#I took so long writing this story
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raiiny-bay · 6 months ago
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Love, Dhes
Parker,
It's unfair how time with you feels so short. How the last 10 years have felt like no time at all. I like to think there are other versions of us out there, somewhere. Maybe in another timeline, another universe. I like to think we find each other no matter where we are or what we're doing. That we're together and happy and I get to love you in a dozen different lifetimes. That's what I hope, anyway. And I hope when this lifetime ends, we get to start over and do it all again. Because once just isn't enough. Not for me. Not with you.
I hope the next 10 years pass slower.
Love, Dhes
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ganondoodle · 9 days ago
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botw2 (totk rewritten) ganondorf design (+some story) post
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Mummy version what link and zelda discover beneath hyrule castle when investigating the failing shiekah tech and discover a cave system that leads to several abandoned shiekah research/security sites and ultimately lead to a cave in which ganondorf is still sealed away by the ancient queen of hyrule; after the initial sealing (or capture rather) her descendant and the shiekah, who were rapidly advancing their tech at the time, build around it, both to keep the seal secret and safe (as the actual sealing was a short but intense battle between him and the queen that wasnt intended to happen like that, in the middle of the throne room that got broken and both ended up in the underground, the only survivor being the young princess of hyrule from that time- since all involved parties except for her died little was known as to how and why but the stories were spun regardless and ultimately the final narrative was in hyrules favor) and to use ganondorfs immense spiritual power and magical skill- eventually becoming one of the main power sources for all shiekah technology (ouch)
the chamber is all shiekah built (post sealing) and similarly secured like the monks in shrines (though visibly decaying and failing)- once disturbed the remainder of the ancient queen fused into zeldas hand (with seemingly no effect but temporary pain, perhaps she will hear voices from the past telling her not to explore any further .. still working on that) ganondorfs body falls to the ground but then springs back to life, somewhat clumsily but fiercly attacking zelda and link, the shock from being in this horrendous condition between life and death for thousands and thousands of years and suddendly being thrust back into his decayed and used up body still fresh
the mastersword is broken and links arm destroyed, both link and zelda start to flee from the crumbling cave, zelda dragging link behind her in panic (and as he is hurt)- after which link gets his shiekah tech arm (and the arm stays gone) and the world changes
mid game fight- this game is not as free in progression as botw, you can do alot when you want but some things will remain locked, the mid game fight can only happen once the 4 main regions problems have been dealt with (very different to canon totk, but that is for a different post) and the castle, which fell into the underground shortly after the intro, is made accessible (specific way how still in work) the interior is both broken castle, rooms previously blocked, and shiekah tech- since beneath the castle was a whole, giant array of tech made to secure the castle, including reserves of ancient energy specifically for the royal family and the entire mechanism behind the rising pillars filled with guardians-
at the start of the dungeon link is grabbed by malice/miasma hands and dragged into the castle, seperated from zelda and the mechanics she introduced (crafting/reparing weapons and more), theres no way out, teleports are blocked; after getting further in alone, zelda finds you again, and nothing seems out of the ordinary (unless you have a keen eye, she only uses her left arm and would walk past things she usually wouldnt) after a certain amount of progression, without warning, as soon as zelda is out of the cameras view she will attack you relentlessly, not speaking a word and with changed eye color- after fighting with her/beign chased into the main throne room, the real zelda breaks through a wall, her friends in tow (yunobo, teba+tulin, riju, sidon, which she went to to ask for help, explaining the time gap), and ganondorf drops the disguise, a fight with him (mummy version) ensues, though he is very much back to his senses
at the end of the fight he shows (or forces her to see) zelda his last memory from when he lived, the confrontation with the ancient queen to his sealing (since she doesnt know/is in denial of her families role in both all this and the sonaus (zonais) extinction (as well as the betrayal and persecution of the shiekah later on), and his beef is with her specifically, link is just her guard dog after all) (i wasnt sure to include a direct scene from the past, but this one scene is very self contained and gives alot of context while still letting most of the past be a mystery- as i want to keep it as feeling ... removed and unknown as much as possible from the world you know)
(after which he leaves the scene as zelda tries to understand what she just saw)
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post revival Ganondorf (beginning of end fight cutscene and phase 1.) only appears at the end (excluding the possible cutscene in the mid game fight, which shows him in his time, alive, which is a different design than this that i will make for a cutscene/story post)
the end of the game is in/on the forgotten plateau (it ends were botw began :) ) perhaps it rose higher and revealed an entrance after more game progression (at least one more dungeon, master kogas, and the restorations of the master sword via deku tree dungeon and sword quest involving the dragons; how much of the past you cared to explore within caves, which ARE the underground- its in several bigger and smaller, harder to access caves, each being somewhat to very unique and reveal more context, is largely irrelevant, it mostly serves to give YOU more context and make you think)
the dungeon is within the plateau, once to the end there is a longer cutscene of zelda trying to talk with ganondorf, now in his, largely, restored form (largely as in, not exactly as he was in past, clothing difference etc), her having come to understand what her legacy is and wanting to take responsibility for it; he listens calmly and talks to her for a bit (but the tension is very high, he knows what threat he poses and his goals, zelda is visibly trying to keep it together) and for a bit it might look like she can avoid this conflict
but he makes it very clear then, that she cannot undo anything, there is no possible price she could pay, he has suffered at hyrules hands for generations, having seen the world that was his home grow into myth, see his own people forget him, and how the history was remembered, not as it was, but as they wanted it to; he is forever changed, ripped from his time and all he ever held dear (there are clues and a mention of him having had two daughters, a little boar figurine, carved from wood of trees now extinct, hangs from his belt even now)- he wasnt a perfect king, but well liked and kept his country to stay strong against hyrules schemes .. until he fell- he is not truly alive, he is in a strangers world and this world hates him, it is anger and hatred, rage against all that happend, guilt for having failed his own, feeling betrayed by them yet, even if not truly their fault as no one knew what really happened except him, but he was imprisoned, with no breath to speak nor air to scream
he does not care for this world and his only goals now are to disrupt as much as possible, be the unstoppable force that hyrules always been, be the monster they wanted him to be, do as he wants until someone stops him ...and kill zelda to end her rotten family- but even if she gave up her life willingly he wouldnt take it, she will have to fight and make her own hands dirty and she does not want to die.
your friends arrive, and the battle begins.
(rough examples of his weapons are further below; he fights with one arm only in phase 1. then reforms his missing arm with malice, borrowed from the boar appearance, though it is not usable enough to truly replace it, it acts more like beasts claw and to copy some of links abilities, like the hookshot)
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Beast Ganon(dorf), normal appearance (phase 3)
at the end of phase 2 he knocks out your friends, changes into beast form and attacks you, zelda using her magic to shield both her and link so he cannot bite through, instead smashes them both through stone and dirt all the way to the surface of the plateau on which the fight continues, this time only link and zelda
(his movement isnt a senseless rage, but a graceful being, he moves and jumps, floats and swims through the air as the ground in an almost dragon like way, he still wields magic, not all malice, but lightning and perhaps even more too, it is still him, just a different form)
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Beast Ganon(dorf) while charging magic (phase 3)
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Ganondorf phase 2 + Ganondorf phase 4 (slightly out of order but the boar wouldnt fit on one picture with other forms)
at the end of phase 3 (beast) it seems like you have beaten him, he is down and zelda takes charge, ready to do as she did to the dark beast she faced before (dark beast ganon in botw) but as she raises her hand a sword slash cuts off half her right hand- he is not done yet and refuses to be dealt with like that again, not by her hand again-
the final phase is a mix of all, including his appearance, this is the final struggle, to give every last drop of strength, the hole in his chest is open, malice eyes staring from within, it keeps him alive yet still-
zelda is disabled for this fight, she has been taken to safety by your friends, this fight is all on link to finish; while this is his most desperate and vengeful form, he is not senseless either, he summons his sword to attack you with as he did in phase 2, then throws it at you, quickly conducting lighting to it and while you are busy dodging lunges like in beast form (to paint the picture a little), this fight is supposed to be truly challenging.
(heres a rough example for his weapons)
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(not fully sure of the ending scene, but there is supposed to be a short view into a timeskip in which zelda also has half a prosthetic hand made from shiekah tech)
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flovoid · 26 days ago
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YOUR ORIGIN: PROLOGUE
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steppin-on-the-last-train · 1 month ago
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The End of Love
Natasha Romanoff x Taskmaster!Reader
Although I encourage everyone to read this, full disclosure it is male!reader. I tried to keep specified pronoun use to a minimum, but it can’t always be helped. There might be some mental rewriting required if you decide to go on.
Synopsis:
“You think too much,” she says.
You can’t argue with that. Because now that you’re looking at her in the light and you’re so close you can see each fractal of green in her eyes you're thinking there’s nothing more intimate than this.
She’s not your friend but if she were she’d be your best one.
Or, a look at who Natasha Romanoff was before the Avengers. Told through the eyes of the person who loved her the most.
Word Count: 43,000
Foreword: I wrote most of these scenes out of order and then proceeded to edit nothing so if something disagrees with something later on that’s why.
Acknowledgements: One) Title from the song with the same name by Florence + The Machine. Two) The final scene with Willem is indeed a copy from that scene in Good Will Hunting. Three) All rights to the original media.
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It’s spring and something has shifted. You’re in bed with her when the feeling hits you. You are in bed together, legs twisted together under the sheets, the callous pads of her feet warm against the inside of your calf. You wonder if she feels it too.
You’ve been like this for hours. Nothing more, not tonight. Just the simple act of breathing in tandem with someone. Of holding tight until you don’t know how you could ever part again. 
She likes you because you are hers. Her mission partner, her choice, hers. There is power in choosing who you give yourself over to. And you understand but you prefer this. You hate to disappoint her, to stop her after just a kiss, knowing there is want for much more.
But her head is tucked beneath your chin and she’s so close she might as well have burrowed herself inside you and you hope it’s enough. Because this is safe. Her, always. But there are some things which you can’t speak. So she starts with a kiss on your cheek and you end with a kiss on her lips.
You are not at peace, but for now, wrapped in her arms and the scent of something that is so distinctly her, you are content. And you’ve done this so many times before, too many but somehow not enough all at once. 
The first time had been after your plane went down shy of returning to the Red Room. You were smaller then, less muscle and too long limbs and grief enough to suffocate. The walk back had taken two nights to complete. You would freeze to death if you didn’t share body heat after the sun went down. You both knew this. You slept back to back, bundled in extra shirts and the parachute from the jet. You both pretended you didn’t trust each other just a little more in the morning. 
Now you roll and stretch and Natalia makes a small noise of protest. You tell her you’re getting a glass of water, ask if she wants one too. She doesn’t answer.
The air in the motel room is stale and the light in the bathroom stutters like a heartbeat trying to stave off death. You fill a glass under the tap and drink until it’s empty again. Your breath wavers ever so slightly. You push down on the countertop a little too hard, your palms beginning to sweat. 
Then she’s behind you with a steady hand creating a rhythm of up-down, up-down on your back. You had tried to be silent, hoping she would not notice. You didn’t want her to see you like this. But she extricated herself from the warmth of the bed to be by your side anyway.
She knows you. And it’s terrifying.
She is not gentle but in these moments she is human, and so are you. 
“I’m sorry,” you say. You are not a person who apologizes. So you say it when the only thing it can mean is nothing. When it’s as weightless as the breath from which it comes from.
“It’s okay.” She is not a person who forgives. She is both the bullet and the finger behind the trigger. She is the dazzling starlet who shines the light in your eyes so you do not feel the knife in your back.
Your reflections in the mirror do not feel real. You make a point not to look too closely. Because when you do you see with the eyes of those who would put a bullet in your head for this. No, not quite. Because they would do much worse.
Lately you’ve been dividing time by the moments with Natalia and the moments in between. By one stolen night followed by a week, five weeks, a dozen. You never know. And it’s an adjustment because you can’t quite pinpoint the moment you stopped sleeping down the hall from her more nights than not.
You spend the time without her taking orders, putting on the Taskmaster mask, leaving messages in the form of bodies with sword-shaped slits. Then you’re still taking orders but wearing a different sort of mask, one where they can see your face but still can’t see you and you’re shaking hands and learning real politics is nothing like what you’ve studied. 
“You see what sort of dogs I have to deal with?” General Dreykov asks. Ever since the military dress uniform appeared in your room and you flew to Moscow as his “second” he’s been speaking to you more and more as a peer. Far from most of the time. But occasionally. Enough for you to remember and collect like they were some sort of medal. 
And Madame B, who has always detested you for being too emotional, had finally seemed to approve. One day on your way out after you had been training some of the young recruits she spoke to you across the wasteland of the dance studio. You stopped at the doorway to turn back toward her, but she stayed facing the wall like it was a window to another studio where she must judge a dozen more girls with bleeding feet.
“I never understood why he kept you around.” She always spoke clipped, enunciating each syllable like the crack of a cane. “You were an insolent child. Yes, you can dance but this power makes you think you’re invincible.” You watched her, too stunned to feel indignant about the criticism, too apprehensive to notice how small she was now that you were grown. “But. Perhaps it was not such a bad idea to rear you here. You will lead with an iron fist. And most importantly, you will understand.”
You left without saying anything.
What was there to understand. This place was all you knew.
You come back with a hand on your cheek. Natalia is staring into your eyes like they reflect the answer to life. But if your eyes were mirrors all she’d see was herself.
“You think too much,” she says.
You can’t argue with that. Because now that you’re looking at her in the light and you’re so close you can see each fractal of green in her eyes you're thinking there’s nothing more intimate than this.
She’s not your friend but if she were she’d be your best one.
She asks you to come back to bed. You nod and follow her into the dark. She is sitting up. On your stomach you drape yourself over the edge of the mattress and take her hand. Already you mourn this night. You cannot enjoy the time you have when you don’t know if it will be your last. You have become far too important to each other.
You can tell she feels the same. Misery has settled over the both of you like a cold, wet snow. She is tense as she runs her fingers through your hair. You lay your head in her lap and close your eyes against the danger lurking outside.
It is spring and something has shifted.
And it is that stupid feeling which makes you turn yourself over to the Americans after she is captured. That feeling which has transformed since you were small and angry. That feeling which has always been evolving; this new chapter taking an ugly turn. Perhaps you have let this go on for too long.
You are grown now, but still very much full of rage.
They show you a file they have on you which you think looks very hastily put together. Because they would have no reason to suspect you of anything. That’s the way your life has been curated. There is what you do in the daylight and what you do in the dark with a skull mask over your face and a hood over your head. These people are not the same. 
But you’ve made a purposefully big mess on American soil as Taskmaster and they’ve finally connected his face with the official headshot of one Junior Lieutenant of the Russian military.
Is this you, they ask and despite the handcuffs cutting into your wrists and the four guards with guns on their hips you laugh and call the man asking an idiot. The other guy is your twin brother. 
You don’t think he appreciated your answer because the next thing you know you’re being cuffed on the ear.
Along with the picture of you in your official uniform there is a mugshot of you from the day they brought you in. You don’t often see photos of yourself. The guy in this one looks dangerous. There are also two very grainy, very dark photographs pulled from security cameras of a figure who might be you from assassination runs you went on. You recognize yourself in one, and you’re pretty sure the other is of someone in a Halloween costume.
They’ve taken you in with nothing but the clothes on your back and your weapons and a watch of Dreykov’s he had given you a few years ago.
Even though your stomach is empty and your face is bruised you don’t help them put the pieces together. You tell them the same thing you’ve been saying. You know they have the Black Widow. You want to talk to her.
And weeks later when they think they have broken you down and built you back up with S.H.I.E.L.D.’s name around your neck they let you out of your cell.
The guy who slapped you that first day is your new handler. His name is Richard Kremer. You don’t think he likes you all that much. He’s old and he acts like he can go back and win the Cold War if he gets you to roll over.
But you’ve learned he can’t hit you now that you’re not a prisoner. So when you tell him you know his type, that he probably got discharged from field service because he broke down and nailed some kid in the head all he can do is tell you to shut up. I’m right, aren’t I? You ask and he is silent. Oh come on G.I. Joe. He tells you to get out and you happily oblige.
It is when you are outside on the track one day that you finally see Natalia again. You are allowed time outside with supervision–like you are a dog–and you don’t think you’ve ever been happier to see the sun. It’s just you, the rubber beneath your feet, and the wind in your hair. Because you are not worried about the rookie who’s been assigned to watch you. You can pretend you are somewhere else. You can pretend you are running back home instead of pacing holes through this American ground.
You tense when you hear another pair of steps. You do not want to go back inside. Five more minutes. But you look over your shoulder and the figure has bright red hair and astonishment in her eyes. 
You are so surprised to see her because you thought maybe you weren’t going to again that you stumble in your haste to stop. You skid and your feet fly out from beneath you. You catch yourself on your hands, bits of track sticking to your palms. 
Natalia laughs and you can’t fight the grin on your face. She offers a hand and you take it. You let her pull you to your feet. She doesn’t stop there. She is strong and you fall into her. You throw yourself over her, wrapping your free arm around her back. Your hands are still clamped tightly together. You are too relieved to see she is okay to care about who may be watching. Let them see. They know why you came here. And right now, she feels so familiar. 
She pulls away first. “You’re here,” she breathes, eyes wide. Her irises glitter in the sunlight. “Блять. I didn’t believe it.”
“You’re okay,” you say, still breathless. “They didn’t kill you. I thought they were going to kill you.”
“No, they didn’t.” She grows serious, the initial shock wearing off. “Change of plans, I guess.”
You switch to Russian now because you are finally leaving this place. “What idiots. To spare us both. Natalia, we can be out of here tonight.”
She stares at you for a moment, looking guilty. Finally, she shakes her head and very slowly explains, “I’m not going back to Russia. I’m staying here with S.H.I.E.L.D. We’ve come to an agreement. I’m going to defect.” You are bewildered and it must show in the whites of your eyes because she reassures, “I’m okay. This is my choice.”
You don’t know what to think, much less what to say. “Are you serious?” 
“Yes.”
“Look, it doesn’t matter how they’re threatening you. I can get you out.”
“I’m not under threat.”
You narrow your eyes at her and back up a step. They must have messed with her mind, then. Because the Natalia you know would never do this. She was vicious like the edge of a blade and she was strong-headed like no one you’ve ever met. She could not be harnessed.
She grabs your hands. “Look at me. I’m still here.” You jerk because it is like she can read your mind. “It is better here,” she says. “They’ve offered me freedom and protection. That’s all.”
“How could you–” you start, but words don’t feel like enough to convey your disbelief. You shake your head. This can’t be happening. Because you’ve quit and run without permission. You were going to get forgiveness on your return. But you can’t go back without her. You tell yourself it’s because they wouldn’t accept that kind of failure, but you think she would be a tolerable loss compared to you. No. You don’t want to go anywhere without her. “You have to go back. We need to go back. I came here to free you from them.”
“And I’m telling you there’s nothing to free me from,” she says. “I’m using them to free myself.”
But you don’t hear her. You leave, a new word coloring the image of her.
Traitor.
And she’s dragged you to hell with her.
Inside your pillowcase is the newest spot you’ve chosen to hide your stash of stolen items. It’s not much, a rock from outside, a fork from the cafeteria, a broken matchstick you found on the ground. 
You are not allowed to have things. Nothing is yours, they tell you. Everything is shared as part of the collective. Don’t get caught up in the scheme of materialism. That’s why everyone takes turns doing the laundry and scrubbing down the showers and disposing of waste. But you don’t really want these things to own. You only do it because they tell you not to.
They found your collection when you put it under your bed and when you began carrying the things in your pockets. Both times they beat you for it. You’re sure they’ll find this one and make you count to fifty instead of twenty-five but there is something rotten inside you and you can’t help it. Maybe after this time they’ll finally thresh it out. 
It is night and you grope through the dark until you find the items. You find all three tucked safely where you left them. But something else pokes your finger as you retrieve your things. Your hand grasps a fourth item and you can’t see it but it feels like a small needle. You don’t remember taking this. Did someone put it here? How did they know about your stash? 
You lay curled on your side and take turns holding each item. You decide the mystery object is definitely a sewing needle. Maybe you did take it and you forgot. You move on. You’ve found a good rock this time. It is small and smooth and almost perfectly round. 
You think about throwing it at Madame T’s head. Then, you hide them again and fall asleep.
You wake up with a cold hand over your mouth. You slap it away and tackle the offending person to the floor before you’ve formed your first conscious thought. 
“Сука!” She hisses as her back lands on the wooden floor and you sit on her stomach. “When are you going to stop doing that?”
You stare down at the vague outline of a body before you slowly let her up. “When you stop waking me up by choking me out.”
“I’m not choking you. And it’s not my fault you cry in your sleep. I’m helping you. Would you rather have a guard come in here?”
“I do not cry in my sleep.” You wrinkle your nose.
“Yes you do. Like a little baby.” You imagine her smirking through the dark. You don’t know who keeps visiting you in the night, only that it’s the same girl each time and she’s probably in your class. You can’t see anything at night here. You know her voice, but there is little speaking during the day. And none of the girls talk to you anyway. Her hair is a little past shoulder length, but that’s the way most of theirs is. 
And she won’t tell you who she is. 
“Shut up,” you say, shoving her in the shoulder. 
“Hey, no fighting in the dark. It’s not fair.”
“I’ll stop when you tell me who you are.”
“What, so you can rat me out?” You’re sitting close so you don’t have to talk very loud. You can feel her breath against your face.
“I won’t,” you say. “I promise.”
She laughs. It is too bitter a sound for someone your age. “Like that means anything.”
“I’m going to figure it out eventually.”
She shakes her head, hair swishing against your cheek. “You haven’t yet. And you never will.”
“Yes I will.”
“No you won’t.”
“Yes.”
“No.”
Yes,” you say, pouncing on top of her. You’ve taken her by surprise. She reacts quickly, rolling the two of you an extra time so she can sit on your chest. 
“I’m too good for you,” she says. 
“Arrogance will get you killed,” you retort. You struggle beneath her but you’re about the same size and she knows exactly how to pin you down.
“That’s a big word for you. Who’d you copy that one from?”
You ignore her, still focused on trying to get up. 
“Stuck?” She asks, her voice light. “Don’t start fights you can’t win, Markov.” She lets you up and pads toward the door. “See you tomorrow.”
Another week passes and something else appears inside your pillowcase. It’s a ribbon from a ballet shoe. You take it out and hold it up in the light of day. You know for sure, you did not take this. Someone else was messing with you. Or helping, you don’t really know.
You watch the girls around you. There are the mean ones–which are most of them–and the nice ones–of which there used to be more. You think it’s one of the nice ones who comes to you at night because she is waking you from bad sleep. But then again she likes to argue and wrestle with you. So maybe it’s a mean one.
You keep fighting and dancing and learning things like how to blend into a crowd and how to craft the perfect lie. You don’t find out who’s been adding things to your collection. But you hope you do before the guards find this new hiding spot. 
They find it when you have to strip your bed for laundry day and realize you have nowhere to hide the new things. You stuff it all in your pockets again and they call you stupid for not learning your lesson last time. So they drag you screaming and kicking downstairs and strip you naked. You bite one of them when they try to tie your hands to the pole because you remember what they told you would happen for the third time you were caught stealing. A boot collides with the side of your head and you go limp for a second. The big things in your life make you forget how small you are. 
There is a moment to breathe and for the ringing in your ears to subside. Then, just as the world refocuses, hellfire is released upon your backside.
You lay upstairs on your stomach and do not sleep. There are deep trenches of blood carved into your back. You could barely crawl into your unmade bed after they dumped you back on the floor in your room. 
You find a flower when you have to go outside the next day. It is bright and yellow and a rarity out here where everything is dead most of the year. You don’t take it.
The fourth night after you finally sleep, your body forcing itself to shut down despite the pain. You are getting better. But not fast enough. 
You only groan when you wake and realize there’s a hand on your face. 
“Shhh,” she says. Then she is silent. You think she is looking at the door. 
You push yourself up, drawing blood as you bite your lip. You slide into the corner away from her. “I can’t do this tonight,” you say. “I’m so tired.”
“I had to. It was going to be them or me.” She pauses. Then, slowly, the mattress dips as she climbs onto the bed.
“I’m serious,” you say. You are hurting and she is strong. She cannot know this. “It’s not fucking funny anymore.”
“Geez, I’m not going to hurt you,” she says. “I would’ve done that a long time ago if I wanted to. Here. Take this.”
“I can’t see you.”
“You are impossible.” She brushes your arm. You recoil. She grabs your hand. It feels odd, like she’s trying to be gentle. She flips your palm up and places something in your open hand. It’s soft and delicate and feels a little like rubber. You roll it carefully through your fingers. You brush your other hand over the top and feel the petals. They are silky. Nothing can compare. It still smells like outside, like life. 
You realize she is the one who has been collecting prizes for you. 
“You’re trying so hard to watch out for me you forget I’m looking out for you too,” she says.
“I can’t take this,” you say. “They’ll find it. You have to take it back.”
“No,” she says. “Scoot over.” 
You obey, trying to hide how much it hurts to move. She takes your spot in the corner and you hear a ripping sound. “What are you doing?” You hiss.
She doesn’t answer. “Give me the flower.” You hand it to her, brushing her hand as you do. You wait in silence until she turns back around. “There’s a little hole in your mattress. I put it in there. They won’t find it. I promise.”
“Like that means anything,” you say, mimicking her tone. And as you do, you realize who you’re speaking to. It just clicked. You know this voice. “Natalia.”
“Look who’s finally earned his detective badge.” You wish you could see her smile instead of just hearing it.
You stay at S.H.I.E.L.D., thinking she will see sense eventually. You can’t leave the campus yet so you spend a lot of time wandering and watching. You count how many paces it takes to get from one building to another, estimate how quickly you could run. You look up at the buildings, wonder if you could climb any of them. Every day that passes is excruciating. You can feel the Red Room getting farther away. It’s been far too long since you’ve been in contact with them. You haven’t had the chance to tell them you’re coming back. That you’re not a traitor.
The only thing that makes life bearable is Natalia. She said she just wants to be called Natasha now and it confuses you even more. She really is changing.
You tell them you want to defect too. You pretend like you are fine. Like you are not in fact drowning.
You spend time in Natalia’s room, which is exactly like yours but she has a couple of books and a badly drawn picture of what looks like a person. You can’t really tell.
You point to it. “What’s this?”
She smiles. She’s been doing a lot more of that lately. It’s certainly not the worst thing. “It’s you. In your combat suit. You like it? Clint drew it.”
“He must be some kind of artist then. I could barely tell that that thing was a human.”
She laughs, and for a second the sound makes you forget how she has turned traitor. Because it is sweet and real and uniquely hers. “Look,” she says pointing. “This is your mask. See the eyes and the jawbone?”
“So those are teeth?”
“Yeah. And this arc is the hood, and these lines are the cape.”
“What are those?”
“Your katanas.”
“Why are there five of them?”
“There’s not. These are the swords,” she says, pointing to two lines angled toward the bottom of the page. She moves her finger to three lines above the figure’s head. “I think these are anger lines.”
“Anger lines?”
“Yeah. To signify danger. You know you’re pretty scary in that thing.”
You shrug. “Sure, I guess. And what did I do to have this honor?” You ask.
“You put yourself on S.H.I.E.L.D.’s shit list.” She takes her attention from the sketch and looks at you. “Clint said they didn’t know who they had at first, so he drew me this.”
“And you kept it.”
“I needed decoration. What’s better than a picture of you?” She smirks and nudges you in the ribs. “Like a guardian angel.”
You nod because she’s flirting with you and it’s making your head spin just a little bit. You like her even though you know you shouldn’t and you think she likes you too. You aren’t dating because people like you don’t ‘date’ but there’s something, just below the surface. Like an undertow waiting to drag you under if you wade out too far. You can sense it, like a coming storm.
“You know, I’ve been thinking,” she says. “Why did they send you after me? And in such a dramatic fashion. It doesn’t make sense.”
“I don’t know,” you lie. No one sent you. Maybe you were already out in the middle of the ocean. “You’re the best they’ve got. There’s two dozen widows but there’s a reason you’re the one everyone’s been chasing.”
She shakes her head. “No. You’re the best they’ve got. Dreykov would never trade you for me.” She’s looking at you like she knows you’re lying. You hate to find that there’s hope in her expression. Like she’s waiting for a confession. But the truth is unacceptable. You cannot say you ran after her like a prince in a storybook. You cannot open yourself up. 
She has never hurt you. And you will not give her the opportunity now.
So you gamble on the chance she doesn’t know for sure. You shrug and look away. Because you’ve never been as good as her at hiding things. “Guess he did.” You open your mouth again.
“I’m not going back,” she interrupts because she knows what you’re going to say. She puts a hand on your chest, the other on your cheek. “We can make a place for ourselves here.” Despite her conviction she still sounds disappointed. Doesn’t she know she’s won?
“I know,” you say.
Eventually a month goes by but you have not left. By some sickness she has you trapped. This is why Dreykov had warned you against the widows. Because they spun and they lied and now you could not bear to leave her in this strange place.
There are weekly mandatory shrink sessions you must attend as part of your agreement. You aren’t cleared for missions unless you get their green light. It’s a whole fraud that seems to have everyone in this country up in arms but you are sure it’s just S.H.I.E.L.D. trying another clever way to extract information from you. The discussions at least have been mildly amusing. You don’t have much else to focus on right now.
You’ve been transferred to a different “professional” twice now. The first one had obviously been scared of you so you played into it. He was asking you about your life and about guilt so you spent the entire hour making up stories that were unbelievable even by your standards. You told him your job used to be to torture political enemies and captured agents. You stared him down and tried to blink as little as possible when you told him you enjoyed skinning them alive and hearing them scream.
So the next time you go in it’s office 109 instead of 212 and there’s a woman instead of a man. She’s kooky and has you lay on a couch as she asks about your childhood. So you tell her a story too. 
“My father,” you start, even though you hadn’t had one since you were six years old. But none of these people knew anything from where you came from. “He was a terrible alcoholic. He used to slap my face and shake me like a rag doll. I mean, is that what a real man is supposed to be?”
“No, honey. But it’s okay. You’re safe now. Go on,” she says. “How did that make you feel?”
“It made me so angry, doc. So one day I said to him, ‘I’m gonna show you what I’m made of.’ I grab his shotgun that he keeps under his bed and blam! Gunpowder and lead.” You open your eyes and her face is looming over you, confusion starting to bloom. You break out singing, because this is the good part. “I’m goin’ home, gonna load my shotgun. Wait by the door and light a cigarette. He wants a fight, well, now he’s got one. And he ain’t seen me crazy yet!”
You’re smiling because you heard the song on the radio once and you’d remembered it and the singer’s accent after all these years. Her confusion has turned to anger and suddenly the session is over. Oh no.
Kremer has a talk with you after this incident. He tells you to cut the shit and sit through it like everyone else does. Then he reminds you what will happen if either him or one of these therapists deems you unfit for work at S.H.I.E.L.D. But you don’t care. They’re not going to get the best of you twice.
But you go another week to a new office with something to prove. You’ve got a winning streak to maintain. This guy has glasses and graying hair and a stomach that’s a little round. There are shelves and shelves of books and you pace the room, grazing your hand over the spines.
“You got one in here that’s going to tell you how to fix me?”
“Hello,” he says. “My name is Dr. Francis, but you can call me Willem.” He is soft spoken and you think you can break him like you did the first one. “Why don’t you have a seat?”
“Okay Willem. Sure.” You slouch across from him in a chair level with his. He’s not behind a desk like the first man or hovering over you like the woman.
“Do you like to read?” He asks, because you’re still scanning the shelves.
You used to, but not really anymore. “I’m not working here because I’m some genius who sits around reading all day.”
“No. Certainly not.” Was he making fun of you? “Has anyone told you how this works?”
You shake your head.
“Well I, along with my colleagues, are not ‘S.H.I.E.L.D. agents.’ We’re privately contracted. You know what that means, yes?”
“It means you probably get more money for sitting around and talking nonsense all day.”
“Sure. You’re not wrong. But it also means I don’t owe S.H.I.E.L.D. anything. Whatever is said in this room stays in this room. My only obligation is to make sure you’re not a danger to yourself or others.”
You eye him and his cardigan, wondering how he could walk out of the house with something like that on. “That’s what I’ve been missing!” You snap your fingers. “You’ve got my full trust now Willem, goodness I can’t believe what a great resource this is. What do you want to know? I’ll tell you everything.”
He chuckles. “You’re funny, aren’t you?” 
“I’m only as serious as this whole charade is,” you say gesturing around at the office which looks so out of place here at S.H.I.E.L.D. The clutter on his desk in the corner, the old wood furnishing, the acoustic guitar lying among stacks of books. “But okay sure. Let’s say you’re not going to turn around and blab to Kremer so he can be more efficient about making my life harder. You’re only here to make sure I’m not a danger.” You make little air quotes with your hands when you say this. “You do know what kind of missions are conducted here, no?”
“Of course. I did my time in the military.”
“Really?”
“This surprises you.”
“Yeah, I mean, come on,” you wave your hand at him. “I could kill you with my eyes closed.”
He raises his eyebrows. “I have no doubt you could. But as I was saying. I don’t mean you can’t be dangerous. Just that you have to know when to pick it up and put it away. For example, now was not the time to threaten me with mortal violence.”
“Yeah, yeah,” you say, getting out of the chair. You couldn’t do that. Violence was who you were. And you were tired of this anyhow.
 You make it to the back wall where there’s a window and on the sill there’s a picture frame. You pick it up, showing it to him. “Is this your family? Your kids are pretty cute.”
“Watch it,” he says.
 You flip the frame around and look down at it. “How old are they? The little one can’t be older than eight, no? What a shame I know her father’s name.”
Maybe it’s because you don’t actually plan to find his family or maybe it’s because you’ve underestimated him that your heart pounds when you look up and he’s in your space with a serious look on his face. 
“Don’t fuck with my family or I will end you.”
“Touchy, touchy,” you say.
“Get out.”
And that’s how your first interaction goes. So you’re surprised the next week when you hear you’ve been ordered back with Dr. Francis.
You stroll into the office like nothing ever happened. “You again. How are your kids doing?”
“Shut up and sit down,” he says.
You mock pout but sit anyway.
“How old are you?” He asks.
“You’ve got my file. I’m sure it says somewhere in there.”
“Yes, but I want to hear it from you.” He’s wearing another ridiculous outfit. A gray polo shirt with a brown patched cardigan.
“So you can make some big point about how I’m young and don’t know anything, right?” You ask. Because this feels awfully familiar. 
You remember a time when you were twelve and told this Foreign Intelligence Service (SVR) officer named Evgenia you were eighteen when she asked. Zhenya laughed and said, yeah right, if you’re eighteen then I’m forty. When you’d finally told the truth she looked at you funny. Do you know what this assignment is? You told her this was a joint mission to take out high-ranking members of a certain Russian mob family who had overstepped the line between civilian and state.
You’re a little young for this, no? She’d asked. 
No one had ever given pause because of your age before. You assured her you were capable of this assignment. 
She let it go but didn’t stop calling you “kid” for the whole two weeks. You hated it until you realized she didn’t mean it in a bad way. It was kind of nice, actually. To feel looked after. Carrying things on your own was so exhausting.
She made you try Oreshki as you sat in a hotel working on the mission reports because she couldn’t believe you’d never had it. Then she asked what your parents were feeding you at home because she’d never seen someone your age so strong. You told her your parents were dead and she’d stared at you for a few minutes. You pretended not to notice. 
When it was time to go back she told you to look after yourself. She seemed reluctant to let you go.
You assured her you would be fine. You always were.
Now you stare at Willem and wonder where he wants to go with this question.
“Something like that,” he says. “Come on, it won’t hurt you.”
“I’m twenty-eight,” you lie. Because there’s no way the number in the file isn’t just an estimate.
He’s quick with his response. “No you’re not.”
You’re about to tell him yes, you are but there’s something in his eyes, in his posture. He’s confident you’ve lied. “Fine. I’m twenty-two. Happy?”
“Exactly. You’re twenty-two. You’re a kid. You’ve barely reached the age we let kids have alcohol in this country. Tell me, have you ever read anything by Shakespeare?” You shake your head. “You ever swam in the ocean?” Another no. “Been to an art museum? Hiked up a mountain? Fallen in love?”
You stop him then. “Love is a scam. It’s some great ideal everyone chases like an idiot because they think their worth resides with another person. It’s an opiate for the masses. You tell someone they’ll be fulfilled if they find this ‘love’ and they’ll blind themselves in pursuit of it. People are more easily controlled when they are distracted by emotion.”
“I don’t think so. And I’ve been in love for twenty years. Almost as long as you’ve been on this earth. Love has brought me great joy and great sorrow. But you wouldn’t know about that. About giving yourself over to someone else. About allowing someone to open your eyes, to challenge you. I am not distracted by emotion, and even if I was I wouldn’t care. Because at least I’ve lived.”
“Then you’re a fool.”
He raises a hand. “Or you’re a coward. You want to think you’re above it all. You had Dr. Casey thinking you were a psychopath. You wanted me to think you were a monster. But you’re not. You’re a scared kid with his chest puffed out. You’re the kid who pushes others on the playground because you’re getting pushed at home. But guess what. I can’t be pushed.
You’re scared to talk because you don’t know what might come out. Scared to let people in because you think they won’t like what they see. How many people have you talked to since you’ve been here? How many people knew you, and I mean really knew you back in Russia? What about that young woman who got here a couple weeks before you? You’re unique. I’ll bet I’ve never met someone like you and I never will again. So I can’t get anywhere, I can’t start if you don’t help me. You have to talk to me.”
And after that he dismisses you, just like that.
The next time you come back the ball is in your court. He doesn’t talk to you, just sits and stares expectantly. Well two could play that game. You’ll show him you won’t talk if you don’t want to. So you sit and count away the seconds and leave when the hour is up.
Another week passes and you’re in his office again. And he’s silent, again. 
You won’t be the one to break. But you’re looking at the guitar on the stand in the corner with all its dust and you think it’s as safe a conversation starter as any.
“Do you play?” You ask, nodding at the instrument.
Willem sits up and blinks a couple times like he hadn’t been expecting you to speak. “No. Not really anymore. And to be honest I could never really play even when I used it. Shame, it’s a beautiful instrument.” He gets up to retrieve the guitar and begins to tune it. “I’ve never really had the ear for music.” He plucks at a string and goes onto the next one.
“Wait,” you say. “Go back. That one’s not right.”
“Too flat or too sharp?”
“What?” Just turn it a little more.” He complies and finally it sounds right. You nod and he goes to the next.
“I didn’t peg you as the musical type,” he says as he plays and you nod or shake your head.
“I’m not. Just a feeling, I guess. I know what notes sound like.”
“But you don’t know this is the ‘E string?’”
“No, nothing like that. I can play a song though.”
“Let’s hear it then, champ.”
He hands you the guitar and you play a song you saw someone playing one time on a mission in Mexico City. There are the movements of the man in the street who had captivated you to stop and watch, and there are your own hands, years later, mirroring his. 
When the song finishes Willem is quiet, then asks, “When did you learn that?”
“I didn’t really learn,” you shrug, like it’s not a big deal. “Saw a guy do it once. Copied what he did.”
“Do you know what chords you used? Can you play anything else?”
“No.”
“Unbelievable.”
You smile, because you have impressed him. “Neat party trick, huh?”
“Seems like it could be more than just a party trick.”
You tilt your head back and forth because he’s right but you don’t want to talk about that. “I don’t use it to sing pretty songs, that’s for sure. Where’d this interest of yours come from anyway?”
“My wife got it for me actually. When we were overseas I used to go on and on about missing music. About how I was butthurt having to join the army because it meant I never got to learn how to play the guitar. And she remembered. And the first Christmas after we got home, even though we barely had enough money to get by, she got me this. That’s part of what love is.”
“She’s ex-military too, then?”
“Yes,” he says, like he’s trying to recapture an old dream. “Let me tell you something. Wait, actually, this first. You ever been in a warzone?”
You hesitate for a second and he must see the debate in your mind so he clarifies.
“I mean a real warzone. Out in the trenches with a couple hundred other guys trying to fall asleep to the sound of bomb fire. Not knowing who’s going to have their leg blown off or their head opened up before the next sunrise. Knowing you’re all out there as nothing but cannon fodder, that everything they told you about the army before you left was nothing but a load of horseshit. And you ate it because your life was shit too.” You shake your head. “Well, it’s damn lousy. You have to keep each other’s chins up somehow. There was this joker in my squad, you see. Terrible sense of humor but we all laughed anyhow because things were just that bad. One day, she looks over at me and says, “Imagine this. Two fish are in a tank. One looks at the other and says, ‘Hey, do you know how to drive this thing?’””
You blink at him but can’t help the laugh that escapes. “That has to be the most awful joke I’ve ever heard.”
“It is!” Willem agrees. “But you know what? That’s the moment I fell in love with my wife.”
Now you are surprised. “Because she told you a bad joke?”
“No. Because she was so serious she didn’t know how to be funny but she always cracked herself up anyhow. And I loved her for it.”
“She was?”
“Pardon?”
“You said she was serious. Is she dead?”
“No. We are,” he pauses, quieter now. “We are separated for now. I suppose it’s been long enough that I've started talking about her in the past tense.”
“But you said she’s your wife.”
“She still is, nothing’s official, but,” he trails off, like he’s given up already.
“What?” You smirk. “You cheat on her? She cheat on you? Found some other guy who thought she was pretty and laughed at her dumb jokes?” When he doesn’t react you try something else. “You beat her up?” His head snaps to you and his eyes harden like you’ve pulled out a gun. “That’s it, isn’t it? You talk about war and all this stuff like I need a lesson but you can’t even handle it yourself so you spend all night drinking and you come home and she’s there with her ‘where were yous’ and her idiocy that you didn’t see before because you told yourself you were in love but now she’s annoying the life out of you so you try and put her head in the wall. Right?”
His glare has faded and it makes you a little nervous because it was always a bad sign when Dreykov stopped yelling and got quiet. “Yes,” Willem says calmly as if you hadn’t just gutted him open. “There’s one thing you’re wrong about though. I never had to tell myself I was in love with her. I just was. And I still am. She was right to kick me out.”
You puff your cheeks and blow out air. “You are a bigger идиот than I thought. Have you apologized?”
“Yes. I did the next morning when I realised what I’d done.”
“And she didn’t accept it.”
“No, she did,” he says, dragging a large hand down his face. “She did but I thought some time apart would be for the best.”
  “So you could get yourself a shrink.”
“Not exactly. They say therapists make the worst patients. I’ve found that to be true.”
“Well,” you say. “Sounds like you’re a coward too.”
Willem smiles. Just the smallest upturn of his lips. “Time’s up.”
The wilderness is no place for two children. Especially not the barren wasteland of Siberia. The boy has a rifle slung around his shoulder and no coat. The girl has two coats. Blood from a wound on her side drips out onto the snowy terrain underfoot. But she is strong. She refuses the boy’s offers to help her walk.
A long trail of footprints in the otherwise unblemished landscape leads back to a small massacre site.
The children are hungry but cannot stop because something is chasing them. It’s why they had to leave the little house with the fire and the old woman. 
They will hide, they will kill, they will walk until they collapse so the ground may swallow them whole. 
Because the wilderness is no place for two children. It certainly cannot be the place for three.
More weeks pass and you keep living and you try not to think too much about how Natalia is doing fine for herself. She has a team now with agents called Barton and Hill and Coulson and May. 
You do not talk so often, even if this is the most freedom you’ve had to talk since you’ve known each other. At first you tried to convince her to go back but no. She is adamant about staying here, about untying herself rope by rope from the Red Room.
The things you exchanged seem so trivial now. You know her favorite color is blue and that she is fine with coffee but would much rather have tea and that she has a scar beneath her collarbone. But here such information is freely given. 
You see other men talk to her in the cafeteria, watch her in the gym. She has always been the most beautiful woman in the room. 
And it is one day when you are eating lunch together that another agent approaches. He has an apple in his hand and sits next to Natalia like he knows her. “Natasha,” he greets. You don’t like how close he is. He extends a hand across the table. “I don’t believe we’ve had the pleasure of meeting,” he says. “I’m Agent Matthew Hunter.”
You take his hand and shake it, squeezing a little harder than necessary. “Nice to meet you.” This is a lie. He is entitled and he is American and you would prefer he left you alone.
“Matt,” Natalia says, smiling.
He turns to face her like you aren’t there. “Listen I got to run, but I haven’t had the chance to say how great of a job you did on the Berlin mission last week. I wanted to catch you before I forgot.” 
She licks her lips and turns her shoulders toward him. “You weren’t too bad out there yourself.” 
He waves her off. “Are you kidding me? I have never seen someone handle a room like that before.” Agent Hunter looks at you next but his body is still facing Natalia. “Did she tell you about this? I mean what a fucking bombshell.”
“No,” you say. “We haven’t had the chance.”
“Ah, well. You should really ask her. Hell of a story, hell of an agent.”
Natalia looks down at her lap, her cheeks reddening ever so slightly. 
“Anyway. I have got to go hit the gym. No days off, am I right?” 
He is looking at you and expecting a response so you just say, “Sure.”
“Alright, nice to meet you, man. See you later Nat.”
You watch him walk off like he owns the place and it’s only when you turn back that you realize Natalia had been watching him too.
You take a drink of water and ask, “Do you like him?”
She snaps her attention to you. “Who, Matt? Yeah he’s nice. A bit talkative, but that’s all right. What did you think?”
You ignore her question. “No, I mean. He was flirting with you.”
“I know that.”
“So,” you gesture. She would lead you in circles until your head twisted off if you let her. “Are you going to get with him?”
Her smile fades like you’ve asked if she was planning to kill him instead. “No. I hadn’t thought about it.”
“Why not?” You ask. “He’s handsome, young enough. You said you liked him.”
“Because I don’t want him.” And there is this look on her face like you have grown a second head. “I’m not just going to go run around sleeping with people.”
“I didn’t say you should. I was just wondering because I could tell you were into him.”
She scoffs. “I’m not ‘into him.’ He’s friendly. He gave me a compliment. What's so bad about that?”
“Nothing. It was just a question, that’s all.”
She is quiet for a moment, dragging her fork through the last grains of rice on her plate. “You know I like you too, right?”
“Of course. And I like you.”
“No. I mean, in the way you think I like Matt.”
Now it is your turn to choose silence. The two of you kissed and shared a bed sometimes when you had only ever slept alone before. And Natalia was the only person you’ve had sex with, at least in any way that counted. But that didn’t mean anything. You didn’t know any better and neither had she. There was bad and there was worse. You just happened to be sufficient for her when the bar was six feet under the ground. 
“You know, that doesn’t mean anything. You don’t owe me,” you say.
“I know I don’t owe you anything. It’s not about owing,” she says, shaking her head in incredulity. “You’ve been weird since we’ve been here. It’s not a death sentence anymore.”
“I’m saying just because we got together before doesn’t mean you can’t go after this guy now. It was a matter of circumstance you know. There was no one else to choose so you chose me, I get it.”
Her eyes narrow as you say this. You speak for her, but you do not know.  “What are you talking about?”
But you’ve built up steam now and you think if you stop you won’t get the words out because you’re sure they’re not true. You speak for the man you want to project. The one Dreykov would approve of. “And you’re pretty and you came on to me so,” you shrug. “But come on. You were a warm body. So were a lot of the other widows. And so was I. Let’s not make it a bigger deal than it is.” 
But it is a big deal. You ignore all the times you held each other in the middle of the night. The time she taught you how to braid her hair. All those times you made each other laugh. These are the things you take great effort to minimize.
And you are so focused on pushing her away because you are a bird with its wings clipped hurtling toward the ground that you don’t notice her own rage building.
She is used to being silenced. She just never thought you would join the long line of others who’ve treated her as lesser than. She thought you understood, that you were different.
“Fuck you,” she says, looking you straight in the eye. You can’t read the expression on her face. She has always been good at making her face vacant, like marble.
She leaves. Not that there was anything to leave in the first place. 
You tell yourself this is what you wanted. For her to be free. Free of you and free of any guilt that might plague her. Not that the Black Widow felt guilt.
But if this is what you wanted, then why did you feel like you had just severed a limb?
But you are fine too. You have a team with agents called Rumlow and Ward and Rollins. They are callous and crass and they remind you of the guards back home. They do not care where you have come from, despite the fact you still bear the title Junior Lieutenant, technically. Despite what everyone else thinks.
You are strong like the fabled Captain America and could home a bullet into any target with a blindfold on. That’s all they care about.
They say they do not care about your accent that you wear like a scarlet flag. And sometimes, you join them when they go out to drink. Ward and Rumlow are outspoken. Rollins is not. But they all share the same cynical view of the world. And so do you. Maybe that’s why you get along.
There is control and there is chaos. You are all agents of the former.
After word about your squadron placement gets around, no one eyes you in the hall like they want to fight. No one questions your–albeit minimal–authority. At least not to your face.
Missions with them are quick and bloody. You use a rifle most of the time now. One that is bulky and can fire an unnecessary amount of rounds per second. You are a strike unit, so you creep up to the outside of an office or warehouse or home and when everyone is crouched like predators in the shadows you jump out with blazing muzzles. You can’t really call what you do fighting.
It is one day you are out with them that you run into an old friend. She is one of the ones you are hunting. S.H.I.E.L.D. likes doing that, you’ve figured out. Sending you out on missions to destroy what you’ve spent your life building. What you were supposed to sit at the head of the table of one day.
They want to see when you might snap. They want you to cut and run. They do not believe you can change. You don’t believe it either.
But she tells you, and oh is it nice to speak Russian again, that Dreykov wants your head. You cannot go back. You hadn’t wanted to be a traitor, but you’d lit the torch when you let the Americans take you in. And now when you look back, the bridge is engulfed in flames.
She says rumor of your defection has grown and spread like a tumor on Dreykov’s name. You’ve humiliated him by turning your back, and now he is losing power.
“But,” you say. “I didn’t. I don’t want–I’m not loyal to S.H.I.E.L.D.”
She stops you. “It doesn’t matter.”
“But I’m still–”
“You’re not listening to me.” She grabs you by the arm. “If you go back there you will die. Apparently Dreykov was kind of a black sheep. They were all looking for a reason to strip him of his rank, and now that he’s lost his two best weapons no one will listen to him. The entire Red Room is on alert, looking for a way to capture you.” She stabs a finger to your chest.
“Oh,” is all you can manage to say. “But there must be some way to clear this up. If I could talk to him I know I could explain. Or if I could get back. If I talked to the Headmistress.” You know she would understand and she would not be mad. Because she was stern but she never hit you. You used to talk every week in her office, just the two of you. You missed her.
Your friend shakes her head. It’s a “no,” but it’s also full of admonishment. 
“What?” You ask.
“Always so eager to please.”
“It’s called having honor.” 
There are footsteps outside the office you’ve pulled her into. She tugs on your arm and you retreat around the corner.
“We don’t have much time,” you say.
She’s silent for a moment, then, “Come with me.”
“What?”
“I’m leaving. It won’t be hard. No one will be looking for me as long as you have that S.H.I.E.L.D. emblem on your chest. I’m saying you should leave too.” She puts a hand on your cheek, makes you look her in the eye. “We could be extraordinary.”
“I can’t,” you whisper.
“Why not?” There is disbelief, there is frustration. “You just said it yourself. You’re not loyal to them. And these brutes have nothing on us. We can disappear.”
“You should go. I really think you should. It’s what you’ve always wanted, right?”
“I wanted it with you.”
“Goodbye, Svetlana,” you say, kissing her on the cheek. She is still.
On your way out, she speaks up. “It’s because of her, isn’t it? It’s funny. You’ve always been so blind when it comes to her. You think anyone can know the Black Widow? She will drain the life from you.”
She leaves you with a note with an address on it.
“In case you change your mind.”
When you get back you hide the slip of paper in the nightstand with Dreykov’s watch.
You pull on the hideous shirt with the too large sleeves and try not to think about how ridiculous wearing tights is. You grab your shoes and head down the hall to the other dressing room. 
When you enter the dancers that are actually a part of this company stare at you. The four widows–excluding Natalia–don’t bat an eye. Modesty was a long lost concept for all of you. Especially around each other. Nastya looks over and smiles at you. You wink back.
The understudy for the lead part–who like the rest of you earned the role after members of the main cast suddenly became ill the night before–finds you like a heat-seeking missile. Her blood red hair is pulled back tight in a bun, and the fluorescent lights pale her skin to a moonlight shade. She looks like she has come from another world to ravage war upon this one. She is muscle and sinew and bone. She is magnificent. 
She snakes an arm around the back of your neck and kisses you on the jaw. She wants them all to see. You are hers in this show and hers backstage. You wouldn’t have it any other way.
You go out and perform on auto pilot because you watched a recording of the show once and now the movements are ingrained in the memory of your muscles. You focus on the crowd, try to spot your targets. There is a war going on in the shadows. You’ve all been sent to end it. To show them the Red Room is superior. They won’t even know what hit them. 
You have a break to watch Natalia perform her solo. You stand in the right wing and watch her under the spotlight, dazzling the crowd. Even here she is dangerous. She is like a panther getting upwind of its prey. Every move is measured, every step beaten into submission because of how many times she practiced. She makes herself delicate, but you know better.
There is a part where she almost rushes off stage as if reaching for something, but an invisible force drags her back to the center. You are standing in the spot she reaches for. Maybe you knew she would end up here, maybe you didn’t. It doesn’t matter because her eyes snap open and for a half second you lock eyes. The audience members aren’t the only ones she’s made believe in her desperation. 
After the first act ends Anastasia and Yeva leave for the targets’ hotel where they will be waiting. The four of you who are left finish the show and keep eyes on your targets. When you take your bow you are holding Natalia’s hand. Then you slink into the shadows, ditch the outfit, and put on your mask and hood. 
You leave as a unit out a back door and climb to the roof. It is raining outside. Not more than a drizzle, but the brick underfoot is slick and your targets will be hiding under coats and umbrellas. Stefanya kneels to assemble a rifle that had been packed into a violin case. You crouch in the shadows, feel the rain begin to soak through your pants. 
The crack of the rifle is loud like lightning and the crowd parts around the dead man. An ambulance is called but you know it is too late. The four of you split there. You will find each other later in an apartment building across town. 
You know Natalia will beat the ambulance to the hospital and an accident will befall the entourage of the dead. Nowhere is safe.
You follow a fleeing family of four to their car. The father is a high-ranking official of your enemy, the mother a scientist. They both know tonight is no accident. They run into the dark, down an alleyway instead of along the main road. Smart. You watch them go. You know where they will end up. 
You get in a vehicle which has been left for you and follow them out of the city. You drive until the houses have become sparse and so has the light. The rain is pouring down in sheets now. You step on the gas and flip the car’s brights on. The front of your car rams into the back of theirs. The sedan spins out of control, tires squealing against the wet asphalt. The car drifts into a ditch and you pull up beside it. 
You step out of your car and draw your swords. Because this is a message, not an accident. Two shots are fired your way. You duck behind the car and let the guy shout insults at you. But you hear the fear in his voice. He saw who they’d sent for him.
You rush through the dark, cape heavy and soaking behind you. You ram your fist into the passenger window and slide the end of one sword through the woman’s mouth. There are more shots but you have already disappeared again into the night. 
The children in the backseat scream. Their anguish refuses to be drowned out by the storm. You hear them as if they are crying right into your ears. The man gets out and slams the door shut. You see him in the flashes brought by the lightning. He yells for you to come out. So you oblige. You launch yourself onto the car roof and stare down at him. Here I am, you say. He points the pistol at you and you slice his hand off. He goes down, still cursing. The last thing he does is ask you to leave the kids out of this.
You go up to the backdoor. Didn’t he know? This was a family affair.
You tell yourself what you have done tonight is for the greater good. Many more will live off the blood of this sacrifice. 
When you get back to the rendezvous point you find only Stefanya and Marina. You were supposed to be the last one back. Where are they, you ask. They are quiet. Stefanya looks you in the eye and says none of them ever showed. You know she is lying. You take a breath and step closer so you may look down on them. They are not intimidated by you. Even in the dark, even with the rain outside, even with your face behind a mask they know you will not hurt them. 
Because you all grew up together. And that means something. 
So you draw back your hood and remove the mask. You let them see the worry in your eyes. Come on, you say. What happened.
They are quiet for a moment longer. Then, Marina whispers. Yeva and Nastya never returned. Natalia went after them. She told us not to tell you. 
You put your gear back on and rush out the door. Stay here, you call over your shoulder. You fly through the night to the hotel they were supposed to be at and find Anastasia sitting against the wall bleeding. She raises her gun at you when you barrel through the window. You take off your mask and rush to her. Nastya, you say. She is shot and she should be dead but widows are not ordinary humans. You ask if she is all right and she laughs. Clearly, I am not. She already has a shirt tied around her stomach and she is holding another tight to staunch the bleeding. 
Natalia has been here, you say. Yes. You ask where she has gone and where Yeva is. She tells you she doesn’t know. That Yeva and she were ambushed and overwhelmed. The room is trashed. Bullet holes in the walls and broken furniture. There are bodies littering the floor. They must have had two dozen men up here to overpower just the two of them. 
You ask if she will be all right if you go. She tells you yes she thinks so. Then you hold a hand out. She takes it. Her hand is clammy and cool to the touch. Are you sure, you ask. Because Katya might actually kill me if you die on my watch. Go, she tells you. Find Yeva. 
So you leave out the window and try not to think about it all being too late. If they had the chance to drive off they could be out of the city by now. You weren’t even supposed to be out hunting for them. You should’ve taken Stefanya and Marina and gone back to base. The others’ failure was theirs alone to bear. So you stand in the dark collecting raindrops, wondering why this has come as an afterthought. You realize in your haste you’d left your mask back in the hotel room. Water drips down your face as you stare up at the sky. Maybe the stars know.
Then, through the stench of the storm and the dirt and oil the rain has sloughed from the ground you smell blood. It is sharp and metallic and unmistakable. You trot down the near pitch black alley in search of the source. There are a number of irregular shapes down a perpendicular alleyway. You can barely see they are there. You stop, your boots splashing in a puddle. 
With measured steps you stalk forward, unsheathing the swords on your back. The shapes are bodies of men in ruined suits with ruined faces. One’s eyes have been gouged inward, pushed deep in toward his brain. Belly-up he stares unseeing into some void. And as if he hadn’t suffered enough he is also eviscerated. Guts and blood leak from him onto the dirty ground as if from an overfilled trash bin. No wonder you were able to smell it.
There is another with his throat slit and his head bashed in. Another with his jaw ripped wide open. He has been shot, but only in the leg. None of these men went out with a clean death. All of them suffered.
You find Natalia in the middle of the carnage, holding another body. Yeva is limp in her arms, eyes closed. You kneel beside both of them. She’s gone, Natalia whispers. You try to ignore the awful pang in your chest. Because she died in the service of her country. She died a soldier’s death. It is an honor. 
But alone in the rain in a struggle is no way to die. Dark blood is still seeping from the hole in her forehead to stain her blonde hair. She looks so young. 
There are footsteps at the entrance to the alleyway. Stefanya and Marina have Anastasia supported in between them. Stefanya is taller than them both which makes it an awkward position but they have made it. You’re not surprised they didn’t stay at the rendezvous either. 
The cops are here, Marina says. We need to go.
Natalia stands, Yeva in her arms. You pull your hood deeper over your face and lead them away. In a stolen car you drive out of the city. There’s a field and it’s on its way to being flooded but it will have to do. You have no tools so you dig with your hands and you try to ignore how familiar the action is. Even Nastya insists she helps. 
Dawn has already broken when the grave is finally dug. You lower Yeva’s body in and replace the dirt under the young sunlight. None of you care about the consequences the day will surely bring.
Very few will ever know that she lived. And only you will know about her death, about this gravesite. It’s only fair you take a moment. They tell you you are nameless, faceless, inconsequential and that it is selfish to believe otherwise.
But dammit Yeva was a person. They refused to give her a place in the world. So you suppose that’s what the four of you have done now. What a shame it could only be given after her last breath.
The next time you’re being briefed on a mission there are forty agents in the room. You go to the side of the room where your squad along with the rest of the platoon are standing. Rumlow tells you there must be a big fucking fish to fry.
Crowded on the other side of the conference table are members of STRIKE Team: Delta, including Clint Barton and Natasha Romanoff. You lock eyes with her for a moment but you turn away because Agent Matthew Hunter is right there next to her. Rumor has it they’ve been “going out.” Last week Ward asked you how it felt to have some tool like Hunter steal your girl. You told him she wasn’t your girl. That she’d be fucking a new guy in another week. You don’t know why you said that last part.
Then everyone is quiet because Fury is here and the Director never bothers with things as trivial as mission briefs.
Turns out there’s a huge freaking terrorist compound in Iraq and you’ve been authorized to take it out. Agent Barton is in charge of tagging the leader. Everyone else, don’t get killed.
So you fly out in three separate jets and you’re on the one holding a mix of both teams. Everyone’s keeping to their own side but Natalia comes over to stand by you.
“Hi,” she says. 
“Hi,” you say back. You hadn’t realized how much you’d been missing her. But now that you’ve heard her voice and she’s so close your shoulders are almost brushing it hits you like a bucket of ice water. “How’ve you been?”
“Good. It’s odd though, you know.” 
“What is?”
“Not speaking with you.” she says. “I mean we’re in the same building most of the time now. It’s just been too long.”
“I agree,” you say. And because you cannot bring yourself to admit you feel less alive when she’s not around, that now that she’s here you have to stop yourself from grinning like a moron, you say, “I don’t think we’ve been on a mission together yet. Not since coming here.”
She’s looking at you and now you’re thinking about the furrow in her brow and the shine in her eye when she’s thinking hard. The little things you’re sure only you know because you’re the only person she’s shown them to. “You’re right,” she says. “We haven’t.”
“Kremer was probably scared shitless about the potential the two of us have together.”
“Kremer?”
“My handler. He’s an absolute asshat. I feel like he had one look at me and has already sentenced me. Nothing I do can change his mind.”
“That’s too bad for him,” she says. “He’s missing out on a great agent.”
You finally allow a smile to crack through. “How’s Barton?”
“He’s good. I think the two of you would get along.”
“Why is that?”
“Because you both know how to be a huge pain in my ass.” She smirks and you shove her lightly on the shoulder.
“Oh you don’t know what you’ve got yourself into Romanova.” 
She takes your hand and traces circles on the inside of your palm. “You’re the only one who calls me that anymore,” she murmurs.
Your face flushes because you hadn’t even realized what you’d said. “I can stop. I just, I forget sometimes. And besides.” You lean in and switch to Russian because someone is always listening in. “Natalia Romanova is the strongest person I know. I don’t think you should be ashamed of her.”
She turns her face toward yours and responds in kind. “You don’t have to stop. I like what it means when you say it.” You can feel her breath on your cheek and you wonder if she might kiss you. But she pulls away to smile at you again. “And you’re the only one who can pronounce it right anyway.”
You touchdown and by some force of habit you and Natalia pull away from the others and slink into the shadows. You pull your pistol out and shoot a figure with his gun out before Natalia can get to him.
She turns back to you. “Since when do you use a gun?”
You shrug. “Since I became American.”
“You don’t have your swords?”
“No. Those are still confiscated. But,” you take a retractable blade from your belt and unsheath it. “I’ve got this.”
“Can you use it?”
“Well enough,” you say. You could use a sharp stick if you needed to. “Actually, it’s quite different from using my katanas. First of all there’s only one of whatever this is. It’s pretty terrible. Americans have no idea about blades. Whoever made this shaped it like a toothpick.” You thrust it forward into the empty air. “You can’t slash with it, which is what you want to do,” you say, drawing an arc this time.
“Easy, tiger. I can’t believe I almost forgot how much of a nerd you are.” You’re about to retort but she stops before a corner and gives you a look. Down the hall there’s an open door and a light on. You edge up to it and count four guys smoking and playing cards. As one you jump out, Natalia covering you as you barrel into the thick of it. There are two guys with bullet holes in them and one writhing on the ground from one of her taser discs.
You’ve plunged your sword through the last one and are still trying to wrench it free when she kicks the one getting shocked in the head. Finally you get it free, his ribs cracking from how hard you had to pull it out. 
“That’s disgusting,” she says.
“Oh please,” you respond, wiping the blade off on your sleeve. There’s blood on your hands and face and more spreading over the concrete floor. “You’re the one who likes making messes on purpose. I told you this sword is atrocious.”
She shrugs. “I only do that if they really deserve it.”
“So that’s like everyone, right?” You turn away from her, shaking your head hard enough you know she must see. “It’s appalling really. I mean have some decorum Natalia. Twenty-three times is a lot to stab someone, you know.” 
Silence is the only answer you receive. But the hairs on the back of your neck stand up and in a flash she’s on your shoulders trying to bring you down.
You keep talking in between the short bursts of laughter rising from your chest. “At that point it’s disrespectful.” She covers your eyes with one hand and your mouth with the other. Then she twists with just enough force to signal she wants you down and you get to your knees to soften the blow before you completely collapse on your back. 
“The cops can’t even recognize the poor bastards.” She’s on top of you with a glint in her eye like she’s hungry. You put your hands up. “Please don’t, oh no I have an ounce of cocaine I still need to snort tonight.” She puts the handle end of a knife against your cheek and drags it down toward your chest. “I have so much to live for,” you say, suddenly putting on an American accent.
She cracks, a little smile emerging on her face. She stands before she thinks you’ve seen and leaves the room. “Get up. We’ve got a job to do.”
“I saw that,” you say, jogging after her. 
“Saw what?”
“You think I’m hilarious.”
“No, I think you’re dumb.”
“I can be both. It’s called having range.”
You wouldn’t say you enjoy what you do, but it’s all you know. At some point you had to become numb to it or you’d drown in the guilt. But you have missed working with Natalia. Your team is fine. But it’s different when she’s had your back in the field since you were ten years old. When you could pass out right now and know she’d keep you safe. When you know exactly what move she’s going to make next.
The end of the hall splits off and you go left while she goes right.
You pass a couple of S.H.I.E.L.D. agents and give them a nod before turning down another hall. You check another room and there’s a woman in there with a gun.
You raise yours, and you don’t know why but something makes you hesitate. Maybe it’s because you don’t think she’ll shoot. Maybe it’s because there’s been this bug in your ear nagging about innocence until proven guilty. 
But she doesn’t and there’s a shot and a bullet in your side. You don’t waste time before you fire a return shot that shatters her kneecap. She drops her gun and goes down screaming.
Rage explodes hot in your chest. At her, for shooting you. But mostly at yourself for slipping. “You bitch,” you seethe in Russian. The pain in your side is mixing with the anger in your chest and the storm is deafening. 
“I’m sorry. Please don’t kill me,” she sobs, laying on the ground. “I didn’t mean to. I’m not with them. I won’t fight anymore. Just don’t kill me. I’m sorry.” But you’ve seen this act before. You won’t underestimate her twice.
“Shut up,” you say in English. You put your foot on her broken knee and stand on it. She wails even harder. You’re looming over her as you unsheathe your sword. Her sobs are the only sound left in the room. You seethe in silence. Like you always have. 
You raise the blade above your head like an executioner with his axe and bring it down over her neck. Her head comes apart from her body. There’s a thud as she settles on her back. The sword snaps as it strikes the concrete from the weight of your full strength. You stumble forward. Sometimes you forget how strong the serum has made you.
For a moment, it’s quiet. Just the sound of your ragged breathing. You can’t tell if you can’t catch your breath because you’ve been shot or because of something else.
Then, “Holy shit.”
You whip around and aim your gun at the voice by the doorway. 
“Woah, woah, woah. Don’t shoot me, partner,” says Agent Hunter.
Блядь.
You put your weapon away but don’t say anything.
He looks at the blood on your face and the broken sword you’re holding onto like a lifeline and the body at your feet. The woman’s eyes are still open. Locked in a panicked gaze. Then he blanches and turns away. The sound of him throwing up almost makes you hurl too.
“Hunter,” you pant, finding your voice.
But he’s backing away with his hands out like you’ll get him next. “You’re sick.”
More footsteps come down the hall and a group of agents checks on him. It’s over for you as soon as the first new arrival sees the body and the blood on your hands. Oh my god, he says. The judgement rolls through the crowd that’s begun to amass. 
Agent Hunter is out of your sight now but you can hear him. “He fucking killed her. She was on the ground begging for her life and he fucking chopped her head off.”
Your face heats up and your heart is pounding something crazy in your chest because you still haven’t caught your breath. There’s too many people in the room. Too many eyes on you. You can hear every gasp, every hitch in their breathing, every whisper. It’s driving you nuts. Why can’t they just mind their own fucking business. 
They’re going to kill you for this. You’re injured and vulnerable. There’s a dozen of them now and they’ve all got guns. 
“What the fuck are you all looking at?” You yell. “Get out!” 
They stare at you for another moment before shuffling away. 
You think you see a glimpse of fire-red hair in the crowd. There one second, then gone. Like the flicker of a flame.
Rumlow is the first one to approach you. He doesn’t touch you, doesn’t come too close. “Come on, man,” he says in the same rough voice he always uses. The familiarity is good. “It’s time to go.”
The girl with the blood red hair stops at a small grove of trees. She tells the boy it is time. She cannot go further.
The boy stops because the girl is the strongest person he knows. If she says she cannot go on she must mean her feet have fallen off. But he is also confused because there are supposed to be weeks and weeks left. This is not right. 
The girl curses and curls into a ball at the base of a skinny, bare tree. Because she knows this too. Stupidly, she thinks if she makes the area around her stomach just a little warmer everything will be okay. She is desperate.
But their luck has run out. The girl was good at keeping secrets and when the secret could not be kept any longer a man named Ivan put her on a long-term espionage mission. The boy has always disliked this man whom the girl looks to like a father but he owes him for this. 
But things went sour as things happen to go and when the girl sent the message from the cabin the boy should not have come. But this was a thing worth running for. 
Miracles do not exist.
The boy sinks into the snowy ground next to the girl. She turns her face toward his and they press their foreheads together Like a kiss, but with the tenderness that can only be born from the innocent. I love you, the girl tells him. 
The boy tries to be brave even though he is scared. I love you too, he says. No matter what happens.
They make you go to medical when you get back because everyone was watching you on the plane and it was obvious you had a bullet in your side.
You sit in a private room that’s got a door instead of just curtains between beds. But it’s not really private because there’s a doctor and two armed guards at the door. All three of them stare at you. They haven’t gone so far as to handcuff you but you know you’ve taken a huge step back. 
The doctor introduces herself as Helen Cho and asks, “Are you able to remove your shirt?”
You don’t want to take your shirt off. It leaves you too vulnerable. And you don’t want them to see your back.
“Agent, there’s a bullet in your torso. Remarkably it hasn’t hit anything vital. And by some miracle you’re sitting up like nothing’s wrong. But I still need to take it out. It’s not supposed to be in there.” She is direct but still somehow soft-spoken. You don’t like being in this white room with these strange people but you suppose she could be worse.
You fidget with your hands. You’ve washed them but there’s still red on your palms, dried flakes under your fingernails. Finally, you say, “I can get it out myself. I’m sure you’ve got better things to do.”
“I would be more comfortable if you would let me do it. Have you ever extracted a bullet before?” You shake your head. “It’s tricky, it requires precision, and it hurts the person it’s in. It’s hard to keep your hand steady when you’re in pain.”
You glance up at the agents keeping guard. “Sure I know.” 
Doctor Cho notices and waves at them. “Would you mind giving us some privacy?”
“Ma’am, we have orders to keep him under supervision.”
“He’s injured. You can stay right outside the exam room. Nobody is going to disappear into thin air.”
“But–”
“I’m the doctor. And this is my patient. You can wait outside,” she says sternly.
And this time they listen. “We’ll be right outside.”
She turns back to you. “Better?”
You nod slowly, finally drawing in a larger breath. Your side ignites in fire and you gasp, which only makes it hurt worse. Your hand flies to the wound, hovering over it. 
“Getting shot isn’t fun, is it?” She asks, not waiting for an answer. “Now there’s two ways we can do this. You can lay here and let me help you or I can have you sedated.”
“No,” you wave a hand at her. “No, don't do that.”
“Okay I won’t,” she assures. “But I’ve been at this long enough to know some people need a little extra help. It’s all right.” She pauses. “I still need to see the wound site. I’ll walk you through it every step of the way,” she offers.
“You will?” 
“Of course.”
You hesitate. Maybe it’s to stall a little longer. Maybe because you actually care. “You’re not worried about being in here alone with me?”
“Why would I be? You’re not going to attack me, are you?”
“No,” you say. “But you have to be wondering why I’ve got a couple of angry looking sitters.”
“Sure,” she shrugs. “‘I’m curious. But I don’t make a habit of judging people I don’t know. And besides. I’m a doctor. I’d treat you no matter what.”
“So there’s no limit?”
“No, I’ve got a limit.”
“Yeah? What’s that?”
“It’s for people who think they can talk their way out of treatment,” she says, looking you in the eye. “Come on.”
Slowly, you maneuver your right arm out of the t-shirt. The movement stretches your side and it hurts but you grit your teeth and push through the pain. You leave your shirt on around your neck and left side. The wound is still oozing blood just above your right hip. You figure she has enough room to work.
Doctor Cho sighs. She takes a once-over glance at your body. Her attention locks on the bullet wound then flickers to your back then refocuses again. 
“You’re probably going to want to lay down.”
You oblige and she comes over with gloves on her hands but no mask on her face. You’re grateful for this. The doctors in the Red Room always wore masks and headgear that made them look less human. They also didn’t talk. Not to you anyway. And their notes always had the word “Subject 094” instead of your name.
You swallow as she sits on a stool by your side with a pair of forceps and a pen light. You don’t know when you'd gotten so sweaty. 
“I’m going to locate the bullet and extract it. Sound good?”
You nod and she waits. “Yes,” you say. 
She clicks on the flashlight and puts a cool hand on your stomach. “Last chance. You sure you don’t want to go under for this?”
“I’m sure.”
She presses down lightly with two fingers around the entry site. It hurts but it doesn’t really hurt until the fourth spot she touches. You suck in air through your teeth and clench your fists.
“I started working in the medical field because I wanted to cure cancer,” she says. “My passion was research, but my parents wanted me to get my M.D. They said there’s no success in research. So I did both. I have an M.D. for them and a Ph.D. in biomedical research for myself.” 
You focus on her words, imagining a younger Doctor Cho in your mind. She can’t be much older than you. “You must be some kind of genius,” you grit around a clenched jaw.
She blushes, and even though there’s a pair of forceps lodged way too deep inside your torso the pain eases a little. “Nothing like that. I just worked hard. And you know the crazy part? I ended up loving the patient work almost as much as I loved running tests in a lab. So my parents had the right idea after all, just for the wrong reasons.”
You’re looking at her face now instead of her hands and trying to memorize the slight purse in her lips and the brightness in her eyes. This is her arena, her fight.
“Сука!” You curse and jolt a little.
“Steady,” she says. “I’ve got it. Just have to pull it out.”
You try to draw in deep, steady breaths through your nose and out your mouth. “Great.” You can’t watch anymore so you squeeze your eyes shut and tell yourself pain is only a mental construct even though it really doesn’t feel that way right now.
There’s a clink and a rattle and Doctor Cho says, “The hard part is done. I’m going to clean, stitch, and bandage you now.”
“So you’ve given up on curing cancer to take bullets out of idiots instead?”
“No. Actually, I work in research almost full time now. They’ve got a pretty nice lab here. You should stop by, if you’re not too busy catching more bullets.” She doesn’t look you in the eye as she says this. 
“This is my first time getting shot.”
“There shouldn’t be a first time,” she counters.
“You said you do research almost full time now. Should I feel special, then?” You smile.
“Don’t get ahead of yourself. You’re a disturbance to my day off, actually.” She takes a bottle of water and flushes it through your wound. 
You hiss. “Please remind me never to get shot again.”
“If you come through here injured again I’ll kick you out,” she says, smiling. “I thought you all had armor for this type of thing. What’s it called, again? Oh, yeah. A bulletproof vest.” She wipes the rest of the blood from your skin.
“I don't wear those. Too much of a restriction on movement. Agility is the most important thing out there.”
“I don’t know about that. Sounds like I’d want this thing that keeps me from ending up on the wrong side of this bed.”
You shrug. Because she’s running thread through your skin and it hurts more than you try to let on. Maybe she has a point.
Doctor Cho retrieves a roll of bandages from a cabinet in the corner. “This part will be easier if you stand up.”
You stand and stumble. You have to catch yourself on her shoulder. “Sorry,” you say. “Might have lost a little bit of blood recently.”
“You don’t say.”
You fix her nametag, the picture smiling shyly back at you.
She wraps the bandage taught around your stomach. “No strenuous activity until I clear you, understand? Nothing that raises your heart rate too much. And I want to see you back in three days. Think you can manage?”
You shrug back into your shirt. “Does that mean I can’t go to my underground fighting club tonight?”
She makes an overexaggerated frown. “I’m afraid so.”
“Thank you, Doctor Cho,” you say earnestly.
“Don’t mention it.” And as you put your hand on the door knob, she adds, “Call me Helen.”
You smile over your shoulder. “See you in a few days Helen.” 
Your personal guards march you down to Kremer’s office. You tell them you’re sure you can get there on your own but they’re not in all that talkative of a mood.
Kremer is standing over his desk, arms braced against the wood like he’s trying to ground himself. He has his glasses on but removes them when you enter. He makes a dismissive motion with his hand and the guards disappear, shutting the door behind them.
“Sit down,” he says. When you don’t move he says it again, louder. “Sit down! That’s an order.”
You sit but he doesn’t. He stands, hovering over you like some angry buzzard.
“What the fuck was that? I’ve got a dozen eyewitness reports saying you beheaded some defenseless woman. You want to tell me something different happened?”
“Sir,” you start, cautiously. Because even though a plan is already in your mind to bolt you would rather not have to sleep with one eye open tonight. “I don’t know how you have a dozen eyewitness reports. Agent Hunter was the only one present for the moment of death.”
“I don’t care,” he says. “I don’t fucking care if it was one person or fifty people or just God himself as witness. Did you do it?” “She shot me first. She wasn’t exactly defenseless.”
Kremer mutters to himself under his breath. “But you didn’t need to chop her goddamn head off! I’ve seen the pictures. Looks like an excessive use of force to me. Was she threatening you when you did it?”
“She could’ve had another weapon under her shirt or in her waistband. I made a call.”
“Hunter said she was sobbing, begging you not to kill her.”
“That doesn’t mean anything! She could have been acting. I’ve seen it done a hundred times.”
“You Reds and your excuses,” he shakes his head. “It’s my ass when you pull some stunt like this, do you understand? I don’t know how you did it back in Russia but here we don’t go around beheading people like barbarians. And if you don’t want to end up in some hellhole I suggest you get yourself up to our bar, quickly.”
“You think I did that just because? The bitch shot me first! I just spent twenty minutes having a bullet dug out of my stomach because of her.”
“Yeah, I think you did,” he points a finger at you. “I think you’re a fucking animal who was just waiting for some excuse to make another person suffer. I know your type. You get off on this kind of violence. If it was up to me you’d be rotting out in the middle of the ocean right now.”
“What the fuck?” You sputter. “I don’t–”
“We’re done here. You’re on a month’s suspension.” He sighs, putting his glasses on and sitting down. “But if you step one toe out of line you’re out of here.”
You stand up far too quickly. The ache in your side flares like you’ve ripped it open again. 
“And I think you should know,” he adds. “Fury has given me complete authority over this matter. Whether you stay or go is my call.”
You salute him before you go, pretending your eyes could burn holes through his skull.
The agents turned guards aren’t waiting for you when you leave Kremer’s office so you head back to your room. Your side hurts even worse now. The adrenaline has worn off. Every step you take makes you want to sink to the floor. 
By the time you make it across campus to the barracks you’re sweating a little and breathing hard. You’ll have to tell Helen you broke her rule. 
Natalia is in your room, sitting on the edge of the bed in her mission suit. Her hair is still braided back, little flyaways sticking to the back of her neck. 
“How did you get in here?” You ask.
“You’re all right,” she says in relief. She crosses the room, one hand on the side of your neck, the other on your cheek. 
“Yeah,” you breathe, putting a hand on her arm. “Can I sit? I’m not exactly totally good.” You don’t wait for her to answer before almost collapsing into the chair at the desk in the corner.
“What happened?” You look up at her, thinking about how you saw her in the crowd. How she didn’t come up to you. Didn’t defend you.
“I was shot,” you say. You lift the edge of your shirt up, just enough to reveal the bandage.
She sits on the bed again. “And?” She prompts, head tilted slightly. 
“And I got it patched. But it still hurts,” you say. Because you’re not going to give her what she wants to know yet. She has to play her hand first.
“I heard what happened. On the jet. People were talking.”
“People were talking,” you say, looking away and nodding your head. 
“They were,” she answers. “And I thought maybe you weren’t coming back. You know how people like to talk. Things get embellished. But you’re okay. They let you off. Right?”
“I don’t know,” you say flatly. You look right at her so she can’t hide. “Were they embellishing? You can cut the shit Natalia. I know you were there.”
She is quiet, but she doesn’t look away. “I saw the aftermath. That doesn’t mean I know what happened. Only you can know that.”
“Why don’t you ask your buddy Matt?” You spit his name like it is a curse. “He saw most of it. And I’m sure he wasn’t shy about telling everyone.”
She stands, says your name. She is already close, but takes two steps to completely close the distance anyhow. “I don’t care about what happened. I just care that you’re okay.”
You look up at her. She is frowning down at you like you are some wounded dog. You want to ask her why she did not ask this thing when you were standing alone, a dozen pairs of eyes on you. But you know. Oh you know. She did not want their judgement to pass to her, did not want to be seen with the outsider with blood on their hands.
And maybe, part of her was scared of him too.
So you don’t ask. Instead, you say, “And if I told you they were outside the door waiting to take me away?” You come back to a way she has already disappointed you.
She takes a breath. You search her face. She searches yours. “Then you would need to disappear.” You wait for the second part. About how she would let you go but in a month’s or year’s time it would be her sent to hunt you down. It would be her with the gun to your head. Because she was the only one smart enough to find you, ruthless enough to betray you. She was the only one you would ever lose to.
You lower your head. You need to stop pulling open this wound. Things are hard enough.
But then. She rakes a hand through your hair. “And I would need to disappear too. I’d kill everyone in here for you, you know that. If it came down to it, I would leave with you too.”
This is new. She has not yet chosen you over them. You feel an opening.
Your head snaps back up. “We can go.”
“But they’re not coming. They’re giving you a chance.”
“I don’t want a chance,” you say. 
“Don’t say that,” she shakes her head. “You can’t say that.”
“Why are you so adamant about staying here?” You are getting frustrated. “You left the Red Room because you were a pawn but now you want to serve some other cause. It doesn’t make sense.”
“Because I’m not going to spend my life on the run, in the shadows. Not when I can do something with it.” She sighs, her gaze turning melancholic. “I need. I need to make up for all the pain I’ve caused.”
“There’s nothing to make up for,” you argue. She was already perfect. “The world needs a little pain. Humanity will never go in the right direction without it.”
She shakes her head. “We can’t control everything.” She puts her hand on your cheek. You hate yourself for leaning into it. You hate her because she knows how to make you pliant. 
You think of all the other times she’s touched you like this, the times she’s made you feel chosen only to turn away the next moment with apathy in her eyes. Because she is a mask of indifference, a one-night flirt. But for you she’s made an exception. You’ve seen her come apart, seen her struggle to be human. But still. Some part of you whispers, “trap.” She is just using you to keep herself afloat. After all, she is first and foremost a survivor. If anyone was going to make it out alive it would be her.
“But we could,” you say.
“No,” is her only answer. She says it like she is watching you drift away and she cannot follow. 
Maybe you are. Or maybe she is the one leaving you.
You dread having to talk to Willem after the incident. You know what he is going to ask about before he opens his mouth.
“I heard you had an eventful last week.”
“Are you going to lecture me too?”
“Maybe,” he smiles. It’s a cheeky smile without teeth, but the corners of his eyes wrinkle all the same. “I heard you got yourself on some kind of double probation. I didn’t know that was possible.”
“You hear what I did?” You ask. Part of you hopes he hasn’t. You’d never admit it, but you don’t mind him. Whatever this was was weird. But it would be a shame for it to change now.
“No,” he says. “And I don’t care to. I want to know what you think. I’ve known Kremer for a long time. He’s a hard ass.”
“You’re telling me,” you scoff. “He needs to come in here.”
Willem laughs. It’s a nice, hearty sound. But he keeps whatever he had found funny to himself. He steadies himself with a hand on his knee. “You think he’s unfair.”
“I mean, yeah. He doesn’t give me the time of day. It’s like he’s out to get me.”
“Do you think he was wrong to suspend you?”
You hesitate. “I don’t know,” you shrug.
“Oh, come on, you can do better than that.”
You hated Kremer but you also hadn’t lost control like that in a long time. But that wasn’t exactly your fault either. She was dead the moment she pointed a gun at you. What did it matter how you’d done her in? And she’d only shot you because you’d hesitated. That was Kremer’s fault for yelling at you so much about restraint. You pivot instead. “Have you ever killed anybody?”
Willem frowns at that. You think it’s not so much at the content of the question, but at your lack of answer for his. “Yes,” he replies.
You wave your hand in a vague gesture. “Then you know.”
“You’re going to have to be a little more specific.”
“The feeling,” you wave again. “I don’t know. That rush when you, you know.” 
“The bloodlust,” he supplies.
“Sure,” you say. “That seems a little extreme.” 
“That’s the name we had for it in the army. Everyone had a similar story. Some guy in their platoon you wouldn’t have thought would make it a week. He’s too skinny or he wets the bed or he cries at night. Whatever. But by some miracle he survives. And one day he’s toe-to-toe with some enemy combatant. Everyone thinks he’s a goner. But he gets his first kill. And it’s not from some machine gun a few hundred yards away or a mine he rigged up. No. This is personal, it’s bloody. From then on the guy’s an animal. Nobody makes fun of him anymore cause he might claw your eyes out. The bloodlust.”
You shake your head. “Not like that. Just in the moment. When it’s you or them. Everything else fades out. You get this urge. Like something has to break. And it can’t be you.”
“Sure,” he says. “In the moment. But you can’t go on living like that all the time. Or you end up like that batshit private.”
“That’s all it was,” you say. “I don’t get why it’s not acceptable for me to blow off a little steam.”
“Because it’s dangerous. If you can’t control yourself you shouldn’t be out there.”
“So you’re taking Kremer’s side, now?”
“It’s not about sides. But you have a job to do. And there’s standards you have to abide by. You think I could do this if I flew off the handle with every client?”
“You’ve yelled at me,” you point out.
“You’re the exception.”
You roll your eyes.
“Do you feel good about what you do?” He asks.
“I don’t feel bad about it,” you say, although it’s only a half-truth. You used to feel terrible when you had to hurt someone. You didn’t want to do that. But time went by and you got used to it. You had to. There’s only a twinge left now. You call it respect for the dead.
“Let me rephrase. Do you like what you do?”
“Define ‘like.’”
He ponders for a second. “If you were free to do anything you wanted, would you still be here?”
“That’s a stupid hypothetical. No one is free to just do as they please.”
“I think we are. Or at least we should be.”
“So walk up out of here right now,” you say, gesturing at the door. “Try your luck begging for money on the street. See how you like your freedom then.”
“I’ve walked away once before. That’s how I ended up here.” Of course he’s got a story for everything. “My first job after I left the military was private security. Ex-military means a lot more to civilians than it does to anyone who actually served. It was nice. I never once pulled out my gun. I had to babysit these assholes who thought way too much of themselves but it paid. About two-and-a-half times what I’m doing here. And all I needed was my high school degree.
I worked awful hours. Wasn’t at home much. But it didn’t matter because I was supporting them. Giving them the life my father couldn’t give me.
Then I got this gig. Full-time bodyguard for some idiot who was going to pay half a million a year. I took it and realized I wasn’t happy. My family wasn’t happy. So one night I don’t show up. They called and I said I couldn’t make it. My kid had a ball game.”
“You just left?” You ask.
“Yes. I realized life is short, and you only get one. I needed to reprioritize, so I did.” Willem pauses to give you that look he always does. As if you can’t hear him if he doesn’t stare you down “It can be done. So let me ask you again.You’ve been given a second chance. What the hell are you going to do with it?”
“Of course that’s what this is about,” you say, throwing yourself into the chair back. “You just want to make sure I’m on the right side. You and Kremer playing ‘good cop, bad cop.’”
“Cut the crap,” he retorts. “I couldn’t care less about that. You’ve been given a fresh start. You have a world of opportunity ahead of you and you’re throwing it away. Do you know how many people would kill to have a re-do like this?
“I didn’t ask for this,” you say, throwing your hands up.
“Then why are you still here?” He asks, his voice flat. “Someone like you, the prodigy you are doesn’t just get taken in by the enemy without a fight. And he certainly doesn’t stick around for no reason.” 
You are silent. You can’t admit that you came here for Natalia. And you definitely can’t admit you’ve stayed because this place hasn’t been so bad after all.
“Nothing to say?” He taunts. 
You don’t answer.
“Then we’re done here.” He stands and walks to the door.
“What?” You ask, incredulous. Because he can’t just quit. That’s not how this works. You jump up and follow him.
“You think you’re some martyr,” he says, opening the door. “You’re crucifying yourself for things you’ve been given a real chance to overcome. I’m not here to watch you jump into an early grave.”
“Fuck off,” you yell, slamming the door shut. “You want to talk about martyrdom? Why haven’t you made amends with your wife?”
“Because I did a terrible thing,” he says in that annoyingly calm voice of his.
“You fucked up!” You pace a few steps away. “But you don’t want to put in the work to fix yourself. So much for all the love you have for your family.”
“That’s my call to make.”
“That’s right. It’s your fucking call and you’re making the wrong one. Some people they fuck up and they own up to it! What are you doing? Coming in here and hiding behind someone else’s problems so you don’t have to look at what a mess your own life is!” You’re shouting and you can’t keep your hands still. 
He stands across from you, hands in his pockets. He says your name, tells you to look at him. “Why are you here?”
You stop and put your arms down. Because he is calm, and you are not. It’s like nothing you’ve said has stuck. 
“Look at you, tough guy. You’ve got a smart remark for everything but you won’t answer this simple question. Because you can’t face the truth.”
He opens the door again. And this time, you walk through it.
You wake tied to a chair. It is because your eyelids are heavy like lead that you jerk and try to escape without reason first. You breathe from your nose because when you tried to take a panicked inhale through your mouth there was something gagging you out. 
Look who’s awake, a deep voice says. Looks like you won the bet.
You settle because the rope wrapping over the entire length of both your forearms and your ankles gives you no other choice. You are stripped down to your underwear but still you sweat. You are in what looks like an office with the furniture removed. There is a man you do not recognize and a woman you do.
Evgenia looks nothing like the woman you have been working on and off with for six years. Nothing like the woman who scolded you but not for the same reason as anyone in the Red Room. She told you you had to stop hiding your injuries because you are a kid and not a dog and showed you the real world was not as intense of a picture as you believed. 
She showed you new foods and taught you the songs her grandma taught her even though she could not sing. And one night after a particularly gruelling mission she told you you had to draw lines between what was okay and what was not. That nobody could tell you what those were except yourself. You have to listen in here, she said, pointing to your heart. And don’t let anyone tell you otherwise.
There is more to life than just the fight. You just need to look up.
Her face was also the one you saw as you felt a prick in your neck and a tiredness began to consume your body.
You look at her now, at her cold gaze and think what a glorious trick she has pulled on you. You challenge her to be the first to look away as you search for an ounce of guilt in her posture and find none. In the end it is you who breaks away first.
The man, who is dressed in a black shirt and black pants approaches you and takes the gag from your mouth. He tells you he has a few questions about Dreykov and the Red Room. He tells you you all are an outdated parasite on modern Russia and need to be excised. Let me demonstrate, he says, picking up a thin knife. He grabs your bicep and you try to jerk away but the rest of your arm is tied down and even though you are awake the world still feels out of focus.
Everything becomes clear real fast when he starts sawing at your arm. You don’t scream, managing to minimize your agony into a series of gasps and grunts. This is a yet undiscovered pain. He comes away with a little piece of your skin. He holds it in front of your face and flaps it like it is some sort of banner. Like this, he says. You know the air is not burning even if your arm is trying to tell you it is.
You look at Evgenia. She is standing back a few paces, arms crossed. 
Where is the Red Room? The man asks.
I’m not telling shit, you say, even though it feels a little like your brain is having trouble connecting to your mouth. You think I’m some traitor? You would all be lost without us. Dreykov is going to–
He slices at you again, this time on your shoulder and you can’t stifle the yell that emerges. You clench your fists and fight to get away but it's no use. 
You can’t help but look at Zhenya like she is a source of comfort. Like she might help you. She says your name. Just tell him and this can end. Please, you don’t have to do this to yourself.
Go to hell, you grit. The man grips you by the hair and takes a large patch of skin from your neck. You scream. You had never thought there could be this much pain without a single drop of blood.
He steps back. Where is the Red Room? You stare at him, breathing hard. The rope digs into your skin. You ache to put your hands around his throat. You are going to regret this, you say. You should know who you’re messing with. 
Oh, he says, cocky. He waves the knife at you. But no one will know it was us, you see. 
Kill me, go ahead.
I’m not going to kill you, no. You’re very valuable property. Very marketable. You are only the second man in history to get Russian version of super serum and not go batshit insane. Did you know this? Yes, there are powerful people who would pay a lot to have you in their arsenal. And they already have. You’ll be someone else’s little hound soon. And guessing at who our buyer is, you won’t even remember this conversation after they do what they do.
He holds the knife to your cheek. Too bad keeping this pretty face intact was not a part of the deal.
Wait, Evgenia speaks up. Let me.
He backs off and shrugs. All right.
She takes the scalpel and kneels before you. Hey, she says. Hey, hey, look at me. You must still be pretty out of it because you thought you were looking at her. Just tell us what we want to know and this can end. Don’t make me do this. 
You are looking into her eyes and you think you see a little bit of the woman you thought she was. I trusted you, you whisper.
I know, she frowns, mocking. I’m sorry. She starts to cut at the skin on your thigh. It feels more painful than any of the other times because she is the one doing it. You watch the strip of skin come loose and then think you must be dreaming because she turns away and rushes at the man. 
She stabs him in the stomach with the scalpel and throws a punch at his head. He is caught off guard and stumbles back. Without hesitation he rips out the blade and swipes at Zhenya. She takes a couple of quick steps back. 
You strain anew at the rope holding you down but it is thick and unforgiving and wrapped around your arms and legs like a python. 
He presses forward with the blade out, forcing her to work around him. She takes a step too close and he slices her across the stomach. Blood begins to bloom and stain her shirt a shade darker. But she is quick, she cuts at his wrist and forces him to drop the knife. Then, without missing a beat, she tackles him to the ground.
But he is bigger than her, stronger. He shoves her into the wall and dives for the scalpel. It lies just outside of his reach. Evgenia seizes the opportunity. She kicks it farther from his grasp and scoops it up. 
She turns around just as he tries to get her from behind. The scalpel cuts deep through his throat. Blood sprays from his neck onto her face as if from a fountain. His hands raise and try to staunch the bleeding but it is already too late. He falls first to his knees and then flat on the floor. He gurgles as he tries to draw his final breaths and then it is quiet. 
Zhenya stumbles backward, holding the wound on her stomach. You are still trying in vain to break free from your bonds. She curses and comes to you with the knife. You flinch a little when she points it at you. She apologizes. I didn’t know what to do, she says. This was the only way. I didn’t want to hurt you.
It’s okay, you tell her as she saws through the coils and coils of rope. You forgive her easily, instantly. You don’t think you could have been mad even if she truly had betrayed you. Because you will always be that twelve year old kid with fists aching from the weight of your anger. And she will always be the one to catch your wrists and demand you let go. 
She gets your clothes for you and you try to ignore how the fabric sets your raw skin aflame. Then, you stare down at the body of the other SVR agent. Zhenya has made herself a traitor because of you. She has ruined her life. You are not worth that sort of action. You shouldn’t have done that, you say. You should’ve let him have me.
No, she says. You are where I draw my line.
Her words make your heart pound and your face heat up. You will not cry because you haven’t for years and it would be ridiculous to now. You have recently turned eighteen after all. You are a proper adult now with proper responsibilities. That’s why they came after you.
You’re going to have to disappear, you say. 
I know.
I can’t know where you go.
I’ll find you, she says. When it’s safe. I promise.
You want to say it will never be safe. But you cannot entertain the notion you will never see her again. When it’s time you walk out first. So when they ask you where she went you can look them in the eye and say you don’t know.
Two months later and you have been carving room out for yourself. There is no back so you look forward. You tell yourself you can leave anytime you want. 
The hole in your side has healed, thanks to Doctor Cho. You went and saw her three days later like she’d asked. You checked the medical wing first, asking after her. Most of the staff avoided looking at you, but one nurse told you she didn’t work around here anymore and that you should check the laboratory building.
You thanked her and apologized for the disturbance. Perhaps your reputation was getting a little too out of hand after all.
The scientists in the research building weren’t much better either. They all stared at you when you entered, but that might just have been because they’re not used to talking to a huge circle of people.
“I’m looking for Doctor Helen Cho,” you said.
You were directed down a hall and into a different room. She was there, black hair tied up in a bun, talking to another person in a white coat.
“Doctor Cho,” you said, feeling somewhat off-put in this place. You couldn’t even name half of the equipment in here. 
She turned around, a smile lighting up her face when she saw you. That was nice. It didn’t happen with a lot of other people. She greeted you. “Let me wash my hands,” she said. “We can talk in my office.”
She discarded her gloves and safety glasses and the two of you walked down the hall into a small office.
“How are you feeling?” She asked, sitting on the edge of her desk.
“Okay,” you replied. “All things considered.”
“Can I take a look?” 
You shrugged. “What am I here for?”
She unwrapped the bandage and stared down at your side. You could see the gears turning in her head. “Well this isn’t right,” she said.
You couldn’t help but smile, just the edge of your mouth turning up. “Am I going to die, doc? Don’t tell me it’s too late.”
She shook her head, still unable to look away from the wound. “No,” she replied, so enraptured she’d missed your joking tone. “This is. This is incredible. It looks like a graze wound. Are you sure you got shot?”
“I didn’t let you take a bullet out of me for kicks.”
Now she looked up at you, eyes wide. You were smiling because her awe was infectious. You’d never impressed someone like this before. You were never good enough. They always wanted you to be faster, stronger, more durable. But the way she was looking at you said this was more than enough.
“How?” She breathed.
“I heal fast,” you said. 
She laughed and you found yourself thinking of more ways to draw the sound out of her. “No shit,” she said. “But I mean, this should be impossible. It won’t even scar.”
“You’re the genius scientist,” you said. “I don’t know how it works either, to tell you the truth.”
“I’ve never heard of anybody having genetics like this. But I suppose it’s possible. People have different heights and intellectual traits. Your cells must be able to process energy at triple the rate of anyone else.”
You tilted your head. “Eh, not exactly.” Then you paused because you’ve never talked to anyone about this before. And it was sensitive information. You eyed the woman in front of you. If you told her about the serum they’d stuck in your veins maybe she’d tell someone else, and then you’d be a rat in a cage. You couldn’t. So you smiled and said, “I should get back.”
For a second you thought she might press for more. She looked like she had a million more questions. “Do you think you have time for me to show you the lab?” Was all she said. 
You sighed in relief. You decided you liked her. So you let her take you into the lab and explain all the things you’d never understand. She was excited because they were on the edge of a breakthrough, she could feel it. She told you she was working on growing tissue so they wouldn’t have to rely so much on transplants. She hoped their work would save a lot of lives some day. She would be happy if she lived to the day it would save just one.
She was almost winded when she’d finished speaking. “Sorry,” she shook her head bashfully. “I’m not usually so talkative.”
“It’s all right,” you said. And it was. Because you’d had more attention on you in the last week than you thought you could handle. “The world needs more people like you.”
“What do you mean?”
“You’re good. You’re not doing this for yourself. You’re going to help a lot of people.”
She looked down at her shoes. “I hope so.” When she looked back up at you her cheeks were a little red. “We should talk again. Outside of work.”
“That sounds nice,” you agreed.
Now you have come back from a mission gone slightly awry. The intelligence had been perfect, the lab waiting for you like a glowing jewel hidden beneath depths of concrete maze. There was nowhere to run when you broke the doors down and aired the place out.
The lead scientist put his hands up as soon as the bodies of his colleagues hit the floor. You were supposed to bring him in for questioning. You are looking right at the man and his empty hands when there is shouting and a single gunshot.
The target is dead, his head all exploded like rotten fruit. Ward holsters his gun. He says he thought the man had been reaching for a weapon. And that’s what all four of you report when Agent Hill asks you about it later.
It’s a problem because you are supposed to be the most seasoned strike team there is. It’s a problem because that scientist also functioned as an administrator and he could have led you to more cells.
It’s a problem because it’s not the first time something like this has happened.
It’s the third one since you’ve been here. There was the neo-Nazi who claimed he was part of a huge underground organization and the Russian politician who swore he would tell all in exchange for asylum. Both of them had become suddenly violent at the moment you tried to bring them in. Both are now dead.
The first time you had been confused. Then Rumlow looked you dead on and smiled, holding his index finger over his lips. Then you understood why they wanted you on their team.
Because they are imperfect, and so are you.
So you don’t tell your superiors the target had been subdued at the time of death. And they believe you because strikers are always like this, a little jumpy and a little imprecise. Consequences of pulling from ex-military and ex-police force pools.
But now you’re getting back from a long flight and an even longer debrief and Natalia is in your room with her arms crossed and an indecipherable look on her face. You’ve been on good terms. But you haven’t done that thing which is not a thing because it’s nothing where you lay with each other in the dark and communicate without speaking. 
So you find it odd that she’s in your room. 
“Hi,” you say, like a question.
“What are you up to?” She’s not asking what your plans are for the day. It’s dark out, and you’re exhausted.
You shake your head. “What are you talking about?”
“Maria is pissed. About the mission. And so is Fury.”
“So? It’s a shame the mission went bad but the target was hostile. He might’ve shot one of us. We’ll get the next guy.”
“Except this is the third time something like this has happened in as many months,” she says, slowly. “And you don’t make mistakes.”
You aren’t alarmed. She’s smart, smarter than you maybe. So you keep your face and body still like you’ve been taught and say, “I don’t. But they do. You must know I was never the one to pull the trigger.”
She huffs because you’re right. On paper nothing is afoot. But you know she has a feeling. You’re stubborn but so is she. “If something is going on you can tell me.”
“Nothing is going on,” you lie. Something definitely is. But you don’t care.
“I’m trying to help you,” she says. “Those agents you work with, you can’t trust them.”
“And how would you know that?”
“Because Clint,” she pauses to rub at her temple, “he doesn’t like them.”
“And that’s the end of the conversation?” You scoff. “Your new buddy says one bad thing and my team is suddenly suspicious.” 
“It’s not just him. Your ‘team,’ is made up of a bunch of assholes. Everyone knows it.”
“I didn’t know you held such high moral standards. Tell me, what is your squad up to, huh? You go out and you spy on people so you can throw them a big party?” You don’t want to be angry, not with her, but she is different now. She is jumping on you when she always used to give you the benefit of the doubt, when she always used to be on your side.
She has become a stranger and now she thinks she can barge back in and make you behave as she sees fit. Perhaps you never knew her in the first place.
“I never said that,” she says.
“No, but you think you’re better than everyone else. You always have. And now you’re acting all righteous because the director has made you his pet project.”
“You’re one to talk.”
“What does that mean?”
She scoffs. “Really? Dreykov Junior?”
“I’m not his son.”
“No, you just wish you were.”
You turn away and take a deep breath. 
Her voice is closer and softer the next time she speaks. “I didn’t mean for this to get so out of hand.”
You shake your head as if the motion would fling all the anger away like it was some pesky bug. “Me neither.” “I just wanted to make sure you weren’t in trouble. That’s all. I wanted to help you.”
You turn back to face her. “I don’t need help.”
“But you do.” Her face is a stone wall, a chiseled mask of indifference. 
You blink at her. It is dark outside, and you are exhausted. Your quarters which have always felt a little like a jail cell shrink in on you. “What?”
She sighs, like you are a child who doesn’t understand. “They think you’re a spy,” she hisses, like she’s not supposed to be telling you this. “They think you are a spy and that you are trying to find a way to bring them down.”
“I’m not.” They have it all wrong, you want to say. You’ve been exiled, but you can’t tell them that. Because then they’d know you’re cornered, and there’s nothing more vulnerable than being caught with your back to the wall.
“Then why are you here?” She asks. And you feel like she’s pushed you off the top of the building. Because she is truly asking this question. She thinks you are working against them too. Working against her. “You came here to retrieve me, right? And I said I’m not going back to that hellhole. So you have a new mission.”
You must have some sort of surprise on your face because something clicks in her eyes, like she’s solved a mystery. But you can’t tell her that no, no one sent you here after her, because she’d ask you why you had jumped ship like an idiot and you’d have to tell her you were scared. You don’t have the words to describe how panic had seized you by the throat when news of her capture reached you. How even the daydream of her death made you want to die too.
Because you are not a savior. And she is not supposed to be worth saving anyway. Everyone is expendable. No one is special. And she was just a warm body all those years.
And because you cannot say all this, cannot accept that you ruined your life like some emotion-poisoned whore, you say, “You don’t understand.”
She is quicker with her response, because she has the power. She has always had the power between the two of you. “Then help me understand.”
You shake your head more furiously and back away. “Why do you even care, huh?”
“Because I want to understand you! You have to give me something. You have to show them you’re trying.”
“I am trying.” Could she not see that? How you were killing yourself everyday you woke up in the name of S.H.I.E.L.D.? You shake out the wrist you normally wear your watch on.
“But they don’t think so. You can do better.” She approaches you a little too quickly. You can’t tell if her outstretched hands are trying to support you or strangle you.
You seize her by the shoulders before she can touch you. “That’s what this is about? You’re worried I might be a stain on your reputation?” You are loud but you don’t care because you are furious.
“No. No, I never said that. I don’t care about my reputation. I want to help you, but I can’t because I don’t recognize you anymore!”
Her face is flushed red like it’s never been before and it scares you so you let her go. “You think I need help?” You throw your arms up because she is ridiculous and so are you. “You think I can’t handle this?” And she is shaking her head and getting redder and the corners of her mouth are turned down in the shape of a frown. She is saying no but you aren’t hearing her. “My whole life I’ve been handling everything just fine! And guess what. I have never needed you.” You’re pointing at her and every time you shake your fist it feels like pulling the trigger of a gun.
“You think I don’t know what you’ve been through? I was there too. I get it but it is no excuse to keep protecting them!”
“It’s not that simple.” Because you had fought and you had suffered and you had had a role to fill. You still do. No, you weren’t just going to accept that you’d lost and roll over for the enemy. You can’t.
“It is!” She says. “S.H.I.E.L.D. is not perfect, but it is a fucking haven compared to back there. Why can’t you see that?”
“Because I’m not willing to turn my back on things so easily. I can’t just run from one thing to the next, changing who I am to fit in. I’m not like you.”
“Well then you are an idiot and a coward. And I see right through you.” You believe her. You feel so exposed under her gaze. “I’m not pretending to be someone else to fit in. I’m trying to be more than them, to be better. Fuck you.”
“Yeah? At least I’m not a spineless traitor. How could you leave? What has S.H.I.E.L.D. ever done for you?”
“Are you being serious right now?”
“Yes! The Red Room gave us everything.”
“The Red Room didn’t give us anything. It took our choices and our lives and it’s taking still. Look at yourself!” She thrusts her arms out at you and you flinch. Just a little, but you know she sees. Because you thought she didn’t care about all the ways in which you are ruined.
“I am better for all they put me through. It wasn’t easy, sure, but I’m not crying about it. They saved me!” You eye her, up and down, pretending you hate her. “And where would you be without them? Starving and pregnant by some guy you married who spends all his money on booze?”
“You’re fucking unbelieveable. I am not who I am because of them. I made myself.” She glares at you. You can’t look away. You hate this intimacy. She speaks slowly, making sure you hear every letter. “But they broke you.”
“I’m not broken,” you say, low, like the warning of thunder. You’ve been made in their image.
“You are! It’s not normal to beat children because they do not act like soldiers. It’s not normal to think of sex as a means to an end at twelve years old. But you still think it is! You think it’s all okay when it’s not! You are stuck with what they have told us and you’re too scared to break out.”
“I’m the scared one? You’re the one who ran away because she couldn’t handle it!”
“Maybe you’re not scared. But you should be. You should be terrified of the person you’ve become. Because the boy I knew, the boy who would take a slap over having to slap someone else wouldn’t be okay with this. But they told you you were the chosen one and suddenly it’s okay to let others suffer because you’re on top, right? You’ve forgotten what it was like to be treated like a slave.
Things changed for you. You got your uniform and they told you your name meant something. But things didn’t change for me, or for any of the other widows. They are still trapped like the dirt under someone’s shoe. Their names don’t matter because they are called ‘whore’ and ‘weapon.’ Just like mine didn’t. Until I forced people to see me.”
Her words scare you because there is a truth in them you’ve pretended like you could manage. It’s why Svetlana always dreamed of running off. Why Ekaterina tried to kill you after you’d accidently walked in on her and Anastasia. 
But you can’t let go. There is fear and pain when you submit. But there is so much more if you dare to go against them.
You scowl. “Well who had a hand in making me ashamed of that kid? I changed because I was chasing after you.” You point at her. “Perfect little Natasha.”
“You think I wasn’t scared too?” She retorts.
“Fine,” you say. “I’m evil then, is that what you want to hear? If I’m so bad, why don’t you just kill me for it?” Your heart is racing like you’ve been in a fist fight and your muscles keep flexing like you’re about to hit something.
“I don’t want you dead. I don’t. You придурок, I never said that.” Her eyes are shiny like she might cry and it spooks you because you can count on one hand how many times she’s looked like that. “I want to help you. But I can’t when you don’t talk to me.”
“And I don’t need help. I’m not some victim! You want some explanation for why I’m not good like you? You want to hear how they used to take me downstairs and whip me until I passed out and that’s why I’m so messed up? How I got into an argument with Dreykov once and he broke my jaw? You don’t want to know that shit!”
She is shaking her head and speaking calmer now, but you don’t hear her. You are somewhere else, lost in the storm of all those nights you can’t quite remember right. You are drowning in anger. Yours and Dreykov’s and the Widows’ and the Madames’ and the guards’. Building and building in your chest because you cannot let it go, it is not in your nature to not feel, to not care. 
She is coming at you again and she looks a little like Marina did that one night you slept together only because you had never been taught to say no.
“Get off!” You yell. She is blocking the door so you make a fist and pound it into the drywall next to her head.
She grabs your wrists and tells you to calm down. She says your name. “Look at me. Look at me.”
“I am looking at you!”
“I didn’t know. I didn’t know. But this is what I’m talking about. These are the things you have to say. The things I don’t know about you.”
You sneer back at her because she is strong and you are not and it’s the only way to protect yourself. “Don’t act like you don’t have your secrets too. But you wouldn’t tell me because you have to be so perfect all the time.”
 “I couldn’t, you’re right. But I will now. I will. Trust me.”
“But you’re a widow,” you say, cold and sober. “How could I ever trust you?”
“You don’t mean that,” she says. Because what she hears you say is that she is not human. That all she’s ever been and ever could be is a weapon. “Look me in the eye and say you don’t trust me.”
So you do. You look her square in the eye and say, “I don’t trust you.” 
Then there is fire in her eyes as she stands there and stares. “I hope you’re proud of yourself. You really are just like him.”
You almost slap her. She is standing tall with her chin up like she is waiting for it and you think you should knock her down a peg. 
But you don’t. You just walk around her and leave. Because she isn’t worth it.
Continue
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anna-scribbles · 2 years ago
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what a shame, i can see it all now that we’re through
- firearm by lizzy mcalpine
(chapter 5 of call it even is making me feel bonkers insane. thank u @sha-nwa)
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f1amboyant · 2 months ago
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Training Season
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Charles had always liked football just fine. He played as a kid in the schoolyard with his classmates and was as bad at it as everyone else but laughed all the same. Then… Well, then he couldn’t really play anymore, but he still watched the games on TV and followed the big international events. He liked it just fine. But now. Now Charles was rethinking his love for the sport entirely. Come to think of it, he might actually love football. For his son, of course. And not at all for the coach running from one end of the pitch to the other with wild hair and high cheekbones tinted pink, short shorts and muscular hairy legs and an ass that–
OR: Single dad Charles takes his son to football practice and falls in love with the unfraily handsome coach: Carlos. Also, he may have a lot of trauma to work on, but who has the time?
explicit ~ 50k ~ AU, fluff and angst, trauma, mpreg, so much fluffffff
READ ON AO3
Charles had always liked football just fine. He played as a kid in the schoolyard with his classmates and was as bad at it as everyone else but laughed all the same. Then… Well, then he couldn’t really play anymore, but he still watched the games on TV and followed the big international events. He liked it just fine.
But now. Now Charles was rethinking his love for the sport entirely. Come to think of it, he might actually lovefootball.
For his son, of course. 
And not at all for the coach running from one end of the pitch to the other with wild hair and high cheekbones tinted pink, short shorts and muscular hairy legs and an ass that–
“Dad! Dad, did you see this? Dad! Look!”
Charles’ eyes snapped away from the coach’s posterior and settled back on the little boy with sandy hair and a bright red shirt and even brighter blue eyes.
“Did you see?” the boy asked excitedly, jumping on the green in front of the bench where Charles was sitting. “Did you see, Dad?”
“Yes, yes, of course, I saw. You’re doing amazing, Gab!” Charles lied through his teeth with cheeks as red as the shirt his son was wearing.
He didn’t see a thing, too focused on the coach instead of his own son.
Come on, Charles. You’re here for Gabriel, not to ogle the coach.
But to Charles’ defense, the coach was truly something to look at.
Surrounded by a dozen of excited and chaotic children running around everywhere, the man still ran twice as much as them, showing off his football skills. His t-shirt clang to his sweaty skin, hinting at muscular pecs and defined abs. His short shorts hiked up on his thick thighs showing way more than what was decent for Charles’ sanity. And truly he looked like a Greek god running around among mortals, if Charles could say so himself.
“Vamos, vamos, vamos!” the coach shouted, encouraging the children and oh no, Charles thought, was that Spanish? Poor Charles wasn’t ready for a sexy man like this one with an even sexier Spanish accent, no no no.
Charles tried very hard to focus on his son on the pitch. It lasted for half a minute before his gaze found the coach again. And apparently he wasn’t the only one ogling.
“Damn,” a woman sighed longingly behind Charles. “I would let that man do anything he wanted to me.”  
Her friend giggled.
“You are married, Susie,” the friend said. “Leave him for us, single gals, okay?”
Susie laughed and Charles risked a glance back, and yep, sure enough, the two middle-aged women followed the very same coach Charles was drooling over. Weren’t they a little old for him? But before he could ponder if yes or no, and that no, he shouldn’t shame women’s sexuality no matter their age, one of them noticed him.
“Oh, hi!” the one with the platinum square-cut hair said. Charles recognized Susie’s voice. “Sorry about that, dear. We can get a bit carried away with a man like this one. All the football moms are. You should see the group chat.”
She chuckled and Charles tried very hard not to blush.
“Sorry,” she said again, extending a hand. “I’m Susie, by the way.”
He shook her hand.
“I’m Charles. Gabriel is my son.”
“Oh, he’s such a sweet kid. And he looks a lot like you, I should have guessed. I don’t think we’ve seen you here before, though.”
“Busy with work.”
Charles tried (and failed) not to blush.
“Gabriel says you build houses,” Susan ventured carefully.
“I’m an architect.”
“Close enough,” she said with the knowing smile of a mother. “I'm Jack's mom, by the way. There’s a little gathering after practice next week. All the parents are invited to bring snacks and drinks. You’re probably busy but if you want, you are more than welcome to come. Gabriel’s mom, too.”
“Oh, it’s just me and Gab,” Charles mumbled but his shy reply was swallowed by the whistle ringing high in his ears and a cacophony of young voices heading straight for the stands and the changing rooms.
An armful of eight years old suddenly tackled him and Charles picked up his son, embracing sweat and dirt and grass and everything.
“Dad! Did you see all my moves? Did you see the goal I scored?”
“I did!”
He did not.
“I’m getting so good! The coach said so! And…”
The little boy babbled away in his dad’s ear as Charles waved a shy goodbye at Susie and the other mom, before going to the car. He risked a last glance at the pitch, but the coach was already gone.
“So, what’s the name of your coach, again?” Charles asked as innocently as he could when Gabriel paused in his incessant babbling just long enough to breathe in the back of the car.
In the rearview mirror, Charles could see the boy’s eyes sparkle at the mention of the coach.
“Carlos!” Gab shouted, grabbing the back of Charles’ seat. “He is so so cool and he is so so good at football. He teaches me all these tricks and…”
Charles smiled softly, listening to his son babble on and on about his favorite coach in the whole world and how talented and nice and funny and great and amazing and super and cool and awesome he was. For a second, Charles’ heart tugged with something like longing. A man, who was so sexy it hurt and so sweet with the kids, it had Charles’ belly in all sorts of little twists.
But no. No no no. Not possible, not happening.
Don’t even think about it, Charlie. That’s how you end up in trouble. These sorts of things never ended well for him.
He clenched his jaw, forced the devilishly handsome Spaniard out of his mind and called to Gabriel.
“We’re eating lasagna, tonight.”
“Oh. Okay,” the boy answered with no enthusiasm whatsoever.
“At Grandma’s,” Charles added and the smile was back on his son’s face.
“Yes!” the kid shouted, bouncing on the backseat happily.
Yeah, Charles could pretend he was hurt by Gabriel’s lack of confidence in his father’s cooking abilities, but truly the boy was right. Anyways, all was normal. Life was good, for Charles’ little family of two. He didn’t need anyone else.
(A little fantasy on the football coach couldn’t hurt, though, right?)
(Right.)
-> Read the rest on AO3
-> Back to navigation
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al-luviec · 4 months ago
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something simple to try to get out of art block (it didn't work)
#alek art#ninjago#zane julien#2024#i am very unhappy with this and sooo in order to feel better i am going to talk about him#system zane is very real to me. i always give him six main alters (but i do believe there is more lol)#systems cannot just pick and choose who front depending on the day i am very aware (i am a system) its more on the nose symbolism#the fifth one crossed out is the ice emperor. in canon he exists in zane's mind as an “alter ego” of sorts which is crazy to me#character has canon dissociative episodes... amnesia... and several different “personalities” / identities? sounds familiar idk#i talked a lot about this hc on my long ass zane hc post thanks for the ask btw npderzane#its not an au its just how i see him so just imagine every zane i draw as system zane. ill only specify it in the tags if its system related#that one post thats like. 'being a did system sucks which one of us poured instant coffee in the bathtub!' thats the average zane experience#he wakes up and everyones like “mannn zane you were going crazyyy on prime empire yesterday” and hes like ??? i did not play any video games#and then he looks at the calender and 6 months have passed. semi true story that happened to me#also alters having incredibly different food preferences is funny. zane doesnt eat anything ever vs boone who eats raw meat sometimes#zane having really weird characterization? and its very inconsistent / bad writing uhhh alek explanation is hes a system and nobody can mask#man its 1 pm :|#i hate this drawing so much i dont even want to look at it but it took time so ill post it#i also have another zane drawing in my drafts i should post. from like 2 months ago???
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salty-an-disco · 2 months ago
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here's this silly little thing with Quiet's character progression throughout their loops in my Heathens AU
Originally, was gonna do 3 confirmed loops (as in, the ones I'm gonna go in detail about for my AU, they could be looping indefinitely and never even know, but these are the ones that matter for the story), but decided to go with 4 cuz it fits better for the character arc I have in mind for Quiet
expanded thoughts under the cut
So, I've been roleplaying the Heathens route in my own game as a way to help me flesh out my thoughts on Gary and the routes themselves, and it really helped me solidify my thoughts on their character.
For the first loop, the main idea was just that: 'Baby's First Slaying'
This is Quiet's first time in these woods (that they can remember). They don't know anything else about the world or themselves, only that there's a task they have to fulfill. And while it sounds a bit weird, 'saving the world' sounds like an important thing and maybe something they should try to do.
For the 1st Loop, the routes went as such–
Adversary -> Eye of the Needle: Welp, might as well try to slay this princess!! Unfortunately, Quiet couldn't help talking a little bit, and ended up giving the princess time to retaliate. He didn't back down tho, and gave it his all to slay her.
When he came back, very weirded out by everything, he thought he'd just have to slay the princess again, but no, things are different! The princess is different, she's so much taller and has different things to say! He is honestly fascinated and wants nothing more than to talk to this princess and get to know her more. Unfortunately, that's not what she wants, and the disappointment is almost more hurtful than her crushing his skull.
Witch -> Connected Wild: For whatever reason, the hero really wanted to just save this princess. Forgoing the blade completely and immediately going in to rescue her. He was honestly so excited to meet her, and the door shutting on his face only strengthened his resolve. Then– she began chewing her own arm like a rabid animal. It was like getting hit by a tree branch while sprinting at full speed, and before he could even realize it, he was already stabbing her. Now it's do or don't, he either finishes this or he dies.
He appears back with a weird taste on his mouth and the sudden thought that maybe the princess was always bad news and he just didn't realize it– he still wanna talk things out, see if maybe it wasn't all just a misunderstanding. He still took the knife this time around tho, just in case– The princess seems as suspicious and cautious as he is, and it's obvious she intends on hurting him no matter what he chooses, so might as well go out swing. So you attack. Fighting dirty the same way she is, full of resentment and fear the same way she is, and the two of you get crushed together by the cabin's wilds. When you come back, you do everything you can to not go back to those feelings, and even manage a look into something beautiful–
Next few routes:
Empty Cup: He tried to go through with slaying her this time. He didn't succeed.
Spectre: He did succeed this time! Annnnd that's the reward? Seeing and talking to the princess is much more fun than this, so he helps her out this time.
Happily Ever After: He successfully saved her this time, but this princess was just so…… shallow? Uninteresting? He tried to probe for more but it just seemed to break her, so he suggested staying in the cabin instead, where they both can feel safe. And it worked! Now they can just sit together and eat and play games and not kill each other forever!! So what if they both feel hollow inside? As long as they keep the flames going it's fine, right? ………Right?
Loop 2
The hero is on a path in the woods. But there's something…… dreadful, about this whole thing– a fear he just can't seem to shake off. That no matter what, things will just get worse the more he tries–
While Quiet completely forgets previous loops, there's always a lingering feeling that follows him from previous loops. And the feeling ends up tainting their choices and the routes they go through. For this loop, which I fondly nicknamed it The Dread™️, it's a feeling of fear and paranoia that sticks with him, so of course the first route he gets this time around is–
Nightmare -> Moment of Clarity: He tried to ignore the feeling of dread as much as he could, even ignoring the blade offered to him, he wouldn't let this weird feeling cloud his judgement– and he thought he was doing a pretty good job at it, even refusing to kill or save the princess until he had more information, but theeeeennnnn things started going awry really quickly. He still didn't want to give him to this fear even as he stared down His Nightmare, with his organs just barely holding on, and continued to refuse to make a choice either way till he couldn't anymore.
Next few routes:
The Stranger: Nope. Not even engaging with this cabin–
Wraith from Spectre: OK, fine, let's slay this princess– Oh, you gotta to be kidding me!! (tried to leave Spectre once he saw it was just a ghost, getting Wraith with Paranoid and proceeding to throw her in the pit)
Burned Grey: The Dread™️ didn't leave even in this perfect-looking fairy tale, and is what pushed him to stab her even as she didn't fight it at all.
Wounded Wild from Beast: It was only when looking at what remained of the monster that hurt him, with her heart exposed for everyone to see that he realized– she's just a person. She's been just a person all this time– and he kept hurting her out of a fear of what she could become, not realizing it was him turning her into someone who could only lash out. As he sees all the paths he took in reverse order, he feels empty and remorseful.
Loop 3
That remorse turns into a want to figure out what exactly is going on and how to best help each other in this next loop. He's much more cynical and questioning here, doubting every word the Narrator says, but also not quite able to fully trust the princess just yet. This leads to spiraling routes that only seem to revolve around an endless cycle–
First few routes:
The Cage: I mean– how could he not lol. So intent on puzzling everything out he just traps himself and her all the tighter on this narrative neither of them chose.
Wraith from Nightmare: In his quest to figure things out so that he can do right by her, he only end up re-walking a similar path– the scenery is a bit different, but the destination is the same endless pit.
The Den (with Skeptic): He wanted so badly to reach out to her, to give her a chance to prove his instincts wrong, but the doubts in his mind only trapped them both underneath the earth where they starved.
The Fury from Tower: He tried another already walked path, and was forced to raise the blade to her. The overwhelming divinity he found in the basement by the next time was so difficult to talk through, he felt like he had no choice but to fight against her.
and last, but not least–
The Witch -> The Thorn: once again they were walking towards the basement door, and when Narrator took control of his body, he didn't even bother to look for a way to defy him this time–
Seemed like things were going another eerily familiar path. He kills her, earning her distrust, so they both keep trying to kill each other– till he decided 'no, we're not doing this–' and threw the knife at her feet. It was hard to believe things could really be just as simple as trusting one another to leave the cabin for good, but after everything he's been through, he can only feel relieve drowning out any more doubts he might have.
Final Loop
The Stranger: He can't help it, he still tries to avoid the cabin one last time.
The Damsel: He puts his entire faith and trust on her, and is rewarded by the ability to leave (somehow, it both surprises him and also not at all).
The Witch: He still tried and failed to save her a second time. He's not even all that upset when she shuts the door on his face, and can only smirk at seeing her surprised face when it disappears.
The Spectre: He expected the reward to be lackluster, and already knew he'd be freeing her before even getting to the cabin that second time.
The Prisoner: He couldn't help one small remaining curiosity and went to check the second shackle– patience still rewarded him in the end though.
Then Contrarian is in the final cabin this time, and Quiet throws the blade out the window instead of taking it with him again, "just in case", and they finally break the cycle for good!!! :D
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sevensinswithin · 6 months ago
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Okay so to everyone who was here for the original post, here’s basically how Alicent and Laenor get married in my lavender marriage au:
The entire thing starts because Alicent catches Laenor and Joffrey fucking in a secluded part of the castle a few weeks before Aemma dies. The boys only realize they’ve been caught because Alicent runs away from them like her ass is on fire. That girl had no idea gay male sex was an option in life and now needs to reevaluate everything in her life after catching them.
Laenor then spends the next few weeks trying to find a way to get her alone because guess what. Fucking in a secluded but also public area is not a good strategy if you want to keep your gay love affair a secret. So now Laenor is hoping to convince Alicent to stay quiet about what she saw because his dad seems to think he'll grow out of it (do not attack me, this literally happens in canon) and he doesn’t want anyone to know yet since it might impact who he’ll get married to eventually. Meanwhile Alicent is desperately trying to forget that she ever saw anything and doesn’t tell Otto about seeing Laenor and Joffrey because let's be real. This man said “childhood companions” like it was a slur in that one scene, so she knows that her father would do something with this information. Alicent does not want to be the reason Joffrey and Laenor are in trouble for their relationship. Nevermind that she’s suddenly having the realization that women liking women isn’t that far of a stretch after all.
Unfortunately, to everyone else in the world, it looks like Laenor is trying to court her and that Alicent is just trying to be very polite about his interest in her since she never wants to be alone in a room with him unless they’re around other people. Which is something that is totally normal and not weird at all. Why would you say otherwise?
Then Aemma dies and Otto sends her to see Viserys in his room and Alicent is now very stressed about something else in her life because she wants to do what her father says, but she also doesn’t want to betray Rhaenyra.
So during those six months after Aemma dies - which is apparently how much times passes between Aemma’s death and when Viserys decides to marry Alicent according to a HOTD article I read - Alicent, like in canon, is sent by her father to Viserys’ chambers and desperately hopes that her father’s ambitions won’t happen and that Viserys will simply see her as person that is supporting him in his grief.
(Life Hack: If you ever want to read an article and it says you have to make an account to read the rest of it, just go back to the google page you found it on, right click the link, and save the link as an HTML document. That lets you read the article without having to make an account. I found this out from someone on the internet and damn did it help when I wanted to access any account restricted article. Anyways, back to the plot.)
So to counteract that and make it so she’s less appealing to Viserys, Alicent always mentions Laenor and how fond of him she is during their talks. She also mentions how worried she is about Rhaenyra and her position as heir because there seems to be so many people that seem to be under the impression that they can replace her by having Viserys marry one of their daughters and convince him change his heir to one of the possible children he might have with those daughters.
Meanwhile, Laenor is absolutely losing his mind because all of a sudden Alicent is always around him and receptive to interacting with him, even though literally weeks before she avoided being around him like the plague. During this she also manages to wring out of him the fact that his parents (mainly Corlys, let's be real) are talking about potentially marrying Laena to Viserys and that he hates that idea as she’s way too young in his eyes for that. Eventually Alicent manages to find a way to be alone with Laenor and make him swear to secrecy about what she'll tell him because telling anyone might mean that his sister will actually have to marry Viserys. He does and she fills him in on what her father wants and what she’s attempting to do, and that she needs his cooperation to get him to at least appear like they’re courting.
So Alicent and Laenor put up the appearance that they’re at least attracted to each other to get people talking, which totally doesn’t ignite jealousy in Rhaenyra at the idea of Alicent being in love with her cousin. Cue Rhaenyra absolutely doing everything in her power to make Laenor appear like a loser to Alicent and the rest of the court. Alicent makes sure to get her to stop that shit real quick and tells Rhaenyra that she and Laenor are only pretending to be in love in order to avoid having to marry someone that would disrespect Laenor’s preference for men and disregard Alicent’s autonomy. Alicent also mentions that possibly marrying Laenor means that Alicent and Rhaenyra will be allowed to see each other very frequently as she will be Laenor’s wife and the Velaryons are often at court since they are related to the royal family. So now they have Rhaenyra on board.
Eventually the night before that one small council meeting where in canon Viserys announces that he’ll marry Alicent, Alicent “confesses” to Viserys that she’s in love with Laenor and that she wants to marry him, but that her father would never allow Alicent to marry Laenor because he and Lord Corlys dislike each other. She also lets it “slip” that Otto is very adamant that Viserys must have a male heir despite the fact that Rhaenyra has already been made heir, and that he sees Alicent as a potential bride for Viserys despite her unwillingness to marry her best friend’s father. She also sprinkles in the fact that Rhaenyra would be devastated at the idea of her father remarrying, especially if the bride in question were her best friend or even her little cousin (Yeah fuck you Corlys, you’re on thin ice for that and the grow out of it comment), and the fact that surely his wife would want him to defend his daughter’s claim to the Iron Throne from potential usurpers, which is something that would definitely happen if he had a son.
This causes Viserys to absolutely lose his shit, but Alicent calms him down and he sends her away from his chambers. However, not before Viserys hints that he would not dissolve a marriage between a highborn lady and lord if they eloped and consummated the marriage. So instead of heading straight to her rooms, Alicent instead books it to Laenor’s chambers. The two of them run off to a sept and convince a septon to marry them with a few commoners as their witnesses because they can’t take any nobles in fear of being stopped (and to also have the commoners spread the fact that Alicent and Laenor eloped). Then she and Laenor head off to Laenor’s chambers to consummate the marriage with the help of Joffrey, who they had stay in Laenor’s chambers so that no one would get him in trouble or notice that he was in the room with them during the consummation, and to have Alicent stay over so that people could catch them together in the morning and spread the news of her “ruined reputation”.
The next morning Laena bursts into Laenor’s chambers like she always does and “catches” them before running off to tell Rhaenys the way all little siblings do. So then Rhaenys and Corlys show up, as does Otto; he caught wind of the situation through a servant he paid off to spy on the Velaryons. Once there Otto starts shaming Alicent about her ruined reputation and Laenor retorts that she didn’t ruin anything as he married her before he bedded her. Otto then explodes at the pair when Laenor says that and Corlys rushes to defend his son against all the stuff Otto is saying and threatening him with.
Eventually their argument gets so loud that a servant rushes to get Viserys and a few guards since they’re afraid that the two lords will resort to violence. Trailing after them is Rhaenyra and the Small Council, as the meeting was supposed to start half an hour ago but certain people were missing and needed to be found. So now the entire Small Council, Rhaneyra, and Viserys are at the doorway of Laenor’s room while a furious Otto and Corlys trade insults. Meanwhile Rhaenys sees how afraid Alicent and Laenor are and rushes to the pair’s defense (because they need someone in their corner that isn’t shaming the other party), saying that perhaps the two wouldn’t have resorted to eloping if Otto and Corlys weren't always at odds. Seeing the King, Otto rushes to demand that he have the septon reverse the marriage, but Viserys reveals that he knows about Otto’s plan to make Alicent marry him and how he knows that she wished to marry Laenor instead. He then fires Otto from being Hand and sends him packing to Oldtown, approving of Laenor and Alicent’s marriage as a final insult to Otto. He also firmly informs the small council that he will not be getting remarried, that Rhaenyra will remain his heir, and that anyone who objects otherwise is speaking of treason.
So there you go, the outline for a story that I’m most likely going to write in non-linear bits. In this world Alicent is Lady of Driftmark, Laenor and Joffrey get to be happy, and Viserys prioritizes making sure that Rhaenyra’s claim to the throne is secure. Also somewhere down the line in this universe Rhaenyra and Alicent get their shit together and realize they’re in love with each other, and Rhaenyra gets to marry Harwin because Daemon never takes her to the brothel and so she gets to pick her husband and be the polyamorous bi queen we all love.
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chaosduckies · 3 months ago
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Silence In The City (1)
I hate school a lot for not letting my finish anything that I wanted to write and luckily I found the time to write today! So I give you an idea I’ve had on my mind for a good while, I’ve just never written it down! I will say these characters are some of my favorite because of the dynamic I have planned for them! Hope you enjoy!
Word count: 4.3k
CW: Violence, depictions of anxiousness and anxiety
1-
Everything was all wrong. The way the system works. How life works. How humans work. It was all just some twisted lie. Of course humankind had been ruthlessly attacked by these monsters at first. Huge and massive beings that rose from the sea, easily crumbling buildings and killing millions. It was terrible, taking ages to finally figure out a way to kill them. There was nothing to bring back the lives lost, everyone was broken apart, cities crumbled to dust as vegetation took over what was originally theirs. And soon, it repeated and repeated, until these monsters would finally restore their original home. Destroying countless cities along the coast, sometimes even working their way closer to the middle of the land. Though they were usually killed by then. 
I’ve never really been the type for fighting. Yet, I still find myself here. They had told us to go into our underground bunkers for safety but I couldn’t make it in time. The city was quiet except for the thundering footsteps coming from the monster. I just ran into a building, scared and alone. I had no idea where my parents were, but I had hoped that they were safe. Next thing I knew, the monster was after me. Crumbling down buildings in an attempt to take a life since there was no one else around. Or so I had thought. I was cornered and tired, the dust from all the rubble filling my lungs. I was about to be killed by the rubble falling on top of me. I had already given up, knowing that I wasn’t going to get out of this alive. When nothing had happened and there was a loud thud, I looked up, seeing an even bigger, more powerful being, standing over the monster. The monster struggled to get up while the one standing over leaned down, its eyes focusing on me. 
They only looked half like the monster that had just threatened my life, but yet, didn’t have the same malicious look in his eyes. Scales all along their body that stopped halfway up their fingers, neck, and chest. The most beautiful shade of purple eyes that I have ever seen, toned skin, tail with spikes all along their spine, even another pair of arms. And yet somehow, he acted even more human than he looked. He showed concern for a little while before scooping me up somehow, protecting me against any further danger. After all the loud growling and harsh noises were gone, only leaving the strange humanoid kaiju huffing for breath. They opened up their hands high up in the air,  eyes studying me with worry. As if they had been making sure I wasn’t injured. Of course I was still scared. I didn’t know what was going to happen to me. Or what this guy would do to me. He had looked more human anyways. 
Soon enough, I heard my parents' strained voices crying for me. Out of desperation to be reunited, I crawled over to the edge of their palm, reaching out to them with tears in my eyes. They had noticed the person who had saved me, obviously scared but they stayed, wanting me back. I looked back at the half-human half-kaiju, their eyes glaring down at my parents. He turned towards me, eyes going wide before slowly lowering his hand to the ground. I stumbled off, nearly falling face first but ran into the warm hug that was waiting for me. I glanced back at the monster who had looked away, having a troubled and dark expression before locking eyes with me. I started trembling, but otherwise put on the best nervous smile as my parents urged me to run away. Their eyes shot up before he crawled away, making sure not to crumble buildings. 
I hadn’t forgotten about that day. When people were allowed to come out, we all tried to go back to our homes, but most of them had been demolished. Including mine. We were placed in a camp until they could find a home for us to relocate to, but I just couldn’t stop thinking about that guy. Whether they had been a monster or human, they had saved me. Even protected me. And I still ran away without giving a thank you. I was terrified, sure, but that didn’t condone not thanking him. They practically saved the whole city and they wouldn’t ever get any recognition for it. Usually those huge monsters were killed by people who could handle the suits, I’ve never seen anything like what just happened ever. Not on tv at least. Why did they look so… surprised by me though? Like when I smiled at them, or when I was just scared out of my mind in the corner. I never found out the answer until today. 
The camp was full of people. We were just lucky that food was okay and that we were getting supplied everything we needed. Until a military team had arrived. They were searching for someone. Telling people to gather in an area so they could check our faces. When they came up to me, they had all started talking. This didn’t happen with any other person, which just worked up my nerves. Why were they here? To take me away? To punish me for not being able to make it to the bunker on time? I wasn’t made for war! Was it because of that human-monster hybrid? Was I not supposed to see them? What was going on? A million questions stirred in my mind, making me anxious and worried. I had feared that they would be taking me away from home, and kept hoping that it wasn’t the case. 
I stayed still, playing with my hands and looking down at the ground, waiting to be told what would happen next. I was scared. I always have been. There was no reason for me to, but the anxiety always made me feel this way. This wasn’t helping at all either. The military people came back, my parents gripping my shoulders and kept whispering that everything would be okay. I didn’t believe them this time. They walked up to me once again, “You’re being transferred under government care. Your objective is classified until arrival. Please follow us.” They had instructed, waiting for me to follow them. I jumped, looking back up at my parents with mortified faces. They were just as terrified as I was. I looked back at the guy who was just talking to me, “B-But my parents?” I scooted closer to them as they gripped my shoulder tighter. He had sighed, walking but up to me, “Only you. Sorry kid, you’re being called to duty, and if you ignore we have been ordered to take you forcefully.” 
My eyes shot open, my entire body pausing. I didn’t hear when my parents started arguing to let them come with me, but it just wasn’t allowed. My mom, with tears in her eyes, looked at me. I always hated when she cried, “It’ll be okay, alright Devon? Just please be careful.” I knew why she was saying it. They were going to take me away, and I don’t even get a say. My parents had argued for me but… I never fought for myself. Never was a fan of fighting. They had, however, allowed me to pack a few things. Or what I had left of my stuff. My parents watched me pack a few clothes, making sure I had everything. I looked back, seeing my dusty stuffed animal dog and grabbed it. I knew it was childish but I couldn’t go anywhere without him. I could just clean them off when I get to wherever I was going to. My mom made sure to grab my pills and placed them in my bag, “Don’t forget to take these.” She smiled sadly, trying not to cry. To be honest I was trying my hardest as well. I didn’t understand why I had to leave. They never gave me a reason, and I was anxious. Was it bad? The place they were taking me to? Was I in trouble? 
The thoughts never escaped my mind as I hugged my parents close, then started to follow the guy into a car. People had surrounded me, as if making sure I wouldn’t try anything. Of course I wouldn't. I already knew I wouldn’t win that battle. Not now or not ever. It was quiet on the way there. Sitting in a car for two hours, only listening to the people on the radio transmissions and getting stares from the people sitting next to me. I stayed quiet, afraid that if I said anything it would only make my situation worse. I was already away from my parents and I’ve lost my home, what more could they do to me besides kill me? I panicked at the idea as the car drove past a massive gate. There were several check-ins, and soon we were finally in. My heart wouldn’t stop beating as I stared at the huge base. I walked through several hallways, earning stares from a lot of people. Some older, some looking the same age as me. I knew what this place was. To train people to kill those monsters that terrorize cities. Was that what I was here for? I wouldn’t even last a single hour here. 
They took me up an elevator, leading me to another place where there was a lab. Holographic screens everywhere, people testing new weapons out. I flinched when someone had started barking orders. I gripped my backpack tighter, thoughts swirling in my mind. Could I just go back home with my parents? Can’t I just cry right now? It’s taken so much out of me just to stop myself. I didn’t want to show it to everyone else around me though. They would think I’m even more of a useless kid than they already do. I could already tell that. So what was I even doing here if they all thought that about me? 
The people started talking with one another before one of the scientists came up to me, the people who used to stand beside me to make sure I didn’t try to escape took a step to the side. The woman was tall and looked to be in her thirties. I jumped as her eyes pierced through me, seeming to stare deep into my soul as she studied my every move. My eyes nervously trailed down to the ground, nervously moving around my feet. I felt like a big underneath her stare. And it didn’t feel very good. 
“This is who the monster decided to save?” She sounded unimpressed as she wrote things down, circling around me. She lifted up one of my arms, shaking her head and sighing, “Too skinny, too weak, do you suffer from any illnesses?” She asked. I looked at her sadly, forcing my voice to work without cracking, “Anxiety disorder.” She raised her eyebrows, muttering something under her breath that I couldn’t hear. It made my anxiousness even worse.
But what did she mean by monster? Was it that guy that saved me? My eyes went wide at the thought. I was going to see him again? I felt terrified and scared, but at the same time happy? It was a strange mix of emotions as she had dragged me to a large metal door that seemed heavily protected. Automatic windows had opened, revealing a large room with only one inhabitant inside. My eyes widened as I played with my hands and shuffled my feet. There, only a few meters behind the glass, was the person that saved him. Trapped in a tiny metal box. Well, tiny to him, not so much for me. They looked to have been bothered in their sleep and slowly started opening their eyes, letting out a soft groan and never moving. Some part of me screamed to run, to hide and never look back, but the other part felt sympathy for him. Why was he locked up in here? Did he do something bad? It didn’t really seem like it. They looked so peaceful, as if nothing was wrong.
“You’re going to go in there. No escaping and we can’t guarantee that it won’t kill you.” She instructed, getting ready to throw me in there. He gripped my bag and continued to look out the window, my nerves only worsening. Kill me?... would he really do that? After being so gentle and protective? Was that why I was here? Just to meet him again? See how he’d react to seeing the one person he helped get out alive. “Get a peculiar reaction out of him like you did at the attack and we’ll see what we’ll do with you after…. If you’re still alive,” She grinned like she had expected it to happen, “Here’s a tablet containing the means of shocking it into submission if you feel threatened, here is also an ear microphone so we can speak to you through it.” She handed me a small tablet with a few buttons, but I eyed the button with the lightning bolt on it warily. Shock him? I could barely think about it without gagging.
I gulped, not knowing how he would react to me. Holding the tablet that I had an odd feeling he would recognize and hate me for it. I also hated the fact that she called him an “it” and a monster. If he was a monster then why’d he kill one? Why would he save me in the first place? Why make sure he wouldn’t topple over any buildings? I took a deep breath before I was shoved on the other side of the door. I yelped, landing face first onto the cold metal floor. I groaned quietly to myself, sitting up with my backpack still attached to me. I let out a sigh of relief, then made the mistake of looking up. My eyes were glued to the massive being in front of me, their entire face taking up my vision. I felt myself barely breathing, my body trembling, but I never ran away. 
I jumped when their eyes had opened, groggily searching around the room until they landed on me. I held in a breath, my eyes wide but not full of fear. This was the person that saved me. They wouldn’t kill me, right? It didn’t really sound logical at all. Though… that didn’t really explain why he was locked up in here. He didn’t really look like the type to do any true harm to someone
As soon as their eyes found me we held a silent staring contest until his own eyes grew wide as he picked up his head. Did he recognize me? He shook his head, laying back down on his arms. I looked around. Seeing that the room was cramped. Not for him at all but for the guy just laying on the ground seemed to be cramped. The ceiling looked too low for them to get on their legs, heck, it even looked too low for them to sit on their knees and sit up straight. I flinched when they slightly moved their head up a little more. I felt like a tiny bug under their gaze. I stared at one of their hands, the one I had been in just a few days prior and shuddered. Their claws were at least three times my own height. I briefly wondered just how small I am to him. How he saw me through his eyes. Just a bug? Another small insignificant creature? 
I gripped the tablet in my hands, listening to the microphone in my ear. They had kept saying to talk, to do something, but what was there to do? He was just sleeping, and I ruined it. I didn’t like the thought that they forced me to bother him. And the fact that he looked annoyed with me being in here too. I sucked in a shaky breath looking away and at the door, but I couldn’t help but turn back to the vibrant purple eyes glaring at me, no, the tablet. The collar around his neck seemed to be the shock collar basing it off of the marks around where it is on his neck, there were also some on his wrists. All four of them. I looked down at the tablet in hand, and back at him, still glaring at the object in my hand. It sent a chill down my spine as I did the exact opposite of what they kept telling me to on the microphone. I placed it down and kicked it away from me, along with the microphone. There was no reason for me to have either of them. I wasn’t going to pay attention to what they were going to say. None of this seemed right to me. 
Their eyes went wide at my action, looking between me and the tablet that must not have looked far to him, but it was for me. They seemed to be shocked as they raised their head up, and up, until entirely looming over me, holding themselves up with their crossed arms. I gulped, not realizing just how big they truly were. I backed away a little thinking, for only a brief moment, that it was a mistake to toss away the one thing that could have kept me alive. Though, if he really wanted me dead wouldn’t he have done so the other day? Instead of saving me he could’ve just let it happen. Instead he didn’t. And I still had yet to thank him! They lowered their head, as if trying to examine me more before looking away, disappointed. Though I did catch a bit of sadness hidden. I hadn’t noticed how much I was trembling. Or how much I had backed away, my back almost against the wall. I felt terrible for looking that way in front of him. What if that was why he was disappointed? Because everyone was scared of him and so am I? Of course I’m scared but at least I’m attempting to try something. I scrambled further up to see him looking completely away, almost turned to face the wall opposite of me. I kept taking steps closer despite the warnings given, and stood a few feet away from one of his hands. Big, scary, but I just grabbed the backpack on my shoulders and stood up on shaky legs. My breath was shaky, but I forced words to come out eventually, “Th-thank you. For saving m-me.” He slowly turned his head, his eyes searching to see if I was lying. I heard him scoff above me, the noise deep and irritated, “You’re a really good liar. How about you go back with your friends out there and treat me like some monster like they all do?” I covered my ears with my hands, their voice loud. Liar? Friends? Monster? Did he mean the scientists? Why did he think I was lying? Was he really a monster if he saved my life and practically everyone else’s by dealing with the real monster that day? Now there were even more questions than answers. 
I didn’t move. Even though I was terrified, trembling, and honestly thinking about just making a run for it, I still stayed. It was silent for what seemed like forever before they moved again, glaring at me, eyes piercing through my soul. “Go away.” He nearly growled, slamming a fist on the ground. I was airborne for a half a second, placing my hands out in front of me so I didn’t land on my face. Heart racing, breath shaky, tears forming in my eyes. Dead- Dead. I could’ve died. The thoughts wouldn’t leave as I stared at the fist only mere feet away. I looked back down, watching as my own tears hit the metal ground below. I could’ve been dead now. Why wasn’t I dead? Why was I alive right now? Wasn’t he going to kill me? My breathing quickened, my arms and legs becoming weak. I used a shaky hand to grab a fistful of my shirt against my chest, feeling how hard my heart was beating. How it seemed to ring through my ears with every thump. I closed my eyes, trying to get as much air into my lungs to calm myself down. My stomach throbbing. The anxiety eating at me. The constant thoughts of how I could’ve died. What I would look like. I just kept taking shaky breaths, slowly regaining my mind. I reached into my bag worriedly, grabbing a water bottle and my pills, dumping two out into my hand and downing them with water. I held my head, taking my last few deep breaths. My body was still trembling and my heart was still beating abnormally fast, but at least my mind wasn’t lost. 
Using the back of my hand, I wiped away the tears, sniffling and forcing myself to look up. Their other hands clawing at the metal, their eyes still piercing through me, holding me in place out of fear. Why was he so angry? Was it because he was trapped in here? Because they treat him like this? It didn’t take a whole lot to figure out how they take care of him. The collars, the tablet, the chains on his lower pair of arms. Who knows what else. But was he really that bad? I mean, of course I just had a near death experience, but after a second look I realized he was just trying to scare me. It would’ve worked. The people here were terrible. It didn’t matter if he was half kaiju half human, did it? It didn’t matter if he was probably taller than a skyscraper. Okay well that might invoke fear in literally everyone he meets but still. It didn’t really seem to me that he truly wanted to hurt anyone. A few days ago he struggled to avoid breaking anything that might wreck the city even more than it already was. He even held me to keep me safe. How was he being held in a prison like this when he’s saving billions of people? It just didn’t sit right with me. 
I gathered up whatever courage I had left in me, trying to forget about what had just happened, “I-I’m sorry that you’re i-in here.” My voice came out weak, quiet, almost like I was about to cry. Honestly, I was. Everything about this was telling me to run and get the heck out of here. That would be wrong. That would be proving their point that I think of them as a monster, wouldn’t it? 
Their eyes widened in shock, lowering their head even more, almost touching the floor. I flinched when they moved their fist, flattening their hand on the ground as if they were confused and interested. It was unnerving to have their full attention, but I stared right back, rubbing my arms to hide the fact that I was shaking. He lifted his head back up, contemplating. I had no idea what was happening, but for some reason their entire mood had seemed to shift. Why did they react that way when I said that I was sorry? They didn't seem mad anymore. Relief washed over me as he raised his hand up and covered up a mirror high above me. Was it actually a window? Were they watching us? I didn’t know. 
He sighed, studying me like he was earlier, trying to see if I was lying, “You’re hard to stay mad at,” His voice was a lot quieter, “Kieran. That’s my name.” He opened his mouth like he was about to say something else but shook his head, looking down at me. I sucked in a shaky breath. Kieran? “Devon.” I quietly said. He seemed to hear me before somehow. He removed his hand from the mirror, glaring at it for a few seconds like they had done some unspeakable crime. They actually did actually, keeping Kieran here in the first place. 
“You’re welcome for saving you by the way. Don’t expect me to do it again.” He told me, turning away. I couldn’t help but notice how he seemed to sound happier now. Like he was happy I was talking to him. I smiled, jumping when the door opened. I watched as several people walked it, three of them carrying a tablet and keeping a close eye on Kieran. The other people walked right towards me. I flinched, unable to fight back against the grip they had on my arms. I was forced to my feet and shoved through the door. I stole one more glance back at Kieran, meeting their sad eyes. Once the doors were closed, I let them push me around the long hallways. What did they mean they wouldn’t dave me again. Would they have to? I wouldn’t think so if I was going home after this. I did what they asked me to do, didn't I? Why did he look so sad when I left? 
Eventually they opened a door that led to a small room with only the necessities. A bed, bathroom, closet. They threw me in there, “People will come and get you in the morning. They asked that you rest for now.” They had ordered from me. What? Was I staying here for the night and going home? I sat on the bed, digging out my stuffed animal and laying down, sinking into the hard mattress. I sucked in a shaky breath and cried silently. Nothing could ever just be normal. 
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I’ve absolutely loved kaiju ever since I could remember and I’ve been wanting to write a story for it! To be honest I mostly wrote this for myself just to feed my delusions but also just to get out of my writer’s block and to save me from spiraling cause of school. But thank you for reading! This actually did get me out of a major writing slump (thank you school) so I will finally be able to finish answering asks and writing commissions. Thank you for being so patient!
Taglist: @da3dm, @dav8530
If you would like to be added to any of my writing please let me know!
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pistachi0art · 10 months ago
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More Ben fam stuff I believe I have neglected to put here
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vaguely-concerned · 2 months ago
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Origins is of course the DA game most closely in conversation with and playing around with Tolkien (right down to the walking talking poetree haha) -- and even more so than most works in the larger western fantasy tradition derived from Tolkien's work that DA:O also hails from and owes a lot of its Stuff to, what makes the game so great to me is that it's doing so very deliberately, and is subverting and deconstructing those tropes and entrenched ideas in some very interesting ways without at all denigrating what it's commenting on. (it doesn't have the almost disdainful undertones of the vein of fantasy that seeks to make the world more 'realistic' ala the more tedious reactions to G.R.R.Martin's work, for example, despite having the darker fantasy bent to it.) among other elements it adopts, what I find the most fascinating is the choice to use the same literary device/conceit Tolkien did in ostensibly only having in-universe biased sources and works to deliver the world through (which I feel is an underappreciated thing about his approach but is part of what makes his world so enduringly compelling and real-feeling -- the feeling of real scholarship devoted/applied to a made-up world. the grounding effect of a good diegetic footnote about source criticism, truly).
many things to be said there, and I'm glad each following game has taken on different perspectives and lenses and traditions to view the world of Thedas through because if you stick with that one too closely for too long I fear we could teeter precariously close to Pratchett's famous and bitingly accurate accusation of most modern fantasy of that era just being about rearranging the furniture in Tolkien's attic lol. and while you could accuse DA2 (my perfect wife who has never done anything wrong in her life to be clear) of many things, that's not one of them, they are pulling on some completely different strings for that one and both the game and DA overall is better for it, to my mind. as so many things in this series: worth staying with and exploring for an installment even if it might get stale if all of it was like this! people are understandably sad about the elements from previous games that they liked which were lost along the way, but that capacity for reinvention is to my mind a huge strength of dragon age as a whole.
(I think Veilguard is coming in as a close second in Tolkien conversation-ness if only in outlining/revealing the worldbuilding that indeed may have been planned since DA:O around the animosity that SHOULD by all rights exist between dwarves and elves in this universe (as per Tolkienesque tradition standards). but doesn't really because you see: politics and the many pitfalls of conservation of knowledge over the ages. our ancestral enmity got semi-intentionally lost between the floorboards of history and you know what. maybe for the best. the humans are already up to so much shit you gotta keep your eyes on them at all times you can't be brawling with each other in the deep roads while they're still around getting up to their nonsense or they'll just pile up even more of it)
#dragon age#dragon age origins#been thinking about the unreliable narration/in-universe texts only element being the thing da:o took from tolkien that's most defining#for a LONG time and I want to write something smart about it sometime but alas. this is what I've got right now haha#I think *some* da:o nostalgia is about that familiar safe childhood feeling of Fantasy World in a pattern that was so deeply entrenched#for many many MANY years. it's been in the groundwater of the genre for so long it's only fairly recently the patterns were broken#on like a mainstream sort of scale. I know I'm getting older b/c I keep going 'how do I explain to some of these people#that the world (both the real one the fictional one and the gaming one) was a very different place back in 2009' lol#and I agree there's something so tremendously comforting about it even with all the grimdark elements more in the martin vein#that's also in da:o. the same way you get satisfaction out of the structural familiarity of fairy tale logic but for a whole genre#da:o follows the Rules of a fantasy world in post-tolkien tradition -- even when it's subverting them it's doing so in reference#to a set of tropes and ideas both you and the game are deeply familiar and comfortable with#(da:o IS also just a really fucking good game I'm NOT saying people's love for it comes from being blinded by nostalgia haha#just an observation of a thing I've recognized in myself as well. there are elves there are dwarves there are talking trees and dragons#and basically orcs. all is as it should be and everything makes sense <- the part of me that grew up on lotr and derived works lol)#and while the other games also have all these elements they don't USE them in the same way and it doesn't feel the same. it's so interestin#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#only in the vaguest way but still#you know what veilguard occasionally feels more like actually. sci-fi! and it's not an accusation or a bad thing for me I think it's great#da:i veers more to high fantasy and da2 feels weirdly low-fantasy -- it's a story where magic also happens to exist but I almost forget lol#it's a magical world and magic is integral to the plot but thematically it's so much about real-feeling political conflict#da:o is a Quest in da2 you're new in town (and it gets worse)
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loonybun · 4 months ago
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Meeting Aisling (CYOA) 3
hiiiii ough this took forever :( don’t feel like it’s super good but new character! yay!!! he’s normal guys i promise (fingers crossed behind my back)
contains: captivity, faerie carewhumper, dryad guy of unknown whumperee status, references to past abduction(s), fantasy whump, fantasy setting, manhandling.
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You decide to look for anything that could help you escape— or at the very least tell you where you are. The window is the obvious thing to look at, considering it’s the only other possible way out of the room. The gaps in the vines are big enough for you to stick your hands through, but you probably couldn’t get much further.
From the holes, you can see a village beneath the structure you’re in. People. There are people here. If you made enough noise, maybe someone would come and save you.
The trees around the village are thicker than most of the houses. Massive structures that you can’t even see the tops of. Branches as big as trains.
Even if the window wasn’t obscured, it’d be too high to jump from. You’re not going to have much luck with it.
You walk over to the vanity in one of the other parts of the room. The mirror greets you with your disgruntled state, twigs and flowers sticking out of tangled hair.
The table is covered with all kinds of trinkets. Bells, flower circlets, crystals, little animals made of glass. It may have been a charming collection under different circumstances, but unfortunately you don’t have time to focus on something so small.
Besides the vanity, there’s also a desk filled to the brim with papers and books. Bottles of ink line the shelf above it. Great, the weirdo that kidnapped you is a writer. You can definitely use that to escape. Maybe threaten to set some of his manuscripts on fire or give him a bad review. That’ll show him.
You groan and go back over to the bed, flopping onto the soft mattress. Despite your amazing investigative skills, you’d somehow neglected the plate of fresh berries on the bedside table. Just looking at them makes your mouth water.
If you’re going to escape, you have to have some fuel in you, right?
As you reach out to grab one of the fruits, something snaps around your wrist and yanks it away.
“Don’t eat that.”
The roots around your arm squeeze it tightly. After you recover from the shock, you turn to face the source of the voice.
The tree.
The fucking tree.
Or what was a tree five seconds ago, at least. Of course. Why not? Magical bug men, talking trees, sure. Just throw in a dancing bear at this point.
The tree— or man, you’re not sure what to describe it as— is giving you a hard glare. It’s entirely made of wood, save for its flowering hair and a few rogue blossoms. If looks could kill, you have a feeling that they wouldn’t be able to put your corpse back together.
It slowly retracts its branches from your wrist, forming them back into a more hand-like structure.
He inspects you for a moment.
“…His standards get lower by the hour. Goodness, where did he even find you? A dog park?” The— whatever he is, scoffs.
Your cheeks flush with embarrassment. He wasn’t wrong, you did look like a mess, but that doesn’t mean his words don’t hurt.
He plucks a leaf from your hair and grins. “I mean, this is just sad. And I thought the last one was bad… No, you take the cake. Anyways, how long were you planning on staying here? Come up with any daring escape plans yet? Please, do tell.”
Even if you had, telling this thing seemed like a bad idea. He definitely doesn’t have your best interests in mind.
“What?” The man(?) frowns. “Too harsh? Alright, fine. I should have just started with names. Have you given yours to him yet?”
You shake your head.
“Good. Don’t. Anyways, since you won’t have much of a use for it anyways, mine is Oleander. You don’t have to give me yours if you don’t want to. I’d like to keep this interaction as quick as possible. Feel free to ask questions though. Better to hear it than learn from experience in this case.”
Well, you sure had a lot of questions. Why are you here? Where is here? What is he? What snatched you away to begin with?
“Ohh, you’re one of the panicky ones. Alright, well, for starters, you’re in a tree. Or a palace. Whatever you’d like to imagine it as, honestly. I don’t know the exact reason you were brought here, but I have a few guesses. Let’s just say none of them are situations anyone would want to be in.” He keeps up with your rapid-fire, only taking a moment in between questions.
“I’m what’s called a dryad. Essentially, a plant with a consciousness and a body created by magic— You do know what magic is, right? Yes? Alright, that saves some explaining. I don’t really want to get into detail about what a faerie is, but that’s what the other man was. Anyways, I’ll be brief, I don’t want you here, and I’m assuming you don’t want to be here either, right?”
You nod.
“Good. That saves me some trouble. I’m going to help you escape. Now, he’s probably going to be back within the next ten or so minutes. You’re not going to mention me to him, understand? He doesn’t know I exist, and I want to keep it that way.”
After you give another nod, he sighs in relief. You watch as Oleander moves back towards the center of the room, his wood skin slowly morphing, bending, and reshaping until you’re left “alone” again.
Your chest feels lighter. There’s still a chance to escape. While you’re still not entirely sure you can trust your new companion, he’s still a failsafe if you can’t find another way out of here.
Just a few minutes later, the door swings open and a familiar person enters the room.
Person? Was that right?
Ai smiles at you, slit pupils you hadn’t noticed previously practically glistening when he spots you at the far end of the room.
“Oh— Hi! You’re awake now? Is everything alright? You look a little shaken up…” He flutters over to you.
Flutters. Right. Wings.
You can’t help but stare. Whatever you’d met in the woods hardly resembled him now. The fae in front of you dawned a long, fairly intricate cloak. His skin— or fur, it’s honestly hard to tell, is a soft pink. He’s not unpleasant looking in any sense, just… Unusual. If it weren’t for the sharp teeth, he’d almost look approachable.
He’s acting like he’s actually concerned about you. Like he didn’t just take you to an entire new dimension. Like there’s any other reason that you’d be upset. You just continue to stare, unable to create a response with the knot in your throat.
Ai sets a hand on your shoulder reassuringly. “Upset? That’s okay. I know it’s a lot for you to take in. I hope you don’t feel like I was trying to deceive you before in the woods… I just thought you seemed interesting! I wanted to get to know you a bit before… Well, before all of this. I didn’t mean to rush you.” You’re hardly paying attention to what he’s saying. He kidnapped you. Of course you’re upset!
“You probably feel scared, don’t you? I… I want to say that I won’t hurt you. Those aren’t my intentions with you. Why don’t we get to know each other a bit better? I want to understand you, and I want you to be able to understand me, too. I know this isn’t the best first impression… But I really didn’t want to have to mess with your memories again. I want to do it right this time.”
This is insane. You can’t read him. What does he want from you? He said he doesn’t want to hurt you, but none of his actions so far have even slightly supported that. He abducted you. He chased you through the fucking woods. What other reason could he possibly have for keeping you here?
“Go ahead, ask me anything.”
taglist: @whumpy-wyrms @inkwell-and-dagger @lordcatwich @kawaii-cakes @enigmawriteswhump (let me know if you want to be added!!!)
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gomzdrawfr · 2 months ago
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I had 6 hours of sleep yay anyways I know the cod community love sleep token and after so long I’ll cave and give it a go
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ganondoodle · 4 months ago
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some destiny (zelda comic) lore
i really have absolutely no problem with AUs, but in the case of my zelda comic i kinda dont like it being called that bc i made it specifically around the idea of offering an origin story to .. everything really that could be true and put the entire series in an entirely different light
like most things in the series around the creation of the world and the godesses etc are told to us, and i always ask questions when sth is just told to you especially in this black and white kind of way
idk if i ever talked about it, probably not bc its somewhat of a big reveal in the comic (though its at the very end) and given how slow i am thats years away so:
the three gods (gods as a neutral term here) exists outside the physical realm in a sort of void like darkness with an endless completely calm ocean they created the world we know as hyrules world, in fact they created two more, each of them filled with life, at some point choosing a mortal to kill and make into a deity as their right hand since the gods cant go into these worlds themselves
they want to enact the plan we see in skyward sword, they want a monster to invade the land, their chosen deity to seal it, die and be reincarnated and start the whole zelda cycle as we know it; why?maybe purely as entertainment, which is why each cycle is so widely different, they are gods and treating life and worlds like their little toys feels kinda right- and they really dont like when their toys act against them, thats not what toys are supposed to do after all
so, courage as i like to call them, was a deity they created using a mortal, but they failed to even make their mortals believe in them, instead they were seen as the monster, the gods lost their patience and drowned their world leaving only courage to survive, while they failed their orders and were hated, they still cared about their world, seeing it slowly drown and abandoned by the gods made them filled with despair, in an outburst they destroy the spring of the gods (an ancient spring that is the first to exist in a world when its created) and it opens up a gate into the realm of the gods, that dark calm ocean of nothing- they go into it and wander into the closest source of light and it brings them into demise's world
demise is the deity of his world, and when courage arrives there they start to attack it, filled with desperation and rage that their world was drowned while this one thrived- demise hasnt failed the gods yet, and he fights and seals away courage with easy, but it lets him doubt the gods words, courage was supposed to be some evil monster, yet they were similar to him and he defeated them so easily, why would he chose to die and be reincarnated as a mortal? he wanted to stay a deity and protect his world forever- he started to stall for time, halting the building of the temples for the hero in the future, and at some point courage broke out of its seal, nothing of it was like before it was a strange and now truly, a monster, and demise killed it to protect his lands, thus making the gods prophecy unable to be furfilled and so the gods abandon his world too, they let mortals turn against him as his world slowly dries out, until there is nothing left alive but him and ghirahim, trying to drive him to madness so he becomes the monster for the the next world in the row, but fail just barely- he too destroys the ancient spring and discovers the gate it creates
so demise travels to hylias world, and hylia, hesitates to seal him right away bc she notices he is not a mindless monster like she was told, despite the gods effort to raise her in isolation and make her into the perfect vassal, hylias curiousity is too much, so she lets demise live, over and over as they battle- which is the story of the comic, at the end they fall in love and uncover the gods plans, that demise was in the same position as hylia is, and he killed a deity jsut like them, that the reincarnation thing might be a lie to get rid of the biggest threat to the gods (the deities needed to be gotten rid of before they realized anything) and replace it with a more controllable mortal once the set up for the play was done, this too has been a cycle in the end the gods make sure this time it ends up how they want, more or less (im leaving out the details for now) and demise gets sealed and hylia dies, both of them taken by the gods but as both resisted them it is not perfect, demise still did not turn into the monster they needed so what you fight in skyward sword is an apparition of him, not him truly, and ghirahim knew he would never be himself again but his desperation and devotion made him try anyway only to end up playing right into the gods hands
and that is how the series started, a scheme of the gods to create their little play, inventing new little adversaries and eviil beings but short lived so easily to reinvent over and over, but its all based on lies, zelda isnt special, she was jsut a mortal that happened to be chosen by the gods to take the role she has now, shes no reincarnation of hylia, none of the things they tell you about hylia are true, its the gods lying to you, and the trio is stuck in this cycle not realizing they are merely being played with
(being sealed or dying as a deity send you to the realms of the gods, where they pin them down on a pillar like bugs (unconcious) and occasional borrow their magic for some tricks and schemes to play with in the world of hyrule, the deities are still there, and will be until the gods decide to kill them fully- and at the end of destiny as demise is take by them, in the last few moments before he is hung up like a trophy he not only sees that courage, who he thought he had fully killed, was already there, but in the darkness were countless remains of abandoned deities hanging dead on pillars, how many times have the gods done this before?)
(possibly not as interesting as i hope it is, but this is what im going for, and it only really works if the rest of the series exists just the same, otherwise the whole point of putting everything in this context would become kinda meaningless? at least thats how i feel about it so i dont like calling it an AU, but im not mad about it bc i guess if you take all the lore at face value it is completely different and doesnt work with canon at all? idk )
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nivea-ah · 5 months ago
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wanted some post canon tddk so I wrote it 😍
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Izuku slumped onto the couch, hand holding a glass filled with some pink drink that Ochako had pushed into his hand. He sniffed it. It smelt fine.
Shouto came down to sit beside him and Izuku immediately smiled. "Are you not going to be drinking this?" he asked, pointing to the sparkling pink drink.
Shouto made a face and Izuku's smile widened even more. He knew that Shouto was a lightweight. It was still fun to tease him.
"I saw Kaminari walk in with three different bottles earlier and I do not want to try any," Shouto said. "And," Shouto started a little shyly, "I should be asking this while sober."
Izuku turned to look at Shouto who looked a little nervous. "What is it?" he asked.
Shouto rested his head on the headrest, his head still turned towards Izuku so, Izuku mimicked his movement until both their heads were resting against the plush fabric of the couch and facing against each other.
"I was going to ask you much earlier but Bakugou had decided we make you a suit, so I'd waited until it was ready," Shouto said, all while holding eye contact. Izuku nodded, prodding him to continue.
Shouto smiled. "Would you start a hero agency with me?"
Izuku jerked forward in surprise and sloshed some of the pink drink onto his hand. He placed the glass on a nearby table, embarrassed, before going back to staring in shock at Shouto.
"You want to start an agency with 𝘮𝘦?"
Shouto flushed. "Well, of course, if you don't want to, I don't mind at all. But, yes, I'd love to start an agency with you."
Izuku shook his head vigorously. "No, I'd love that, too! But, aren't you worried that I became a hero just a week ago and am still a teacher?"
Shouto looked at him quizzically. "You've always been a hero," Shouto said and Izuku couldn't help but feel his cheeks flush with warmth. "And," Shouto continued, "you being a teacher isn't trouble at all. I think it's for the better. I don't know many rules. Even if I did, I might end up breaking them."
Izuku is suddenly reminded of Hosu from years ago, of them breaking a law and if Shouto immediately going to fight with the head of the police department. It wasn't a pleasant memory but, it still brought a smile to his face.
"Also," Shouto said, "your suit looks very nice. 𝘠𝘰𝘶 look very nice."
Izuku let out a startled laugh. "Are we trying flattery now?" he asked Shouto, who was grinning freely at him.
"Yes," Shouto replied. "Is it working?"
"Maybe," Izuku lied, because it was 𝘥𝘦𝘧𝘪𝘯𝘪𝘵𝘦𝘭𝘺 working. He looked over at Shouto, who was looking at him with such a soft look that Izuku knew that he could never deny him.
"Okay," Izuku agreed.
Shouto looked at him, surprised. "Okay?"
Izuku smiled. "Okay."
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