No I can't let you meet your end alone, but I won't let anyone else get caught up in our tragedy.

Hellish Todoroki Family Final:

I came to talk about what's to come. I'm retiring as a hero. That was my initial plan even before the war started, but now I can't even walk on my own. The hero endeavor burned to death. Your flames were really stronger than mine. [...] You're right. You know everything about me, Toya. After all you were always watching me. And you wanted me to do the same for you, but I didn't. Not matter what anyone says your heat does come from my hellflame. From now on I'll come everyday, so let's talk. It's too late now, so let's talk. [...] You're free to hate me. Anything is fine really, so throw it all at me.

This one is spoken dialogue but it's still a four-page long monologue. Every one of Enji's monologues with one exceptionsays the same thing: I'm sorry, I'll spend the rest of my life atoning for my actions.

We're repeatedly told Enji is atoning but he acts like Batman. Then, his actions should be framed as Batman, not atoning but avoiding any responsibility.

As observed by Class1akids when we were discussing the update:

Everyone else faces an uphill struggle with their lives, but we should all feel sorry for Enji atoning and being in hell. I hate Hori's compulsion to over-write his abusers and over-explain their atonement. He does this with Bakugou too but with Enji it's more irritating. It was so much more enjoyable when he just wrote the thing but didn't point at them and say -> look, they are atoning. Aren't they soooo cool??

Enji's internal monologues and the other characters frame him as some sort of martyr, while on the other hand it's clear by both Batman's actions and Alfred's observations he's not acting like his usual self. In fact, this is an interpretation of Under the Red Hood that I love from the writers of the video game Arkham Knight that does a less tragic retelling of Under the Red Hood:

Batman doesn't fight victims. He saves them.

Therefore if Batman is fighting Jason, a victim, he's not acting like Batman. I'm also fine with Arkham Knight being an Under the Red Hood retelling because it's a different story. Comics do this all the time, different universe versions, popular storylines adapted into different mediums. It also works as a commentary on the original story, by showing what Batman could have done to lead to a more positive outcome it makes Batman's choices in Under the Red Hood worse and more tragic because he could have saved Jason, there was still a chance.

So here we have two flawed tragic heroes who are meant to be both pitied and condemned for their actions. One of them is all pity with no condemnation. The other is both pity and condemnation, Batman is grieving, but also he's failing his responsibility towards Jason. Therefore one protagonist works, the other fails utterly.

I'm not saying abusers don't deserve redemption. I'm not saying Enji should have died in order to atone. I'm not saying that the underlying problem with the arc is that they decided to make Enji sympathetic and a focus of the arc. The most important problem is the breaking of one of the fundamental rules of storytelling: Show, Don't Tell.

The Tragic Villain

Not only does The Hellish Todoroki Family plotline fail to make Enji a compelling protagonist, it also fails it's biggest victim. Now, these are both stories that end with the hero failing to save their victim. So if both of these stories have the same ending, why am I saying it failed Dabi, but not Jason?

Well, let me explain.

Dabi and Jason are both villains turned victims. The stories themselves are about this ambiguity. How much should the be held responsible for their own choices? If they are actively harming innocent people, then shouldn't they be stopped? Should they be automatically be forgiven just because of the pain and grief they've suffered, even if they've been causing it to others?

Both characters are also reflective of their fathers because they are too being selfish in their grief, they want their grief acknowledged and so are violently lashing out.

Jason and Dabi both make plays at being vigilantes at first, Dabi wants to inherit Stains will, and Jason Todd wants to be a better bat-man by taking control of the drug trade in Gotham and cutting crime down by executing gang heads. However, neither of them are being honest with this and it's shown through their actions, both of them abandon their original plans.

In the final showdown all Toya cares about is facing Enji on the battlefield, and when he's on the brink of death his mind erodes to the point where all he can do is scream for Enji's attention while his flames get hotter and hotter.

Let's take about Jason first and how his narrative treats him a whole lot better and more sympathetically, with more humanity than Batman. Jason is still held responsible for his choices, he is criticized by Bruce for murdering gang leaders and passing it off as justice. He's also blatantly shown to be a hypocrite. My favorite scene from Red Hood: Lost Days, the official UTRH prequel.

"I want to kill the joker in a cool way. Just sniping the Joker from a rooftop isn't dramatic enough for me."

This scene, and the final scene of UTRH underlines Jason isn't executing criminals because he believes it's the right thing to do, or because of his stated motivation that killing the joker would prevent more future victims.

Instead his every action is to set up a scenario where he makes a selfish demand of Bruce. He wants Bruce to prove to him that he would choose him over being a hero, by setting up his final scenario. Him, the Joker, and Batman. Jason will shoot the Joker. Bruce has a gun. He can either choose to let Jason kill the Joker, or kill Jason to stop him, either way it makes it clear what Bruce's priorities are.

The underlying reason for this is similiar to Bruce. Just like Bruce, Jason is deeply afraid that Batman doesn't love him. That he thinks of him as a failure. (This is Toya's main reason too).

He also interprets Bruce's failure to avenge him to mean that Bruce didn't even care enough to mourn him. If Bruce loved him enough, he'd choose him over the joker, but he's so afraid that Bruce doesn't love him enough that he's going to force Bruce to choose.

Along the way he's also going to behead several crimelords in order to put an exclamation point on that point.

The way Jason completely unravels in the confrontation shows this insecurity, he begins with monologueing about how batman should totally kill people, until his fear that he wasn't important enough, and his grief at losing his father is revealed.

Batman: I know I failed you, but I tried to save you. I'm trying to save you now. Jason: Is that what what you think this is about? Your letting me die. I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality. Bruce, I forgive you for not saving me. Jason: But why on god's green earth is he still alive? Ignoring what he's done in the past. Blindly, stupidly disregarding the whole graveyards he's filled with people. The friend's he's killed. I thought killing me - that I'd be the last person you ever let him hurt. Jason: If it had been you that he beat to a bloody mess. If it had been you he left in agony. If he had taken you from this world. I would have done nothing but search the planet for this pathetic pile of evil, this death worshipping garbage, and sent him off to hell.

Direct statement, it's irresponsible of Bruce to let Joker live after killing Jason and should have put him down to prevent future victims. Reading between the lines, Batman not taking revenge for Jason is a sign that he didn't love him enough, Jason loves Batman more because he would have taken revenge.

As the confrontation continues and Jason's mental spiral worsens, to the point where he can't keep up his pretense of self-righteousness.

Jason: I'm not talking about killing cobblepot, or scarecrow, or riddled, or dent. Jason: I'm talking about him. Just him. And doing it because...he took me away from you.

The father had lost the son, and now the son had lost the father.

Jason's revenge is just a cover, for his grief at losing Bruce. I think this also shows a really positive aspect of Jason's character to humanize him instead of condemning him for his actions to ignore or even justify the suffering he endured: Jason really loves Bruce.

I mean how meaningful is the statement: "Bruce, I forgive you for not saving me."

Bruce has been afraid to hear the whole time that Jason hates him, that he won't forgive him, but Jason loves him deeply. In fact his love is almost equal to his rage because Jason is a deeply emotional person, and these little details make him human and not just like a plot obstacle that Bruce has to face. A metaphor for his past failures.

Dabi is drawn as a crying boy who wants comfort, Jason is shown to be a crying boy who wants comfort through both dialogue and action without us directly needing to be told. It's a heartbreaking line and doing it because he took me away from you and it lands perfectly because the narrative wants us to just look at Jason's grief. It doesn't add an asterisk* even though he was in pain, he's done unforgivable things that can't be justified to undercut Jason's suffering.

In fact that might be another underlying problem with The Hellish Todoroki Family, the narrative tries too hard to make you feel a certain way instead of just presenting things as they are to make you come to your own conclusion. UTRH doesn't support Jason's revenge based serial killing of villains. It doesn't say he's justified to cut off the heads of mobsters. However, it doesn't excessively state "Well, I'm really sorry what happened to you but what you've done can't be forgiven" so we don't have to challenge ourselves to feel too much empathy for Jason's suffering.

Meanwhile even when Toya tries to express his rightful anger and grief, we're always met with someone shutting him down and saying well yeah, but you're wrong, involving innocent people is unforgivable.

As said by @stillness-in-green in the replies to this post:

I think so much harm (in-universe, but the state of the Twitter fandom makes me think the messages are pretty toxic irl, too) comes out of portraying the Heroes as needing to weigh in on the *morality* of the Villains' actions before they gauge "saving" them, when that is not a thing that glorified cops have any business thinking they have the right to do. Demanding repentance before the rehab is so bizarre.

You can say someone's actions are wrong without using it as a factor to consider whether or not their suffering as a human being should be acknowledged, and like I said there's multiple instances of people just yelling at Toya how immoral he is instead of addressing the elephant in the room.

You're wrong, you're wrong, you're wrong, you're wrong.

(Okay, I understand that some people have interpreted this as a show of Honnae and Tatamae, the Todoroki's who are a very repressed household are finally talking about their feelings even if those feelings are selfish and ugly).

(I'm not criticizing Shoto for saying that the people he killed were his own choice necessarily, Shoto is a character who's actions need to be read more deeply than his words he was dedicated to bringing Dabi down without him burning himself any further start to finished. My criticism lies in the fact that Hori uses Shoto as a mouth piece because he thinks we need to be reminded that murder is bad).

However, even acknowledging that time and place man, time and place. They couldn't have done that in the aftermath, when Toya isn't burning to death?

Hey buddy, you're being selfish.

Toya: AHHHHHHHHHHHHHHH I'M MELTING, I'M MELTING.

This is I feel the underlying problem with the way the arc is written, not because the Todorokis are a very traditional Japanese family and there are cultural reasons they express their emotions differently, I'll give a caveat to that it's a nuance I might not understand.

However, I am arguing the actual problem is tell don't show. Horikoshi thinks that we as an audience need to be told multiple times that murder is bad, and we cannot be trusted to interpret that on our own.

Under the Red Hood shows both sides of Batman and Jason's debate, and let's us just come to the conclusion that Jason is in the wrong because revenge isn't justice. Horikoshi reaches no shit sherlock levels of telling us that we're not supposed to approve of Dabi's murders.

it's also a matter of giving Dabi narrative space to express his feelings, like every time Dabi tries to talk he is continually shut down (Shoto does engage Dabi talk to him and listen to why he didn't come back though I'll give him that) and it seems to be to push forward this weird idea that you shouldn't sympathize with the pain Dabi has endured or the ways he's dehumanized unless he does something to prove he deserves to be treated like a human being first.

Jason gets to monologue and make an entire argument, and his argument also shows the depths of his love for Bruce and what a deeply feeling person he is, and how those feelings being hurt and twisted could logically lead to his lashing out.

Compare this to Dabi who doesn't get a final monologue, but is instead reduced to a completely mindless state where he just cries out for his dad's attention. He doesn't get to make his argument.

Jason and Dabi both choose to blow themselves up, but Jason gets enough character agency to show this is a deliberate choice he's making even if it's the wrong one. He retains his character agency and ability to make decisions until the end of the narrative.

Jason's also you know physically crying. The end result of the narrative is about wrong choices that both Bruce and Jason make together, and then suffer the consequences together. Bruce watches the same failure play out again and he isn't able to save Jason, Jason doesn't get what he wants, he doesn't get revenge and he doesn't get to reunite with his father. It's tragic for both of them, and brought about by decisions both of them made.

Whereas yes Dabi makes a lot of bad decisions leading up to the last war arc, but in the end his final fate is up to a choice Enji made to not face Toya in the final battle.

However, while the final consequence of the battle is brought about more by Enji's decisions than Toya's, it's Toya who endures all the suffering and punishment. It's Toya who is in an iron coffin, and doomed to slowly and agonizingly die with all of his skin burnt off unable to move. Toya doesn't even get agency after the arc is over. Enji still has a wheelchair, Enji can still move around, Enji's still fucking rich, he's not in prison for his actions, he as Rei wheeling him around.

Toya's agency and choices are all taken from him, presumably to serve the plot purpose of making Enji save him to finish off his arc, and then ENJI DOESN'T EVEN SAVE HIM.

Also I think it's important to mention, Bruce's tragic ending is brought about by him attempting to save both, trying to save the joker and Jason with the same action. Whereas Enji's tragic ending is brought about by Enji NOT LIFTING A FUCKING FINGER TO HELP. Yet, it's Dabi who has the lion's share of suffering, and is sentenced to this horrific state of being skinless in an iron coffin and only being able to be awake a few minutes a day with no choice but to waste away.

Bruce is also immediately called out for his actions, by the Joker of all people, you handled this all wrong, it's your fault. Bruce is right to not kill the joker, killing the Joker would not have solved any of Jason's problems, but the fact that he put off facing Jason for so long, and his inability to communicate that he loves Jason is what leads to Jason thinking that the only way to prove Bruce loves him is to force him to choose. It's because Bruce has utterly failed to show him in any other way that he is loved.

Joker: Oh my god, I love it! You manage to find a way to win, and everyone still loses. I'm going to be the one who gets what he wants tonight, badda bing, badda boom."

I'd also like to add that a lot of agency in Enji's actions are taken away too, to make him look more blameless. It's not Enji's fault that he didn't say anything to Dabi during Dabi's dance, he passed out because he had a punctured lung. It's not Enji's fault that he spent a month protecting Deku instead of searching for Toya, he had to protect innocent people. It's not Enji's fault that he didn't go immediately to face Toya in the final war arc Hawks told him not to.

It's not Enji's fault that he made Shoto and Toya fight like Pokemon instead of cleaning up his own mess, and also he feels really sorry for it and as soon as he's done punching the bad guy he'll look after Toya he promises.

Enji does get called out for this behavior but it falls flat because it only comes from the villain AFO, and Toya himself. As I stated above too, the ending is more influenced by Enji's actions not Toya's (because Toya's agency is stripped away until he's mindless) but Toya is the one who has to die while Enji gets to live and atone.

That is the real sticking point for The Hellish Todoroki Family, the way it ends.

Themes Are For Eight Graders

The underlying problem with the whole arc and why The Hellish Todoroki Family fails as a tragedy, is because it wasn't written to be a tragedy.

The above quote is from an interview with the writers of the widely hated Game of Thrones Season 8, which took a sudden tragic turn for Dany's character, gave her an incredibly dehumanizing ending of being put down like a rabid dog by her own lover, an ending that was neither foreshadowed nor did it match with anything written before.

In this meta here by @hamliet it goes far more into depth that Game of Thrones isn't a tragedy, but a piece of Romantic fiction (not a love story, Romanticism is a genre of big emotions, the beauty of life, larger than life ideas hence why it fits well with fantasy genre, it can be sad but it doesn't follow tragic structure).

Dany is a romantic heroine, a deconstruction of the idea of the classic warrior princess trope, and you know a colonizer, but she's not meant to be written as an inherently bad person. There are people who say that Dany was going to die in the original books. I'm one of those people. Me. However, context and framing matters, Dany for all her colonizing ways does genuinely want to do the right thing, so it's likely she'd die a heroic death as a reflection of her selfless intentions (and intentions do matter for fictional characters) whereas in the show she's put down as a villain.

Now watch me I'm going to coin a term for future literary critics to use: Narrative Gaslighting.

Narrative gaslighting is different then Show Don't Tell, where an author has just failed to properly show what they're trying to tell you in the story. Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies to you, or just insists things that did not happen totally happened guys. Much like real gaslighting, Narrative Gaslighting makes you feel stupid for interpreting things a certain way and insists you were wrong all along.

Narrative gaslighting is when Tyrian gives a speech that everyone should have suspected Dany when she burned slavers alive that she was secretly evil and would one day turn on them.

Like, no.

Dany is flawed because she is a foreigner, interfering with the politics of a different country that she does not understand in order to gain enough resources and men to return to her home country and invade that country to exercise her right as a Targeryn to uphold the divine right of kings.

Game of Thrones doesn't mention any of that shit that's in alignment with the previous actions in the story, it's just insisting the very ableist notion that Dany was insane all along and her violence towards other people is the result of her mental illness.

(Also before anyone says, so if she's a colonizer than how can she have good intentions, everyone is Bad in Game of Thrones, they're all waging war to vie for a throne, monarchy is bad guys. IDK how to tell you that Game of Thrones has gray on gray on gray on gray morality).

(Also this aside ties into the hangup of MHA and most popular fandom culture on Twitter, that Dany's moral failings somehow disqualify her from her humanity. In spite of the fact that on top of all of that she's a rape victim, and like, Dany's only on that continent in the first place because she was sold as a bride.)

But here's the same weird subtext that Horikoshi's writing of Dabi. The fact that Dabi was continually victimized and denied human dignity does not need to be addressed, because he did the bad things and didn't atone properly enough for it first.

In essence this random post on the gunnerkrigg court forums I found on the same day the chapter came out, displaying apollo's gift of prophecy.

"When someone is persecuted, it's important to inform everyone about their flaws. That way you don't have to feel anything about all the times that they were denied human dignity."

So, Dany is not written as a tragic hero but a romantic one, we as an audience are both meant to acknowledge her flaws and sympathize with her, not demonize her in an ableist way for being insane, and even if Dany is meant to die the tragic way she dies does not match up with all of the narrative foreshadowing that was built before that.

Like, for instance a lot of POC after the show ended kept telling everyone that Dany's actions in a foreign country were seriously problematic, and not only did the audience not listen but the showwiters didn't acknowledge it with the same subtlety as the books. So those people especially were able to pick up Dany's character flaws, and when the show finally acknowledged them it's not even in the way that critiques of the show were pointing out Dany's flaws it was just "she was insane all along." Not like taking time to go "no matter what the intention, interfering with the politics of a foreign country is wrong."

The problem with the Todoroki arc is essentially the same, down to the ableism (because outsiders continually call Dabi either a maniac or insane Demon without even giving credence to his grievances about hero society he's just reduced to an insane fringe element of society, and Dabi himself is reduced to a completely mindless, childish, insane screaming state where he can't make active decisions).

The Todoroki Arc is not set up to us as a tragic one. The ending is pretty clearly telegraphed to the whole audience. People are not wrong for thinking that Toya's ending would be either rehabilitation like Rei with the eventual hope of being welcomed home, or some kind of house arrest where he still gets to be with his family.

Everyone happy at the Dinner table and Enji not sitting with them.

"I wish you could be here, Toya."

"We all have to go stop, Toya."

"In that case, I'll make him sit down for a bowl with me."

Even Shoto's efforts to take down Toya non-lethally are rendered completely pointless, because Toya gets back up again and then burns himself alive (completely by his own choice so no one has to feel bad that they failed).

The story sets up the expectation that Toya is going to be brought home and sit down for a meal with his family. Then it makes you feel stupid for going in an entirely different direction. It was always going to end this way didn't you know The Todorokis are a tragedy?

Well, I just spent a very long section of this thesis statement illustrating that if it's supposed to be a tragedy, then it's still not written well.

It's a written as a romantic story of a family healing, and the villain getting saved, only for the villain not to be saved and the story to just keep on going like not getting saved isn't a huge failure. This is something that should permanently destroy the main characters, that they got the chance to repeat Sekoto peak and be there this time and they all utterly failed. I feel bad for Shoto most of all because he did everything right, and he still loses his brother, but does the story show that?

The problem is the story is blatantly lying to you about the fact that Toya was somehow saved, even though he LITERALLY LOOKS LIKE HELLRAISER. To quote Codenamesanzanka again:

But I feel the story couldn't give us that because it will remind the reader and everyone just how much Touya will be missing. In-story, talking any more will overburden Touya's heart - and how apt is that metaphor? So let's talk about how we'll talk, but that's all that's allowed here for this scene. Else we'll see how unfair it is that Touya has to be confined to this room, he isn't with his family and they have to come to this prison just to tell him about their day, and soon he will be gone. Details make it real, and it would've exposed the lie that Touya was saved in an actual way. The story knows it too - "this extra time Shouto gave us." This is all 'extra', and not the core. [...] If the story was sincere that this is a case of "it's simply too late" - as it should be!!! imo, to really drive in the clear point that they failed, they did not get the save they wanted, because that's the truth - the tone of the chapter isn't tragic enough for that. The tone is going for 'Making Peace With This'. We've skipped the stages of grief and all we have is acceptance. The characters have accepted this, and so must the readers as well.

Therefore it's narrative gaslighting, the story is making us doubt our perceptions and trying instead to manipulate us to feel a certain way. We don't have to question the unfairness of Toya's fate, because look at all the people he's hurt, and look how Enji is atoning and taking responsibility.

The story builds up the idea that Enji will choose Toya. That he will choose being a father over being a hero. Enji doesn't do that, and it's Toya who suffers the horrific, painful consequences while Enji gets off mostly scott free. Mind you it's also ableist to suggest that being in a wheelchair is some sort of life-ending consequence like he's fine. The story even goes out of its way to say how avoidable this ending could have been if Enji or Rei or someone lifted a single finger to give Toya the acknowledgement he wanted, and then gives it a "Too little, Too Late" conclusion but doesn't acknowledge that this is where it's ending and instead tells us that Enji has successfully atoned.

"Everyone's watching me. So this is what it's like. If it was such a simple thing, then why not sooner?"

If it was going to turn out this way Toya should have just died here, not because death would somehow be a mercy compared to life in prison, but because the Todoroki Family doesn't deserve to get to pat themselves on the back. If they let Sekoto Peak happen a second time, then they should have to deal with the consequences of that.

It would be consistent is my point. This is written as a "Too Little, Too Late" kind of ending, but we don't get the emotional response from the Todorokis that they've let Toya die a second time.

On the other hand, UTRH has the exact same tragic ending but it doesn't make me angry because it's honest about it. The Todorokis let Sekoto peak happen a second time. Batman let Death in the Family happen a second time, but look at how even the narration and comic panels of the story acknowledge it.

"Fate is a funny thing. It swells up like a raging current and we are forced to travel. It provides us no exit. No deviation. It drops us in a bottomless ocean and compels us. We either swim, or drown, and sometimes as we struggle against the tide, a great truth arises."

One ends with Enji meaninglessly stating that he'll spend the rest of his life atoning for Toya and watching over him (which I guess will be like two months tops) for the fifth time. The other ends with Batman being lectured by the Joker of all people of how he chose wrong and being forced to watch once again as a warehouse blows up, and he's completely helpless to save Jason.

UTRH ends with the message that Batman sucks, Enji's atonement arc ends with Natsuo calling him cool for atoning and UTRH makes me like Batman way more as a character. Whereas at this point I feel nothing from the Todoroki Family, except for a disgust for the way that Toya not only has to die, but has to die a slow, gruesome death while the rest of his family walks away with the small comfort of "oh at least we'll get to say what we need to say before Toya passes."

Especially with the fact that Toya's greatest fear was that when he died, he died meaninglessly because his family never grieved him and all moved on with their life. I guess we don't have to analyze how gross the underlying message that criminals don't deserve to be sympathized with because themes are for eighth graders.

EPILOGUE

The post is finished but apparently everyone expects me to cover every single possible angle even in posts this long.

You didn't address the cultural aspect. Under the Red Hood is a western story, and Todoroki Family is based on eastern concepts.

The post isn't about that. The post is long enough I can't cover every single topic. Here's someone who covered that topic thoroughly. This one discusses more about the nuances of collectivism.

Also, since the Todoroki Family obviously copied Under the Red Hood's homework, it warrants a comparison. Especially since it seems to critically misunderstand what made the original work.

Which is a valid form of Literary Criticism, as Ursula K Le Guinn once said:

 It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

The Todorkis aren't all to blame for Toya. Natsu, Fuyumi and Shoto are innocent:

You're right. It's just easier to refer them as the Todorokis then specifying "Enji and Rei" each time.

You didn't mention Shoto once in this post:

I have no cricism for Shoto's role in all this. In fact I think he's the best written part. I praise it here.

Shoto is a good boy, and he deserved to spend more time with his brother. The fact he won't be able to sit down and have dinner of him, is the greatest tragedy of them all.

[vanyatas]

TICCI TOBY HCS

GENERAL HCS:

Midwest emo.

But in a more silly way if you feel me chat

6’0.

Very sweet, He’s still a bit younger than the rest of the creeps so i still feel like he has a bit of joy and whimsy

Gash on his cheek from chewing through it.

Cannibalistic tendencies.

Soft, brown, messy hair, goes down to his neck but keeps it medium length on the top.

Operator mark on his ribs.

Car seat headrest(LMFAOOO), Angels and Airwaves, Weezer, Ptv, Modern Baseball, American Football, Sorority Noise, Origami Angel, Title Fight, Mom Jeans, No Pressure enjoyer.

Chews on his hands and finger tips

Wears leather gloves to avoid this

Def has BPD

Even if he’s sweet, because he has this ^ his mood can be set off immediately.

Piercings. Double eyebrow and a septum, ears as well.

Gets them done to see if he likes them, Will probably take them out a second later if he thinks it doesn’t look right.

BROWN EYESSS PLSS DO YALL FEEL ME!! I see him having very dark brown ones.

Skinnier, But by god does he have muscles regardless!! nothing too toned, but he’s definitely built from well. being a killer and having to chase and do crazy shit.

Stutters yes.

Autistic, PTSD, Tourette’s, Tics, CIPA, and Schizophrenia!! Keeping it 90% og still.

Also attention starved, It gets to him severely that Masky is The Operators favorite.

They’re still friends. Along with Jeff, EJ, BEN and Hoodie.

Hoodie and him don’t talk a lot.

ROMANTIC HCS:

A little awkward.

After all Clockwork was his first girlfriend.

They ended on good terms but I digress.

Even if he’s anxious and awkward, He is trying his best to try to flirt and show he likes you.

It might fail 50% of the time and he just apologizes and fast walks away to scream at himself for fucking it up.

Mid-Dating he might be a little fucking scared to even kiss you.

Will look at u with his autistic eyes until he either just walk away with a hot face or if you take the initiative to kiss him first.

Probably feel melt and blow up if you kiss him without him asking or staring.

Any compliments will make him stim I’d like to think.

Get excited to tell you about anything.

If you reciprocate, a burst of ‘i love you so much’ and more rants about the things he likes.

Once he’s settled in enough he will be at your door every night to sleep with you.

Cuddles omg, the amount of physical affection you will receive once he’s comfortable enough is crazy.

Plays with your hair, scratches at your scalp.

MAKES A MIXTAPE FOR YOU.

He would love to do the trend where you buy nail polish of each others eye color n paint it on your nails, or buy gemstones to make bracelets.

Might carve your initials into the wood of his hatchets when you guys are together for while.

Cups your face before he kisses you.

WILL burrow his face into any part of you.

Show him new music and he will listen to it everyday to memorize it for you.

can i go to ellie and mason. HOUSE 💜

also it might be obvious i have a favorite.. 100% listened to don’t you dare forget the sun writing this.

HUGEEE creds to bae (/plat) @kumcore !!

[sqtorux]

omlllll i loved your kinky smau, if you still do fics can i request one that happens after sukuna says he’s gonna show us shibari? the idea of that from the smau just has be biting my fist oml, i absolutely love your smaus 😫😫😫

summary: after knowing your desire to be tied up, sukuna teaches you the art of shibari — a practice he loved since centuries ago.

desc: fem!reader, true form sukuna, cocky!sukuna smh, oral (both), p in v, dacryphilia if u squint, petnames, 1.3k words... somebody needs a lobotomy. spin off from this smau.

a/n: yes i do write written fics too!! just havent got much reqs for them. been wilding lately with nsfw content so thankyou for giving me the opportunity to write a full blown smut lmao.

you always knew you were bonded with sukuna in more ways than one. many centuries past could not keep the both of your souls apart. heck even the red string of fate theory seemed viable when it comes to him and you.

although as of the moment, the strings of the rope holding you together were very much physical and materialising. you kneel before your king with your hands tied behind your back firmly, staring at him through glossy eyes.

“p-please” your lips quiver, feeling the throbbing between your thighs yet you were unable to do anything since you were bound in place. sukuna only smirks at your distress.

“i told you i’ll show you how this works didn't i?” his gruff voice makes your cunt react, so ready for him.

he looms over you, gently caressing your face down to your neck and stopping abruptly on your exposed chest to admire you. you whimper when you felt his touch, so starved and desperate for him but he's not giving you anything yet.

his hand trails down your hips in feather light touches and hovers on your inner thighs sending goosebumps all over your body. you bust yourself up so that his hands land on your aching pussy but no, sukuna pulls his hand away swiftly.

“tsk so desperate f'me. aren't you such a lil slut” he looks at you in distaste making you gasp. “n-no ‘m a good girl” you sob pathetically.

“is that so? then be patient. good girls will do what they are told hmm?” he whispers against your ear, even the slightest warmth from him drove you insane but you said yourself that you were a good girl, so you could only nod at his words.

he smirks in approval and moves to drag down the soft fabric of his kimono. your mouth flies open at the sight– not one but two gigantic cocks springing out in front of your very eyes. your pussy clenches at nothing just by the thought of them being rammed inside you mercilessly.

you let out an involuntary whine which sukuna did not fail to notice. “lets quench your thirsty lil throat first how bout that?” his hand holds the back of your head steadily to put you in the perfect position to suck him off. one of him at least.

you waste no time to lick the precum that was oozing from his shaft. you felt powerful when you hear him grunt despite being unable to move any part of your body. you gave him another lick and he hisses in annoyance.

“open wide” you obey as he shoves his whole length into your throat mercilessly. his black painted fingers ran through your hair, fisting a handful of them and bobbing your head against his erection. tears well up in your eyes but you do your best to graze his length with your tongue taking care not to use your teeth.

“taking me s’well” sukuna practically growls as he stares down at you, brows furrowing in pleasure and fascination with how his dick moves in and out of your mouth.

a pool of drool runs from your mouth all the way to your jaw and the end of your chin, sukuna marvels at the lovely sight. the ropes securely tying your wrists together were now burning hot against your skin, aching to be freed so that your hands can roam somewhere, anywhere.

your stomach tightens as you feel your own pussy leaking, making you whine. the vibrations made all four of sukuna's eyes roll back in pleasure “m’close” his hand bobs your head harsher, his thrust becoming faster and deeper making you gag.

sukuna shudders, shooting his load into your mouth filthily “good girls swallow” and you do just that, savoring every drop of the sweet, salty and bitter warm liquid that went down your throat.

dating someone with super powers, or in his words a cursed technique, was fascinating because before you could even catch a breath, the ropes holding your wrists in place were slashed off magically and precisely.

your hands instinctively make their way to your throbbing wet pussy but sukuna's faster than you. he always is. “did i tell you you could touch yourself?”

you could only whine as your pussy screams in need for something to clench on. sukuna spreads you on your back and brings out another set of ropes to tie each of your wrists together with your thighs. his skillful hands work through the ropes, handling the knots with ease.

he was mockingly slow with his actions on purpose, ignoring your whiny pleas. “kuna..” your voice was small, so meek it made both his cocks twich. even the one you had just finished sucking off merely a few seconds ago.

he admires his craft — you, spawled open lewdly in front of him, exposed for him to see. painfully slowly he rubs on your sticky pussy, your back arching up for more contact.

sukuna chuckles at how desperate you were and decides to indulge you this time since you've been so good to him. he shoves his fingers into your entrance as you let out a yelp, squirming against his hand for more friction.

your thighs want to close themselves but the ropes prevent them from doing so. one thing about sukuna, he has more features than your normal person — two cocks, four eyes, and a mouth that could appear on any part of his body; and he knows just how to use each and every one of them to his advantage.

a slimy warm tongue licks your clit as his fingers demolish your g-spot dragging out screams of pleasure from your pretty little mouth. you writhe, unable to move as the ropes drag against your skin, your stomach forming knots upon knots.

“s’kuna!!!” you exclaimed as you chase your high mewling out incoherent sentences accompanying pants and gasps with every lick and thrust of his fingers.

“mhm come f’me little one” at his reassuring tone, the knots in your stomach become undone with your own cum dripping out from your pussy. sukuna's mouth on his hand licks you clean as you gasp for air.

oh but he wasn't done with you. not even halfway.

he fists his untouched cock coating all of his length in his precum, pointing it at your entrance. before you could even register anything else, he shoves it inside you and starts thrusting in and out.

“this is what you wanted isn't it?” sukuna growls as your cunt sucks him in, clenching hard on his length. “s’ fkin tight-” he rams into you, his pace never faltering and only increasing more and more and more.

you want to dig your nails into his back, wrap your legs around him, pull him closer but alas, the straps of jute prevent you to act on your desires. the only thing you could do was continue to let your hole get abused, forcing out small exhales of ah ah ah!s from your lungs.

“k-kuna m'close!!” you wail, tears falling from your eyes down to the side of your cheeks. your lips part and your mouth forms a pretty o. sukuna loves your fucked out cockdrunk face and makes a mental note to frame it the next chance he gets.

“nghh p-please…” you moan out, you're pretty sure the ropes on your wrist tied to your thighs would leave marks with how much you strained your skin against them but that's the least of your concerns right now.

“yeah?? then come f’me. come f’your king” his voice was raspy, his own oragasm drawing near.

a few more frantic trusts and white hot pleasure runs through your veins, blurring your vision as you feel him dumping his load inside you, mixing with the slimy ones of your own. it leaks from your hole, too much to be stuffed, overpouring onto the sheets.

you pant in exhaustion but sukuna was far from worn out. if anything he wonders how more fucked up you will be when he stuffs both his cocks into all your holes at the same time.

maybe he'll even try taking things further with the ropes and elevate you to fuck you mid-air. since you're so good to him, you'll take it, right?