#I trust queue

[jc-7274]

sometimes — nick lutsko.

☆ cooper or jc ; he/him ; adult

☆ did system alter ; backup host

× endos dni. radfems i hope u rot. etc

system — icon.

[horsefigureoftheday]

Horse figure of the day: Trail of Painted Ponies "War Pony"

[14dayswithyou]

This angel has another question! \o

do you have a general idea of what renrens voice would sound like? like a celebrity, singer, or maybe just a general description?

i hope all is going well for you 🫶🫶

✦゜ANSWERED: Ren's singing vc can be found here (I misread the original ask and thought it said "sings like", not "sounds like" sdksdgjs), but it also includes what I think Ren's talking voice would sound like ^^

But!! if I had to give an example, I've always imagined Eve (from Nier) to be very similar to Ren's talking voice!! It's soft, timid, and has that curious lilt to it — but also has dat [REDACTED] edge as well >:3

[tabooiart]

i heard mariah!ethan and i blacked out and when i woke up this was in my drawing program. anyways lesbian ethan truthers rise up

[izel-scribbles]

human john on the brain,,,

[daily-hanamura]

[sjyuns]

ST☆RBOYS ┆ A JAKEHOON COLLECTION

THE RICHEST OF THE RICH! the starboys of decelis have everything they’ve ever needed: wealth, influence, and ultimate power, yet they can’t seem to get the only thing they’ve ever wanted right — love.

DELICATE ┆ A SIM JAEYUN ONESHOT

SYNOPSIS! desire and temptation are human’s worst enemies, being told not to do something only make us want it more. when you’re labelled as ‘forbidden’ to jake sim, it does nothing but make you even more desirable.

GENRE! playboy! jake x fem reader, forbidden romance, secret relationship, mutual pining, rich kids in love, family rivalry, fluff, angst, TBA

READ HERE TEASER

HEAVENLY ┆A PARK SUNGHOON ONESHOT

SYNOPSIS! park sunghoon has put a curse on you after smashing you heart into a million pieces — that you’d never be able to find anyone comparable to him. and now he’s back, cocky and flirty as ever to prove that he’s the only one you’d ever need.

GENRE! playboy! sunghoon x fem reader, kiss his face with an uppercut romance, exes to lovers, fake dating, mutual pining, rich kids in love, fluff, angst, TBA

READ HERE TEASER

MIKAELA’S i love rich playboys too much. red flag? well too bad red is my favourite colour. coming soon! i hope ( maybe by their birthdays?)

TAGLIST? if you want to be tagged, drop an ask or reply on which member you want to be tagged for! @seongclb this is for you bae

© SJYUNS

[sheyhem]

Just got a letter informing me that my good friend Jonathan is going on a business trip to Transylvania in a bit under two weeks! I'm sure he will have a wonderful time on his travels! Can't wait to hear all about it through his letters!

[captainofthetidesbreath]

sometimes I look out across the theatre and stage of fandom with my opera glasses and spot someone making angry bitter seething post after angry bitter seething post, and I quietly wonder if they're having fun, like I'm having fun, often the people they're vaguing are having fun, some of us are having fun, many of us even

[edgepunk]

Japantown Apartment

[puns-and-musicals]

I headcanon that Ford’s eyesight is really quite abysmal which makes getting his hair cut a huge problem. On top of being an inconvenience and a waste of his precious time, he’s giving complete control over to a stranger for the entire duration, Long story short, Stan got pretty good at cutting hair, before he was kicked out.

When Mabel finds out she insists he cuts her hair, and when he gives in he does surprisingly well, topping it off with a headband of her choice, of course.

Dipper absolutely refuses to let Stan anywhere near him with a set of scissors, which is fair enough all things considered.

During his time through the portal, Ford cuts his own hair when it gets too unruly but never quite gets the hang of it. He spends 30 years on the run in dimensions of varying levels of hostility where the idea of letting someone hold a blade to his head is foolish at best.

When they leave on the Stan-o-War II, Stan packs his clippers and a cheap pair of barber scissors. He isn’t really sure why, but it feels important, somehow.

[haunted-planes]

Latte Car my beloved ✨

[ghosty-schnibibit]

my opinion about the watcher news basically boils down to this:

watcher is screwing over a huge portion of its fanbase with this move considering how many people within it are teenagers who may not have access to streaming services, low-income adults who can't afford yet another streaming service (if any), and international fans who couldn't sign up for a US based streaming service even if they wanted to. it's okay to be angry about this, especially if you're one of those people who now can't support shows you loved or will be unable to see any of those shows going forward because of it.

and

youtube's payout to creators has dwindled in recent years to the point that it is impossible to fund the kind of productions watcher makes purely through it, and in order to sustain a company of 40+ people they need a more stable source of income not reliant on ads from outside companies and patreon, which, in this case, means a pivot to streaming. it's okay to be upset that creators you like have to turn to such methods to continue funding their work, whether you have the means to support them through these avenues or not.

and

if the early reactions to this move are any indication, watcher will probably not get the fan buy-in they anticipated and in all likelihood the new streaming site will either fail within a year or two because it isn't making enough money and take the company with it or they'll be bought out by a larger company and have their shows archived or deleted for tax purposes like what's happened to roosterteeth. it is okay to be scared by that potential future and seek to preserve as much content as you can before that happens.

are all statements that can and should coexist

[leverage-ot3]

okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭

bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)

but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good

some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember

he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business

one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man

he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)

they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)

not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it

and then the long goodbye job happens

hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.

so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.

and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.

not this time. not to sterling crowley

he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)

nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to reapir fully.

he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.

the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.

but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.

‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.

watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it

[tom-is-online]

hi tumblr artists :)

REBLOG YOUR OWN ART, DO IT. GOGOGOGOGOGOGOGOGOGGOGOGOGOGOGOGOGOGOGOGOGOGO

theres no shame in it at all your art deserves to be seen if you want it to be

[come-see-our-show]

i’m so glad the prince of egypt was never fandomized like other musicals because it would’ve consisted of non-jews shipping the fuck out of moses/rameses and hotep/huy, babygirlifying rameses, villainizing miriam and tzipporah (or making them a side-pairing without really caring about them), completely ignoring yocheved and tuya because they’re women, and rewriting the history of jewish people