#I totally need a drink now

[akuma-tenshi]

i would like to introduce you all to the family my friend and i have created through sheer love of these characters

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[vaguely-concerned]

I think rye thinks it's incredibly adorable of davrin to be worried about him after the accidental hallucination tea experiment. that stoic option 'you know, I lived a whole life before you' contains a world of 'davrin, I'm a mourn watcher with a severely misspent youth behind me. I've been stratospherically high on things you couldn't and probably wouldn't want to imagine, this is barely a tickle'. to me.

[b4kuch1n]

you’re created with hands circling your wrists. there’s never any offense meant, you must understand - it’s simply that you’re a story, and someone’s come by this desperate need to learn how to let the hell go.

[maretriarch]

turns out how not to be deficient in fat in your diet is to stop eating only low fat versions of foods

[mainfaggot]

not killing myself this year or next year because I) I have so many outfits i need to wear (even though I'm afraid of going outside and i get panic attacks abt it sometimes) and II) i have so many coffee and tea concoctions to create and tell my beloved mewchiez about (even though I don't have any interest or energy some weeks) . despite it all. i must live for Fashion and Caffeinated Beverages

[helianskies]

my throat is so dry and sore but whenever i sip water as im supposed to im throwing it back up within the hour like cmonnnn i cannot let myself be dehydrated like this

[uhbasicallyjustmilex]

💌 just wanted to say a quick thank you to everyone who’s left such lovely feedback on my latest chapter of four walls. it’s been a weird and emotionally draining week for me, and getting to come back after a long day and read all your kind words has been such a solace. it’s truly hard to put into words how much it means when people connect with something you’ve created (and i’m far too exhausted to even attempt it tonight), but trust me when i say nothing grounds me and keeps me writing through all the difficult stuff more than knowing that what i’m creating means something to people other than just me. thank you so much for your generosity in sharing that with me via your lovely comments and feedback 💌

[bibleofficial]

where is my fat husband

[isdalinarhot]

God does Not Drinking ever get literally any bit easier with time like will there be a point where I can feel normal and not like a wild animal about not drinking when other people are or is this the rest of my life

[thr4shit]

Oh my god guys it's usssss

[stupid-elf]

Okay dandy, what is "it's not about the bread"? I recognized everything else

Ah! It's not about the bread is a phrase fairly common in marriage counseling/relationship advice circles. It comes from a popular anecdote of a husband in counseling saying his wife is always blowing up at him about petty things, like buying the wrong brand of bread. The therapist asks the wife why she's upset about the bread, and she says it's because he is chronically inattentive to her and their collective needs so she ends up carrying the slack. It's not about the bread: It's about what's manifesting through the bread

Humans are not rational creatures, we're rationalizing. It takes a lot of self awareness to be in one's own head and go "oh. I'm not upset about the bread, I'm mad because this is the third time this week and the twentieth time this month I have to come up with a new dinner plan because this idiot fucked up." However, it takes much less awareness to look at one's partner and go "hm. That was an outsized reaction. Something larger than what set this off is probably going on."

Once you've realized there's something going on, partners can begin working towards a solution. You have to pull back the rug to find what's been swept under it.

Emotions all have causes. Sometimes they're bigger than they seem like they should be, and sometimes the cause is buried deep in the unconscious parts of the brain, but there's always a reason. Part of loving someone is trying to understand them, and part of understanding them is sussing out when it's about the bread... And when you should maybe start writing a more detailed grocery list

[quarklynx]

Casually flirting with the idea of fucking around and getting a master's degree. The time will pass anyway, right?

[doctorwhoisadhd]

like for real the one time i manage to go to bed before midnight

[vivienne-the-drakelayer]

Warning I reblog Nsfw posts so only follow/look at if you're 18+

I'm unsure of how to pin this but I'll figure it out eventually

[babisawyer]

I would assume that misty is going to kill and eat showtunes so I want to forgive her for everything, but since it seems like she just became showtunes 2.0 I simply cannot.